Podcasts about Sunspring

The Deep End with Joey Mudd with Scott Ritcher / Show #466 / May 3, 2023Kentucky Derby 2023 with Scott Ritcher of Metroschifter, Sunspring, and Slamdek RecordsDoug YoderLook At LouisvilleGary "Doc" DockeryIt's A Winner's Night In Louisville, KentuckyThe GigolosOne Mint JulepThe Friendly RoomFollow Me Back to LouisvilleBranchwaterKentucky's All I NeedScott RitcherHow We Got This WayScott RitcherYou're Not More AloneThe MetroschifterFinderThe MetroschifterThe Greatest Ballad Of All TimeThe MetroschifterFlatKinghorseAwakenShipping NewsAxons and DendritesRachel'sMime Van OsenThe IndigosBallad Of The 'BelleClarke C. HawleyYoung Man's FancyKendall HayesIt Gets Dark Early In LouisvilleHazel MillerLook What We Can Do LouisvilleCrainTen Miles of FictionSubstanceUndertowHopscotch ArmyRight To Be WrongThe PremiersAli ShuffleSir Mack RiceMuhammad AliBill HinsonBallad Of Colonel SandersSunspringHouseSister ShannonHaintScott RitcherIn Love With Night Hosted on Acast. See acast.com/privacy for more information.

Dustin, Leisa, and Kurtis discuss bots, algorithms, Lensa, NFT's, and how the Terminators are going to enslave us-starting with computer-generated art. Sunspring (2016) You can find Leisa's website at: https://indieitpress.com/ Dustin is on twitter at: @dustinwaine Dustin's instagram is: @dustinwaine Follow us on Instagram @american.mayhem Follow us on Facebook @AmericanMayhemPodcast Find us on Twitter @Podcast_Mayhem

“I have friends at large companies trying to solve this problem sending me 200-page engineering drawings… We have an idea and we build it.” Jack Barker, Founder and President, Innovative Water Technologies I first heard of Innovative Water Technologies' SunSpring water purification product when it was up for the People's Choice for the Colorado Chamber of Commerce's Coolest Thing Made in Colorado awards.  It's hard to imagine a more impactful product. With low price and extraordinary reliability, SunSpring is providing remote villages, disaster areas and the military with trustworthy drinking water.  All made in Rocky Ford, Colorado.  The origin story is fantastic, as is the mouth dropping sound byte I caught when I thought we were done.

Computer schreiben eigene Gedichte, Artikel, sogar Drehbücher. Die Texte lesen sich als wären sie von Menschen geschrieben, nur der Inhalt fehlt — wie bei ahnungslosen Stehgreifvorträgen oder Knickzettelspielen. Warum uns gerade das häufig zum Lachen und Weinen bringt erklärt die philosophische Anthropologie.

En este episodio les comento acerca del reto que implica hacer cine con IA, además de que les doy dos cortometrajes ya hechos por una.Espero les agrade y lo compartan con alguien más, además de que me dispares un cafe https://www.buymeacoffee.com/rsandov. Foto por Markus Winkler on Unsplash Película hecho por una IA de Oscar SharpSunspring.https://www.youtube.com/watch?v=LY7x2IhqjmcZone outhttps://www.youtube.com/watch?v=vUgUeFu2Dcw

https://blacklivesmatter.com/Truly fitting their honorific now, the Three People escape the desert test of the Dojir and make their way through the Calcite Flats towards the Sunspring. Having no idea what awaits them however, who knows what our heroes will be forced to confront in order to access the healing waters…

