Podcasts about Ryoji Ikeda

Tartus Eesti Rahva Muuseumis, mille üks arhitekte on jaapanlane Tsuyoshi Tane, avati maailmanimega Jaapani kunstniku Ryoji Ikeda suurnäitus. Eesti ja Jaapani suhted läbi ajaloo. Taas jaapani aktsentidega "Neeme Raud. Siin" eetris sel laupäeval kell 10-12.

Hingedepäeval kõlab Klassikaraadios Ryoji Ikeda uudisteos.

Ryoji Ikeda‘s installation data.tecture [nº1] (2018) was part of the group show “Thirty Years: Written with a Splash of Blood” ...

Dit Paradijs is bij de Barneveldse Beek, en niet tussen Eufraat en Tigris. En dat andere paradijs, is dat bovenmaans, louter geestelijk, aangestoken door het Ignee Spiritus? Of is het paradijs ondermaans, aards, moederaards, natuurlijk, beplant met bomen niet van goed & kwaad maar van geboorte en sterven?  23.04 CD Divine Secrets (eigen uitgave z.nr.) Hildegard von Bingen: O ignee spiritus Riley Lee 1'30”  23.07 CD Hildegard von Bingen 900 years (Sony Music) Hildegard von Bingen: O ignee spiritus Sequentia 2'01”  O Ignee Spiritus (Budapest Music Center Records BMC CD 336) Hildegard von Bingen, arr. Gábor Gado: O ignee Spiritus Chemin Neuf 5'25”  23.15 CD dataplex (eigen uitgave 2005) Ryoji Ikeda: data.flex Ryoji Ikeda 2'28”  23.17 CD Opus (Touch TO:60) Ryoji Ikeda: Op. 1 - III - IV Ryoji Ikeda 8'03”  23.26 CD C (Acacia Records/Ambitus) Annelie: Love Annelie 3'05” CD C (Acacia Records/Ambitus) Annelie: Stimulus Annelie 4'30” 23.34 CD Originals (7 Mountain Records 7MNTN-048) José Mora-Jiménez: Interlude no. 5 - Fragments  [uan]duo 5'14”  23.41  CD Jaara Nyilamum (eigen uitgave z.nr.) Lou Bennett: Jaara Nyilamum Lou Bennett; Australian String Quartet 7'15”  23.50 CD Nomad (Zefir ZEF 9703) Reza Vali: Nine Persian Folk Songs - IV - VI Lilian Farahani; Maurice Lammerts van Bueren 3'17” CD The Music of Hildegard von Bingen Part One (Puremagnetik) Hildegard von Bingen, arr. David Torn: O ignee Spiritus Mary Lattimore; David Torn; Michael Formanek; Jason Nazary; Chet Doxas; Mica Frank 7'00” 

