Podcasts about Scudder

Kendall Scudder was elected to succeed Gilberto Hinojosa as the first new Chair of the Texas Democratic Party since the latter's election in 2012 on Saturday, winning an outright majority in the first round of voting from the members of the State Democratic Executive Committee in Austin. This pod features our first talk with Scudder, just minutes after his election was confirmed, and takes from a handful of key players who were present at the event.Coverage from the Texas Tribune: https://www.texastribune.org/2025/03/29/texas-democrats-party-chair/Thanks for listening! Learn more about Progress Texas and how you can help support our ongoing work at https://progresstexas.org/.

Traci Scudder is a solo practitioner based outside of Washington, D.C., specializing in land use and zoning, particularly real estate development law. She has built a strong reputation for providing flexible, client-focused legal services in a highly niche field of law. We're going to explore what sets her apart, the challenges of navigating zoning law, and the importance of resilience in the legal field. Let's dive in! Here's a Glimpse of What You'll Learn 0:00 Preview - The Business Zoning Blues 1:07 Introduction 2:54 Traci's Start in Zoning Law 5:18 The Path Not Taken 6:45 Traci's Differentiators 8:11 Location, Location… 10:25 Zoning Law Misconceptions 12:49 The Business Zoning Blues 17:29 When Traci Went Solo 20:57 A Country Girl in the City 22:54 The Promise 25:15 The Announcement Traci, with all her years of experience, brings a level of sophistication and professionalism to her field of law. That's not to ignore her commitment to fair and compassionate treatment for her clients. When you work with Traci, you're working with a powerhouse who can get things done and get your real estate zoning issues resolved. She explains to Tom that zoning can be a long-term process, so it only makes sense you work with a lawyer you respect and appreciate. You will get that exact experience with Traci. Step forward in life by contacting her about your real estate legal needs today. Speakers Featured in This Episode - Tom Foster of Foster Web Marketing- Traci Scudder of Rees Broome This episode is brought to you by Foster Web Marketing. Foster Web Marketing is dedicated to providing cutting-edge, highly customizable marketing and strategic solutions specifically designed for law firms and medical practices. Our award-winning marketing and systems solutions are what set us apart from everyone else.

1 Eraserhead - life is a mystery (forze) 2 Chill fm - shocker (M8) 3 Rave nation - going crazy (forze) 4 Lord of hardcore - work that sukka (screwdriver) 5 Ni cad - brainwash (sound asylum) 6 Bass x - hardcore creators (screwdriver) 7 Bass x - exterminate (shoop) 8 Forbes + cyclone - full force (screwdriver) 9 Scudder - wheres my money (bass generator) 10 Bass generator - the event (bass generator) 11 Scudder - kiss my ass seduction (bass generator) 12 Science rhythm - recall (bass generator) 13 Marc smith - pump up the noise (club scene) 14 Mr brown - pump up the bass (twisted vinyl) 15 Diss reaction - jiiieehaaaa (ruff neck) 16 Lenny dee v edge - silence of eternity (edge records) 17 Neurotek - cocaine (bass generator)

Quint Kessenich sits down with Lehigh Men's Lacrosse Head Coach Will Scudder to break down the upcoming 2025 season and the challenges of coaching at the college level.

This episode features Andrew B. Peitzman, MD, FACS, a trauma surgeon from Pittsburgh, Pennsylvania, who delivered the Scudder Oration on Trauma at Clinical Congress 2024. In his lecture, “Major Hepatic Injury: We Can Do Better,” Dr. Peitzman talks about the need for trauma and liver surgeons to collaborate to treat these uncommon injuries that have seen a patient survival plateau for decades. Talk about the podcast on social media using the hashtag #HouseofSurgery

This podcast recounts the accidental invention of the potato chip by chef George Crum in 1853, who created them to satisfy a demanding customer. It then details the significant contributions of Laura Scudder, a California entrepreneur, who revolutionized the potato chip industry by introducing sealed bags to maintain freshness and extending the product's shelf life. Scudder's innovations, including dating the bags, transformed potato chips from a niche product into a mass-market staple. The narrative highlights the evolution of potato chip production and packaging, from its humble beginnings to its billion-dollar global industry status today.

Luminary Hike Opening Night is the 13th of December Visit https://qrchristmas.com/ for more informationSee omnystudio.com/listener for privacy information.

James Scudder has a big personality and even bigger goals! In this episode I chat with a relatively new MSP owner seeing some great growth from a few very important initiatives. He discusses what he's doing, lessons along the way, and his ambition plans for 2025! Talking with MSPs and members are some of my favorite episodes. I always learn something new. I hope you do too!

In this podcast episode, Dawn Tiura interviews Sarah Scudder about her upcoming workshop, "How to Build Your Brand and Bullet Proof Your Career Using LinkedIn," taking place at the Global Executive Summit on October 7th in Palm Desert, CA.  Sarah shares her expertise on how to optimize your LinkedIn profile, create engaging content, and leverage the platform to generate business and career opportunities. She emphasizes the importance of having a clear messaging pillar and personal storytelling in your content. Join Sarah Scudder on October 7th at the Omni Rancho Las Palmas Resort and Spa in Palm Desert, CA.

Last week we released Aloha ‘Āina, the second film in our Shifting Landscapes documentary film series, which tells the story of how acclaimed Native Hawaiian poet Jamaica Heolimeleikalani Osorio brought her poetry and love of the land to the forefront of the movement to protect the sacred Mauna Kea from the construction of a thirty-meter telescope. To complement the film, we're returning to an investigative story we published several years ago when moves to begin construction first ignited protest at the foot of the mountain. Written by Chelsea Steinauer-Scudder, this story—rich with the voices and chants of Mauna Kea land protectors—traces the collision of values that continues to play out on the mountain, giving a depth of context to the promise of guardianship maintained by the Kanaka Maoli community. Read the transcript. Watch the film Aloha ‘Āina, by Adam Loften and Emmanuel Vaughan-Lee, the first in our four-part Shifting Landscapes documentary film series. Photo by Kapulei Flores. Learn more about your ad choices. Visit megaphone.fm/adchoices

God has called Ida to start a medical school! Will the school be able to overcome the challenges it faces? Tune in with Piper, Logan, and Uncle Mike for the conclusion of Ida Scudder's story. Uniting kids with the good news of the Gospel through adventures and foundational, biblical truths. Subscribe to the U-Nite Radio Podcast, so you don't miss any of our episodes!

Dr. Ida Scudder faces many challenges as a missionary doctor. How will God help Ida overcome the challenges? Uniting kids with the good news of the Gospel through adventures and foundational, biblical truths. Subscribe to the U-Nite Radio Podcast, so you don't miss any of our episodes!

Uniting kids with the good news of the Gospel through adventures and foundational, biblical truths. Subscribe to the U-Nite Radio Podcast, so you don't miss any of our episodes!

Ida unexpectedly returns to India, but is determined to return to America. However, late one night, three knocks at the door force Ida to reconsider her plans. Uniting kids with the good news of the Gospel through adventures and foundational, biblical truths. Subscribe to the U-Nite Radio Podcast, so you don't miss any of our episodes!

Many kids think about what they'll be when they grow up. But young Ida Scudder thought about what she did not want to be when she grew up. Uniting kids with the good news of the Gospel through adventures and foundational, biblical truths. Subscribe to the U-Nite Radio Podcast, so you don't miss any of our episodes!

