Podcasts about audience choice

For this month's Audience Choice episode we're talking about the tear-jerking family flick ENCANTO. We're defending an uncle who is a metaphor for mental illness and the severely  traumatized family matriarch who could do with some family moving out of her house. Produced by ⁠⁠⁠⁠Andrew Ivimey⁠⁠⁠⁠ as part of The From Superheroes Network. Visit ⁠⁠⁠⁠www.FromSuperheroes.com⁠⁠⁠⁠ for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

The fourteenth episode of our season on the awesome movie year of 1941 features our audience choice poll winner, William Wyler's The Little Foxes. Directed by William Wyler from a screenplay by Lillian Hellman (based on her play) and starring Bette Davis, Herbert Marshall, Teresa Wright, Charles Dingle, Dan Duryea and Carl Benton Reid, The Little Foxes defeated two other Davis films in our 1941 audience choice poll.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1941/08/22/archives/the-little-foxes-full-of-evil-reaches-the-screen-of-the-music-hall.html) and Variety (https://variety.com/1940/film/reviews/the-little-foxes-2-1200413463/).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our...

It's Audience Choice time so this week we're talking about the iconic Sandra Bullock movie MISS CONGENIALITY. We're defending her boss at the FBI for sidelining her after she gets a co-worker shot, criticizing their awful investigation and making a weak attempt to defend a homicidal former beauty queen. Plus, a surprisingly deep conversation on how feminism means showing up for all women. Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

For this month's Audience Choice episode we're going all the way back to 2002 and talking about the original live action SPIDER-MAN. We're talking about THAT kiss (almost immediately), defending the mentally ill Norman Osborne and agreeing with J. Jonah Jameson that a masked boy swinging through the city like a wrecking ball, leaving his goo everywhere, is in fact a "menace." Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

The twelfth episode of our special retrospective 20th season looks back to the awesome movie year of 1980 with our audience choice winner, the Zucker-Abrahams-Zucker production Airplane!. Written and directed by Jerry Zucker, Jim Abrahams and David Zucker and starring Robert Hays, Julie Hagerty, Leslie Nielsen, Robert Stack and Lloyd Bridges, Airplane! was producer David Rosen's pick for our audience choice poll of 1980 films.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/airplane-1980), Janet Maslin in The New York Times (https://www.nytimes.com/1980/07/02/arts/screenairplanedisasterfilm-spoof.html), and Ron Pennington in The Hollywood Reporter (https://www.hollywoodreporter.com/news/general-news/airplane-review-1980-movie-1018276/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at

It's time for the "Audience Choice" portion of "Kinda Romantic Movie Month" - our Patreon supporters voted and so this week we're discussing the Patrick Dempsey led rom-com MADE OF HONOR. We talk about the largely nonsensical spelling of the title, the film's narrow view of gender roles and of course defend Colin - the unquestionably perfect Scottish Duke and liquor baron who has his wedding ruined by a selfish, emotionally immature American. Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time for our Audience Choice portion of "Kinda Christmas Movie" month so this week we're talking SCROOGED. We discuss the Bill Murray take on the classic Christmas Carol story and defend the people brought in by a caring boss to help a man in the middle of a mental breakdown. Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

The finale of our season on the awesome movie year of 1969 features our audience choice poll winner, Bob Fosse's Sweet Charity. Directed by Bob Fosse (based on the Broadway production) and starring Shirley MacLaine, John McMartin, Chita Rivera, Ricardo Montalban and Paula Kelly, Sweet Charity defeated two other major Hollywood musicals in our audience choice poll.The contemporary reviews quoted in this episode come from Vincent Canby in The New York Times (https://www.nytimes.com/1969/04/02/archives/screen-a-blowup-of-sweet-charity.html), Penelope Houston in The Spectator (https://archive.spectator.co.uk/article/28th-february-1969/20/cinema), and Variety (https://variety.com/1968/film/reviews/sweet-charity-2-1200421841/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this...

"Kinda Scary Movie Month" continues with our Audience Choice episode- the 1998 Disney Channel movie HALLOWEENTOWN. We're supporting a grandmother's right to spoil her grandchildren and defending the popular, anti-segregationist Mayor of the titular town, who wants to end his people's banishment from the real world. Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Audience Choice time! Our Patrons voted and so this week we're talking about DEEP BLUE SEA. We're defending super-intelligent genetically engineered sharks who just want to be free AND the ambitious medical researcher who created them. Sharks are gonna shark. Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode SummaryIn this "Fun Friday Book Recommendations", Alix and Kelly ask cosplaying couple, Michael and Hayley Burson, which books impacted their lives.Guest BiosHayley Burson is a full time public librarian and part time cosplayer. She began cosplaying with her husband, Michael, in 2016, and the two of them have shared many adventures with their love of creating together. Hayley specializes in hand embroidery and beading, wig styling, and creating silly videos. She especially loves cosplaying from Fantasy, Marvel, Disney, and Game of Thrones. When she isn't cosplaying, she enjoys playing the Sims, doing yoga, thrifting, and playing with her rescued mixed poodles, Bilbo and Basil.Michael with a self-taught cosplayer and sewist with 9 years creating costumes and fashion pieces that inspire him. Audience Choice winner of the Her Universe Fashion Show at San Diego Comic-Con in 2022, Michael has a passion for education and showing the "behind the seams" process of his builds to help others create their own art as. He cosplays from Marvel, Game of Thrones, Lord of the Rings, Disney, Star Wars, and much more. Topics Discussed[0:45] My Life in France by Julia Child[2:50] Game of Thrones: The Costumes, the official book from Season 1 to Season 8 by Michele Clapton[4:22] A Wizard of Earthsea by Ursula K. Le Guin[5:58] Batman: The Long Halloween by Jeph Loeb[8:02] The Harry Potter Series by J.K. RowlingOther Books MentionedLord of the Rings Series by J.R.R. TolkienGame of Thrones Series by George R.R. MartinTwilight Saga by Stephenie MeyerACOTAR series by Sarah J. MaasFollow Michael and HayleyMichael's InstagramHayley's InstagramHayley's TikTok Michael & Hayley's YouTube ChannelWe deeply appreciate your support in creating a community around stories! Make sure to RATE & REVIEW us!Subscribe to our email list at https://litjoycrate.com/podcast-email Follow us on Instagram @litjoycrateFollow us on TikTok @litjoycrateUse the code PODCAST10 at litjoycrate.com/podcast for a 10% off discount! Hosted on Acast. See acast.com/privacy for more information.

