Podcasts about Gore Verbinski

Neste episódio, mergulhamos no universo de Piratas das Caraíbas: A Maldição do Pérola Negra!

Our exit today has us trying to find a long lost gun. This week, we are talking about The Mexican, written by J.H. Wyman and directed by Gore Verbinski.Along the way, there is a lot of talk of The Sopranos, Steven Soderbergh, Michael Cerveris, Broadway musicals, Marc Maron, Mexico in movies, color grading, and of course, the late Gene Hackman.Thememusic by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Corey's pick for the week is an early Gore Verbinski crime thriller adventure rom-com - 2001's The Mexican. A stew of genres and movie-flavors. Listen in as Will and Corey discuss the post-Tarantino wave of hit men and snarky dialogue, budget theaters, and the humble beginnings of a great large-scale director. Brad Pitt! Julia Roberts! James Gandolfini! Great actors abound in this mischievous caper. Does it earn the 'AnotherLook' seal of approval? Tune in and find out.

It's an all new episode of the Terrible Terror podcast and this week I'm taking a look at a listener suggestion of A Cure for Wellness! What exactly happened with the Baron and Baroness? Why are all these old people hanging out in the Swiss Alps? What is a Mr. Fister? Find out all this and more in a brand new podcast!Terrible Terror:Facebook: https://facebook.com/terribleterrorpodcastInstagram: https://instagram.com/terribleterrorpodcastTwitter: https://twitter.com/T_T_PodcastYouTube: https://www.youtube.com/@terribleterrorpodcastTwitch: https://twitch.tv/terribleterrorsSuno: https://suno.com/@terribleterrorsDiscord: https://discord.gg/vvKuCVNYCheck out the Terrible Terror Store On TeePublic! The new Corn Tree design is now available:http://tee.pub/lic/e7et5lQSSbw

Time for a new minisode and I don't have much to chat about besides the next film and some trailers I saw recently.Terrible Terror:Facebook: https://facebook.com/terriblet...Instagram: https://instagram.com/terrible...Twitter: https://twitter.com/T_T_Podcas...YouTube: https://www.youtube.com/@terribleterrorpodcastTwitch: https://twitch.tv/terribleterr...Suno: https://suno.com/@terribleterrorsDiscord: https://discord.gg/vvKuCVNYCheck out the Terrible Terror Store On TeePublic! The new Corn Tree design is now available:http://tee.pub/lic/e7et5lQSSbw

Scout Tafoya and Tuckerson are back again for one of the most infamous blockbuster failures of the 2010s with Gore Verbinski's The alone Ranger! Together we get into the careers of the leads (yuck!), western influence, who remembers the disasters how, train robberies and pointless criticisms

[School of Movies 2025] An extremely long-awaited show on a game-changer of a blockbuster movie. The first Pirates film, released in 2003 before Lord of the Rings had completed brought the world many things: A fantabulous extravaganza of practical effects, combined with a surprisingly light smattering of digital VFX that would be leaned into a lot harder later down the line, The notion that the swashbuckler could still do big business (the hidden caveat was that Johnny Depp being strange absolutely must be present) Keira Knightley as a leading lady, Gore Verbinski as a major director, the supposition that audiences would flock to cinematic adaptations of Disney park rides (they won't, just this one. See above regarding Johnny Depp) and Geoffrey Rush as an all-time iconic big-screen presence embodying the most consistently enjoyable pirate of all time. But there's more going on, beneath the frothing surface, a fantastically witty, urbane and efficient script by Terry Rossio and Ted Elliott, one of the greatest scores ever composed (in a shockingly short amount of time) and Orlando Bloom's character actually being quite good, especially when held against Jack Davenport's Lawful Neutral Commodore James Norrington. This was a commission for Lincoln Alpern and features clips from the best audiodrama I've ever composed; Panther Soul, and the first chapter of the brand new Dracula adaptation Castle of the Moon. Guests: Hollywoo Actress  Maya Souris @Mayasantandrea Brenden Agnew @BLCAgnew of Make Me Watch It

The Mikes are moving to Chicago to take Nicolas Cage's +250k Chicago Weatherman salary. And that's 2005 dollars!That's right, Winter is HERE as we discuss the 2005 Gore Verbinski film "The Weather Man" also starring Michael Caine, which takes place in snowy Chicago. Listen in as Mike Field and Mike Butler discuss how, even though they enjoy this film, it is plagued with an emptiness, within it's dialogue, themes, and certainly it's main character.So, grab your popcorn and soda, please notice the exits to the left and right of you and settle down for Forgotten Cinema. Join our FC community on Patreon, it's free to join! www.patreon.com/forgottencinema. If you'd like to support us further, we've also got a merch shop at www.etsy.com/shop/ForgottenCinemaShopSpecial thanks to our Patreon supporters who make this show possible.0:00 - Introduction1:53 - Film Facts7:22 - Film Discussion32:31 - Critic Reviews36:08 - Who Would You Recommend This To?39:01 - Why Is This Forgotten?41:04 - Plugs

Soutenez nous sur Patreon Forfait 3€ épisode en accès anticipé sans pub Forfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Adapté de la Comédie Musicale Jukebox à succès Rock of Ages de Chris D'Arienzo créé en 2005. Rock Of Ages ou Rock Forever en France aurait pu devenir le West side Story des fans de Rock FM et de chemise léopard, malheureusement contrairement au film de Jerome Robbins et Robert Wise, la critique, le public, le créateur du show et même les acteur.rices du film ont trouvé ça absolument naze. Un Giga four d'autant plus surprenant qu'il a au sein de son casting la rockstar de la scientologie Tom Cruise qui a tout donné pour être un sosie éclaté de Axl Rose. Comme tout film nul, qui n'a pas rencontré le succès selon les fans, il y une armée de réfractaires qui demande une réhabilitation du film. On peut trouver notamment un article d'un certain Marvin Montes sur Ecran Large qui en parle comme si nous avions Singin in the Rain mais avec une Bo signé Journey sous les yeux.Alors on peut se poser la question, le monde a-t-il eu tort de laisser Rock of Ages à la station de l'oubli ? Comédie musicale distribuée par la Warner. Produit entre autres par New Line Cinema, Adam Shankman et sa sœur Jennifer Gibgot et Tobey Maguire avec un budget de 75 millions de dollars. Scénario écrit par Chris D'Arienzo, Allan Loeb et Justin Theroux et réalisé par Adam Shankman, réalisateur d'un Mariage trop parfait avec JLO, Baby-sittor avec Vin Diesel et Hairspray. La photo est gérée par Bojan Bazelli, le chef op de Abel Ferrara et Gore Verbinski.Deux jeunes employés d'un bar Drew et Sherrie profitent de la venue d'un chanteur vedette Stacee Jaxx interprété par Tom Cruise pour s'avouer leur amour respectif et lancer leur carrière musicale. Rock Forever raconte leur histoire d'amour à travers les tubes du Rock FM des années 80's.Abonnez vous sur Peakgaming pour les streams jeu vidéo Enregistré en live sur notre chaîne twitch ABONNEZ-VOUS ! Rattrapez le live sur notre chaine youtubeChroniqueur.e.es : Marvin MONTES, Wonder VESPER, Emmanuel.le PEUDON et présenté par Luc LE GONIDECHost : Luc LE GONIDECMusique Jean Baptise BLAIS Montage et mixage son : Luc LE GONIDEC Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

We are so back! It's the finale (?) of the Spielberg UFO invasion trilogy this week. Joining us once again to talk Grandpa Steve, Tom Cruise, and Janusz Kamiński, is returning champion Patrick Willems!Topics discussed: post-9/11 filmmaking, the glory of MUNICH, Patrick's upcoming short film (!!), Gore Verbinski's PIRATES movies, the Tom Cruise Running Score, longing for Peter Jackson's comeback, and some text message dispatches from WAR OF THE WORLDS vfx artist, Todd Vaziri.Next week, it's James Gunn's 2006 early creepy crawly romp, SLITHER. Join the conversation on Eye of the Discord https://discord.com/invite/RssDc3brsx.References:Special FeaturesRevisiting the InvasionSteven Spielberg and the Original War of the WorldsCharacters: The Family UnitPrevisualizationProduction Diaries: East Coast - BeginningProduction Diaries: East Coast - ExileProduction Diaries: West Coast - DestructionProduction Diaries: West Coast - WarDesigning the Enemy: Tripods and AliensScoring War of the WorldsWar of the Worlds Production NotesEmpire David Koepp InterviewUSA Today Spielberg InterviewVFX Building ErrorDevin Faraci Spielberg & Cruise InterviewSpiegel International Spielberg & Cruise InterviewSpielberg Offers J.J. Abrams War of the WorldsEmpire Spielberg InterviewCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.This miniseries was programmed with the help of Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the DiscordLearn more at eyeoftheduckpod.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hay, my horse! We discuss outdated technology, 11 year-old adult children and invisible friends as we uncover Gore Verbinski's "The Ring" (2002)!