This episode features Edward E. Cornwell, MD, FACS, a trauma surgeon from Washington, DC, who delivered the Scudder Oration on Trauma at Clinical Congress 2023. In his lecture, “Trauma Care: The Vehicle, the Barometer, the Original Yardstick for Equal Care in America,” Dr. Cornwell uses some historically significant cases to describe how trauma surgery has the unique power to transcend barriers.  Talk about the podcast on social media using the hashtag #HouseofSurgery 

Tony Reinke | How should Christians orient toward technology? Should we ignore it, embrace it, be suspicious of it, or shun it altogether?

We follow Hannay deep into the Scottish countryside where he seeks respite from his mini-escapee adventures at an inn. The men Scudder warned Hannay about, however, are hot on Hannay's trail and closing in fast. 0:00 - intro 1:05 - Dramatic Reading of The Thirty-Nine Steps Ch. 3 Pt 2 17:41  - A (not so) brief discussion The Thirty-Nine Steps by John Buchan (1915) https://gutenberg.org/cache/epub/558/pg558-images.html#chap03 This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Credit to https://www.FesliyanStudios.com for the background music. Credit to https://www.soundjay.com/ for the sound effects Podcast Photo P/C: https://www.pexels.com/@luan-oosthuizen-823430/collections/

On this episode of Anchored, Kimberly is joined by Sarah Scudder and Angel Parham, co-founders of the Nyansa Classical Community. The three explore the need for classical education in communities where it does not typically exist. They also talk about success stories in which children found joy and support in their after-school and homeschool programs. Finally, they look at the ministry side of their outreach that equips parents, college students, and churches to serve their community through education. 

Hannay reluctantly plots his course for survival, takes the mantle of espionage from Scudder, and disguises himself as none other than a milkman (and potential dairy/cattle farmer?) to begin his glorious journey! 0:00 - intro 1:16 - Dramatic Reading of The Thirty-Nine Steps Ch. 2 16:29  - A (not so) brief discussion The Thirty-Nine Steps by John Buchan (1915) https://gutenberg.org/cache/epub/558/pg558-images.html#chap02 This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org https://livestockconservancy.org/heritage-breeds/heritage-breeds-list/belted-galloway-cattle/ https://www.thebettermilk.com/blogs/news/the-traditional-history-of-the-milkman Credit to https://www.FesliyanStudios.com for the background music. Credit to https://www.soundjay.com/ for the sound effects Podcast Photo P/C: https://www.pexels.com/@luan-oosthuizen-823430/collections/

Scudder takes a stab at convincing Hannay that he is as dead as he says he is. Scudder passes along information to Hannay vital to the survival of Karolides. 0:00 - intro 3:47 - Dramatic Reading of The Thirty-Nine Steps Ch. 1 Pt. 2 17:39  - A (not so) brief discussion The Thirty-Nine Steps by John Buchan (1915) https://gutenberg.org/cache/epub/558/pg558-images.html#chap01 This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Credit to https://www.FesliyanStudios.com for the background music. Credit to https://www.soundjay.com/ for the sound effects Podcast Photo P/C: https://www.pexels.com/@luan-oosthuizen-823430/collections/

In this episode, Gary talks with Pete Scudder, owner of Scudder Roofing in Marino, CA. Pete talks about how he got his start in the industry at 18 years old and launched his own company at 24. With a family to feed, Pete talks about what it took to get his business off the ground, how he learned to become a strong business leader, and how he successfully scaled his business to a $29M roofing and solar business. Pete has some great advice for listeners and his messages will be powerful for all of those who listen to this episode.

SourceDay's CMO, Sarah Scudder, joins Coruzant Technologies for the Digital Executive podcast.  Sarah shares her unconventional journey into the supply chain and marketing world, starting with a serendipitous switch from fashion to procurement. Emphasizing the importance of controlling one's career destiny, she reflects on her bold decision to opt for a commission-based salary in sales, a move that led her to significant financial success.Sarah's innovative approach to marketing, especially through LinkedIn, highlights her belief in personal branding and creating an inbound motion for businesses. She credits her success to understanding her audience and delivering resonant content, thus educating the market at scale. Additionally, Sarah discusses her podcast, "What the Duck," which targets a niche audience in the supply chain sector, emphasizing the value of specialized content in a world overflowing with generalist media.

Pastor Jim Scudder Jr. discusses the upcoming Christmas pageant at Quentin Road Baptist Church in Lake Zurich, Illinois. He shares the excitement and popularity of the pageant, which features angels, Gabriel, and even a walking camel. Pastor Jim also mentions a ticket giveaway for listeners of the radio station. He then talks about his recent trip to Israel and the heartbreaking events he witnessed there. He emphasizes the importance of standing for Israel and shares a powerful story of a menorah made from Hamas rockets. Pastor Jim encourages listeners to turn up the lights and share the light of Jesus during this Christmas season. Hear Pastor Jim's radio program, InGrace, on AM1160 and streaming at 1160hope.com every weekday at 10am. Takeaways: The Christmas pageant at Quinton Road Baptist Church is a popular and exciting event, featuring angels, Gabriel, and a walking camel. Listeners have the opportunity to enter a ticket giveaway for the pageant. Pastor Jim Scudder Jr. recently visited Israel and witnessed the heartbreaking events happening there. He emphasizes the importance of standing for Israel and shares a powerful story of a menorah made from Hamas rockets. Follow The Common Good on Facebook, Twitter and Instagram Hosted by Aubrey Sampson and Brian From Produced by Laura Finch and Keith ConradSee omnystudio.com/listener for privacy information.

In this episode, I am joined by Kat Scudder, a sales executive and currently the VP of Ad Sales for Nexstar Media Group, and we dive deep into her  remarkable career path, where she worked her way up the ladder as a single mother and thrived in the fiercely competitive world of sales. We explore proven techniques to elevate your sales skills and uncover the surprising parallels between successful sales strategies and the job search process. Kat also sheds light on the essential art of self-marketing for job seekers. Kat also graciously provides her valuable recommendations for books and newsletters, offering listeners essential resources to enhance their sales abilities and accelerate their career.  

This week, we've adapted the interactive multimedia feature “They Carry Us With Them: The Great Tree Migration” for our podcast. Written by Chelsea Steinauer-Scudder, this story delves into changing patterns of tree migration in Maine, tracing the threats faced by black ash forests. As she follows two Wabanaki black ash basketmakers grappling with the arrival of an invasive beetle, Chelsea asks what is at stake as these forests struggle, change, and depart in their search for survival. Explore the multimedia feature. Learn more about our upcoming immersive exhibition in London this December. Reserve your free tickets to SHIFTING LANDSCAPES. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jamie-Lynn Sigler & Natalya Scudder join host Andy Cohen. Listen to lively debates on everything from the latest drama surrounding your favorite Bravolebrities to what celebrity is making headlines that week live from the WWHL clubhouse.Aired on 09/25/23Binge all your favorite Bravo shows with the Bravo app: bravotv.com/getbravoSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How do words shape our world? In this week's narrated essay, writer Chelsea Steinauer-Scudder visits the wind-sculpted dunes of Nebraska's Sandhills, considering the prophecies that collided across the American Great Plains in the nineteenth century. Tracing the histories of violence, conquest, and degradation that have played out there, Chelsea locates the points at which human and wilderness were separated. Wondering what words, what prophetic voices are needed to guide us out of an entrenched dualism, she calls us to remember that we have always been intimately linked with the cycles of our ecosystems. Read this essay on our website. Explore more stories from Shifting Landscapes, our fourth print volume. Sign up for our newsletter to hear more stories as they are released each week. Learn more about your ad choices. Visit megaphone.fm/adchoices

Grasshopper mice are small but fierce. They howl like wolves, stalk their prey like cats, and finish up with a quick face clean. These solitary animals like to live life dangerously and enjoy even venomous meals. Photos and more are at our site. Primary Sources: Grasshopper Mouse Hunting and Howling [YouTube] Animal Diversity Web. Regents of the University of Michigan. USDA Bulletin: Life History and Habits of Grass-hopper mice, genus Onychomys. (1939). [PDF] Richardson, D., Karczmar, A. G., & Scudder, C. L. (1972). Intergeneric behavioral differences among methamphetamine treated mice. Psychopharmacologia, 25(4), 347–375. Tracey Switek. Onychomys: Tiny Terror of the Western Deserts. Contact: Website Facebook Twitter TikTok info@grasslandgroupies.org Support us: Bonfire Merch Store Or donate: Donorbox

Unveil author interview tales and indulge in Block's incredible storytelling. A must-read for mystery enthusiasts.