On this episode, my guests are Jesse Mann (editor-director) and Tyson Sadler (director), the brains behind the documentary The Last Tourist. Jesse is both a picture editor and director whose professional work has spanned commercial, tv and film projects. The Last Tourist is her second feature film as editor. Her first film, as both editor and director, Material Success, screened internationally and won the Audience Choice at the Canadian Film Festival and Best Film at the Canadian Film Festival (2012). Most recently, she both directed and edited the online horror mini-series “The Confinement” (2021). She is a member of the Directors Guild of Canada and an associate member of the Canadian Cinema Editors. Jesse has an B.F.A. from Ryerson University's School of Image Arts.Tyson Sadler is an explorer, traveller and award-winning filmmaker. He has directed video content and documentaries for The New York Times, Associated Press, and The Huffington Post. His films have been screened at festivals around the world including Tribeca Film Festival, South by Southwest, The Edinburgh Fringe Festival, and the Toronto International Film Festival. An early pioneer i virtual reality documentary, he has worked tirelessly to use cutting edge technology to tell stories that build empathy around causes such as climate change, forced migration, and human rights.Show Notes:The Film's InceptionIndustry PolarityRegulating TravelAddressing the Root ProblemsGreenwashing Animal and Child Welfare TourismHow the Wealth Gap Increased During COVIDWhat was Left on the Cutting Room FloorHomework:WATCH THE FILM HEREThe Last Tourist Film Website | Instagram | FacebookThe Last Tourist TrailerJesse Mann's Website | InstagramTyson Sadler's Website | InstagramTranscript:Chris: Welcome Jesse and Tyson to the End of Tourism Podcast. Jesse: Thanks Chris for having us. Tyson: Thanks for having us. Chris: Thank you so much for joining me today to talk about your documentary film, The Last Tourist. So, it was released in 2022 to great reception.And as you might imagine, many of my listeners have pointed me in its direction. And after watching the film, I found myself really grateful that people finally approached these themes in the medium of documentary filmmaking and with what seemed to be a budget to do justice to what those themes confront. And so first I'd like to ask you two how The Last Tourist got started and what the inspiration behind the film's creation was and how did you decide to write a treatment for it? Tyson: Ultimately, you know, I think the inspiration for The Last Tourist came from a combination of personal shared experience and a shared passion for travel and particularly responsible travel.You know, in early 2018, I was approached [00:01:00] by the executive producers to write a treatment, for a short film around responsible tourism in the country of Peru. And through, you know, some follow up conversations, we sort of quickly realized that we had an opportunity because, a large scale documentary, on the subject of responsible tourism just didn't exist yet. I mean, we have wonderful films out there which challenge our conversations with our relationship with climate change and our relationship with our food source like An Inconvenient Truth or like Food Inc., but we didn't at that time yet have a documentary which really challenged our perceptions of the global impact of the travel and tourism industry and so over conversations with with our team and the producers we quickly realized that we had a unique opportunity to make "An Inconvenient Truth" for the travel industry and in early 2018, we seized on that opportunity to explore the positive and negative impacts of tourism on destinations.Jesse: And I think just to add to what Tyson was saying, I think originally [00:02:00] it started off as a short project and yourself and the executive producers who brought us together kind of pushed for it to become the large scale project that had ended up being filmed in 15 different countries or 16 with 400 hours of footage.So, sometimes you don't know, especially myself as a co-writer and editor, when you come on to a project, in the initial stages, you think, "Oh, you know, this is wonderful. It sounds like a great project." I had been an avid traveler, lived in a few different countries over 20 years and I thought, yeah, this is a story that needs to be told, but I will say in no way in the beginning, did I ever think it was going to be, and I think Tyson didn't either, was it going to be such a huge project. And you comment, Chris, on the expansiveness of the subject and the different kind of facets of the tourism [00:03:00] industry we were able to look at.And really I have to say that I'm happy that we got to touch on all those points and to the chagrin of my personal sleep and Tyson's as well, but it started off small, I have to say that, and it grew into something tremendous that I think we're very proud of.Tyson: It really was a natural progression of our desire to raise awareness about responsible tourism and its consequences. We had our world premiere, honestly, I think it was about two years ago now at the Vancouver International Film Festival, two years ago. And a little over two years ago, a little over two years ago.And the film is still doing a festival run. Just last weekend, Jesse was at the the Innsbruck Film Festival and it's still been getting a wonderful response, great conversations around it. And we're streaming on platforms around the world, you know, Crave in Canada, Hulu in the U.S., Amazon Prime in other countries. I was just in French Polynesia and was able to find our film on Amazon Prime, which was really delightful [00:04:00] to see that. Jesse: Yeah, it makes us happy as filmmakers to know that the story that we spent a lot of time trying to create in a way that we thought would connect with audiences worldwide is actually getting out there. And so it's really nice to be speaking to you on your podcast as well and kind of extend that out to potentially more people who haven't seen the film or some who just want to talk more about the topics. Chris: And I wanted to ask you two, given the fact that the film was released, you know, still very much in a pandemic during the, the COVID 19 times what the reactions were given the fact that tourism had ground to a halt in that time you know, I received a lot of Mail regarding your film, like, ah, you have to check this out.You have to watch this, right? And so a lot of people really excited about the project, about the film. But then I guess I'm also curious about[00:05:00] if there was much of an industry backlash in regards to the degree of sincerity perhaps around which the film exhibited these kind of deep and sometimes dire consequences that visit themselves on places and people in the name of tourism.Tyson: Yeah. I think the reactions to the film have been in my experience, almost entirely positive. But people don't come to me with criticism, they come to me with congratulations, but I think there's a lot of individuals in the tourism industry and sponsors that have really welcomed our film, The Last Tourist, as a necessary and eye opening piece of work.It sparked a lot of interesting conversations and prompted the industry to, in many ways, I think, reevaluate some of their practices. You Jesse: If we back it up to when we were just when we were meeting with all of the different professionals that we interviewed across the different facets of the tourism industry, I mean, when you and I were writing the story, there were so [00:06:00] many different conflicting opinions on how to solve one issue that we still come across that sometimes when we meet those industry experts outside of, let's say, film audiences.Because When we were writing it, we had to kind of decide which side of the coin we were going to follow through our story with, and whether it's a topic of let's say regulation, that was a topic that Tyson and I had a lot of conversations about when we were making the film because the industry in itself is kind of very polarized in terms of regulation.There's some strong proponents within the tourism industry who want regulation. And then there's some who are very against it. And Tyson and I had a lot of conversations about that. And I think we still do when we meet certain industry professionals out there and I think that's a really important topic as well.[00:07:00] Now that you are bringing up, post covid and the pandemic where we saw kind of what happens when things are shut down. You know, we see both the positive and the negative. I mean we mentioned it in the film, but almost every single person that we interviewed in our film lost their means of income during that time. Gone.And at the same time, the world experienced kind of you know, a refuge from, you know, airplane emissions and damage to destinations. And, you know, these were calculable things like we could see that this was a definite impact. So, I think there's these kind of topics and these conversations are where we see a lot of polarity.And I think that we tried our best to focus on the people and the developing nations in our story. But, there are a lot [00:08:00] of stories that were left on the cutting room floor and so it is good to discuss them after in a podcast like this. I know that's kind of a long winded interjection, but I do believe that we do have some polarity for sure Tyson and I have come across, but just not in terms of what Tyson is talking about, in terms of not not so much with the audiences It is more a bit in the industry. Tyson: I'll share an observation. During the process of creating this film, we interviewed literally dozens of travel experts, you know from academics to tour operators across the industry.It's universally recognized that responsible tourism and sustainable tourism is a good thing. But then when we dive a little bit deeper I found a very fractured kind of industry because everybody believes that they know how to do responsible tourism, right. And everybody else, often, isn't executing responsible tourism correctly.And so, on a foundational level, sure, we all believe in responsible tourism, but I think, the approach at how we get there isn't universally accepted, throughout the industry, and I think [00:09:00] that that's, on a basic level, we kind of explore those themes in the film as well as we interview people who kind of take different approaches to how to engage responsibly with tourists and host communities.Jesse: And we had to make some hard decisions, obviously based on the research that was coming in on what side we wanted to promote in the story. But sometimes I think it's fair to say, Tyson, if you agree with me that we did try to leave it a bit more open for audiences to try to make their own decision based on what we had learned, because it's not always an easy answer for every situation.It's quite nuanced, I think. Tyson: Absolutely. Chris: And you mentioned Jesse, regulation. In terms of the people you interviewed and your research, generally speaking, what does that look like, or what might that look like in particular locales or within the industry?Jesse: Well, I think we've seen quite a bit of it post pandemic because where we thought there was going to be [00:10:00] an ease back into traveling that has not happened. All the reports are coming back in that tourism is back up in droves and a lot of the same problems, if not more are back with travel again.And so we've seen places like Machu Picchu has started regulating the amount of people that are able to visit annually. Worldwide, there's different popular tourist destinations who have decided to limit the amount of tourism and tourists that come to certain destinations.You know, I think when it comes to destinations, we just have to be really careful that it doesn't become a tax that is elitist because that happens a lot with regulation across the board. You've seen it with cigarettes, you've seen it with airfare as well. You're paying a higher price for travel. And although I do believe personally and Tyson, you [00:11:00] can speak to this as well, but because we haven't discussed this recently, but when you put a strong tariff or tax on travel, I think it is important, but I think it has to be calculated so that it's not elitist because if we only have people traveling in the world who can afford it, if it becomes so unaffordable, this is totally against the core value of travel, which is to unite all people of all different socioeconomic statuses and really connect with different cultures and people, and if it's just suddenly becomes for people who can afford a really overpriced flight, I think that will completely take away the value of the core value of travel.But I do strongly believe that, and this I think is a very controversial thing to say. I do believe that things have to be regulated and there has to be something done, especially about the amount of flights that are happening on this planet. Because, you know, for instance, I don't know the statistics for Canada, but I was looking at it the other day for[00:12:00] the UK.And I think something like 70 percent of all flights in the UK are taken by 15 percent of the population, and I don't doubt that that's very similar for a lot of the Western world without knowing all the statistics specifically, so I think that that has to be really taken into consideration when putting out regulation in terms of flights or destinations and such.Chris: Yeah, I've thought about it quite a bit as well, and the elitization of travel, and this understanding that, well, we remove subsidies, for example, for air travel or other things, that we'll just have rich people flying around the world, which is more often than not the case already. Most flights are undertaken for business travel and that's a huge thing that I think most people don't know about, but instead of getting people with corporate backed funds or just rich people flying around the world, we're obviously looking for people with strong principles and good behavior to be the ones [00:13:00] traveling.But then how do you measure that? How do you quantify that in a way that honors the kinds of worlds we want to live in? And it's not just this like, oh, it's impossible. Sure. And we could take that understanding that to quantify such a thing would be next to impossible, but then it could also open up these kind of doors of imagination where in like what kind of infrastructures would we want to put in place that were not maybe Government sanctioned or not maybe top down, but actually from the bottom up, creating these kind of international or intercultural bonds and practices between people that would allow not just for the kinds of people who locals in quote unquote "destinations" want to receive to be able to travel, but then also to create the conditions whereby that kind of, for lack of a better word, behavior or principles could be deepened in the world.I mean, it'd be extremely difficult to, [00:14:00] to manage, but How would you quantify that? How would you measure that? Jesse: Yeah, and I think that's such a, such a complicated issue and I love what you're saying though. I think it's absolutely wonderful. And I do think it's possible to move in that direction.I'm not sure I have the answer for that and maybe Tyson wants to speak to it, but I also want to say that something that I think could be part of the solution is also promoting train travel as well. And I know that that kind of that stops at domestic. But at the same time, you know, I think governments should be allocating a lot of funds to push train travel to create and develop train travel and to also subsidize train travel more because it's just a wonderful way to reduce emissions and to actually continue allowing people to travel. Tyson: Yeah. There are some countries here in Europe, Jesse, and I think Europe is just far beyond a lot of the rest of the world. Canada, I think we're still living in the dark ages, you know, when it comes to long [00:15:00] distance train travel.Jesse: That's a shame. It hasn't been made a priority. Tyson: It just doesn't exist.Chris: Well, I'm curious also for you two how your own travels in your lives might have come to bear on your production or pre production and research in the film. Maybe you could tell us a little bit of how you've seen the world over the course of your life and your travels and if that came to bear at all in the making of the film.Tyson: Personally for me, I traveled extensively, for 20 years prior to embarking on this film. I worked in the travel industry. I worked for an airline for many years. I was also a journalist and I've done work for several large publications, which allowed me to travel to very, some very remote and exotic destinations around the world.This travel really exposed me to the beauty and the wonder of the world. But also the environmental and the cultural challenges that a lot of these destinations face. You know, the experiences, with travel for both work and for pleasure, I think they served as a [00:16:00] catalyst, for me just to delve deeper into this topic.And so when I was approached about directing and writing a film on this topic, I don't think there could have been a better fit. Like it just, everything just kind of fell into place and I just felt like I was really well poised because prior to that I had traveled to 70 different countries in a number of different capacities.I had personally engaged in a number of behaviors that we are critical of in the film in terms of animal interaction, you know, interaction with other cultures. And my travel through two decades was really an eye opening and learning experience for me. And what this film really is, I think for me and in many points in the film is a reflection of my past travels and things that have been illuminated in my mind in terms of what are some important aspects that we really need to address if we want to be more conscious and responsible travelers.Jesse: And I think from my end I surely [00:17:00] had not traveled to as many destinations as Tyson. But I did indulge my wanderlust in my twenties and thirties. I lived in a few different countries, Holland, South Africa, Germany, Canada. And I think that the absolute best aspect for me personally of travel is meeting the people.I absolutely love meeting people in different cultures and seeing the differences and the similarities and learning the wisdom as much as I possibly can in such a moment of my life, when I'm in a destination, if it grants me such a gift. And I think from that, I still do have such a deep, deep gratitude to my privilege and being able to travel in and meet such people.I've made such beautiful friendships over the course of 20 years and many I still keep in touch with across the various places I've lived. And I think that when you come back, [00:18:00] perhaps from living in different cultures in different countries and you come back to your home, the place you were raised in and where you were born and where you were raised culturally, and you can note the vast differences, and it's not a negative thing, but you start to pick up on the ways in which many people can see different cultures or different countries in a way that is completely disconnected from the actual truth and and this knowledge often comes with privilege.I was privileged enough to be able to travel to these destinations to meet certain people and to dissuade certain prejudices, but not everyone can. And so part of this film, I have to say, ironically, is that if you can't travel, this film is also a wonderful film to watch because it's something that you can meet these people [00:19:00] in these destinations.You know, there's so many places that I've been to also that are so many places I have not been to that were featured in the film as well. And with documentary filmmaking and making, and especially as an editor, I really do feel like I get to know these people so well, and I don't think that's just exclusive to myself.I think audiences, hopefully, if I've done it correctly, if Tyson and I have, have made the film correctly, that these people's hearts have come through in the film. And, this is something that Tyson and I really worked hard on. And I'm sorry if I'm deviating from the question a bit, but it does connect very deeply to my love of travel is is people and also my love of editing people and so it was something we worked really hard to focus on is how do we give these people a podium. They have their voice there. They're saying their truths. How do we give them a podium [00:20:00] and as the white filmmakers who are coming into different countries, how do we take a step back and really let them preach their wisdom? And so it was a balance for us really in finding the right voices, obviously speaking to the right professionals and speaking to professionals within different cultures that you see featured in the film and really making sure that their knowledge, their voice, their direction was giving us direction on how we edited and formulated the story and stories of everyone that we met in the travels of the production as well. Chris: And on that note, I'm curious for each of you, what was the most important topic or theme that came up in the film for you personally?Tyson: For me, maybe it's an echo of Jesse's sentiments there, but really it comes down to the impact on the communities that so graciously host us when we when we do travel. Travel you know has you know has an encyclopedia [00:21:00] of challenges that come with traveling responsibly unless we address the people. And I think we address this and the the film addresses this, but we can't begin to you know to start focusing on the environment unless we first focus on the communities who are there and helping them emerge from poverty. We can't begin to focus on how we can solve the problem of poaching in the African savannah unless we first address the root causes of why it's there and how it affects the host communities and how poverty affects people's decisions to be involved in this trade. Jesse: That was something that Jane Goodall was was really adamant about speaking in the film about as well Tyson: Yeah, and so to answer your question Chris, I mean ultimately it comes down to the communities and the people, the humanity of it all. First, we need to address the human aspect and then we can address the secondary aspects of what it means to be a responsible traveler.