Revisitamos, analizamos y discutimos la película THE RING de Gore Verbinski (2002). Alexis Leon Luis Angelet Jose Morales --- Support this podcast: https://podcasters.spotify.com/pod/show/cinexpress/support

In this new season premiere episode, Hilliard and guest co-host (actor/filmmaker) Shawn Carter Peterson sat down with JOHNNY RAY GILL - a critically acclaimed actor, filmmaker, rapper, poet and activist. He just finished filming seasons one and two of "CROSS" created by Ben Watkins, Amazon Prime's new psychological thriller based on the best-selling book series Alex Cross by James Patterson. Gill stars opposite Aldis Hodge and Ryan Eggold as Bobby Trey, a deadly, cunning ex-DC police officer from Shreveport who's motived by money and the reclaiming of his family's land, stolen by a racist predatory US government. Up next, Johnny Ray will be seen in cat form, in Oscar winner Gore Verbinski's highly anticipated new animated feature "Cattywumpus." It's purrhaps Gill's most hysterical transformation yet.This dynamic, versatile, potent performer might be best known for his soul-stirring performance as Kerwin, opposite Aden Young in the Ray Mckinnon, Mark Johnson, Melissa Bernstein Sundance series "Rectify." A darling amongst critics, exemplified by reviews like The New Yorker “A Quiet Marvel” and Vulture “There May Never Be a Show Like Rectify Again.”Gill's also fondly remembered for warming audience's hearts with his portrayal of Sam, an autistic man trapped in the bowels of slavery, America's greatest sin, on WGN's hit series "Underground" alongside Jurnee Smollett and Aldis Hodge.Another don't miss episode y'all!Our Motto: "We keep it GAME all day!"For information, Merch (T-SHIRTS/HOODIES IN BLACK, GREY & WHITE), and all things Rant Room!Screenwritersrantroom.comhttps://screenwriters-rant-room.printify.me/productsSubscribe, like, follow, share & 5-star review!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Hilliard Guess on all social mediaIG: @ScreenwritersRantRoom@Johnnyraygill@ShawnthemaestroWE ARE NOW OPEN TO SPONSORSHIPS AND BRANDING OPPORTUNITIES⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠:Screenwritersrantroom@gmail.comWe invest countless hours per week to deliver the actionable content that goes into this podcast. We appreciate your support!SCREENWRITER NETWORKS:OBSwriter.comBTFC.orgSend in a voice message: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/messageSupport this podcast: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PODCASTS WE SUPPORT:2 Writers Talkin Shit: https://podcasts.apple.com/us/podcast/2-writers-talking-shit/id1671253747Hollywood Confessional: https://podcasts.apple.com/us/podcast/hollywood-confessional/id1628848064?i=1000630276175The Qube & Queer News: https://podcasts.apple.com/us/podcast/queer-news/id1595777135A Conversation With Floyd Marshall Jr: https://podcasts.apple.com/us/podcast/a-conversation-with-host-floyd-marshall-jr/id1544499834THEME SONG: Jack SpadeWEBSITE: Abigail Bloom & Laura HuieLOGOS: Rachel MusikanthRANT ROOM TEAM:Richard Scott - Creative ProducerTyler Musikanth - Associate ProducerBrooke Baltimore - Marketing Togo - Marketing --- Support this podcast: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/support

Halloween Films: Part 1 (7 of 7). Henry gets experimented on by Gore Verbinski's A Cure for Wellness (currently available for digital purchase / rental). Get the full show now @ FilmBuds.Bandcamp.com!Subscribe / Buy Bonus Shows / Contact

This month's Out Now with Aaron and Abe commentary track concludes our horror specials for 2024 with an old-fashioned curse. The Brandon Peters Show's Brandon Peters, Movies, Films & Flix's Mark Hofmeyer, and Yancy Berns join Aaron to discuss The Ring, the hit horror remake from director Gore Verbinski. Listen in to hear the group debate over the merits of this film, what makes it stand out from other horror movies, let alone remakes, how J-horror would go on to influence American cinema, and more. And, of course, there are also plenty of tangents. So now, if you've got an hour to kill… Follow all of us on Twitter: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @Mhofmeyer, @YancyJack, @Brandon4KUHD Check out all of our sites and blogs:  The Code Is Zeek, Why So Blu?, The Brandon Peters Show, Movies, Films & Flix, Deep Blue Sea the Pod Watch the Trailer for The Ring Watch the Rings short

We're finishing out the Halloween season with a look at the romance of Gore Verbinski's 2002 horror classic The Ring! Join in as we discuss our introductions to Verbinski, comparisons to the Japanese original, Chris Cooper's cut role, and the horror of recommending movies. Plus: Is Rachel (Naomi Watts) good at her newspaper job? Why does Noah (Martin Henderson) own a copy of Shrek? Who edited the cursed tape? And did the events of this movie just make Samara more powerful? Make sure to rate, review, and subscribe! Next week: The Kids Are All Right (2010) --------------------------------- Key sources and links for this episode: The Men Who Would Be King: An Almost Epic Tale of Moguls, Movies, and a Company Called DreamWorks by Nicole LaPorte (2010) Martin Scorsese's 2021 Harper's essay on the gift of curation Gore Verbinski's 1995 Budweiser frogs commercial 2002 Entertainment Weekly piece on the casting of Naomi Watts in The Ring

In this episode, we dive into Apple's troubled release of Wolfs. What went wrong, and why did such a promising film stumble out of the gate? We also discuss the film We Live in Time, starring Florence Pugh and Andrew Garfield. This poignant drama, directed by John Crowley, follows the unexpected and emotional journey of Almut and Tobias as they navigate the limits of time in their unconventional love story. Next, we revisit the terrifying world of Smile and its sequel Smile 2. In Smile, directed by Parker Finn, Dr. Rose Cotter faces a spiraling nightmare after witnessing a traumatic event with a patient. In Smile 2, pop sensation Skye Riley, played by Naomi Scott, battles her own horrors as fame and darkness collide. We also take a look at the horror classic The Ring (2002), directed by Gore Verbinski and starring Naomi Watts. This iconic tale of a cursed videotape still holds its place as a staple of modern horror, and we revisit its chilling story. Timestamps: Wolfs Release Discussion – Why did Apple fumble? We Live in Time – Florence Pugh and Andrew Garfield's heartwarming drama Smile – Parker Finn's unique take on horror Smile 2 – Naomi Scott faces terror on a global stage The Ring – Revisiting the 2002 horror classic Follow Us: Website: I Hate Critics Facebook: Everyone is a Critic Podcast Twitter: @criticspod Instagram: @criticspod Patreon: Support Us Merch: TeePublic Store YouTube: Watch Us Check out Jeff's art at Jeff Lassiter Art and read Sean's reviews at Sean at the Movies. Don't forget to rate, review, and subscribe!

Peter Sobczynski joins Erik Childress to get you caught up on all the upgraded (not elevated) horror that you can add to your physical media library this week. But first there is some Jackie Chan, Rian Johnson, Jon Favreau and Sidney Lumet. Oh yes and some Hitchcock and Borchardt. But for your Halloween parties you can get probably the best J-horror remake from Gore Verbinski. Wes Craven delivers one of the most iconic horror characters of all-time. George Romero returns to the Land of the Dead and Tobe Hooper's landmark cinematic achievement celebrates its 50th Anniversary. 0:00 - Intro 1:07 - 88 Films (Project A Collection 4K) 9:27 - Kino (Garbo Talks, Brick 4K, Cowboys and Aliens 4K) 25:09 - Sony (American Movie 4K) 34:21 - Paramount (To Catch a Thief 4K, The Ring 4K) 46:36 - WB (A Nightmare on Elm Street 4K) 1:06:04 - Shout (Land of the Dead 4K) 1:19:32 - Dark Sky (The Texas Chainsaw Massacre 4K) 1:35:01 – New Blu-ray Announcements

If you would like to give us feedback on how were doing follow us at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/cd6sNqvnav⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://beacons.ai/senornerdpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Smile is a 2022 American psychological supernatural horror film written and directed by Parker Finn in his feature directorial debut. Based on Finn's short film Laura Hasn't Slept (2020), the film stars Sosie Bacon as a therapist who witnesses the bizarre suicide of a patient, then goes through increasingly disturbing and daunting experiences that lead her to believe she is experiencing something supernatural. It also features Jessie T. Usher, Kyle Gallner, Kal Penn, and Rob Morgan, as well as Caitlin Stasey reprising her role from Laura Hasn't Slept. A feature adaptation of Finn's short was announced in June 2020, and the cast was added in October 2021. Principal photography began that month in New Jersey and ended in November. Originally set for release on the streaming service Paramount+, distributor Paramount Pictures opted to release the film theatrically after positive test screenings. Smile premiered at Fantastic Fest on September 22, 2022, and was released in the United States on September 30. The film received generally positive reviews from critics and grossed over $217 million worldwide on a budget of $17 million. A sequel, Smile 2, is scheduled to be released in October 2024. The Ring is a 2002 American supernatural horror film directed by Gore Verbinski and written by Ehren Kruger. Starring Naomi Watts, Martin Henderson, David Dorfman, and Brian Cox, the film focuses on Rachel Keller (Watts), a journalist who discovers a cursed videotape that causes its viewers to die seven days later. It is a remake of Hideo Nakata's 1998 film Ring, based on the 1991 novel by Koji Suzuki. The Ring was theatrically released in the United States on October 18, 2002, by DreamWorks Pictures. It was a box-office success, grossing $249.3 million worldwide on a $48 million budget, making it one of the highest-grossing horror remakes of all time. The Ring received mixed-to-positive reviews, with critics in particular praising the atmosphere and visuals, Bojan Bazelli's cinematography, Verbinski's direction and the performances of the cast (particularly Watts). At the 29th Saturn Awards, the film won in two categories: Best Horror Film and Best Actress (for Watts). The film is the first installment of the American Ring series, and is followed by The Ring Two (2005) and Rings (2017). The success of The Ring inspired American remakes of several other Asian and Japanese horror films, including The Grudge (2004) and Dark Water (2005). Plot Teenage girls Katie and Becca discuss an urban legend about a cursed videotape that causes whoever views it to die in one week. That night, Katie, who viewed it one week ago, is killed by an unseen force. At Katie's funeral, her mother asks her sister Rachel, a Seattle-based journalist, to investigate her daughter's death. Rachel discovers that Katie's friends all died in bizarre accidents at the same time as Katie's death. Rachel visits the Shelter Mountain Inn, where Katie and her friends saw the tape. She finds and views the tape; it contains strange and frightening imagery. She then receives a phone call from an unknown caller who whispers, "Seven days". Though initially skeptical, Rachel quickly begins to experience supernatural occurrences linked to the tape.

