Podcast appearances and mentions of Vanessa Redgrave

A new podcast episode of "Sound Speed Action" is out now — and with it we start at the beginning with the 1996 thriller “Mission Impossible” to kick off this series.Brian DePalma (Scarface, Carlito's Way) adapts the beloved thriller series for the big screen in a way that no one else can. He has a style all to himself. A really fun thing with this movie is that there is always so much detail and information to be taken from any scene you are watching in this movie. In every viewing you will definitely have a moment of “oh I didn't notice that before!”The action set pieces from the initial embassy job, to the Langley break-in scene, to the TGV helicopter chase — this movie set the bar high for action!Did we mention this movie also has a crazy fun cast? Tom Cruise, Jon Voight, Kristin Scott Thomas, Ving Rhames, Jean Reno and Vanessa Redgrave!Danny Elfman makes this movie a thrill with his exciting and dramatic soundtrack which is made only better by Lalo Schifrin's original Mission Impossible theme track and a sneaky inclusion of music too by The Cranberries and U2 members Adam Clayton and Larry Mullen Jr.The gadgets that don't always work, the tension created by ultra-silent moments during missions (Langley), the stunts, the fights — this movie is an absolute ride.One area that we were a little split on with this movie is that DePalma does a great job at trusting his audience to pay attention, read between the lines, and figure things out themselves. The other side of that is that this movie has been critiqued by some saying that the plot at times can feel a little overly complicated. Still, whatever view you have there, it's hard to deny how fun and original this movie was (and still is), at the time it was released.“Mission Impossible” is streaming now on Paramount Plus and Prime Video and is available to rent and buy on all platforms too. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit sohrabsmovieq.substack.com

Kevin Cummins has an international reputation as one of the world's leading photographers and is famed for his iconic portraits of musicians including Ian Curtis, Bowie, The Smiths, Iggy Pop, Bjork, Debbie Harry, Bob Marley, Public Enemy, Patti Smith and Oasis. These photographs have appeared on magazine covers and in galleries and museums worldwide, including Brooklyn Museum, Sydney Opera House, and the Pace Gallery, His work is included in the permanent collections of the National Portrait Gallery, V&A Museum and Manchester City Art Gallery. Kevin had a 20-year association with the NME, where he created many of the best-known images in modern music history. From the acting world he's photographed Helen Mirren, Ralph Fiennes, Vanessa Redgrave, Stephen Graham, Gary Oldman, and Richard E. Grant. His work has appeared on over 500 magazine covers and he's published many books documenting much of his own work with his latest, Oasis The Masterplan, being his sixteenth. It's out in April but you can pre-order it now. It documents twelve months of seismic change at the start of their career through the photographs he took that cemented the identity of Oasis and helped to define the band. You can buy the book, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683Kevin Cummins is our guest in episode 478 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Buy Oasis The Masterplan by Kevin Cummins, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683For everything Kevin Cummins, visit - http://www.kevincummins.co.ukFollow Kevin Cummins on Instagram & Twitter/X: @dkcmanc .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

Director:  Fred Zinnemann Producer:  Richard Roth Screenplay:  Alvin Sargent Photography:  Douglas Slocombe Music:  Georges Delerue Cast:  Jane Fonda, Vanessa Redgrave, Jason Robards, Maximillian Schell, Hal Holbrook Rotten Tomatoes:  Critics: 73%/Audience: 70%

National croissant day. Entertainment from 1981. 1st fight on floor of US House of Reprsentivies, 1st assasination attempt on a US President, Bloody Sunday in Northern Ireland. Todays birthdays - Franklin Roosevelt, Gene Hackman, Vanessa Redgrave, Marty Balin, Charles S. Dutton, Phil Collins, Jody Watley, Christian Bale, Wilmer Valderrama. Mahatma Gandhi died.Intro - Pour some sugar on me - Def Leppard     http://defleppard.com/Croissant song - Zander BertLose Yourself - Eminem19 Somethin - Mark WillsSunday Bloody Sunday - U2Birthdays - In da club - 50 Cent      http://50cent.com/Miricles - Jefferson AirplaneIn the air tonight - Phil CollinsLooking for a new love - Jody WatleyThat 70's show TV themeExit - Its not love - Dokken      http://dokken.net/

Vanessa Redgrave and Glenda Jackson in little discussed historical epic

pWotD Episode 2797: Olivia Hussey Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 577,151 views on Saturday, 28 December 2024 our article of the day is Olivia Hussey.Olivia Hussey (née Osuna; 17 April 1951 – 27 December 2024) was a British actress. Her awards included a Golden Globe Award and a David di Donatello Award. The daughter of Argentine tango singer Osvaldo Ribó, Hussey was born in Buenos Aires but spent most of her early life in her mother's native England. She aspired to become an actress at a young age and studied drama for five years at Italia Conti Academy of Theatre Arts in London.Hussey began acting professionally as an adolescent. She appeared in a 1966 London production of The Prime of Miss Jean Brodie, opposite Vanessa Redgrave; this led to her being scouted for the role of Juliet in Franco Zeffirelli's 1968 film adaptation of Romeo and Juliet. Hussey received widespread acclaim and international recognition for her performance. In 1974, she appeared as the lead character Jess Bradford in the cult slasher film Black Christmas. This and her roles in the horror productions Psycho IV: The Beginning (1990) and Stephen King's It (1990) earned her the label of scream queen.Hussey reunited with Zeffirelli in the miniseries Jesus of Nazareth (1977) as Mary and appeared as Rosalie Otterbourne in John Guillermin's Agatha Christie adaptation Death on the Nile (1978). She appeared in several international productions throughout the 1980s, including the Japanese production Virus (1980) and the Australian dystopian action film Turkey Shoot (1982). She also worked as a voice actress, providing voice roles in Star Wars video games including Star Wars: Rogue Squadron (1998), Star Wars: Force Commander (2000), and Star Wars: The Old Republic (2011).This recording reflects the Wikipedia text as of 02:03 UTC on Sunday, 29 December 2024.For the full current version of the article, see Olivia Hussey on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kevin.

Aidan Beatty, author of The Party is Always Right: The Untold Story of Gerry Healy and British Trotskyism joins us to trainspot the British Workers Revolutionary Party (WRP), a Trotskyist cult that was tight with Qaddafi, boasted Vanessa Redgrave as a member, and collapsed after the revelation of years of its leader's sexual abuse of membership.Sign up at http://patreon.com/theantifada for the bonus where we talk about Irish peacekeepers in Lebanon, the shared historical dynamics of the Irish and Jews, the WSWS's fascination with Woody Allen and Michael Jackson, and the macabre fate of Trotsky's death mask.Get the book from Pluto PressSong: Pop Smoke - For the Night

We cover the altered perceptions given to us by directors Mike Nichols (in his film directorial debut) and Michaelangelo Antonioni. Elizabeth Taylor, George Segal, Richard Burton, Sandy Dennis, David Hemmings, Vanessa Redgrave, and Jane Birkin have us questioning what is real. Connect with us: Never Did It on YouTube: https://www.youtube.com/@neverdiditpod Never Did It on Letterboxd: https://letterboxd.com/bradgaroon/list/never-did-it-podcast/ Brad on Letterboxd: https://letterboxd.com/bradgaroon/ Jake on Letterboxd: https://letterboxd.com/jake_ziegler/ Never Did It on Facebook: https://www.facebook.com/neverdiditpodcast Hosted by Brad Garoon & Jake Ziegler

Join Chris as he discusses the July releases from Mill Creek Entertainment. Amazon.com: Double the Romance – Evening/Once Around [Blu-Ray] : Lajos Koltai, Claire Danes, Toni Collette, Vanessa Redgrave, Patrick Wilson: Movies & TV Amazon.com: Deer Camp '86 [Blu-Ray] : L. Van Dyke Siboutszen, Noah LaLonde, Jay J. Bidwell, Arthur Cartwright, Brian Michael Raetz: Movies & TV Amazon.com: Ultraman Taiga: The Complete Series + Ultraman Taiga The Movie: New Generation Climax : Tsuburaya: Movies & TV Amazon.com: Icons Unearthed: The Simpsons [Blu-Ray] : Brian Volk-Weiss, Cooper Barnes, Jon Vitti, Wes Archer, Pete Michels: Movies & TV Get your Electic merch here: http://tee.pub/lic/ElecticEntertainment   WHATEVER CREATIVE - Home (weebly.com) https://whatevercreative.weebly.com/electic-entertainment.html   Facebook @electicentertainment Electic Entertainment | Facebook   Instagram @electicentertainment Electic Entertainment (@electicentertainment) • Instagram photos and videos   Letterboxd @electic ‎electic's profile • Letterboxd   Twitter @ElecticEnterta1 Electic Entertainment (@ElecticEnterta1) / Twitter   TikTok electicentertainment https://www.tiktok.com/@electicentertainment Thanks for listening! --- Support this podcast: https://podcasters.spotify.com/pod/show/chris-gentry2/support

LGBTQ Filmmakers at the 26th annual Provincetown International Film Festival talk with Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™ in this exclusive audio montage that took place at the Boatslip Resort & Beach Club in Provincetown, MA. First we talked to director Stephen Soucy about his documentary “Merchant Ivory” that pulls back the curtain on the fascinating lives of filmmakers Ismail Merchant and James Ivory. Their unique partnership on and off the camera produced 43 groundbreaking films over 4 decades that left an indelible mark on the LGBTQ and arthouse cinema. The documentary features interviews with Vanessa Redgrave, Emma Thompson, Hugh Grant, Helena Bonham Carter and many others who were lucky enough to move in the orbit of Merchant and Ivory's fabulous filmmaking. Next we chatted with director Fawzia Mirza and producer Andria Wilson Mirza about their feature film “The Queen of My Dreams”. The film is about a Pakistani Canadian woman who has had a strained relationship with her parents since coming out as lesbian and undergoes an emotional journey after the sudden unexpected death of her father. Her grief plunges her into a Bollywood-style examination of her family's past and present. Then we talked with director Taylor James, actor Kanoa Goo and producer Katie White about their short film “ILY, BYE” about when an unemployed, down on her luck woman (Megan Stalter) gets a life-changing job opportunity but she can't seem to get her foot out of her mouth long enough to get her foot in the door.    Next we talked to Tyler C. Peterson about his short film “Stan Behavior” about a drag queen (Ginger Minj) embarking on a quest for better workplace rights but finds herself in a dicey situation when her new lawyer (Yvonne Zima) a tone-deaf straight woman is revealed to be a drag super stan. Then we talked with director Sarah McCarron and music producer Rascal Miles about their short film “The Bend” about a trans man migrating from Tennessee to Minneapolis who gets stranded in rural Wisconsin and encounters a fisherman. We then chatted with director Marco Calvani about his feature film “High Tide” that was shot in Provincetown about an undocumented Brazilian immigrant searching for purpose when he encounters Maurice creating a memorable tribute to love and loss. We concluded our conversation with veteran producer Christine Vachon who produced the 2023 Oscar nominated film “Past Lives” about what films she has coming down the pike. We also talked with all the filmmakers about their spin on our LGBTQ issues as we approach the crucial 2024 presidential election.    The Provincetown Film Society, Inc. (PFS) is a non-profit year-round organization and home of the Provincetown International Film Festival. PIFF creates a unique international platform for the west and east coast entertainment industry to experience the diversity and community of Provincetown. PFS is also dedicated to showcasing the work of acclaimed and emerging directors, producers and actors.  For Info… LISTEN: 600+ LGBTQ Chats @OUTTAKE VOICES

This week we welcome director Paul Andrew Williams to the podcast to talk about his various projects including his brilliant spooky revenge crime thriller 'Bull', his four part Cary Grant Biopic 'Archie', as well as his upcoming dramatisation of the events surrounding the shooting of Jean Charles de Menezes at Stockwell Tube station in 2005. Paul explains how he struggles to pinpoint genres and finds it hard to watch his own early work. He also explains why he's drawn towards true stories and subjects that deal with the father/son dynamic. We also briefly discuss the failures of the UK postal system and how a family encounter with Steven Seagal left me feeling perplexed. Paul heaps praise onto Stephen Graham, who starred in his TV drama 'The Walk-in' and gives us a tease of his upcoming movie 'The Nest' starring Andrea Riseborough and Vanessa Redgrave.All music written and performed in this podcast by Steve Otis GunnPlease buy my book 'You Shot My Dog and I Love You' available in all good book shops, online and directly.Podcast Socials:Tik Tok: https://www.tiktok.com/@tvtimespodInsta: https://www.instagram.com/tvtimespodYoutube: https://www.youtube.com/@tvtimespodTwitter: https://twitter.com/tvtimespodSteve's Socials:Insta: https://www.instagram.com/steveotisgunnTwitter: https://www.twitter.com/steveotisgunnFacebook: https://www.facebook.com/steveotisgunn.antisocialPaul's Socials:Insta: https://www.instagram.com/pawcorestar/Twitter: https://x.com/corestarpaul?lang=en-GBGet tickets to my Edinburgh show here: https://www.thespaceuk.com/shows/2024/steve-otis-gunn-is-uncomfortableProduced by Steve Otis Gunn for Jilted Maggotwww.jiltedmaggot.com Hosted on Acast. See acast.com/privacy for more information.

