Stand-up comedienne
POPULARITY
9 episodes with Bonnie Hunt
13 episodes with Bonnie Hunt
9 episodes with Bonnie Hunt
4 episodes with Bonnie Hunt
2 episodes with Bonnie Hunt
2 episodes with Bonnie Hunt
4 episodes with Bonnie Hunt
2 episodes with Bonnie Hunt
2 episodes with Bonnie Hunt
In this episode of Best in Fest, host Leslie LaPage welcomes writer, producer, and performer Elizabeth Quinn, whose sharp wit and love for offbeat stories have earned her a spot at the 2024 Tribeca Festival with her audio drama Going Reno. Elizabeth shares her journey from New York theater to L.A. improv, her transition into writing and producing, and the creative spark behind her 1930s divorce-ranch podcast starring Bonnie Hunt and Joelle Carter.Tune in to hear Elizabeth's insights on:Navigating the indie film world as a multi-hyphenate creatorThe future of narrative audio and podcastingThe power of competitions for emerging writersOvercoming perfectionism and finding your voiceWhy Going Reno could be the next great series—or novelWhether you're a screenwriter, podcaster, or film lover, this episode is packed with advice, laughs, and a dose of inspiration for creators chasing bold stories and big dreams.
Grab the dice and watch out for monkeys, because we're diving headfirst into the stampede of sound, spectacle, and emotional storytelling that is Jumanji (1995). It's a jungle-in-a-box, people! Vines through the ceiling, carnivorous plants in the kitchen, and a board game that makes Monopoly look like a nap. Robin Williams swings in as a man-child with jungle PTSD, Bonnie Hunt brings the therapy and the sarcasm, and two traumatized kids have to survive a suburban safari of crocodiles, monsoons, and—you guessed it—giant freakin' mosquitoes. Roll those dice, face your fears, and join us as we crack open this wild '90s time capsule—because in Jumanji, the only way out… is through. Did you enjoy the episode? Don't forget to hit that subscribe button and join us for more retro movie discussions! Want even more? Get bonus content and connect with us directly by supporting the show on Patreon. For additional episodes and exclusive insights, head to www.30podcast.com. And if you love what you hear, leave us a glowing review on your favorite podcast app—especially Apple Podcasts. Your support keeps the show going!
From the director who brought you Deadpool & Wolverine and a future upcoming Star Wars project, it's 2004's Cheaper By The Dozen, starring Steve Martin, Bonnie Hunt & 12 child actors. Today, Joe & Adam ask: why isn't Bonnie Hunt in more stuff? How literal can a soundtrack get? And what is the Daisy Conundrum?
It's Steve's birthday month, and we're honoring it with some serious 90s nostalgia! On this 185th episode of Hey, Did You See This One? Jason & Steve are joined by Dave Mader to dive into the 1995 family adventure comedy Jumanji!We're talking jungle stampedes, monkeys with guns, and 90s CGI that somehow still slaps — plus, Robin Williams bringing more heart than any board game deserves. If you remember the sound of those drums, this chaotic comfort classic is calling you back.Please remember to like, comment, subscribe and click that notification bell for all our updates! It really helps us out!WE HAVE MERCH - https://www.redbubble.com/people/HDYSTMerch/shop?asc=u & http://tee.pub/lic/GdSYxr8bhtYStarring: Robin Williams, Kirsten Dunst, David Alan Grier, Bonnie Hunt & Jonathan HydeDirected By: Joe JohnstonSynopsis: A magical board game unleashes a world of adventure on siblings Peter (Bradley Pierce) and Judy Shepherd (Kirsten Dunst). While exploring an old mansion, the youngsters find a curious, jungle-themed game called Jumanji in the attic. When they start playing, they free Alan Parrish (Robin Williams), who's been stuck in the game's inner world for decades. If they win Jumanji, the kids can free Alan for good -- but that means braving giant bugs, ill-mannered monkeys and even stampeding rhinos!Watch LIVE at: https://www.twitch.tv/heydidyouseethisone every Thursday at 8 PM ESTA PROUD MEMBER OF THE UNITED FEDERATION OF PODCASTSCheck us out online at: https://www.ufpodcasts.com/We use White Bat Audio – a user that creates DMCA free music for podcasters and YouTubers. Please follow at: https://www.youtube.com/@WhiteBatAudioAudio version of the show: Spotify - https://podcasters.spotify.com/pod/show/heydidyouseethisone Apple Podcasts - https://podcasts.apple.com/us/podcast/hey-did-you-see-this-one/id1712934175YouTube Audio Podcast: https://youtube.com/playlist?list=PLD6BOSx2RcKuP4TogMPKXRMCxqfh5k9IU&si=umIaVrghJdJEu2ARMain Intro and Outro Themes created by Josh Howard - remixes by Jacob Hiltz & Jake ThurgoodLogo created by Jeff Robinson#90sMovies #ComfortFilms #Jumanji #HeyDidYouSeeThisOne
This week, we once again question-- is this movie only fine because of the cast? Marisa Tomei and Robert Downey Jr. save a moderately horrible script for Only You (1994). Listen as our hosts demand justice for Bonnie Hunt, try to remember the infamous name of the film (David? Damon?) and propose ways that this movie could have been changed to make it far more enjoyable. Also, can someone please confirm what happened to the podiatrist? Like, was he ever clued into what happened?Tangents include the woes of moving, You've Got Mail, and so much more.Connect With UsFollow us on Instagram @loveatfirstscreening or send an email to loveatfirstscreening@gmail.comProduction Hosts: Chelsea Ciccone and Madison HillMusic: Good StephArtwork: Chelsea CicconeSocial Media: Marissa CicconeAbout the ShowAn examination of classic tropes and iconic characters pits connoisseur against cynic—one romantic comedy at a time. The cinematic world of love and laughter had rom-com enthusiast Madison head over heels from the time Harry met Sally. For genre skeptic Chelsea, however, it's been a grueling enemies-to-lovers plot. In Love at First Screening, Madison introduces Chelsea to all the fan-favorite love stories she's never wanted to watch. One friend's passion might be the other's displeasure, but doesn't love conquer all? Tune in every Wednesday to find out.
Ellie Barancik came on and discussed her last name; her father being the last surviving Monuments Men; growing up with Bozo the Clown & getting to go to the studio with Bonnie Hunt; Clutch Cargo; watching Carol Burnett and surprising her with a tribute thirty years later; finding SNL and crushing on Dan Aykroyd; meeting him on the set of Dr. Detroit; discovering Letterman; dating Steve Koren when he was trying to get on SNL staff; meeting Dan Aykroyd again in 1991; going to BU with Greg Fitzsimmons and John Henson; being an NBC page; not getting fall 1990 SNL desk gig because they wanted to give her it in the longer spring gig; being hired by Jim Pitt and Michael Shoemaker; Letterman pages can become celebrities; taking messages for cast members; Adam Sandler; Herb Sargent took Steve Koren under his wing; typing up scripts for read through; Robert Smigel; Al Franken's in show changes; asked to move to Update in 1993; seeing the staff at SNL 50 ; last SNL was 92-93 season finale; Claire Shirey; going to Conan; embarrassingly meeting Conan in 1991; getting hired by Jeff Ross; reading writer submissions; the pressure of the daily show; being at the party after the first show and realizing they have nothing for the the rest of the week; Conan didn't want to do remotes; coming up with the Mr. T apple picking remote; getting to become a writer under apprentice rules; putting the show together with Jeff Ross; creating Conan & Andy's slideshow; writing for The Bonnie Hunt Show; watching the Bachelor; working with Steve O'Donnell
For this "ReScreen" episode, Michael does a rewatch of the 2000 romantic comedy dramatic film "Return to Me" starring David Duchovny, Minnie Driver, Carroll O'Connor, Robert Loggia, David Alan Grier, Bonnie Hunt, Joely Richardson and James Belushi. What are some of his memories of seeing this film previously and thoughts after seeing the film again? Check it out and see!Be a part of the conversation!E-mail the show at screennerdspodcast@gmail.comFollow the show on Twitter @screennerdspodLike the show on Facebook (Search for Screen Nerds Podcast and find the page there)Follow the show on Instagram and Threads just search screennerdspodcastCheck out the show on Bluesky just search screennerdspodcastBe sure to check out the podcast on Apple Podcasts, Spotify, Goodpods, Overcast, Amazon Music or your podcast catcher of choice! (and please share rate and review!)Want to be share your thoughts on the podcast? Send me an e-mail!Thanks to Frankie Creel for the artwork
The finale of romance month came so quickly (which is so not romantic)! But, nevertheless, here we are with our final film of February: 1994's Only You starring Marisa Tomei, Robert Downey Jr, and, most importantly, BONNIE HUNT! After years, the Hunt For Hunt returns and your hosts have no choice but to celebrate.You can follow That Aged Well on Bluesky (@ThatAgedWell.bsky.social), Instagram (@ThatAgedWell), and Threads (@ThatAgedWell)!SUPPORT US ON PATREON FOR BONUS CONTENT!THAT AGED WELL MERCH!Wanna rate and review? HERE YOU GO!Hosts: Paul Caiola & Erika VillalbaProducer & Editor: Paul Caiola
SHOW ME THE MONEY!!! Jerry Maguire Full Reaction Watch Along: https://www.patreon.com/thereelrejects Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@thereelrejects?lang=en Twitter: https://x.com/thereelrejects Facebook: https://www.facebook.com/TheReelRejects/ Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects Jerry Maguire Reaction, Recap, Commentary, Analysis, & Spoiler Review! John Humphrey and Aaron Alexander dive into Jerry Maguire, the iconic 1996 romantic comedy-drama directed by Cameron Crowe (Almost Famous, Say Anything...), starring Tom Cruise as Jerry Maguire (Top Gun, Mission: Impossible), a high-powered sports agent who experiences a moral awakening that changes his life and career. The film follows Jerry as he navigates the cutthroat world of sports management, forms a heartfelt connection with Dorothy Boyd (Renée Zellweger, Bridget Jones's Diary, Chicago), and builds a deeper bond with his only remaining client, Rod Tidwell (Cuba Gooding Jr., Boyz n the Hood, Men of Honor), leading to one of cinema's most iconic lines—“Show me the money!” From Jerry's epic “Help me help you” plea, to Dorothy's unforgettable “You had me at hello,” this reaction covers all the most memorable moments, including the emotional “You complete me” confession and Rod Tidwell's touchdown celebration that cements his legacy. The cast also features Kelly Preston as Avery Bishop (Twins, For Love of the Game), Bonnie Hunt as Laurel Boyd (Jumanji, Cheaper by the Dozen), Regina King as Marcee Tidwell (If Beale Street Could Talk, Ray), and Jonathan Lipnicki as Ray Boyd (Stuart Little, The Little Vampire). With its perfect blend of romance, comedy, and sports drama, Jerry Maguire continues to resonate as one of the most heartfelt and quotable films in modern cinema. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, help us help you show you the money, as we dive in to the world of sports agents and romance with a 90s rom-com classic starring a man who frankly completes us on this podcast. It's 1996's Jerry Maguire, written and directed by Cameron Crowe and starring Tom Cruise, Renée Zellweger, Cuba Gooding Jr., Kelly Preston, Bonnie Hunt, Jerry O'Connell, Jay Mohr, Todd Louiso and Jonathan Lipnicki. A throwback to an era when Crowe actually made great films (or any films at all), this one's got plenty of charming and funny performances and almost more plot than it's 2h20m runtime even knows what to do with, and we get into the nitty-gritty as to whether Rod Tidwell's NFL free agency arc even makes sense in reality. Plus: J Mo's got another theatrical field report fresh off of a Valentine's trip to see Heart Eyes! If you'd like to watch the movie before listening along to our conversation, Jerry Maguire is currently streaming on Crave, Starz, and free with ads on the CTV app in Canada at the time of publication. Other works discussed in this episode include Captain America: Brave New World, Happy Death Day (2 U), Freaky, Werewolves Within, Thanksgiving, Furiosa: A Mad Max Saga, Starman, Star Trek Beyond, Down With Love, Bring It On, Yes Man, Liar Liar, My Best Friend's Wedding, Men In Black, Starship Troopers, Say Anything..., Singles, Almost Famous, Vanilla Sky, Mission: Impossible III, Elizabethtown, Gran Turismo, Magnolia, Tropic Thunder, Edge of Tomorrow, Anyone But You, and Fargo, among many more. We'll be back next week to wrap up Feb2ary Is For Lovers with our final-Friday-of-the-month canon consideration, as Hayley nominates 10 Things I Hate About You to enter the hallowed halls of the pod-canon this month. That film can currently be found streaming in Canada on Disney+, Crave, Starz and Hollywood Suite. Until then, we'll see you at the movies!!
