Podcasts about repping

Shawna Olsten, the VP of Brand at Saxx Underwear, joins Prater and Mallory for a conversation about Ashton Jeanty's new national campaign that was filmed in Boise during the regular season? Why Jeanty? What is the Jeanty Brand? What's so special about SAXX underwear?See omnystudio.com/listener for privacy information.

Shawna Olsten, the VP of Brand at Saxx Underwear, joins Prater and Mallory for a conversation about Ashton Jeanty's new national campaign that was filmed in Boise during the regular season? Why Jeanty? What is the Jeanty Brand? What's so special about SAXX underwear?See omnystudio.com/listener for privacy information.

Shawna Olsten, the VP of Brand at Saxx Underwear, joins Prater and Mallory for a conversation about Ashton Jeanty's new national campaign that was filmed in Boise during the regular season? Why Jeanty? What is the Jeanty Brand? What's so special about SAXX underwear?See omnystudio.com/listener for privacy information.

Repping the Black Caucus and some of the staunch advocates he organises alongside, Wiradjuri organiser and creative Ethan Lyons joins us as guest host. Stories that ode his matrilineal teachers, movements across black resistance, solidarities across borders and how young people can find their space in liberatory movements. Plus, a track list of queer, Black and First Nations excellence selected by Ethan. Continue to follow, learn, get organised and show material solidarity In conversation: Uncle Robbie Thorpe, Kieran Stewart-Asherton and Uncle Coco on 3CR Radical Radio Follow Ethan's work Aunty Lizzie Jarret Justice for David Dungay Junior Campaign @blakcaucus @firstnationsresponse @sydtentembassy @paulsilva69  See omnystudio.com/listener for privacy information.

Bock is trolling to the max right nowAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode we have returning guests The Rep. We talk the upcoming Labor of Love event, Working with Drew Gulak at Catchpoint, and random wrestling topics.

www.spincontrol.co Promo Code: Cypherbeasttv   Welcome to CypherBeast TV!

In this episode, Adam welcomes Oscar Celli, who shares his aviation journey and awesome info about the LPA!

We smoke the Veritas 412, a wonderful Pittsburgh company. We talk about the cigar, construction, flavored cigars and dive deep into podcasting and tech. But wait there's more...as always check out The Cigar of the Week, Cigar News and events in the cigar world. If you love cigars, we've got your fix! Please check out our sponsor links below, as our shameless plugs have left our throats dry and bloody! Get ready to get your fix because this is …⁠ The Cigar Junkies Podcast⁠! thecigarjunkies.com CigarSocial.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://cigarsforwarriors.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://cigarrights.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.etsy.com/shop/ThomsPenWorx⁠⁠⁠⁠⁠⁠⁠

2x World Champion, current World No. 1, Tahiti-bound for USA, new Dad, Founder of Florence Marine X, and YETI ambassador John John Florence drops in on The Lineup to celebrate the 200th episode of the podcast! Dave and John also dive into his mind-blowing performances this year that has led him to the current World No. 1 position on the rankings heading into Fiji and locking his seat at the Lexus WSL Finals at Lower Trestles for a chance at a third World Title. He talks about his mindset entering 2024 and the ups and downs of the competitive surfing life. He reflects on how he went from not being too sure if he was going to compete this year and having “one foot in, one foot out” the past few years to being fully committed heading into 2024. He explains how he is investing in himself, giving surfing the respect he feels it deserves as a competitor, and traveling with his crew to ensure he's giving it his very best. He talks about representing the USA in Tahiti this year and his mindset going into Teahupo'o. He illustrates his life as a father and how that affected his headspace in competition. He opens up about the importance of support, being the best version of himself for his son, and his family being the most important thing in his life. He discusses bringing his brothers into the family business of Florence Marine X, working with brands like YETI and with long-time shaper Jon Pyzel, before wrapping up the pod with Instagram questions and a second run at the Lightning Round. Learn more about John John here and follow him here. Follow the rankings here. Stay up to date with everyone Tahiti bound for the Olympics. Join the conversation by following The Lineup podcast with Dave Prodan on Instagram and subscribing to our Youtube channel. Stay up to date with all things WSL. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of Belta is with Van Damn. He is an absolutely class producer and DJ hailing from Scotland, and has many what I'm going to call ‘side quests' through the stellar b2b podcast and design work.We spoke about plenty in this episode - from his various DJing endeavours, to Scotland and bigging up the local and making music for YOU. We gossiped til the ends of the earth if I'm honest, so I'd grab a cuppa for this one.Find Van Damn online here.Find Belta online at @beltamedia and Niamh at @n_iamhingram. Music: ‘Ascent' by Metre