The Sunspring Metal Corporation is a leading producer of cast metal goods, manufacturing zinc and brass bathroom and door fittings.   The two new production lines are equipped with different machining technologies and have been fitted with EROWA Robots.   Aiding the automation further are EROWA workpiece tooling systems, measuring machines, wash stations and also the JMS 4.0 process control system. Jeff Yang, Senior Director of Engineering at Sunspring says “The aim was to improve plant effectiveness by reducing machine down-time, but at the same time, we had to ensure the produced parts would be of the highest quality and available on time.” Stable production processes are indispensable in tool and mould-making; and have to be guaranteed even when operating with minimum supervision or unmanned.   Sunspring chose EROWA to supply the automation for the two production lines.   One of the lines runs Makino machining centres as well as several wire EDM machine tools.   This set-up is served by a rail mounted EROWA Robot Dynamic 250 XT.   In addition, there is an EROWA CMM Qi measuring machine and an EROWA Lift. The EROWA Robot Dynamic is a flexible and extendable handling system for economical loading of machining centres.   It can automate the loading and unloading of up to eight machines by running on rails up to 20m long.   One of the important features for automated manufacturing of single parts and small batches is that the system can switch automatically between different pallet sizes.   The Robot Dynamic is suitable for loading large and small pallet loaded workpieces weighing up to 250kg with various machine loading options. The second line also consists of several machining centres that are complimented by several EDM machines. This line is served by an EROWA Robot Dynamic 500 on a rail.   Here, too, a C-M-M Q-i is in operation as well as an EROWA RoboSpa wash station. Palletised workpieces up to 500kg or up to 800 by 800 by 500mm can be loaded onto the machine tool safely and precisely with the Robot Dynamic 500.   It has an exchange gripper system that can handle almost all EROWA pallets and systems.   The robot switches to the relevant system according to the jobs it has been assigned.   This removes any obstacles in the way of mixed and flexible manufacturing. The EROWA Q-i measuring machines fitted to each of the lines have been designed to be shopfloor hardened, with solid granite tables and specially cast portal structures.   Stable linear axes move on high-precision rails with air bearings combined with symmetrical central axis drives to minimise the effects of thermal fluctuations.   Fully prepared for automatic loading, it can be integrated into automatic production systems without any problems.   The high-precision Renishaw measuring probe systems provide the highest degree of flexibility. The workpieces are also fitted with RFID chips, that relay all the real-time data about every available individual workpiece in the system at any moment.   This includes pre-setting, current magazine position, scheduled machining processes and so on.   Finally, EROWA’s J-M-S 4-point-0 Mold Line process control system is used for the overall control of the production lines.   Equipped with a wide variety of interfaces with order processing and production planning systems such as E-R-P, P-P-S, CAD and CAM, it means that direct imports and feedback becomes substantially faster and more secure. Jeff Yang says “The process control system is very important.   We wanted the production processes to be mapped in the control system, so when an order is created in the JMS 4.0, the individual steps are defined far ahead of the actual machining date.   Therefore, the availability of machines, electrodes and workpieces, as well as queries for CAM data, are part of the plan right from the start.” “The RFID chip identification of electrodes and workpieces is the nucleus of the solution.   Since the system has all the data of all the workpieces and is aware of their precise position in the process, there is always clarity about the state and correct execution of the work.   This provides the operator with certainties.”   Globally the company employs around 6,000 people and everyone at Sunspring is convinced that they have set the right course into the future with this automation investment.   Jeff Yang concludes by saying “We want to be ready for Industry 4.0.   So, all investments are geared towards the ongoing development of I4.0 and we are convinced that with EROWA, we've got the right partner on board.”

Questa settimana, un po’ in ritardo, abbiamo parlato di un film particolare… anzi più un corto.. che vi consigliamo di guardare! Anche perché dura solo 9 minuti e si trova su youtube (https://www.youtube.com/watch?v=LY7x2Ihqjmc)! Download del podcast

If there's one thing that sets people apart from machines, it's creativity, right? Automation may take over certain jobs, but what happens when algorithms start to learn from our work to create their own? This episode, we speak with people using AI to generate films, poetry, music, and even recipes. And the founder of Google X, Sebastian Thrun, explains what's powering this new wave of AI. In this episode: Ross Goodwin and Oscar Sharp of Sunspring, Janelle Shane of AI Weirdness, Drew Silverstein of Amper, Sebastian Thrun of Kittyhawk, Cristobal Valenzuela of Runway ML. Check out Magenta's AI Music tools here. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

El artículo 156. Análisis del primer guion escrito por inteligencia artificial se publicó primero en David Esteban Cubero. Hace dos años se rodó el primer cortometraje con guion escrito por inteligencia artificial: Sunspring. La película de 9 minutos se presentó en el Festival de Ciencia-Ficción de Londres y quedó entre las diez primeras en una competición. ¿Qué contenía ese guion escrito por una máquina? Hoy lo leemos y analizamos en Guiones y guionistas. […] El artículo 156. Análisis del primer guion escrito por inteligencia artificial se publicó primero en David Esteban Cubero.

