Podcast appearances and mentions of Randal Kleiser

Des gigatonnes de couleurs, de lumières et d'électrons positifs empliront vos oreilles cette semaine dans notre émission ! Nous recevons le pianiste, compositeur et arrangeur Cedric Hanriot qui viendra vous présenter « A luninous world », le second album de son projet « Time is color ». Petit prince français du jazz collaborant à de nombreux projets dans le monde, adoubé par Herbie Hancock, écouté par Barack Obama et même… plébiscité aux Grammy Awards, il poursuit sa quête musicale et spirituelle dans ce deuxième opus teinté de sons urbains et inspiré par la Physique Quantique, dans lequel des pointures comme Erik Truffaz ou encore Arthur h. ont prété leurs voix, leurs instruments et même… leurs textes. Et pour notre vidéoKITSCH de la semaine, voyez la vie en… Grease ! Film sorti de Randal Kleiser sorti le 3 octobre 1978 ! Il est une adaptation de la comédie musicale créée à Broadway 7 ans plus tôt. On pourra voir Richard Gere ou Patrick Swayze dans le rôle de Dany interprété dans le film par John Travolta. Le générique début est faut tout en animation et mis en scène par John Wilson. Il met en scène tous les personnages du film et présent l'équipe également. La chanson « Grease », même titre que le film, a été écrite par Barry Gib un des membres des Bee Gees et elle est interprété par Francky Vali ! Elle sort dans les bac le 6 mai 1978. Un succès et des titres indémodables ! Avec ou sans « chemise grease », écoutez-nous toute cette semaine dans Kitsch et Net !

durée : 00:22:22 - « Grease » - Grease est un film musical américain réalisé par Randal Kleiser et sorti en 1978. C'est l'adaptation cinématographique de la comédie musicale du même nom créée par Jim Jacobs et Warren Casey en 1972 à Broadway

Le critiche al film di Natale più famoso . Questo episodio di Non hanno un amico è supportato da PhotoSì il servizio che ti permette di stampare le tue foto e creare regali personalizzati direttamente dallo smartphone. Scarica l'app di PhotoSì e scopri l'offerta dedicata del 30% entro il 31/12 con il codice "WILL" (ordine minimo 30€). . Fonti: estratto dal film "Una poltrona per due" del 1983 con la regia di John Landis, disponibile su Prime Video; estratto dal film "Vacanze di Natale del 1983 con la regia di Carlo Vanzina; estratto del film "Dumbo - L'elefante volante" del 1941 con la regia di Ben Sharpsteen, disponibile su Disney+; estratto dal film "Grease (Brillantina)" del 1978 con la regia di Randal Kleiser, disponibile su Prime Video. Learn more about your ad choices. Visit megaphone.fm/adchoices

*Apologies, the last half hour of this episode was lost due to unforeseen techical issues. Don't blame Kyle, his file was fine, however somehow Trevor's recording got partially corrupted or lost* l⁠⁠⁠⁠⁠inktr.ee/CatchingUpOnCinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ This December at Catching Up On Cinema we're taking a trip to the “Theater!” All month long, we'll be reviewing musicals and musical adjacent films! First up this month, we review Randal Kleiser's beloved cinematic adaptation of Grease (1978)! Follow us on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@catchinguponcinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CatchingCinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Like, share, subscribe, and we'll catch you next time!

https://notesonfilm1.com/2024/11/12/pofcrit-podcast-2024-lily-stripe-on-blue-lagoon-randal-klaiser-1980/ In this podcast we discuss the 1980 Randal Kleiser film, The Blue lagoon. It tells a coming-of-age story of two children shipwrecked on a tropical island, as they grow and develop into teenagers, and discover both themselves and the island. With beautiful sweeping landscapes and gorgeous young stars, it has all the attractions of a Hollywood film. However, its narrative is even more intriguing, both fascinating and bizarre in what it tries to tell, and the way the directors vision comes across. We talk about the frustrations of a story like this being told in a visual medium, and why it had the potential to break out of its western societal box, but failed to do so.

Dennis connects via Zoom with musician Greg O'Conner to talk about his debut album The Place I've Never Been and what it's been like to venture out as a solo artist after decades of writing songs and scores for TV and movies. Greg talks about what inspired him to take such a big swing in his mid-50's, the artists that inspired him like Toto, The Beach Boys, Steely Dan and Bleu, finding collaborators on Facebook and Instagram and posing on a hillside with a piano and live bull for the album's striking cover art. Greg also talks about the real-life experiences that inspired the album and videos, like being ghosted by someone he'd been dating for a while and subsequently falling in love with his fiancé, photographer Kevin Sikorski after meeting on Hinge. He also talks about his extensive work in TV and film, writing music for recent films My Home Unknown and Baby Boomer Yearbook (directed by Grease's Randal Kleiser) and TV shows like The Ben Stiller Show, The Big Gay Sketch Show and MadTV, for which he won an Emmy. Other topics include: falling in love with music at four, writing the viral song "Laura Dern" for the Independent Spirit Awards a few years back, shooting two music videos in one day in Capetown, South Africa and being closeted at USC and waiting in line outside of the Mother Lode bar in West Hollywood and being terrified someone would drive by and see him. www.GregOConnor.com

Wholesome exchange student Sandy, and greaser Danny, have a brief but intense summer romance. Unexpectedly, they soon discover they're now attending the same high school. As they struggle to navigate the complexities of their distinct situations, will they be able to rekindle their relationship or go their separate ways? Stephanie and Eric hand jive to Grease (1978), directed by Randal Kleiser.   Follow Aflixionados Podcast on social media for extended conversations, interesting tidbits, and other news! Linktree | Instagram | Facebook | YouTube | Merch

A love of computing, music, and cinema has propelled Jeff Kleiser's career from the earliest days of VFX on movies including Tron, Flight of the Navigator, Stargate, Judge Dredd, Surrogates, and many more. Along the way, he's helped the late, great Doug Trumbull create eye-popping film-based projects for Luxor hotels and Radio City's 3D Christmas movie. Jeff talks through his career, and how he's seen the industry evolve from optical printers and really slow computers to today's AI and CG tech, which are making it easier to create low-budget movies that look like blockbusters. He also talks about his fascinating upcoming movie with his brother, Grease director Randal Kleiser, which tells a remarkable true tale of heroic teenage girls in wartorn Amsterdam.