Happy Festivus! This week Josh and Jade review the film "Red One" on Amazon Prime. The Christmas action film was directed by Jake Kasdan and written by Chris Morgan, from an original story by Hiram Garcia. It stars Dwayne Johnson, Chris Evans, Lucy Liu, J. K. Simmons, Kiernan Shipka, Bonnie Hunt, Nick Kroll, Kristofer Hivju, and Wesley Kimmel. In the film, Callum Drift (Johnson), the head of North Pole security, teams up with the hacker Jack O'Malley (Evans) to locate a kidnapped Santa Claus (Simmons) on Christmas Eve. Also, inside this episode our hosts give their insights into the Blake Lively and Justin Baldoni lawsuit and discuss the bizarre season finale of "What We Do in the Shadows". Get ready for a Festivus airing of grievances in this episode.
Join Lafayette, Carlos, and Laura in this festive and fun-filled episode of Nerds Talking! We dive into the 2024 Christmas action extravaganza Red One. Directed by Jake Kasdan and written by Chris Morgan, this star-studded holiday adventure features Dwayne Johnson as Callum Drift, head of North Pole security, and Chris Evans as hacker Jack O'Malley. Together, they race against time to rescue Santa Claus (J.K. Simmons) from the clutches of a nefarious villain on Christmas Eve. With an all-star cast including Lucy Liu, Kiernan Shipka, Bonnie Hunt, and Nick Kroll, this movie is packed with action, humor, and holiday cheer! But that's not all! Tune in for our Song of the Week segment where we share our top musical picks. Plus, Carlos weighs in with his hilariously scathing review of what he believes to be the worst song of the year. Get ready for laughs, memories, and plenty of nerdy insights as the crew brings their unique blend of humor and holiday spirit straight to your ears. Don't miss this episode of Nerds Talking! --- Support this podcast: https://podcasters.spotify.com/pod/show/nerdstalking/support
It's the Second Coming of the year's Greatest Hits as Phil and David offer Part 2 of their Greatest Hits of 2024. Happy New Year. Go back and enjoy the full episodes for the holidays. And please consider buying tickets to see "Naked Lunch" LIVE at the Palace of Fine Arts Theatre on January 25th, 2025 as part of SF Sketchfest in San Francisco here: https://www.eventbrite.com/e/naked-lunch-with-phil-rosenthal-david-wild-tickets-1082461795369.To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.
July 21-27, 1990 This week Ken welcomes film producer and host of the Hollywood Gold podcast, Daniela Taplin Lundberg. Ken and Daniela discuss growing up in show business with an actress mother and producer father, producing Mean Streets, La Bamba, hating Coach, Murphy Brown, Action Jackson, the teen TV stars of the 80s and 90s, Hollywood poor, going to events for the food, Doogie Howser PI, the movie guide in the back of TV Guide, Premiere Magazine, Entertainment Weekly, Tom Hanks, Bosom Buddies, telling stories you think make you look good that don't actually make you look good, Different World, Wonder Years, Square Pegs, Northern Exposure, Beauty and the Beast, The Facts of Life, backdoor pilots, Ken's trivia weak points, TV Horror Hosts, NBC Pictures, target audiences, SNL's best cast, Life Goes On, Our House, Newhart, The Elliot comedy legacy (Bob, Chris, Abbey, Bridey), loving thirtysomething and Sisters, Battle of the Network Stars, Who's the Boss, Living Dolls, Mona, Charmed, Head of the Class, Hollywood it couples, Brad Pit, not connecting with Neil Patrick Harris, Silver Spoons, Jason Bateman, Ricky Schroeder being mean to you, Cosby, Grand, mid-season replacements, loving Bonnie Hunt, disliking Full House, being social on Friday Nights, Miami Vice, the beauty of Crime Story, before they were stars, the greatness of not binging shows, and My So-Called Life.
Taylor reviews the christmas fantasy action adventure comedy, Red One , directed by Jake Kasdan and written by Chris Morgan, from an original story by Hiram Garcia. In the film, Callum Drift (Johnson), the head of North Pole security, teams up with the hacker Jack O'Malley (Evans) to locate a kidnapped Santa Claus (Simmons) on Christmas Eve.It stars Dwayne Johnson, Chris Evans, Lucy Liu, J. K. Simmons, Kiernan Shipka, Bonnie Hunt, Nick Kroll, Kristofer Hivju, and Wesley Kimmel. Follow us on: Instagram: https://www.instagram.com/thepotential_podcast/ X: https://x.com/thepotentialpod TikTok: https://www.tiktok.com/@thepotentialpodcast Support us on Patreon: patreon.com/thepotentialpodcast Thanks to our sponsor: BetterHelp: Get 10% off your first month of therapy with BetterHelp by going to https://betterhelp.com/potential
This week, Tony Mosello (Morning Blend St. Louis) and Jim Batts (We Are Movie Geeks) joined us to discuss The Rock's latest big-budget action/adventure Red One. Starring Dwayne Johnson, Chris Evans, J. K. Simmons, Lucy Liu, Kiernan Shipka, Bonnie Hunt, Nick Kroll, Kristofer Hivju, and Wesley Kimmel.Watch on YouTube: https://bit.ly/RedOneReviewSupport this show http://supporter.acast.com/reelspoilers. Hosted on Acast. See acast.com/privacy for more information.
Robert Winfree and Mark Radulich present their Red One 2024 Movie Review!Red One is a 2024 American action-adventure Christmas fantasy comedy film directed by Jake Kasdan and written by Chris Morgan, from an original story by Hiram Garcia. The film follows the head of North Pole security (Dwayne Johnson) teaming up with a notorious hacker (Chris Evans) in order to locate a kidnapped Santa Claus (J. K. Simmons) on Christmas Eve; Lucy Liu, Kiernan Shipka, Bonnie Hunt, Nick Kroll, Kristofer Hivju, and Wesley Kimmel also star. The film is seen as the first of a Christmas-themed franchise, produced by Amazon MGM Studios in association with Seven Bucks Productions, Chris Morgan Productions, and The Detective Agency.Red One was released internationally by Warner Bros. Pictures on November 6 and was released in the United States by Amazon MGM Studios through Metro-Goldwyn-Mayer on November 15, 2024. The film received generally negative reviews from critics.Filming began in October 2022 in Atlanta and wrapped in February 2023. Filming ran into issues with Johnson, who was an average of seven to eight hours late to film his scenes and missed several days of shooting. These delays reportedly increased the budget by $50 million to a total of $250 million, which Garcia disputed. Johnson later admitted to frequent tardiness as well as urinating in bottles on set, but Evans and Kasdan defended him.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
It's a new Christmas movie, but who is it for? Ashley, Matt and Larry discuss this and more in our episode reviewing Red One.
Will Ashton gives his instant take review of Red One, directed by Jake Kasdan and starring Dwayne Johnson, Chris Evans, Lucy Liu, Kiernan Shipka, Bonnie Hunt, Kristofer Hivju, Nick Kroll, Wesley Kimmel, and J.K. Simmons. Synopsis: After Santa Claus – Code Name: RED ONE – is kidnapped, the North Pole's Head of Security (Dwayne Johnson) must team up with the world's most infamous bounty hunter (Chris Evans) in a globe-trotting, action-packed mission to save Christmas. Directed by | Jake Kasdan Story by | Hiram Garcia Screenplay by | Chris Morgan Produced by | Hiram Garcia, p.g.a., Dwayne Johnson, p.g.a., Dany Garcia, Chris Morgan, p.g.a., Jake Kasdan p.g.a, Melvin Mar Starring | Dwayne Johnson, Chris Evans, Lucy Liu, Kiernan Shipka, Bonnie Hunt, Kristofer Hivju, Nick Kroll, Wesley Kimmel and J.K. Simmons Run Time | 2 hours 2 minutes Rating | PG - 13 Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord and chat with us! We have a Cinemaholics channel here. Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.
It's Diabetes Awareness Month, and Dr. Natalie Azar breaks down how to manage and treat the disease. Also, Bonnie Hunt talks her new action-packed holiday movie, ‘Red One.' Plus, the 2024 Nascar Cup Series champion, Joey Logano, stops by to discuss his big win.
FALL PREVIEW ALERT FALL PREVIEW September 13-19, 1997 This week Ken welcomes certified TV Genius, Saint behind the Strategic Sitcom Reserve, the man behind the Sitcom People Twitter and co-host of the Random Access Television Podcast, Zach Wilson. Ken and Zach discuss Plex, the Jackie Thomas Show, the mystery of how Zach found TVGC, how sometimes things just make sense, Zach's early love of comedy and sitcoms, capsule reviews, jumping from show to show, the "no more than 10 episodes" rule, Suddenly Susan, NBC's late 90s Monday Night Lineup, The Naked Truth, Ken's love of Tea Leoni, the bizarre second season opening of Working, George and Leo, Sleepwalker, 90s Marvel Comics, Kurt Fuller, The Good Wife, The Good Fight, the end of Saturday Night action shows, The Profiler, The Pretender, chasing that Law & Order Money, Total Security, Ed O'Neal, all the James Browns, the weird horniness of 90s Rolling Stone, The Mystery Science Theater Hour, Ally McBeal the half hour sitcom, not getting Ken started on Iron Man, Robert Downey Jr, the tv to movies transition, Eugene Levy, people overlooking people being awful people if they like their show, the trend of sitcoms about people trying to make it in Hollywood, when everyone wanted to be the Gen X Dick Van Dyke show, when drama drags down sitcoms, Tony Danza, Taxi, John Larroquette Show, The Walking Dead, Between Brothers, US remakes of UK shows, Coupling, when a Scott Baio show was so bad it was canceled before it even aired, having never watched the US Office, Meego, Step by Step, Gregory Hines, the late days of TGIF, You Wish, Larry King falling asleep on the air, Crimes of Passion: One Hot Summer Night, real made for TV movies or fake made for TV Movies, Dean Cain, confusing Gary Busey and Nick Nolte, Jack Elam, The Emmys, True Lies, hitting the bottle, bringing your own TV Guide, Michael Palin's travel specials, how Al and Wilson are great sitcom characters that redeem Home Improvement, how Zach doesn't love 80s punk, Wings, how Bonnie Hunt never clicked with Zach, SCTV, Clifford, Space Ghost Coast to Coast and how it changed the world, only playing characters that have the same name as you do, The Pits, the weird decline of multi cam sitcoms, the laziness of cutaways, Superior Donuts, and Zach's fantastic podcast Random Access Television.
Welcome Back Everyone! Thank You for joining us once again! Join the STF crew as they journey back into the wizarding world and Joey takes us to a cartoonish world seperated by racism? 1st Film: Joey's Pick Zootopia (2016) Co Directed and Written by Byron Howard, Rich Moore and Jared Bush Featuring the voices of Jennifer Goodwin, Jason Bateman, Bonnie Hunt, Nate Torrence and Idris Elba 2nd Film: Harry Potter and the Deathly Hallows: Part 2 (2010) Directed by: David Yates Starring: Daniel Radcliffe, Emma Watson, Rupert Grint, Michael Gambon, Ralph Fiennes and Alan Rickman Thanks for Listening! Email: Strangerthanflicktion@gmail.com Twitters: Podcast- @SFlicktion Joey - @SpaceJamIsMyjam Jacob - @Jabcup Johnnie- @Shaggyroaddogg Tim - @timbohh4l Time Stamps: Zootopia - Rate and Review - 46:30 Harry Potter and the Deathly Hollows: Part 2 - Review and Rate - 1:15:50 Music Credits: Try Everything By Shakira Hedwigs Theme - John Williams https://www.youtube.com/watch?v=QrTrmnpTNwY
David welcomes the witty and wonderful hit songwriter-producer Sam Hollander -- author of the hilarious and insightful memoir "21-Hit Wonder: Flopping My Way to the Top of The Charts" -- to the Straw Hut Studios to discuss life & music, and how "Naked Lunch" fans can now WATCH episodes with Hanson, Bonnie Hunt, Daryl Hall and more on YouTube at the Phil Rosenthal World channel. For instance, you watch the Hanson episode by clicking here! Then we revisit Phil & David's great conversation with Hanson whose "Underneath: Complete" release is out now. Order it here. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.