Show Notes Free Palestine   This week we watch one of the scariest movies of the 2000s, Gore Verbinski's The Ring. Naomi Watts, Martin Henderson, Shannon Cochran and Brian Cox make a quartet of terrible parents that damage some already damaged children. We learn that you shouldn't hide a kid in a barn or a well, nor should you attempt to pet an animal who clearly doesn't want to be touched. We learn it's good to pay attention to your kids and bad to sleep with your assistant. And finally, we learn that often, the best choice is to mind your own business.   Recommendations: The Substance (In Theaters)   Next up: Intacto (2002) (Youtube or Plex)   https://www.youtube.com/watch?v=TZw74qvdU-E&t=1698s https://watch.plex.tv/watch/movie/intacto?utm_content=5d9f34fcd5fd3f001ee14d5c&utm_medium=deeplink&utm_source=google-catalog     Email us at latecomers@gmail.com Find Amity @ www.amityarmstrong.com Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/

Follow the homies Cam (Cameron Cox) and Dylan (Dylan Hernandez) two former AMC Theater employees as they take a nostalgic trip back in time to rewatch films that mean the most to them! This episode we decided to discuss the that has that Bad Ass MJ song attached to it, "Pirates of the Caribbean: Dead Man's Chest". Pirates of the Caribbean: Dead Man's Chest is a 2006 American fantasy swashbuckler film directed by Gore Verbinski, written by Ted Elliott and Terry Rossio, and produced by Jerry Bruckheimer. The sequel to Pirates of the Caribbean: The Curse of the Black Pearl (2003), it is the second installment in the Pirates of the Caribbean film series. Set one year after the events of The Curse of the Black Pearl, the film recounts Captain Jack Sparrow owing a debt to Davy Jones (Bill Nighy), the ghastly captain of the Flying Dutchman, and being marked for death and pursued by the Kraken. Meanwhile, the wedding of Will Turner (Orlando Bloom) and Elizabeth Swann (Keira Knightley) is interrupted by Lord Cutler Beckett (Tom Hollander), who wants Turner to acquire Jack's magic compass in a bid to find the Dead Man's Chest.. Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y=

Join Michael and Jacob as they continue their cinematic journey through the movies of 1997. In this episode of Hit Rewind, they dive deep into a variety of films that defined the year, from slapstick comedies to powerful dramas. First up, they discuss the darkly humorous "Mouse Hunt," Gore Verbinski's directorial debut that combines slapstick comedy with macabre elements. Next, they explore the emotional depths of "Good Will Hunting," a film that earned Robin Williams a well-deserved Oscar and showcased the writing talents of Ben Affleck and Matt Damon. The conversation then shifts to the sci-fi comedy "Men in Black," where Will Smith and Tommy Lee Jones fight extraterrestrial threats with a mix of humor and action. Following that, they delve into "In & Out," a groundbreaking comedy about a small-town teacher who is outed by a former student, featuring stellar performances by Kevin Kline and Joan Cusack. Finally, they wrap up with "Boogie Nights," Paul Thomas Anderson's critically acclaimed exploration of the adult film industry in the 1970s and 80s. With an ensemble cast including Mark Wahlberg, Julianne Moore, and Burt Reynolds, this film offers a poignant look at the rise and fall of its characters. Tune in for an engaging discussion filled with insights, nostalgia, and a touch of humor!

durée : 00:54:19 - Blockbusters - par : Frédérick Sigrist - En 2003, Pirate des Caraïbes sort sur nos écrans réalisés par Gore Verbinski et remet au gout du jour un genre que l'on pensait dépassé à Hollywood : le film de pirates !

Michael and Jess discuss their love for Samara Morgan in Gore Verbinski's 2002 US remake of Ringu (1998). They also talk about whether the sequels are any good: the short film Rings (2005), The Ring Two (2005), and the feature-length Rings (2017).

Perhaps the top colorist in his field, Stefan Sonnefeld joins us for our 200th episode! If you aren't aware of Stefan, you've almost certainly seen his work. Some of his recent projects include “Top Gun: Maverick,” “The White Lotus,” and “Guardians of the Galaxy, Vol. 3.” His credit list includes some of the biggest franchises in our business, including “Star Wars,” “Star Trek,” “Jurassic Park,” “Pirates of the Caribbean,” “Transformers,” and many more. Just a few of the A-List directors and producers he has worked with are: Tony Scott, Ridley Scott, Michael Mann, Martin Scorsese, Zack Snyder, Tom Cruise, Michael Bay, Bradley Cooper, Steven Zaillian, Spike Jonze, Gore Verbinski, Tim Burton, Matt Reeves, JJ Abrams, George Clooney, Tony Gilroy, and Judd Apatow.So what does it take to be a top colorist in Hollywood, working for some of the biggest personalities in the business?“Well, it's not just the director, it's a lot of people now… So it's a team sport. Everybody plays a part in it. And it's why it's so enjoyable for me. You have to involve a lot of people, but in general, the director, let's say that's the main person. You have to have a good relationship with that person and you have to be able to interpret what they're saying and get that onto the screen. And to do it quite quickly too, because it's a lot of effort and work and money that goes into these projects. And some people talk in technical terms. And some people, like a Michael Mann for instance, talk through emotions. Like, ‘Hey, [the character is] very this [way] in the scene. And he's feeling this. And this is what's going to happen. And this is what just happened. And therefore this is what I want.' And I'm sort of interpreting that, in a color way, and [I'll] put it on the screen and he'll be like, ‘great, that's it!' Or, ‘no, that's not what I meant. It should be this.'”—Stefan Sonnenfeld, Senior Colorist, Founder and CEO, Company 3Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Where's the rum? One of life's important questions... On the first episode of Raph's Pirates on Film theme, The Movie Newbie sets sail on the seven seas with Gore Verbinski's swashbuckling blockbuster Pirates of the Caribbean: The Curse of the Black Pearl. The movie has it all – star-making performances, groundbreaking CGI and a ghost monkey. But does the plot make any sense?To find out the answer to these questions and more, check out our latest episode of The Movie Newbie. -JABRIEL ALSUHAIMI is a multi-disciplinary creative, working on a multitude of projects in the audiovisual sphere. Hailing from Saudi Arabia and Singapore, Jabriel brings his international perspective and varying influences into his work. Currently, Jabriel is a Production and A&R Coordinator for the trailer music company, Elephant Music.jabrielalsuhaimi.com/RAPHAEL LECAT is an actor; some would say thespian, some would say clown; others would say human golden retriever (and by some, he means himself...) Raphael was born in France to French parents but quickly became a third-culture kid after his family moved to Singapore. This is where he discovered his passion for theatre and decided to make it his mission in life to be a vessel for stories old and new through the craft of acting.Website: raphaellecat.me/IMDb: imdb.com/name/nm8941524/OLIVER MANGHAM is a represented screenwriter, producer, fundraiser and content creator across a range of media. A cinema obsessive from a young age, he channelled his passion for storytelling by co-founding the film and television production company Through The Lens Entertainment. When he's not navigating the shark-infested waters of Hollywood, Oliver likes to pen scripts, record podcasts, host musical events and consume large quantities of pasta.Twitter: twitter.com/olivermangham1Instagram: instagram.com/omangham92 Hosted on Acast. See acast.com/privacy for more information.