This week in the pod, the gang is up to their neck in the fantastic effort by Gord and the Sadies. You're gonna want to check this one out!Transcript: Track 1:[0:00] Hey, it's Craig here, and I just wanted to let you know that Christmastime in.Track 1:[0:03] Toronto is coming early this year. Join me and the Discovering Downey crew for the recording of our podcast finale, live at The Rec Room in downtown Toronto on Friday, July 19th. Long Slice Brewing presents A Celebration of Gord Downey, which will include a special in-person interview with Gord's brother, Patrick Downey. Spend the evening listening to your favorite hip tunes provided by the almost hip and help us raise money for the gourd downy fund for brain cancer research with a silent auction featuring incredible items up for grabs visit discoveringdowny.com for tickets or for more information about the event, let's have a toast for charity wickedness and most importantly hope.Track 2:[1:04] DOS Beauty I name my guitar My Beautiful Behor Everybody's coughing here And music's infiltrating work In the most pleasant way It's a system based on silverware Listening's an extrasensory Perception And talking the only psychic thing and I can dress you in my thoughts until you wear them. I've been taking care of my clothes like they're cattle. Try this shirt. It would look so good on you.Track 1:[1:42] Welcome, music lovers. Long Slice Brewery presents Discovering Downy. Hey, it's J.D.Track 2:[1:52] Here, and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The late frontman of the Tragically Hip gave to the world an extensive solo discography on top of the hip's vocal acrobatics that awed us for years. So far, he's released eight records in total, three of them posthumously. Now listen, you might be the biggest fan of The Hip out there, but have you heard these records? Because I'm an inquisitive podcaster, I enlisted my friends Craig, Justin, and Kirk, giant fans in their own right, to discover Downey with me, JD, as their host. Every week we'll get together and listen to one of Gord's records. We're starting with Coke Machine Glow and working from there in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by song. This week we're going to be talking about Gord's fourth record, and his first and only with the Sadies.Track 3:[2:58] Occurring son kirk from chino how the fuck are things with you buddy jd.Track 6:[3:04] I'm uh i'm back home after a little bit of travel it's been good travel um it's allowed me to really kind of soak this album in so i'm excited talking about it with you boys.Track 3:[3:15] Can you confirm this craig i'm kidding yeah how's it going pretty.Track 4:[3:20] Good yeah also looking forward to talking about this album them and it this one took me a little bit of time to get into but we'll talk about that i have been a little under the weather since the last recording it was about halfway through the last podcast i started feeling something coming on and just won't go away just a cold thankfully but yeah other than that things are well.Track 3:[3:41] Well that's good justin you've been a podcasting machine today are you spent or are you ready to talk shop with me i'm.Track 5:[3:49] Just getting started buddy.Track 3:[3:50] Yeah well let's get into it then and the conquering sun is the album we are discussing this week after three consecutive solo outings with some form of the country of miracles gourd wrote and produced this one with the sadies who had just come from supporting the hip on their world container tour Like so many, this marriage was consummated by the CBC, when the Sadies chose Mr. Downey to collaborate with, as was the program's premise. The Sadies are a Toronto-based and road-tested throughout Canada and beyond, with an original lineup consisting of Travis Goode, Sean Dean, Mike Belotiski, and Dallas Goode, who sadly passed away in 2022. This band, as I mentioned, is road-tested with buckets of swagger and chops for days. But how do you talk about The Conquering Sun? After the loose and improvised feeling of the last three records, this record is tight and economical. With a 30-minute runtime, I had to listen twice to get my walk in.Track 3:[4:55] Of the four records we've listened to so far, this one makes my Olympic podium for rock and roll with a hard-fought bronze medal, which is nothing to shake a stick at unless, of course, you're shaking the stick in a complimentary fashion. There is absolutely nothing wrong with this album. In fact, in my opinion, this record is the closest we get to a sound that is reminiscent of the hip, up and down on this record. The songs are screaming for radio play if only radio had been a factor upon its release in 2014. From the rip of Crater right through Saved, there isn't a missed opportunity on this record. I could go on about how much I like this record, na-na-na-na, blah-blah-blah, etc. You might be curious how I'm literally singing this album's praises, yet I've only ranked it third of four. I promise I'm not damning with faint praise. It's more that I loved the ceiling of the country of miracles, particles and the idea that we don't get a fourth effort from that entity bums me out a little bit so it's hard to go into this one with that ripple of bummed outness influencing me a little more than frankly i'd like but who cares what i think let's check in with the crew craig we'll start with you this week.Track 4:[6:04] Yeah this album like i i mentioned took took a few listens to get into um it's definitely not in you know it's not my favorite of the four we've heard so far but it's really just it's drastically different it just has a different vibe and there are a lot of things I really like about it and I think that my biggest realization is this this is a summer album this is a a nice weather taking a drive in the car putting the windows down this it's that kind of album and for the first couple weeks I didn't have that weather but but just past in the past few days we have and it's just it totally changed my outlook of this this album.Track 3:[6:45] I was on mute. Justin, what are your thoughts overall?Track 5:[6:49] Oh, I needed this one. I needed this album to get my headspace back into this. And I think I'm going to rank this number two so far out of the four. I actually really love this album a lot. And like Craig, it took me a minute to get into it, but something clicked and I have been listening to it at least two or three times a day every day since. And in the car, on my phone, with or without earbuds trying to get the different parts of the sound, and it kicks my ass every time. I really just like this album from start to finish. Every song kind of sounds the same, which makes it sound like one big long song, and I really kind of love that.Track 3:[7:28] Interesting. I can't wait till we break it down. What say you, Kirk from Chino?Track 6:[7:32] Like my brethren here, it took me a while. In fact, it took me a while because it almost felt like a divorce and maybe a bit of an affair Was going on with with our buddy Gord. I was so I.Track 6:[7:48] Immersed into what was happening with the country miracles and like you said in the beginning like the ceiling like i wanted more and i was so ready for more i had the vinyl of this one the last ground bounce i didn't and i listened to it and i knew there was something there but i was angry honestly i was angry because i wanted more as we had mentioned but man did it grow and grow row. I'm not going to rank it right now because every time I rank something, a day or two goes by and something happens. And I realized, oh man, that was, you know, the grand bounce. That was Coke machine glow that, and you know, every album that we've had a chance to listen to has been, I think in every slot, if that makes sense, depending on the time of day or what's going on. And and so again it just brings you back to joy because i didn't dive in when it was happening which of course i'm a little sad about but i'm so excited now that i'm like i'm really loving music discovery again i'm really loving listening to albums i'm really loving i don't care if it's in the car if i'm walking the dog if i'm sitting at work if i'm you know working on something on on the computer and I've got the music going.Track 6:[9:11] Like I have not spent this much time with new music. I say that in quotes because it's obviously not new, but it's new to me, new to us.Track 6:[9:23] And I'm just, I'm loving the ride. That's all I got to say. This one is the last two, I mean, like I'm going to be listening to these forever. And I'm going to try and preach the word and get some people to jump on board because it makes me sad when I look at Spotify or something and I see the honestly and don't jump on me. It's like the limited number of listens to the Gord stuff. I have friends that have put stuff out that have more downloads than that. I'm not saying that in a negative, I'm saying that in a like, that shouldn't be. That shouldn't be, so. Right. My diatribe's over, sorry.Track 3:[10:03] No, no. Well, that's why I was mentioning off the top too too, that it screams for radio play to me. It's very radio-friendly. There's nothing over four minutes. And fucking radio just didn't matter in 2014. So of course we were never going to hear this. Unless we were paying very close attention.Track 6:[10:26] Absolutely.Track 3:[10:27] Clearly we were not.Track 6:[10:28] Absolutely. Radio.Track 5:[10:29] Radio still matters to me. I'm a radio guy. I'm going to tell you that right now. Yeah. Love radio.Track 3:[10:34] Radio doesn't love you back though. That's the problem. Like it's getting stripped down and worn down and these formats, you know, like if you've got a, if you've got a local that you love, then by going to stand with it, right?Track 5:[10:47] Yeah, you're right. We have, we have a, I'm going to sidebar here for just a second. We have a great station here in Southern Vermont, WEQX, which is one of the last great independent alternative rock stations in North America. And they discovered No Rain by Blind Melon. They were the first one to play it. And they just got this great pedigree, and they love to play Gord's solo stuff. From 2020 on, there's been a lot of new Gord solo stuff that's really been great.Track 3:[11:19] Get up. Right.Track 5:[11:20] And it's kind of been hard to not listen ahead during this project. Wow. I don't know if they played any of the stuff from this album, but this would totally fit.Track 4:[11:28] Yeah, we once had a really awesome independent radio station down in Bellingham, Washington, which we could pick up in Vancouver. And they actually, their tagline was something like, we don't play Canadian music because we have to. We play it because it rocks or something along those lines. And they would play The Hip and Rush. and yeah that's the only american station i've heard that that played a ton of the hip and yeah of course about 15 years ago they got whatever bought out by chorus or someone and it's now just yeah yeah your standard rock radio well.Track 3:[12:02] Should we eradicate this problem and educate people on this record go through it track by track are we ready let's.Track 5:[12:10] Go sure yeah.Track 3:[12:12] All right we start with track one side a it's the classic rock tinged crater what did you think of this one mr greg.Track 4:[12:25] My dad uh came to vancouver from new zealand in 1965 to to buy a 65 chevy impala and this song crater is a 1965 chevy impala cruising down the road it's just a great rock and roll track yeah um man that snare drum is yes snare snare yeah it is it is there in the mix yeah definitely i didn't dive into the lyrics at all especially um the songs that were more kind of rocking i i just i was just enjoying them and the only thought i had lyric wise was um almost like an idea of like either you're you're the crater or you're the meter meteor And I was kind of thinking along the lines of there's that not so great Dire Straits song, Heavy Fuel, where he says, you know, sometimes you're the windshield and sometimes you're the bug. And that was kind of the... What i got out of the lyrics on this song.Track 6:[13:25] I i wonder in the lyrics and maybe you guys did further research that i didn't see like how much of it was gord how much of it was the gents from the sadies because i i knew the name the sadies but i honestly until this i had not really you know dove into some of their music and i think in one of our you know communications justin had mentioned that as well like he's doing a lot of listening to the sadies and and i try i you know my listening at first it's this is it's going to sound weird um i did a lot of listening at first obviously like through spotify or whatever else but it wasn't until youtube and i got to see these guys and they're wearing like their nudie suits is what it looks like you know and i just i just saw a bunch of them they had a big exhibit at the you know country music uh hall of fame and they were We're talking about that LA country and, you know, very much a country tinge, but, you know, they're using those hollow body guitars. And anyway, so back to lyrics, like what's the balance between Gord and the Sadie's? Did anyone find anything on that?Track 4:[14:30] My understanding is that they, that the Sadie's wrote the songs and Gord wrote the lyrics that, yeah. And it was recorded apparently over a number of years. This wasn't like an album that was done in one session, which I find surprising because like someone said earlier, it's, it sounds just like a, it's a great album. It, it really sounds like it was just tracked in one day or something. It's yeah, there's a.Track 6:[14:53] There's YouTube has a, uh, interview of, I think the Sadie's had just put an album out. It was like 2010 and Gord was with them and they, you know, obviously had some discussions about their, their time together. And in some of the research it talks about, this has definitely been a long-term type of thing. Great song.Track 5:[15:10] Yeah, there was a CBC fuse in 2007 is what put them together. So it took seven years for this album to come out from that first collaboration. Collaboration I really like the sound.Track 6:[15:21] From a musicianship standpoint ethereal is really the kind of the adjective that came to mind on a lot of the the guitar parts that the Sadie's had you know very much a hollow body type guitar going through either a Fender a lot of reverb I really liked that driving sound I really really liked it it was it was pretty prevalent throughout in my opinion anything.Track 3:[15:43] Else on crater i.Track 5:[15:46] Just yeah i mean this is gourd this is like this is a live show on a record um this one song particularly and he is giving it all he has what at the end of the second verse and if we record any of these songs this is the one i'm doing because this is a this is a screamer and it's so much fun to be it you know we don't want to we don't want to do it we want to be it this song is fun to sing, Yeah. So I also, I downloaded an app because I noticed my foot was tapping a lot faster at the end of the song than the beginning. And I, so I, I downloaded an app and it picks up 13 beats per minute from the start to the finish.Track 4:[16:29] Oh yeah. That's something I'm going to be talking about later. Cause I, it was driving me nuts. One of the songs I was trying to actually figure out what was happening mathematically and yeah. Okay. I'm glad I'm not the only one noticed.Track 6:[16:43] I love that. I love the time changes in a variety of different songs. I put them down in a few notes. But the one thing I really want to say before we dive into any more, long live the guitar solo. And there's quite a few guitar solos on this album, specifically Crater. And they're just, they're solos. They're good solos. And on the other albums, we'll call lead lines, but there's not a lot of solos. And I'm digging that, getting that back, because we haven't had that in the first three.Track 5:[17:15] Oh, yes.Track 3:[17:16] Nice. Well, the next one is sort of the titular track, but not quite. The Conquering Sun does what for you, Justin?Track 5:[17:27] When I look out the window and see Audette's Blue Spruce Farm across the street, That's kind of what I think about. I mean, it's getting on time to plant. And here it is as we record this. It's planting season and working the fugitive dust. Nature, please be good to us. You know, we just had this massively wet spring that wiped out a shit ton of the farms around here. That's, you know, before they even got started. For me, that's part of what this song is. There's also the line, she is more than a conqueror. And I wonder if that's a reference to Gord's wife, Laura, with her recent cancer battle. I don't know when this song was recorded in the timeline of all that, like what year this happened. But I interpreted it as possibly something that could be a reference to defeating the cancer. And the other thing that I really, it was a callback to We Are The Same is when Gord's, his vocal run during hearing, ooh, day is your word, night is the glue. He does that exact same thing in The Depression Suite. That very same run, the change, the pitch, the length, I love it.Track 4:[18:41] Yeah, I caught that too. That's great.Track 6:[18:43] Great song. It was one of those. I think I mentioned on the last time we spoke, there was not a definitive MVP for me. This one has fallen in and out of MVP, and it may fall back in at the end of this recording. morning. But that's one of the things that really showed me this was a great album, but specifically this song. I just felt immersed in it. And like I said earlier, Ethereal, again, another great solo, another great, that sound that the Sadies have. They have, these guys, what are they like six, five, six, six, they look like trees and they might be a buck or five soaking wet and the suits are barely hanging on them and he's just playing this you know telecaster like it's a little tiny you know a small ukulele and they just have this they they just have this presence and like i said it really wasn't until i i started seeing them that i i got the sadie's because when i was listening it didn't hit me as much and i was kind of hoping i don't know if i mentioned this earlier because they were on the world container tour and i was wondering if they were the opening band I didn't find anything that showed them specifically, but when I watch the videos, it doesn't bring a memory or recollection that I saw. I think it was Sam Roberts that opened for a lot of the shows that I saw here in California.Track 5:[20:06] I saw Joel Plaskett as the opener on that tour.Track 6:[20:11] Got it. Got it. Yeah. So I was kind of hoping that they were one of the openers. But you know now i'm really excited that you know just in the last couple of days i would say is really when my attention has gone towards them and when you start hearing and seeing how they crafted these songs together and how they worked so well with gourd and his phrasing and and so yeah love this love this yeah.Track 4:[20:38] The the sadies are actually on tour as we record this and i'm hoping to pick to go down to the the vancouver show uh so you might you might want to look at dates they They might be coming down your way.Track 6:[20:48] I hope so.Track 4:[20:48] Yeah, this song, to me, as soon as I heard it, it reminded me of Nico Case. And Nico Case is someone who's worked with the Sadies. And so it is very much that sort of alt-country vibe on this song. And this was probably the song that drew me in right away. Again, like Kirk said, it was in the contention for my MVP track for sure, which, like you, keeps changing. and yeah it's just just a great feel to this song.Track 3:[21:18] Yeah i couldn't agree more i think we're two for two so far on this record and we're gonna find out that let's go pretty even record it's a pretty even fucking record los angeles times has the aforementioned swagger dripping from it, Kirk, did you like this one as much as I did?Track 6:[25:07] I'm going to say yes, absolutely. But it didn't start out that way. This actually was one of my least favorite tunes after the first couple of passes. I just didn't quite get it. It was just kind of like, it was almost too much swagger at first for me. Because remember, I think we're in a divorce right now. I think this is an affair that's going on. So I'm a little adverse to the song and the album and almost everything because I still have his last, you know, that last record that just moved us all. It was still here. So there was this almost a betrayal, swagger, distaste that I had in the beginning. But listening to it, re-listening to it, listening to it in headphones, listening to it on vinyl, listening to it in the car, listening to it in the plane, listening to it in the hotel. The key changes, like we'd mentioned earlier, just another great solo, just great rock. And, hey, I'm an LA guy. So this one definitely turned and has also filtered through multiple times sometimes on the mvp track side so yeah to me it's three for three and i'm just gonna pre-call it for y'all.Track 4:[26:22] Yeah yeah i found this song to be um i was the same way i found the the progression to be a bit generic at first and so i didn't really love it right away but yeah it really grew and i think what makes it work is that this band is just so tight they're so i mean loose but Yeah, the tempo, you know, picks up and, you know, there's the push and push and pull, but they are such a great band that they can pull off anything. Just a simple strumming pattern and make it sound pro. And there's that thing you mentioned off the top, JD, the blah, blah, blah, et cetera, which I was wondering if, I'm sure you guys were thinking the music at work, live, Gord would do the et cetera thing. Did you find anything lyrically, Justin?Track 5:[27:10] Yeah. So there's a dedication at the end of the lyrics for Walter Van Tilburg Clark, who wrote The Oxbow Incident, among many other works. And that became kind of one of the great Western movies of all time. And it's about, the subject is these cowboys thought that one of their buddies got murdered and that somebody stole their cows. And then they found this group of three people that they thought did it and they hanged them. And then they found out that the guy survived and it wasn't them and you know it was just a big mess so it was it was the oxbow incident and uh yeah so it was a complicated story and but this isn't about the story it's about the author there are a lot of references to lines in the book or the movie but it's you know there's a line he was born and raised and moved away and that's about i think walter van tillberg clark who was born in maine but then his parents moved him to nevada and then he moved to in New York and then he went he was kind of all over the place beyond that I don't know it's, There's one thing that is a bit of a departure, I think, on this album is that the lyrics aren't too deep. There's not a lot of mystery in this album with Gord's lyrics. And I was hoping for more of that, but the research was a little easier than I wanted it to be on this.Track 4:[28:26] That was something I noticed too, is like there didn't seem to be as much to dig into.Track 4:[28:31] And once I kind of got past that and just started enjoying it, I really did grow to appreciate the album a lot more. It's funny that you mentioned the Oxbow incident because number one, a couple of weeks ago i was in la and we did did a couple studio tours and this is one of the movies they actually mentioned i forget if it was warner brothers or universal but it was shot at one of those two places in the next song so one good fast job one of my notes here is oxbow incident because of the line it says art shot said wellman to fonda so wellman the director and uh fonda the the star of the show so um nice kind of a neat little tie and i had no idea that the previous song had that reference so i'm glad you caught that this song i really love and this was the one i was um i found really interesting the the progression you've got like almost like a eight bar blues but then they throw in an extra bar so it's like this nine bar which just throws you off off balance a little bit once you once you hear it a few times it makes perfect sense but there's the lyric about drop you know planes dropping paper and dropping scissors and the chimps becoming regular wizards i think it is. And so that made me think of, there's a couple of Simpsons episode that reference like the infinite monkey theorem.Track 4:[29:46] What is it? Infinite monkeys, or give a monkey a typewriter and let it type for infinity. It would create, you know, Shakespeare. And you know, it would just some ridiculous theory that has, you know, been, you know, criticized heavily, but I wonder if there's something to that.Track 6:[30:03] Sorely discredited.Track 4:[30:05] And I really like, there's the line too about something about forget the commas. This is one good fast job. And it almost made me think of this album that they just like banged off this out. Like, let's not, let's just have fun. Let's just write some songs and let's not take ourselves too seriously. So those are my thoughts.Track 5:[30:23] Well, I think there was some controversy over the name of the band. And there are commas in that band name. And I think that they're just saying, you know, screw it. And like, nobody asked for this. We're just doing it. let us enjoy it. I did see a couple of interviews where Gord and members of the band were like, can we not dissect this? This is just rock and roll.Track 4:[30:44] Yeah.Track 6:[30:46] One thing in watching some of those videos that I had mentioned, the last two songs that we discussed that they had played, it was a Greenbelt Harvest Festival thing show that was on. They had almost every song on there and he was playing with the Sadie's and watching the crowd to me was actually quite entertaining because they just sat there and looked in bewilderment right because I don't know they obviously have probably some relationship with with the hip and who knows if they're early hit people or later hit people or die hard all the way but when Gord does the solo stuff and then if they're not familiar with the Sadie's they just sat there and looked like yeah why don't what are we experiencing here what what's what's going on and bewilderment was the note note that i wrote right.Track 3:[31:34] Right i mean this makes no sense to me fuck okay sorry uh continue.Track 6:[31:42] It man one good fast job and almost back to kind of those punk type roots and that driving rocking it it's uh who i jd like this album has everything and, Also, one thing I wanted to mention, I know we're not through it all, but I think they did a great job of tracking. I really felt good about where all the songs were. I needed Crater to get me going, even though I was still mad and angry, like we mentioned, and then Saved at the end that we'll talk about. It just was like, okay, I got a good, nice, warm hug. Thank you. you um which.Track 5:[32:26] You know what's amazing is there were so many reviews about this album that said it was not cohesive and inconsistent and like what the hell are you talking about and.Track 3:[32:36] Uneven and blah blah.Track 4:[32:37] Blah yeah what.Track 3:[32:38] The hell man agree.Track 4:[32:39] Yeah no that's a reviewer who read that it was you know recorded over many years yeah that's ridiculous like maybe if you gave it one or two listens but even then even the first listen i didn't love it but it sounded like an album yeah Yeah. One more thing about this song though, before, before we move on, I love the middle section. There's like a bridge or maybe even call it a chorus. It only goes to it once the, I had to look, I had to go, I had to laugh. And it's really interesting how they go through it once, then there's that extra bar, like they keep doing, and then they change the chord progression and back off a bit. Like if you listen to the way the, you know, they're the same instruments, but they just back off and the feel changes totally. And it's such a great effect. Rather than ramping up a bridge, they almost like pull back a bit. And that really was unique. And it only happens once. It feels like a chorus to me, but it's right smack dab in the middle of the song. And I think it's two minutes and like 23 seconds or something. And this is definitely one of my favorites.Track 3:[33:43] Yeah, it's a good one. And the next one is a good one as well. It's got to hold the record for the longest title in Gord's solo oeuvre. Kirk mentioned a moment ago that there's a bit of everything on this record. And to me, the beginning of this song, just the very beginning, is shoegazy.Track 5:[34:00] Yes.Track 3:[34:00] Or it goes into a real punk sort of vibe. And it didn't start to break my heart until this afternoon. Justin, what have you got for us?Track 5:[34:09] So the line, we fought like two Irons, really stuck out to me. and it goes with Kirk. I don't know that this was the middle of a divorce. I think Gord is just polyamorous at this point because this project took seven years and in the middle of it, he released the third album, Grand Bounce. So he is just sleeping around. I love the punk, the hard driving, just we're going to beat the fuck out of this song.Track 4:[34:38] My first real positive experience with this song was driving to my show last weekend and it was like i said a nice day i was driving along and to me like i said it's a real good driving album and i was coming up to this i guess it was a school zone but it was a weekend so there's no school and there was a uh a flashing like speed limit sign it was like a happy face and as i'm driving by it's like it turns to a sad face because i guess i was a little bit above the limit i'm not a huge speeder but i found that kind of quite funny especially after the i just just listen to the line what is it um something about driving fast oh yeah drive drive it like we stole it yeah it's a great great line that's right and then later on there's the dishwasher loaded which i love because i i wish i could say that most of my music listening was in the car but i only have about a five minute commute to work so most of my listening is actually doing the dishes and so this is just a great song when you're doing the dishes and and dishwasher loaded it and it really really kind of got you know i.Track 5:[35:40] Had the same experience man that's.Track 4:[35:41] Found it pretty funny and i actually the first time i noticed that lyric i was actually had just put this open i was closing the door of the dishwasher and so it was just it was just perfect it's so funny yeah.Track 5:[35:51] That's amazing oh.Track 4:[35:53] And great harmonies too on the chorus like love those harmonies yeah.Track 6:[35:57] That's one thing you'll notice too when you watch those or or you see them like the the harmony part especially especially after what we had just experienced for the last three albums, you know, with the female voice going back to a male voice backing. I love that element that it brought to it. And I'm just gonna jump into the next song, Budget Shoes. This is one that I think has probably held the number one spot for me. I would say it's not necessarily still there, but it's been there more often than not. And maybe I'm far off on this, but being the American, one of the two Americans that really likes Canadian culture, it brought me back to Kids in the Hall for some reason. In fact, so much so, if you think of the Kids in the Hall intro, I actually looked it up to go hoping it was the sadies like that really would have made my day if it was the sadies that had done that song that's the intro to kids in the hall.Track 4:[39:34] There is there is a connection there and i hope i'm correct here but i believe i read that the dallas good the the younger brother who you know passed away recently who.Track 3:[39:44] Was the drummer.Track 4:[39:44] He he played so so the good family was a was a country family like they had like a family band and and the older brother travis actually played with his band and Dallas being younger he he went more towards punk and I believe it said that his first or one of his first bands was with one of the members of uh Shadowy Men is that the name of the band that does the theme yeah yeah.Track 3:[40:11] Shadowy Men oh.Track 6:[40:12] Wow nice it definitely was reminiscent of that uh the entire song to me is just brilliant and it it gives you I mean it It really just digs deep inside my soul going back to the ethereal. When Gord hits those moments of the desperation vocal that we heard a lot, not only in recording, but live when he was with the hip, that brought such a comfort to me, right? Knowing where the hip is at, knowing where Gord is at, knowing what's coming. Like this is three years prior to his passing. And just so thankful that we get another version of Gord. And that's really what it was to me is we got, we have the hip and we love that. We have these first three albums, but now we have another one. And it was, Justin, you mentioned it in his lyrics. It's like, I'm not trying to confuse anyone here. I got this great band. They've given me this good music and I'm just gonna give it, I'm gonna give it what's coming to me at the moment. so when he does his and i call it a desperation vocal i know exactly what.Track 5:[41:22] You mean when you say it though.Track 3:[41:26] Yeah.Track 5:[41:26] Yep. Yep. So I'm going to ask the Canadians in the room here about budget shoes because I did some research on this as well. And apparently there's a tradition in Canada that finance ministers buy a new pair of shoes before presenting the budget and they wear them on the floor. Or if they're pissed off about it, they don't.Track 4:[41:48] Oh, wow.Track 5:[41:48] And it's this thing that has happened since the 1860s.Track 3:[41:53] Jesus. Do they go bare feet? I mean, listen, I was a political science major, and I've never heard of it before, but that doesn't really mean anything.Track 6:[42:01] As the other American, I agree with what you say full-heartedly. Love it. Love that connection.Track 3:[42:10] Yeah, I think it's great.Track 5:[42:11] It was strange, but interesting. And I don't know if this song is a commentary on politics and that, or if it just works well with... I mean, this song sounds like, you know, we're sleeping in a tent in a winter storm unexpectedly in the middle of the desert, you know, and I've got nice shoes and you don't, you know, and I'm going to keep my feet and you're going to lose them to frostbite. I don't know.Track 4:[42:37] What I was thinking was I was imagining almost like an old Western movie. It's like sweltering hot in the desert. And yeah, they're camping overnight. Night and you know the most iconic thing you'll see in a western is that you know the shot of the cowboy boots and the pan up and and i'm just picturing this you know guy sleeping in his budget you know there's cheap shoes and that's kind of what i do balances on yeah yeah.Track 6:[43:04] Ouch shots fired they're.Track 5:[43:05] A great company and they.Track 6:[43:06] Make a fine shoe thank you we're not sponsored by any of these particular shoe brands yeah i mean budget shoes you talk about the westerns it's almost like a spaghetti western type feel just in that uh the guitar riff as well so.Track 3:[43:26] Oh, that's cool. I felt that, too. I wouldn't have put that together. All right, let's move on. Demand Destruction. Is it just me, Justin, or does this song feel very much like the Tragically Hip? Am I crazy?Track 5:[43:38] No, I don't think you're crazy about that at all. And this song is, I think, Gord kind of putting out his own views. Again, there's a notation at the bottom. The last one, Budget Shoes, was dedicated to Evan S. Connell, who was the author of the book about Custer where the title of The Grand Bounce came from. So that's a continuation. And then this one is dedicated to Dr. Helen Caldicott, who was an Australian physicist and anti-nuclear war advocate. And it just feels like a protest song to me. I really don't have a lot of notes about it. It's just a nice, fun tune. But there's definitely a message in there. And I think it's Gord speaking about, let's not fuck this up. and maybe some reverence for Dr. Caldecott. It says, I'm not a fan, I just like what you do. I don't know. I don't have a whole lot to unpack on this one.Track 3:[44:30] Right. Well, no, I think you unpacked quite a bit. Craig, what have you got for us?Track 4:[44:36] One thing I'll say about this song is I found maybe the snare was a little too biting for me. I found that if you if you were listening quietly it it just jumped right out of the mix to the point where you almost couldn't hear anything else and when you turned it up it just had just a little a tinge too much oh yeah you guys know who who mixed the album yeah so bob rock and i think he did a great job overall but it definitely you know he's known for those big huge drums and i just would have liked a little more balance i thought the snare was just a little peeking out a little bit too much the rest of the album i think it it works but maybe the song is the poppiest.Track 5:[45:17] I think of the of the songs on the album it's certainly.Track 4:[45:20] Radio friendly fairly typical like blues rock sort of yeah um riff at the start yeah.Track 3:[45:25] That's what reminds me it reminds me of something off of road apples you know oh yeah yeah that era.Track 4:[45:31] Yeah great great harmonies again especially in the chorus all.Track 3:[45:34] Right from there we get a change of pace with mandolin and organ off the top of devil enough. Am I right? Was it mandolin Craig?Track 4:[45:44] Um, yeah, I believe so. I need to go back and listen again. Um, yeah, this is the song I referenced earlier that was driving me nuts. Even today I was sitting there tapping my toes, like trying to figure out the time change. And I actually had this like theory about what they were doing with it, you know, how they're getting from one tempo to the next. And then I just realized after a while it's just feel it's all feel. And I won't even get into it, because there are some weird things that happen. And I think it is what Justin mentioned earlier, I think it's just that flexibility of, of like, you know, they're really pushing the tempo, bringing it back quite frequently. And so.Track 4:[46:25] Yeah, if anyone wants to transcribe this drum part for me and send it to me, I would love to see that because I would love to know mathematically how it works, but I'm pretty sure it is just like a feel thing. This was a song that really stuck out to me. I love that time change. Having said all that, it really, the first few times just really struck me. The guitar playing at the end, the sort of Nashville picking at the end is just amazing. There's a few songs that have those great guitar solos. I think often it's Travis, according to the videos I watched, although I believe Dallas will trade off solo sometimes too. There's the line, Streets Ahead, which of course is a song name from Now For Plan A. And I had just actually recently been watching Community. And I'm not sure if you guys know that reference, but there's a, you know, it's like a catchphrase of Chevy Chase's character. And I actually found a, I wondered if it was related and I found an interview where someone asked Gord that question and he's just like, what? He was so like, no, like what are you talking about? Which of course makes sense. I mean, you don't write books. All these songs you're not a prolific writer like gourd if you're if you're.Track 6:[47:36] Spending countless hours.Track 4:[47:39] Binging you know sitcoms with 120 episodes.Track 5:[47:44] Well and gourd gourd's a dan akroyd guy not a chevy chase guy.Track 6:[47:48] Yeah true hey going back to that the ending part craig yes uh you know they almost have a bluegrass feel in some of these instrumental type solos there's There's rock going on against a different instrumentation, which I absolutely love the devil enough to me almost was reminiscent of like your seventies kind of, you know, Barracuda and like the big songs that would have a slow intro and then rock out or go to another slow, but very seventies rock and kind of anthemic type of we're going to switch keys. We're going to switch tempos i very much got that but again going back to the swagger you feel the swagger in in the presentation of the lyrics at least from my perspective with gourd on this loved it loved it.Track 4:[48:43] Yeah there are some um really great songwriting techniques on this album that you can tell you know the sadies are just a pro band i think is it uh one of the guys from blue rodeo i believe was was quoted in the in the barclay book about saying that you know they're the world's greatest rock band and there's the little things like in this song they use the little bars of two to set up you know those changes and just lots of little things like that like an extra bar here an extra bar there it's just some really great little songwriting tricks what did you think justin i.Track 5:[49:14] Just this song you know growing up we only had like 10 or 12 channels on on tv and one of them was tnn the nashville network and so the grand ole opry was was on all the time, because we didn't have a choice. If it wasn't Hockey Night in Canada, it was TNN. And just this song, that run with the picking is really cool. It brought me back to late 80s, early 90s, just watching the hoedown.Track 4:[49:42] Not a country fan, but when I hear a great guitar player like that, though, like a great Nashville player, it really is great. This whole album isn't the type of music I would typically listen to. And I think that's why I gravitate more towards an indie rock feel, like the Battle of the Nudes. But man, this album is really, really solid.Track 6:[50:06] Yeah, it has a good... I mean, I know you guys say you don't like country, and I say it too. But I bet you you'd be surprised about what you do like that's country-esque. And so for me, when I think of country, I get turned away by some of the modern country. although I'm really digging some Chris Stapleton and some of these other guys I'm really digging. But like when I hear country, I think Kenny Rogers, Merle Haggard, I think Willie Nelson, I think, and I think we really do dig, even going back Hank Williams and even a little further, like when the, as you listen to, I love this that we're talking like, oh, we only had 10 channels and whatever else. And I'm going hockey night in Canada and the nashville network you know and throw in a little emma daughter's jug band christmas and that's my childhood and i'm happy and i love all that so i i i get what you're saying but this i mean the sadie's i think alt country i heard earlier from one of you guys that's very much the feel from devil enough you roll into i'm free disarray me justin you you inspired me because i I have the vinyl here with me. And so I quick looked at the bottom and I'm like, okay, I gotta catch this one cause I've missed all the other references that you mentioned. So you got Virginia Woolf, who's listed at the bottom of I'm Free Disarray Me. And when you do your research, you think about stream of consciousness.Track 6:[51:31] And that really, I think, kind of sums up your lyrics in this particular song.Track 6:[51:37] Swagger again it's it's it's it's it's the same but it's not i heard us all say that it's the same but it's not i i i loved where it went with this and it's bringing us down now right because we only have one more song we talked about the track listings and the order and now it's given us getting us i think this is kind of setting us up for saved at least me personally uh what you think craig.Track 4:[52:03] This was the first song that actually popped into my head just out of the blue one morning when i woke up because it took quite a long time for that to happen with this album i was still singing grand bounce songs you know every morning waking up and then one day it was that i was like wow okay and and same one thing i want to mention this is kind of, going off of what you're talking about with vinyl i was listening to this you know doing dishes.Track 4:[52:29] With you know on apple and the amount of times in the last few months of doing this you know this show with you guys listening to music and it glitches for just a second when i'm streaming and it just drives me nuts and so just that was one thing that i just had a note note about that that this album needs to be listened to on cd on on on vinyl anyways that was just a little pet peeve of mine and also the the snare again in this song was just a little a little much for me it was it was it was really up front and i i like loud drums typically in a mix but i just I don't know there there was it's almost like with the snare being that loud I'm missing a bit of the kick drum and speaking of which you guys must have noticed that the the bass players you know playing stand-up I had the thought a few times like I wonder and this is not to take away from what he's doing but I just wonder what it would have sounded like if they if they used an electric bass on this album because I found the bass to be not as prominent as on the last three albums you know there it wasn't sticking i don't think that's just part of the style of this band.Track 6:[53:38] Great i have a question though craig in when i look at the watch the videos oh yeah he has an he has an ampeg like he has a bass amp so he's taking a stand-up bass which traditionally you just mic or go straight into the board and he's he's running it through a traditional rock bass you know pickup bass right in through like the standard road hard ampeg so um so it gives it that good gritty sound but i will agree 100 it's not as prominent and i would like it to be a little bit more only just being a musician but it didn't didn't didn't dissuade me from my love for this album yeah.Track 4:[54:21] Not at all and i think it were like sometimes the best bass players are the ones you don't notice like they're just tight to the to the drummer and that's really all that matters but there was really only a couple times on this album where i where i noticed.Track 6:[54:34] Very accurate Accurate statement.Track 5:[54:36] This, I think, is my MVP. As a kid who was raised on prog, you fall into the song and just let it kind of take over. I don't know. I actually found, weirdly, a karaoke version of this on YouTube.Track 3:[54:52] Really?Track 5:[54:53] An instrumental version of this. No way. And I played the piss out of it just today driving. Driving and uh yeah it's it's really odd that this is the one that's an instrumental track for, yeah but just the phrasing of things lyrically and musically like he's it this doesn't sound like any other song that gourd has has put together as far as i'm concerned i.Track 6:[55:17] Love i love that connection with prog rock justin because you've mentioned that multiple times that that's something you love. And when you said it, I had not placed it until you said it. And I agree with you on that's a great, great, great description of it.Track 5:[55:31] There was a lot of references to the Sadie's covering Pink Floyd in live shows. And I'm like, oh, there it is right there. The song is that.Track 6:[55:42] The next one to the next one to could be, you know, Jim Ladd headset session, listening like with Pink Floyd.Track 3:[55:50] Oh, the next one is gorgeous, I think. It's the first slower tempo song that we have on the record called Saved.Track 5:[58:56] Again, I can't believe that the reviews said this album doesn't make sense because about halfway down, the plane starts to land, right? And every song from halfway on is just you're descending and you land perfectly softly unsaved. And this song also sounds a lot like Coke Machine Glow. And it's just really mellow and it's Gord doing his thing. and i i don't know i love it.Track 6:[59:26] Almost every album i feel like has had a an extended version of coke machine glow track to it i i i love that i i hadn't placed it until you just said that because i felt the same way about some of the other the other albums is there that could be on coke machine glow but you're exactly right and then he continues that theme as it goes almost like the uh like his is the poetry book.Track 3:[59:53] Craig is holding up his notes.Track 4:[59:55] Nobody else can see it. I said the exact same thing. Pattern of Ending solo albums and some hip albums with a track with a much different feel is what I had written.Track 5:[1:00:07] Which goes back to Road Apples.Track 4:[1:00:12] I really love the line the music is so loud that it flaps your pant leg. It reminded me a little bit of Yawning or Snarling. Just the line in that.Track 5:[1:00:23] Thank you. I would hold up my notebook if it wasn't typed out. Because that's exactly what I have to.Track 4:[1:00:30] We are, let's see, as of recording this episode, we are, what time is it there? We're about two and a half hours away from the 10 year anniversary of this album. Of the release of this album.Track 3:[1:00:41] Oh, get the fuck out.Track 4:[1:00:42] Yeah. Wow.Track 3:[1:00:44] Oh, wow.Track 4:[1:00:46] I just had to look it up yesterday. I was like, wow, that's pretty cool.Track 5:[1:00:48] Oh, shit.Track 3:[1:00:48] That is cool. Huh. I normally have them all in my calendar, and I don't have that in my calendar. Huh. Good find. Yeah, it's going to be, yeah.Track 6:[1:01:00] Good find, Craig. Great find.Track 5:[1:01:02] J.D., you have about two and a half hours to make a post.Track 3:[1:01:06] Any more unsaved?Track 5:[1:01:09] I don't know. I didn't pick it apart too much. I loved that imagery of the line, Craig, that you just mentioned. The music is so loud, it flaps your pant leg. And there's a really strange, it's almost not, rhythm to the way that he sings it. It would be really hard to transcribe that onto a, onto a sheet of music.Track 4:[1:01:29] I also enjoyed the, um, the, the, the, they finally played a bit without the drums, you know, like this whole album has been very much like a full band. And I mentioned last week, I believe that one of the strengths of, of country of miracles was that they had so many members that they could all just take a break every once in a while. They didn't feel the need to always fill up every space. This band's the opposite because they're, you know, there's just four of them and they, they, you know, they're very much a typical rock band where everyone's playing all the time and so i actually enjoyed that there was a bit of time at the start of the song without drums no no offense to the drummer um but sometimes you just need a break this.Track 6:[1:02:07] Song to me was the you know that that cup of coffee after dessert or you know the cigarette after sex it was that finisher it was uh it was that we're all in good, good, good company. I love the connection back with Coke Machine Glow. I love the connection back with that changing that ending song. But to me, it was, all right, more so than the others. It was like, okay, here's your big warm hug before whatever comes up next.Track 3:[1:02:39] Oh, I like it. It does feel like a warm hug. It's a very comforting song for me. I don't know why, but it chills me right out. It's a great cigarette after sex. Kirk, I love that. It's really tremendous.Track 5:[1:02:55] It sucks that this album was only a half hour long.Track 3:[1:02:58] I know. It's so strange after The Grand Bounce, which was nearly an hour. But again, these guys are just so efficient and economical.Track 5:[1:03:10] It's one good fast job, baby.Track 3:[1:03:12] That's right.Track 6:[1:03:14] So does- Hey, did you know that that is his second highest played single, or at least versus Spotify when I last checked? Does that not totally blow you away? Like at least if you just look in his Spotify category, I believe it's number two behind like the Chancellor, I think is probably the most sense. But now i'm now i'm gonna look sorry i'm gonna i'm gonna see if i can back my own research.Track 5:[1:03:43] So interestingly i i don't have hard copies of any of these albums so i'm i'm strictly listening on streaming i use the youtube music app i don't really care for the interface on spotify and there is zero existence of this album in that in that space so i had to download band camp and buy the album that way which i was happy to do yeah i love band camp but yeah i had to uh that's the only way I could find this lyrics.Track 6:[1:04:07] All right, gents. I did the research. I was incorrect by two. It's Chancellor, the East wind. Oh, I am lost.Track 4:[1:04:15] That's then one good. Mind blowing.Track 5:[1:04:17] No shit.Track 6:[1:04:18] Number four.Track 4:[1:04:19] Yeah.Track 6:[1:04:20] Like that. It's even in the top five to me over like.Track 4:[1:04:23] You know, it's a great song. These songs that I thought were more well-known. Wow.Track 6:[1:04:29] Thank you.Track 4:[1:04:29] Yeah.Track 6:[1:04:30] It's surprising to me that.Track 3:[1:04:32] Yeah.Track 5:[1:04:33] Well, even, Even the opener on this one, Crater, I mean, it has a great video too.Track 6:[1:04:39] Oh, that's right. That's right. It is a really cool video.Track 4:[1:04:43] So the album art's interesting too. Did you catch that there's the different members of the band on the album? There's probably about these portraits of like, I don't know, 50 people. And if you look carefully, you can find all of the members of the band. I did.Track 6:[1:05:01] I did, absolutely. It's, yeah, on the album.Track 5:[1:05:04] And the artwork and the sound and all that, it kind of reminded me of the Beatles. I don't know why. But there was something about it that was familiar.Track 3:[1:05:16] Beatles-esque.Track 5:[1:05:17] Yeah. Yeah.Track 6:[1:05:20] I could see that. I mean, especially from an artistic standpoint. Yeah. Very much can see that.Track 3:[1:05:26] Yeah.Track 5:[1:05:27] Overall, I was super happy that this was the next thing. And I wish that there had been another one to follow it.Track 3:[1:05:33] So does it stay in your rotation then, Justin?Track 5:[1:05:36] Mm-hmm.Track 3:[1:05:37] Yeah, it does. Craig, how about you?Track 4:[1:05:40] A couple of days ago, I probably would have said maybe not. It's an album I'll definitely pull out here and there. But no, I do think I really am enjoying it lately. And like I said, the turn of the weather really helped. This is, to me, a summer album, not a, I think, come winter, I'll put it away again.Track 5:[1:05:59] End but the i'm sorry but i got it before i forget it right we just had the eclipse as we're recording this and i was stuck in traffic it's a 17 minute commute to get home and it took me 90 minutes so i listened to this album three times on the ride home and it's a great even if you're stopped it's a great album to be in the car.Track 6:[1:06:20] It's going to hit the turntable for me on a fairly regular basis for a while. Like I said, Grand Bounce, I couldn't get it out of my head. And finally, it might even have been an I'm Free Disarray Me, just that very methodical line that came through that turned it for me. Me but i love i i love it absolutely love it in fact i'm i'm probably more excited about digging deeper into the sadies once this whole project is done the sadies and several other canadian bands that i'm not as familiar with that you guys have introduced me to and i'm very thankful for but uh yeah this this one's staying in the rotation if you've got any.Track 3:[1:07:02] Bands that are gore adjacent or canadian indie adjacent uh send them our way discovering downy at gmail.com And we'll be sure to read that email on the air.Track 5:[1:07:18] I will say that as much as I've enjoyed this album, I've also really enjoyed the songs that are not on the album that Gordon and Sadie have played together. The cover of Search and Destroy. Holy shit.Track 3:[1:07:32] Right, you sent that to us a few days ago.Track 5:[1:07:35] That song melted my goddamn face off. It was so good. So good. And it was like 7, 12 in the morning or something. I was like, all right, I'm out of bed now. This is awesome.Track 4:[1:07:45] One of the shows I found online was here in Vancouver at the media club. And I actually remember hearing about it. And I'm just kicking myself that I didn't get to that show. This is like a tiny, tiny, like this is where my original band a number of years ago did our CD release party. And yeah, there's maybe room for 80 to 100 people in there. would have been amazing.Track 3:[1:08:10] Oh damn that.Track 6:[1:08:14] Is definitely i don't have a lot of regrets gentlemen but not seeing any iteration of gourd solo is very much i'm glad video was around because but i would have really really really enjoyed.Track 3:[1:08:28] Seeing that feeling thousand percent live yeah.Track 5:[1:08:32] I go back to that sweaty basement uh in me in massachusetts and like dude i went to those shows all the time and I wasn't there.Track 3:[1:08:39] That's crazy so Justin you've already sort of given this away even though we we you know we tease it throughout the show and typically give it away at the end but we'll start with you and your MVP track.Track 5:[1:08:56] Yeah, it's totally I'm free, disarray me, which took me by surprise, but then it didn't totally. You know, after the way that by, you know, the music that my parents played when I was a kid, this song is just cosmic cowboy, trippy shit.Track 3:[1:09:14] Kirk, how about you?Track 6:[1:09:15] All right. Los Angeles Times.Track 3:[1:09:21] Excellent. I love that pick. I liked your pick too, Justin.Track 5:[1:09:25] That's the hometown.Track 6:[1:09:26] Oh, yeah.Track 5:[1:09:27] That's okay.Track 6:[1:09:28] And it definitely is not one that I would have really settled in on had it not been for our discussion today, honestly. Because almost every song on the album has really fallen into near the top. You know, Conquering Sun, Budget Shoes, I would say, of everything, those definitely hit that number one spot for me multiple times. But Los Angeles Times is the one that just kept coming back, and I just kept feeling, and I kept growing further, enamored with on all fronts. So that's my pick, and I'm sticking to it.Track 3:[1:10:03] Very cool. Craig, you?Track 4:[1:10:06] Yeah, I had a hard time picking a song. And I found, kind of like what Kirk said, there was almost less of a range between the songs I enjoyed and the songs I enjoyed less. They were all in roughly the same region, whereas the other albums, there was some tracks that right away really, really got to another level with me. I think this album maybe doesn't quite have quite the emotion that the first three did, which is usually what hits me when I really love a song. Usually it just grabs me emotionally. And this album didn't have that in the same way. my my go-to song here is is going to be uh it didn't start to break my heart until this afternoon, just just a good good punk rock song yeah just nice just a great yeah great driving tune and.Track 3:[1:11:00] Gets the blood flowing, right? And I agree with you about the previous three records. They're just sort of more raw and improvised feeling.Track 4:[1:11:08] And more range to them, right? This just feels... There was more... Yeah, just... More variety. Yeah, more...Track 3:[1:11:15] Dynamics. Yeah. Yeah.Track 5:[1:11:20] There was a point where critics were really starting to tear Gord and the hip down. Yeah. When this album was coming out. And they were like, all right, we get it. The soup's getting cold. It's the same shit over and over, year after year. The performances are boring. It's not great. And I think, I don't know, but I'm thinking that this album was Gord's big middle finger to those guys. I'm still doing this. He's 50 years old.Track 4:[1:11:49] Can you think of another artist that has done what Gord has done? He's now got three bands that are all so amazing. Yeah, that's right.Track 5:[1:12:01] At the same time.Track 3:[1:12:01] At the same time, yeah, you're right.Track 4:[1:12:03] Yeah, mind-blowing how much high-quality work he put out through his whole career, but especially in this middle chunk here.Track 3:[1:12:12] Well, and if you think about it, this is a perfect segue because beginning in 2012, he started work on the record we're going to talk about next week, which is Secret Path. And that record didn't see the light of day until 2016. 16. So even then with that record, he's assembled the band again, and it's a great band as well. So this guy is just producing at a level presumably around the same time he's doing Luster Parfait. Because he's working with Bob Rock pretty exclusively, right?Track 5:[1:12:49] Right.Track 3:[1:12:50] So, God, just fascinating what we're what we've gotten up to so far i can't wait we are halfway done his records we've got one more studio record and then god damn it three posthumous records uh it's going to be tough to get through those ones guys i know it yep anything else you want to say before we wrap things up i.Track 5:[1:13:15] Don't know i love it man i i love this project i feel like we're a broken record because we're all going to say the same thing and we'd say it every episode But this project has gotten me back into, just like you said, Kirk, discovering new music. Or it's new to me. Right. And I am finding so many new things that I didn't know I didn't know.Track 3:[1:13:35] Right.Track 6:[1:13:37] I'm i have been frightened from the beginning because you know you listen because it's your first time listening to a solo stuff for you know i was frightened every single album that, yeah i was going to be disappointed yeah yep and i just keep finding a new way to be enamored and i don't mind being that easy when it comes to gourd and what's going on uh you know i i we talked about, you know, my, my experience with the hip, you know, having to hear about it from friends and not having that, you know, immediate access to everything. So I'm thoroughly loving the fact that the emotion and the feeling that Gord and the hip, all the musicians he's been involved with on the solo, just keep raising the level. So I'm now just like, I'm, I'm, you know, what I like about this, you guys is you're nervous and worried. Now I'm not nervous and worried. I'm I'm just, I'm excited about listening to what's coming up and I'm so excited.Track 5:[1:14:37] If you, if you enter the, if you enter the room knowing it's going to be a mindfuck when you get there, it's perfect

