Podcast appearances and mentions of Juliana Huxtable

Here at AIR, we kicked off festival season in with Sonar Lisboa, the little sister to the famed Barcelona festival, which took place in early April this year and featured acts like Max Cooper, Jennifer Cardini, Juliana Huxtable, and this month's esteemed guest, @MarcelDettmann. A techno veteran whose name is synonymous with big room sound, Marcel recently debuted a new live set, his first ever foray into live performance, the result of a pandemic spent toiling away in the studio and crafting his landmark album Fear of Programming, which formed the foundation for his live act. At Sonar Lisboa, he presented a new version of his project, which he calls My Own Shadow, a mix of his own productions, field recordings, vocal elements, and on the fly craftsmanship. Marcel and I sat down together in Lisbon to discuss his new live set and the creativity behind it, and how his musical and personal life is shifting over years. A big thanks to the team at Sonar Lisboa for the invite to this year's edition! ++ MUSIC: "Linux" - Marcel Dettmann (2013) "Water" - Marcel Dettmann ft. Ryan Elliott (2024) "Fear of Programming" - Marcel Dettmann (2024) ++ FOLLOW AIR: Instagram: www.instagram.com/_airpodcast/ Patreon: www.patreon.com/airpodcast Substack: airpodcast.substack.com/

Leonie und Julian treffen sich zum ersten Feierkultur Update in der neuen Staffel und im Jahr 2025!Daher haben sie sich auch einiges zu erzählen: u.a. wie sie Dank der Unterstützung der Ingrid Bischoff Stiftung überhaupt weitermachen konnten.Diese 2015 von Ingrid Bischoff gegründete Stiftung fördert die besonders Projekte in den Bereichen Kunst und Kultur, Gesundheit und Bildung. Der Feierkultur Podcast wird somit fortan ein genaueres Augenmerk auf die Stiftungs-Aktivitäten richten.Das Clubkultur-Jahr nimmt mit dem April und den Oster- sowie 1. Mai-Feiertagen so richtig Fahrt auf! Leonie und Julian schauen auf das anstehende Home Again Festival mit u.a. Peggy Gou und Solomun (WTF?!), auf die The Dark Rooms - Hotel Edition und auf die Gardens Of Babylon Party im Sage Beach.Darüberhinaus sprechen sie über: 12.&13.4. Climate Of Fear, Backsteinboot (Spandau) mit Juliana Huxtable, Isabella (Colombia), Vladimir Ivkovic (Salon des Amateurs, DD)11.4. 1 Jahr Kapitel Berlin im Lokschuppen11.4. Worakls im RItter ButzkeOSTERN (18.4.-22.4.)Berghain Klubnacht mit u.a. Ame, Soundsteam, Steffi, Miss Kittin, VirginaAbout:Blank Birthday mit u.a. Kalipo, alex.do  eurobabes, Lawrence uvmKater Open Air: Luna City Express, Lauer, einige Special Guests Anima: Family Dinner 2 (Kreuzwerk)18.4. DJ Hell im RSO19.4. Vertx im RSO mit Boys Noize und Anetha u.a.25.4. : Adrenaline x Selected (Adrian Mills etc) im RSO25.4. ⁠Birgits Weekender ⁠mit u.a. Rauschhaus, Moogli / Leonie, Peer Kursiv uvm26.4. Mollono Bass Record Release im Bi Nuu26.4. Gardens Of Babylon (Sage Beach)27.4. Else Opening mit DJ KozeMai: Mayday Rave mit Fatboy Slim im ://about.blank (+nakadia, Phonique, Robert Owens)Napoleon Komplex: MCR-T u.a.Free Open Air club.OST (Lena Wilikens, massimilano pagliaraPrince Charles Koffäin Open Air

Recorded by Juliana Huxtable for Poem-a-Day, a series produced by the Academy of American Poets. Published on December 22, 2023. www.poets.org