This week we watched the first installment in this long running franchise, 2003's Pirates of the Caribbean: The Curse of the Black Pearl. Directed by Gore Verbinski and produced by Jerry Bruckheimer the story follows pirate Captain Jack Sparrow and blacksmith Will Turner as they rescue the kidnapped Elizabeth Swann from the crew of the Black Pearl, captained by Hector Barbossa who along with his crew is under an undead curse. The film stars Johnny Depp, Geoffrey Rush, Orlando Bloom, and Keira Knightley. Come join us!!! Website : http://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod                            

Check out our in-depth review of “Inside Out 2.” Beforehand, we'll share our spoiler-filled reactions to the first three episodes of “The Boys” Season 4 and the premiere of “House of the Dragon” Season 2. We'll also discuss this week's entertainment news, including “The Boys” ending with Season 5; MCU's “Blade” movie loses yet another director; Sony buys a theater; and more! Enjoy! TIMECODES… Intro (0:00) The Toms: Entertainment News (2:22) “The Boys” will end with Season 5 (2:49) The MCU's Blade movie loses yet another director (5:00) “Rebel Moon” director's cuts coming soon (7:38) DC is making a Blue Beetle animated series (11:58) M:I 8 has become one of the most expensive movies ever (13:45) Bob Odenkirk's “Nobody” is getting a sequel (17:31) Sony buys a theater and is that allowed? (18:35) Gore Verbinski is back making movies (24:13) *SPOILERS* “The Boys” Season 4 Episodes 1-3 (26:25) *SPOILERS* “House of the Dragon” Season 2 Episode 1 (1:04:27) “Inside Out 2” Movie Review (1:24:45) *SPOILERS* for “Inside Out 2” (1:38:05) What Are Ya Doin'? (1:52:33) SOCIAL MEDIA LINKS... Email: tomppodcast@gmail.com YouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlw Facebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/ Twitter: https://twitter.com/TOMPPodcast Patreon: https://www.patreon.com/tomppodcast INTRO MUSIC... "Constellation" by Brian Hanegan

"Bring me that horizon." For Episode 317, Brandon and Thomas kick off the summer with something special. Listen as they discuss the trilogy structure and cover the original PIRATES OF THE CARIBBEAN trilogy. In the first part of their series, they cover PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL. Listen as they talk about the numerous actors discussed for Jack Sparrow, why the Disney executives were worried about Johnny Depp's performance, and how Gore Verbinski is a master at directing action set pieces.  Also, don't forget to join our Patreon for more exclusive content: Opening Banter (00:00:10) Intro to the Month (00:09:59) Intro to Pirates of the Caribbean (00:18:22) How Pirates of the Caribbean: The Curse of the Black Pearl Got to Production (00:23:26) Favorite Scenes (00:44:18) On Set Life (01:19:13) Aftermath: Release and Legacy (01:27:12 ) What Worked and What Didn't (01:34:12) Film Facts (01:39:53) Awards (01:40:13) Final Questions (01:44:28) Preview for Next Week (01:48:41) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com

Directed by Gore Verbinski, Pirates of the Caribbean: The Curse of the Black Pearl is the fantasy swashbuckler film produced by Jerry Bruckheimer and based on Walt Disney's Pirates of the Caribbean attraction at Disney theme parks. Luke and Jae break out the rum and return to the high seas to sail the first installment in the Piratea of the Caribbean film series. Captain Jack Sparrow (Johnny Depp) arrives at Port Royal in the Caribbean without a ship or crew. His timing is inopportune, however, because later that evening the town is besieged by a pirate ship. The pirates kidnap the governor's daughter, Elizabeth (Keira Knightley), who's in possession of a valuable coin that is linked to a curse that has transformed the pirates into the undead. A gallant blacksmith (Orlando Bloom) in love with Elizabeth allies with Sparrow in pursuit of the pirates.

Keith from Horror Convos joins Caitlin to discuss The Ring (2002), a groundbreaking J-horror remake that many of us found formative. We discuss all kinds of Ring-things: monstrous motherhood, cultural and psychological influences around fear, practical effects, architecture as a storytelling element, color theory, scores, performances, and more. Sillier tangents include: urban legends, breakfast foods, insects, "forever outfits," and a couple great Would You Rathers.

32:45 Kingdom of the Planet of the Apes discussion On this week's New Flesh podcast, the best podcast about horror movies, horror news, and all things tangentially related to horror, Brett and Jesse together strong! It's PLANET OF THE APES week as the storied franchise continues with ... another reboot, sort-of? Before that main event, plenty of horror news, which will be summarized at the bottom of this description. The latest Patreon episode from this week: 4 movies discussed including the new Guy Ritchie, the new Zack Snyder, Challengers and THE FALL GUY! We actually did it! https://www.patreon.com/posts/bonus-129-new-103989509 Civil War bonus feature documentary, hot new packages out of Cannes market, an update on the A24 Peacock Friday the 13th series Crystal Lake, a new Riddick, a new S. Craig Zahler, a new Gore Verbinski, and a new 47 Meters Down!

In this high-seas episode of Film & Whiskey, hosts Bob and Brad dive into the adventurous world of "Pirates of the Caribbean: The Curse of the Black Pearl." Join them as they unravel the magic behind one of the most beloved pirate tales of the modern cinema era. Then, set sail into the rich, robust flavors of Sam Houston 15-Year Bourbon—a treasure in its own right. Whether you're a film buff or a whiskey aficionado, this episode promises to be a voyage worth taking. 0:00 Intro 6:17 Brad Explains the Impact of Pirates on Modern Cinema 11:00 Performances and Themes in "The Curse of the Black Pearl" 30:38 Review of Sam Houston 15 Year Bourbon 40:45 Two Facts and a Falsehood: Pirate Myths vs. Facts 47:46 Final Analysis of the Film and Whiskey 57:58 Let's Make it a Double and Final Scores Setting Sail with Captain Jack Sparrow - Dive into the swashbuckling world of "Pirates of the Caribbean: The Curse of the Black Pearl." This 2003 blockbuster, directed by Gore Verbinski, revitalized the pirate genre with its thrilling action, witty humor, and memorable characters. Join Bob and Brad as they discuss Johnny Depp's iconic portrayal of Captain Jack Sparrow, the chemistry between Orlando Bloom and Keira Knightley, and the film's innovative use of CGI which brought the supernatural elements to life. From cursed pirates to epic sea battles, explore how this film became a defining moment for Disney and set a new standard for adventure cinema. Tasting the Legacy of Sam Houston 15 Year Bourbon - After the film review, our hosts taste and critique the Sam Houston 15 Year Bourbon. Known for its complex flavor profile and smooth finish, this Kentucky straight bourbon offers notes of oak, vanilla, and spices. Produced in limited quantities, each batch promises a unique tasting experience, echoing the craftsmanship and spirit of American whiskey making. Whether you're revisiting this classic film or exploring it for the first time, this episode offers fresh insights and spirited discussions that will enhance your appreciation for both the movie and the whiskey. Pour yourself a glass, settle in, and enjoy the journey with Film & Whiskey. Film & Whiskey Podcast. New episodes every Tuesday. Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. --- Send in a voice message: https://podcasters.spotify.com/pod/show/filmwhiskey/message Support this podcast: https://podcasters.spotify.com/pod/show/filmwhiskey/support

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Jonathan Victory and Billie Jean Doheny, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT. This week, Gore Verbinski's Pirates of the Caribbean: The Curse of the Black Pearl. Will Turner is an orphan, discovered adrift at sea. Making a life as a lowly blacksmith's apprentice, Will pines for the heart of Elizabeth Swann, the governor's daughter. However, the tide brings strange visitors to their tranquil community. First, in the person of Jack Sparrow, failed and disorganised pirate. Then, in the crew of cursed pirate ship The Black Pearl. Will and Elizabeth are about to find themselves swept up in an epic adventure that will carry them across the seven seas and into the jaws of dangers unimaginable. At time of recording, it was ranked 225th on the list of the best movies of all time on the Internet Movie Database.

This month's Out Now with Aaron and Abe commentary is ready to hoist the colors. Aaron is joined by Yancy Berns, Brandon Peters, and Scott Mendelson to discuss Pirates of the Caribbean: At World's End, the third part of this 5-part series, and director Gore Verbinski's final entry. Listen in to hear the group dive into this lengthy feature, covering where it shines and what holds it back. Plus, plenty of tangents, thoughts on the film's legacy, what kind of movie magic is still intact, whether the villain works, and more. Do you have your pieces of eight? So now, if you've got an hour to kill… Show Notes: Follow all of us on Twitter: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @ScottMendelson, @YancyJack, @Brandon4KUHD Check out all of our sites and blogs:  The Code Is Zeek, Why So Blu?, The Brandon Peters Show, The Milky Way Blues, The Outside Scoop Watch the Trailer for Pirates of the Caribbean: At World's End 

