Podcast appearances and mentions of emma garland

This year's AD/PD Conference was held in Vienna, Austria from the 1st to 5th April. In this second of a two-part special we bring you highlights from the last three days of the conference. The AD/PD Conference focuses on basic science and translational and clinical research bringing New insights on disease mechanisms and etiologies, the latest findings from clinical trials, innovative outlooks on therapy and prevention and advances in diagnostic markers. In this special on-location recording our guest host Dr Isabel Castanho, Instructor the Beth Israel Deaconess Medical Center (BIDMC), Harvard Medical School talks with: Dr Emma Garland, Research Associate at The University of Sheffield. An early career researcher with a focus on Alzheimer's, and an interest in protein pathogenesis, iPSC culture and inflammation in neurodegenerative disease. Susan Rohde, PhD Student at UMC Amsterdam. Susan is a Neurobiologist interested in (healthy) brain aging and related diseases, and currently work on the Dutch 100 Plus Study. Dr Martyna Matuszyk, Research Communications Officer at the Alzheimer's Society. Supporting the charity to communicate dementia research with the public, having previously completed a PhD and Postdoc working on Alzheimer's and MND. -- Here are just a few highlights from the discussion:

This week, Josh Boerman from The Worst of All Possible Worlds returns to the pod to catch us up on everything happening in America, as it decides to self immolate for no other reason but to own the libs. We talk about how Everything Is Computer, and what that actually means in practice, Elon Musk stealing tricks from Mr Beast to (try) and do political corruption, and we briefly touch on the leaked Signal chat that once again proves our thesis: that everything that happens in the world is a direct cause of posting.  Emma Garland's HUCK essay: https://www.huckmag.com/article/donald-trump-everything-is-computer-is-he-right ------ PALESTINE  AID LINKS You can donate to Medical Aid for Palestinians and other charities using the links below. Please also donate to the gofundmes of people trying to survive, or purchase ESIMs. These links are for if you need a well-respected name attached to a fund to feel comfortable sending money. https://www.map.org.uk/donate/donate https://www.savethechildren.org.uk/how-you-can-help/emergencies/gaza-israel-conflict -------- PHOEBE ALERT Phoebe! Okay, now that we have your attention; check out her Substack Here! Check out Masters of our Domain with Milo and Patrick, here! -------- Ten Thousand Posts is a show about how everything is posting. It's hosted by Hussein (@HKesvani), Phoebe (@PRHRoy) and produced by Devon (@Devon_onEarth).  

The 90's is often heralded as the era of Blur, Oasis, Pulp - but this decade belongs as much to boybands as it does to Britpop. But what was behind these manufactured groups? What does this era reveal about Britain's relationship with class and masculinity? And will Robbie Williams' legacy be a CGI monkey?Tom Gatti is joined by senior commissioning editor at the New Statesman, Anna Leskiewicz and writer Emma Garland.Read: Robbie Williams' anti-redemption arc, by Emma Garland Hosted on Acast. See acast.com/privacy for more information.

This is a preview of a bonus episode! listen to the whole thing on our patreon We're joined by writer and journalist Emma Garland. In Part 2, we talk about ‘Hawk Tuah' (try pronouncing it with a British accent, I dare you) and why people find it weird to talk about sex online, as well as how the Hawk Tuah podcast is an attempt by Jake Paul to pivot back to content if he loses to Mayweather later this year. To round us off, we look back to a simpler time, when Australian Breakdancing had the potential to unite us all. ------ PALESTINE AND LEBANON AID LINKS As the Genocide continues to unfold in Gaza, and as Israel begins it's war on Lebanon, we encourage anyone who can to donate. You can donate to Medical Aid for Palestinians and other charities using the links below. Please also donate to the gofundmes of people trying to survive, or purchase ESIMs. These links are for if you need a well-respected name attached to a fund to feel comfortable sending money. https://www.map.org.uk/donate/donate https://www.savethechildren.org.uk/how-you-can-help/emergencies/gaza-israel-conflict https://www.globalgiving.org/learn/how-to-help-lebanon -------- PHOEBE ALERT Phoebe is back! Check out her Substack Here! Check out the newly relaunched Masters of our Domain with Milo, here! Check out the new season of Romecast with Milo and Patrick Wyman, here! -------- This show is supported by Patreon. Sign up for as little as $5 a month to gain access to a new bonus episode every week, and our entire backlog of bonus episodes! Thats https://www.patreon.com/10kpostspodcast