Chris Hemsworth and Bryan Tyree Henry voice the incredibly iconic Optimus Prime and Megatron as their younger selves Orion Pax and D-16 respectively- and an excellent job they both do. Transformers One looks to be a fresh start for the franchise and is completely animated taking place on Cybertron, leading up to its fall. 0:10:00 - Box Office and upcoming releases. 0:18:45 *** What's Streaming *** MAX HOW TO TRAIN YOUR DRAGON, Dir. Dean Deblois / Chris Sanders – Jay Baruchel, Gerard Butler, Craig Ferguson, American Ferrera, Jonah Hill, Kristin Wiig, T.J. Miller, Christopher Mintz-Plasse, 2010. CRANK: HIGH VOLTAGE, Dir. Mark Neveldine / Brian Taylor – Jason Statham, Amy Smart, Clifton Collin Jr., 2009 MAD MAX: FURY ROAD, Dir. George Miller – Tom Hardy, Charlize Theron, Nicholas Hoult, Zoe Kravitz, 2015. 0:25:30 - Trailers: THUNDERBOLTS – Florence Pugh, Lewis Pullman, Sebastian Stan, Rachel Weisz, Olga Kyrylenko, Hannah-John Kaman, David Harbor, Julia Louise-Dreyfus, Wyatt Russell, Geraldine Viswanathan, Feature. RED ONE – Dwayne Johnson, Chris Evans, Lucy Liu, J.K. Simmons, Bonnie Hunt, Feature. ELEVATION – Morena Baccarin, Anthony Mackie, Feature. 0:33:15 - TRANSFORMERS ONE, Dir. Josh Cooley ( Grayson 8.5 / Roger 7 / Chris 7 ) Hosted, produced and mixed by Grayson Maxwell and Roger Stillion. Also hosted by Christopher Boughan. Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions. Please give a like and subscribe if you enjoy it. Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates. Rate, subscribe and leave a comment or two. Every Little bit helps. Send us an email to fortheloveofcinemapodcast@gmail.com
National ice cream cone day. Entertainment from 1954. Last 8 hung in salem witch trials, Patriot Nathan Hale hung by Britian, President Ford unhurt in assassination attempt. Todays birthdays - Ellen Church, Martha Scott, Junko Tabei, Toni Basil, David Coverdale, Richard Fairbrass, Debby Boone, Joan Jett, Scott Baio, Bonnie Hunt. Yogi Berra died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Ice cream cone - The Laurie Berkner BandSh-Boom - The Crew-CutsI don't hurt any more - Hank SnowBirthdays - In da club - 50 Cent http://50cent.com/Mickey - Toni BasilStill of the night - WhitesnakeI'm too sexy - Right Said FredYou light up my life - Debby BooneI love rock and roll - Joan Jett & the BlackheartsCharles in charge TV themeExit - It's not love - Dokken http://dokken.net/Follow Jeff Stampka on facebook and cooolmedia.com
Phil and David are thrilled to welcome the brilliant and beloved actress, director, writer, and producer Bonnie Hunt to "Naked Lunch." Bonnie retraces her remarkable career, including how as a young nurse in Chicago, she ended up making her movie debut opposite Tom Cruise and Dustin Hoffman in "Rain Man." Hear Bonnie's "Jerry Maguire" director Cameron Crowe send his admiration and a surprising fun question for Bonnie. This is a fun, heartfelt conversation with great stories from Bonnie about Hollywood and life. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com
We're kicking off what has turned into an annual tradition because we've now done it twice, Family Movie Month! This week we're buying an old mansion with Bebe Neuwirth, rolling the dice with Kirsten Dunst and remembering a time when Bonnie Hunt was seemingly always on our televisions with 1995's “Jumanji”! We also get a pitch perfect Patricia Clarkson making a meal out of the mom role, a pre-law Laura Bell Bundy, Jonathan Pryce getting the Home Alone treatment, best supporting screams from David Alan Grier and James Horner's score sweeping us away like a living room monsoon. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov
March, 11 - 1995 This week Ken welcomes comedian, and man behind the new special "Jew Verses the Volcano", Adam Newman. Ken and Adam discuss their mutual obsession with guitars, Sam Kinison, getting into magic, being awkward, learning card tricks out of spite, Dealt, Penn & Teller Fool Us, The X-Files, Dorfin', If I Did It, the OJ Simpson Trial, final meals, commemorative plates, American Gladiators rip offs, final meals, Roller Blades, figure skating, Blue Chips, sports movies, Shaq, Nick Nolte, Slapshot, Valerie Harper's version of "The Office", The Higgins Boys and Gruber, Joan Rivers Live in London, Comics Unleashed, taping an episode that airs TEN YEARS later, Dolph Lundgren's Punisher, Masters of the Universe, The Cosmic Key, John Tesh live at Red Rocks, Tim Robinson, Tim Busfield, Dabney Coleman, how we watch TV in hotel rooms, Death on the Job, Newbury Comics, Fanuel Hall, Mottley's, Erin Judge's Dress Up Show,J Jeff Foxworthy, The Beavis and Butthead Do America Soundtrack, Cartoons and real people getting together, Fox New Spring Season, Medicine Ball, Donal Logue, comics in cover bands, Primus, Black Hole Sun, Guitar Center riffs, Richard Grieco spending the night with a centerfold, religious cults, Peter Jennings, Sov Citizens, "First Amendment Auditors", YouTube recommendations, Rescue 9-11, Boy Meets World, Jonathan Gries, non-Gillian Anderson episodes of The X-Files, wanting to sit in your hotel room and play guitar, Dwayne Barry, loving Bonnie Hunt, compilations of depressing things, loving to see bad guys get theirs and Ken HIGHLY recommending the Equalizer films.
Our exit today has us trying to get our picture to hang in the gorilla enclosure. Today, we are talking about Return To Me, co-written and directed by Bonnie Hunt. Along the way, we talk David Duchovny (Twin Peaks! The X-Files! Red Shoe Diaries!), Minnie Driver, Chicago comedy, female directors who don't get enough of a shot, Jim Belushi, Archie Bunker, and of course, our preference for tap or stilled water. Thememusic by Jonworthymusic. Powered by RiversideFM. CFF Films with Ross and friends. Movies We've Covered on the Show on Letterboxd. Movies Recommended on the Show on Letterboxd.
Tom Hardy and Astin Butler are great but Jodie Comer is stellar in The Bikeriders- a movie about a time when America was undergoing some pretty radical changes. Go along for the ride as it focuses on on a Midwest motorcycle club- The Vandals- as seen through the eyes of one of it's cornerstone member's wife. 0:13:00 - Box Office and upcoming releases. 0:28:00 *** What's Streaming *** AMAZON THE HOLDOVERS, Dir. Alexander Payne – Paul Giamatti, Da'Vine Joy Randolph, Dominic Sessa, 2023. BIO DOME, Dir. Jason Bloom – Pauly Shore, Stephen Baldwin, William Atherton, 1996. INTERSTELLAR, Dir. Christopher Nolan – Matthew McConaughey, Anne Hathaway, Jessica Chastain, Ellen Burstyn, John Lithgow, Timothee Chalamet, Michael Caine, Casey Affleck, Topher Grace, Matt Damon, 2014. 0:38:00 - Trailers: NOSFERATU – Aaron Taylor-Johnson, Bill Skarsgard, Willem Dafoe, Nicholas Hoult, Emma Corrin, Ralph Ineson, Lily-Rose Depp, Simon McBurney, Feature. RED ONE – Chris Evans, Dwayne Johnson, Lucy Liu, J.K. Simmons, Bonnie Hunt, Feature, Amazon. FLIGHT RISK – Mark Wahlberg, Michelle Dockery, Topher Grace, Feature. 0:46:30 - THE BIKERIDERS, Dir. Jeff Nichols ( Grayson 6 / Roger 6 / Chris 5 ) Hosted, produced and mixed by Grayson Maxwell and Roger Stillion. Also hosted by Christopher Boughan. Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions. Please give a like and subscribe if you enjoy it. Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates. Rate, subscribe and leave a comment or two. Every Little bit helps. Send us an email to fortheloveofcinemapodcast@gmail.com
This week the guys discuss Jumanji staring Robin Williams. JumanjiRating: PGGenre: Kids & family, Fantasy, AdventureDirector: Joe JohnstonWriter: Chris Van Allsburg, Greg Taylor, Jim StrainStarting: Robin Williams, Bonnie Hunt, Kirsten Dunst, Bradley Pierce, Jonathan Hyde, Bebe Neuwirth, Release Date: Dec 15, 1995 OriginalBudget: $65,000,000 Gross worldwide: $262,821,940
This week Joe and Suz discuss Bonnie Hunt and her work in Cheaper by the Dozen and Jerry Maguire. We'd love to hear from you! Write to us at 3FunnyLadies@gmail.com
How cool would it be to build your perfect horse down to their DNA? Can it even be done? Christa Lafayette has an answer to that question. The founder and CEO of Etalon Equine Genetics, Christa knows that breeding horses is not only an art but a science -- one that lets breeders, as well as all horse lovers, see horses in a new way. Genetic testing can identify potential health risks and prevent disease. It can optimize coat color and performance abilities. Christa joins Russell and Alan to delve into the cutting-edge genetic technologies that go beyond the standard DNA panels required by breed associations, technologies that are revolutionizing the equine industry. Thank you, Cynthia Keefe, for your musical inspiration at the end of this podcast with the song “Dreaming of Paris,” co-written with Walter Salas and Bonnie Hunt while rafting down the Green River in Utah.
Big, Giant Family Month gets started with Steve Martin, Bonnie Hunt, and way too many kids in the 2003 comedy "Cheaper by the Dozen"!
You had us at hello. Hosts Sonia Mansfield, Margo D., and Adam Riske from F This Movie dork out about 1996's JERRY MAGUIRE, starring Tom Cruise, Renee Zellweger, Cuba Gooding, Jr., Bonnie Hunt, Jonathan Lipnicki, Jay Mohr, Kelly Preston, and Regina King. Dork out everywhere …Email at dorkingoutshow@gmail.comSubscribe on Apple PodcastsGoogle PlaySpotify LibsynTune In Stitcherhttp://dorkingoutshow.com/https://twitter.com/dorkingoutshow
Q: What do you get when you combine the witty writing of Bonnie Hunt and Don Lake, with the irresistible charm of lead actors David Duchovny and Minnie Driver, and a lovely Chicago setting? A: The delightfully funny and heartwarming rom-com “Return to Me” (2000). Interspersed with reflections from Minnie Driver* about the filming experience she referred to as “an incredibly happy time,” this episode explores everything from Bonnie Hunt's triple-threat contributions as writer, director, and actor, to the incredible supporting cast that featured Carroll O'Connor in his final film role, to various features of “Return to Me” that set it apart from typical rom-coms of that time… and so much more! You won't want to miss this lively episode centered around “Return to Me,” a movie brimming with humor and heart. This episode is also available on the Scandal Water Podcast Youtube channel! You can support Scandal Water Podcast by rating, reviewing, and subscribing, as well as by visiting buymeacoffee.com/scandalwaterpod, where, upon becoming a member, you will receive perks and access to bonus content as well as access to our second Mini-sode featuring a conversation where Candy & Ashley share a serendipitous moment – one that changed Candy's life romantically, and one that changed Ashley's life professionally. This bonus conversation gets a little personal, so we hope you enjoy the tea. And thank you for supporting Scandal Water! *Source: Vulture article #returntome #BonnieHunt #DonLake #MinnieDriver #DavidDuchovny #CarolOConnor #Italy #Chicago #movies #film #womenwriters #womendirectors #femalesinfilm #femaledirector #heart #love #valentinesday #loveisintheair #FrenchKiss #ThePrincessBride #movie #comedy #drama #dramady #Serendipity #Minisode #podcast #RomCom #RomanticComedy
We are wrapping up Bonnie Hunt month with the charming and ooshy Only You! Robert Downey Jr! So charming! So terrible! Check out our Patreon: patreon.com/chartsandheartsclub
From the Inside Out: With Rivkah Krinsky and Eda Schottenstein
Episode Guests: M. Gary Neuman, Esther NeumanGary is one of the best psychotherapists in the world... I've been doing this a long time. He is the best." -Oprah Winfrey"When I was a kid, I used to have this fantasy that I had a board of advisors who used to give me life advice. Gary would be on my board." -Anderson CooperM. Gary Neuman is a psychotherapist, rabbi, and New York Times best-selling author of seven books on the topics of marriage and divorce. There are over one million copies of Gary's books in print. He is creator of Neuman Method's Creating Your Best Marriage video program. He has appeared over 50 times on the Today show, a dozen times on the Oprah Winfrey show as well as on NBC Dateline, the Katie Couric show, Steve Harvey, Good Morning America and the View. Gary and his work have been featured in People, Time, Parents, Parenting, Cosmo, Redbook, O as well as in newspapers including Chicago Tribune, Los Angeles Times, Miami Herald, and Wall Street Journal. Gary cohosts Better and Better Psychology, a Live Call In podcast with his psychotherapist daughter Esther Neuman, discussing all things psychological. He lives with his wife and children on Miami Beach, Florida. Esther Neuman is the Co-creator of NeumanMethod.com Creating Your Best Marriage Program and Co-host of Better and Better Psychology, a Live Call In podcast. She is a psychotherapist in Miami where she maintains a private practice helping marriages and families. She is a well known author and speaker, with two of her new books to be published this year on parenting and pregnancy. Her work has been featured in Parents Magazine, Huffington Post, Jewish Press, and was the psychological consultant for Apple TV's children's show, Amber Brown, by Emmy nominated writer and director Bonnie Hunt.Visit www.NeumanMethod.com.https://www.neumanmethod.com/https://podcasters.spotify.com/pod/show/betterandbetterhttps://www.instagram.com/mgaryneuman/?hl=enhttps://www.tiktok.com/@mgaryneumanEpisode Co-Sponsors: Chaya Hair and Repair and Everything but the BabyChaya Hair and Repair Booking: www.chayahairandrepair.com Mention “From the Inside Out” for 10 percent off your wig repair. Chaya Hair & Repair will transform your wig experience from mundane to magnificent! Their goal is to make you feel beautiful and confident wearing your wig. And for the first time, in honor of our podcast, Mention “fromtheinsideout” when you book your appt (by phone or online) , for a never done before 10% off all repairs. Everything but the Baby.To shop online: www.everythingmattress.com www.everythingbutthebaby.comStore Address: 371 Kingston avenue for the store. 229 Empire Blvd for all things homeDiscount Code for the month of Adar : insideout for 10 percent offEverything But The Baby was founded over 25 years ago by Chaya Pruss, a mother of 14 after she had her first of three sets of twins! She didn't want to run across town for everything she needed to care for her little ones, so being young and ambitious she decided to start her own shop. Today she is renowned for her expertise in the juvenile market and for the best customer service you will find!We are still a family owned and operated business!
