Podcast appearances and mentions of Gregory Crewdson

As a novelist, Jonathan Lethem is basically a genre all his own. His books mash up literary fiction and pulp into disorienting but engaging combinations, for which he's won both a MacArthur Grant and the National Book Award. Since the success of Motherless Brooklyn in 1999, he's published many very well received novels—including The Fortress of Solitude in 2003 and Brooklyn Crime Novel, from last year—as well as many more short stories and essays for places including the New Yorker, Harper's and Rolling Stone. And it turns out he's written a lot about art too—enough in fact, to fill an entire volume. Cellophane Bricks: A Life in Visual Culture, published this summer by ZE Books, is its own type of unexpected hybrid of writing. It spans genres, containing short stories, essays, and criticism, as well as types of art, its essays hopping between his reverence for a Hans Holbein at the Frick and respect for the “scratchiti” artist Pray. Part of the joy of the book is Lethem's determinedly eclectic and personal taste, giving his attention to both names you know and obscure children's book authors or indie comics artists. Among other things, Cellophane Bricks offers Lethem's personal recollections of growing up around artists, including his father, painter Richard Lethem, in the grassroots alternative art world rooted in the collective spaces of a pre-gentrified Brooklyn. He also writes of the ethos of the graffiti-art world around his brother, Blake "KEO" Lethem. Aside from a spirit of unconventionality, the biographical material may seem to come from another world from the delirious and sometimes fantastic short fictions in the volume, mostly written for artist catalogues for the likes of Nan Goldin, Jim Shaw, and Fred Tomaselli and gathered here for the first time. However, these also embody an ethos that clearly relates to the communal creative scenes of his youth: Lethem insists on only offering short stories as catalogue contributions, paying with his art, while accepting only artworks in return as payment. There's more still to Cellophane Bricks: essays on what it means to live with art, and varied reflections on what art and literature, word and image, bring to each other. Introducing Lethem at an event recently at the Brooklyn Public Library, the art critic Dan Fox said that, as a novelist, Lethem had left the same kind of indelible mark on how people see Brooklyn that Warhol had on Manhattan. With Cellophane Bricks, he is leaving his imprint on the art world. A footnote for the future: The book is nicely illustrated with pictures of the eclectic work it describes, and next year, the art from Cellophane Bricks the basis for a show that will be at the Benton Museum of Art at Pomona College in Southern California. “Jonathan Lethem's Parallel Play: Contemporary Art and Art Writing” is described as “a chronicle of an author who roams among visual artists,” and ill feature art by Gregory Crewdson, Rosalyn Drexler, Charles Long, and others. Look out for it.

As a novelist, Jonathan Lethem is basically a genre all his own. His books mash up literary fiction and pulp into disorienting but engaging combinations, for which he's won both a MacArthur Grant and the National Book Award. Since the success of Motherless Brooklyn in 1999, he's published many very well received novels—including The Fortress of Solitude in 2003 and Brooklyn Crime Novel, from last year—as well as many more short stories and essays for places including the New Yorker, Harper's and Rolling Stone. And it turns out he's written a lot about art too—enough in fact, to fill an entire volume. Cellophane Bricks: A Life in Visual Culture, published this summer by ZE Books, is its own type of unexpected hybrid of writing. It spans genres, containing short stories, essays, and criticism, as well as types of art, its essays hopping between his reverence for a Hans Holbein at the Frick and respect for the “scratchiti” artist Pray. Part of the joy of the book is Lethem's determinedly eclectic and personal taste, giving his attention to both names you know and obscure children's book authors or indie comics artists. Among other things, Cellophane Bricks offers Lethem's personal recollections of growing up around artists, including his father, painter Richard Lethem, in the grassroots alternative art world rooted in the collective spaces of a pre-gentrified Brooklyn. He also writes of the ethos of the graffiti-art world around his brother, Blake "KEO" Lethem. Aside from a spirit of unconventionality, the biographical material may seem to come from another world from the delirious and sometimes fantastic short fictions in the volume, mostly written for artist catalogues for the likes of Nan Goldin, Jim Shaw, and Fred Tomaselli and gathered here for the first time. However, these also embody an ethos that clearly relates to the communal creative scenes of his youth: Lethem insists on only offering short stories as catalogue contributions, paying with his art, while accepting only artworks in return as payment. There's more still to Cellophane Bricks: essays on what it means to live with art, and varied reflections on what art and literature, word and image, bring to each other. Introducing Lethem at an event recently at the Brooklyn Public Library, the art critic Dan Fox said that, as a novelist, Lethem had left the same kind of indelible mark on how people see Brooklyn that Warhol had on Manhattan. With Cellophane Bricks, he is leaving his imprint on the art world. A footnote for the future: The book is nicely illustrated with pictures of the eclectic work it describes, and next year, the art from Cellophane Bricks the basis for a show that will be at the Benton Museum of Art at Pomona College in Southern California. “Jonathan Lethem's Parallel Play: Contemporary Art and Art Writing” is described as “a chronicle of an author who roams among visual artists,” and ill feature art by Gregory Crewdson, Rosalyn Drexler, Charles Long, and others. Look out for it.

Perhaps best known for his novels Motherless Brooklyn (1999), The Fortress of Solitude (2003), and Chronic City (2009)—or, more recently, Brooklyn Crime Novel (2023)—the author, essayist, and cultural critic Jonathan Lethem could be considered the ultimate modern-day Brooklyn bard, even if today he lives in California, where he's a professor of English and creative writing at Pomona College. His most celebrated books take place in Brooklyn, or in the case of Chronic City, on Manhattan's Upper East Side, and across his genre-spanning works of fiction, his narratives capture a profound sense of the rich chaos and wonder to be found in an urban existence. Lethem is also the author of several essay collections, including the newly published Cellophane Bricks: A Life in Visual Culture (ZE Books), which compiles much of his art writing from over the years written in response to—and often in exchange for—artworks by friends, including Gregory Crewdson, Nan Goldin, and Raymond Pettibon.On the episode, Lethem discusses his passion for book dedications; the time he spent with James Brown and Bob Dylan, respectively, when profiling them for Rolling Stone in the mid-aughts; how his work is, in part, a way of dealing with and healing from his mother's death in 1978, at age 36; and why he views his writing as “fundamentally commemorative.”Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Jonathan Lethem[5:35] Cellophane Bricks[5:35] High School of Music and Art[5:35] Motherless Brooklyn[5:35] The Fortress of Solitude[5:35] The Disappointment Artist[5:35] Maureen Linker[7:15] Carmen Fariña[8:26] Julia Jacquette[8:26] Rosalyn Drexler[9:08] The Great Gatsby[9:08] Brooklyn Crime Novel[10:59] Lynn Nottage[13:08] Bennington College[13:08] Bret Easton Ellis[13:08] Donna Tartt[23:41] The Collapsing Frontier[23:41] Italo Calvino[23:41] Cold War[23:41] Red Scare[23:41] J. Edgar Hoover[27:37] Dada movement[27:37] Ernest Hemingway[27:37] Gertrude Stein[27:37] Dissident Gardens[29:38] Reaganism[29:38] “Does intergenerational transmission of trauma skip a generation?”[31:21] John Van Bergen[31:21] Nan Goldin[34:33] “The Ecstasy of Influence”[34:33] Lawrence Lessig[35:31] Copyleft movement[35:31] Hank Shocklee[38:46] Hoyt-Schermerhorn Station[42:32] “Being James Brown: Inside the Private World of the Baddest Man Who Ever Lived”[42:32] “The Genius and Modern Times of Bob Dylan”[51:00] Chronic City[54:04] The Thalia[55:50] “Lightness” by Italo Calvino[1:06:26] Jorge Luis Borges

Last week, I released a video review of a new book from Prestel about Gregory Crewdson. It was significant for me, not just because Gregory is one of my photographic heroes — although yes, that is part of it — but because it was the first project I've done in quite a while that was really just for me. I've been on a bit of a “creative hiatus” for the better part of a year and I've only done a few videos before this. So more than anything, I wanted to see if I could pull it off and have it be interesting and feel like me, rather than just another YouTube photo book flip-through. And before I get too far into this, I want to thank Andy Adams at FlakPhoto, without whom it may not have even happened. Andy is a good guy and if you're at all interested in photography, he's well worth a follow.A few months ago I started seeing a new therapist, and part of what we've been working on is something called Somatic Therapy, which I'll include a couple links to in the notes if you'd like to learn more about it. Basically, somatic therapy focuses on the body and how emotions such as trauma and anxiety manifest as physical sensations. When I'm sharing a particular story or experience, my therapist will sometimes interrupt me and ask me to focus on how it feels to talk about or relive the experience — and not emotionally or existentially, but physically. It's been fascinating to start noticing changes in my breath or heart rate or feel tension start to develop in my hands and shoulders when I'm sharing something disturbing or painful. On the other side, and this is where the video fits in, we're working on identifying objects, memories, and pursuits and activities that give me joy or pleasure and naming or defining what those things feel like.LINKSGregory Crewdson video reviewWhat is Somatic Therapy?Somatic Experiencing TherapyThe Difference Between Reacting and RespondingWhat is Internal Family Systems?CONNECT WITH MEWebsite: https://jefferysaddoris.com  Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.

This is the audio track from my video review, which I encourage you to watch on YouTube or read on Substack.In a new book from Prestel, simply titled Gregory Crewdson, editor Walter Moser — the head of the department of photography at the ALBERTINA in Vienna — has curated a selection of images from all of Crewdson's major bodies of work. Prestel was kind enough to send me a copy for review and I couldn't be more thrilled to talk about it...LINKSGregory Crewdson - ALBERTINA modernMaking EveningsideThere But Not There - Gregory Crewdson DocumentaryCrewdson Trail LogBeneath the Roses - Crewdson Trail LogDream House Archive - New York Times MagazineGregory Crewdson on Process DrivenDavid Fincher - Invisible DetailsCONNECT WITH MEWebsite: https://jefferysaddoris.com  Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.

Kev is still frazzling on his Spanish sunbed, though the show goes on. We have questions about Lightroom and whether it's necessary to upgrade your computer to cope with ever larger file sizes, swapping online sales galleries, can art prints actually sell and should I invest in primes? Also small cameras for street work, how shooting style changes as you ‘mature' and the book of the week is Gregory Crewdson's latest self-titled monograph.  Email the show with your questions: click@fujicast.co.uk  Pic Time: https://www.pic-time.com/ - use FUJICAST when creating an account for discount offers to apply For links go to the showpage.