Writer, journalist and friend of the show Emma Garland returns for a double episode to explain all the stuff that happened for girliness on the internet while Phoebe was away. In part 1 of 2, Emma explains the emergence of ‘Brat Summer' and subsequently, the dominance of directionless, hyper-online marketing strategies. We also talk about ‘demure and mindful' and lament the slow dying off of a shared vocabulary of comedy catch phrases. Check out Emma's Substack here! ------- PALESTINE AID LINKS As the humanitarian crisis continues to unfold in Gaza, we encourage anyone who can to donate to Medical Aid for Palestinians. You can donate using the links below. Please also donate to the gofundmes of people trying to survive, or purchase ESIMs. These links are for if you need a well-respected name attached to a fund to feel comfortable sending money. https://www.map.org.uk/donate/donate https://www.savethechildren.org.uk/how-you-can-help/emergencies/gaza-israel-conflict -------- PHOEBE ALERT Phoebe is back! Check out her Substack Here! Check out the newly relaunched Masters of our Domain with Milo, here! Check out the new season of Romecast with Milo and Patrick Wyman, here! -------- This show is supported by Patreon. Sign up for as little as $5 a month to gain access to a new bonus episode every week, and our entire backlog of bonus episodes! Thats https://www.patreon.com/10kpostspodcast

This is a preview of a bonus episode. Listen to the full episode on Patreon at www.patreon.com/10kpostspodcast. -------- Friend of the show Emma Garland returns to talk to us about the sale of Pitchfork, the future (or the lack of one) of online critical culture.  Check out Emma's substack here! -------- PALESTINE AID LINKS As the humanitarian crisis continues to unfold in Gaza, we encourage anyone who can to donate to Medical Aid for Palestinians. You can donate using the links below. https://www.map.org.uk/donate/donate https://www.savethechildren.org.uk/how-you-can-help/emergencies/gaza-israel-conflict -------- PHOEBE ALERT Can't get enough Phoebe? Check out her Substack Here! -------- Ten Thousand Posts is a show about how everything is posting. It's hosted by Hussein (@HKesvani), Phoebe (@PRHRoy) and produced by Devon (@Devon_onEarth).