In today’s episode we’re joined by Debajyoti Ray, Founder and CEO of RivetAI, a startup producing AI-powered tools for storytellers and filmmakers. Rivet’s tools are inspired in part by the founders’ collaboration with the team that created Sunspring, a short, AI-written film starring Silicon Valley’s Thomas Middleditch, which you may have seen when it was making the rounds a while back. Deb and I discuss some of what he’s learned in the journey to apply AI to content creation, including how Rivet approaches the use of machine learning to automate creative processes, the company’s use hierarchical LSTM models and autoencoders, and the tech stack that they’ve put in place to support the business. For the complete show notes for this episode, visit twimlai.com/talk/178.

Scott Ritcher lives in Stockholm, Sweden, but recently came back to Louisville to batch and promote his own Bedtime Bourbon. Before his exodus, he fronted influential bands Sunspring and Metroschifter and founded the legendary Louisville music label SLAMDEK. He also helped run Initial Records and published his own zine, K. Composite. Oh yeah, and he ran for mayor! He sat down with JC to talk about being an ex-pat, immersing himself in DIY culture, bourbon, and more... This episode is sponsored by Cobra Verde and Dauntless Distributing.

Last year, the film development and production company End Cue produced a short film, called Sunspring, that was entirely written by an artificial intelligence using neural networks. More specifically, it was authored by a recurrent neural network (RNN) called long short-term memory (LSTM). According to End Cue’s Chief Technical Officer, Deb Ray, the company has come a long way in improving the generative AI aspect of the bot. In this episode, Deb Ray joins host Kyle Polich to discuss how generative AI models are being applied in creative processes, such as screenwriting. Their discussion also explores how data science for analyzing development projects, such as financing and selecting scripts, as well as optimizing the content production process.

What does “artificial creativity” mean, and how does the notion we have of it challenge our idea of creativity and creation? Does artificial intelligence and creativity pose a threat to creativity and artistic creation? Could it do so in the near future, and could co-existence or even collaboration between human and artificial creativity be envisioned in a future of creative expression? These questions will be explored by Margaret Boden, in conversation with Ross Goodwin — AI researcher at New York University and creator of Sunspring's AI script writer —, and artists Florian Dohmann (part of art collective YQP) and Roman Lipski, as they explore the analytic, critic and prophetic questions regarding artistic engagement with AI, cutting-edge scientific research and audience questions. Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/night_of_artificial_creativity_teil_2?nav_id=6769

What does “artificial creativity” mean, and how does the notion we have of it challenge our idea of creativity and creation? Does artificial intelligence and creativity pose a threat to creativity and artistic creation? Could it do so in the near future, and could co-existence or even collaboration between human and artificial creativity be envisioned in a future of creative expression? These questions will be explored by Margaret Boden, in conversation with Ross Goodwin — AI researcher at New York University and creator of Sunspring's AI script writer —, and artists Florian Dohmann (part of art collective YQP) and Roman Lipski, as they explore the analytic, critic and prophetic questions regarding artistic engagement with AI, cutting-edge scientific research and audience questions. Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/night_of_artificial_creativity_teil_2?nav_id=6769

Can AI be creative? Or is creativity one of the few realms where humans cannot be replaced by machines, software and automation? In cooperation with the Berlin-Brandenburgische Akademie der Wissenschaften, STATE presents an evening with talks, artist presentations and performances on the topic of Artificial Creativity, the final events in the academy's two day program “How do new ideas come into being? Analog thinking in science and art — Leibniz's idea of invention”. These sessions ask the question: Can AI be creative? Or is creativity one of the few realms where humans cannot be replaced by machines, software and automation? The program will kick off with the screening of "Sunspring”, a short science fiction movie written entirely by AI. Then, our keynote speaker will be Margaret Boden, author of “Creativity and Art: Three Roads to Surprise” and research professor of cognitive science at Sussex University's Department of Informatics. Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/night_of_artificial_creativity_teil_1?nav_id=6677