Rock Solid Families -  Ep 238 -  Identity in Christ Alone - Welcoming Meredith Scudder to the RSF TeamMeredith Scudder - Assistant Director and Coach at Rock “What I'm seeing a lot of the youth struggle with is identity. And they're not going to know their identity until they know Christ,” explains Meredith Scudder, the new Assistant Director and faith-based coach at Rock Solid Families. Meredith chose to get a Masters in Social Work after seeing firsthand the challenges facing elementary school students in special education. When God led her to take a position in the wilderness of Wisconsin, she expected to arrive to find her dream job. What she found instead was a new path and a transformed heart. Today, co-hosts Merrill and Linda Hutchinson welcome Meredith to the Rock Solid Families family and talk about her career journey, her experiences working with healing trauma in adolescents, and the importance of centering healing on the foundation of a strong relationship with God.It is difficult for teachers and counselors in non-faith based programs because they are restricted from incorporating their faith into their work. For Meredith, even when all other aspects of her job in Wisconsin made it seem like a ‘dream job', it always felt like a major piece was missing from the puzzle. She saw many children struggling with issues of identity that were translating into problems behaviorally, emotionally, and academically. Without being able to help these students find their identity in Christ, Meredith was at a loss for how to truly get to the root of their trauma. Instead, she was seeing the traditional method for healing trauma be to offer symptom management rather than actually seeking and addressing the root cause. Faith-based counseling offers a level of healing that non-faith based modalities are unable to achieve because they are leaving a major piece of the puzzle out of the equation. Trauma is subjective and looks different for everyone, so it is critical to seek out the root cause rather than only focusing on treating the symptoms. Forming a strong relationship with God and seeking your identity in Christ will help you to heal the root of trauma.Quotes“It felt like we were just kind of managing the symptoms. And there seemed to be a deeper rooted problem that wasn't being addressed.” (8:34-8:44 | Meredith)“Trauma looks a lot of different ways, and it's subjective.” (10:42-10:47 | Meredith)“I thought He was taking me there for my dream job, and to advance my career. And turns out, He was taking me there for my own wilderness experience, to renew my mind, and transform my heart.” (12:15-12:31 | Meredith)“What I'm seeing a lot of the youth struggle with is identity. And they're not going to know their identity until they know Christ.” (19:16-19:28 | Meredith) “We see teachers and counselors all the time that talk about how restricted they feel by not being able to bring the way of God or Christ into their daily work.” (21:26-21:40 | Merrill)“There's licensed therapy out there that is, I believe, doing more harm than good with some of our girls and really reaffirming some of these lies that the enemy has planted in their mind.” (29:52-30:04 | Linda) LinksYouTube: https://youtu.be/9WFpyeq4yLMPodcast : https://www.buzzsprout.com/636718/12836874-rock-solid-familieSupport the show

In this episode I sat down with Greyson Scudder, a Senior Media Buying Specialist at Barkley, to discuss how media buying works, how AI will disrupt media buying, data privacy, and more.  Watch this episode on YouTube! Join the discussion below!  Twitter          |          LinkedIn   Have questions about Marketing Analytics? Email Alex at alexandersofronas@gmail.com   All view are our own.

In 1977, Charles Scudder and Joseph Odom left Chicago to build a dream home in rural North Georgia. Five years later, the gay couple were robbed and murdered in their home. The story sparked a media frenzy, revealing widespread paranoia about the Satanic Church and homosexuality. We dig into the case with B.T. Harman, writer and host of the historical crime podcast "Catlick."See omnystudio.com/listener for privacy information.

