Forgotten Cinema

Welcome to the very first episode of Last Four! Field's new solo series where he breaks down the last four movies he watched: what worked, what didn't, and who each film is really for. No rankings. No hot takes for the sake of hot takes. Just honest reactions.This week's lineup is… all over the place in the best way:

This week on Forgotten Cinema, the Mikes revisit "The Way of the Gun", Christopher McQuarrie's sharp, character-driven crime thriller and directorial debut.Both Mike Butler and Mike Field really enjoy this one. The performances are firing on all cylinders, with the legendary James Caan bringing gravitas and menace to every scene he's in. Benicio Del Toro and Ryan Phillippe anchor the film as two genuinely bad men, not misunderstood antiheroes, but criminals who are unapologetically who they are. That commitment to morally compromised characters gives the film a harder edge than most crime thrillers of its era.McQuarrie's first outing behind the camera shows remarkable confidence, with tight dialogue, grounded action, and characters who always feel true to themselves. Butler suspects younger him would have absolutely loved this film, while Field appreciates it even more now, finding its maturity and restraint more compelling with age.Dark, deliberate, and unapologetically adult, "The Way of the Gun" stands as one of the stronger crime films of the early 2000s and a reminder of how effective simple, character-focused storytelling can be.What's your favorite film about a bad guy(s) where they are the lead and actually ARE the bad guy? Let us know in the comments!

This week on Forgotten Cinema: Lead Up, the Mikes tackle "Scream" (2022), or as it should be called, "Scream 5".As the first entry in the franchise not directed by Wes Craven, this chapter is in the hands of Radio Silence, and both Mike Butler and Mike Field think they do a strong job carrying the torch. The film delivers solid kills, balances legacy characters with a new generation effectively, and even manages to handle the death of a major returning character with respect and emotional weight.The connection to the original film is well woven into the story, grounding the new cast in the mythology without feeling entirely forced. That said, the Mikes do have a few issues; the Billy Loomis twist is a bit hard to swallow, and some of the logic behind Ghostface's kills does not quite hold up under scrutiny.Even with those criticisms, "Scream 5" stands as a confident and entertaining revival of the franchise, proving that the series can survive beyond its original creator. As the penultimate episode in the Scream Lead Up series, it sets the stage nicely for one final stop before "Scream 7".So join the Mikes as the go through each film in the "Scream" saga leading up to the release of "Scream 7".What are your thoughts on these Radio Silence Screams? Let us know in the comments!

This week on Forgotten Cinema, the Mikes revisit "Yesterday", the musical romantic fantasy built around one impossible question: what if The Beatles never existed?Mike Butler absolutely loves this film. Growing up a Beatles fan, he not only enjoys hearing the music reintroduced in a new context, but also seeing the impact those songs would have even if the world had somehow forgotten the band. Himesh Patel delivers a strong lead performance, bringing both sincerity and vocal talent to the role, while Lily James shines as his longtime friend and love interest. Their chemistry carries the emotional heart of the film, even if both Butler and Mike Field agree it is a bit frustrating that Patel's character cannot see what is so clearly in front of him.Kate McKinnon also stands out as his sharp-edged manager once fame starts to take hold, adding a fun industry satire layer to the story.One thing both Butler and Field appreciate is that the unexplained “magic” behind The Beatles never existing is never overexplained or undone. The film simply accepts it as reality and focuses instead on themes of art, authenticity, love, and what it means to be an artist in a world obsessed with fame.With timeless music, a sweet love story, and relatable creative themes, "Yesterday" is a charming and heartfelt watch that will likely have you queuing up The Beatles long after the credits roll.What's your favorite film about music? Let us know in the comments!

This week on Forgotten Cinema: Lead Up, the Mikes continue their road to "Scream 7" with "Scream 4", Wes Craven's return to Woodsboro more than a decade after the original trilogy.Both Mike Butler and Mike Field still enjoy this entry, especially for its strong kills and surprisingly ahead-of-its-time themes about streaming culture, internet fame, and the performance of violence for an audience. The film feels eerily prescient in how it tackles social media obsession before it completely took over the world.That said, there is a lot of unmined potential here. Butler feels the third act drops the ball slightly with a convenient ending and not doing quite enough with the Ghostface killers in the final stretch. Both Mikes also agree that Hayden Panettiere's Kirby could have been positioned as the new Final Girl. With her horror movie expertise and charisma, she could have served as a fascinating long-term foil to Ghostface.The Mikes also dig into the long-standing rumor that "Scream 4" was intended to launch a new trilogy centered on a killer who gets away with it, only to be hunted by new Ghostfaces in future installments. It is an intriguing idea that makes the existing ending feel like a missed opportunity.Still sharp, still brutal, and more relevant than ever, "Scream 4" stands as a bold attempt to reinvent the franchise, even if it stops just short of fully committing to its most interesting ideas.So join the Mikes as the go through each film in the "Scream" saga leading up to the release of "Scream 7".What are your thoughts on this current end of the "Sydney" saga and how it compares to your opinions of 5 and 6? Let us know in the comments!

