Podcasts about jahzzar cc by sa

On this episode I talk with Gess Adana, a talented and caring doula who felt held back by her imposter syndrome. She shares with us how she broke through this block and discovered a whole new way to work with Muslim women. Using her background in hospitality, Gess delights her clients with incredible nutritious offerings and in-person mothering gatherings. Gess also has a passion for the personal work and the transformations it brings to birth preparation.​Gess can be contacted via her @gess.adana.birthwork or her website gessadana.comMusic credit: Vanlig by Jahzzar (CC BY-SA), Slow Epic by Lite Saturation (CC BY-ND) - Free Music Archive

As an experienced freebirth doula, Saima Kara (livewildbirthfree) shares her own experience of her decision-making through preconception, pregnancy and birth. She takes a deep dive into her own conditioning and behaviour, and how investing in support helped her be aware of her own ability to self-sabotage. One year on, Saima reflects on her birth story, rejoicing in its simplicity, and acknowledging how easily in the industrialsed maternity system it would have most likely been derailed. Saima can be contacted via her Instagram @livewildbirthfree or her website livewildbirthfree.com Music credit: Vanlig by Jahzzar (CC BY-SA), Slow Epic by Lite Saturation (CC BY-ND) - Free Music Archive

On this week's collected, connected conversations (the sixth in our summer series): a political perusal of the prerogatives of power. The first in our three-part look back at the allure and limits of mainstream political participation, we begin with a Trudeau triple-header, a Liberal dose of discussions about the only federal leader this podcast has ever known. Featured voices this podcast include (in order of appearance): • Brock Pitawanakwat, associate professor of Indigenous Studies at York University • Ken Williams, playwright and associate professor with the University of Alberta's Department of Drama • Candis Callison, associate professor in the Institute for Critical Indigenous Studies and the School for Public Policy and Global Affairs at the University of British Columbia • Kim TallBear, professor at the University of Alberta Faculty of Native Studies, and Canada Research Chair in Indigenous Peoples, Technoscience & Environment // CREDITS: Creative Commons music this episode includes ‘Expanding Cycle' and ‘Up + Up (reprise/arise)' by Correspondence (CC BY); 'Harp Miniature' by Vladan Kuzmanović (CC BY SA); 'Last Dance' by Jahzzar (CC BY SA).

One by one, our outlaws from The Zap Train Height are made inmates and imprisoned in the arcane prison, Alcatraz. But can they escape as the walls around them inexplicably begin to crumble? Follow us on Instagram @radioddpod  Podcast Artwork: DrawForthArts: https://www.etsy.com/shop/drawfortharts Music (Freemusicarchive.org): A State of Despair by Mid-Air Machine (CC BY-SA 4.0: Attribution-Sharealike 4.0 International Deed: https://creativecommons.org/licenses/by-sa/4.0/)  Airship Fury by Jahzzar (CC BY-SA 3.0: Attribution-Sharealike 3.0 Unported: Deed: https://creativecommons.org/licenses/by-sa/3.0/)  Broken-suspense-master by John Bartmann (CC0 1.0 Deed: CC0 1.0 Universal: https://creativecommons.org/publicdomain/zero/1.0/)  Can't Feel My Head by Unheard Music Concepts (CC BY 4.0: Attribution 4.0 International Deed: https://creativecommons.org/licenses/by/4.0/)  Hurt by Unheard Music Concepts (CC BY 4.0: Attribution 4.0 International Deed: https://creativecommons.org/licenses/by/4.0/)  I Knew a Guy by Kevin MacLeod (CC BY 3.0 Deed: Attribution 3.0 Unported: https://creativecommons.org/licenses/by/3.0/) Into Extinction by Mid-Air Machine (Attribution-Sharealike 4.0 International Deed: https://creativecommons.org/licenses/by-sa/4.0/)   Kretzmann Western by Daniel “BozoDel” Piovezan (CC0 1.0 Deed: CC0 1.0 Universal: https://creativecommons.org/publicdomain/zero/1.0/)  Our Giant's Alone by Mid-Air Machine (CC BY-SA 4.0: Attribution-Sharealike 4.0 International Deed: https://creativecommons.org/licenses/by-sa/4.0/)  Railroad's Whiskey Co by Jahzzar (CC BY-SA 3.0: Attribution-Sharealike 3.0 Unported: Deed: https://creativecommons.org/licenses/by-sa/3.0/)  Too Late for the Party by Unheard Music Concepts (CC by 4.0: Attribution 4.0 International Deed: https://creativecommons.org/licenses/by/4.0/)  Warm of Mechanical Heart by Kai Engel (CC by 4.0: Attribution 4.0 International Deed: https://creativecommons.org/licenses/by/4.0/)   Music (Purple-planet.com): Cat & Mouse Deadlock Palpitations The UFO Files Sound Effects (Freesound.org): FM Radio Tuning Sweep by davidbain (CC0 1.0: CC0 1.0 Universal Deed: https://creativecommons.org/publicdomain/zero/1.0/)  Glass Smash by Chewiesmissus (CC0 1.0: CC0 1.0 Universal Deed: https://creativecommons.org/publicdomain/zero/1.0/)

Ya tenemos un cuarto episodio para hablar de la película de ciencia-ficción que nos inició en el género en los años 70 (con el permiso de Kubrick, con el que tienen que ver mucho, y antes que "La guerra de las Galaxias" y todas las que vendrían después): se trata de Naves misteriosas (1972) (Silent running).Os contaremos como siempre cosas de su producción, de los actores (principalmente del magnífico Bruce Dern), la banda sonora (canciones maravillosas de Joan Baez), hablaremos del director, Douglas Trumbull, comentaremos la película (con muchos spoilers ;-) y muchas frikadas marca de la casa porque, en Programa Doble, más allá de nuestro rollo de viejitos de los Muppets y nuestras lagunas mentales, sólo queremos transmitir entusiasmo y curiosidad sobre el cine que nos gusta para que lo disfrutes el dobel, como nosotros.Programa Doble es un podcast de los hermanos Jose Luis y Daniel Megias Amat sobre las películas que veíamos de niños en nuestro pueblo (Almansa, provincia de Albacete) Durante aquellas sesiones de toda la tarde de sábado, domingo o festivo, disfrutábamos de dos películas seguidas (con descanso para merendar) en aquellos programas dobles o de sesión continúa donde podíamos vivir otros lugares, otras épocas, otras sensaciones que nos enseñaban cómo era el mundo fuera de nuestro pequeño dia a dia... En este podcast hablaremos de esas películas de finales de los 50, años 60 y 70, y principios de los 80 que llegaban a esos cines del pueblo, con una mirada crítica desde nuestro edad actual pero sin perder de vista esa otra mirada infantil, nostálgica de aquella época en que las vimos por primera vez. ATRIBUCIÓN Y DERECHOSMúsica de sintonia y fondo del programa: Notre-Dame by Jahzzar [CC BY-SA 3.0 DEED]Resto de fragmentos musicales y audios: (c) de sus respectivos autores, reproducidos con fines de comentario personal acorde con el derecho de cita en la obra audiovisual según el art. 32 de la LPI

Para este tercer episodio hemos decidido recordar las películas de los Hermanos Trinidad, revisitando la más famosa: Le llamaban Trinidad (1970) y también su continuación: Le seguían llamando Trinidad (1971).Por supuesto, hablaremos de las vidas y filmografía de Bud y Terence (que en realidad eran Carlo y Mario), comentaremos las películas y, como siempre, nos iremos por las ramas y hablaremos también del spaguetti western, de Leone y Morricone, de los rodajes en España y otras muchas cosas, trufando el programa con extractos de diálogos, bandas sonoras y hasta de programas de TV en un caótico Programa Doble donde, más allá de nuestro desastroso guión sólo queremos transmitir nuestro entusiasmo y curiosidad sobre el cine que una vez nos deslumbró cuando éramos menos jóvenes :)Programa Doble es un podcast de los hermanos Jose Luis y Daniel Megias Amat sobre las películas que veíamos de niños en nuestro pueblo (Almansa, provincia de Albacete) Durante aquellas sesiones de toda la tarde de sábado, domingo o festivo, disfrutábamos de dos películas seguidas (con descanso para merendar) en aquellos programas dobles o de sesión continúa donde podíamos vivir otros lugares, otras épocas, otras sensaciones que nos enseñaban cómo era el mundo fuera de nuestro pequeño dia a dia... En este podcast hablaremos de esas películas de finales de los 50, años 60 y 70, y principios de los 80 que llegaban a esos cines del pueblo, con una mirada crítica desde nuestro edad actual pero sin perder de vista esa otra mirada infantil, nostálgica de aquella época en que las vimos por primera vez. ATRIBUCIÓN Y DERECHOSMúsica de sintonia y fondo del programa: Notre-Dame by Jahzzar [CC BY-SA 3.0 DEED]Resto de fragmentos musicales y audios: (c) de sus respectivos autores, reproducidos con fines de comentario personal acorde con el derecho de cita en la obra audiovisual según el art. 32 de la LPI

Estrenamos este segundo episodio de Programa Doble con una película de serie B que nos impresionó cuando éramos más pequeños: Tarántula.Podrás escucharnos hablar de esta película dirigida por Jack Arnold en 1955 y nuestros comentarios sobre su rodaje, efectos especiales, el argumento y muchas cosas más sobre esta película y todo lo que le rodea. Programa Doble es un podcast de los hermanos Jose Luis y Daniel Megias Amat sobre las películas que veíamos de niños en nuestro pueblo (Almansa, provincia de Albacete) Durante aquellas sesiones de toda la tarde de sábado, domingo o festivo, disfrutábamos de dos películas seguidas (con descanso para merendar) en aquellos programas dobles o de sesión continúa donde podíamos vivir otros lugares, otras épocas, otras sensaciones que nos enseñaban cómo era el mundo fuera de nuestro pequeño dia a dia... En este podcast hablaremos de esas películas de finales de los 50, años 60 y 70, y principios de los 80 que llegaban a esos cines del pueblo, con una mirada crítica desde nuestro edad actual pero sin perder de vista esa otra mirada infantil, nostálgica de aquella época en que las vimos por primera vez. ATRIBUCIÓN Y DERECHOSMúsica de sintonia y fondo del programa: Notre-Dame by Jahzzar [CC BY-SA 3.0 DEED]Resto de fragmentos musicales y audios: (c) de sus respectivos autores, reproducidos con fines de comentario personal acorde con el derecho de cita en la obra audiovisual según el art. 32 de la LPI