February is over but not before dropping a lot of news and trailers to fuel our monthly discussion. The conversation covers learning the wrong lessons, unnecessary follow-ups, and too many Draculas Craig can be found on this very site and over on We Are Starfleet on the We Made This podcast network. Andrew's work can be found on this site and on the Starburst website. Show Notes TV Reviews Craig's reviews of Star Trek: Picard Star Trek: Discovery season 3 Star Trek: Discovery season 4 Craig's review of Crisis on Earth-X Night 1 and Night 2 Craig's reviews of “Crisis on Infinite Earths” Movie Reviews Craig's review of Madame Web Craig's review of Upgraded Craig's review of Monolith Craig's review of Marmalade Craig's review of Spider-Man: Across the Spider-Verse Craig's review of Superman: Man of Tomorrow Craig's review of Batman: The Doom That Came to Gotham Craig's review of Justice League x RWBY: Super Heroes and Huntsmen, Part Two Craig's review of Justice League: Crisis on Infinite Earths Part 1 Craig's review of Independence Day: Resurgence Craig's review of The Tomorrow War Craig's review of Tenet Craig's review of Ex Machina Craig's review of Big Hero 6 Craig's review of Deadpool Craig's review of Deadpool 2 Craig's review of Valerian and the City of a Thousand Planets Craig's review of Dawn of the Planet of the Apes Craig's review of War for the Planet of the Apes Craig's review of Sonic The Hedgehog Craig's review of Sonic the Hedgehog 2 Craig's review of Jurassic World Craig's review of Jurassic World: Fallen Kingdom Craig's review of Jurassic World: Dominion Craig's review of A Quiet Place Craig's review of A Quiet Place Part II Craig's review of Rogue One: A Star Wars Story Craig's review of Godzilla Craig's review of Kong: Skull Island Craig's review of Godzilla Vs. Kong Craig's review of Dune Part One Craig's review of The Martian Craig's review of Bohemian Rhapsody Craig's review of Bumblebee Craig's review of Totally Killer Craig's review of Prey Craig's review of It Follows Craig's review of Moana Craig's review of  The New Mutants Craig's review of Morbius Craig's review of Begin Again Craig's review of Tetris Craig's review of Dracula Untold Craig's review of Power Rangers Craig's review of The Matrix: Resurrections Craig's review of Batman: V Superman: Dawn of Justice Graeme's review of Gods of Egypt Podcasts Madame Web Craig's interview with Alessandro Miro Craig's interview with Jim Krieg, Jeff Wamester and Butch Lukic for Justice League: Crisis on Infinite Earths Part 1 Craig's interview with Nolan North for Justice League: Crisis on Infinite Earths Part 1 Spider-Man: Across the Spider-Verse Time Travel on TV Star Trek: Picard season 1 Star Trek: Picard season 2 Star Trek: Picard season 3 Star Trek: Discovery season 3 Star Trek: Discovery season 4 Bumblebee Pacific Rim "Crisis on Earth-X" “Crisis on Infinite Earths” – first podcast and second podcast Rogue One: A Star Wars Story – first podcast and second podcast Power Rangers (2017) Prometheus Batman V. Superman: Dawn of Justice Trailers The Ministry of Ungentlemanly Warfare Palm Royale Knuckles Wicked Twisters Kingdom of the Planet of the Apes Scoop Longlegs Tarot IF Challengers The Spiderwick Chronicles Boy Kills World Borderlands Irish Wish Damsel Moana 2 The Fall Guy Drive Away Dolls Civil War The Girls on the Bus A Quiet Place: Day One Star Trek: Discovery Godzilla X Kong: The New Empire Deadpool & Wolverine Justice League: Crisis on Infinite Earths Part II X-Men ‘97 News Silk: Spider Society writer's room scrapped Fantastic Four casting confirmed Avengers: The Kang Dynasty title dropped Milly Alcock cast as Supergirl Section 31 casting confirmed Jim Carrey returns as Robotnik in Sonic the Hedgehog 3 Tim Burton to direct remake of Attack Of The 50 Foot Woman Time Cut coming to Netflix Luc Besson to direct Dracula: A Love Tale Emma Stone in talks for Yorgos Lanthimos' Save the Green Planet remake Will Smith to star in Sugar Bandits Dakota Johnson, Pedro Pascal and Chris Evans in talks for Celine Song's Materialists Donnie Yen starring in Kung Fu movie adaptation Bryce Dallas Howard and Orlando Bloom leading Deep Cover Suits: LA casts Stephen Amell in the lead Bewitched reboot in development Ridley Scott to direct Bee Gees biopic Sam Mendes to direct four Beatles movies New Evil Dead spinoff movie in the works Travis Knight to direct Masters of the Universe live-action film Ben Wang cast in new Karate Kid film American Psycho remake in the works Dan Trachtenberg to make new Predator movie Casting for Gore Verbinski's Good Luck Have Fun Don't Die David Katzenberg to direct Ferris Bueller's Day Off spinoff Sam and Victor's Day Off Gareth Edwards to direct new Jurassic Park movie Cola Wars movie in the works Misc Bo's "Academy Watch" podcast Taika Waititi mocking the Thor: Love and Thunder visual effects Music Niall Stenson's cover of the “Marvel Music“, the “Jurassic Park theme” and his YouTube channel If you enjoyed what you heard here, please subscribe to Kneel Before Pod. If you have any feedback then we'd love to hear it. You can find us on Facebook ,Twitter and BlueSky. You can also make yourself known in the comments section below or you can join us on Discord.

It's the last round up for this season of Cinema To The Letter, cowpokes! To close out the Won 1 Oscar season, Bryan, Thomas & special guest Saveydro discuss the unlikely Best Animated Feature winner Rango as their A for Atypical choice! Together, our trio answers the crucial questions. How does Rango stick out in the modern animated film landscape? Why is Gore Verbinski such a visionary filmmaker? Who is the true Spirit of the West? Well, lasso up yourselves some ugly cute critters and have them listen along with you to find out! Join our Patreon for $1 for monthly bonus episodes and the chance to vote for new podcasts at patreon.com/cinema2letter! Follow us on Instagram, Twitter and Facebook! Artwork by Michelle Kyle! Music by Burial Grid!

It's the last round up for this season of Cinema To The Letter, cowpokes! To close out the Won 1 Oscar season, Bryan, Thomas & special guest Saveydro discuss the unlikely Best Animated Feature winner Rango as their A for Atypical choice! Together, our trio answers the crucial questions. How does Rango stick out in the modern animated film landscape? Why is Gore Verbinski such a visionary filmmaker? Who is the true Spirit of the West? Well, lasso up yourselves some ugly cute critters and have them listen along with you to find out! Join our Patreon for $1 for monthly bonus episodes and the chance to vote for new podcasts at patreon.com/cinema2letter! Follow us on Instagram, Twitter and Facebook! Artwork by Michelle Kyle! Music by Burial Grid! We're a proud member of the TalkFilmSociety podcast network!

This month's Out Now with Aaron and Abe commentary reluctantly accepts a black spot. Aaron is joined by Yancy Berns, Brandon Peters, and Scott Mendelson to discuss Pirates of the Caribbean: Dead Man's Chest, the second part of this 5-part series. Listen in to hear the group dive into what's changed this time around, the confidence director Gore Verbinski and the writers show, what a big budget can really deliver, and why it received a mixed response from some. Plus, plenty of tangents, thoughts on the film's legacy, what a triumph Davy Jones is, and more. And how about liar's dice? So now, if you've got an hour to kill… Follow all of us on Twitter: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @ScottMendelson, @YancyJack, @Brandon4KUHD Check out all of our sites and blogs:  TheCodeIsZeek.com, Why So Blu?, The Brandon Peters Show, The Milky Way Blues, The Outside Scoop Watch the Trailer for Pirates of the Caribbean: Dead Man's Chest  #PiratesOfTheCaribbean #DeadMansChest #GoreVerbinski #JohnnyDepp #BillNighy #OrlandoBloom #KeiraKnightley #TomHollander #stellanskarsgård #Pirates #Disneyland #Disney #JerryBruckheimer #JackSparrow #DavyJones #Kraken #film #movie #entertainment #outnowpodcast #outnowwithaaronandabe

You ever hear of that podcast where if you listen to it you die in 7 days? THIS IS THAT PODCAST! Sign up for Patreon and listen to our new series MPU: The Sequel: Legacy and listen to TRON/TRON: LEGACY (2/7)

Pirates of the Caribbean Dead Man's Chest: Episode 280 - Avast ye Normies! We hope you like more than one Jack Sparrow per podcast. Get ready to kiss the Kraken goodbye, it's a very special episode as your hosts return to the high seas to talk about the third Pirates of the Caribbean movie, At Worlds End. The Dutchman needs a captain and Normies Like Us need answers. You have corrupted your podcast, and so yourself Insta: @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

The third film in Gore Verbinski's Pirates trilogy is the longest and most epic, but is it any good? Following the events of Dead Man's Chest, the gang must rescue Jack Sparrow from Davey Jones' Locker in order to bring together the nine Pirate Lords for the Brethren Court. There's a lot going on in this movie. It's jam packed, so grab your bottle of rum and relax as you listen to the guys discuss the movie. Be sure to let us know what you think of Pirates of the Caribbean: At World's End! Cinema Heroes YouTube Instagram

The Holdovers, Princes of Persia, dam building... Yeah, I'm thinking we're back.Hear us yap about the new McDonald's summer menu and have our annual "what a weird filmography Gore Verbinski has" conversation over on our Patreon in a bonus Pay Fam episode. Hosted on Acast. See acast.com/privacy for more information.