Babylon is finally upon us. Will it swallow us whole as Lodz warned or will we just have a nice time with the creepy bartender? Only time will tell. (No it won't, leave immediately). Produced by Kristen Riley and Daive Reed Edited by Daive Reed Thanks for being here and if you enjoyed the episode, please rate, review, and subscribe. Or, even easier, tell people about us! It really helps us out.  Find us on Twitter and Instagram @CastFiles We also auto-post on YouTube, if that's your streaming service of choice, or if you like closed captions.  And finally, email us at TheRotatingCastFiles@gmail.com   Content Warnings: Death, adult themes --------- “...And on her forehead, a name was written, a mystery. ‘Babylon the great, the mother of harlots and of the abominations of the earth…” The carnival rolls into Babylon, a tapped-out silver-mining town with a luckless history - and few visible inhabitants. Samson looks to raise morale by treating the troupe to a night at a local car in town, while Sofie and Libby take in a film. Finally, a group of restless miners arrives just in time for the evening cooch show - and the latest tragedy to befall Carnivale.    We open with Justin squatting and praying in the wreckage of the ministry/orphanage. In his prayer, he mentions Babylon as we fade to a man walking down the road as the carnival approaches. Jonesy and Samson stop to talk to the guy and it's apparent something is amiss.  The roadman has an Irish accent and Samson asks if he's from Babylon. He looks taken aback but reconsiders and says yes. Jonesy tells him there's nothing behind them but 50 miles of sand and sidewinders, which is the way the man is headed. He asks if they're a carnival and when they confirm he says they've been waiting for them for a long time. Samson asks “how's that?” but he just smiles and walks off.  Welcome to Babylon. We should not stop here even for a moment.  Rita Sue being Rita Sue hollers “hey handsome” at him as they pass.  The carnival arrives in Babylon and it's clear that no one is happy about being there. Dora Mae says Rita Sue says Babylon is cursed. Ruthie says it's just a place. Gecko counters with “just a place no other carnival will play.” Samson tells them to set up, but Rita Sue rightly points out there's no one around for them to play to. He counters that if that were true they wouldn't be here, would they?  Immediately Samson goes to confront Management about why they're there. He demands management tell him something he can share with the crew, but management is silent.  Jonesy and his crew are setting up. Gecko is begging to stop by El Paso, which isn't going to happen apparently. The crew is telling Jonesy they're going to wire to another show for work and Jonesy calls them some 1930s name that showcases how little he cares. Ben's working, but sees Lodz's trailer and beelines it past Jonesy to the trailer. It's like he was pulled to it. Lodz is shaking in his bed. They call it “the clangs”.  “You have an infallible, if irritating, gift for stating the obvious.” Ruthie breaks it up by telling Ben to go back to work. She calls Lodz on his bullshit and threatens him if he keeps messing with Ben. “I will tear your pecker off like a piece of French bread.” Sofie argues with Apollonia over her recent sexual encounter during the dust storm. Sofie says she liked it, liked the way he held her. Which, I saw that scene, did not occur. Apollonia warns or threatens or suggests she might be pregnant. Sofie says he didn't knock her up because that only happens in dime novels. Wouldn't that be great if true? But, of course, now she's worried that she may be pregnant.  Fortunately, when Sofie leaves the trailer she sees the Dreyfuss women practicing. They're also bickering because everyone is on edge and that's what you do with families. Also fortunate, as Sofie approaches Dora Mea storms off and Rita Sue is distracted by Stumpy hanging a torn banner.  It's obvious these two don't spend much time together when Sofie decides to sit and stay for a cigarette. Sofie asks Libby how you can tell if you're pregnant which leads to the discovery that no one knows but at least Libby tells Sofie to require a rubber next time. I don't think Sofie knows what that looks like or where to get them, but maybe she and Libby will be best friends and Sofie can learn.  Dora Mea shocks the hell out of Ben while he's shaving, even going so far as to lean in for a kiss. It's obvious he's the most fun to play with since he's the new guy and a prude.  a person who is or claims to be easily shocked by matters relating to sex or nudity.: "the sex was so ambiguous and romantic that none but a prude could find it objectionable". synonyms: puritan, prig, killjoy, moral zealot/fanatic, moralist, Mrs. Grundy, Grundy, old maid, schoolmarm, pietist, Victorian, priggish person, bluenose, goody-goody, goody two shoes, holy Joe, holy Willie, Miss Prim Jonesy is still furious with Samson but they haven't discussed it, even on that 50 miles of sun and dirt drive, but Jonesy tells Samson he needs to do something now or people will start leaving. So, in an effort to prevent many of the rousties from deserting, Samson takes them out on the town for the night. Unfortunately, what that means is one nearly abandoned bar with the man from the road as a bartender. When Samson says, looks like you didn't make it out of town, he cryptically responds, never does.  Rather than go to the bar, Sofie and Libby dress up for a night at the movies. They approach the theater but it appears closed. Sofie, reluctant to turn back yet, suggest they may be early. Inside, they find a small counter with candy. As Sofie reaches for a few bars another creepy man appears from around the corner and catches them. Libby distracts him so Sofie can steal the candy. He confirms they're with the carnival before putting on a silent movie.  As the movie plays they talk about sex. The man is watching and listening.  At the bar, there's actually music now so everyone is dancing. Dora Mae is flirting with the bartender who says the town doesn't come in here. Everyone's dancing and having a good time, Libby and Sofie arrive after the movie to join in. Ben is getting annihilated at a table by himself until Ruthie asks if he wants to dance. Jonesy is also sitting alone, watching.  The creepy as fuck townsmen with lust in their eyes are being goddamn creeps. As the night carries on and slow dancing starts Libby and Sofie are still dancing. Jonesy asks to cut in. It's a gut-wrenching scene. Libby is amazing though, she knows the cues and as she politely brushes Jonesy off with a smile she also dances Sofie's back to him. Jonesy wanders to the bathroom. Ben stumbles in.  “You can go to hell.” “Where do you think we are, farm boy?” Ben stumbles off alone into the dark. Tensions are still high in the morning.  No one seems to notice Ben's absence the next morning, except for Ruthie. When Lodz learns of it, he employs Lila to take him on an undisclosed errand. Cut to Sofie, Libby, and Dora Mea at the breakfast table. We learn Libby “fell off the roof” so the blow-off is all Dora Mea's tonight. Apollonia is butting in as Libby and Sofie enjoy each other and Sofie has to run off.  Now Ben, who has apparently just woken up in total darkness, flicks his Zippo to discover that he's in an abandoned and seemingly sealed-off mine shaft in the Babylon mine. It's reminiscent of Justin's vision trip he played on Iris's last episode. Soft hands, hard rock.  Night falls -  Meanwhile, Lodz sits alone outside in the wilderness at night, and he may or may not be able to hear Ben screaming for help. The carnival opens for evening business. At first, there's no one. Samson says to Jonesy, give it time. Jonesy makes a snide remark about management. “What kind of spider crawled up your ass?” Then we hear a horse or horses pull up and see lanterns in the distance. This. Is. Bad. The horses are the only thing making any noise.  The crowd that descends on the carnival is extremely large and composed almost entirely of sullen-faced, grey-suited, dirty miners.  Samson is unnerved and tells Stumpy to cancel Dora Mae's blow-off (i.e. she keeps her panties on). It's a full house so Stumpy wants to do the blow-off because that tends to mean more tips. As the show continues we hear some men saying things so we know they aren't ghosts or whatever.  Jonesy is out at the Ferris wheel. When two filthy men get into his cart he asks for their tickets. When they don't give them up, but the rest of the folks are hollering to get started, he refuses to lock them in and instead holds the accelerator to as fast as it will go. Hilarious if I didn't fully expect this thing to fall apart at some point.  Sofie is reading the Tarot cards for her mother. The miner wants to know when he'll hit high dirt. Sofie does the thing where she tells him the cards are unclear rather than whatever Apollonia actually said, which was probably “he's fucked”, so the miner gets up to leave but Apollonia has Sofie ask the miner if he knows the name "Scudder." The miner does and relates that Scudder worked the mine several years prior and that Scudder had killed Carl Butridge with a pickaxe. Apollonia declines to explain the incident or its relevance to her daughter. Down in the mine shaft, Ben has stumbled across a pickaxe, just as Scudder, dressed as a miner, comes round the corner. Scudder is silent. Ben chases him, finally getting him to stop when he yells, “I know who you are.” Scudder replies, “but do you know what that means?”  In light of Ben's silence, Scudder sets off down the tunnel. Ben can't keep up, and soon collapses when he finds the lifeless body of Carl Butridge, pickaxe still lodged in his chest. Back at the cooch show, Rita Sue is unconvinced about Samson's warning. She says they've worked tougher crowds and has Stumpy call for the men who will pay an extra $0.50 to see the final show. Dora Mae is going to do the blowoff. Both the Babylon barkeeper and the local projectionist are in the crowd. We hover on Stumpy as he watches the crowd go through the second curtain. He looks uncertain, but it's tough to say whether this is because he believes Samson or because he's watching for Samson so they don't get caught.  Back at the Ferris wheel, Jonesy proceeds to get drunk while those original minors are still flying around and around. Someone yells “you wanna fight?” or something which is rich because they are literally at his mercy. Miners on the ground end up beating to snot out of Jonesy as another person stops the wheel.  Samson arrives and breaks up the fight, then tells Jonesy to leave since they had a deal. (He wasn't supposed to drink on the job). Jonesy stumbles off into the dark.  Dora Mae is in the middle of her blow-off - Stumpy and Rita Sue standing by - A full-blown handstand, are you kidding me? Impressive.  As she lands out of her handstand the miners rush the stage, grabbing her and dragging her toward them. She's terrified and calls out, “Daddy!” Stumpy rushes to help her and she runs off the back of the stage as the tent collapses. Dora Mae is cut on the way out.  Next, we see her she's outside a tent, in a robe, hyperventilating. That must have been terrifying. Rita Sue stands silently by while Stumpy brings her ointment to keep it front getting puss-y, which is a very hard word to write down… Dora Mea thanks him and Rita Sue appears to be fighting grief, guilt, and anger but remaining silent. Dora Mea looks up toward the camera like she's looking toward someone just as Rita Sue slips around the tent after Stumpy, leaving her alone. Back to Ben, the least interesting storyline in this episode. He's still in his cave.  Ben has relit his Zippo and discovered a series of letters carved in the wooden beams supporting the mine: AVATARAVATARAVATAR. He copies "TARAVATARA" onto his arm in charcoal.  Ben takes Burtridge's headlamp, lights it, and sets off in search of Scudder. Get ready: Jonesy, staggering up the hillside outside of the carnival, comes across a tree and we can see legs dangling from it. It's Dora Mea, you can see her shoes with the little heel and the white ankle socks. You can also see the blood from her cut - if not additional trauma - has run all the way down her legs to her socks.  Jonesy pauses, slowly looking up at her face. He vomits. Next, we see him stumbling through the carnival carrying Dora Mae. Ruthie sees him and tells him to lay her down “over here” while laying out her jacket for him to put her on.  Rita Sue notices and runs over. Screaming only the screams of someone experiencing a part of themselves actually dying.  Dora Mea's throat was cut and the word "Harlot" was carved into her forehead. We hear Brother Justin saying over the scene: “...And on her forehead, a name was written, a mystery. ‘Babylon the great, the mother of harlots and of the abominations of the earth…” SONG: The World Is a Beautiful Place and I Am No Longer Afraid to Die, “January 10th, 2014” (2015) Championing female vigilantism in a world rife with male violence, “January 10, 2014” is a rogue entry to the emo canon, centered on women but not from the vantage point of the male gaze. It brings together two stories: The first is the true story of Diana, Hunter of Bus Drivers, who murdered two late-night shuttle-bus drivers in response to decades of sexual violence on the women of Juárez, Mexico, due to the indifference of the police. The second is Diana, the Roman goddess of the hunt – a protective force associated with, among other things, wild animals, woodland, the underworld, fertility, and childbirth. It's an ambitious concept but, in its own idealistic way, rewrites a common narrative — both within emo and the world at large — that seeks to confine women to one of two categories: “victim” or “evil.” By contrast, “January 10th, 2014” holds women up as beacons of bravery and strength and vigilante action as worthy of thanks. While it feels fairly deflating that the examples chosen are ones of abject desperation and myth, it works within the utopian framework of the song, whose soaring post-rock-influenced landscape communicates its vision better from within clouds. However, what really elevates “January 10, 2014” are the dueling vocals and the passing of the most affecting lines — “Are you afraid of me now?” — to keyboardist Katie Shanholtzer-Dvorak, which brings a much-needed sense of agency to a genre that often deprives women of it whether it means to or not. —Emma Garland  

