Podcasts about jaglom

The end of 1974 saw the implosion of the Director's Company, founded just a year earlier by three of Hollywood's hottest directors: Francis Coppola, Peter Bogdanovich, and William Friedkin. Funded by Paramount, the idea was that within a certain budget, these directors would make whatever they wanted, have final cut on their work, and split the profits on each other's films. Its rapid collapse, amid artistic failure and hubris and egged on by corporate intrigue, signaled the beginning of the end of what later came to be known as the Hollywood New Wave. A year later, the phenomenon that was "Jaws" recentered the narrative so that blockbuster weekend box office was everyone's sole and explicit goal. This in turn led to the return of the money people to power, and they have barely relinquished any of that power in the ensuing half-century. It's not a coincidence that 1974 also saw "Hearts and Minds", one of the great antiwar films ever made in this country, win the Oscar for Best Feature-Length Documentary. The film was also a milestone in that it was the last film ever released by BBS, the renegade company founded by Bert Schneider, Bob Rafelson and Steve Blauner in 1969. Buoyed by the money they had made from the success of the Monkees, BBS disrupted an already-crumbling industry by releasing "Easy Rider", which grossed $60 million on a budget of $400K. The next few years saw releases from BBS like Rafelson's "Five Easy Pieces" and "The King of Marvin Gardens", Jack Nicholson's directorial debut in "Drive, He Said", Jaglom's "A Safe Place" and Bogdanovich's mainstream breakthrough, "The Last Picture Show". By the middle of the decade, however, BBS had been swallowed up by Columbia, and the writing was on the wall for the days of the creative freedom that came with this iteration of American independent film. So while few realized it at the time, 1974 would mark the end of something unique and the beginning of something else. Come, then, and join our intrepid Team Vintage Sand as we step into the Way-Back Machine to say goodbye to Tricky Dick Nixon, spend weekend days waiting on line for gasoline, and explore that sui generis year in film. It was, of course, the year of young Vito Corleone, Jake Gittes and Harry Caul, but also a time when even many low-budget genre films ended up as classics. In the end, you very well might end up agreeing with our own John Meyer, who back in Episode 5 called 1974 the greatest year in film history.

Mailbag | Fury | Birthright Pt 1 | In The Pale MoonlightI don't think the web has really caught on yet, but there are some good streaming comedies on Netflix these days. We give our official podcast recommendation in the Mailbag.On TrekTalk, we ask some questions. Why's she so mad, though? What's the deal with Shrek? Why won't my lasagna souffle rise?Brother Date! It's a fake!

The BBS films we've been watching are culturally important for telling new types of stories within major studio-released films, but for the most part, outside of Head, the form of the stories hasn't been that different. The sex is more explicit, the drug use is forefront, but the actual structure of the film is more familiar, I think. Maybe that's just because we're 50 years on and it's less new. Head was out there structurally, of course, and second to Head comes Henry Jaglom's A Safe Place, a film I cannot believe Columbia put out. It's structure has more in common with Chris Marker's Le Jetee (1962) than Easy Rider, and it feels more daring than anything we've seen in weeks of the BBS set. Jaglom is trying to chase Cassevetes, but unfortunately lacks Cassevetes' abilities. But at least he's got Orson Welles in his picture.

Henry Jaglom trained with Lee Strasberg at The Actor's Studio in New York, where he acted, wrote, and directed plays.  And at age 21, he was best friends with an equally young Richard Pryor, as both struggled to break into stand-up comedy. Henry went to Hollywood to become famous. After appearing in TV series like, “The Flying Nun,” Henry wanted more and worked with Jack Nicholson to edit the movie, “Easy Rider.” Easy Rider's game-changing success launched Henry into a filmmaking career that continues today. He's written and directed 21 films, including “A Safe Place”, “Sitting Ducks”, “Tracks”, “Can She Bake a Cherry Pie,” and “Train to Zakopané.” He worked with Hollywood greats like Lee Grant, Maximillian Schell, Dennis Hopper, Roddy McDowell, Vanessa Redgrave, Faye Dunaway, David Duchovny. Henry made three movies with his best friend, Orson Welles. Their recorded, weekly lunches at Hollywood's “Ma Maison” resulted in Peter Baskind's revealing book,  “My Lunches with Orson.” Henry is as funny as he is brilliant.  Click now for a wild conversation!

Rachel Brosnahan and Creator Sabrina Jaglom dive into the process of bringing an audio drama to life -- from the development process to production and post-production -- in this exclusive conversation. Moderated by QCODE EVP of Production Sandra Yee Ling.