The agents face off against the mindflayer impersonating Leomund after he learns of their affiliation to Navras, and help arrives from an unlikely source. Series Content Warning: Drug use, execution, gore, torture, violence Podcast Artwork: DrawForthArts: https://www.etsy.com/shop/drawfortharts Music (Freemusicarchive.org): b-rain by Jahzzar (CC BY-SA 4.0 Deed: Attribution-Sharealike 4.0 International: https://creativecommons.org/licenses/by-sa/4.0/)  Backed Vibes Clean by Kevin MacLeod (CC BY 3.0 Deed: Attribution 3.0 Unported: https://creativecommons.org/licenses/by/3.0/)  Circular Disorder by Unheard Music Concepts (CC by 4.0 Deed: Attribution 4.0 International: https://creativecommons.org/licenses/by/4.0/)  Crawling by Unheard Music Concepts (CC BY 4.0 Deed: Attribution: 4.0 International: https://creativecommons.org/licenses/by/4.0/)  Disconnected by Unheard Music Concepts (CC BY 4.0 Deed: Attribution 4.0 International: https://creativecommons.org/licenses/by/4.0/)  Dimmed Lights by Unheard Music Concepts (CC BY 4.0 Deed: Attribution 4.0 International: https://creativecommons.org/licenses/by/4.0/)  Dismal by Unheard Music Concepts (CC BY 4.0 Deed: Attribution 4.0 International: https://creativecommons.org/licenses/by/4.0/)  Endless Garden by Unheard Music Concepts (CC BY 4.0 Deed: Attribution 4.0 International: https://creativecommons.org/licenses/by/4.0/)  Faster Does It by Kevin MacLeod (CC BY 3.0 Deed: Attribution 3.0 Unported: https://creativecommons.org/licenses/by/3.0/)  Lost Time by Unheard Music Concepts (CC BY 4.0 Deed: Attribution 4.0 International: https://creativecommons.org/licenses/by/4.0/)  Moon Shadow by Little Glass Men (CC BY 4.0 Deed: Attribution 4.0 International: https://creativecommons.org/licenses/by/4.0/)  Shame by Unheard Music Concepts (CC BY 4.0 Deed: Attribution 4.0 International: https://creativecommons.org/licenses/by/4.0/)  Too Late for the Party by Unheard Music Concepts (CC BY 4.0 Deed: Attribution 4.0 International: https://creativecommons.org/licenses/by/4.0/)  Music (Purple-planet.com): Spy Story Sound Effects (Freesound.org):FM Radio Tuning Sweep by davidbain (CC0 1.0 Deed: CC0 1.0 Universal: https://creativecommons.org/publicdomain/zero/1.0/)

En este primer capítulo del podcast Programa Doble, los hermanos Megias Amat comentamos aquellos años de la niñes cuando nos pásabamos la tarde entera en ele cine viendo un programa doble (o sesión continua) y, para este episodio inicial, comentamos la película "Los vikingos" de 1958, dirigida por RIchard Fleischer y protagonizada por Kirk Douglas, Tony Curtis, Ernest Borgnine y Janet Leigh.Programa Doble es un podcast de los hermanos Jose Luis y Daniel Megias Amat sobre las películas que veíamos de niños en nuestro pueblo (Almansa, provincia de Albacete)Durante aquellas sesiones de toda la tarde de sábado, domingo o festivo, disfrutábamos de dos películas seguidas (con descanso para merendar) en aquellos programas dobles o de sesión continúa donde podíamos vivir otros lugares, otras épocas, otras sensaciones que nos enseñaban cómo era el mundo fuera de nuestro pequeño dia a dia...En este podcast hablaremos de esas películas de finales de los 50, años 60 y 70, y principios de los 80 que llegaban a esos cines del pueblo, con una mirada crítica desde nuestro edad actual pero sin perder de vista esa otra mirada infantil, nostálgica de aquella época en que las vimos por primera vez.ATRIBUCIÓN Y DERECHOSMúsica de sintonia y fondo del programa: Notre-Dame by Jahzzar [CC BY-SA 3.0 DEED]Resto de fragmentos musicales y audios: (c) de sus respectivos autores, reproducidos con fines de comentario personal acorde con el derecho de cita en la obra audiovisual según el art. 32 de la LPI

Danielle shares how as a doula she became disillusioned with the commonly-held New Zealand narrative that they have the 'gold standard' of maternity care. After seeing so many women traumatised and abused, not just in hospital but at homebirths too, she started to delve deeper into what was actually going on. Forced to examine her own behaviours and conditioning, Danielle began to see what was really needed to help women in their births. Danielle can be contacted via her Instagram @daniellejamescoaching or email: daniellejamescoaching@gmail.com Music credit: Vanlig by Jahzzar (CC BY-SA), Slow Epic by Lite Saturation (CC BY-ND) - Free Music Archive

MEDIA INDIGENA is back from its summer break with all-new shows, and we kick off with a far-ranging foursome of items, ranging from a historic provincial election in Manitoba to the RCMP opting not to lay charges against a Yellowknife doctor for the unilateral sterilization of an Inuk woman.  Joining host/producer Rick Harp for this first 'mini INDIGENA' of the season (recorded Friday, October 6) are two familiar voices, Brock Pitawanakwat (Associate Professor of Indigenous Studies at York University) and Ken Williams (assistant professor with the University of Alberta's department of drama). CREDITS: 'All Your Faustian Bargains' and 'Love Is Chemical' by Steve Combs (CC BY 4.0); '2.12.05 elevator' by BOPD (CC BY 4.0); 'Montmartre' by Jahzzar (CC BY-SA 4.0); 'Music Box Rag' by Heftone Banjo Orchestra (CC BY-SA 4.0)

Neste episódio, Rafael Carvalho e Adolfo Nomelini dão dicas de destinos pelo Brasil fáceis de serem conhecidos em viagens de ônibus. Além de ser uma forma segura e confortável, você ainda pode conseguir descontos imperdíveis nas suas próximas jornadas. Então escute as dicas e arrume as malas! Trilha: So Easy by Jahzzar (CC BY-SA 3.0)

Você já pensou em viajar pra Coreia do Norte, o país mais fechado do mundo? Como é a experiência? Conversamos com Mike Weiss, brasileiro que já viajou pra 158 países e visitou a nação do ditador Kim Jong-un. Ele fala de como um turista é recebido, das restrições e proibições do regime, dos perrengues, diferenças culturais e conta mais curiosidades. E ainda mostra que não é difícil planejar uma viagem pra lá caso você também tenha vontade! Trilha: Echoes by Jahzzar (CC BY-SA 3.0)

Qual são os erros mais comuns que podem estragar uma viagem? Rafael e Adolfo falam de documentos, cuidados com hospedagem, dicas para compra de passagens, bagagem, atenção às datas, medicamentos e muito mais. Além disso, contam histórias de suas viagens pelo Brasil e o mundo. Desrinite. Cloridrato de fexofenadina. Indicações: para o alívio das manifestações alérgicas. MS 1.5584.0606. SE PERSISTIREM OS SINTOMAS, O MÉDICO DEVERÁ SER CONSULTADO. Julho/2022." Trilha: So Easy by Jahzzar (CC BY-SA 3.0)

This week, it's another 'MINI' INDIGENA, where we pack in sizzling-hot takes on a flurry of items via social audio. Joining host/producer Rick Harp on Friday, May 20 via the Callin app were MI regulars Ken Williams (assistant professor with the University of Alberta's department of drama) and Trina Roache (Rogers Chair in Journalism at the University of King's College) as they discussed: • Might more and more settlers in Australia be finally taking climate change a tad more seriously now that it's made some of their homes effectively uninsurable? • Did mainstream media really just victim-blame a gunned-down Métis hunter? • How a Reuters / Globe and Mail article ("Indigenous Canadians [sic] make a painful plea on eve of British royal visit") triggered many of Trina's pet peeves about reportage on Indigenous peoples; • monthly Patreon podcast supporter Courtney asks: "Should local First Nations hold approval/veto power over urban planning and land use decisions on their traditional territories?" >> CREDITS: 'Blueprint' by Jahzzar (CC BY-SA 4.0); ‘In Shadows' by William Ross Chernoff's Nomads (CC-BY); ‘Feeling Like A Delicate Cookie' by Captive Portal (CC BY-SA 4.0)

For our sixth-ever 'MINI' INDIGENA, host/producer Rick Harp is joined by roundtable regulars—and fellow APTN National News alumni—Ken Williams (assistant professor, University of Alberta's department of drama) and Trina Roache (Rogers Chair in Journalism, University of King's College) to discuss: i) how some in Maine fear tribes potentially regaining some measure of sovereignty means they'll ‘flex their muscle' on environmental, fish and wildlife, and economic development; ii) whether the recent haul of hardware by Indigenous creatives at the Canadian Screen Awards means we can now get rid of special ‘Indigenous' categories; iii) how rampant and illegal poaching threatens wild white sage in California; iv) whether those who toppled the controversial ‘Gassy Jack' statue in downtown Vancouver were out of line for not first checking with regional Indigenous people >> CREDITS: 'Blueprint' by Jahzzar (CC BY-SA 4.0); ‘In Shadows' by William Ross Chernoff's Nomads (CC-BY); ‘Feeling Like A Delicate Cookie' by Captive Portal (CC BY-SA 4.0)

Brooke Shaden is one of a select few artists who manages to consistently create work that is so visceral and resonates so deeply that it makes me want to step into the picture so I can inhabit that world, even for a moment. Her work is sometimes haunting, sometimes dark, sometimes disturbing, but always interesting and challenging enough, both conceptually and technically, that I've been a fan for years and am always eager to see what she comes up with next. I've wanted to talk to her for a long time and I'm so grateful that we could make this happen. CONNECT WITH BROOKEWebsite: https://brookeshaden.com/Facebook: Brooke Shaden PhotographyInstagram: @brookeshaden CONNECT WITH MEWebsite: https://jefferysaddoris.comTwitter: @jefferysaddorisInstagram: @jefferysaddoris MUSICNormalize by Stanley GurvichPlease Listen Carefully by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.

Brooke Shaden is one of a select few artists who manages to consistently create work that is so visceral and resonates so deeply that it makes me want to step into the picture so I can inhabit that world, even for a moment. Her work is sometimes haunting, sometimes dark, sometimes disturbing, but always interesting and challenging enough, both conceptually and technically, that I've been a fan for years and am always eager to see what she comes up with next. I've wanted to talk to her for a long time and I'm so grateful that we could make this happen. CONNECT WITH BROOKEWebsite: https://brookeshaden.com/Facebook: Brooke Shaden PhotographyInstagram: @brookeshaden CONNECT WITH MEWebsite: https://jefferysaddoris.comTwitter: @jefferysaddorisInstagram: @jefferysaddoris MUSICNormalize by Stanley GurvichPlease Listen Carefully by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.Support the show (https://jefferysaddoris.com/#donate)

Brooke Shaden is one of a select few artists who manages to consistently create work that is so visceral and resonates so deeply that it makes me want to step into the picture so I can inhabit that world, even for a moment. Her work is sometimes haunting, sometimes dark, sometimes disturbing, but always interesting and challenging enough, both conceptually and technically, that I've been a fan for years and am always eager to see what she comes up with next. I've wanted to talk to her for a long time and I'm so grateful that we could make this happen. CONNECT WITH BROOKEWebsite: https://brookeshaden.com/Facebook: Brooke Shaden PhotographyInstagram: @brookeshaden CONNECT WITH MEWebsite: https://jefferysaddoris.comTwitter: @jefferysaddorisInstagram: @jefferysaddoris MUSICNormalize by Stanley GurvichPlease Listen Carefully by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.