Pack up the babies! Grab the old ladies! Everyone knows, everyone goes, Brother Benjamin St John's Show! Produced by Kristen Riley and Daive Reed Edited by Daive Reed Thanks for being here and if you enjoyed the episode, please rate, review, and subscribe. Or, even easier, tell people about us! It really helps us out.  Find us on Twitter and Instagram @CastFiles We also auto-post on YouTube, if that's your streaming service of choice, or if you like closed captions.  And finally, email us at TheRotatingCastFiles@gmail.com   Trigger Warnings: Death, evangelism, complex boundaries between siblings   Summary Carnivàle shows up in Tipton as a funeral is in progress. Most of the mourners turn away from the coffin and watch the carnival come into town. One fancy guy seems pretty pissed.  The carnival is setting up as Samson reads off a list for purchases in the town. Samson tells Hawkins to go with Jonesy. Jonesy has never worked this town. They used to have a circuit until Hawkins showed up. Which doesn't make sense yet.  Samson has the carnival setting up. The angry, fancy guy comes over. Lyle Donovan, Tipton's sheriff, comes to find Samson. They shoot the shit for a bit, but Lyle sucks and tells Samson he's not going to allow it. “Because the town is too poor” but probably because Lyle sucks.   The two have known each other for a long time, but Donovan refuses to let Samson set up the carnival since Donovan doesn't want his people being cheated out of what little money they have left.  Paying for entertainment is not the same thing as being cheated, you moron. And if they gamble? That's on them.  In town, it's obvious how bad off the town is. There's hardly any food and no water, even the cows are dehydrated. It's definitely bad. Jonesy haggles over barely corn while Ben sees a truck with the Big Sky Farms sign on it.  Just then, the little girl he healed before identifies Ben as a healer. Jonesy pulls up in the truck as the town is being wild and calls over the ruckus to Ben to get into the truck.  In a nice juxtaposition, the poor migrants from Minten have a new place of worship. Justin and his congregation are having a great time at Chen's. Justin and Iris are trying to get everyone on key, but we know I don't want that. Justin preaches that people who God hates are better believers than the ones who don't have it as hard or something.  Eleanor gives God credit when shaking Justin's hand and Justin replies that it isn't a miracle, just a lot of hard work. Honestly, I want to hear more people say that. Take credit for your hard work!  Some council members show up and want a “nickel tour”. Iris says “well well.” Jonesy arrives and says Ben was being called Jesus. Samson isn't interested because the carnival has been kicked out. BUT Jonesy has an idea. Samson stages a faith-healing revival in order to circumvent Donovan's edict. Samson plays the organized religion game and talks to the reverend, spinning a cute tale and promising 50% to this guy's church. There's a catholic church down the road, and Samson says “why don't we let the Catholics take care of the Catholics?” The game is on.  After gaining the support of Tipton's reverend, we get a great shot of Stumpy's born-again speech. His daughters are dressed up, collecting coins in plates, and looking very "respectable". Quotes because respectability is a patriarchal construct.  Samson is confronted by Lyle and uses the great “freedom of religion” bullshit we're all being persecuted under today. It's a great comparison between what's happening in Tipton and Minten. The poor folks are being taken by religion. Lila is dressing Ben, putting product in his hair. Ruthie, Gabriel, and Samson walk in. Samson asks who dressed him, Lodz? Because he's styled exactly like The Gentleman Geek. Ruthie says it's like seeing a ghost and Samson shoos her out.  Ben gets all high-strung, as is his #1 characteristic., and says he's not going to do it. He tries to leave, but Gabriel physically stops him. Samson says it's not an option to leave.  Stumpy's speech is incredible.  I always love these stories, because they're humble brags of how much sinning someone has gotten up to in their lives and it kind of makes you jealous.  As he ends it, his story for introducing Ben is that he was struck down and Ben brought him back, which turned his sinning light around.  Samson sits behind Lila and Lodz, mentioning the tux was a mean trick. Lodz is thrilled.  Gabriel looks dapper in his gray suit.  Stumpy calls for healing, and people want healing. He calls for a woman in the back, in a wheelchair, Gabriel brings her and the chair to the stage. She has stomach cancer, it's in her spine and keeps her legs from working. Ben is absolutely freaking out. Finally, the woman reveals her face - because Ben is a big dummy and can't tell it's Ruthie - as Stumpy leads the crowd in a chant of Jesus, Jesus!  Ben finally touches her and she performs, the crowd goes wild. Lila in the background shouts the loudest. It's all very good and honestly, exactly what revivals are so…no hard feelings.  We get another dream sequence. It's the diner song with the terrible lyrics. Ben wakes up and Samson announces that, due to the incredible success of the revival show, they now have fresh eggs, bacon, and orange juice.  The rousties send Ben off for more orange juice, while getting a refill he asks Sofie about her mom. Appolonia isn't great, but at least she's talking.  Ben says he has something that needs doing in town. He'd seen a  sign for “Big Sky Farms” and needed to investigate. Samson gives him access to the car.  Ben is late for his own show chasing leads.  When he gets back, he asks if there's been a wreck. But it's all the folks here for the revival show. As he walks toward the carnival a woman with a sandwich board sign recognizes him, Ben is swarmed and Gabe ends up carrying him off.  Back at Chin's, now the migrant church, the council members - Munson and Templeton - are getting their “dime tour” though you know they used to be regulars here. Justin is showing them the boys' dorms, which is almost complete. The girls' dorm, across the hall, is already complete. Justin calls Iris over, she's wearing one of those designs that grown women had to wear that make them look shapeless like dolls, and she asks if Carroll Templeton was the other Templeton cousin, no it was his nephew. She gives her condolences.  This awful Tempelton says he wishes Justin would've come to them first. When Justin says he'd love their support in the future, the other guy has to speak up.  It's all stupid politics. That guy gets to tell him the demo was planned for this whole block. They offer Justin a run-down place outside of town, in exchange for “this cracker box”. Templeton threatens Justin, which will turn out just fine. I'm sure.  Justin walks out, sweating. Iris rushes out after him, trying to calm the situation. When Justin yells “no!” the older Templeton starts to choke. He's led out by his dumb cronies. Iris starts to realize there's a connection. It's probably the hottest her brother has looked to her in a while.  Sofie tends to Appollonia. Appy says he needs her, Sofie isn't thrilled, but Ben shows up asking for help. Sofie gives him a “disguise” and tells him to wait in the truck. She ends up driving him to the house.  It's in need of a paint job and a good porch sweeping. He knocks on the door and asks to see Ms. Donovan. At first, he's told she's indisposed, but then is let inside.  Sofie is dismissed, politely. Ben shows Becca Donovan the pictures. She knows Scudder, they were lovers at one time, and she knew about Flora. Becca also tells him the rules of the game. Take a life to give a life. If Ben hasn't figured this out already, I swear.  Regardless, Becca knows about the dreams. His daddy had the gift/curse. Because everything is a story about fathers and sons.  Lyle shows up and bodily throws Ben out.  Sofie drives them back and asks questions that Ben refuses to answer so she kicks him out of the car.  He yells “crazy damn bitch” and she backs up and says to his face “what'd you call me?” He actually repeats himself, which most people wouldn't, but refuses to get in. He walks away, in the finest clothes he's ever worn.  Later that evening, Samson is waiting for Ben to return, Since he hasn't yet, they have a standby.  We cut back to Sofie and Ben in a weird little standoff. Eventually, Sofie asks if she can have a cigarette, and Ben replies “can I drive?” So they make up.  Back at the revival with the stand in Ben, Doramea comes up with bloody legs. She was run over by a thresher.  It's all going fine until the sheriff walks in. Cops are always looking out for only themselves. But honestly, it's the draw of religion too. Hope, whether it's false or not, is still hope.  He demands the healer heal his ailing mother instead of the thrasher victim. But he also knows the healer stand-in isn't the healer they've been sold. Fortunately, Ben shows up. He asks about the rules. He's worried because he knows if he does it someone or something will die. He tells the cop to move back. But Becca tells him no, don't touch me. She's not willing to kill someone else for her sake. Ben alerts the crowd, telling them to remember she said she doesn't want to be healed. He asks about Scudder, she informs him that Scudder was in Babylon after he was with her, then she dies.  Later that night, Samson demands to know what Ben would've done if she hadn't stopped him. I'm not sure he wants to know. He ends up punishing Ben with latrine duty.  Another comparison you may have already picked up is between Norman and Samson. They both refer to their charges as children - "little girl" vs "children".  As they're leaving, Jonesy asks where. Samson gives directions. Jonesy says, damn that'll take us mighty close to Babylon. Samson replies, no that'll take us to Babylon.  On a bicycle. 