Madeline, Julian, and Emilio are joined by guest Jamie Homs as they continue their High School Movies cycle with a "Suggestion Box" episode on the original high school musical, Randal Kleiser's “Grease”. While Madeline and Jamie have lost count of the number of times they've visited Rydell High, Julian is coming in with fresh eyes as a first-time viewer! Does the magic of this bright and peppy classic work without the nostalgia of watching it as a kid? The group discusses the characterization (and debated lack thereof) of the Pink Ladies and T-Birds, assisted by a former Rizzo herself! And of course, no conversation would be complete without discussing the ultimate “Grease” conspiracy - did she really drown?If you enjoy our podcast, please consider writing us a positive review on your podcast platform of choice. It really helps us find new listeners!Send us an email at sleeplesscinematicpod@gmail.com, and follow us on IG and TikTok @sleeplesscinematicpodOn Letterboxd? Follow Julian @julian_barthold and Madeline @patronessofcats

Steve and Alejandro take a nostalgia flight back to their childhood in this 1986 American science-fiction adventure film directed by Randal Kleiser and starring Joey Cramer, Howard Hesseman, Veronica Cartwright, Cliff DeYoung, and Matt Adler. And a very young Sarah Jessica Parker. Will the film hold up to their childhood memories? Listen and find out. --- Send in a voice message: https://podcasters.spotify.com/pod/show/rememberthatmovie/message

AJ, Mike, and Chris travel back to 1994 when Professor Wayne Szalinski had to admit to his wife, "Honey, I Shrunk the Audience!" Join us as we explore the birth of the Imagination Institute and Eric Idle's portrait of Dr. Nigel Channing. We explore insights into the complex effects of this 4D film from its director, Radal Kleiser, and describe how each of the ground breaking in-theater effects were achieved. So grab your safety googles, pick your feet up off the ground, and watch out for Gigabyte! Early History"Honey, I Shrunk the Kids" released in 1989 to great success, followed by a moderately successful sequel, "Honey, I Blew Up the Kid" in 1992. "Honey, I Shrunk the Kids: Movie Set Adventure" opened in 1990 at the then new MGM Studios park. A new attraction themed around "Honey, I Shrunk the Kids" was announced in November 1993, originally named "Honey, I Shrunk the Theater" and later changed to "Honey, I Shrunk the Audience." Kodak sponsored the attraction. ProductionThe film was directed by Randal Kleiser, known for "Grease" and "Flight of the Navigator," and written by Bill Prady and Steve Spiegel. Cinematography was handled by Dean Cundey, with effects by Kleiser-Walczak Construction Company. The score was composed by Bruce Boughton. The set was designed by Les Dilley, and the cast included Rick Moranis, Marcia Strassman, Robert Oliveri, Eric Idle, and others. PreshowThe preshow included a presentation by Kodak and a segment featuring Dr. Nigel Channing on WNN-TV. In 2003, the preshow was changed to include a short film replacing "True Colors" and altered dialogues. Technical Details and Run of the ShowThe film was presented as the stage of a live award show, with technical details ensuring the appearance of a live event. Ten significant 3D moments were incorporated into the show, each carefully choreographed to enhance audience immersion. Other Parks ChangesThe attraction underwent changes in various Disney parks, including Tokyo Disneyland, Disneyland, and Disneyland Paris. Closure and LegacyAfter Michael Jackson's death, there was a resurgence of interest in "Captain EO." As a result, "Honey, I Shrunk the Audience" was temporarily closed in several parks for the "Captain EO Tribute" but never reopened. The attraction left a lasting legacy, with elements incorporated into other Disney experiences. Our MemoriesPersonal reflections on the attraction. OutroSend questions and comments to 90sdisneypodcast@gmail.com Links Allears.net - Extinct Epcot: The Big History of Honey, I Shrunk the Audience Disney Fandom - Honey, I Shrunk the Audience Wikipedia - Honey, I Shrunk the Audience! YouTube - Honey, I Shrunk the Audience Promo YouTube - Honey, I Shrunk the Audience Ride-Through YouTube - Honey, I Shrunk the Audience Full Show YouTube - True Colors Preshow Magic and Imagination Archive - Honey, I Shrunk the Audience --- Send in a voice message: https://podcasters.spotify.com/pod/show/90sdisney/message Support this podcast: https://podcasters.spotify.com/pod/show/90sdisney/support

GREASE is the word (is the word that you heard) as NostalgiaCast returns to Rydell High for a boppier, bouncier-than-expected discussion of what is arguably the quintessential '70s musical, directed by Randal Kleiser and starring John Travolta and Olivia Newton-John. Jonny and Darin chat about the energetic performances, irresistible songs, and R-rated innuendos, lyrics, and visual gags that have been inadverdently enjoyed by families for almost half a century. With relish!

Programa Vivir Rodando 187 (17ª Temporada / 16 Marzo 2024) Invitados: Pedro, Dolores, Teresa, Esther (Usuarios AFA Alicante) Marina Planelles y Araceli Sánchez En el programa 180 de Vivir Rodando se habló sobre la enfermedad de Alzheimer, a raíz del libro de la actriz Carme Elías 'Cuando ya no sea yo', que habla sobre su relación con la enfermedad. En ese programa puede hablar con responsables de AFA Alicante (Asociación Alzheimer de Alicante) sobre la enfermedad y su trabajo en la asociación con la gente que la tiene. Este programa vuelve de alguna manera a este espacio. Este programa 187 inicia el proyecto Memoria, Cine y Radio, un programa, o serie de programas, realizados por VR (Raúl Cornejo) y la Asociación Alzheimer de Alicante (AFA Alicante) donde hablaremos con personas con la enfermedad de Alzheimer (usuarias de AFA Alicante) sobre cine. Para ello elegiremos una (o varias películas) para realizar uno de los programas VR con estas personas y que nos hablen de la película. Pero el programa no se circunscribirá solo a esa película, también se podrán hablar de sus recuerdos cinematográficos: si veian muchas películas, los cines a los que iban, sus películas favoritas... Además de hablar de temas que no tengan que ver con el cine y que salgan durante el programa. Porque el cine y la vida están estrechamente relacionados. El programa busca activar la memoria o la comunicación, además del placer de poder hacer radio. Este primer programa de radio cuenta con cuatro usuarios de la Asociación Alzheimer de Alicante (Pedro, Teresa, Dolores y Esther), además de las impulsoras de la AFA Alicantde este proyecto: Marina Planelles (psicóloga) y Araceli Sánchez (terapeuta ocupacional). Para este programa de Memoria, Cine y Radio se ha elegido la película 'Grease', el clásico musical dirigido por Randal Kleiser e interpretado por John Travola y Olivia Newton-John. Pedro, Teresa, Dolores y Esther habrán visionado antes del programa dos escenas clásicas de Grease que serán de las que hablaremos en el mismo: Greased Lightnin' y You're the One That I Want / We Go Together.

