Podcasts about art history department

This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit.   The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto   Lydia Melamed Johnson is the Executive Director of The Association of International Photography Art Dealers (AIPAD) and has been in this role since autumn 2023. She first joined AIPAD in late 2021 in the role of Show Director for The Photography Show presented by AIPAD. Prior to this Lydia was in charge of Corporate Partnerships and the VIP Officer of Paris Photo New York. Earlier still she founded October Art Week while serving as Director of Robert Simon Fine Art in New York. Lydia is also a member of the Board of the Art History Department at the University of Wisconsin-Madison. - Follow Lydia on Instgram https://www.instagram.com/lydiamelamedjohnson/   Martijn van Pieterson is the President of The Association of International Photography Art Dealers (AIPAD) and has been in this role since spring 2023. He is the co-founder of IBASHO Gallery which he opened in 2015 together with his wife Annemarie Zethof. IBASHO means "a place where you can be yourself" in Japanese, and the gallery specialises in Japanese photography. The gallery has been an AIPAD member since 2018; Martijn joined the board in 2019 and the executive board in 2021. Born in Holland and based in Belgium, Martijn is the first European President of AIPAD. - IBASHO Gallery official website https://ibashogallery.com/ - Follow IBASHO Gallery on Instagram https://www.instagram.com/ibasho___gallery/   Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 14. March 2025 between Perth (AU), Antwerp (BE), and New York City (US).