"There's a joy I'm trying to depict in my artwork." The American DJ and producer discusses her latest painting exhibition, the power of poetry and exploring queer fantasy in visual art. Today, Berlin-via-New York multidisciplinary artist Juliana Huxtable might be best known for her DJing and dance floor productions. She's the co-founder of the party Shock Value and a regular at Berghain, Herrensauna, Basement and more clubs and festivals around the world. But she's equally prolific in the worlds of poetry and visual art, and in her first appearance on the RA Exchange, she talks to senior producer Chloe Lula about her multimedia painting exhibition, -USSYPHILIA, which is on display through the beginning of January. A champion of queer and trans theory, Huxtable uses collage, painting and poetry to explore themes around identity anarchy and sexuality throughout the exhibition. While the collection is serious and somewhat academic, it's also playful, diving deep into fantasy, psychedelia and allusions to soft porn. These days, Huxtable enjoys dabbling in other kinds of art as well. In her interview, she talks about her longtime love of performance art, which she says is ghettoized in the art world context, usually relegated to awkward programming add-ons in gallery exhibitions. Her band Tongue In The Mind is shaking off the performance art stigma and bringing it into the club with their forthcoming EP on PAN, Pretty Canary, out in late 2023. To hear about how she keeps on top of parallel creative practices, her thoughts on writing, experiences with psychedelics and more, listen to the episode in full.

How can art institutions adapt to meet the changing cultural landscape in the coming decades, and what are the new models that will evolve to fill these needs? Fotografiska, a private, for-profit photography museum, is offering a novel possibility. Fotografiska's self proclaimed mission is to offer a unique cultural destination where people can discover world class photography alongside one of a kind programming with top tier restaurants and bars on site. With expanded late night hours open until 11 p. m. on Fridays and Saturdays, Fotografiska believes it gives the public a more flexible platform for encountering culture than the traditional, often sterile museum setting. But it's a model that's not without skeptics, who worry that prioritizing experienced culture risks undermining curatorial rigor. Founded in Stockholm in 2011, today Fotografiska is a global enterprise with locations in Tallinn, Estonia and New York City, and the international expansion continues with a Berlin outpost that opened just last month with exhibitions by celebrated artists including Juliana Huxtable and Candice Breitz at the Kunsthaus Tascheles—a destination with a unique cultural history for the city. The museum's first location in Asia is also set to be unveiled this month in Shanghai. Behind Fotografiska's ascent is Yoram Roth, the institution's chairman, and a Berlin based entrepreneur focused on arts and culture. With a career background that ranges from entertainment and music production to publishing, Roth brings a dynamic energy, unique vision, and infectious attitude to the art sphere. This week, Artnet editor Katie White spoke to Roth about Fotografiska, and a new era of cultural experiences.

How can art institutions adapt to meet the changing cultural landscape in the coming decades, and what are the new models that will evolve to fill these needs? Fotografiska, a private, for-profit photography museum, is offering a novel possibility. Fotografiska's self proclaimed mission is to offer a unique cultural destination where people can discover world class photography alongside one of a kind programming with top tier restaurants and bars on site. With expanded late night hours open until 11 p. m. on Fridays and Saturdays, Fotografiska believes it gives the public a more flexible platform for encountering culture than the traditional, often sterile museum setting. But it's a model that's not without skeptics, who worry that prioritizing experienced culture risks undermining curatorial rigor. Founded in Stockholm in 2011, today Fotografiska is a global enterprise with locations in Tallinn, Estonia and New York City, and the international expansion continues with a Berlin outpost that opened just last month with exhibitions by celebrated artists including Juliana Huxtable and Candice Breitz at the Kunsthaus Tascheles—a destination with a unique cultural history for the city. The museum's first location in Asia is also set to be unveiled this month in Shanghai. Behind Fotografiska's ascent is Yoram Roth, the institution's chairman, and a Berlin based entrepreneur focused on arts and culture. With a career background that ranges from entertainment and music production to publishing, Roth brings a dynamic energy, unique vision, and infectious attitude to the art sphere. This week, Artnet editor Katie White spoke to Roth about Fotografiska, and a new era of cultural experiences.