[00:22:00] Jesse: So for me, personally, the most incredible voices in the film that when they came in, I just thought, "oh, wow," were definitely Lek from Elephant Nature Park and one of our contacts in Kenya Judy Kefergona, who ended up being one of the main speakers and narrators throughout a huge portion of our film.These two women were just heroes. Like just with Judy, with the words that she was able to express for the people working in not just only the tourism industry in Kenya, but the people of Kenya who were vulnerable to unethical tourism, and then speaking to so many different subjects that were connected to so many different stories worldwide with such eloquence and such power and such knowledge [00:23:00] and encourage really, I think. She spoke about these topics. I was just enamored, just blown away and so grateful for her coming onto our film and Lek Chailart is just a modern day hero. She is the tiniest woman with the biggest heart who when I saw her story in our film against the backdrop of these beautiful giants, these elephants that she has rescued. And essentially she's an elephant whisperer in the truest sense of the word. And it's just such a magical thing to see.Listeners won't be able to understand this. I'm getting goosebumps when I just talk about her and this was the kind of thing that when Tyson and I were looking through footage and looking through stories that we were looking for, "Oh, that's the moment, ah! the moment. I got the goosebumps. That's it. It's there. And we found it in the stories, not just these two women, everyone you see featured in the story and some that were left on the cutting room floor, unfortunately there that gave us beautiful insight that we still used in crafting the story, that just wasn't able to [00:24:00] make it into the actual film for timing constraints.But really, I would have to say that these two, it's not specifically the stories, although both of them touch on really important stories, including child welfare and animal welfare, which to me, those two stories were really close to my heart. And we felt really strongly that they needed a really important part in the film.But it was really these two women who I just felt so grateful for in the film. Chris: I mean, the, the chapter on animal welfare was quite devastating for me in part because it had reminded me that in my early twenties, I had visited Thailand and I had gone to an elephant sanctuary. Not a zoo but a sanctuary, and had the opportunity to ride an elephant for a short time, and I felt really uncomfortable probably because I was on top of an elephant, just the kind of immediate awkwardness of such a thing, having never seen one in person, having never [00:25:00] experienced that before, but also kind of like, "what am I doing here?" And so, that part of the film really kind of opened up for me why I felt that perhaps existential discomfort, not just about being on top of an animal of that size, but in the context of the dynamic, you around how that was happening and why that was happening and not having the context for it so long ago.And of course, this is one of the things that we touch on in the episodes, in the interviews, in the podcast, is how can we come to understand these things when our visits are so short in these places, when we are only in a place for just a very brief time and there's really no context for the history and the culture and the political dynamics that surround these things.And then, most travelers, most tourists just end up leaving and the consequence of one's presence on the scene is kind of forgotten, at least by the tourist or traveler. Yeah, so thank you for [00:26:00] for that. Jesse: That question did come up actually at the recent screening of the film in Innsbruck at the Nature Film Festival, whereas someone in the audience asked very specifically, even though it would be great to stay at a destination for a long time, most people are, saving up for short travel when they have time off work. And they need to take this kind of tour because they can only afford this one. And what do you say to those people who want to travel better, but feel like they're kind of stuck or don't know where to go. But I would say in short, I think that touches on an issue that we have in the modern world with a lot of things. We are all overtired, overworked, and we don't have time to be ethical, we don't have time to do the research, we don't have time to investigate, if anything is against our core values, and we don't have time to and I get that, you know, it's not easy for everybody.And if you do have the [00:27:00] time and you are able to really do a deep dive then you're very privileged, because you have the time, which just means that you have the money. So we did try to give a lot of smaller tips at the end of the film in terms of how you can do smaller acts of, of kindness and of conscious traveling, to travel local, to put money into local economies to make sure that you're not requesting your sheets to be washed every day, making sure that you're traveling using reusable, to make sure that you're and I guess this goes into a little bit more of the extensive questioning is to ask the destination that you're traveling to what their policies are in connection with the locals, in connections with the environment. Unfortunately, there is a lot of greenwashing in tourism. And you know, that's in all industries right now worldwide. So it's not going to be so easy for someone who isn't an investigative [00:28:00] journalist to really find out the truth behind it all the time, but we can do our best.And there are quite a few links on the website thelasttouristfilm.com where you can see some of the different organizations that we spoke with that have lists upon lists of different collaborating companies that you can look to that can can show you places that are not greenwashing or that are working with locals, but back to the idea of taking the time and it is about taking the time, whether it's an hour even, just to take the time and do a bit of research and this especially comes back to the topic of child welfare and people who are still, en masse, volunteering worldwide to orphanages and orphanages where children have existing family members and that these orphanages have become of monetary value to developing nations [00:29:00] because they make money and it's really easy for us to pass judgment on places that do this, and it's definitely wrong, but if we as travelers are going there and saying with our travel dollars, this is something we want to invest in, then people in developing nations are going to say, this is how I make money.And it's the same with animal welfare. You pay for an animal sanctuary that you haven't done the research on. They're going to keep perpetuating that cycle. It's going to be the same with child welfare. So, if you do want to be ethical, you have to fit in a little bit of research in your travel time. And that's it. And I know it's not so easy for everybody.Tyson: Yeah, I'd like to expand a little bit on a theme that sort of both of you have talked about. Jessie, you had mentioned greenwashing. Chris, you had mentioned that you had been to an elephant sanctuary in Thailand. One of the most memorable takeaways that I had from this film is just the massive amount of greenwashing [00:30:00] and deception that exists within the industry.I came to know a lot of companies that appeared to just be normal travel companies doing the same thing that has been going on in the travel industry but marketing "green" although nothing really changes. It's just their marketing strategy that's changed. If we look at, for example, in Thailand, there are a number of places that call themselves an elephant sanctuary, an elephant retirement home, an elephant rescue center. And we can't rely on those names anymore to know that the service provider is giving us an ethical experience. We really need to ask deeper questions. It's the trend in the industry now to use this type of language, " sustainable," "responsible," "eco," all of these buzzwords.And I've just come to find these completely meaningless, in those terms. We really need to ask some deeper, more challenging questions of these experiences and the tour operators and the service providers to actually know whether what they're doing is ethical or not because it is very easy to call yourself a [00:31:00] sanctuary, when in fact, it's the complete opposite. If it truly was an elephant sanctuary, we wouldn't be able to ride the elephants, in that place and they would be providing them a life of dignity free from exploitation. And it's the same with children. Calling these places orphanages ,I think it's a misnomer. It's incorrect. You know, 70 percent of children who live in these quote unquote "orphanages" actually have at least one living parent.But it's all under the guise of trying to gain sympathy from the traveler. "Oh, come see an elephant at a retirement home. Come see a child at an orphanage." It's just a piece of marketing that doesn't reflect the truth. We have a lot of companies doing the same unethical practices they've been doing for decades.However, they've just really changed their marketing to appear more green.Chris: Yeah, it seems to be a never ending cycle where responsible isn't good enough, that now we got to be regenerative. So many of these words just end up becoming, marketing tools. Tyson: I'm hearing that word a [00:32:00] lot more these days as well. Chris: Yeah, so how do we proceed, not just with a degree of dedication towards research and, and and planning, but also deep discipline as to how these words are unfortunately, as you said, becoming kind of meaningless in their significance..I want to take a little turn with you both to ask about what happened as the film was going through post production and its release because most of the footage that you have is quote unquote pre pandemic and the COVID 19 pandemic hit, obviously, in 2020 and from what I understand your team was entering into the post production process and, of course, tourism ground to a halt almost completely, worldwide. And throughout the film, there are people that you two interview that contend with the consequences and context of tourism and look [00:33:00] to a more honorable path that it might take. But I'm curious in regards to the people that you did interview who had found a degree of success and perhaps within a more small scale, a more honorable way of doing tourism that those flights, those trains, the reception of people in their villages went from a hundred to zero, basically overnight.So much of the dire consequences of tourism revolve around or end up as exile, local people can't afford to produce food anymore in their places. And the education systems kind of move them towards getting jobs in the next city or even in other countries, and I'm curious in the context of the film and I guess the treatment that you put forward, you know, never perhaps thinking that something like this could happen. What was the fallout among the people that you interviewed in regards to their understandings of tourism and if it was [00:34:00] still this kind of for lack of a better word, golden goose or calf or sacred cow that they could rely on for the rest of their lives.What did you hear kind of in the ether as you were doing that post production? Tyson: I think it substantially expanded the wealth gap. I think during COVID the people that were hit the hardest are the people in the tourism industry that often are paid the least.Depending on what their jobs were, they were the ones who were suffering layoffs and they were the ones whose businesses couldn't afford to sustain themselves. And so I think, for the most vulnerable populations, the pandemic was absolutely devastating.People couldn't afford to put food on the table and pay rents, not just, I think, in developing countries, but even in the developed world. Airlines were laying off massive amounts of employees. Hotels were cutting staff. This was a global challenge that affected everyone. However, at that same time, we did hear stories that, you know, CEOs of major airlines were taking million dollar bonuses[00:35:00] for cutting costs. And that was an observation of mine, through that experience, you know, that the people who needed tourism the most for daily sustenance and to put bread on the table were the ones who were absolutely the most affected and the people kind of at the top of the tourism industry were still fine and they were also taking bonuses, which really bothered me just because the wealth gap just seemed to get further and further apart through that. But we do know, with the stories, that were featured in our film... there's a wonderful lodge in Ecuador, a homestay that we look at and they lost their income during that time.The elephant sanctuary in Thailand, the one that does do great work, not one that greenwashes an elephant sanctuary but they lost a lot of revenue where it was very challenging to feed the elephants and to house the elephants because they didn't have that revenue coming in to support the project. Jesse: We were hearing in in Africa, right?Some of the rangers [00:36:00] were who were placed in defense of the elephants and animals and rhinos and such were just gone. They just weren't there anymore at that time because if they're not getting paid, they can't stay there. And so poaching also went up in those areas as well.But you know, I think that in terms of what the positive was, I think a lot of people were hoping that post COVID that there was going to be hope for change, for renewal for doing things differently. And I think this was in when we were in post that this was maybe, potential to show people how things can be different by showing kind of the polar opposite and the effect and also showing how intrinsically connected people's livelihoods are to this industry and how vulnerable they are to massive change like this. I mean, the Dominican Republic that has [00:37:00] almost 90 percent of their GDP related to tourism? Tyson: Island nations are the ones who are most affected by tourism. You know, the Bahamas, the Dominican Republic. The Caribbean islands specifically. I don't know if it's as high as 90%, but the vast majority of their GDP from island nations comes from the travel and tourism industry, and they were certainly hit the hardest during the pandemic. Jesse: And so I think that we can see from that, I think the hope for us during post production was, okay, you know, this is a horrific blow to the people most vulnerable in this industry, but if we can get this message out after the pandemic, perhaps this could be something that could really change. And to be fair, change is slow sometimes and I mean, it's wishful thinking that post pandemic right after that suddenly everyone was going to become ethical travelers but I see so much potential just in the discussions online the people that we're [00:38:00] meeting at different screenings, the interest that we're getting worldwide, just to have these conversations and see that there is an interest in change.And when you talk about moving change, it does often come from the people, and I think, across the world over the past few decades, we've all been seeing again, I think our power as people, as citizens, as individuals, and the power that we have to come together over certain issues that we feel need radical change and even if it is slow change, I do see the inklings of that change happening within the tourism industry and I think it's really positive.Tyson: You still have a lot of work ahead of us. Chris: Amen. I think that's really, really important and, and perhaps fits properly inside of the context of the dominant culture, at least of North America or the quote unquote West, wherein, the pandemic also produced a deepening of the [00:39:00] culture of "everything now."Suddenly it was like, "okay, well, I can't go out here, so everything has to be deliverable, and at the tip of your fingers, right? And what might come with that is this notion that, we also expect social change to happen overnight. Right? And that it might be overshadowed by this kind of dominant culture of wanting everything now and also the unwillingness to do the necessary work, which is sometimes generational.Right? Not just a week or a month or a year, but generations.In that regard, the themes of the film are extremely broad and you go into a lot of detail and depth with each. So I'm very grateful for that, but I'm also curious what might've gotten left out.What might, one day end up on a director's cut of the film. Jesse: Oh, so much. Tyson: Ask the editor. Jesse: Oh. Well, I mean, you had so many stories that you brought [00:40:00] to the table that were beautiful, beautiful stories. Forgive me. I don't remember his name and you'll remember Tyson.But one of the. Tyson: I know who you're talking about. Jesse: Oh, do you? One of the men you interviewed at the UN had a really beautiful story to tell. And then we also had a really beautiful story from Costa Rica. An animal welfare and environmental story. Oh, my goodness. There were so many stories.Tyson: We had a wonderful story from Cusco Peru with an organization that was putting the first female porters on the Inca Trail and really fighting for gender equality on the Inca Trail.Jesse: What was that company's name again, Tyson? Well, the reason why I bring it up is because it's so unique that I just think, "oh, we should definitely highlight that to listeners" because they were taking female porters and they were reorganizing the whole industry based on their [00:41:00] precedent because they were treating porters with dignity, with safe conditions, with, valuable wages and this is something that's just not done across the industry on the Inca Trail with the male porters and there was some really, really horrific footage that we came across of the way these porters were living just not too far from where the tourists were sleeping comfortably in their tents. And this is a wide practice across the industry and Miguel from this company Evolution Treks and the gallon, do you remember his full name, tyson? Tyson: Miguel Angel Gongora Jesse: from Evolution Treks, yeah, a wonderful, wonderful man who was really, really passionate about changing the industry. And we spoke with many of the female porters, and yeah, that was a story that we were really, really sad to lose that [00:42:00] story. Tyson: Yeah. Yeah. With only 90 minutes, you know, we yeah, really had to make some challenging decisions on what to be included in the film and I really feel that a 90 minute film can scratch the surface, it can spark some interest in a number of these themes, but certainly, and maybe that's next steps for us, but I certainly think that what this the subject matter, deserves is a series, you know, cause we could dive much deeper.Jesse: Tyson and I have been talking about it. Tyson: Yeah, we, we can dive much deeper into each of these subjects and create a 90 minute doc on each of them. And so, at some point in the future, we'll be making some pitches and writing some additional treatments into how we can make a six part series and expand on the themes in this film, you know, from the environment to gender inequality to animal welfare and everything deserves a lot more time, but hopefully, what we've done with this film is just been able to spark a number of conversations and inspire people to go and do some additional research [00:43:00] into how these themes impact these communities.Chris: Yeah, well, thank you both so much for that. I have a lot more questions, but maybe that'll also be saved for a sequel. Jesse: Yeah, we'd love to speak to you again, Chris, if you'd like, in the future. Chris: That'd be great. Before we finish, I'd like to ask you what might be next for you two in your respective filmmaking and writing lives?Tyson: My world currently revolves around photographing wildlife particularly large wildlife. Yeah, I've been spending a lot of time traveling recently and in the ocean. I mentioned to you, I mean, tomorrow I'm hopping on a flight and I'm heading to Norway to go photograph large marine mammals in Norway. So that's that's where my life is taking me right now is in pursuit of wildlife filmmaking and photography. Jesse: Although I wish I could, I could say similarly, I right now my life is a little bit calmer. I had a baby 20 months ago. So, I've been on an extended maternity leave [00:44:00] and I'm currently just in development of projects for the future.I finished up this project in full right before my child was born. And I still have a few projects that were finished up recently, but as of the moment I'm completely in development and yeah, I really look forward to developing something with Tyson in the future in regards to what he was talking about a series on travel and on a lot of stories that we were so passionate and so blessed to come across, but that we just didn't have the ability to give the podium to in our film, but yeah, so I'm really excited for the future and just coming from this festival that I was at recently, I'm just so invigorated with the energy of the audiences and the passion to travel better and to demand better travel from the industry and from travelers as a whole. So this just really gives me a lot of hope. Chris: Well, congratulations on your [00:45:00] motherhood. Thank you. And having a little one in your life and this work and Tyson and the opportunity to be able to travel as you do, and to try to honor the lives of those beautiful four leggeds and no leggeds and the tailed and finned ones. So finally, how can our listeners watch The Last Tourist? Are there any screenings coming up? Jesse: Definitely on the website, thelasttouristfilm.com, right when you go to the webpage, there's a whole list of all the different avenues you can watch the film.But maybe Tyson could elaborate more. Tyson: Absolutely. Yeah, you can connect with us on Instagram at Last Tourist Film, as well. We're just kind of wrapping up the fall festival season before we do some additional screenings next spring. We just wrapped up in Germany and Iceland.I think streaming is the best way to find us, in Canada we're streaming on Crave. In the United States, we're streaming on Hulu. Delta Airlines, Emirates Airlines. In other countries around the world, you can also find us, I [00:46:00] know in France, in French Polynesia, Hong Kong on Amazon Prime. And there's a number of other markets that the film will be opening in very shortly which is really exciting.It's not available everywhere, unfortunately, around the world, but if you have a desire to see it, you know, please get in touch with us and we'll do our best to make sure that you have an opportunity to see the film. You can host a private screening. There's a number of ways that you can see this film, but please let's keep the conversation going.Let's get in touch. I'd love to hear from a number of the listeners, and let's find a way that we can allow everyone to see this film. Jesse: And what's been really exciting is we've got a lot of interest from schools. So, educational screenings have been happening all across the world, and that's just been amazing.Those are the best for us, I think. And I would just say, if any of the listeners have any further questions for us, we're always open to taking questions and chatting. Personally, Tyson and I can both be reached at our Instagram. So you can I think Tyson's is @TysonSadler, and mine is [00:47:00] @JesseMann, two S's, two N's. So if you want to leave that for your listeners, they're welcome to contact us. And anyone who's listening can contact us directly that way, who want to host a screening or find out ways to watch. Chris: Absolutely. Yeah, I'll make sure that all the websites and handles are available for our listeners at theendoftourism. com. And on behalf of them on behalf of myself, I'd like to thank you both for joining me today. Your film is incredibly inspirational, necessary, and deeply important for these times and I don't doubt that our listeners think the same. So, I wish you the most beautiful paths ahead on your travels with your families.And ...We get the opportunity to speak again sometime. Tyson: Thank you, Chris. This has really been a meaningful conversation. Thank you. Jesse: Yeah. Thank you so much for giving us this space and I wish you all the same. Chris: My pleasure. Get full access to ⌘ Chris Christou ⌘ at chrischristou.substack.com/subscribe

