Podcasts about huh you

Nevermind, I don't have time for this You see these diamonds in my eyes That means I shine for this Turn water into wine for this Make and serve dinner Bake dessert fiz irst Finish n sip syszurup Skip the slip Lizards Thistwerks biizerk Swerve yer learning curves Ya sure deserve this I don't be counting out bars For the verses Iceberg under the surface | | | You're the worst You deserve the Don't want none of that swag All black No brands All black What's that Don't ask Step back Just look at these hands Inside Outside Slide to the left Uptown Downtown I'm up next I'm a look around for a minute, Then dip Come take a trip Skip: A new mission I got to Turn around Put it down Take a breath Put it back Like damn What's that I run it over and over (uh) I better run for the coast (unh) If it's not open it's closed (it's not open) When it closes another one opens (I don't know) idk 2. Hubble | The Celvet Wave Yous a dick rider I am the decider of deciders I am the inspirer I still go side to side with it I'm higher than the hirer: ‍♀️ I fired you Eyes are getting wider and wider Wisest of the wiser, I sir— I surf-board, I sure does Ride ya Tidal That's the [Title] You can't tell me nothin I throw you in the dumpster I don't want to know you I don't owe you nothin Nonsense! I'm a walking art project You end up in the garbage (uh huh) (Alright ) (You know what it is) What it is— where we going What it is Where we going I was in the 212 Like, “Call me when the sky is blue” Devil is a liar, boo Double multiplier: two (Times two) Made the Times Square a cube! (Times two) (Tututu) I'm not gonna die till my eyes are Nylon Multilinguist, extinguished Klingon, Engllish KonichiwavhThis: My show's on No hoes exposed so I throw some clothes on Improv pros so I blow the show off So swole the whole house come down The whole house come down The whole house come down Woah Hi my blood Heavy like hot rain Waffles & Surup tho First 4 counts, Clips What the FUCK— DEX, (I got no Rolodex, not yet) I thought we were friends! Fuckthatshit (You're my sister, you're a snitch!) BangbangYouredead I'm the bay harbor butcher, Don't push me! That's how it ends (it is what it is) Can't make amends (I'm a genius, I guess) Drop the body Hide the prints! Now you're stuck inside my head I'll be back! No you won't Miami, ocean Deb is gone, now Deb's a ghost Put some rocks in, She no float (Salt water) Illuminati, swear to God (Work harder) Illuminati what the fuck Swear to God I wrote the plot What show you on? The one I wrote Illuminati stole my notes Now I'm Deb, And Deb's a ghost I call him Dexter, He the butcher Take a picture, Slit your *screams* I see what you mean Ice cream truck; First season, Deb's a prostitute, (I'm a COP) Finale season Deb's is gone, Deb's a ghost I am Dexter Slit your throat Illuminati stole my notes! Illuminati bugged my phone Caught me plotting I wrote new blood Woah sir, I'm awesome I know I wrote the plot for this I am not an officer, Not Illuminati Hahaha Charade you are I wrote the plot (Yes you are) Be careful sir! I wrote the plot! Somebody stole my google docs And hacked my phone Now Deb's a ghost Case closed. The case went closed Cause Deb's a ghost Harrison is in Los Angeles My new shit is coming on Not Illuminati God is plotting all the shows I ever wrote Deb is gone, cause Deb's a ghost. Better tha urs Hey victor I licked her Get a taste of my elixir; Like damn, I miss her! You're worthless; Papers, get served Surfs up I just swerved At work, just Do no disturb Put diamonds under this earth You're nervous; Suck my dick, sir Uh! Like damn Wait, this my track Nevermind just roll that back Like Uhh What was the hook Now this is the hook New password: Notebooks Like yeah— What's good? In Brooklyn reppin my hood Like yeah What's good? Alaska, Repping my hood Like yeah, What's good So Cal I'm back in my hood (South Side) Like yeah What's good In Cali Back in my hood (That's my hood) I am the new drill sergeant No McDonald's, bro Don't want that I got oats all on my stomach I got cornbread All in my notebooks Damn Got that? Bananas I make bread That's word— You're pigeons I'm rich, You're broke We're not synonyms; I'm the one who stole your divedends! WOAH What's that? Code words, I'm so indegenous Smoke signals I blow remedies I flow so hoes stay friends with me Snow globe Just don't throw hands at me! Yo! New York shit: Yeeted the pizzas New York shit Eating the pizza. New York shit Back in Manhattan New Person Black don't crack Don't crack Don't crack New hotel Back at the plaza That's a rap I'm a rapper I put the canon in camera Hammer pants Hiding the ass that you can't touch! Hey victor I licked her I'm sick of the metal defectors And shift work Shit hurts Get cursed I just surfed YO. (Loudy) Bubblegum Put em up! This is a stick up So Put em up! Stick you up Bubblegum Bubblegum I pull up Swift, I'm like Taylor I pull up Sticky like bubblegum Stick you up Here I come I got a lot of em, Hats and my habits is bad But I rob you doe Bubblegum Bubblegum Bubblegum Colors on colors But on my rims And my e da? This is chrome I aim at your dome Like “Where are you from?” Bitch are you dumb?! I don't even know you Get me a roll of the bubblegum Some for the homies Now open the drawer Like you're poppin a bubble: Gun/ Bubblegum Bubblegum Bubblegum Look Put em up! This is a stick up So Put em up! Stick you up Bubblegum Bubblegum I pull up Swift, I'm like Taylor I pull up Sticky like bubblegum Stick you up Here I come I got a lot of em, Hats and my habits is bad But I rob you doe Bubblegum Bubblegum Bubblegum Colors on colors But on my rims And my e da? This is chrome I aim at your dome Like “Where are you from?” Bitch are you dumb?! I don't even know you Get me a roll of the bubblegum Some for the homies Now open the drawer Like you're poppin a bubble: Gun/ Bubblegum Bubblegum Bubblegum Look 2 forte Guess the surfs up Watch me surf on Sunday After service (Church on Sundays) Pop up clubs, yuh Pop up all day Pop up /pop-tarts Pop up all day I'm that guy Can't close my eyelids Watch me fly by Friday, I'm up 5 days, ain't no day job makes this pay meant I got places to be I just shapeshift Can't explain this Limited action Guess this is Limited attraction I got limited edition hats In my backsplash, That's clutch Huh You brought a gun to a knife fight One punch man Got 3 hole punch That's right Now I'm up every night I got five eyes Remember that time that you Lied on me Lights on Get this I spin subliminal images Interest in the interest I mutated to Skrillex Get it? The best time to wear a striped sweater: Is never! You better do better, I'm never ever ready for sweater weather Tell Ever Ed Edd and Eddy Get ready for bed, Cause well fed and after dinner Dessert — I'm definitely the bread winner Smirk Shout out to cool herc My heart is purple, cause the world hurts Went into the army and deserted em I probably deserved to win, But I was not as Worth it as her, to sleep with Bitch which side you is in 8 male sandwhiches in My new kitchen Pay attention I love meat, But I don't eat chicken! Click click click I take your picture Paparazzi This is it I guess I'm Michael I'm a thriller I was big But I got thinner— What's up 2 forte Guess the surfs up Watch me surf on Sunday After service (Church on Sundays) Pop up clubs, yuh Pop up all day Pop up /pop-tarts Pop up all day I'm that guy Can't close my eyelids Watch me fly by Friday, I'm up 5 days, ain't no day job makes this pay meant I got places to be I just shapeshift Can't explain this Limited action Guess this is Limited attraction I got limited edition hats In my backsplash, That's clutch Huh You brought a gun to a knife fight One punch man Got 3 hole punch That's right Now I'm up every night I got five eyes Remember that time that you Lied on me Lights on Get this I spin subliminal images Interest in the interest I mutated to Skrillex Get it? The best time to wear a striped sweater: Is never! You better do better, I'm never ever ready for sweater weather Tell Ever Ed Edd and Eddy Get ready for bed, Cause well fed and after dinner Dessert — I'm definitely the bread winner Smirk Shout out to cool herc My heart is purple, cause the world hurts Went into the army and deserted em I probably deserved to win, But I was not as Worth it as her, to sleep with Bitch which side you is in 8 male sandwhiches in My new kitchen Pay attention I love meat, But I don't eat chicken! Click click click I take your picture Paparazzi This is it I guess I'm Michael I'm a thriller I was big But I got thinner— What's up I walk on the boulevard See my name on walk of stars This tattoo my code of arms Now I'm on the walk of stars School of rock All of you Dan suck my cock Rick and Morty M the doctor back to future Now I'm Marty What year you think this sprinter is I don't really give a shit! I want it so I bought it This shit is ten thousand verses “Deliver us from Eva “ What?! She's like, evil, I tell you! Ooh, I've never seen Eva Longoria as a villain before… Kinda. GABY You're not wearing that, are you? Why( what's wrong? Take it off now, Why what's wrong. Take it off now, or I'll kill you. With what, you're like 4 foot— [she rips open her dress revealing a GOD BODY AAAAAAHHH, MY EYES [traffix outside crashes] [plane falls from sky] Kinesthetics. [helicopter crash— Bigfoot is a peeping Tom; falls out of tree] That was worth it. Yeah. V.O. Once you start training in transit trainers, There's no going back. Two waist trainers, really. What, did you really think I was like— Jennifer Aniston I just thought you were two inches fatter. What?! It only adds like a centimeter! A centimeter is two inches on camera. I'm not doing anything on camera. I beg to differ. Don't beg, Jimmy Fallon In that other dimension: PLEASE. NO, PLEASE, just— NO. JIMMU FALLON. I'm not a writer. TINA FEY *gasp* AMY Shuunber —sure. Last night I set a fire ther burned at at lesst 750 degrees 1477 degrees— GO OH SHIT. 13 stories above Brooklyn, Atop of ancient holy lands I'm sure existed some several hundred thousand years ago HERE? LAND IT HERE. WHY HERE. Because it's there! There's nothing there! LAND IT TIGHT GET IT RIGHT GET IT RIGHT, Get it tight!!! {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Nevermind, I don't have time for this You see these diamonds in my eyes That means I shine for this Turn water into wine for this Make and serve dinner Bake dessert fiz irst Finish n sip syszurup Skip the slip Lizards Thistwerks biizerk Swerve yer learning curves Ya sure deserve this I don't be counting out bars For the verses Iceberg under the surface | | | You're the worst You deserve the Don't want none of that swag All black No brands All black What's that Don't ask Step back Just look at these hands Inside Outside Slide to the left Uptown Downtown I'm up next I'm a look around for a minute, Then dip Come take a trip Skip: A new mission I got to Turn around Put it down Take a breath Put it back Like damn What's that I run it over and over (uh) I better run for the coast (unh) If it's not open it's closed (it's not open) When it closes another one opens (I don't know) idk 2. Hubble | The Celvet Wave Yous a dick rider I am the decider of deciders I am the inspirer I still go side to side with it I'm higher than the hirer: ‍♀️ I fired you Eyes are getting wider and wider Wisest of the wiser, I sir— I surf-board, I sure does Ride ya Tidal That's the [Title] You can't tell me nothin I throw you in the dumpster I don't want to know you I don't owe you nothin Nonsense! I'm a walking art project You end up in the garbage (uh huh) (Alright ) (You know what it is) What it is— where we going What it is Where we going I was in the 212 Like, “Call me when the sky is blue” Devil is a liar, boo Double multiplier: two (Times two) Made the Times Square a cube! (Times two) (Tututu) I'm not gonna die till my eyes are Nylon Multilinguist, extinguished Klingon, Engllish KonichiwavhThis: My show's on No hoes exposed so I throw some clothes on Improv pros so I blow the show off So swole the whole house come down The whole house come down The whole house come down Woah Hi my blood Heavy like hot rain Waffles & Surup tho First 4 counts, Clips What the FUCK— DEX, (I got no Rolodex, not yet) I thought we were friends! Fuckthatshit (You're my sister, you're a snitch!) BangbangYouredead I'm the bay harbor butcher, Don't push me! That's how it ends (it is what it is) Can't make amends (I'm a genius, I guess) Drop the body Hide the prints! Now you're stuck inside my head I'll be back! No you won't Miami, ocean Deb is gone, now Deb's a ghost Put some rocks in, She no float (Salt water) Illuminati, swear to God (Work harder) Illuminati what the fuck Swear to God I wrote the plot What show you on? The one I wrote Illuminati stole my notes Now I'm Deb, And Deb's a ghost I call him Dexter, He the butcher Take a picture, Slit your *screams* I see what you mean Ice cream truck; First season, Deb's a prostitute, (I'm a COP) Finale season Deb's is gone, Deb's a ghost I am Dexter Slit your throat Illuminati stole my notes! Illuminati bugged my phone Caught me plotting I wrote new blood Woah sir, I'm awesome I know I wrote the plot for this I am not an officer, Not Illuminati Hahaha Charade you are I wrote the plot (Yes you are) Be careful sir! I wrote the plot! Somebody stole my google docs And hacked my phone Now Deb's a ghost Case closed. The case went closed Cause Deb's a ghost Harrison is in Los Angeles My new shit is coming on Not Illuminati God is plotting all the shows I ever wrote Deb is gone, cause Deb's a ghost. Better tha urs Hey victor I licked her Get a taste of my elixir; Like damn, I miss her! You're worthless; Papers, get served Surfs up I just swerved At work, just Do no disturb Put diamonds under this earth You're nervous; Suck my dick, sir Uh! Like damn Wait, this my track Nevermind just roll that back Like Uhh What was the hook Now this is the hook New password: Notebooks Like yeah— What's good? In Brooklyn reppin my hood Like yeah What's good? Alaska, Repping my hood Like yeah, What's good So Cal I'm back in my hood (South Side) Like yeah What's good In Cali Back in my hood (That's my hood) I am the new drill sergeant No McDonald's, bro Don't want that I got oats all on my stomach I got cornbread All in my notebooks Damn Got that? Bananas I make bread That's word— You're pigeons I'm rich, You're broke We're not synonyms; I'm the one who stole your divedends! WOAH What's that? Code words, I'm so indegenous Smoke signals I blow remedies I flow so hoes stay friends with me Snow globe Just don't