This week on Forgotten Cinema, the Mikes revisit "Return to Me", the heartfelt romantic comedy starring David Duchovny and Minnie Driver.Mike Field has long had a soft spot for this one, while Mike Butler watched it for the first time. Both thoroughly enjoy the film. Even though it opens with the sudden death of Duchovny's wife and the emotional setup of a heart transplant, the movie manages to stay surprisingly upbeat, cheerful, and warm throughout.The ensemble cast is a huge part of what makes it work. Jim Belushi and Bonnie Hunt shine as Minnie Driver's sister and brother-in-law, bringing humor and heart to nearly every scene they are in. Robert Loggia and Carroll O'Connor also add a comforting, lived-in charm that elevates the entire film. The movie captures that late 90s and early 2000s romantic comedy magic in the best way.Sweet, sincere, and genuinely charming, "Return to Me" is the kind of rom-com that reminds you why the genre used to feel so effortless and heartfelt.What's your favorite late 90's early 00's romcom? Let us know in the comments!

This week on Forgotten Cinema: Lead Up, the Mikes continue their road toward "Scream 7" with "Scream 3", the most divisive entry in the franchise.Coming off "Scream 2", the highest-reviewed film in the series, "Scream 3" holds the unfortunate distinction of being the worst reviewed. Mike Field still enjoys the movie, but it is his least favorite of the franchise so far. His biggest issue comes down to the killer reveal, which he finds underwhelming, especially when you factor in the original script, the late production change to a single killer, and the moments where you can clearly tell the film was staged for two Ghostfaces.Mike Butler also enjoys the film, especially the Gale & Dewey relationship, but shares some of those frustrations. He would have preferred the climax to stay within the Hollywood studio setting that the movie spends so much time establishing, rather than shifting to a Scooby-Doo-style mansion. He also argues that Patrick Dempsey being revealed as the killer and Sidney's half-brother would have made far more sense both narratively and thematically.Despite its flaws, "Scream 3" is still a fun watch. The kills are inventive, the meta elements continue to evolve, and Parker Posey is a standout as the actress portraying Gale Weathers in the Stab films within the film. It may be messy and compromised, but it still understands the spirit of the franchise and delivers plenty to enjoy.So join the Mikes as the go through each film in the "Scream" saga leading up to the release of "Scream 7".Are you sad we never got to see a full episode of "100% Cotton"? Let us know in the comments!

This week on Forgotten Cinema: Lead Up, the Mikes continue their journey toward Scream 7 by revisiting "Scream 2", the rare horror sequel that arguably improves on the original.Mike Butler absolutely loved this rewatch. From its themes and character arcs to the kills and the eventual villain reveals, he feels "Scream 2" sharpens nearly every idea introduced in the first film. The movie leans harder into its meta commentary, expands its cast in meaningful ways, and raises the stakes without losing what made the original work.Mike Field also enjoys the film quite a bit, though he does feel the runtime runs a little long. Even so, both Mikes agree that the performances, the escalation of the story, and the confidence in its execution make this one of the strongest entries in the franchise.Often cited as the highest-rated film in the series, "Scream 2" stands as proof that horror sequels can be smarter, bigger, and more effective when they understand exactly what made the original resonate.So join the Mikes as the go through each film in the "Scream" saga leading up to the release of "Scream 7".Were you able to guess the killers when you saw Scream 2 for the first time? Let us know in the comments!

This week on Forgotten Cinema, the Mikes trek through "Cold Mountain", Anthony Minghella's sweeping Civil War drama starring Jude Law, Nicole Kidman, and Renée Zellweger, that both of them ultimately enjoyed, even while acknowledging its many hurdles.The film has a lot working against it. The dialogue often feels pulled straight from the novel, the tone is relentlessly dreary, and at 154 minutes it asks a lot of its audience. Mike Butler and Mike Field also struggle with the central romance, finding it hard to believe that Kidman's and Law's characters would risk everything for a relationship that never really existed.Despite those issues, the Mikes agree that "Cold Mountain" tells a compelling story and contains several genuinely powerful moments. Strong supporting performances, striking imagery, and episodic stretches of the journey help elevate the film beyond its flaws.It may be long, heavy, and imperfect, but "Cold Mountain" still leaves an impression and offers enough substance to make the journey worthwhile.

The Mikes are starting their "Scream" Lead Up series with the original film. Mike Field loves this film and the Scream series as a whole; there's not much if anything he can find wrong with Wes Craven's original film. Mike Butler didn't quite "get it" when he was younger. It was a bit too meta for him and he wasn't as knowledgeable at the time about horror films. Now that he get's it, he still has the same big issue...Billy Loomis. They discuss facts about it's production, how it plays with horror tropes, why Ghostface is a great killer, and what makes "Scream" one of the seminal horror films of all time. So join the Mikes as the go through each film in the "Scream" saga leading up to the release of "Scream 7".Which "Scream" are you looking forward to us discussing the most? Let us know in the comments!

This week on Forgotten Cinema, the Mikes revisit "In Good Company", '00s workplace dramedy starring Dennis Quaid, Topher Grace, and Scarlett Johansson.Both Mike Butler and Mike Field like this film quite a bit. It has a warmth to it that still works, anchored by strong performances and a story that taps into the fear and uncertainty of a changing corporate landscape. That said, the movie struggles a bit with perspective. The Mikes discuss how it never fully decides whether Topher Grace or Dennis Quaid is the true protagonist, which muddies the emotional throughline.Butler also has some issues with the choices Quaid's character makes, finding that certain decisions do not ring true. And while the ending is satisfying on a surface level, it leans heavily into a very Hollywood resolution, tying things up a little too neatly for characters supposedly pushing back against corporate conformity and somehow winning.Even with those flaws, "In Good Company" remains a likable, well-meaning film with plenty of heart and enough insight to make it worth revisiting.