Join us for Swiftie Ex's month where we discuss Tammy's pick of The Favourite and answer questions like:Do you love Bonnie Hunt?How crazy is your family?andIs Taylor a lizard person?Learn all about Quad Pro Quo at: https://linktr.ee/quadproquopod
With a resume that includes classics like Rain Man, Jerry Maguire, The Green Mile, and Jumangi just to name a few...it's no wonder Bonnie Hunt has some stories to tell. Like who was supposed to play Jerry Maguire before Tom Cruise got the role? What hit show did she turn down and why? How did she go from being a full-time nurse to an Emmy nominee? What A-list comedians would accompany Bonnie to the hospital where she worked to perform for patients? Talk about an amazing bedside manner!See omnystudio.com/listener for privacy information.
Welcome back to So Many Sequels! In today's episode, Josh, Garrett, and David take a heartfelt journey back to the 2000 romantic comedy, "Return to Me." Get ready for a blend of laughter, tears, and everything in between.First, the basics:Release Date: 2000Directed by: Bonnie HuntStarring: David Duchovny, Minnie DriverGenre: Romantic ComedyIn this episode:0:00 - Welcome & Catching Up8:30 - Return to Me's Box Office Breakdown12:28 - Reviewing "Return to Me"43:38 - Letterboxd Game & Wrap-UpWhat makes "Return to Me" stand out in the sea of rom-coms? We're breaking it down - from its charming script to the undeniable chemistry between the leads. Plus, we dive into some lesser-known behind-the-scenes facts that might just surprise you!Stick around until the end for a sneak peek at next week's episode and find out which film we'll be dissecting next. Trust us, you won't want to miss it! Become a VIP with the So Many Sequels Pod Squad!
A lot going on on Bravo! Danny recaps The Real Housewives of Beverly Hills weed dinner, which featured a new kind of Denise, plus an appearance from Kim, a modern day Picasso. After RHOBH, Danny hops over to The Real Housewives of Salt Lake City to discuss the first day of the Bermuda trip, which found Meredith struggling without a bathtub. Finally, friend of the pod, Jillian Bell, stops by after the Bravo recaps to talk about her new movie, Candy Cane Lane, with Eddie Murphy. Danny and Jillian also get into rat ornaments, Bonnie Hunt, Jillian's thoughts about Monica's mom on RHOSLC, and so much more!RHOBH Recap: 00:00RHOSLC Recap: 40:00ishJillian Bell: 59:00ishORDER DANNY'S NEW BOOK: https://linktr.ee/jolliestbunchBUY DANNY'S BOOK: Smarturl.it/unrememberTwitter: @DannyPellegrinoInstagram: @DannyPellegrinoYouTube: www.YouTube.com/DannyPellegrino1TikTok: @DannyPellegrinoPatreon: www.Patreon.com/EverythingIconic Hosted on Acast. See acast.com/privacy for more information.
Tom Cruise was a loser. A hilarious, Oscar-nominated loser in 1996's Jerry Maguire. The actor took on the titular underdog role to great acclaim, and brought Cuba Gooding Jr., Regina King and newbie Renee Zellweger along for the ride. The film was a hit and boasted some of the most memorable lines in cinema history. But now, decades later, did we maybe show this movie our money too willingly? And, upon rewatch, does Jerry still have us at “Hello”? The Old Roommates grab the ole' pigskin, pretend to know football, and give the movie a rewatch, all through their middle-aged lens. Listen to this.Old Roommates can be reached via email at oldroommatespod@gmail.com. Follow Old Roommates on Instagram and YouTube @OldRoommates for bonus content and please give us a rating or review!#TomCruise #CameronCrowe #ReneeZellweger #JonathanLipnicki #CubaGoodingJr. #BonnieHunt #ReginaKing
Follow the homies Cam (Cameron Cox) and Dylan (Dylan Hernandez) two former AMC Theater employees as they take a nostalgic trip back in time to rewatch films that mean the most to them! The film we are discussing in this Season 2 Episode is "Jumanji" Jumanji is a 1995 American urban fantasy adventure film directed by Joe Johnston from a screenplay by Jonathan Hensleigh, Greg Taylor, and Jim Strain, based on the 1981 children's picture book of the same name by Chris Van Allsburg. The film is the first installment in the Jumanji film series. It stars Robin Williams, Kirsten Dunst, David Alan Grier, Bonnie Hunt, Jonathan Hyde, and Bebe Neuwirth. The story centers on a supernatural board game that releases jungle-based hazards upon its players with every turn they take. Now in the Famous words of that Pig from Shrek "Play the movie.. Yeah PLAY" Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y= ALSO Follow the homie Dylan on his fantastic Podcast "The Hernandez Variety Show" https://open.spotify.com/show/58pVAOZ5sSK4ti563o5fWn?si=BjR3hTyjR9mjfKIh6itDuw
Engineer turned comedienne, Amy Barnes, started her stand-up career in Seattle, appearing at comedy clubs while working days in the aerospace industry. When faced with a choice between the two career paths, in a striking blow to the Girls In STEM Movement, she chose comedy. In a move to Los Angeles she began working as a comedy writer. Contributing material to the likes of Nancy Travis, Bonnie Hunt, Jack Black and Morgan Freeman. She appeared on Comedy Central and the National Lampoon Network. Amy is now a nationally touring act with over 60 dates a year and performs regularly to capacity crowds at performing arts centers, churches and conference events.
On this week's episode, television veteran Michael Burger (Family Feud, Price is Right, Mike and Maty, and many many more) talks about his showbiz career. He looks back on memories from working on cruise ships as well as being able to work with some of his idols.SHOW NOTESMichael Burger's IMDB: https://www.imdb.com/name/nm0121221/Michael Burger's Website: https://www.michaelburger.com/Free Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAUTOGENERATED TRANSCRIPTSMichael Jamin:So when you shoot a multi-camera sitcom the audience, they bring in an audience and it could take, I dunno, it could easily take five hours to shoot a half hour of television.Michael Burger:22 minutes. Five and a half. Yeah. Five hours to shoot. 22.Michael Jamin:And so what's the audience doing while they're resetting the scenes or the actors are changing?Michael Burger:Well, I've got a lot of stories. Some. I had a guy die once. What? And I just thought he was taking a nap. Yeah. I kept looking up going, God, I don't, A comic wants everybody engaged. Right? And he's just, and at the end, he's not leaving every, the bus is gone and they card him out and he died on the way to the hospital. I guess they revived him, then he died.Michael Jamin:You're listening to Screenwriters. Need to hear this with Michael. Hey everyone, welcome back to Screenwriters. Need to hear this. I'm Michael. I got a cool guest today. So as many of you know, my very first comedy writing job in Hollywood, I was a joke writer on a morning TV show on a b C called the Mike and Maddie Show. And my next guest is Michael Berger, the host of Mike and Mad Mike, thank you so much for joining me here. A areMichael Burger:You nice to see and reconnect with you again? It's been a fewMichael Jamin:And you are this, I know you're not quite a screenwriter, but I think have a lot to, I don't know, just a lot to add to the conversation because you're a professional talk show host and you posted so much. I'm going to blow through some of your credits real fast just so people, but don'tMichael Burger:Blow through 'em. I want you to land on 'em and marinate on 'em for a while.Michael Jamin:Let's linger on them unnecessarily for a long time. So obviously Mike and Maddie, but the Home and Family Feud, the live version as well as the Price is right, the live version, thousand Dollars Pyramid Match Game, iron Chef Personals, the Late Night Dating Show Straight to the Heart, not to mention your long history as a standup comedian on cruise ships, and then later doing warmup. I want for audiences for sitcom audiences, which I know you've, we've been on any of the same shows, which is, that's a whole nother level of comedy. I want to talk about that. But first I want to talk about where you began. It was, how did you become a comedian for cruise ships?Michael Burger:Well, a lot of these entries into showbiz come in through the side door. And this was certainly the case. I was a big fan of Steve Martin and back in the late seventies, there was a contest where they were looking for a Steve Martin lookalike and the payoff, the winner got a spot on the Tonight Show with Carson. So I figured this is my entry in, so I figured that I win this contest and I get my own show. Well,Michael Jamin:And you didMichael Burger:Well. You had to submit a cassette tape, audio cassette tape of you doing Steve Martin. No video cameras just a cassette. And they wanted that in theory, in front of a live audience while I had, I hadn't done any standup. There's no live audience, but my audience in the day was my classroom. So I went back to my high school and said, can I borrow the classroom and just do Steve Martin's material and I'll take my best cut from that. So I went to five teachers. I did five minute sets, and I submitted that tape with the best of the five to the radio station who said, yeah, great. Come on up to the tower records parking lot on Sunset, where there's 25 of us dressed like Steve Martin doing. You're a wild and crazy guy. I win that and go to San Francisco and I meet the western Halfie of the United States at the boarding house, and I win that. And the finals are at the Comedy store with the entire country represented. I'm one of six. Steve Martin is there, Carl Reiner is there. And the winner, the payoff is the Tonight Show spot. And I do, my thing and my twist on it was I came out white suit arrow through the head, no pants with boxers that said a B, C news brief.So I figured I'd add my joke and the guy I was up against that I thought was my competition, played banjo so well and looked like Steve. I thought, there's no way. Right. He does his bit, I do my bit. It's a tie between me and this guy from Nashville that looked like Steve. Steve Martin comes on stage and he's holding our wrists like a ref in a boxing match. And he holds up the other guy's hand. Okay, that guy wins. I lose, three months later I'm watching The Tonight Show and Johnny goes, oh, we have a guest tonight. And Steve Martin comes out and he's out for about 30 seconds and you realize it's not Steve. The real Steve comes out bound and gagged yelling, this guy's an imposter. That guy goes away. We never hear from him again. And that was my first taste at showbiz.Michael Jamin:And you were like, what? 20 something?Michael Burger:Yeah. Yeah. Maybe I was 27, 28. But what would you, somebody saw that and said, Hey, can you do that on a cruise ship? Can you do standup on a ship?Michael Jamin:But wait, what would've you done if you had won this? Because then you would've been on the Tonight Show, but you didn't have an act.Michael Burger:Well, I would do kind of what that kid did. The whole bit was to pay Steve Martin's movie off The Jerk that was coming out. And it was just a sight gag, but I certainly would've come up with something. And then, so what I wound up doing initially after that, and this is in the height of all the singing comedy telegrams, remember back in the day, dancing bears and roller skates? Yeah. So I did a Steve Martin lookalike Soundalike Comedy Telegram where Michael would hire me to make fun of somebody, and I would get all the information and I would go wherever they are, a bank, an office. I actually stopped a wedding once as Steve Martin air through the head white suit, hold on, I don't think this is right. And do a little Steve Martin thing. And there was a guy in the audience at a restaurant who came over after I just did this Rickles kind of riff. And he goes, that's very funny. Can you do ships? And I said, sure. And that's how I got on a cruise ship. And then I'd come on as Steve, and then I'd do my whole act after that, which I developed over time.Michael Jamin:But your act was basically kind of making fun of Steve, or was it all playingMichael Burger:Well, no, you quickly. No, I had some comedy ideas, but what I realized as soon as I got on the ship, 70% of the material comes from being on the ship. Right. I dunno if you've ever worked ships, but No. Oh, there's so much material. It's such a ripe group. And thenMichael Jamin:It's so interesting, you never even did the comedy clubs. You really came up your own way.Michael Burger:I really did. I did a few because of that little bit of notoriety, but the cruise ships were a better paying gig. You got to see the world and you really felt like you were in the business. You had a band behind you generally. There was an opening act. The only downside was if you didn't do well, you'd have to see these people for the next three days, four days, seven days.Michael Jamin:But howMichael Burger:Many I loved it.Michael Jamin:How many shows would you do on a, so you were like, let's say it was a seven day tour. How many shows would you do?Michael Burger:Two.Michael Jamin:That's it really?Michael Burger:Yeah. Yeah. I would do the three and four day cruises down to Ensenada and back. And so I would do welcome aboard show, I would be the headliner. I'd come out and do my hour, and then they said, you can do anything you want on Sunday night. So I'd go in the back lounge and then just try stuff. And that's really where you kind of learned what's funny, what's not. So I got to do, my God, for anybody listening that remembers the Catskills in those old days where you just work well clubs today, you go out and work material, I could go in that back room and I would go on at midnight and the buffet would start at midnight. And my goal as a performer was if I could keep people from getting up and leaving my show to go eat again, then I realized I had some pretty good material. So I would do an hour and a half, two hours in the back room.Michael Jamin:ButMichael Burger:The moment that really, maybe this is where you're headed, that launched my career was in the middle of the cruise. They had a passenger talent show. And on one of these cruises, the cruise director came up to me and said, Hey, can you fill