throw hands at me! Yo! New York shit: Yeeted the pizzas New York shit Eating the pizza. New York shit Back in Manhattan New Person Black don't crack Don't crack Don't crack New hotel Back at the plaza That's a rap I'm a rapper I put the canon in camera Hammer pants Hiding the ass that you can't touch! Hey victor I licked her I'm sick of the metal defectors And shift work Shit hurts Get cursed I just surfed YO. (Loudy) Bubblegum Put em up! This is a stick up So Put em up! Stick you up Bubblegum Bubblegum I pull up Swift, I'm like Taylor I pull up Sticky like bubblegum Stick you up Here I come I got a lot of em, Hats and my habits is bad But I rob you doe Bubblegum Bubblegum Bubblegum Colors on colors But on my rims And my e da? This is chrome I aim at your dome Like “Where are you from?” Bitch are you dumb?! I don't even know you Get me a roll of the bubblegum Some for the homies Now open the drawer Like you're poppin a bubble: Gun/ Bubblegum Bubblegum Bubblegum Look Put em up! This is a stick up So Put em up! Stick you up Bubblegum Bubblegum I pull up Swift, I'm like Taylor I pull up Sticky like bubblegum Stick you up Here I come I got a lot of em, Hats and my habits is bad But I rob you doe Bubblegum Bubblegum Bubblegum Colors on colors But on my rims And my e da? This is chrome I aim at your dome Like “Where are you from?” Bitch are you dumb?! I don't even know you Get me a roll of the bubblegum Some for the homies Now open the drawer Like you're poppin a bubble: Gun/ Bubblegum Bubblegum Bubblegum Look 2 forte Guess the surfs up Watch me surf on Sunday After service (Church on Sundays) Pop up clubs, yuh Pop up all day Pop up /pop-tarts Pop up all day I'm that guy Can't close my eyelids Watch me fly by Friday, I'm up 5 days, ain't no day job makes this pay meant I got places to be I just shapeshift Can't explain this Limited action Guess this is Limited attraction I got limited edition hats In my backsplash, That's clutch Huh You brought a gun to a knife fight One punch man Got 3 hole punch That's right Now I'm up every night I got five eyes Remember that time that you Lied on me Lights on Get this I spin subliminal images Interest in the interest I mutated to Skrillex Get it? The best time to wear a striped sweater: Is never! You better do better, I'm never ever ready for sweater weather Tell Ever Ed Edd and Eddy Get ready for bed, Cause well fed and after dinner Dessert — I'm definitely the bread winner Smirk Shout out to cool herc My heart is purple, cause the world hurts Went into the army and deserted em I probably deserved to win, But I was not as Worth it as her, to sleep with Bitch which side you is in 8 male sandwhiches in My new kitchen Pay attention I love meat, But I don't eat chicken! Click click click I take your picture Paparazzi This is it I guess I'm Michael I'm a thriller I was big But I got thinner— What's up 2 forte Guess the surfs up Watch me surf on Sunday After service (Church on Sundays) Pop up clubs, yuh Pop up all day Pop up /pop-tarts Pop up all day I'm that guy Can't close my eyelids Watch me fly by Friday, I'm up 5 days, ain't no day job makes this pay meant I got places to be I just shapeshift Can't explain this Limited action Guess this is Limited attraction I got limited edition hats In my backsplash, That's clutch Huh You brought a gun to a knife fight One punch man Got 3 hole punch That's right Now I'm up every night I got five eyes Remember that time that you Lied on me Lights on Get this I spin subliminal images Interest in the interest I mutated to Skrillex Get it? The best time to wear a striped sweater: Is never! You better do better, I'm never ever ready for sweater weather Tell Ever Ed Edd and Eddy Get ready for bed, Cause well fed and after dinner Dessert — I'm definitely the bread winner Smirk Shout out to cool herc My heart is purple, cause the world hurts Went into the army and deserted em I probably deserved to win, But I was not as Worth it as her, to sleep with Bitch which side you is in 8 male sandwhiches in My new kitchen Pay attention I love meat, But I don't eat chicken! Click click click I take your picture Paparazzi This is it I guess I'm Michael I'm a thriller I was big But I got thinner— What's up I walk on the boulevard See my name on walk of stars This tattoo my code of arms Now I'm on the walk of stars School of rock All of you Dan suck my cock Rick and Morty M the doctor back to future Now I'm Marty What year you think this sprinter is I don't really give a shit! I want it so I bought it This shit is ten thousand verses “Deliver us from Eva “ What?! She's like, evil, I tell you! Ooh, I've never seen Eva Longoria as a villain before… Kinda. GABY You're not wearing that, are you? Why( what's wrong? Take it off now, Why what's wrong. Take it off now, or I'll kill you. With what, you're like 4 foot— [she rips open her dress revealing a GOD BODY AAAAAAHHH, MY EYES [traffix outside crashes] [plane falls from sky] Kinesthetics. [helicopter crash— Bigfoot is a peeping Tom; falls out of tree] That was worth it. Yeah. V.O. Once you start training in transit trainers, There's no going back. Two waist trainers, really. What, did you really think I was like— Jennifer Aniston I just thought you were two inches fatter. What?! It only adds like a centimeter! A centimeter is two inches on camera. I'm not doing anything on camera. I beg to differ. Don't beg, Jimmy Fallon In that other dimension: PLEASE. NO, PLEASE, just— NO. JIMMU FALLON. I'm not a writer. TINA FEY *gasp* AMY Shuunber —sure. Last night I set a fire ther burned at at lesst 750 degrees 1477 degrees— GO OH SHIT. 13 stories above Brooklyn, Atop of ancient holy lands I'm sure existed some several hundred thousand years ago HERE? LAND IT HERE. WHY HERE. Because it's there! There's nothing there! LAND IT TIGHT GET IT RIGHT GET IT RIGHT, Get it tight!!! {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Nevermind, I don't have time for this You see these diamonds in my eyes That means I shine for this Turn water into wine for this Make and serve dinner Bake dessert fiz irst Finish n sip syszurup Skip the slip Lizards Thistwerks biizerk Swerve yer learning curves Ya sure deserve this I don't be counting out bars For the verses Iceberg under the surface | | | You're the worst You deserve the Don't want none of that swag All black No brands All black What's that Don't ask Step back Just look at these hands Inside Outside Slide to the left Uptown Downtown I'm up next I'm a look around for a minute, Then dip Come take a trip Skip: A new mission I got to Turn around Put it down Take a breath Put it back Like damn What's that I run it over and over (uh) I better run for the coast (unh) If it's not open it's closed (it's not open) When it closes another one opens (I don't know) idk 2. Hubble | The Celvet Wave Yous a dick rider I am the decider of deciders I am the inspirer I still go side to side with it I'm higher than the hirer: ‍♀️ I fired you Eyes are getting wider and wider Wisest of the wiser, I sir— I surf-board, I sure does Ride ya Tidal That's the [Title] You can't tell me nothin I throw you in the dumpster I don't want to know you I don't owe you nothin Nonsense! I'm a walking art project You end up in the garbage (uh huh) (Alright ) (You know what it is) What it is— where we going What it is Where we going I was in the 212 Like, “Call me when the sky is blue” Devil is a liar, boo Double multiplier: two (Times two) Made the Times Square a cube! (Times two) (Tututu) I'm not gonna die till my eyes are Nylon Multilinguist, extinguished Klingon, Engllish KonichiwavhThis: My show's on No hoes exposed so I throw some clothes on Improv pros so I blow the show off So swole the whole house come down The whole house come down The whole house come down Woah Hi my blood Heavy like hot rain Waffles & Surup tho First 4 counts, Clips What the FUCK— DEX, (I got no Rolodex, not yet) I thought we were friends! Fuckthatshit (You're my sister, you're a snitch!) BangbangYouredead I'm the bay harbor butcher, Don't push me! That's how it ends (it is what it is) Can't make amends (I'm a genius, I guess) Drop the body Hide the prints! Now you're stuck inside my head I'll be back! No you won't Miami, ocean Deb is gone, now Deb's a ghost Put some rocks in, She no float (Salt water) Illuminati, swear to God (Work harder) Illuminati what the fuck Swear to God I wrote the plot What show you on? The one I wrote Illuminati stole my notes Now I'm Deb, And Deb's a ghost I call him Dexter, He the butcher Take a picture, Slit your *screams* I see what you mean Ice cream truck; First season, Deb's a prostitute, (I'm a COP) Finale season Deb's is gone, Deb's a ghost I am Dexter Slit your throat Illuminati stole my notes! Illuminati bugged my phone Caught me plotting I wrote new blood Woah sir, I'm awesome I know I wrote the plot for this I am not an officer, Not Illuminati Hahaha Charade you are I wrote the plot (Yes you are) Be careful sir! I wrote the plot! Somebody stole my google docs And hacked my phone Now Deb's a ghost Case closed. The case went closed Cause Deb's a ghost Harrison is in Los Angeles My new shit is coming on Not Illuminati God is plotting all the shows I ever wrote Deb is gone, cause Deb's a ghost. Better tha urs Hey victor I licked her Get a taste of my elixir; Like damn, I miss her! You're worthless; Papers, get served Surfs up I just swerved At work, just Do no disturb Put diamonds under this earth You're nervous; Suck my dick, sir Uh! Like damn Wait, this my track Nevermind just roll that back Like Uhh What was the hook Now this is the hook New password: Notebooks Like yeah— What's good? In Brooklyn reppin my hood Like yeah What's good? Alaska, Repping my hood Like yeah, What's good So Cal I'm back in my hood (South Side) Like yeah What's good In Cali Back in my hood (That's my hood) I am the new drill sergeant No McDonald's, bro Don't want that I got oats all on my stomach I got cornbread All in my notebooks Damn Got that? Bananas I make bread That's word— You're pigeons I'm rich, You're broke We're not synonyms; I'm the one who stole your divedends! WOAH What's that? Code words, I'm so indegenous Smoke signals I blow remedies I flow so hoes stay friends with me Snow globe Just don't throw hands at me! Yo! New York shit: Yeeted the pizzas New York shit Eating the pizza. New York shit Back in Manhattan New Person Black don't crack Don't crack Don't crack New hotel Back at the plaza That's a rap I'm a rapper I put the canon in camera Hammer pants Hiding the ass that you can't touch! Hey victor I licked her I'm sick of the metal defectors And shift work Shit hurts Get cursed I just surfed YO. (Loudy) Bubblegum Put em up! This is a stick up So Put em up! Stick you up Bubblegum Bubblegum I pull up Swift, I'm like Taylor I pull up Sticky like bubblegum Stick you up Here I come I got a lot of em, Hats and my habits is bad But I rob you doe Bubblegum Bubblegum Bubblegum Colors on colors But on my rims And my e da? This is chrome I aim at your dome Like “Where are you from?” Bitch are you dumb?! I don't even know you Get me a roll of the bubblegum Some for the homies Now open the drawer Like you're poppin a bubble: Gun/ Bubblegum Bubblegum Bubblegum Look Put em up! This is a stick up So Put em up! Stick you up Bubblegum Bubblegum I pull up Swift, I'm like Taylor I pull up Sticky like bubblegum Stick you up Here I come I got a lot of em, Hats and my habits is bad But I rob you doe Bubblegum Bubblegum Bubblegum Colors on colors But on my rims And my e da? This is chrome I aim at your dome Like “Where are you from?” Bitch are you dumb?! I don't even know you Get me a roll of the bubblegum Some for the homies Now open the drawer Like you're poppin a bubble: Gun/ Bubblegum Bubblegum Bubblegum Look 2 forte Guess the surfs up Watch me surf on Sunday After service (Church on Sundays) Pop up clubs, yuh Pop up all day Pop up /pop-tarts Pop up all day I'm that guy Can't close my eyelids Watch me fly by Friday, I'm up 5 days, ain't no day job makes this pay meant I got places to be I just shapeshift Can't explain this Limited action Guess this is Limited attraction I got limited edition hats In my backsplash, That's clutch Huh You brought a gun to a knife fight One punch man Got 3 hole punch That's right Now I'm up every night I got five eyes Remember that time that you Lied on me Lights on Get this I spin subliminal images Interest in the interest I mutated to Skrillex Get it? The best time to wear a striped sweater: Is never! You better do better, I'm never ever ready for sweater weather Tell Ever Ed Edd and Eddy Get ready for bed, Cause well fed and after dinner Dessert — I'm definitely the bread winner Smirk Shout out to cool herc My heart is purple, cause the world hurts Went into the army and deserted em I probably deserved to win, But I was not as Worth it as her, to sleep with Bitch which side you is in 8 male sandwhiches in My new kitchen Pay attention I love meat, But I don't eat chicken! Click click click I take your picture Paparazzi This is it I guess I'm Michael I'm a thriller I was big But I got thinner— What's up 2 forte Guess the surfs up Watch me surf on Sunday After service (Church on Sundays) Pop up clubs, yuh Pop up all day Pop up /pop-tarts Pop up all day I'm that guy Can't close my eyelids Watch me fly by Friday, I'm up 5 days, ain't no day job makes this pay meant I got places to be I just shapeshift Can't explain this Limited action Guess this is Limited attraction I got limited edition hats In my backsplash, That's clutch Huh You brought a gun to a knife fight One punch man Got 3 hole punch That's right Now I'm up every night I got five eyes Remember that time that you Lied on me Lights on Get this I spin subliminal images Interest in the interest I mutated to Skrillex Get it? The best time to wear a striped sweater: Is never! You better do better, I'm never ever ready for sweater weather Tell Ever Ed Edd and Eddy Get ready for bed, Cause well fed and after dinner Dessert — I'm definitely the bread winner Smirk Shout out to cool herc My heart is purple, cause the world hurts Went into the army and deserted em I probably deserved to win, But I was not as Worth it as her, to sleep with Bitch which side you is in 8 male sandwhiches in My new kitchen Pay attention I love meat, But I don't eat chicken! Click click click I take your picture Paparazzi This is it I guess I'm Michael I'm a thriller I was big But I got thinner— What's up I walk on the boulevard See my name on walk of stars This tattoo my code of arms Now I'm on the walk of stars School of rock All of you Dan suck my cock