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Last week, I got a text message from my friend Michelle, who works at the National Gallery of Art. “Lunch tomorrow or Thursday?” followed by “Come see the movie in Little Beasts. It starts at the top of every hour. I would love to discuss it with you.” Not only was Michelle one of the first people I met when I first visited DC in 2014, since then, she's become a close friend and the National Gallery has come to be my happy place in DC. In fact, some of the best art and photography shows I've ever seen, including Sally Mann: A Thousand Crossings (Catalog), Gordon Parks: The New Tide, 1940-1950 (Catalog), Outliers and American Vanguard Art (Catalog), The 70s Lens, and Mark Rothko: Paintings on Paper (Catalog), to name just a few, have all been at the National Gallery. I've also learned about artists I'd never heard of before, like Rachel Whiteread, Philip Guston, James Castle, and Elizabeth Catlett, among others. And in nearly every case, when I've had the chance to walk through a show with Michelle, through her knowledge and experience of art and materials, I've come away with a deeper understanding and a greater appreciation of the nuances of both art and artists.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
Whether it's a sheet of old plywood resting on a couple of sawhorses or a fastidiously crafted hardwood masterpiece, the workbench has long been the centerpiece of studios, workshops, garages, and maker spaces of all kinds.Of the many standout features of our house, I think I was most excited about the multiple basement spaces that I would be able to use as studios for the different things I do. The previous owners were makers — she was a painter and he was a woodworker whose wood shop occupied one of the basement spaces. When we bought our house in 2016, I remember telling Adrianne that I wanted to make one of the spaces my paint studio and that I would make some benches “on day one.” Well, day one didn't happen, nor did week one, month one, or year one. In fact, it's taken me nearly nine years to finally build benches for my studio. So what happened?See the photos I reference in this episode on Substack: The Ballad of the BenchesCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
The other day, I was going through my archive of work ahead of a website redesign, and I found a blog post that I wrote in 2014 that's sort of an homage to my all-time favorite camera and how after finally acquiring one, I couldn't bring myself to actually use it. Ten years later, I think the post is still relevant to how some photographers and artists have a tendency to fetishize the tools they use. I know that was me once. For what it's worth, I think photography is unique in that, because it's art and science, the potential proficiency of the craft often gets conflated with having the “right” gear. The irony is that it really is the purposeful practice of using our gear, whatever it is, that allows us to get better — to see better. I bought my first SLR in 1982 and I have enjoyed taking pictures ever since. Over the past 40+ years, I've used a bunch of different cameras and I've enjoyed almost all of them for different reasons. But the one thing that they have in common is the ability to look at the world through a viewfinder — and for me, that's where the marrow is. As convenient as it is to have an iPhone camera in my pocket that captures fantastic pictures, I love the restriction of a viewfinder and I always have. It lessens the visual noise of the world (to a greater or lesser degree depending on what lens I'm using, of course) and it allows me to practice seeing. In fact, it demands it, doesn't it? After all, you're only given a tiny swatch of the world, surrounded by black. What you put in that swatch is up to you, whether you're observing a scene or creating one from scratch. Photography allows us to impose a point of view on the world around us, or to build one from our imaginations that shows a world we want to see.See the photos I reference in this episode on Substack: It's Still Just a ToolCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
I love making things, whether that means making a conversation with someone or making a piece of art or writing, and getting to do that fairly unfettered is a massive privilege and it's not wasted on me. That said, it's okay to be disappointed in what you make — and maybe not disappointed with the end product itself, but in the reception or how it gets received. It's okay to be disappointed that other people don't love it as much as you do — because you poured yourself into it, so of course you love it. But then when you release it into the world and the world just shrugs, it's okay to be disappointed with that.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
NOTE: To see the photos that I reference in this episode, see the post on my Substack.On one of our recent morning walk and talks, a group of photographers and I were talking about how much worse Instagram has gotten over the past few years in terms of exposure and engagement. We all agreed that it seems like most photographers we've spoken to about it have very similar feedback. Subscribers, reach, and engagement are all a fraction of what they used to be. And the platform that was once all about sharing images no longer seems to care about images at all — instead they prioritize short-form video in a desperate attempt to compete with TikTok and YouTube. But in the process, I think the platform has lost its way and has just become a vapid mechanism to spoon-feed ads to users. To be clear, there are still a bunch of terrific artists and photographers on Instagram — which is the main reason I haven't left — but that's not what gets served up to me by the algorithm. Even the people I follow are in my feed less and less, which makes very little sense to me. I've told you “this is the work I'm interested in” and yet that's not what you give me. So the whole experience just keeps getting more and more disappointing — and we haven't even talked about the “Tech Bro” leadership, which is a whole other thing.One of the photographers in the conversation asked whether I'd tried Flickr as an alternative. I told him that I used to be pretty active on Flickr — especially when I was still teaching Photoshop — but honestly, I don't think I've logged in since 2017 or 2018 when SmugMug bought the platform. I said that I'd really been enjoying the upswing in artists and photographers on Substack so I hadn't really considered other alternatives, especially one that in my mind had been all but dead for years. Still, he encouraged me to give it a look and later that afternoon, I was kind of amazed to see that my old login credentials still worked. The homepage feed looks different than I remember it, which is probably a good thing. What surprised me the most is that when I clicked on “Photostream” in the “You” dropdown, I still had more than 300 photos that I was sure I had deleted, but I'm so glad that I didn't. It was amazing to see some of the things that I was focusing on from 2007-2011. Most of the photos are of architectural details, which I still love to photograph, but many of my photos from that time are street portraits and I remember the stories around every one of them.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