Tell me more, tell me more! Today we are joined by Didi Conn. You Might Know Her From Grease, Grease 2, You Light Up My Life, Raggedy Ann & Andy: A Musical Adventure, The Magic Show, Frida, Benson, and Shining Time Station. We spoke with THEE Didi Conn about her iconic performance in the Grease films as Frenchie, the legacy of the franchise carrying on with Grease Live! and Joan Blondell's shoes, and our age-old question about psoriasis as heart disease. Plus, how Toy Story stole from Raggedy Ann & Andy, standing by for Mercedes Ruehl on Broadway, her horrific experience with Joseph Brooks, and the beauty of the musical The Magic Show. This one was a total thing of dreams. Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this week: Jacob Elordi is hot to everyone. And Barry Keoghan has the ugly sexy thing down We loved Cailly Spaeny and Lily Gladstone and Erika Alexander Golden Globes were a mess this year Da'Vine Joy Randolph is so good and we are hoping for an Oscar nomination for The Holdovers (don't jinx it) Da'Vine episode of YMKHF Carol Channing and Pearl Bailey special Aloha (2015)  was indeed directed by Cameron Crowe, not Alexander Payne Tracy Morgan took Eddie Murphy's advice for The Last O.G. and hired Da'Vine Love Chris Klein in Election  Our Oscar nominated guests on YMKHF: Kathleen Turner (Ep #9), Shohreh Aghdashloo (Ep#72), JoBeth Williams (#99),  and Lesley Ann Warren (Ep #78) Lily Gladstone is nonbinary Yalitza Aparicio from Roma garnered all kinds of acclaim, and where is she now? Tantoo Cardinal is so good In the Stephen Schwartz musical, The Magic Show starring Doug Henning  Starred in the movie, Joseph Brooks You Light Up My Life Joseph Brooks who “wrote” and directed it was a horrible man,. He met a grisly end Her son is autistic and is currently living in The Center for Discovery Autismspeaks.org Played Denise, Benson's new secretary on Benson Didi Conn introduced herself to David Shire as his crush, Charlotte Rampling, who wrote the music for Farewell My Lovely Was the voice of Raggedy Ann in the 1977 Richard Williams animated movie, Raggedy Ann and Andy: A Musical Adventure Joe Raposo wrote all the music for the movie and he had written a lot of music for Sesame Street and The Electric Company (including the “C is for Cookie” and the Sesame Street song) Was a standby and then replacement for Mercedes Ruehl in Lost in Yonkers (1991) with Irene Worth and Kevin Spacey Fonz and the Happy Days Gang cartoon  Stacey Jones in Shining Time Station, which she says was horrible for her career Conductors: Ringo Starr, George Carlin, Alec Baldwin The tv show was funded by Amtrak and MTH Electric Trains Thomas movie was filmed on The Isle of Man Of course played Frenchie in the 1978 classic, Grease (director: Randal Kleiser, choreographer: Pat Birch, producer: Allan Carr)  Kelly Ward (Putzie) was dance captain for Pat Birch Grease: Rise of the Pink Ladies has been wiped from Paramount+ Tegrin's ad: “The heartbreak of psoriasis” Was there film in the camera for Frenchie's number in Grease 2? Skating with the Stars judge was a dick (start at 3:27) Was Alice Ghostley's Mrs Murdoch gay (watch the dancing)  Was waitress in Frida and had Across the Universe (friends with Julie Taymor and worked with her on the stage play, The Green Bird) Lifted out the door on Cagney and Lacey (s6e12). Who had more upper body strength? Both! CGI'd pink ladies guy head on body in Rise of the Pink Ladies Dr Pepper theme song: “I'm a Pepper, You're a Pepper” In My Life one of the worst Broadway shows I've ever seen (it was a huge flop) and he has Tourette's not autism Our interview with Talia Balsam (ep #12)  introduced us to You Light Up My Life David Shire (Didi's husband) wrote the Oscar-nominated song for Norma Rae Barry Pearl holds all the Grease secrets   

DJ Bob interviews Randal Kleiser, director of films including Grease, The Boy in the Plastic Bubble, Flight of the Navigator, White Fang, and Honey, I Blew Up the Kid. Bob and Randal talk about Randal's lengthy directing career and new book, Drawing Directors. The two also talk about the rewards and challenges that come with being creative, and Randal's encounter with Chuck Jones.

In this episode of Girls On Film, Anna Smith talks to Director Paul Sng and Producer Jen Corcoron about their new feature documentary Tish, which tells the story of working-class photographer Patricia ‘Tish' Murtha who worked to document life in Northeast England in the 1970s and 1980s. Anna then talks to Production Designer Sarah Greenwood and Set Decorator Katie Spencer, who worked together to create the distinctive world of Greta Gerwig's Barbie. Tish was the Opening Night Film of Sheffield Doc Fest 2023 and it is a celebration of a life devoted to exposing social inequality through art. The feature documentary is told from the perspective of Ella Murtha, both as daughter and custodian of the Tish Murtha archive. She retraces her mother's relationship with the photographic medium, from finding her first camera in a local skip, to earning a reputation as the ‘demon snapper' and beyond. Anna talks to Paul and Jen about the inspiration behind the project, the power of having working-class stories told from the inside, and asks about their favourite photographs in the Tish archive. Next on Girls On Film, Anna has a lively conversation with Sarah Greenwood and Katie Spencer, whose long time collaboration has resulted in multiple Academy Award and BAFTA nominations, and, most recently, the weird, wonderful and instantly recognisable world of Barbie. Sarah and Katie talk about working with Greta Gerwig in the early design stages of the project, following visual prompts like ‘think Gaudí in a blender' when creating Weird Barbie's house, and the film's many and varied visual inspirations. Tish by Paul Sng is being released by Modern Films in UK and Irish cinemas on 17 November 2023. On demand information: Virtual cinema 22 Dec, TVOD 5 Feb (iTunes, Amazon, Google Play). Barbie is available on 4K, Blu-Ray™, DVD & Digital Download now Other films mentioned in this episode include: Singin' in the Rain, Gene Kelly, Stanley Donen, 1952 Grease, Randal Kleiser, 1978 Playtime, Jacques Tati, 1967 The Wizard of Oz, Victor Fleming, 1939 Psycho, Alfred Hitchock, 1960 Jaws, Steven Spielberg, 1975 Books mentioned; To Kill A Mockingbird, Harper Lee, 1960 Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Archbold Producer: Lydia Scott Audio editor: Elliana Jay Hamer Intern: Charlotte Matheson House band: MX Tyrants This episode is in partnership with Margaret London and Women in Film and TV (UK) with huge thanks to our principal partners Peter Brewer and Vanessa Smith. With thanks to Sophia Hammond and Kate Riddell.