Rick and Morty M the doctor back to future Now I'm Marty What year you think this sprinter is I don't really give a shit! I want it so I bought it This shit is ten thousand verses “Deliver us from Eva “ What?! She's like, evil, I tell you! Ooh, I've never seen Eva Longoria as a villain before… Kinda. GABY You're not wearing that, are you? Why( what's wrong? Take it off now, Why what's wrong. Take it off now, or I'll kill you. With what, you're like 4 foot— [she rips open her dress revealing a GOD BODY AAAAAAHHH, MY EYES [traffix outside crashes] [plane falls from sky] Kinesthetics. [helicopter crash— Bigfoot is a peeping Tom; falls out of tree] That was worth it. Yeah. V.O. Once you start training in transit trainers, There's no going back. Two waist trainers, really. What, did you really think I was like— Jennifer Aniston I just thought you were two inches fatter. What?! It only adds like a centimeter! A centimeter is two inches on camera. I'm not doing anything on camera. I beg to differ. Don't beg, Jimmy Fallon In that other dimension: PLEASE. NO, PLEASE, just— NO. JIMMU FALLON. I'm not a writer. TINA FEY *gasp* AMY Shuunber —sure. Last night I set a fire ther burned at at lesst 750 degrees 1477 degrees— GO OH SHIT. 13 stories above Brooklyn, Atop of ancient holy lands I'm sure existed some several hundred thousand years ago HERE? LAND IT HERE. WHY HERE. Because it's there! There's nothing there! LAND IT TIGHT GET IT RIGHT GET IT RIGHT, Get it tight!!! {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Nevermind, I don't have time for this You see these diamonds in my eyes That means I shine for this Turn water into wine for this Make and serve dinner Bake dessert fiz irst Finish n sip syszurup Skip the slip Lizards Thistwerks biizerk Swerve yer learning curves Ya sure deserve this I don't be counting out bars For the verses Iceberg under the surface | | | You're the worst You deserve the Don't want none of that swag All black No brands All black What's that Don't ask Step back Just look at these hands Inside Outside Slide to the left Uptown Downtown I'm up next I'm a look around for a minute, Then dip Come take a trip Skip: A new mission I got to Turn around Put it down Take a breath Put it back Like damn What's that I run it over and over (uh) I better run for the coast (unh) If it's not open it's closed (it's not open) When it closes another one opens (I don't know) idk 2. Hubble | The Celvet Wave Yous a dick rider I am the decider of deciders I am the inspirer I still go side to side with it I'm higher than the hirer: ‍♀️ I fired you Eyes are getting wider and wider Wisest of the wiser, I sir— I surf-board, I sure does Ride ya Tidal That's the [Title] You can't tell me nothin I throw you in the dumpster I don't want to know you I don't owe you nothin Nonsense! I'm a walking art project You end up in the garbage (uh huh) (Alright ) (You know what it is) What it is— where we going What it is Where we going I was in the 212 Like, “Call me when the sky is blue” Devil is a liar, boo Double multiplier: two (Times two) Made the Times Square a cube! (Times two) (Tututu) I'm not gonna die till my eyes are Nylon Multilinguist, extinguished Klingon, Engllish KonichiwavhThis: My show's on No hoes exposed so I throw some clothes on Improv pros so I blow the show off So swole the whole house come down The whole house come down The whole house come down Woah Hi my blood Heavy like hot rain Waffles & Surup tho First 4 counts, Clips What the FUCK— DEX, (I got no Rolodex, not yet) I thought we were friends! Fuckthatshit (You're my sister, you're a snitch!) BangbangYouredead I'm the bay harbor butcher, Don't push me! That's how it ends (it is what it is) Can't make amends (I'm a genius, I guess) Drop the body Hide the prints! Now you're stuck inside my head I'll be back! No you won't Miami, ocean Deb is gone, now Deb's a ghost Put some rocks in, She no float (Salt water) Illuminati, swear to God (Work harder) Illuminati what the fuck Swear to God I wrote the plot What show you on? The one I wrote Illuminati stole my notes Now I'm Deb, And Deb's a ghost I call him Dexter, He the butcher Take a picture, Slit your *screams* I see what you mean Ice cream truck; First season, Deb's a prostitute, (I'm a COP) Finale season Deb's is gone, Deb's a ghost I am Dexter Slit your throat Illuminati stole my notes! Illuminati bugged my phone Caught me plotting I wrote new blood Woah sir, I'm awesome I know I wrote the plot for this I am not an officer, Not Illuminati Hahaha Charade you are I wrote the plot (Yes you are) Be careful sir! I wrote the plot! Somebody stole my google docs And hacked my phone Now Deb's a ghost Case closed. The case went closed Cause Deb's a ghost Harrison is in Los Angeles My new shit is coming on Not Illuminati God is plotting all the shows I ever wrote Deb is gone, cause Deb's a ghost. Better tha urs Hey victor I licked her Get a taste of my elixir; Like damn, I miss her! You're worthless; Papers, get served Surfs up I just swerved At work, just Do no disturb Put diamonds under this earth You're nervous; Suck my dick, sir Uh! Like damn Wait, this my track Nevermind just roll that back Like Uhh What was the hook Now this is the hook New password: Notebooks Like yeah— What's good? In Brooklyn reppin my hood Like yeah What's good? Alaska, Repping my hood Like yeah, What's good So Cal I'm back in my hood (South Side) Like yeah What's good In Cali Back in my hood (That's my hood) I am the new drill sergeant No McDonald's, bro Don't want that I got oats all on my stomach I got cornbread All in my notebooks Damn Got that? Bananas I make bread That's word— You're pigeons I'm rich, You're broke We're not synonyms; I'm the one who stole your divedends! WOAH What's that? Code words, I'm so indegenous Smoke signals I blow remedies I flow so hoes stay friends with me Snow globe Just don't throw hands at me! Yo! New York shit: Yeeted the pizzas New York shit Eating the pizza. New York shit Back in Manhattan New Person Black don't crack Don't crack Don't crack New hotel Back at the plaza That's a rap I'm a rapper I put the canon in camera Hammer pants Hiding the ass that you can't touch! Hey victor I licked her I'm sick of the metal defectors And shift work Shit hurts Get cursed I just surfed YO. (Loudy) Bubblegum Put em up! This is a stick up So Put em up! Stick you up Bubblegum Bubblegum I pull up Swift, I'm like Taylor I pull up Sticky like bubblegum Stick you up Here I come I got a lot of em, Hats and my habits is bad But I rob you doe Bubblegum Bubblegum Bubblegum Colors on colors But on my rims And my e da? This is chrome I aim at your dome Like “Where are you from?” Bitch are you dumb?! I don't even know you Get me a roll of the bubblegum Some for the homies Now open the drawer Like you're poppin a bubble: Gun/ Bubblegum Bubblegum Bubblegum Look Put em up! This is a stick up So Put em up! Stick you up Bubblegum Bubblegum I pull up Swift, I'm like Taylor I pull up Sticky like bubblegum Stick you up Here I come I got a lot of em, Hats and my habits is bad But I rob you doe Bubblegum Bubblegum Bubblegum Colors on colors But on my rims And my e da? This is chrome I aim at your dome Like “Where are you from?” Bitch are you dumb?! I don't even know you Get me a roll of the bubblegum Some for the homies Now open the drawer Like you're poppin a bubble: Gun/ Bubblegum Bubblegum Bubblegum Look 2 forte Guess the surfs up Watch me surf on Sunday After service (Church on Sundays) Pop up clubs, yuh Pop up all day Pop up /pop-tarts Pop up all day I'm that guy Can't close my eyelids Watch me fly by Friday, I'm up 5 days, ain't no day job makes this pay meant I got places to be I just shapeshift Can't explain this Limited action Guess this is Limited attraction I got limited edition hats In my backsplash, That's clutch Huh You brought a gun to a knife fight One punch man Got 3 hole punch That's right Now I'm up every night I got five eyes Remember that time that you Lied on me Lights on Get this I spin subliminal images Interest in the interest I mutated to Skrillex Get it? The best time to wear a striped sweater: Is never! You better do better, I'm never ever ready for sweater weather Tell Ever Ed Edd and Eddy Get ready for bed, Cause well fed and after dinner Dessert — I'm definitely the bread winner Smirk Shout out to cool herc My heart is purple, cause the world hurts Went into the army and deserted em I probably deserved to win, But I was not as Worth it as her, to sleep with Bitch which side you is in 8 male sandwhiches in My new kitchen Pay attention I love meat, But I don't eat chicken! Click click click I take your picture Paparazzi This is it I guess I'm Michael I'm a thriller I was big But I got thinner— What's up 2 forte Guess the surfs up Watch me surf on Sunday After service (Church on Sundays) Pop up clubs, yuh Pop up all day Pop up /pop-tarts Pop up all day I'm that guy Can't close my eyelids Watch me fly by Friday, I'm up 5 days, ain't no day job makes this pay meant I got places to be I just shapeshift Can't explain this Limited action Guess this is Limited attraction I got limited edition hats In my backsplash, That's clutch Huh You brought a gun to a knife fight One punch man Got 3 hole punch That's right Now I'm up every night I got five eyes Remember that time that you Lied on me Lights on Get this I spin subliminal images Interest in the interest I mutated to Skrillex Get it? The best time to wear a striped sweater: Is never! You better do better, I'm never ever ready for sweater weather Tell Ever Ed Edd and Eddy Get ready for bed, Cause well fed and after dinner Dessert — I'm definitely the bread winner Smirk Shout out to cool herc My heart is purple, cause the world hurts Went into the army and deserted em I probably deserved to win, But I was not as Worth it as her, to sleep with Bitch which side you is in 8 male sandwhiches in My new kitchen Pay attention I love meat, But I don't eat chicken! Click click click I take your picture Paparazzi This is it I guess I'm Michael I'm a thriller I was big But I got thinner— What's up I walk on the boulevard See my name on walk of stars This tattoo my code of arms Now I'm on the walk of stars School of rock All of you Dan suck my cock Rick and Morty M the doctor back to future Now I'm Marty What year you think this sprinter is I don't really give a shit! I want it so I bought it This shit is ten thousand verses “Deliver us from Eva “ What?! She's like, evil, I tell you! Ooh, I've never seen Eva Longoria as a villain before… Kinda. GABY You're not wearing that, are you? Why( what's wrong? Take it off now, Why what's wrong. Take it off now, or I'll kill you. With what, you're like 4 foot— [she rips open her dress revealing a GOD BODY AAAAAAHHH, MY EYES [traffix outside crashes] [plane falls from sky] Kinesthetics. [helicopter crash— Bigfoot is a peeping Tom; falls out of tree] That was worth it. Yeah. V.O. Once you start training in transit trainers, There's no going back. Two waist trainers, really. What, did you really think I was like— Jennifer Aniston I just thought you were two inches fatter. What?! It only adds like a centimeter! A centimeter is two inches on camera. I'm not doing anything on camera. I beg to differ. Don't beg, Jimmy Fallon In that other dimension: PLEASE. NO, PLEASE, just— NO. JIMMU FALLON. I'm not a writer. TINA FEY *gasp* AMY Shuunber —sure. Last night I set a fire ther burned at at lesst 750 degrees 1477 degrees— GO OH SHIT. 13 stories above Brooklyn, Atop of ancient holy lands I'm sure existed some several hundred thousand years ago HERE? LAND IT HERE. WHY HERE. Because it's there! There's nothing there! LAND IT TIGHT GET IT RIGHT GET IT RIGHT, Get it tight!!! {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

On this week's episode, we take a departure and review a suspense/thriller, A.J. Finn's Woman in the Window. [00:00:00] Welcome to comfy, cozy a podcast for traditional book enthusiasts [00:00:08] Etta: [00:00:08] This is episode 34well, hello Cozers! This is just a quick update before we began. In today's episode, Deb and I will be reviewing AJ Finn’s Woman in the Window. I give a brief disclaimer that it's not very comfy or cozy, so proceed at your own risk.[00:00:31] Also, we'll be having transcripts of all episodes. A big thank you to last week’ guest Kelly Brackenhoff for pointing out that it would be nice, especially for the deaf community, to make sure that we have transcripts of each episode. Also, it makes us more searchable. And sometimes you just feel like reading.[00:00:54] books going good. A little stressful right now at work and whatnot.[00:01:00] Also we've been very sick. Deb and I have been trading colds back and forth, and especially with the kiddos too. I am remarkably stuffy in this episode and probably right now. So, sorry if my voice is a little funny and. Yeah, well, a little bit of a lull before spring.[00:01:21] I am ready for some warmer weather here in the States and a little bit of breaks here and there. All right, hope everything is good. Hope you enjoy the review and I will see you next Wednesday. Bye bye.[00:01:50] It doesn't matter. That's exactly what you said before we started recording. I feel like that's a good place to begin. Today, we are looking at woman in the window, by A.J. Finn. So this is a little bit of a departure. Just want to put that out there in front of this episode. So this is more, I would say, of a suspense. Thriller obviously has, you know, some mystery like components, but it's hardly comfy. It's hardly cozy. So this isn't your cup of tea. Go ahead. And fast forward to the next episode, press, press, delete.Deb: [00:02:29] No, we're interesting. Fine. This is casual dab. I'm sitting here in my robe, um, which is a joke because of the book, which we won't mention, but anyway, um, I, what made you, how did you get this book?[00:02:46] Um. All our list to read because it's not a cozy thing. And, um, I really liked doing reading something out of the genre that we usually do a little bit. [00:03:00] But how did you come across this and what made you, you know, how did we get here? Yes.[00:03:08] Etta: [00:03:08] That's going to take a long time. So there was a time in my life where I was an English major and I thought, I'm a reader, you know? I read literary fiction, read high quality novels. Okay. Okay. And so hold on, hold on. I'm getting there. So I signed up for the book of the month club, which is exactly not what someone literary would do. So shush. But that's what I did. And this is a book of the month club book.