Moser, Walter www.deutschlandfunkkultur.de, Fazit

Aespa are aliens now, and Gregory Crewdson is an American photographer who loves his suburbia medium-spooky Lisa Fevral: https://www.youtube.com/channel/UCJdvK5wMriowQqbGC7G0lDA https://twitter.com/LisaFevral https://www.instagram.com/lisafevral/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/lisa-fevral/message

Pépites s'invite aux Rencontres d'Arles ! Gregory Crewdson est un photographe connu pour ses immenses mises en scènes cinématographiques, à travers lesquelles il raconte l'évolution des États-Unis. Dans cette carte postale sonore envoyée par Charlotte Pudlowski depuis les Rencontres d'Arles, Jean-Charles Vergne, commissaire de l'exposition qui est consacrée au photographe, présente trois séries singulières dans son œuvre. En déambulant parmi Fireflies, Cathedral of the Pines et An Eclipse of Moths, il et elle se demandent comment les artistes peuvent traverser les aléas de l'inspiration, l'impossibilité du contrôle, la peur de l'échec et le renoncement à l'idéal.Pépites s'invite est un podcast Louie Media présenté par Charlotte Pudlowski. Cet épisode a été réalisé et mixé par Franck Haderer, avec une musique originale composée par Michaël Liot. L'illustration est de Marie Guu. Marianne Popovic et Gaétan Lévy étaient à la coordination, accompagné·es d'Elsa Berthault.​Cette saison de Pépites est rendue possible grâce au soutien de SNCF Connect. SNCF Connect, c'est l'appli de référence pour réserver et acheter tous vos trajets en trains, pour tous les jours, comme les grands jours.Merci à notre partenaire Les Rencontres d'Arles, avec qui nous avons réalisé ces cartes postales sonores cet été. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this episode, how fine art photographer Gregory Crewdson makes his monumental photographs. Full episode transcripts are available on my photography blog here: ⁠⁠⁠icatchshadows.com⁠⁠⁠ Join the new Fine Art Photography Discord channel here: ⁠⁠⁠https://discord.gg/sAWJbKUquy⁠⁠⁠ How to Support the Podcast Make a one-time donation: ⁠⁠⁠https://ko-fi.com/keithdotson⁠⁠⁠ Subscribe on Patreon: ⁠⁠⁠https://www.patreon.com/keithdotson⁠⁠⁠ Buy a fine art print: ⁠⁠⁠https://keithdotson.com⁠⁠⁠ Buy a copy of my book: ⁠⁠⁠https://amzn.to/3jFnxqv⁠⁠⁠ (Amazon affiliate link) *Contains Amazon Affiliate links. I may earn a small commission on qualifying purchases. Sources and Links Substack. Crewdson Trail Log. "Making Eveningside." YouTube. SCI-Arc Channel. "Interview with Gregory Crewdson." The United Nations of Photography. "Thoughts on Gregory Crewdson." --- Support this podcast: https://podcasters.spotify.com/pod/show/keith-dotson/support

In this episode, how fine art photographer Gregory Crewdson makes his monumental photographs. Full episode transcripts are available on my photography blog here: ⁠⁠⁠icatchshadows.com⁠⁠⁠ Join the new Fine Art Photography Discord channel here: ⁠⁠⁠https://discord.gg/sAWJbKUquy⁠⁠⁠ How to Support the Podcast Make a one-time donation: ⁠⁠⁠https://ko-fi.com/keithdotson⁠⁠⁠ Subscribe on Patreon: ⁠⁠⁠https://www.patreon.com/keithdotson⁠⁠⁠ Buy a fine art print: ⁠⁠⁠https://keithdotson.com⁠⁠⁠ Buy a copy of my book: ⁠⁠⁠https://amzn.to/3jFnxqv⁠⁠⁠ (Amazon affiliate link) *Contains Amazon Affiliate links. I may earn a small commission on qualifying purchases. Sources and Links Substack. Crewdson Trail Log. "Making Eveningside." YouTube. SCI-Arc Channel. "Interview with Gregory Crewdson." The United Nations of Photography. "Thoughts on Gregory Crewdson." --- Support this podcast: https://podcasters.spotify.com/pod/show/keith-dotson/support

This week Marcus takes us through the benefits of using flash (strobe to Americans) for your photoshoots. Marcus is passionate about this subject and explains why it's an essential part of every photographer's toolkit. Plus we get an insight into a memorable Fosters advert from 'back in the day'. Marcus explains how flash helps you create a visual narrative. you can get more information about that here. https://www.wearecognitive.com/blog/what-are-the-key-components-of-visual-storytelling Marcus also explains that clients' availability can be limited so sometimes you need to turn day into night, or night into day using flash. There is some more information on this here. https://fstoppers.com/lighting/using-flash-change-your-photo-day-night-598896 We also discuss manufacturers, which to use and why it's best to choose wisely. When natural light is good it's good use it, but, remember if you are in the UK, don't rely on it. Modifiers, speed lights, umbrellas and stands all come into the chat. And finally, how to find a good teacher and the workshops that are best avoided.   Marcus referred to these photographers in the podcast.   Martin Parr - https://www.martinparr.com/ Gregory Crewdson - https://gagosian.com/artists/gregory-crewdson/ Elaine Constantine -https://elaineconstantine.com/  

Benedek elmeséli Kirunai utazását. Megjelent a Sony ZV-E1 és Benedek szerint mindhármónknak ideális kamera lehet. Peti kipróbálja a Nikon tethering opcióit különböző programokkal. Gábor és Peti hosszú napokon keresztül retusáltak és megosztanak néhány hasznos tapasztalatot. Benedek Gregory Crewdson könyvet vásárolt. Az adás linkje: ⁠⁠https://tripodcast.hu/99 Műsorvezetők: ⁠⁠Láng Péter⁠⁠, ⁠⁠Lénárt Gábor⁠⁠, ⁠⁠Varga Benedek⁠⁠ Támogass minket Patreonon: ⁠⁠https://tripodcast.hu/patreon⁠⁠ Csatlakozz a Tripodcast Community Facebook csoporthoz! ⁠⁠http://tripodcast.hu/community⁠⁠ Küldj nekünk hangüzenetben kérdést! ⁠⁠http://tripodcast.hu/messages⁠⁠ Az adást a ⁠⁠Tripont⁠⁠, és a ⁠⁠Fujifilm⁠⁠ támogatta! Egyéni oktatásról az alábbi linken kaphattok információt: ⁠⁠https://tripodcast.hu/oktatas⁠⁠ Kövess minket Instán: ⁠⁠https://www.instagram.com/tripodcast_⁠⁠ Az adásban elhangzott témák, linkek: - Sony ZV-E1: https://petapixel.com/2023/03/29/sony-zv-e1-first-impressions-the-almost-perfect-video-creator-camera/ - Leica Q2 Ghost: https://leica-camera.com/en-GB/photography/cameras/q/q2-ghost - Nikon NX Tether: https://www.nikon.hu/hu_HU/product/apps-software/nx-tether - Tether Tools Smart Shooter 4: https://tethertools.com/product/smart-shooter-4/ - Tether kábel: https://www.amazon.de/dp/B09P3FMSNY/ref=pe_27091401_487027711_TE_SCE_dp_1 - Joby Beamo Ring Light: https://joby.com/hu-hu/beamo-ring-light-korfeny-magsafe-szurke-jb01755-bww/ - Gregory Crewdson at Sotheby's: https://www.sothebys.com/en/artists/gregory-crewdson - Benedek Crewdson könyve: https://www.bookdepository.com/Beneath-Roses-Gregory-Crewdson/9780810993808?ref=pd_gw_1_pd_gateway_1_1 - Tyler Shields Ferrari felgyújtós fotója: https://youtu.be/iiKco7w0ouk

Gregory Crewdson's photographs have entered the American visual lexicon, taking their place alongside the paintings of Edward Hopper and the films of Alfred Hitchcock and David Lynch as indelible evocations of a silent psychological interzone between the everyday and the uncanny. Often working with a large team, Crewdson typically plans each image with meticulous attention to detail, orchestrating light, color, and production design to conjure dreamlike scenes infused with mystery and suspense. While the small-town settings of many of Crewdson's images are broadly familiar, he is careful to avoid signifiers of identifiable sites and moments, establishing a world outside time.Born in Brooklyn, New York, Crewdson is a graduate of SUNY Purchase and the Yale University School of Art, where he is now director of graduate studies in photography. He lives and works in New York and Massachusetts. In a career spanning more than three decades, he has produced a succession of widely acclaimed bodies of work, from Natural Wonder (1992–97) to Cathedral of the Pines (2013–14). Beneath the Roses (2003–08), a series of pictures that took nearly ten years to complete—and which employed a crew of more than one hundred people—was the subject of the 2012 feature documentary Gregory Crewdson: Brief Encounters, by Ben Shapiro.Crewdson's emblematic series Twilight (1998–2002) ushers the viewer into a nocturnal arena of alienation and desire that is at once forbidding and darkly magnetic. In these lush photographs, the elements intervene unexpectedly and alarmingly into suburban domestic space. Crewdson's psychological realism is tempered in these images by their heightened theatricality, while themes of memory and imagination, the banal and the fantastic, function in concert with a narrative of pain and redemption that runs through American history and its picturing.Cathedral of the Pines, which was first exhibited at Gagosian in New York in 2016, depicts unnamed figures situated in the forests around the town of Becket, Massachusetts. In scenes that evoke nineteenth-century American and European history paintings, the works' subjects appear traumatized by mysterious events or suspended in a fugue state. Working with a small crew to maintain an intimate and immediate atmosphere, the artist also used people close to him as models. But even once we know who “plays” the protagonists, their actions remain cryptic and their relationships unclear. “There are no answers here,” states the artist, “only questions.” The 2018–19 series An Eclipse of Moths is set amid down-at-heel postindustrial locations including an abandoned factory and a disused taxi depot. They serve as backdrops for Crewdson's enigmatic dramas of decay and potential rebirth.Gregory's most recent body of work, Eveningside (2021-2022), was shot in B&W and formed the centrepiece of a retrospective trilogy of work, alongside Cathedral of the Pines and An Eclipse of Moths, in a major exhibition at Galerie D'Italia in Turin from October 2022 until January 2023. A older series called Fireflies (1996) was also included as ‘both connective tissue and counterpoint…'. A book, also entitled Eveningside, was published to accompany the show. On episode 198, Gregory discusses, among other things:The three phases of his creative processWhy he chose B&W for EveningsideHis transition from film to digitalThe abiding themes in his workHow every artist has one story to tellFalling in love with photography from day oneHis love of moviesThe significance of nudity in his workAllowing for ‘a certain kind of unexpected beauty and mystery' to come out of the processWindowsNever being quite satisfied with the resultsThe relationship between true beauty and sadnessThe act of making a picture being an act of seperation from the worldThe way in which the subjects of his work always seem disconnected and alone…And how that references the act of making the picture.ReferencedThe Night of the HunterThe Last Picture ShowMankRomaRick SandsLaurie Simmonds Gallery | Instagram“I've said many times, I feel like every artist has one story to tell and that central story is told through an artists lifetime, and when you come of age in your early twenties you're confronted with movies and artwork that you love or you hate and you're defined in a certain way as a kind of aesthetic being, and then you spend your life sort of working out those things, and trying to find yourself within that frame of influences.”