Tim Sullivan is a screenwriter, film and TV director and author. He wrote and directed 'Jack and Sarah' with Richard E. Grant, Judi Dench and Ian McKellan. He directed 'The Casebook of Sherlock Holmes', 'Thatcher The Final Days', the last 90 minute episode of 'Cold Feet' and 'Coronation Street'. His scripts include 'Letters to Juliet' with Amanda Seyfried and Vanessa Redgrave. He co-wrote 'A Handful of Dust', 'Where Angels Fear to Tread' and more recently 'My Little Pony: A New Generation' which shot to the number one movie slot worldwide on Netflix in its first week of release. He is now the author of a series of crime novels which are gripping, clever and twisty, yet also touching and funny, featuring a brilliant detective DS George Cross who has Autism Spectrum Disorder. It has been hailed as the best detective series since Sherlock Holmes. His latest novel in the series, 'The Teacher', is out in paperback on Thursday. Tim discusses the joys and woes of writing for Hollywood, his writing process, advice for aspiring writers and the surprising way he plots his novels. My conversation with Tim is out today! Related Links Tim's Website Buy ‘The Teacher'

Summer is here and the fellas accept the impossible mission of watching all 7 Mission: Impossible movies and see if they can rank them, if they hold up, or if they agree or disagree with the reviewers. Mission: Impossible(1996)Director: Brian De PalmaProducer: Tom Cruise, Paula WagnerScreenwriter: David Koepp, Robert TowneProduction Co: Paramount Pictures, Cruise-Wagner ProductionsRating: PG-13Genre: Action, Adventure, Mystery & ThrillerRelease Date: May 22, 1996Tom Cruise, Jon Voight, Henry Czerny, Emmanuelle Béart(B-R), Jean Reno, Ving Rhames, Kristin Scott Thomas, Vanessa Redgrave

Emmy Award-winning Executive Producer Laurence A. Caso sat down for a one-on-one interview with The Locher Room to look back at his time as Executive Producer. He produced over 1700 As the World Turns episodes between 1988 and 1995.After three seasons at the Berkshire Theatre Festival in Stockbridge, MA, Laurence joined CBS in Los Angeles to work on the development of comedy and drama series (WKRP in Cincinnati, Alice, Dallas, White Shadow). In New York worked as the VP of Daytime Programs and Director of Specials, where he developed: animation (Peanuts, Garfield), documentaries (The Body Human), variety (Johnny Cash, Kenny Rogers, Anne Murray, Lily Tomlin, Crystal Gayle, etc.) award shows (Grammys, Tony Awards, Country Music Association Awards, Kennedy Center Honors), parades (CBS All-American Thanksgiving, Cotton Bowl, Rose Bowl), movies (Playing For Time starring Vanessa Redgrave, Bil featuring Mickey Rooney and Dennis Quaid), and mini-series (Guyana Tragedy). He was also VP of Programs for the start-up of the Disney Channel.Today, Laurence is Executive Director of the Klein Memorial Auditorium Foundation after having served on their board of directors for 5 years. Hear memories from this prolific producer.

We return to Camelot with a look at the 1967 film production of the Lerner & Loewe musical, again starring Richard Harris as King Arthur. At three hours, it's an overly-long production that loses steam in its third hour, but the first two are lush and often inspired, and possibly the best-looking movie we've covered for the show. Starring Richard Harris, Vanessa Redgrave, Franco Nero, David Hemmings, and Lionel Jeffries. Written by Alan Jay Lerner and Frederick Loewe. Directed by Joshua Logan. This is a preview of our Patreon-only series Hollywood Avalon: An Arthurian Film Podcast. To hear the entire episode, join the Mary Versus the Movies patreon for $3/month to hear this and the entire series Hollywood Avalon: https://www.patreon.com/maryvsmovies.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Writer and critic Eamon Tracy joins to discuss the brilliant James Gray and his debut feature 'Little Odessa' starring Tim Roth, Edward Furlong, and Vanessa Redgrave. Made when Gray was just 23 years old, it's a semi-autobiographical story that merges a character study of an estranged Russian-Jewish family with elements of the crime genre to arrive at something that pulls from the films of Francis Ford Coppola, Sidney Lumet and Luchino Visconti in equal measure.We begin by discussing the career of James Gray, his undersung filmography, and his reputation as a notoriously great interview subject. Then we explore the world of 'Little Odessa', its melodramatic flourishes, stunning camerawork, and deliberate tone and pacing. Finally, we look forward to what might be next for Gray as a filmmaker, having last released the film 'Armageddon Time' which functions as a compelling bookend to the director's three decades in filmmaking.Read Eamon's recent piece on 'The Battle of Algiers' and its relation to Palestinian resistance for The Hampton InstituteFollow Eamon Tracy on Twitter....Our theme song is "Mirror" by Chris Fish.

We begin Episode 204 with the announcement of our second quarter readalong in our year of reading romance and end with a delightful conversation with author Allison Pataki about her fabulous new novel, FINDING MARGARET FULLER. Since our last episode, Emily has continued with her intention of reading a short story every Monday. She read “Lot” by Bryan Washington from the story collection LOT: Stories and “Postcards from Heaven” from REUNION BEACH: Stories Inspired by Dorothea Benton Frank. Chris also read a short story, “Consequences” by Willa Cather from the story collection UNCLE VALENTINE AND OTHER STORIES. We each read an excellent novel – we're talking Top 10 contenders! Emily read THE FROZEN RIVERr by Ariel Lawhon and Chris finished WE GOT THE BEAT by Jenna Miller. In Biblio Adventures, Chris has rekindled a childhood fascination with Mary Stuart (aka Mary I of Scotland or Mary, Queen of Scots). She watched two movies: Mary, Queen of Scots starring Vanessa Redgrave, and Mary Queen of Scots starring Saoirse Ronan based on John Guy's biography QUEEN OF SCOTS: The True Life of Mary Stuart. She plans to read Antonia Fraser's biography, Mary, Queen of Scots for Big Book Summer. Emily took a trip to Wilmington, NC where she tried unsuccessfully to shop at Papercuts Bookshop because it was closed for inventory. She did find two Little Free Libraries where she picked up THIRTEEN MOONS by Charles Frazier, INTIMACIES by Katie Kitamura, and EACH PEACH PEAR PLUM by Janet and Allan Ahlberg. Back in CT, Emily went to the North Haven public library where she purchased LOTt: Stories by Bryan Washington and WHO'S IRISH?: Stories by Gish Jen from the Friends of the Library sale, and attended a presentation with Linda Civitello author of BAKING POWDER WARS: The Cutthroat Food Fight That Revolutionized Cooking.

On this edition of Parallax Views, freelance writer Corey Atad, who has written in such publications as Esquire, Slate, Hazlitt, and The Baffler, joins the show to discuss his piece in Welcome to Hellworld on Jonathan Glazer's Oscar speech and the reaction to said speech. Glazer decided to bring up the Gaza War when accepting the award for his Holocaust drama The Zone of Interest. He was accused of saying he was "refuting his Jewishness and the memory of the Holocaust" even though the clip was taken out of context. What he said was actually a commentary on the hijacking of Jewish identity and Holocaust memory for political purposes (which is what he sought to refute), a warning/call to resistance against dehumanization. As Glazer explained, he felt that Zone of Interest was not just a film about the past, but also the present. In other words: we need to be aware of where dehumanization has led in the past and where it could lead in the present. Glazer also made reference to Israel's Occupation of Palestinian territories during this speech. This has all sparked backlash and the aforementioned distortion of Glazer's words. A letter signed by at least a thousand people in Hollywood (some, like Jennifer Jason Leigh, recognizable, but many not) denouncing Glazer. Other, such as playwright Tony Kushner and the Auschwitz Memorial director Piotr Cywiński, have come to Glazer's defense. Corey joins the show to give his take on the speech as well as to offer his commentary on The Zone of Interest and relaying the tale of actress Vanessa Redgrave's 1978 Oscar speech which cause a similar controversy when she called out the extremist Jewish Defense League (referring to them as "Zionist hoodlums). We'll also delve into The Zone of Interest from the perspective of Hannah Arendt's "banality of evil" concept, Corey's criticism of The Zone of Interest, and the themes of alienation at the heart of The Zone of Interest's story centered on Auschwitz commandant Rudolf Höss, his wife Hedwig, and their family against the backdrop of the Third Reich's exterminatory horrors. All that and more on this edition of Parallax Views.

Welcome to the only roundtable podcast in compliance as we celebrate our second century of shows. In this episode, we have the quintet of commentators; Jonathan Marks, Matt Kelly, Jonathan Armstrong, Jay Rosen, with Special Guest Mary Inman; all hosted by Tom Fox. 1. Matt Kelly bemoans the lack of monitorships in recent FCPA enforcement actions. He shouts out to Ken Buck for his resignation from Congress. 2. Host Tom Fox shouts out to the Ides of March and the Mooring Theater Company Production of Shakespeare's play Julius Ceasar,  starring Corin and Vanessa Redgrave. 3. Jonathan Armstrong reviews NIS2 and the changing climate around cybersecurity regulation. He rants about the disaster management failures of the British crown around Kate Middleton.    4. Jay Rosen looks at the enforcement action involving Gunvor S.A. He about the potential Vice-Presidential candidacy of Aaron Rogers and intones “you ain't no Bill Bradley”. 5. Special Guest Mary Inman takes a deep dive into the DOJ whistleblower bounty program.  She shouts out to whistleblower John Barnett and rants the need for mental health resources to be made available to whistleblowers. 6. Jonathan Marks looks at DOJ's renewed call for self-disclosure. shouts out a fast-thinking and fast-acting McDonald's employee who used CPR to save a customer who had a heart attack.  The members of the Everything Compliance are: •       Jay Rosen– Jay can be reached at Jay.r.rosen@gmail.com •       Karen Woody – One of the top academic experts on the SEC. Woody can be reached at kwoody@wlu.edu •       Matt Kelly – Founder and CEO of Radical Compliance. Kelly can be reached at mkelly@radicalcompliance.com •       Jonathan Armstrong –is our UK colleague, who is an experienced data privacy/data protection lawyer in London.  •       Jonathan Marks can be reached at jtmarks@gmail.com. The host and producer, ranter (and sometime panelist) of Everything Compliance is Tom Fox the Voice of Compliance. He can be reached at tfox@tfoxlaw.com. Everything Compliance is a part of the Compliance Podcast Network.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Phillip is joined once again by Paul Rowlands from www.money-into-light.com and The Alternate Video Archives Facebook Page. Like always, they dive right in because Paul has done a ton of research. Paul starts with reading an email response that Paul got from Ken Russell's widow. Then they read a little bit of Tarantino Talks about the Devils. Paul then goes into the life and films of Ken Russell, the real story of Loudon, the book that the movie is made from, and the aftermath of the real events that happened in Loudon. Phillip reads listener opinions from Twitter, Instagram, and Facebook. Then the two of them discuss of the greatness that is Oliver Reed, Vanessa Redgrave, and The Devils as a whole. It's a long and deep discussion. They answer the regualr questions and then individually rate the movie. Phillip then gives his Phil's Film Favorite of the Week; Thunder (1983). Paul talks about all the movies that he has been watching. It's then time for Phillip to talk about what he will be talking about on the next show. So come back next week when Phillip will be joined by Bill Van Ryn from the Groovy Doom YouTube page for Mausoleum (1983). Thanks for listening. --- Send in a voice message: https://podcasters.spotify.com/pod/show/makingtarantinothepodcast/message

There are lots of bonkers classics on Criterion Channel right now and we wanted to pair pot with them before they show up on that "Leaving Criterion Channel" list in an episode we call "WHAT THE FUCK CRITERION." First up is THE DEVILS (1971), Ken Russell's masterpiece of blasphemy, demonic possession and religious persecution in 17th Century France. Oliver Reed is Urbain Grandier, an impossibly hot Jesuit priest, and Vanessa Redgrave is Sister Jeanne des Anges, a delusional nun who claims that she is possessed by the devil, and that devil works with Grandier. It's a gut-wrenching work that may be Russell's best. Continuing with the theme, our second feature is THE UNKNOWN (1927), a bizarre circus tale from FREAKS director Tod Browning. Lon Chaney, Sr. is Alonso, an armless knife-thrower who longs for Nanon, his fetching assistant played by a very young Joan Crawford. Nanon can't bear to be held in men's arms, so she should be perfect for Alonso, right? Well, all is not what it seems in this carnie world of deception, which motivates Alonso to go to sadistic and even masochistic extremes. What the fuck Criterion??? Man, we could've added a third feature here because PEEPING TOM is on the channel as well. Hopefully we'll get to that one soon. In the opener, Cory asks if it's even possible to create a cult movie these days where streaming has flattened everything out. Greg, Bob, and Philena all hold out hope. Hosts: Philena Franklin, Bob Calhoun, Cory Sklar and Greg Franklin Music: OMFYS Theme Song by Chaki the Funk Wizard "Black as the West" by "The Kiss and Crash Collective, courtesy of Kiss and Crash Collective and Sean Heskett "A Witches Sabbath" from Hector Berlioz's "Symphonie Fantastique" performed by the United States Marine Band, courtesy of Archive.org "Minor Lament for Solo Bass" by John Ptitucci courtesy of YouTube Audio Library BIRDEMIC trailer audio courtesy of archive.org. Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com Coming soon: Matt Zoller Seitz joins us again for Crazy for Kaiju with SON OF GODZILLA. Subscribe so you don't miss it.