[00:03:38] Deb: Oh, so are they usually like new releases and things like that?[00:03:42] Yeah.[00:03:42] Etta: [00:03:42] And you have like four or five to pick from there. I think way more expensive than they need to be. I don't know[00:03:50] Deb: [00:03:50] if that's part of the thing. Yeah. So this is the first novel by this, um, by this author. I thought if I read the, the carer, or [00:04:00] excuse Finn, F, I, N, N, and, um, when you said, Hey, let's just read something different this time I didn't have any expectations.[00:04:10] I didn't know what, what kind of book it was. And it was really. Um, a surprise on several levels. It's got this black cover with the, it says the woman in the window with these blinds and one of the blinds is bent.[00:04:27] Etta: [00:04:27] You know, like someone's spying outside.[00:04:30] Deb: [00:04:30] Yeah.[00:04:31] Etta: [00:04:31] It says that right where it says woman, like that little woman and spine.[00:04:36] Deb: [00:04:36] Yeah. But. It kind of in my mind, I put it in the same category, like gone girl and some of those other kinds of suspense “girl”, and, and retrain griller, that kind of stuff[00:04:49] Etta: [00:04:49] in the window, you know, throw a little, you know, throw a generic lady term into a title and you are,[00:04:56] Deb: [00:04:56] yeah, there you go. But it was definitely.[00:04:59] It was [00:05:00] definitely, um, more of a thriller than[00:05:02] Etta: [00:05:02] a comfy, cozy, a thriller, suspense or sort of nom,[00:05:07] Deb: [00:05:07] but it wasn't[00:05:08] Etta: [00:05:08] well reviewed. Super, super well reviewed.[00:05:11] Deb: [00:05:11] So yeah, there were going to kill a[00:05:13] Etta: [00:05:13] claim.[00:05:14] Deb: [00:05:14] There were so many things I liked about this, and then several things I didn't like about this.[00:05:22] Etta: [00:05:22] Good things. Okay.[00:05:24] Deb: [00:05:24] Okay. Well, first of all, this, this story. Um, the way that she has it laid out, she's got these, most of the chapters are relatively short, and it takes place from October 24th through November 15th of some unknown year. And so there's, it talks about everything that's happening that day. But I got confused because there's mentions of.[00:05:49] Pass cause you[00:05:50] Etta: [00:05:50] don't do faces.[00:05:51] Deb: [00:05:51] Faces are too confused. Well I, I got real confused about the time and all this all the time through the, through the book I was [00:06:00] pitching this old lady in a robe with some issues. It turns out she's only like 39 I was really, you know, I could not the time sequencing of, I had a hard time knowing when is she talking about something in the past and is this something today I[00:06:20] Etta: [00:06:20] was going to flee done.[00:06:21] I'm kind of given the challenges of the main character, you know, the days were starting to blend together. So she, she's a shut-in. Um, for reasons that become apparent later in the novel. And I thought that was really, really well done. And you know, this, she, she's the classic unreliable narrator, and you can't trust us things she's saying the whole time.[00:06:44] And, you know, it gets to the point where she's starting to not trust herself. And[00:06:48] Deb: [00:06:48] yeah, it was, it was really, really well written. This author writes really well. I liked the way that the, the structure of, of how things were except for the fact that I [00:07:00] couldn't figure it out. But, um, I also liked every little detail somehow fit into the story somewhere along the line, even when she's talking about some detail about the inside of her house.[00:07:13] Or something. And I, you know, I'm thinking, Oh, she's just kind of talking. But no, those things kind of play a role. It was really everything linked together. It was well thought out. Um, and, um, the other thing that I really, really liked, um, was okay, so I thought I had a few figured out. And then. I thought I had it figured out again, and then I thought I had it figured out three times and I was wrong.[00:07:46] So it's one of those things where you, you're really wondering what is going on and you come up with things and she'll lead you down one road and you . Kind of think you're, you've got [00:08:00] everything makes sense and lined up. And then I was wrong three times. I mean, I'm wrong a lot in my life, but I'm just saying, you know, this one really had me.[00:08:11] Yup. Had me wondering what was going on. But the best thing I liked about this book, towards the end, I could not put it down the last a hundred pages. It was, I just stayed up all night. I just had to read it. I just had to read it. I could not it was really[00:08:29] Etta: [00:08:29] good filler for sure. Um, yeah, it's certainly had a few red herrings and you know, just like, like any thriller, really, any mystery.[00:08:38] Yeah. It pulls you one direction, you know, quite intentionally. And then in the polls, you the other way, and what I liked about this book the most. Is it had this, this sort of side mystery of what's happened to her family, and I felt like that was fairly obvious from the, from the beginning, not really the ins and outs and details, but you know the context.[00:09:00] [00:08:59] Deb: [00:08:59] Something's happened because she's become, she's an agoraphobic. That's not really like she is housebound. Something happened to her. We don't know what it was. And you get bits and pieces throughout the book, but she became[00:09:15] Etta: [00:09:15] housebound, but yeah, yeah, exactly. Like so, you know, it was something, something big and you're pretty sure what it, what it is kind of the whole time.[00:09:23] And then there's this underlying mystery with, with, with, you know, her neighbors and a neighbor's gone missing and she's not quite sure, you know, if she believes herself or someone's in trouble, and she's battling, trying to go out and investigate or not. And that's really the heart of it. But it was this nice, you know, kind of juxtapose of like, Oh, this is obvious.[00:09:45] You know, like, I'm enjoying this book, but it's not that. It's not that mystery, you know? Like, yeah, like you're not fooling me. And then everything else kind of, and kind of throws. [00:10:06] But um, you know, I don't know why you're housebound. At first I thought she was really old. I don't know why. You are always on the internet and I don't know why you're always spying on your neighbors.[00:10:19] Etta: [00:10:19] Who isn’t it always on the internet? And what about the internet is not literally spying on your fellow man?[00:10:25] Deb: [00:10:25] Well, okay. She's, she's always talking about in her bathrobe. She's always roaming around the house, but she's housebound in a row. All of them have an, apparently every inch of her floor has Merlot stains. She and you quickly figure out minutes. She's a drinker. She's got problems there and she stays in and she does these weird things, but she's seen where things with her neighbors and you know, you don't.[00:10:55] You don't really know what her deal is. Why I keep thinking, [00:11:00] Hey lady, you're educated. I think you know, um, you're supposed to be, you know, how is it that you're, you're so educated in, you know? [00:11:19] But you know, you're in no position to be giving medical advice. Yeah. But you know, apparently she lives in some kind of bathrobe drinking Merlot and she must have a ship from Amazon cause she's on the internet a lot.[00:11:34] Etta: [00:11:34] I think she needs a certain[00:11:36] Deb: [00:11:36] day. I feel like this is[00:11:38] Etta: [00:11:38] where our future is going.[00:11:39] Everyone's going to stay inside, get their groceries and goods delivered. Well, it's a[00:11:46] Deb: [00:11:46] little bit odd. Um, first of all, she needs a sippy cup. Definitely because I don't know how many times we were reminded of a spill cause she's always, you know,[00:11:58] Etta: [00:11:58] she also takes a lot [00:12:00] of, you know, anxiolytics today.[00:12:01] Antipsychotics.[00:12:02] Deb: [00:12:02] Yeah. She's mixing and matching[00:12:04] Etta: [00:12:04] pretty heavily[00:12:05] Deb: [00:12:05] and she doesn't seem to get, take any, you know, any regard to what the instructions are for the meds and begin. If you're a medical professional, you should know better.[00:12:15] Etta: [00:12:15] But at the same time, I mean that's like. That's what abuse is, you know, that's what escapism is.[00:12:20] That's, that's what all of those things are. Um, but I, I could see for a lot of readers, um, you know, that being kind of, you know, triggering and harmful, I mean, much like a girl on the train, um, you know, alcoholism is definitely glamorized. And so that could be,[00:12:38] Deb: [00:12:38] yeah. Or, yeah, that was, that was kind of odd to me, but, you know, and there were a couple of times when I thought, well, you know, she, she could, she, there was a couple of times where she should have called the police earlier.[00:12:53] She, when she knew something and you know, um, she, she didn't call when she should, but then, [00:13:00] you know, I mean, she[00:13:02] Etta: [00:13:02] didn't feel like we do like. Oh, don't go in there. I feel like she had very valid reasons to, to feel like the police when take her concerns seriously. Cause she's probably, yeah. But when[00:13:17] Deb: [00:13:17] she got, probably when she does get proof first for one of the things she could have and then she didn't.[00:13:23] And I'm thinking, you just put yourself, you know, in a, I going up to the dark basement kind of, you know, after the attic, you know what it was that kind of mentality. Um, but, and then another thing is, um, I wasn't sure of her age at this point, but, uh, at one point I thought, lady, don't you worry about VD or pregnancy, you know?[00:13:45] Um, I mean, there's, apparently she wasn't on those meds or we would have heard about it. Huh? You know what[00:13:54] Etta: [00:13:54] is strange is I'm not really quite sure what you're alluding to, and I hope we read this[00:14:01] [00:14:00] Deb: [00:14:01] well. I don't really like some[00:14:03] Etta: [00:14:03] Fabio cover book.[00:14:06] Deb: [00:14:06] And I'm here. That cover[00:14:11] Etta: [00:14:11] looks nice where she can,[00:14:14] Deb: [00:14:14] no, there was one, I don't want to give any spoilers, but you know, she does have, you know, one little following and I'm like, well, there[00:14:23] Etta: [00:14:23] may or may not be an element of romance.[00:14:25] Deb: [00:14:25] Okay. I do know I do going on, and even even in her past life, the apparently so narrow assured, but anyway, I thought I couldn't, I couldn't quite, I don't know how to categorize this lady. I mean, she's just, she's just got issues. Do you think[00:14:43] Etta: [00:14:43] you and Anna would be friends in real life?[00:14:47] Deb: [00:14:47] New. Never one,[00:14:49] Etta: [00:14:49] not even over the[00:14:50] Deb: [00:14:50] internet. [00:14:54] Deb: [00:14:54] Okay. All people, all people who are listening get curtains. There [00:15:00] are weirder weirdos out there looking in your window. They have nothing to do except we're, you know, taking pictures of your comings and goings and things. Yeah. Just shut your blinds. You may think you're not interesting, but apparently there are weirdos like this out in the real world.[00:15:19] You think you are very[00:15:20] Etta: [00:15:20] interesting. It's like a, what is it? The the, how was that Alfred Hitchcock thing where he's looking out the window.[00:15:50] Deb: [00:15:50] I might have talked to her maybe on the internet, but. I think, [00:16:00] um, at some point. I don't think she was my type to hang around with on the internet. And she's so, so she, she runs this, that she participates in this agoraphobic little group thing where she fancies herself some kind of counselor to everybody on the internet.[00:16:19] And I would like to say. The lesson is don't take advice from random weirdos on the internet. They're just out there. You don't know if they're real doctors. You don't know what they're doing. You don't know that they're home in a bathrobe spilling their Merlot taking pictures of their neighbors… complete psychopath.[00:16:41] And you know, here you are thinking, Oh, she's so nice. She's giving me this great advice. Uh. Anyway, it just made me, it made me really, um, in forced the, you should be skeptic if you're, um, of skeptical of all these people on the internet.[00:16:59] Etta: [00:16:59] Stranger danger [00:17:00] on the internet is a real thing.[00:17:01] Deb: [00:17:01] Yeah. Yeah. And she's out there, you know, there's people like that out there.[00:17:06] Yeah. Well, you know, and then, uh, you know, you never know, um, from your neighbors, you know. Well,[00:17:16] Etta: [00:17:16] now that we've scared all of the coasters into not loving their neighbors and being terrified,[00:17:22] Deb: [00:17:22] are you[00:17:23] Etta: [00:17:23] going to read more thrillers or are you coming back to[00:17:25] Deb: [00:17:25] come once in a while? I think it's nice to break things up.[00:17:29] Um, you know, the, the comfy cozies are, are just,[00:17:34] Etta: [00:17:34] that's our brand.[00:17:35] Deb: [00:17:35] That's our brand and they're comfortable and stuff. But I mean, every once in a while I like to read. All kinds of different books. And I was really happy to, you know, to get out there and read this one cause it was really good.[00:17:47] Etta: [00:17:47] So what made this not what, whenever you, whenever condescending term you like to use for cozies mind, candy, brain candy, what made this, not[00:17:57] Deb: [00:17:57] that the fact that I [00:18:00] could not put it down and I was worried.[00:18:03] I mean, I was anxious. Yeah. And you know, and I knew that something I don't like reading about bad things that have happened is really[00:18:13] Etta: [00:18:13] kale for you.[00:18:14] Deb: [00:18:14] Um, probably, Oh mm. I'm trying to think.[00:18:23] Etta: [00:18:23] Something like mine mashed potatoes. It wasn't sweet. Definitely not good for you.[00:18:29] Deb: [00:18:29] Well, I, it was just interesting because, um, it's one of those things, if you like the movies where you like to be scared.[00:18:38] Yeah. And I don't, this book spooked me a little bit.[00:18:42] Etta: [00:18:42] I would've read the, as I, I think you're very brave. I read it in the middle of the day.[00:18:46] Deb: [00:18:46] Yeah, I bet. But I really liked it, but Oh, you know, I'll tell you, I was stumped three times and it was clever. I have to admit that, you know, it was artfully done. And you know, I mean, [00:19:00] yeah, I think.[00:19:01] There's several things in here that just didn't add up for me as far as the character or the internet and the crazy neighbors and everything else. But, um, it was definitely fun for a change.[00:19:13] Etta: [00:19:13] It was, and, and we had lots of changes going on. Greg and I bought a new house. You have a new house. Everyone's moving around.[00:19:21] Deb: [00:19:21] I don't want to move. I'm[00:19:22] Etta: [00:19:22] tired. I know. We're on like a TV trays in the middle of a living room.[00:19:27] Deb: [00:19:27] I know. But it's too snowy to have my, have any more furniture moved from this house to that house, to another house. So[00:19:37] Etta: [00:19:37] true.[00:19:37] Deb: [00:19:37] But anyway, we're getting his word or getting there, but thank you for recommending this and be sure and get curtains to Aaron blinds in all of your houses and your windows because there could be a lady in a bath row drinking Merlot. See acast.com/privacy for privacy and opt-out information.