The finale of our season on the awesome movie year of 2000 features our audience choice poll winner, Stephen Frears' High Fidelity. Directed by Stephen Frears (based on the novel by Nick Hornby) and starring John Cusack, Iben Hjejle, Jack Black and Todd Louiso, High Fidelity defeated two other music-themed dramas in our audience choice poll.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/high-fidelity-2000), Stephen Holden in The New York Times (https://archive.nytimes.com/www.nytimes.com/library/film/033100fidelity-film-review.html), and Owen Gleiberman in Entertainment Weekly (https://ew.com/article/2000/03/24/high-fidelity-8/).Thanks to special guest Rich Rosen of Wax Trax Records in Las Vegas for joining us. Check out Wax Trax at https://www.waxtraxonline.com/ and https://www.facebook.com/waxtraxrecords.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next installment, the epilogue to our...

This week on the Here's What We Know Podcast, our host Gary Scott Thomas welcomes back our special guest, Darren Haruo Rae, the brilliant director and creative force behind the short film “Nisei,” which won the grand jury prize for ‘Best Dramatic Short Film' at the Cinequest International Film Festival, making it an Academy Award-qualified film. Darren shares the behind-the-scenes journey of how the film was created despite having a limited budget and producing on their own.This episode is not just about the professional wisdom of creating a magnificent film but highlights personal connection as it is based on Darren's family history, specifically his grandfather's experience and the Japanese-American community during World War II. Tune in now!In this Episode:Darren shares exciting news about "Nisei" winning the grand jury prize for best dramatic short at the Cinequest International Film Festival in San Jose. This win has made the "Nisei" Academy Award qualified and a chance to get nominated.Darren shares about the process of becoming Academy Award-nominated, including academy voting members' involvement and 'For Your Consideration' events planned in Los Angeles and San Francisco.Insight into how Darren found out about winning: a mix of confusion, excitement, and disbelief while watching an Instagram livestream from home.Discover Darren's connection to "Nisei" as it tells a story close to Darren's family history—his grandfather's experience fighting for the US in WWII while his family was in internment camps.Hear serendipitous aspects of filmmaking emerge through stories like finding a period-correct bus just after restoration or connecting with costume designers who had authentic resources linked to their heritage.This episode is sponsored by:Winchester Western Wear (Be sure to tell them Gary sent you so you can save 20%!)Dignity Memorial (Mention Gary & receive a Thank You Gift)GymGuyz (#1 In-Home Personal Training)Bio:Darren Haruo Rae is a Japanese-American producer/director based in Los Angeles who co-founded the boutique production company Roann Films. He has directed high-profile commercials and branded content for clients such as Western Digital, Airbnb, and Cisco. Rae's directorial debut, Park Arcadia, garnered Best Screenplay at the 2014 International Film Festival Cinematic Arts in Los Angeles. His latest film, Nisei, inspired by his Japanese-American grandfather's WWII experiences in the 442nd Regimental Combat Team, earned Best Drama and Audience Choice at the 2023 Poppy Jasper Film Festival and continues its festival circuit, screening at Indy Shorts by Heartland Film, LA Shorts International Film Festival, HollyShorts Film Festival, and Cinequest Film Festival. Currently, Rae is the series producer for the MasterClass G.O.A.T. Original Series and is producing the feature film Surrender, starring Andrea Bang. Surrender was selected as one of Film Independent's Fast Track fellowship program's top 10 narrative fiction features and is slated for production in 2023.Website: https://www.dhrae.com/Instagram: https://www.instagram.com/darrenhrae/Nisei Film Instagram: https://www.instagram.com/niseithefilm/Facebook: https://www.facebook.com/RoannFilmwww.GaryScottThomas.com