Building on the success of Stereotyping Religion: Critiquing Clichés, this follow up volume dismantles a further 10 widespread stereotypes and clichés about religion, focusing on clichés that a new generation of students are most familiar with. Each chapter includes: A description of a particular cliché; Discussion of where it appears in popular culture or popular media; Discussion of where it appears in scholarly literature; A historical contextualization of its use in the past; An analysis of the social or rhetorical work the cliché accomplishes in the present. Clichés addressed include: "Religion and science naturally conflict", "All religions are against LGBTQ rights", "Eastern religions are more spiritual than Western religions", "Religion is personal and not subject to government regulation", "Religious pluralism gives everyone a voice", etc. Written in an easy and accessible style, Stereotyping Religion II: Critiquing Clichés is suitable for all readers looking to clear away unsophisticated assumptions in preparation for more critical studies. Brad Stoddard is Associate Professor in the History and Art History Department at McDaniel College, Westminster, MD. He researches religion in the United States. He is the author of Spiritual Entrepreneurs: Florida's Faith-Based Prisons and the American Carceral State (2021) and has edited or coedited several books. He is currently researching the topic of entheogens.  Craig Martin is Professor of Religious Studies at St. Thomas Aquinas College, Sparkill, NY. His research interests include method and theory in the study of religion, discourse analysis and ideology critique, and poststructuralism. His books include A Critical Introduction to the Study of Religion (2017) and Discourse and Ideology: A Critique of the Study of Culture (2022). He edits a book series with Bloomsbury titled Critiquing Religion: Discourse, Culture, Power. This episode's host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Building on the success of Stereotyping Religion: Critiquing Clichés, this follow up volume dismantles a further 10 widespread stereotypes and clichés about religion, focusing on clichés that a new generation of students are most familiar with. Each chapter includes: A description of a particular cliché; Discussion of where it appears in popular culture or popular media; Discussion of where it appears in scholarly literature; A historical contextualization of its use in the past; An analysis of the social or rhetorical work the cliché accomplishes in the present. Clichés addressed include: "Religion and science naturally conflict", "All religions are against LGBTQ rights", "Eastern religions are more spiritual than Western religions", "Religion is personal and not subject to government regulation", "Religious pluralism gives everyone a voice", etc. Written in an easy and accessible style, Stereotyping Religion II: Critiquing Clichés is suitable for all readers looking to clear away unsophisticated assumptions in preparation for more critical studies. Brad Stoddard is Associate Professor in the History and Art History Department at McDaniel College, Westminster, MD. He researches religion in the United States. He is the author of Spiritual Entrepreneurs: Florida's Faith-Based Prisons and the American Carceral State (2021) and has edited or coedited several books. He is currently researching the topic of entheogens.  Craig Martin is Professor of Religious Studies at St. Thomas Aquinas College, Sparkill, NY. His research interests include method and theory in the study of religion, discourse analysis and ideology critique, and poststructuralism. His books include A Critical Introduction to the Study of Religion (2017) and Discourse and Ideology: A Critique of the Study of Culture (2022). He edits a book series with Bloomsbury titled Critiquing Religion: Discourse, Culture, Power. This episode's host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Building on the success of Stereotyping Religion: Critiquing Clichés, this follow up volume dismantles a further 10 widespread stereotypes and clichés about religion, focusing on clichés that a new generation of students are most familiar with. Each chapter includes: A description of a particular cliché; Discussion of where it appears in popular culture or popular media; Discussion of where it appears in scholarly literature; A historical contextualization of its use in the past; An analysis of the social or rhetorical work the cliché accomplishes in the present. Clichés addressed include: "Religion and science naturally conflict", "All religions are against LGBTQ rights", "Eastern religions are more spiritual than Western religions", "Religion is personal and not subject to government regulation", "Religious pluralism gives everyone a voice", etc. Written in an easy and accessible style, Stereotyping Religion II: Critiquing Clichés is suitable for all readers looking to clear away unsophisticated assumptions in preparation for more critical studies. Brad Stoddard is Associate Professor in the History and Art History Department at McDaniel College, Westminster, MD. He researches religion in the United States. He is the author of Spiritual Entrepreneurs: Florida's Faith-Based Prisons and the American Carceral State (2021) and has edited or coedited several books. He is currently researching the topic of entheogens.  Craig Martin is Professor of Religious Studies at St. Thomas Aquinas College, Sparkill, NY. His research interests include method and theory in the study of religion, discourse analysis and ideology critique, and poststructuralism. His books include A Critical Introduction to the Study of Religion (2017) and Discourse and Ideology: A Critique of the Study of Culture (2022). He edits a book series with Bloomsbury titled Critiquing Religion: Discourse, Culture, Power. This episode's host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Building on the success of Stereotyping Religion: Critiquing Clichés, this follow up volume dismantles a further 10 widespread stereotypes and clichés about religion, focusing on clichés that a new generation of students are most familiar with. Each chapter includes: A description of a particular cliché; Discussion of where it appears in popular culture or popular media; Discussion of where it appears in scholarly literature; A historical contextualization of its use in the past; An analysis of the social or rhetorical work the cliché accomplishes in the present. Clichés addressed include: "Religion and science naturally conflict", "All religions are against LGBTQ rights", "Eastern religions are more spiritual than Western religions", "Religion is personal and not subject to government regulation", "Religious pluralism gives everyone a voice", etc. Written in an easy and accessible style, Stereotyping Religion II: Critiquing Clichés is suitable for all readers looking to clear away unsophisticated assumptions in preparation for more critical studies. Brad Stoddard is Associate Professor in the History and Art History Department at McDaniel College, Westminster, MD. He researches religion in the United States. He is the author of Spiritual Entrepreneurs: Florida's Faith-Based Prisons and the American Carceral State (2021) and has edited or coedited several books. He is currently researching the topic of entheogens.  Craig Martin is Professor of Religious Studies at St. Thomas Aquinas College, Sparkill, NY. His research interests include method and theory in the study of religion, discourse analysis and ideology critique, and poststructuralism. His books include A Critical Introduction to the Study of Religion (2017) and Discourse and Ideology: A Critique of the Study of Culture (2022). He edits a book series with Bloomsbury titled Critiquing Religion: Discourse, Culture, Power. This episode's host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