I’m not a religious guy ya know, (holy boys). But let’s say you’re in church and the dude sitting next to you nudges you and goes “hey I soaked Susan last night”. Ummmm that’s odd. You just stuck your peen into her vagine and let it marinate for 36 minutes and 18 seconds? That’s nasty Preston. I’m triggered that you felt the need to even bring that up to me like I wanna talk about you resting your cock in her crock pot HUH? You think that your life is sooooo interesting that ME, DOM would wanna hear about that weird shit!?! fuck I’m heated now bro, I’m absolutely fuc- DONT TOUCH ME DUDE. I’m out, I’m leaving. Where was I going with this? ummm IDK fuck it. Ya’ll ever heard of an Alabama Hot Pocket?In this episode, the loyal boys discuss ROM COM DOM’s first date etiquette, dogs, and almond milk. They do a deep dive into the different ways they approach dating girls. Matt hates the recent heat wave and Dom is pulling the sexual act of “soaking”.

This week, the crew discussed some trending topics that displayed some of our favorite celebrities handling life and business situations in some interesting ways. From now until December 31st, customers can choose between KFC’s extra crispy chicken or extra crispy chicken tenders, served with waffles and Mrs. Butterworth’s syrup for their meal. That's right, KFC is now selling Chicken and Waffles! The dishes will be available at KFC’s nearly 4,200 restaurants across the U.S. and are starting at $5.49. Wow...I may need to check that out! R.I.P. Marvel Comics Co-Creater Stan Lee Dead At 95. Lee co-created Black Panther, Spider-Man, X-Men, The Mighty Thor, Iron Man, The Fantastic Four, The Incredible Hulk, Daredevil, Ant-Man and other iconic characters. R.I.P. Stan Lee! Jaden Smith Reveals Fellow Rapper Tyler The Creator Is His “Mother F*cking Boyfriend”, HUH? You got to hear what the crew had to say about this one, LOL. After almost three decades in hip-hop, Missy Elliott is the first female rapper to be nominated to be inducted into the Songwriters Hall of Fame. If inducted, the Virginia native would be the third rapper to join, after Jay Z and Jermaine Dupri. Well deserved and long overdue...congrats Missy! The Illastr8 HOT Take this was very thought provoking to say the least, 'when should we teach our kids about orgasms? We spun this a couple of different directions that we KNOW you will enjoy! Until next Wednesday 9-10 pm!

Three white dudes try to figure out what the fuck is wrong with white people and why they gotta keep callin' the cops. What the fuck is wrong with them? Oh it could be that the people they keep callin' on are a different race? In any case, there's only one thing worse in the world than a snitch: A racist snitch. White woman who has a problem with Black people grilling: https://www.youtube.com/watch?v=Fh9D_PUe7QI Yale Woman Has a problem with black people sleeping: https://www.cnn.com/2018/05/09/us/yale-student-napping-black-trnd/index.html Another asshole lawyer: https://www.youtube.com/watch?v=2WEg7t9vPow Blue lives matter... Huh? You mean they didn't before? https://theintercept.com/2018/05/19/blue-lives-matter-bill-police-brutality/ Email: Mountain2Mountainpodcast@gmail.com Twitter: @Mountain2M Facebook: @Mountain2Mtn YouTube: Mountain2MountainPodcast

San Francisco's Magic Theatre Artistic Director Loretta Greco talks about her friendship and work with the late playwright, actor, author, screenwriter and director, Sam Shepard, who passed away on July 27, 2017 at the age of 73.Transcript:Speaker 1: Method to the madness is next. You listening to method to the madness, a public affairs show on k a l x Berkeley Celebrating Bay area innovators. I'm your host, Lisa Keifer. And today I'm speaking with Loretta Greco, the artistic director of San Francisco's magic theater. We'll be talking about Sam Shepherd, one of America's greatest playwrights who passed away this year, July 27th, 2017 at his [00:00:30] home in Kentucky due to complications of Lou Gehrig's disease at the age of 73. Sam Shepard spent a decade as playwright in residence at San Francisco's magic theater. Loretta, thank you for coming over here. My pleasure. And I just want to talk about Sam shipSpeaker 2: because I feel like if people pass away and then it's over, I have to talk about his work. And you actually worked with him for several years. How did you [00:01:00] meet? Well, I should back up and say that I had been reading about the magic theater in San Francisco my whole life. I grew up in Miami, went to school in New Orleans, Washington, New York. And it was because of Sam, uh, you know, uh, John Lyon gave Sam a residency there for 10 years, starting when starting in 74 to about 84. But that's where he wrote bury child and full for love and true West family trilogy, family trilogy, and probably [00:01:30] well undoubtedly plays that are going to go on forever. And, uh, and so when I got here 10 years ago, I started looking for Sam and he, he was, he, when you say you were looking for him drop, what do you mean?Speaker 2: Well, I mean, literally I got there and there was like no number, no, like it was there. It was a lot of fun tracking them down. And I finally, um, I went through his agent and Judy Dolan and she sort of was a great like guard dog. So I had to meet her and then she said, [00:02:00] Oh yeah, yeah, Sam will love you. And so, but you said you're on your own, you know, here's this number. You have my blessings, good luck. And, um, when we finally reached each other about five years ago, six years ago, he just, he was incredible. He was just so real. And so we, I was reaching it because I wanted to celebrate him while I was still around and you had just taken over the magic taken over. And I wanted [00:02:30] to do a shepherding America where we went through all of his major plays and, um, but I didn't want to do it if he didn't want to be a part of it.Speaker 2: And, um, so that's why I was reaching out to him. Boy, it was just something meeting him. He came out and he did an evening where he just read from his work and Lisa, it was incredible. And that's when we spent about five days together. And then, you know, he, he surprised me several times in San, like he'd just show [00:03:00] up. Um, and then if he was in New York and I was in New York, we would see each other there. So he was just, he was so incredibly kind and generous and I think, um, a lot of other things as well. But I think those are the things that you don't hear about him as much. Um, he's just incredible. Let's talk about his work just a bit because I feel like he's one of our greatest absolute rights. What is it that you find or found in his work that made you want to seek him out?Speaker 2: [00:03:30] Well, they're inexplicably, they are, um, not, they are plays that are not meant to be understood, fully digested, wrapped up in a big bow. They're works that are there to make you feel and to lean in. They're muscular, they're visceral, they're active, they are totally active. And um, I just, I got in a huge argument once with the patron, cause I said [00:04:00] Shepard is without a doubt our greatest American. Dramatist and um, you know, she took me on. What about Miller? What about Alby? And I said shepherd has been writing. He's, he wrote into his six decade, he wrote, since he was a little, you know, late teens, he wrote 55 plays. He wrote screenplays. He has five collections of pros, like the sheer magnitude and depth of that work. I mean there isn't [00:04:30] a canon like it. Actors kill to play these roles. I mean, you know you fell in love with them. I do. You know, through his work. I mean you can't, my introduction was true west and I was so blown over and then that led me down the path.Speaker 3: Are you crazy? You went to college [inaudible] you're rolling in the docks floating up and down in elevators and you want to learn how to live on the yaks. Yeah, I do [00:05:00] lake. Hey, there's nothing down here for me. There never was when we were kids here was different. There was a lights here then. No, no. I keep coming down here like it's the 50s or something. I get off the freeway and familiar landmarks. They turn out to be unfamiliar on my way to do these, these appointments. I wondered on the streets, I thought I recognized they turned out to be replicants as traits. I remember streets I mr member streets. I don't know if I lived out of her. If I saw [00:05:30] him in a scary field, the just don't exist. There is no point in crying about that as not been rammed down their lien. Please dear mommy, I can't save you and you can let me come with you guys. Let me come with the weight that I choose to live in the middle of nowhere. Huh? You think [00:06:00] it's some kind of philosophical decision I took. Boy, I live out there. Be Cold. I can't make it here.Speaker 2: Jessica Lange said that no man she had ever met compared to Sam. In terms of maleness, what do you think about that statement? You know, um, he had it going on until the last time I saw him and I saw him when he was sick. I said, what do you think she meant by this wellness? He is [00:06:30] profoundly male. He is. Um, first of all, he was a long, tall drink of water, man. He just, I'm, I'm five, nine and he made me feel small and that's great. And he's just, I mean, come on. He hunts. I, I can't, it's so [inaudible] reminds me of, he reminds me a lot of William Faulkner, the way they live, the way they drank their maleness. And what they said about [00:07:00] the myth of the American dream? Well, exactly. I mean, I think the thing about Sam was he was the iconic marble man.Speaker 2: I mean, he, he hunted, he, he, he smoked, he drank. He, um, he rode horses. He loved his horses, he loved his dogs. He, um, he was just incredible and he lived so long that he really did experience the west, that old mythic west and [00:07:30] the promise of the American dream. And then lived to see that promise reneged, you know? And so I think that, um, he also, he turned heads everywhere. He went. I mean, we'd be sitting in a diner and people would come up and say, are you Sam Shepard? And they'd be in their teens all the way to women, much more mature. Um, what was it like for actors to work under his direction? Did you [00:08:00] observe that? I knew several, and I think that actors loved him because, because a, he was an actor and a fine one, and he understood and respected the craft.Speaker 2: And so he guided with a loving, gentle hand, but he didn't get in people's way. He knew that if he laid a little path that people would find their own way. And so he wasn't a micromanager. He really [00:08:30] let people soar and find their own, their own journey to his characters. And he said once that he assumed that if you are, if you're doing this, and you must understand what I'm saying. Yes, yes. And speaking Sam's words like that's come on. Malcovich um, James Gammon, um, uh, uh, ed Harris, Kathy Baker. Um, these are people that were drawn to that [00:09:00] muscularity and lived for it. And it, I think that Sam and that work baked a kind of muscularity into the magic into Steppenwolf so that then it set the bar high in terms of what theater really was and what you needed to feel across the boards for it to be viable. And he never stopped writing.Speaker 1: If you're just tuning in, you're listening to method to the madness. Public Affairs [00:09:30] show on k a l x Berkeley Celebrating Bay area innovators. Today we're remembering Sam Shepard and talking with Loretta Greco, San Francisco's magic theaters, artistic director, Sam Shepard's association with the Magic Theater included 24 productions in total. He spent a decade as playwright in residence where he premiered his master works buried child, true west and fool for love. He returned in the year 2000 [00:10:00] to direct the world premier of his work, the late Henry Moss. And he had just written a fictional [inaudible]Speaker 2: book, which is kind of autobiographical in his last year. The one inside was published last January and he wrote it while he was sick, but he wrote it and it's astounding. The particle of dread was published a [00:10:30] couple months later. That was his re dreaming of Oedipus. And he did it in dairy Ireland with Steven Ray. It's an incredible script and his latest spy of the first person has just come out. It's being published months after his death. He was working on this as he was sick. He was recording it and he was dictating to Roxy and sandy has two sisters. And um, and it's my understanding [00:11:00] then his daughter. And, um, and then Patty Smith worked with them on both the last two novels to help that it, they go way back and they remained such close friends. And so, I mean, who does that? I mean I just, I opened this book, I wanted to look at the letters between Sam and Joe Chaikin before I came here and look at what he opens this with.Speaker 2: It's a Brecht who he loved Brecht and Beckett. This is [00:11:30] his opening quote. You can make a fresh start with your final breath. Oh, that's, that kills me. Yeah. He never stopped. The last time I saw him was the day before he left for Kentucky. I sat with Sandy and Roxie and Sam and my partner mark in Healdsburg. And um, Sam was writing, we talked about Beckett. We talked about where do you think the Beatles came up with the lyrics for blackbird? He was contemplating all these things [00:12:00] and he said to me, can you believe it? I'm still writing. I'm not stopping. I can't stop. I mean, I think this is the thing about Sam. He