For our Audience Choice episode Rebecca and Craig discuss the ridiculous Samuel L. Jackson action flick. You asked for it, so we're defending the snakes...on the plane.  Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mike Switzer interviews Thomas Torrey, a producer, writer, and director with Bad Theology Pictures in Fort Mill, SC, recipient of both the Best Director and Audience Choice awards for their feature film, Long December.

The finale of our season on the awesome movie year of 1939 features our audience choice pick, the Marx Brothers comedy At the Circus. Directed by Edward Buzzell from a screenplay by Irving Brecher and starring the Marx Brothers (Groucho, Chico, Harpo), Kenny Baker, Florence Rice, Eve Arden and Margaret Dumont, At the Circus prevailed over two other movies from classic Hollywood comedy stars in our 1939 audience choice poll.The contemporary reviews quoted in this episode come from Frank S. Nugent in The New York Times (https://www.nytimes.com/1939/11/17/archives/the-screen-marxes-well-under-their-top-in-at-the-circus-at-the.html), Richard L. Coe in The Washington Post, and John Mosher in The New Yorker.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next installment, the epilogue to our 1939 season.

Embark on an immersive exploration into the artistic and storytelling brilliance of Kasey L. Martin in our latest Visual Intonation podcast episode. Through her exceptional talents in both film and photography, Kasey delves into the intricate nuances of identity, culture, and the profound sense of belonging that resonates deeply with audiences worldwide. Join us as we unravel the layers of her creative genius, witnessing firsthand how she skillfully amplifies diverse voices from every corner of the globe, weaving narratives that not only foster connection but also ignite empathy and unity among viewers.  With an unwavering commitment to authenticity, Kasey's work serves as a powerful catalyst for transformation, resonating with themes of healing, self-affirmation, and empowerment. Through her captivating storytelling, she encourages individuals to embrace their true selves unabashedly, inspiring a newfound sense of confidence and self-awareness.  Nestled in the dynamic landscape of Metro Atlanta, Kasey brings a wealth of experience and insight to her craft, having honed her skills through a distinguished Master's of Arts Degree in Filmmaking from Kingston University London. Her artistic journey has been further enriched by invaluable mentorship from acclaimed director Jim Jarmusch, acquired through the esteemed Unlock Her Potential Program.  Recognized for her exceptional talent and unwavering artistic vision, Kasey has garnered prestigious accolades, including the Russell's Reserve Grant on behalf of Jovel Roystan, Russell's Reserve, and The CCNYC, as well as the esteemed POCC x Shutterstock BHM grant. Selected as a participant for GLAAD's Inaugural Black Queer Creative Summit, Kasey continues to push boundaries and make significant contributions to the creative landscape.  Join us as we embark on a cinematic journey through Kasey's recent film "A Synonym For Art," a captivating masterpiece that not only mesmerized audiences but also clinched both the Audience Choice and Jury Award at the Atlanta Film Society's Locals Only event. Prepare to be inspired as we delve into the depths of creativity, exploring the profound impact and transformative power of storytelling with the incomparable Kasey L. Martin. Kasey L. Martin's Website:  https://www.kaseylmartin.com/ Kasey L. Martin's Instagram:  http://instagram.com/kaseylmartin Kasey L. Martin's LinkedIn:  http://linkedin.com/in/kasey-martin-36675b37 Visual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

Emma Schwarz, International Vegan Film Festival Emma Schwarz is an award-winning filmmaker, animal photographer, author, and dedicated vegan activist. Since becoming vegan in 2017, she has committed herself to using art as activism to advocate for the animals, the planet, and a more sustainable future for humanity. In addition to her role at the International Vegan Film Festival, Emma is the Co-Founder of Veganography, a film production and media company dedicated to creating content which inspires the public to embrace a vegan lifestyle and empowers vegans in their own activism. Veganography specializes in 3D animation; their work synthesizes traditional filmmaking and 3D animation to create uniquely engaging content that advocates for a kinder world for all. Veganography's films have been screened at dozens of international film festivals, and have garnered 10+ awards including “Best Documentary Short,” “Special Jury Changemaker,” and “Audience Choice.” Veganography's work has also been featured on prominent streaming platforms and social media channels such as PBS, UnChainedTV, and Vegan FTA. Previously, Emma served as the Director of Advancement for a large farmed animal sanctuary, where she oversaw the organization's educational programming and contributed to fundraising strategy and donor stewardship. Before finding her true passion in vegan advocacy, Emma began her professional career as a classical cellist. In addition to advanced degrees in cello performance and pedagogy, Emma holds the Plant Based Nutrition Certificate from the T. Colin Campbell Center for Nutrition Studies at Cornell University and has completed the Solutionary Micro-Credential Program from the Institute for Humane Education at Antioch University. Driven by a passion to amplify the voices advocating for change, Emma is honored to serve her fellow filmmakers and artists at IVFF. Her passion lies in supporting innovative, creative approaches to advocacy, firmly believing that all forms of activism work synergistically to effect meaningful, lasting change. More at the International Vegan Film Festival.

We did a Nic Cage inspired Audience Choice for January so this week we're defending stealing the Declaration of Independence! Because if stealing a historic document is wrong then obviously the 'heroes' have to steal it before the 'villains'. Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

The finale of our season on the awesome movie year of 1987 features our audience choice pick, Paul Verhoeven's RoboCop. Directed by Paul Verhoeven from a screenplay by Edward Neumeier and Michael Miner and starring Peter Weller, Nancy Allen, Miguel Ferrer, Ronny Cox, Kurtwood Smith and Daniel O'Herlihy, RoboCop prevailed over two other classic action movies in our 1987 audience choice poll.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/robocop-1987), Michael Wilmington in the Los Angeles Times (https://www.latimes.com/archives/la-xpm-1987-07-17-ca-2777-story.html), and Dave Kehr in the Chicago Tribune (https://www.chicagotribune.com/news/ct-xpm-1987-07-17-8702220474-story.html).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next installment, the epilogue to our 1987 season.