Building on the success of Stereotyping Religion: Critiquing Clichés, this follow up volume dismantles a further 10 widespread stereotypes and clichés about religion, focusing on clichés that a new generation of students are most familiar with. Each chapter includes: A description of a particular cliché; Discussion of where it appears in popular culture or popular media; Discussion of where it appears in scholarly literature; A historical contextualization of its use in the past; An analysis of the social or rhetorical work the cliché accomplishes in the present. Clichés addressed include: "Religion and science naturally conflict", "All religions are against LGBTQ rights", "Eastern religions are more spiritual than Western religions", "Religion is personal and not subject to government regulation", "Religious pluralism gives everyone a voice", etc. Written in an easy and accessible style, Stereotyping Religion II: Critiquing Clichés is suitable for all readers looking to clear away unsophisticated assumptions in preparation for more critical studies. Brad Stoddard is Associate Professor in the History and Art History Department at McDaniel College, Westminster, MD. He researches religion in the United States. He is the author of Spiritual Entrepreneurs: Florida's Faith-Based Prisons and the American Carceral State (2021) and has edited or coedited several books. He is currently researching the topic of entheogens.  Craig Martin is Professor of Religious Studies at St. Thomas Aquinas College, Sparkill, NY. His research interests include method and theory in the study of religion, discourse analysis and ideology critique, and poststructuralism. His books include A Critical Introduction to the Study of Religion (2017) and Discourse and Ideology: A Critique of the Study of Culture (2022). He edits a book series with Bloomsbury titled Critiquing Religion: Discourse, Culture, Power. This episode's host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Building on the success of Stereotyping Religion: Critiquing Clichés, this follow up volume dismantles a further 10 widespread stereotypes and clichés about religion, focusing on clichés that a new generation of students are most familiar with. Each chapter includes: A description of a particular cliché; Discussion of where it appears in popular culture or popular media; Discussion of where it appears in scholarly literature; A historical contextualization of its use in the past; An analysis of the social or rhetorical work the cliché accomplishes in the present. Clichés addressed include: "Religion and science naturally conflict", "All religions are against LGBTQ rights", "Eastern religions are more spiritual than Western religions", "Religion is personal and not subject to government regulation", "Religious pluralism gives everyone a voice", etc. Written in an easy and accessible style, Stereotyping Religion II: Critiquing Clichés is suitable for all readers looking to clear away unsophisticated assumptions in preparation for more critical studies. Brad Stoddard is Associate Professor in the History and Art History Department at McDaniel College, Westminster, MD. He researches religion in the United States. He is the author of Spiritual Entrepreneurs: Florida's Faith-Based Prisons and the American Carceral State (2021) and has edited or coedited several books. He is currently researching the topic of entheogens.  Craig Martin is Professor of Religious Studies at St. Thomas Aquinas College, Sparkill, NY. His research interests include method and theory in the study of religion, discourse analysis and ideology critique, and poststructuralism. His books include A Critical Introduction to the Study of Religion (2017) and Discourse and Ideology: A Critique of the Study of Culture (2022). He edits a book series with Bloomsbury titled Critiquing Religion: Discourse, Culture, Power. This episode's host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Building on the success of Stereotyping Religion: Critiquing Clichés, this follow up volume dismantles a further 10 widespread stereotypes and clichés about religion, focusing on clichés that a new generation of students are most familiar with. Each chapter includes: A description of a particular cliché; Discussion of where it appears in popular culture or popular media; Discussion of where it appears in scholarly literature; A historical contextualization of its use in the past; An analysis of the social or rhetorical work the cliché accomplishes in the present. Clichés addressed include: "Religion and science naturally conflict", "All religions are against LGBTQ rights", "Eastern religions are more spiritual than Western religions", "Religion is personal and not subject to government regulation", "Religious pluralism gives everyone a voice", etc. Written in an easy and accessible style, Stereotyping Religion II: Critiquing Clichés is suitable for all readers looking to clear away unsophisticated assumptions in preparation for more critical studies. Brad Stoddard is Associate Professor in the History and Art History Department at McDaniel College, Westminster, MD. He researches religion in the United States. He is the author of Spiritual Entrepreneurs: Florida's Faith-Based Prisons and the American Carceral State (2021) and has edited or coedited several books. He is currently researching the topic of entheogens.  Craig Martin is Professor of Religious Studies at St. Thomas Aquinas College, Sparkill, NY. His research interests include method and theory in the study of religion, discourse analysis and ideology critique, and poststructuralism. His books include A Critical Introduction to the Study of Religion (2017) and Discourse and Ideology: A Critique of the Study of Culture (2022). He edits a book series with Bloomsbury titled Critiquing Religion: Discourse, Culture, Power. This episode's host, Jacob Barrett, is currently a PhD student in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephon Alexander talks about a better way of thinking about the interconnections between music, physics, and creativity and how as someone often seen as “outside” the field, he has found freedom to think harder, pursue ideas, and carve a place for himself in the story of science. Alexander and Alexis Boylan discuss how we should be thinking about physics, art, and the meaning of life all together, all the time. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Stephon Alexander talks about a better way of thinking about the interconnections between music, physics, and creativity and how as someone often seen as “outside” the field, he has found freedom to think harder, pursue ideas, and carve a place for himself in the story of science. Alexander and Alexis Boylan discuss how we should be thinking about physics, art, and the meaning of life all together, all the time. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