As someone who enjoys the process of putting together mixes- specifically more conceptual ambient leaning mixes- I often think about how I would approach playing an event designed for sleep. I'm yet to play a set like this live, but I did tackle something similar in the Portals series by roughly mixing styles that aligned to specific sleep stages (eg, REM, deep etc). But in person, sleep is never as predictable as hypothetical sleep stages for a recorded mix, let alone the idea of a room full of people mirroring these stages at the same time. To approach an in-person set for sleep would be a daunting undertaking, but an extremely rewarding experience for both DJ and listener - the career highlight for an ambient DJ, maybe... They say the warm-up set is the hardest test for a DJ and I would tend to agree. But I'd love to see some of the world's best DJs execute 3.5 hours of music for a room full of people looking to do the exact opposite of dancing, or even listening for the entire duration… Sa Pa has executed this concept flawlessly.No stranger to the minutia and atmosphere needed to transport someone from a horizontal state into an elevated lucid dream, I can hardly think of anyone better to take control of such a situation than Berlin-based artist, Sa Pa. His latest release for Astral Industries (the undisputed label kings of lucid states no doubt) is the perfect example of transportive and psychedelic ambient music down to the finest grain of sound and texture. AI-33: Atmospheric Fragments by Sa Pa If Sa Pa's productions weren't enough to demonstrate his transportive power and worldbuilding tendencies, then his recent captures from his own Absurb Lustre events, or his mix for one of our 9128.live takeovers, may provide an additional glimpse of what to expect when he was given the reigns for an all-night sleep in event recently, in Leipzig.“For years I've kept a mental cache of what music would I'd love to play at a sleep in, but was never really sure if there'd be a chance, so small some dreams came true that night for me too - it was a pretty rare experience I'd say especially with everyone there really taking part in the concept”.It's not often we get the chance to host a set from an event that by its very nature, is designed to be experienced in person, but after several trials of this mix (on a plane, going to sleep, and waking up from sleep - and all states in between), the concept translates to an outstanding headphone session and the perfect concept for a defining moment in the isolatedmix series of sounds. “I think it was one of the deepest and most solitary DJing experiences I have ever been part of, and driving a three and half hour cloud through the pitch darkness was a beautifully liminal journey, caring for the dreams of those in the room, some 100-200 people or so”.A 3.5hr liminal state available in your own time and place, in the gentle hands and ears of Sa Pa, displaying the very essence of horizontal ambient music designed to immerse, weave and transport. Featuring tracks from, Luc Ferrari, Zenxen, Pinkcourtesyphone, cv313, Jason Lescalleet, Yann Novak, BJ Nilsen, Robert Henke, Rod Modell, Ryoji Ikeda, Steve Roach and Sa Pa, himself. Words from Sa Pa - ‘Diary of a Lonely DJ':There's something about gazing out of a train window or being 30-thousand feet high up in the troposphere, that evokes a feeling of what we try best to describe as liminality. With this in mind, Deutsche Bahn had me scuttling toward Leipzig from Berlin on a typically stark and windy day that could of been taken right out of a Wim Wenders classic; the treetops lining Urbanstraße on the way to Hauptbahnhoff looking as stripped and brittle as burnt skeletons in the snow.Some 8-to-10 degrees warmer in Saxony, I arrived at a city shrouded in mist, with the darkness of the early afternoon somehow made a touch warmer by that first Friday-feeling of the year. Onwards to Leipziger Baumwollspinnerei - a converted cotton mill where this evening's ‘Sleep In' would take place - the 14 tram would rumble past the pink and lilac glow of the city's opera house. Sleep Ins are no new thing, and to be in the arms of the proverbial morpheus with some 200 people in an industrial estate does have its abstract appeal, and I'd be lying if I said I wasn't a fan of the concept.At something like 6PM, it was encouraging to see so many people arrive dragging their mattresses with them, some eight-hours before the witching hour. Tuning in to the event, and finding a little respite backstage, I drifted in and out of consciousness, occasionally breaking REM sleep to acknowledge the sounds of “Simple Headphone Mind” and Zoviet France's remix of Panasonic, reverberating in the hall.With a medley of lullabies soundtracking the evening so far, preparing selections too deep even for my own Absurd Lustre event, provided a much needed boost of waking life before taking to the couch in the DJ booth. Over the course of the next three-and-a-half hours, in near pitch-darkness, I was able to draw from a rare cache of non-music and atmosphere, embraced at large by a small flotilla of sleeping souls, leaving port to navigate themselves through the inner landscapes of a technicolour head trip.With only the dimmed lights of my equipment and an exit sign illuminating the room, safe to say, it was a resolutely profound DJing experience and deep journey into the estranged fields of time and space. There were moments at the helm where I felt like a small craft adrift in a sea of voluminous black, while paradoxically part of a delicate collective sub-consciousness, sailing through a dream-like abyss. As if bridging a void between the physical world and something beyond the imagination, it was truly a strangely isolated place.Listen on Soundcloud the ASIP Podcast or the 9128.live iOS and Android appDownload MP3 astrangelyisolatedplace · isolatedmix 125 - Sa Pa (Sleep In) The start of the event, as attendees bring in mattresses ready for the night and Sa Pa' set. Sa Pa | Absurb Lustre | Soundcloud (Sa Pa) | Soundcloud (Absurb Lustre) | Instagram