in and host the Passenger Talent Show? I have other things to do. And he meant that as a verb. I mean, this guy was, he was all over the ship just right,Michael Jamin:Yeah. GoingMichael Burger:After whatever moved, you know what I mean? And I said, well, what do I do? And he goes, well, these people sign up throughout the week and then we turn 'em loose at midnight and they do whatever they do. Think America's Got Talent. And I said, well, what would you like me? Wait, introduce 'em, put a little show together, go at 11 o'clock at night, get with the piano player and you figure out maybe an order. I said, well, okay. It sounds like fun. So I did that. And I'm telling you, Michael, I had more fun doing that than any standup really. I had a chance to talk to somebody, where are you from? What do you do? And then you turn 'em loose. But because, and it's not unlike warmup where someone else is the star where someone else has the focus. You just set 'em up and turn 'em loose. Yeah. I had an 85 year old woman, get up and tap dance to the Lord's Prayer. You don't need to top that.Michael Jamin:Yeah. How do you, right.Michael Burger:I mean, I had everything. Right. So I started doing this and about at the same time, I was doing warmup for a game show. We're going to go way back now, a dance show called Dance Fever.Michael Jamin:Yes. WhichMichael Burger:Is again, these dancing shows, but way back, right.Michael Jamin:It was solid Gold and Dance Fever, those two shows. That'sMichael Burger:It. And they had three celebrity judges and they would judge the dancers. And the Cue card woman comes up to me on a commercial break and she goes, N B C is going to do a morning game show. And they want somebody new, somebody unknown, someone that no one's heard of. I said, that's me. I, I'm in the middle of the ocean. No one knows me. She goes, do you have a tape? I said, nah, I got a tape. Sure. I got a tape, I got no tape. So the very next cruise I go back on, I put 2,500 bucks on my credit card and I go buy that two piece video system where you had to buy the base unit, the head unit. And I brought that on the ship. I put it on a tripod, I put it back by the soundboard, and I pushed record and I videotaped every one of these passenger talent shows that I hosted and then cut everybody out.And it just kept my moment. My first demo tape was six minutes of me doing that. Right. So this woman at Dance Fever says, get me that tape. I'll get it to N B C. The two people in charge were Jake Talbert and Brian Franz. They were the presidents of daytime television, N B C. So she sends in the tape and I get a call, my agent and I come in, I have an agent at this point, and they go, do you know why you're here? And I said, yeah, Mary Steck was nice enough. I said, no, it's the guy at the end. I said, what do you mean the old guy? Yeah. What about him? Well, there's this charming old man that I'm introducing and playing with, and he grabs the mic out of my hand and goes, you must be saying something very funny, but I don't get it. Well, it's a huge laugh. And the N B C exec said the fact that that guy got the laugh and you let him have his moment and you didn't come back over with one more ad lib of your own tells me you got a sense of how to host. It's about making someone else shine. He said, we can teach you how to host a game show, but we can't teach you as the instinct to make someone else look better. Were youMichael Jamin:Aware of that though? I mean, we,Michael Burger:Not really. Yeah. I mean, I got better at it and I realized the sneaky joy of this is that if you get a laugh and get out of the way, put the onus back on them when you do a talk show. But when theyMichael Jamin:Said this to you, you're like, oh my God, I, I've been doing this all along and I didn't realize this. Or were you consciously doing that?Michael Burger:I think there was sort of a Midwest polite mentality, kind of how I was raised, don't interrupt, all that kind of stuff. It kind of goes part and parcel just being, I don't know, polite iss the perfect word. My dad was from Missouri, my mom was from Minnesota. We kind of raised in a polite family. I just thought that was the right thing. But I also realized that boy, you could use this to your advantage, 'em shine. And that I work at it to this day trying to be a better listener and try to be better at picking my moments. That's how it started. That's literally how my career started out at sea. AndMichael Jamin:Then so then what happened with that audition then?Michael Burger:So I got the pilot. I got the pilot for N B C Morning Talk show. My very first time on a lot is at N B C. And I'm parked six spots down from Johnny Carson. It's got a white Corvette. His license plate said 360 Guy thought that was a clever license plate all around Guy. Yeah. I'm six spots down from Carson. I just got off the boat. I am so far from showbiz. I'm walking on the set. We shoot the pilot at the same time. They're just about finished with a Tonight Show. We shot across the hall, very little security back in the eighties. I open the door and I walk in and I sit next to Gregory Peck. Colonel Michael going shelf is so easy. Yeah. He goes on, he comes out, I say, hi, Carson walks by, gives me one of these. Everybody walks out and we all go home. Kicker. The story is Pilot did not get picked up, but the production company, reg Grundy, who did all of those shows back in the day, sail of the Century and Scrabble, liked what I did and put me on retainer for a year to develop something else.Michael Jamin:But did they, and I never even asked you about Mike and Maddie did like Yeah. Did they coach you at all before you start doing this? Did they rehearse you or is it like, well, this is who we hired, let him do his thing?Michael Burger:It's a good question. In the game show world, when we were getting ready to do a game show, they would remind me that the first half of the game is fun and q and a and get some joy out of these contestants and root for 'em. And then when it shifts to the bonus round, there really needs to be a shift in tone. This money is serious money and this can change someone's life and this is not the place to go for a joke. Let's kind of shift the focus and really be there for 'em and root for 'em and console them if they lose and be happy for 'em when they win. So there was a little bit of that. Some of it, it's, most of it's just learning where your beats are, getting in and getting out.Michael Jamin:What about Mike in the game show world or home family, same kind of thing?Michael Burger:Well, Mike and Maddie was a whole nother league that was morning network everywhere in the country. And I was working with someone, which I had never done. So I came in for the audition and did well. And the woman I had auditioned with, they had a deal to put in place to put her on the air. And as I was driving home, my agent called and said, I don't know what happened in there, but they now want to do the show with you. And they're letting her go. Said, oh, well don't give her my address.Michael Jamin:AndMichael Burger:He said, we now have to find a woman to pair up with you for this morning talk show. And I thought, well, how do we do that? I said, well, Disney will set it all up. This is a dizzy production. And I auditioned and I audition's not even the right word. I sat down with 85 women and just said, how you doing? How you doing? And we just tried to see if there was any chemistry. It's like dating somebody. Is there there a connection? Maddie?Michael Jamin:This I had? No, I, I'm sorry, I have to interrupt. But this I had no idea about becauseMichael Burger:Yeah,Michael Jamin:It seems like they sell a show to A, B, C, they go, it's going to beMichael Burger:Morning show. We know, actually, let me back up. This show is going to be in syndication for Disney, which they could syndicate across the country and do anything. ABC's not involved at thisMichael Jamin:Moment.Michael Burger:So they had a development deal with this woman. They passed on, they put me in the spot. Now they got to pair me up. They pair me up, Maddie and I had instant chemistry. And about an hour after her audition, they say, we love you both. Let's do it. So we shot a pilot right at K H J on Melrose, a $40,000 pilot, right? I mean, that's about as cheap as you can get. And they took that pilot out and tested it and it tested as high as Oprah tested back in the day, right? A, B, C got wind of this and said, forget syndication, we'll put you on the air now. And three months later, Maddy and I hit the ground running, not knowing each other really. And what began a two year, 535 episode run with someone I got to know every day. We shot literally every, well, five days a week, Monday through Friday.Michael Jamin:So that's interesting.Michael Burger:We got to know each other. Got to learn the whole thing.Michael Jamin:I didn't know that was the origin of, because they're basically saying, okay, we're selling a morning TV show. We don't know who's in it yet, but if you like the idea of a morning TV show, we're going to audition this.Michael Burger:Back in the day, they were handing out these, they were handing these talk shows out pretty regularly. It was kind of the thing fairly inexpensive to produce, I guess. Although we had quite a budget. This was Morning Network. This was a big official show that we traveled and there was a nice budget for a big beautiful set. And everybody got what they needed to pull this off. And then celebrities would catch on and come on. And we had our favorites. And you got to sit down there with your idols. And yeah, there was a little pushback. The fact, I want to talk to you about this, because A, B, C was adamant that this show was not a comedy show in the morning. That you're taking people's time away from them and you got to give them something. They got to feel they haven't wasted their morning. So there's always a recipe, there's always something to learn from. And I came in kind of hot with this idea of comedy and they're going, no, people don't want to laugh in the morning. And I went, well, I got to disagree with you there, but Max Mutchnick and Max and who? Max and Dave, right?Michael Jamin:David Colleen, yeah.Michael Burger:Who created a little show calledMichael Jamin:Will and Grace.Michael Burger:So they were the first writers on Mike and Mad. And it was just overkill. We didn't need that much horsepower from them. They were so talented. They went on and did what they did. But I think because they brought me on, they certainly liked my sense of humor and thought this would be a nice way to wake up in the morning. So eventually they embraced the humor as long as he balanced it with information.Michael Jamin:And that show, it was Tamara Raw, Tamara, she was the producerMichael Burger:Started it.Michael Jamin:She started it. And I guess her vision was Letterman in the morning. But Letterman had a show in the morning. And so that's whereMichael Burger:You don't want to go down that path. And that kind of scared so, and part of this was wise that you, let's not waste people's time in the morning. Let's find that balance of being entertaining and give them a takeaway. And we realized that, I certainly found that balance. Maddie and I started to feel our own beats there on where we could jump in and we each got our own segments where we could shine. Yeah. Maddie was the greatest at locking in on a guest. And Carol Burnett came on and Maddie just started crying. That was, that's how she started the interview. It's because Maddie learned English having come from Cuba on one of the last Freedom Flights out. And now the show that she watched to learn English by the Carol Burnett Show. She's sitting there and she starts crying. Well, that's a great host showing her emotion, being interested. So yeah, I love working withMichael Jamin:Her. Yeah, she's delightful. Yeah, I remember, I remember taking, going to your dressing room with index cards versus jokes here, what about this?Michael Burger:And I wanted that so much to me that felt like Letterman and that felt like The Tonight Show. I was aching for that. I don't remember the conversation we had or what I fought for. I wanted Jonathan Winters on the show, and I had done warmup on his sitcom and they said, no, that's not our audience. And I went, what's not our audience? Funny. So I pushed, six months later, Jonathan came on and I got to sit with him and I got to do what Johnny Carson did with him, which was give him a hat and then do a character. And I thought, this is, I'm in heaven.Michael Jamin:ThisMichael Burger:Is as good as it gets. But it took some pushing because they thought, who wants Johnny in the morning? Yeah. So wait a minute.Michael Jamin:WhoMichael Burger:Doesn't want to laugh in the morningMichael Jamin:And be, but before that, you were still also doing warm before warm up. And then how did, so just so people know, so when you shoot a multi-camera sitcom, the audience, they bring in an audience and it could take, I dunno, it could easily take five hours to shoot a half hour of television.Michael Burger:22, 2 minutes, five and a half. Five hours to shoot 22.Michael Jamin:And so what's the audience doing while they're resetting the scenes or the actors are changing?Michael Burger:Well, I've got a lot of stories. Some had a guy die once. What? And I just thought he was taking a nap. Yeah. I kept looking up going, God, I, a comic wants everybodyMichael Jamin:Engaged.Michael Burger:And he's just, and at the end, he's not leaving every, the bus is gone and they car him out and he died on the way to the hospital. I guess they revived him, then he died. WhatMichael Jamin:Show was this?Michael Burger:Women in Prison?Michael Jamin:I don't remember. Don't remember. Women in Prison. Sure,Michael Burger:Sure you do. It was a sitcom with Wendy, Joe Sperber and Peggy Cass, an all star lineup. Blake Clark played the Warden and it was a sitcom about women in prison. I know. And I was the warmup. And then I did all of those types of sit. I mean, I did big ones, I did shows, you'd know. Yeah. Gosh, Mr. Belvedere is where I started.Michael Jamin:Remember