This week on Forgotten Cinema: Now Showing, the Mikes are talking about Matt Damon and Ben Affleck's new movie, "The Rip". And just like almost every single Netflix film...it's fine. Mid. Meh.Mike Butler and Mike Field discuss how the great performances by Damon and Affleck push this film slightly above the Netflix norm. But poor writing, dark and empty sets with a skeleton cast keep this film from being all that it can be. Is this the future of cinema? Do we have to hear them say they have to get "the rip" 9000 times to remind second screen audiences what's going on?Seems to us like it's mostly just films you'd find in the DVD bargain bin at your local superstore.

This week on Forgotten Cinema, the Mikes discuss "A Man Apart", a gritty early-2000s action thriller that Butler remembered liking as a teenager, but this time...not so much.Mike Butler and Mike Field are not fans. While Vin Diesel does a good job, the movie falls apart on nearly every level. The plot is a mess, the writing is weak, the action lacks impact, and the overall execution never comes together. It manages to hit all the usual beats of early-2000s gritty action cinema, but in all the wrong ways.Ironically, that makes for a very fun conversation. The Mikes dig into why "A Man Apart" serves as a perfect example of that era's style without the substance to support it.A rough watch, but an entertaining breakdown.What's your favorite Vin Diesel role other than Toretto or Riddick? Let us know in the comments!

This week on Forgotten Cinema, the Mikes revisit Curtis Hanson's "Wonder Boys". A funny character drama about authors.Both Mike Butler and Mike Field really enjoy this film, especially its performances and lived-in storytelling. Michael Douglas delivers one of his most relaxed and likable roles, supported by an excellent ensemble, including Tobey Maguire and Robert Downey Jr, that gives the movie its healthy dose of charm.Butler's one sticking point comes near the end. It's not that the film opts for a happy ending, but that everything falls a little too neatly into place for Douglas' character, leaning into a Hollywood resolution that feels slightly too convenient. Even so, that criticism barely dents what is otherwise a terrific film."Wonder Boys" is one of those movies that rewards revisiting and is easy to recommend to anyone looking for a movie for grown-ups about grown-ups.

This week on Forgotten Cinema, the Mikes head into Charlestown with "The Town", Ben Affleck's tense and character-driven crime drama.Both Mike Butler and Mike Field are big fans of the film. They praise the performances across the board, the tightly constructed story, and the way Boston itself feels like a living, breathing character woven into every scene. The film balances crime, character, and atmosphere in a way that keeps it gripping from start to finish.That said, the Mikes still have a few notes. Field would have liked the movie to lean even harder into its heist elements, while Butler feels Blake Lively's character, despite being essential to the setup of the climax, needed more to do to fully justify her narrative importance.Even with those small critiques, "The Town" remains a standout modern crime film and one both hosts were happy to revisit.What's your favorite Boston-based film? Let us know in the comments!

This week on Forgotten Cinema, the Mikes tackle "12 Monkeys", this season's Audience Choice episode and a film that, despite its reputation, just doesn't click for either of them.Mike Butler went in hoping his opinion might change this time around. As a big fan of "Brazil", he wanted to connect with Terry Gilliam's mix of sci-fi and absurdism. Unfortunately, his feelings haven't shifted since first seeing it decades ago. Both Mike Field and Butler find the performances from Bruce Willis and especially Brad Pitt pushed too far into manic territory, making it hard to buy into the story.They also struggle with the central relationships and logic of the film. The idea that the doctor would go along with Willis at all, let alone develop romantic feelings for him, feels completely unbelievable. Tonally, the movie seems stuck between wanting to be a serious science fiction story and an absurdist Gilliam nightmare, and it never settles on what it actually wants to be.While they do appreciate the production design, props, and costumes used for the future sequences, the rest of the film falls flat for them. Still, with "12 Monkeys" being so well regarded by many, the Mikes openly acknowledge that this might be one of those "it's me, not you" moments.

This week on Forgotten Cinema, the Mikes ring in the holidays with "Why Him?", the chaotic Christmas comedy starring Bryan Cranston and James Franco.Both Mike Butler and Mike Field enjoy the film for what it is. It's loud, crass, and occasionally very funny. That said, the movie never quite reaches its full comedic potential. The Mikes agree it could have used more fully realized comedy set pieces and a clearer sense of who the main character actually is, as the focus often feels split between competing perspectives.Despite those issues, the core dynamic works well enough that the film almost feels like a backdoor pilot for a sitcom or spin-off. There's a solid foundation here for something episodic, where the characters and conflicts could breathe a little more and let the comedy build naturally.A flawed but enjoyable holiday watch, "Why Him?" lands somewhere between guilty pleasure and missed opportunity.What's your favorite non-traditional holiday comedy? Let us know in the comments!