This week in the pod, the gang is up to their neck in the fantastic effort by Gord and the Sadies. You're gonna want to check this one out!Transcript: Track 1:[0:00] Hey, it's Craig here, and I just wanted to let you know that Christmastime in.Track 1:[0:03] Toronto is coming early this year. Join me and the Discovering Downey crew for the recording of our podcast finale, live at The Rec Room in downtown Toronto on Friday, July 19th. Long Slice Brewing presents A Celebration of Gord Downey, which will include a special in-person interview with Gord's brother, Patrick Downey. Spend the evening listening to your favorite hip tunes provided by the almost hip and help us raise money for the gourd downy fund for brain cancer research with a silent auction featuring incredible items up for grabs visit discoveringdowny.com for tickets or for more information about the event, let's have a toast for charity wickedness and most importantly hope.Track 2:[1:04] DOS Beauty I name my guitar My Beautiful Behor Everybody's coughing here And music's infiltrating work In the most pleasant way It's a system based on silverware Listening's an extrasensory Perception And talking the only psychic thing and I can dress you in my thoughts until you wear them. I've been taking care of my clothes like they're cattle. Try this shirt. It would look so good on you.Track 1:[1:42] Welcome, music lovers. Long Slice Brewery presents Discovering Downy. Hey, it's J.D.Track 2:[1:52] Here, and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The late frontman of the Tragically Hip gave to the world an extensive solo discography on top of the hip's vocal acrobatics that awed us for years. So far, he's released eight records in total, three of them posthumously. Now listen, you might be the biggest fan of The Hip out there, but have you heard these records? Because I'm an inquisitive podcaster, I enlisted my friends Craig, Justin, and Kirk, giant fans in their own right, to discover Downey with me, JD, as their host. Every week we'll get together and listen to one of Gord's records. We're starting with Coke Machine Glow and working from there in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by song. This week we're going to be talking about Gord's fourth record, and his first and only with the Sadies.Track 3:[2:58] Occurring son kirk from chino how the fuck are things with you buddy jd.Track 6:[3:04] I'm uh i'm back home after a little bit of travel it's been good travel um it's allowed me to really kind of soak this album in so i'm excited talking about it with you boys.Track 3:[3:15] Can you confirm this craig i'm kidding yeah how's it going pretty.Track 4:[3:20] Good yeah also looking forward to talking about this album them and it this one took me a little bit of time to get into but we'll talk about that i have been a little under the weather since the last recording it was about halfway through the last podcast i started feeling something coming on and just won't go away just a cold thankfully but yeah other than that things are well.Track 3:[3:41] Well that's good justin you've been a podcasting machine today are you spent or are you ready to talk shop with me i'm.Track 5:[3:49] Just getting started buddy.Track 3:[3:50] Yeah well let's get into it then and the conquering sun is the album we are discussing this week after three consecutive solo outings with some form of the country of miracles gourd wrote and produced this one with the sadies who had just come from supporting the hip on their world container tour Like so many, this marriage was consummated by the CBC, when the Sadies chose Mr. Downey to collaborate with, as was the program's premise. The Sadies are a Toronto-based and road-tested throughout Canada and beyond, with an original lineup consisting of Travis Goode, Sean Dean, Mike Belotiski, and Dallas Goode, who sadly passed away in 2022. This band, as I mentioned, is road-tested with buckets of swagger and chops for days. But how do you talk about The Conquering Sun? After the loose and improvised feeling of the last three records, this record is tight and economical. With a 30-minute runtime, I had to listen twice to get my walk in.Track 3:[4:55] Of the four records we've listened to so far, this one makes my Olympic podium for rock and roll with a hard-fought bronze medal, which is nothing to shake a stick at unless, of course, you're shaking the stick in a complimentary fashion. There is absolutely nothing wrong with this album. In fact, in my opinion, this record is the closest we get to a sound that is reminiscent of the hip, up and down on this record. The songs are screaming for radio play if only radio had been a factor upon its release in 2014. From the rip of Crater right through Saved, there isn't a missed opportunity on this record. I could go on about how much I like this record, na-na-na-na, blah-blah-blah, etc. You might be curious how I'm literally singing this album's praises, yet I've only ranked it third of four. I promise I'm not damning with faint praise. It's more that I loved the ceiling of the country of miracles, particles and the idea that we don't get a fourth effort from that entity bums me out a little bit so it's hard to go into this one with that ripple of bummed outness influencing me a little more than frankly i'd like but who cares what i think let's check in with the crew craig we'll start with you this week.Track 4:[6:04] Yeah this album like i i mentioned took took a few listens to get into um it's definitely not in you know it's not my favorite of the four we've heard so far but it's really just it's drastically different it just has a different vibe and there are a lot of things I really like about it and I think that my biggest realization is this this is a summer album this is a a nice weather taking a drive in the car putting the windows down this it's that kind of album and for the first couple weeks I didn't have that weather but but just past in the past few days we have and it's just it totally changed my outlook of this this album.Track 3:[6:45] I was on mute. Justin, what are your thoughts overall?Track 5:[6:49] Oh, I needed this one. I needed this album to get my headspace back into this. And I think I'm going to rank this number two so far out of the four. I actually really love this album a lot. And like Craig, it took me a minute to get into it, but something clicked and I have been listening to it at least two or three times a day every day since. And in the car, on my phone, with or without earbuds trying to get the different parts of the sound, and it kicks my ass every time. I really just like this album from start to finish. Every song kind of sounds the same, which makes it sound like one big long song, and I really kind of love that.Track 3:[7:28] Interesting. I can't wait till we break it down. What say you, Kirk from Chino?Track 6:[7:32] Like my brethren here, it took me a while. In fact, it took me a while because it almost felt like a divorce and maybe a bit of an affair Was going on with with our buddy Gord. I was so I.Track 6:[7:48] Immersed into what was happening with the country miracles and like you said in the beginning like the ceiling like i wanted more and i was so ready for more i had the vinyl of this one the last ground bounce i didn't and i listened to it and i knew there was something there but i was angry honestly i was angry because i wanted more as we had mentioned but man did it grow and grow row. I'm not going to rank it right now because every time I rank something, a day or two goes by and something happens. And I realized, oh man, that was, you know, the grand bounce. That was Coke machine glow that, and you know, every album that we've had a chance to listen to has been, I think in every slot, if that makes sense, depending on the time of day or what's going on. And and so again it just brings you back to joy because i didn't dive in when it was happening which of course i'm a little sad about but i'm so excited now that i'm like i'm really loving music discovery again i'm really loving listening to albums i'm really loving i don't care if it's in the car if i'm walking the dog if i'm sitting at work if i'm you know working on something on on the computer and I've got the music going.Track 6:[9:11] Like I have not spent this much time with new music. I say that in quotes because it's obviously not new, but it's new to me, new to us.Track 6:[9:23] And I'm just, I'm loving the ride. That's all I got to say. This one is the last two, I mean, like I'm going to be listening to these forever. And I'm going to try and preach the word and get some people to jump on board because it makes me sad when I look at Spotify or something and I see the honestly and don't jump on me. It's like the limited number of listens to the Gord stuff. I have friends that have put stuff out that have more downloads than that. I'm not saying that in a negative, I'm saying that in a like, that shouldn't be. That shouldn't be, so. Right. My diatribe's over, sorry.Track 3:[10:03] No, no. Well, that's why I was mentioning off the top too too, that it screams for radio play to me. It's very radio-friendly. There's nothing over four minutes. And fucking radio just didn't matter in 2014. So of course we were never going to hear this. Unless we were paying very close attention.Track 6:[10:26] Absolutely.Track 3:[10:27] Clearly we were not.Track 6:[10:28] Absolutely. Radio.Track 5:[10:29] Radio still matters to me. I'm a radio guy. I'm going to tell you that right now. Yeah. Love radio.Track 3:[10:34] Radio doesn't love you back though. That's the problem. Like it's getting stripped down and worn down and these formats, you know, like if you've got a, if you've got a local that you love, then by going to stand with it, right?Track 5:[10:47] Yeah, you're right. We have, we have a, I'm going to sidebar here for just a second. We have a great station here in Southern Vermont, WEQX, which is one of the last great independent alternative rock stations in North America. And they discovered No Rain by Blind Melon. They were the first one to play it. And they just got this great pedigree, and they love to play Gord's solo stuff. From 2020 on, there's been a lot of new Gord solo stuff that's really been great.Track 3:[11:19] Get up. Right.Track 5:[11:20] And it's kind of been hard to not listen ahead during this project. Wow. I don't know if they played any of the stuff from this album, but this would totally fit.Track 4:[11:28] Yeah, we once had a really awesome independent radio station down in Bellingham, Washington, which we could pick up in Vancouver. And they actually, their tagline was something like, we don't play Canadian music because we have to. We play it because it rocks or something along those lines. And they would play The Hip and Rush. and yeah that's the only american station i've heard that that played a ton of the hip and yeah of course about 15 years ago they got whatever bought out by chorus or someone and it's now just yeah yeah your standard rock radio well.Track 3:[12:02] Should we eradicate this problem and educate people on this record go through it track by track are we ready let's.Track 5:[12:10] Go sure yeah.Track 3:[12:12] All right we start with track one side a it's the classic rock tinged crater what did you think of this one mr greg.Track 4:[12:25] My dad uh came to vancouver from new zealand in 1965 to to buy a 65 chevy impala and this song crater is a 1965 chevy impala cruising down the road it's just a great rock and roll track yeah um man that snare drum is yes snare snare yeah it is it is there in the mix yeah definitely i didn't dive into the lyrics at all especially um the songs that were more kind of rocking i i just i was just enjoying them and the only thought i had lyric wise was um almost like an idea of like either you're you're the crater or you're the meter meteor And I was kind of thinking along the lines of there's that not so great Dire Straits song, Heavy Fuel, where he says, you know, sometimes you're the windshield and sometimes you're the bug. And that was kind of the... What i got out of the lyrics on this song.Track 6:[13:25] I i wonder in the lyrics and maybe you guys did further research that i didn't see like how much of it was gord how much of it was the gents from the sadies because i i knew the name the sadies but i honestly until this i had not really you know dove into some of their music and i think in one of our you know communications justin had mentioned that as well like he's doing a lot of listening to the sadies and and i try i you know my listening at first it's this is it's going to sound weird um i did a lot of listening at first obviously like through spotify or whatever else but it wasn't until youtube and i got to see these guys and they're wearing like their nudie suits is what it looks like you know and i just i just saw a bunch of them they had a big exhibit at the you know country music uh hall of fame and they were We're talking about that LA country and, you know, very much a country tinge, but, you know, they're using those hollow body guitars. And anyway, so back to lyrics, like what's the balance between Gord and the Sadie's? Did anyone find anything on that?Track 4:[14:30] My understanding is that they, that the Sadie's wrote the songs and Gord wrote the lyrics that, yeah. And it was recorded apparently over a number of years. This wasn't like an album that was done in one session, which I find surprising because like someone said earlier, it's, it sounds just like a, it's a great album. It, it really sounds like it was just tracked in one day or something. It's yeah, there's a.Track 6:[14:53] There's YouTube has a, uh, interview of, I think the Sadie's had just put an album out. It was like 2010 and Gord was with them and they, you know, obviously had some discussions about their, their time together. And in some of the research it talks about, this has definitely been a long-term type of thing. Great song.Track 5:[15:10] Yeah, there was a CBC fuse in 2007 is what put them together. So it took seven years for this album to come out from that first collaboration. Collaboration I really like the sound.Track 6:[15:21] From a musicianship standpoint ethereal is really the kind of the adjective that came to mind on a lot of the the guitar parts that the Sadie's had you know very much a hollow body type guitar going through either a Fender a lot of reverb I really liked that driving sound I really really liked it it was it was pretty prevalent throughout in my opinion anything.Track 3:[15:43] Else on crater i.Track 5:[15:46] Just yeah i mean this is gourd this is like this is a live show on a record um this one song particularly and he is giving it all he has what at the end of the second verse and if we record any of these songs this is the one i'm doing because this is a this is a screamer and it's so much fun to be it you know we don't want to we don't want to do it we want to be it this song is fun to sing, Yeah. So I also, I downloaded an app because I noticed my foot was tapping a lot faster at the end of the song than the beginning. And I, so I, I downloaded an app and it picks up 13 beats per minute from the start to the finish.Track 4:[16:29] Oh yeah. That's something I'm going to be talking about later. Cause I, it was driving me nuts. One of the songs I was trying to actually figure out what was happening mathematically and yeah. Okay. I'm glad I'm not the only one noticed.Track 6:[16:43] I love that. I love the time changes in a variety of different songs. I put them down in a few notes. But the one thing I really want to say before we dive into any more, long live the guitar solo. And there's quite a few guitar solos on this album, specifically Crater. And they're just, they're solos. They're good solos. And on the other albums, we'll call lead lines, but there's not a lot of solos. And I'm digging that, getting that back, because we haven't had that in the first three.Track 5:[17:15] Oh, yes.Track 3:[17:16] Nice. Well, the next one is sort of the titular track, but not quite. The Conquering Sun does what for you, Justin?Track 5:[17:27] When I look out the window and see Audette's Blue Spruce Farm across the street, That's kind of what I think about. I mean, it's getting on time to plant. And here it is as we record this. It's planting season and working the fugitive dust. Nature, please be good to us. You know, we just had this massively wet spring that wiped out a shit ton of the farms around here. That's, you know, before they even got started. For me, that's part of what this song is. There's also the line, she is more than a conqueror. And I wonder if that's a reference to Gord's wife, Laura, with her recent cancer battle. I don't know when this song was recorded in the timeline of all that, like what year this happened. But I interpreted it as possibly something that could be a reference to defeating the cancer. And the other thing that I really, it was a callback to We Are The Same is when Gord's, his vocal run during hearing, ooh, day is your word, night is the glue. He does that exact same thing in The Depression Suite. That very same run, the change, the pitch, the length, I love it.Track 4:[18:41] Yeah, I caught that too. That's great.Track 6:[18:43] Great song. It was one of those. I think I mentioned on the last time we spoke, there was not a definitive MVP for me. This one has fallen in and out of MVP, and it may fall back in at the end of this recording. morning. But that's one of the things that really showed me this was a great album, but specifically this song. I just felt immersed in it. And like I said earlier, Ethereal, again, another great solo, another great, that sound that the Sadies have. They have, these guys, what are they like six, five, six, six, they look like trees and they might be a buck or five soaking wet and the suits are barely hanging on them and he's just playing this you know telecaster like it's a little tiny you know a small ukulele and they just have this they they just have this presence and like i said it really wasn't until i i started seeing them that i i got the sadie's because when i was listening it didn't hit me as much and i was kind of hoping i don't know if i mentioned this earlier because they were on the world container tour and i was wondering if they were the opening band I didn't find anything that showed them specifically, but when I watch the videos, it doesn't bring a memory or recollection that I saw. I think it was Sam Roberts that opened for a lot of the shows that I saw here in California.Track 5:[20:06] I saw Joel Plaskett as the opener on that tour.Track 6:[20:11] Got it. Got it. Yeah. So I was kind of hoping that they were one of the openers. But you know now i'm really excited that you know just in the last couple of days i would say is really when my attention has gone towards them and when you start hearing and seeing how they crafted these songs together and how they worked so well with gourd and his phrasing and and so yeah love this love this yeah.Track 4:[20:38] The the sadies are actually on tour as we record this and i'm hoping to pick to go down to the the vancouver show uh so you might you might want to look at dates they They might be coming down your way.Track 6:[20:48] I hope so.Track 4:[20:48] Yeah, this song, to me, as soon as I heard it, it reminded me of Nico Case. And Nico Case is someone who's worked with the Sadies. And so it is very much that sort of alt-country vibe on this song. And this was probably the song that drew me in right away. Again, like Kirk said, it was in the contention for my MVP track for sure, which, like you, keeps changing. and yeah it's just just a great feel to this song.Track 3:[21:18] Yeah i couldn't agree more i think we're two for two so far on this record and we're gonna find out that let's go pretty even record it's a pretty even fucking record los angeles times has the aforementioned swagger dripping from it, Kirk, did you like this one as much as I did?Track 6:[25:07] I'm going to say yes, absolutely. But it didn't start out that way. This actually was one of my least favorite tunes after the first couple of passes. I just didn't quite get it. It was just kind of like, it was almost too much swagger at first for me. Because remember, I think we're in a divorce right now. I think this is an affair that's going on. So I'm a little adverse to the song and the album and almost everything because I still have his last, you know, that last record that just moved us all. It was still here. So there was this almost a betrayal, swagger, distaste that I had in the beginning. But listening to it, re-listening to it, listening to it in headphones, listening to it on vinyl, listening to it in the car, listening to it in the plane, listening to it in the hotel. The key changes, like we'd mentioned earlier, just another great solo, just great rock. And, hey, I'm an LA guy. So this one definitely turned and has also filtered through multiple times sometimes on the mvp track side so yeah to me it's three for three and i'm just gonna pre-call it for y'all.Track 4:[26:22] Yeah yeah i found this song to be um i was the same way i found the the progression to be a bit generic at first and so i didn't really love it right away but yeah it really grew and i think what makes it work is that this band is just so tight they're so i mean loose but Yeah, the tempo, you know, picks up and, you know, there's the push and push and pull, but they are such a great band that they can pull off anything. Just a simple strumming pattern and make it sound pro. And there's that thing you mentioned off the top, JD, the blah, blah, blah, et cetera, which I was wondering if, I'm sure you guys were thinking the music at work, live, Gord would do the et cetera thing. Did you find anything lyrically, Justin?Track 5:[27:10] Yeah. So there's a dedication at the end of the lyrics for Walter Van Tilburg Clark, who wrote The Oxbow Incident, among many other works. And that became kind of one of the great Western movies of all time. And it's about, the subject is these cowboys thought that one of their buddies got murdered and that somebody stole their cows. And then they found this group of three people that they thought did it and they hanged them. And then they found out that the guy survived and it wasn't them and you know it was just a big mess so it was it was the oxbow incident and uh yeah so it was a complicated story and but this isn't about the story it's about the author there are a lot of references to lines in the book or the movie but it's you know there's a line he was born and raised and moved away and that's about i think walter van tillberg clark who was born in maine but then his parents moved him to nevada and then he moved to in New York and then he went he was kind of all over the place beyond that I don't know it's, There's one thing that is a bit of a departure, I think, on this album is that the lyrics aren't too deep. There's not a lot of mystery in this album with Gord's lyrics. And I was hoping for more of that, but the research was a little easier than I wanted it to be on this.Track 4:[28:26] That was something I noticed too, is like there didn't seem to be as much to dig into.Track 4:[28:31] And once I kind of got past that and just started enjoying it, I really did grow to appreciate the album a lot more. It's funny that you mentioned the Oxbow incident because number one, a couple of weeks ago i was in la and we did did a couple studio tours and this is one of the movies they actually mentioned i forget if it was warner brothers or universal but it was shot at one of those two places in the next song so one good fast job one of my notes here is oxbow incident because of the line it says art shot said wellman to fonda so wellman the director and uh fonda the the star of the show so um nice kind of a neat little tie and i had no idea that the previous song had that reference so i'm glad you caught that this song i really love and this was the one i was um i found really interesting the the progression you've got like almost like a eight bar blues but then they throw in an extra bar so it's like this nine bar which just throws you off off balance a little bit once you once you hear it a few times it makes perfect sense but there's the lyric about drop you know planes dropping paper and dropping scissors and the chimps becoming regular wizards i think it is. And so that made me think of, there's a couple of Simpsons episode that reference like the infinite monkey theorem.Track 4:[29:46] What is it? Infinite monkeys, or give a monkey a typewriter and let it type for infinity. It would create, you know, Shakespeare. And you know, it would just some ridiculous theory that has, you know, been, you know, criticized heavily, but I wonder if there's something to that.Track 6:[30:03] Sorely discredited.Track 4:[30:05] And I really like, there's the line too about something about forget the commas. This is one good fast job. And it almost made me think of this album that they just like banged off this out. Like, let's not, let's just have fun. Let's just write some songs and let's not take ourselves too seriously. So those are my thoughts.Track 5:[30:23] Well, I think there was some controversy over the name of the band. And there are commas in that band name. And I think that they're just saying, you know, screw it. And like, nobody asked for this. We're just doing it. let us enjoy it. I did see a couple of interviews where Gord and members of the band were like, can we not dissect this? This is just rock and roll.Track 4:[30:44] Yeah.Track 6:[30:46] One thing in watching some of those videos that I had mentioned, the last two songs that we discussed that they had played, it was a Greenbelt Harvest Festival thing show that was on. They had almost every song on there and he was playing with the Sadie's and watching the crowd to me was actually quite entertaining because they just sat there and looked in bewilderment right because I don't know they obviously have probably some relationship with with the hip and who knows if they're early hit people or later hit people or die hard all the way but when Gord does the solo stuff and then if they're not familiar with the Sadie's they just sat there and looked like yeah why don't what are we experiencing here what what's what's going on and bewilderment was the note note that i wrote right.Track 3:[31:34] Right i mean this makes no sense to me fuck okay sorry uh continue.Track 6:[31:42] It man one good fast job and almost back to kind of those punk type roots and that driving rocking it it's uh who i jd like this album has everything and, Also, one thing I wanted to mention, I know we're not through it all, but I think they did a great job of tracking. I really felt good about where all the songs were. I needed Crater to get me going, even though I was still mad and angry, like we mentioned, and then Saved at the end that we'll talk about. It just was like, okay, I got a good, nice, warm hug. Thank you. you um which.Track 5:[32:26] You know what's amazing is there were so many reviews about this album that said it was not cohesive and inconsistent and like what the hell are you talking about and.Track 3:[32:36] Uneven and blah blah.Track 4:[32:37] Blah yeah what.Track 3:[32:38] The hell man agree.Track 4:[32:39] Yeah no that's a reviewer who read that it was you know recorded over many years yeah that's ridiculous like maybe if you gave it one or two listens but even then even the first listen i didn't love it but it sounded like an album yeah Yeah. One more thing about this song though, before, before we move on, I love the middle section. There's like a bridge or maybe even call it a chorus. It only goes to it once the, I had to look, I had to go, I had to laugh. And it's really interesting how they go through it once, then there's that extra bar, like they keep doing, and then they change the chord progression and back off a bit. Like if you listen to the way the, you know, they're the same instruments, but they just back off and the feel changes totally. And it's such a great effect. Rather than ramping up a bridge, they almost like pull back a bit. And that really was unique. And it only happens once. It feels like a chorus to me, but it's right smack dab in the middle of the song. And I think it's two minutes and like 23 seconds or something. And this is definitely one of my favorites.Track 3:[33:43] Yeah, it's a good one. And the next one is a good one as well. It's got to hold the record for the longest title in Gord's solo oeuvre. Kirk mentioned a moment ago that there's a bit of everything on this record. And to me, the beginning of this song, just the very beginning, is shoegazy.Track 5:[34:00] Yes.Track 3:[34:00] Or it goes into a real punk sort of vibe. And it didn't start to break my heart until this afternoon. Justin, what have you got for us?Track 5:[34:09] So the line, we fought like two Irons, really stuck out to me. and it goes with Kirk. I don't know that this was the middle of a divorce. I think Gord is just polyamorous at this point because this project took seven years and in the middle of it, he released the third album, Grand Bounce. So he is just sleeping around. I love the punk, the hard driving, just we're going to beat the fuck out of this song.Track 4:[34:38] My first real positive experience with this song was driving to my show last weekend and it was like i said a nice day i was driving along and to me like i said it's a real good driving album and i was coming up to this i guess it was a school zone but it was a weekend so there's no school and there was a uh a flashing like speed limit sign it was like a happy face and as i'm driving by it's like it turns to a sad face because i guess i was a little bit above the limit i'm not a huge speeder but i found that kind of quite funny especially after the i just just listen to the line what is it um something about driving fast oh yeah drive drive it like we stole it yeah it's a great great line that's right and then later on there's the dishwasher loaded which i love because i i wish i could say that most of my music listening was in the car but i only have about a five minute commute to work so most of my listening is actually doing the dishes and so this is just a great song when you're doing the dishes and and dishwasher loaded it and it really really kind of got you know i.Track 5:[35:40] Had the same experience man that's.Track 4:[35:41] Found it pretty funny and i actually the first time i noticed that lyric i was actually had just put this open i was closing the door of the dishwasher and so it was just it was just perfect it's so funny yeah.Track 5:[35:51] That's amazing oh.Track 4:[35:53] And great harmonies too on the chorus like love those harmonies yeah.Track 6:[35:57] That's one thing you'll notice too when you watch those or or you see them like the the harmony part especially especially after what we had just experienced for the last three albums, you know, with the female voice going back to a male voice backing. I love that element that it brought to it. And I'm just gonna jump into the next song, Budget Shoes. This is one that I think has probably held the number one spot for me. I would say it's not necessarily still there, but it's been there more often than not. And maybe I'm far off on this, but being the American, one of the two Americans that really likes Canadian culture, it brought me back to Kids in the Hall for some reason. In fact, so much so, if you think of the Kids in the Hall intro, I actually looked it up to go hoping it was the sadies like that really would have made my day if it was the sadies that had done that song that's the intro to kids in the hall.Track 4:[39:34] There is there is a connection there and i hope i'm correct here but i believe i read that the dallas good the the younger brother who you know passed away recently who.Track 3:[39:44] Was the drummer.Track 4:[39:44] He he played so so the good family was a was a country family like they had like a family band and and the older brother travis actually played with his band and Dallas being younger he he went more towards punk and I believe it said that his first or one of his first bands was with one of the members of uh Shadowy Men is that the name of the band that does the theme yeah yeah.Track 3:[40:11] Shadowy Men oh.Track 6:[40:12] Wow nice it definitely was reminiscent of that uh the entire song to me is just brilliant and it it gives you I mean it It really just digs deep inside my soul going back to the ethereal. When Gord hits those moments of the desperation vocal that we heard a lot, not only in recording, but live when he was with the hip, that brought such a comfort to me, right? Knowing where the hip is at, knowing where Gord is at, knowing what's coming. Like this is three years prior to his passing. And just so thankful that we get another version of Gord. And that's really what it was to me is we got, we have the hip and we love that. We have these first three albums, but now we have another one. And it was, Justin, you mentioned it in his lyrics. It's like, I'm not trying to confuse anyone here. I got this great band. They've given me this good music and I'm just gonna give it, I'm gonna give it what's coming to me at the moment. so when he does his and i call it a desperation vocal i know exactly what.Track 5:[41:22] You mean when you say it though.Track 3:[41:26] Yeah.Track 5:[41:26] Yep. Yep. So I'm going to ask the Canadians in the room here about budget shoes because I did some research on this as well. And apparently there's a tradition in Canada that finance ministers buy a new pair of shoes before presenting the budget and they wear them on the floor. Or if they're pissed off about it, they don't.Track 4:[41:48] Oh, wow.Track 5:[41:48] And it's this thing that has happened since the 1860s.Track 3:[41:53] Jesus. Do they go bare feet? I mean, listen, I was a political science major, and I've never heard of it before, but that doesn't really mean anything.Track 6:[42:01] As the other American, I agree with what you say full-heartedly. Love it. Love that connection.Track 3:[42:10] Yeah, I think it's great.Track 5:[42:11] It was strange, but interesting. And I don't know if this song is a commentary on politics and that, or if it just works well with... I mean, this song sounds like, you know, we're sleeping in a tent in a winter storm unexpectedly in the middle of the desert, you know, and I've got nice shoes and you don't, you know, and I'm going to keep my feet and you're going to lose them to frostbite. I don't know.Track 4:[42:37] What I was thinking was I was imagining almost like an old Western movie. It's like sweltering hot in the desert. And yeah, they're camping overnight. Night and you know the most iconic thing you'll see in a western is that you know the shot of the cowboy boots and the pan up and and i'm just picturing this you know guy sleeping in his budget you know there's cheap shoes and that's kind of what i do balances on yeah yeah.Track 6:[43:04] Ouch shots fired they're.Track 5:[43:05] A great company and they.Track 6:[43:06] Make a fine shoe thank you we're not sponsored by any of these particular shoe brands yeah i mean budget shoes you talk about the westerns it's almost like a spaghetti western type feel just in that uh the guitar riff as well so.Track 3:[43:26] Oh, that's cool. I felt that, too. I wouldn't have put that together. All right, let's move on. Demand Destruction. Is it just me, Justin, or does this song feel very much like the Tragically Hip? Am I crazy?Track 5:[43:38] No, I don't think you're crazy about that at all. And this song is, I think, Gord kind of putting out his own views. Again, there's a notation at the bottom. The last one, Budget Shoes, was dedicated to Evan S. Connell, who was the author of the book about Custer where the title of The Grand Bounce came from. So that's a continuation. And then this one is dedicated to Dr. Helen Caldicott, who was an Australian physicist and anti-nuclear war advocate. And it just feels like a protest song to me. I really don't have a lot of notes about it. It's just a nice, fun tune. But there's definitely a message in there. And I think it's Gord speaking about, let's not fuck this up. and maybe some reverence for Dr. Caldecott. It says, I'm not a fan, I just like what you do. I don't know. I don't have a whole lot to unpack on this one.Track 3:[44:30] Right. Well, no, I think you unpacked quite a bit. Craig, what have you got for us?Track 4:[44:36] One thing I'll say about this song is I found maybe the snare was a little too biting for me. I found that if you if you were listening quietly it it just jumped right out of the mix to the point where you almost couldn't hear anything else and when you turned it up it just had just a little a tinge too much oh yeah you guys know who who mixed the album yeah so bob rock and i think he did a great job overall but it definitely you know he's known for those big huge drums and i just would have liked a little more balance i thought the snare was just a little peeking out a little bit too much the rest of the album i think it it works but maybe the song is the poppiest.Track 5:[45:17] I think of the of the songs on the album it's certainly.Track 4:[45:20] Radio friendly fairly typical like blues rock sort of yeah um riff at the start yeah.Track 3:[45:25] That's what reminds me it reminds me of something off of road apples you know oh yeah yeah that era.Track 4:[45:31] Yeah great great harmonies again especially in the chorus all.Track 3:[45:34] Right from there we get a change of pace with mandolin and organ off the top of devil enough. Am I right? Was it mandolin Craig?Track 4:[45:44] Um, yeah, I believe so. I need to go back and listen again. Um, yeah, this is the song I referenced earlier that was driving me nuts. Even today I was sitting there tapping my toes, like trying to figure out the time change. And I actually had this like theory about what they were doing with it, you know, how they're getting from one tempo to the next. And then I just realized after a while it's just feel it's all feel. And I won't even get into it, because there are some weird things that happen. And I think it is what Justin mentioned earlier, I think it's just that flexibility of, of like, you know, they're really pushing the tempo, bringing it back quite frequently. And so.Track 4:[46:25] Yeah, if anyone wants to transcribe this drum part for me and send it to me, I would love to see that because I would love to know mathematically how it works, but I'm pretty sure it is just like a feel thing. This was a song that really stuck out to me. I love that time change. Having said all that, it really, the first few times just really struck me. The guitar playing at the end, the sort of Nashville picking at the end is just amazing. There's a few songs that have those great guitar solos. I think often it's Travis, according to the videos I watched, although I believe Dallas will trade off solo sometimes too. There's the line, Streets Ahead, which of course is a song name from Now For Plan A. And I had just actually recently been watching Community. And I'm not sure if you guys know that reference, but there's a, you know, it's like a catchphrase of Chevy Chase's character. And I actually found a, I wondered if it was related and I found an interview where someone asked Gord that question and he's just like, what? He was so like, no, like what are you talking about? Which of course makes sense. I mean, you don't write books. All these songs you're not a prolific writer like gourd if you're if you're.Track 6:[47:36] Spending countless hours.Track 4:[47:39] Binging you know sitcoms with 120 episodes.Track 5:[47:44] Well and gourd gourd's a dan akroyd guy not a chevy chase guy.Track 6:[47:48] Yeah true hey going back to that the ending part craig yes uh you know they almost have a bluegrass feel in some of these instrumental type solos there's There's rock going on against a different instrumentation, which I absolutely love the devil enough to me almost was reminiscent of like your seventies kind of, you know, Barracuda and like the big songs that would have a slow intro and then rock out or go to another slow, but very seventies rock and kind of anthemic type of we're going to switch keys. We're going to switch tempos i very much got that but again going back to the swagger you feel the swagger in in the presentation of the lyrics at least from my perspective with gourd on this loved it loved it.Track 4:[48:43] Yeah there are some um really great songwriting techniques on this album that you can tell you know the sadies are just a pro band i think is it uh one of the guys from blue rodeo i believe was was quoted in the in the barclay book about saying that you know they're the world's greatest rock band and there's the little things like in this song they use the little bars of two to set up you know those changes and just lots of little things like that like an extra bar here an extra bar there it's just some really great little songwriting tricks what did you think justin i.Track 5:[49:14] Just this song you know growing up we only had like 10 or 12 channels on on tv and one of them was tnn the nashville network and so the grand ole opry was was on all the time, because we didn't have a choice. If it wasn't Hockey Night in Canada, it was TNN. And just this song, that run with the picking is really cool. It brought me back to late 80s, early 90s, just watching the hoedown.Track 4:[49:42] Not a country fan, but when I hear a great guitar player like that, though, like a great Nashville player, it really is great. This whole album isn't the type of music I would typically listen to. And I think that's why I gravitate more towards an indie rock feel, like the Battle of the Nudes. But man, this album is really, really solid.Track 6:[50:06] Yeah, it has a good... I mean, I know you guys say you don't like country, and I say it too. But I bet you you'd be surprised about what you do like that's country-esque. And so for me, when I think of country, I get turned away by some of the modern country. although I'm really digging some Chris Stapleton and some of these other guys I'm really digging. But like when I hear country, I think Kenny Rogers, Merle Haggard, I think Willie Nelson, I think, and I think we really do dig, even going back Hank Williams and even a little further, like when the, as you listen to, I love this that we're talking like, oh, we only had 10 channels and whatever else. And I'm going hockey night in Canada and the nashville network you know and throw in a little emma daughter's jug band christmas and that's my childhood and i'm happy and i love all that so i i i get what you're saying but this i mean the sadie's i think alt country i heard earlier from one of you guys that's very much the feel from devil enough you roll into i'm free disarray me justin you you inspired me because i I have the vinyl here with me. And so I quick looked at the bottom and I'm like, okay, I gotta catch this one cause I've missed all the other references that you mentioned. So you got Virginia Woolf, who's listed at the bottom of I'm Free Disarray Me. And when you do your research, you think about stream of consciousness.Track 6:[51:31] And that really, I think, kind of sums up your lyrics in this particular song.Track 6:[51:37] Swagger again it's it's it's it's it's the same but it's not i heard us all say that it's the same but it's not i i i loved where it went with this and it's bringing us down now right because we only have one more song we talked about the track listings and the order and now it's given us getting us i think this is kind of setting us up for saved at least me personally uh what you think craig.Track 4:[52:03] This was the first song that actually popped into my head just out of the blue one morning when i woke up because it took quite a long time for that to happen with this album i was still singing grand bounce songs you know every morning waking up and then one day it was that i was like wow okay and and same one thing i want to mention this is kind of, going off of what you're talking about with vinyl i was listening to this you know doing dishes.Track 4:[52:29] With you know on apple and the amount of times in the last few months of doing this you know this show with you guys listening to music and it glitches for just a second when i'm streaming and it just drives me nuts and so just that was one thing that i just had a note note about that that this album needs to be listened to on cd on on on vinyl anyways that was just a little pet peeve of mine and also the the snare again in this song was just a little a little much for me it was it was it was really up front and i i like loud drums typically in a mix but i just I don't know there there was it's almost like with the snare being that loud I'm missing a bit of the kick drum and speaking of which you guys must have noticed that the the bass players you know playing stand-up I had the thought a few times like I wonder and this is not to take away from what he's doing but I just wonder what it would have sounded like if they if they used an electric bass on this album because I found the bass to be not as prominent as on the last three albums you know there it wasn't sticking i don't think that's just part of the style of this band.Track 6:[53:38] Great i have a question though craig in when i look at the watch the videos oh yeah he has an he has an ampeg like he has a bass amp so he's taking a stand-up bass which traditionally you just mic or go straight into the board and he's he's running it through a traditional rock bass you know pickup bass right in through like the standard road hard ampeg so um so it gives it that good gritty sound but i will agree 100 it's not as prominent and i would like it to be a little bit more only just being a musician but it didn't didn't didn't dissuade me from my love for this album yeah.Track 4:[54:21] Not at all and i think it were like sometimes the best bass players are the ones you don't notice like they're just tight to the to the drummer and that's really all that matters but there was really only a couple times on this album where i where i noticed.Track 6:[54:34] Very accurate Accurate statement.Track 5:[54:36] This, I think, is my MVP. As a kid who was raised on prog, you fall into the song and just let it kind of take over. I don't know. I actually found, weirdly, a karaoke version of this on YouTube.Track 3:[54:52] Really?Track 5:[54:53] An instrumental version of this. No way. And I played the piss out of it just today driving. Driving and uh yeah it's it's really odd that this is the one that's an instrumental track for, yeah but just the phrasing of things lyrically and musically like he's it this doesn't sound like any other song that gourd has has put together as far as i'm concerned i.Track 6:[55:17] Love i love that connection with prog rock justin because you've mentioned that multiple times that that's something you love. And when you said it, I had not placed it until you said it. And I agree with you on that's a great, great, great description of it.Track 5:[55:31] There was a lot of references to the Sadie's covering Pink Floyd in live shows. And I'm like, oh, there it is right there. The song is that.Track 6:[55:42] The next one to the next one to could be, you know, Jim Ladd headset session, listening like with Pink Floyd.Track 3:[55:50] Oh, the next one is gorgeous, I think. It's the first slower tempo song that we have on the record called Saved.Track 5:[58:56] Again, I can't believe that the reviews said this album doesn't make sense because about halfway down, the plane starts to land, right? And every song from halfway on is just you're descending and you land perfectly softly unsaved. And this song also sounds a lot like Coke Machine Glow. And it's just really mellow and it's Gord doing his thing. and i i don't know i love it.Track 6:[59:26] Almost every album i feel like has had a an extended version of coke machine glow track to it i i i love that i i hadn't placed it until you just said that because i felt the same way about some of the other the other albums is there that could be on coke machine glow but you're exactly right and then he continues that theme as it goes almost like the uh like his is the poetry book.Track 3:[59:53] Craig is holding up his notes.Track 4:[59:55] Nobody else can see it. I said the exact same thing. Pattern of Ending solo albums and some hip albums with a track with a much different feel is what I had written.Track 5:[1:00:07] Which goes back to Road Apples.Track 4:[1:00:12] I really love the line the music is so loud that it flaps your pant leg. It reminded me a little bit of Yawning or Snarling. Just the line in that.Track 5:[1:00:23] Thank you. I would hold up my notebook if it wasn't typed out. Because that's exactly what I have to.Track 4:[1:00:30] We are, let's see, as of recording this episode, we are, what time is it there? We're about two and a half hours away from the 10 year anniversary of this album. Of the release of this album.Track 3:[1:00:41] Oh, get the fuck out.Track 4:[1:00:42] Yeah. Wow.Track 3:[1:00:44] Oh, wow.Track 4:[1:00:46] I just had to look it up yesterday. I was like, wow, that's pretty cool.Track 5:[1:00:48] Oh, shit.Track 3:[1:00:48] That is cool. Huh. I normally have them all in my calendar, and I don't have that in my calendar. Huh. Good find. Yeah, it's going to be, yeah.Track 6:[1:01:00] Good find, Craig. Great find.Track 5:[1:01:02] J.D., you have about two and a half hours to make a post.Track 3:[1:01:06] Any more unsaved?Track 5:[1:01:09] I don't know. I didn't pick it apart too much. I loved that imagery of the line, Craig, that you just mentioned. The music is so loud, it flaps your pant leg. And there's a really strange, it's almost not, rhythm to the way that he sings it. It would be really hard to transcribe that onto a, onto a sheet of music.Track 4:[1:01:29] I also enjoyed the, um, the, the, the, they finally played a bit without the drums, you know, like this whole album has been very much like a full band. And I mentioned last week, I believe that one of the strengths of, of country of miracles was that they had so many members that they could all just take a break every once in a while. They didn't feel the need to always fill up every space. This band's the opposite because they're, you know, there's just four of them and they, they, you know, they're very much a typical rock band where everyone's playing all the time and so i actually enjoyed that there was a bit of time at the start of the song without drums no no offense to the drummer um but sometimes you just need a break this.Track 6:[1:02:07] Song to me was the you know that that cup of coffee after dessert or you know the cigarette after sex it was that finisher it was uh it was that we're all in good, good, good company. I love the connection back with Coke Machine Glow. I love the connection back with that changing that ending song. But to me, it was, all right, more so than the others. It was like, okay, here's your big warm hug before whatever comes up next.Track 3:[1:02:39] Oh, I like it. It does feel like a warm hug. It's a very comforting song for me. I don't know why, but it chills me right out. It's a great cigarette after sex. Kirk, I love that. It's really tremendous.Track 5:[1:02:55] It sucks that this album was only a half hour long.Track 3:[1:02:58] I know. It's so strange after The Grand Bounce, which was nearly an hour. But again, these guys are just so efficient and economical.Track 5:[1:03:10] It's one good fast job, baby.Track 3:[1:03:12] That's right.Track 6:[1:03:14] So does- Hey, did you know that that is his second highest played single, or at least versus Spotify when I last checked? Does that not totally blow you away? Like at least if you just look in his Spotify category, I believe it's number two behind like the Chancellor, I think is probably the most sense. But now i'm now i'm gonna look sorry i'm gonna i'm gonna see if i can back my own research.Track 5:[1:03:43] So interestingly i i don't have hard copies of any of these albums so i'm i'm strictly listening on streaming i use the youtube music app i don't really care for the interface on spotify and there is zero existence of this album in that in that space so i had to download band camp and buy the album that way which i was happy to do yeah i love band camp but yeah i had to uh that's the only way I could find this lyrics.Track 6:[1:04:07] All right, gents. I did the research. I was incorrect by two. It's Chancellor, the East wind. Oh, I am lost.Track 4:[1:04:15] That's then one good. Mind blowing.Track 5:[1:04:17] No shit.Track 6:[1:04:18] Number four.Track 4:[1:04:19] Yeah.Track 6:[1:04:20] Like that. It's even in the top five to me over like.Track 4:[1:04:23] You know, it's a great song. These songs that I thought were more well-known. Wow.Track 6:[1:04:29] Thank you.Track 4:[1:04:29] Yeah.Track 6:[1:04:30] It's surprising to me that.Track 3:[1:04:32] Yeah.Track 5:[1:04:33] Well, even, Even the opener on this one, Crater, I mean, it has a great video too.Track 6:[1:04:39] Oh, that's right. That's right. It is a really cool video.Track 4:[1:04:43] So the album art's interesting too. Did you catch that there's the different members of the band on the album? There's probably about these portraits of like, I don't know, 50 people. And if you look carefully, you can find all of the members of the band. I did.Track 6:[1:05:01] I did, absolutely. It's, yeah, on the album.Track 5:[1:05:04] And the artwork and the sound and all that, it kind of reminded me of the Beatles. I don't know why. But there was something about it that was familiar.Track 3:[1:05:16] Beatles-esque.Track 5:[1:05:17] Yeah. Yeah.Track 6:[1:05:20] I could see that. I mean, especially from an artistic standpoint. Yeah. Very much can see that.Track 3:[1:05:26] Yeah.Track 5:[1:05:27] Overall, I was super happy that this was the next thing. And I wish that there had been another one to follow it.Track 3:[1:05:33] So does it stay in your rotation then, Justin?Track 5:[1:05:36] Mm-hmm.Track 3:[1:05:37] Yeah, it does. Craig, how about you?Track 4:[1:05:40] A couple of days ago, I probably would have said maybe not. It's an album I'll definitely pull out here and there. But no, I do think I really am enjoying it lately. And like I said, the turn of the weather really helped. This is, to me, a summer album, not a, I think, come winter, I'll put it away again.Track 5:[1:05:59] End but the i'm sorry but i got it before i forget it right we just had the eclipse as we're recording this and i was stuck in traffic it's a 17 minute commute to get home and it took me 90 minutes so i listened to this album three times on the ride home and it's a great even if you're stopped it's a great album to be in the car.Track 6:[1:06:20] It's going to hit the turntable for me on a fairly regular basis for a while. Like I said, Grand Bounce, I couldn't get it out of my head. And finally, it might even have been an I'm Free Disarray Me, just that very methodical line that came through that turned it for me. Me but i love i i love it absolutely love it in fact i'm i'm probably more excited about digging deeper into the sadies once this whole project is done the sadies and several other canadian bands that i'm not as familiar with that you guys have introduced me to and i'm very thankful for but uh yeah this this one's staying in the rotation if you've got any.Track 3:[1:07:02] Bands that are gore adjacent or canadian indie adjacent uh send them our way discovering downy at gmail.com And we'll be sure to read that email on the air.Track 5:[1:07:18] I will say that as much as I've enjoyed this album, I've also really enjoyed the songs that are not on the album that Gordon and Sadie have played together. The cover of Search and Destroy. Holy shit.Track 3:[1:07:32] Right, you sent that to us a few days ago.Track 5:[1:07:35] That song melted my goddamn face off. It was so good. So good. And it was like 7, 12 in the morning or something. I was like, all right, I'm out of bed now. This is awesome.Track 4:[1:07:45] One of the shows I found online was here in Vancouver at the media club. And I actually remember hearing about it. And I'm just kicking myself that I didn't get to that show. This is like a tiny, tiny, like this is where my original band a number of years ago did our CD release party. And yeah, there's maybe room for 80 to 100 people in there. would have been amazing.Track 3:[1:08:10] Oh damn that.Track 6:[1:08:14] Is definitely i don't have a lot of regrets gentlemen but not seeing any iteration of gourd solo is very much i'm glad video was around because but i would have really really really enjoyed.Track 3:[1:08:28] Seeing that feeling thousand percent live yeah.Track 5:[1:08:32] I go back to that sweaty basement uh in me in massachusetts and like dude i went to those shows all the time and I wasn't there.Track 3:[1:08:39] That's crazy so Justin you've already sort of given this away even though we we you know we tease it throughout the show and typically give it away at the end but we'll start with you and your MVP track.Track 5:[1:08:56] Yeah, it's totally I'm free, disarray me, which took me by surprise, but then it didn't totally. You know, after the way that by, you know, the music that my parents played when I was a kid, this song is just cosmic cowboy, trippy shit.Track 3:[1:09:14] Kirk, how about you?Track 6:[1:09:15] All right. Los Angeles Times.Track 3:[1:09:21] Excellent. I love that pick. I liked your pick too, Justin.Track 5:[1:09:25] That's the hometown.Track 6:[1:09:26] Oh, yeah.Track 5:[1:09:27] That's okay.Track 6:[1:09:28] And it definitely is not one that I would have really settled in on had it not been for our discussion today, honestly. Because almost every song on the album has really fallen into near the top. You know, Conquering Sun, Budget Shoes, I would say, of everything, those definitely hit that number one spot for me multiple times. But Los Angeles Times is the one that just kept coming back, and I just kept feeling, and I kept growing further, enamored with on all fronts. So that's my pick, and I'm sticking to it.Track 3:[1:10:03] Very cool. Craig, you?Track 4:[1:10:06] Yeah, I had a hard time picking a song. And I found, kind of like what Kirk said, there was almost less of a range between the songs I enjoyed and the songs I enjoyed less. They were all in roughly the same region, whereas the other albums, there was some tracks that right away really, really got to another level with me. I think this album maybe doesn't quite have quite the emotion that the first three did, which is usually what hits me when I really love a song. Usually it just grabs me emotionally. And this album didn't have that in the same way. my my go-to song here is is going to be uh it didn't start to break my heart until this afternoon, just just a good good punk rock song yeah just nice just a great yeah great driving tune and.Track 3:[1:11:00] Gets the blood flowing, right? And I agree with you about the previous three records. They're just sort of more raw and improvised feeling.Track 4:[1:11:08] And more range to them, right? This just feels... There was more... Yeah, just... More variety. Yeah, more...Track 3:[1:11:15] Dynamics. Yeah. Yeah.Track 5:[1:11:20] There was a point where critics were really starting to tear Gord and the hip down. Yeah. When this album was coming out. And they were like, all right, we get it. The soup's getting cold. It's the same shit over and over, year after year. The performances are boring. It's not great. And I think, I don't know, but I'm thinking that this album was Gord's big middle finger to those guys. I'm still doing this. He's 50 years old.Track 4:[1:11:49] Can you think of another artist that has done what Gord has done? He's now got three bands that are all so amazing. Yeah, that's right.Track 5:[1:12:01] At the same time.Track 3:[1:12:01] At the same time, yeah, you're right.Track 4:[1:12:03] Yeah, mind-blowing how much high-quality work he put out through his whole career, but especially in this middle chunk here.Track 3:[1:12:12] Well, and if you think about it, this is a perfect segue because beginning in 2012, he started work on the record we're going to talk about next week, which is Secret Path. And that record didn't see the light of day until 2016. 16. So even then with that record, he's assembled the band again, and it's a great band as well. So this guy is just producing at a level presumably around the same time he's doing Luster Parfait. Because he's working with Bob Rock pretty exclusively, right?Track 5:[1:12:49] Right.Track 3:[1:12:50] So, God, just fascinating what we're what we've gotten up to so far i can't wait we are halfway done his records we've got one more studio record and then god damn it three posthumous records uh it's going to be tough to get through those ones guys i know it yep anything else you want to say before we wrap things up i.Track 5:[1:13:15] Don't know i love it man i i love this project i feel like we're a broken record because we're all going to say the same thing and we'd say it every episode But this project has gotten me back into, just like you said, Kirk, discovering new music. Or it's new to me. Right. And I am finding so many new things that I didn't know I didn't know.Track 3:[1:13:35] Right.Track 6:[1:13:37] I'm i have been frightened from the beginning because you know you listen because it's your first time listening to a solo stuff for you know i was frightened every single album that, yeah i was going to be disappointed yeah yep and i just keep finding a new way to be enamored and i don't mind being that easy when it comes to gourd and what's going on uh you know i i we talked about, you know, my, my experience with the hip, you know, having to hear about it from friends and not having that, you know, immediate access to everything. So I'm thoroughly loving the fact that the emotion and the feeling that Gord and the hip, all the musicians he's been involved with on the solo, just keep raising the level. So I'm now just like, I'm, I'm, you know, what I like about this, you guys is you're nervous and worried. Now I'm not nervous and worried. I'm I'm just, I'm excited about listening to what's coming up and I'm so excited.Track 5:[1:14:37] If you, if you enter the, if you enter the room knowing it's going to be a mindfuck when you get there, it's perfect