I think one of the things that made Father Bill Moore so important to me was the fact that he was one of a small group of non-family members and non-friends to say that I had talent as a painter and that I had something to say with my work and he was one of an even smaller group of people who I would consider a mentor in my life. This is probably something for another time, but I don't think you can seek out a mentor — not intentionally and not with any real specificity in terms of who that person will be. That's the way I feel about all of the mentors in my life. I never sought them out, but somehow our paths crossed and my life was made better for it. And hopefully theirs were too.SHOW NOTESFather Bill Moore – https://frbillmoore.com/The Father Bill Moore Foundation – https://fatherbill.artThe dA Center for the Arts – https://www.dacenter.orgPomona Arts Colony – https://www.pomonaartscolony.com Music in this episodeReconciled by Sean WilliamsThe Wrong Way by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist WANT TO SUPPORT THE WORK I'M DOING?Subscribe: Apple Podcasts | Pocket Casts | Overcast | RSS | SpotifyTell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I've made a video showing you how: Create Custom Audiograms with Recast by Simplecast – YouTubeBuy a copy of my book: Photography by the Letter

I think one of the things that made Father Bill Moore so important to me was the fact that he was one of a small group of non-family members and non-friends to say that I had talent as a painter and that I had something to say with my work and he was one of an even smaller group of people who I would consider a mentor in my life. This is probably something for another time, but I don't think you can seek out a mentor — not intentionally and not with any real specificity in terms of who that person will be. That's the way I feel about all of the mentors in my life. I never sought them out, but somehow our paths crossed and my life was made better for it. And hopefully theirs were too.SHOW NOTESFather Bill Moore – https://frbillmoore.com/The Father Bill Moore Foundation – https://fatherbill.artThe dA Center for the Arts – https://www.dacenter.orgPomona Arts Colony – https://www.pomonaartscolony.com Music in this episodeReconciled by Sean WilliamsThe Wrong Way by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist WANT TO SUPPORT THE WORK I'M DOING?Subscribe: Apple Podcasts | Pocket Casts | Overcast | RSS | SpotifyTell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I've made a video showing you how: Create Custom Audiograms with Recast by Simplecast – YouTubeBuy a copy of my book: Photography by the LetterSupport the show (https://jefferysaddoris.com/#donate)

I think one of the things that made Father Bill Moore so important to me was the fact that he was one of a small group of non-family members and non-friends to say that I had talent as a painter and that I had something to say with my work and he was one of an even smaller group of people who I would consider a mentor in my life. This is probably something for another time, but I don't think you can seek out a mentor — not intentionally and not with any real specificity in terms of who that person will be. That's the way I feel about all of the mentors in my life. I never sought them out, but somehow our paths crossed and my life was made better for it. And hopefully theirs were too.SHOW NOTESFather Bill Moore – https://frbillmoore.com/The Father Bill Moore Foundation – https://fatherbill.artThe dA Center for the Arts – https://www.dacenter.orgPomona Arts Colony – https://www.pomonaartscolony.com Music in this episodeReconciled by Sean WilliamsThe Wrong Way by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist WANT TO SUPPORT THE WORK I'M DOING?Subscribe: Apple Podcasts | Pocket Casts | Overcast | RSS | SpotifyTell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I've made a video showing you how: Create Custom Audiograms with Recast by Simplecast – YouTubeBuy a copy of my book: Photography by the Letter

I think Ben Horne and I first talked about recording together in 2018, not long after I was introduced to his work. But as John Lennon famously said, “Life is what happens when you're making other plans” and for one reason or another, we just couldn't get our schedules in sync, but I am so grateful that we were able to circle back around and make this happen. I am a huge fan of Ben's work. I think one of his superpowers as a photographer is capturing the quiet drama of big places — subjects and scenes that most of us would simply ignore if we even noticed them at all. It's beautiful work and I'm happy to finally connect with Ben to talk about it. LINKSZion National ParkYosemite National ParkDeath Valley National ParkColorado Plateau Film RevealBen's Portfolio Box Set CONNECT WITH BENWebsite: https://www.benhorne.comTwitter: @BenHorneInstagram: @benhornephoto CONNECT WITH MEWebsite: https://jefferysaddoris.comTwitter: @jefferysaddorisInstagram: @jefferysaddoris MUSICNormalize by Stanley GurvichWhat Have We Lost by David James TerryPlease Listen Carefully by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.

I think Ben Horne and I first talked about recording together in 2018, not long after I was introduced to his work. But as John Lennon famously said, “Life is what happens when you're making other plans” and for one reason or another, we just couldn't get our schedules in sync, but I am so grateful that we were able to circle back around and make this happen. I am a huge fan of Ben's work. I think one of his superpowers as a photographer is capturing the quiet drama of big places — subjects and scenes that most of us would simply ignore if we even noticed them at all. It's beautiful work and I'm happy to finally connect with Ben to talk about it. LINKSZion National ParkYosemite National ParkDeath Valley National ParkColorado Plateau Film RevealBen's Portfolio Box Set CONNECT WITH BENWebsite: https://www.benhorne.comTwitter: @BenHorneInstagram: @benhornephoto CONNECT WITH MEWebsite: https://jefferysaddoris.comTwitter: @jefferysaddorisInstagram: @jefferysaddoris MUSICNormalize by Stanley GurvichWhat Have We Lost by David James TerryPlease Listen Carefully by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.Support the show (https://jefferysaddoris.com/#donate)

I think Ben Horne and I first talked about recording together in 2018, not long after I was introduced to his work. But as John Lennon famously said, “Life is what happens when you're making other plans” and for one reason or another, we just couldn't get our schedules in sync, but I am so grateful that we were able to circle back around and make this happen. I am a huge fan of Ben's work. I think one of his superpowers as a photographer is capturing the quiet drama of big places — subjects and scenes that most of us would simply ignore if we even noticed them at all. It's beautiful work and I'm happy to finally connect with Ben to talk about it. LINKSZion National ParkYosemite National ParkDeath Valley National ParkColorado Plateau Film RevealBen's Portfolio Box Set CONNECT WITH BENWebsite: https://www.benhorne.comTwitter: @BenHorneInstagram: @benhornephoto CONNECT WITH MEWebsite: https://jefferysaddoris.comTwitter: @jefferysaddorisInstagram: @jefferysaddoris MUSICNormalize by Stanley GurvichWhat Have We Lost by David James TerryPlease Listen Carefully by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.

"Hindu culture and the caste system," writes Gail Omvedt in her EPW article on Jotirao Phule in 1971 "rested upon Brahmanism; hence Phule, who aimed for the complete destruction of caste, superstition and inequality within Indian tradition, linked his thought with a movement of opposition to the Brahman elite." On Phule's birth anniversary, we'll discuss his writing on caste, class, and gender relations in South Asia and importantly, the methods he used to counter Brahmanism and patriarchy in collaboration with his co-traveller and wife Savitribai Phule. Tejas Harad joins us on Research Radio to discuss his engagement and research primarily on Jotirao Phule. Tejas has worked at EPW since 2013 as a copy-editor and regularly contributes to multiple news publications in his individual capacity. We will also partially focus on Savitribai Phule, but this episode does not cover the depth of her work. Last year, Tejas started a bilingual journal called the Satyashodhak to make the Satyashodhak Samaj archive more accessible to people but the portal's focus is not limited to that, in his words. A few articles on the Jotirao Phule and related topics: Jotirao Phule and the Ideology of Social Revolution in India, Gail Omvedt, 1971 Education as Trutiya Ratna: Towards Phule-Ambedkarite Feminist Pedagogical Practice, Sharmila Rege, 2010 Liberating Jyotiba Phule, Gopal Guru, 2003 Remembering Jotiba Phule, the Mahatma Who Fought Against Brahmin Hegemony, Tejas Harad, 2018 Varna System in the Dharmasutras, Tejas Harad, 2020 Audio courtesy: The last ones by Jahzzar [CC BY-SA 3.0].

Debates over caste-based reservations in India consistently make front-page news. Dominant political parties and the judiciary perform vital roles in ensuring the implementation of this measure to address historic and enduring injustices, social exclusion, and deep-seated inequality in favour of Savarna castes in India. How well has the judiciary fared in ensuring that reservations are implemented? This week on Research Radio, Sameena Dalwai and Aabhinav Tyagi join us to discuss their work on the Indian judiciary and reservations. Dr Dalwai is with the Jindal Global Law School, Sonipat. She writes in Marathi and English on caste, gender, sexuality, cultural nationalism, and the law. Aabhinav teaches political science at Scottish International School, Shamli. He hosts a new podcast called “The Gobarment.” We'll be discussing their EPW article titled “Impact of Uttarakhand's Reservation Judgment on Women.” This episode was recorded in July 2020 and, therefore, does not comment on recent developments on reservations. Audio courtesy: The last ones by Jahzzar [CC BY-SA 3.0].

Let's turn back the clock to a century ago. We're in 1923 and the Bombay Legislative Council has just passed a resolution enabling Dalits to access public places like wells and water tanks. Four years later in 1927, however, Savarnas continued to prevent Dalits from accessing drinking water. On 20 March that year, Babasaheb Ambedkar led a public demonstration where Dalits collectively drank water from a public tank in Maharashtra's Mahad district. While these were landmark acts, Savarnas continue to prevent Dalits, and particularly Dalit women, from accessing drinking water. We'll learn more about this, and the important shifts brought under the colonial, post-colonial, and liberalisation periods in India. Deepa Joshi joins us to discuss her work on access to water. Dr Joshi is with the International Water Management Institutes and Research Program on Water, and Ecosystem where she is the Gender, Youth, and Inclusion Lead. We'll discuss her EPW article “Caste, Gender and the Rhetoric of Reform in India's Drinking Water Sector. Audio courtesy: The last ones by Jahzzar [CC BY-SA 3.0].

Government school teachers are often blamed for the poor state of public education in India. Some scholars and commentators claim that they are incompetent, absent from classrooms, and overpaid, particularly when compared to teachers in the private sector. We'll investigate if this is true. Protiva Kundu joins us this week to discuss the state of India's public education system by focusing on teachers. Dr Kundu is with the Centre for Budget and Governance Accountability where she leads research on the financing of education. We'll discuss her EPW article where she analyses data from six states to understand if teachers are the ones who are letting our system down. In the second half of the podcast, we'll also discuss the landmark National Education Policy, 2020 and we'll focus on its impact on teachers. Also, have a look at the interactive feature we made based on the article: http://bit.ly/teachers-epw. Audio courtesy: The last ones by Jahzzar [CC BY-SA 3.0].