This week on Forgotten Cinema: Now Showing, the Mikes close out their Benoit Blanc journey with "Wake Up Dead Man", joined by a special guest: writer, director, and cinematographer Steven Bernstein.All three agree that this is the strongest entry in the Knives Out trilogy. While Mike Butler still prefers "Knives Out" overall, he feels "Wake Up Dead Man" is far more confident in its mystery, avoids the distracting mid-film twist structure, and finally gives Benoit Blanc real character development instead of turning him into a caricature.Steven Bernstein praises the film primarily for its characters, even while acknowledging that some still veer a bit too far into farce, with the notable exception of Josh O'Connor's standout performance. Butler responds more strongly to the film's mystery and narrative focus, appreciating how the story unfolds without relying on gimmicks.One thing everyone agrees on: "Glass Onion" remains the weakest of the trilogy by a wide margin.With a thoughtful guest perspective and a deeper dive into what makes a mystery truly work, Mike Field and Mike Butler break down why "Wake Up Dead Man" feels like the series finally firing on all cylinders.Follow Steven Bernstein on Instagram @stevenbernsteindirectorwriter Check out his IMDB page!www.imdb.com/name/nm0077149/?ref_=mv_closeAnd his Amazon author page www.amazon.com/stores/Steven-Bernstein/author/B0F7M88J2Q?ref=ap_rdr&shoppingPortalEnabled=true

This week on Forgotten Cinema, the Mikes revisit "Reindeer Games" (2000), a late-90s/early-2000s crime thriller that lands squarely in the “fine, but flawed” category.Both Butler and Field agree the movie is watchable, but just barely. The plot quickly starts to unravel, relying on Ben Affleck's character, Rudy and our villain, played by Gary Sinise, to make a series of frustratingly dumb decisions. The central twist involving the true mastermind only makes things worse, hinging on an absurd amount of coincidence and lucky timing to work at all.That said, the performances help keep the film afloat, and the sheer ridiculousness of the story becomes part of its charm. The noir-inspired style, snowy setting, and hard-boiled attitude actually work in the film's favor, giving it a vibe that's more enjoyable than the script probably deserves.So while "Reindeer Games" never quite comes together as a smart thriller, it remains a curious, messy entry from its era that's easy enough to watch if your expectations are set appropriately.What's your favorite holiday action/thriller (that isn't "Die Hard")? Let us know in the comments!

This week on Forgotten Cinema, the Mikes head back to the gritty mid-2000s with "Four Brothers" (2005), John Singleton's revenge-fueled action drama.Mike Butler has a soft spot for this one; partly out of nostalgia for the early-00s wave of gritty, street-level action movies, and partly because "Four Brothers" still delivers a certain messy charm. The energy, the brother dynamics, and the rough-edged style all hit the way they're meant to.Mike Field, however, isn't buying it. He struggles with Mark Wahlberg's improvisational approach, finds the action too over-the-top to fully suspend disbelief, and thinks the movie's drama doesn't land strongly enough to justify the chaos.What the Mikes do agree on is the standout performance from Chiwetel Ejiofor, who elevates every scene he's in and gives the film a much-needed dose of grounded menace.So is "Four Brothers" a gritty throwback worth remembering, or a chaotic blend of tones that doesn't come together? The Mikes break it all down—brotherhood, bullets, and all.

This week on Forgotten Cinema, the Mikes clock in with "The Intern" (2015), Nancy Meyers' feel-good comedy starring Robert De Niro and Anne Hathaway.Both Mike Butler and Mike Field really enjoy this one. Yes, it's sweet, uplifting, and maybe a little too saccharin at times, but it delivers exactly the warm, comforting tone it's aiming for. De Niro and Hathaway have fantastic chemistry, and the film's steady, upbeat vibe makes it one of the more genuinely pleasant modern studio comedies.The Mikes do take issue with a stretch of drama that arrives about halfway through the movie. It feels forced, a little too Hollywood, and somewhat undercuts the strength of Hathaway's character by the time the film wraps up. But, "The Intern" is an uplifting film about mentorship, connection, and finding purpose at any age, so it's easy to forgive the missteps.Overall, it's an easy watch, a charming film, and a reminder that sometimes “feel-good” doesn't have to be a bad thing.

This week on Forgotten Cinema, Mike Butler and Mike Field enlist for "Stripes" (1981), the early-80s Bill Murray/Harold Ramis comedy directed by Ivan Reitman.Butler has always had a soft spot for "Stripes"; he finds it fun, funny, and full of great bits, even if the movie goes completely off the rails in the third act with its top-secret Winnebago rescue mission behind Soviet lines. To him, the charm still lands, and the film plays like a proto-"Ghostbusters", where you can clearly see the seeds of Bill Murray, Harold Ramis, and Ivan Reitman finding the comedic rhythm they'd perfect a few years later. It's nowhere near "Ghostbusters" in terms of quality, but there's still plenty here he enjoys.Field…does not share that affection. While he insists he doesn't hate the movie, he doesn't like the characters, he doesn't like the jokes, and he doesn't find much of the story appealing at all. For him, "Stripes" lands closer to a relic than a comedy classic.So is "Stripes" an early comedy gem that deserves its fans, or just a messy draft of better things to come? The Mikes break it down; one laugh, and one grimace, at a time.

This week on Forgotten Cinema, the Mikes pour one out for "Another Round" (2020), the Danish drama-comedy that deserved far more attention than it got.Both Mike Butler and Mike Field really enjoy this film; the performances are excellent across the board, especially from Mads Mikkelsen, who delivers one of his most emotionally layered roles. The film walks a tricky tonal tightrope, balancing humor, melancholy, and hard truths about addiction, midlife crisis, and the search for meaning.The Mikes discuss how the movie's message lands gracefully without preaching, and how its final stretch (especially that unforgettable dance scene) cements it as something special. They also talk about why the film slipped under the radar for so many viewers: despite awards recognition, Another Round launched as a foreign-language release during the pandemic, which sadly, severely limited its reach.A smart, moving, beautifully acted film that more people should see.What's your favorite film about drinking?