Can AI be creative? Or is creativity one of the few realms where humans cannot be replaced by machines, software and automation? In cooperation with the Berlin-Brandenburgische Akademie der Wissenschaften, STATE presents an evening with talks, artist presentations and performances on the topic of Artificial Creativity, the final events in the academy's two day program “How do new ideas come into being? Analog thinking in science and art — Leibniz's idea of invention”. These sessions ask the question: Can AI be creative? Or is creativity one of the few realms where humans cannot be replaced by machines, software and automation? The program will kick off with the screening of "Sunspring”, a short science fiction movie written entirely by AI. Then, our keynote speaker will be Margaret Boden, author of “Creativity and Art: Three Roads to Surprise” and research professor of cognitive science at Sussex University's Department of Informatics. Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/night_of_artificial_creativity_teil_1?nav_id=6677

Today we do something weird, in honor of the end of the second season! Instead of coming up with a future and then finding experts to talk about it, I asked an AI to write a future for us. And the AI apparently wants us to talk about space travel, witches, and the occult.    So here’s what happened in this episode. I asked Mike Rugnetta, the creator and host of PBS Idea Channel and Reasonably Sound, to help me create a script for Flash Forward. Mike had done this for his own channel a few months ago.    Around the same time that Idea Channel video came out there was this short film that came out called Sunspring which was written by an AI named Benjamin. The guys behind Benjamin fed a neural network a huge corpus of science fiction scripts, everything from Avatar to Armageddon to Resident Evil to Spiderman. And they asked that AI to write them a script. And then they spent one day with a cast, filming the movie that Benjamin wrote for them. I totally recommend watching it.    And so I thought, what if, I fed an AI all the future scenes we’ve ever done on this show, and asked it to write one for me? And then, I have to figure out what that future is, and how we would get there. So that’s what we’re going to do on this episode. I compiled all the futures we’ve ever traveled to on this show, and sent them to Mike, and he fed them to this neural network he already had set up to make his video. And he then sent me the results. And what came out that first time was just complete nonsense. Because the system really needs more material than I had to feed it. On the show we’ve traveled to 41 futures, which in the grand scheme of things actually isn’t all that much text. So on top of all the futures we’ve done, I added two big chunks of text: the script for The War of the Worlds, and the script for the 1979 Hitchhiker’s Guide to the Galaxy radio play.    And here’s what the AI wrote. You can see the full script (and leave your interpretation of the AI future) here.    I will confess that my first thought when I read the script was: “what the hell am I supposed to do with this?” But, I am never one to back down from a challenge, even if that challenge is self imposed, so I sent this little intro to a bunch of smart people, and asked them what future they saw here.     First we talk to Miriam Kramer, the senior space reporter at Mashable, about how easy (or hard) it would be for witches to travel to and from Mars.     Then I called up Annalee Newitz, to get her take on the witches and how the themes in this scene fit in with the broader science fiction landscape. (Fun fact, Annalee is the person who first asked me to do a podcast for Gizmodo, and thereby birthed Flash Forward! Yay Annalee!)    Then we turn our attention to the witches, and bring back Damien Williams, who you heard on our episode about conscious AI. Damien writes a lot about technology and the occult (I recommend this 2015 Theorizing the Web panel about it, featuring him and lots of other smart people) and he weighs in on the future of witches, how tech and magic aren’t all that different, and what the AI might mean by “behanding.”    And last but not least, we talk to the brains and voices behind Spirits Pod, a new podcast about mythology. Julia Schifini and Amanda McLoughlin have been best friends since childhood, and co-host a podcast all about myths and legends that I very much enjoy. And the two of them had all sorts of fun and interesting stuff to say about this witchy future. Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter, Nick and Fraser discuss the film Sunspring, written by an artificial intelligence. Is it a novelty or a sign of things to come?