Ryan talks with Josiah about what it's been like two years into high school, being a Christian in the eyes of his peers.

On this episode of The Rooted in Christ Podcast, Eric Stephens is sitting down with Christian rapper Shepherd.  Today, Shepherd shares how he has navigated being a Christian music artist who has performed in secular settings. He also shares the intricacies of working with a major label versus an independent label Shepherd's Links: https://www.instagram.com/shepherd_music?igsh=MXJrdTB4eHdmaGtkZw== https://www.instagram.com/legacydisciple?igsh=OHp1bDlvb2NxZ2N4 https://linktr.ee/shepherd_music?fbclid=PAZXh0bgNhZW0CMTEAAaYK6IQC43gRTGVDTPHBWhjDKxgd7ggGlsItaEugc5MQI74imF-pVgG9vlM_aem_AU2MiGPN-uoEZAei13aHjHloIW-SL1tbyRcoVwIFvjkYvEpyefL8ISDAa4XWBDHroS414wZQ2JeCr-QrOZCu1-FQ Redwood's Links:  https://linktr.ee/redwoodchristianministries 0:00 - Introducing Shepherd 2:46 - Shepherd's Background 6:50 - The Start of his Music Career 9:05 - The difference between a major label and independent label 11:38 - Advice for artists trying to honor God 14:17 - The death of his brother 24:47 - Shepherd's upcoming conference and how they're trying to impact people 33:47 - Who Shepherd is looking forward to collaborate with 36:40 - How to stay plugged into God in the music industry 39:51 - Let em know 41:54 - Closing prayers --- Support this podcast: https://podcasters.spotify.com/pod/show/redwood-christian-ministries/support