Directed by Randal Kleiser (in his directorial debut), Grease is based on the stage musical of the same name by Jim Jacobs and Warren Casey. This episode of Rewind & Review will look at the musical romantic comedy film that, much like the majority of its actors, is now 45 years old! Grease explores the friendships, romances and adventures of a group of high school kids in the 1950s. A wholesome Australian transfer student Sandy Olsson (Olivia Newton-John) and a leather-clad greaser Danny Zuko (John Travolta) develop an attraction for each other during a summer romance, but they face conflict when they realise that their relationship crosses clique lines.

Did someone say, 'Grease Lightning!?' Today, we're joined by Hollywood icon Randal Kleiser, who starred in George Lucas's first student film, played the first American superhero on screen, and directed hits such as "The Blue Lagoon" and "White Fang." He's here to discuss his latest novel, "Drawing Directors," sharing his close encounters with directors who shaped his career. What attracts a director to a script? Tune in for an unforgettable journey with the man behind "Grease" and much more!

Harvey Brownstone conducts an in-depth interview with Randal Kleiser, Internationally Renowned Director  About Harvey's guest: Today's special guest, Randal Kleiser, is an internationally renowned and highly acclaimed director who became a global sensation with the release of his very first feature film, “Grease”, which still remains one of the highest grossing and most beloved movie musicals of all time.    He also directed “The Boy in the Plastic Bubble”, “The Blue Lagoon”, “Summer Lovers”, “Honey I Blew up the Kid”, “Getting It Right”, “White Fang”, “Shadow of Doubt”, and one of my all-time favourite movies, “It's My Party”, and the critically acclaimed play, “The Penis Chronicles”.     For almost 40 years, our guest has been at the forefront of experimenting with technology, digital cinematography and virtual reality, which can be seen not only in some of his feature films, like “Flight of the Navigator” and “Red Riding Hood”, but also at the Disney theme parks, where, for 10 years, his amazing 3-D movie entitled, “Honey, I Shrunk the Audience”, was one of the most popular attractions.  He also wrote and directed the Virtual Reality series “Defrost” which was featured at Sundance AND the Cannes Film Festival.  And for many years he's been a member of the Science and Technology Committee of the Academy of Motion Picture Arts and Sciences.   Our guest is also a much sought-after educator, and he regularly teaches and lectures at film schools and film festivals.  He created an online and DVD course of his former teacher Nina Foch's class, entitled, “The Nina Foch Course for Filmmakers and Actors”.  He received an honourary doctorate from the Academy of Art University in San Francisco.   And if all of that weren't enough, our guest is also an author.   In 2019, he released his first book entitled, "Grease: The Director's Notebook", which is a retrospective look at the making of this classic film.  And now, he's released his fascinating new book, entitled “Drawing Directors”, in which he reveals his unique talent for sketching, using a technique called “blind contour drawing”.  The book contains candidly drawn sketches, personal anecdotes and comments about the work of some of his favourite directors, including Billy Wilder, Robert Wise, George Lucas, Steven Spielberg, Martin Scorcese, Spike Lee, Quentin Tarantino, Clint Eastwood, and many more, including my dear friend Henry Jaglom, who recently appeared on our show. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Randal Kleiser, go to:https://www.randalkleiser.com/https://www.facebook.com/randalkleiserofficialhttp://www.imdb.com/name/nm0459170/ #RandalKleiser  #harveybrownstoneinterviews

Randal Kleiser, the film and television director, producer, screenwriter and sometime actor is best known for directing the 1978 musical romantic-comedy film Grease, among some other iconic films you may remember, such as The Blue Lagoon, Summer Lovers and Big Top Pee Wee to name a few.  He has a new book out which is charming titled Drawing Directors and Randal has drawn each of the illustrations live in the presence of these directors without their knowledge. He joins us in the studio to tell us what this is all about. We also discuss his films, his past, his present, his passions and what he has coming up! He's a charming man with some great Hollywood stories. And, as usual, the Two Guys are causing a ruckus and saying something wildly politically incorrect. Watch out Lizzo! Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode features conversation with Director / Author Randal Kleiser's Book 'Drawing Directors Vol 1'Randal Kleiser has been an internationally known film director since the release of his first feature, Grease (1978). Other features include The Blue Lagoon (1980) with Brooke Shields, Summer Lovers (1982) starring Peter Gallagher and Daryl Hannah, Grandview, U.S.A. (1984) with Jamie Lee Curtis, Flight of the Navigator (1986), featuring the first use of digital morphing in a motion picture; Honey, I Blew Up the Kid (1992) and White Fang (1991). In London he directed the critically acclaimed comedy Getting It Right (1989) starring Lynn Redgrave, Helena Bonham Carter, Jane Horrocks and Sir John Gielgud. In 1996 he wrote and directed It's My Party (1996) starring Eric Roberts, Gregory Harrison, Lee Grant, Bruce Davison and Marlee Matlin.Kingdom of Dreams is a podcast about cinema and art of storytelling.  The Podcast series will interview people involved behind the scenes, may it be screenwriters, directors, animators, producers etc.          

Randal Kleiser has been an internationally known film director since the release of his first feature, Grease.Kleiser's directorial portfolio boasts a range of works, such as The Boy in the Plastic Bubble, The Blue Lagoon, Summer Lovers, Flight of the Navigator, White Fang, Honey I Blew up the Kid, Getting It Right, Lovewrecked, and It's My Party, among others. For decades, Randal Kleiser has engaged in an artistic pursuit beyond filmmaking—capturing his fellow directors through a technique known as blind contour drawing.In this method, he sketches his subjects without glancing at the paper, resulting in a unique artistic representation. Although challenges arose due to subjects' movements during sketching, Kleiser presents a compilation of successful attempts. Drawing Directors, featuring a foreword by Roger Corman, serves as a tribute by Kleiser to his admired directors. Esteemed names such as Steven Spielberg, John Singleton, Ron Howard, Guillermo del Toro, Robert Wise, and Billy Wilder grace the pages, with Kleiser delving into their professional journeys and sharing insightful anecdotes along with his personal views on their cinematic contributions.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5351305/advertisement