New Voiceover Masterclass! About Spencer:  Spencer Robinson is a literary and talent manager at Art/Work Entertainment who's been in the industry for over 20 years. He represents writers, actors, producers, and also a full book publishing company.  Spencer's writer clients have been on the writing staff of shows for Netflix, Amazon, Max, HBO, Comedy Central, and many more.  He's also sold clients' features to studios as well as brought in financing for independent projects. Spencer's actor clients have been in films with directors Quentin Tarantino, Steven Soderbergh, Clint Eastwood, Gore Verbinski, Jeff Nichols, and more. In the TV world, his clients have been regular cast members on shows for Netflix, HBO MAX, Amazon, Disney+, HULU, The CW, NBC, FX, Starz, Nickelodeon, EPIX, and more. Spencer's clients have also recurred on series for Peacock, Netflix, Freeform, TNT, AMC, Showtime and many more. I'm a manager.  I'm a talent and lit manager. So I manage actors, writers, producers, and I actually also represent a fully functioning publishing company for all of their IP.   How the heck did you get there?   It was almost by accident actually, kind of accident when I was growing up I was a musician and I'm still a musician, but I played music And I love movies and television and I knew I wanted to do one of those two things. So I went to film school for exactly one year.  I grew up in Los Angeles and I went to San Francisco, stayed for one year. And I was sitting in a class where they were teaching us how a camera works. And I was like, I don't care about this at all. Don't care. I was really bored. And I realized I don't want to actually shoot things myself. I don't want to, be the person that does that.  And I don't really need to know how a camera works. So I actually ended up dropping out of school. And came back to LA and I'd realized at that point too, that I left Los Angeles to work in the film industry, which was probably pretty dumb. So I came back and I had no actual real connections to the film industry, even though I grew up here.  My mom's an elementary school teacher. So I asked her, I said any of the parents at the school you work at, do they do any television or film? And she goes, one of them does commercials. I said, great. Can I have her phone number? It was okay. I called and I introduced myself and I said, please, will you give me a chance as a PA? Can you give me one day? And she said, okay. And it was a 23 and a half hour day on a car commercial. And it was very long.   But it was cool. It was like, I'd actually never been on a set before. So for me, it was really cool to see, crane shots and very serious people doing very serious things and craft service and all that kind of fun stuff.  And I liked it. And then for the next year and a half to two years, she hired me and everything she did. So I got, a lot of commercial work, a lot of independent film work. And I did anything that I could to pay the bills at that point.  I think I worked in a costuming house for a couple of weeks. I just, whatever I could possibly do.   And I realized after about two years that I did not want to be on set for the rest of my life. I actually wanted to learn how Television and movies were put together. So I wanted to get into an office.  And I knew that like you could be an office PA or a mailroom person. I knew that was a thing that existed. So I entered an ad in the reporter, the Hollywood Reporter back when it was still a magazine, and it was a million years ago. And it was an ad in the back that said, looking for a mailroom employee at a management company.  And I was like, I don't know what that is, but I'm going to go try. And because I've been a PA for a couple of years at that point, I've been delivering packages and then on set, I was actually qualified to sort mail and deliver packages. So I got a job at a management company called MBST, which is not around anymore.  But at the time, they were a cool place to work. They had Billy Crystal, Robin Williams, they managed the Beatles affairs, and they had a development deal with Disney. So it was a great company to learn at for me.   Just because I got a chance to see how it all worked. And the owners had produced a bunch of movies, and they represented all these very big people in their careers.  It was really cool, and I learned what management was and I delivered packages all day and I build it at people's desks and did all the things that you do when you're the bottom of the wrung. And after being there for a couple of years, one of the partners broke away and started his own company and asked me to go with him.  He liked me and he said, you do a really good job. I want to put you on a desk working for two mags X and I said, great. So I worked, I got put on a desk at that company working for a talent manager and a lit manager. So I was watching somebody pitch actors all day and watching people take out scripts and do the whole thing and give notes and it was really cool.  And after being at that company for about a year and a half, they started getting more into doing film distribution, which I did not care about actually like management and I wanted to stay in it.   And one of the actors left that company to go to a company called Howard entertainment and refer me to his new manager and said, “Hey, if you need an assistant, this guy's good.”  And I was really good. I was good at everything except for filing. I never filed anything. I had a big stack of papers. I just sat on my desk and I refused to file them, but everything else I was very good at. I read scripts and I, yeah. Was aware of what was going on and all that kind of stuff. And when I went to the interview for that job, I gave the worst interview of my life and got hired anyway.  But the upside was that, this person that I went to, that I went to interview for who eventually became my mentor she represented a lot of comedians and comedic writers.  And I knew all of them. I was a comedy nerd and I knew all of her clients, I knew her business really well. So she was like, Oh yeah, I'll hire you. Like you already know what I'm doing.   Ask questions, sit in my office, and answer them.  Yeah. And I did that every day for two years, two and a half years. I read every contract, I asked every question, I sat in her office, like at her desk next to her and watched her work and learned as much as I possibly could. And it was a great, really amazing experience that I still have today, and really great relationship.  And after being there for two and a half years with her, the head of that company said to me, “Hey, I'm never going to promote you just so you know.” I was like, cool. That's really great. So I talked to Cindy and I was like, look I'm never going to get ahead here. She goes, I know she'll look, I'm probably not going to be here much longer either.  So you should probably leave and we'll figure something out.   And I said, okay I'm going to quit then. So I quit and I didn't really know what to do with myself at that point because I'd been, an assistant at a lot of companies. I didn't want to go start somewhere else. And I was a little bit burnt out on the idea of trying and never being able to actually get that job as a manager.  So I took a break. And I joined a band and I went on the road. I joined a band that I was a fan of the band had one record out like on an independent label, but pretty quickly after the band was called the Lords of Altamont. Still around not in the band anymore, but they are still around.  And pretty quickly we got a French record deal. So we started doing European tours, like three times a year, every year. And I did five years of going to Europe three times a year and then doing some shows in the U S and we would play for a couple hundred people in LA and maybe, eight or nine people in the middle of the country.  And then we go to Switzerland and pay for 40,000 people. And I played with the Pixies and the Who and Depeche Mode and all these really cool bands all over Europe and made a little bit of money doing that, not a lot.   So when I was back in the US, I played professional blackjack for a living to pay the bills.  So if you've seen the movie 21, the MIT blackjack team movie with Kevin Spacey, I was on an offshoot of that team.  At the time, we were the biggest blackjack team in the country. There was 40 of us. And the team was started by some attorneys and some people that were tired of practicing law and wanted to make some money a different way. Started driving around the country and counting cards and winning money, and they built it into this massive enterprise.  And I joined, and we were, we had a million dollar bankroll for a weekend in Vegas, and we had smaller bankrolls for these little trips in the South and the Midwest, and I would go to Las Vegas for a weekend, make a bunch of money, and then I'd go on tour for six weeks and make very little money, and I'd come back and do it all again, and basically, or I'd go to Biloxi, Mississippi or, Gulfport, Mississippi or Tunica or whatever, somewhere in the South and play river boats and wear disguises and get kicked out of casinos and go next door and do it all again.  And for three years I was on that team and I loved it. It was really great and exciting. And, we would mostly win, lose sometimes, but mostly win money because you're, you're playing with the edge, of course, that's how counting cards works, but you don't win every time. But it was a really cool experience.  And I met a bunch of very smart people that are very good at math.   And after being on the team for three years, we actually ended up folding the blackjack team, not because you weren't winning.  It's because the wins weren't as big as they had been because people were getting better at catching card counters.   There'd been a lot of movies that came out and television shows and books and. Everybody was talking about card counting, so they just got better at catching us. And we could still win, but the wins were getting smaller, and we no longer needed a team of that size to go in full force, because we were going into Vegas and we couldn't go back for months, because they knew us and they threw us out.  I started walking into casinos and they'd be like, “Spencer, no,” before I even sat down. So it was like, oh my god! Yeah, and if you can't play, then you can't win, right? So it got to the point that we couldn't go in this big full force with, and heat up the entire state of Nevada at once. We had to pare it back.  So I needed a job. And Cindy had left Howard Entertainment and started her own company. And I went back to her and I said, can I please have a job?   And she goes, okay, yeah, you can come back and work for me. You can still go on tour with your band, be my assistant, and I'll get a temp when you're gone.  And finally she said to me, look I wanna promote you. I want you to be a manager of my company, but you have to be here. You can't be gone half the year. So if you wanna stop touring. The job's yours. And I thought about what I wanted to do with the next, 20, 30 years of my life. And the band that I was in, I love, and I could keep doing those same tours, but I was always going to be scrounging for money when I got back.  And I love music. I love playing, but I also wanted to, be in one place for a while and actually have a little bit of financial security. And I really love management. I wanted to do it already. I just got stopped at one point. So I said, okay, let's do it. And I left the band that I was in on very good terms.  I'm still very friendly with the guys. I saw some of them last night, and took a job. And I said to Cindy, when I first when I first got promoted, I said, look, I want to work with writers. I love writers. I love giving notes. That's my thing. And she was like, cool, you're starting with actors.  And I go, but I said, writer, she goes, I know. And the reason why she said that is because. Calling a casting director, and at that time we used to call casting directors because they were in their office. And they didn't know who I am, they didn't know my clients, and getting them to actually stop and listen to a pitch, and give auditions to this person they don't know, to actors that they didn't know yet.  Cindy was like, if you can do that, you can do literally anything. And she was really right. And it took me about six months to get really good at that.   And then she was like, okay, now manage whoever you want. So I've always stuck now. And I actually really, as much as I wanted to work with writers, I love working with actors too.  And I didn't, I wouldn't have known that I had to not forced me to do that, which is really good. So I've always represented actors and writers. And about two and a half years ago, I took on producers and a publishing company. And I've just been doing all that ever since. And she merged with Artwork about 14 years ago, and I came along with her.  And when we merged with them, they were all lit. And we had actors, writers, and comics. And we were a little more comedy focused, they were a little more drama focused. So it was a really good marriage of the two companies. And now it's great. There's four managers there. It's a boutique company, and we all work as a team for all the clients.  And me and one of the other managers run the talent department.   And then I have a bunch of lit clients and some producer clients.   You never know where anything is going to lead you to. And another thing that I am a big one on when talking to actors we're talking to anyone is just ask. Yeah. Just freaking ask. You'll survive the no.   And the funny thing about doing my job is I hear no all day for my clients. I hear, I pitch actors. No, I pitch writers. No. A thousand times. And then you get the one. Yes. And it's okay, then the last thousand knows are worth it because now someone got a great opportunity or a great audition or a great job, or someone's willing to read their script, whatever it is, that you go through a lot of nos, but.  At some point they start, they stop really hurting, the nos. It's okay, another no, fine. They're wrong.   I remember when I think it was the Golden Globes or I think it was golden globes or maybe the Emmys or Mike White won for White Lotus. And he was like, we went to everyone and you guys all passed on this, and pointed to the room.  