Reinvention is tough. Disrupting old patterns of beliefs or behaviors is tough. Even when we finally decide to disrupt the flow of familiarity, the fear of the unknown that awaits us can be paralyzing. I know that it has been for me. But one of the things that my therapist routinely encourages me to do is to sit with discomfort — to force myself to pause and breathe and stave off the instinct to move into “fight or flight” mode. In sitting with the discomfort or the pain or fear, we reduce its power and we might be more able to move through it to whatever is waiting on the other side. For me, I think that's the possibility of making more work that I find interesting, finding an audience that will value it, and becoming more connected with a broader community of artists and makers.LINKSBetter Than EzraKevin Griffin From Better Than Ezra Advice On SongwritingDo schools kill creativity? | Sir Ken Robinson | TEDKevin Griffin (Wikipedia)The Greatest Song by Kevin GriffinCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
Yesterday, Adrianne and I went out to one of favorite little coffee shops to have breakfast and spend the morning working. About an hour in, I had this urge to check Instagram, which I rarely do, especially lately. In fact, I haven't really done much online or on social media since the election — I actually leave my phone home more often than not — but for whatever reason, I stopped doing my Morning Pages and picked up my phone and checked Instagram. The first post I saw was a story from Wesley Verhoeve. It was a photo of my friend Pableaux Johnson with a caption that read, “Rest in peace, Pableaux Johnson. Beloved by so many, a true culture documentarian, and a New Orleans treasure.” I was stunned and, in the moment, I honestly didn't understand what I was reading. My first instinct was to respond to Wesley with, “Wait what? Pableaux is a friend of ours. What is this news?” Wesley responded, “He passed away. I'm sorry to bring you this news. I discovered it this morning from various other posts.” After a brief search, a story on on nola.com confirmed it with, “Beloved New Orleans photographer, foodie Pableaux Johnson dies after collapse at second line.” I just sat there in stunned silence as I felt my eyes well up with tears. Adrianne looked up and said, “What?” I just held up my phone so that she could see the story. “Oh, my God,” she said. “Is that real? What is that?” She grabbed her phone and began searching for confirmation.I re-watched Dead Poets Society recently and in learning about Pableaux's death, I was reminded of the first stanza of this poem which was featured in the film.To the Virgins, to Make Much of TimeBy Robert HerrickGather ye rose-buds while ye may,Old Time is still a-flying;And this same flower that smiles todayTomorrow will be dying.The glorious lamp of heaven, the sun,The higher he's a-getting,The sooner will his race be run,And nearer he's to setting.That age is best which is the first,When youth and blood are warmer;But being spent, the worse, and worstTimes still succeed the former.Then be not coy, but use your time,And while ye may, go marry;For having lost but once your prime,You may forever tarry.LINKSWesley VerhoevePableaux JohnsonBeloved New Orleans photographer, foodie Pableaux Johnson dies after collapse at second lineRed Beans Road ShowShare Your Favorite Memories of Pableaux JohnsonCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
I've held off on posting this Iteration because I just didn't feel like it was that important in light of what's happening in California. But after some reflection, I actually think that it is important, because art and making are still important. Hope is important. Helping people to feel just a little less alone and trying to connect with them wherever that may be is important and it's what I try to do with these Iterations. I write about my thoughts and experiences in the hope that it may help you navigate your own.LINKSAmerican Red CrossThe Los Angeles Regional Food BankThe Animal Wellness FoundationThe California Fire FoundationDark MatterLabyrinthBlake CrouchApple TV+Texas Shakespeare FestivalAlabama Shakespeare FestivalCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
I don't know about you, but this is by far my least favorite time of year. It really starts around Thanksgiving, but this stretch between Christmas and New Year's Day is particularly brutal — and it's not just because I spent the first 48 years of my life in Southern California and still haven't gotten used to the cold of the East Coast, but yes that. And it's not just that I've lost both of my parents and Christmas has never been quite the same, but that's part of it too. It's more that I find it extraordinarily difficult just to be present. I feel caught between looking back on the previous 12 months and looking ahead to what I would like to do differently (or better) in the year ahead (but in all likelihood won't, at least not to the degree that I tend to expect from myself). I suspect that I'm not alone in at least some of this. When I shared this with a friend, they responded, “Yeah, I feel the same way. But also the feeling and fear of the inevitable sameness as the previous year(s).”CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