This week in the pod, the gang is up to their neck in the fantastic effort by Gord and the Sadies. You're gonna want to check this one out!Transcript: Track 1:[0:00] Hey, it's Craig here, and I just wanted to let you know that Christmastime in.Track 1:[0:03] Toronto is coming early this year. Join me and the Discovering Downey crew for the recording of our podcast finale, live at The Rec Room in downtown Toronto on Friday, July 19th. Long Slice Brewing presents A Celebration of Gord Downey, which will include a special in-person interview with Gord's brother, Patrick Downey. Spend the evening listening to your favorite hip tunes provided by the almost hip and help us raise money for the gourd downy fund for brain cancer research with a silent auction featuring incredible items up for grabs visit discoveringdowny.com for tickets or for more information about the event, let's have a toast for charity wickedness and most importantly hope.Track 2:[1:04] DOS Beauty I name my guitar My Beautiful Behor Everybody's coughing here And music's infiltrating work In the most pleasant way It's a system based on silverware Listening's an extrasensory Perception And talking the only psychic thing and I can dress you in my thoughts until you wear them. I've been taking care of my clothes like they're cattle. Try this shirt. It would look so good on you.Track 1:[1:42] Welcome, music lovers. Long Slice Brewery presents Discovering Downy. Hey, it's J.D.Track 2:[1:52] Here, and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The late frontman of the Tragically Hip gave to the world an extensive solo discography on top of the hip's vocal acrobatics that awed us for years. So far, he's released eight records in total, three of them posthumously. Now listen, you might be the biggest fan of The Hip out there, but have you heard these records? Because I'm an inquisitive podcaster, I enlisted my friends Craig, Justin, and Kirk, giant fans in their own right, to discover Downey with me, JD, as their host. Every week we'll get together and listen to one of Gord's records. We're starting with Coke Machine Glow and working from there in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by song. This week we're going to be talking about Gord's fourth record, and his first and only with the Sadies.Track 3:[2:58] Occurring son kirk from chino how the fuck are things with you buddy jd.Track 6:[3:04] I'm uh i'm back home after a little bit of travel it's been good travel um it's allowed me to really kind of soak this album in so i'm excited talking about it with you boys.Track 3:[3:15] Can you confirm this craig i'm kidding yeah how's it going pretty.Track 4:[3:20] Good yeah also looking forward to talking about this album them and it this one took me a little bit of time to get into but we'll talk about that i have been a little under the weather since the last recording it was about halfway through the last podcast i started feeling something coming on and just won't go away just a cold thankfully but yeah other than that things are well.Track 3:[3:41] Well that's good justin you've been a podcasting machine today are you spent or are you ready to talk shop with me i'm.Track 5:[3:49] Just getting started buddy.Track 3:[3:50] Yeah well let's get into it then and the conquering sun is the album we are discussing this week after three consecutive solo outings with some form of the country of miracles gourd wrote and produced this one with the sadies who had just come from supporting the hip on their world container tour Like so many, this marriage was consummated by the CBC, when the Sadies chose Mr. Downey to collaborate with, as was the program's premise. The Sadies are a Toronto-based and road-tested throughout Canada and beyond, with an original lineup consisting of Travis Goode, Sean Dean, Mike Belotiski, and Dallas Goode, who sadly passed away in 2022. This band, as I mentioned, is road-tested with buckets of swagger and chops for days. But how do you talk about The Conquering Sun? After the loose and improvised feeling of the last three records, this record is tight and economical. With a 30-minute runtime, I had to listen twice to get my walk in.Track 3:[4:55] Of the four records we've listened to so far, this one makes my Olympic podium for rock and roll with a hard-fought bronze medal, which is nothing to shake a stick at unless, of course, you're shaking the stick in a complimentary fashion. There is absolutely nothing wrong with this album. In fact, in my opinion, this record is the closest we get to a sound that is reminiscent of the hip, up and down on this record. The songs are screaming for radio play if only radio had been a factor upon its release in 2014. From the rip of Crater right through Saved, there isn't a missed opportunity on this record. I could go on about how much I like this record, na-na-na-na, blah-blah-blah, etc. You might be curious how I'm literally singing this album's praises, yet I've only ranked it third of four. I promise I'm not damning with faint praise. It's more that I loved the ceiling of the country of miracles, particles and the idea that we don't get a fourth effort from that entity bums me out a little bit so it's hard to go into this one with that ripple of bummed outness influencing me a little more than frankly i'd like but who cares what i think let's check in with the crew craig we'll start with you this week.Track 4:[6:04] Yeah this album like i i mentioned took took a few listens to get into um it's definitely not in you know it's not my favorite of the four we've heard so far but it's really just it's drastically different it just has a different vibe and there are a lot of things I really like about it and I think that my biggest realization is this this is a summer album this is a a nice weather taking a drive in the car putting the windows down this it's that kind of album and for the first couple weeks I didn't have that weather but but just past in the past few days we have and it's just it totally changed my outlook of this this album.Track 3:[6:45] I was on mute. Justin, what are your thoughts overall?Track 5:[6:49] Oh, I needed this one. I needed this album to get my headspace back into this. And I think I'm going to rank this number two so far out of the four. I actually really love this album a lot. And like Craig, it took me a minute to get into it, but something clicked and I have been listening to it at least two or three times a day every day since. And in the car, on my phone, with or without earbuds trying to get the different parts of the sound, and it kicks my ass every time. I really just like this album from start to finish. Every song kind of sounds the same, which makes it sound like one big long song, and I really kind of love that.Track 3:[7:28] Interesting. I can't wait till we break it down. What say you, Kirk from Chino?Track 6:[7:32] Like my brethren here, it took me a while. In fact, it took me a while because it almost felt like a divorce and maybe a bit of an affair Was going on with with our buddy Gord. I was so I.Track 6:[7:48] Immersed into what was happening with the country miracles and like you said in the beginning like the ceiling like i wanted more and i was so ready for more i had the vinyl of this one the last ground bounce i didn't and i listened to it and i knew there was something there but i was angry honestly i was angry because i wanted more as we had mentioned but man did it grow and grow row. I'm not going to rank it right now because every time I rank something, a day or two goes by and something happens. And I realized, oh man, that was, you know, the grand bounce. That was Coke machine glow that, and you know, every album that we've had a chance to listen to has been, I think in every slot, if that makes sense, depending on the time of day or what's going on. And and so again it just brings you back to joy because i didn't dive in when it was happening which of course i'm a little sad about but i'm so excited now that i'm like i'm really loving music discovery again i'm really loving listening to albums i'm really loving i don't care if it's in the car if i'm walking the dog if i'm sitting at work if i'm you know working on something on on the computer and I've got the music going.Track 6:[9:11] Like I have not spent this much time with new music. I say that in quotes because it's obviously not new, but it's new to me, new to us.Track 6:[9:23] And I'm just, I'm loving the ride. That's all I got to say. This one is the last two, I mean, like I'm going to be listening to these forever. And I'm going to try and preach the word and get some people to jump on board because it makes me sad when I look at Spotify or something and I see the honestly and don't jump on me. It's like the limited number of listens to the Gord stuff. I have friends that have put stuff out that have more downloads than that. I'm not saying that in a negative, I'm saying that in a like, that shouldn't be. That shouldn't be, so. Right. My diatribe's over, sorry.Track 3:[10:03] No, no. Well, that's why I was mentioning off the top too too, that it screams for radio play to me. It's very radio-friendly. There's nothing over four minutes. And fucking radio just didn't matter in 2014. So of course we were never going to hear this. Unless we were paying very close attention.Track 6:[10:26] Absolutely.Track 3:[10:27] Clearly we were not.Track 6:[10:28] Absolutely. Radio.Track 5:[10:29] Radio still matters to me. I'm a radio guy. I'm going to tell you that right now. Yeah. Love radio.Track 3:[10:34] Radio doesn't love you back though. That's the problem. Like it's getting stripped down and worn down and these formats, you know, like if you've got a, if you've got a local that you love, then by going to stand with it, right?Track 5:[10:47] Yeah, you're right. We have, we have a, I'm going to sidebar here for just a second. We have a great station here in Southern Vermont, WEQX, which is one of the last great independent alternative rock stations in North America. And they discovered No Rain by Blind Melon. They were the first one to play it. And they just got this great pedigree, and they love to play Gord's solo stuff. From 2020 on, there's been a lot of new Gord solo stuff that's really been great.Track 3:[11:19] Get up. Right.Track 5:[11:20] And it's kind of been hard to not listen ahead during this project. Wow. I don't know if they played any of the stuff from this album, but this would totally fit.Track 4:[11:28] Yeah, we once had a really awesome independent radio station down in Bellingham, Washington, which we could pick up in Vancouver. And they actually, their tagline was something like, we don't play Canadian music because we have to. We play it because it rocks or something along those lines. And they would play The Hip and Rush. and yeah that's the only american station i've heard that that played a ton of the hip and yeah of course about 15 years ago they got whatever bought out by chorus or someone and it's now just yeah yeah your standard rock radio well.Track 3:[12:02] Should we eradicate this problem and educate people on this record go through it track by track are we ready let's.Track 5:[12:10] Go sure yeah.Track 3:[12:12] All right we start with track one side a it's the classic rock tinged crater what did you think of this one mr greg.Track 4:[12:25] My dad uh came to vancouver from new zealand in 1965 to to buy a 65 chevy impala and this song crater is a 1965 chevy impala cruising down the road it's just a great rock and roll track yeah um man that snare drum is yes snare snare yeah it is it is there in the mix yeah definitely i didn't dive into the lyrics at all especially um the songs that were more kind of rocking i i just i was just enjoying them and the only thought i had lyric wise was um almost like an idea of like either you're you're the crater or you're the meter meteor And I was kind of thinking along the lines of there's that not so great Dire Straits song, Heavy Fuel, where he says, you know, sometimes you're the windshield and sometimes you're the bug. And that was kind of the... What i got out of the lyrics on this song.Track 6:[13:25] I i wonder in the lyrics and maybe you guys did further research that i didn't see like how much of it was gord how much of it was the gents from the sadies because i i knew the name the sadies but i honestly until this i had not really you know dove into some of their music and i think in one of our you know communications justin had mentioned that as well like he's doing a lot of listening to the sadies and and i try i you know my listening at first it's this is it's going to sound weird um i did a lot of listening at first obviously like through spotify or whatever else but it wasn't until youtube and i got to see these guys and they're wearing like their nudie suits is what it looks like you know and i just i just saw a bunch of them they had a big exhibit at the you know country music uh hall of fame and they were We're talking about that LA country and, you know, very much a country tinge, but, you know, they're using those hollow body guitars. And anyway, so back to lyrics, like what's the balance between Gord and the Sadie's? Did anyone find anything on that?Track 4:[14:30] My understanding is that they, that the Sadie's wrote the songs and Gord wrote the lyrics that, yeah. And it was recorded apparently over a number of years. This wasn't like an album that was done in one session, which I find surprising because like someone said earlier, it's, it sounds just like a, it's a great album. It, it really sounds like it was just tracked in one day or something. It's yeah, there's a.Track 6:[14:53] There's YouTube has a, uh, interview of, I think the Sadie's had just put an album out. It was like 2010 and Gord was with them and they, you know, obviously had some discussions about their, their time together. And in some of the research it talks about, this has definitely been a long-term type of thing. Great song.Track 5:[15:10] Yeah, there was a CBC fuse in 2007 is what put them together. So it took seven years for this album to come out from that first collaboration. Collaboration I really like the sound.Track 6:[15:21] From a musicianship standpoint ethereal is really the kind of the adjective that came to mind on a lot of the the guitar parts that the Sadie's had you know very much a hollow body type guitar going through either a Fender a lot of reverb I really liked that driving sound I really really liked it it was it was pretty prevalent throughout in my opinion anything.Track 3:[15:43] Else on crater i.Track 5:[15:46] Just yeah i mean this is gourd this is like this is a live show on a record um this one song particularly and he is giving it all he has what at the end of the second verse and if we record any of these songs this is the one i'm doing because this is a this is a screamer and it's so much fun to be it you know we don't want to we don't want to do it we want to be it this song is fun to sing, Yeah. So I also, I downloaded an app because I noticed my foot was tapping a lot faster at the end of the song than the beginning. And I, so I, I downloaded an app and it picks up 13 beats per minute from the start to the finish.Track 4:[16:29] Oh yeah. That's something I'm going to be talking about later. Cause I, it was driving me nuts. One of the songs I was trying to actually figure out what was happening mathematically and yeah. Okay. I'm glad I'm not the only one noticed.Track 6:[16:43] I love that. I love the time changes in a variety of different songs. I put them down in a few notes. But the one thing I really want to say before we dive into any more, long live the guitar solo. And there's quite a few guitar solos on this album, specifically Crater. And they're just, they're solos. They're good solos. And on the other albums, we'll call lead lines, but there's not a lot of solos. And I'm digging that, getting that back, because we haven't had that in the first three.Track 5:[17:15] Oh, yes.Track 3:[17:16] Nice. Well, the next one is sort of the titular track, but not quite. The Conquering Sun does what for you, Justin?Track 5:[17:27] When I look out the window and see Audette's Blue Spruce Farm across the street, That's kind of what I think about. I mean, it's getting on time to plant. And here it is as we record this. It's planting season and working the fugitive dust. Nature, please be good to us. You know, we just had this massively wet spring that wiped out a shit ton of the farms around here. That's, you know, before they even got started. For me, that's part of what this song is. There's also the line, she is more than a conqueror. And I wonder if that's a reference to Gord's wife, Laura, with her recent cancer battle. I don't know when this song was recorded in the timeline of all that, like what year this happened. But I interpreted it as possibly something that could be a reference to defeating the cancer. And the other thing that I really, it was a callback to We Are The Same is when Gord's, his vocal run during hearing, ooh, day is your word, night is the glue. He does that exact same thing in The Depression Suite. That very same run, the change, the pitch, the length, I love it.Track 4:[18:41] Yeah, I caught that too. That's great.Track 6:[18:43] Great song. It was one of those. I think I mentioned on the last time we spoke, there was not a definitive MVP for me. This one has fallen in and out of MVP, and it may fall back in at the end of this recording. morning. But that's one of the things that really showed me this was a great album, but specifically this song. I just felt immersed in it. And like I said earlier, Ethereal, again, another great solo, another great, that sound that the Sadies have. They have, these guys, what are they like six, five, six, six, they look like trees and they might be a buck or five soaking wet and the suits are barely hanging on them and he's just playing this you know telecaster like it's a little tiny you know a small ukulele and they just have this they they just have this presence and like i said it really wasn't until i i started seeing them that i i got the sadie's because when i was listening it didn't hit me as much and i was kind of hoping i don't know if i mentioned this earlier because they were on the world container tour and i was wondering if they were the opening band I didn't find anything that showed them specifically, but when I watch the videos, it doesn't bring a memory or recollection that I saw. I think it was Sam Roberts that opened for a lot of the shows that I saw here in California.Track 5:[20:06] I saw Joel Plaskett as the opener on that tour.Track 6:[20:11] Got it. Got it. Yeah. So I was kind of hoping that they were one of the openers. But you know now i'm really excited that you know just in the last couple of days i would say is really when my attention has gone towards them and when you start hearing and seeing how they crafted these songs together and how they worked so well with gourd and his phrasing and and so yeah love this love this yeah.Track 4:[20:38] The the sadies are actually on tour as we record this and i'm hoping to pick to go down to the the vancouver show uh so you might you might want to look at dates they They might be coming down your way.Track 6:[20:48] I hope so.Track 4:[20:48] Yeah, this song, to me, as soon as I heard it, it reminded me of Nico Case. And Nico Case is someone who's worked with the Sadies. And so it is very much that sort of alt-country vibe on this song. And this was probably the song that drew me in right away. Again, like Kirk said, it was in the contention for my MVP track for sure, which, like you, keeps changing. and yeah it's just just a great feel to this song.Track 3:[21:18] Yeah i couldn't agree more i think we're two for two so far on this record and we're gonna find out that let's go pretty even record it's a pretty even fucking record los angeles times has the aforementioned swagger dripping from it, Kirk, did you like this one as much as I did?Track 6:[25:07] I'm going to say yes, absolutely. But it didn't start out that way. This actually was one of my least favorite tunes after the first couple of passes. I just didn't quite get it. It was just kind of like, it was almost too much swagger at first for me. Because remember, I think we're in a divorce right now. I think this is an affair that's going on. So I'm a little adverse to the song and the album and almost everything because I still have his last, you know, that last record that just moved us all. It was still here. So there was this almost a betrayal, swagger, distaste that I had in the beginning. But listening to it, re-listening to it, listening to it in headphones, listening to it on vinyl, listening to it in the car, listening to it in the plane, listening to it in the hotel. The key changes, like we'd mentioned earlier, just another great solo, just great rock. And, hey, I'm an LA guy. So this one definitely turned and has also filtered through multiple times sometimes on the mvp track side so yeah to me it's three for three and i'm just gonna pre-call it for y'all.Track 4:[26:22] Yeah yeah i found this song to be um i was the same way i found the the progression to be a bit generic at first and so i didn't really love it right away but yeah it really grew and i think what makes it work is that this band is just so tight they're so i mean loose but Yeah, the tempo, you know, picks up and, you know, there's the push and push and pull, but they are such a great band that they can pull off anything. Just a simple strumming pattern and make it sound pro. And there's that thing you mentioned off the top, JD, the blah, blah, blah, et cetera, which I was wondering if, I'm sure you guys were thinking the music at work, live, Gord would do the et cetera thing. Did you find anything lyrically, Justin?Track 5:[27:10] Yeah. So there's a dedication at the end of the lyrics for Walter Van Tilburg Clark, who wrote The Oxbow Incident, among many other works. And that became kind of one of the great Western movies of all time. And it's about, the subject is these cowboys thought that one of their buddies got murdered and that somebody stole their cows. And then they found this group of three people that they thought did it and they hanged them. And then they found out that the guy survived and it wasn't them and you know it was just a big mess so it was it was the oxbow incident and uh yeah so it was a complicated story and but this isn't about the story it's about the author there are a lot of references to lines in the book or the movie but it's you know there's a line he was born and raised and moved away and that's about i think walter van tillberg clark who was born in maine but then his parents moved him to nevada and then he moved to in New York and then he went he was kind of all over the place beyond that I don't know it's, There's one thing that is a bit of a departure, I think, on this album is that the lyrics aren't too deep. There's not a lot of mystery in this album with Gord's lyrics. And I was hoping for more of that, but the research was a little easier than I wanted it to be on this.Track 4:[28:26] That was something I noticed too, is like there didn't seem to be as much to dig into.Track 4:[28:31] And once I kind of got past that and just started enjoying it, I really did grow to appreciate the album a lot more. It's funny that you mentioned the Oxbow incident because number one, a couple of weeks ago i was in la and we did did a couple studio tours and this is one of the movies they actually mentioned i forget if it was warner brothers or universal but it was shot at one of those two places in the next song so one good fast job one of my notes here is oxbow incident because of the line it says art shot said wellman to fonda so wellman the director and uh fonda the the star of the show so um nice kind of a neat little tie and i had no idea that the previous song had that reference so i'm glad you caught that this song i really love and this was the one i was um i found really interesting the the progression you've got like almost like a eight bar blues but then they throw in an extra bar so it's like this nine bar which just throws you off off balance a little bit once you once you hear it a few times it makes perfect sense but there's the lyric about drop you know planes dropping paper and dropping scissors and the chimps becoming regular wizards i think it is. And so that made me think of, there's a couple of Simpsons episode that reference like the infinite monkey theorem.Track 4:[29:46] What is it? Infinite monkeys, or give a monkey a typewriter and let it type for infinity. It would create, you know, Shakespeare. And you know, it would just some ridiculous theory that has, you know, been, you know, criticized heavily, but I wonder if there's something to that.Track 6:[30:03] Sorely discredited.Track 4:[30:05] And I really like, there's the line too about something about forget the commas. This is one good fast job. And it almost made me think of this album that they just like banged off this out. Like, let's not, let's just have fun. Let's just write some songs and let's not take ourselves too seriously. So those are my thoughts.Track 5:[30:23] Well, I think there was some controversy over the name of the band. And there are commas in that band name. And I think that they're just saying, you know, screw it. And like, nobody asked for this. We're just doing it. let us enjoy it. I did see a couple of interviews where Gord and members of the band were like, can we not dissect this? This is just rock and roll.Track 4:[30:44] Yeah.Track 6:[30:46] One thing in watching some of those videos that I had mentioned, the last two songs that we discussed that they had played, it was a Greenbelt Harvest Festival thing show that was on. They had almost every song on there and he was playing with the Sadie's and watching the crowd to me was actually quite entertaining because they just sat there and looked in bewilderment right because I don't know they obviously have probably some relationship with with the hip and who knows if they're early hit people or later hit people or die hard all the way but when Gord does the solo stuff and then if they're not familiar with the Sadie's they just sat there and looked like yeah why don't what are we experiencing here what what's what's going on and bewilderment was the note note that i wrote right.Track 3:[31:34] Right i mean this makes no sense to me fuck okay sorry uh continue.Track 6:[31:42] It man one good fast job and almost back to kind of those punk type roots and that driving rocking it it's uh who i jd like this album has everything and, Also, one thing I wanted to mention, I know we're not through it all, but I think they did a great job of tracking. I really felt good about where all the songs were. I needed Crater to get me going, even though I was still mad and angry, like we mentioned, and then Saved at the end that we'll talk about. It just was like, okay, I got a good, nice, warm hug. Thank you. you um which.Track 5:[32:26] You know what's amazing is there were so many reviews about this album that said it was not cohesive and inconsistent and like what the hell are you talking about and.Track 3:[32:36] Uneven and blah blah.Track 4:[32:37] Blah yeah what.Track 3:[32:38] The hell man agree.Track 4:[32:39] Yeah no that's a reviewer who read that it was you know recorded over many years yeah that's ridiculous like maybe if you gave it one or two listens but even then even the first listen i didn't love it but it sounded like an album yeah Yeah. One more thing about this song though, before, before we move on, I love the middle section. There's like a bridge or maybe even call it a chorus. It only goes to it once the, I had to look, I had to go, I had to laugh. And it's really interesting how they go through it once, then there's that extra bar, like they keep doing, and then they change the chord progression and back off a bit. Like if you listen to the way the, you know, they're the same instruments, but they just back off and the feel changes totally. And it's such a great effect. Rather than ramping up a bridge, they almost like pull back a bit. And that really was unique. And it only happens once. It feels like a chorus to me, but it's right smack dab in the middle of the song. And I think it's two minutes and like 23 seconds or something. And this is definitely one of my favorites.Track 3:[33:43] Yeah, it's a good one. And the next one is a good one as well. It's got to hold the record for the longest title in Gord's solo oeuvre. Kirk mentioned a moment ago that there's a bit of everything on this record. And to me, the beginning of this song, just the very beginning, is shoegazy.Track 5:[34:00] Yes.Track 3:[34:00] Or it goes into a real punk sort of vibe. And it didn't start to break my heart until this afternoon. Justin, what have you got for us?Track 5:[34:09] So the line, we fought like two Irons, really stuck out to me. and it goes with Kirk. I don't know that this was the middle of a divorce. I think Gord is just polyamorous at this point because this project took seven years and in the middle of it, he released the third album, Grand Bounce. So he is just sleeping around. I love the punk, the hard driving, just we're going to beat the fuck out of this song.Track 4:[34:38] My first real positive experience with this song was driving to my show last weekend and it was like i said a nice day i was driving along and to me like i said it's a real good driving album and i was coming up to this i guess it was a school zone but it was a weekend so there's no school and there was a uh a flashing like speed limit sign it was like a happy face and as i'm driving by it's like it turns to a sad face because i guess i was a little bit above the limit i'm not a huge speeder but i found that kind of quite funny especially after the i just just listen to the line what is it um something about driving fast oh yeah drive drive it like we stole it yeah it's a great great line that's right and then later on there's the dishwasher loaded which i love because i i wish i could say that most of my music listening was in the car but i only have about a five minute commute to work so most of my listening is actually doing the dishes and so this is just a great song when you're doing the dishes and and dishwasher loaded it and it really really kind of got you know i.Track 5:[35:40] Had the same experience man that's.Track 4:[35:41] Found it pretty funny and i actually the first time i noticed that lyric i was actually had just put this open i was closing the door of the dishwasher and so it was just it was just perfect it's so funny yeah.Track 5:[35:51] That's amazing oh.Track 4:[35:53] And great harmonies too on the chorus like love those harmonies yeah.Track 6:[35:57] That's one thing you'll notice too when you watch those or or you see them like the the harmony part especially especially after what we had just experienced for the last three albums, you know, with the female voice going back to a male voice backing. I love that element that it brought to it. And I'm just gonna jump into the next song, Budget Shoes. This is one that I think has probably held the number one spot for me. I would say it's not necessarily