Mentre stavamo visitando la mostra di Gregory Crewdson a Torino un amico mi ha posto una domanda tanto semplice quanto affascinante e dalle implicazioni ramificate: Come mai ci sono cosí tante persone nude in queste fotografie? Oggi ci addentriamo nel ginepraio, che però mi è famigliare, del nudo in fotografia e proveremo a dargli un senso.Ah! Potete anche vedere questa puntata su youtube se volete!Oppure la potete ascoltare anche su Spotify, mica è obbligatorio ascoltarla qui.PUOI CONTRIBUIRE AL PROGETTO! https://bit.ly/otnol-tipeeeQUI TROVI TUTTI I LINK https://linktr.ee/alessiobottiroli This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit onthenatureoflight.substack.com

We are back with our third installment of the Artists Asking Artists Series on the F-Stop Collaborate and Listen Podcast.  This week's podcast, Episode 289, features two of my favorite nature and landscape photographers, Guy Tal and Alex Noriega. When I first conceived of the idea of creating this series for the podcast, Guy and Alex were the first two photographers that came to my mind knowing that Guy has been such an inspiration to Alex and both of them have been such a huge inspiration to me. I honestly believe this might be one of my favorite episodes of the podcast ever recorded, so I think you will really enjoy it! Alex did a wonderful job coming up with questions for Guy and Guy was an amazingly humble and generous guest, as always.  On this week's episode, we discuss: Suffering, depression, and artistry, Choosing to live close to nature, The importance of confidence as photographers, How Guy developed his connection to Utah, Equivalence in nature photography, Grand Landscapes and creativity, Leaving a more meaningful life through photography, The relationship of money and creativity, Artificial Intelligence (AI) and landscape photography, Perfectionism in landscape photography, And a lot more! Relevant links discussed on the podcast this week: Support the podcast on Patreon. The Dark Side of Creativity book. Books by Guy Tal (listeners get 10% off anything in Guy's store using the code FSTOP10). Editing tutorials from Alex Noriega (Patreon supporters get 20% off by reaching out to Matt via Patreon). Seeking Questions gallery on Guy's website. The Whole Earth Catalog. Desert Images Book by Edward Abbey and David Muench. Here are the photographers that inspire both Guy and Alex (not an exhaustive list): Michael Gordon. Gregory Crewdson. Edward Burtynsky. Nick Brandt. Charles Cramer. William Neill. Chris Burkett. I love hearing from the podcast listeners! Reach out to me via Instagram, Facebook, or Twitter if you'd like to be on the podcast or if you have an idea of a topic we can talk about. We also have an Instagram page, a Facebook Page, and a Facebook Group - so don't be shy! We also have a searchable transcript of every episode! Thanks for stopping in, collaborating with us, and listening. See you next week. P.S. you can also support the podcast by purchasing items through our B+H affiliate link. See the full show notes on our website for more photographs and awesome info. 

Welcome To The NFT Jungle is a podcast dedicated to NFTs as well as navigating the NFT space so that you can be equipped to make good decisions in this crazy world of NFTs! ❤️ Welcome To The NFT Jungle is the OFFICIAL podcast for “MetaJungle”. The MetaJungle team is developing platform tools to make your NFT experiences better. Join the MetaJungle Discord for free access to information, tools, and resources that will make your NFT collecting a success!

In questa edizione:- Il belpaese piace agli stranieri- In ripresa l'Italia dei congressi- Mostre, a Torino le foto di Gregory Crewdson abr/mgg/gtr

Le Gallerie d'Italia di Torino ospitano, a partire dal 12 ottobre 2022 e fino al 22 gennaio 2023, la grande mostra di uno dei più grandi fotografi contemporanei, Gregory Crewdson, che presenta in anteprima internazionale a Torino, e per la prima volta in un museo, il terzo capitolo della sua trilogia commissionata per l'occasione da […]

Il fotografo di fama internazionale Gregory Crewdson è il protagonista di "Eveningside", la mostra che Intesa Sanpaolo apre al pubblico alle Gallerie d'Italia - Torino dal 12 ottobre al 22 gennaio.mgg/fsc/gtr

Ein Gespräch mit Jörg Colberg, Betreiber des bekannten Fotoblogs Conscientious (jetzt CPHMag), über seine Anfänge in der Fotografie, neoliberalen Realismus, weshalb er Annie Leibovitz schlimm findet, Gregory Crewdson nicht besser und über alles was in „Photoland“ so besser laufen könnte. Ein Gespräch über die Photobubble ist es auch. Eine Episode zum Ohren spitzen. Viel Spaß dabei. Weitere infos unter: https://cphmag.com/ Dieser Podcast wird unterstützt von der DFA. Die Deutsche Fotografische Akademie (DFA) ist eine gemeinnützige Vereinigung. Seit über 100 Jahren diskutiert, zeigt und fördert sie künstlerische Fotografie. Im öffentlichen Dialog sucht sie neue Sichtweisen, abweichende Perspektiven, geistige Offenheit und Widerspruch. Mehr Informationen unter www.dfa.photography

Ein Gespräch mit Jörg Colberg, Betreiber des bekannten Fotoblogs Conscientious (jetzt CPHMag), über seine Anfänge in der Fotografie, neoliberalen Realismus, weshalb er Annie Leibovitz schlimm findet, Gregory Crewdson nicht besser und über alles was in „Photoland“ so besser laufen könnte. Ein Gespräch über die Photobubble ist es auch. Eine Episode zum Ohren spitzen. Viel Spaß dabei. Weitere infos unter: https://cphmag.com/ Dieser Podcast wird unterstützt von der DFA. Die Deutsche Fotografische Akademie (DFA) ist eine gemeinnützige Vereinigung. Seit über 100 Jahren diskutiert, zeigt und fördert sie künstlerische Fotografie. Im öffentlichen Dialog sucht sie neue Sichtweisen, abweichende Perspektiven, geistige Offenheit und Widerspruch. Mehr Informationen unter www.dfa.photography

•Collage• Der Fotograf Gregory Crewdson mischt in seinen Werken reale Bilder mit Traumlandschaften. Ein Szenario, das auch auf akustischer Ebene inspiriert. Denn: Was passiert mit den Menschen in dieser Mischung aus Traum und Realität? // Von Beate Andres / Regie: Beate Andres / WDR 2010 / www.wdr.de/k/hoerspiel-newsletter

It Follows | Maika Monroe | Keir Gilchrist | David Robert Mitchell | [2014] Join Ruben and The Russian as they digest this classic as part of the Halloween Month Special! It Follows is a 2014 American supernatural psychological horror film written and directed by David Robert Mitchell and stars Maika Monroe as Jaime "Jay" Height, a 19-year-old college student who is pursued by a supernatural entity after a sexual encounter, as well as Keir Gilchrist, Daniel Zovatto, Jake Weary, Olivia Luccardi and Lili Sepe. It Follows debuted at the 2014 Cannes Film Festival and was later purchased by RADiUS-TWC for distribution. After a successful limited release beginning on March 13, 2015, the film had a wide release on March 27, 2015. It received acclaim from critics; the Rotten Tomatoes consensus calls it "smart, original and, above all, terrifying" It Follows was shot in late 2013 in Detroit, Michigan. Mitchell used wide-angle lenses when filming to give the film an expansive look, and cited the works of George Romero and John Carpenter as influences on the film's compositions and visual aesthetic. The film's monster shot composition and overall aesthetic were influenced by the work of contemporary photographer Gregory Crewdson. It Follows earned $163,453 in its opening weekend from four theaters at an average of $40,863 per theater, making it the best-limited opening for a film released in the United States and Canada in 2015. The film made its international debut in the United Kingdom on February 27, 2015, where it earned $573,290 (£371,142) on 190 screens for the #8 position. The following week, the film dropped two spots to #10 with a weekend gross of $346,005 (£229,927) from 240 screens. The film had a domestic gross of $14.7 million and an international gross of $8.6 million for a worldwide total of $23.3 million. #ItFollows #MaikaMonroe #KeirGilchrist #DanielZovatto #JakeWeary #OliviaLuccardi #LiliSepe #DavidRobertMitchell #RebeccaGreen #LauraDSmith #DavidKaplan #ErikRommesmo #MikeGioulakis #JulioCPerezIV #RichardVreeland #Disasterpeace #NorthernLightsFilms #AnimalKingdom #TwoFlints #RADiUSTWC #MongrelMedia #WrittenAndDirected #2014CannesFilmFestival #ItFollows2014 #MovieByte #MovieBytePodcast #JustChillinEntertainment #Supernatural #PsychologicalHorror #Podcast --------------------------------------------------------------------------- Follow Us: Facebook: https://www.facebook.com/moviebytepod... Instagram: https://www.instagram.com/movie.byte/ Twitter: https://twitter.com/byte_movie Podcast: https://anchor.fm/moviebyte A Just Chillin' Entertainment original production Follow Them: Facebook: https://www.facebook.com/justchillinent Instagram: https://www.instagram.com/justchillin... Twitter: https://twitter.com/JustChillingEn1 --------------------------------------------------------------------------- This Podcast is a critique of the movie which falls within "fair use" under Section 107 of the US --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Look at the work of Erwin Olaf, Cindy Sherman or Gregory Crewdson. 6x6Portraits Post. Want to support my shows? You can, just visit this link at Paypal, or go to SupportKenneth.com to add your monthly contribution to keep the lights on! Check out my YouTube Channel of Photography Talks, my 6x6 Portraits Blog and my Daily Photography Podcast. Thanks! --- Send in a voice message: https://anchor.fm/kenneth-wajda/message Support this podcast: https://anchor.fm/kenneth-wajda/support