En aquest nou capítol l'Isma Palacios continuat amb el seu monogràfic sobre l'electrònica a Espanya per parlar-nos d'un dels grups de pop més coneguts com son Mecano. L'Eva Manuel ens ha dedicat un petit monogràfic sobre una de les dj i productores més importants del món del footwork com és Jlin. Finalment, en Hari Hari ens ha explicat com d'un error digital, es va crear una manera de fer música com la que fa en Ryoji Ikeda. Streaming com sempre ha estat gràcies als amics de Streamflow (www.streamflow.cat). Tracklist: 1- Full Bloom: Giesing Underwater 2- Mecano: Laika 3- F.U.S.E: A New Day 4- SpeedyJ:_ Beam Me Up 5- Jean-Paul: Yezzer 6- Jlin: Erotic Heat 7- Jlin & Zora Jones: Dark Matter 8- Jlin: Embryo 9- Jlin: Paradigm 10- Rhyw: Spritz 11- Ryoji Ikeda: Ultrasoni 04 12- Model 500: Starlight ⚡️ BONUS TRACKS YOUTUBE ⚡️ 13- Verraco: How Is This Even Possible? 14- Dj Manny: WTF Goin On

Hämaratel aegadel teispoolsusest - Sven Grünbergi muuskas ja Helsinkis väljasoleval jaapani kunstniku Ryoji Ikeda näitusel. Kirjanik Urmas Vadi pilk Kuu teise poolele. Clyde Kull oma pika dilomaatilise karjääri lõpust ning diplomaatiliste lahenduste võimalustest tänases sõjakas maailmas Ja Tartu kunstimuuseum 80. Neeme Raud. Siin. Laupäeval 10-12ni.

Music for sleep, radical electronics, biospheric amorphous spaces. The sound artist and 12k label founder discusses three important albums.Taylor's picks: Brian Eno – Thursday AfternoonRyoji Ikeda – +/-Microstoria – Model 3, Step 2Taylor's new EP, Eev, is out August 18th via Nettwerk. Preorder and preview it on Taylor's Bandcamp. Taylor is also on Instagram and X.Donate to Crucial Listening on Ko-fi: https://ko-fi.com/cruciallistening

Vi har udvalgt tre artikler til dig fra Politiken, så du kan lytte til dem, hvis du ikke nåede at høre eller læse dem i løbet af ugen.Artiklerne er læst op af os, der har skrevet dem. Først kan du høre Thomas Bredsdorffs anmeldelse af en suveræn opsætning af Ibsens 'Et dukkehjem', som han har været i New York for at se. En opsætning hvor Jessica Chastain brillerer, som han gerne havde givet syv hjerter, hvis det var muligt (01:55)Den næste artikel er skrevet og læst op af Lars Eriksen. Det er et interview med den japanske superstjerne-kunstner Ryoji Ikeda, der netop har åbnet en udstilling i København (10:25)Til sidst kan du høre Thomas Michelsens anmeldelse til fem hjerter af et album med den amerikanske stjernedirigent Karina Canellakis (22:08)Har du allerede læst eller hørt en af artiklerne, kan du altid 'spole hen' til den artikel, du vil gerne vil høre. Se minuttallene ovenfor.Og husk: de tre artikler bare er et lille udvalg af de mange artikler, vi har læst op, og som kan høres direkte i Politikens podcast-app, så snart de udkommer. Her kan du også sammensætte din egen playliste og tage artiklerne med på farten. Det kræver blot, at du er Politiken-abonnent. Og det kan du nemt blive ved at gå ind på politiken.dk/shop