     So I booked Jake and Derek to talk about their new escape the room. Then it turns out they also made the film "I am Santa Claus" and run Top Rope Tuesday and Pro Wrestling crate. What a great get for the podcast! This week we talk about Sunspring, Wizards vs Aliens and Microsoft at E3. Plus it is the return of "Higher Level" on Host vs Guest vs Audience. For More Derek and Jake: Website Facebook Twitter Instagram I Am Santa Claus Top Rope Tuesday Pro Wrestling Crate Wrestling Twitter This episode of the +2 Comedy Podcast is brought to you by AWellRunLife.com Things we talk about:  Sunspring How to Make Pork Chops: Jake’s pork chops (now these are oven pork chops because this recipe is for cooking in my apartment that Sara also lives in and she seems to have something against a proper “pork chop haze” that you get when you grill them in a skillet) Put on some music, I think Tom Waits is good pork chop music, or maybe Nick Cave. I don’t know man, what do you hear in your head when you think about pork chops? Get out some kinda big pan, i don’t know, one of those clear Pyrex-y ones is what I usually use, and then coat it with some oil, i usually use coconut oil spray, cause I like how it smells, but you do you, ya know? Lay the pork chops in the pan, evenly spaced apart (i don’t think i had to say that, but just in case) Now put a bunch of junk on them, whatever you want. But if you wanna do it my style, here’s how I do: Dab little dots of sriracha, then grind some pepper and sprinkle on some bacon salt (you might be all like “Bacon salt on pork chops? that’s a bit much”, and if so, you sound like someone who needs to shut up) Now rub them all into the pork chop with your finger and give a weird glaze, then flip them over and repeat the process. (wash yours hands immediately, because that stuff is no joke if you scratch your eye with it still on there) Now you let it sit and soak up all that stuff, usually while you preheat the oven to 400 is good, i guess, i never really notice a difference, but then again our oven heats up crazy slow. (if you have cats, or a gross, dusty place, lay a paper towel over the pan or something. or don’t… i mean, how bad can it be?) Now just wait for the oven, i guess. I don’t really have to write this part, but while I’m here I might as well. Maybe empty/load the dishwasher or something to make use of the time. I mean, you already got some jams playing, so it should be kinda fun (i switched to Juliette and the Licks at this point, i know that’s kind of a 180 from the tom waits i started with, but whatever man, pork chops don’t mind) Okay, the oven is ready, so put them in. No, I didn’t forget to “brown the edges”, remember earlier, i said this is the no-skillet version. Who’s in charge here, anyway? Now, I think pork is safe to eat at 145 degrees, but I like mine at 160, so we’re gonna leave them in for 10 minutes and then check on them, and them keep checking on them until they’re 160 degrees. Now that we have some time to wait again, i GUESS i’ll mention that Sara always says you should have like “sides” and “vegetables” with dinner instead of just eating pork until you’re full like a goddam warrior. So if you WANT to do it that way, i would make… i don’t know, peas? I like corn, maybe succotash if you got it. Alright, they’re done, now you can eat them. Or whatever you had planned to do with them.

David, Devindra, and Russ Fischer discuss James Wan’s The Conjuring 2. In the After Dark, they discuss the AI-scripted film, Sunspring and list their most anticipated films of the summer. Then, in an impromptu After After Dark, Oscar Sharp and Ross Goodwin, the creators of Sunspring, join the conversation! You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook! SHOWNOTES Featured Review (02:00) The Conjuring 2 After Dark (32:15) Follow-up Sunspring Our most anticipated films of the summer After After Dark (1:03:00) The creators of Sunspring Credits Our music sometimes comes from the work of Adam Warrock. You can download our theme song here. If you’d like advertise with us or sponsor us, please e-mail slashfilmcast@gmail.com. Contact us at our voicemail number: 781-583-1993 You can donate and support the /Filmcast by going to slashfilm.com and clicking on the sidebar “Donate” links! Thanks to all our donors this week! Learn more about your ad choices. Visit https://megaphone.fm/adchoices For information regarding your data privacy, visit https://www.acast.com/privacy

BONUS TALK: Als kleines Add-On zur K.I.-Diskussion mit Daniel und Paula sprechen Arne und Daniel über SUNSPRING, einen Kurzfilm dessen Drehbuch vom "recurrent neural network called long short-term memory, or LSTM" geschrieben wurde. Ein kleiner Podcast-Quickie, in dem wir kurz umreißen, warum das (noch) nicht klappen kann und die Absurdität des Werkes feiern.