With nuclear weapons on screen and the war on Gaza ongoing, will this year's Oscars be more explosive than ever? Vin and Ola look back at movies and moments that shook the Academy and audiences.Most Politically Outspoken Moments In Oscar History: From Brando To Halle Berry, Sean Penn To Spike LeeThe Eerie Story of Low Background SteelThe 'Most Violent Moment' in Oscar HistoryOscars Rewind: The Most Political Ceremony in Academy History](Oscars Rewind: The Most Political Ceremony in Academy HistoryBut it's unlikely any ceremony will ever inspire more heated division than the Oscars a little over 40 years ago, when the best supporting actress winner, Vanessa Redgrave, was burned in effigy outside the theater, booed by some audience members during her acceptance speech and rebuked by a presenter later in the evening.https://mindsblown.show/https://twitter.com/minds_blownpodhttps://instagram.com/minds_blownpod

For this week's episode of the podcast, we watched director Brian De Palma's 1996 adaptation of Mission: Impossible, starring Tom Cruise, Jon Voight, Henry Czerny (Kittridge!), Emmanuelle Béart, Jean Reno, Ving Rhames, Kristin Scott Thomas and Vanessa Redgrave. It was shot by frequent De Palma collaborator Stephen H. Burum and edited by Paul Hirsch. Screenplay by David Koepp and Robert Towne. Mission: Impossible, based on the television series, was the inaugural project of Tom Cruise's production company, and the Mission: Impossible franchise has become a core part of Cruise's celebrity career. The film was generally well-received by critics, although there were complaints about its convoluted plot, and was one of the biggest hits of 1996, grossing nearly $181 million on a budget of $45 million.In Mission: Impossible, Cruise plays Ethan Hunt, a member of the Impossible Missions Force who is on the run after his entire team — including its leader, Jim Phelps, played by John Voight — is killed in a failed mission to obtain a secretive list of every undercover CIA agent. When Hunt learns that the mission was actually a staged hunt for a mole within the IMF — and that the real mole is still out there, seeking the list — he goes on the run in an effort to obtain the list for himself, expose the mole, and regain his freedom. To do so, he recruits his own Impossible Mission Team — comprised of Ving Rhames, Jean Reno and Emmanuelle Beart — and stages a break-in at CIA headquarters in Langley. What unfolds next is a series of twists, turns, surprises and betrayals.The tagline for Mission: Impossible was “Expect the Impossible.” You can Mission: Impossible to rent or buy on Amazon and iTunes, and to stream on Amazon Prime Video and Paramount Plus.Our next episode is Michael Bay's action thriller, The Rock.Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The latest episode of the Patreon is on the 1961 film “Judgment at Nuremberg.”

Brad Bird never recorded a commentary track for “Mission: Impossible – Ghost Protocol,” but he did sit down for this extended interview. Learn how close Vanessa Redgrave came to being in the movie, why “Ghost Protocol” has a full title sequence, and the reason why the climax wasn't grislier. Accept it. This episode was originally released in March 2019. You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this edition of Parallax Views, Simon Matthews, author of Free Your Mind!: Giovanni 'Tinto' Brass, 'Swinging London' and the 60s Pop Culture Scene, joins the show to discuss the life and career of European filmmaker Tinto Brass. Brass is perhaps most well-known today for his erotic/softcore features as well as the epic, star-studded effort Caligula (starring Malcolm McDowell and Helen Mirren among others), that was re-edited at the behest of Penthouse's Bob Guccione to the point of butchering Brass' original vision. Matthews, however, hones in on the works of Brass as they relate to the the era of mod culture in the days of London's swinging 60s. With a foreward by the legendary actor Franco Nero, Free Your Mind! explores such Brass efforts as Nerosubianco (aka Attraction), The Howl, The Vacation, and The Dropout and their relation to 60s pop culture and counterculture. We'll also be discussing such Tinto Brass movies as the controversial Salon Kitty about Nazi Germany (part of the Nazi chic boom of the 60s/70s film industry), the spaghetti Western Yankee, and Brass in relation to contemporaries like Russ Meyer and John Waters. We'll look at the politics of Tinto Brass and why his filmography, especially in Britain, has been overlooked. If you're unfamiliar with Tinto Brass this will fill you in on an interesting auteur in the world of filmmaking who hasn't gotten his proper due despite working with heavyweight actors like Vanessa Redgrave and the aforementioned Franco Nero. We'll also discuss the unmade films of Tinto Brass including the adaptation of Anthony Burgess' A Clockwork Orange that he almost made and a project that never materialized with Jim Morrison of the legendary rock 'n' roll band The Doors. All that and more on this edition of Parallax Views.

National croissant day. Entertainment from 1981. 1st fight on floor of US House of Reprsentivies, 1st assasination attempt on a US President, Bloody Sunday in Northern Ireland. Todays birthdays - Franklin Roosevelt, Gene Hackman, Vanessa Redgrave, Marty Balin, Charles S. Dutton, Phil Collins, Jody Watley, Christian Bale, Wilmer Valderrama. Mahatma Gandhi died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Croissant song - Zander Bert(just like) Starting over - John Lennon9 to 5 - Dolly PartonSunday Bloody Sunday - U2Birthdays - In da club - 50 Cent http://50cent.com/Miricles - Jefferson AirplaneIn the air tonight - Phil CollinsLooking for a new love - Jody WatleyThat 70's show TV themeExit - Its not love - Dokken http://dokken.net/https://coolcasts.cooolmedia.com/

Remember the summer of 1998? Wolf-Biederman vs a rock the size of Texas? That's right. We were blessed with not one but two asteroid disaster movies: “Deep Impact” and “Armageddon”!If you're into more “serious” apocalyptic fare, then you probably prefer “Deep Impact.” If you're into summer tentpole blockbuster explosion-based apocalyptic flicks, then it's “Armageddon” for you. Both have star-studded casts with Morgan Freeman, Téa Leoni, Robert Duvall, Elijah Wood, Vanessa Redgrave, and Maximillian Schell in “Deep Impact” and Bruce Willis, Billy Bob Thornton, Jason Isaacs, Ben Affleck, Will Patton, William Fichtner, Peter Stormare, Steve Buscemi, and Keith David in “Armageddon.”“Deep Impact” address some of the societal impacts (ahem) of the impending doom of the planet. We hear about and see a bit of the government plan to preserve our “way of life” by saving a million Americans in some caves in Missouri. “Armageddon” discusses no such plan. Of course, there's no time since they discover the asteroid with only 18 to hire Bruce Willis' offshore drilling team to slingshot around the moon like the Coyote (of Roadrunner fame) and destroy the thing.We call “Armageddon” an apocalyptic comedaction film. It is doom-tastic, tear-jerkingly hilarious, and full of action and explosions.Which one is your favorite? Listen in to hear our favorite moments and quotes, why we love these films, and whether we think they still hold up 25 years later.Next week: Choose Your Own Thanksgiving Adventure!-Original music by Garrett ThompsonFollow us on Instagram @GeekGirlSoupContinue the conversation on FacebookListen to Cort's podcast with Brad at PureFandom.comCheck out Susan's movie stats on Letterboxd Email your questions and comments to GeekGirlSoup@gmail.comGeek on!

When a Promise Meant Something: Sean Penn's The Pledge  November is the month of Rick Ramos and this week we continue - following Martin Scorsese's Killers of the Flower Moon and Walter Hill's Hard Times - with a look at Sean Penn's 2001 The Pledge. Featuring an underrated (and I would argue tragically underseen) Jack Nicholson performance that sidesteps all of the Nicholson tropes that we have become used to, Nicholson portrays Jerry Black, a police detective on the eve of his retirement who leaves his retirement party to investigate a young girl's rape and murder. He is quickly sucked into the horror of the crime and finds himself obsessed with discovering the truth and bringing the killer to justice. Penn's film takes all of the labored and tired tropes that have become standard for the genre and manipulates them in ways that make for a fresh directorial take. Featuring an all-star cast (that never screams of stunt casting) including: Sam Shepard, Helen Mirren, Aaron Eckhart, Patricia Clarkson, Michael O'Keefe, Vanessa Redgrave, Robin Wright Penn, Harry Dean Stanton, Benicio del Toro, Tom Noonan, and (an incredible) Mickey Rourke, the 2001 film is one that truly speaks to Penn's power and gifts behind the camera. Take a listen and let us know what you think. You can reach us at gondoramos@yahoo.com. Many Thanks.  As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks. https://www.buymeacoffee.com/watchrickramos 

[ For full episode catalogue please subscribe to our Patreon at Patreon.com/BestActress ] The year is 1985 and the nominees are: 1. Sissy Spacek - The River 2. Vanessa Redgrave - The Bostonians 3. Jessica Lange - Country 4. Judy Davis - A Passage to India 5. Sally Field - Places in the Heart - In 1985 Sally Field won her second Oscar playing a widow struggling to save her farm in Places in the Heart. This was an odd year in that there were 2 other similarly nominated roles for both Jessica Lange and Sissy Spacek. Each of films portrayed a woman trying to keep her family and farm from being foreclosed by the bank. Honestly these films began to blur together while viewing. Oh this is also the famous year when Field said the famously misquoted quote, “I can't deny the fact that you like me! Right now! You like me!” Judy Davis became a first time nominee for the David Lean epic in A Passage to India. This was Lean's return to screen after a 14 year hiatus following the negative reviews from critics for the film Ryan's Daughter. Finally, Vanessa Redgrave plays a suffragette in the extremely queer coded The Bostonians. Who do you think should have won? Join host Kyle Brownrigg with guest host Dylan Mahaney as they discuss.

This week on And the Runner-Up Is, Kevin welcomes InSession Film's Amy Thomasson to discuss the 1984 Oscar race for Best Actress, where Sally Field won for her performance in "Places in the Heart," beating Judy Davis in "A Passage to India," Jessica Lange in "Country," Vanessa Redgrave in "The Bostonians," and Sissy Spacek in "The River." We discuss all of these nominated performances and determine who we think was the runner-up to Field.  0:00 - 13:27 - Introduction 13:28 - 35:55 - Judy Davis 35:56 - 51:34 - Jessica Lange 51:35 - 1:09:05 - Vanessa Redgrave 1:09:06 - 1:22:12 - Sissy Spacek 1:22:13 - 1:36:33 - Sally Field 1:36:34 - 2:21:41 - Why Sally Field won / Twitter questions 2:21:42- 2:29:28 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Amy Thomasson on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

1971 was a great year for cinema. Woody Allen, Robert Altman, Dario Argento, Ingmar Bergman, Stanley Kubrick, Sergio Leone, George Lucas, Sam Peckinpah, Roman Polanski, Nicolas Roeg and Steven Spielberg, among many others, were behind the camera, while the stars were also out in force. Warren Beatty, Marlon Brando, Michael Caine, Julie Christie, Sean Connery, Faye Dunaway, Clint Eastwood, Jane Fonda, Dustin Hoffman, Steve McQueen, Jack Nicholson, Al Pacino and Vanessa Redgrave all featured in films released in 1971.The remarkable artistic flowering that came from the ‘New Hollywood' of the '70s was just beginning, while the old guard was fading away and the new guard was taking over. With a decline in box office attendances by the end of the '60s, along with a genuine inability to come up with a reliable barometer of box office success, studio heads gave unprecedented freedom to young filmmakers to lead the way.Featuring interviews with cast and crew members, bestselling author Robert Sellers explores this landmark year in Hollywood and in Britain, when this new age was at its freshest, and where the transfer of power was felt most exhilaratingly.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

Agents Scott and Cam infiltrate CIA headquarters with Tom Cruise while decoding the 1996 franchise-launching Brian De Palma hit Mission: Impossible. Directed by Brian De Palma. Starring Tom Cruise, Jon Voight, Emmanuelle Béart, Henry Czerny, Jean Reno, Ving Rhames, Kristin Scott Thomas, Vanessa Redgrave, Ingeborga Dapkunaite and Emilio Estevez. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