On this episode of What Makes You Click, Kelvin welcomes Maciek Jasik, an award-winning photographer based in NYC and LA that critiques Western society's relationship with nature and identity. Maciek and Kelvin have a very grounded discussion speaking on the personal experiences and psychology that is often behind photography and other forms of artistic expression, noting Maciek's opinion on the most important aspect of creating art. You'll gain insight into Maciek's Polish upbringing, the forming of his identity while integrating with American society, and the mindset of an immigrant that inspires a powerful work ethic. He sheds light on how his love for political science and art converged early in his life, how his time spent living in Japan inspired his photography, and the overwhelm and FOMO that exists in being a professional photographer. Maciek even shares the most important lessons he's learned from shooting portraits, including Ruth Bader Ginsburg and other notable figures. About the Guest:Maciek Jasik is a photographer based in NYC/LA, critiquing Western society's relationship with Nature and exploring ideas of identity, representation and the self while employing color and distortion to re-imagine accepted norms. Connect with Maciek Jasik:Visit his website: www.maciekjasik.com Follow him on Instagram: www.instagram.com/maciekjasik  Connect with What Makes You Click:Visit our website: www.whatmakesyouclick.com Follow us on Instagram: www.instagram.com/whatmakesyouclickpodcast Connect with us on Facebook: www.facebook.com/whatmakesyouclick  People + Resources Mentioned:Gary Winogrand: www.fraenkelgallery.com/artists/garry-winogrand Alex Webb: www.webbnorriswebb.co Daniel Arnold: www.daniel-arnold.org Nobuyoshi Araki: https://ocula.com/artists/nobuyoshi-araki/Gregory Crewdson: www.gagosian.com/artists/gregory-crewdsonPhilip-Lorca diCorcia: www.artnet.com/artists/philip-lorca-dicorcia Watch Nomadland on Hulu: www.hulu.com/nomadland-movieFrancis Bacon: www.francis-bacon.com Deeply-Ordered Chaos: www.maciekjasik.com/Deeply-Ordered-Chaos 

The Berkshire Botanical Garden in Stockbridge, Massachusetts is re-open and has returned to its ambitious event calendar for the season – including but not limited to - an outdoor sculpture exhibit curated by Beth DeWoody entitled “Taking Flight;” an indoor exhibition of Gregory Crewdson's firefly photographs, and of course tons of nature-made-art in the form of flowers, plants, shrubs, bushes and trees. Mike Beck is the Executive Director of The Berkshire Botanical Garden.

Meteen maar wat wijzigingen in de podcast. Voortaan behandel ik een vraag van de luisteraar. Wil jij dus jouw vraag behandeld hebben, stel hem dan via een whatsapp audio vraag op 0651305374 De vragen die ik in volgende afleveringen aan de gasten ga stellen, stel ik vandaag aan mijzelf en ik behandel deze aflevering de vraag van Peter "wat is het verschil tussen een systeemcamera en een spiegelreflex en moet ik nu al overstappen?" Dit is de tweede aflevering van de HeelHollandFotografeert podcast. Een podcast door Mischa van HeelHollandFotografeert. In deze aflevering: Het onmisbare ding van mischa is gafferstape en als je meer wil zien van Gregory Crewdson dan kan je hier kijken: https://gagosian.com/artists/gregory-crewdson/ Meer informatie over HeelHollandFotografeert vind je op de website: www.heelhollandfotografeert.nl

In this episode, we talk with Pete Brook about images of incarceration, and his thoughts on photo ethics more broadly. He shares how he first came to learn about mass incarceration, and why he felt so passionately about the issue. He discusses his belief in the importance of formal education on visual culture, and his experience teaching both university students and men incarcerated at San Quentin Prison. From this experience, Pete describes some of the responses he received from prisoners themselves on prison photography. What you'll find inside: “A visual literacy is imperative and a visual literacy should have a major part in any photo education.” (6:05)“When I emphasise visual literacy, it's because in my classrooms I want to talk about Gregory Crewdson, I want to talk about Nan Goldin. But I also want to talk about the memes that flashed up on everyone's phones yesterday.” (7:00)“I'm always trying to coach my students into thinking about the ethics of image making. I ask them to think about everything that's outside of the frame. The obvious questions: who's taking the picture? How did they get there? How long can you assess they maybe stayed there? Do you think they should have been there?” (11:40) On the work of Tōyō Miyatake and Jack Iwata, photographers who were interred at the Japanese Internment Camps of Manzanar and Tule Lake: “I've just learnt about this new photographer who was also interred and actually photographed two of the camps, not just one. And so I left my students with a question: Why is it that Jack Iwata's name is only just becoming known? ... Why is it that one biography, one narrative is repeated and pedestaled, and others are not?” (12:35) On photography archives: “There is always space to invite people to bring their own photographs and add vernacular photographs of the moment to the historical moment that the archive wants to speak to.” (16:30)“Photography and colonialism sort of ran hand in hand. Their inventions came about at about the same time, and have really suited one another.” (19:27)“We need to go past the dominant, simple, obvious tropes which seem to stand in for a ‘depiction' of prison.” (24:38)On the responses of incarcerated men to photographs of incarceration (26:47)What does photo ethics mean to Pete? “A few months ago I initiated a discussion with some other photo educators - it's online - and the premise was about fear, and it was my fear. And thankfully they talked me down. But when I think of photography ethics I think of talking about and sharing images in a way that helps people know the world better. And my fear is that images, more and more, are causing alienation, causing confusion, especially amongst young people. And going back to what we said at the very start about visual literacy, you can take any image, it doesn't have to be an image of blight or plight elsewhere in the world. You can talk about the ethics around an Instagram story, you can talk about the ethics of those platforms, you know, which are now increasingly algorithmically run. And, I don't know whether this fits your vision of ethics but … we have to do work, right? We're the consumers, and if you're not thinking about images in a way where you want them to improve society, then you might be inadvertently becoming part of the problem. And my fear is that our current image culture … is that it's too much work for people to do. Or worse than that, they don't even see the work that needs to be done.” (41:28) Links Pete Brook's Prison Photography Tōyō Miyatake Jack Iwata Kelly Lytle HernandezThomas Allen HarrisZanele MuholiUcobia Darm? (41:55) Eucobia AdamIsadora Kosofsky jackie sumellSaverley Smith? (44:39) Ashley Hunt The People's Paper Co-Op Lucinda Devlin's Omega Suites Louis Baltz's Point San Quentin

Artist On Artist is Glasstire’s video and audio podcast series in which Glasstire’s News Editor Christopher Blay, also an artist, hosts Texas-based artists and art professionals in one-on-one conversations. Our guest this week is North Texas- based Erica Felicella, a performance artist who counts among her wide range of influences photographers (she was an assistant to Goef Kern) and Gregory Crewdson, vaudeville, and even land art icons Andy Goldsworthy and Robert Smithson. “I heard someone actually scream out [during a performance] 'When is she going to do a magic act?' I was trying not to crack up and I thought: this is just perfect.”

Welcome to another special edition of Photography insights. We go back to our theme of how artists and photographers have influenced some of you. For me there is no better time to discuss this, it's a fresh year, we all need distraction so let's listen to someone else. By listening to other people you find new artists to look at and see how it inspired people. This is the first time I had thought about mentioning someone myself, mainly because who wants to listen to me? With not as much experience as most or photography education I wasn't sure about recommending anyone. But there has been one person for some time that is influencing me on this photographic journey. i don't mean just copying people either or just images, i mean a real thought pattern. I've been lucky in life to be surrounded by a few amazing people and Quinn Jacobson just had this awe and effect on me. Anyway I will stop babbling and move on to my guests. So as you all know Pete from Static Age has a fondness for film, music and skateboarding. He runs the static age zine label, shoots a lot of film and takes of the mundane everyday streets (which I love). We naturally talk about a few of the characters that have importance in his life - like Glen E Freidman, Gregory Crewdson and Alec Soth (with a few more mentions too). Whereas Stephen Rendall who loves fashion talks about the hero worship he has for David Bailey. A few others like Sean Tucker and Lyndsay Adler are covered too. Stephen is a lecturer in photography, a fabulous portrait photographer who considers the whole process of shooting, from inception to delivery. There will be links on the websites and to some of the images we discuss too. Guests Pete Falkous - https://www.instagram.com/petefalkous/ Stephen Rendall - https://www.instagram.com/fezphotography/ Links Glen Freidman - https://en.wikipedia.org/wiki/Glen_E._Friedman Gregory Crewdson - https://gagosian.com/artists/gregory-crewdson/ Alec Soth - https://alecsoth.com/photography/ Sean Tucker - https://www.seantucker.photography/ Lyndsay Adler - https://www.lindsayadlerphotography.com/ David Bailey - https://www.apollo-magazine.com/exposure-time-david-baileys-autobiography-reviewed/ Friends For all your c41 developing needs - https://filmdev.co.uk/ Large format cameras, medium format & accessories - https://chroma.camera/ Great and affordable zines from Static Age - https://www.staticage.co.uk/ --- Send in a voice message: https://anchor.fm/photography-insights/message