Babylon is finally upon us. Will it swallow us whole as Lodz warned or will we just have a nice time with the creepy bartender? Only time will tell. (No it won't, leave immediately). Produced by Kristen Riley and Daive Reed Edited by Daive Reed Thanks for being here and if you enjoyed the episode, please rate, review, and subscribe. Or, even easier, tell people about us! It really helps us out.  Find us on Twitter and Instagram @CastFiles We also auto-post on YouTube, if that's your streaming service of choice, or if you like closed captions.  And finally, email us at TheRotatingCastFiles@gmail.com   Content Warnings: Death, adult themes --------- “...And on her forehead, a name was written, a mystery. ‘Babylon the great, the mother of harlots and of the abominations of the earth…” The carnival rolls into Babylon, a tapped-out silver-mining town with a luckless history - and few visible inhabitants. Samson looks to raise morale by treating the troupe to a night at a local car in town, while Sofie and Libby take in a film. Finally, a group of restless miners arrives just in time for the evening cooch show - and the latest tragedy to befall Carnivale.    We open with Justin squatting and praying in the wreckage of the ministry/orphanage. In his prayer, he mentions Babylon as we fade to a man walking down the road as the carnival approaches. Jonesy and Samson stop to talk to the guy and it's apparent something is amiss.  The roadman has an Irish accent and Samson asks if he's from Babylon. He looks taken aback but reconsiders and says yes. Jonesy tells him there's nothing behind them but 50 miles of sand and sidewinders, which is the way the man is headed. He asks if they're a carnival and when they confirm he says they've been waiting for them for a long time. Samson asks “how's that?” but he just smiles and walks off.  Welcome to Babylon. We should not stop here even for a moment.  Rita Sue being Rita Sue hollers “hey handsome” at him as they pass.  The carnival arrives in Babylon and it's clear that no one is happy about being there. Dora Mae says Rita Sue says Babylon is cursed. Ruthie says it's just a place. Gecko counters with “just a place no other carnival will play.” Samson tells them to set up, but Rita Sue rightly points out there's no one around for them to play to. He counters that if that were true they wouldn't be here, would they?  Immediately Samson goes to confront Management about why they're there. He demands management tell him something he can share with the crew, but management is silent.  Jonesy and his crew are setting up. Gecko is begging to stop by El Paso, which isn't going to happen apparently. The crew is telling Jonesy they're going to wire to another show for work and Jonesy calls them some 1930s name that showcases how little he cares. Ben's working, but sees Lodz's trailer and beelines it past Jonesy to the trailer. It's like he was pulled to it. Lodz is shaking in his bed. They call it “the clangs”.  “You have an infallible, if irritating, gift for stating the obvious.” Ruthie breaks it up by telling Ben to go back to work. She calls Lodz on his bullshit and threatens him if he keeps messing with Ben. “I will tear your pecker off like a piece of French bread.” Sofie argues with Apollonia over her recent sexual encounter during the dust storm. Sofie says she liked it, liked the way he held her. Which, I saw that scene, did not occur. Apollonia warns or threatens or suggests she might be pregnant. Sofie says he didn't knock her up because that only happens in dime novels. Wouldn't that be great if true? But, of course, now she's worried that she may be pregnant.  Fortunately, when Sofie leaves the trailer she sees the Dreyfuss women practicing. They're also bickering because everyone is on edge and that's what you do with families. Also fortunate, as Sofie approaches Dora Mea storms off and Rita Sue is distracted by Stumpy hanging a torn banner.  It's obvious these two don't spend much time together when Sofie decides to sit and stay for a cigarette. Sofie asks Libby how you can tell if you're pregnant which leads to the discovery that no one knows but at least Libby tells Sofie to require a rubber next time. I don't think Sofie knows what that looks like or where to get them, but maybe she and Libby will be best friends and Sofie can learn.  Dora Mea shocks the hell out of Ben while he's shaving, even going so far as to lean in for a kiss. It's obvious he's the most fun to play with since he's the new guy and a prude.  a person who is or claims to be easily shocked by matters relating to sex or nudity.: "the sex was so ambiguous and romantic that none but a prude could find it objectionable". synonyms: puritan, prig, killjoy, moral zealot/fanatic, moralist, Mrs. Grundy, Grundy, old maid, schoolmarm, pietist, Victorian, priggish person, bluenose, goody-goody, goody two shoes, holy Joe, holy Willie, Miss Prim Jonesy is still furious with Samson but they haven't discussed it, even on that 50 miles of sun and dirt drive, but Jonesy tells Samson he needs to do something now or people will start leaving. So, in an effort to prevent many of the rousties from deserting, Samson takes them out on the town for the night. Unfortunately, what that means is one nearly abandoned bar with the man from the road as a bartender. When Samson says, looks like you didn't make it out of town, he cryptically responds, never does.  Rather than go to the bar, Sofie and Libby dress up for a night at the movies. They approach the theater but it appears closed. Sofie, reluctant to turn back yet, suggest they may be early. Inside, they find a small counter with candy. As Sofie reaches for a few bars another creepy man appears from around the corner and catches them. Libby distracts him so Sofie can steal the candy. He confirms they're with the carnival before putting on a silent movie.  As the movie plays they talk about sex. The man is watching and listening.  At the bar, there's actually music now so everyone is dancing. Dora Mae is flirting with the bartender who says the town doesn't come in here. Everyone's dancing and having a good time, Libby and Sofie arrive after the movie to join in. Ben is getting annihilated at a table by himself until Ruthie asks if he wants to dance. Jonesy is also sitting alone, watching.  The creepy as fuck townsmen with lust in their eyes are being goddamn creeps. As the night carries on and slow dancing starts Libby and Sofie are still dancing. Jonesy asks to cut in. It's a gut-wrenching scene. Libby is amazing though, she knows the cues and as she politely brushes Jonesy off with a smile she also dances Sofie's back to him. Jonesy wanders to the bathroom. Ben stumbles in.  “You can go to hell.” “Where do you think we are, farm boy?” Ben stumbles off alone into the dark. Tensions are still high in the morning.  No one seems to notice Ben's absence the next morning, except for Ruthie. When Lodz learns of it, he employs Lila to take him on an undisclosed errand. Cut to Sofie, Libby, and Dora Mea at the breakfast table. We learn Libby “fell off the roof” so the blow-off is all Dora Mea's tonight. Apollonia is butting in as Libby and Sofie enjoy each other and Sofie has to run off.  