In this week's episode of Playful Podcast, we meet with DJ, Producer, Singer, Writer, Artist and Performer Juliana Huxtable! In this conversation we speak about:– Her journey up till today, and how her passion for learning has shaped her– Her view on DJ's as entertainers and/ or solely musicians– Braveness, and being judged by the outside– Work-life-balance and the importance of a good partyAnd much more.Playful Podcast is available on Spotify, all Podcast Apps and YouTube.All our Patrons get access to the extra material where Juliana shares how she prepares a gig, her top secrets on how to find new music and her secret weapon to success.Go to patreon.com/PlayfulMagazine Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Juliana Huxtable et Joe Rinaldo Heffernan nous parlent de leurs pratiques. Podcast en anglais. Avec: Juliana Huxtable, Joe Rinaldo Heffernan, Jeanne Graff Date: 2 avril 2022

We discuss the incredible email Juliana Huxtable received inviting her to DJ b2b with Rachel Dolezal. Jeff tells us about his roommate who used to do nitrous, we try to listen to the new Animal Collective but get distracted listening to old Animal Collective, some Elden Ring talk here and there, and we think about Cajun Grimes. Music & Links: Bladee, Ecco2k - "The Flag is Raised" Rosalía - "Candy" Evanora:Unlimited - "Eldest Sister" Animal Collective - "Prester John" Animal Collective - "Fireworks" (Live) Animal Collective - "Cobwebs" Animal Collective - "Safer" Kim Gordon - "Paprika Pony" yeule - Bites On My Neck YWDAP: Instagram - @ywdap Twitter - @ywdapodcast Discord Patreon

While our dear Gianna is returning from her Greece trip, we have a reissue of our Great Women Artists episode from March of 2021 in celebration of Women's History Month. In this week's episode, we are highlighting and celebrating five iconic women that we haven't talked about on the pod yet: Shirin Neshat, Hulleah J. Tsinhnahjinnie, Juliana Huxtable, Empress Theodora, and Rokudenashiko.Check out this episode of the Great Women Artists podcast where Katy Hessel interviews Shirin Neshat.https://www.thegreatwomenartists.com For 30% off your first three months at Zencastr, go to zencastr.com/pricing and enter promo code artpoptalk0.To receive 2 months of fee-free investing from Vinovest, go to zen.ai/artpoptalk.For all of Artpop Talk's resources, click HERE.

The Goethe-Institut London and the Somerset House Studios are collaborating to establish a new international artist residency programme to support a Germany-based artist working at the intersection of music, art and technology. For the inaugural edition from October 2021 we invited Berlin-based and Texas-born DJane, writer and performer Juliana Huxtable for the residency. Time to discuss her influences, visions, opinions, but also the current situation of clubbing in a global pandemic for a brief moment on a cloudy Thursday afternoon in South Kensington, London.

Le Centre d'Art Contemporain Genève ouvre la Biennale de l'Image en Mouvement 2021, organisée sous la direction artistique du collectif DIS et d'Andrea Bellini.   Avec les œuvres de : Emily Allan & Leah Hennessey, Theo Anthony, Riccardo Benassi, Will Benedict & Steffen Jørgensen, Hannah Black & Juliana Huxtable & And Or Forever, DIS, Giulia Essyad, Simon Fujiwara, GRAU, Mandy Harris Williams, Camille Henrot, Sabrina Röthlisberger Belkacem, Akeem Smith et TELFAR. A voir jusqu'au  Jusqu'au 30 janvier 2022 Andrea Bellini, directeur général de la biennale nous permet de découvrir quelques artistes.  

Forward-thinking techno played by a master of the CDJs. Read more: http://ra.co/podcast/803 @julianahuxtable

Forward-thinking techno played by a master of the CDJs.