was profoundly himself from the beginning until the end. Flawed and damaged and chasing a dream of America that did not exist any longer and chasing the tail of his father.Speaker 2: And he did it honestly, humbly and painfully. And I love him for that. [00:12:30] He never made facades. He never hid. He was profoundly himself till the end. Yeah. What was your favorite of his works? Well, you know, it's funny, I would have, if we had talked a year and a half ago, I would've said Barry Child, because I have, I have loved that place since I read it 1978 and didn't know what the heck to make of it. And I kept reading and reading and I finally directed it and I thought, oh my gosh, it's like king lear. It's like you could direct it five times. Yeah. [00:13:00] Just start to, to grasp the, the depths of the meaning of that play. But I did full for love last year and I have to say, Lisa, it was like working on a Beckett play. When you work on Beckett, you think you know a little something and then you get in rehearsal and you realize you know nothing.Speaker 2: And every day it's like an archaeological dig and you learn a little more and you make a discovery and that leads to 17 other big deep questions. Working [00:13:30] on fool for love was one of the joys of my life because it was also, I mean, Sam never shied away from taboo. Right. So it's a love story about siblings and um, see this is where I see the Falkner connection. Yeah. Because the more you read say an Absalom, Absalom, you know, it's about incessant and family. It's about miscegenation. I mean it's about all these things and every time you read it you see something else, [00:14:00] a real artist. That's what you feel when you read it. It's new every time. Every time, every 10, it will be a new play. I really do feel like fool and berry child and true west, if there's a bottle that gets dug up centuries from now, those are going to be in it.Speaker 2: I mean, they're going to talk about who this country was and what, what our goals were, what our aims were and how broken hearted and yet undaunted the human American [00:14:30] spirit thing is. He got to appreciate the world's appreciation of him pretty early on. Like you say, when you met him, you sensed the honesty and the appreciation. He was one of the shyest people I'd ever met for him to do an interview for me to convince him to do an interview with Rob Harwood at the SF chronicle. I had to agree to come and sit with him and he, he detested post show talk backs. [00:15:00] He didn't want to talk about the work. He didn't, you know, if you asked him what is it about, he would say, Oh, if I knew I wouldn't have to. Right. And so he, he was uncomfortable in a way with the kind of fame, but I, you know, like [inaudible] I think he appreciated, the thing is he got that Pulitzer early, that was 79 for a play he wrote in 78 and [00:15:30] I think, you know, it's funny because he said to me once, I don't know what all the fuss is about those plays, they're just plays.Speaker 2: I wrote when I was a kid, you know, [inaudible] you know, but, but that wasn't him being self-deprecating. That's really what's really lad. And I mean he was so comfortable in his skin as a human being and as a male. But as a, as an actor, as a, as someone who was famous, I never saw him and joy that in the way [00:16:00] I did. Interesting that he moved easily between his literature and film and his acting and acting. You know, that's not easy for a lot of people to go in between those. I know. And, and it's interesting because he was up for an academy award the same year that he won the Pulitzer. And I think that the acting informed the writing and the writing informed the acting. And that's the thing about the writing. There's [00:16:30] not an extra syllable. I mean there just really isn't. And he wrote Paris, Texas and many other Oh, absolutely.Speaker 2: Films. So he really knew both sides of the camera. And I have to say the pros, his five collections of pros, um, motel chronicles and, and cruising paradise and dad of days and, and great dreams of heaven. Those, we would read them every day. Every time I was in rehearsal for live the mind for Barry Child for fool, for love, [00:17:00] for a big Sam Festival we did on a 70th birthday, we would start every day by opening the books and reading his prose, short little pieces that were all about this country and they are magnificent and a completely different discipline. That's one of the hardest, you know, that's one of the hardest short stigma. And I think, I think if there was one thing he wouldn't mind me saying is that he wanted [00:17:30] to crack the long form novel and he felt like he never did. He wanted to write something that was longer form and it just kicked his booty.Speaker 2: You know? And, and he talked about that several times with this before or after he had written the, the, the novel, the fictional, the novel, the, I'm one inside, and I haven't read this by the first person, but, or spy of the first person. But the one inside is like a little novella. It's, it's [00:18:00] naked. It is so unbelievably transparent about him and his dad, him and his dad, him and his women, him and his drinking. Maybe our listeners don't know about his relationship with his father. Maybe you can tell it was, um, I learned part of this from Sam. The last time I saw him. I didn't know that his dad was a Fulbright scholar. He told me his dad was a, was an absolute learn it man. And [00:18:30] he knew he was a bomber pilot. He went to war and he came back and, um, he, he was lost it to his dad and it really destroyed him.Speaker 2: Sam's, you know, his family was, you know, his mom was a rock and his, you know, his home was full of violence and alcoholism. His Dad, I mean, if, you know, lie of the mind, you know, it's a pretty, pretty, uh, close to Real, you know, [00:19:00] portrayal of how his dad died in the middle of a highway, run down drunk. And, um, and Sam will talk about it, you know, um, in, in, uh, in a variety of ways. But I think that his dad's heart ache and his dad's being destroyed and, and that being present in his household. I mean, Sam writes about finance and m knows it firsthand and I think that he wanted more time [00:19:30] with his dad. His Dad was a man of very few words and I think that Sam spent his entire life trying to figure him out.Speaker 4: Yeah. I grew up in this, this World War Two world where the women were continually trying to heal up the man, you know, and, and suffering horribly behind it. Now, I don't know why that came about, but I have a strong thing that had to do with World War II. These men returned from this sheer ROIC [00:20:00] victory of one kind or another, and entered this Eisenhower age and were devastated in some basic way. You know, I mean, almost all those men that, uh, that, that were of my father's generation seemed like they were devastated in a way that, that it's mysterious still and the women didn't understand it and the men didn't understand it. So the, the, the, uh, the medicine was booze for the most part. Boots. It suddenly occurred [00:20:30] to me that I was maybe avoiding a territory that I needed to investigate, which is a family and add voided for, for quite a while. Because to me it was, it was, it was a danger in, in, I was a little afraid of it, you know, particularly around my own man and all of that emotional territory. You know, I w I didn't really want to tip toe in there and then I said, well, maybe a better,Speaker 2: and he, he also [00:21:00] wrote about how you really never escape the past, the history. No, and I think that, you know, sometimes people think about him and his images stick dialogue, which is absolutely unparalleled. But for me, in all of these mediums, Sam is digging up our primordial pasts. He knows that you can't take a step forward without the ghosts of what came before. And he knew that as a young writer [00:21:30] and he never forgot it.Speaker 4: I do honor the ones that have come before me, you know? I mean, you know, it's ridiculous to think that you're, uh, you're, you're, you were born out of thin air. There's, there's, there's things that, uh, there's ancestors, you know, and uh, if you don't honor your ancestors in the real sense, [00:22:00] you, uh, you're committing a kind of suicide. Yeah.Speaker 2: Do you have a story that you can tell us about you and Sam that you wouldn't mind sharing maybe no one else in the world knows about? I'll tell you two things. One is that I had loved his writing for so long and when we finally met, I picked him up at the cleft. It's funny because I got him this beautiful sweet that was basically like an apartment [00:22:30] with views, almost three 60 of the city at the top of the cliff hotel. And I picked him up there and met him in the lobby and I was taking him to see a show and we would then spend almost a week together and get to know each other. But I was so nervous and he was nervous. He said he, he's, he was late and he said, I got in the elevator and I just couldn't figure out all those buttons.Speaker 2: And he said, next time I do not want to be in a fancy hotel, I want [00:23:00] to put me up in a Ho motel, right by the water, by the magic or just on the other side. And I was so nervous, Lisa driving him that I turned the wrong way on Franklin. I've been driving on Frank Lennon golf since I moved here. I knew one goes north and one goes south. I turned onto oncoming traffic. I was just beside myself. I was so nervous. There was no one in my life that I would have been more nervous about meeting. [00:23:30] And you know, we hung out in the theater and just talked and talked one day and I'll tell you, I just, I grew to love him and, and he, the thing about him is he was just profoundly real and he wanted to make sure I was too.Speaker 2: And so one time in New York I met him and I was supposed to go to a matinee and he just, we were supposed to have a quick tea. We ended up having lunch and just, and I asked him about Joe Chaikin and he started to talk about [00:24:00] making tongues and savage lab, which made it at the magic and with Joe and Lisa, his eyes brimmed with tears talking about how humbled he was to be in a room with Joe, let alone making something with Joe. And if you read their letters back and forth, you know, they had an extraordinary relationship. Betty talked about that time and then he, he started [00:24:30] talking about back at any, started reciting back at just off the, I mean off the cuff. And I was sitting there listening to his stories and I just, I thought, I don't ever want to get up. Like I just don't want to leave him. He loved making theater so much and he remained in awe of the masters and in awe of all those Irish cats. And [00:25:00] um, but him reciting back at that was, that was a highlight for me. Yeah, that's pretty great.Speaker 4: It's very interesting to me, aloneness. Very interesting. Because it's always this balance between aloneness and being a part of a community or a part of, you know, it's always been interesting from the very start is this exile. That's what Beckett is so powerful. I said, [00:25:30] you know, he's bad. It's all about Exxon. It's about banishment about being cut away. Uh, and then at the same time having to take part in it.Speaker 2: Since he had kind of a, well, he had a bad relationship with his father. Was he able to bridge that and get past that and have a good relationship with his own kids? I wish that I could speak to that personally. What I'll tell you is, man, he loved Jesse and Jesse loves him and I know all of his kids, [00:26:00] Anna and Walker. I mean they were there the whole time. And, and what I know is Sam speaking of them and he often said, it's, it's a wonder that Jessica and I turned out to have the greatest, most sane human beings ever and a miracle that Jesse is as extraordinary a man and father as he is. And Sam once said to me that just hearing the sound of his daughter's voice set him right every time. So I know, I mean, I [00:26:30] think that he was just, that he was mythic, that he was interested in things larger, you know, than a kitchen table story.Speaker 2: And I think, um, the size of him, the size of his is gonna live on. And I think that people are going to, when they think about the American spirit, I really do think they're going to call upon his, his Canon of work, which is unparalleled. Again, 55 plays five collections of prose. And he played [00:27:00] over 50 roles on film. Yeah, I mean it's just, there hasn't been an artist like him and I, I really don't think there'll be one. Again, are you going to be doing anything coming up? We're going to do something at the very end of the season to commemorate him. Mike, a big Rawkus memorial and when you say end of the season, but it would be in May. And then we're going to set an annual celebration of Sam on his birthday at the magic every November [00:27:30] 5th, and we're hoping it'll be like Bloom's day. Like everybody getting together to read Joyce on, uh, on Bloom's Day. We want to get together and just have a community where people just pick up Sam's work and read it aloud and that every year we can hear his words hit the air and be reminded of their power. Loretta, it's so great to talk to you about Sam Shepherd. Thank you so much for coming on method to the madness. You are so welcome.Speaker 5: When you die,Speaker 2: [00:28:00] go straight to heaven or hell.Speaker 5: When you die,Speaker 2: disintegrate into energy.Speaker 5: When you die, who are reborn into another body. When you die, you turn dished. When you die, you travel to other [inaudible]Speaker 2: planets.Speaker 5: When you die,Speaker 2: you get to start all over.Speaker 5: When [00:28:30] you die, get marked in the book. When you dry,Speaker 2: rejoined with your ancestors.Speaker 5: Where'd you die?Speaker 2: Oh, your dreams will come true.Speaker 5: When you die,Speaker 2: you speak to the angels.Speaker 5: When you die, he'll get what you deserve when [00:29:00] you die. It'sSpeaker 2: absolutely the finalSpeaker 5: when you die and never come back. When you die, you die forever. When you die,Speaker 2: it's the end of your life. You've been listening to method to the madness. A public affairs show on k a [00:29:30] l x Berkeley Celebrating Bay area innovators today show was all about Sam Shepherd. You can find all of our podcasts on iTunes university. We'll seeSpeaker 6: you in two weeks. [00:30:00] [inaudible]. See acast.com/privacy for privacy and opt-out information.