Now Ben, who has apparently just woken up in total darkness, flicks his Zippo to discover that he's in an abandoned and seemingly sealed-off mine shaft in the Babylon mine. It's reminiscent of Justin's vision trip he played on Iris's last episode. Soft hands, hard rock.  Night falls -  Meanwhile, Lodz sits alone outside in the wilderness at night, and he may or may not be able to hear Ben screaming for help. The carnival opens for evening business. At first, there's no one. Samson says to Jonesy, give it time. Jonesy makes a snide remark about management. “What kind of spider crawled up your ass?” Then we hear a horse or horses pull up and see lanterns in the distance. This. Is. Bad. The horses are the only thing making any noise.  The crowd that descends on the carnival is extremely large and composed almost entirely of sullen-faced, grey-suited, dirty miners.  Samson is unnerved and tells Stumpy to cancel Dora Mae's blow-off (i.e. she keeps her panties on). It's a full house so Stumpy wants to do the blow-off because that tends to mean more tips. As the show continues we hear some men saying things so we know they aren't ghosts or whatever.  Jonesy is out at the Ferris wheel. When two filthy men get into his cart he asks for their tickets. When they don't give them up, but the rest of the folks are hollering to get started, he refuses to lock them in and instead holds the accelerator to as fast as it will go. Hilarious if I didn't fully expect this thing to fall apart at some point.  Sofie is reading the Tarot cards for her mother. The miner wants to know when he'll hit high dirt. Sofie does the thing where she tells him the cards are unclear rather than whatever Apollonia actually said, which was probably “he's fucked”, so the miner gets up to leave but Apollonia has Sofie ask the miner if he knows the name "Scudder." The miner does and relates that Scudder worked the mine several years prior and that Scudder had killed Carl Butridge with a pickaxe. Apollonia declines to explain the incident or its relevance to her daughter. Down in the mine shaft, Ben has stumbled across a pickaxe, just as Scudder, dressed as a miner, comes round the corner. Scudder is silent. Ben chases him, finally getting him to stop when he yells, “I know who you are.” Scudder replies, “but do you know what that means?”  In light of Ben's silence, Scudder sets off down the tunnel. Ben can't keep up, and soon collapses when he finds the lifeless body of Carl Butridge, pickaxe still lodged in his chest. Back at the cooch show, Rita Sue is unconvinced about Samson's warning. She says they've worked tougher crowds and has Stumpy call for the men who will pay an extra $0.50 to see the final show. Dora Mae is going to do the blowoff. Both the Babylon barkeeper and the local projectionist are in the crowd. We hover on Stumpy as he watches the crowd go through the second curtain. He looks uncertain, but it's tough to say whether this is because he believes Samson or because he's watching for Samson so they don't get caught.  Back at the Ferris wheel, Jonesy proceeds to get drunk while those original minors are still flying around and around. Someone yells “you wanna fight?” or something which is rich because they are literally at his mercy. Miners on the ground end up beating to snot out of Jonesy as another person stops the wheel.  Samson arrives and breaks up the fight, then tells Jonesy to leave since they had a deal. (He wasn't supposed to drink on the job). Jonesy stumbles off into the dark.  Dora Mae is in the middle of her blow-off - Stumpy and Rita Sue standing by - A full-blown handstand, are you kidding me? Impressive.  As she lands out of her handstand the miners rush the stage, grabbing her and dragging her toward them. She's terrified and calls out, “Daddy!” Stumpy rushes to help her and she runs off the back of the stage as the tent collapses. Dora Mae is cut on the way out.  Next, we see her she's outside a tent, in a robe, hyperventilating. That must have been terrifying. Rita Sue stands silently by while Stumpy brings her ointment to keep it front getting puss-y, which is a very hard word to write down… Dora Mea thanks him and Rita Sue appears to be fighting grief, guilt, and anger but remaining silent. Dora Mea looks up toward the camera like she's looking toward someone just as Rita Sue slips around the tent after Stumpy, leaving her alone. Back to Ben, the least interesting storyline in this episode. He's still in his cave.  Ben has relit his Zippo and discovered a series of letters carved in the wooden beams supporting the mine: AVATARAVATARAVATAR. He copies "TARAVATARA" onto his arm in charcoal.  Ben takes Burtridge's headlamp, lights it, and sets off in search of Scudder. Get ready: Jonesy, staggering up the hillside outside of the carnival, comes across a tree and we can see legs dangling from it. It's Dora Mea, you can see her shoes with the little heel and the white ankle socks. You can also see the blood from her cut - if not additional trauma - has run all the way down her legs to her socks.  Jonesy pauses, slowly looking up at her face. He vomits. Next, we see him stumbling through the carnival carrying Dora Mae. Ruthie sees him and tells him to lay her down “over here” while laying out her jacket for him to put her on.  Rita Sue notices and runs over. Screaming only the screams of someone experiencing a part of themselves actually dying.  Dora Mea's throat was cut and the word "Harlot" was carved into her forehead. We hear Brother Justin saying over the scene: “...And on her forehead, a name was written, a mystery. ‘Babylon the great, the mother of harlots and of the abominations of the earth…” SONG: The World Is a Beautiful Place and I Am No Longer Afraid to Die, “January 10th, 2014” (2015) Championing female vigilantism in a world rife with male violence, “January 10, 2014” is a rogue entry to the emo canon, centered on women but not from the vantage point of the male gaze. It brings together two stories: The first is the true story of Diana, Hunter of Bus Drivers, who murdered two late-night shuttle-bus drivers in response to decades of sexual violence on the women of Juárez, Mexico, due to the indifference of the police. The second is Diana, the Roman goddess of the hunt – a protective force associated with, among other things, wild animals, woodland, the underworld, fertility, and childbirth. It's an ambitious concept but, in its own idealistic way, rewrites a common narrative — both within emo and the world at large — that seeks to confine women to one of two categories: “victim” or “evil.” By contrast, “January 10th, 2014” holds women up as beacons of bravery and strength and vigilante action as worthy of thanks. While it feels fairly deflating that the examples chosen are ones of abject desperation and myth, it works within the utopian framework of the song, whose soaring post-rock-influenced landscape communicates its vision better from within clouds. However, what really elevates “January 10, 2014” are the dueling vocals and the passing of the most affecting lines — “Are you afraid of me now?” — to keyboardist Katie Shanholtzer-Dvorak, which brings a much-needed sense of agency to a genre that often deprives women of it whether it means to or not. —Emma Garland  