still there, but it's been there more often than not. And maybe I'm far off on this, but being the American, one of the two Americans that really likes Canadian culture, it brought me back to Kids in the Hall for some reason. In fact, so much so, if you think of the Kids in the Hall intro, I actually looked it up to go hoping it was the sadies like that really would have made my day if it was the sadies that had done that song that's the intro to kids in the hall.Track 4:[39:34] There is there is a connection there and i hope i'm correct here but i believe i read that the dallas good the the younger brother who you know passed away recently who.Track 3:[39:44] Was the drummer.Track 4:[39:44] He he played so so the good family was a was a country family like they had like a family band and and the older brother travis actually played with his band and Dallas being younger he he went more towards punk and I believe it said that his first or one of his first bands was with one of the members of uh Shadowy Men is that the name of the band that does the theme yeah yeah.Track 3:[40:11] Shadowy Men oh.Track 6:[40:12] Wow nice it definitely was reminiscent of that uh the entire song to me is just brilliant and it it gives you I mean it It really just digs deep inside my soul going back to the ethereal. When Gord hits those moments of the desperation vocal that we heard a lot, not only in recording, but live when he was with the hip, that brought such a comfort to me, right? Knowing where the hip is at, knowing where Gord is at, knowing what's coming. Like this is three years prior to his passing. And just so thankful that we get another version of Gord. And that's really what it was to me is we got, we have the hip and we love that. We have these first three albums, but now we have another one. And it was, Justin, you mentioned it in his lyrics. It's like, I'm not trying to confuse anyone here. I got this great band. They've given me this good music and I'm just gonna give it, I'm gonna give it what's coming to me at the moment. so when he does his and i call it a desperation vocal i know exactly what.Track 5:[41:22] You mean when you say it though.Track 3:[41:26] Yeah.Track 5:[41:26] Yep. Yep. So I'm going to ask the Canadians in the room here about budget shoes because I did some research on this as well. And apparently there's a tradition in Canada that finance ministers buy a new pair of shoes before presenting the budget and they wear them on the floor. Or if they're pissed off about it, they don't.Track 4:[41:48] Oh, wow.Track 5:[41:48] And it's this thing that has happened since the 1860s.Track 3:[41:53] Jesus. Do they go bare feet? I mean, listen, I was a political science major, and I've never heard of it before, but that doesn't really mean anything.Track 6:[42:01] As the other American, I agree with what you say full-heartedly. Love it. Love that connection.Track 3:[42:10] Yeah, I think it's great.Track 5:[42:11] It was strange, but interesting. And I don't know if this song is a commentary on politics and that, or if it just works well with... I mean, this song sounds like, you know, we're sleeping in a tent in a winter storm unexpectedly in the middle of the desert, you know, and I've got nice shoes and you don't, you know, and I'm going to keep my feet and you're going to lose them to frostbite. I don't know.Track 4:[42:37] What I was thinking was I was imagining almost like an old Western movie. It's like sweltering hot in the desert. And yeah, they're camping overnight. Night and you know the most iconic thing you'll see in a western is that you know the shot of the cowboy boots and the pan up and and i'm just picturing this you know guy sleeping in his budget you know there's cheap shoes and that's kind of what i do balances on yeah yeah.Track 6:[43:04] Ouch shots fired they're.Track 5:[43:05] A great company and they.Track 6:[43:06] Make a fine shoe thank you we're not sponsored by any of these particular shoe brands yeah i mean budget shoes you talk about the westerns it's almost like a spaghetti western type feel just in that uh the guitar riff as well so.Track 3:[43:26] Oh, that's cool. I felt that, too. I wouldn't have put that together. All right, let's move on. Demand Destruction. Is it just me, Justin, or does this song feel very much like the Tragically Hip? Am I crazy?Track 5:[43:38] No, I don't think you're crazy about that at all. And this song is, I think, Gord kind of putting out his own views. Again, there's a notation at the bottom. The last one, Budget Shoes, was dedicated to Evan S. Connell, who was the author of the book about Custer where the title of The Grand Bounce came from. So that's a continuation. And then this one is dedicated to Dr. Helen Caldicott, who was an Australian physicist and anti-nuclear war advocate. And it just feels like a protest song to me. I really don't have a lot of notes about it. It's just a nice, fun tune. But there's definitely a message in there. And I think it's Gord speaking about, let's not fuck this up. and maybe some reverence for Dr. Caldecott. It says, I'm not a fan, I just like what you do. I don't know. I don't have a whole lot to unpack on this one.Track 3:[44:30] Right. Well, no, I think you unpacked quite a bit. Craig, what have you got for us?Track 4:[44:36] One thing I'll say about this song is I found maybe the snare was a little too biting for me. I found that if you if you were listening quietly it it just jumped right out of the mix to the point where you almost couldn't hear anything else and when you turned it up it just had just a little a tinge too much oh yeah you guys know who who mixed the album yeah so bob rock and i think he did a great job overall but it definitely you know he's known for those big huge drums and i just would have liked a little more balance i thought the snare was just a little peeking out a little bit too much the rest of the album i think it it works but maybe the song is the poppiest.Track 5:[45:17] I think of the of the songs on the album it's certainly.Track 4:[45:20] Radio friendly fairly typical like blues rock sort of yeah um riff at the start yeah.Track 3:[45:25] That's what reminds me it reminds me of something off of road apples you know oh yeah yeah that era.Track 4:[45:31] Yeah great great harmonies again especially in the chorus all.Track 3:[45:34] Right from there we get a change of pace with mandolin and organ off the top of devil enough. Am I right? Was it mandolin Craig?Track 4:[45:44] Um, yeah, I believe so. I need to go back and listen again. Um, yeah, this is the song I referenced earlier that was driving me nuts. Even today I was sitting there tapping my toes, like trying to figure out the time change. And I actually had this like theory about what they were doing with it, you know, how they're getting from one tempo to the next. And then I just realized after a while it's just feel it's all feel. And I won't even get into it, because there are some weird things that happen. And I think it is what Justin mentioned earlier, I think it's just that flexibility of, of like, you know, they're really pushing the tempo, bringing it back quite frequently. And so.Track 4:[46:25] Yeah, if anyone wants to transcribe this drum part for me and send it to me, I would love to see that because I would love to know mathematically how it works, but I'm pretty sure it is just like a feel thing. This was a song that really stuck out to me. I love that time change. Having said all that, it really, the first few times just really struck me. The guitar playing at the end, the sort of Nashville picking at the end is just amazing. There's a few songs that have those great guitar solos. I think often it's Travis, according to the videos I watched, although I believe Dallas will trade off solo sometimes too. There's the line, Streets Ahead, which of course is a song name from Now For Plan A. And I had just actually recently been watching Community. And I'm not sure if you guys know that reference, but there's a, you know, it's like a catchphrase of Chevy Chase's character. And I actually found a, I wondered if it was related and I found an interview where someone asked Gord that question and he's just like, what? He was so like, no, like what are you talking about? Which of course makes sense. I mean, you don't write books. All these songs you're not a prolific writer like gourd if you're if you're.Track 6:[47:36] Spending countless hours.Track 4:[47:39] Binging you know sitcoms with 120 episodes.Track 5:[47:44] Well and gourd gourd's a dan akroyd guy not a chevy chase guy.Track 6:[47:48] Yeah true hey going back to that the ending part craig yes uh you know they almost have a bluegrass feel in some of these instrumental type solos there's There's rock going on against a different instrumentation, which I absolutely love the devil enough to me almost was reminiscent of like your seventies kind of, you know, Barracuda and like the big songs that would have a slow intro and then rock out or go to another slow, but very seventies rock and kind of anthemic type of we're going to switch keys. We're going to switch tempos i very much got that but again going back to the swagger you feel the swagger in in the presentation of the lyrics at least from my perspective with gourd on this loved it loved it.Track 4:[48:43] Yeah there are some um really great songwriting techniques on this album that you can tell you know the sadies are just a pro band i think is it uh one of the guys from blue rodeo i believe was was quoted in the in the barclay book about saying that you know they're the world's greatest rock band and there's the little things like in this song they use the little bars of two to set up you know those changes and just lots of little things like that like an extra bar here an extra bar there it's just some really great little songwriting tricks what did you think justin i.Track 5:[49:14] Just this song you know growing up we only had like 10 or 12 channels on on tv and one of them was tnn the nashville network and so the grand ole opry was was on all the time, because we didn't have a choice. If it wasn't Hockey Night in Canada, it was TNN. And just this song, that run with the picking is really cool. It brought me back to late 80s, early 90s, just watching the hoedown.Track 4:[49:42] Not a country fan, but when I hear a great guitar player like that, though, like a great Nashville player, it really is great. This whole album isn't the type of music I would typically listen to. And I think that's why I gravitate more towards an indie rock feel, like the Battle of the Nudes. But man, this album is really, really solid.Track 6:[50:06] Yeah, it has a good... I mean, I know you guys say you don't like country, and I say it too. But I bet you you'd be surprised about what you do like that's country-esque. And so for me, when I think of country, I get turned away by some of the modern country. although I'm really digging some Chris Stapleton and some of these other guys I'm really digging. But like when I hear country, I think Kenny Rogers, Merle Haggard, I think Willie Nelson, I think, and I think we really do dig, even going back Hank Williams and even a little further, like when the, as you listen to, I love this that we're talking like, oh, we only had 10 channels and whatever else. And I'm going hockey night in Canada and the nashville network you know and throw in a little emma daughter's jug band christmas and that's my childhood and i'm happy and i love all that so i i i get what you're saying but this i mean the sadie's i think alt country i heard earlier from one of you guys that's very much the feel from devil enough you roll into i'm free disarray me justin you you inspired me because i I have the vinyl here with me. And so I quick looked at the bottom and I'm like, okay, I gotta catch this one cause I've missed all the other references that you mentioned. So you got Virginia Woolf, who's listed at the bottom of I'm Free Disarray Me. And when you do your research, you think about stream of consciousness.Track 6:[51:31] And that really, I think, kind of sums up your lyrics in this particular song.Track 6:[51:37] Swagger again it's it's it's it's it's the same but it's not i heard us all say that it's the same but it's not i i i loved where it went with this and it's bringing us down now right because we only have one more song we talked about the track listings and the order and now it's given us getting us i think this is kind of setting us up for saved at least me personally uh what you think craig.Track 4:[52:03] This was the first song that actually popped into my head just out of the blue one morning when i woke up because it took quite a long time for that to happen with this album i was still singing grand bounce songs you know every morning waking up and then one day it was that i was like wow okay and and same one thing i want to mention this is kind of, going off of what you're talking about with vinyl i was listening to this you know doing dishes.Track 4:[52:29] With you know on apple and the amount of times in the last few months of doing this you know this show with you guys listening to music and it glitches for just a second when i'm streaming and it just drives me nuts and so just that was one thing that i just had a note note about that that this album needs to be listened to on cd on on on vinyl anyways that was just a little pet peeve of mine and also the the snare again in this song was just a little a little much for me it was it was it was really up front and i i like loud drums typically in a mix but i just I don't know there there was it's almost like with the snare being that loud I'm missing a bit of the kick drum and speaking of which you guys must have noticed that the the bass players you know playing stand-up I had the thought a few times like I wonder and this is not to take away from what he's doing but I just wonder what it would have sounded like if they if they used an electric bass on this album because I found the bass to be not as prominent as on the last three albums you know there it wasn't sticking i don't think that's just part of the style of this band.Track 6:[53:38] Great i have a question though craig in when i look at the watch the videos oh yeah he has an he has an ampeg like he has a bass amp so he's taking a stand-up bass which traditionally you just mic or go straight into the board and he's he's running it through a traditional rock bass you know pickup bass right in through like the standard road hard ampeg so um so it gives it that good gritty sound but i will agree 100 it's not as prominent and i would like it to be a little bit more only just being a musician but it didn't didn't didn't dissuade me from my love for this album yeah.Track 4:[54:21] Not at all and i think it were like sometimes the best bass players are the ones you don't notice like they're just tight to the to the drummer and that's really all that matters but there was really only a couple times on this album where i where i noticed.Track 6:[54:34] Very accurate Accurate statement.Track 5:[54:36] This, I think, is my MVP. As a kid who was raised on prog, you fall into the song and just let it kind of take over. I don't know. I actually found, weirdly, a karaoke version of this on YouTube.Track 3:[54:52] Really?Track 5:[54:53] An instrumental version of this. No way. And I played the piss out of it just today driving. Driving and uh yeah it's it's really odd that this is the one that's an instrumental track for, yeah but just the phrasing of things lyrically and musically like he's it this doesn't sound like any other song that gourd has has put together as far as i'm concerned i.Track 6:[55:17] Love i love that connection with prog rock justin because you've mentioned that multiple times that that's something you love. And when you said it, I had not placed it until you said it. And I agree with you on that's a great, great, great description of it.Track 5:[55:31] There was a lot of references to the Sadie's covering Pink Floyd in live shows. And I'm like, oh, there it is right there. The song is that.Track 6:[55:42] The next one to the next one to could be, you know, Jim Ladd headset session, listening like with Pink Floyd.Track 3:[55:50] Oh, the next one is gorgeous, I think. It's the first slower tempo song that we have on the record called Saved.Track 5:[58:56] Again, I can't believe that the reviews said this album doesn't make sense because about halfway down, the plane starts to land, right? And every song from halfway on is just you're descending and you land perfectly softly unsaved. And this song also sounds a lot like Coke Machine Glow. And it's just really mellow and it's Gord doing his thing. and i i don't know i love it.Track 6:[59:26] Almost every album i feel like has had a an extended version of coke machine glow track to it i i i love that i i hadn't placed it until you just said that because i felt the same way about some of the other the other albums is there that could be on coke machine glow but you're exactly right and then he continues that theme as it goes almost like the uh like his is the poetry book.Track 3:[59:53] Craig is holding up his notes.Track 4:[59:55] Nobody else can see it. I said the exact same thing. Pattern of Ending solo albums and some hip albums with a track with a much different feel is what I had written.Track 5:[1:00:07] Which goes back to Road Apples.Track 4:[1:00:12] I really love the line the music is so loud that it flaps your pant leg. It reminded me a little bit of Yawning or Snarling. Just the line in that.Track 5:[1:00:23] Thank you. I would hold up my notebook if it wasn't typed out. Because that's exactly what I have to.Track 4:[1:00:30] We are, let's see, as of recording this episode, we are, what time is it there? We're about two and a half hours away from the 10 year anniversary of this album. Of the release of this album.Track 3:[1:00:41] Oh, get the fuck out.Track 4:[1:00:42] Yeah. Wow.Track 3:[1:00:44] Oh, wow.Track 4:[1:00:46] I just had to look it up yesterday. I was like, wow, that's pretty cool.Track 5:[1:00:48] Oh, shit.Track 3:[1:00:48] That is cool. Huh. I normally have them all in my calendar, and I don't have that in my calendar. Huh. Good find. Yeah, it's going to be, yeah.Track 6:[1:01:00] Good find, Craig. Great find.Track 5:[1:01:02] J.D., you have about two and a half hours to make a post.Track 3:[1:01:06] Any more unsaved?Track 5:[1:01:09] I don't know. I didn't pick it apart too much. I loved that imagery of the line, Craig, that you just mentioned. The music is so loud, it flaps your pant leg. And there's a really strange, it's almost not, rhythm to the way that he sings it. It would be really hard to transcribe that onto a, onto a sheet of music.Track 4:[1:01:29] I also enjoyed the, um, the, the, the, they finally played a bit without the drums, you know, like this whole album has been very much like a full band. And I mentioned last week, I believe that one of the strengths of, of country of miracles was that they had so many members that they could all just take a break every once in a while. They didn't feel the need to always fill up every space. This band's the opposite because they're, you know, there's just four of them and they, they, you know, they're very much a typical rock band where everyone's playing all the time and so i actually enjoyed that there was a bit of time at the start of the song without drums no no offense to the drummer um but sometimes you just need a break this.Track 6:[1:02:07] Song to me was the you know that that cup of coffee after dessert or you know the cigarette after sex it was that finisher it was uh it was that we're all in good, good, good company. I love the connection back with Coke Machine Glow. I love the connection back with that changing that ending song. But to me, it was, all right, more so than the others. It was like, okay, here's your big warm hug before whatever comes up next.Track 3:[1:02:39] Oh, I like it. It does feel like a warm hug. It's a very comforting song for me. I don't know why, but it chills me right out. It's a great cigarette after sex. Kirk, I love that. It's really tremendous.Track 5:[1:02:55] It sucks that this album was only a half hour long.Track 3:[1:02:58] I know. It's so strange after The Grand Bounce, which was nearly an hour. But again, these guys are just so efficient and economical.Track 5:[1:03:10] It's one good fast job, baby.Track 3:[1:03:12] That's right.Track 6:[1:03:14] So does- Hey, did you know that that is his second highest played single, or at least versus Spotify when I last checked? Does that not totally blow you away? Like at least if you just look in his Spotify category, I believe it's number two behind like the Chancellor, I think is probably the most sense. But now i'm now i'm gonna look sorry i'm gonna i'm gonna see if i can back my own research.Track 5:[1:03:43] So interestingly i i don't have hard copies of any of these albums so i'm i'm strictly listening on streaming i use the youtube music app i don't really care for the interface on spotify and there is zero existence of this album in that in that space so i had to download band camp and buy the album that way which i was happy to do yeah i love band camp but yeah i had to uh that's the only way I could find this lyrics.Track 6:[1:04:07] All right, gents. I did the research. I was incorrect by two. It's Chancellor, the East wind. Oh, I am lost.Track 4:[1:04:15] That's then one good. Mind blowing.Track 5:[1:04:17] No shit.Track 6:[1:04:18] Number four.Track 4:[1:04:19] Yeah.Track 6:[1:04:20] Like that. It's even in the top five to me over like.Track 4:[1:04:23] You know, it's a great song. These songs that I thought were more well-known. Wow.Track 6:[1:04:29] Thank you.Track 4:[1:04:29] Yeah.Track 6:[1:04:30] It's surprising to me that.Track 3:[1:04:32] Yeah.Track 5:[1:04:33] Well, even, Even the opener on this one, Crater, I mean, it has a great video too.Track 6:[1:04:39] Oh, that's right. That's right. It is a really cool video.Track 4:[1:04:43] So the album art's interesting too. Did you catch that there's the different members of the band on the album? There's probably about these portraits of like, I don't know, 50 people. And if you look carefully, you can find all of the members of the band. I did.Track 6:[1:05:01] I did, absolutely. It's, yeah, on the album.Track 5:[1:05:04] And the artwork and the sound and all that, it kind of reminded me of the Beatles. I don't know why. But there was something about it that was familiar.Track 3:[1:05:16] Beatles-esque.Track 5:[1:05:17] Yeah. Yeah.Track 6:[1:05:20] I could see that. I mean, especially from an artistic standpoint. Yeah. Very much can see that.Track 3:[1:05:26] Yeah.Track 5:[1:05:27] Overall, I was super happy that this was the next thing. And I wish that there had been another one to follow it.Track 3:[1:05:33] So does it stay in your rotation then, Justin?Track 5:[1:05:36] Mm-hmm.Track 3:[1:05:37] Yeah, it does. Craig, how about you?Track 4:[1:05:40] A couple of days ago, I probably would have said maybe not. It's an album I'll definitely pull out here and there. But no, I do think I really am enjoying it lately. And like I said, the turn of the weather really helped. This is, to me, a summer album, not a, I think, come winter, I'll put it away again.Track 5:[1:05:59] End but the i'm sorry but i got it before i forget it right we just had the eclipse as we're recording this and i was stuck in traffic it's a 17 minute commute to get home and it took me 90 minutes so i listened to this album three times on the ride home and it's a great even if you're stopped it's a great album to be in the car.Track 6:[1:06:20] It's going to hit the turntable for me on a fairly regular basis for a while. Like I said, Grand Bounce, I couldn't get it out of my head. And finally, it might even have been an I'm Free Disarray Me, just that very methodical line that came through that turned it for me. Me but i love i i love it absolutely love it in fact i'm i'm probably more excited about digging deeper into the sadies once this whole project is done the sadies and several other canadian bands that i'm not as familiar with that you guys have introduced me to and i'm very thankful for but uh yeah this this one's staying in the rotation if you've got any.Track 3:[1:07:02] Bands that are gore adjacent or canadian indie adjacent uh send them our way discovering downy at gmail.com And we'll be sure to read that email on the air.Track 5:[1:07:18] I will say that as much as I've enjoyed this album, I've also really enjoyed the songs that are not on the album that Gordon and Sadie have played together. The cover of Search and Destroy. Holy shit.Track 3:[1:07:32] Right, you sent that to us a few days ago.Track 5:[1:07:35] That song melted my goddamn face off. It was so good. So good. And it was like 7, 12 in the morning or something. I was like, all right, I'm out of bed now. This is awesome.Track 4:[1:07:45] One of the shows I found online was here in Vancouver at the media club. And I actually remember hearing about it. And I'm just kicking myself that I didn't get to that show. This is like a tiny, tiny, like this is where my original band a number of years ago did our CD release party. And yeah, there's maybe room for 80 to 100 people in there. would have been amazing.Track 3:[1:08:10] Oh damn that.Track 6:[1:08:14] Is definitely i don't have a lot of regrets gentlemen but not seeing any iteration of gourd solo is very much i'm glad video was around because but i would have really really really enjoyed.Track 3:[1:08:28] Seeing that feeling thousand percent live yeah.Track 5:[1:08:32] I go back to that sweaty basement uh in me in massachusetts and like dude i went to those shows all the time and I wasn't there.Track 3:[1:08:39] That's crazy so Justin you've already sort of given this away even though we we you know we tease it throughout the show and typically give it away at the end but we'll start with you and your MVP track.Track 5:[1:08:56] Yeah, it's totally I'm free, disarray me, which took me by surprise, but then it didn't totally. You know, after the way that by, you know, the music that my parents played when I was a kid, this song is just cosmic cowboy, trippy shit.Track 3:[1:09:14] Kirk, how about you?Track 6:[1:09:15] All right. Los Angeles Times.Track 3:[1:09:21] Excellent. I love that pick. I liked your pick too, Justin.Track 5:[1:09:25] That's the hometown.Track 6:[1:09:26] Oh, yeah.Track 5:[1:09:27] That's okay.Track 6:[1:09:28] And it definitely is not one that I would have really settled in on had it not been for our discussion today, honestly. Because almost every song on the album has really fallen into near the top. You know, Conquering Sun, Budget Shoes, I would say, of everything, those definitely hit that number one spot for me multiple times. But Los Angeles Times is the one that just kept coming back, and I just kept feeling, and I kept growing further, enamored with on all fronts. So that's my pick, and I'm sticking to it.Track 3:[1:10:03] Very cool. Craig, you?Track 4:[1:10:06] Yeah, I had a hard time picking a song. And I found, kind of like what Kirk said, there was almost less of a range between the songs I enjoyed and the songs I enjoyed less. They were all in roughly the same region, whereas the other albums, there was some tracks that right away really, really got to another level with me. I think this album maybe doesn't quite have quite the emotion that the first three did, which is usually what hits me when I really love a song. Usually it just grabs me emotionally. And this album didn't have that in the same way. my my go-to song here is is going to be uh it didn't start to break my heart until this afternoon, just just a good good punk rock song yeah just nice just a great yeah great driving tune and.Track 3:[1:11:00] Gets the blood flowing, right? And I agree with you about the previous three records. They're just sort of more raw and improvised feeling.Track 4:[1:11:08] And more range to them, right? This just feels... There was more... Yeah, just... More variety. Yeah, more...Track 3:[1:11:15] Dynamics. Yeah. Yeah.Track 5:[1:11:20] There was a point where critics were really starting to tear Gord and the hip down. Yeah. When this album was coming out. And they were like, all right, we get it. The soup's getting cold. It's the same shit over and over, year after year. The performances are boring. It's not great. And I think, I don't know, but I'm thinking that this album was Gord's big middle finger to those guys. I'm still doing this. He's 50 years old.Track 4:[1:11:49] Can you think of another artist that has done what Gord has done? He's now got three bands that are all so amazing. Yeah, that's right.Track 5:[1:12:01] At the same time.Track 3:[1:12:01] At the same time, yeah, you're right.Track 4:[1:12:03] Yeah, mind-blowing how much high-quality work he put out through his whole career, but especially in this middle chunk here.Track 3:[1:12:12] Well, and if you think about it, this is a perfect segue because beginning in 2012, he started work on the record we're going to talk about next week, which is Secret Path. And that record didn't see the light of day until 2016. 16. So even then with that record, he's assembled the band again, and it's a great band as well. So this guy is just producing at a level presumably around the same time he's doing Luster Parfait. Because he's working with Bob Rock pretty exclusively, right?Track 5:[1:12:49] Right.Track 3:[1:12:50] So, God, just fascinating what we're what we've gotten up to so far i can't wait we are halfway done his records we've got one more studio record and then god damn it three posthumous records uh it's going to be tough to get through those ones guys i know it yep anything else you want to say before we wrap things up i.Track 5:[1:13:15] Don't know i love it man i i love this project i feel like we're a broken record because we're all going to say the same thing and we'd say it every episode But this project has gotten me back into, just like you said, Kirk, discovering new music. Or it's new to me. Right. And I am finding so many new things that I didn't know I didn't know.Track 3:[1:13:35] Right.Track 6:[1:13:37] I'm i have been frightened from the beginning because you know you listen because it's your first time listening to a solo stuff for you know i was frightened every single album that, yeah i was going to be disappointed yeah yep and i just keep finding a new way to be enamored and i don't mind being that easy when it comes to gourd and what's going on uh you know i i we talked about, you know, my, my experience with the hip, you know, having to hear about it from friends and not having that, you know, immediate access to everything. So I'm thoroughly loving the fact that the emotion and the feeling that Gord and the hip, all the musicians he's been involved with on the solo, just keep raising the level. So I'm now just like, I'm, I'm, you know, what I like about this, you guys is you're nervous and worried. Now I'm not nervous and worried. I'm I'm just, I'm excited about listening to what's coming up and I'm so excited.Track 5:[1:14:37] If you, if you enter the, if you enter the room knowing it's going to be a mindfuck when you get there, it's perfect