You wouldn't want to be UN-cool now would you? You wouldn't want people to think you're UN-friendly, eh? But I bet you'd love some UN-Cola right? Huh? You don't having a fucking clue what UN-Cola is... Well, let us and Cool Spot (The Mascot for 7up from 87-97) explain it all to you! With a series of amazing 7up adverts and the official 7up game for the SEGA MegaDrive (Genesis) Cool Spot! But, is it a Cash Grab? Hmmmm.... ******************************************************************** Cash Grab is a weekly podcast that looks at different franchises developed into video games and discusses whether they are cash grabs or not! ******************************************************************** Intro Music; "Crunk Knight" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/

Photo by Kevin Christopher Burke on Flickr.comPointers and Retrievers Christy takes salvation up a notch, from John 3:16 to 17 moving from me and mine to the world. Pointers and Retrieversa sermon by Rev. J. Christy Ramseyclick the title above for a mp3 recording Preached at South Lake Tahoe Community Presbyterian Church on February 14, 2016 Based on John 3:16-17 Sermons also avaliable free on iTunes The church has left the building. Have you heard about this program? They had it down in Carson City. Have you ever heard of this? It’s a program, and I really can’t – I couldn’t find it, where it started. It might have been the guys’ seminar. I don’t know. But it’s a thing where churches cancel their Sunday service to go do Sunday service. It’s a strange thing. They give up their worship time, their worship hour. They have all the people come. And they go out, and they do service projects. One church packed thousands of ready-to-go disaster food relief packets so that they could immediately be shipped and give a family sustenance for three days. And they put it all together and packaged it all up, and that’s what they did on Sunday morning. Other one went up and cleaned up a place. Some places fixed up some houses that needed repair. Just all sorts of projects that they go out, and they cancel service to give service. They go out from their building. The church leaves a building and goes out and bes the church in the world. That is a huge sacrifice. And I’m not just talking about listening to the choir and drinking the fine coffee and desserts afterwards. Not that kind of sacrifice. There’s more of a sacrifice. It’s not just leading the preaching and the teaching and the singing and the praying. It’s the offering. There’s, like, two people here at least that were doing that math already. Wait a minute, they didn’t get an offering on Sunday? That is a big thing. Because the offering doesn’t go to the church that Sunday. The offering goes to the world. The church has left the building. It’s a hard program. Carson could only stand it for, like, two or three years, and then they, they switched it to Saturday. It’s hard. It’s hard to leave the building, to give that all up, to give up our service for service to the world. Now, I know what you’re all thinking. Like you think, every time I preach, what in the world does that title have to do with what he’s talking about? Pointers and retrievers? Valentine’s Day? I thought he was going to go with puppy love. Darn, we missed it again. Pointers and retrievers is about stores I’ve been to, churches I’ve served, and people I know. It comes down to pointers and retriever. And you know this. You just haven’t thought about it. Pointers and retrieve – have you ever gone to a store and asked for something, for, A, find someone, A; and then, B, ask for it. Where is this? And what do you get? Do you get a point? Over there? That’s where they should be? It’s where they used to be? That’s where I think it’d be? That’s where something I don’t like is, and [indiscernible] send him over to you? Huh? You get a pointer? Over there somewhere. I think it used to be there, should be there. And you know, if you get enough, you can get a game going, you know, because you get – and then you get closer because, you know, there is no distance in pointing. It’s just a directional thing. It’s not how far. You know, I tried to get a thing, what if we did the fingers thing? That was a little further, that was way far. It’s not really going anywhere. If you could help, I got a Kickstarter project. We might be getting that going. All right. But you get over there, and you get near the place in the same direction, and you get the next sales person, they give you another point; you know? And then you go that way, you get another point. You know, it’s like you’re a pinball, you know, trying to hit the target, boom, boom, all over the place. Oh, pointing. Then there are some stores, some stores, they don’t have any pointers. They got retrievers. “Oh, I’ll go get you that. I’ll get you that. Wait right here.” I don’t like that so much because I am a little nervous. They’re not coming back, you know. Maybe I don’t think well enough of myself, but I’m thinking I’ll never see them again. I really like the retrievers that say, “Come on. It’s over here. Come on. I’ll take you. Come on. Let’s go.” And they go, and they look for it with you. [Indiscernible], it was here. Where is that thing? You know, and they find it. It’s not where it used to be, or not where it should be, or not where it was last week or any of that stuff. It’s, “We’ll find it together. Come on. Let’s go. Let’s go get that. We’ll get it together. We’ll figure this out ourselves. We’ll find it. I don’t know where it is, but I will find out. We will find someone somewhere to get it.” Retrievers. There’s people like that, too; isn’t there? Find people? You go and ask for help, and they say, “No, you can get help over there.” “Oh, these people over there might help you.” “Oh, there’s that book over there. That book there might help you there. And while you’re there, you can do that here, and you should live your life there and get that job there, move there.” Lot of pointers. If you’ve got a couple retrievers in your life, keep them close. “I don’t know, let’s go.” “I’m bringing my truck. You’re moving, I’m bringing my truck. When you want me there?” Not “There’s some moving companies over there, they’re really good.” Pointers and retrievers. Churches are like that, too. Oooh, he’s gone from preaching to meddling. There he goes again. Why can’t we have some puppy love jokes? That was fun. You can go over there for salvation. Do this, do that, find Jesus. If you get this here, come to this service now, we open up our doors here, come here, do this, do that, do the Bible, do the confirmation, do this, do that. You can do that. Then there’s retrievers. I’ll come and get you. I’ll come and be with you. This is from the deacons. We know you’re having a hard time. Retrievers. And now is the place – I like to give, you know, subtitles for people, you know, know what’s going on next is now we get to the scripture. Because some of you say, “Does he ever get to the scripture? There’s scripture.” John – and I’m just doing two verse – there’s a lot of verses here about a lot of stuff. There’s a whole born again anew from above thing. That’s a whole sermon. And if you get it, if [B&C] doesn’t get the thing done, you might hear that one. But tonight, today, you’re just hearing about 16 and 17, just 16 and 17. That’s all. Now, the 16 verse, that’s a pointer verse. I think it doesn’t have to be, but it too often is. How do I get eternal life? Well, you go to Jesus. You go to Jesus to do that. That’s how you do that. For God so loved the world that he gave – and it said he gave his only son so they may not perish but have eternal life. You know that eternal life starts right now. That’s present. It’s not after death. It’s not a death insurance thing. It doesn’t start after we die. The Greek says it’s now. Get eternal life right now. And too often we stop at John 3:16. Too often we stop there. We don’t go to the next verse. We say, oh, great, me and mine, we’re saved. Yeah, we know the way to Jesus and to Heaven. We’re going that way, yeah. Then there’s that pest – there’s more than one verse in the Bible. That’s bad news to some people. And then John 3:16 goes to 17 and messes everything up. We had it gone down, we got ourselves saved, me and mine, we’re with Jesus, we’re eternal life, yay, rah. And then you get the 17th verse, like Jesus, you just couldn’t quit there. You had to go on. And he talks about “For God sent.” What? Wait a minute. Last verse was “gave.” What’s this “sent” stuff? Oh, no. What are we getting into now? The son into the world. Wait a minute. The world? If you look at John, the world’s not a fun place. The world is a bunch of people that are nasty, that are hostile, that are chaos, that are after Jesus, that don’t believe. And that’s the world. Not the good folks here at South Lake Tahoe. Gosh, this is a good church. I have never in 35 years of pastoring heard so many Bible pages turning during a scripture reading. I congrat- proud of yourself. That’s amazing. They’re actually reading the Bible. I was actually – I had chills. I went up there and go, “Whoo, what’s that?” Salute. But it’s the world. The people don’t read their Bible. And people don’t have, well, they may have a Bible, but they never open it. People that are hostile to religion, or even worse than hostile, indifferent, don’t care, don’t think it matters. That’s who God sent Jesus in. Whoa, [indiscernible]. Not to condemn the world? Well, that’s no fun. We’re not to condemn the world? That’s like our number one favorite thing to do. [Indiscernible], we’re going to cut down the debates to, like, 20 minutes, if we can’t condemn the world. Not to condemn the world, but the world through him be saved. Wait a minute. We’re saving the whole world. Oh, ho, ho, I thought it was just me and mine. But you’re telling me that it’s the world, the one you’ve been telling me is so awful and hostile and chaotic and against Jesus, all those outside things. It’s cosmo. It’s cosmopolitan, the cosmos. The whole mess. The whole mess of things will be saved through Him. I should have just stopped, like the football players fan says, just that one verse. You go to 17, you’ve got to go save the world. Wow. What does that look like, that world-saving stuff? How are we different then? One thing’s different is evangelism. Oh, he’s saying the “E” word. This is a really upsetting sermon. Evangelism. When, you know, you know, it’s too often the question is how are we going to get young people to church? How are we going to get the young people to church? If that is your question, your answer is doomed. Doom’s a little strong. I’ll back up. Very difficult, not doomed. Maybe just [doo]. Because you’re starting all wrong. You’re trying to save the church. You’re trying to get the church, the world to save the church. No, the church saves the world. You’ve got it backwards. It’s not going to work right. And I tell you, I know, I’ve raised some of the young people. Got to live with them, raise them right up. And they don’t need saving. Just ask them. They’ll tell you. They’ve been told by their parents, they’ve been told by their school, they’ve been told most by mass media that they are the greatest thing ever, and they deserve the best. And they don’t need saving. So we come peddling salvation to them, well, huh, we don’t need any of that. But that’s John 3:16. What if we peddled John 3:17? Because they, God bless them, and I’m serious, they have a burden, they have a desire to save the world. They want to fix the world. They want to save the world. And if we figure out that’s what we’re about, they’ll join up with us. Or more likely we could join up with them. That is something people want to be involved in, not, hey, we’re here to have a great church. They don’t care. They’re not into save the church. They didn’t go through World War II where the institutions saved the world and the freedom and got the Nazis and all that. And we loved the institutions back then. Back before I was born and after, why, that was the great Fifties. That was super institutions save the world. We all worked together. We made these great things. We built up a spiritual industrial complex in the Presbyterian church in the mainline denominations because we were going to rid the world of evil, and that’s just like the Nazis. Yeah, it’s a different world now, sorry. Don’t trust the institutions. The young people don’t trust the latest app unless they built it themselves. And next week’s app is something different. But they still have the good and clean and passionate desire to make a better world. And if we tell them we’re about that, and if we are about that, if the church leaves the building and does service to the world instead of service for themselves, there’ll be plenty of people. All kinds. All messed up. The Serenity Prayer has a longer version than just the three sentences that we normally associate it and see on plaques. Niebuhr, when I wrote it, wrote several versions. One was a long one. One of the ones that I’ve been working with that’s been helping me with my issues, which you can ask me about later, but it’s taking, as Jesus did, this world as it is, not as I would have it. Taking as Jesus did the world as it is, not as I would have it. I do a lot of “as I would have it” stuff. But after looking at John 17, I’m thinking that if Niebuhr was looking at that verse, maybe he would have written yet another version and changed one word and said “loving,” as Jesus did, this world as it is, not as I would have it. That’s tough to do. Loving as Jesus did the world as it is, not as I would have it. Jesus died for that world, the world he was in: brutish, slavery, militaristic, awfulness, betrayers. That’s the world he died for, not the world he was calling us to. That’s the world he loved. Salvation – and sometimes I do little bumper stickers for people that like to remember one thing for, like, when people ask them, and they weren’t really listening. So this is the time to listen for that, you know, a tweet, if you’d do a tweet. But it’s “Salvation is like potato chips. You can’t stop with one.” John 3:16 may think that John 17 says “For God so loved me.” But he didn’t condemn me, but saved me. No, it’s the world. You can’t stop with one. There’s a church in Arlington, Virginia, First Presbyterian Church of Arlington, Virginia. They’ve been having some troubles lately. They’ve been there about a hundred years, though. But this year is going to be their last Easter. By their choice. Got out among the congregation, the community, and talked to them, talked to the cops and the teachers and the service workers and the people that make the town go, and listened to them, and felt their pain that they could not afford to live in the community they worked. They had to go way out somewhere because there was no affordable housing. And that, oh, yeah, there was some affordable housing. One year they had 122 affordable housing units, 122; 3,600 people applied for those. Hundred twenty-two; 3,600 people wanted them. This church, beautiful church, big land, wonderful location, said we’re going to sell our property, tear down our church, and build moderate income housing. Reserve them for seniors, people that grew up here and lived here and can no longer afford to stay, and other people that need it. They sold their property to a nonprofit that’s been doing housing developments around that at a 20 percent discount. Woohoo, Presbyterian. Gave them all up, and now they’re giving away the parts of the church, the pews and the Bibles to other churches, the homeless shelters, furnishings, getting ready to close up about May or June. And in their place will be a place that serves the world, the poor, the struggling, the working every day, everyday stiffs. The church has left the building. Amen. Transcipt differs from the recording with some exclaimations removed and some patter while I checked my notes edited out. Transcription done by edigitaltranscription.com Recommend for fast, accurate, and patient transcriptions. Christy Ramsey. Some rights reserved. This work is licensed under aCreative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

Can you guess what most of this episode is about? To be honest, if you are sick of hearing about Fallout 4, you might want to just skip this one. It's most of the episode. We do find time to talk about Rise of the Tomb Raider as well though. Huh? You like that? Yeah? It's good!

Howdy! Or should we say, "Top o' the morning to you!" Welcome to the special St. Patrick's Day edition of the Janine Turner Radio Show! First up is Marjorie Dannenfelser, president of the Susan B. Anthony Foundation, talking about the Left's War against Women. TX Attorney General Greg Abbott discusses the proposed Texas Voter ID law. Christie Craddock is a candidate for the Texas Railroad Commission (by the way, the Railroad Commission has nothing to do with railroads! Huh? You have to listen to find out lol!). David Greenblatt is back for the Reason Reading Corner and talks about Bill O'Reilly's book "Killing Lincoln." And Janine announces the winner of the "Where's Reason" photo contest. Join Janine every Saturday from 9pm-11pm CST on her home studio at Talk Radio 570 KLIF-AM in Dallas, TX, or on KLIF.com from anywhere in the world. Follow Janine on Facebook and Twitter, her website, Constituting America, or text "Janine" to 90210 for daily updates. Happy St. Paddy's Day! :)

Somebody’s knockin’ on the door, somebody’s ringin’ the bell.Okay!  Vietininkas?Vietininkas!Gerai, hi there!  I’m Jack and I’m Raminta and welcome back to Lithuanian Out Loud where the lessons are free and you’ve got a money back guarantee.Do you remember the word for the month of March in Lithuanian? …kovas. According to the Wikipedia page entitled, Vilnius Cathedral or Vilniaus Šv. Stanislovo ir Šv. Vladislovo arkikatedra bazilika, Vilnius Cathedral is located at the heart of the old town of Vilnius.  Perkūnas, the Lithuanian Thundergod was most likely worshipped at the site where the Cathedral now stands.  In 1251 when King Mindaugas allowed himself to be baptized into the Catholic Church, he ordered the original cathedral to be built.  After his assassination in 1268 it was again a place of worship for the traditional Lithuanian religion.  Over the centuries the Cathedral has seen many fires, renovations, wars, and massive public demonstrations.  It’s one of the must sees on any Vilnius vacation. Šaunu!  You’re doing great dear, I love the way you do Lithuanian Out Loud.Oh, thank you. -- Today we’ll begin working on how to say where something is located.  Here’s just a quick review of the word kur, prašom pakartoti… where is the restroom?                 kur yra tualetas? of course, in Lithuanian we can often drop the verb būti, to be. where is the restroom?                 kur tualetas?where is the restaurant?                kur restoranas?where is Raminta?                       kur Raminta?where is the glass?                       kur taurė?where is the coffee shop?             kur kavinė? here are some words we’ll use in this episode…a tree                                         medisa train                                        traukinysthe basement                              rūsysa young woman                          mergina Kaip Raminta, ne? (like Raminta, no?)Oh, I’m getting older.  No, to me forever you will be the girl I met at my sister’s house.Oh, so sweet of you.Forever.I was really young then.  Huh?You are really young now!Oh, thank you, you know I’m starting to feel old, what is that?Forget that.Yeah, oh well.  Forget that. a bicycle                                     dviratis Today we’ll go over the locative case or vietininkas.  This is a relatively easy declension.  Every declension here ends in the letter –e.  A prefix is something that is added to the beginning of a word.  A suffix is something added to the end of a word.  Here are the suffixes in vietininkas, prašom pakartoti, please repeat… a word that ends in-as changes to –e-is changes to –yje-ys changes to –yje-us changes to –uje-a changes to –oje-ė changes to –ėje again, we’re only talking about where something is located.  We’re not talking about going to someplace.  The restaurant is in the city, is the locative.  I’m going to the restaurant, is not the locative.  I’m in the restaurant, is the locative.  The locative declension or vietininkas is only used when talking about where something is located. let’s go over each suffix from the above list so you can see how it works… the park                                      parkasin the park                                  parkethe bookstore                              knygynasin the bookstore                          knygynethe hotel                                     viešbutisin the hotel                                 viešbutyjethe automobile                            automobilisin the automobile                        automobilyjethe train                                     traukinysin the train                                 traukinyjethe room                                    kambarysin the room                                kambaryjethe museum                               muziejusin the museum                           muziejujeSidney                                       Sidnėjusin Sidney                                   Sidnėjujethe cathedral                              katedrain the cathedral                          katedrojethe coffee shop                          kavinėin the coffee shop                       kavinėjethe city square                            aikštėin the city square                        aikštėje Okay, now let’s ask a question and then answer it.  Good luck!  Sekmės! where is the tree?                       kur yra medis?the tree is in the city                   medis yra miestethe tree is in Kaunas                   medis yra Kaune of course, we can easily drop the verb būti, to be. where is the tree?                          kur medis?the tree is in the park                     medis parkewhere is Raminta?                         kur Raminta?Raminta is in the park                    Raminta parkeRaminta is in Akropolis                  Raminta Akropolyjethe store is in Akropolis                  parduotuvė AkropolyjeRaminta is in the hotel                   Raminta viešbutyjethe coffee shop is in the hotel         kavinė viešbutyjeRaminta is in the automobile          Raminta automobilyjethe dog is in the automobile            šuo automobilyjewhere is the toilet?                         kur tualetas?the toilet is in the room                  tualetas kambaryjethe book is in the room                  knyga kambaryjethe toilet is in the train                    tualetas traukinyjethe Englishwoman is in the train      anglė traukinyjethe newspaper is in the basement    laikraštis rūsyjethe bird is in the basement              paukštis rūsyjewhere is the bookstore?                  kur knygynas?the bookstore is in the museum       knygynas muziejujethe constitution is in the museum     konstitucija muziejujethe bookstore is in Vilnius               knygynas Vilniujethe museum is in Vilnius                 muziejus Vilniujethe bookstore is in Sidney               knygynas Sidnėjujethe cathedral is in Sidney                katedra Sidnėjujewhere is the young woman?           kur mergina?the young woman is in the school   mergina mokyklojethe bicycle is in the school             dviratis mokyklojethe pigeon is in the park                 balandis parkethe young woman is in the library   mergina bibliotekojethe bicycle is in the library             dviratis bibliotekojea young woman is in the cathedral  mergina katedrojeRaminta is in the cathedral             Raminta katedrojewhere is Raminta?                         kur Raminta?Raminta is in the street                  Raminta gatvėjethe bicycle is in the street               dviratis gatvėjeRaminta is in the coffee shop          Raminta kavinėjethe newspaper is in the coffee shop  laikraštis kavinėjethe newspaper is in the lounge         laikraštis svetainėjethe young woman is in the lounge    mergina svetainėjethe dog is in Cathedral Square         šuo Katedros aikštėjeRaminta is in Vilnius University       Raminta Vilniaus Universitete Thank you dear, you know, I think maybe it’s enough your brain is probably getting tired.  Maybe you should go to bed.Oh, a little bit, I need to wash with my hands some clothes.Thank you very much for doing the recordings dear.  You’re super.  You are the best podcaster I know.Oh, thank you.  That’s kind of funny, I am a podcaster Alright!  That’s it for today!  Thanks for the download! To leave us comments call our voicemail number that’s in the title of every show or call our Skype voicemail at Lithuanianoutloud – that’s one word, and leave us a message there. If you’d like to see the Lithuanian spelling of any word in this series just go to WWW dot Lithuanian dot L I B S Y N dot com. If you’d like to get these episodes every time a new one is available just go to iTunes and do a search for Lithuanian Out Loud and click subscribe.  It’s completely free.  But, if you don’t want to subscribe on iTunes, just send us an email asking us to alert you every time a new episode hits the internet.  And feel free to make copies of our episodes, put them on cds and pass them out to your friends. Thanks to CCMixter.org, Ditto Ditto and Vieux Farka Toure for the podcast music. Thanks for tuning in, tell your friends about us, we’ll see you on the next episode of Lithuanian Out Loud. I’m Jack and I’ve never met a Lithuanian I didn’t like.  Viso gero!  Sudie! http://www.Lithuanian.Libsyn.comSkype voicemail:  Lithuanianoutloudemail Raminta and Jack at: lithuanianoutloud@earthlink.net Thanks to:  CCMixter.org, ditto ditto, and Vieux Farka Touré for allowing us to use the music for this podcast.http://www.vieuxfarkatoure.com/http://www.ccmixter.org/

Take off your shoes before stepping in. "Damn, Brother! I didn't know you was pretty like that. What you going through the sisters' side for, boy? Huh? You pretty? You pretty boy?" I met Abdul Shabazz at a flea market in New Haven; he was distributing the latest issue of the Muslim Times. A month later, I went with him to Muhammad Islamic Center, a predominantly black mosque. It had been years since I had let go of my own Pakistani Muslim faith, but in this setting I talked with people about the history of black Islam and the problems facing urban youth, and I became re-acquainted with Islam through a new community.