A few weeks ago, I took the train down to DC to meet up with my friend Richard Boutwell to walk through a show at the National Gallery called The '70s Lens. The show features the work of a bunch of fantastic photographers, many of whom I'd never heard of, and that was one of the reasons I wanted to go through it with him. Richard is a terrific photographer who specializes in western landscapes, mostly New Mexico, Arizona, and California. In fact, for years his grandfather was a park ranger in Joshua Tree, so he knows the park like the back of his hand. But as talented as he is behind the camera, he's an even better printer. Richard has probably forgotten more about printing — both in the darkroom and digitally — than I will ever know. On top of that, he's got an almost encyclopedic knowledge of photographers. As we were walking through the show, he was telling me all about this picture and that — why they are considered important, and in some cases, how the various photographers influenced each other's work. It was similar to walking through exhibits with my friend Michelle — who is a paper conservator at the gallery — in that the additional context helps me connect with the work in a different and often deeper way.LINKSRichard BoutwellThe '70s LensHollyland wireless micsDavid Bowie: Full Interview (1995) | MTV NewsOTP (episodes 177 and 352)CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
Recently, I picked up a copy of Barry Lyndon on Blu-ray. It's one of those movies that I've had on my watchlist forever, but for whatever reason it just kept slipping through the cracks. As I was researching some of the other Criterion movies I was thinking about picking up, I saw a story about Google's new AI-integrated NotebookLM and decided to try an experiment to see what (if any) insights AI might have to offer around Barry Lyndon. The results were both exciting and a little terrifying.LINKSThe Criterion CollectionNotebookLMTechnically awesome, emotionally distant — Kubrick movie review (1975)YouTube search results for "Barry Lyndon"Making Barry LyndonHow Kubrick Achieved the Beautiful Cinematography of Barry LyndonAchieving Perfection - The Cinematography of Barry LyndonBarry Lyndon - Stanley Kubrick's Meticulous Editing Process (Behind the Scenes)CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
Saturday night, Adrianne and I spent the evening at the home of our neighbors Raj and Trupti helping them, along with about 60 other friends and family members, celebrate Diwali, which is the Hindu festival of lights. It's hard to explain how incredible it felt not just to be invited into their home again, but to feel so welcomed by the other guests and to get the opportunity to participate in an event that is a deeply meaningful part of their culture.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
On Saturday, Adrianne and I took an impromptu trip into DC after seeing an interesting post pop up in my Instagram feed. The post was about an open studio event at the 52 O Street Artist Studios, which is a four-floor building that features “50+ Artists & Creative Businesses.” I've loved visiting artists' spaces for years. When I was still living in California, I would regularly go to The Brewery Arts Complex for their open studio art walks, which were always fantastic. The Brewery is the largest live-work arts complex in the world, and for me the “live-work” aspect is really what sets it apart. There's a similar complex in Alexandria, Virginia, called the Torpedo Factory that I also enjoy going to, but it's a very different experience than The Brewery was. The artists only work at the Torpedo Factory and I think the fact that the artists at The Brewery work and live in the same space gives you a deeper insight into who they are beyond simply seeing the work. That additional context can make an enormous difference in how or how deeply I connect with the work.LINKS52 O Street Artist StudiosThe Brewery Arts ComplexTorpedo FactoryDave LefnerDC Arts StudiosDeep NatterProcess DrivenCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
What you're hearing (if you're listening, rather than reading this) are the sounds of me unboxing a new keyboard — specifically, an Apple A1048, commonly known as simply the Apple Keyboard. What makes this keyboard especially interesting to me is the period of time in my life that it reminds me of — that and the fact that this particular keyboard has been sitting unopened and unused in a box in central California since 2003. I found it on shopgoodwill.com, where it was listed in “new or gently used” condition. When it arrived, I was pleasantly surprised to see that not only was it in the original box — which wasn't mentioned in the description — but it was also in the original unopened plastic packaging. The last “new” thing I bought on Goodwill was a Starbucks Barista espresso machine to replace my Saeco Via Venezia that finally gave up the ghost after more than 19 years of daily service and literally thousands of shots of espresso. And just like the keyboard, the Barista was unopened and unused, still in the original box, neither of which were mentioned in the description.QUESTIONSWhat are some of your favorite or most meaningful objects?Hit reply, leave a comment, or email me at talkback@jefferysaddoris.com.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
Last week, I released a video review of a new book from Prestel about Gregory Crewdson. It was significant for me, not just because Gregory is one of my photographic heroes — although yes, that is part of it — but because it was the first project I've done in quite a while that was really just for me. I've been on a bit of a “creative hiatus” for the better part of a year and I've only done a few videos before this. So more than anything, I wanted to see if I could pull it off and have it be interesting and feel like me, rather than just another YouTube photo book flip-through. And before I get too far into this, I want to thank Andy Adams at FlakPhoto, without whom it may not have even happened. Andy is a good guy and if you're at all interested in photography, he's well worth a follow.A few months ago I started seeing a new therapist, and part of what we've been working on is something called Somatic Therapy, which I'll include a couple links to in the notes if you'd like to learn more about it. Basically, somatic therapy focuses on the body and how emotions such as trauma and anxiety manifest as physical sensations. When I'm sharing a particular story or experience, my therapist will sometimes interrupt me and ask me to focus on how it feels to talk about or relive the experience — and not emotionally or existentially, but physically. It's been fascinating to start noticing changes in my breath or heart rate or feel tension start to develop in my hands and shoulders when I'm sharing something disturbing or painful. On the other side, and this is where the video fits in, we're working on identifying objects, memories, and pursuits and activities that give me joy or pleasure and naming or defining what those things feel like.LINKSGregory Crewdson video reviewWhat is Somatic Therapy?Somatic Experiencing TherapyThe Difference Between Reacting and RespondingWhat is Internal Family Systems?CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