Happy International Women’s Day! In this week's episode, we are highlighting and celebrating five iconic women that we haven’t talked about on the pod yet: Shirin Neshat, Hulleah J. Tsinhnahjinnie, Juliana Huxtable, Empress Theodora, and Rokudenashiko. Check out this episode of the Great Women Artists podcast where Katy Hessel interviews Shirin Neshat.https://www.thegreatwomenartists.com

Juliana Huxtable continually crosses boundaries and breaks down borders. Her multidisciplinary art takes in writing, performing, poetry, DJing and running the Shock Value nightlife project in New York, where the Texan currently lives. She explores themes of history, the body, the internet and much more, often with a strong sense of personal identity. Next to solo exhibitions she has authored two books, worked as a Visiting Artists Program lecturer at the School of the Art Institute of Chicago and is involved with a number of collectives that challenge gender norms, interrogate notions of race and engage with socio-political issues and sexuality, often in visceral ways. This week's mix is just as direct and physical. It is a sound college filled with rage and confrontation, where brutalist industrial textures and squealing synths crash into banging techno. Human voices are mangled into walls of white noise and uncontrollable machines run riot in what could be a soundtrack to the end of the world, or the start of a new one.

After an initial failed attempt to record this episode Juliana Huxtable joins me from Berlin to talk about digestive health, clean eating, body image and the porn industry.

Support AllegedlyNYC: www.patreon.com/allegedlynyc Artist, writer, DJ and performer Juliana Huxtable joined us from Berlin to discuss how Covid-19 is affecting the art world and how it can bring relationships to a new level of love. PLUS Rose McGowan VS Bill Maher, Tyra Banks gets called out for past ANTM episodes, Snoop Dogg Sex Tape?! And Kim & Kanye are losing it under quarantine.

Alright alright, here we are with another installment of Live and Direct after a few months off. Our first recording for 2020 comes from a memorable night last November when our resident Aurora Halal invited Pessimist in to share the booth. Aurora provided the opening (and closing) moments, which is a side of the beloved techno we are really enjoying getting to know. Known for her meticulously programmed sets that build with both patience and intensity, this opening stays true to her hypnotic style. Taking us from cinematic dub techno to pitched up club favorites and back again, it's a subterranean and psychedelic ride leading us to the surface just before Pessimist's dnb stylings took over for the night. Aurora is back in our booth on March 28 alongside Wata Igarashi, DJ Python, Juliana Huxtable and more for Nowadays Nonstop. Tickets for that are available on Resident Advisor now.

'Anthem' is a collection of artistic and musical creations curated by US-based producer Total Freedom released as a series of limited edition 12″ records and is the soundtrack to the 9th Berlin Biennale, published by The Vinyl Factory. The purpose of 'Anthem' is to bring together artists and musicians in an environment that testifies the importance of collaboration and sharing. The episode features: Amalia Ulman with Carles Santos, Patricia Satterwhite with Jacolby Satterwhite and Nick Weiss, Trevor Jackson, Kelela Elysia Crampton with Not Adrian Piper, Ryoji Ikeda, Fatima Al Qadiri with Hito Steyerl and Juliana Huxtable, Isa Genzken with Total Freedom, Jamie Lidell, Jeremy Deller.

Stance catches up with actor and director powerhouse Adjoa Andoh to find out more about her production of Shakespeare’s Richard II showing at the Globe Theatre in London. It’s the first UK show to be produced entirely by people of colour - front and backstage. Stance flew to Bergen in Norway to check out Borealis, an experimental music festival showcasing everything from music to performance art to dance. Voices featured include Last Yearz Interesting Negro, Juliana Huxtable, Colin Self, B L A C K I E and more. Stancepodcast.com @stancepodcast