Stephon Alexander talks about a better way of thinking about the interconnections between music, physics, and creativity and how as someone often seen as “outside” the field, he has found freedom to think harder, pursue ideas, and carve a place for himself in the story of science. Alexander and Alexis Boylan discuss how we should be thinking about physics, art, and the meaning of life all together, all the time. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Stephon Alexander talks about a better way of thinking about the interconnections between music, physics, and creativity and how as someone often seen as “outside” the field, he has found freedom to think harder, pursue ideas, and carve a place for himself in the story of science. Alexander and Alexis Boylan discuss how we should be thinking about physics, art, and the meaning of life all together, all the time. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices

Feeling bad about the environment? You should. Artist Alexis Rockman talks about his art, the potential for real change, and his ongoing relationship with the American Museum of Natural History. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Feeling bad about the environment? You should. Artist Alexis Rockman talks about his art, the potential for real change, and his ongoing relationship with the American Museum of Natural History. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Feeling bad about the environment? You should. Artist Alexis Rockman talks about his art, the potential for real change, and his ongoing relationship with the American Museum of Natural History. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Max Liboiron founder of Environmental Action Research (CLEAR), a feminist, anti-colonial laboratory talks about making better science and how they aren't interested in dismantling the masters house (because who cares about that place) but they definitely are taking those tools. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Max Liboiron founder of Environmental Action Research (CLEAR), a feminist, anti-colonial laboratory talks about making better science and how they aren't interested in dismantling the masters house (because who cares about that place) but they definitely are taking those tools. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Max Liboiron founder of Environmental Action Research (CLEAR), a feminist, anti-colonial laboratory talks about making better science and how they aren't interested in dismantling the masters house (because who cares about that place) but they definitely are taking those tools. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Max Liboiron founder of Environmental Action Research (CLEAR), a feminist, anti-colonial laboratory talks about making better science and how they aren't interested in dismantling the masters house (because who cares about that place) but they definitely are taking those tools. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Artist Penelope Umbrico talks about her work, images as currency, and how technology and various platforms herd images. And is photography tyrannical? Umbrico has some thoughts. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Artist Penelope Umbrico talks about her work, images as currency, and how technology and various platforms herd images. And is photography tyrannical? Umbrico has some thoughts. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Artist Penelope Umbrico talks about her work, images as currency, and how technology and various platforms herd images. And is photography tyrannical? Umbrico has some thoughts. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Artist Penelope Umbrico talks about her work, images as currency, and how technology and various platforms herd images. And is photography tyrannical? Umbrico has some thoughts. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Artist Penelope Umbrico talks about her work, images as currency, and how technology and various platforms herd images. And is photography tyrannical? Umbrico has some thoughts. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Joel Sweimler, Exhibition Specialist at the American Museum of Natural History, talks about his career at the museum, working on Seeing Truth, and what his favorite object in the collection happen to be this week. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Joel Sweimler, Exhibition Specialist at the American Museum of Natural History, talks about his career at the museum, working on Seeing Truth, and what his favorite object in the collection happen to be this week. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Joel Sweimler, Exhibition Specialist at the American Museum of Natural History, talks about his career at the museum, working on Seeing Truth, and what his favorite object in the collection happen to be this week. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