GREASE - was a pop culture musical phenomenon that took the world by storm and become a right of passage for any child in the 80s and beyond. The Born to Watch team tackles this classic and hand jive all the way to Graduation.Released over four decades ago, "Grease" (1978) remains an iconic and beloved musical that continues to captivate audiences of all ages with its infectious energy, memorable tunes, and timeless themes. Directed by Randal Kleiser and based on the 1971 musical of the same name by Jim Jacobs and Warren Casey, the film has solidified its place in cinematic history as a quintessential representation of 1950s nostalgia, high school romance, and the power of self-discovery. From its catchy melodies to its vibrant choreography, "Grease" radiates a distinct charm that has stood the test of time.Set in the summer of 1959, "Grease" follows the whirlwind romance between Danny Zuko (John Travolta), a leather-clad bad boy with a heart of gold, and Sandy Olsson (Olivia Newton-John), a wholesome Australian exchange student. After a chance encounter during their summer break, the couple faces the challenges of navigating the social dynamics of Rydell High School upon their unexpected reunion. Danny's tough-guy reputation clashes with Sandy's good-girl image, setting the stage for a delightful exploration of teenage identity, peer pressure, and the transformative power of love.At its core, "Grease" is a celebration of youthful exuberance and the trials and tribulations of teenage life. The film expertly captures the spirit of the 1950s, from the fashion and music to the burgeoning cultural shifts of the era. The lively musical numbers, including classics like "Summer Nights," "You're the One That I Want," and "Greased Lightnin'," are not only irresistibly catchy but also serve as windows into the characters' emotions and desires. The soundtrack's timeless appeal is a testament to its enduring popularity, with audiences across generations still tapping their feet and singing along.John Travolta's charismatic portrayal of Danny Zuko is a highlight of the film, as he effortlessly embodies the role of the lovable rebel torn between maintaining his tough image and pursuing genuine love. Olivia Newton-John's performance as Sandy is equally captivating, as she transitions from the demure, naive newcomer to a confident young woman unafraid to express her true self. The chemistry between Travolta and Newton-John is palpable, lending authenticity to their characters' emotional journey and making their on-screen romance all the more believable.The supporting cast adds depth and humor to the story, with standout performances from Stockard Channing as the sassy and rebellious Rizzo, Jeff Conaway as Danny's loyal friend Kenickie, and Didi Conn as the quirky and endearing Frenchy. Each character brings a unique flavor to the narrative, showcasing the diversity of personalities that make up the high school experience.Randal Kleiser's direction brings a visually vibrant and energetic atmosphere to "Grease." The film's iconic dance sequences, choreographed by Patricia Birch, are a sight to behold, combining slick moves and exuberant choreography that perfectly complement the film's lively musical numbers. The high-energy dance-off at the school carnival and the electrifying hand jive scene are just a few examples of the film's memorable moments that have become ingrained in popular culture.Beyond the catchy tunes and lively performances, "Grease" delves into relatable themes of self-acceptance and the challenges of finding one's identity in the face of societal expectations. The characters' struggles to fit in, overcome peer pressure, and forge genuine connections remain relevant to audiences today. The film's ultimate message of embracing one's true self and following one's heart resonates across generations, reminding viewers that authenticity and self-discovery are timeless pursuits.However, it's important to acknowledge that "Grease" has faced criticism for its portrayal of certain gender dynamics and its lack of diversity. The film primarily revolves around heterosexual relationships and conforms to traditional gender roles, which may be at odds with contemporary sensibilities. Moreover, the absence of racial diversity within the main cast and the predominantly white portrayal of a high school in the 1950s overlooks the multicultural reality of American schools during that period.In conclusion, "Grease" (1978) remains a cinematic gem that continues to shine brightly in the pantheon of musicals. Its infectious energy, unforgettable characters, and timeless themes make it a perennial favorite that has earned its place in the hearts of audiences worldwide. While it may not be without its flaws, the film's enduring charm, catchy music, and vibrant dance sequences ensure that it will remain a beloved classic for generations to come. "Grease" transports us back to a simpler time while reminding us that the journey of self-discovery and love is a universal and everlasting one.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcast If you are looking to start a podcast and want a host or get guests to pipe in remotely, look no further than Riverside.fmClick the link below https://riverside.fm/?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=matthew

He acted in George Lucas' first student film. He directed Honey, We Shrunk the Audience for Disney theme parks in 70mm 3-D. He made a virtual reality television series. He studied at USC with actress Nina Foch and “total filmmaker” Jerry Lewis. But as long as he lives, Randal Kleiser will be best known as the guy who directed Grease. He has a new book called Drawing Directors, based on his close encounters with notable colleagues, and has completed a documentary about his high school graduating class called Baby Boomer Yearbook. As Leonard and Jessie learned, Randal lives in the present, looking toward the future.

We review Honey, I Blew Up the Kid (1992) on The Atomic Cinema Experiment. This is a sci fi movie podcast. The Honey, I Shrunk the Kids sequel is directed by Randal Kleiser and stars Rick Moranis, Marcia Strassman, Lloyd Bridges, Robert Oliveri, John Shea patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight discord: https://discord.gg/8fbyCehMTy TWITCH: https://www.twitch.tv/mildfuzztv Email: mftvquestions@gmail.com Audio version: https://the-ace-atomic-cinema-experime.pinecast.co

This week the society watches the 1991 Eisner-era adventure film White Fang, directed by Randal Kleiser and starring Ethan Hawke, Klaus Maria Brandauer, and friend of the podcast JED as Mr. Fang himself.  Join us as we head to the frozen Klondike in search of fortune and adventure, but beware: there are vicious gangs of dandy dogfighters who may foil your plans.  Be sure to befriend all the wild animals you can possibly find, as well as grizzled elders, and always be prepared for corpse luges and constantly having to move your hair out of your eyes.  Grab a can of beans and join us for White Fang!Join us on social media @medfieldfilm for the latest updates

In politica vince il più brutto?Fonti: discorso inaugurale di insediamento alla Casa Bianca di Donald Trump, pubblicato sul canale Youtube di GoodCrusader il 12 dicembre 2017; video "Official announcement of UK referendum result" pubblicato sul canale Youtube di AP Archive il 16 novembre 2016; servizio di Stifano Amabile per la puntata di TvTalk dell'8 marzo 2014, programma condotto da Massimo Bernardini e trasmesso da Rai 3, pubblicato sul canale Youtube di Amabile Stifano; film Grease del 1978, diretto da Randal Kleiser e prodotto dalla Paramount Pictures, disponibile su Prime Video; video pubblicato sul canale Youtube di Guardian Sport l'1 novrembre 2020; serie tv Boris 3 del 2010, serie trasmessa da FX e scritta da Giacomo Ciarrapico, Mattia Torre e Luca Vendruscolo, disponibile su Disney+; dichiarazioni di Francesco Cossiga al Senato del 28 ottobre 2008, pubblicato sul canale Youtube aacarapellucci il 30 ottobre 2008.