Welkom bij de achtste aflevering van De Schemerzone! Deze aflevering spreken we met DJ en producer LYZZA, Lysa da Silva. We hebben het over haar eerste gigs, de inspiratie die ze vond in de comments van een Juliana Huxtable set en haar ontwikkeling als artiest. Met Sara Ahmed's omschrijving van de Feminist Killjoy bespreken we wat er gebeurt wanneer je racisme of seksisme bespreekbaar probeert te maken. We eindigen met een aantal stellingen uit Honey Dijon's Boiler Room talk over club regulatie en de rol van de DJ als party starter. Deze aflevering vormt ook de afsluiter van ons eerste seizoen, in september zijn we terug met nieuwe gasten!Juliana Huxtable set: https://www.youtube.com/watch?v=KNw08mbhu54&t=10s Sara Ahmed's blog: https://feministkilljoys.com/ Honey Dijon talk: https://www.facebook.com/boilerroom.tv/videos/1847498341962535/

Welkom bij de achtste aflevering van De Schemerzone! Deze aflevering spreken we met DJ en producer LYZZA, Lysa da Silva. We hebben het over haar eerste gigs, de inspiratie die ze vond in de comments van een Juliana Huxtable set en haar ontwikkeling als artiest. Met Sara Ahmed’s omschrijving van de Feminist Killjoy bespreken we wat er gebeurt wanneer je racisme of seksisme bespreekbaar probeert te maken. We eindigen met een aantal stellingen uit Honey Dijon’s Boiler Room talk over club regulatie en de rol van de DJ als party starter. Deze aflevering vormt ook de afsluiter van ons eerste seizoen, in september zijn we terug met nieuwe gasten!Juliana Huxtable set: https://www.youtube.com/watch?v=KNw08mbhu54&t=10s Sara Ahmed’s blog: https://feministkilljoys.com/ Honey Dijon talk: https://www.facebook.com/boilerroom.tv/videos/1847498341962535/

Iris speaks and reads some excerpts from Trap Door, a book that explores the problems of trans visibility in a time of heightened anti-trans violence and marginalisation, especially to poor / and trans women of colour. They talk about problems with the cop, Liberal and corporate friendly pride march of the Midsumma festival. They also read from Sherronda J. Brown's 'Romance is Not Universal, Nor is it Necessary', in relation to Valentine's day (also the day Captain Cook was killed). She reads a call out for people to protest the Stolenwealth Games. She plays audio from the Queer Provocations conference in 2016 in relation to the constraints on non-normative queer experimentation in a moment of of increased housing costs and austerity. She also plays audio of Juliana Huxtable interviews with Still Nomads in 2017.

We hear a discussion between 3CR Tuesday Breakfast’s Ayan Shirwa and Juliana Huxtable. Juliana is a poet, DJ, model, academic and performance artist. Her work explores gender, race and socio political issues. She’s also the co-founder of Shock Value, a nightclub that fosters community and celebrates NYC’s kaleidoscopic nightlife. Lost One - Lauryn Hill

Wow! On assiste au plus gros lapsus de l'univers pendant le retour sur le spectacle Mamma Mia! présenté à la Salle Wilfrid-Pelletier du 17 au 19. On revient également sur Les Soirées Cousins avec la dj Juliana Huxtable au Ritz P.D.B., le soirée du 4e anniversaire de Lisbon Lux et sur le Coucous Comédie Show au Rialto. On vous propose aussi trois sorties musicales de la semaine avec les albums de Tim Darcy, Mozart's Sister et Hand Habits. Ne manquez pas l'agenda culturel en fin d'émission, y'a du stock!

Wow! On assiste au plus gros lapsus de l'univers pendant le retour sur le spectacle Mamma Mia! présenté à la Salle Wilfrid-Pelletier du 17 au 19. On revient également sur Les Soirées Cousins avec la dj Juliana Huxtable au Ritz P.D.B., le soirée du 4e anniversaire de Lisbon Lux et sur le Coucous Comédie Show au Rialto. On vous propose aussi trois sorties musicales de la semaine avec les albums de Tim Darcy, Mozart's Sister et Hand Habits. Ne manquez pas l'agenda culturel en fin d'émission, y'a du stock!