Vendégünk Szemerey Bence, fotós, operatőr, producer. Beszélgetünk Bencével a filmes fotózásról, fesztiválokról, kicsi és nagyon nagy videós projektekről. Betekintést kapunk az operatőri látásmódba, emellett mesél nekünk produkciós cégéről, filmezésről világításról. Megtudjuk hogyan találják meg a legjobb helyszíneket a forgatásokra és hogyan tud jól együtt dolgozni egy filmes csapat. Az adás linkje: https://tripodcast.hu/40_5 Műsorvezetők: Láng Péter, Lénárt Gábor, Varga Benedek Csatlakozz a Tripodcast Community Facebook csoporthoz! http://tripodcast.hu/community Küldj nekünk hangüzenetben kérdést! http://tripodcast.hu/messages Az adást a Tripont, a Nikon, és a Manfrotto támogatta! Egyéni oktatásról az alábbi linken kaphattok információt: https://tripodcast.hu/oktatas Kövess minket instán: https://www.instagram.com/tripodcast_ Támogass minket Patreonon: https://tripodcast.hu/patreon Az adásban elhangzott témák és termékek: - Bence weboldala: https://benceszemerey.com - Bence instagramja: https://www.instagram.com/benceszemerey.stills/ - Bence produkciós cége: https://odesa.tv - The Calvert Journal: https://www.calvertjournal.com/photography - Sigma FF Classic Prime Line: https://www.sigma-global.com/en/cine-lenses/products/ff-classic-prime/ - Gregory Crewdson: https://gagosian.com/artists/gregory-crewdson/ - Broncolor Beauty Box: https://broncolor.swiss/products/beautybox-65 - Nanlite: https://tripodcast.hu/vnnltms - Aputure: https://www.aputure.com - Apple HomePod reklám: https://youtu.be/k70OczvX45k - Kenzo reklám: https://vimeo.com/180668935 Filmek, amikről szó esett: - Capri-Revolution: https://www.imdb.com/title/tt7188002/ - Paris, Texas: https://www.imdb.com/title/tt0087884/ - The Happiest Day in the Life of Olli Maki: https://www.imdb.com/title/tt4771932/ - The American Friend: https://www.imdb.com/title/tt0075675/ - The Conformist: https://www.imdb.com/title/tt0065571/ - Phantom Thread: https://www.imdb.com/title/tt5776858/ - Stalker: https://www.imdb.com/title/tt0079944/ - Mirrors: https://www.imdb.com/title/tt0790686/?ref_=tt_mv_close - Foxcatcher: https://www.imdb.com/title/tt1100089/ - Berlin Calling: https://www.imdb.com/title/tt0211946/ - The Last Black Man in San Francisco: https://www.imdb.com/title/tt4353250/ - Winter Brothers: https://www.imdb.com/title/tt5323760/ - Euphoria: https://www.imdb.com/title/tt8772296/ - Chernobyl: https://www.imdb.com/title/tt7366338/

On todays podcast I speak with photographer Gregory Crewdson. Gregory Crewdosn studied photography at SUNY Purchase and the Yale University school of Art where he is now the director of studies in photography. Gregory has exhibited his work around the world and published several books of his photography. Much of his work takes place in small town America and specifically in the Western Massachusetts area. Gregory spends years scouting and producing large scale productions that look very cineamatic in style. He has cited films such as Alfred Hitchcocks Vertigo as well as David Lynch's Blue Velvet as inspirations to his work. Gregory's attention to detail and story telling ability is something that has intrigued me for years so I was really excited to get a chance to speak with him and hear how he pulls off these massive productions, So I hope you enjoy and thanks for listening! Instagram : @crewdsonstudio

There are only a handful of photographers whose work is instantly recognizable and fewer still who have become a genre unto themselves. I was first introduced to the pictures of Gregory Crewdson through a body of work called Beneath the Roses. I felt instantly connected to that world he so meticulously crafted and I've been a huge admirer of his work ever since.In 2016, I had the opportunity to sit down with Gregory for a conversation about his body of work called Cathedral of the Pines. It was a terrific experience for me, not just because Gregory is one of my favorite photographers, but because it provided a glimpse behind the curtain to a photographic world that I find both moving and familiar. In 2018, Gregory began making photographs for his newest body of work. An Eclipse of Moths continues his exploration of themes like brokenness and isolation as well as a profound connection to light and the encroachment of the natural world. To some that world may seem bleak, especially on first glance — but a deeper look will reveal a narrative that is hopeful and rich with possibility.As we sat down to talk about An Eclipse of Moths, I began by asking him about the geography he revisits again and again and whether his pictures could be made anywhere else or is the place he now calls home a necessary part of his expression as an artist. LINKSAn Eclipse of Moths (with music by Jeff Tweedy) - https://www.youtube.com/watch?v=YYhGYZCc_hkAn Eclipse of Moths (Aperture book) - https://aperture.org/books/gregory-crewdson-an-eclipse-of-moths/Process Driven 05: Gregory Crewdson - https://jefferysaddoris.com/everything/processdriven-05/CNN Arts Feature - https://www.cnn.com/style/article/gregory-crewdson-photography-eclipse-of-moths/index.html IMAGE DETAILSGREGORY CREWDSONFunerary Back Lot, 2018 - 2019Digital Pigment Print56 1/4 x 94 7/8 inches / 142.9 x 241 cm (unframed)Edition of 4, with 2 APs© Gregory Crewdson. Courtesy Gagosian CONNECT WITH GREGORYWebsite: https://gagosian.com/artists/gregory-crewdson/Twitter: https://twitter.com/crewdsonstudioInstagram: https://www.instagram.com/crewdsonstudio/ MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0 

There are only a handful of photographers whose work is instantly recognizable and fewer still who have become a genre unto themselves. I was first introduced to the pictures of Gregory Crewdson through a body of work called Beneath the Roses. I felt instantly connected to that world he so meticulously crafted and I've been a huge admirer of his work ever since.In 2016, I had the opportunity to sit down with Gregory for a conversation about his body of work called Cathedral of the Pines. It was a terrific experience for me, not just because Gregory is one of my favorite photographers, but because it provided a glimpse behind the curtain to a photographic world that I find both moving and familiar. In 2018, Gregory began making photographs for his newest body of work. An Eclipse of Moths continues his exploration of themes like brokenness and isolation as well as a profound connection to light and the encroachment of the natural world. To some that world may seem bleak, especially on first glance — but a deeper look will reveal a narrative that is hopeful and rich with possibility.As we sat down to talk about An Eclipse of Moths, I began by asking him about the geography he revisits again and again and whether his pictures could be made anywhere else or is the place he now calls home a necessary part of his expression as an artist. LINKSAn Eclipse of Moths (with music by Jeff Tweedy) - https://www.youtube.com/watch?v=YYhGYZCc_hkAn Eclipse of Moths (Aperture book) - https://aperture.org/books/gregory-crewdson-an-eclipse-of-moths/Process Driven 05: Gregory Crewdson - https://jefferysaddoris.com/everything/processdriven-05/CNN Arts Feature - https://www.cnn.com/style/article/gregory-crewdson-photography-eclipse-of-moths/index.html IMAGE DETAILSGREGORY CREWDSONFunerary Back Lot, 2018 - 2019Digital Pigment Print56 1/4 x 94 7/8 inches / 142.9 x 241 cm (unframed)Edition of 4, with 2 APs© Gregory Crewdson. Courtesy Gagosian CONNECT WITH GREGORYWebsite: https://gagosian.com/artists/gregory-crewdson/Twitter: https://twitter.com/crewdsonstudioInstagram: https://www.instagram.com/crewdsonstudio/ MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0 Support the show (https://jefferysaddoris.com/#donate)

There are only a handful of photographers whose work is instantly recognizable and fewer still who have become a genre unto themselves. I was first introduced to the pictures of Gregory Crewdson through a body of work called Beneath the Roses. I felt instantly connected to that world he so meticulously crafted and I've been a huge admirer of his work ever since.In 2016, I had the opportunity to sit down with Gregory for a conversation about his body of work called Cathedral of the Pines. It was a terrific experience for me, not just because Gregory is one of my favorite photographers, but because it provided a glimpse behind the curtain to a photographic world that I find both moving and familiar. In 2018, Gregory began making photographs for his newest body of work. An Eclipse of Moths continues his exploration of themes like brokenness and isolation as well as a profound connection to light and the encroachment of the natural world. To some that world may seem bleak, especially on first glance — but a deeper look will reveal a narrative that is hopeful and rich with possibility.As we sat down to talk about An Eclipse of Moths, I began by asking him about the geography he revisits again and again and whether his pictures could be made anywhere else or is the place he now calls home a necessary part of his expression as an artist. LINKSAn Eclipse of Moths (with music by Jeff Tweedy) - https://www.youtube.com/watch?v=YYhGYZCc_hkAn Eclipse of Moths (Aperture book) - https://aperture.org/books/gregory-crewdson-an-eclipse-of-moths/Process Driven 05: Gregory Crewdson - https://jefferysaddoris.com/everything/processdriven-05/CNN Arts Feature - https://www.cnn.com/style/article/gregory-crewdson-photography-eclipse-of-moths/index.html IMAGE DETAILSGREGORY CREWDSONFunerary Back Lot, 2018 - 2019Digital Pigment Print56 1/4 x 94 7/8 inches / 142.9 x 241 cm (unframed)Edition of 4, with 2 APs© Gregory Crewdson. Courtesy Gagosian CONNECT WITH GREGORYWebsite: https://gagosian.com/artists/gregory-crewdson/Twitter: https://twitter.com/crewdsonstudioInstagram: https://www.instagram.com/crewdsonstudio/ MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0 

 There are only a handful of photographers whose work is instantly recognizable and fewer still who have become a genre unto...

 There are only a handful of photographers whose work is instantly recognizable and fewer still who have become a genre unto...