This is the audio track from my video review, which I encourage you to watch on YouTube or read on Substack.In a new book from Prestel, simply titled Gregory Crewdson, editor Walter Moser — the head of the department of photography at the ALBERTINA in Vienna — has curated a selection of images from all of Crewdson's major bodies of work. Prestel was kind enough to send me a copy for review and I couldn't be more thrilled to talk about it...LINKSGregory Crewdson - ALBERTINA modernMaking EveningsideThere But Not There - Gregory Crewdson DocumentaryCrewdson Trail LogBeneath the Roses - Crewdson Trail LogDream House Archive - New York Times MagazineGregory Crewdson on Process DrivenDavid Fincher - Invisible DetailsCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
Last week, I gave myself permission to do something that was a: pretty far outside of my comfort zone and b: completely unnecessary. If you read or listened to my last Iteration, you know I've been wanting an Elektron Digitakt for years, but would never allow myself to get one. Well, they say that fortune favors the bold, so I finally took the plunge and bought one. I had been lurking in the classified listings on Reverb for months, favoriting “mint” condition Digitakts, only to watch them sell to everyone but me. A couple weeks ago, a new listing popped up that caught my eye because the device appeared to be brand new. I reached out to the retailer — a music store in Tulsa — and asked about it. The owner got back to me the next day and said that it had never been taken out of the box, so I clicked the “Buy Now” button and eagerly awaited its arrival.WATCH THE VIDEOLINKSElektron ReverbCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
Sunday was my birthday and as I begin my 58th trip around the sun, I've been reflecting on some of the things I've learned over the past half-century or so. I'm not talking about skills per se, though I have racked up a fairly impressive list. I think one of the things that has both helped the most while also being the most frustrating is the realization that in the vast majority of cases, control is an illusion. And when I say control, that could mean a job, our health, the art we make, almost anything — and a few things have happened recently that have really solidified that for me.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
I've been thinking about something for a while and I'm not sure whether or not it'll land, but I'd like to try stringing together a few ideas. I think it's time for us to embrace being self-centered, but not in the way that you might think. Typically, when we refer to someone as “self-centered” it's not a compliment. It often refers to someone who is egotistical and only thinks about themselves or whose only concerns are their own wants, needs, or even interests. But I think there are ways we can reframe the idea of being self-centered as a positive instead of a negative.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
Whether you call it a slump, a funk, a downturn, a slowdown, a struggle, a breakdown, a nosedive, a stall, a meltdown, a plunge, or just stagnation, I've been in one for a while. While I have multiple journals that are dappled with notes, sketches, and the beginnings of ideas, I haven't actually recorded a new show or finished a new painting in months. Even this newsletter has taken a hit on consistency after more than 130 weekly entries. I know the situation will come back online — or at least I believe that it will — but at the moment, my normally overflowing trough of creativity is experiencing a bit of a drought. And here's the thing — I know that I'm not alone in feeling this way. I've talked with a number of people who are experiencing if not the same thing, something very similar — and it's not just people who identify as “creatives.” There seems to be a common feeling that we're on existentially shaky ground or in unfamiliar territory and we feel like even the few things we thought we had some control or agency over are slipping. I know that's true for me and for several of my friends. Maybe it's also true for you.QUESTIONSHave you ever come back to a creative pursuit that you previously stepped away from? How did it go?Hit reply, leave a comment, or email me at talkback@jefferysaddoris.com.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
For the past few weeks, maybe even the past month or so, I've been on sort of an Ethan Hawke deep dive. I like Ethan Hawke as an actor and while I haven't seen everything he's ever done, I really like Training Day and I would probably put Dead Poets Society and Gattaca in my top 20 — actually, maybe top 30. I know some people find him pretentious, but whenever I've seen him interviewed, he always seemed like a good guy. A few years ago, he did a TED Talk called Give Yourself Permission to be Creative that popped up in my feed recently, and watching it again reminded me how much I resonate with a lot of the same ideas he has about creativity. For example, one of the first things he says in the talk is “…a lot of people really struggle to give themselves permission to be creative, and reasonably so, we're all a little suspect of our own talent.” I think we've all felt the same way at one point or another in our lives. I know I have. Whether it's Imposter Syndrome or the nagging voice of Resistance, occasionally doubting our own talents and gifts seems to be par for the course when trying to live a creative life — and that's before we even get to purpose, which is a completely different animal.If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I'd love to know why. Email me at talkback@jefferysaddoris.com.LINKSGive Yourself Permission to be Creative | Ethan Hawke | TEDMaya and Ethan Hawke's Closet PicksIn the Screening Room with Ethan Hawke and Maya HawkeWhat No One Told Ethan Hawke About Being FamousHow Ethan Hawke Ended Up In Taylor Swift's New Music VideoCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.