“I struggled with my religious upbringing for years after I became an adult and right now, right at the tail-end of this record, I've realised I've made peace with everything.”As Ethel Cain, Hayden Silas Anhedönia calls upon memories of her strict religious upbringing to create her own Southern epic. We catch up with the Preacher's Daughter artist for Issue 132. Written by Emma Garland and narrated by Keziah Wenham-Kenyon See acast.com/privacy for privacy and opt-out information.

Emma Garland lives in London but was born in Wales. Welsh stand up queen Kiri Pritchard-McLean has returned to her roots in Anglesey and she explores hiraeth in her latest tour ... hiraeth being Welsh for a sense of longing for your home. So what is this draw both of them clearly feel, and can you be Welsh if you don't speak Welsh? Emma Garland was born in the valleys of South Wales and writes about culture for numerous magazines. Kiri Pritchard-McLean's latest show is called Home Truths. The producer in Bristol is Miles Warde

This week, as part of her continuing revenge on Hussein for making her watch, in her words, "a cartoon", Phoebe has forced him at gunpoint to watch a few episodes of this year's Love Island.  But, we can't do it alone, so joining us this week is culture writer Emma Garland! You can find Emma on twitter at https://twitter.com/emmaggarland and find her writing for Vice and The Guardian here https://www.vice.com/en/contributor/emma-garland  and here https://www.theguardian.com/profile/emma-garland, respectively. Ten Thousand Posts is a show about how everything is posting. It's hosted by Hussein (@HKesvani), Phoebe (@PRHRoy) and produced by the very handsome Devon (@Devon_OnEarth).

Emma and Mike have done a kind of cultural house swap - Emma left South Wales when she was 18 and is now London-based. Mike left England over two decades ago and has learnt to speak Welsh. So which of them is more Welsh? Emma Garland was born in Ynysybwl. She writes for Dazed, Vice and Rolling Stone magazine. Mike Parker lives in Powys and is the author of Neighbours from Hell and the forthcoming All the Wide Border, which is about the frontier between England and Wales. The producer in Bristol is Miles Warde

This short take is a segment from ROBSERVATIONS episode number 794 which streamed on March 7, 2022.ROBSERVATIONS host Robert Meyer Burnett reads an article about the nature of science fiction and how it differs from other forms of fiction. ROBSERVATIONS host Robert Meyer Burnett shares an article written by Emma Garland in Esquire Magazine positing that Matt Reeve's new Batman feature may finally force Marvel Studios to change its formulaic approach to manufacturing superhero movies (https://thepgs.co/3KWUcCR). According to Ms. Garland, "audiences are becoming bored - and more openly critical - of Marvel monoculture."It's safe to say that Rob does not agree and lays out his case - based on widely available evidence and fact, not supposition, that what Marvel Studios has accomplished with the MCU is outstanding by design and not accidental. "MCU films are four-quadrant entertainment made for mass appeal," explains Burnett. The consistent high-quality production values, prestige casting choices, and attention to character stories and development sets the entire catalog of films apart from anything else ever produced in the history of the motion picture industry.Best known for directing, co-writing, and editing the award-winning cult favorite feature film FREE ENTERPRISE, starring Emmy winners William Shatner and Eric McCormack, Rob Burnett offers his own unique perspective on the entertainment industry in his daily “Robservations” video blogs – free-flowing, streaming conversations with fans about everything from toys to comics to movies and television. Rob brings an interesting perspective to the world of genre entertainment that's definitely “big picture” stuff. This is a replay of short take segment from ROBSERVATIONS Episode #794 which originally streamed on the Post-Geek Singularity Channel on YouTube on March 7, 2022. Total runtime for the segment is 14:36.