Joel Sweimler, Exhibition Specialist at the American Museum of Natural History, talks about his career at the museum, working on Seeing Truth, and what his favorite object in the collection happen to be this week. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Joel Sweimler, Exhibition Specialist at the American Museum of Natural History, talks about his career at the museum, working on Seeing Truth, and what his favorite object in the collection happen to be this week. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices

Feeling down about museums? We have so many reasons to, but Chris Newell, Tribal Community Member-in-Residence at UConn and Director of Education at the Akomawt Educational Initiative, gives a dose of optimism about the future of museums. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Feeling down about museums? We have so many reasons to, but Chris Newell, Tribal Community Member-in-Residence at UConn and Director of Education at the Akomawt Educational Initiative, gives a dose of optimism about the future of museums. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Feeling down about museums? We have so many reasons to, but Chris Newell, Tribal Community Member-in-Residence at UConn and Director of Education at the Akomawt Educational Initiative, gives a dose of optimism about the future of museums. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Feeling down about museums? We have so many reasons to, but Chris Newell, Tribal Community Member-in-Residence at UConn and Director of Education at the Akomawt Educational Initiative, gives a dose of optimism about the future of museums. Learn more about the Seeing Truth exhibition at our website. Follow us on Twitter @WhyArguePod and on Instagram @WhyWeArguePod Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Dr. Colleen Stockmann of the Gustavus Art and Art History Department on her background and path to art historian, including her undergraduate years at a liberal arts college, the unplanned origins of her PhD research on the plant drawings of William Trost Richards, her work on the landscape history of tenements in New York City and histories of color in the early modern world, the objects audit she is conducting with students at Gustavus, and “visual complicity” in and “visual solutions” to problems that confront us today.

We're all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you're too fried to log out of Facebook? We're addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform: Reclaiming the Internet (Valiz 2022) is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump. Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019). In 2004 he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences (HvA). His center organizes conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the creative sector. In December, 2021 he was appointed Professor of Art and Network Cultures at the Art History Department, Faculty of Humanities of the University of Amsterdam for one day a week. Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We're all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you're too fried to log out of Facebook? We're addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform: Reclaiming the Internet (Valiz 2022) is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump. Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019). In 2004 he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences (HvA). His center organizes conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the creative sector. In December, 2021 he was appointed Professor of Art and Network Cultures at the Art History Department, Faculty of Humanities of the University of Amsterdam for one day a week. Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

We're all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you're too fried to log out of Facebook? We're addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform: Reclaiming the Internet (Valiz 2022) is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump. Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019). In 2004 he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences (HvA). His center organizes conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the creative sector. In December, 2021 he was appointed Professor of Art and Network Cultures at the Art History Department, Faculty of Humanities of the University of Amsterdam for one day a week. Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

We're all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you're too fried to log out of Facebook? We're addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform: Reclaiming the Internet (Valiz 2022) is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump. Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019). In 2004 he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences (HvA). His center organizes conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the creative sector. In December, 2021 he was appointed Professor of Art and Network Cultures at the Art History Department, Faculty of Humanities of the University of Amsterdam for one day a week. Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

We're all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you're too fried to log out of Facebook? We're addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform: Reclaiming the Internet (Valiz 2022) is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump. Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019). In 2004 he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences (HvA). His center organizes conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the creative sector. In December, 2021 he was appointed Professor of Art and Network Cultures at the Art History Department, Faculty of Humanities of the University of Amsterdam for one day a week. Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