one. AndMichael Burger:That's really where you learn, I don't know a comic that's got five hours, unless you're talking maybe Leno, but you know, do your act. But then you have to figure something else out. And that's where these hosting chops came in and yeah, you're like a surgeon on call. The moment the bell stops, then I start talking to the audience and then they're ready to go again. Could be right in the middle of a joke, you're telling, it doesn't matter, I'm here to serve. And they would do, again, for those uninitiated, maybe 15 scenes in a sitcom of 50 pages, 60 pages. They'll do each scene two or three or four times. The actors want another shot at the scene. Maybe they've got another joke laid in, or maybe they want another angle. And each time they do it, that audience has to be geared up, not only reminded, Hey, where were we? Right. And sometimes literally reminded because a lens went down and we have a 30 minute stop between scenes seven and eight. Yeah, that's happened. So you keep them entertained. And it's actually, I think that was the greatest training for me anyway.Michael Jamin:It must've actually a really important job because as a TV writer, we want the audience to have, they need the energy. They got to keep giving it to the audience. And it's the warmups job to keep them engaged and not wanting to leave and get bored and zoned out. Well, I'mMichael Burger:Glad you said that becauseMichael Jamin:Oh, very important.Michael Burger:The writers will come to me and say, how's the audience tonight? Or if the show's not going well, they'll going, Hey, can't you do anything your fault? I'll certainly try sometimes it just wasn't that funny. Or the reverse is true. Right. I have a Dick Van Dyke story that is painful. He did a sitcom with his son called Van Dyken Company. And Walter Barnett produced and they brought me in. I had a nice reputation of being the warmup guy. So I came in and did the pilot and it's like taking candy from baby, I'm killing. And Walter Barnett walks up to the rail about three feet up audience, and without stopping, he says, just pull it back a little bit and then keeps walking. And a couple scenes later, more laughs, he goes Less. Just less. Okay. Now we're like five seeds in. And he pulls me up and he goes, stop telling jokes.I'll tell you why. Later. I went, oh my God. So now I'm just talking to the audience and I happen to get one guy in the audience that was a mortician. I go, what do you do for a living? Mortician big laugh. He looks at me, what are you doing? People are dying to get in. I go, well, it's not, he's doing it. At the end of the show. He goes, I got to let you go. Dick is not happy. Dick, Dick van Dyke's not happy. Yeah. Yeah. Show's just not coming together. He had hoped, and there's a lot of laughter when we're not shooting, so I'll keep you posted. So the next week they bring somebody else in and it's awful. So they bring me back. But he said, okay, you can come back, but you can't do the puppet bit and you can't do these three jokes. I had some killer bits that I know I could rely on. So I finished the six episodes I did when I did five of them. ButMichael Jamin:It, it's, it's actually, warmup is a pretty high paying job. It's a pretty desirable job.Michael Burger:It was crazy. I'd never seen that kind of money for one night. I'm not doing the clubs. I'm not on tour, and I'm not only in town. I'm getting union money. So now I'm getting my sag guard and I, but that's a union job. Then they tried try to take it away from usMichael Jamin:That that's a union. That's a union chop. IMichael Burger:Didn't know that. It was after I fought for it, it was then a bunch of us got together and went to the union and said, Hey, we're a pretty important part of this production. They agreed, actors stood up for us and spoke on our behalf, and we wound up getting union money, which is how I got vested. But I mean, don't think I'm speaking out of school. Warmups could range. Back in the day was 800 for the night and five or 6,000 a night was not uncommon at the end. Yeah,Michael Jamin:I know that for sure. And then,Michael Burger:So you knock out a couple of those a week and all of a sudden you're going, IMichael Jamin:I'm rich ShowMichael Burger:Business. Well, show business is great, but you're also not on camera. And you're thinking, I remember having shows on the air and then going back and doing warmup and candidly thinking kind of a step back. And a producer said to me, I wouldn't look at it that way. He said, do you like doing it? And I said, I love doing it. He goes, you're good at it. I said, well, okay. And he said, that carries a lot of weight. If people are going to see you work 'em, see you doing what you do. Well. And I kind of reframed that and got back into the warmup and wound up doing a little show with people that you probably, or one actress that was probably everyone's favorite or has been. And that was Betty White. Yeah, sure. And I came back and did Hot in Cleveland and did 135 episodes. I spent 135 Friday nights with Betty White.Michael Jamin:Yeah, she's lovely. Yeah. I worked with her on an animated show. She couldn't be, she was so lovely.Michael Burger:Sweet. Right? Yeah. And gives you everything you'd hope.Michael Jamin:Oh, for such a pro. I remember I've told this story, I was doing an animated show. So I was directing her and she was, I don't know, maybe 15 feet in front of me. I'm at a table, I got my script. I'm giving her notes and she's delivering. She's great. But after a take, I'd give her a note, can you try like this? Like that? And she was very pleasant. But after a few sec or a minutes, she stops and she goes, I'm sorry, dear, but you're going to have to yell. My hearing isn't as good as it used to be. And I said, if you think I'm yelling at Betty White, you're out of your fucking mind. And she just lost it. She loved that. She was so far, I mean, she's like, she was so sweet whenMichael Burger:You would see her on the set, the room changed. Everybody was aware. It was like the Pope walked in and the little ad libs that she would throw off to the side, which having done 135 of 'em, I realized she had a lot to go to. But the first time I heard a couple of these, for instance, cameras rolling, awkward pause. Betty looks up and goes, if no one's saying anything, it's probably my turn. Yeah, that kills. Director goes, we have to go back. Betty goes, how far the pilot? So she got about 50 of these ready to go. And there was a scene where they, once a season, they would pair the girls up, Wendy Mallick, Jane leaves, Valerie Tonelli. They're all single as Betty was. So they would have a date show where all the women got paired up and the girls paired each other up with dates. So they picked Carl Reiner as Betty's love interest. And there's a scene where she and Carl KissAnd crowd goes Nuts. And then we stop. And Carl's 15 feet from me. And I had worked, interviewed Carl on Mike and Maddie. In fact, I, Carl, I let had him cut my tie, which is an old Johnny Carson thing I'll get back to in a minute. But I said, Hey Carl, you just kissed Betty. What was that like? And he goes, without missing a beat. Oh, it was unbelievable. She has her original teeth and all and her, she goes all of her own teeth and her original tongue recess. That right at 90 without missing a beat. And you saw these two connecting, right? As the old guards of the business,Michael Jamin:Some legends. But how did you get that first warmup job? I mean, walking into that is not, is hard.Michael Burger:It was. Or even gettingMichael Jamin:The opportunity to do it as hard.Michael Burger:Yeah, I go back to the cruise ship. I was doing warmup on the ship and a producer for Jeopardy was on who worked for Merck Griffin, and they were doing this dance show. And she goes, can you get me a tape? Then by that time I had, and so the very first warmup I did was Dance Fever. And one of the celebrity judges, it was Christopher Hewitt, who said to me on a break, oh dear Ladd, you should come do our show. And I did, did that show for seven years.Michael Jamin:Wow.Michael Burger:And then that kind of mushroomed into other warmupsMichael Jamin:Because you've had a really unconventional path into Hollywood, I would think.Michael Burger:Yeah, yeah. But my sights were set early on. I saw that Carson did a game show and then a talk show. And I went, well, that works for me. So lemme see if I can get a game show. Let's see if I can get a talk show. And I've accomplished those. IMichael Jamin:Certainly, but you were never a weatherman.Michael Burger:No, I never, I never, what happened? Do I look the part,Michael Jamin:Was that a slam? It's a quietMichael Burger:Slam.Michael Jamin:Letterman was a Well, weather. He was, yeah. I mean, seems like that's another, as long as you're in front of the camera, I'd think. Well,Michael Burger:In the LA market, you couldn't get past Fritz Coleman.Michael Jamin:Yeah,Michael Burger:Right. Did that for 40 years who also did standup. And I never wanted to do that. And the opportunity to act had come up a number of times. And with all humility, I just said, no, I don't think I would be good enough. I knew what I liked. I knew I liked talking to people, basically.Michael Jamin:But you've done some actingMichael Burger:And I figured I'd just stay in my lane.Michael Jamin:But you've done acting. I know you have, in an episode that I wrote, you're an episode, episode of Lowes and Clark.Michael Burger:Yeah. I don't, that's not on the resume. I just don't, those got handed to you because you were on the air doing something else. Right. I got to present at the Emmy's because we were on the air, and Maddy and I handed Oprah, her Emmy award, and we're going down the elevator with Oprah, and she's singing our theme song. And turns out she was a fan of the show, kind of, yeah. Was our godmother. Because when Mike and Maddie went across the country, we aired in Chicago after her. So she was on at nine, we were on at 10:00 AM and we were an instant hit because we followed Oprah. And so much so that Oprah became a fan of the show and invited us to everything. I went to the Oscars with Oprah. I sat at dinner at Spago with Oprah. I mean, she, now, were there any call guests? No, she does not call now.Michael Jamin:Were there any, because you had a lot of great guests on Mike and Matt there. Anything that you in touch with that you kind of became friends with?Michael Burger:Yeah, George Hamilton, Robert Wagner. Robert Wagner is about as cool as anybody gets. Yeah. And he asked me to mc the charity event that he was doing. It was a Jimmy Stewart Relay race. It was a celebrity race in Griffith Park. I said, I'd be happy to. And he goes, do you want to play golf? And I went, well, I don't. I can play hack around, but he's like a member at Bel Air. And I said, well, yeah, maybe that would be nice. And I'm just pushing him off. I didn't want to embarrass myself. So the next year I do the event again. And he goes, are you still playing golf? And I went, yeah. And he goes, are we going to play? And I went, he goes, do I have to send a car for you? And I went, no. RJ is what he wanted to be called. I said, I just didn't feel like I could play right when I first met him, this is So Robert Wagner, I, I'm standing there with a buddy of mine and I see him coming, and we have to go to the stage and he comes up and he takes his arm and he puts it through mine and goes, Michael, walk with me. I mean, so old school, right, Michael?Michael Jamin:Right,Michael Burger:Gloria, my friend. I'm good. Thank you. Rj. Yeah. They were idols. I got a chance to meet. God, I met President Carter, had retired, but I got to do Habitat humanity with him and sit down and build a house and talk to him about life. And every musician you ever heard of. How about the artist? Jewel made her first appearance on Mike and Mad. We put her on there. I did notMichael Jamin:Know that. I remember James Brown. I remember walking past James Brown.Michael Burger:James the Sure. Leanne Rime made her first appearance with us.Michael Jamin:Really? Well, I mean, I wasn't there for that, or I don't know. Yeah. That's so funny. Wow. So that's amazing.Michael Burger:Yeah. James Brown do. So you were there for James?Michael Jamin:Yeah. Yeah.Michael Burger:And he sat down and he said something, and that wound up on entertainment tonight. That night he said, the music is funded by drug money.Michael Jamin:EverybodyMichael Burger:Went, did he just say that? And all of a sudden, now we're hard news reporters. We felt like, I don't know. I don't Charlie Rose or something. We got a scoop.Michael Jamin:I don't remember that. WeMichael Burger:Just stumbledMichael Jamin:Into it. And then what was it like? Just rolling? I mean, I know you had must have talking points on when you're interviewing guests, butMichael Burger:Oh boy, you, you're so right. A celebrity gets interviewed the night before, and then they have bullet points. And the next day you kind of spit out those questions so they could comment on what they were pre-interviewed about. But in conversation, sometimes things go another way. But as you know, the producer's job is to keep you the host on track. And we had God bless her, Kathy Paulino, Kathy, I think her name was.Michael Jamin:Yes. Yes. Is that her name?Michael Burger:IMichael Jamin:Don't remember. I Kathy interview. Yeah.Michael Burger:She, I interviewed Robert Gole the night before, and she had this list of questions, and she's just behind camera with this, and she's doing this, and I see her, and I'm ignoring her because something better is happening. And we get to the, and she goes, Michael, you did not ask any of those questions. What happened? What's wrong? And I said, did you hear what Robert Gullet was saying? She goes, no. Well, I said, the interview took a path down a different road. He had mentioned his father, and I noticed he'd paused almost if he was going to tear up. And I thought, there's something more to explore there. And I said, what about your dad? And he said, on his deathbed, his dad said, Robert, come here. And Robert comes in, and he goes, son, you're meant to