The other day I was on the phone with my friend Neale James and we were talking about a recent episode of his podcast The Photowalk, on which he was talking to our mutual friend Sean Tucker about creativity. “I invite you,” Neale begins the episode, “to imagine a five-pointed star. Now on each point of the star, I'd like you to think of a word that's important to you in terms of creativity or your creativity. Each is a kind of cornerstone of the why and even how you create as of today.” As an aside, if you're not listening to Neale's show, you really should give it a try. Neale is a terrific host and his episodes are masterclasses in audio production and atmosphere. Anyway, as we were talking about his episode with Sean, he asked what the points on my creative star might be. On one hand, “why do you create?” is a deceptively simple question that many of us spend inordinate amounts of time wrestling with — at least I do. I think that Neale's clever addition “as of today” gives us a little wiggle room and leaves the possibility open that these five terms don't have to define our making for all eternity, but rather just for now. It's one of the reasons that I love this as an exercise. While the creative process itself is important, I think that checking in with ourselves around why we create is equally valuable — maybe even more so because it allows us to square what we're making against why we're making it.QUESTIONSWhat are some of the points on your creative star?If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I'd love to know why. Email me at talkback@jefferysaddoris.com.LINKSMy archive of paintingsDorothy Simpson KrauseinkAIDFather Bill MooreShepard FaireyCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
If you've been subscribed for a while, you probably know I'm a big Nine Inch Nails fan and have been since 1990 when I saw them open up for Peter Murphy. The other day, I was watching a terrific video with Trent Reznor and Atticus Ross breaking down some of their most iconic tracks. One of the more fascinating aspects of the video was how much Trent talks about process and how important the “feel” of the music was and still is. “When we write music,” Trent says, “it's coming from a place where its main intent is to have you feel a certain way. It's not coming from a love of melody and a joy of intricate chord progressions or technical wizardry.”I love this because he's not just chasing easy likes or trying to impress the audience. Instead he's focusing on how the work serves the overall project and on the relationship between the work and the audience. It's not a “look at me” type of thing, like a gratuitous guitar solo or a vocalist who takes every opportunity to sing an unnecessary run. That's not the point, which I think speaks to a level of creative maturity that's important to cultivate as any kind of artist. If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I'd love to know why. Email me at talkback@jefferysaddoris.com.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
Last week, we recorded the last episode of On Taking Pictures. If you're a longtime listener, you may think you've heard this before, and you're right, you have. But this time it's different. I'll get to why in a minute, but first I need to back up. In 2008, I was teaching Photoshop at Tri-Community Photo in Covina, California. One of the other instructors and I started doing photo walks with some of the students on the weekends. As they got more popular, we put up a simple web page called Faded & Blurred that had details about the upcoming walks. It pretty quickly evolved into a full-blown site, complete with a blog, spotlights on some of our favorite photographers, and a podcast called Q&A@F&B, which was a series of long-form conversations with photographers who were willing to sit down with me for an hour and talk about their work. In addition to getting to talk with photographers like John Keatley, David duChemin, and Ibarionex Perello, I also spoke with Bill Wadman for the first time. Bill and I hit it off straight away, and in 2012, when he was thinking about doing a weekly photography podcast, he started auditioning potential co-hosts. He reached out to me and asked if I'd be interested. I said sure, and my audition ended up being the first episode of OTP. For the next 6 years and 325 episodes, my Tuesday mornings were spent recording the show, with me in Rancho Cucamonga, California—at least to start—and Bill in Brooklyn, New York.If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I'd love to know why. Email me at talkback@jefferysaddoris.com.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
The artist Richard Serra died recently, and I know he's considered a big deal in the art world, but honestly I've never really gotten what all the hype is about. I suppose I can appreciate the scale and the forms of some of the work in the same way that I can appreciate the architecture of Frank Gehry, but overall, it just never really grabbed me. Anyway, one of the posts that came up in my feed contained a quote by him that goes:“Art for the most part, is about concentration, solitude and determination. It's really not about other people's needs and assumptions. I'm not interested in the notion that art serves something. Art is useless, not useful.”LINKSConversation with an Artist: Richard SerraRichard Serra - Talk with Charlie Rose (2001)Richard Serra on his Drawing (2011)If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I'd love to know why. Email me at talkback@jefferysaddoris.com.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
After recording last week's episode of On Taking Pictures, Bill sent me a link to a video that's both fascinating and deeply disturbing, called “AI vs Artists: The Biggest Art Heist in History.” The video presents some of the grim facts around how images, including the 5.85 billion uncurated images in the LAION-5B dataset, are being illegally scraped and used to generate derivative work. The dataset was initially intended for research but has since been made available commercially and has been used to train AI models, including MidJourney and Stable Diffusion. While it does contain images from the public domain, it also contains millions of copyrighted images, as well as explicit content. As they say in the video, no consent was obtained, nor were artists given the opportunity to opt in or opt out—and this is really at the core of why so many artists whose work has been stolen are so upset.LINKSJuxtapoz articleWolfe von LenkiewiczAI algorithmsDiscussion on ThreadsGagosianIf you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I'd love to know why. Email me at talkback@jefferysaddoris.com.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
About a week ago, I jumped back into using Photoshop for the first time since 2018 and I've got to tell you, it was kind of like putting on a favorite pair of jeans. Yes, the interface has changed a little and a bunch of terrific new tools have been added—especially Object Select, which I'll come back to in a minute. But even after such a long hiatus, it was still so familiar that straight away it got me thinking about why I stopped using it, and in a broader sense, about some of the decisions we make around the tools we use.If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I'd love to know why. Email me at talkback@jefferysaddoris.com.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