¿Sabes cómo ser una madre o un padre efectivo? Ese es el tema principal del programa de esta semana, donde aprenderás cómo realizar este camino con tus hijos de la mano de Rafa Guerrero Tomás.Rafa es licenciado en psicología clínica y de la salud por la Universidad Complutense de Madrid, doctor en educación y máster en psicoterapia breve. Especializado en la psicología educativa, TDAH, trastornos del aprendizaje y problemas de conducta, así como psicoterapia breve con niños y adolescentes.Ha escrito más de quince libros y cuentos dedicados a temas como el TDAH, el apego, las funciones ejecutivas, la regulación emocional, y el desarrollo cerebral.En la actualidad es director de Darwin Psicólogos, un centro especializado en problemas de gestión emocional, trauma, apego y TDAH. Todo un referente a vuestra disposición.Notas de programaLas notas del programa están disponibles en https://kenso.es/episodio/245-rafa-guerrero-padres-madresÍndice de la entrevista(11:42) La infancia determina cómo son los adultos(19:08) El libro de instrucciones para padres(22:35) El apego seguro en la crianza(29:08) Identificar y convivir con las emociones(38:39) Cómo descubrir las necesidades emocionales de los hijos(41:06) Cómo fomentar la diferenciación entre nuestros hijos(45:34) TDAH y la diferencia entre atención y concentración(49:15) El mejor hábito productivo de Rafa(51:09) ¿Cuáles son tus peores temores?(53:28) Cuestionario KENSO(57:47) Resumen y despedidasRecursos mencionadosWeb: Rafa GuerreroPodcast: El podcast de Rafa GuerreroSerie de televisión: Érase una vez… el cuerpo humanoLibro: El cuerpo nunca miente de Alice MillerCanción: De purísima y oro de SabinaPelícula: En busca del arca perdida de Steven SpielbergPelícula: Ghost de Jerry ZuckerPelícula: Grease de Randal KleiserPelícula: La lista de Schindler de Steven SpielbergEpisodio 243: Filosofía de la efectividad con José Carlos RuizLa página web de KENSOEl canal de Telegram: Efectividad KENSONuestros cursos onlineSuscríbete al boletín electrónico de KENSO Únete a KENSO Círculo en https://plus.acast.com/s/kenso. Hosted on Acast. See acast.com/privacy for more information.

"Grease" is the word! And the film for this week's club. Host and Comedian Steve Mazan discuss it all with his guests. Has anyone had a hot streak start in film better than Travolta? Did director Randal Kleiser ever come close to this again? Is this the greatest musical of all time? Is it all about sex? What's the best song? Did Jeff Conaway get hosed? All these questions and more get answered on this week's Mazan Movie Club Podcast.  "Grease" on IMDb Home of the Mazan Movie Club Steve Mazan on Instagram Home of Corporate Comedian Steve Mazan  

Episode 606 of On Screen & Beyond has director Randal Kleiser as our guest! Grease is the word and Randal was the director of the monster hit movie "Grease"! He also directer the films "Flight of the Navigator", "The Blue Lagoon", "The Gathering" and so many other films. Randal talks about "Grease" and also about his new work in VR films! Don't miss this episode! --- Send in a voice message: https://anchor.fm/on-screen-and-beyond/message

This week I have the pleasure of having directing coach Mark Travis on the show. I was introduced to him after I watched his stellar workshop Hollywood Film Directing, which he co-instructed with Gil Bettman (he'll be on the show soon). Mark Travis has developed a new way to directing actors called The Travis Technique. Mark teaches directors how to direct the character (not the actor) in order to create instantaneous authentic performances, even on tight schedules and tiny budgets. Here's a bit on The Travis Technique.Acting is too often just pretending. And most directing is demanding and controlling and result oriented.  And consequently, the final product suffers. But it doesn't have to be that way. When you use The Travis Technique, you can achieve instantaneous and authentic performances from actors that are deeply felt by audiences.  The Travis Technique is an organic approach to directing actors that is guaranteed to create authentic characters and performances by shifting the focus from directing the actor to directing the character.Mark Travis first created his techniques out of the necessity to generate the most authentic performances within actors under a tight schedule and often an even tighter budget.  In the last 20-years the Travis Technique has grown and is now used by some of the best directors, actors and writers in Hollywood and the international film market. Mark has taught The Travis Technique to students all over the world in over 50 film schools.When actors, directors and writers use the Travis Technique, it's not just a performance anymore.  It becomes REAL!   The Travis Technique creates organic authenticity in every performance and under all circumstances. This translates immediately onto the screen and gains enormous attention for the director, actor, and writer.Recommended by Hollywood's top brass: Mark Rydell, Art Seidelman, Randal Kleiser, George Tillman, Asaad Kelada, Jan Eliasberg, John Badham and other A-listers. For over 20-years Mark Travis has been sharing his award-winning techniques on writing, acting and directing worldwide.Most directors make a critical mistake: They direct only the actor, not the character. And that is just one of the many techniques directors must master.  They also must learn how to expertly stage scenes, understand exactly how camera angles intensify or diminish a shot amongst hundreds of other skills to become a renowned, in-demand, and working director.Winner of over 30 directorial awards, teaching internationally in 50 prestigious film schools, for the past 20-years Mark Travis' workshops and seminars have covered the entire filmmaking process including: all stages of preparation, pre-production, production, and post-production.  Mark has been instrumental in launching successful directorial careers in the US and internationally.Sought out by the most experienced directors, Mark now teaches his signature Travis Technique: a simple, immediate, and powerful Directing Tool, directors can use to achieve instantaneous authentic performances that translate brilliantly onto the screen.Enjoy my conversation with Mark Travis.

The director of the blockbuster musical 'Grease' joins Seth to reminisce about the late Olivia Newton-John and share stories about the making of an iconic film. Learn more about your ad choices. Visit megaphone.fm/adchoices

172 - It's been a while since we hit a non-action movie, so we decided to even it out all the violence of the past 10 weeks, with the magic of song - and Travolta - AND OLIVIA NEWTON-JOHN!! What a sweetheart. Join us as we dive into his film, and a quick dip into the TV show Renegade (for a reason that will make sense we promise).Continue the conversation over on our 'Friends of the Show' Facebook group here

Paying tribute to Dame Olivia Newton-John and recapping the musical film, Grease. Set in the summer of 1958, the film follows Aussie teen Sandy Olsson and local boy Danny Zuko during their final year at Rydell High. We chat about the effect Grease had on us, our favourite numbers, Randal Kleiser's "crows feet test" and of course, if the film still holds up today. If you like the show, please subscribe and leave us a review! 5 stars please :) If you're on Anchor, leave us a voice message with your favourite nostalgic.. anything! We want to hear from you! Follow us on TikTok @warmandfuzzy_podcast Hit us up in the DMs @warmandfuzzy_podcast Connect with Amelia @ameliasingson Connect with Shane @shanino_