SHOW NOTES Episode 6: Spooky Lighting Welcome everyone to Midwest Photo’s new podcast 2 Weird Camera Dudes. Midwest is excited to bring another form of photography education to our community. Every other week your hosts Tom Wright and Kevin Deskins will be sharing tips, stories, new releases, and even some bad jokes all about photography and the gear that surrounds it. Subscribe and stay tuned for a wild ride. Be sure to check us out on Instagram @2weirdcamerabeards for images and more from this week’s episode. ______________________________________________ Visit us at: https://mpex.com/ 2887 Silver Drive, Columbus, OH 43221 (614) 261-1264 ______________________________________________ Gear used: RODEcaster Pro Podcast Studio https://mpex.com/rode-rodecaster-pro-integrated-podcast-production-studio.html Rode Podmic https://mpex.com/catalogsearch/result/?q=rode%20podmic Music by: Ray Schierloh https://rayschierloh.bandcamp.com/ Important Folks: Madi O’Neill—Executive Producer Josh Appelbaum—Graphic Designer Ken Lewis and Moishe Appelbaum—Allowing us to takeover and make this podcast Austin Kohler— Our special guest Podcast Homework/Challenges It’s time to get spooky! Make your spooky dream come to life and tag us in your images. Let us know what you create over on our Instagram! Send us a message or shoot us an email at 2weirdcamerabeards@mpex.com Try some of the studio lighting we used this week by renting them from https://www.mpexrentals.com ______________________________________________ House Keeping We are now on all major podcast listening platforms. Apple Podcast, Google Podcast, Spotify, Stitcher, Soundcloud Amazon Music and everywhere else you can think of. Check out our podlink! https://pod.link/1526332553 Tom Likes Hockey, Do you? Pacific Rink Pond Pack This isn’t at all what our podcast is about, but Pacific Rink got us a promo code for 15% off through the end of October! Just enter “CAMERA” at checkout for your discount. https://www.pacificrink.com/products/pond-pack New Book Recommendations • Where’s Banksy • A Vanished World, Roman Vishniac • Photographs, Roy DeCarava Equipment Links Kevin • Godox AD200 - https://mpex.com/godox-ad200-ttl-pocket-flash-kit.html • Godox XPro Trigger Fujifilm - https://mpex.com/godox-xprof-ttl-wireless-flash-trigger-for-fujifilm-cameras.html • Godox BD-07 Set - https://mpex.com/godox-bd-07-barndoor-with-honeycomb-grid-and-4-color-gels-for-ad200.html • Fujifilm X-H1 or the XT-4 is a good alternative - https://mpex.com/fujifilm-x-t4-mirrorless-digital-camera-body-only-black.html • Fujifilm XF 16-55 f/2.8 - https://mpex.com/fuji-xf-16-55mm-f2-8-r-lm-wr-lens.html Austin • Canon 5DSr - https://mpex.com/canon-eos-5ds-r-digital-slr-body-only.html • Canon 50mm at 1.8 - https://mpex.com/canon-ef-50mm-f1-8-stm-lens.html • Godox X-proC - https://mpex.com/godox-xproc-ttl-wireless-flash-trigger-for-canon-cameras.html • Godox AD200 PRO - https://mpex.com/godox-ad200pro-ttl-pocket-flash-kit.html • Godox AD200 https://mpex.com/godox-ad200-ttl-pocket-flash-kit.html • Snoot https://mpex.com/godox-ad200-ttl-pocket-flash-kit.html • Godox R1 - https://mpex.com/godox-r1-round-rgb-mini-creative-light.html Tom • Nikon Z6 - https://mpex.com/nikon-z6-fx-format-mirrorless-digital-camera-body-only.html • Zhongyi Speedmaster 50mm f/0.95 - https://mpex.com/mitakon-zhongyi-speedmaster-50mm-f-0-95-mark-iii-nikon-z-mount.html • Godox V860 IIN - https://mpex.com/godox-ving-v860iin-ttl-li-ion-flash-kit-for-nikon-cameras.html • Godox AD600 Pro - https://mpex.com/godox-ad600pro-witstro-all-in-one-outdoor-flash.html • 2 Godox AD200s with blue and green gels. This week’s Quote: • “My pictures must first be beautiful, but that beauty is not enough. I strive to convey an underlying edge of anxiety, of isolation, of fear." ― Gregory Crewdson

This week on The Treatment, Elvis Mitchell speaks with photographer Gregory Crewdson about his new exhibition of photographs "An Eclipse of Moths" currently at the Gagosian Gallery in Beverly Hills. The images depict decaying industrial environments encountering the natural world with figures in minimal, ragged clothing, but they manage to also portray the possibility of hope and redemption.

On parle d'une photographie, aujourd'hui, dans Cartels. Une photo qui fait partie de la collection du Frac Auvergne, et qui est signée Gregory Crewdson. Une photo qui fait immédiatement penser au cinéma, et qui donne envie, c'est assez naturel... de se laisser absorber...

Gregory Crewdson's large-scale, cinematic photos have been compared to the work of filmmakers such as Alfred Hitchcock and David Lynch. His latest exhibition - "An Eclipse of Moths" - is currently on display in L.A. Inspired by Crewdson's work, Adam and Josh - along with Crewdson himself - share their Top 5 Landscapes as Characters. Plus, thoughts on Miranda July's latest, KAJILLIONAIRE. 0:00 - Billboard 1:16 - Top 5: Landscapes as Characters The Flaming Lips, "At the Movies on Quaaludes" 51:08 - Review: "Kajillionaire" 1:01:35 - Next week / Notes 1:16:03 - Massacre Theatre 1:25:37 - Top 5 cont. 1:54:24 - Outro Learn more about your ad choices. Visit megaphone.fm/adchoices

Gregory Crewdson is a photographer who was born in Brooklyn, New York. He is a graduate of SUNY Purchase and the Yale University School of Art, where he is now director of graduate studies in photography. He lives and works in New York and Massachusetts. In a career spanning more than three decades, he has produced a succession of widely acclaimed bodies of work, from Natural Wonder (1992–97) to Cathedral of the Pines (2013–14). Beneath the Roses (2003–08), a series of pictures that took nearly ten years to complete—and which employed a crew of more than one hundred people—was the subject of the 2012 feature documentary Gregory Crewdson: Brief Encounters, by Ben Shapiro. The 2018–19 series An Eclipse of Moths is set amid down-at-heel postindustrial locations including an abandoned factory and a disused taxi depot. They serve as backdrops for Crewdson’s enigmatic dramas of decay and potential rebirth. A survey of Crewdson’s work of the previous twenty years toured European museums from 2005 to 2008. The exhibition In a Lonely Place traveled to galleries and museums across Europe, Scandinavia, Australia, and New Zealand from 2011 to 2013, and a major monograph was published by Rizzoli in 2013. Crewdson’s awards include the Skowhegan Medal for Photography, a National Endowment for the Arts Visual Artists Fellowship, and the Aaron Siskind Foundation Fellowship. He is represented by Gagosian Gallery worldwide and by White Cube Gallery in London. S&V is sponsored by Golden Artist Colors.

Gideon Barnett: After EdithNovember 2 – December 18, 2015Kathleen O. Ellis GalleryGallery Talk: Thursday, November 19, 6pmReception: Thursday, November 19, 5-7pmGideon Barnett’s exhibition After Edith brings together a collection of images that he produced by documenting vandalized photography books found in public libraries. The project began in Miami, Florida, with the discovery of a copy of Emmet Gowin’s Photographs in which the iconic nude portraits of Gowin’s wife Edith had been defaced by prurient library visitors. Parts of the images had been cut with a razor blade and, in some instances, entirely torn out of the book. This deliberate removal of “provocative” imagery and the psychology of what may have sparked such an act fascinated Barnett, and prompted a closer look at the visual by-products—the way in which the cuts open through to another image, for example, or how the tearing of a page can create a compelling juxtaposition of photographs. The vandalized images are unquestionably elegant and beautiful when taken out of context and framed on the wall, yet all together Barnett’s photographs also point to a disconcerting fearful, destructive, or even violent intention behind them.Some librarians would attempt to mend the most heavily vandalized books by pasting inky black-and-white photocopies of the original pages back into the books. These replacements, reminiscent of smudged charcoal drawings, were equally intriguing to Barnett, so he physically removed the sheets of paper and collected them along the way as a counterpart to the photographs he was making. In his exhibition at Light Work, Barnett shows the photocopies as unique objects, pinned by small magnets into playful forms onto pieces of chalkboard. Barnett visited libraries across South Florida and discovered a number of books that had been altered, and his collection of photographs grew to include traces of other well-known images spanning the last century of photography, from Edward Weston to Gregory Crewdson. Though the reference points within the medium of photography are certainly interesting to see, After Edith aims to consider larger cultural and political concerns of censorship and human nature. Through a thoughtful combination of photographs of vandalized book pages and original found photocopies, Barnett simultaneously recounts that so much of what a photograph signifies will be determined by what the viewer brings to the image. “I’m interested in the generative potential of this vandalism,” explains Barnett, “and how just by reframing it with a camera it can become something new, something on its own.”lg.ht/AfterEdith—Gideon Barnett is an artist from Jasper, Tennessee. He received his MFA from the Yale School of Art in 2011 where he was awarded the Toby Devan Lewis Fellowship (selected by Robert Storr). Since 2012 he has exhibited at the Miami Art Museum, Miami, FL; The Museum of Art Fort Lauderdale, Fort Lauderdale, FL,; and The Wolfsonian–FIU, Miami, FL. In 2013 he was awarded a Visual and Media Artists Fellowship from the South Florida Cultural Consortium.gideonbarnett.com—Special thanks to Marcia Dupratmarciaduprat.comSpecial thanks to Daylight Blue Mediadaylightblue.comLight Worklightwork.orgMusic: Kai EngelMusic: "Vela Vela" by Blue Dot Sessionssessions.blue See acast.com/privacy for privacy and opt-out information.

durée : 00:46:42 - Remède à la mélancolie - par : Eva Bester - "Baisers volés " de François Truffaut, Thomas Bernhard, le dadaïsme, Philip K Dick, Michel Delpech et Jim O'Rourke, Gregory Crewdson... Retrouvez les remèdes de notre invité !

Bienvenidos al programa en el que Antonio Garci y Fran Palmero os traerán a los mejores fotógrafos de la historia, hoy Gregory Crewdson, para que conozcáis su obra y sus entresijos más ocultos, esto será los jueves con una frecuencia de 15 días, apúntatelo en la agenda.. Fran Palmero es fotógrafo y el CEO de nuestra comunidad Carrete Digital además de Director de contenido de FotoK.Antonio Garci (https://www.youtube.com/user/ledzep82) es fotógrafo docente y youtuber, en su canal enseña a todos sus seguidores a iluminar, editar, componer... de una forma muy amena y con ese don de gentes que sólo los grandes comunicadores tienen.Aunque él no ha venido a esta sección de nuestro canal de youtube de Carrete Digital a enseñar a iluminar, lo hemos escogido por su faceta de docente y porque nos ha encantado la idea que nos ayude a traeros la historia de los mejores fotógrafos de siempre. Esta es la idea inicial, pero en realidad seréis vosotros quién no deis la dirección que tomaremoa a lo largo de los capítulos de esta sección. Nos gustaría saber qué fotógrafo os gustaría que tratáramos, ¿qué movimiento histórico?, ¿qué tendencia’, Incluso si queréis podríamos tratar qué historia se esconde tras una fotografía histórica (os sorprendería la de cosas que no conocemos de algunas de las mejores fotografías de la historia) Tenemos cuerda para rato y nos encanta llevaros esas historias, así que tan sólo tenéis que pedirlo..En el programa de hoy os comentamos el trabajo de Gregory Crewdson, un fotógrafo que trabaja extraordinariamente las luces, los contrastes de tono, los escenarios en los que trabaja, cuida hasta el último detalle.Sus fotografías son un frame de una película, un momento presente retenido en una fotografía, sencillamente extraordinario. No os lo podéis perder.