Podcast for a deep examination into the career and life choices of Jack Nicholson. Patrick's favorite holiday doesn't go quite as planned. Lev harangues Joe into taking pilot lessons. But when he's finally on the runway, will Joe have what it takes to kiss the sky? Find out on this week's episode of 'What the Hell Happened to Them?' Email the cast at whathappenedtothem@gmail.com Disclaimer: This episode was recorded in November 2022. References may feel confusing and/or dated unusually quickly. 'A Safe Place' is available on Blu-ray & DVD (as part of the BBS Criterion Box Set): https://www.amazon.com/America-Lost-Found-Criterion-Collection/dp/B003ZYU3SC/ref=sr_1_2?crid=3QGYFJV9XPFT&keywords=head+blu+ray&qid=1662961588&s=movies-tv&sprefix=heat+blu+ray%2Cmovies-tv%2C223&sr=1-2 Music from 'Komm, Susser Tod' by ARIANNE   Artwork from BJ West   quixotic, united, skeyhill, vekeman, jack, nicholson, syzygy, watergate, nixon, johnson, black, adam, female, feminine, jaglom, welles, godzilla, one, body

The new movie Jane starring Riverdale's Madelaine Petsch, tackles tough topics such as toxic friendships, depression and suicide through the lens of a pair of teenage girls dealing with the suicide death of their closest friend, Jane. The director of Jane is Sabrina Jaglom and she spoke with our Sean Kernan and about the tough themes of Jane, the ways film technique can enhance our understanding of these difficult topics, and the incredible young cast that helped her to bring the story of Jane to the big screen.

Sabrina Jaglom, writer and director of the new hit thriller Jane, stopped by to discuss what it was like seeing a script she co-wrote come alive before her eyes on set. Jaglom said she knew she wanted to direct it from the second she began working on the script. Jaglom also discusses how happy she was to be working with the talent she got for the film, including Melissa Leo and Madelaine Petsch. She also discusses the importance of setting it at an all-girls school and the pressures we face as young women, especially regarding social media. Jaglom said she hopes people enjoy the film because it's dark and fun, sprinkled in with high school moments we can all relate to. Host: Monica Gleberman Editor: Corinna Caimi Social Media Graphic: Jojo -- Bio: Sabrina Jaglom is an LA-based writer and director. Most recently, she directed the feature film, Jane, which she co-wrote with Rishi Rajani. The film stars Madelaine Petsch, Chlöe Bailey, and Melissa Leo, and will be released in Fall 2022. Additionally, two scripted podcasts that she wrote and directed released this year: Listening In starring Rachel Brosnahan for QCode, and Wheel Woman for iHeartRadio. She began her career working in film/TV development at Fox Lit and Whalerock Industries, and then went on to serve as an associate producer on the feature film Home Again. Sabrina has directed multiple award-winning music videos and short films, the most recent of which, Unforgettable, premiered on Watch Dust's platform. She has also directed various stage productions, including the West Coast premiere of Empathitrax as well as This Party Sucks, produced by Val Kilmer's HelMel. She is a graduate of NYU's Tisch School of the Arts with a BFA in Film & Television. Jane premieres in select AMC theaters on Friday, August 26 and will be streaming exclusively on Creator+ on Friday, September 16. Don't forget to follow us on Twitter @SilenceonSet and Instagram @SilenceonSetPod --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/silence-on-set/support

In this episode, Diary of an Actress talks with director Sabrina Jaglom | @sabrinajaglom who has a new podcast with Rachel Brosnahan “Listening In” and a podcast on iHeartRadio “Wheel Woman” Look-out for her new upcoming feature film in August,  “Jane" Co-Host - Author of Diary of an Actress - Executive Producer: Rachel Bailit Co-Host - Editor - Producer : Max Bugrov 

Geoffrey chats with Sabrina Jaglom about how she was able to get her Audio Drama picked up by QCode. In this episode, she discusses her inspiration, writing style, and pitching the show directly to Rachel Brosnahan.Get $30 off ARC STUDIO with this exclusive link!!! https://arcstudiopro.com/successfulscreenwriter