Wow! On assiste au plus gros lapsus de l'univers pendant le retour sur le spectacle Mamma Mia! présenté à la Salle Wilfrid-Pelletier du 17 au 19. On revient également sur Les Soirées Cousins avec la dj Juliana Huxtable au Ritz P.D.B., le soirée du 4e anniversaire de Lisbon Lux et sur le Coucous Comédie Show au Rialto. On vous propose aussi trois sorties musicales de la semaine avec les albums de Tim Darcy, Mozart's Sister et Hand Habits. Ne manquez pas l'agenda culturel en fin d'émission, y'a du stock!

MoMA PS1 Associate Curator Jenny Schlenzka sits down with Juliana Huxtable to discuss Huxtable's interest in young rappers from Chicago, the dance party "Shock Value" she co-founded, and her gospel music influences.

Alejandro Miguel Justino Crawford, Ian Hatcher & Sophia Le Fraga Readings Friday, October 16, 7pm Artists Space Books & Talks 55 Walker Street “Performance is a bothersome word for writerly poets” writes poet Nathaniel Mackey in his essay “Sight-Specific, Sound-Specific…” from 2005. Despite twentieth century poetry’s rich tradition of performance, Mackey notes that in poetry there is often an expectation for words do the performing, as opposed to people or things. Yet, language exists beyond just words, and functions in tandem with images, gestures, bodies and technologies. In this series of readings, distinctions between the language of performance and the performance of language are blurred. Foregrounded are writerly poets who embrace images, gestures, bodies and technologies in the presentation of their poetry – as elements that don’t overshadow their poetics, but are embraced as part of its liveliness, and of reading as a social experience. The series is structured via themes of sound, the body, technology, theater and comedy. These themes offer different formal histories for poets to explore the presentation of poetic language. Juliana Huxtable and LaTasha N. Nevada Diggs both experiment with the effects of audio distortion and sampling. Sophia Le Fraga, Ian Hatcher and Alejandro Miguel Justino Crawford all utilize different digital technologies to question the ground of their poetry. Whitney Claflin and Corina Copp present relational and formal theatrical environments from which their poetics unfold. There is an invisible architecture often supporting the surface of the poem, interrupting the progress of the poem. It reaches into the poem in search for an identity with the poem, its object is to possess the poem for a brief time, even as an apparition appears. writes Barbara Guest in her poetic essay, “Invisible Architecture” (2000). In this she understands the formal and historical context of the poem as a material that contributes to its meaning – as both apart from and a part of poetic language. Reading functions similarly; it is not a neutral action, but contributes to the meaning of the text presented. In a moment when language and presentation of self alike are understood as multiple, and bound within wider, connected systems, performance becomes a means of making the “invisible architecture” of the poem visible, and activating it as a poetic material in itself. Ian Hatcher is a writer, programmer, and sound artist whose work explores cognition in context of digital systems. He is the author of Prosthesis (Poor Claudia 2015) and The All-New (Anomalous 2015). With Amaranth Borsuk and Kate Durbin, he is co-creator of Abra, a conjoined analog (artist's book) + digital (iOS app) poetry instrument/spellbook. >> ianhatcher.net For more information click here http://artistsspace.org/programs/crawford-hatcher-le-fraga