On today's podcast I speak with photographer Tony Luong. Tony is a Boston based photographer who specializes in editorial and commercial photography. He has worked with clients such as Rolling Stone,The NY Times,Outside Magazine,and Popular Mechanics to name a few. In this interview I speak to Tony about what he enjoys about editorial photography , his approach to photographing business people , and I also speak to him about the time he photographed legendary photographer Gregory Crewdson. Tony is someone who's work I've admired for many years so I was happy to get a chance to speak with him about his work. I hope you enjoy and thanks for listening! www.tonyluong.com Instagram - @itsmetonyluong

David Talley is an internationally recognized photographer, director, and producer operating out of Portland, OR. His works exhibit the darkest moment before an explosion of light, a story broken, but changed for the better, and the ability to transform the present problem in to a prospering future. David is the founder and creative director of the world's largest photographic collaboration event, Concept Collaboration. Full shownotes: http://yourcreativepush.com/davidtalleyreplay In this episode, David discusses: -How his personality doesn't lend well with a normal job where he is told what to do. -How many people are afraid of making money with their creative talents because they love it so much and don't want that love to disappear. -His "single sentence" and how it applies to his creativity as well as his life in general. -How if you want bad things to turn around, you have to seek out your "explosion of light." -How his creativity was nurtured from a very young age. -An important first experience photographing a sunrise in Hawaii. -How many potentially creative people are idealistic so they never go out and create that first thing to get the ball rolling. -How lack of structure as well as lack of deadlines holds many people (including David) back from actually creating work. -How beginning a 365-day challenge gave him the structure and framework to actually take photographs and strive to get better, which actually began his career. -How it is impossible not to grow when you do something every single day. -The moment when he realized that he didn't have an answer for why he takes photographs and the way he found an answer, which ultimately led to his single sentence. -One of his worst moments, when all of his camera gear was stolen, and how he was able to look at the situation from above to realize that in six months, everything would be much better. -The power that comes from being able to step outside of situations and attempting to determine exactly what is going on and how your single sentence fits into it. -How sharing your single sentence with people that you care about allows them to hold you accountable for the things that you believe in. -How more than art, he wants to be able to help people. -How he balances his time, working hard and then playing hard, along with the concept of sabbath. -The importance of having some "zest" to your life. -The Pareto principle and how it applies to him and other artists. -His greatest inspirations: God, J.J. Abrams and Gregory Crewdson. -The origins of Concept Collaboration and how it helped many artists and photographers to work together and share resources. -His ebook "The Single Sentence" and how it breaks down the process of developing your own single sentence and helped many people find vision and focus in their own creativity. David's Final Push will inspire you to START TODAY, and create something every day for the next 30 days! Quotes: "I don't know if it's like this for other creative artists, but I have a problem with authority and I don't want to be told what to do." "I was afraid of making money with my creative talents for a really long time." "At the end of the day, if you're not failing in your art and learning, you're not growing." "The sentence itself is the guidepost for everything I do and everything I create in terms of art and in terms of life." "I'm just snapping photos and framing these images and I'm just dying inside.  Like this is the best thing ever.  I love this so much." "I think the biggest thing that holds creative people back is a lack of structure and lack of a deadline." "The first part was take a photo every single day for a year and the second part was try to get better every single day.  With that, I found my calling as a photographer." "As creatives, we love the idea of things, and we hate the idea of hard work.  We need to combine the two into one so that we can get stuff done." "If you want to be something and if you want to say that you're something, then go do something." "The art that I create is a direct extension of the strongest parts of who I am." "Who I am at my core is what feeds into my creativity, what feeds into my art, and what ultimately becomes what I produce and what people see of me." "Go start today.  Don't wait until tomorrow because you won't do it.  Start today." "If you want to take the next step in being who you want to be as an artist or a creative person, go take the first step today.  Right now." "Do your art every day for the next 30 days and it will destroy you in the best way.  It will completely awaken who you are going to be." "'Someday' is a very dangerous word." Links mentioned: "The Single Sentence" by David Talley (David's ebook!) Gregory Crewdson (Wikipedia) "The Gap" by Ira Glass Connect with David: Website / Facebook / Instagram On the next episode: Danny Gregory : Website / Sketchbook Skool Join the discussion in the Facebook group!

Photographer and creative director Lauren Naylor joins us this week to discuss her constant desire to evolve, the impact cinema has had on her photographic style, and her newest project, Super Virgo, which strives to unite women in every creative industry. GUEST LINKS: Lauren’s Website: https://www.lnaylor.com Lauren’s 500px: https://500px.com/laurennaylor Lauren’s Instagram: https://www.instagram.com/lnaynay/ Super Virgo: https://www.supervirgo.com/ ------------------------------ The Collective Newsletter: www.thecollectivepodcast.com/newsletter Subscribe on iTunes: www.thecollectivepodcast.com/itunes Subscribe via RSS: www.thecollectivepodcast.com/rss Like us on Facebook: www.facebook.com/thecollectivepodcast Follow us on Twitter: www.twitter.com/thecpodcast ------------------------------ Stalker: https://www.imdb.com/title/tt0079944/ Shane Carruth: https://www.imdb.com/name/nm1503403/ A Ghost Story: https://www.imdb.com/title/tt6265828/ The Science of Sleep: https://www.imdb.com/title/tt0354899/ Gregory Crewdson: https://en.wikipedia.org/wiki/Gregory_Crewdson Mackenzie Davis: Off Camera Podcast: https://player.fm/series/off-camera-with-sam-jones-1758132/80-mackenzie-davis Spike Jonze Apple Commercial: https://www.youtube.com/watch?v=305ryPvU6A8 I Am The Pretty Thing That Lives In The House: https://www.imdb.com/title/tt5059406/ Neon Demon: https://www.imdb.com/title/tt1974419/ Heat: https://www.imdb.com/title/tt0113277/ Moses Sumney: https://www.mosessumney.com/ Chelsea Wolfe: http://www.chelseawolfe.net/ The views and opinions expressed in this podcast are solely those of the speakers and do not necessarily reflect the views of their employers.

Fotovännerna sitter idag på samma plats för att prata om sina bilder som parafraserar Gregory Crewdson. Therese med en bild om värme, kyla och ensamhet. Kristina om vardagen och hur den kan gestalta sig. Fokus är på detaljer. Bilderna hittar du på Facebook: Fotovänner Instagram: @fotovanner Till nästa vecka tar de sig an utmaningen att fotografera på temat "accepterad". Kristina pratar om självporträtt som John Coplans har tagit. Du kan ta del av hans bilder på bland annat Wikipedia.

I detta specialavsnitt träffas fotovännerna på "riktigt" för att prata om hur man gör en bildanalys. De har Gregory Crewdson som utgångspunkt och bilden hittar du här: http://www.telegraph.co.uk/photography/what-to-see/photographer-gregory-crewdson-captured-sad-heart-trumps-america/ den heter Father and son. Till nästa vecka ska vännerna göra en parafras på valfri Crewdson bild.

In this episode of the Fashion Photography Podcast we meet with the photographer F. Scott Schafer (@fscottschafer) What happened on his photo shoot with Aerosmith? What should you do during a shoot? Delegating photography rights and how he went from album covers to movie posters. You can ASK US A QUESTION and we’ll answer it on our Friday Episode! Want to submit to Jute Magazine? Do it here! Want to work with Verginiya Yancheva?  (instagram@vyancheva) FILL THIS FORM  Want to listen offline on your device? Download the episode from here (right-click and Save link as) JOIN US ON: Facebook and Google+ Links in this episode: Gregory Crewdson

In this episode of the Fashion Photography Podcast we meet with the photographer F. Scott Schafer (@fscottschafer) How he got started? How to become well known in the magazine industry? What does he do in order to step his game up? You can ASK US A QUESTION and we’ll answer it on our Friday Episode! Want to submit to Jute Magazine? Do it here! Want to work with Verginiya Yancheva?  (instagram@vyancheva) FILL THIS FORM  Want to listen offline on your device? Download the episode from here (right-click and Save link as) JOIN US ON: Facebook and Google+ Links in this episode: Gregory Crewdson

This week, we discuss a recent article talking about “capitalist realism,” an idea that suggests that the work of Annie Leibovitz and Gregory Crewdson are two sides of the same coin in terms of the worlds they represent. Also, we weigh in on a photographer who decided to make an editorial decision on a photograph that didn't go well. Plus, Fuji is being sued by Polaroid over Instax. Robert ParkeHarrison is our Photographer of the Week.

This week, we discuss a recent article talking about “capitalist realism,” an idea that suggests that the work of Annie Leibovitz and Gregory Crewdson are two sides of the same coin in terms of the worlds they represent. Also, we weigh in on a photographer who decided to make an editorial decision on a photograph that didn’t go well. Plus, Fuji is being sued by Polaroid over Instax. Robert ParkeHarrison is our Photographer of the Week.

2017 sees the 30th anniversary of Ian Rankin's creation Detective Inspector Rebus. Rankin was just 24 when he wrote the first book Knots & Crosses in his Edinburgh student flat and he's now gone on to sell over 30 million copies making him the UK's No 1 best selling crime writer. He talks to John about the enduring popularity of John Rebus.American artist Gregory Crewdson is known for his large cinematic photographs of suburban America - he often takes days or weeks to prepare, light and stage a single shot. As his latest exhibition of new work opens - Cathedral of the Pines - Gregory discusses his move to a more rural subject matter and the lasting appeal of ambiguous narratives which leave the viewer unsettled.The National Rural Touring Forum supports high quality art experiences at rural venues. As Arts Council England announce increases to investment outside London, board member Elizabeth Freestone discusses the Forum's work as well as the inaugural awards which are presented on 28 June. The Royal Philharmonic Orchestra is the first in Britain to embrace a new classical music app which sends programme notes to audience members' phones during the performance. BBC Music critic Daniel Jaffé reviews the app Octava which was trialled in London's Cadogan Hall earlier this year.Presenter : John Wilson Producer : Dymphna Flynn.

Kevin and Pam take the reins and chat with Geoffrey Nilson about many things poetic including poems from his chapbook We Have to Watch.