While I've never really done one myself — not intentionally anyway — I am fascinated by long-term creative projects. I find the whole idea of intentionally and purposefully immersing yourself in something you know is going to take years to realize both inspiring and a little terrifying. But I guess if you find the right project, the challenges, obstacles and accidents both happy and unhappy make the journey of bringing whatever it is to life that much more rewarding.Marc Wilson is a photographer in the UK who has completed two such projects back to back. From 2010 to 2014, he produced a body of work called The Last Stand which, in his words “aims to reflect the histories and stories military conflict and the memories held in the landscape itself.” In 2015, after releasing the body of work as a book, he began work on his next project, A Wounded Landscape – bearing witness to the Holocaust, which is based around 22 Holocaust survivor stories. The six-year project, culminating in a 750-page book, was made at more than 160 locations and is told through more than 350 photographs, as well as transcripts of conversations, research and sound. I am so grateful for the opportunity to talk about this powerful and important body of work. LINKSKickstarter for A Wounded Landscape – bearing witness to the Holocaust CONNECT WITH MARCWebsite: https://www.marcwilson.co.uk/Twitter: @marcwilsonphotoInstagram: @marcwilsonphoto CONNECT WITH MEWebsite: https://jefferysaddoris.comTwitter: @jefferysaddorisInstagram: @jefferysaddoris MUSICNormalize by Stanley GurvichMysa by Laurel VioletPlease Listen Carefully by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.

While I've never really done one myself — not intentionally anyway — I am fascinated by long-term creative projects. I find the whole idea of intentionally and purposefully immersing yourself in something you know is going to take years to realize both inspiring and a little terrifying. But I guess if you find the right project, the challenges, obstacles and accidents both happy and unhappy make the journey of bringing whatever it is to life that much more rewarding.Marc Wilson is a photographer in the UK who has completed two such projects back to back. From 2010 to 2014, he produced a body of work called The Last Stand which, in his words “aims to reflect the histories and stories military conflict and the memories held in the landscape itself.” In 2015, after releasing the body of work as a book, he began work on his next project, A Wounded Landscape – bearing witness to the Holocaust, which is based around 22 Holocaust survivor stories. The six-year project, culminating in a 750-page book, was made at more than 160 locations and is told through more than 350 photographs, as well as transcripts of conversations, research and sound. I am so grateful for the opportunity to talk about this powerful and important body of work. LINKSKickstarter for A Wounded Landscape – bearing witness to the Holocaust CONNECT WITH MARCWebsite: https://www.marcwilson.co.uk/Twitter: @marcwilsonphotoInstagram: @marcwilsonphoto CONNECT WITH MEWebsite: https://jefferysaddoris.comTwitter: @jefferysaddorisInstagram: @jefferysaddoris MUSICNormalize by Stanley GurvichMysa by Laurel VioletPlease Listen Carefully by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.Support the show (https://jefferysaddoris.com/#donate)

While I've never really done one myself — not intentionally anyway — I am fascinated by long-term creative projects. I find the whole idea of intentionally and purposefully immersing yourself in something you know is going to take years to realize both inspiring and a little terrifying. But I guess if you find the right project, the challenges, obstacles and accidents both happy and unhappy make the journey of bringing whatever it is to life that much more rewarding.Marc Wilson is a photographer in the UK who has completed two such projects back to back. From 2010 to 2014, he produced a body of work called The Last Stand which, in his words “aims to reflect the histories and stories military conflict and the memories held in the landscape itself.” In 2015, after releasing the body of work as a book, he began work on his next project, A Wounded Landscape – bearing witness to the Holocaust, which is based around 22 Holocaust survivor stories. The six-year project, culminating in a 750-page book, was made at more than 160 locations and is told through more than 350 photographs, as well as transcripts of conversations, research and sound. I am so grateful for the opportunity to talk about this powerful and important body of work. LINKSKickstarter for A Wounded Landscape – bearing witness to the Holocaust CONNECT WITH MARCWebsite: https://www.marcwilson.co.uk/Twitter: @marcwilsonphotoInstagram: @marcwilsonphoto CONNECT WITH MEWebsite: https://jefferysaddoris.comTwitter: @jefferysaddorisInstagram: @jefferysaddoris MUSICNormalize by Stanley GurvichMysa by Laurel VioletPlease Listen Carefully by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.

The strict lockdown announced last March was followed by an increase in violence against women and girls by cis-men, and particularly violence in the ostensibly sacred and safe space of the home. Today we'll ask—how can domestic violence be prevented? Poonam Kathuria and Jasoda Rana join us on Research Radio to discuss their efforts to support survivors. Jasoda Rana is a counselor with Violence Prevention and Support cell, at the Community Health and Referral hospital, in Radhanpur, Gujarat. She works with survivors of sexual assault and domestic violence. Poonam Kathuria is the founder-director of the Society for Women's Action and Training Initiatives-SWATI. Poonam has over 25 years of experience in a leadership role working for the prevention of gender-based violence, women's empowerment, and leadership. The public health system is supposed to provide girls and women with care and rehabilitation, besides documenting and providing evidence of the violence. We'll explore how this system can be improved based on SWATI's article “Making Rural Healthcare System Responsive to Domestic Violence: Notes from Patan in Gujarat” (outside the paywall). Audio courtesy: The last ones by Jahzzar [CC BY-SA 3.0].

In the middle of 2019, Netflix launched a show called Blown Away, which is a competition show for glass artists. The promos looked terrific and I think Adrianne and I were hooked from pretty much the first episode. We binged the whole season and it became sort of our go to recommendation for our Netflix-watching friends. I even reached out to Alex Rosenberg, one of the contestants on the show, who I sat down with for an episode of Process Driven.Fast forward to the beginning of this year when Netflix finally released season two of Blown Away and for the next ten episodes, Adrianne and I were right back in the hot shop with a new group of artists. And just like with season one, I know I wanted to talk to one of the contestants and I knew exactly who I wanted it to be. Both Adrianne and I were fans of Elliot Walker straight away. There was just something about his demeanor in the shop, not to mention that we absolutely loved what he made on the show. I really resonated with his approach to the materials, and the sense of humor he brought to the pieces he was making. I also really connected with how he spoke about his partner Bethany, who is not only his girlfriend, but also his assistant, his muse, and the curator of their gallery, Blowfish Glass.And just so you know, this conversation does contain spoilers. So if you haven't seen season two, consider yourself warned. LINKSBlown Away on Netflix: https://www.netflix.com/title/80215147Blown Away on IMDb: https://www.imdb.com/title/tt9908860/?ref_=ttep_ep_ttAlexander Rosenberg on Process Driven: https://jefferysaddoris.com/everything/processdriven-28/ CONNECT WITH ELLIOT AND BETHANYGallery: https://www.blowfishglassart.comWebsite: http://ewalkerglassart.co.ukInstagram (Elliot): @ewalkerglassartInstagram (Bethany): @bethjadewood CONNECT WITH MEWebsite: https://jefferysaddoris.comTwitter: @jefferysaddorisInstagram: @jefferysaddoris MUSICReconciled by Sean WilliamsNormalize by Stanley GurvichPlease Listen Carefully by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.

In the middle of 2019, Netflix launched a show called Blown Away, which is a competition show for glass artists. The promos looked terrific and I think Adrianne and I were hooked from pretty much the first episode. We binged the whole season and it became sort of our go to recommendation for our Netflix-watching friends. I even reached out to Alex Rosenberg, one of the contestants on the show, who I sat down with for an episode of Process Driven.Fast forward to the beginning of this year when Netflix finally released season two of Blown Away and for the next ten episodes, Adrianne and I were right back in the hot shop with a new group of artists. And just like with season one, I know I wanted to talk to one of the contestants and I knew exactly who I wanted it to be. Both Adrianne and I were fans of Elliot Walker straight away. There was just something about his demeanor in the shop, not to mention that we absolutely loved what he made on the show. I really resonated with his approach to the materials, and the sense of humor he brought to the pieces he was making. I also really connected with how he spoke about his partner Bethany, who is not only his girlfriend, but also his assistant, his muse, and the curator of their gallery, Blowfish Glass.And just so you know, this conversation does contain spoilers. So if you haven't seen season two, consider yourself warned. LINKSBlown Away on Netflix: https://www.netflix.com/title/80215147Blown Away on IMDb: https://www.imdb.com/title/tt9908860/?ref_=ttep_ep_ttAlexander Rosenberg on Process Driven: https://jefferysaddoris.com/everything/processdriven-28/ CONNECT WITH ELLIOT AND BETHANYGallery: https://www.blowfishglassart.comWebsite: http://ewalkerglassart.co.ukInstagram (Elliot): @ewalkerglassartInstagram (Bethany): @bethjadewood CONNECT WITH MEWebsite: https://jefferysaddoris.comTwitter: @jefferysaddorisInstagram: @jefferysaddoris MUSICReconciled by Sean WilliamsNormalize by Stanley GurvichPlease Listen Carefully by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.Support the show (https://jefferysaddoris.com/#donate)

In the middle of 2019, Netflix launched a show called Blown Away, which is a competition show for glass artists. The promos looked terrific and I think Adrianne and I were hooked from pretty much the first episode. We binged the whole season and it became sort of our go to recommendation for our Netflix-watching friends. I even reached out to Alex Rosenberg, one of the contestants on the show, who I sat down with for an episode of Process Driven.Fast forward to the beginning of this year when Netflix finally released season two of Blown Away and for the next ten episodes, Adrianne and I were right back in the hot shop with a new group of artists. And just like with season one, I know I wanted to talk to one of the contestants and I knew exactly who I wanted it to be. Both Adrianne and I were fans of Elliot Walker straight away. There was just something about his demeanor in the shop, not to mention that we absolutely loved what he made on the show. I really resonated with his approach to the materials, and the sense of humor he brought to the pieces he was making. I also really connected with how he spoke about his partner Bethany, who is not only his girlfriend, but also his assistant, his muse, and the curator of their gallery, Blowfish Glass.And just so you know, this conversation does contain spoilers. So if you haven't seen season two, consider yourself warned. LINKSBlown Away on Netflix: https://www.netflix.com/title/80215147Blown Away on IMDb: https://www.imdb.com/title/tt9908860/?ref_=ttep_ep_ttAlexander Rosenberg on Process Driven: https://jefferysaddoris.com/everything/processdriven-28/ CONNECT WITH ELLIOT AND BETHANYGallery: https://www.blowfishglassart.comWebsite: http://ewalkerglassart.co.ukInstagram (Elliot): @ewalkerglassartInstagram (Bethany): @bethjadewood CONNECT WITH MEWebsite: https://jefferysaddoris.comTwitter: @jefferysaddorisInstagram: @jefferysaddoris MUSICReconciled by Sean WilliamsNormalize by Stanley GurvichPlease Listen Carefully by Jahzzar (CC BY-SA 4.0)Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.