Ben gets sent on a wild goose chase but it turns out that the goose isn't so wild. Justin learns a fun, new trick he can do. And we are all left with a sense of foreboding. Produced by Kristen Riley and Daive Reed Edited by Daive Reed Thanks for being here and if you enjoyed the episode, please rate, review, and subscribe. Or, even easier, tell people about us! It really helps us out.  Find us on Twitter and Instagram @CastFiles We also auto-post on YouTube, if that's your streaming service of choice, or if you like closed captions.  And finally, email us at TheRotatingCastFiles@gmail.com   Content Warnings - pedophilia suggested, suicide The Recap Love me or leave me plays on the sound system in the diner.  The lyrics are disagreeable from start to finish and absolutely distract me from what's happening, which is… Justin walks into a diner and sits on a stool at the counter. Ben walks in and sits next to Justin. The two men don't acknowledge each other's presence.  After a few minutes, Scudder, dressed in a black tuxedo and top hat, walks in and sits at the booth behind Ben and Justin. Ben and Justin watch him intently in the mirror above the counter.  Eventually, Belyakov, previously seen in both Ben and Justin's dreams chasing Scudder during World War 1, enters the diner and sits across from Scudder at the booth.  The waitress moves over to Belyakov and Scudder and comments ominously, "Every prophet in his house." Scudder and Balyakov raise their wine glasses in a toast. As the glasses clink, the large window that Scudder and the soldier are seated next to explodes inward, showering the four men in shards of glass. The dream ends. Ben and Justin wake suddenly from the shared dream. Ben goes to wash and gets harassed by the Dryfuss ladies - Libby and Rita Sue. It's pretty fun. Because, as I said while watching, it's not dangerous.  Sofie and Appolonia argue.  Jonesy is assigning men to work for the morning and sends Ben to clean out the baggage trailer, a carnival joke since the baggage trailer doesn't exist.  Ben, however, finds a run-down trailer filled with baggage which he proceeds to dig through on the pretense of cleaning it. I love luggage with all those stickers - the real thing, not the Home Goods version. I'd go through it too, you know, for organizing purposes.  He finds a suitcase containing not only Scudder's top hat (which Ben pops), but also Scudder's trademark black tuxedo (which is spattered with blood).  In an old cigar box, he finds an old photo of his mom standing in front of a truck with the label "Big Sky Farms." He exclaims and the wind closes the door, so he pulls out a zippo. A definite fire hazard. Heading back through the carnival Samson asks where he's been hiding. Samson shares the joke, but Ben was in the trailer. He shows Samson the photo to prove it since taking him to the non-existent trailer proved fruitless.  Samson lies about not recognizing the picture, and so does Ben. Samson wants to hold onto it, but Ben pockets it. On the back of the picture is written "H.S. and Flo." He pockets it.  Samson goes to the management trailer and finds the picture in the photo album. He asks management, who's behind a curtain, “what the hell are you up to?”  Cut to Justin, who's getting ready for work and making me realize just how little I understand about men's clothing. Why doesn't that second shirt have a back? When he wears the overcoat, you can't see it anyway. Why?  Also, staring at your sister's nipples is probably frowned upon by parts of the bible.  At church, we have my favorite singer, Eleanor's son. Eleanor has been “set right”. I love that he says he enjoyed parts of the service when Justin asks. He's so honest! The rich folks are unhappy with the migrants and make it known to Justin. Lunch at the carnival. The cooch family - “No one wants to see a lumberjack dance the cooch.” I do.  Jonesy is pissed about Babe Ruth. But not really.  Ben and Sofie sit together for lunch.  Lodz and Lyla discuss Sofie and Ben. Lyla makes comments about teaching new puppy tricks.  At the diner from the dreams, Justin and Norman, and Iris.  Back at the carnival, Appolonia won't read the cards for Sophie, so rather than lie or make something up, she turns everyone away. As she's leaving the trailer she runs into Ben, Ben gets pulled over by Ruthie to fetch Gabriel's wrist cuffs. In her trailer, he smells her perfume. He's smitten.  At Justin and Iris's, the wealthy folks come by. Mainly they want to kick out the migrants. But Templeton isn't ready for what's about to happen. Justin gets ahead of him and requests Templeton give him The Chin's. Templeton tries to laugh it off and offers $50 for a tent. Templeton tells Justin no, Justin gets pissed, especially when Templeton takes the Lord's name in vain. Justin touches him, the room goes black and the woman from Mr. Chin's shows up and transports them to Chin's. Inside we see sex, drugs, gambling, and exploitation of all kinds. Templeton asks “anything new on the menu? “ Which is gross even before you know what he's requesting. He gets keys to room 4, Justin still holding on to the other Templeton forces him to watch.  Iris walks in with the lemonade and we're all back at the house.  After the carnival, Jonesy shows us how he has a lifelong crush on someone he's known since before she hit puberty which is a real problem. Sofie tries to let him down easily.  Gecko and Dora mea  Lodz airs his concerns about Ben to Samson, who maintains that Ben is just a harmless rube.  Lodz counters by saying that he saw Scudder in Ben's dreams. Samson doesn't care, because Scudder's dead and has been for years.  Lodz isn't convinced and asks Samson to bring the matter to Management since Mgmt hasn't listened to Lodz since St Louis.  He also suggests that Samson take the carnival south instead of the usual northward course. Samson disagrees and leaves the trailer. Samson sees Jonesy dismiss everyone and watches as Ben stumbles around to find a place to sleep. The “rousties” seem to bed down wherever they can.  Lodz goes to Appolonia, trying to convince her to let him in. She is obviously angry about it, and so is Sophie when she walks in and kicks him out. Sophie asks if she's ok, Appolonia throws a porcelain cup at her and she storms out.  We see Ben bedding down under a truck, then his WWI nightmares again in which a Russian soldier is stalking Scudder from No Man's Land. The bear shows up. Ben wakes abruptly.  He sees a mobile Apollonia approaching, she reaches her hand out and he takes it. She gasps and whispers "You're the one,". At the same time, Sofie returns to the trailer and finds her mother missing. She yells Mama! And Appolonia collapses into Ben's arms.  The situation, when Sofie discovers it, is misconstrued and Ben is beaten until Samson manages to calm things down. He has everyone stop punching Ben and gets others to help Appolonia back inside. Sofie can't hear her anymore. She's scared.  And finally, Samson announces that the carnival will be moving south instead of north. Lodz smirks. Ruthie, who forcibly made Gabriel stop hitting Ben, also kind of forcefully patches Ben up - she's in charge of these two boys and neither can argue that. Gabriel sits outside as Ruthie applies ointment and checks his ribs. She makes sure there are no hard feelings against Gabe. Ben says there aren't. He shows her the picture, she knows who Flora was but didn't know her personally.  Ruthie explains that the woman is Scudder's old "sweetie," and that Scudder traveled with Carnivàle and performed as the Gentleman Geek, wearing his trademark black tuxedo.  She confirms that Scudder might have been in World War 1 and informs Ben that Scudder was drunk. Ben reveals to Ruthie that the woman in the picture is his mother, Flora Hawkins. Ruthie now has a whole lot of spotty history snap into place. She lets Ben take his picture and the one she had of Scudder. As Ben leaves Ruthie calls Gabriel back inside. See? We all know who's in charge.  In Mintern, Justin gets Chin's. Templeton is like every other wealthy and influential person, a fucking coward. He ends his life, leaving behind a family during the great depression to fend for themselves.  Justin returns home, high on power, and looks longingly at his sleeping sister before turning off the radio and awakening her. He tells her everything and she's silent and then seems to be quietly thrilled. This makes Justin cry, she comforts him in a way that could be sibling-like but somehow is suggestive of more.  Later, we see Justin return to his room to self-flagellate. That's not a euphemism. Actually, it probably is. Iris hears him from the living room.  In the final scene, the carnival is wrapping up. Ben sees the little hat and vest from the bear in his nightmares attached to the side of management's trailer.  