ROBSERVATIONS host Robert Meyer Burnett shares an article written by Emma Garland in Esquire Magazine positing that Matt Reeve's new Batman feature may finally force Marvel Studios to change its formulaic approach to manufacturing superhero movies (https://thepgs.co/3KWUcCR). According to Ms. Garland, "audiences are becoming bored - and more openly critical - of Marvel monoculture."It's safe to say that Rob does not agree and lays out his case - based on widely available evidence and fact, not supposition, that what Marvel Studios has accomplished with the MCU is outstanding by design and not accidental. "MCU films are four-quadrant entertainment made for mass appeal," explains Burnett. The consistent high-quality production values, prestige casting choices, and attention to character stories and development sets the entire catalog of films apart from anything else ever produced in the history of the motion picture industry.Best known for directing, co-writing, and editing the award-winning cult favorite feature film FREE ENTERPRISE, starring Emmy winners William Shatner and Eric McCormack, Rob Burnett offers his own unique perspective on the entertainment industry in his daily “Robservations” video blogs – free-flowing, streaming conversations with fans about everything from toys to comics to movies and television. Rob brings an interesting perspective to the world of genre entertainment that's definitely “big picture” stuff. This is a replay of short take segment from ROBSERVATIONS Episode #793 which originally streamed on the Post-Geek Singularity Channel on YouTube on February 27, 2022. Total runtime for the segment is 20:15.

Hi pals! A huge ep incoming so get ready. First up, Ash Barty announced her retirement from tennis at age 25 and Harry Styles is returning with new music (and a new era). According to the Internet and the Northern Hemisphere, it's short king spring. Is this another Internet trend or actually challenging stereotypes? We reference this piece for iD by Laura Pitcher titled ‘It's officially short king spring' and this Guardian piece by Adrienne Matei titled ‘In praise of short men: will the rise of 'short kings' spell the fall of toxic masculinity?'Next, Doja Cat told the world that she was quitting music over being hassled by fans in Paraguay. This causes us to discuss the relationship between fan and celebrity and the access we have to artists in 2022. Machine Gun Kelly released a track with Willow recently – the very catchy Emo Girl. It's started a conversation around the glorification of pain thanks to this Refinery29 article by Elizabeth Whitehead called ‘The Revival Of The ‘Emo Girl' Is A Slippery Slope To Commodifying Pain'. Is this a one-dimensional look at emo culture though? We also reference this 2018 VICE piece by Emma Garland titled ‘How Mainstream Emo Made Us Talk About Mental Health'. In recommendations, Maggie shares her love and words on Disney+'s Turning Red while Jas recommends a history podcast titled ‘Short History Of…' OKAY - see you next week friends xoxo See acast.com/privacy for privacy and opt-out information.

Hi all,Today, we FINALLY hear the long-awaited story of how Jasmine met Niall Horan! Apart from that Wattpad worthy story, we also fantasise about Harry Styles’ encounter with a fan’s goldfish. In our chat about Kim K’s 40th birthday bash, we read from Emma Garland’s Vice article. For our discussion on Poland’s new abortion restrictions, we reference this Guardian article. If this has brought up any difficult feelings, we encourage you to speak to someone from Pregnancy Help Australia, 1800 My Options, Lifeline Australia, Sexual Assault Crisis Line, Safe Steps or 1800Respect.This week, Jasmine recommends Cait Emma Burke’s article, ‘How my generalised anxiety disorder affects getting dressed’ for Fashion Journal. Maggie recommends Reply All’s episode ‘Introducing: Resistance.’Our jingle, editing and production is by India Raine. You can email us at cultureclubmail@gmail.com, find us on Instagram at @cultureclubpod, or on our personal accounts at @jasmineeskye and @yemagz.Maggie & Jasmine xx

Yoohoo! It’s us! We’ve missed you!On today’s show: Our very random and almost inexplicable obsession with tonal loungewear. Plus, why in the world does Dr Phil still have a platform but no practicing certificate. And finally, a deepdive on the Netflix show Too Hot to Handle and female agents of chaos (a term coined by by VICE’s Lauren O’Neill and Emma Garland that we LOVE).This week, Zara recommended you listen to Daniel Radcliffe’s podcast episode on Desert Island Discs here. Mich did a whoopsies and forgot to recommend something this week, but all is forgiven considering her phenomenal work on our open letter to Margot Robbie. Check it out here.Record a voice message and send it to hotline@shamelessmediaco.com (that's *CO*.com) It can be about anything pod related! Or unrelated! We just wanna chat, pretty please. OK, we're done being clingy. Love you.Thank you so much to today’s sponsor, The Oodie. Head here to get $30 off your order by using the code ‘SHAMELESS’ at checkout. And the generosity continues! The Oodie is also running a giveaway on our Instagram page so keep an eye out for it over there to enter.Craving more? You’re only human. Here are all the links your heart desires!Our Insta profile.Our Facebook Group.Our book-club.And our weekly newsletter!Shameless Podcast is very much an independent vehicle that runs on the support of our incredible listeners - that's you! So, if you’d like to support the show, we would like that very much. Hit ‘subscribe’ on Apple Podcasts or ‘follow’ on Spotify, and leave a review if you’re feeling especially generous. Then sit back and bask in our eternal, abundant love.Your hosts are Michelle Wants Michael Buble’s Attention Andrews (@michelleandrews1) and Zara Beach Hero McDonald (@zamcdonald).This episode was produced by Annabelle Lee for Shameless Media.