I started this Iteration on February 29th—Leap Day—and for me it was a good day, which, frankly, I really needed. In the last Iteration, I talked about how difficult 2023 was for me and in the week or so since I shared it a lot has happened. Probably the biggest thing is that I've started going to therapy. I've danced around it for a long time and I think it just got to a point where I could no longer keep pretending that everything was okay—that I was okay— and that whatever was “wrong” with me, I could either fix it or just keep pushing it down. Neither of which is true, of course.If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I'd love to know why. Email me at talkback@jefferysaddoris.com.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
I'm not going to bury the lede—2023 was not a great year for me, especially financially. In fact, I think it was one of the worst years I've had since I became a solo creative, and for the most part, it was nobody's fault but mine. One of my favorite movies is High Fidelity (get the book here) and in it, there's a scene where Rob (played by John Cusack) is going through a particularly frustrating time and says, “I'm sick of the sight of this place. Some days I'm afraid I'll go berserk, throw the "Country A through K" rack out on the street and go work at a Virgin Megastore and never come back.” I can definitely relate to that and it's kind of where I was at the end of 2022. But I thought I would give it one more year to see whether I could come up with some new ideas and new work and maybe figure out a way to navigate the changing landscape of trying to eke out at least a partial living by being creative. And I know that phrase “being creative” is pretty loaded and it means different things to different people. For me, by and large it means painting, writing, and podcasting, or some combination of the three. Photography is in there somewhere too, but I'm still not really sure where.If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I'd love to know why. Email me at talkback@jefferysaddoris.com.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
Today is February 5th and it would have been my dad's 83rd birthday. I normally mark the day by posting a simple message like “I miss you, Dad” on Instagram or Twitter, when Twitter was still a thing and I was still on it. Today, I want to do something a little different and tell you a story. My dad could be tough and for a big part of my adolescent life, we butted heads. A lot. At one point, it got pretty bad and we actually didn't talk for a while. It seemed like we were often at odds with one another about something, but maybe that's just how I need to remember it. When he got sick, we got another chance to get good and let all of the things that once seemed so important just melt away. As heartbreaking as it was to see him deteriorate like he did, I really am grateful for the time that it allowed us to spend together. We managed to get to a place where we respected each other, not just as men, but as father and son. We spent a lot of time on the front porch—often in silence. We watched a lot of westerns and we talked about some of the things that went unspoken for decades. It wasn't perfect, but it was good. I was holding his hand when he died in 2013 and while I was extraordinarily sad, when he took his last breath I was also grateful. He had fought as hard as he could for as long as he could, but now his pain was over and he could finally rest.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
A couple weeks ago, I finally bought a set of wireless mics. I had been wanting and maybe even needing a set for a long time as a way to record the random conversations I seem to have with people out in the world on any given day. I'd been looking at them for a while, but I saw a review that Curtis Judd did—who was one of my favorite audio YouTubers—and I thought, “I'm just gonna get these. They'll be fine.” I had been going back-and-forth between the Røde Wireless Go IIs and the DJI Mics and then saw these Hollylands and thought, “You know what? I'm just gonna get them. The reviews are great (but specifically because I trusted Curtis).” So I bought them and they were just packaged so well and the design of the packaging was so well thought out—and borderline meticulous—that I decided I needed to do a video about it and talk about why those kinds of details are important—at least important to me.LINKSMy video “unboxing” of the Hollyland Lark Max micsHollyland Lark Max - 2-Person Wireless MicrophoneCurtis Judd - Hollyland Lark Max ReviewCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
If you've spent any time around me at all, you know that I have opinions—lots of them—and I have since I was a kid. Sometimes when I would offer my unsolicited thoughts on various things, my mom would respond with “Oh, there he is…my little critic.” The thing is it's not just criticism. Not always, anyway. More often than I generally care to admit, I find myself feeling personally offended, either by the design or functionality of a product or service or by someone—whether I know them or not—who simply doesn't do something the way I think that it should be done. And to be clear, it's not that I think that I'm better as much as I think that the way I do certain things is. I'm not right all the time and I have no problem admitting that. But when I am and I think that you're not, I'll happily tell you. I think it's something I inherited from my dad—or maybe it's a trait of undiagnosed neurodivergence. Either way, while I think I've gotten better about not being so critical (at least publicly), letting go of the behavior can be a mixed bag.LINKSSean TuckerThe Meaning in the MakingThe Man in the ArenaSimon SinekStart with WhyCONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
Well here we are again, nearing the end of one more trip around the sun and I for one cannot wait for it to be over. Christmas used to be my favorite time of year, but that was really because of my mom. She would start decorating the house around Thanksgiving, and when I say decorating, I don't just mean putting up lights—our house looked and smelled like a Hallmark store. Yes, there were lights, but she also had all sorts of ornaments, figurines, and little holiday town squares and villages. She wrapped or swagged garland everywhere she could, displayed her favorite Christmas cards from years past, and sometimes you could barely see the actual Christmas tree because it was absolutely covered with lights, decorations, and tinsel. Lots of tinsel.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app.MUSICMusic For Workplaces by Jeffery Saddoris
Back in the late 70s, there was a terrific documentary on the BBC called Connections. It was hosted by historian and author James Burke and now that I think about it, I don't remember whether I watched it on PBS or I borrowed VHS copies of it from my freshman English teacher, Mrs. Copeland who also loaned out copies of Cosmos. And to be clear, I'm talking about the Carl Sagan version, not the Neil Degrasse Tyson version. Regardless, the show was all about tracing the connections between things that on the surface share nothing in common. I found it fascinating and I think it inspired me to start looking deeper at the world around me to try to see how things might be related.CONNECT WITH MEWebsite: https://jefferysaddoris.com Instagram: @jefferysaddorisSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app.MUSICMusic For Workplaces by Jeffery Saddoris