Hosts Mat Bradley-Tschirgi, Thrasher, and Alex Miller discuss the first Mission: Impossible film. Stars Emmanuelle Béart, Tom Cruise, Henry Czerny, Vanessa Redgrave, Ving Rhames, and Jean Reno. After a mission in Prague goes sideways, IMF member Ethan Hunt (Tom Cruise) has to find the mole responsible. The first of what is a 7-film series so far based off the 1960's TV show, Mission: Impossible features a twisty spy story with some fun action set pieces courtesy of director Brian De Palma (The Untouchables) and writers David Koepp, Robert Towne, and Steven Zaillian. Tom Cruise is a bit edgier here than in later entries. Danny Elfman does faithful homages to the TV show theme with a score that hammers home the action beats. While the story might have one too many twists, the pacing and performances are strong. Still one of the best films in the series, Mission: Impossible starts the film franchise off on strong footing. Sequelcast 2 and Friends is part of the Tokyo Beat Podcast Network. Get 15% off EPOS Gaming Audio headsets with code EPOSFRIEND15 at checkout at www.eposaudio.com/gaming Follow the show on Twitter @Sequelcast2 Buy Mat's books (The Films of Uwe Boll, Podcast You Nerd!)  Buy Thrasher's tabletop RPG supplements from DriveThruRPG Watch award-winning filmmaker Alex Miller's YouTube series The Trailer Project Theme song by Marc with a C Happy Bee Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Welcome back to Analyze Scripts, where a psychiatrist and a therapist analyze what Hollywood gets right and wrong about mental health. Today, we are analyzing the '90s movie "Girl, Interrupted" based on the memoir by Susanna Kaysen. This film depicts two years of a young adult woman's life at McLean Hospital in the 1960s where she was diagnosed with borderline personality disorder (BPD). This episode analyzes everything from why it's so hard to talk about BPD, psychoanalytic vs behavioral treatment methods, the deinstitutionalization movement, antipsychotics, and our opinions about Angelina Jolie's portrayal of sociopathy. We hope you enjoy! Instagram TikTok Website [00:10] Dr. Katrina Furey: Hi, I'm Dr. Katrina Fieri, a psychiatrist. [00:12] Portia Pendleton, LCSW: And I'm Portia Pendleton, a licensed clinical social worker. [00:16] Dr. Katrina Furey: And this is Analyze Scripts, a podcast where two shrinks analyze the depiction of mental health in movies and TV shows. [00:23] Portia Pendleton, LCSW: Our hope is that you learn some legit info about mental health while feeling like you're chatting with your girlfriends. [00:28] Dr. Katrina Furey: There is so much misinformation out there and it drives us nuts. [00:32] Portia Pendleton, LCSW: And if someday we pay off our student loans or land a sponsorship, like. [00:36] Dr. Katrina Furey: With a lay flat airline or a major beauty brand, even better. [00:39] Portia Pendleton, LCSW: So sit back, relax, grab some popcorn. [00:42] Dr. Katrina Furey: And your DSM Five and enjoy. We get started with this episode. We just wanted to add a trigger warning. Some of this content could be disturbing to listen to. We're talking about the film Girl Interrupted, and there are some themes of suicide, disordered eating, and I would say institutional traumatization. So again, if any of these themes hit too close to home or could potentially be damaging, please feel free to skip this episode and join us again next time. Otherwise, enjoy. Hi, thanks for joining us. Today we are going to talk about the hit movie Girl Interrupted. A real blast from the past from my favorite decade, the 90s. This movie is based on the 1993 memoir by Susannah Casey, who wrote about two years of her life spent at McClain Hospital in the 1960s in Massachusetts, where she was diagnosed with borderline personality disorder. Portia so when I recommended we covered this movie, I totally didn't remember the plot. I don't actually know if I saw the whole thing. I was just like, oh yeah, there's a movie with Angelina Jolie and she got an Oscar and it's probably really good. I totally forgot that the main character was diagnosed with Bpd, which I actually think is great for us to talk about because we've alluded to this diagnosis and some of our other know, I'm thinking like, what about Bob Succession White Lotus? And I still find that this is a tricky diagnosis to talk about with patients to explain to patients to explain to other. I thought, you know, Winona Ryder's character like, did a great job being like, what is it? On the borderline of what? What are you talking about? Right? [02:38] Portia Pendleton, LCSW: Yeah. And at the time, though, this was newish. Marsha Linehan hadn't written her book yet on DBT. [02:47] Dr. Katrina Furey: I don't even think there was DBT yet. Thinking about the 1960s, I thought this film did a great job depicting what it probably was like to be psychiatrically hospitalized in the 60s, which is so different from what it's like today. Place that is very true. So this film was filmed at Harrisburg State Hospital in Harrisburg, Pennsylvania. It was filmed in 1999, but it was based on McLean Hospital, which is probably the number one psychiatric hospital in our country for a long time. I think it is affiliated with Harvard, and I think they do still have some longer term units like this, but you see a lot of treatment. You know, she goes to therapy many times a week. She's sitting on the couch. Her therapist is sitting behind her. Unfortunately falls asleep at one point, which I don't think actually happens in real life, but speaks to how she felt probably like there was a disconnect and you hear about how she's there for two years. That just doesn't happen anymore. But in the did, that was the treatment. People used to be admitted and stay for a really long time until in the mid 1960s, in the Reagan era, there was this big move not just in our country but internationally to deinstitutionalize patients, right? So sort of close down these long term hospitals which we called asylums and invest more in community mental health centers. And I think I don't know this for sure, but I believe that coincided with the invention of modern day antipsychotic medication like Thorazine and the other medications that came from that, like Haldol, basically medications that could treat schizophrenia and thereby treat these patients in a way that hopefully they didn't have to live in an institution. Sadly, we haven't invested enough in the community mental health centers that were supposed to be created to sort of support patients and we've had some really awful side effects from that. Primarily homelessness and institutionalization in jails. That is the number one provider of mental health treatment in our country. How awful and disgusting is that? And again, it's because not enough money goes into these community mental health centers. So nowadays you might be admitted for a couple of days to really stabilize you, tweak your meds, but you're not getting this type of intensive, insight oriented therapy anymore that we see depicted in this movie. And I think that's really sad. You can get that if you can pay for. [05:29] Portia Pendleton, LCSW: I mean, it's wildly expensive. [05:31] Dr. Katrina Furey: Wildly expensive. And I think some places, like other, you know, hospitals might take insurance. I don't know if insurance would cover it. [05:41] Portia Pendleton, LCSW: Yeah, they take some and especially for some programs. Like, I've had some people go to McLean, I've known some people to go to Silver Hills. Those two places over the years have definitely taken more of an insurance route for some of their programming and other tracks that they have. Other parts of their residences or programs are not insurance based. [06:03] Dr. Katrina Furey: And I think that also just speaks. [06:04] Portia Pendleton, LCSW: To like there's not a lot of people who can afford to be somewhere for a year and pay that. So I think they've also just had to do that where it's like some of their income is insurance based and others they are able to get private pay. [06:19] Dr. Katrina Furey: And I would like to think that they would take insurance for more situations if insurance would freaking pay, right? But insurance is the worst. That's a whole nother tangent for another day. But they don't pay. They don't even pay know, short just it's really an abomination. Yeah. So anyway, getting back to the movie, we have an all star cast. So Winona Ryder is playing Susanna, the main character. We have Angelina Jolie playing Lisa, the woman with sociopathy. She won an Academy Award for this role. I think Winona Ryder did too. Or maybe she was nominated. I can't remember. We have Whoopi Goldberg playing Valerie, the nurse. Elizabeth Moss playing Polly, the girl who was a burned victim from childhood. Clea duvall is played. Georgina susanna's roommate. [07:12] Portia Pendleton, LCSW: And she is in the show Veep. [07:14] Dr. Katrina Furey: That I really love. I haven't seen it before, but I've heard really good. [07:17] Portia Pendleton, LCSW: I was like, oh, my gosh. Oh, my gosh, it's her. Yeah, I couldn't believe it. [07:21] Dr. Katrina Furey: And then we had Brittany Murphy, who played Daisy. Who. That's just a tragic death and weird circumstances on its own. But I loved her, and I loved her roles in the then we had Jared Leto, who knew? Playing Toby. [07:36] Portia Pendleton, LCSW: I was like, who? Before I looked at the cast list, I was like, who is that? Why does he look so familiar? I couldn't believe it. So young. [07:43] Dr. Katrina Furey: I know. [07:43] Portia Pendleton, LCSW: Like a baby. [07:44] Dr. Katrina Furey: They all look so young. And then we have Jeffrey Tambor playing Dr. Melvin Potts, her first psychiatrist. And then we see Vanessa Redgrave playing Dr. Wick, the female psychiatrist. And there's a lot of other characters too, but those are just some of the main heavy hitters. [08:01] Portia Pendleton, LCSW: Yeah. [08:02] Dr. Katrina Furey: So what did you think, Portia, about the opening? [08:07] Portia Pendleton, LCSW: A little confusing. I mean, I was like, Is this present know? And then I was confused because it starts with her in the hospital, right, getting her stomach pumped. [08:16] Dr. Katrina Furey: Then I think the very first thing is you see, like, a broken light bulb in a syringe, and the girl's like, in the psych hospital, and you're like, what's going on? And then it flashes. [08:24] Portia Pendleton, LCSW: So then she wakes up. [08:26] Dr. Katrina Furey: And I was like, okay. [08:27] Portia Pendleton, LCSW: So was that a flashback? Was that a memory? Is her stomach getting pumped real? I was confused with those two first scenes. [08:36] Dr. Katrina Furey: Yeah, totally. And I wonder I would imagine that was kind of intentional. And then we see her being pretty aggressively restrained. We see the tube down her throat, I think, pumping her stomach. And my first thought was, what did she overdose on? This looks like they're trying to treat her for an overdose. And then someone screams out, oh, she's a wristbanger. I was like, what does that mean? And she said something about, there's no bones in my hand. And I was like, what is going on here? But I think it did give a pretty good snapshot into her mental state at that point in time. I was like, okay, she's overdosed on something that's dangerous enough where they have to aggressively pump her stomach. Now, we can't wait. We have to hold her down before we even get a sedative in her. Maybe back then they didn't even really have sedatives. Honestly, I'm not sure when things like Adivan and stuff were invented. And that thing about not having bones in her hand made me think, is she psychotic? Is she not? What's going on? Then we see her lock eyes with that man in the hallway, who we later learn is, like, her dad's colleague who's married, and she's had some sort of sexual relationship with him. And then she's pretty quickly seeing a psychiatrist in his home. You see her looking out the door, seeing his family and looking out the window and seeing her mom unpacking a suitcase. And I was like, Uhoh, yeah. [10:04] Portia Pendleton, LCSW: And still does happen. But I think it was more common in the past with these kind of, like, voluntary, but involuntary getting someone to treatment. Right. So it's like, whether you're an adolescent, and it's not voluntary at all, and your parents are taking you there, so it's under their voluntary, but not telling them where they're going. So, hey, we're going to go for a car ride. They don't know their suitcases packed, and then we're taking you to treatment. Or the horror stories of those wilderness camps where you're, like, abducted in the middle of the night. I was kind of thinking of that with Susanna being an adult. Right. It's like, in my head, I'm like, at any time, she can kind of. [10:40] Dr. Katrina Furey: Back out of this. Well, can she? It turns out she couldn't. Right. [10:45] Portia Pendleton, LCSW: That was also my question was, why. [10:47] Dr. Katrina Furey: Was it different in the so I don't know the full rules, but I do know that a lot of things they depicted in terms of getting her to the hospital don't happen these days. So she's seeing this psychiatrist. So an old white man, by the way, and he doesn't do this anymore. He very readily volunteers that way to instill confidence in your patient. I thought he was very shaming. I didn't like the way he spoke to her. He was not connecting with her. It was very clear she was, like, a bother to him in that the way he was saying, like, I'm just doing this as a favor to your dad. Why are you doing this to everyone around you? I just thought it was awful. What a terrible way to treat someone who is just clearly attempted suicide, even if she's saying, I always just had a headache. I didn't mean to take that much. It's clear what was going on. And then he just puts her in a cab and trusts the cab driver to take her to the psychiatric hospital. Okay. Yeah. Okay. [11:49] Portia Pendleton, LCSW: That's his responsibility. [11:50] Dr. Katrina Furey: We 100% don't do that. If you need to send someone to the psychiatric hospital, hopefully you can talk with them and talk with their family and come up with a plan where they're on board. That's the ideal way, right, to sort of have their family bring them, and they're voluntarily seeking help. Sometimes people aren't willing to go and they need to go for their safety. And that's when, at least in the state of Connecticut, a psychiatrist can involuntarily hospitalize someone by signing what's called the Physician's Emergency Certificate or a PEC form. There's only two conditions in our state where you can basically take away someone's civil liberties by saying you have to be institutionalized against your will. That would be if you are an imminent threat to yourself or someone else. So in terms of like suicidality or homicidal threats or if you are so gravely disabled from your mental illness that there is fear of your being able to survive without immediate intervention. So people who unfortunately have something like a psychotic disorder, who aren't eating, who are harming themselves in some way but might not realize it like if they have diabetes and aren't taking their insulin, things like that. But it has to be really severe in order for you to be able to check that box. You can't check it for things like substance abuse. That's a different type of involuntary commitment and that one's really hard to get. [13:12] Portia Pendleton, LCSW: You can also send people involuntarily to the hospital just for the eval. You know what I mean? Like cops can do that. [13:20] Dr. Katrina Furey: You're right. Sometimes people will voluntarily sign themselves in. Once you do that, though, you can't voluntarily sign yourself out. Usually the team does have to kind of be in agreement that you're ready to leave. If not, then they could petition the courts to then involuntarily commit you to sort of see out your treatment. But it's not like, for two years anymore. [13:44] Portia Pendleton, LCSW: Yeah. So we learn later in the movie. But that Lisa has been there for eight years. [13:49] Dr. Katrina Furey: Not surprising, right, given her personality pathology. And it seems like she frequently elopes, which is the fancy word to say. [13:59] Portia Pendleton, LCSW: You know, my question was just thinking about is she making herself known? Is she kind of coming back? Is she presenting in a hospital somewhere? Like, how are they finding her? [14:08] Dr. Katrina Furey: Right. Are they finding her or is she finding them? Does she have some sort of tie of dependency to the institution that's been taking care of her? Because it seems like she's like the leader in some ways. Right. And I thought that I mean, what were your thoughts, Portia, of Angelina Jolie's depiction of Lisa with antisocial personality disorder? [14:27] Portia Pendleton, LCSW: I thought it was good because you can see how those people can kind of suck others in yes. [14:35] Dr. Katrina Furey: That charming. [14:37] Portia Pendleton, LCSW: And appear really interesting and powerful and fun and light and it's almost like they know what you need. So she was all these things to different people. [14:49] Dr. Katrina Furey: Yes. And then knows also how to get under people's skin. Like we see with Daisy in a really sinister way. [14:57] Portia Pendleton, LCSW: Oh, yeah. Like horrific. I mean, I didn't really, I guess, get the flair of oh, my. Like, I really don't like her. She's horrible. Until that moment. [15:09] Dr. Katrina Furey: Yeah. Right. [15:10] Portia Pendleton, LCSW: Until the because she doesn't let it go. It wasn't just like, oh, I kind of threw this out there. Maybe someone may do that. I'm thinking maybe who has, like, a borderline personality disorder. They're kind of pushing the limits a little bit, but take it that far is not typical, right? [15:26] Dr. Katrina Furey: And I thought at first in seeing her on the screen, I thought she was depicting Bpd because she comes in very provocative. You can tell, like, the staff is all up in arms, right? Like, Nurse Valerie, played by Whoopi Goldberg, I think is helping Susanna settle in and then gets some kind of someone comes in, like, whispers in her ear, like and then you see all the staff is ah. Some of the patients there get really nervous, but then some of them are excited to see her again. I think that actually displayed the concept of splitting really well. That these types of patients tend to rile people up. And some people are on the good side, some are on the bad side. And then you pit them against each other. [16:05] Portia Pendleton, LCSW: Really manipulative. [16:06] Dr. Katrina Furey: Really manipulative. And so at first, I thought that was the type of character she was portraying until the movie went on. And you'd see her get under people's skin and then not let go. And you could sense she got off on that. Even in the rolling chair when she steals the nurse's pen and has it at her throat with that sort of suicidal gesture. You got the sense they've done this before. You knew that this nurse had opened. [16:32] Portia Pendleton, LCSW: Up to her, which huge red flag. [16:37] Dr. Katrina Furey: Don't do that. [16:37] Portia Pendleton, LCSW: And also, though, it's like that is most likely to happen with that kind of a patient, 100%. They're really good at getting under your. [16:45] Dr. Katrina Furey: Skin and getting you to open up to feel safe and comfortable. This is how serial killers abduct people. This is how it happens. So I thought she did an amazing job portraying both sides of that. Like, both the charming, fun, playful nature that attracts people and then that sinister, manipulative, sadistic side. [17:07] Portia Pendleton, LCSW: I mean, not being impacted by Daisy's death. So, like, Susanna is very appropriate reaction. And again, I'm saying this like, ha ha. But even someone with a personality disorder. [17:23] Dr. Katrina Furey: It'S like, yeah, because she has appropriate. [17:25] Portia Pendleton, LCSW: Emotions that maybe are extreme. But like, wow, you see someone who a dead body, someone who's hanging very disturbing. And you have this emotional reaction because you're a human with you know, Lisa. [17:38] Dr. Katrina Furey: Is not she takes her money and she goes I think, again, that was just such smart writing and depiction. I guess I was reading that didn't actually happen. Like, they didn't escape together. I was reading a little bit on Wikipedia about the author's take on this movie and I think she actually didn't love it. But there were some things that didn't actually happen like that scene. So whether it happened or not, I hope it didn't for daisy's Sake. But it was really smart writing to portray these two women who are both struggling psychiatrically, but with different personality flavors. And I think you do see some overlap between the Bpd and ASPD antisocial personality disorder, which, again, are all under the same cluster of personality development, like the provocative nature, the splitting, the intense mood swings, the all or nothing way of thinking and feeling and relating to people. But you see how antisocial personality disorder is different, right? [18:36] Portia Pendleton, LCSW: There's lacking empathy, there's lacking people with Bpd can relate to others. They do experience emotions appropriately and sometimes extreme. It's not a lack of in most cases, it's intense. [18:48] Dr. Katrina Furey: Exactly. [18:48] Portia Pendleton, LCSW: Too many emotions. [18:50] Dr. Katrina Furey: Right. It's a very intense emotions for the situation, but you still experience them. And they're not always, quote unquote, too intense. Sometimes they're totally accurate. But even, like, the scene with Susanna and Valerie where Susanna's in the bathtub, and she says awful things to thought. I don't know about you, but I felt like that was the scene where I really saw the Bpd side of Susanna. Kind of like until then, I was like, I don't really know if I buy that she has this diagnosis or if she's just, like, a struggling. Like, maybe it's a little too early to diagnose her with something like this, but then she really throws out, like, racial slurs, really derogatory things. Because I think Valerie was trying to connect with her. And I think for someone with Bpd, that feels very scary. Right. It's like you crave attachment, and you also fear it because you might lose it. So I felt like that was her trying to push her away in a really extreme way. And then later, though, you see that Susanna has a lot of remorse and guilt for what she said, whereas someone like Lisa would not. Daisy's character as well, is very you. [20:04] Portia Pendleton, LCSW: Know, I think there's a lot there. I think also, if we're going on what Lisa said is true, which sounded like her dad was molesting her for. [20:14] Dr. Katrina Furey: And again, like, no one else had kind of brought that up. And I do feel like people with sociopathic traits have this uncanny ability to sniff these things out and pull them out. Right. I don't know how, but they do. They can sense this stuff and pull it out and really dig at you. Yeah. [20:34] Portia Pendleton, LCSW: We didn't know that until that scene where she was kind of pushed over the edge. But she talked about being wealthy a lot. It seemed like she was abusing laxatives. They were kind of trading colase for Valium, which can happen at residential or inpatient places. That's why you're typically supposed to show your mouth. You lift your tongue, move it around to show that you're not tonguing meds. [21:00] Dr. Katrina Furey: Right. Or cheeking them or throwing them up afterwards before they've been metabolized. Yeah. [21:07] Portia Pendleton, LCSW: So that's a part that's just I mean, it can happen, and it is. [21:11] Dr. Katrina Furey: What it is, but it does happen. [21:12] Portia Pendleton, LCSW: The trading is just so unhelpful, right? Because it's like you don't know what drugs you're trading something for that then you're taking could be interacting with something else that your prescriber is giving you that they don't know that you're doing this. Very dangerous do not do thought. And maybe you can speak on this a little bit. It was interesting, which I know would never happen. [21:30] Dr. Katrina Furey: Right. [21:30] Portia Pendleton, LCSW: So before she's seen by a medical and I'm talking about Susannah before she's evaluated or sees any psychiatrist, she's already taking medication and they're giving her laxative. Why? [21:40] Dr. Katrina Furey: I thought they were giving her sleeping pill at first. Well, I guess they also give her choli. Right? [21:45] Portia Pendleton, LCSW: Well, anyway, but any medication. [21:47] Dr. Katrina Furey: Yeah. So there were definitely, I would say, some positive elements of the movie about the way they depicted mental health treatment back at that time. As it was. It could be at these beautiful institutions where you would have, like, a nurse's station. Then the patients would have their rooms. There'd be a common area. There would be other rooms like the art room, the music room, stuff like that. I think even nowadays, at more residential type places, you try to have that stuff so that during the day, you're not just sitting around, there's some therapeutic intervention. Right. So that I thought was pretty positive and spot probably, I would imagine McLean still might kind of look like that. The things that I thought were not great was that, like you said, she didn't see a psychiatrist at all and she's already taking medication. Like, that doesn't happen nowadays, and she. [22:34] Portia Pendleton, LCSW: Wasn'T already on it. [22:36] Dr. Katrina Furey: Right. It's not like they were continuing what she was on. But even for that, if you're admitted to a psychiatric hospital and you get to the unit at 03:00 in the morning, there's a psychiatrist on staff who will at least come and do a physical exam. Listen to your heart, listen to your lungs, check your blood pressure. [22:52] Portia Pendleton, LCSW: You're getting labs. [22:53] Dr. Katrina Furey: You're getting labs done. Maybe you need an EKG just because they might have hurts like a murmur or you're on a medication, they want to make sure that your heart is functioning okay, especially her, who just had a recent overdose. And then you go through like, do you have any allergies? What other medications do you take? Do you have any dietary preferences? Nowadays they also ask you what are your pronouns? All of this stuff happens the second you hit the floor. It doesn't wait till the morning. You might not meet your primary treater and get into the therapy side of things at 03:00 in the morning, but you would have that done, and you would talk about what medications they were going to prescribe or not and why and why. So I didn't like