sing. Go do that. Well, I mean, I got chill.I got tills hearing that. Now, that was not on the cards. It was following the arc of a conversation. And sometimes these producers feel, maybe they're not doing their job. We didn't ask those questions, but interviewing people is really about a conversation. So we had those moments where we went off the card and I think made some friends there, had some great, some great interviews. I'm very proud of. Patty LaBelle sat down with us and admitted that her three sisters had all died of cancer. And she wasn't sure she was going to see 50. And she starts to tear up and we're going, she goes, I must like you guys, we're six minutes in. Yeah. Talk shows. You get six minutes, seven minutes, maybe two segments, maybe 15 minutes. And I think we did some nice work and met some people in a very finite amount of time.Michael Jamin:Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not going to spam you, and it's absolutely free. Just go to michaeljammin.com/watchlist.I remember those morning meetings. We talk about the show, and I remember sitting in the back, because I'm young, it's my first real writing job, and they call me a producer because that way they wouldn't have to pay me writer's skill. So they said, you're a producer. But I'm like, I'm not a producer. I can write stuff. But I remember thinking, how does everyone here know what to do? I really had no idea was I was in awe of the whole thing. How does everyone here know what to do?Michael Burger:But as the more you hung around, it kind of demystifies itself after a while, right?Michael Jamin:Yeah. But there was also, and to some degree, yes, but it was also like you only get one shot. It wasn't like you get to rehearse. It was like, you better get this right. We're on live tv. We're not live, but we're on TV and live detect. Yeah. We're not doing again. We're not doing it again. SoMichael Burger:Yeah, that was, if you concentrated on that, it would paralyze you. What I found starting to do this was that how in the world can we talk to somebody for six minutes and get anything out of it that seems too short? Yes. And you learn to ask. There's a great quote by Blaze Pascal, he's a French philosopher, and the quote is, if I had more time, I would've written a shorter letter.Michael Jamin:Right?Michael Burger:And it talks about the science of the art of being brief. Then you learn that in the talk show world where you need to be concise and you take away all the stuff in the same way. Jerry Seinfeld would take out a word that doesn't work in a joke. A good interview is become very, there's no Sophie's choice there. You know, start cutting things away, not going to make it. And you stick with what works at that moment. So you be, become careful, you be good editors of yourself as you interview. But I found how it was so, it was so phe and so I compared it to cotton candy. You would do it, and it was gone. And then the next day we had to do it all over again. Yes.Michael Jamin:Right, right. Yeah.Michael Burger:The sheer volume Yes. Of cranking out an hour a day for two years was mind boggling to me. But yeah, I didn't have to do it myself. I had help.Michael Jamin:Yeah. And IMichael Burger:Had to show up refreshed,Michael Jamin:The minute recorded. I remember thinking all the producers, well, you're screwed. You got to do this. You're done. All that work you did is over now, and you have to do more. I mean, yeah, it doesn't end.Michael Burger:And we went live to tape. We wouldn't stop unless there was something drastic happening. And once in a while, we would tape two shows on a Thursday so we could travel on a Friday to go to another town and maybe do something live there. Unlike the show I did with Christina Ferrari, which was two hour, two hours live a day there. There's no stopping. I mean, what goes wrong? You see? Which was a whole nother level of fun because,Michael Jamin:But there's aMichael Burger:Too late,Michael Jamin:There's an art though, to getting people to be vulnerable. Like you're saying on television right now, you have six minutes, and then sometimes you'll see it where an interviewer, just like they're reading the questions, they're just waiting to get the next question. They're not really in it.Michael Burger:True. Were you there for Charlie Shaneen?Michael Jamin:I probably would'veMichael Burger:Remembered. Charlie comes on and he's nervous, and he's sitting there and he's looking around. I go, what's wrong, Charlie? Because I don't know, no one's given me anything to say. So what do you need? A cup of coffee would be nice. So I went over, we had a big set. We had a working kitchen. So I got him a cup of coffee, and we sat down and go, anything else? He goes, well, cream would be nice. I went back and got him.Michael Jamin:Great.Michael Burger:That was such a fun interview because he really was authentic and he really was nervous. And we just played it where you had some other guests that were, shall we say, just a little more controlled and didn't want to open up. And they were there to promote something. That's what a talk show does, is we promote you doing whatever you're doing.Michael Jamin:And what were you thinking when you're like, oh, I'm just tanking here. This isMichael Burger:Going with No, the opposite. Oh no, I'm thinking, let's do more of this now. I felt, oh, now we're doing Letterman. Now we're doing a talk show where things are off the rails and there's nothing, and the big camera has to whip out of the way. No one had planned that. I lived those moments where something went wrong, butMichael Jamin:When someone wasn't comfortable on care. What about that? Well, whereMichael Burger:It wasn't scripted, heavily scripted, where you would get something that wasn't planned. No, that'sMichael Jamin:Fine. I mean, when a guest is clearly not engaging, they're just, they're struggling.Michael Burger:Well, you'd see the producer going, let's jump ahead. JumpMichael Jamin:Ahead to, what do IMichael Burger:Jump to? Well, we could tighten it up and then the next guest can go longer. We had a little bit of an accordion, you know, find a way a to get in there somehow, some way. But they're not all, some are better talk show guests than others.Michael Jamin:AndMichael Burger:Some come in, we had, comedians had Richard Jenny on who I went to his dressing room and I go, what do you need? And he gave me five setups, hotdog, car, couch, whatever it was. So he knew all the jokes he'd go to when you just laid 'em in there.Michael Jamin:Would you write those down or on a card, or you just No,Michael Burger:That kind of stuff was just, yeah, they certainly had 'em on a card. But when we got a comic on, I really felt, oh my God, I got to kick up my game here because this is really what I want to be. I mean, this is, I idolize you, you men and women that had come on.Michael Jamin:There really is. SoMichael Burger:Carl Reiner comes on, and there's a very famous episode of The Tonight Show where Carl Reiner comes on and says to Johnny, I never make the best of the Tonight Show. I never make it. And he goes, I, I'd like to be part of those eclipse at the end of the year. And cars going like, okay. And he goes, you're a great dresser. Johnny goes, oh, thank you. And he goes, stand up if you don't mind. And he goes, okay. So Carson's standing up and he's looking at his tie, and he goes, the tie's not right, however, and he pulls out a pair of scissors and he cuts off Johnny's tie. Right. Johnny didn't know it. Fred Decoda had said to Johnny, Hey, just don't wear your best clothes tonight. That's all I'm missing. SayMichael Jamin:God.Michael Burger:So he cuts the tie rightAt the end of our interview with Carl, I said, Hey, there's a moment you had with Carson and I would just be thrilled if we could recreate this. And he doesn't know where I'm, he doesn't know where I'm going with this. I said, there was a moment where you cut Johnny's tie. And he goes, yes, I remember that. And I said, can I? And he goes, oh, no, no, no. My wife gave me. And I went, no, no, I don't want to cut your tie. Right. Would you cut my, he goes, I'd love to cut your tie. And he stands up and makes a production and cuts my tie. Right. And I have that tie cut with an autograph framed in my office. Wow. Wow. It was my moment of, I mean, those are the big moments, right. Meeting your idols. Yeah. Like Jonathan Winters, I assume people listening know Johnny. Remember Johnny the greatest improv artist ever? And Robin Williams was a fan of his. Yep. So I get to do warmup on a sitcom called Davis Rules. Remember that? With Bonnie Hunt? No. Yeah. How do he won an Emmy for that? Okay. Jonathan Winters did. So Jonathan Winters, Bonnie Hunt, the kid Giovanni.Michael Jamin:Yep. Wow.Michael Burger:So they would have a script, John enters kitchen.dot pop on couch because he, yeah. Whatcha going to do with this maniac? So he would start, he'd go off roars of laughter, but he, Jonathan loved audience. So he comes up to me, maybe we're a half hour in, I'd never met Jonathan Winters. And he walks by the rail and without stopping, says to me, Bing, how's your golf swing? And he keeps going. And as he's about eight feet away, I go, Bing, how's your golf swing? And he goes, whoa, whoa, whoa. And he does Bing Crosby. Well, at the end of the show, I go up and say, Hey, I can't believe you're even here, and I can't believe I got to meet you. And he goes, Hey. He goes, that was fun. He goes, I love doing that kind of stuff. He goes, anytime you want to throw me something, let's do it.So this is taking a pitch from Kershaw. This is the best of the best, the best. So the next week it's a sitcom, the format, it's going to be a four hour night, it's going to be stops and starts. And Jonathan is just sitting there like a little kid waiting to play. He does it, the acting he can do in his sleep, but it's the improv that he loves. So I'd catch his eye and go, excuse me. Yeah. Did you not invent lettuce? Is that you? Yes. I invented lettuce. God, for 10 minutes. That happened for a year and a half. So I got to play with him for, I don't know what it was, 52 episodes.Michael Jamin:Wow.Michael Burger:That's meeting your idols and being even more impressed than you could possibly imagine.Michael Jamin:Yeah. But how gracious of him, I mean, that's veryMichael Burger:Much fun. But that's him, him, he loved the audience. And Bonnie Hunt was so great at navigating him back to the script without even seeing it. But the show was funniest when it was off the rails because Jonathan Giovanni eei, the actor would look at him and he had a line, and then there'd be this pause and they'd going, Giovanni, that's your line. He goes, where? What's my line? Because it's so far past what was written in the script. What'sMichael Jamin:My line?Michael Burger:Yeah. Because Johnny had taken it out to the parking lot and then made a left down Ventura. Yeah.Michael Jamin:That's so funny. SoMichael Burger:Those warmup days I loved. And when I got out of it and then got a chance to come back into it, my ego aside that I'm not on the camera, I'm behind it. Well,Michael Jamin:Let's talk. I end up working that though. I mean about that must have been difficult for you, but I don't know. You did it anyway.Michael Burger:Well, it, yeah, it took about 10 minutes to get over myself, and then I'm standing in front of an audience, getting a laugh, and I went, wow, this is pretty cool. Right.Michael Jamin:But did it, I mean, that'sMichael Burger:Felt right back in the mix. That'sMichael Jamin:The Hollywood rollercoaster. I mean, you're up, you're down. You're up and down. I mean,Michael Burger:Yeah, I naively thought one pilot, I'm on my way. I've got a TV show. That very first thing I did for N B C didn't get picked up. And I went, oh, that, that's show bz. Yeah. I, that's the up and low. That's you thought. Right. So you learn to discipline yourself and be grateful for what comes your way, which I think I've done. And I also wound up with some side hustles along the way, flipping homes. And I got my real estate license and did that stuff on the side. Right. Not thinking I'd ever want to, boy, here's something revealing.Michael Jamin:Yeah,Michael Burger:It's probably five years ago, Catholic church. Sunday morning, I'm sitting there and there's a woman in front of me with her husband. The husband looked like he had been beaten down. What's the old joke? Where they've taken the spine out? He's just been beaten so many years by being to this woman. She's eight o'clock black dress Pearls, Mrs. Kravitz from Bewi. Does that help you? This is who I'm dealing with and looking around. And she owns the room and it's church. So the priest says, halfway through, turn to the person next to you or behind you and say, peace be with you. So I'm right behind her. So she turns and goes, what happened to you? And turns around, excuse me, what happened to you? Yeah. You used to be on tv, turn around. This is mess. Listen to Padre there. She couldn't fathom the fact that I wasn't on the air and wanted to know how my life not seeing me on Mike and Maddie anymore. And I said, no, I, I'm, I'm fine. Okay. Things are good. Just turn around. But she needed, I didn't have the time to deep dive into the complexities and the ups and downs of this business inMichael Jamin:Church. But did it hurt though when she said that?Michael Burger:No, I actually thought it was wildly funny because I've told this story now for 20 years or five years. Yeah. But yeah, no, I loved being on the air and certainly miss it. The skillset set is still there. I think it's gotten better. You learn, hosting is cumulative. Everything you do adds one more layer. But I've certainly made peace with it and understand the business that, I mean, I've got a wonderful life because of all the ups and downs. Right?Michael Jamin:Yeah. One of the things that people say to me, because I post a lot on social media, and they go, well, you seem so humble. I'm like, because I've been in the business for 25 years. That's why, I mean, do you not, you're every step of the way you're getting humbled. IMichael Burger:Mean, how about, is there any bitterness