Conversation with the versatile and dynamic violin soloist and chamber musician Njioma Grievous , winner of the Robert F. Smith First Prize and the Audience Choice awards of the Sphinx Competition.  Topics including ·         Her performance preparation and pre-performance routines ·         The importance of Receiving and following advice ·         The skills she thinks are important to develop ·         Her favorite tool in the practice room and the great way she uses it ·         How she gets herself to practice when she doesn't feel like it ·         Her no. 1 advice for people taking auditions ·         The changes she would like to see in the classical music world ·         And her actionable tip on how to memorize music   Book your free consultation with Renée HERE Download the transcript from this episode HERE   MORE ABOUT NJIOMA GREVIOUS Website:  https://www.njiomagrevious.com/ YouTube: Watch Here Instagram: https://www.instagram.com/ngrevious8/ Abeo Quartet:        Website: https://www.abeoquartet.com/ Facebook: https://www.facebook.com/abeoquartet/ Instagram: https://www.instagram.com/abeoquartet   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/   THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.  

We continue Cozy Month with our "John Candy" themed Audience Choice episode. We're joined by special guest Joel Edmiston (@joellbaby) and we try our hardest to defend the villains of the classic Mel Brooks Star Wars parody. And you know what? I think we do a pretty job all things considered. Looking for a tee with the best nerdy designs by independent artists from around the web? Check out www.TeePublic.com or discover our favourite designs at www.vwrstore.fromsuperheroes.com Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Here's What We Know Podcast, host Gary Scott Thomas had a fascinating conversation with our guest, Darren Haruo Rae, a Japanese-American producer and director based in Los Angeles. Darren shares his journey from being a movie enthusiast to becoming an accomplished filmmaker.Darren's love for film was sparked by his father's passion for movies and his extensive laserdisc collection. Tune into this insightful episode where they also talked about assessing one's own work, learning by doing, understanding commercial filming vs. authentic performances, and much more!Filmmaking isn't just about what you see on screen; it's also about those behind-the-scenes heroes who make magic happen every day.In this Episode:The Genesis of a FilmmakerThe Academic Pursuit A Nostalgic Affair with PhysicalityInfluences Inspirations Behind-the-Scenes IntricaciesSelf-assessment and Growth The Art Of Compromise In Filmmaking    Directorial Philosophy  Casting Decisions And Actor Inputs   Persistence, Patience, and Timing Physical Fitness In CinemaRepresentation And Diversity  Respect For Personal Stories   The Importance Of Storytelling   Historical Events As Source Material  Remembering History Through FilmCultural Expectations And Screenwriting  Superhero Movies And Corporate Control Balancing Commercial Work With Personal Projects Dream Collaborations This episode is sponsored by:Reed Animal HospitalSterling Oak CabinetryAbout Darren:Darren Haruo Rae is a Japanese-American producer/director based in Los Angeles who co-founded the boutique production company Roann Films. He has directed high-profile commercials and branded content for clients such as Western Digital, Airbnb, and Cisco. Rae's directorial debut, Park Arcadia, garnered Best Screenplay at the 2014 International Film Festival Cinematic Arts in Los Angeles. His latest film, Nisei, inspired by his Japanese-American grandfather's WWII experiences in the 442nd Regimental Combat Team, earned Best Drama and Audience Choice at the 2023 Poppy Jasper Film Festival and continues its festival circuit, screening at Indy Shorts by Heartland Film, LA Shorts International Film Festival, HollyShorts Film Festival, and Cinequest Film Festival. Currently, Rae is the series producer for the MasterClass G.O.A.T. Original Series and is producing the feature film Surrender, starring Andrea Bang. Surrender was selected as one of Film Independent's Fast Track fellowship program's top 10 narrative fiction features and is slated for production in 2023.Website: https://www.dhrae.com/Instagram: https://www.instagram.com/darrenhrae/Nisei Film Instagram: https://www.instagram.com/niseithefilm/Facebook: https://www.facebook.com/RoannFilms/www.GaryScottThomas.com

Evan Matthews is a rising star in the film industry who interned with legendary producer Mike Medavoy at Phoenix Pictures and served as right hand to Mark Burnett on iconic shows like The MTV Movie Awards and Survivor. Evan's groundbreaking sci-fi thesis, "Recoil" (2015), has garnered 10 awards and over 20 nominations across 50 international film festivals, featuring an astounding 265 VFX shots. His talent shines in the award-winning short film "The Teleios Act" (2019), which secured numerous accolades, including Best Director and Best Short Film.   My guest, Evan Matthews, and I discuss: Evan's internship with legendary producer Mike Medavoy at Phoenix Pictures. Evan's role as the right hand to Mark Burnett, featuring stories from The MTV Movie Awards, Survivor, The Apprentice, and On the Lot. Evan's groundbreaking sci-fi thesis, "Recoil" (2015), earned him 10 awards and over 20 nominations across 50 international film festivals, setting a school record with 265 VFX shots. Evan's award-winning short film, "The Teleios Act" (2019), secured multiple jury prizes, including Best Director, Audience Choice, Best Actress, and the coveted Best Short Film accolade. Dive into film school with Evan! Evan Matthews holds a BA in Film Theory and Critical Studies, as well as a Masters in Screenwriting and Directing from USC's prestigious School of Cinematic Arts. Get tips on what to do if you make eye contact with Johnny Depp. Learn about his time at Harpers Bazaar, which included a session with Ryan Reynolds. Discover Evan's directorial debut, "Motherland," and much more!   You're going to love my conversation with Evan Matthews Instagram Watch "The Teleios Act" Watch "Recoil" IMDB Evan's director reel   Follow Jeff Dwoskin (host): Jeff Dwoskin on Twitter The Jeff Dwoskin Show podcast on Twitter Podcast website Podcast on Instagram Join my mailing list Buy me a coffee (support the show) Subscribe to my Youtube channel (watch Crossing the Streams!) Yes, the show used to be called Live from Detroit: The Jeff Dwoskin Show Love the books I talk about on the show? Here is my Amazon store to shop.

For this month's Audience Choice episode Craig and Rebecca are joined by special guest Meg MacKay (@megmackaycomedy) to discuss the unhinged criminality of an old man posing as a high school student and benefiting from a teenager's death.  Check up Meg's new comedy album "Clown Baby" at Howl & Roar Records with proceeds benefiting the "We Rise Again Fund" providing infrastructure and mental health support for those impacted by wildfires in Nova Scotia. Looking for a tee with the best nerdy designs by independent artists from around the web? Check out www.TeePublic.com or discover our favourite designs at www.vwrstore.fromsuperheroes.com Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Cinemast Podcast, we continue Anime Month with Satoshi Kon's 1997 horror/psychological anime thriller, Perfect Blue!Synopsis: A retired pop singer turned actress' sense of reality is shaken when she is stalked by an obsessed fan and seemingly a ghost of her past.Next week: Audience Choice!Follow us on Facebook and vote for this month's Audience Choice film!We'd love to hear from you! Send us questions or thoughts to thecinemastpodcast@gmail.com

This week on The Cinemast Podcast, we start Anime Month! For the month of September, we are watching and reviewing some of Japan's most popular animated films. To start, it's Ben's pick: GHOST IN THE SHELL, directed by Mamoru Oshii!Synopsis: In the year 2029, the barriers of our world have been broken down by the net and by cybernetics, but this brings new vulnerability to humans in the form of brain-hacking. When a highly-wanted hacker known as ‘The Puppetmaster' begins involving them in politics, Section 9, a group of cybernetically enhanced cops, is called in to investigate and stop the Puppetmaster.Next week: Satoshi Kon's PERFECT BLUE!Follow us on Facebook and vote for this month's Audience Choice film!We'd love to hear from you! Send us questions or thoughts to thecinemastpodcast@gmail.com

This week we finally finished HBO's Barry and we dive into our thoughts. NoHo Hank 4Ever!!! We also attended the Route 22 Film Festival and won an Audience Choice award! Please visit us on the socials as we'd love to hear from you!https://www.instagram.com/goguerillafilmwww.twitter.com/goguerillafilmgoguerillafilm@gmail.com

For our monthly Audience Choice episode we're talking Edgar Wright's paranormal thriller and defending a woman who REALLY doesn't tolerate creepy men.  Looking for a tee with the best nerdy designs by independent artists from around the web? Check out www.TeePublic.com or discover our favourite designs at www.vwrstore.fromsuperheroes.com Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

The finale of our season on the awesome movie year of 1975 features our audience choice pick, Jack Hill's Switchblade Sisters. Directed and co-written by Jack Hill and starring Joanne Nail, Robbie Lee, Monica Gayle and Asher Brauner, Switchblade Sisters prevailed over six other sexploitation movies in our 1975 audience choice poll.The contemporary reviews quoted in this episode come from Bill Thompson in The Philadelphia Inquirer, Roger Ebert (https://www.rogerebert.com/reviews/switchblade-sisters-1996), and Kevin Thomas in the Los Angeles Times (https://www.latimes.com/archives/la-xpm-1996-06-14-ca-14761-story.html).Special thanks to our guest, UNLV professor of gender and sexuality studies Lynn Comella.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next installment, the epilogue to our 1975 season.