In a new Forgotten Cinema: Now Showing, the Mikes head out into "Predator: Badlands", the newest entry in the Yautja franchise.Both Mike Butler and Mike Field had a fun time with this one; the action works, the world is engaging, and making a Yautja the protagonist is a bold swing that mostly pays off. Elle Fanning delivers strong performances as both Thia and Tessa, grounding the story even when the movie leans heavily into its video-game vibe.But that's also where the film hits its ceiling. As Butler points out, Badlands often feels like a really well-made video game you'd rather be playing than watching. It's fun, fast, and entertaining in the moment…but pretty forgettable once you leave the theater.And as much as we appreciate the franchise trying new things, the Mikes can't help but wonder if it's finally time to bring back the classic Predator design in full glory.Another solid entry, but not one that will stay in your head—or spine—too long.

This week on Forgotten Cinema, the Mikes dive into "Charlie Wilson's War" (2007), the sharp, witty, and surprisingly accessible political drama written by Aaron Sorkin and directed by Mike Nichols.Both Mike Butler and Mike Field really enjoy this film for its stellar performances across the board; especially from Philip Seymour Hoffman, who steals every scene he's in. His portrayal of CIA operative Gust Avrakotos brings some of the best dialogue and energy in the film, including one of Field's favorite movie scenes of the last 30 years.The Mikes discuss how Sorkin's script delivers complex political maneuvering and historical context with humor and clarity, never getting bogged down in heavy-handed messaging while still hinting at the long-term consequences of the events depicted. Smart, funny, and full of quotable lines, "Charlie Wilson's War" stands as both an engaging character study and a reminder of how power, charm, and ego can shape history.

To kick off Season 23 of Forgotten Cinema, the Mikes fly dangerously close to the sun with Danny Boyle's "Sunshine" (2007) starring Cillian Murphy, Chris Evans, and Mark Strong.Both Mike Butler and Mike Field appreciate the film's concept and its stellar performances. It's a visually stunning, often awe-inspiring piece of sci-fi filmmaking. But the deeper they dig into the story, the more the cracks start to show; plot holes, frustrating character decisions, and a third-act shift that feels like it belongs to a completely different movie.Still, "Sunshine" remains a fascinating sci-fi entry worth watching for its ambition alone. It's a film that soars when it leans on its ideas and visuals…and burns up a bit when it drifts too close to chaos.

This Halloween, Forgotten Horror 7 sinks its teeth into one of the most hauntingly beautiful vampire films ever made, "Let the Right One In" (2008).Both Mike Butler and Mike Field are huge fans of this Swedish horror masterpiece. With stunning direction, striking cinematography, and incredible performances, the film redefines what a vampire story can be; blending the supernatural with young love.The Mikes explore how "Let the Right One" In approaches vampire lore in fresh, unexpected ways while telling a much deeper story. They also touch on the inevitable American remake; understanding why it exists, but still questioning why anyone felt the need to remake something already so perfect.Whether you're revisiting it or discovering it for the first time, "Let the Right One" In is the perfect film to close out spooky season: chilling, heartbreaking, and unforgettable. All on a snowy backdrop that's perfect to usher in the winter season.What's your go-to Halloween watch?

This week on Forgotten Cinema: Now Showing, the Mikes are fighting some really douchey zombies.After recently interviewing the filmmakers behind "ZombieCON Vol. 1", Butler and Field dive into the finished film itself. Both are impressed by the passion and craftsmanship that went into this indie horror-comedy. It's clearly a labor of love, and the team behind it pulled off something that's hard enough even without undead mayhem: completing a full-on independent feature.From practical blood effects to cosplay and zombie action, ZombieCON Vol. 1 manages to juggle its ambition, humor, and gore while showing just how much heart and creativity can come from indie filmmaking.If you haven't already, be sure to check out our Interview episode where Mike Field and Mike Butler talk with Erin Áine and Kyle Valle, two of the creators of the film!Buy/Rent "ZombieCON Vol 1." on AppleTV or Amazon Prime!

On this episode of Forgotten Cinema, the Mikes are talking with Erin Áine and Kyle Valle, two of the creators of the indie horror/comedy "ZombieCON Vol. 1". We talk with them about the process of indie filmmaking, the decade long journey of "ZombieCON Vol. 1" and what's next for the world of ZombieCON.After the interview, be sure to check out our Now Showing episode where Mike Field and Mike Butler discuss the film.Buy/Rent "ZombieCON Vol 1." on AppleTV or Amazon Prime!

This week on Forgotten Horror 7, the Mikes dive headfirst into one of the goriest, goofiest horror comedies ever made; "Dead Alive" (1992), also known as "Braindead".Both Mike Butler and Mike Field absolutely love this film. It's zany, it's silly, and it's drenched in more blood and guts than you could possibly imagine. Like a deranged "Looney Tunes" short turned up to eleven, "Dead Alive" is a splatter-filled masterpiece that somehow balances absurdity with genuine craftsmanship.The Mikes talk about how Peter Jackson (yes, that Peter Jackson) managed to create a film that's as revolting as it is riotously fun. From lawnmower massacres to undead romance, this is the kind of movie that reminds you just how creative, shocking, and downright weird early 90s horror could be.So grab your mop and your stomach...this one's going to get messy.What's your favorite horror comedy film?