We're all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you're too fried to log out of Facebook? We're addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform: Reclaiming the Internet (Valiz 2022) is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump. Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019). In 2004 he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences (HvA). His center organizes conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the creative sector. In December, 2021 he was appointed Professor of Art and Network Cultures at the Art History Department, Faculty of Humanities of the University of Amsterdam for one day a week. Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

We're all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you're too fried to log out of Facebook? We're addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform: Reclaiming the Internet (Valiz 2022) is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump. Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019). In 2004 he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences (HvA). His center organizes conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the creative sector. In December, 2021 he was appointed Professor of Art and Network Cultures at the Art History Department, Faculty of Humanities of the University of Amsterdam for one day a week. Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you're too fried to log out of Facebook? We're addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform: Reclaiming the Internet (Valiz 2022) is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump. Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019). In 2004 he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences (HvA). His center organizes conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the creative sector. In December, 2021 he was appointed Professor of Art and Network Cultures at the Art History Department, Faculty of Humanities of the University of Amsterdam for one day a week. Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

We're all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you're too fried to log out of Facebook? We're addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform: Reclaiming the Internet (Valiz 2022) is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump. Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019). In 2004 he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences (HvA). His center organizes conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the creative sector. In December, 2021 he was appointed Professor of Art and Network Cultures at the Art History Department, Faculty of Humanities of the University of Amsterdam for one day a week. Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Ann McCoy is a New York-based sculptor, painter, and art critic, and Editor at Large for the Brooklyn Rail. She was awarded a John Simon Guggenheim Foundation Fellowship in 2019. She taught art history, the in the graduate design section of the Yale School of Drama until May 2020, and the Art History Department at Barnard College from 1980 through 2000. Ann McCoy' work is included in the following collections: the Metropolitan Museum of Art, the Los Angeles County Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Museum of Modern Art, the National Gallery of Australia, the Roy L. Neuberger Museum, the San Francisco Museum of Modern Art, and the Whitney Museum of American Art, among others. Ann McCoy has received the following awards: the John Simon Guggenheim Fellowship, the Asian Cultural Council, the Pollock Krasner Foundation, the Adolph and Esther Gottlieb Foundation Award, the Award in the Visual Arts, the Prix de Rome, the National Endowment for the Art, the Berliner Kunstler Program D.A.A.D.. Ann McCoy worked with Prof. C.A. Meier, Jung's heir apparent for twenty-five years in Zurich She has studied alchemy since the early seventies in Zurich, and Rome at the Vatican Library. The Death of My Father, 2012, pencil on paper on canvas, 9 by 14 ft. photo credit : Peter Dressler The Wolf Tongue Mill, 2022, 9 by 14 ft. pencil on paper on canvas

CyprusScene reporting the news of Arkin University of Creative Arts and Design (ARUCAD) starting field work with the guidance of the Bilateral Cultural Heritage Technical Committee. This episode is also available as a blog post: https://cyprusscene.com/2021/06/01/arucad-archaeology-and-art-history-department-started-field-work/ CyprusScene Podcasts can be found on the following apps Anchor, Google Podcasts, Spotify, RadioPublic, PocketCasts, Breaker, Castbox, Apple Itunes