“Wash your hands with soap for twenty seconds and wear masks." Such reminders have become ubiquitous since the start of the COVID-19 pandemic. Hospitals are supposed to be the flag bearers of hygienic practices to curb the spread of infectious diseases. Today, we'll ask if public hospitals in India are hygienic. We will speak to Payal Hathi and Nikhil Srivastav about how caste-based-discrimination by Savarnas negatively affects the health of patients and leads to exploitative work conditions for hospital cleaners. Payal Hathi is with the Research Institute for Compassionate Economics (r.i.c.e) and is a graduate student at the University of California, Berkeley. Nikhil Srivastav is also associated with r.i.c.e. and Research And Action for Health in India (RAAHI). We will discuss their article “Caste Prejudice and Infection: Why a Dangerous Lack of Hygiene Persists in Government Hospitals." Audio courtesy: The last ones by Jahzzar [CC BY-SA 3.0].

Two decades ago, a survey found that only about one in four Adivasis in Tamil Nadu's Gudalur town were literate and the rate among women was even lower. Adivasi student enrollment in specialised public schools was extremely low and the conditions of the schools were far from adequate. “Non-Adivasi teachers and staff showed little empathy or concern for the Adivasi children,” write the three guests for today's episode. This grim picture has transformed significantly in much deeper ways than the brush-stroke statistics shared above. We'll learn about the story of this transformation. A scholar and two educationists join us on Research Radio today. Amman Madan studied anthropology and currently teaches at Azim Premji University, Bengaluru. Dr Madan works on promoting dialogue and justice through education. Rama Sastry has been a passionate teacher who has taught marginalised children for four decades. B Ramdas has also been in the education space for four decades, and along with Rama, is a trustee of the Viswa Bharati Vidyodaya Trust, Gudalur, Nilgiris. Before we hear from them, a little more context: Rama and Ramdas, along with their colleagues, have worked to actualise the transformative potential of education for Adivasi students in the town of Gudalur, located in the Nilgiris. The town is home to five Adivasi communities: the Paniyas, the Bettukurumbas, the Mullukurumbas, the Kattunayakas, and the Irulas. They constitute about 10% of the population of Gudalur. And we'll learn more about their educational journey based on their article: "Social Movements and Educational Change: A Case Study of the Adivasi Munnetra Sangam." Audio courtesy: The last ones by Jahzzar [CC BY-SA 3.0].

In Process Driven 37, I had part one of this two part conversation with Documentarist, Jack Lowe. And while you don't need to have listened to part one to enjoy this conversation, I invite you to go back and listen to it if you haven't. Among other things, we talked about the origins of Jack's Lifeboat Station Project, which has him traveling to all 238 lifeboat stations around the UK in his mobile darkroom Neena to make photographs with his 12×10 inch wet plate camera. In this conversation, we talk about some of the motivations for the project and the supportive community that has grown around it, as well as what Jack hopes people will take away from the body of work as a whole. And just as we did in part one, we go down a few rabbit holes and, of course, talk a bit more about The Life Aquatic. LINKSThe Life AquaticPart One of this conversation CONNECT WITH JACKWebsite: https://lifeboatstationproject.comTwitter: @ProjectLifeboat MUSICReconciled by Sean WilliamsNormalize by Stanley GurvichPlease Listen Carefully by Jahzzar (CC BY-SA 4.0) Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.

In Process Driven 37, I had part one of this two part conversation with Documentarist, Jack Lowe. And while you don't need to have listened to part one to enjoy this conversation, I invite you to go back and listen to it if you haven't. Among other things, we talked about the origins of Jack's Lifeboat Station Project, which has him traveling to all 238 lifeboat stations around the UK in his mobile darkroom Neena to make photographs with his 12×10 inch wet plate camera. In this conversation, we talk about some of the motivations for the project and the supportive community that has grown around it, as well as what Jack hopes people will take away from the body of work as a whole. And just as we did in part one, we go down a few rabbit holes and, of course, talk a bit more about The Life Aquatic. LINKSThe Life AquaticPart One of this conversation CONNECT WITH JACKWebsite: https://lifeboatstationproject.comTwitter: @ProjectLifeboat MUSICReconciled by Sean WilliamsNormalize by Stanley GurvichPlease Listen Carefully by Jahzzar (CC BY-SA 4.0) Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.Support the show (https://jefferysaddoris.com/#donate)

In Process Driven 37, I had part one of this two part conversation with Documentarist, Jack Lowe. And while you don't need to have listened to part one to enjoy this conversation, I invite you to go back and listen to it if you haven't. Among other things, we talked about the origins of Jack's Lifeboat Station Project, which has him traveling to all 238 lifeboat stations around the UK in his mobile darkroom Neena to make photographs with his 12×10 inch wet plate camera. In this conversation, we talk about some of the motivations for the project and the supportive community that has grown around it, as well as what Jack hopes people will take away from the body of work as a whole. And just as we did in part one, we go down a few rabbit holes and, of course, talk a bit more about The Life Aquatic. LINKSThe Life AquaticPart One of this conversation CONNECT WITH JACKWebsite: https://lifeboatstationproject.comTwitter: @ProjectLifeboat MUSICReconciled by Sean WilliamsNormalize by Stanley GurvichPlease Listen Carefully by Jahzzar (CC BY-SA 4.0) Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.

South Asia has witnessed vibrant movements against patriarchy and the caste system. However, these struggles have historically been fought separately, and at worse, in competing ways. Despite this, Dalit feminists have underscored the need to view caste and patriarchal systems as functioning in tandem. Rekha Raj joins us to discuss her article "Dalit Women as Political Agents." Raj is a Dalit feminist writer and activist. She is with the School of Gandhian Thought and Development Studies at M G University, Kerala. Audio courtesy: The last ones by Jahzzar [CC BY-SA 3.0].

At the beginning of the year, I released an episode called Setting the Intention for 2021, and one of the things I talked about was how I wanted to make some changes to my shows, both in who I approach to record with and in how I actually produce and edit the episodes, for example using music and sound effects to enhance the ambience or atmosphere of an episode when it's appropriate and serves the story.The first person I met on the back of all of this was Jack Lowe and I can't really even tell you where I first heard his name or saw photos from his Lifeboat Station Project – most likely it was something that popped up on Twitter which over the past several months has become a terrific way for me to discover new work and connect with interesting people. Regardless, once I dove into a bit of Jack's work, I knew I wanted to talk to him. LINKSAmbient Isolation: https://www.ambientisolation.comMatthew George Tuckey: @MGTuckeyJack's Dawn Chorus: https://m.soundcloud.com/mrjacklowe/sets/dawn-chorusDaniel Meadows: https://www.photobus.co.ukAnthony Hopkins' “Be bold…”: https://twitter.com/AnthonyHopkins/status/1344008299490861056 JACK'S FIELD RECORDING KITMixPre-3 II: https://www.sounddevices.com/mixpre/DPA 6060 Spaced Stereo Pair: https://www.dpamicrophones.comAudio-Technica M40X: https://www.audio-technica.com/en-us/ath-m40x CONNECT WITH JACKWebsite: https://lifeboatstationproject.comTwitter: @ProjectLifeboat MUSICReconciled by Sean WilliamsNormalize by Stanley GurvichPlease Listen Carefully by Jahzzar (CC BY-SA 4.0) Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.

At the beginning of the year, I released an episode called Setting the Intention for 2021, and one of the things I talked about was how I wanted to make some changes to my shows, both in who I approach to record with and in how I actually produce and edit the episodes, for example using music and sound effects to enhance the ambience or atmosphere of an episode when it's appropriate and serves the story.The first person I met on the back of all of this was Jack Lowe and I can't really even tell you where I first heard his name or saw photos from his Lifeboat Station Project – most likely it was something that popped up on Twitter which over the past several months has become a terrific way for me to discover new work and connect with interesting people. Regardless, once I dove into a bit of Jack's work, I knew I wanted to talk to him. LINKSAmbient Isolation: https://www.ambientisolation.comMatthew George Tuckey: @MGTuckeyJack's Dawn Chorus: https://m.soundcloud.com/mrjacklowe/sets/dawn-chorusDaniel Meadows: https://www.photobus.co.ukAnthony Hopkins' “Be bold…”: https://twitter.com/AnthonyHopkins/status/1344008299490861056 JACK'S FIELD RECORDING KITMixPre-3 II: https://www.sounddevices.com/mixpre/DPA 6060 Spaced Stereo Pair: https://www.dpamicrophones.comAudio-Technica M40X: https://www.audio-technica.com/en-us/ath-m40x CONNECT WITH JACKWebsite: https://lifeboatstationproject.comTwitter: @ProjectLifeboat MUSICReconciled by Sean WilliamsNormalize by Stanley GurvichPlease Listen Carefully by Jahzzar (CC BY-SA 4.0) Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.Support the show (https://jefferysaddoris.com/#donate)

At the beginning of the year, I released an episode called Setting the Intention for 2021, and one of the things I talked about was how I wanted to make some changes to my shows, both in who I approach to record with and in how I actually produce and edit the episodes, for example using music and sound effects to enhance the ambience or atmosphere of an episode when it's appropriate and serves the story.The first person I met on the back of all of this was Jack Lowe and I can't really even tell you where I first heard his name or saw photos from his Lifeboat Station Project – most likely it was something that popped up on Twitter which over the past several months has become a terrific way for me to discover new work and connect with interesting people. Regardless, once I dove into a bit of Jack's work, I knew I wanted to talk to him. LINKSAmbient Isolation: https://www.ambientisolation.comMatthew George Tuckey: @MGTuckeyJack's Dawn Chorus: https://m.soundcloud.com/mrjacklowe/sets/dawn-chorusDaniel Meadows: https://www.photobus.co.ukAnthony Hopkins' “Be bold…”: https://twitter.com/AnthonyHopkins/status/1344008299490861056 JACK'S FIELD RECORDING KITMixPre-3 II: https://www.sounddevices.com/mixpre/DPA 6060 Spaced Stereo Pair: https://www.dpamicrophones.comAudio-Technica M40X: https://www.audio-technica.com/en-us/ath-m40x CONNECT WITH JACKWebsite: https://lifeboatstationproject.comTwitter: @ProjectLifeboat MUSICReconciled by Sean WilliamsNormalize by Stanley GurvichPlease Listen Carefully by Jahzzar (CC BY-SA 4.0) Music featured in this episode is licensed from Artlist, which is a terrific music licensing platform for YouTubers and filmmakers. Use the following link to get two additional months of Artlist free when you sign up: https://bit.ly/JS_Artlist This post may contain affiliate links. If you use these links to buy something, I may earn a commission. Thanks.