that. And you can't force anyone to take medication. That's the other thing that was inaccurate and made me upset, is like when susannah would express, like, I don't want to take this. You can't force them. That is totally coarse. If you can't do that, you need a court order to give anyone medication, which sometimes you do have to apply for, and sometimes it is granted. Like, if you have a patient with really severe chronic schizophrenia who needs their injectable antipsychotic to maintain wellness, that gets really tricky. But for stool softener, no one's forcing you to take a stool softener, okay? And like you said, they do like, tongue and cheek checks and make sure you are taking your medication. And they depicted that sometimes, but not all the time. But yeah, the chicken carcasses. What do you think about that? Interesting. [24:20] Portia Pendleton, LCSW: I mean, it seemed like she does like, purge, right? So either laxative use or there was some alluding to maybe some binging, like some little bit of bulimia both at the unit and then when she was in her apartment. That made me think that again, I mean, I'm going very loosely making that diagnosis. I also would say that the other patient on the unit who appears to have anorexia, which the weird comment of she's like, yelling about wanting her clothes, and then the nurse says, then you'll have to eat something, does not happen. [24:50] Dr. Katrina Furey: Now you can't manipulate people to eat. [24:52] Portia Pendleton, LCSW: And also that's typically why there are now so many separate units. It's very unhelpful and doesn't happen frequently to have eating disorder patients within a general psych population. They are, I think, inpatient like, in a hospital can go to like a medical but even then there are very specific and I think there's really only like a couple in the country, but there's a Cute out west, and then there is Walden and McLean out east, where they have inpatient units specifically for that. Because I think it's so important for staff to be trained in a very specific way. [25:32] Dr. Katrina Furey: I did think some of the stuff they portrayed, like not giving you your clothes until you eat doesn't happen. Other stuff, though, that they portrayed, like her exercising all the time on the unit, super accurate. And that's one of the things that the staff get trained in is like, being able to pick up these subtle ways of exercising in an attempt to burn calories and things like that. [25:53] Portia Pendleton, LCSW: Well, a lot of patients will share that if they are admitted into a general hospital and they do have primary ed, it's often like the worst time, which, again, is probably for many different reasons. One, they're so medically compromised. Two, this is like the beginning of the long road of often. Then maybe you're switching to an inpatient ed unit and then residential and then PHP and then IOP. There is some controversy in the community with the ethics around tube feeding. There's even more controversy within it if you are being tubed placing and pulling same day or for each meal to get you off the tube, they want you to eat, and typically you're tubed if you're really malnourished or if you're refusing. Again, I don't think they can make you without a court order, but they'll do that if you're refusing. [26:44] Dr. Katrina Furey: Yeah, I think that gets really tricky. And it's probably when they call for a capacity evaluation where a psychiatrist I would believe a medical doctor could do it too. Medical doctor being like internal medicine, someone who's not a psychiatrist, but still a physician would evaluate, does this patient have the capacity to refuse meals when they're this malnourished? Or is that malnourishment causing impaired cognitive what is the ethical decision of like can you make this decision knowing it's going to hasten your death or not? I mean, that's probably a huge ethical. [27:18] Portia Pendleton, LCSW: And there was a case and the judge sided with the patient and the patient went on to die. They went into hospice. Just it's really horrible. Do not recommend. But these places are there for you because you are that know, you really need support. So anyway, Janet should be, I think, in a more specialized unit where she's getting meal coaching other than just being threatened or withholding other things. [27:45] Dr. Katrina Furey: Right. [27:45] Portia Pendleton, LCSW: I think there were some eating disorder places around Renfrew's really old. They started in Philadelphia. They're all over now, but they're like the oldest big center for eating disorder. So if they were open then she should have been there. I think she probably would have gotten better care and more specialized care. So she should transfer if it opens soon. [28:07] Dr. Katrina Furey: Well, and I'm just thinking too, back in that time, in the mid sixty s, I feel like a lot of the treatment was still very psychoanalytic. Right. So I don't know how much about. [28:16] Portia Pendleton, LCSW: Your mother, let's lie down and talk about your mom. [28:20] Dr. Katrina Furey: And as a psychodynamic, psychotherapist I so fully believe in, there's huge connections cases in certain instances. Right. [28:30] Portia Pendleton, LCSW: But we need meal coaching, we need behavioral treatment, which often is DBT, and we absolutely need but I will say, too, like at that level of care, it's really hard, I think, when you're also that malnourished to exactly do that. [28:44] Dr. Katrina Furey: That's what I was going to say. Right. Like at the right time for the right patients. I feel like back then and again, I don't know, I wasn't alive in the 60s, but I feel like that's what everyone got. [28:54] Portia Pendleton, LCSW: Yeah. [28:55] Dr. Katrina Furey: And maybe that was like all we really had back then. We didn't really have the antipsychotics and stuff were just starting to come out. Maybe like CBT, DBT, these things, I don't think they were really out there yet. So yeah, I would imagine Janet was getting substandard care based on today's standards. And then it's like, well, I think Susannah was getting really good care based on today's standards. The difference in the comparison is really interesting. [29:23] Portia Pendleton, LCSW: And I wanted to just if you haven't listened yet, check out our episode on Shutter Island. Because that was in, I think, around the same late fifty s the mid to early 50s. So that's not that far off from this movie. Maybe, though, ten years can make a difference. However, I think this is also, again, like a private institution versus a forensic state forensic unit. Right. [29:46] Dr. Katrina Furey: But you're right, it's really interesting to sort of watch both of those and kind of compare and contrast them and they do get some of the historical points accurate. And I feel like back in the 60s, again, that was when a lot of these hospitals were being shut down in an effort to have people be treated in the community. Which again, is like, great, let's do it. But the money to actually do it, guys. [30:08] Portia Pendleton, LCSW: Yeah, no, totally. That's a huge problem. Anyway, there was a lot of other things wrong, like the orderly having oh. [30:16] Dr. Katrina Furey: My God, sexual relations. Even like them allowing her to make out or have sex with her boyfriend. No, you're not letting when people come to visit you, you don't just get to go behind closed doors and have a conjugal visit. [30:27] Portia Pendleton, LCSW: It's like a therapy session or you're playing a game. It's out in the open visiting time. [30:32] Dr. Katrina Furey: There's boundaries, especially for a patient like her. And how did the girls keep escaping and going to the basement all the time? There's people on staff overnight. The room check thing was accurate. You do come in and do checks at first, they are every 15 minutes. So I think that's really disruptive to your sleep. And we know how important sleep is to your mental health. [30:51] Portia Pendleton, LCSW: So I've done checks. I only had to do one, thank goodness, because I'm not an overnighter gal. But when I worked at a residential, I did get mandated to stay once overnight. And having to do ten minute checks on a new patient, because typically when they're new, they're on the highest level of watch. [31:09] Dr. Katrina Furey: Right. [31:10] Portia Pendleton, LCSW: So it just sucks, a, because I wasn't used to being on night shift, but yeah, it's really hard to do as an employee or as a mental health professional. And then also, I'm sure the patient didn't love it either, right. [31:23] Dr. Katrina Furey: Because they're not just like opening the door to see if you're there. They have to make sure you're safe. Right. So if you're turned and facing the wall and sleeping, they have to shine the light in your eye, make sure not only are you breathing, but you're not hoarding some sort of weapon or things like that. So that actually was accurate. But then I was like, if they're doing the checks, there's no one in the hallways. That's just not how it happens. I don't think they would have been able to escape. I thought this scene with them all reading their files was fascinating. And to me, it kind of reminds me of like, nowadays when patients have access to their notes and stuff like that, and how that is interesting and I think different for someone reading their note from their primary care annual physical and their therapy work. Right. What were your thoughts about all that? [32:11] Portia Pendleton, LCSW: Yeah, I think we talked about this in another episode, but I'm going to bring it up again. You're supposed to write your note like there's a lawyer on one shoulder and the patient on the other. So I think though, with more electronic medical records and with more open chart things like we have my chart here, maybe that's international, maybe it's national. It's basically where you can log in, send a message to your provider, look at your lab work, et cetera, schedule appointments, also see the notes. And so there are some questions around is it helpful or not for that to be in the mental health world? And is there like a level of notes that should be shared versus not what's helpful? [32:51] Dr. Katrina Furey: What do you think? [32:52] Portia Pendleton, LCSW: I think that patients should absolutely have access to treatment plans. I think that having access to all of your notes all the time, reading them on your own, is unhelpful. I totally agree. I think if you need to see the notes, you should be going over them with the provider so you can explain things. So if there's any questions or context, they can ask questions and not feel any kind. It shouldn't be negative. And they might be like, oh, well, what is that? What did that mean? And then you're there to explain exactly what that meant. [33:29] Dr. Katrina Furey: Right. I think, though, kind of like these women reading their files, it can be jarring. I don't think I'd want to read my psychological assessment of myself by myself. I feel like that's like really I. [33:43] Portia Pendleton, LCSW: Think it's more damaging it can be. [33:45] Dr. Katrina Furey: And I think it can really damage the therapeutic alliance with your provider too, because not everything you're observing the patient's going to see and that's going to. [33:55] Portia Pendleton, LCSW: Be it might not be ready to see. [33:56] Dr. Katrina Furey: Right. [33:57] Portia Pendleton, LCSW: And I'll just say too, just for clarity, we're not talking **** about you in your notes, we're writing things from our perspective, from our professional perspective of what's happening. Sometimes maybe we're wrong too, interpreted something wrong. So it's really for documenting purposes, it's for billing. [34:17] Dr. Katrina Furey: Yes. [34:17] Portia Pendleton, LCSW: And sometimes we might not do it perfectly. So I think that's I would lead. [34:22] Dr. Katrina Furey: With that preference and I think with, again, notes and stuff like that being more and more open, I feel like they've just become less and less helpful. I guess you leave so much out and you just have to keep it in your head, right, that it's kind of unfortunate. I do find myself being like, well, if this person ever read this, how would they feel about this? And I do think that can go both ways. On the one hand, I think it can help you remain not compassionate, but help you stay in a neutral space. And a lot of times be mindful of your own unconscious biases and be like, well, why am I putting this word in? Does it really need to be there or not? And on the negative side, it can make you withhold things that really should be there, but you're worried about if they read it before they're ready, how is that going to affect them? How will that affect our therapeutic alliance and their future treatment? And is that worth it? [35:23] Portia Pendleton, LCSW: Right? [35:23] Dr. Katrina Furey: Is that potential negative effect worth it? It's real tricky. [35:27] Portia Pendleton, LCSW: It is. No, I totally agree. It's nuanced. I think most providers feel the same way we do. [35:42] Dr. Katrina Furey: But I did think how interesting that this film, filmed decades ago, based on a time even further in the past, is still, like, on the pulse with something really active, like, in the mental health field presently. And I also thought it amazingly depicted how mental health providers really struggle to tell people their directly. It seems like none of these girls really knew, what am I here for? What am I being treated for? Some of them did. They were like, oh, Elisa, you're a sociopath. We all know know. But, like, Susanna being like, borderline personality disorder? What is that? [36:19] Portia Pendleton, LCSW: And then when she's in her family therapy session, she's like, what is that? And apparently the doctor's been telling her parents, but not her. [36:27] Dr. Katrina Furey: Right? And she is an adult. This isn't like a 14 year old. And especially, I don't know about you, Portia, but I feel like in the mental health field, we tiptoe around this diagnosis, and so we're so hesitant to talk about it and share it with people. And why do you think that is? [36:44] Portia Pendleton, LCSW: I think because societally, there are negative connotations with it. And I think that at least that's my discomfort sometimes. Versus I think the more we accurately diagnose people who have Borderline and talk about it, the better care they will get, because then we know the treatment plan and they can get better. We have more than people to participate in studies, there's more research. I think we really should be accurately diagnosing the disorder and also teaching clients about it and giving them education is, like, best practice. But I think in our society, like, Bpd has a lot of negative even I think it's even, like, joked about, you're crazy, and it's females. Obviously, we're careful of that, but I think ultimately, it does more damage, not sharing or being, for sure, hesitant. But again, diagnosing someone with a personality disorder does not happen immediately. One assessment, you're getting there with tons of data and information, and over time, it's like, you're probably there, right? [37:47] Dr. Katrina Furey: Let's just call it what it is, right? But yeah, I think that reminds me of, like, early on in the movie. I think it's in this scene when she's reading her file and she sees a cluster of diagnoses at the beginning. I can't remember what they were. Do you remember what they were. Yeah, they're not accurate today anymore. We call them different things now. [38:09] Portia Pendleton, LCSW: So it says Psychoneurotic Depressive Reaction, personality Pattern Disturbance resistant, mixed type, and then undifferentiated schizophrenia. [38:21] Dr. Katrina Furey: Those were yeah. And then all of a sudden, at the bottom, it's like, final diagnosis borderline Personality disorder. So can you imagine? Again, it's like, okay, she's reading all these words. Like, even as a psychiatrist, I don't understand what those early diagnosis mean because we don't use them anymore. They're a lot of big words that are confusing. So it's really hard for her to make sense of, like, what does that mean? And she goes and grabs it, looks like a DSM or something, and starts reading about it and is, like, all up in arms. And I just think, what a sad way for her to find out and then to also hear it in the family therapy where her parents know before she knows, but we're all keeping it. [38:55] Portia Pendleton, LCSW: Quiet, like talk about it. [38:58] Dr. Katrina Furey: And I think I loved when she said borderline of what? Like, what does that mean? And, you know, the way I was taught to think about it and where I think the phrase comes from. And again, I will say I don't love that we call certain things personality disorders. I feel like even that phrase is really stigmatizing. I don't know of a better one, though. [39:21] Portia Pendleton, LCSW: So much of we find in patients who have borderline personality disorder, there typically is some sort of attachment trauma. [39:28] Dr. Katrina Furey: Yes. [39:28] Portia Pendleton, LCSW: And so I would love for there to be a more specific trauma diagnosis other than PTSD or complex PTSD that talks more about attachment and how that then impacts relationships. I think that would be so much more helpful, better fit for people to understand. [39:46] Dr. Katrina Furey: Right, 100%. And I think when we use the word borderline, I believe where it came from is, again, harkening back to those psychoanalytic days, which we see in this movie of thinking about what are the defense mechanisms different people with different illnesses tend to use to live with and cope with their illness. And when we think of people in broad strokes, we think of people falling into what we call, like, the neurotic realm of personality development. These are people with, like, anxiety disorders, OCD, things like that, eating disorders. And then we think on the other end of the spectrum are people with psychotic disorders who use different types of defense mechanisms that are disconnected from reality, whereas people with neurotic disorders are maybe like uber connected to reality or a little too in their head. Borderline falls in the middle, where you sort of display some neurotic defense mechanisms and some psychotic defense mechanisms that doesn't make sense to the average person. And even as I'm trying to explain it, it's really confusing. But these are patients she did say in the movie, which was accurate, with an unstable sense of self, unstable moods, like a lot of mood swings again, some safety concerns in the most severe cases, which we see with her right at the beginning. But, again, it's like what I also loved about this movie was when they captured her at this age because some of these personality traits, again, not the safety concerns, like, we'll put that over here on the side. But some of the other stuff, the big mood swings, the idealization devaluation, the splitting that is normal in development from when you're very young, like, born to as you're growing up into adolescence. And then as your brain matures and you mature, you're able to sort of hold on to good and bad feelings and thoughts simultaneously. But that takes time. It does. And so a lot of people are also really hesitant to make this diagnosis, I hope, in a teenager or young adult, until you really see these traits and these issues sort of being persistent and present across all different facets of someone's life and over a long period of time. Otherwise, it does raise the question of is this just quote, unquote, like normal adolescent angst, like the suicide attempt? No, but some of her questions to Dr. Wick, like, well, how many partners is promiscuous? And what is it for a man, like, totally trapped, right? [42:21] Portia Pendleton, LCSW: And for the time, just thinking of being in the think thinking of Susannah and then her mom, I would say probably very different expectations for how to behave. They talk the Vietnam War. There's a draft going on. So I think this is also just like, a very culturally changing time for so many behaviors might seem so unsafe besides the safety safety issues, like the promiscuity that they keep talking about to even the doctors, right? Because they're of that other generation as well, that maybe is having just more of that judgment or thinking it's more of a behavior than her. Just like right in the 60s as a young adult, like, expressing herself and her sexuality, right? [43:02] Dr. Katrina Furey: And then it's like, well, yeah, and having sex with an older man who's married. Again, I felt like there was so much almost blame put on her. But it's like, what about him? Right? [43:15] Portia Pendleton, LCSW: The mom are there at the ice cream store for that scene, and that wife and daughter come in, and Susanna susanna's trying to kind of hide herself initially. And then the mom sees her, comes over and is like, It's her fault. And it's also like, okay, but of course, right, like, you're so you're not blaming the adult in the situation, your husband, who's and, you know, she's single, she's young. Of course it's her fault, right? [43:41] Dr. Katrina Furey: There's all these assumptions and a lot of blame on her. But it's like, what about him? And taking advantage of a younger girl. And again, not saying that there aren't cases where maybe the younger girl is more of the instigator, I guess you could say. But still, I was like, I see her point here. [43:58] Portia Pendleton, LCSW: Well, and then he was continuing to want to follow up, and she remember at the beginning like, no. And kind of shuts the door on him. So even that felt like it was a little bit more on him, or else it was going to be more on him. But at the ice cream scene, I do think that that is when Susanna does kind of or Lisa's actions to kind of save Susanna is where Susanna does really align with her, and that's how that then, you know, then Lisa gets her trust on her. [44:24] Dr. Katrina Furey: And I think Lisa, with her sociopathic traits, can sniff out who's vulnerable. And I do think people with Bpd are vulnerable to attracting toxicity or finding themselves in these toxic relationships. Like, hearkening back to Tanya from White Lotus. As we're talking now, I'm wondering if that suicide attempt was somehow connected to that relationship with that man. Like if in some way she felt rejected and then attempted suicide. And if somehow, maybe the doctors knew that and we didn't quite hear that as a viewer. But that, to me would give more of more evidence for a true Bpd type of diagnosis where really the core inner wound and fear is related to attachment and feelings of abandonment or rejection are really hard to navigate, I think. As we wrap up, I wanted to just ask you, do you think Lisa would have actually been crying at the end? I did think her and the four point restraints were those are what restraints look like. Even these days, restraining someone is like the soul crushing thing that you have to do sometimes as a psychiatrist on inpatient units like this, when there's a real safety issue happening, we try to do it in the least restrictive way as possible. You do see another character earlier in the movie in a straitjacket. We really don't use those anymore, but what you saw depicted is what strait jackets looked like, and they were used back then. Do you think Lisa would have cried with Susanna's departure? [45:57] Portia Pendleton, LCSW: If the tears were real, they would. [45:59] Dr. Katrina Furey: Have to be about she's. [46:03] Portia Pendleton, LCSW: Yeah. [46:03] Dr. Katrina Furey: I don't think she's feeling sad to lose her friend. I think she's being manipulative. The tears are real about her to make Susanna feel bad for saying all those things. I think that is what it is. But I don't think a true sociopath is capable of having tears or really know if someone's coming or going. Right. [46:23] Portia Pendleton, LCSW: I also think, just like to add to Lisa is that the reason that we wanted to deinstitutionalize people is because you can become institutionalized, where you get used to living in a state like that, which I would also say you're around trauma a lot, and chaos. It's scary setting things. So I think that also, after eight years, I would imagine changes someone, and. [46:48] Dr. Katrina Furey: You become dependent on the institution. [46:50] Portia Pendleton, LCSW: Like, why she's there, sure. But for her to be there for eight years, I think also must impact her everything. So I'm just curious, even just thinking about what has that done to her? That's why we like to keep people in the communities, in their communities. It is what's best when there are enough resources. So I think that's also just something to think about, like, how have the eight years been there for her, impacted her? [47:19] Dr. Katrina Furey: Right. It's kind of like what we see when people are in the criminal justice system for a long time, then they get released and they reoffend and come back. Sometimes they don't know how to survive anymore, like, outside of an institution like that. [47:32] Portia Pendleton, LCSW: All right, well, thanks for joining us today. We hope that you enjoyed today's episode. If you did, please feel free to rate the episode with five stars and then check us out on Instagram at Analyze Scripts and TikTok at Analyze Scripts podcast. And we would love for you also to subscribe. We have gotten a little bit of a bump this week and we're really. [47:51] Dr. Katrina Furey: Excited about it, so we do see. [47:53] Portia Pendleton, LCSW: Every subscriber add on. It brings us joy. So if you'd like to participate in. [47:56] Dr. Katrina Furey: That, feel free and spread the news. All right, see you next Monday. [48:00] Portia Pendleton, LCSW: Thanks. [48:00] Dr. Katrina Furey: Bye bye. [48:07] Dr. Katrina Furey: This podcast and its contents are a copyright of analyzed scripts. All rights reserved. Any redistribution or reproduction of part or all of the contents in any form is prohibited. [48:19] Dr. Katrina Furey: Unless you want to share it with your friends and rate, review and subscribe, that's fine. [48:23] Dr. Katrina Furey: All stories and characters discussed are fictional in nature. No identification with actual persons, living or deceased places, buildings, or products is intended or should be inferred. This podcast is for entertainment purposes only. The podcast and its contents do not constitute professional mental health or medical advice. Listeners might consider consulting a mental health provider if they need assistance with any mental health problems or concerns. As always, please call 911 or go directly to your nearest emergency room for any psychiatric emergencies. Thanks for listening and see you next time. Don't.