Gay homosexuals Nick and Joseph discuss Grease - a 1978 American musical romantic comedy film directed by Randal Kleiser, starring John Travolta and Olivia Newton-John. Additional topics include: RuPaul's Celebrity Drag Race, the deaths of Olivia Newton-John, Issey Miyake, Anne Heche, and too many films to mention. Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Venmo @fishjelly Nick's Apple Music playlist: https://music.apple.com/us/playlist/lamour-de-nico/pl.u-PDb4zlpsLVrvqE1 Joseph's Apple Music playlist: https://music.apple.com/us/playlist/josephs-vibe/pl.u-6mo448yuBWzNE1 Check them out on YouTube: https://www.youtube.com/channel/UChVV6ezEYnPv9XaLZtUlZdw Nick's IG: ragingbells Joseph's IG: joroyolo --- Support this podcast: https://anchor.fm/fish-jelly/support

We're back after a two week hiatus.  In this podcast we chat with my dearly departed brother, for whom we had a memorial service this past week.  Jennifer was there, as well as some fans of the podcast. In today's podcast, Jennifer announces that Olivia Newton John wants to chat with us.  For those who've never tuned in before (or their last time ever tuning in) we have a group of individuals on the flipside who have spoken to us before. They are mentioned briefly in the podcast, including our moderator Luana Anders and her best friend Sally Kellerman.  Sally's husband was Jonathan Krane, John Travolta's manager, my pal and producer of three of my films (including the short film, he's reminding me.)  I met Olivia at their home one night of Mulholland, and as noted, Randal Kleiser, the director of Grease and I went to visit Sally in the retirement home where she spent her final years - oblivious because of Alzheimer's, but completely in the moment whenever we brought her chocolate. She's another example of someone who while not aware in person, is completely aware on the flipside of everything we do for them here.  Jennifer and I have spoken to the "higher selves" of a number of folks who had it prior to passing. Olivia talks about what it was like crossing over, who greeted her, what the experience was like - and if it was what she expected.  I'm sorry I didn't ask for a message for her daughter Chloe - but suffice to say it's better for her to have a private conversation in her own fashion, meditation or perhaps giving someone like Jennifer a call. We have passed along messages in the past - and sometimes I've had to edit them out of the podcast due to their being private conversations.  In this case, I'm sorry I didn't ask her specifically for a message for her daughter - as they were close. But if she shows up again, I will. Also Robin Williams stopped by - it's the 8th anniversary of his crossing, and he reminds us to celebrate life in his own unusual way. 

Nick Ferrari talks to special guest Randal Kleiser the director of Grease paying tribute to Olivia Newton John. He also tackles nursing strikes and dog ownership price rises as the country continues to feel the pinch of the cost of living crisis.

Randal Kleiser shares his memories of Olivia Newton-John, Hollywood Reporter Dean McCarthy Round 2 of Cliffo & Gabi's Fridayz Live Rap Battle, Manu from MKR, Lisa Curry was revealed as the Caterpillar on The Masked Singer Plus a Hacki Gabi - Double Hack! See omnystudio.com/listener for privacy information.

Breaking News: Olivia Newton-John has passed away in California surrounded by friends and family. Cliffo & Gabi chat with Randal Kleiser, the director of Grease, Olivia's first break-out role. See omnystudio.com/listener for privacy information.

In Which Our Heroes Obsess Over HONEY, I BLEW UP THE KID (1992) ALSO FEATURING: Sweatin' to the Oldies! The vivacious Marcia Strassman! Uncle Yanosh! Nick exclaims for Bill Moseley! Mecha-Baby! Amy goes to college! Lloyd Bridges runs the biz! Flight of the Navigator's Randal Kleiser! AND heavy clumsy folds!!! __________ Taylor Zaccario….Host, Director, Producer, Writer Nick Zaccario….Host, Director, Producer, Editor

0:00 - Intro & Summary2:00 - Movie Discussion45:45 - Cast & Crew/Awards51:55 - Pop Culture56:19 - Music1:02:47 - Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!

The film stars Lakshmi Devy, Adith Arun, Naveen George Thomas, Shreya Navile, and Vignesh Shivasubramaniam.  The film was written and directed by Lakshmi Devy and is executive produced by John Turturro.   “I must say I was very impressed. And disturbed, in a good way!” said Executive Producer John Turturro. “To pull this off is an accomplishment, especially wearing so many different hats as director, writer and actor. It's a worthy and important subject matter which takes all shapes and forms in so many different cultures. I thought the visual elements was strong and the story telling too.”   "When The Music Changes" is based on real-life incidents and unprecedented violence and atrocities faced by women in the contemporary world. The film radiates a universal message of women's liberation that needs to be heralded in all nations including developing countries where evils like marital rape are still not taken into cognizance by law. It has already created a following in India and is marking its global U.S. debut.   Devy recently won the Gold Remy Award for Best Director at the 54th Worldfest Houston International film festival for “When The Music Changes.” She joins the ranks of other recipients in the industry including Stephen Spielberg, George Lucas, Ang Lee, The Coen Brothers, John Lee Hancock, Brian de Palma, Randal Kleiser, Ridley Scott, Oliver Stone, and David Lynch.  

Climb aboard our shiny spaceship as we discuss everyone's favourite family movie about child abduction and experimentation.  Yes, it's 1986's FLIGHT OF THE NAVIGATOR."Still Any Good?" logo designed by Graham WoodCrap poster mock-ups by Chris WebbTheme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission(c) 2022 Tiger Feet ProductionsFind us:Twitter @stillanygoodpodInstagram stillanygoodpodEmail stillanygood@gmail.comSupport the show

Welcome to 'Don't You Want Me?' - a podcast series taking a lighthearted look at the most relatable, intriguing and dysfunctional relationships in film.  In this episode, we're hopelessly devoted to 1978's not-so shy and retiring musical GREASE, directed by Randal Kleiser. With a screenplay by Bronte Woodard and Allan Carr and based on the stage show written by Jim Jacobs and Warren Casey, this oiled-up extravaganza and is still one of the highest-grossing movie musicals ever made and remains embedded in popular culture like the milkshake stain you can't get out of your jeans. Tonight we'll be splashing around with Sandy and Danny, before heading to the drive-in with Kenickie and Rizzo. Are the two central relationships in this movie electrifying, or are we throwing our lives away on a dream that won't come true? Follow Don't You Want Me on Twitter @DYWMpodcast, Instagram @dywmpodcast and Facebook @DYWMpodcast  Recorded in March 2022. Edited by Rich Nelson Additional material written by Catrin Lowe  Theme music by Paul Abbott (on Twitter @Pablovich) Design by NOAKE (on Instagram @n_o_a_k_e) Rich can be found on Twitter @Fantana275 Cat can be found on Twitter @KittyCostanza ------------------------------------------------------------------------------------------------- For regular updates on future episodes of the podcast, guest appearances and events, subscribe to our monthly newsletter here https://www.getrevue.co/profile/dywmpodcast 