It's the Great Depression and we're meeting our new cast of friends. It's very dusty, possibly magical, kind of fun, and a bit depressing. Produced by Kristen Riley and Daive Reed Edited by Daive Reed Thanks for being here and if you enjoyed the episode, please rate, review, and subscribe. Or, even easier, tell people about us! It really helps us out.  Find us on Twitter and Instagram @CastFiles We also auto-post on YouTube, if that's your streaming service of choice, or if you like closed captions.  And finally, email us at TheRotatingCastFiles@gmail.com   SHOW NOTES   Set Up: In the midst of the Dust Bowl, a traveling carnival roams from town to town scratching out a living. And a Methodist minister regains his faith in the lord after seeing amazing visions. Trigger Warnings: Sexual assault, human death, animal cruelty and death, child exploitation.   Opening Lines: Samson: Before the beginning, after the great war between Heaven and Hell, God created the Earth, and gave dominion over it to the crafty ape he called man. And to each generation, there was born a creature of light and a creature of darkness. And great armies clashed by night in the ancient war between good and evil. There was magic then, nobility, and unimaginable cruelty. And so it was. Until the day that a false sun exploded over Trinity, and man traded away wonder for reason.   Summary: Nightmare sequence. In Ben's opening dream, we see, various:Scudder being chased by the Usher through a cornfield Scudder retreating from Bruno the bear in World War 1 a hand (possibly Ben's or Boffo's) holding a Templar ring (probably Boffo's) bearing the motto "In Hoc Signo Vinces" ("By this sign you shall conquer" in Latin) Scudder, in a black tuxedo, and Belyakov face each other in the diner Sofie turning over the Magician during Ben's tarot reading the funeral procession in Tipton Ruthie with a snake during one of her acts Scudder popping his top hat a dead lamb a photo of the Babylon mining crew, focusing in on Scudder's picture Apollonia's rape by the Tattooed Man a picture of Felix's gun on a pillow next to four bullets a picture of Lobster Girl from Gunderson Ben wakes up from a dream with no arms or legs more scenes from the trench during World War 1, featuring Belyakov aiming at Scudder a shot of Dora Mae's funeral On a barren farm in the middle of a dust storm a young man, Ben Hawkins, watches over his dying mother. He reaches for her when she has a coughing fit and she pulls away, disgusted. "Don't touch me," she says before dying.  It's fine. This probably won't impact the rest of his life.  Outside, a group of trucks rolls down the highway. They stop to find Hawkins digging in the rock-hard ground with a man on a bulldozer shouting at him.  Samson, the co-manager of a traveling carnival, bets his right-hand man, Jonesy, that the man on the bulldozer "squashes" Hawkin's meager resistance. Jonesy takes the bet and gets out of the truck to help.  He realizes that Hawkins is trying to bury his mother and, after the bulldozer guy comes over to see what's up and finds out, Jonesy asks if he has shovels and has the carnival roustabouts help. The eclectic troupe, including conjoined twins, a giant, and a bearded lady, hold a small burial service for the deceased.  The bulldozer man waits for the burial and funeral to complete, which is good of him, then destroys the house.  As Samson and the gang try to decide what to do with Hawkins, a car is approaching and Ben collapses, so Ruthie has Gabriel carry Ben. In Mintern, California, Brother Justin Crowe delivers a sermon on the devil. An older woman, Eleanor, is listening to the sermon and as the plate is passed she reaches in and makes eye contact with the plate holder, to distract him. She takes money from the plate, but Iris, Crowe's sister, sees her. As Eleanor tries to leave during a song Iris stops her. Iris is terrifying.  Justin talks to Eleanor in his home after the service, Iris leaves the room and Eleanor tries to talk herself out of the situation. Justin confronts her and suddenly she starts coughing up gold coins. Brother Justin takes it as a sign from god and asks her to pray with him. In the commentary, they say how the original was more in control of the situation and essentially made this happen. I appreciate that they tempered him and made him more complex to start, so he has a place to go. If he started badly, where would we go? It's very dramatic and the coins disappear, but the whole scene is played as though it occurred to both of them, not just as a vision from Brother Justin. Iris had left the room, so did not witness this.  On the road, Samson and Jonesy are listening to the radio, we're driving by families and groups on the side of the road. It's showing a swath of the population during this time period. We get a glimpse of the folks in the town with the shot from the kids' room. Bunk beds and both kids scurry to the window to watch the carnival arrive in the night. They're so excited.  Ben is passed out in Lila, the bearded lady, and Professor Lodz's truck. I love the hooka. It feels so fancy. The two are discussing their strange passenger and Lila asks Lodz, the carnival's mentalist, to tell her what Hawkins is dreaming about.  I love the dynamic of these two immediately. It's obvious they're comfortable together, have a teasing relationship, and like to push one another. I'm sure it will all stay exactly this way.  Lodz gives in and touches Ben's forehead. He starts to convulse and sees strange flashes of two men, one in a tuxedo and the other in a military uniform, in a restaurant, a man with a huge tree tattooed on his chest in a cornfield, what looks like WWI, and a bear with a tiny hat.  Lila pulls Lodz away and he collapses after whispering, "Scudder." In the morning Ben meets the odd cast of characters and tries to hightail it back to town. We get to see the carnival being set up. In the commentary, they discuss how difficult it was to shoot these scenes because we have to imagine which portion or percentage of the carnival is set up at that point in time.  We meet Sofie and Apollonia in a quick scene. We know Sofie is a tarot reader and her mother appears catatonic, however, they can communicate, somehow. Sofie speaks aloud, whether for our benefit or because that's how it works, but Appolonia doesn't speak aloud. She will throw tarot cards if she's frustrated.  On Ben's way out of the trailer, he wraps himself in a flowery robe (they'd undressed and washed his clothes while he was out). He gets his clothes and leaves the carnival. Sofie catches up with him on the road, but he's not exactly thrilled to be there. He's rude so she drives off to town. This next scene is really sad, with the tent city and the grieving woman. It's set up in a way that he gets through to the grieving woman but we don't know if it's magical or not. This scene is so heartbreaking.  Sofie continues on to town. Ben walks up to the gas station and notices Sophie's vehicle. He hears screaming from inside and rushes in to find two men trying to rape Sofie. He helps attack her attackers and they escape going back to camp.  Jonesy sees them arrive, Sofie's torn clothes and fast exit from the vehicle make it obvious what happened, but not who instigated it. Jonesy doesn't come off well here, but Sofie is more aware of the world they live in than Jonesy is.  Meanwhile, Samson tries to convince Ben to stay on with the carnival. Samson is amazing in this scene. Ben walks off. We see him come back though and Samson continues to chat him up while Ben eats.  That night Ben walks the carnival, now in full brilliance, and sees all the happiness it brings. We see hand-painted banners, a lighted midway, rides, and acts. He also sees Jonesy being super sweet with the girl in the little red wagon.  Next, he wanders to the coochie show. The commenters had a field day talking about adding this family. After the cooch show, Ben realizes there's also sex work involved and is scandalized! Sofie brings Ben his jacket, and they chat. Ben says he's not a “carnie”.  Another nightmare. Foreshadowing.  Back in California, Brother Justin has a similar nightmare to Ben's and goes for a walk.  He walks through town, then through a migrant camp. He arrives in from Mr. Chin's. Neon lights and all! He's approached by a woman enticing him to go inside, but he grabs her and she slaps him away.  It starts to snow and then rain blood.  As he watches the sign it burns out except for a small cross in the middle. He drops to his knees and weeps. The snow and blood are gone, and the street in is present-day with people milling around.  The next morning Ben helps pack up the carnival and lets Sofie read his cards.  She decides to read his past and as she turns the cards Ben has flashbacks of his mother.  In his flashback, she is screaming at a younger version of himself for digging up a dead cat and when she pulls it from him it springs to life. Horrified she says he has been marked by the devil. Later when she is dying he tries to touch her, to heal her, and she shrinks away, grabbing a cross.  Sofie sees that Ben is visibly distraught and she asks what he sees, she can't see his visions - only what the cards indicate. Or actually, what the cards and her mother say to her.  He's flashing back to his childhood when he's holding a kitten and his mother tries to take it from him. Rightly, as far as she knows since the kitten had been buried for 3 days at that point. She takes it from him, but it's not dead anymore. It ends badly.  He tells Sofie he doesn't see anything and tells her to continue.  She turns the last card and tells him that he has a great gift that he has kept secret, squandered. She asks what he is hiding and he stammers "nothing" and runs away. He comes to a neighboring field of crops and weeps. A little girl asks why he is crying and he looks up to find a disabled girl, who we saw earlier enjoying the carnival. She says her mother says the carnival folk is marked. Ben says they're just people.  He asks if it hurts, meaning her legs, and she says yes. Samson hollers at him to ask if he's coming along. Ben ignores him and Samson says, whatever let's go.  Ben leans down and touches the little girl's legs. As he concentrates the field around them starts to shrink and die.  He runs off towards the carnival as it leaves and jumps in the last truck. The little girl stands up and runs toward her house, the field around her is dying as she goes. Miracles ain't free, as the commenters say.  As much as Ben was trying to help, during the dust bowl and Great Depression, the family probably would've been better off with that food. We've seen this girl a few times in this episode and have no reason to believe she was unhappy, or really worse off than anyone else. 