In Episode 25 of QMTV, titled "Words Weave Magick," we delve into the profound significance of sound and language in shaping our reality. Our words serve as reflections of the essence of sound itself, allowing us to explore their deeper meanings. Sound plays a fundamental role in creation, influencing matter, and our words leave lasting imprints on the fabric of existence. Throughout this episode, we unravel the multi-dimensional nature of language, discovering its ability to activate our spiritual potential and assist in manifesting our desires. Join us as we explore the mysteries of language and sound, unlocking the secrets to harnessing our creative power and living a life of purpose and fulfillment. Don't miss this transformative episode on Quantum Minds TV. Sign up with your email address to receive early access to the new episodes soon as they release! To watch the full episode and register, go to https://www.quantummindstv.com/ What is Quantum Minds TV? The new paradigm is about empowering and expanding our awareness of who we are, our vast potential, and how we can transform our world for the better. Quantum Minds TV is an open and flowing exchange of ideas about some of the most paradigm-shattering concepts that challenge outmoded ways of thinking and being. These conscious conversations help to reveal, and even pioneer, emergent new paradigm philosophies. By drawing from a myriad of different subjects, including modern science, ancient wisdom, and innate human potential, we aim to catalyze the expansion of human consciousness! Dr. Theresa Bullard-Whyke Bio: Dr. Theresa Bullard is a Ph.D. physicist, author, speaker, international teacher with the Modern Mystery School, change-agent, and the world-renowned host of Mystery Teachings on Gaia TV. Throughout her life-long journey, she has discovered innovative ways to weave together her education as a Ph.D. Physicist, with her life-long pursuit of understanding spirituality. Dr. Theresa uses modern-day quantum physics with powerful, time-tested techniques to harness consciousness, bringing a truly fresh, mind-expanding, and powerfully altering approach. Learn More: https://www.TheresaBullard.com Stewart Pearce Bio: Stewart Pearce is a world-renowned Voice & Presence Coach who has spent the last forty years as the go-to Voice Coach for the great and the good. Stewart's work has inspired change during key moments of history, as you may read in ‘DIANA THE VOICE OF CHANGE' concerning his work with the late Diana Princess of Wales, during the last two years of her life. Stewart has coached Margaret Thatcher, Anita Roddick, Vanessa Redgrave, Hugh Bonneville, Eddie Redmayne, and Mark Rylance - to name just a few. Stewart helps thought leaders and change-makers to achieve a more authentic presence, as they ignite their radiance to broadcast their unique message in the world.