Yoohoo! It’s us! We’ve missed you!On today’s show: Our very random and almost inexplicable obsession with tonal loungewear. Plus, why in the world does Dr Phil still have a platform but no practicing certificate. And finally, a deepdive on the Netflix show Too Hot to Handle and female agents of chaos (a term coined by by VICE’s Lauren O’Neill and Emma Garland that we LOVE).This week, Zara recommended you listen to Daniel Radcliffe’s podcast episode on Desert Island Discs here. Mich did a whoopsies and forgot to recommend something this week, but all is forgiven considering her phenomenal work on our open letter to Margot Robbie. Check it out here.Record a voice message and send it to hotline@shamelessmediaco.com (that's *CO*.com) It can be about anything pod related! Or unrelated! We just wanna chat, pretty please. OK, we're done being clingy. Love you.Thank you so much to today’s sponsor, The Oodie. Head here to get $30 off your order by using the code ‘SHAMELESS’ at checkout. And the generosity continues! The Oodie is also running a giveaway on our Instagram page so keep an eye out for it over there to enter.Craving more? You’re only human. Here are all the links your heart desires!Our Insta profile.Our Facebook Group.Our book-club.And our weekly newsletter!Shameless Podcast is very much an independent vehicle that runs on the support of our incredible listeners - that's you! So, if you’d like to support the show, we would like that very much. Hit ‘subscribe’ on Apple Podcasts or ‘follow’ on Spotify, and leave a review if you’re feeling especially generous. Then sit back and bask in our eternal, abundant love.Your hosts are Michelle Wants Michael Buble’s Attention Andrews (@michelleandrews1) and Zara Beach Hero McDonald (@zamcdonald).This episode was produced by Annabelle Lee for Shameless Media.

Vulture published the list 100 Best Emo Songs of All Time by David Anthony, Nina Corcoran, Emma Garland, and Brad Nelson. Of course we are dissecting it. We invited Collins from the band closure. and Seth from Repeater Records to break down the list. We got way over our heads and this is going to be a two part session.

On Episode 15 of VICE Does 'Love Island', Lauren O'Neill and Emma Garland discuss Amber's act of vindication on behalf of scorned women everywhere, Jordan potentially starting a whole new drama with just one week left to go, and who the final couples might be. See acast.com/privacy for privacy and opt-out information.

On episode 13 of VICE Does ‘Love Island’, Lauren O’Neill and Emma Garland discuss the new crop of islanders, Curtis finally deciding he wants to “get to know” Maura, and what on earth Michael thinks he’s up to. See acast.com/privacy for privacy and opt-out information.

Join Lauren O'Neill and Emma Garland on Episode 11 of 'VICE Does Love Island' where they discuss Ovie's shirt game, the villa's dystopian vibe, and Amy's reported exit. See acast.com/privacy for privacy and opt-out information.

On Episode 10 of ‘VICE’ Does Love Island, Emma Garland and Lauren O’Neill rehash one of the most stressful weeks in Love Island history, begging the question: is Tommy Fury the most honourable man in Mallorca? See acast.com/privacy for privacy and opt-out information.

On Episode 7 of ‘VICE Does Love Island’, Emma Garland and Lauren O’Neill discuss Yewande’s dumping from the Island, the show’s handling of Maura and Tom’s storyline, and Danny and Arabella’s ‘intellectual connection.’ As Curtis would say: ‘Je ladies first.’ See acast.com/privacy for privacy and opt-out information.

On Episode 5 of VICE Does Love Island, hear Emma Garland and Lauren O'Neill discuss the reasons for Sherif's removal, confusing girl code, and Maura's next move. See acast.com/privacy for privacy and opt-out information.

On the fourth episode of VICE Does Love Island, VICE staffers Emma Garland and Ruby Lott-Lavigna dissect the ins and outs of this week’s beef. They discuss horny new girl Maura, *that* cheese heart, and whether or not Molly-Mae’s outburst at Tommy could put her at risk of leaving the island. You've made your bed...now listen to the podcast See acast.com/privacy for privacy and opt-out information.