Ann McCoy is a New York-based sculptor, painter, and art critic, and Editor at Large for the Brooklyn Rail. She was awarded a 2019 John Simon Guggenheim Foundation Fellowship. She lectured on art history, the history of projection, and mythology in the graduate design section of the Yale School of Drama until May 2020, and taught in the Art History Department at Barnard College from 1980 through 2000. She has written about artists working with projection including William Kentridge, Tony Oursler, Nalini Malini, and Krzysztof Wodiczko.  Ann McCoy and Kentridge did a conversation at the American Academy in Rome for his Tiber project, “Triumphs and Laments”, which was published in the Brooklyn Rail. Ann McCoy’ work is included in the following collections: the Metropolitan Museum of Art, the Los Angeles County Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Museum of Modern Art, the National Gallery of Australia, the Roy L. Neuberger Museum, the New Orleans Museum of Art, the San Francisco Museum of Modern Art, and the Whitney Museum of American Art, among others. Ann McCoy has received the following awards: the John Simon Guggenheim Fellowship, the Asian Cultural Council, the Pollock Krasner Foundation, the Adolph and Esther Gottlieb Foundation Award, the Award in the Visual Arts, the Prix de Rome, the National Endowment for the Art, the Berliner Kunstler Program D.A.A.D., and the New Talent Award of Los Angeles County Museum of Art. Ann McCoy has exhibited in the Venice Biennale and the Whitney Annual, and has had one-person exhibitions in New York, Los Angeles, New Delhi, Poland, and Berlin. She is known primarily known for her large format drawings, work with projection, installation, and bronze sculpture. Ann McCoy worked with Prof. C.A. Meier, Jung’s heir apparent for twenty-five years in Zurich. She has a background in Jungian psychology and philosophy. She has studied alchemy since the early seventies in Zurich, and Rome at the Vatican Library.  Most of her work is based on her dreams, and their relationship to alchemical texts, and Christian alchemy in particular.  For McCoy, alchemy is a symbolic language of processes dealing with spiritual transformation.  Incarnation of spirit into matter is the key concept of the alchemical practice.  The imagination is the gateway to the gods. Dream of the invisible College  (Size: 9 x 14 ft. ) pencil on appear on canvas (2018) photo credit: Peter Dressel Processional with Resplendor (Size: 19" by 7 ft. 2" by 9 inches) cast bronze with silver crown (installation 2018) photo credit: Peter Dressler

This episode features a conversation with Professor Amber Wiley. She is an old friend who is an Assistant Professor in the Art History Department at Rutgers University and a scholar who has traveled the world studying culture.Quote:"The Civil Rights movement didn't begin in Montgomery and it didn't end in the 1960s. It continues on to this very minute." - Julian Bond Timestamps:13:34 - Guatemala17:36 - Africa (Ghana & Ethiopia)20:20 - Being called a 'white person' in Africa24:14 - India (Mumbai/Bombay, Goa, Delhi, Jaipur, Udaipur)27:00 - Vietnam (Ho Chi Min City/Saigon)32:00 - War Remnants Museum (Vietnam)36:15 - Mexico (Tlatelolco)Links:Society of Architectural Historians: H. Allen Brooks Travelling FellowshipAmber's blog post: An American in Saigon Da 5 Bloods & Black Vietnam Veterans article in Time MagazineTlatelolco, Mexico: Memorial 68 MuseumVietnam: War Remnants MuseumTangible Remnants on InstagramTangible Remnants on FacebookBio: Amber Wiley specializes in architecture, urbanism, and African American cultural studies. Her research interests are centered on the social aspects of design and how it affects urban communities - architecture as a literal and figurative structure of power. She focuses on the ways local and national bodies have made the claim for the dominating narrative and collective memory of cities and examines how preservation and public history contribute to the creation and maintenance of the identity and “sense of place” of a city.Her teaching approach mirrors her dedication to critical thinking about the human condition in the built environment, and the creation, evolution, and maintenance of cities, neighborhoods, and communities. She strives to actively engage in discourses that are significant across academic fields. Her theoretical and analytic background was founded in art and architectural history methodology, as well as the interdisciplinary methods of American Studies. She combines analysis of aesthetics and socio-cultural influences on community building with questions about the meaning of culture, authority, and agency.She is active in preservation policy as well as various professional organizations. She has served on the National Park System Advisory Board Landmarks Committee, and on the boards of the Vernacular Architecture Forum, Latrobe Chapter of the Society of Architectural Historians, and the Yale Black Alumni Association.Find Amber on LinkedIn, Instagram, and Twitter.**Some of the links above may be Amazon affiliate links, which means that if you choose to make a purchase, I will earn a commission. This commission comes at no additional cost to you.** **This episode is sponsored by www.Smartsheet4architects.com, a better way to manage architecture projects.**