The 2023 Seattle International Film Festival was held on May 11-21. Ron was able to receive press credentials and had the opportunity to check out several short films and a few features. One short film that received much attention was Get Away directed by Michael Gabriele. Get Away ended up winning Top Five Best Short Films at the Seattle International Film Festival by Audience Choice. Congrats to Michael and the cast and crew of Get Away! That's quite an achievement when you consider there were over 6000 films showing at SIFF 2023.Get Away (directed by Michael Gabriele) stars Erika Lane Enggren, Camila Ivera, Steph Martinez, Adrian Quiñonez, Lisa Jacqueline Starrett. When a group of friends spend the weekend at a remote vacation rental in the desert, they play a mysterious VHS tape and realize that there are too many strange and terrifying coincidences.We encourage you to check out the trailer for Get Away and Michael's other work at the links below. Expect to see Michael Gabriele directing big  budget horror films in the near future! The 2023 Seattle International Film Festival (SIFF)https://www.siff.net/festivalGet Awayhttps://www.siff.net/festival/get-awayMusic from Get Away "Go Westward"Michael Gabrielehttps://www.michaelgabrieledirector.com/The Wrath of the iOtiansEmail: thewrathoftheiotians@gmail.comInstagram: thewrathoftheiotiansTwitter:  @OfiOtiansWebsite: https://thewrathoftheiotians.buzzsprout.com/MusicLand Of The Me-me by Aleksandar Dimitrijevic (TONO)Licensed under the NEO Sounds Music License Agreement

We're FINALLY back! On this special 50th episode of Hidden Gems, all your hosts, Chris Alley, Jason Yanchuleff, Bill Arney, and Cameron Lockey gather to celebrate the occasion by reviewing three games chosen by our incredible audience, finally give away a copy of Strasbourg, and talk more than you've ever wanted about our favorite video games.FEATURED GAMES:00:00:00  Intro & Banter00:12:28 Strasbourg Giveaway00:19:18 Top 10 Video Games Lists01:25:34  Quo Vadis02:02:41  Northern Pacific02:33:38  SantiagoMUSIC (courtesy of https://epidemicsound.com):Giveaway Music: "Fly Man", JosQuo Vadis?: “Gentle Heroics”, Trevor Kowalski Northern Pacific: "West of the Soul", River FoxcroftSantiago: “On the Farm”, Easy WheelersFOLLOW US:Email: hiddengemsboardgamepodcast@gmail.comWeb: https://hiddengems.gamesPatreon: https://patreon.com/hiddengemspodcastInstagram: @hiddengems.gamesFacebook: @hiddengemsboardgamepodcastTwitter: @hiddengemsboardYouTube: https://www.youtube.com/channel/UCR8wU2vjV2RJ7C6iRuq2WcABGG Guild #: 3874Discord: https://discord.gg/hcvThGfjHidden Gems: A Board Game Podcast was produced and edited by Chris Alley, Cameron Lockey, and Jason Yanchuleff in Raleigh, NC.

The finale of our season on the awesome movie year of 2012 features our audience choice pick, Colin Trevorrow's Safety Not Guaranteed. Directed by Colin Trevorrow from a screenplay by Derek Connolly and starring Aubrey Plaza, Mark Duplass, Jake Johnson and Karan Soni, Safety Not Guaranteed prevailed over two other Mark Duplass movies in our 2012 audience choice poll.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/safety-not-guaranteed-2012), Kenneth Turan in the Los Angeles Times (https://www.latimes.com/entertainment/la-xpm-2012-jun-08-la-et-safety-not-guaranteed-20120608-story.html), and Owen Gleiberman in Entertainment Weekly (https://ew.com/article/2012/06/08/safety-not-guaranteed/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next installment, the epilogue to our 2012 season.

For Video Edition, Please Click and Subscribe Here: https://www.youtube.com/live/jcxoW-Qs5xM?feature=share Angel J Fajardo Angel's one true joy lies in the chaotic but collaborative process of filmmaking. You can find him behind the camera designing the shot or calling the shots as an AD or Producer. His directorial debut, Ward, won the Audience Choice for the 2022 Austin Under the Stars Film Festival. Ward will also be screening at the 2023 Garden State Film Festival. Description of the film: Upcoming Film: On his 18th birthday, Peter is forced to leave the safety of his foster home and reconcile with the past. EDWARD B. KESSEL: Composer / Producer / Director Multi-award-winning Composer/Producer/Director, Edward B. Kessel, founded Sound Imagination | Imagination Video, a music, video and audio production company in 1986. Ed was inducted into the NJ Advertising Hall of Fame in 2016 and has been producing music, commercials and entertainment projects for over 30 years. He has composed, orchestrated and produced music for Broadway, movies, TV, songs for major artists, jingles and commercial scores.  Konstantin Soukhovetski: 2019 Innovation Award Winner from Music Academy Of The West Konstantin has a singular artistic voice that communicates with and engages audiences the world over. Konstantin's creative output continuously innovates, frequently involving multidisciplinary projects with dance and film. In 2020 Konstantin joined the adjunct faculty of his alma mater The Juilliard School, where he received his BM, MM, and AD with Jerome Lowenthal. In 2022 Konstantin was named Director of Pedagogy and Narrative Musicianship at Bronx School For Music. This Season Konstantin's performances include return to NYC's Lincoln Center's Alice Tully Hall.

About Dwayne Bryant and Inner Vision International: Engaging school districts across the nation, Dwayne Bryant, received The FBI's Director of Community Leadership Award for educating communites to the potential dangers of Social Media. Pursuing his life's purpose for motivating youth, Dwayne, along with his team of experienced educational consultants, designed “The Vision®”, a highly effective thirty-one week Social Emotional Learning (Character Ed) Curricula for numerous school districts across the nation, including Chicago Public Schools, Broward County Public Schools, Orange County Public Schools, Palm Beach County Public Schools, Shelby County Public Schools, Washington DC, and numerous districts across the nation. Through evidence-based practices, Inner Vision has proven the direct link between increasing a student's self-esteem and his/her academic achievement. Focused on the power of words and the importance of mental paradigm shifts, Inner Vision has been effective at helping to Transform Lives and Strengthen Communities. Since 1999, Inner Vision has taken the continual support approach partnering with various school systems in order to improve test scores, attendance and overall school climate. Collaborating with parents, teachers, administrators and students, Dwayne's inspirational team helps navigate educational careers of students, promote positive peer pressure and targets the national epidemic of bullying. Promoting anti-violence tactics, Inner Vision successfully creates solutions by taking preventative measures to curve the rate of violence and promote Conflict Resolution. Inner Vision International, Inc. is a certified Minority Business Enterprise (MBE) with the City of Chicago, and has been granted certification as a Business Enterprise Program (BEP) with the State of Illinois. Due to Dwayne's leadership and entrepreneurial capabilities, Inner Vision International, Inc. was accepted into Goldman Sachs 10,000 Small Business Chicago Cohort 8, class of 2014 and Founders First Entrepreneurs Program in 2020. Upon completion of the programs, Dwayne was selected by the participating CEO's to represent the GS 10KSB Cohort and served as the keynote speaker at Goldman Sachs graduation. He also won Audience Choice for Founders First Pitch Competition. Due to his unique ability to improve police & community relations and educate parents to the potential dangers of social media, he was awarded the 2018 EBONY Power 100 Award, and the 2020 FBI's Director of Community Leadership Award Finally, Dwayne was a three time guest on the Oprah Winfrey Show.

The finale of our season on the awesome movie year of 1953 features our audience choice pick, H.G. Wells adaptation The War of the Worlds. Directed by Byron Haskin from a script by Barré Lyndon (based on Wells' novel) and starring Gene Barry, Ann Robinson and Les Tremayne, The War of the Worlds prevailed over two other alien/monster attack movies in our 1953 audience choice poll.The contemporary reviews quoted in this episode come from A.H. Weiler in The New York Times (https://www.nytimes.com/1953/08/14/archives/the-screen-in-review-new-martian-invasion-is-seen-in-war-of-the.html), Richard L. Coe in The Washington Post, and Edwin Schallert in the Los Angeles Times.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next installment, the epilogue to our 1953 season.

Exclusive Podcast Interview with SAG-AFTRA Actress, Director, Writer and Dancer Dawn Noel Dawn Noel is a Television Academy member and has produced the short film "Shattered Pitch" starring Chad Coleman (The Wire & The Walking Dead) and the award-winning short film "22 Years," both having multiple distribution deals. "22 Years" has won numerous awards in the film festival circuit including Best Short Film, Best Actress, Best Director, Audience Choice and Best Sound. Some of these festivals are The Imagen Awards, Manhattan Film Festival, LA Movie Awards, Philadelphia Independent Film Awards, International New York Film Festival, Charlotte Black Film Festival, Las Vegas Black Film Festival, Viva Latino Film Festival, Velvet Rope Film Festival, The Women's International Film Festival and The San Diego Black Film Festival. Born in Philadelphia, Dawn attended the prestigious High School for the Performing Arts and went on to get a BFA from the University of the Arts. Very soon Dawn was making her mark on Broadway in The "Lion King," "In The Heights" and "Fame." Dawn also toured with both Madonna and Jennifer Lopez as a featured dancer in their world wide tours. Dawn is currently a producer with Rocketfuel Entertainment. --- Send in a voice message: https://podcasters.spotify.com/pod/show/radio--tv-entertainment-n/message Support this podcast: https://podcasters.spotify.com/pod/show/radio--tv-entertainment-n/support

Hosts: Dr. Michelle Zorrilla, Associate Director of Technology Translation and Mrs. Nancy Augustine, Project Manager, at the IMPACT Center at the University of Pittsburgh,Guests: Madeline Lee and Meghan Mulloy, graduate student entrepreneurs from the University of Pittsburgh's Masters of Rehabilitation Technology programMeghan Mulloy | LinkedInToothbrush Buddy |  WebsiteRESNA Student Design Challenge 2022 | WebsiteIMPACT Center | Website, Facebook, LinkedIn, Twitter Full Transcript | PDFKey Mentions  SHRS Master of Rehabilitation Science https://www.shrs.pitt.edu/mrtRESNA.org www.RESNA.org    

In our Audience Choice episode for “Holiday Movie Month” we discuss the villainy of Jack Frost attempting to upstage Santa Claus and defend the in-laws who don't want their daughter giving birth in a “closet in a Canadian toy factory”. Looking for a tee with the best nerdy designs by independent artists from around the web? Check out www.TeePublic.com or discover our favourite designs at www.vwrstore.fromsuperheroes.com Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