This week on Forgotten Horror 7, the Mikes take a wild trip through 80s sci-fi horror with "Lifeforce" (1985); a movie neither of them had seen before and both are still trying to fully process.Mike Field finds himself swept up in the film's 80s charm, enjoying the practical effects, the British cast, and the sheer weirdness of it all. Mike Butler… not so much. While he admits some of the effects are impressive, he finds the story and themes to be all over the place. The movie can't seem to decide what it wants to say about sexuality and femininity, swinging from empowerment to exploitation and back again without ever landing.Still, buried beneath the chaos, Butler believes there's a much better film somewhere inside Lifeforce. One that could've leaned into a darker, more restrained horror approach. With stronger direction, a clearer tone, and an HR Giger-inspired aesthetic, it could have been a haunting sci-fi masterpiece instead of an 80s fever dream.So get your silver swords and keep your pants on, it's time for Forgotten Horror!What's your favorite Tobe Hooper film?

This week on Forgotten Cinema: Now Showing, Mike Butler and Mike Field take their seats inside the Grid for the long-awaited "Tron: Ares". As the follow-up to "Tron: Legacy", the film brings dazzling visuals, IMAX-ready spectacle, and a pulsating score by Nine Inch Nails—all things that both hosts enjoyed.But while the aesthetics and sound are electric, the story struggles to keep that spark alive. Field and Butler agree Jared Leto is fine as Ares; the film's issues aren't his fault. Instead, they point to weak writing, underdeveloped supporting characters, and the frustrating decision to mostly ignore elements from Legacy that made that film stand out."Tron: Ares" is a feast for the eyes and ears—but not quite the follow-up the franchise deserved. After this, it might be at least another decade before we see the Grid again.

This week on Forgotten Horror 7, the Mikes head into the woods with "Cabin Fever" (2001), Eli Roth's debut horror film that aimed to revive the “cabin in the woods” subgenre.Unfortunately…neither Mike Butler nor Mike Field are fans. While they can appreciate the craftsmanship: some strong visuals, solid practical effects, and moments of inspired direction, the rest of the film collapses under its own writing. The characters are grating, the plot feels forced, and the tone shifts so wildly that any tension or scares are replaced by confusion.What's most frustrating is that "Cabin Fever" clearly wants to honor classic horror setups like "The Evil Dead", "Friday the 13th", and "Texas Chainsaw Massacre", but ends up missing the point of what made those movies effective in the first place. It's a film with the heart of a love letter to horror, but the writing chops of a bad parody.So grab your bottled water and steer clear of that creek—it's time to talk about a movie that infected the genre in all the wrong ways.What's your favorite Cabin in the Woods-style horror film? And why is it "Evil Dead"? Let us know in the comments!

This week on Forgotten Horror 7, the Mikes descend into the abandoned halls of "Session 9" (2001), one of the earliest horror films shot digitally—and one that still manages to feel unsettling decades later.Both Mike Field and Mike Butler admire the filmmaking craft on display. Butler especially praises the cinematography, the striking shot choices, and the eerie use of setting and color that turns a decaying asylum into a character of its own. Field agrees that the direction and performances elevate the movie well beyond its budget.However, Butler takes issue with the script, finding it thin and a bit too reminiscent of a college film student's thesis project. Even so, both Mikes agree that Session 9 is an easy recommendation for filmmakers and horror fans interested in atmospheric storytelling, haunting locations, and the transition into the digital age of cinema.Who's your favorite insane asylum/hospital set horror film? Let us know in the comments below!

Forgotten Horror 7 kicks off with "Wes Craven's New Nightmare" (1994), the meta slasher that dared to blur the lines between fiction and reality.Both Mike Butler and Mike Field appreciate some of the ideas here—bringing Freddy Krueger into the “real” world, playing with Heather Langenkamp as herself, and giving Wes Craven and Robert Englund roles in their own nightmare. But as the Mikes discuss, the film doesn't quite go far enough with its meta concept. Instead, it feels like wasted potential: not enough scares, not enough exploration of Craven himself, and too few moments where the horror fully delivers.The Mikes also take a detour into the world of slashers at large, debating who their favorite killers are and where Freddy stands in the pantheon of horror icons.So sharpen your claws, flip the script, and join Forgotten Cinema as Forgotten Horror 7 gets underway!Who's your favorite classic horror film slasher? Let us know in the comments below!

This week on Forgotten Cinema, the Mikes ride into Steven Spielberg's "War Horse"(2011).It's no surprise that Mike Butler and Mike Field are fans when it comes to Spielberg, his filmmaking skill and ability to tell a story is always front and center. But this rewatch hit especially hard for Field, who now counts "War Horse" among his favorite Spielberg films.The Mikes break down how the film looks absolutely stunning on screen, with Janusz Kamiński's cinematography painting each frame like a classic war epic. They also highlight Spielberg's practical approach—remarkably, there are only three digital shots in the entire film, all used solely to ensure the safety of the horses during production.From emotional storytelling to technical brilliance, the Mikes explore why "War Horse" is both an underappreciated Spielberg film and a cinematic experience worth revisiting.What's your favorite moment in "War Horse"? Let us know in the comments!