Episode 606: December 11, 2022 playlist: Ryoji Ikeda, "ultratronics 01" (ultratronics) 2022 Noton Jonnine, "Three Spider Bites" (Maritz) 2023 Idle Press Andrew Chalk, "Bright Rivers Run" (Bright Rivers Run / Shimmer in the Sun) 2022 Faraway Press Katie Kim, "Mona" (Hour Of The Ox) 2022 I Actually Like Music Ben LaMar Gay, "Agua Futurism" (Certain Reveries) 2022 International Anthem Ak'chamel, "Amazonian Tribes Mimicking The Sound of Chainsaws With Their Mouths" (A Mournful Kingdom of Sand) 2022 Akuphone sanr, "vesvese" (ramak (siddet denetimi)) 2022 Lost Tribe Sound Ensamble Kafka (feat. Steven Brown), "La Bateleur" (Ensamble Kafka) 2013 Independent Recordings / 2022 Klanggalerie Richie Culver, "I Was Born By The Sea" (I was born by the sea) 2022 Reif Le Millipede, "8th Leg" (Legs and Birds) 2023 Gutfeeling Colin Stetson, "Cerberus (reduction)" (Chimaera I) 2022 Room40 The Clean, "Tally Ho!" (Tally Ho! / Platypus) 1981 Flying Nun Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

藝術，將藝術工作人的感受和想像力，透過創作技巧媒介，和你我分享美的感覺，在情感意識的交流過程中，表達個人或群體的經驗沈澱。來自台灣中部的女孩 姚宥亘 Yuhsuan Yao 進入藝術領域的旅程，就像她在創作的過程一樣，既顛坡又令人興奮和驚喜。台灣淡江念英語的她，走出主流的期待，帶著相機開始尋找自我的背包客旅行，隨著姻緣來到給她藝術創作機會的芬蘭，落腳中部的 Tampere，用她熟捻的靜態圖片攝影技巧進入當代藝術的殿堂，已經唸到大四準備畢展的 宥亘，將近四年接觸動態影像，影音藝術和虛擬藝術，呈現她對環境周遭的感受和印象。目前她的作品 「Lagoon 大堡礁」，正在芬蘭赫爾辛基的 Vuosaari 文化中心 Vuotalo 展出，以影像呈現提醒環境生態意識的覺醒。宥亘 的作品目前和近期的展覽：- “Flux Island” II audiovisual festival , 9/15 - 10/8, Vuotalo, Vuosaari, Helsinki- DigitalBigScreen, October, 2022, Slovenia- Projio Media- and light art festival, 10/20 -10/25, Finlayson, Tampere宥亘 在節目裡和大家分享的音樂：Mika Vainio, Ryoji Ikeda, alva Noto, Movement 4 - Live,https://open.spotify.com/track/6VOW3QpLdQlQW6MNSDsJYf?si=nqlOHqxSTHyt0cu3YEZjKALim Giong, Recite 念, https://open.spotify.com/track/0THpYOenEstgNRI7JQNAVK?si=qW-OzYaBTfKm1fsEe3m--wAsthm, Voyager 3, https://open.spotify.com/track/3mcoeLrboJ0m00yPhmGKSt?si=-Ta63cgJRee0PFyE-JwuRQ

Nicholas Thayer is a London-born, Netherlands-based composer, producer and inter-disciplinary artist.  His electronic and new classical work has been composed for dance pieces, gallery installations and site specific work. He and Emma discuss Entropy, a lockdown collaboration for Ballet Zurich that has finally been performed live on stage and the album it lead to: Tetramer, out now. They also talk about  adolescent musical tastes, how Glenn Gould revolutionised the recording studio and that time Mötley Crüe's Tommy Lee sent Nicholas an email... The 3 Questions...Was there a piece of art that changed everything for you? 'Appetite for Destruction', Guns‘n Roses, Was there a piece of art that you think has value but don't necessarily like?N/A! If he thinks a piece of art has value, he must therefore like it. What/who should we check out that we may not know about?... The documentary film Sisters with TransistorsThoughts and lectures of Brian EnoThe work of Ryoji Ikeda

In the eighth episode of "Barbara London Calling" 2.0, Barbara speaks with visual artist and composer Ryoji Ikeda. Based in Paris and Kyoto, Ryoji works with sound in its raw state—in sine tones and noise, often in frequencies at the edge of human perception