As we get into this Iteration, I'd like to take a minute to let you know about some changes that I'm working on that will be rolling out in the coming weeks and months. Iterations will still be weekly (mostly), but I'm going to mix up the types of posts I'll be including and treat it more like an old-school blog. For example, you may have noticed that the Blips have been getting more substantial in terms of the research I do and the number of links I include. They started out as a just few links to things that I saw or found interesting during the previous week and have been evolving into something more comprehensive and hopefully more interesting and inspiring for you. Moving forward, they'll still be part of their own section on Substack, but I'm going to lose the word “Blip” and the number in the naming convention of the titles to alleviate any potential confusion that comes with having Blip number 47 alongside Iteration number 124. I'm also going to be adding reviews into the mix—and that could mean books, movies, music, or the tools I use (like cameras or my favorite pencils)—so file numbering will be even more unnecessary. As you might expect, they'll also typically include some sort of backstory and lots of links for you to explore. The more “existential” essays (like last week's Learn to Love the Process) will continue, but won't be quite as frequent.CONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
Over the past few days, the photography world has been buzzing about the “global shutter” on Sony's new flagship A9 III. I've listened to various YouTubers andinfluencers talk about it as if it's the second coming. They're saying “it's the most remarkable camera I've ever used” and calling it a “a game changer,” insisting that “it will change photography forever.” But here's the thing: for 99% of photographers, it won't change anything. If this is all Greek to you, let me back up a minute and briefly explain what a global shutter is—and I promise that this Iteration is not just about photography.CONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
They say that one of the best ways to solve a problem—at least a creative one—is actually not to think abut it. After all, how many times have you been doing something like taking a shower or going for a long walk and you find yourself having one of those eureka moments where suddenly the solution to a problem you've been wrestling with forever seems so clear? It happens to me a lot and it's one of the reasons that taking walks in the forest behind our house has become a daily ritual. Trying to be present in something other than active problem solving allows our brains to continue working in the background without us trying to consciously force a solution. The act of stepping away from a problem is called the “incubation period” and it's been studied for decades. In his book The Art of Thought, Graham Wallas proposed that the creative process is made up of four stages: Preparation (the acquisition of knowledge to some task), Incubation (the background process that occurs when conscious attention is diverted away from the task), Illumination (the moment the creative idea flashes into sight or being), and Verification (when the creative idea is subjected to evaluation)." While there have been dozens of studies documenting and validating the importance and effectiveness of the incubation period, last week I experienced another example of it firsthand.CONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
As I was working through the recent redesign of my website—which you can read about or listen to in the last Iteration—I started to look at some of the other software I was using to see whether what I was using still made sense for the projects I'll be doing in the coming year. I think it's sometimes easy to get into a routine of using tools that are “good enough” that we just don't look for potentially better options. I know that's been true for me. About eight years ago, I ditched Photoshop completely and started using the Affinity suite of Photo, Designer, and Publisher, which by and large have been great. There are a few features I miss, but nothing that's really kept me from doing the work that I needed to do. CONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
Last week I did a soft-launch of my newly redesigned website, which in an of itself isn't all that unique since I've resigned my website dozens of times over the years. What is unique—or at least different—is the overall focus of the site and the process I went through putting it together this time around. I started by asking myself a relatively simple question: do I even need a website? The most common answer is “Yes, of course,” which is often followed by “especially because you're an artist.” But I actually know quite a few “creatives” who don't have their own websites. Some rely on a strong social media presence, some have gallery representation that drives sales of originals or prints, and others just have a storefront, so that a dedicated personal site isn't really necessary. CONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
Next month is the tenth anniversary of my dad's death, so naturally I've been thinking about him a lot. Last year, I completely forgot about it, which I tried to tell myself was actually healthy, but I just ended up feeling guilty about forgetting. If you've been following me for a while, or you're an OTP listener, you know that my relationship with my dad was often difficult, to say the least. But as I've been thinking about him lately and how I've talked about our relationship in the past, I feel like maybe I've been a little incomplete in how I've portrayed him. I loved my dad, no matter how close or how far we were in the moment, and the truth is that he's just as responsible for my creativity and to an extent my curiosity as my mom and my stepmother were.CONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
Lately, I've been thinking a lot about inertia and motion and how it applies to my creative practice. We know that Newton's First Law of Motion says that an object in motion tends to stay in motion unless some sort of external force acts against it. Conversely, an object at rest will tend to stay at rest. But I would argue that the Fist Law also applies to intangibles like thoughts and ideas. For example, this week has flown by. Actually, the past couple of weeks have and I think it's because I've been working through so many ideas and potential projects—and I've been working on them differently than I have in the past, which I think is what's making all the difference. And to be clear, when I say “working,” sometimes that means just letting an idea go until it needs to be addressed. For some things that means now, but for others, that may mean next year. CONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
Are you overwhelmed? Do you ever get overwhelmed? Man, I do. All the time. My brain is always on and processing—either trying to process existing ideas or trying to figure out where to put all of the new ones that I haven't had time to really think about. And it doesn't stop. It's all day, every day. There's always a bunch of potential somethings bouncing around my head. And let me be clear—I love it and I'm grateful for it, but it is overwhelming and exhausting trying to keep track of it all and figure out where to put all of those ideas.CONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
I'm still not quite 100% myself, but I wanted to share a quick update. Yesterday was day 12 since testing positive for COVID, and it was the first day that I finally tested negative. Both Adrianne and I had very mild cases, especially compared to some of our friends and family members who really had a it bad. I had a temperature of 100.8 for one day and, other than feeling fatigued and brain fogged for the past week or so, that was pretty much it. Adrianne had it a little worse than me, but not much. The most frustrating part was continuing to test positive for days after the symptoms had subsided. And according to the latest from the CDC, you can continue to test positive for 90 days.CONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