This week on Forgotten Cinema, the Mikes lace up for "Slap Shot" (1977), the raunchy hockey comedy starring Paul Newman.Mike Field finds the film hilarious, a snapshot of 70's filmmaking with its gritty, almost indie style. Mike Butler, however, doesn't find the comedy as effective; not because of the disparaging dialogue (he gets that it's from a different time), but because the style itself feels lazy and wears thin.Both agree that when the Hanson Brothers finally take the ice, the chaos they cause is wildly entertaining…though it takes nearly 48 minutes to get there. Holding the film together is Paul Newman, whose slimy yet irresistibly charming performance makes "Slap Shot" worth the watch, even if the humor doesn't always hit.What's your favorite hockey film? Let us know in the comments!

This week on a special Now Showing episode of Forgotten Cinema, the Mikes take a look at "The Conjuring: Last Rites" (2025), the final chapter for Ed and Lorraine Warren.After just completing their YouTube Lead Up series on the mainline The Conjuring films, Mike Field and Mike Butler appreciated how the film gave the Warrens a proper send-off, bringing closure to their story after more than a decade of haunting cases. But while the emotional wrap-up for Patrick Wilson and Vera Farmiga's characters worked, the rest of the film left them wanting more. The family at the center of the haunting, the scares themselves, and even the demon driving the possession all feel pushed to the background, as the focus shifts almost entirely onto the Warrens.The Mikes also look ahead, speculating on where the franchise might go from here. With the Warrens' story concluded, will The Conjuring Universe reinvent itself, double down on spinoffs, or finally find a fresh case worth haunting?What did you think of the film? Did you scream with glee or boo at the ghosts? Let us know in the comments below!

This week on Forgotten Cinema, the Mikes roll into WWII with "Fury" (2014), David Ayer's gritty tank drama starring Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Peña, and Jon Bernthal.Mike Butler came into this rewatch with a new perspective, after not liking the film too much on his first viewing. He found a lot more to appreciate this time around, especially in a tense, uncomfortable dinner scene that he gushes about in the episode. Both he and Mike Field agree that the performances are excellent across the board, giving weight to the film's depiction of life and death inside a WWII Sherman tank.That said, the Mikes still have issues with some of the logic gaps in the climactic battle, and they can't ignore the stories of how the set was run behind the scenes. Still, "Fury" remains a gripping war film that offers intensity, strong character work, and a perspective on WWII worth revisiting.What's your favorite WWII film or gritty war film from another time period? Let us know!

This week on Forgotten Cinema, the Mikes take off with "American Made" (2017), starring Tom Cruise as Barry Seal, a pilot who gets tangled up in smuggling, the CIA, and more money than he can carry.Both Butler and Field agree the movie is a fun ride, but it's one that relies almost entirely on Cruise's charm to keep it in the air. The film never really establishes a sense of risk or conflict, even as Barry's world spins out of control. Instead of leaning into the tension of its story—especially in the third act—it plays things too lightly, making dangerous situations feel more like a joyride.What's your favorite non-action Tom Cruise film? Let us know in the comments below!

This week on Forgotten Cinema, the Mikes rev up their trucks and get ready to arm wrestle with "Over the Top" (1987), Sylvester Stallone's unlikely mix of father-son drama and competitive arm wrestling.Both Mike Butler and Mike Field enjoy this one, even as they acknowledge the gaping plot holes and occasionally absurd storytelling. They break down why the father/son dynamic between Stallone's character and his son actually works, how the arm wrestling sequences mostly deliver, and why the film's tone somehow balances sincere melodrama with over-the-top (see what we did there?) sports action.And, Field makes the case for Bull Hurley; the massive arm wrestling rival, as one of the great, underrated 80s villains.So grab your trucker hat, turn it backward, and join us as we talk about a movie that's as heartfelt as it is ridiculous.What's your favorite '80s Stallone Movie (Not Rocky or Rambo)? Let us know in the comments below!

This week on "Forgotten Cinema", the Mikes take on the 1986 cult car-fueled sci-fi action flick "The Wraith". Mike Field insists the film's goofy charm and nostalgia make it worth revisiting, while Mike Butler flat-out hates it; declaring it the second worst film they've done on the podcast. Butler argues that it's not campy enough to be a Troma-style guilty pleasure and too stupid to be genuinely entertaining.The Mikes dive into the film's odd mix of supernatural revenge, 80s cheese, and questionable storytelling, while also exploring behind-the-scenes facts, like Charlie Sheen's one day of work, production quirks, and the film's legacy. One thing they do agree on? The Wraith's car is undeniably cool.So buckle up, because whether you think "The Wraith" is a forgotten gem or a pile of cinematic wreckage, this discussion goes full throttle.What's your favorite '80s B-Movie SciFi/Horror film? Let us know in the comments below!

In this week's episode of Forgotten Cinema, the Mikes step into the ring for "Gladiator"! No, not the Ridley Scott epic, but the 1992 underground boxing drama starring Cuba Gooding Jr. and James Marshall. While both Mike Field and Mike Butler agree it's an enjoyable B-movie with solid performances, they can't ignore the flaws: high school characters who look well past graduation, a clunky mix of teen drama and over-the-top fight scenes, and a storyline that doesn't quite land. Still, there's a lot of both 90's and B-movie "Rocky" charm, even if it never truly lands a knockout punch.What's your favorite Cuba Gooding Jr. film? Let us know in the comments below!