• Roy Wimmer-Jaglom, world class cameraflyer, XL interview • Rick Poplinger Front Cover Photo of Niculai Miru having some freefall facemask issues. • Roy Wimmer-Jaglom kit (and sponsor plug) back cover photo • Roy's interview starts 1h03m • Roy discusses canopy separation • Roy has an unusual way of packing due to an insightful view on life • Roy, Brian and Tash bond over intelligent laziness • Roy bought a green canopy. And regretted it almost instantly. • Craig usurps the usurpers • Tash quits skydiving. • Wake Tash up when September comes. • Brian gets ready to jump again as Skydive Langar opens • Not all UK DZs are ready • Logbook comparisons… Craig has the biggest but Brian has many. • Tash uses parchment and quill so is unable to join the contest • Skydive Deland shuts down for a deep clean. • Skydive Paraclete XP says deal with it. • Brian’s online classes are getting busier and busier. Check them out at www.briancumming.com • CareAllFoundation have a great blog with Pete Allum • MagniX fly their Cessna Grand Caravan with an electric motor. • Support from Flysight • Support from IndoorWingsuit • Brian’s bigway camp in Czechia at end of July looks more and more likely. • Brian’s bigway event in California at end of Sept looks more and more unlikely. • Craig celebrates 30 years in the sport. HELP US SPREAD THE WORD
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During this trying time with COVID-19, episode 11 delivers us an emboldening conversation with writer, director, producer extraordinaire Sabrina Jaglom. We delve into her intuitively creative nature fostered from an early age, her less than conventional parents, and the unique path that continues to foster her voice and vision. She hales from Los Angeles, has studied in New York, London and Prague to name a few, and is now working full time in pursuit of her dreams. We listen in on her experiences working with Nancy Meyers, her time in the tv/film development world, and when she finally felt confident enough to fully claim and take credit for her accomplishments to date. We go on to discuss the complementary juxtaposition of directing film/music videos vs. theatre, how one finds the right representation, and the importance of working with people you're naturally drawn to. One of the projects we're most excited to see from Jaglom is the short form documentary series 'Girl Problems' which will shine a light on women's issues around the world. She also wraps up by describing restrictions as something to be utilized, which is exactly the message we needed to hear right about now.

Acclaimed actress Tanna Frederick returns to talk about her intriguing new movie, Train to Zakopané. An award-winning actress, director, and environmentalist, Tanna  was named Favorite Female Star by Movie Addict Headquarters listeners who voted in an e-mail election held in  2012. Her upcoming film, written and directed by Henry Jaglom, takes us back to 1928 Poland prior to World War II. Based on a true story, it deals with two strangers who meet on a train and fall for each other despite their very different backgrounds and attitudes. Tanna's impressive resume includes the following Jaglom films: Hollywood Dreams, The MWord, Irene in Time, Queen of the Lot, Ovation, and 45 Minutes from Broadway. Tanna made her directorial debut while also starring in a theatre production of Why We Have a Body at the Edgemar Center for the Arts. For her performance in Hollywood Dreams, her first feature with Jaglom (who is now her husband), Tanna was named Best Actress at WorldFest Houston, Montana International Film Festival, Fargo Film Festival and the Wild Rose Film Festival. Among Tanna’s other acting honors are Performer To Watch at Method Fest and a Maverick Award from the Los Angeles Women’s Theatre Festival.  

Today's Guest: Actress Tanna Frederick, star of Queen of the Lot and Irene in Time. Order from Amazon.com by clicking the DVD above Scorsese and DeNiro have this kind of relationship. So do Spielberg and Hanks. And Scorsese has it with DiCaprio, too, now that I think of it. Every so often, a director finds his match with an actor who “gets” their material, their vibe, their je ne sais qua. That’s what’s happening between writer/director Henry Jaglom and actress Tanna Frederick. HENRY JAGLOM audio excerpt: "The chemistry between Noah Wyle and Tanna Frederick takes this film to a whole other level. Every review is talking about it. They have this strange, funny, romantic chemistry; you can't take your eyes off of them." Order 'Irene in Time' starring Tanna Frederick and Henry Jaglom, available from Amazon.com by clicking on the DVD cover above! Queen of the Lot — a sequel to Hollywood Dreams — opens at selected theaters in Los Angeles on Friday, November 19. It is the third movie that Jaglom has written and directed in which Frederick has starred; they also worked together on Irene in Time. Queen is actually their fourth collaboration, I believe, if you count her starring in his play, “Just 45 Minutes From Broadway,” which ran for several months this summer at the Edgemar Center for the Arts in Santa Monica, California and which they’ve already filmed for a movie. In her three Jaglom starring roles, Frederick typically plays some version of an emotional train wreck. Different characters in Irene in Time and Hollywood Dreams/Queen of the Lot, but – like DeNiro working under Scorsese’s direction — a recognizable, consistent presence. Jaglom is a writer and director with whom many in Hollywood — particularly women — would love to work, not because his films are big blockbusters but because of the detail and sensitivity he gives to women’s roles. His career goes back to his days as an editor on Easy Rider with Dennis Hopper, although this Lee Strasburg-trained Method actor also appeared in TV shows such as "Gidget" and "The Flying Nun." (As a boy, I loved "The Flying Nun." Talk about a concept ripe for a remake!) An interesting note about Jaglom’s career: he wrote and co-starred in Orson Welles’ final film, 1987’s Someone to Love, which also introduced the world to David Duchovny. In recent years, Jaglom has worked with a regular ensemble of actors, led by Tanna Frederick (Listen) and including Karen Black (Listen) and David Proval (Listen), all of whom have previously been guests on Mr. Media. Queen of the Lot Website Tanna Frederick Website • Facebook • Twitter • Instagram • Pinterest • YouTube The Millionaire's Convenient Arrangementby Jane Peden. Order your copy today by clicking on the book cover above!     The Party Authority in New Jersey, Pennsylvania, Delaware and Maryland!