The award-winning 2022 documentary Corky is the story of world's longest-held captive orca, the changing public sentiment about orcas in captivity, and the rise of sea sanctuaries. Christine Caruso, the producer and director of Corky joins us to discuss the film. Corky is a member of the Northern Resident killer whale community and was captured on December 11, 1969. We intentionally published this episode on the anniversary of her capture and highly recommend the film, available on Amazon (US & UK) and Vimeo (worldwide). The film is as powerful and emotional as Blackfish, but it is the personal story of Corky. We talk briefly about the Northern Residents, their similarities and differences from the Southern Residents that we see here in the San Juan Islands. They are two distinct populations of salmon-eating orcas. Christine's shares her background as a kindergarten teacher and tells the story of how she went from learning about Corky to making this amazing film.  It was her passion for Corky that lead her to the right people and the right places at the right times.  We then discuss some of the moments from the film, and Corky's life, that stood out for each of us.  Christine talks about her move from Marineland of the Pacific to SeaWorld. Her tankmate, Orky, also a Northern Resident, was being removed from their tank first. Christine talks about how Corky desperately tried to get into the sling with him, not wanting to be separated. Sara recounted Corky and Orky's daily sunlight ceremony, how they marked where the sun would rise each morning and celebrated. You gotta see the film to really get the mysticism of this. Jeff recounted a pivotal life changing encounter with a Northern Resident, A61, and learned in the film that he is Corky's cousin. Christine then talks about her experience of watching the audience go through Corky's journey at the screening at the Friday Harbor Film Festival in October. The film won 2 awards at it's first film festival, the Audience Choice awards for Tales from the Heart and On Demand Best Feature. We conclude our conversation with Christine by talking about Corky's future and the hope that she will be retired to a sanctuary, under human care, in her home waters. As featured in the film, there is already an ideal site waiting for her. We talk about what that would be like for Corky, to be able to feel the tides, the kelp beds, and be in acoustic range of her community. See links below how people can get involved and where you can see the film. Please watch the film and share with your friends. Help us to help Corky share her story. At the end of the episode we talk about recent sightings and some previews to our upcoming episodes, including Sara's winter adventure to Australia to spend time with the Bremer Canyon killer whales and our upcoming trip with CBA to the Silver Bank. If you are enjoying listening to our podcast, please follow/subscribe, leave us feedback/reviews and share with your friends! You can also find us on Instagram, Facebook and Youtube. Please send us feedback or questions at afterthebreachpodcast@gmail.com. For complete show notes, links and photos, please visit our website: https://www.afterthebreachpodcast.com/e/episode-10-corky/ Links mentioned in this episode: View Corky on Amazon (US and UK): https://www.amazon.com/gp/video/detail/B0B5PNS12D/ View Corky on Vimeo (worldwide): https://vimeo.com/ondemand/corky Corky documentary Facebook page: https://www.facebook.com/CorkyDocumentary Double Bay Sanctuary: https://doublebaysanctuary.org/ Keiko the Untold Story: https://www.keikotheuntoldstory.com/ Listening to Whales: What the Orcas Have Taught Us, by Alexandra Morton: https://www.amazon.com/Listening-Whales-What-Orcas-Taught/dp/0345442881 OrcaLab: https://orcalab.org/ Bay Cetology: https://baycetology.org/ The Whale Sanctuary Project: https://whalesanctuaryproject.org/ Nonhuman Rights Project: https://www.nonhumanrights.org/ Photos              

Welcome to the audience choice episode! Today, we talk about the swift fox, the smallest wild canine in North America. The fox itself is well-liked and harmless, but efforts to tackle other pests and unwanted creatures have driven them from their historic range. In Episode 4, we discuss what it means to be a predator and how predation has left the swift fox vulnerable to harm.

Fashion designer and professor BJ Arnett is on the Creatively Christian podcast, interviewed by Brannon Hollingsworth. BJ came from a deeply creative and entrepreneurial background but still needed a mindset shift to fully come into her God-given talent. She shares her spiritual testimony and how she got into fashion design, art, and education. Through her journey, BJ learned that you have to be very careful with who you surround yourself and how many compliments you accept. BJ Arnett is the host and co-producer of the award-winning BJA Today, a CamyArnett Production Studios original and host of TV 57's This Day with BJ Arnett. BJA Today recently garnered a Telly Award for editing and the Audience Choice for a TV Show award from the International Christian Film and Music Festival. She is also the creator of the very first HBCU Art and Fashion Week established in 2021. BJ has an MBA, BA in Fashion Merchandising and an AA in Fashion Design and is currently the Interim Chair of the Art and Fashion Department at the prestigious Clark Atlanta University (CAU). This episode can also be found on YouTube. Show Notes The following resources were mentioned in the show or are useful resources recommended by the guests. Links might be marked as affiliates, meaning we earn a commission if you buy through the link. Clark Atlanta University website: https://www.cau.edu/Her husband Cameron Arnett's website: https://www.cameronarnett.com/ Learn More About Our Guest You can follow this guest on several platforms, including: BJ's website: https://www.bjarnett.com/BJ's Instagram: https://www.instagram.com/bjatoday/BJ's Facebook: https://www.facebook.com/billi.arnettBJ's production company: https://www.camyarnett.com/ Credits Today's episode is hosted by Brannon Hollingsworth the Chief Creative Officer of Brainy Pixel, who was born to create. An author, speaker, poet, publisher, game designer, content creator, scriptwriter, art director, and unapologetic Christ-follower, Brannon is a passionate creator and teacher of youth who promotes family-oriented ministries. Follow Brainy Pixel on Twitter, Instagram, or Facebook. Support this show and get access to exclusive content by donating at https://www.patreon.com/creativelychristian. This show is produced by Theophany Media (https://www.theophanymedia.com). The theme music is by Bill Brooks and Andrea Sandefur. Our logo is by Bill Brooks. This show is hosted by Brannon Hollingsworth, Andrea Sandefur, Dave Ebert, and Rachel Anna. Jake Doberenz produces. Follow Theophany Media and the podcast on Facebook, Twitter, or Instagram.

The finale of our season on the awesome movie year of 1992 features our audience choice pick, Paul Verhoeven's Basic Instinct. Directed by Paul Verhoeven from a script by Joe Eszterhas and starring Michael Douglas, Sharon Stone, Jeanne Tripplehorn and George Dzundza, Basic Instinct prevailed over two other movies about femme fatales in our 1992 audience choice poll. The post Basic Instinct (1992 Audience Choice) appeared first on Awesome Movie Year.

Dawn Noel has produced the short film "Shattered Pitch" starring Chad Coleman (The Wire & The Walking Dead) and the award-winning short film "22 Years," both having multiple distribution deals for both projects with Indieflix, Nandar Pictures, Hewes Pictures, Modyst, Opprime Tv and Shorts TV. "22 Years" has won numerous awards in the film festival circuit including Best Short Film, Best Actress, Best Director, Audience Choice and Best Sound. Some of these festivals are The Imagen Awards, Manhattan Film Festival, LA Movie Awards, Philadelphia Independent Film Awards, International New York Film Festival, Charlotte Black Film Festival, Las Vegas Black Film Festival, Viva Latino Film Festival, Velvet Rope Film Festival, The Women's International Film Festival and The San Diego Black Film Festival. Born in Philadelphia, Dawn attended the prestigious High School for the Performing Arts and went on to get a BFA from the University of the Arts. Very soon Dawn was making her mark on Broadway in The "Lion King," "In The Heights" and "Fame." Dawn also toured with both Madonna and Jennifer Lopez as a featured dancer in their worldwide tours.

In this episode I am talking with Shane Brady and Emily Zercher of the film Breathing Happy. We talk about the ups and downs of independent film making as well as the premise behind the film, and much more. It is an inspiring conversation about determination, pushing through obstacles, and believing in your own ability to create movie and life magic. Recently, Breathing Happy won the Audience Choice award at the Chattanooga Film Festival. It will be making appearances at lots of festivals now through December. I hope that you are as inspired by their message as much as I was. And yes I am looking forward to the next movie from Shane and Emily! https://www.chattfilmfest.org/https://www.shanebradyactor.com/https://www.instagram.com/zerchinator/?hl=enhttps://www.instagram.com/breathinghappyfilm/https://www.instagram.com/shanebradyactor/

The finale of our season on the awesome movie year of 1980 features our audience choice pick, John Carpenter's The Fog. Directed and co-written by John Carpenter and starring Adrienne Barbeau, Jamie Lee Curtis, Tom Atkins, Janet Leigh, Ty Mitchell and Hal Holbrook, The Fog prevailed over two other 1980 horror classics in our audience choice poll. The post The Fog (1980 Audience Choice) appeared first on Awesome Movie Year.

How do you get a film on Netflix and what the hell do you do when you get there?  In this episode Leslie dives into industry secrets with young filmmaker, Dan Abramovici, who has worked his way in and realized there's way more to it than just that.Dan Abramovici is an actor, writer, and director. He was one of only 8 actors selected for Canada's prestigious CFC Actors Conservatory program in 2016 and is known for his TV work on shows like The Detail, Man Seeking Woman, and Murdoch Mysteries. After writing, producing, and starring in a series of short films, he graduated to writing/producing features with Ben's At Home for Netflix. The movie picked up numerous awards, including Best Feature at the Canadian Film Festival, a Canadian Comedy Award, Audience Choice at the Gasparilla international Film Festival, and Abramovici picked up Best Actor at the IndieFest Film Awards and Rincon International Film Festival. Ben's At Home is now available on Netflix.  His shorts include "Liminal" and "Play it Again" and the upcoming "Spaceman."

For the tenth episode of our special retrospective season, we're looking back to our season on the awesome movie year of 1994, the winning year in our audience choice poll, for Frank Darabont's The Shawshank Redemption. Written and directed by Frank Darabont (based on the novella by Stephen King) and starring Tim Robbins, Morgan Freeman, Bob Gunton, William Sadler and Clancy Brown, The Shawshank Redemption was nominated for seven Oscars and is often regarded as one of the greatest movies ever made. The post The Shawshank Redemption (Bonus 1994 Audience Choice) appeared first on Awesome Movie Year.

Self taught and self-made, Rudy Valdez is a shooting star in the world of documentary filmmaking. After his sister was incarcerated for 15 years and separated from her 3 children for a first time, non-violent offense, Rudy Valdez picked up a camera & went on a 10 year journey documenting his family's fight for her clemency and return  back to her family. The culmination ended up being “The Sentence” a documentary which won the Audience Choice award at Sundance and was picked up by HBO. This experience has led Rudy on a wildly successful career and recently ESPN tabbed him to tell the extraordinary story of WNBA superstar Maya Moore who left the game in the prime of her career to rescue the love of her life who spent 23 years in jail on a wrongful conviction, for the film Breakaway …Rudy sat in the back of his high school drama class attempting to skate his way towards graduation.  Little did he know his teachers simple push would lead to his first steps in the entertainment world.  From that moment Rudy followed his heart and not his head and that became became the secret sauce to his filmmaking style.   In this episode of Beyond the Lens presented by Diesel Films, Rudy Valdez opens all the way and details turning points in his life as well as significant moments in his films.  For fans of the docuseries We are the Brooklyn Saints on Netflix, you will want to listen all the way until the end because Rudy gives us the goods.   Enjoy the pod