And I love that. Cause it's true. It's like people pass out a bunch of really good things until somebody doesn't. And they pass in giving actors auditions until somebody doesn't, and I love that you have to just keep trying.   What would you say is your biggest piece of advice to actors?  I think, obviously always be training in some kind, always be in some kind of class, learning to do something, always working that muscle.  That's a really important piece. And this is the fun thing is be aware of the industry, watch TV, watch movies, know what's out there.   If you, when you get an audition and you only have a day and a half to do it, if you've already seen the show, you've now saved yourself two hours of having to go watch that show to learn the tone.  You know what I mean? It's those kind of little things.   And always be off book when you're doing an audition.   Make sure that your self tape stuff is in the top shade that it's ready to go at all times.   Most of the actors that I know have their self tape corner set up at all times and they don't have to worry about setting it up.  And it becomes a time management thing.   Always have someone to read with you.   All of those things that they sound like they're obvious, but all of those things together make for really great auditions.   And I do think too, and I have a client of mine that is an acting client that for me is the best actor I've ever seen.  He's phenomenal. He works nonstop. He's somebody that the biggest problem we have with him is that we get more offers than he can actually take in because there's not three of him, and he started doing self tapes. I started, I pulled him out of the room eight years ago from auditions because he wanted to self tape and he was always somewhere else in the world anyway.  But he, what I've seen for him is he's somebody that when that tape starts, he's already 110 percent in character and he always is.   And what I mean by that is. Some actors, when they're doing self tapes, you can see them waiting to speak. You can see their eyes go dead when they're not talking.  You know what I mean? And it's you have to really, when we're having a conversation right now, we're both engaged with each other. And that's the way it should be when you're acting too. It's really to have, to be in it 110 percent all the time. Even when you're just reacting and you're not the one speaking.  Any interesting success actor stories that you'd like to share?  That client I mentioned his name is Damon Harriman.  He's an Australian actor. He already had a career when I signed him, he had a great career in Australia and he was just starting to have a career here in the U.S. but he was recurring on a show on FX, which was great.   And I met him and he's a phenomenal actor. And we said, look, we're coming in. We're new people coming into this company. And he was deciding if we wanted to stay there or not, because they really weren't repping actors before.   And I said, “look, give me a chance.” I said, “what do you want out of your career?”   And he goes, “I really want to do features. I've only done television here in the U.S. and I really want to do movies.”   I said, “cool, give me six months.”   And within, four months I had him in a Clint Eastwood film.  And from then on, he's just been working on some ever since doing television and movies. And it's not just because of me, it's because he's so damn talented, but it was just a matter of, he needed somebody to just champion him and make sure that every casting director and producer in town knew how talented he was, and now they do.  So now it's a matter of him, just doing one thing after the other in Australia and America.   And like I said before, it's just the biggest problem we have is that there's not enough of him to go around.   Talk to me about actors and content creation in terms of actors becoming multi hyphenates.  I think it's great. I love when actors are also writers. But I also, cause I represent writers too, right? So I love when someone wants to take it on, I take writing very seriously. I think structure is really important and learning all of those things.  So when somebody wants to take it on. Like actually learn it, learn how to do it, learn the proper way to write a script, learn what the structure is, learn how to do it, learn the formatting, all of those things, and do it properly. So I think it's a great idea to do, but I think you got to be smart about it.  I think if you want to write a script for yourself to be in that's fine, but write a couple of other roles that are also big size roles to cast some more well known actors if you're not well known.   As because we all know we have to get financing for your movie, right? And that's going to take some people like that, things like that.  I think it's really important. I think it's a great thing to do. I think that it's really smart. And on top of that, if you're an actor, that's still building your reel and you haven't booked a lot of jobs yet and you're new and that's great. You can write a short film for yourself, write a sketch, whatever it is, all that stuff, as long as it looks good, it can go on your reel.  So besides just being someone that wants to sell scripts or write a movie for yourself. Write a sketch and use it on your reel, write a short film or whatever it is and use that as a calling card for yourself too.   So that kind of content creation also comes in really handy.   How the heck does a manager represent a producer?   It's a good question. And it ends up being a very kind of wide ranging job because these producer clients that I have had their own slates of projects, they'll be like, Hey, here's the 20 scripts that I found that I liked. And one of them will be in the first draft. One of them will be 10 drafts in one of them maybe has an actor attached.  One doesn't, whatever it is. And we go through their slates and we go, okay, we feel like this one's ready to go out. So now I'm going to help them take out that, that television show and sell it. Or I'm going to help them take out that movie and find financing for it. Or I'm going to help them attach a showrunner to this show.  It also means that I'm reading all the scripts and giving notes on all the scripts. And that means I'm giving notes to the producer I rep, so they can give it to their, to the writer.  Or we're all meeting and giving it to the writers together.   Yesterday morning, I read three features before work.  So I've read about, about 15 scripts a week, the last few weeks.  When you're on the top, you're working at such a high level in terms of, yeah, I'm reading three scripts before I even start my day. That's just mind boggling.  You know what we always say to like we have, cause we get paid 10%. That's what a manager makes, but what our clients make, which, that's fine. That's the job. And that's what we do. And that's cool. So that means, look, we have a 10 percent commitment in your career. You should have a 90 percent commitment in your career.  So what does that mean? That means be on top of your game, keep yourself healthy. So keep yourself energetic so that you have the energy to do all the things you need to do. Get yourself tapes in on time. And all, if you're a writer, finish those scripts, meet your deadlines, all those kinds of things.  I can't make a client do that. I just love when they do that because it makes my job easier.   I had a client once that a really good actor and he turned in a self tape and he was kept looking down while he was acting. And I was like, picking a swap because I watch all the cell tapes before we send them in.  And I was like, Is he not off book? And finally I saw the paper come into the screen. And I was like, so I called him. And he said a couple days before it was due. And I'm like, hey I noticed you weren't off book. I think you should do it again. I think that you should, you could actually, because other actors are going to be off book.  And he started yelling at me. Yelling at me and he was like, how dare you? How dare you tell me what to do? And I'm like, okay I'm not representing you anymore. And not because of the off book thing, because you yelled at me. It's Yeah, like I would never yell at you. I don't yell at people, right?  So that's not cool. I'm calling because I want you to get a job and you're making it harder on yourself by not taking the extra time to learn the material.   So I just think that you have to do the work. You just got to.  In this new negotiation, they are not requiring you to be memorized. And I hate what I'm about to say. You can not be memorized and you can also not get the job. Yeah, I know. And I think, I absolutely despise That I am saying that.   Yeah, but if you think back to, like, where acting started on stage, right?  You didn't get a chance to stop on stage and grab your script. You had to actually know the material, and that's the entertainment. I know we're lucky today that everything isn't live, you can do things different, but that commitment has been there for, a very long time. We're talking hundreds of years, right?  And I don't know why all of a sudden people don't need to be committed anymore.   We have a client of ours who's an actress who's been on a million things.  She's been around for a long time. It's phenomenal. But when she, you should go in the room now when she sells tapes for stuff, she makes really bold choices every time.   Now what that means is sometimes it's the wrong choice, right? She makes really strong, bold I'm gonna really go for her choices, right?  So sometimes, it's way wrong for the role. So she doesn't get everything she auditioned for by any means. No one does. But she, she, half the time it's really very off. But everyone loves her. Because they always go, oh wow, that's different. You know what I mean? And if they want something different, they'll bring her in.  I've seen her go in for roles where she was so against type, but they're like, we want to see what she's going to do. And then she'll book the role and they'll rewrite it for her.   Because she goes in there every time and she's I'm going to do something that's so out there that no one else will have thought of this.  And it's still, she's doing a great job acting and doing all the right things, but it's making a really cool, strong, different choice and doing it at 110 percent so that people will either give her the job or they'll love her and remember her so that the next time there's a role they'll bring in for that.  Let's talk about your screenplay coaching. What do you offer actors who want to write?   So basically if somebody is just starting getting writing and they want to learn how to write a pilot or a screenplay, I can work with somebody from idea.  Into a finished piece, books, book time to talk about how you start doing it, talk about structure and all those kinds of things. I teach classes on structure anyway, and I love, I'm a total structure nerd. So I think it's very important, like to know when things are supposed to happen and you can play with it and bend it, look, an hour long television show follows the Shakespearean play structure.  Like I didn't make it up. It's been around for a long time. You know what I mean? So it's like. Following it is important and movies with reacts and that's the way that it is. And all those kinds of things. So I work with people to actually teach them how to start and get going into writing and what you do in what order.  And then it's the kind of thing that once you know how to do that, you can do the same thing every time.   You only need to learn it once you just do that same process every time for each different piece. And it works great.   Once you have a piece and you want notes on it, I can read somebody's script and then I'll set a set of zoom and go over with them and basically.  I give really detailed, actionable notes. And without being, too braggy, I think that my notes are as good if not better than anyone else I've ever seen.   And I mean that in the sense that I really do try to help somebody make the script better by not letting them know what's wrong with it, by saying, “hey, I bumped into a thing here, let's talk about why, let's talk about what you're trying to do, and let's figure out a way to make it better.”  I'm not going to rewrite it for somebody, but yeah, it's, and I always give broad thoughts first, hey, Act 1's a little too long, it'd be better if you could make it end here, Act 2 starts a little late, whatever it is, and then go through the script page by page. And really point out, hey, on page 22, I bumped into this thing.  Let's talk about what you were trying to do here and figure out a better way that this can actually work.   I think that being an actor and a writer, being a storyteller of some kind is maybe the greatest job you can have.   And the reason why I think that it's not just because you can make a lot of money doing something that's seemingly fun, right? And something that you love to do. It's just because being able to elicit a reaction from somebody, a laughter, a cry, a feeling, whatever it is, make somebody's day brighter, what, make somebody feel something that they didn't feel before.   I think it's really powerful and I think it's really important.   And on top of that, I think being able to get ideas across to people like, I've been rewatching the show will and grace.  And you think about how, when that show came out, how maybe the middle of the country didn't have a lot of people in their life that were gay or, part of the LGBT community and how that show made it feel more normal to people, and I think, so being able to hide the peas in the mashed potatoes like that, to get across an important social message is also a really cool thing you can do.   So I think being a part of that is just amazing. And I feel like it's something that's worth striving for. And with as much content as there is out now for both actors and writers, why not you? Someone's going to get that job.  So why not you?   So yeah, I just think that it's a really great way to think about it. And just don't give up. Keep trying and just be smart about the way you do things.   