Today's Guest: Tanna Frederick, actress, Hollywood Dreams Actress Tanna Frederick If you’re a woman in search of someone else’s emotional train wreck to make you feel better about your own life, film director Henry Jaglom has got a movie or two for you. Maybe it’s his latest, Irene in Time, about a young singer with severe daddy abandonment issues. Or maybe you’d like his previous film, 2008’s Hollywood Dreams, about a would-be actress who oozes charisma but gets so nervous in every social situation she makes you nervous. Order from Amazon.com by clicking the DVD above TANNA FREDERICK podcast excerpt: "With Henry Jaglom, people either love his films or they hate his films. There isn't really an in between. Henry demands the actors take all of their subtext of what's going on and use it as their through-line, their dialogue. You walk away after watching Henry's films feeling better about yourself—'So I guess I'm not the only one who can be neurotic at times.' What drives him is making people not feel alone. It's human emotion."  Tanna Frederick is the common thread between these films. She’s the star of both, a big presence on screen. It could be that huge mane of cascading red hair, but I think it’s actually the emotions that pour out from her. The story of how she got to this point is pure Hollywood and I hope to entice her to tell it, but suffice to say that Jaglom already has plans for her to star in a sequel to Hollywood Dreams. And she’s currently appearing live in a Jaglom play, “Just 45 Minutes from Broadway,” at the Edgemar Center for the Arts in Santa Monica, California. You can order tickets online at Edgemar.org. Tanna Frederick Website • Twitter • Facebook • Order Irene in Time from Amazon.com • Order Queen of the Lot • Order Hollywood Dreams The Millionaire's Convenient Arrangementby Jane Peden. Order your copy today by clicking on the book cover above!     The Party Authority in New Jersey, Pennsylvania, Delaware and Maryland!

In this lively conversation, Tanna Frederick shares how creative people can enjoy successful careers while doing what they love. Tanna Frederick can currently be seen starring in Henry Jaglom’s romantic mystery “Ovation” opposite James Denton. Frederick is also producing and starring in the virtual reality series “Defrost.” Directed by Randal Kleiser, series cast members include Bruce Davison, Harry Hamlin, Christopher Atkins and Carl Weathers. “Defrost” was presented at Sundance’s New Frontier Program and Cannes Film Festival. Next year, she’ll also star as a single mother who returns to Iowa (Frederick’s hometown) to deal with her past in “Garner, Iowa.” Frederick is a mainstay of the Los Angeles theatre community. In 2013, she won the LA Stage and Eddon awards for Best Actress for N. Richard Nash’s “The Rainmaker” at the Edgemar Theatre. The Los Angeles Times gave it Critics’ Choice and said, “The standout of this terrific cast is Tanna Frederick’s acerbically yearning Lizzie…It’s a transformation not to be missed.” This month Frederick will direct and star in “Sylvia” at the Odyssey Theatre opening on October 21st. In a previous run of the play, the Huffington Post said “Tanna Frederick is truly brilliant as Sylvia. She embodies the fun-loving, childlike spirit of the dog.” Frederick's performance in her first feature with Jaglom, “Hollywood Dreams,” earned her Best Actress at WorldFest Houston, Montana International Film Festival, Fargo Film Festival and the Wild Rose Film Festival. The film took Best Picture honors at the San Luis Obispo Film Festival and to Best Comedy at WorldFest Houston. She was named Method Fest’s “Performer to Watch” and has also received the Los Angeles Women’s Theatre Festival’s “Maverick” Award. Off-screen, Frederick has proved just as driven and talented. A fitness aficionado who runs daily, Frederick ranked 52nd out of 1,321 women in her division in the LA Marathon. She is a second-degree Tae Kwon Do blackbelt and a passionate surfer. She founded “Project Save Our Surf,” a non-profit that promotes clean oceans and water. She is also founder of the Iowa Film Festival, now in its’ seventh year and was named recipient of the University of Iowa’s Distinguished Alumni Award in 2012. http://www.tannafrederick.com/