1 Peter 2:9-12 (Message) But you are the ones chosen by God, chosen for the high calling of priestly work, chosen to be a holy people, God's instruments to do his work and speak out for him, to tell others of the night-and-day difference he made for you—from nothing to something, from rejected to accepted.  Friends, this world is not your home, so don't make yourselves cozy in it. Don't indulge your ego at the expense of your soul. Live an exemplary life in your neighborhood so that your actions will refute their prejudices. Then they'll be won over to God's side and be there to join in the celebration when he arrives.www.BibleDeliverance.org

Daryl Ruiter talks about Deshaun Watson's progress in the rehab plan during OTAs, how the wide receiver market could create a challenge for the Browns moving forward, the impact of the kickoff rule changes with key players taking on increased roles and more. 

Yoav Zammir has become famous for his quirky videos on omegle where he talks to people from both the Pro-Israel and Pro-Palestine side and throws DJ remixes and beatboxing into the videos. He has garnered quite a lot of attention since October 7th and not only is he entertaining but very knowledgeable and articulate when it comes to debating the conflict. I had the pleasure of sitting down for a shmooze and we discussed his recent video with Hollywood actor and staunch Zionist Michael Rapaport and his thoughts regarding the future of the war. SUBSCRIBE, LIKE, AND SHARE!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/rafael-pinsky/message

Nevermind, I don't have time for this You see these diamonds in my eyes That means I shine for this Turn water into wine for this Make and serve dinner Bake dessert fiz irst Finish n sip syszurup Skip the slip Lizards Thistwerks biizerk Swerve yer learning curves Ya sure deserve this I don't be counting out bars For the verses Iceberg under the surface | | | You're the worst You deserve the Don't want none of that swag All black No brands All black What's that Don't ask Step back Just look at these hands Inside Outside Slide to the left Uptown Downtown I'm up next I'm a look around for a minute, Then dip Come take a trip Skip: A new mission I got to Turn around Put it down Take a breath Put it back Like damn What's that I run it over and over (uh) I better run for the coast (unh) If it's not open it's closed (it's not open) When it closes another one opens (I don't know) idk 2. Hubble | The Celvet Wave Yous a dick rider I am the decider of deciders I am the inspirer I still go side to side with it I'm higher than the hirer: ‍♀️ I fired you Eyes are getting wider and wider Wisest of the wiser, I sir— I surf-board, I sure does Ride ya Tidal That's the [Title] You can't tell me nothin I throw you in the dumpster I don't want to know you I don't owe you nothin Nonsense! I'm a walking art project You end up in the garbage (uh huh) (Alright ) (You know what it is) What it is— where we going What it is Where we going I was in the 212 Like, “Call me when the sky is blue” Devil is a liar, boo Double multiplier: two (Times two) Made the Times Square a cube! (Times two) (Tututu) I'm not gonna die till my eyes are Nylon Multilinguist, extinguished Klingon, Engllish KonichiwavhThis: My show's on No hoes exposed so I throw some clothes on Improv pros so I blow the show off So swole the whole house come down The whole house come down The whole house come down Woah Hi my blood Heavy like hot rain Waffles & Surup tho First 4 counts, Clips What the FUCK— DEX, (I got no Rolodex, not yet) I thought we were friends! Fuckthatshit (You're my sister, you're a snitch!) BangbangYouredead I'm the bay harbor butcher, Don't push me! That's how it ends (it is what it is) Can't make amends (I'm a genius, I guess) Drop the body Hide the prints! Now you're stuck inside my head I'll be back! No you won't Miami, ocean Deb is gone, now Deb's a ghost Put some rocks in, She no float (Salt water) Illuminati, swear to God (Work harder) Illuminati what the fuck Swear to God I wrote the plot What show you on? The one I wrote Illuminati stole my notes Now I'm Deb, And Deb's a ghost I call him Dexter, He the butcher Take a picture, Slit your *screams* I see what you mean Ice cream truck; First season, Deb's a prostitute, (I'm a COP) Finale season Deb's is gone, Deb's a ghost I am Dexter Slit your throat Illuminati stole my notes! Illuminati bugged my phone Caught me plotting I wrote new blood Woah sir, I'm awesome I know I wrote the plot for this I am not an officer, Not Illuminati Hahaha Charade you are I wrote the plot (Yes you are) Be careful sir! I wrote the plot! Somebody stole my google docs And hacked my phone Now Deb's a ghost Case closed. The case went closed Cause Deb's a ghost Harrison is in Los Angeles My new shit is coming on Not Illuminati God is plotting all the shows I ever wrote Deb is gone, cause Deb's a ghost. Better tha urs Hey victor I licked her Get a taste of my elixir; Like damn, I miss her! You're worthless; Papers, get served Surfs up I just swerved At work, just Do no disturb Put diamonds under this earth You're nervous; Suck my dick, sir Uh! Like damn Wait, this my track Nevermind just roll that back Like Uhh What was the hook Now this is the hook New password: Notebooks Like yeah— What's good? In Brooklyn reppin my hood Like yeah What's good? Alaska, Repping my hood Like yeah, What's good So Cal I'm back in my hood (South Side) Like yeah What's good In Cali Back in my hood (That's my hood) I am the new drill sergeant No McDonald's, bro Don't want that I got oats all on my stomach I got cornbread All in my notebooks Damn Got that? Bananas I make bread That's word— You're pigeons I'm rich, You're broke We're not synonyms; I'm the one who stole your divedends! WOAH What's that? Code words, I'm so indegenous Smoke signals I blow remedies I flow so hoes stay friends with me Snow globe Just don't throw hands at me! Yo! New York shit: Yeeted the pizzas New York shit Eating the pizza. New York shit Back in Manhattan New Person Black don't crack Don't crack Don't crack New hotel Back at the plaza That's a rap I'm a rapper I put the canon in camera Hammer pants Hiding the ass that you can't touch! Hey victor I licked her I'm sick of the metal defectors And shift work Shit hurts Get cursed I just surfed YO. (Loudy) Bubblegum Put em up! This is a stick up So Put em up! Stick you up Bubblegum Bubblegum I pull up Swift, I'm like Taylor I pull up Sticky like bubblegum Stick you up Here I come I got a lot of em, Hats and my habits is bad But I rob you doe Bubblegum Bubblegum Bubblegum Colors on colors But on my rims And my e da? This is chrome I aim at your dome Like “Where are you from?” Bitch are you dumb?! I don't even know you Get me a roll of the bubblegum Some for the homies Now open the drawer Like you're poppin a bubble: Gun/ Bubblegum Bubblegum Bubblegum Look Put em up! This is a stick up So Put em up! Stick you up Bubblegum Bubblegum I pull up Swift, I'm like Taylor I pull up Sticky like bubblegum Stick you up Here I come I got a lot of em, Hats and my habits is bad But I rob you doe Bubblegum Bubblegum Bubblegum Colors on colors But on my rims And my e da? This is chrome I aim at your dome Like “Where are you from?” Bitch are you dumb?! I don't even know you Get me a roll of the bubblegum Some for the homies Now open the drawer Like you're poppin a bubble: Gun/ Bubblegum Bubblegum Bubblegum Look 2 forte Guess the surfs up Watch me surf on Sunday After service (Church on Sundays) Pop up clubs, yuh Pop up all day Pop up /pop-tarts Pop up all day I'm that guy Can't close my eyelids Watch me fly by Friday, I'm up 5 days, ain't no day job makes this pay meant I got places to be I just shapeshift Can't explain this Limited action Guess this is Limited attraction I got limited edition hats In my backsplash, That's clutch Huh You brought a gun to a knife fight One punch man Got 3 hole punch That's right Now I'm up every night I got five eyes Remember that time that you Lied on me Lights on Get this I spin subliminal images Interest in the interest I mutated to Skrillex Get it? The best time to wear a striped sweater: Is never! You better do better, I'm never ever ready for sweater weather Tell Ever Ed Edd and Eddy Get ready for bed, Cause well fed and after dinner Dessert — I'm definitely the bread winner Smirk Shout out to cool herc My heart is purple, cause the world hurts Went into the army and deserted em I probably deserved to win, But I was not as Worth it as her, to sleep with Bitch which side you is in 8 male sandwhiches in My new kitchen Pay attention I love meat, But I don't eat chicken! Click click click I take your picture Paparazzi This is it I guess I'm Michael I'm a thriller I was big But I got thinner— What's up 2 forte Guess the surfs up Watch me surf on Sunday After service (Church on Sundays) Pop up clubs, yuh Pop up all day Pop up /pop-tarts Pop up all day I'm that guy Can't close my eyelids Watch me fly by Friday, I'm up 5 days, ain't no day job makes this pay meant I got places to be I just shapeshift Can't explain this Limited action Guess this is Limited attraction I got limited edition hats In my backsplash, That's clutch Huh You brought a gun to a knife fight One punch man Got 3 hole punch That's right Now I'm up every night I got five eyes Remember that time that you Lied on me Lights on Get this I spin subliminal images Interest in the interest I mutated to Skrillex Get it? The best time to wear a striped sweater: Is never! You better do better, I'm never ever ready for sweater weather Tell Ever Ed Edd and Eddy Get ready for bed, Cause well fed and after dinner Dessert — I'm definitely the bread winner Smirk Shout out to cool herc My heart is purple, cause the world hurts Went into the army and deserted em I probably deserved to win, But I was not as Worth it as her, to sleep with Bitch which side you is in 8 male sandwhiches in My new kitchen Pay attention I love meat, But I don't eat chicken! Click click click I take your picture Paparazzi This is it I guess I'm Michael I'm a thriller I was big But I got thinner— What's up I walk on the boulevard See my name on walk of stars This tattoo my code of arms Now I'm on the walk of stars School of rock All of you Dan suck my cock Rick and Morty M the doctor back to future Now I'm Marty What year you think this sprinter is I don't really give a shit! I want it so I bought it This shit is ten thousand verses “Deliver us from Eva “ What?! She's like, evil, I tell you! Ooh, I've never seen Eva Longoria as a villain before… Kinda. GABY You're not wearing that, are you? Why( what's wrong? Take it off now, Why what's wrong. Take it off now, or I'll kill you. With what, you're like 4 foot— [she rips open her dress revealing a GOD BODY AAAAAAHHH, MY EYES [traffix outside crashes] [plane falls from sky] Kinesthetics. [helicopter crash— Bigfoot is a peeping Tom; falls out of tree] That was worth it. Yeah. V.O. Once you start training in transit trainers, There's no going back. Two waist trainers, really. What, did you really think I was like— Jennifer Aniston I just thought you were two inches fatter. What?! It only adds like a centimeter! A centimeter is two inches on camera. I'm not doing anything on camera. I beg to differ. Don't beg, Jimmy Fallon In that other dimension: PLEASE. NO, PLEASE, just— NO. JIMMU FALLON. I'm not a writer. TINA FEY *gasp* AMY Shuunber —sure. Last night I set a fire ther burned at at lesst 750 degrees 1477 degrees— GO OH SHIT. 13 stories above Brooklyn, Atop of ancient holy lands I'm sure existed some several hundred thousand years ago HERE? LAND IT HERE. WHY HERE. Because it's there! There's nothing there! LAND IT TIGHT GET IT RIGHT GET IT RIGHT, Get it tight!!! {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Daniel Grossberg, the State Representative for District 30, discussed never missing a vote, never ignoring constituent, what he would do if he were in charge in Frankfort, and how to improve the Kentucky education system...

Life Outside Poker w/ Connor Richards is a new podcast for PokerNews that seeks to pull back the curtain on poker players and allow viewers and listeners to get to know them on a personal level. For the fourth episode, Connor spoke with Texas poker vlogger Nick of OnTiltPoker during the WPT Voyage about getting into content creation, boxing as a teenager, pulling a $25,000 bounty for Ben Ludlow and winning Joey Ingram's WPT Voyage giveaway. The interview features a cameo from poker vlogging godfather Andrew Neeme, who spoke about giving action on stream and his experience playing with On Tilt Nick. Plus, WPT Executive Tour Director Matt Savage wins an Omaha 8 event in the background. The Life Outside Poker podcast is available on major streaming platforms including Apple Podcasts, Spotify and iHeartRadio. You can also watch the interview with On Tilt Nick by heading to the PokerNews YouTube channel. Be sure to follow On Tilt Nick and Connor Richards on X. Time Stamps   TIME TOPIC   1:01 Growing up in Dallas & discovering poker   2:39 Working construction in Texas   4:45 Up $50k in 2024   6:40 Texas poker scene   9:00 Getting into vlogging   16:49 Punting to AbbyPoker   18:03 Biggest poker downswing   21:53 Andrew Neeme cameo   26:29 Winning Joey Ingram's WPT Voyage giveaway   31:15 Pulling $25k bounty for Ben Ludlow   33:43 Story behind On Tilt Poker   33:59 Matt Savage wins O8 event   37:10 Repping 3 Coin   38:14 What inspires On Tilt Nick?   40:04 Lessons from boxing

Jamaal Williams–who is possibly the biggest anime fan in the NFL–joins Nick and LeAlec to share why he reps anime so hard, the anime that's inspiring him, and who he would draft on his all-anime football dream team. First, Nick, LeAlec, and Leah gush over the new JUJUTSU KAISEN and JoJo's Bizarre Adventure merch, the return of the Black Butler English dub and The Quintessential Quintuplets, and they answer your burning anime questions. To bring your brand to life in this podcast, email podcastadsales@sonymusic.com. Black Butler -Public School Arc- English Dub Reveals Cast and Crew, Release Date JoJo's Bizarre Adventure Anime Collabs with REEBOK for Stardust Crusaders-Inspired Sneakers Loungefly Announces JUJUTSU KAISEN Backpack and Crossbody Bag Accessories The Quintessential Quintuplets Anime Continues With Honeymoon Arc Hunter x Hunter: Nen x Impact Fighting Game Shows Off 2D Action in 1st Trailer MAN WITH A MISSION Announces North America 2024 Tour Powered by Crunchyroll Learn more about your ad choices. Visit podcastchoices.com/adchoices

Start your day with the perfect blend of news and analysis from the world's game with the Morning Footy podcast. Download and follow Morning Footy on Apple Podcasts, Spotify or wherever you get your podcasts! The Morning Footy crew welcome in Columbus Crew goalkeeper Patrick Schulte to discuss the USMNT U23s incredible March camp, the MLS title defense, and his future aspirations. Schulte won the MLS Cup in his rookie season and also has one cap with the senior men's national team. They also chat about his goalkeeping idols. Morning Footy is available for free on the Audacy app as well as Apple Podcasts, Spotify, Google Podcasts, Stitcher and wherever else you listen to podcasts.  Follow the Morning Footy podcast on Twitter: @CBSSportsGolazo, @susannahcollins, @nicocantor1, @NotAlexis, @CharlieDavies9 For more soccer coverage from CBS Sports, visit https://www.cbssports.com/soccer/ To hear more from the CBS Sports Podcast Network, visit https://www.cbssports.com/podcasts/ Watch UEFA Champions League, UEFA Europa League, UEFA Europa Conference League, Serie A, Coppa Italia, CONCACAF, NWSL, Scottish Premiership, the Brasileiro, Argentine Primera División by subscribing Paramount Plus: https://www.paramountplus.com/home/ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

FRIDAY HR 4 Brew bus rules. Louie The Raccoon repping Florida Louis Gossett Jr passes Angelique working on a cruise Raw Calls - Whats good?