in your journey?Michael Jamin:Not really, because I never really thought I was going to get this far.Michael Burger:Oh, that's interesting.Michael Jamin:I thought it was never my goal to my, it never my goal to have my own show and my own Norman Lee Empire. I just wanted to be as aMichael Burger:Writer, showrunner producer, you mean?Michael Jamin:Yeah. No, I just wanted to write on TV show. I wanted to write on cheers, to be honest. AndMichael Burger:OhMichael Jamin:Wow. But when I broke into the business, cheers. It was already well done. But I wound up writing with many writers from who wrote on Cheers. And I wound up shooting a show that was shot on the cheer sound stage. And so in my mind, I made it like it. But certainly,Michael Burger:Well, what demons do you have as a writer? Or what holds you back as a writer, whether you're working or not, and is it amplified when you're not working?Michael Jamin:It's easy to look at other people. Here's what it is. I had a friend I was writing on King of the Hill and one of the other writers signed a big deal or something, and I was very jealous. And my brother friend, he was older on King of the Hill, and he said, he gave me a great piece of advice. He said, there will always be someone younger than you, less talented than you, making more money than you. Oh. I go, well, there it is. That, there it is. And that really, I hung onto that for a long time. I feel like. Okay, so it's easy to compare your career to somebody else, but to honest. I'm so far, I'm so lucky that I have what I have. So I'm not bitter at, because youMichael Burger:Got this far, but I don't want to put words in your mouth. But it hasn't taken away the desire to do this again and work more, or be where someone else is at this moment?Michael Jamin:No, I'm happy. As long as I get to keep working, I'm happy. I really am. Yeah, and it's really, it's funny when you're talking about doing warmup for these multi-camera shows, there are no multi-camera shows anymore. It's true. If you wanted that job today, good luck getting it. There are no shows. So how do you get that?Michael Burger:Good luck in a couple of ways. I have a friend of mine, you probably know Ron Pearson.Michael Jamin:Yeah, Ron, what about him? Ron'sMichael Burger:One of the best out there, hands down, a great comic and a great warmup. But he said the stuff he was doing 3, 4, 5 years ago in front of an audience, he couldn't do nowMichael Jamin:ReallyMichael Burger:The sensitivities of what you can and cannot say. BecauseMichael Jamin:He was prettyMichael Burger:In front of a crowd.Michael Jamin:He was pretty wholesome. I remember I worked with him.Michael Burger:Very wholesome. It's just some things you can't say. I got another buddy of mine, Ross Schaeffer, who was a corporate keynote speaker who says, even in the corporate world, there's some things you can't say. There was some reference to women speak more than men on a daily basis. They, there's more of verbose. Right. Because I was told by the person hiring me, well, I wouldn't say that he was using it as a way women really control the marketplace. A woman will decide what you're ultimately going to buy that flat screen TV you got in your house. Yeah. You got that because your wife said it's okay. Right. But that's actually sensitive to say now.Michael Jamin:Yeah.Michael Burger:Well, didn't even occur to me.Michael Jamin:Yeah.Michael Burger:Here's what some show is up for me. And this happened here in Long Beach, a great little restaurant in Belmont Shore on Thursday nights. They had a jazz piano player. It's this little French cafe and then go in for a bite to eat, and this guy's playing in the corner and there's maybe in a restaurant that seats 80, there's probably seven. And he would play and it'd be nothing. So I'd give him a little something, something, right. We're all performers and you're feeling for this guy, and I know when a song ends. So I gave him a little more and he takes this break and he comes over and sits next to me and he goes, Hey, thanks for trying to make that happen. I said, of course. He said, buy you a drink. Sure. And we get to talk and he goes, lemme tell you my favorite story about supporting another actor or performer. He goes, I'm working a club down in LA and it's the same thing. Nobody's there. It's quiet. And I finish, I don't know, I'm 30, 40 minutes in and I finish a song and I hear, and he looks up to finally thank this one person that's acknowledging his talent. And it was a woman taking a cigarette out of a pack.Michael Jamin:Oh my God. Oh myMichael Burger:God. Try to get the the tobacco into the filter. Yeah. He goes, boy, that if that isn't showbiz rightMichael Jamin:There. Yeah. That is Show biz, just what youMichael Burger:Think. You made it at any level, you're going to get humbled one moreMichael Jamin:Time. Time you're going to get humbled. Right.Michael Burger:Yeah. Yeah. I think it's a humility is a great trait anyway, I think. Yeah.Michael Jamin:Yeah.Michael Burger:As an interviewer, as a host, as anything, anybody in the business, gratitude and humility will serve you a long way, I think. Yeah,Michael Jamin:Right. Yeah. You got to enjoy the ride. And I was told that over and over, enjoy the ride. I didn't really quite what it meant. Yeah. But then whenMichael Burger:We did Match game, match game 98, and we shot at CCB ss, we shot on the same set that they do. The price is right. They just turned it around for us. And I would go in early and I'd leave late and I'd drive in and I'd see that c b s sign lit up and I said, I don't want to leave, and I know this is going to be over. I know it's over because we're airing against Oprah at 3:00 PM on C B Ss. That's why I know it's over. And we did our 135 and it went away. But I never for a moment, took that for granted. I loved every second of that knowing, Hey, you know what? You could worry about it being over, but ultimately, hey, like you said, just enjoy this ride. I had my best friend did the warmup on it. It was the announcer in the warmup, and we laughed ourselves silly, and we shot seven a day. Game shows you shoot a bunch. So we would shoot four, take a lunch break and do three, did 135 episodes.Michael Jamin:Have you seen that movie Babylon yet with Brad Pitt?Michael Burger:I couldn't get through it.Michael Jamin:Oh really? OhMichael Burger:Yeah, about 20 minutes down. I went, yeah, no.Michael Jamin:Oh, you might want to revisit it. I love it. Oh yeah, it was about that. It was about knowing when your time is over and it was so, it was so crushing. I thought it was beautiful. But yeah, I could see, yeah, you need to stick with it a little bit, but I love that.Michael Burger:Where do you think you are in the arc of your career?Michael Jamin:I think, well, I mean, think all of us. I think you hit a certain age in Hollywood, and if I haven't already approached it, I'm getting very close.Michael Burger:It's funny, when you leave your demo, you have a birthday and you leave your demo.Michael Jamin:There was an article, this is a couple, this is many years ago, probably 10 or 15 years ago, and I was my partner and we were taking over for a show. We're running a show. It was Michael Eisner's show, and there's an article in the trades and in a variety, whatever, and it said veteran TV writers, Michael Jamon, Steve Clare, and it was an article about us. And then I go, wow, I become a veteran. And then, oh wow. One of the writers sitting next to me, he goes, that's not a good sign. It means your career's coming toMichael Burger:An edge. Yeah. Veteran was not a compliment. He'sMichael Jamin:Not a compliment.Michael Burger:I remember sitting, I had just turned 40 and I was sitting in an office with an executive at Tele Pictures, I believe it was, and I was sitting there with my agent, Richard Lawrence, who has since retired. I've outlasted my agent. That's not good. And this woman who's in charge of production says, look, Michael, I know who you are and we're fans, but here's the thing. Oh boy. She goes, we're going to hire the person that looks like the person we want watching us. Yeah. I went, well, okay, that can be a lot of things, but I can't be an 18 year old woman. Right. Yeah. Whatever the demo was, they were searching. So that stuck with me that there are things, there are times things you just can't change. I fit a certain demo and a seasoned host would be the category. And if that comes back then great. There's a show coming up this fall where they're bringing back the Bachelor, but it's called the Golden Bachelor. Have you heard about this? No. So it's the Bachelor produced by the same people, but it's for 60 and up. So the contestants will be 60 and up,Michael Jamin:Right.Michael Burger:Called the Golden Bachelor. Right Now the thought is, well, maybe people will value a more seasoned looking picture there, and maybe the host will come along with that. I don't know.Michael Jamin:So what do you know? Probably not. It's going to be hosted by a 20 year old.Michael Burger:It's going to, no, it's going to be hosted by the same guy that's doing the younger version. So I think they're getting it both ways. Right. They're going to get a younger host and an older demo. That's fine. You know, Saja stepping down with Wheel of Fortune that there's a lot of talk about who might slip in there. And that ranges from his daughter. Pat Sajak has a daughter that could certainly do it. Vanna could do it. Ryan Seacrest is, there's talk. Yeah, Whoopi said she wants it. Oh wow. Tom Bergson's name has been tossed around. Right. Mine's been tossed around, but it's tossing it. I'm tossing the name around.Michael Jamin:Yeah. Right. Hey, what about this guy?Michael Burger:I did Wheel of Fortune in Vegas. Harry Friedman, who produced it, right, came up with a live version of Wheel of Fortune. So back in 2000, we went to the M G M, they took over the lounge, which used to be Catch a Rising Star renamed at the Wheel of Fortune lounge, and you got a chance to come in. Oh wow. And play Wheel of Fortune and win prizes. Catch and prizes. So it was just like the TV show, but it was not airing, but it was live. Right. What made the show so fun is that unlike the TV show where you're screened for intelligence and the ability to play the game, this is a bingo ball that's pulled, and now you're on stage. So we have three contestants that could be, well, you name it. In this case, it was a woman who'd had a little bit, a guy who didn't speak the language, and it was as wild and as funny as you'd hoped it would be, because they didn't understand the concept and the letters, and some did didn't. We had this poor gal had the puzzle almost revealed, and the answer was cassette deck. And every letter was turned. Everything was revealed except the C. And she's staring at it and she goes a set deck. And the woman next to her goes cassette deck, you idiot turned her.Which you'd never see on tv, right?Michael Jamin:No.Michael Burger:Oh my God. Gosh, that was fun. We did a half a year of that right now. We did three shows a day for six months.Michael Jamin:And so it's the, it's interesting. Yeah. So it's about, I don't know. Ye
The original board game adventure "Jumanji" comes to the club. Comic Frank Lucero discusses it all with first time viewer and Host Comedian Steve Mazan. Is this one of Robiin Williams best? Who shined brightest in the supporting cast? Was the directing on point? Does the CGI hold up? Were the sequels better? All thes equestions and more get answered on this week's Mazan Movie Club Podcast. "Jumanji" on IMDb Home of the Mazan Movie Club Steve Mazan on Instagram Home of Corporate Comedian Steve Mazan
Where has Bonnie Hunt been? Holly's writing an article for Nicki Swift. Pepsi + ketchup? You can try it at Target Field on July 4th, section 113. An article about not having kids gives us pause. Pete Davidson checks self into rehab. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Where has Bonnie Hunt been? Holly's writing an article for Nicki Swift. Pepsi + ketchup? You can try it at Target Field on July 4th, section 113. An article about not having kids gives us pause. Pete Davidson checks self into rehab. Learn more about your ad choices. Visit megaphone.fm/adchoices
March 25-31, 1989 This week Ken welcomes old friend, new fan, writer (film blog www.film5000.com) and host/producer of The Brattle Film Podcast Ian Brownell. Ken and Ian discuss Siskel and Ebert, podcast heroes, movie freaks, the religion of cinema, growing up outside of New Bedford, Providence RI stations, growing up on a farm, not having cable, Evening Magazine, The Big Dan's Rape Trial, Big Pinball, The Accused, going to boarding school, Jim Henson, The Storyteller, The Jim Henson Hour, being obsessive, not being able to watch things out of order, how the magic is gone after the creator leaves, voice actors aging, A Muppet Family Christmas, only being moved to tears by television, having two VCRs, anthology shows, film directors moving to television, The Oscars, the first gay Oscars, the infamous Snow White opening, a hatred of LA, Drew Barrymore's substance abuse struggles, After School Specials, CBS Playhouse, 15 and Getting Straight, campaigning for yourself, Bob Hope's Easter Vacation in the Bahamas, Red Skies, Satan's Children, Easter, Star Trek Original Series, Ken Burns, The Golden Girls, Beyond Tomorrow, being a life long Saturday Night Life nerd, The Smithereens, Quantum Leap, It's Gary Shandling's Show, The Tracy Ulman Show, LGBQT representations on television, The Wire, Fringe, Rex Reed, Barbara Eden in Your Mother Wears Army Boots, Private Benjamin, Bonnie Hunt, how crazy it is that Ken gets to talk to and befriend his heroes, Barney Miller, Kate & Allie, Larraine Newman, Who's the Boss, Soap, Matlock, Roseanne, taping comedy specials off HBO, tornados, Anything But Love, Ann Magunson, My So-Called Life, Bess Armstrong, Barbara Walters, bad drawings of Nick Nolte, Cheers, Taxi, Friends, bad comedy, Family Ties, dumb characters, Scott Valentine, Unsolved Mysteries, how good spirited pranks make bad TV, and the legend of Dana Hersey's TV38 Movie Loft.
© 2020-2025 Ivy Podcast Discovery LLC