Harriet Schock wrote the words and music to the Grammy-nominated #1 hit, "Ain't No Way To Treat A Lady" plus many songs for other artists, TV shows and films, including the PBS children’s series, “Jakers, the Adventures of Piggley Winks.”.She has recorded 7 solo albums as a singer/songwriter.  She and her band were featured in Henry Jaglom’s film “Irene In Time” performing 4 of Harriet’s songs. She also scored three other Jaglom films. Harriet starred in the play “Just 45 Minutes From Broadway” which ran for 10 months in Santa Monica, and later re-created the role in the film of the same name. Four of her songs were used in Karen Black's play, "Missouri Waltz" which played for 6 weeks in Hollywood and in Macon, Georgia. She has written the songs for "Last of the Bad Girls," a musical created by Diane Ladd. Very recently she has co-written the songs for "Platypus, the Musical." In 2014, her jukebox musical, “Split” opened to full houses in Hollywood. Jaglom’s latest film, ‘The M Word” features Harriet performing her song, “Bein’ a Girl” in the movie’s last scene. Harriet plays piano and Andrea Ross-Greene sings it.  In 2007, L.A. Women In Music honored Harriet a Career Achievement and Industry Contribution award. She wrote the book Becoming Remarkable, for Songwriters and Those who Love Songs). She performs with her band in Los Angeles and teaches songwriting in person and online around the world. www.HarrietSchock.com.

A conversation with director Henry Jaglom. We discuss Mr. Jaglom's involvement re-editing Easy Rider with Jack Nicholson, the Oscar winning Vietnam war documentary Hearts and Minds, his friendship with Orson Welles documented in the book My Lunches with Orson, and Mr. Jaglom's new film The M Word.

Independent film actress Tanna Frederick spoke over the phone with LazyDog Films to give an interview/Profile about her career and her latest film, The M Word.

In this interview, filmmaker Henry Jaglom describes the Orson Welles he knew and loved. Their friendship began in 1970, when the upstart Jaglom impertinently asked Welles to be in his first movie ("A Safe Place") and the master improbably assented, and it continued until Welles's death in 1985. They were frequent dining companions at LA's then-trendy Ma Maison, and Henry recorded many of their conversations. Now film historian Peter Biskind has transcribed and edited some of the Welles-Jaglom tapes into a book, "My Lunches with Orson." Though the dishy parts have drawn most of the media attention, I was more interested in the sheer breadth and insight (both Orson's and Henry's) on display.

This week's guest is Jaglom Shrek, an anonymous member of First Edition Creative, to discuss hidden Easter eggs in recent 1E sets. Also includes a 1E spoiler!

Multi-talented Tanna Frederick returns with an update on her new films and her work with Project Cornlight, an initiative to help revitalize the film industry in Iowa. Tanna is an award-winning actress, director, environmentalist and founder of the Iowa Independent Film Festival in Mason City. She recently wrapped Henry Jaglom’s romantic comedy The “M”Word with Corey Feldman, Michael Imperioli and Francis Fisher. She then went on to make her directorial debut (and star) in a theatre production of Why We Have a Bodyat the Edgemar Center for the Arts. She is currently in her native Iowa filming The Farmwhere she stars as a single mother who returns to Iowa to deal with her past. This October Tanna can be seen starring with Judd Nelson in the Henry Jaglom comedy Just 45 Minutes from Broadway which explores the complex emotional lives of theater folk. The film was adapted from a stage play written by Jaglom.

In the editing room with Henry Jaglom and Tanna Frederick where we find out about Jaglom's new film Going Shopping. Tana is starring in the film that Henry is currently editing entitled Hollywood Dreams and she describes what it's like to work on a Jaglom movie. Henry talks about his filmmaking process, working with actors, cutting his own films by hand on a KEM flatbed editor, his friendship with Orson Welles, and being an auteur.