This week on The Movie Podcast, Daniel, Shahbaz, & Anthony discuss the HISTORIC Box Office of Barbie and Oppenheimer that are making movies like Mission: Impossible - Dead Reckoning and Haunted Mansion struggle, Spider-Man: Beyond the Spider-Verse, Kraven and more get delayed due to WGA/SAG strikes, and more IMAX screens are coming to Canada. They also discuss new trailers for GEN V, The Exorcist: Believer, Saw X, and what they're watching including Righteous Gemstones, Conspiracy, and Oppenheimer in IMAX 70mm.Watch and listen to The Movie Podcast  now on all podcast feeds, YouTube, and TheMoviePodcast.caGet a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcastContact: hello@themoviepodcast.caTHE MOVIE PODCAST ON ET CANADA!THE MOVIE PODCAST MERCHANDISE NOW AVAILABLE!FOLLOW USDaniel on Twitter, Instagram, and LetterboxdShahbaz on Twitter, Instagram, and LetterboxdAnthony on Twitter, Instagram, and LetterboxdThe Movie Podcast on Twitter, Instagram, TikTok, Discord, and YouTube

In Episode 24, "Expressing Our True Essence," we delve into working with people on a world stage, exploring the power of voice and sound as the core of creation. Uncover ways to understand our own consciousness, achieve a balance between doing and being, and unlock the key to magnetism. Discover the art of creating flux from permanency, living in the substance of life connected to our feelings and reverence for life. Watch this episode to expand your understanding and embrace the profound mysteries of existence with Dr. Theresa and Stewart Pearce on Quantum Minds TV. Sign up with your email address to receive early access to the new episodes soon as they release! To watch the full episode and register, go to https://www.quantummindstv.com/ What is Quantum Minds TV? The new paradigm is about empowering and expanding our awareness of who we are, our vast potential, and how we can transform our world for the better. Quantum Minds TV is an open and flowing exchange of ideas about some of the most paradigm-shattering concepts that challenge outmoded ways of thinking and being. These conscious conversations help to reveal, and even pioneer, emergent new paradigm philosophies. By drawing from a myriad of different subjects, including modern science, ancient wisdom, and innate human potential, we aim to catalyze the expansion of human consciousness! Dr. Theresa Bullard-Whyke Bio: Dr. Theresa Bullard is a Ph.D. physicist, author, speaker, international teacher with the Modern Mystery School, change agent, and the world-renowned host of Mystery Teachings on Gaia TV. Throughout her life-long journey, she has discovered innovative ways to weave together her education as a Ph.D. Physicist, with her life-long pursuit of understanding spirituality. Dr. Theresa uses modern-day quantum physics with powerful, time-tested techniques to harness consciousness, bringing a truly fresh, mind-expanding, and powerfully altering approach. Learn More: https://www.TheresaBullard.com Stewart Pearce Bio: Stewart Pearce is a world-renowned Voice & Presence Coach who has spent the last forty years as the go-to Voice Coach for the great and the good. Stewart's work has inspired change during key moments of history, as you may read in ‘DIANA THE VOICE OF CHANGE' concerning his work with the late Diana Princess of Wales, during the last two years of her life. Stewart has coached Margaret Thatcher, Anita Roddick, Vanessa Redgrave, Hugh Bonneville, Eddie Redmayne, and Mark Rylance - to name just a few. Stewart helps thought leaders and change-makers to achieve a more authentic presence, as they ignite their radiance to broadcast their unique message in the world.

Ryan and Dylan are joined by Kirk Simpson to discuss the variability of the first three Mission: Impossible films in anticipation of Mission: Impossible - Dead Reckoning Part One.

In Episode 23 of Quantum Minds TV, we welcome the esteemed guest Stewart Pearce, as we explore the profound mysteries of existence. In this episode you'll learn more about the omnipresence of magick that surrounds us, transcending our limited perspectives and embracing life through the understanding of archetypes and divine patterns. By tapping into the cosmic intelligence within our consciousness, we unlock valuable tools that enable us to grasp the interconnectedness between our humanity and the divine. This awakening to higher realms of knowledge and wisdom sets the stage for the emergence of new civilizations. Join us as we embark on this extraordinary journey of self-discovery and collective evolution. Sign up with your email address to receive early access to the new episodes soon as they release! To watch the full episode and register, go to https://www.quantummindstv.com/ What is Quantum Minds TV? The new paradigm is about empowering and expanding our awareness of who we are, our vast potential, and how we can transform our world for the better. Quantum Minds TV is an open and flowing exchange of ideas about some of the most paradigm-shattering concepts that challenge outmoded ways of thinking and being. These conscious conversations help to reveal, and even pioneer, emergent new paradigm philosophies. By drawing from a myriad of different subjects, including modern science, ancient wisdom, and innate human potential, we aim to catalyze the expansion of human consciousness! Dr. Theresa Bullard-Whyke Bio: Dr. Theresa Bullard is a Ph.D. physicist, author, speaker, international teacher with the Modern Mystery School, change-agent, and the world-renowned host of Mystery Teachings on Gaia TV. Throughout her life-long journey, she has discovered innovative ways to weave together her education as a Ph.D. Physicist, with her life-long pursuit of understanding spirituality. Dr. Theresa uses modern-day quantum physics with powerful, time-tested techniques to harness consciousness, bringing a truly fresh, mind-expanding, and powerfully altering approach. Learn More: https://www.TheresaBullard.com Stewart Pearce Bio: Stewart Pearce is a world-renowned Voice & Presence Coach who has spent the last forty years as the go-to Voice Coach for the great and the good. Stewart's work has inspired change during key moments of history, as you may read in ‘DIANA THE VOICE OF CHANGE' concerning his work with the late Diana Princess of Wales, during the last two years of her life. Stewart has coached Margaret Thatcher, Anita Roddick, Vanessa Redgrave, Hugh Bonneville, Eddie Redmayne, and Mark Rylance - to name just a few. Stewart helps thought leaders and change makers to achieve a more authentic presence, as they ignite their radiance to broadcast their unique message in the world.