Last month, the Center of the American West presented a public conversation with the accomplished Western landscape photographer Peter Goin, exploring his bravery and enterprise in taking on topics ranging from the West's nuclear landscapes to the legacy of abandoned mines. Drawing on the long-running Goin/Limerick friendship (in essence, an alliance between a visual-arts innovator and a written-word dinosaur), this event elicited congenial, and only slightly invidious, comparisons between the visual power of photographs and the constraints of words on the written page. eTown's Nick Forster, a gifted, knowledgeable, and energetic interviewer, served as moderator. The conversation explored the compatibility between the honest reckoning with loss and injury, and the forceful move toward redemption and reconciliation. Presented by the Department of Art and Art History and the Center of the American West. Peter Goin is an American photographer best known for his work within the altered landscape. Patty Limerick is the Faculty Director and Chair of the Board of CU Boulder's Center of the American West. Nick Forster is eTown's Executive Director, co-founder, executive co-producer, and co-host of eTown's radio show. The Visiting Artist and Scholar Program aims to reinforce the mission of the Art and Art History Department by inviting leading artists and scholars to present an array of artistic practices, historical discourse and divergent perspectives that can increase access to creativity and forge new territories between the arts and broader cultural movements.

Paul Catanese is an associate professor at Columbia College Chicago where he directs the graduate program for the Art and Art History Department; he’s been known to fly kites, launch rockets, pilot drones, and lately a blimp as part of his art practice. Greg Pond is professor of art at Sewanee: The University of the South in Tennessee. Originally from Portland, Oregon, Pond is one of the founder's of Nashville's Fugitive Projects and a sculptor who incorporates sound, video, and digital media into his practice and also makes documentaries about social justice issues in inner city Kingston, Jamaica.

Walter Melion, Asa Griggs Candler Professor of Art History and chair of the Art History Department, gives a talk to undergraduates entitled "How Painters Read the Classics" (April 9, 2014). Dr. Melion has published extensively on Dutch and Flemish art and art theory of the 16th and 17th centuries, on Jesuit image-theory, on the relation between theology and aesthetics in the early modern period, and on the artist Hendrick Goltzius. The Emory Williams Lecture Series in the Liberal Arts has been made possible by a generous gift from Mr. Emory Williams (Emory College '32 and Trustee Emeritus, Emory University). http://college.emory.edu/home/academic/voluntary-core-program/lectures/

Walter Melion, Asa Griggs Candler Professor of Art History and chair of the Art History Department, gives a talk to undergraduates entitled "How Painters Read the Classics" (April 9, 2014). Dr. Melion has published extensively on Dutch and Flemish art and art theory of the 16th and 17th centuries, on Jesuit image-theory, on the relation between theology and aesthetics in the early modern period, and on the artist Hendrick Goltzius. The Emory Williams Lecture Series in the Liberal Arts has been made possible by a generous gift from Mr. Emory Williams (Emory College '32 and Trustee Emeritus, Emory University). http://college.emory.edu/home/academic/voluntary-core-program/lectures/

Distinguished Stanford faculty and staff engage in a lively discussion about what it means to work in the arts and how to get there. Presented by the Stanford Art & Art History Department, Career Development Center, Institute for Diversity in the Arts, and Stanford Arts Institute. Art Is My Occupation empowers students to explore their personal and artistic identity, connects them to professional creatives and provides career guidance and resources.

This professional development and networking event brings together Arts Intensive students with arts professionals and provides students with information and contacts for considering multiple ways to further their arts interests beyond Stanford in practice, business, advocacy, etc. Art Is My Occupation is presented by the Stanford Art & Art History Department, Career Development Center, Institute for Diversity in the Arts, and Stanford Arts Institute. Art Is My Occupation empowers students to explore their personal and artistic identity, connects them to professional creatives and provides career guidance and resources.