Despite having one of the largest food security programmes in the world, why are Indians overwhelmingly going hungry? Last October, India slipped to the 94th position among 107 countries in the Global Hunger Index, behind several neighbours including Nepal, Bangladesh, and Pakistan. We have a lot of ground to cover in this episode, and we'll delve deeper into the public distribution system that seeks to cover 90 crore Indians. Four economists will join us this week on Research Radio: Jean Dreze, Reetika Khera, Isabel Pimenta, and Prankur Gupta. Dr Khera is with the IIT Delhi, Dr Dreze is with Ranchi University. Isabel was formerly with the European Commission in the Directorate General for International Cooperation and Development, Brussels. Prankur is a PhD scholar at The University of Texas at Austin. We will discuss their article titled "Casting the Net: India's Public Distribution System after the Food Security Act." Also have a look at the article "Aadhaar and Food Security in Jharkhand: Pain without Gain?" and a related feature "The Aadhaar Game: Can You Survive This Maze To Reach Your Food Ration?" Audio courtesy: The last ones by Jahzzar [CC BY-SA 3.0].

At best, only three in ten Indians are vegetarians, and more realistically less than two in ten are vegetarians. Yet, India is often portrayed as a land of vegetarians in popular culture. Our guests will probe this representation, and reveal how vegetarianism varies across caste, religion, class, gender, state and time. We will speak to Balmurli Natarajan and Suraj Jacob about the politics of vegetarianism in India. Dr Jacob is a political economist affiliated with Azim Premji University, Bengaluru and Centre for Development Studies, Trivandrum. Dr Natrajan is an anthropologist affiliated with William Paterson University of New Jersey, United States and Azim Premji University, Bengaluru. We will discuss their EPW articles titled "'Provincialising' Vegetarianism: Putting Indian Food Habits in Their Place" and "Deepening Divides: The Caste, Class and Regional Face of Vegetarianism." Audio courtesy: The last ones by Jahzzar [CC BY-SA 3.0].

Indian society is suited to meet the needs of certain kinds of bodies over others that are deemed disabled. This is made clear in multiple ways: right from how buildings are designed to the types of appearances that are idealised. However, there are important ways in which people with disabilities have contested attempts to sideline their rights. This week we'll speak to Renu Addlakha about women with visual disabilities, and the women's movement. We'll also discuss how medical and legal systems inform our understanding of disability. Dr Addlakha is with the Centre for Women's Development Studies or CWDS in New Delhi. She's published several articles in EPW about the topics that we will be discussing today and here are two that we recommend: "Women with Visual Disabilities and the Women's Movement" (http://bit.ly/women-disability) and "Disability Law in India: Paradigm Shift or Evolving Discourse?" (http://bit.ly/law-disability). Audio courtesy: The last ones by Jahzzar [CC BY-SA 3.0].

India is highly vulnerable to the effects of the global climate crises, and is simultaneously now the third largest contributor of greenhouse gases in the world. To address a crisis as complex and long-standing as climate change requires effective institutions. Shibani Ghosh and Navroz Dubash join us this week to share their research examining the effectiveness of Indian institutions and policies to address the global environmental crises. We'll be focusing on an EPW article written by Navroz and Neha Joseph (http://bit.ly/climate-epw ). Joseph could not join us for this interview. But we'll be discussing Shibani and Navroz's article that expands on the EPW article on climate policy in India. It can be freely downloaded here. Shibani Ghosh is a Fellow at the Centre for Policy Research and an Advocate-on-Record, Supreme Court of India. Her work focuses on environmental law and governance. Navroz K Dubash is also with the Centre for Policy Research where he is a professor. His work focuses on climate change, air quality, energy and water, and he has played the role of researcher, policy advisor and activist for over 25 years. This is the second episode of our new season featuring a refreshed format, new graphics, and a line-up of exciting scholars. Our goal remains the same: each week, we'll take you on a behind-the-scenes tour of work published in EPW. We hope you tune in, and share your feedback! Audio courtesy: The last ones by Jahzzar [CC BY-SA 3.0].

Colleges and universities hold the potential to transform society by raising social consciousness and enabling social and economic mobility. Historically and today, however, this potential has been constrained by accessibility barriers, deficiencies in curriculums, skewed funding allocations, among other factors. Ankit Kawade, who is an MPhil candidate at the Centre for Political Studies at the Jawaharlal Nehru University, joins us this week to discuss his article titled “The Impossibility of Dalit Studies” published last year (http://bit.ly/dalit-studies). This is the first episode of our new season featuring a refreshed format, new graphics, and a line-up of exciting scholars. Our goal remains the same: each week, we'll take you on a behind-the-scenes tour of work published in EPW. We hope you tune in, and share your feedback! Audio courtesy: The last ones by Jahzzar [CC BY-SA 3.0].

Auf der Überfahrt zur Südinsel kommt es zu einem tödlichen Zwischenfall – könnte tatsächlich ein Mörder unter den anderen Reisenden sein? Ein Hörspiel von Mirco Neumann. Denise: Claudia Ott Albert: Holger Wuschke Paul: Mirco Neumann Jan: Fabian Liessmann In weiteren Rollen: Sprecher: Daniel Wollförster Emily: Ann-Christin Blum Jack: Gerrit Kock Nicolas: Matti Klonczynski Victoria: Hannah Ruhhammer Louis: Alexander Grösgen Covergestaltung: Doreen Brandt Schnitt: Fabian Liessmann & Mirco Neumann Musik: Mountains by Cellophane Sam CC BY NC: https://freemusicarchive.org/music/Cellophane_Sam/Sea_Change/03_Mountains Railroad's Whiskey Co by Jahzzar CC BY SA: https://freemusicarchive.org/music/Jahzzar/Home/Railroads_Whiskey_Co Hardcoretet - 1 - Action by Jonah Rapino CC BY NC ND: https://freemusicarchive.org/music/Jonah_Rapino/Music_For_String_Quartet/01_Track_01_1495 Forward by Northbound CC BY NC ND: https://freemusicarchive.org/music/Northbound/Landscapes_of_Late/9404_Northbound_Forward_Monotonik_Creative_Commons___by_nc_nd_25_wwwdogmazicnet Everest by Scott Holmes Music CC BY: https://freemusicarchive.org/music/Scott_Holmes/Music_For_Media_1748/Scott_Holmes_-_02_-_Everest Drone Flight by Scott Holmes Music CC BY: https://freemusicarchive.org/music/Scott_Holmes/Music_for_TV__Film_Vol_2/Scott_Holmes_-_Drone_Flight This work uses many sounds from freesound, for the full list see here: https://relativitaetsmagie.de/credits/#folge6 ---------- Ihr wollt mehr erfahren? Folgt uns auch auf: Twitter: https://twitter.com/relativmagie Instagram: https://www.instagram.com/relativitaetsmagie/ Oder besucht uns auf www.relativitaetsmagie.de!

In this episode, I start things off with a couple stories about my various connections to Eddie Van Halen, which started back when I was a kid and continued through college and into an unexpected job in Hollywood. My friend Patrick (http://www.patrickshipstad.com/) calls in to talk about how his work as a portrait photographer has changed under quarantine. He also shares some stories about his friend Taylor Negron, who he first met on the set of Fast Times at Ridgemont High. Matt from Denver calls in to talk about process versus results in his own creative practice and how a career change has forced him to make some decisions about how and where creativity fits into his life.Music in this episode:Bored by Jahzzar (CC BY-SA 4.0)Effects of Elevation by Revolution Void (CC BY 3.0)Thank you to everyone who called in. I appreciate your time and energy very much. Let's do it again next week! Let me know what you think in the comments or connect with me using the links below. WANT TO SUPPORT THE WORK I'M DOING?Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google PodcastsTell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I've made a video showing you how: Create Custom Audiograms with Recast by Simplecast - YouTubeBuy a copy of my book: Photography by the Letter

In this episode, I start things off with a couple stories about my various connections to Eddie Van Halen, which started back when I was a kid and continued through college and into an unexpected job in Hollywood. My friend Patrick (http://www.patrickshipstad.com/) calls in to talk about how his work as a portrait photographer has changed under quarantine. He also shares some stories about his friend Taylor Negron, who he first met on the set of Fast Times at Ridgemont High. Matt from Denver calls in to talk about process versus results in his own creative practice and how a career change has forced him to make some decisions about how and where creativity fits into his life.Music in this episode:Bored by Jahzzar (CC BY-SA 4.0)Effects of Elevation by Revolution Void (CC BY 3.0)Thank you to everyone who called in. I appreciate your time and energy very much. Let's do it again next week! Let me know what you think in the comments or connect with me using the links below. WANT TO SUPPORT THE WORK I'M DOING?Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google PodcastsTell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I've made a video showing you how: Create Custom Audiograms with Recast by Simplecast - YouTubeBuy a copy of my book: Photography by the LetterSupport the show (https://jefferysaddoris.com/#donate)

In this episode, I start things off with a couple stories about my various connections to Eddie Van Halen, which started back when I was a kid and continued through college and into an unexpected job in Hollywood. My friend Patrick (http://www.patrickshipstad.com/) calls in to talk about how his work as a portrait photographer has changed under quarantine. He also shares some stories about his friend Taylor Negron, who he first met on the set of Fast Times at Ridgemont High. Matt from Denver calls in to talk about process versus results in his own creative practice and how a career change has forced him to make some decisions about how and where creativity fits into his life.Music in this episode:Bored by Jahzzar (CC BY-SA 4.0)Effects of Elevation by Revolution Void (CC BY 3.0)Thank you to everyone who called in. I appreciate your time and energy very much. Let's do it again next week! Let me know what you think in the comments or connect with me using the links below. WANT TO SUPPORT THE WORK I'M DOING?Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google PodcastsTell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I've made a video showing you how: Create Custom Audiograms with Recast by Simplecast - YouTubeBuy a copy of my book: Photography by the Letter

The third episode of my livestream call-in show. As I try to solidify the direction of a some new projects (including this one), a couple of terrific books are really helping me to think about where those "aha!" moments come from and how creativity works.SHOW NOTESOrganizing Genius by Warren Bennis and Patricia Ward Biederman http://bit.ly/OrganizingGeniusAbeBooksWhere Good Ideas Come From by Steven Johnson http://bit.ly/GoodIdeasAbeBooksBrian Eno On Genius, And “Scenius” https://www.synthtopia.com/content/2009/07/09/brian-eno-on-genius-and-scenius/Austin Kleon - Further notes on scenius https://austinkleon.com/2017/05/12/scenius/**The book links above are not affiliate links and I don't make anything from them. I'm directing you to Abe Books, rather than Amazon, because it gives you the opportunity to help smaller booksellers and get great deals on new and used books. I use them myself and can't recommend them enough.Thank you to everyone who called in. I appreciate your time and energy very much.If you'd like to listen and call in live, be sure to subscribe to my YouTube channel.Music in this episode:Urban Slanging by Paolo Pavan (CC BY-NC-SA 4.0)No Control by Jahzzar (CC BY-SA 4.0)Nonconceptual by Drake Stafford (CC BY 4.0) WANT TO SUPPORT THE WORK I'M DOING?Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google PodcastsTell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I've made a video showing you how: Create Custom Audiograms with Recast by Simplecast - YouTubeBuy a copy of my book: Photography by the Letter