David Talley is an internationally recognized photographer, director, and producer operating out of Portland, OR. His works exhibit the darkest moment before an explosion of light, a story broken, but changed for the better, and the ability to transform the present problem in to a prospering future. David is the founder and creative director of the world's largest photographic collaboration event, Concept Collaboration. If you missed Part 1, click here to listen! Full shownotes: http://yourcreativepush.com/davidtalley2 In this episode, David discusses: -How sharing your single sentence with people that you care about allows them to hold you accountable for the things that you believe in. -How more than art, he wants to be able to help people. -How he balances his time, working hard and then playing hard, along with the concept of sabbath. -The importance of having some "zest" to your life. -The Pareto principle and how it applies to him and other artists. -His greatest inspirations: God, J.J. Abrams and Gregory Crewdson. -The origins of Concept Collaboration and how it helped many artists and photographers to work together and share resources. -His ebook "The Single Sentence" and how it breaks down the process of developing your own single sentence and helped many people find vision and focus in their own creativity. David's Final Push will inspire you to START TODAY, and create something every day for the next 30 days! Quotes: "If you want to be something and if you want to say that you're something, then go do something." "The art that I create is a direct extension of the strongest parts of who I am." "Who I am at my core is what feeds into my creativity, what feeds into my art, and what ultimately becomes what I produce and what people see of me." "Go start today.  Don't wait until tomorrow because you won't do it.  Start today." "If you want to take the next step in being who you want to be as an artist or a creative person, go take the first step today.  Right now." "Do your art every day for the next 30 days and it will destroy you in the best way.  It will completely awaken who you are going to be." "'Someday' is a very dangerous word." Links mentioned: "The Single Sentence" by David Talley (David's ebook!) Gregory Crewdson (Wikipedia) "The Gap" by Ira Glass Connect with David: Website / Facebook / Instagram  

Renowned photographer Gregory Crewdson joined us to discuss his latest exhibit and book, CATHEDRAL OF THE PINES, at one of our Free Talks, which are sponsored by HBO. This podcast is brought to you by the Film Society of Lincoln Center. Film Lives Here www.filmlinc.org

Stephen Metcalf, Julia Turner, and Dana Stevens discuss The Oscars, small talk, and interview photographer Gregory Crewdson about his work and latest show "Cathedral of the Pines." The Slate Culture Gabfest is brought to you by Carbonite. Keep your digital files safe this year—protect your photos, music, and documents with automatic cloud backup from Carbonite. Try it free without a credit card at Carbonite.com, and use the offer code CULTURE to get two free bonus months if you decide to buy. And by Warby Parker, a new concept in eyewear. Warby Parker makes buying glasses online easy, risk-free and most of all, enjoyable. Visit warbyparker.com/cultural to begin your free home try-on experience today. And by Audible.com, with more than 180,000 audiobooks and spoken-word audio products. Get a free 30-day trial and a free audiobook at Audible.com/culture.

Stephen Metcalf, Julia Turner, and Dana Stevens discuss The Oscars, small talk, and interview photographer Gregory Crewdson about his work and latest show "Cathedral of the Pines." The Slate Culture Gabfest is brought to you by Carbonite. Keep your digital files safe this year—protect your photos, music, and documents with automatic cloud backup from Carbonite. Try it free without a credit card at Carbonite.com, and use the offer code CULTURE to get two free bonus months if you decide to buy. And by Warby Parker, a new concept in eyewear. Warby Parker makes buying glasses online easy, risk-free and most of all, enjoyable. Visit warbyparker.com/cultural to begin your free home try-on experience today. And by Audible.com, with more than 180,000 audiobooks and spoken-word audio products. Get a free 30-day trial and a free audiobook at Audible.com/culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephen Metcalf, Julia Turner, and Dana Stevens discuss The Oscars, small talk, and interview photographer Gregory Crewdson about his work and latest show "Cathedral of the Pines." The Slate Culture Gabfest is brought to you by Carbonite. Keep your digital files safe this year—protect your photos, music, and documents with automatic cloud backup from Carbonite. Try it free without a credit card at Carbonite.com, and use the offer code CULTURE to get two free bonus months if you decide to buy.   And by Warby Parker, a new concept in eyewear. Warby Parker makes buying glasses online easy, risk-free and most of all, enjoyable. Visit warbyparker.com/cultural to begin your free home try-on experience today.   And by Audible.com, with more than 180,000 audiobooks and spoken-word audio products. Get a free 30-day trial and a free audiobook at Audible.com/culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gregory Crewdson is an acclaimed American photographer who makes images on an epic scale. With all the production values of a movie the images are crafted with meticulous precision to produce art to fire the viewers imagination. Ahead of the opening of his latest show, 'Cathedral of the Pines,' Gregory took the time to talk to PhotoTypes about his process and what inspires him and his images. See acast.com/privacy for privacy and opt-out information.

This week, we talk a little about the recent Gregory Crewdson show at the Gagosian in NYC and how seeing a photograph in person can be vastly different than seeing it on a screen. Also, how you feel about meeting your heroes? Would you like a one-on-one, or do you prefer to keep them in your imagination? Plus, a trip to B&H sparks a discussion around gear—both the limitations of it and the notion that regardless of how well a piece of gear works, there's something to how it feels in your hand that impacts how you use it. Miles Aldridge is our Photographer of the Week.

This week, we talk a little about the recent Gregory Crewdson show at the Gagosian in NYC and how seeing a photograph in person can be vastly different than seeing it on a screen. Also, how you feel about meeting your heroes? Would you like a one-on-one, or do you prefer to keep them in your imagination? Plus, a trip to B&H sparks a discussion around gear—both the limitations of it and the notion that regardless of how well a piece of gear works, there’s something to how it feels in your hand that impacts how you use it. Miles Aldridge is our Photographer of the Week.

This week, a discussion partially prompted by the passing of David Bowie on living your art. Does the work/art you create exist apart from you or is one an intrinsic part of the other? Also, a conversation with Gregory Crewdson about his new body of work. Plus, is there such a thing as “the perfect size” for printing and displaying your photos? How do you determine what's too big or too small? Belgian photographer Marc Lagrange is our Photographer of the Week.

This week, a discussion partially prompted by the passing of David Bowie on living your art. Does the work/art you create exist apart from you or is one an intrinsic part of the other? Also, a conversation with Gregory Crewdson about his new body of work. Plus, is there such a thing as “the perfect size” for printing and displaying your photos? How do you determine what’s too big or too small? Belgian photographer Marc Lagrange is our Photographer of the Week.

I can't tell you what the first photograph that I ever saw by Gregory Crewdson was, but I do remember very clearly how it made me feel — how I connected to this world. Unlike any other photographer I can think of off the top of my head, this was instantly familiar to me. This world was familiar; the plights and the struggles that these characters seemed to be going through were very much my own. Feelings of disconnect, feelings of isolation — and feelings of hope and possibility that those feelings would pass — that they were stepping stones or bridges to something better. This work resonated with me, and still does, on a very deep level. In this conversation, Gregory and I discuss his brilliant new body of work, Cathedral of the Pines, as well as the very personal journey he had to undertake to bring it to life. LINKSCathedral of the PinesSanctuaryBeneath the Roses UPDATEIn Process Driven 36, I had another conversation with Gregory around An Eclipse of Moths. CONNECT WITH GREGORYWebsite: http://www.gagosian.comTwitter: @CrewdsonStudioInstagram: @CrewdsonStudio MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0

I can’t tell you what the first photograph that I ever saw by Gregory Crewdson was, but I do remember very clearly...

I can’t tell you what the first photograph that I ever saw by Gregory Crewdson was, but I do remember very clearly...

Jay Grandin and Leah Nelson, married couple and co-founders of the Vancouver-based animation studio Giant Ant, join us this week to discuss their beginnings, the struggles of launching a business, and the joys of being able to work together on projects they're very passionate about. This episode is brought to you by Amazon Prime. Sign up for your 30-day free trial today for access to free two-day shipping, over 500,000 free Kindle titles, and 40,000+ instant streaming movies and TV shows: http://amzn.to/1tMiYdM Giant Ant's Website: http://www.giantant.ca/ Giant Ant's Twitter: http://twitter.com/giantant Giant Ant's Facebook: https://www.facebook.com/giantantmedia ------------------------------ Subscribe on iTunes: http://www.bit.ly/collectiveitunes Like us on Facebook: http://www.facebook.com/thecollectivepodcast Follow us on Twitter: https://www.twitter.com/thecpodcast ------------------------------ SHOW NOTES: Project Guyana: http://www.giantant.ca/works/project-guyana/ Manufactured Landscapes: http://www.imdb.com/title/tt0832903/ Jiro Dreams of Sushi: http://amzn.to/1B82X4a King of Kong: http://amzn.to/1sOTBWe Indie Game: The Movie: http://buy.indiegamethemovie.com/ Gregory Crewdson: http://www.imdb.com/title/tt2281267/ Linchpin: http://amzn.to/1staEPY Vitamix: http://www.amzn.to/1mMZCmk World War Z: http://amzn.to/1k8P21x Weeks of Your Life Calendar: http://i.imgur.com/ty6DS42.png The Three Rules of Giant Ant: 1. Don't miss a deadline 2. Don't be a douchebag 3. Put love in your work "If we do the work we believe in, our tribe will find us."

Maciej Kuciara is one of the leading talents in the field of concept design. He has worked on various feature film projects, including Jupiter Ascending and Seventh Son, as well as numerous major games projects, such as The Last of Us, Crysis, and Crysis 2. Coming from humble beginnings in Poland, Maciej has developed an incredible work ethic and dedication to his craft. He shines on everything he sets his mind to and is an unstoppable force in our industry. Maciej and I have a great chat about his journey, his thoughts on today's film and concept process, and how he manages to keep himself motivated and inspired. Maciej's Work - maciejkuciara.com/ ---------------------------------------------------------- Subscribe on iTunes: www.bit.ly/collectiveitunes Like us on Facebook: www.facebook.com/thecollectivepodcast Follow us on Twitter: www.twitter.com/thecpodcast ---------------------------------------------------------- SHOW NOTES: The Last of Us: www.thelastofus.com/ Gregory Crewdson: www.imdb.com/title/tt2281267/ Practical Light and Color: www.thegnomonworkshop.com/store/product/185/ Scott Robertson: cargocollective.com/drawthrough Flow: The Psychology of Optimal Experience: amzn.com/0061339202 Damn Good Advice (For People With Talent): amzn.com/0714863483 Alexander McQueen - Savage Beauty: blog.metmuseum.org/alexandermcqueen/objects/

Podcast Show #109In this Podcast, Erv sits down with the wife. Six and Ice were to busy to make it, and GG had somethings to take care of, so Erv indulges himself with the ever so gracing beauty of his wife. You get a bit o history on how they met and many things that led up to father hood. Erv also brings up a Documentary he watched called "The Loft" and another documentary about a photographer by the name of Gregory Crewdson. Erv's youngest joins too for some would you rather.

The relationship between truth and fiction is played out in this selection of works from Sarah Anne Johnson’s series Tree Planting, 2003-2005, while Gregory Crewdson’s work Untitled (family dinner), 2001-2002, centres on uncanny human behaviour.