I know I'm a little late on this Iteration and I apologize for that. As you can hear, my voice doesn't sound the way it normally does and maybe that's a good thing. Maybe it sounds better.In the Iteration I was going to do, I was going to talk about finding that thing you live for, that thing that you love, that thing that lights you up. But I have to postpone it because I'm just having a hell of a time stringing two thoughts together. Even going through this right now, I'm live without a net, as it were. I don't have a script or any outline like I normally would have when I record one of these. For this one, all I have is COVID and apparently have had it since sometime over the weekend—and let me tell you, it is not fun. Don't listen to all of those stories telling you how great it is and how all the cool kids are getting it. It's a lie. I've been vaxxed and vaxxed again boosted and, you know, while all of that probably means that it's much less severe and means that the odds of me needing to go the hospital are much less, it still sucks.CONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
This Iteration was going to be about some of my recent musical explorations into things like VCV Rack and the Arturia MiniFreak (which I may actually end up selling), but instead I'd like to share a recent story with you that sort of blew my mind.CONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
When I was a kid, one of the things I would look forward to every year was going to the fair. The LA County Fair was massive and in elementary school we always got free tickets—I think they were stapled to our report cards, but I could be wrong. Although I moved around a lot as a kid, it seemed like we never lived very far from the fairgrounds, which are right next to the Pomona Raceway. My dad would take us there to watch the NHRA Winternationals every year and see people like “Big Daddy” Don Garlits and Don “The Snake” Prudhomme drive like bats out of hell down the 1/4 mile. I remember reading that at one point the LA County Fair was the largest county fair in the nation, but I don't know if that's still true. That said, to a 10-year-old, it was huge. QUESTIONSWhat's your favorite part of your creative process?Do you give that part of your process the time it deserves?Email me at talkback@jefferysaddoris.comLINKSSanta Anita Montgomery County Agricultural FairMaryland State FairOlympus EM1 MkII12-40mm f/2.8 Pro lensJerry UelsmannBob BurridgeCONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
Over the weekend, Adrianne and I watched a fantastic new documentary by Anton Corbijn called Squaring the Circle. It's about Hipgnosis, the legendary design agency in London formed in the late 1960s by Storm Thorgerson and Aubrey Powell, or “Po” to his friends. I knew I was going to love it before I even saw the trailer because so much of their work has been etched into my brain over the past four decades of my life. The work they did for Pink Floyd alone would have made them industry icons, but they also worked with Led Zeppelin, Paul McCartney, T Rex, Yes, Genesis, 10cc, and a ton of other bands over the course of their 15-year run.LINKSSquaring the Circle (The Story of Hipgnosis) | Official Red Band Trailer | UtopiaAnton Corbijn on Squaring the Circle, Hipgnosis, Album Covers & Kurt CobainCategory:Album covers by HipgnosisStorm Thorgerson | Designing The ImpossibleStorm Thorgerson, Pt. 1Storm Thorgerson, Pt. 2CONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
I've come to the conclusion that I can no longer care what you think about my work. And it's not that I don't care about you as an audience, but if I'm worried about you liking what I make while I'm still making it or even in deciding what to make, I'm not putting 100% of myself into it. By not caring what you think, I get to put 100% of my ideas, my skills, and my experience—not to mention effort—into what I'm doing, and ultimately that's better for everyone.LINKSKate BushThe Kick Inside22 consecutive dates at the Hammersmith ApolloCONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
I've hesitated to really talk much about AI, mostly because I've been on the fence about whether I think it's got the potential to save us or destroy us, and depending on who and what you read, it seems like it's 50/50 either way. It's just too soon to tell and I think these technologies are being adopted so quickly that we haven't given ourselves enough time to think about the ramifications or the potential. Instead, everyone is rushing to become an armchair expert so they can monetize it into oblivion before they even understand it. Honestly, a lot of the talk around AI feels like a YouTube short that promises to teach you how to make thousands of dollars a month from affiliate marketing and drop shipping. Still, some of the image generation tools are interesting and I've been wondering whether or not there's a place for AI in my creative workflow. I know there are a ton of legal and even moral and ethical questions that I still need to sort out for myself, but for the purposes of this Iteration, I'm going to put those aside and just focus on the tools themselves.LINKSStable DiffusionMidJourneyMidJourney TimelineCONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
I know we're only a little over the halfway mark, but if I could recommend one book as my “must read” of 2023, it would be Rick Rubin's The Creative Act: A Way of Seeing, despite the fact that I haven't actually read it from cover to cover. Let me explain. I started to read it from the beginning but within just a few sentences, I knew it was going to be more of a reference book than a “read it once and move on” kind of book. So I just leave it on my desk and whenever I need a creative boost or a little blast of existential insight, I'll pick it up and flip to a random page and read for a bit. Sometimes I flip to something new, while other times I end up reading something I've read before, which I think is a perfectly reasonable solution given the often-esoteric tone of the wisdom contained within it. My mom used to say, “you're not ready to hear until you're ready to hear it,” which is really a variation on the adage “when the student is ready, the teacher will appear.” That's exactly what makes this a book that begs a second (or third or even fourth) reading.LINKSI Almost Quit, Then I Read Rick Rubin's BookThe Creative Act: A Way of Being by Rick RubinRick Rubin in conversation with Dr. Rangan Chatterjee
This is my eighth summer living on the East Coast and aside from the heat, I am still not used to the humidity. Actually, I don't think I ever will be. I spent the first 48 years of my life living in Southern California and starting when I was about 4 until probably my freshman year in college, I spent most of my summers in Arizona, which was hot but not humid. The landscape and the people left an indelible impression on me and though I can't see myself ever going back—at least to live—I'll always be more drawn to and more at home in the desolate beauty of Arizona and the American West.LINKS152° at Persian Gulf International AirportBuckskin Mountain State ParkParker DamParker, ArizonaLake HavasuLondon BridgeThe Spy Who Loved MeWetbike CONNECT WITH MEWebsite: https://jefferysaddoris.com Twitter: @jefferysaddoris Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris
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