The third episode of my livestream call-in show. As I try to solidify the direction of a some new projects (including this one), a couple of terrific books are really helping me to think about where those "aha!" moments come from and how creativity works.SHOW NOTESOrganizing Genius by Warren Bennis and Patricia Ward Biederman http://bit.ly/OrganizingGeniusAbeBooksWhere Good Ideas Come From by Steven Johnson http://bit.ly/GoodIdeasAbeBooksBrian Eno On Genius, And “Scenius” https://www.synthtopia.com/content/2009/07/09/brian-eno-on-genius-and-scenius/Austin Kleon - Further notes on scenius https://austinkleon.com/2017/05/12/scenius/**The book links above are not affiliate links and I don't make anything from them. I'm directing you to Abe Books, rather than Amazon, because it gives you the opportunity to help smaller booksellers and get great deals on new and used books. I use them myself and can't recommend them enough.Thank you to everyone who called in. I appreciate your time and energy very much.If you'd like to listen and call in live, be sure to subscribe to my YouTube channel.Music in this episode:Urban Slanging by Paolo Pavan (CC BY-NC-SA 4.0)No Control by Jahzzar (CC BY-SA 4.0)Nonconceptual by Drake Stafford (CC BY 4.0) WANT TO SUPPORT THE WORK I'M DOING?Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google PodcastsTell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I've made a video showing you how: Create Custom Audiograms with Recast by Simplecast - YouTubeBuy a copy of my book: Photography by the LetterSupport the show (https://jefferysaddoris.com/#donate)

The third episode of my livestream call-in show. As I try to solidify the direction of a some new projects (including this one), a couple of terrific books are really helping me to think about where those "aha!" moments come from and how creativity works.SHOW NOTESOrganizing Genius by Warren Bennis and Patricia Ward Biederman http://bit.ly/OrganizingGeniusAbeBooksWhere Good Ideas Come From by Steven Johnson http://bit.ly/GoodIdeasAbeBooksBrian Eno On Genius, And “Scenius” https://www.synthtopia.com/content/2009/07/09/brian-eno-on-genius-and-scenius/Austin Kleon - Further notes on scenius https://austinkleon.com/2017/05/12/scenius/**The book links above are not affiliate links and I don't make anything from them. I'm directing you to Abe Books, rather than Amazon, because it gives you the opportunity to help smaller booksellers and get great deals on new and used books. I use them myself and can't recommend them enough.Thank you to everyone who called in. I appreciate your time and energy very much.If you'd like to listen and call in live, be sure to subscribe to my YouTube channel.Music in this episode:Urban Slanging by Paolo Pavan (CC BY-NC-SA 4.0)No Control by Jahzzar (CC BY-SA 4.0)Nonconceptual by Drake Stafford (CC BY 4.0) WANT TO SUPPORT THE WORK I'M DOING?Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google PodcastsTell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I've made a video showing you how: Create Custom Audiograms with Recast by Simplecast - YouTubeBuy a copy of my book: Photography by the Letter

Adrienne Lloyd, MHA, FACHE, MGMA Consultant and CEO/founder, Optimize Healthcare, joins the Executive Session podcast to discuss her focus on coaching healthcare executives and physician leaders to drive personal and practice transformation. Lloyd's upcoming program kicking off Oct. 5, Day Zero Blueprint, provides a step-by-step strategy to drive alignment and engagement across an organization. Visit mgma.com/events/day-zero for more information. If you are interested, you can also schedule a strategy call with Adrienne at bit.ly/dayzeroblueprint. Audio credit: "yesterday" by Jahzzar (CC BY-SA 4.0) Producer: Chris Harrop, MGMA senior editorial manager

Der er yndlingskomedie på programmet i vores sæsonafslutning. Vi har set School of Rock med den hysterisk morsomme Jack Black i lærerrollen. Produktion:Anders Schunk & Kasper Timm Tornbjerg2020Musik:Hancock af Jahzzar · CC:BY:SA · freemusicarchive.org

Her er første del af vores føljeton om lærere i ungdomsfilm. I denne episode taler vi om den amerikanske manuskriptforfatter John Hughes’ film “En vild pjækkedag” og “The Breakfast Club”. Produktion:Anders Schunk & Kasper Timm Tornbjerg2020Musik:Hancock af Jahzzar · CC:BY:SA · freemusicarchive.org

Vi har set hele 1. sæson af TV-serien RITA. Derfor handler det denne gang om den sarkastiske folkeskolelærer og hendes kolleger Torben, Hjørdis, Helle og Rasmus. Produktion:Anders Schunk & Kasper Timm Tornbjerg2020Musik:Hancock af Jahzzar · CC:BY:SA · freemusicarchive.org

Denne gang har vi set filmen "Half Nelson", hvor vi følger læreren Dan Dunne, der har store personlige problemer med stoffer. Han udvikler et særligt venskab med sin elev Drey efter, at hun opdager hans misbrug. I denne episode af podcasten kommer det til at handle om hvorvidt man som lærer kan leve op til de idealer man underviser i.Produktion:Anders Schunk & Kasper Timm Tornbjerg2020Musik:Hancock af Jahzzar · CC:BY:SA · freemusicarchive.org

Her i 2. episode af podcasten har vi set “Det forsømte forår” og derfor komme det selvfølgelig til at handle en del om en af de største lærerikoner i dansk filmhistorie, Lektor Blomme, som kommer under kærlig behandling. Produktion:Anders Schunk & Kasper Timm Tornbjerg2020Musik:Hancock af Jahzzar · CC:BY:SA · freemusicarchive.org

I denne første episode af podcasten har vi set filmene "De døde poeters klub" og "Good Will Hunting". Derfor sætter vi fokus på Robin Williams' præstation i begge film og taler om ham som lærer. Produktion:Anders Schunk & Kasper Timm Tornbjerg2020Musik:Hancock af Jahzzar · CC:BY:SA · freemusicarchive.org

Velkommen til podcasten! Vi glæder os rigtig meget til at tale om lærere på film og i denne teaser, vil vi kort præsentere idéen bag podcasten og os selv. Vi vender snart tilbage med 1. episode af "Lærer på lærredet".Produktion:Anders Schunk & Kasper Timm Tornbjerg2019Musik: Hancock af Jahzzar · CC:BY:SA · freemusicarchive.org

In this installment of Double Issue; Daniel spins yarns from the cuttingroom floor rejects. Story bits that were chopped and thrown away. Also a brand new story that never found it’s place before. This and lots of side tangents in this week’s audio adventure.   Next week, join Daniel as he explores some world building through RPGs!   Recommendations: Check out DesWesMaus on Twitch. She made the new Chapter Chaps logo! Also, take a look at the Emotional Mecha Jam on Itch.io       Art by Lisa Prather: Instagram / Website Email: doubleissueshow@gmail.com Daniel Twitter Quentin Twitter Website / Twitter / Facebook /Wordpress / Discord   Songs: Freeharmonics by The Freeharmonic Orchestra  CC BY 4.0 Guns v Butter by Health & Beauty CC BY SA 4.0 G of the Bang by Doctor Turtle CC BY 4.0 Wall by Jahzzar CC BY SA 4.0 Endeavour by Jahzzar CC BY SA 4.0 More Scared of You by Nihilore CC BY 3.0 Vampire by Demoiselle Döner CC0 BY 1.0 Obsolete (lofi samba rock) by Keshco CC BY SA 4.0 From the Free Music Archive   Effects: Digital phone ring bip by muses212 CC0 BY 1.0 Phone call fail by vintage2005 CC0 BY 1.0 Creaking Metal - Slow by EagleStealthTeam CC0 BY 1.0 Wood crack by Diramus CC0 BY 1.0 Dog Barking by arightwizard CC0 BY 1.0 32-Perro gruñido-consolidated-02 by sofial1224 CC0 BY 1.0 Super Mario Bros Super Show Theme From freesound

Ever wondered what happened after Bison and Wisp fought that big monster in the streets of the Citadel? Or whatever happened after Michon hacked some pirates and then the prison ship which he inhabited? Well, what a weird pairing of things to wonder about, but have we got a great episode for you! We revisit some stories and layer some lore on top of them. Enjoy the stories and your Halloween day! Remember, if you’re reading this the day of release, you still have the rest of the day to enter the Fan Creation Pumpkin Rapper Contest. Hopefully you’ve already got something you just need to hit send on the email sending it to us otherwise you’re in a bit of a rush on this one. Good luck and Have Fun and whether you entered or not we love you and will announce the winner soon.   Recommendations: https://www.kickstarter.com/projects/481478805/spectaculars?ref=project_tweet Cartridge Blowers on Twitch and YouTube   Art by Lisa Prather: Instagram / Website Email: doubleissueshow@gmail.com Daniel Twitter Quentin Twitter Website / Twitter / Facebook /Wordpress / Discord   Songs: Freeharmonics by The Freeharmonic Orchestra  (CC BY 4.0) Slow Moving Waves by Rest You Sleeping Giant (CC BY 4.0) Lovely Things Beneath The Ocean by Bisou de l'enfant sauvage (CC BY 4.0) Crispy Roses by J1* (CC BY 4.0) Chiado by Jahzzar (CC BY-SA 3.0) A really dark alley by Loyalty Freak Music (CC0 1.0) Ghost Surf Rock by Loyalty Freak Music (CC0 1.0) From free music archive   Sound Effects: Supernatual Explosion by Quaker540 (CC0 1.0) Afterburner by TiesWijnen (CC0 1.0) Metal Crash Collision by qubodup (CC0 1.0) 130723_Brela_CavityWave_4824 by blaukreuz (CC0 1.0) Splashes In A Bathtub by bbrocer (CC0 1.0) Splash_Request by hello_flowers (CC0 1.0) distant concert, traffic, city hum in city center Vilnius Lithuania by sodassounds (CC0 1.0) Explosion_01 by tommccann (CC0 1.0) From freesound

The podcast is back for a new year, which means it's a great time to go back and look over the films of 2017. Robert and Jason dedicate the whole episode to the highlights of their respective movie-watching experiences, including LOGAN, GET OUT, BABY DRIVER, WAR FOR THE PLANET OF THE APES, DUNKIRK, LADY BIRD, THE SHAPE OF WATER, CALL ME BY YOUR NAME, and more! Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0)

Time to open up a can of space slugs. In the final episode of 2017, Robert and Jason dedicate the discussion to STAR WARS: THE LAST JEDI, which has divided fans ever since its release. The episode features 15 minutes of spoiler-free chatter, and then dives into the big talking points of the movie: Snoke, Rey's parents, Luke, Leia and the Canto Bight sequence. And perhaps most controversially: is the film one of the best in the series? Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0)

In this episode (despite some technical difficulties), Robert and Jason discuss Bryan Singer being fired from the director job on the BOHEMIAN RHAPSODY biopic, and Robert offers his take on the new Pixar film COCO. Also on the docket is some chatter on the mulitplex interactive game Timeplay, the upcoming Netflix show ALTERED CARBON, and Quentin Tarantino's apparent attempt to make a STAR TREK movie. Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0)