Juliana Huxtable & LaTasha N. Nevada Diggs Readings Friday, October 9, 7pm Artists Space Books & Talks 55 Walker Street “Performance is a bothersome word for writerly poets” writes poet Nathaniel Mackey in his essay “Sight-Specific, Sound-Specific…” from 2005. Despite twentieth century poetry’s rich tradition of performance, Mackey notes that in poetry there is often an expectation for words do the performing, as opposed to people or things. Yet, language exists beyond just words, and functions in tandem with images, gestures, bodies and technologies. In this series of readings, distinctions between the language of performance and the performance of language are blurred. Foregrounded are writerly poets who embrace images, gestures, bodies and technologies in the presentation of their poetry – as elements that don’t overshadow their poetics, but are embraced as part of its liveliness, and of reading as a social experience. The series is structured via themes of sound, the body, technology, theater and comedy. These themes offer different formal histories for poets to explore the presentation of poetic language. Juliana Huxtable and LaTasha N. Nevada Diggs both experiment with the effects of audio distortion and sampling. Sophia Le Fraga, Ian Hatcher and Alejandro Miguel Justino Crawford all utilize different digital technologies to question the ground of their poetry. Whitney Claflin and Corina Copp present relational and formal theatrical environments out of which their poetics unfold. There is an invisible architecture often supporting the surface of the poem, interrupting the progress of the poem. It reaches into the poem in search for an identity with the poem, its object is to possess the poem for a brief time, even as an apparition appears. writes Barbara Guest in her poetic essay, “Invisible Architecture” (2000). In this she understands the formal and historical context of the poem as a material that contributes to its meaning – as both apart from and a part of poetic language. Reading functions similarly; it is not a neutral action, but contributes to the meaning of the text presented. In a moment when language and presentation of self alike are understood as multiple, and bound within wider, connected systems, performance becomes a means of making the “invisible architecture” of the poem visible, and activating it as a poetic material in itself. LaTasha N. Nevada Diggs is the author of TwERK (Belladonna, 2013). Her interdisciplinary work has been featured at MoMA, the Walker Art Center and the 2015 Venice Biennale. A native of Harlem, LaTasha is the recipient of numerous awards; of them include New York Foundation for the Arts and the National Endowment for the Arts. For more information click here http://artistsspace.org/programs/huxtable-diggs

Juliana Huxtable & LaTasha N. Nevada Diggs Readings Friday, October 9, 7pm Artists Space Books & Talks 55 Walker Street “Performance is a bothersome word for writerly poets” writes poet Nathaniel Mackey in his essay “Sight-Specific, Sound-Specific…” from 2005. Despite twentieth century poetry’s rich tradition of performance, Mackey notes that in poetry there is often an expectation for words do the performing, as opposed to people or things. Yet, language exists beyond just words, and functions in tandem with images, gestures, bodies and technologies. In this series of readings, distinctions between the language of performance and the performance of language are blurred. Foregrounded are writerly poets who embrace images, gestures, bodies and technologies in the presentation of their poetry – as elements that don’t overshadow their poetics, but are embraced as part of its liveliness, and of reading as a social experience. The series is structured via themes of sound, the body, technology, theater and comedy. These themes offer different formal histories for poets to explore the presentation of poetic language. Juliana Huxtable and LaTasha N. Nevada Diggs both experiment with the effects of audio distortion and sampling. Sophia Le Fraga, Ian Hatcher and Alejandro Miguel Justino Crawford all utilize different digital technologies to question the ground of their poetry. Whitney Claflin and Corina Copp present relational and formal theatrical environments out of which their poetics unfold. There is an invisible architecture often supporting the surface of the poem, interrupting the progress of the poem. It reaches into the poem in search for an identity with the poem, its object is to possess the poem for a brief time, even as an apparition appears. writes Barbara Guest in her poetic essay, “Invisible Architecture” (2000). In this she understands the formal and historical context of the poem as a material that contributes to its meaning – as both apart from and a part of poetic language. Reading functions similarly; it is not a neutral action, but contributes to the meaning of the text presented. In a moment when language and presentation of self alike are understood as multiple, and bound within wider, connected systems, performance becomes a means of making the “invisible architecture” of the poem visible, and activating it as a poetic material in itself. Juliana Huxtable is an artist, poet, performer, and DJ who often uses her own body, gender fluidity, and identity as her primary subject. Huxtable’s work was featured in the 2015 Triennial, Surround Audience at the New Museum, New York (2015), as well as at MoMA PS1, New York (2014); White Columns Annual, White Columns, New York (2014); Take Ecstasy with Me, Whitney Museum of American Art, New York (2014); and Frieze Projects, London (2014), among other venues. She lives and works in New York. For more information click here http://artistsspace.org/programs/huxtable-diggs