On this SPECIAL EDITION of The Movie Podcast, Daniel and Anthony are joined by HENRY CZERNY aka KITTRIDIGE of Mission: Impossible - Dead Reckoning Part One, making his return since the 1996 original film. In that movie, Kittridge was a governmental company man who wrongly accused Ethan Hunt of being a mole, and got a fish tank blown up on him for his troubles. In the intervening years, he has risen to become director of the CIA, reappearing to urge his old adversary to “pick a side” in the war that potentially lies ahead. Mission: Impossible - Dead Reckoning Part One releases exclusively in theatres July 12, 2023 by Paramount Pictures.Watch and listen to The Movie Podcast interview now on all podcast feeds, YouTube, and TheMoviePodcast.caGet a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcastContact: hello@themoviepodcast.caTHE MOVIE PODCAST MERCHANDISE NOW AVAILABLE!FOLLOW USDaniel on Twitter, Instagram, and LetterboxdShahbaz on Twitter, Instagram, and LetterboxdAnthony on Twitter, Instagram, and LetterboxdThe Movie Podcast on Twitter, Instagram, TikTok, Discord, and YouTube

Just in time for Dead Reckoning (Part I), we're returning to one of our favorite franchises to talk about the film that started it all: Brian De Palma's 1996 blockbuster Mission: Impossible! Join in as we discuss the film's post-Cold War setting, the Impossible Mission Force, Vanessa Redgrave's villainous performance, and our brief glimpse of pre-breakdown Ethan Hunt. Plus: Why were fans of the Mission: Impossible TV show upset with the movie? How did the rat at Langley die? Why is the NOC list available as a single file? And, most importantly, why doesn't Ethan do magic more often? Make sure to rate, review, and subscribe! Next week: Shall We Dance? (2004) --- Send in a voice message: https://podcasters.spotify.com/pod/show/we-love-the-love/message

Whodunit Month continues with our first Poirot film - Murder on the Orient Express! Ben and Anthony discuss the twists and turns of this star-studded, 1974 Agatha Christie adaptation. Directed by Sidney Lumet, screenplay by Paul Dehn, and starring (deep breath) Albert Finney as Hercule Poirot, Lauren Bacall, Ingrid Bergman, Sean Connery, John Gielgud, Jean-Pierre Cassel, Vanessa Redgrave, Michael York, Rachel Roberts, Jacqueline Bisset, Anthony Perkins, Richard Widmark and Wendy Hiller.

Daniel, Shahbaz, & Anthony review Christopher McQuarrie's MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE. Ethan Hunt (Tom Cruise) and his IMF team embark on their most dangerous mission yet: To track down a terrifying new weapon that threatens all of humanity before it falls into the wrong hands. With control of the future and the fate of the world at stake, and dark forces from Ethan's past closing in, a deadly race around the globe begins. Confronted by a mysterious, all-powerful enemy, Ethan is forced to consider that nothing can matter more than his mission – not even the lives of those he cares about most. The film stars Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Rebecca Ferguson, Vanessa Kirby, Esai Morales, Pom Klementieff, Mariela Garriga, Shea Whigham, and Henry Czerny. Later in the episode, the crew ranks their favourites in the franchise. Mission: Impossible - Dead Reckoning releases exclusively in theatres July 12, 2023 by Paramount Pictures.Watch and listen to The Movie Podcast review now on all podcast feeds, YouTube, and TheMoviePodcast.caGet a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcastContact: hello@themoviepodcast.caLINKS TO COOL STUFFFOLLOW USDaniel on Twitter, Instagram, and LetterboxdShahbaz on Twitter, Instagram, and LetterboxdAnthony on Twitter, Instagram, and LetterboxdThe Movie Podcast on Twitter, Instagram, TikTok, Discord, and YouTube

When Albert Poland was a teenager, he wrote to Judy Garland requesting that he create The Judy Garland fan club and she accepted. Tune in to hear this amazing story!    Legendary Producer and General Manager Albert Poland's work has spanned the dawn of Off Broadway to the Broadway blockbusters of the 1980s and 1990s and beyond. He worked with them all, from an unknown Sam Shepard and David Mamet to Edward Albee and Arthur Miller. He was also the founder of the Judy Garland Fan Club as a young teen. STAGES-a theater memoir is more than an insider's view of his many major productions, although there is plenty of that, from The Fantasticks and Little Shop of Horrors to Long Day's Journey into Night and from The Grapes of Wrath to The Boy from Oz. Witty, colorful, unconventional, and wickedly insightful, Poland has had a career that comprises a fascinating portrait of the social and cultural landscape of New York, from the '60s to the present, seen through the lens of a life in the theater (and yes, he managed the play with that title). You will get intimate and personal views of such stars as Judy Garland, Bette Davis, Hugh Jackman, Vanessa Redgrave, Truman Capote, and Liza Minnelli, as well as such theatrical titans as Cameron Mackintosh, Bernard B. Jacobs, Gerald Schoenfeld, and Ellen Stewart. Poland is the co-author/editor of The Off Off Broadway Book, and is a principal player in Michael Riedel's best-seller Razzle Dazzle: The Battle for Broadway. In June of 2019, The Off Broadway Alliance presented Albert Poland with a Legend of Off Broadway Award.

When Albert Poland was a teenager, he wrote to Judy Garland requesting that he create The Judy Garland fan club and she accepted. Tune in to hear this amazing story!    Legendary Producer and General Manager Albert Poland's work has spanned the dawn of Off Broadway to the Broadway blockbusters of the 1980s and 1990s and beyond. He worked with them all, from an unknown Sam Shepard and David Mamet to Edward Albee and Arthur Miller. He was also the founder of the Judy Garland Fan Club as a young teen. STAGES-a theater memoir is more than an insider's view of his many major productions, although there is plenty of that, from The Fantasticks and Little Shop of Horrors to Long Day's Journey into Night and from The Grapes of Wrath to The Boy from Oz. Witty, colorful, unconventional, and wickedly insightful, Poland has had a career that comprises a fascinating portrait of the social and cultural landscape of New York, from the '60s to the present, seen through the lens of a life in the theater (and yes, he managed the play with that title). You will get intimate and personal views of such stars as Judy Garland, Bette Davis, Hugh Jackman, Vanessa Redgrave, Truman Capote, and Liza Minnelli, as well as such theatrical titans as Cameron Mackintosh, Bernard B. Jacobs, Gerald Schoenfeld, and Ellen Stewart. Poland is the co-author/editor of The Off Off Broadway Book, and is a principal player in Michael Riedel's best-seller Razzle Dazzle: The Battle for Broadway. In June of 2019, The Off Broadway Alliance presented Albert Poland with a Legend of Off Broadway Award.

Book Vs. Movie: Blow-UpThe Julio Cortazar Short Story Vs. the Michelangelo Antonio Movie The Margos are feeling very mod today with this particular episode. We talk about Michelangelo Antonini, one of the most revered directors of the 1960s & 1970s, with a Palm d'Or, the Golden Lion, the Golden Bread, and the Golden Leopard among his film accomplishments. 1966's Blow-Up is his biggest English language hit, and it captured the New Wave movement in modern filmmaking. The original story is from Julio Cortazar in a short story titled “Las Babas del Diablo,” written in 1959. The symbolism-heavy story is told with several unreliable narrators and the artist's relationship to their medium. Our protagonist is Roberto, a French-Chilean translator who loves photography and may or may not be connected to reality. He remembers watching a middle-aged woman in a park with a teenage boy. Is she procuring him for an older man? Roberto takes photographs and obsesses over the crime about to happen. The 1966 film (Antonioni's first English-speaking production) follows Thomas (David Hemmings,) a fashion photographer in demand who obsesses over antiques and modernism. The movie also stars Vanessa Redgrave as a woman being photographed by Thomas in a clinch with an older man. She tries to seduce the roll of film from him after following him home. But he keeps the original and discovers, after blowing up the negatives) that he might have uncovered a murder. Thomas travels through underground London (via The Yardbirds) and the pastoral field, seeking the truth. So between the short story and movie--which did the Margos like better? In this ep, the Margos discuss:The bios of Antonioni & CortazarThe mod movement of the 1960s London.The cast of the 1966 film: David Hemmings (Thomas,) Vanessa Redgrave (Jane,) Sarah Miles (Patricia,) John Castle (Bill,) Jane Birkin (the Blonde,) Gillian Hillis (the Brunette,) Peter Bowles (Ron,) Veruschka von Lehndorff (herself,) Jimmy Page (The Yardbirds,) Jeff Beck (The Yardbirds) and Keith Relf vocalist for The YardbirdsClips used:Vanessa Redgrave and David HemmingsBlow-Up (1966 trailer) Thomas directs modelsThomas instructs Jane to move against the beatThe Yardbirds in Blow-UpJane Birkin modelsMusic: Blow-Up soundtrack, Herbert HancockBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement

This week on And the Runner-Up Is, Kevin welcomes AwardsWatch executive editor Ryan McQuade to discuss the 1971 Oscar race for Best Actress, where Jane Fonda won for her performance in "Klute," beating Julie Christie in "McCabe & Mrs. Miller," Glenda Jackson in "Sunday Bloody Sunday," Vanessa Redgrave in "Mary, Queen of Scots," and Janet Suzman in "Nicholas and Alexandra." We discuss all of these nominated performances and determine who we think was the runner-up to Fonda.  0:00 - 14:11 - Introduction 14:12 - 43:01 - Julie Christie 43:02 - 1:06:56 - Glenda Jackson 1:06:57 - 1:29:20 - Vanessa Redgrave 1:29:21 - 1:47:23 - Janet Suzman 1:47:24 - 2:10:18 - Jane Fonda 2:10:19 - 2:50:31 - Why Jane Fonda won / Twitter questions 2:50:32 - 2:57:56 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Ryan McQuade on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Per listener request, the Now We Know boys look back at the musical movie sensation Camelot, starring Richard Harris, Vanessa Redgrave, Franco Nero, and a cast of thousands! Traipse back into medieval times, with magic, mayhem, and yes, copious amounts of cuckoldry.

Imagine being a college student, entering your first film in a contest, and coming in third place behind George Lucas and Martin Scorsese! That actually happened to Linda Yellen, and it was an auspicious beginning of a career in Hollywood moviemaking, working with stars like Dennis Hopper, Vanessa Redgrave, Jane Alexander and Jacqueline Bisset.  From her groundbreaking film "CHANTILLY LACE" to "THE LAST FILM FESTIVAL" and the controversial "PLAYING FOR TIME," Yellen walks us through her brilliant career, as Director, Writer and Producer. Adventures in filmmaking from a master.

Cassian Elwes began his producing career with 1984's Oxford Blues, starring Rob Lowe and Ally Sheedy, and has enjoyed continuing success in film. His earlier roles include Men at Work with Emilio Estevez and Charlie Sheen, The Chase with Charlie Sheen, Kristy Swanson, and Henry Rollins, and The Dark Backward with Judd Nelson, Bill Paxton, and Rob Lowe.In 1989 he produced the independent film Never on Tuesday, which featured a cast of cameos including Charlie Sheen, Emilio Estevez, Judd Nelson, Nicolas Cage, and Cary Elwes.The Hollywood Reporter has said that Elwes was "involved in a virtual who's who of every great independent film of the last ten years." with films such as Thank You for Smoking, Half Nelson, and Frozen River (the last two of which garnered Oscar nominations for Ryan Gosling and Melissa Leo, respectively)."What people lose sight of," Elwes said to Screen International, "is that these films cost a tenth of the films that they competed against at the Academy Awards.The privilege was the recognition." Elwes is an expert in the field of arranging financing and distribution for independent films, having done so for 283 films during his tenure at William Morris Independent.Since leaving William Morris Independent, Elwes has been involved in arranging financing and distribution for 23 films, including Lawless, directed by John Hillcoat (The Road), starring Shia LaBeouf and Tom Hardy, and the thriller The Paperboy, directed by Lee Daniels (Precious), starring Matthew McConaughey and Zac Efron.Elwes produced the period drama The Butler, which was directed by Lee Daniels and featured an ensemble cast, including Forest Whitaker, Oprah Winfrey, John Cusack, Jane Fonda, Terrence Howard, Vanessa Redgrave, Alan Rickman, Liev Schreiber, Robin Williams, among others.He also produced Dallas Buyers Club starring Matthew McConaughey and Jennifer Garner, Ain't Them Bodies Saints starring Rooney Mara, Casey Affleck, Ben Foster, and Hateship, Loveship starring Kristen Wiig, Guy Pearce, Hailee Steinfeld, and Nick Nolte.On 29 October 2013, Elwes launched the Cassian Elwes Independent Screenwriter Fellowship, in conjunction with The Black List, to award one writer an all-expenses-paid trip to the 2014 Sundance Film Festival and mentorship from Elwes. Elwes and The Black List plan to award the fellowship annually.Please enjoy my conversation with Cassian Elwes.