The Extra Buttery Podcast faces down the corporate behemoth of Disney in this episode (we're not too worried, they don't listen). First up is some discussion of the fresh demands Disney is making of theatre exhibitors in the run-up to STAR WARS: THE LAST JEDI. Then we talk about the L.A. Times exposé on Disney's influence over the Anaheim city council, and the company's temporary ban of the newspaper. Then it's on to lighter fare with a discussion of THOR: RAGNAROK, STRANGER THINGS 2 and the early reports coming out of Apple's search for original streaming content. Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0)

It's time to save the world...from wasting their money on GEOSTORM. This episode plummets into the CGI nonsense of Dean Devlin's disaster film, then moves on to something far more satisfying: BLADE RUNNER 2049. After that, we discuss MINDHUNTER, COLOSSAL, BAD GENIUS and the dueling tennis films of 2017. Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0)

The latest episode of Extra Buttery is a true free-ranging conversation, starting off with a quick segment on BLADE RUNNER 2049, some discussion of KINGSMAN: THE GOLDEN CIRCLE, then moving over into a big wrap-up of Jason's experience at this year's Vancouver International Film Festival (VIFF). Jason talks about DISAPPEARANCE, SWEET VIRGINIA, THE KILLING OF A SACRED DEER, and his worst filmgoing experience in some time, ISHMAEL'S GHOSTS. Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0)

The Extra Buttery Podcast features some special festival coverage on this episode! Robert shares his highlights from the 42nd Toronto International Film Festival (TIFF), including LADY BIRD, THE SHAPE OF WATER, and THREE BILLBOARDS OUTSIDE EBBING, MISSOURI. We also discuss the disappointments of THE CURRENT WAR and DOWNSIZING, and then touch on the beautiful craziness of THE DISASTER ARTIST. After that, it's time for a fall movies preview, looking ahead to the most notable releases that the next three months have to offer. Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0)

In this beefy episode, Jason and Robert rifle through their picks of the best San Diego Comic Con news, including tidbits on STRANGER THINGS Season 2, THE DEFENDERS, READY PLAYER ONE and PACIFIC RIM: UPRISING. Then it's time to mull over the director frontrunners for the upcoming Bond 25, and examine the first list of films coming to the 2017 Toronto International Film Festival. Then the show closes out with some discussion of new releases, including VALERIAN AND THE CITY OF A THOUSAND PLANETS, WAR FOR THE PLANET OF THE APES and DUNKIRK! Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0)

In this episode, Robert and Jason preview the season 7 premiere of GAME OF THRONES, talk about the (potential) upcoming third season of TRUE DETECTIVE, and explore the news that the Coen brothers will launch a Wild West anthology TV show in 2018.  Following that, it's on to an in-depth discussion of SPIDER-MAN: HOMECOMING, then a look-ahead to Christopher Nolan's DUNKIRK. Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0)

It's Rick's birthday! Today we say happy birthday by hanging out with Sabrina Pratt, professional improviser and head of the Central Coast Comedy Theater. We shoot the poop about a new Mt. Rushmore, our shared hatred of smiley YouTube gladhands, Rick's furry persona, Sabrina's improv background, changing, surgery vs. engineering, people we know who were on TV, and telling jokes on demand. We also have our first ad break ever! Shouts out to the Natural Habitat Podcast! Kinkshaming! A racist cat! Moose knuckle! Smiling more! And more! Right Click Here To Download This Episode Intro Song: “Damage” by CrumbSnatchers / CC BY-NC-ND Outro Song: “My Fair Lady” by David Byrne / CC Sampling+ Ad Break Music: “Take Me Higher” by Jahzzar/ CC BY-SA 4.0 Follow us on Twitter and Facebook @AvastCast  

In this episode of the podcast, Robert and Jason catch up on the surprise firing of Chris Miller and Phil Lord from the STAR WARS anthology film about Han Solo. Then they go over the advance buzz for two major summer releases, WAR FOR THE PLANET OF THE APES and VALERIAN AND THE CITY OF A THOUSAND PLANETS. Then comes some discussion of Daniel Day-Lewis' retirement from acting and a new Netflix project from the NIGHTCRAWLER team. Then the episode closes out with Robert's review of the new Edgar Wright heist film BABY DRIVER and Jason's review of the much-maligned THE MUMMY. Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0)

On this episode of the Extra Buttery Podcast, Robert and Jason look into the poor critical and box office performance of the first Dark Universe film, THE MUMMY, trade thoughts on the BLACK PANTHER teaser, and discuss the SNOWPIERCER series that's in development. After that, some analysis of the GODZILLA: KING OF THE MONSTERS cast and the new David Fincher show MINDHUNTER. Then, it's time for a feature conversation with Toronto journalist Robin Levinson-King on the new episodes of the ever-challenging TWIN PEAKS. Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.

In this episode, Robert and Jason jump into the response to the new WONDER WOMAN movie, and examine whether a superhero actor can help the long-delayed UNCHARTED movie break the video-game movie curse. After that, some discussion of OATS, the new Steam-exclusive project from Neill Blomkamp, and a chat about the newly-announced sequel to EDGE OF TOMORROW. Then, two new reviews of summer movies: Jason's take on ALIEN: COVENANT, and Robert's thoughts on the latest PIRATES OF THE CARIBBEAN sequel! Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0)

Forced labor is usually something that don’t expect to take place within the EU. Yet researchers of the Centre of Korean Studies at Leiden University have uncovered instances of North Korean forced labourers working in Poland. We interviewed the researchers in Leiden about their report, and spoke with Member of the European Parliament Agnes Jongerius to hear what they are doing about it. We thank researchers Remco Breuker and Imke van Gardingen, alongside with Agnes Jongerius, Member of the European Parliament, for their efforts in combating this issue and their participation in this podcast. Find out more about Remco and Imke's research at the following link: http://www.leidenasiacentre.nl/projects-en/slaves-of-the-system-research-on-north-korean-forced-labour-in-the-eu. Be sure to subscribe to our Soundcloud and Facebook pages to stay up to date on our most recent episodes. And if you like what we do, please leave us a review in iTunes - it really helps get the word out about Nomosphone! A special thanks to Hindenburg podcast editing software. We acknowledge the following songs used in their original format in accordance with Creative Commons licensing: “Any other name by Antonion De Rubertis” by Thomas Newman (CC BY 3.0), “Modest House” & “Dark Matter” by Podington Bear (CC BY-NC 3.0), and “Where it goes” by Jahzzar (CC BY-SA 4.0).

In the latest episode of the Extra Buttery Podcast, Jason and Robert dig into the announcement of a new season of Arrested Development and review the new Guardians of the Galaxy and King Arthur films. Then Jason gives a post-mortem on the flailing box-office performance of Power Rangers, and Robert looks ahead to the rest of the summer movie season, starting with Alien: Covenant. Plus: A dissection of Bill Nye's Netflix show, and Jude Law being unfavourably compared to Eddie Redmayne! Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0)

In this episode, Jason and Robert consider the failures of the new techno-thriller THE CIRCLE, question the Disney live-action remake trend, and discuss the renaissance of M. Night Shyamalan. Plus: Jeff Goldblum casting news, a terrible Will Smith impression, and a quick overview of the May release calendar! Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0) creativecommons.org/licenses/by-sa/3.0/

In this episode, Jason and Robert react to the new teaser for Star Wars: The Last Jedi, go over some new tidbits in advance of Guardians of the Galaxy: Volume 2, recommend the new season of Doctor Who, and go head-to-head over The Fate of the Furious! Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0) creativecommons.org/licenses/by-sa/3.0/

In this episode, Robert and Jason run through the latest about Amazon Studios' sudden burst of original content, Daniel Craig returning as 007, Avatar 2 getting a production start date and more. Then Robert is joined by the first special guest on the show, Kate Wilkinson, to defend the film that Quentin Tarantino has called the "worst movie" he ever made.  Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0) creativecommons.org/licenses/by-sa/3.0/

Jason and Robert kick off the latest episode with an in-depth look at the new Neflix-Marvel show IRON FIST, then talk about the upcoming change to the Netflix ratings system. Following that, there's news about the MISSION: IMPOSSIBLE and TERMINATOR franchises, and then they cap things off with a discussion of the new POWER RANGERS film hitting theatres this weekend. Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0) creativecommons.org/licenses/by-sa/3.0/

Following the bombshell conclusion of the Oscars last week, Robert and Jason dive into the winners, the losers and the other highlights of the broadcast. Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0) creativecommons.org/licenses/by-sa/3.0/

In this episode, Jason reviews The Lego Batman Movie, Robert and Jason discuss the future of Netflix and what its focus on original programming may mean for cordcutters, and then they stage an Oscar predictions lightning round! Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0) creativecommons.org/licenses/by-sa/3.0/

In this episode, Jason and Robert talk about some quick bits of industry news - including Logan, The Last Jedi and Godzilla 2 - before launching into a big pre-Oscars discussion. What does Jason really think about La La Land? Is Jackie going to claim another Best Actress award for Natalie Portman? How are Jason and Robert watching the Oscars? Jump into the latest episode to find out. Intro and outro music: "Please Listen Carefully" by Jahzzar (CC BY-SA 3.0) creativecommons.org/licenses/by-sa/3.0/

My full, uncut Radio Film School interview with Richard "RB" Botto, the CEO and founder of the creative arts social media juggernaut Stage 32.As you know, Radio Film School is a documentary series. It's kind of like This American Life or TED Radio Hour, but devoted specifically to filmmaking and the creative arts. As a radio documentary, you seldom, if ever, hear full interviews of my guests. I just pull from each interview the soundbites and clips I need for any particular episode.But every now and then I’ll make a full uncut interview available as a bonus. And after I finished my interview with Richard Botto (or RB for short), I knew I had to post this baby.If you heard last week's Vol. 2 of my Quentin Tarantino regular episode, you’ve already heard part of my interview with RB. But naturally, we go far beyond what you heard. As most Radio Film School conversations go, this discussion was more about the art and soul of filmmaking. We cover topics like:How do you go about separating the artist from his or her art. Can you look at Woody Allen or Polanski films the same? Can you admire DW Griffith's “Birth of a Nation” for its technical achievement despite its racist tone. How do you feel about John Ford the filmmaker or Lilian Gish the actor knowing they were in that film (Ford actually plays a Klansman).We discuss fan films and what role they should play in today’s filmmaking landscapeWe get into why Citizen Kane is his favorite film and whether or not it really deserves the title “Best film of all time.”We geek out over what makes a good sci-fi filmThat state of fan filmdom and whether or not they should continueAnd of course, we talk about some effective strategies for using social media in this biz.It’s over an hour of inspirational goodness.Music used in this episode include:Getting Paid, Part II and I Don't Think by Alec's Band (CC BY)Boulevard St. Germain by Jahzzar (CC BY-SA)