Happy New Year, listeners! We can't think of a better way to "ring" in 2024 for you all than to cover what is perhaps one of the best remakes of all time, Gore Verbinski's 2002 striking vision, The Ring! More importantly though, the year is starting of right because ROGER IS BACK!! That's right--after a several month hiatus, The Scream Queer returns with no signs of slowing down! So join us as we discuss one of the best jump scares of all time (you know the one!), the surprisingly layered and complex script from the guy who gave us Scream 3, and the paramount example of why horses shouldn't ride ferries! Find out more at http://www.darknightofthepodcast.com

Dans le jargon du cinéma, une "impasse mexicaine", ou "mexican standoff", désigne une situation dans laquelle plusieurs protagonistes, au minimum trois, se menacent mutuellement.Le suspens vient de ce qu'aucun des participants n'a intérêt à attaquer le premier. En effet, s'il s'en prend à l'un de ses adversaires, il devient vulnérable aux assauts des autres.De ce fait, chaque protagoniste attend que les autres prennent l'initiative. Devant l'écran du cinéma, ou de son poste de télévision, le spectateur attend lui aussi, se demandant qui va se décider le premier, et quel sera le résultat d'un affrontement où chacun semble avoir des chances égales.L'impasse mexicaine est le clou de nombreux westerns. Du moins quand les fameux "gunfights" qui concluent souvent ces films opposent plus de deux as de la gâchette.On retrouve notamment une telle situation dans le film de John Sturges "Règlement de comptes à OK Corral". Sorti en 1957, ce film, inspiré d'une histoire authentique, voit l'affrontement mémorable du célèbre shérif Wyatt Earp, et de son acolyte Doc Holiday, contre la bande des Clanton.Durant cette longue scène, où les protagonistes s'avancent lentement les uns vers les autres, et où la caméra, en plans rapprochés, s'attarde sur les regards ou sur des mains prêtes à sortir les revolvers de leurs étuis, la tension ne cesse de monter, mettant le spectateur au supplice.Le suspens de bien d'autres films, plus récents, est fondé sur des impasses mexicaines. On cite souvent, à cet égard, le combat emblématique par lequel Sergio Leone a terminé ce qui est sans doute son film le plus célèbre, "Le bon, la brute et le truand", sorti en 1966.Le réalisateur Quentin Tarentino en a fait l'un de ses ressorts dramatiques favoris. On retrouve en effet ce type de scène dans "Reservoir dogs", en 1992, ou dans "Pulp fiction", en 1994.Quant aux trois comparses du film de Gore Verbinski, "Pirates des Caraïbes : le secret du coffre maudit" (2006), ils s'affrontent, dans le cadre d'une superbe impasse mexicaine, pour la possession du coffre convoité. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dans le jargon du cinéma, une "impasse mexicaine", ou "mexican standoff", désigne une situation dans laquelle plusieurs protagonistes, au minimum trois, se menacent mutuellement. Le suspens vient de ce qu'aucun des participants n'a intérêt à attaquer le premier. En effet, s'il s'en prend à l'un de ses adversaires, il devient vulnérable aux assauts des autres. De ce fait, chaque protagoniste attend que les autres prennent l'initiative. Devant l'écran du cinéma, ou de son poste de télévision, le spectateur attend lui aussi, se demandant qui va se décider le premier, et quel sera le résultat d'un affrontement où chacun semble avoir des chances égales. L'impasse mexicaine est le clou de nombreux westerns. Du moins quand les fameux "gunfights" qui concluent souvent ces films opposent plus de deux as de la gâchette. On retrouve notamment une telle situation dans le film de John Sturges "Règlement de comptes à OK Corral". Sorti en 1957, ce film, inspiré d'une histoire authentique, voit l'affrontement mémorable du célèbre shérif Wyatt Earp, et de son acolyte Doc Holiday, contre la bande des Clanton. Durant cette longue scène, où les protagonistes s'avancent lentement les uns vers les autres, et où la caméra, en plans rapprochés, s'attarde sur les regards ou sur des mains prêtes à sortir les revolvers de leurs étuis, la tension ne cesse de monter, mettant le spectateur au supplice. Le suspens de bien d'autres films, plus récents, est fondé sur des impasses mexicaines. On cite souvent, à cet égard, le combat emblématique par lequel Sergio Leone a terminé ce qui est sans doute son film le plus célèbre, "Le bon, la brute et le truand", sorti en 1966. Le réalisateur Quentin Tarentino en a fait l'un de ses ressorts dramatiques favoris. On retrouve en effet ce type de scène dans "Reservoir dogs", en 1992, ou dans "Pulp fiction", en 1994. Quant aux trois comparses du film de Gore Verbinski, "Pirates des Caraïbes : le secret du coffre maudit" (2006), ils s'affrontent, dans le cadre d'une superbe impasse mexicaine, pour la possession du coffre convoité. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pirates of the Caribbean Dead Man's Chest: Episode 275 - Avast ye Normies! Your hosts hit the high seas once more and get up to a lil pirating. We're setting sail on the Black Pearl with Captain Jack Sparrow again but this time he's up against the sea itself - it's Pirates of the Caribbean: Dead Man's Chest on Normies Like Us It's the Normies Like Us Podcast, they get points for trying. Insta: @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

Pirates of the Caribbean Curse of the Black Pearl: Episode 272 - Argh, Normies! Your hosts have been on a cursed voyage for the last 20 years, damned to record episode after episode of this podcast. We beg you listeners, heed our tale! And make sure to tune in as we discuss the Disney mega hit movie that paved the way for Marvel and Star Wars - it's Pirates of the Caribbean: Curse of the Black Pearl on Normies Like Us You best be believin' in Pirate Podcasts, Normies... CAUSE YOU'RE LISTENIN' TO ONE! Insta: @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

Hello, kiddies! It's time for our annual Spooky Season tradition of talking about movies that are thrilling in a slightly different way from our usual fare! In this case, in addition to the usual murders, now we got GHOSTS, baby! And some creepy kids. STIR OF ECHOES (1999, David Koepp) THE SIXTH SENSE (1999, M Night Shyamalan) THE RING (2002, Gore Verbinski)