Lauren O'Neill and Emma Garland chat body diversity, bizarre villa decor, and the first couples formed on 'Love Island' 2019. See acast.com/privacy for privacy and opt-out information.

There's a ton of cabinet reshuffles this week and baby Trump - all 6-foot helium-filled malevolence - is flying over London. Is the balloon a meaningful protest; or is it a childish blimp that could ruin a trade agreement with the US? And aren't there leaders (Erdogan, for example) whose visit to the UK we should protest more? Also this week, Justin Bieber's engaged! Kylie Jenner's almost a billionaire! Cardi(gan) B has had a baby called Kulture! In (more important) news, we discuss Amanda Knox's comments on sexuality (she says she taught herself how to masturbate in prison), Terri White's piece on poverty (30% of children live below the poverty line), Giles Coren's piece on why ‘liking' things draws us further away from our authentic self and Richard Godwin's shocking piece on noise pollution - which is killing 10,000 people a year. And of course, we *had* to mention Love Island. Dolly raises Alex's comment about liking ‘natural' women (what damage does the #ijustwokeuplikethis emphasis do to women?) whilst Pandora laments our cultural obsession with augmented hotness, flagging a brilliant piece on Vice about Megan Barton-Hanson. Links- Glow on Netflix https://www.netflix.com/gb/title/80114988 - In defense of Megan Barton-Hanson, by Emma Garland for Vice https://www.vice.com/amp/en_uk/article/vbq5dy/in-defence-of-megan-barton-hanson- Terri White on Britain's poverty problem (last week's issue; not yet online)- The goop podcast on iTunes https://itunes.apple.com/gb/podcast/the-goop-podcast/id1352546554?mt=2 - She Must Be Mad, by Charley Cox https://www.harpercollins.co.uk/9780008291662/she-must-be-mad/- Sonic Doom: how noise pollution is killing 10,000 people a year, by Richard Godwin for The Guardian https://www.google.co.uk/amp/s/amp.theguardian.com/lifeandstyle/2018/jul/03/sonic-doom-noise-pollution-kills-heart-disease-diabetes- The Urge To Like Everything Is Rotting Our Brains, by Giles Coren: https://www.thetimes.co.uk/article/the-urge-to-like-everything-is-rotting-our-brains-vdttbtmdx - Guys We F****d with Amanda Knox: https://soundcloud.com/guyswefucked/amandaknox You can e-mail us thehighlowshow@gmail.com or tweet us @thehighlowshow. See acast.com/privacy for privacy and opt-out information.

First released in 1983, the Now That's What I Call Music compilation album series was a joint venture between music giants Virgin and EMI, which collected together 30 of the biggest chart hits from that particular period. The success of the first Now album led to a number of copycat versions including Hits and Out Now, but these were short-lived compared to Now, who saw every release reach multiple platinum sales. And the series has continued to go from strength to strength despite enormous changes in the music industry. 1999's Now 44 became the biggest seller in the series, 2008's Now 70 sold the most units in its first week while 2016's Now 95 was the biggest selling album of that year. There have been spin-off editions covering everything from Dad Rock to Video Games and global editions released in China, Argentina and Korea. But why did this particular compilation capture the public's imagination? Do compilation albums of this type help to form or frustrate musical tastes? Can they devalue music in some way? And how has the series survived in the age of streaming and downloads? With Sheryl Garratt former editor of The Face and The Observer Magazine, Emma Garland from Vice and Now expert Rich Lally. Presenter: Hayley Campbell Producer: Dale Shaw

Diets, morning routines and meditation - this week we’re talking about the world of self help and life advice. VICE’s Zing Tsjeng, Sirin Kale and Emma Garland bring their advice to The Game Show. Hosted by your lad Sam Wolfson. See acast.com/privacy for privacy and opt-out information.

This week, we welcome the great writer Emma Garland onto the show to talk about Lil Peep, Charly Bliss, Sheer Mag, and plenty of other things. We also discuss a hot new podcast idea because, boy, we just love to podcast. 

This week we bring you a mix of music curated by Emma Garland, who is a music journalist and Assistant Editor at Noisey UK. Emma's Sad Punks mix includes songs by Ivoryton Piano Factory, Florist, Perfect Pussy, Tears for Fears, Nicole Dollanganger, and Kevin Abstract! As an addendum, we also include a song by The Pink Slips. Support each of these bands and musicians, and be sure to check out Emma's work at Noisey! Click here to find us on Facebook, or here to find us on iTunes. As always, thank you to Rubee True Fegan for the artwork for this episode! If you have a business inquiry for Rubee, just send an email to rubee@sadpunks.com.