This week on Forgotten Cinema, the Mikes head back to 1980 with "Everybody Wants Some!!", Richard Linklater's laid-back, jock-fueled follow-up (spiritually, at least) to "Dazed and Confused".Mike Field, a longtime Linklater fan, is all in on the film's nostalgic energy, naturalistic dialogue, and character-driven charm. Mike Butler? Not so much. While he appreciates the strong direction and rising-star performances from stars such as Glen Powell, Tyler Hoechlin, and Wyatt Russell, the movie's hyper-specific focus on male bonding and college baseball culture doesn't fully land.Still, there's no denying the talent on display or Linklater's knack for capturing the rhythm of a time and place. Is "Everybody Wants Some!!" a dugout classic, or just a foul ball that looks like a homerun?What's your favorite Linklater film? Let us know in the comments below!

Mike Butler and Mike Field can officially state that "Fantastic Four: First Steps" is the greatest Fantastic Four film ever....which means diddly.From skipping over way too much of their lives as heroes, to a not so stellar second hour, the Mikes felt less than fantastic after watching this newest entry in the Marvel Cinematic Universe. The style is there, the family aspect is there, they even kind of do a good movie plausible Galactus, but so much else just falls flat.What did you think of "Fantastic Four: First Steps"? Stretched too thin, or did they clobber it out of the park? Let us know in the comments below!

This week, the Mikes are crash landing on a hostile alien planet with Radha Mitchell, Cole Hauser, and escaped murderer Vin Diesel as they discuss the 2000 sci-fi film "Pitch Black". Butler loved this movie when he was 13 and he still really likes it today, with a few logic and story issues. Field says he doesn't NOT like the film, but it kind of really seems like a hater. Along the way they'll discuss the alien creatures our survivors are trying to escape and the fact that Richard B. Riddick wasn't originally meant to survive or have the redemption arc that he does, but a young Dom Toretto charmed director David Twohy, studio execs, and the cast and crew. A twist of fate that would spawn 2 (and soon 3!) Riddick-centric sequels.What's your favorite "Aliens" rip off film? Or do you like the other Riddick saga films? Let us know in the comments below!

This week on Forgotten Cinema, the Mikes dive into one of Steven Spielberg's most underrated and powerful films: "Munich" (2005).As longtime Spielberg fans, Mike Field and Mike Butler are all in on this gripping thriller, unpacking the film's masterful direction, stunning cinematography, and the complex moral themes at its core. They explore how "Munich" handles questions of justice, revenge, and the cost of violence; all backed by Spielberg's signature precision behind the camera.Thought-provoking, haunting, and expertly crafted, "Munich" is a film that deserves far more attention than it gets. Let's fix that.What is your favorite "heady" Spielberg film? Let us know in the comments!

In this Now Showing Lite episode of Forgotten Cinema, Mike Butler takes flight solo to review James Gunn's "Superman" (2025)—the latest big-screen take on the Man of Steel. As a lifelong Superman fan, Mike dives into what worked, what didn't, and why this more comic book–faithful approach to the character still resonated, despite a few third-act stumbles.The first half of the episode is spoiler-free, covering the film's tone, performances, and how it stands out in the current superhero landscape. In the second half, it's full spoiler territory, with deeper thoughts on the plot, character choices, and how it stacks up against past Superman adaptations.Whether you're a longtime fan or just superhero-curious, this one's for you.

This week on Forgotten Cinema, the Mikes go back in time to grift some villagers with a dragon sidekick as they revisit "DragonHeart" (1996), the medieval fantasy adventure starring Dennis Quaid, David Thewlis, and the unmistakable voice of Sean Connery as Draco the dragon.Butler brings the nostalgia, having watched the film as a kid, and still finds plenty to enjoy—from its message of honor to the humor and the rare vibe of a family-friendly fantasy that's almost extinct today. Field? Not so much. While both hosts agree the film's tone is all over the place, the villain is cartoonishly evil, and the plot has issues… there's one thing they absolutely agree on: the score is legendary.Is "DragonHeart" a charming adventure or a clunky misfire with great music? Join us as we take flight and find out.

This week on "Forgotten Cinema", the Mikes take a wrong turn into "Judgment Night" (1993), a gritty urban thriller starring Emilio Estevez, Cuba Gooding Jr., Jeremy Piven, and Denis Leary.While both Mike Field and Mike Butler agree the film is well made and well acted, they also agree it's held back by a clunky script and characters who make some truly baffling decisions. And while Denis Leary brings energy to the role, let's just say he's not exactly convincing as a hardened villain from the “hood”.Still, there's a solid thriller buried beneath the bad choices, questionable casting, and one of the most iconic genre soundtracks of the ‘90s. The bones are there, but does Judgment Night live or die by its execution?What's your favorite gritty 90's film? Or, had you ever heard of "Judgement Night"? Let us know in the comments below!

Mike Butler and Mike Field take one final leap into the world of video games turned movies with guest Russ Lyman on their limited special series "From Console to Screen" to discuss the 2005 Dwayne "The Rock" Johnson sci-fi action adaptation of "Doom" also starring Karl Urban.Does the first person action scene save this film from the other adaptations the Mikes have had to endure?What's your favorite Doom game? Let us know in the comments below!