Pastor Jim Scudder, Jr., Senior Pastor of the Quentin Road Baptist Church in Lake Zurich, President of Dayspring Bible College in Mundelein and Founder of InGrace TV and Radio ministries, joins Brian and Aubrey to talk about efforts to rebuild the temple in Jerusalem--for a third time. Follow The Common Good on Facebook, Twitter and Instagram Hosted by Aubrey Sampson and Brian From Produced by Laura Finch and Keith ConradSee omnystudio.com/listener for privacy information.

I've never shied away from the fact that I LOVE trashy reality TV. Among my favourites are Vanderpump Rules, Selling Sunset and of Course BELOW DECK! Well, this week I got to sit down, in person with one of my favourite "characters" on Below Deck and talk all things Super Yachts and how this world really works and the crazy people and stories that come from it. Natalya Scudder is a Perth local when she isn't travelling the world and working on 100m+ MEGA yachts and so it was great to catch her in a rare moment of down time and talk about the industry she has been part of for almost a decade. It was a real treat to have this time with Natalya and it was great to have someone open the doors on what it's like to live in a billionaires world and what working on a super yacht is really like. I hope you enjoy the podcast and as always, please hit that SUBSCRIBE BUTTON to make sure you never miss any future episode and please consider leaving a 5 STAR RATING and POSITIVE REVIEW as it would mean the world to me. Contact Natalya Scudder: Instagram: @natalyascudder Contact with Adam Martin: Instagram: @balance_by_adam Website: www.thenobreakfastguy.com Email: info@balancebyadam.com YouTube: www.youtube.com/thenobreakfastguy

Natalya Scudder & Faye Clarke join host Andy Cohen. Listen to lively debates on everything from the latest drama surrounding your favorite Bravolebrities to what celebrity is making headlines that week live from the WWHL clubhouse.Aired on 11/14/22Binge all your favorite Bravo shows with the Bravo app: bravotv.com/getbravoSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this meditative exploration, Chelsea Steinauer-Scudder witnesses her daughter learning to speak and wonders how to listen for a language of mothering that is in service to all of life's beings. Emergence Magazine, Vol 3: Living with the Unknown explores what living in an apocalyptic reality looks like through four themes: Initiation, Ashes, Roots, and Futures. Experience “Chapter Four: Futures.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Natalya Scudder & Magda Ziomek join host Andy Cohen. Listen to lively debates on everything from the latest drama surrounding your favorite Bravolebrities to what celebrity is making headlines that week live from the WWHL clubhouse.Aired on 09/26/22Binge all your favorite Bravo shows with the Bravo app: bravotv.com/getbravoSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Around the world, trees are on the move. Last year we published a special multimedia story told from the perspectives of four native tree species that explores what is at stake for both ecological and human communities as forests migrate. In this re-release of “They Carry Us With Them,” Chelsea Steinauer-Scudder narrates the feature story, chronicling the possible disappearance of the black ash tree from the state of Maine. Learn more about your ad choices. Visit megaphone.fm/adchoices