GREASE (1994) COMPOSER: Jim Jacobs, Warren Casey LYRICIST: Jim Jacobs, Warren Casey BOOK: Jim Jacobs, Warren Casey DIRECTOR: Jeff Calhoun CHOREOGRAPHER: Jeff Calhoun PRINCIPLE CAST: Ricky Paull Goldin (Danny), Rosie O'Donnell (Rizzo), Susan Wood (Sandy) OPENING DATE: May 11, 1994 CLOSING DATE: Jan 25, 1998 PERFORMANCES: 1505 SYNOPSIS: At Rydell High greaser Danny falls in love with good-girl Sandy. Throughout their high school days, they, and their friends, try to figure out life and love. Casting Director Stuart Howard details the way producers Fran and Barry Weissler changed the Broadway landscape by employing “Stunt Casting”-- the hiring of celebrities who will draw audiences to a show after the box office inevitably slows-- in the 1994 Broadway revival of Grease. Differences between “Star Casting”-- in which a celebrity with significant stage experience or training replaces a previous performer in a run-- and “Stunt Casting”-- in which no regard is paid to a performer's experience but their notoriety is instead exploited-- are outlined. Though the stars brought to the show elicited a range of responses from the theatre community, audiences, and critics, ultimately, the choices aided by rigorous and inventive advertising campaigns, kept the show running with fresh audiences buying tickets. Some of the celebrities that rotated through the production included Linda Blair, Joe Piscipo, Jon Secada, and Brooke Shields. Following their success with Grease, the Weisslers have continued their infamous casting practices with their revival of Chicago and other productions have taken note and followed suit.  Stuart Howard taught at The Juilliard School for ten years and gave Master Classes and lectured at S.U.N.Y. Purchase, the Stella Adler Academy of Acting, Carnegie Mellon University, Purdue University, NYU's CAP21, and The American Academy of Dramatic Arts. Stuart, Janet Hayes Walker and John Newton founded The York Theatre Company in New York City. Stuart has had his own casting company, Stuart Howard Associates, since 1980. They have cast scores of productions for Broadway, off Broadway, National Tours and London's West End. Recently, they cast the Broadway revival and National tour of West Side Story, Tracy Letts' Pulitzer Prize and Tony Award winning August: Osage County, and the original production of La Cage Aux Folles. He is currently involved in the casting of the world premiere of The Heir Apparent by David Ives, Twyla Tharp's Come Fly Away, The Maids by Jean Genet and two new musicals based on the life of Josephine Baker. SOURCES Great Rock Musicals by Stanley Richards, published by Stein & Day Publishing (1979) Grease, Revival Cast Recording. Masterworks Records (1994) Grease starring Olivia Newton-John and John Travolta, directed by Randal Kleiser. Paramount Pictures (1978) Grease: You're The One That I Want starring Max Crumm and Laura Osnes, directed by Nick Murray. NBC Television (2006) Learn more about your ad choices. Visit megaphone.fm/adchoices

I avsnitt 53 i Filmcirkeln tar vi oss an musikalklassikern Grease (regi: Randal Kleiser).Efter en romantisk sommar träffas Danny och Sandy igen under sista året på gymnasiet. Men Danny är skolans coola kille och är rädd för att visa sin kärlek till Sandy offentligt.Go Grease Lightning, eller? Det råder spridda skurar i podden när Grease står på tapeten. Är det en tidlös klassiker med odödliga låtar eller en förlegad soppa som inte håller än i dag?I ena hörnet står David, och i det andra Marcus och Vidar, redo att bjuda er lyssnare på en episk kamp om huruvida det är coolt med fett, eller inte. Grease Fighting, go Grease Fighting! Spoilervarning! Se filmen innan du lyssnar på avsnittet om du inte vill få avslöjat vad som händer. Följ oss på Facebook & Instagram under "Filmcirkeln". Du hittar oss även på Letterboxd där vi samlar våra betyg på filmtitlarna vi diskuterar.https://letterboxd.com/filmcirkeln/

Grease was a 1978 film adaptation of the 1971 musical of the same name, and mark film-starring turns for leads John Travolta and Olivia Newton-John. The directorial debut of Randal Kleiser, it followed the romantic and comedic exploits of high school students during the late 1950s, against a backdrop of early rock n' roll and doo-wop. It's considered one of the greatest movie musicals of all time, maintaining a massive following among fans of the genre, featuring now iconic songs like "Summer Nights" and "You're The One That I Want."And we hate it.On this episode of Hell Is A Musical, Lilz and Scott stubbornly trudge through Grease, loathing every minute of it. Join them as they go on a profoundly irritating journey full of bad Travolta impressions, 40-year-old teenagers, intense behind-the-scenes turbulence, and Sha-Na-Na....with Lilz & Scott!

ORIGINALLY PUBLISHED 02/14/2019 Due to technical difficulties, our original Valentine's Day episode is lost forever. So instead we present you with three guys talking about a children's character who should NEVER be associated with romance. Ron Eden joins his sons to talk about 1988's "Big Top Pee-wee" directed by Randal Kleiser and starring Paul Reubens as the titular Pee-wee Herman, Kris Kristofferson, Penelope Ann Miller, and Valerie Golino.

What do you do when your ridiculous Eric Roberts podcast has to cover a prestige drama featuring such intense topics such as the AIDS crisis, assisted suicide and right-to-die? You invite renowned movie and television critic Simon Abrams on the show to do all the heavy lifting! 1996's IT'S MY PARTY is a star-studded affair, and tackles the controversial subject matter with sincerity and heart, thanks to a game (though mostly straight) cast, and the obviously personal investment by director/writer Randal Kleiser. We also talk about CELEBRITY ISLAND, our favorite Guillermo del Toro movies and all things Eric Roberts. LET'S LISTEN! As always, check out ERIC ROBERTS IS THE MAN on Twitter, or come chat ER (or anything else) on our Facebook group. Don't forget to head over to iTunes to subscribe and rate the show. If you like it.. tell a friend! Our theme song is (unofficially) officially endorsed by ERIC ROBERTS! Our guest this week is movie and television critic Simon Abrams! Check him out on Twitter right here, as keep up on his latest work on his  Letterboxd profile right here. Music on this episode: Break #1 – “I Will Always Love You” by Dolly Parton Break #2 – “Blockbuster” by The Sweet     The post Episode 82: It's My Party (1996) appeared first on Eric Roberts is the Man.