Alohi Gilman is a professional football player from the island of O'ahu. He was selected by the Los Angeles Chargers with the 186th pick in the sixth round of the 2020 NFL draft. After playing almost exclusively on special teams as a rookie, he contributed on defense the next two seasons as a third safety. He was then named the starting free safety for the 2023 season, starting 14 games while recording 73 tackles, three forced fumbles, and two interceptions. In this episode we talk about growing up in La'ie, how he chose to pursue football, his journey to the NFL, accelerated growth periods in life, the mindset of being limitless, and so much more. Enjoy! Find Alohi here: https://www.instagram.com/alohi_g/?hl=en Buy our merch on: https://keepitaloha.com/ Support us on Patreon: https://www.patreon.com/kamakadias Watch on YouTube: https://www.youtube.com/@KeepitAlohaPod/ Follow us on Instagram: https://www.instagram.com/keepitalohapod/ Follow us on Facebook: https://www.facebook.com/keepitalohapod/ Follow us on TikTok: https://www.tiktok.com/@keepitalohapod

We have one last stop in our study of the final week of Jesus' life here on earth, before arriving to the cross tomorrow. One more important lesson to teach this week. I so wanted to tell you all about the foot washing. I wanted to tell you about the last meal with Jesus. I […]

Jack McCallum is on the case of the Crispus Attucks Tigers, a young Oscar Robertson, and purloined glory in the heartland of hoops. In The Real Hoosiers, his 12th book, McCallum dives into why Indiana celebrates the 1954 Milan Miracle, and the film “Hoosiers,” more than Attucks. Repping a school community forced into existence in a “bewildering and openly racist big-city educational system,” future NBA assist king and players' union leader Robertson and his teammates won back-to-back Indiana schoolboy titles barely a decade after the competition was opened to Black schools. It was the first time anywhere in America that a Black team had won ‘State,' and that gets into some “freighted” history. Best known as a longtime NBA writer at Sports Illustrated, McCallum's basketball books include Dream Team, Golden Days, and Seven Seconds Or Less. He also detailed a personal health challenge in The Prostate Monologues.

Hedda Nadler, co-founder of Mount & Nadler, stops by The Business Brew to discuss her career as one of the leading marketing practitioners serving professional money managers. Mount & Nadler represents a broad range of clientele in the financial and investment spheres, with an emphasis on investment companies and money managers.  This conversation gives the perspective of one of the people behind the scenes of finance. Under Hedda's direction, Mount & Nadler is known among mutual funds, money managers and the media as a firm that provides excellent and responsive services whether the news is positive or negative. During her 40+ year career, Hedda also has ably handled PR for shareholder activists and lift-outs, as well as crisis counseling. Throughout, she has advised clients sensibly and effectively when dealing with the media. Sponsor Info: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Daloopa⁠⁠⁠⁠⁠⁠⁠ ⁠⁠is founded by a former hedge fund analyst to bring simplicity into the investment process. ⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Daloopa ⁠⁠⁠⁠⁠⁠⁠⁠⁠offers an AI driven single source for all company reported data, and allows for investment teams to make the most informed decisions in the shortest amount of time.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠Daloopa ⁠⁠⁠⁠⁠⁠⁠⁠⁠scales the velocity of an investment team's idea gen. Analysts spend less time locating and manually inputting meaningful disclosures into Excel and more time synthesizing in the minutes after the print. ⁠⁠⁠⁠⁠⁠⁠⁠⁠Daloopa ⁠⁠⁠⁠⁠⁠⁠⁠⁠captures data from all company reported sources, including from footnotes, MD&As, and investor presentations. ⁠⁠⁠⁠Daloopa's⁠⁠⁠⁠ data sheets include GAAP to non-GAAP adjustments, guidance, and all company specific KPIs. Each datapoint is auditable to the source for easy verification and accuracy. ⁠⁠⁠⁠⁠⁠⁠⁠⁠Daloopa's ⁠⁠⁠⁠⁠⁠⁠⁠⁠Excel plugin can also update your existing models for the latest quarter in just a single click. Bulge-bracket banks and major multi-managers are trusting ⁠⁠⁠⁠⁠⁠⁠Daloopa ⁠⁠⁠⁠⁠⁠⁠for use in initiating coverage, building and maintaining industry dashboards, and keeping their models up to date. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Daloopa.com/BusinessBrew⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to create a free account and learn more about how ⁠⁠⁠⁠⁠⁠⁠⁠⁠Daloopa ⁠⁠⁠⁠⁠⁠⁠⁠⁠can help increase your team's speed to differentiated insight.

Repping that northern attitude out in the wilds of New Hampshire, Ben True is a decorated runner across various distances who took 7th place in the 2021 New York City Marathon in his first race at that distance. He currently runs Northwood Athletics, a grassroots effor to grow the next national running hub for all distances, all surfaces, and all abilities. We had a great conversation about his career, training solo, and why the East Coast has our hearts on lock. Learn more about Northwoods: https://www.northwoodsathletics.com/Follow Ben on Instagram: https://www.instagram.com/benjtrue/

Brahkruz is a content creator from the island of O'ahu. His bio reads: Sometime between the abolishment of the kapu system and when Josh Green became governor, Brahkruz was born. He spent most of his life in Kane'ohe. One day he made fun of the City & County and told a bunch of haoles at Sandys Beach to GEDOWT. Today he spends his days waiting on the Hawaiian Homes list, doing bad jokes at open mics, and making shirts that may or may not have any meaning at all. His hope is to show others that if some dummeh from the 4-4 can chase dreams then so can you. Unless your dream is Hawai'i becoming independent again... dat one is kinda nuts. In this episode we talk about his life in the 4-4, how he got into making skits on social media, today's political climate, online trolls, trying to make real change in Hawai'i, and so much more. Enjoy! Find Brahkruz here: https://www.instagram.com/brahkruz/ Buy our merch on: https://keepitaloha.com/ Support us on Patreon: https://www.patreon.com/kamakadias Watch on YouTube: https://www.youtube.com/@KeepitAlohaPod/ Follow us on Instagram: https://www.instagram.com/keepitalohapod/ Follow us on Facebook: https://www.facebook.com/keepitalohapod/ Follow us on TikTok: https://www.tiktok.com/@keepitalohapod

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The rapper Vince Staples can kind of do it all, even if he doesn't see himself as any sort of celebrity. “The Vince Staples Show,” which Vince wrote and stars in, just might change that. It's a funny and honest semi-autobiographical story about a guy named Vince Staples who's navigating fame while also rubbing up against his past life in Compton and Long Beach. Vince tells Tom all about it.

On this episode the Step Brothas team up with the dynamic multi talented Canadian Will Haze to discuss all things Canada. Step into our world a perspective on real ninja sht. Repping the culture weekly on Spotify, iTunes, Google Play, Iheart, and anywhere you get your podcast. Visuals at YouTube and #IGTV Black Bear Digital

WWT chops it up with international wrestler Joseline Navarro to talk about advice she got from Mark Henry & Jazz and making it in the business. Join this channel to get access to perks: https://www.youtube.com/channel/UCFdBQ7GppuiNvITfZ2M_KuA/join HELPFUL LINKS: Website - [https://wwtalkpod.com] DONATE: [https://cash.app/$WWTalkPod/] [https://ko-fi.com/wwtalk] LISTEN: Apple Podcasts: [https://apple.co/3hIUnlx] Spotify: [https://spoti.fi/32CGbGL] LIKE AND FOLLOW: Follow us on Twitter - [https://twitter.com/wwtalkpod] Like us on Facebook - [https://www.facebook.com/wwtalkpod] Follow us on Instagram - [http://instagram.com/wwtalkpod] ABOUT WOMEN'S WRESTLING TALK : The #1 Women's Wrestling Show on the Planet, showcases news and interviews with top female wrestlers and professionals throughout the industry. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for use & for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. --- Send in a voice message: https://podcasters.spotify.com/pod/show/womens-wrestling-talk/message

Welcome to the Damn dude Podcast!This is Season 3, Episode 70- Men who are fully secure in themselves- DDP, 3 year anniversary around the corner- No need for credit or attention- Not being a huge sports fan, what are the advantages?- Being free from celebrity and major political distractions- Knowing what we stand for- When we don't involve ourselves in b.s. convos about "stuff"- Liking the styrofoam more than the gift itself- Using our darkness- Merging and harmonizing our inner light and darkness- When we're clear in our direction and purpose- Repping another mans last name- Upcoming interview/podcast plans LOVE ALLRemember to say 3 things you're Grateful for every morning and every night!- Available on all major platforms!@RealCaliforniaCal@DamnDudePodcasatAvailable on all major platforms: https://damndudepodcast.buzzsprout.com/- Apple Podcasts- Buzzspout- Spotify- Audible- Google Podcasts- Amazon Music- iTunes- Stitcher- iHeart Radio- TuneIn + Alexa- Podcast Addict- PodChaser- Pocket Casts- Deezer- Listen Notes- Player Fm- Podcast Index- Overcast- Castro- Castbox- Podfriend- YouTubeDaaaaaaamn Duuuuuude!!!!!Be sure to leave a 5 Star written review on Apple Podcast/Listen Notes! :)If you love and support the movement and the show, please feel free to make a donation to the Damn Dude Podcast!(link below)Much Love, Love All.#WeCleanPlanet Info:https://www.wecleanplanet.com/To Donate to #WeCleanPlanet:https://www.paypal.com/donate/?cmd=_donations&business=sebastian%40wecleanplanet.com&item_name=Unite+and+Empower+Community+Leaders+for+a+CleanPlanet¤cy_code=USD&source=urlTo Donate to the Damn Dude Podcast:CashApp: $DamnDudePodcastor PayPal:Support the showIG: @RealCaliforniaCalCash App: $DamnDudePodcast

Today we sit down with Mike Rhines the new Outside Sales Manager for Car Candy Products. We explore making a shift from being a business owner to becoming a Supplier rep. What was challenging in the transition? What motivated him to make the move? We also discuss what new products are coming out of Car Candy in 2024. We also ask the question, "What is it like working for Meghan Pourier, a true legend in the industry?" Guest: Mike Rhines Car Candy ProductsHosts:Jody Sedrick and Rod PuzeyRoadFS Software - https://RoadFS.comThe RoadFS PodcastFollows on Instagram and TikTok as well @RoadFS   @JodySedrick 

On today's episode, Bret Boone welcomes on actor and comedian Adam Ray to talk about Adam's Seattle Mariners' fandom and Bret's playing days in the city, the MLB All-Star game in Seattle last season, his career in comedy, dealing with hecklers and negativity, the grind of being a working actor and more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week on the Roach Koach podcast Lorin and Matt welcome Zack and Brian from Louisville Loves Emo/Nu-Metal talk all about the origins of their emo night (25:00), predicting the return of Emo and Nu-Metal, the lessons of putting on such an elaborate show, whether or not to include a chainsaw, and more! Make sure to check out Louisville Love Emo on Instagram and check out their upcoming shows, Louisville Loves Emo December 2nd at Headliners Music Hall in Louisville, Kentucky and Louisville Loves Emo at Madison Live in Covington, Kentucky on January 13th 2024. Also in this episode:-PitFest!-The return of My Ticket Home???-Who's Repping the Roach?-Vandals Can't Handles II: Rise of the RoachTake a listen!Rate and review Roach Koach on iTunes! We'd appreciate it! Questions about the show? Have album recommendations? Just want to say hi? We'd love to hear from you! Contact the show @RoachKoach on Twitter, Roach Koach on Facebook , Roach Koach on Instagram, or send an email to RoachKoachPodcast at Gmail. Follow the show on Youtube and TikTok!

The  @HouseOfGloryWrestling  Cruiserweight Champ, Joins me to talk, anime and Hip hop influences in his character fromm Afro Samurai, Wu Tang and more. Repping the house of glory Flag where ever he goes, His love anbd passion for pro wrestling and more. Check the LINK TREE BELOW for more content and Merch https://linktr.ee/StraightTalkWrestling

What's the connection between Deion “Coach Prime” Sanders and the Philadelphia Phillies? As we watch Bryce Harper and Nick Castellanos return to Philly rocking Coach Prime and CU Buffs gear, we have to wonder why. Join host Suzie Hunter on the DNVR Rockies Podcast, recorded LIVE at DNVR HQ at Colfax & York! An ALLCITY Network Production PARTY WITH US: http://bit.ly/3D9aqH1 ALL THINGS DNVR: https://linktr.ee/dnvrsports SUBSCRIBE: https://www.youtube.com/c/DNVR_Sports WIN MONEY THROUGH SPLASH SPORTS: https://splashsports.com/dnvr  Visit https://www.breckenridgedistillery.com/bourbon-of-denver-broncos/ for your chance to win Breckenridge Distillery prizes AND Broncos tickets!! Download the Gametime app, create an account, and use code DNVR for $20 off your first purchase. AG1 is going to give you a FREE 1 year supply of immune-supporting Vitamin D AND 5 FREE travel packs with your first purchase. Just visit https://drinkAG1.com/ROCKIES and enter promo code “Rockies” Use Code: DNVR for 50% off 2 or more pairs of polarized sunglasses at https://ShadyRays.com  Check out https://pinsandaces.com and use code DNVR to receive 15% off your first order and get free shipping. Check out FOCO merch and collectibles here https://foco.vegb.net/DNVR and use promo code “DNVR” for 10% off your order on all non Pre Order items. bet365: Go to https://www.bet365.com/olp/open-account?affiliate=365_02162536 or use code DNVR365 when you sign up! Must be 21+ and physically located in CO. Please gamble responsibly. If you or someone you know has a gambling problem and wants help call or TEXT 1-800-GAMBLER  When you shop through links in the description, we may earn affiliate commissions.  Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you're a longtime listener of our podcast, you already know NOT REAL ART strives to make art accessible to everyone—not just a privileged few. Today's guest shares a similar mission: As the co-founder of UNREPD, a cutting-edge L.A. gallery that seeks to represent the underrepresented, Sarah Griffin offers a safe space for artists to sell their work without the pretense that comes with typical “white cube” galleries. “As long as we're doing what feels great, what we like, what we're excited about, that's how we stay on the right path,” she says. In today's podcast episode, host and NOT REAL ART founder Scott “Sourdough” Power sits down with Sarah Griffin to discuss the consultant's ongoing work with marginalized artists and communities. “People have been told that there's a ‘right' way to do [art],” she says. “Somewhere along the line, people are told that there's a way to make real art. There's a way to make good art. There's a way to look at art. There's a way to understand art. This is what you're supposed to feel about this artist because this is a good artist—all of that is bullshit. None of that is real.”Sarah co-founded UNREPD in 2019 after she met Tricia Benitez Beanum, an estate sale specialist and interior stylist who owns the Pop Up Home vintage showroom. The two quickly bonded over their shared vision to advance the careers of overlooked artists by introducing them to a new collector base. “[Tricia and I] are both outsiders,” Sarah says. “Neither of us came through the art world. We think that that works to our benefit because we have something a little bit different to say.” In this episode, Sarah explains how UNREPD sets itself apart from the cold, unfriendly galleries that intimidate artists and buyers alike. She also shares advice for emerging artists and waxes poetic about the artists who call UNREPD home. Don't miss our conversation with a true trailblazer, gallerist Sarah Griffin.Key Points From This Episode:How Sarah and Tricia discovered their mutual passion for representing the unrepresented. The different perspectives that they bring to the art world as “outsiders.”Why she believes that art should be about feeling, not knowing.The “buy it because you love it” approach that she takes with collectors.Reframing art as a necessity, not a luxury.How to find high-quality, original, affordable art that fits any budget.The special place that Chicago holds in Sarah's heart.Overcoming the unique challenges that come with running a gallery like UNREPD.Ways that UNREPD sets itself apart from typical “white cube” spaces.Highlighting some of the incredible artists that Sarah is working with.Insight into how UNREPD has built its stable of artists.Why Sarah emphasizes that there is no “right” way to make or consume art.The role that relationship management plays for gallery owners.For more information, please visit http://notrealart.com/sarah-griffin

I'm Josh Cooperman and this is Convo By Design Today, I'm speaking with Atlanta based designer, Andi Morse about balance, vibe and having it all. Or getting as close to it as one can. Born and raised in Atlanta, Andi is married to her college sweetheart and the mother of three daughters. Family comfort is the central influence to her interior design philosophy, and one of the core values of Morse Design. One's home must reflect the lifestyle of the occupants and resonate with both beauty and functionality. Her passion for creating comfort and style with a southern elegance and grace drive her creative vision. Nothing makes Andi feel better than the happiness on a client's face at the end of a project. That's in the bio. What isn't mentioned in the bio are the finer nuances in her approach to the work. There is a fun-elegance to the work that appears to be evident in every space regardless of size or color palate. Her approach is layered and collected. You will see an active pursuit of joy and that is one of the things I think I love most about her work. I think you will too. Designer Resources ThermaSol - Redefining the modern shower experience. Episode 271 featuring Mitch Altman Moya Living -  Beautiful, durable powder coated kitchen, bath & outdoor kitchen cabinetry Design Hardware - A stunning and vast collection of jewelry for the home! The Oasis Alliance - Providing design to those in need. Thank you Andi, loved our chat and truly appreciate the time. Thank you to Convo By Design partners and sponsors, ThermaSol, Moya Living and Design Hardware. You make this show possible and I truly appreciate you. Speaking of appreciation, thank you for listening, subscribing and downloading the show. Without you, what's the point. Please keep sharing this little podcast, entering our 11th year with some truly fun things in store over the coming weeks and months. Did you catch our first episode of Drinking About Design? We're drinking and telling design stories! More on the way. Thanks for listening, until next week, be well and take today first. -CXD

Ever wonder how your favorite reality TV stars make a living off of that influencer lifestyle?  Repping reality show contestants from shows like The Bachelor, MTV's The Challenge, and Love is Blind, Courtney Bagby, CEO and founder of Little Red Management, drops by the studio to explain the strategy behind brand and reality TV partnerships.   She and Daniel break down the intersection between social media and celebrity and discuss how reality show contestants keep their engagement alive over time.  Courtney also explains why reality TV influencers must become a brand themselves in order to attract brand partnerships and why video content is vitally important to any influencer. Plus, find out what marketing hill she and Daniel both would die on.   0:00 Intro/Background 1:49 How Reality TV Partnerships Work 3:50 Keeping Influence Alive 7:50 Aligning Content to Brands 18:00 Brand Platforms 22:00 Sample Campaigns 26:15 A Hill to Die On 30:25 Follow Us   Follow Courtney:  Website: https://www.courtneybagby.com Instagram: https://www.instagram.com/littleredmgmt/?hl=en     Follow Daniel: Twitter: https://www.twitter.com/Dmurr68 LinkedIn: https://www.linkedin.com/in/daniel-murray-marketing   Sign up for The Marketing Millennials newsletter:  www.workweek.com/brand/the-marketing-millennials   Daniel is a Workweek friend, working to produce amazing podcasts. To find out more, visit: www.workweek.com

Ime Udoka Repping Houston Rockets At NBA Draft Lottery, Pursuing Jaylen Brown Just Got Harder & MoreHost Jackson Gatlin (@JTGatlin) discusses Ime Udoka representing the Houston Rockets at the NBA Draft Lottery and how important it was that the organization and Udoka came to terms on his hiring process quickly with coaches like Mike Budenholzer and Monty Williams being fired from ready-made contenders in the Milwaukee Bucks and Phoenix Suns, followed by breaking down how Jalen Brown becoming supermax contract eligible makes pursuing him a lot more complicated for Houston, and lastly Jabari Smith Jr. switching his jersey number and some lottery simulations to prepare for doomsday.#Rockets #NBA #ImeUdoka

Ime Udoka Repping Houston Rockets At NBA Draft Lottery, Pursuing Jaylen Brown Just Got Harder & More Host Jackson Gatlin (@JTGatlin) discusses Ime Udoka representing the Houston Rockets at the NBA Draft Lottery and how important it was that the organization and Udoka came to terms on his hiring process quickly with coaches like Mike Budenholzer and Monty Williams being fired from ready-made contenders in the Milwaukee Bucks and Phoenix Suns, followed by breaking down how Jalen Brown becoming supermax contract eligible makes pursuing him a lot more complicated for Houston, and lastly Jabari Smith Jr. switching his jersey number and some lottery simulations to prepare for doomsday. #Rockets #NBA #ImeUdoka

Conor Daly is back from IndyCar's open test at the Indianapolis Motor Speedway to join co-host Joey Mulinaro on Speed Street. The guys talk about their experience being at IMS for the first time this year, how Conor feels about his car's speed, and what they think about NASCAR's crazy weekend at Talladega.Plus, they talk with American F1 driver for Williams, Logan Sargeant, about how his rookie campaign is treating him, what has surprised him the most about being in F1, his special plans for his home race at the Miami GP, and answers whether or not he'd like to try the Indy 500. FOLLOW THE SHOW & GET OUR MERCH: https://linktr.ee/speedstreetpod  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Joanne McNally comes all the way from Ireland to join me in hell! I bought her a fake bag in Chinatown and she opened up to me about how she battled bulimia, being adopted, and how she figured out she needed to be a comedian. Hosted on Acast. See acast.com/privacy for more information.

Ramy Youssef from the hit Hulu show "Ramy" is here to educate Andrew Schulz on Christian Muslims, smashing your cousin, and who REALLY built the Egyptian pyramids. INDULGE! 00:00 - Ramy - Andrew's new, favorite show 01:46 - Ramy Mexican Golden Doodle 04:30 - Don't eat Egyptian salad 05:52 - Palestine + Cousin-loving 09:05 - Diversity + Mahershala Ali, Bella Hadid… 11:09 - Mia Khalifa isn't Muslim? 13:40 - Pyramids are the greatest 25:28 - New Ramy special taping in the new year 28:44 - We need Puerto Rican shows 29:40 - Repping your set + Negative feedback 34:41 - Impact of representation 39:08 - Feet cleaning + Burning Man's impact 42:49 - Experiences with psychedelics 44:17 - 20 year old on a Nickelodeon show 49:34 - Serving others will settle everything 55:21 - Arabic swearwords

Russillo shares his thoughts on the historical lack of parity in college football (0:29), before talking with former Wisconsin football head coach and current athletic director Barry Alvarez about conference realignment, the inception of the Big Ten Network, the state of NIL after a year, being an athletic director vs. being a coach, and more (12:10). Then Ryen talks with sports agent Don Yee of Yee & Dubin about his unique path to representing athletes, signing Tom Brady out of Michigan, the case for dissolving the draft in sports leagues, Jimmy Garoppolo's future, creating Tom Brady's deal with Fox Sports, and more (29:42). Finally Ryen answers some listener-submitted Life Advice questions (1:09:03). Host: Ryen Russillo Guests: Barry Alvarez and Don Yee Producers: Kyle Crichton and Steve Ceruti Learn more about your ad choices. Visit podcastchoices.com/adchoices