What happens when Bantu-soul meets English pop? Congolese musician Batila and British singer Dandy talk to Datshiane Navanayagam about how making music helps them to make sense of the societies they live in. Liraz is an Israeli singer, actress and dancer, who's one of Israel's biggest stars. She speaks to Datshiane about her latest album, Zan which means "women" in Farsi. It's a record that has had a lifetime poured into it, as it draws heavily on her family's history and roots in Iran. Has a film, a song or an exhibition ever changed the way you see the world? Acclaimed composer and pianist Max Richter discusses the creative power of the Japanese artist Ryoji Ikeda. (Image: Batila and Dandy. Credit (Batila): Daron Bandeira)

It's hard to describe the experience of a work by Ryoji Ikeda. The Japanese artist has worked as an experimental musician, performer, researcher, and art-maker, and he brings it all together for immense, immersive installations that fill the senses. But while the word “immersive” has come to connote Instagram bait, Ikeda's works are anything but lowbrow. The experience of a Ryoji Ikeda work is both brainy and very visceral, intellectual and awe-inspiring. With a background in experimental sound, Ikeda puts you in touch with sonic experiences that your body probably hasn't had to process before. With an interest in science and mathematics, his visuals often draw on huge data sets, giving you vast walls of data flickering at you faster than you can process, as if tracing the sense of a collective intelligence trying to sync up with the universe. Reviewing a show of his work in New York some years ago, Artnet News Senior Art Critic, Ben Davis once called it a kind of “cosmic minimalism.”  This fall has been a big one for Ikeda. In Switzerland during Art Basel, he staged for his gallery, Almine Rech, “data-verse 3,” the closing chapter of a project commissioned 6 years ago by Audemars Piguet Contemporary, the art program of Ikeda's long-time watchmaking patrons. The product of decades of research on sound and image, it animates data from CERN, NASA and the Human Genome Project. In London, the “data-verse” trilogy was shown together for the first time as the centerpiece of the largest-ever exhibition of his installations at 180 Studio, which drew crowds. Artnet News European Market Editor Naomi Rea, got a chance to experience both the London and Basel shows and a live performance given by Ikeda in London. Ikeda doesn't do many interviews, but at Art Basel last month, she got a chance to sit down with the artist about his thoughts on what he does. 

It's hard to describe the experience of a work by Ryoji Ikeda. The Japanese artist has worked as an experimental musician, performer, researcher, and art-maker, and he brings it all together for immense, immersive installations that fill the senses. But while the word “immersive” has come to connote Instagram bait, Ikeda's works are anything but lowbrow. The experience of a Ryoji Ikeda work is both brainy and very visceral, intellectual and awe-inspiring. With a background in experimental sound, Ikeda puts you in touch with sonic experiences that your body probably hasn't had to process before. With an interest in science and mathematics, his visuals often draw on huge data sets, giving you vast walls of data flickering at you faster than you can process, as if tracing the sense of a collective intelligence trying to sync up with the universe. Reviewing a show of his work in New York some years ago, Artnet News Senior Art Critic, Ben Davis once called it a kind of “cosmic minimalism.”  This fall has been a big one for Ikeda. In Switzerland during Art Basel, he staged for his gallery, Almine Rech, “data-verse 3,” the closing chapter of a project commissioned 6 years ago by Audemars Piguet Contemporary, the art program of Ikeda's long-time watchmaking patrons. The product of decades of research on sound and image, it animates data from CERN, NASA and the Human Genome Project. In London, the “data-verse” trilogy was shown together for the first time as the centerpiece of the largest-ever exhibition of his installations at 180 Studio, which drew crowds. Artnet News European Market Editor Naomi Rea, got a chance to experience both the London and Basel shows and a live performance given by Ikeda in London. Ikeda doesn't do many interviews, but at Art Basel last month, she got a chance to sit down with the artist about his thoughts on what he does. 

Ultima Context – the podcast that takes you deeper into the world of contemporary and experimental music. Jennifer Torrence, percussionist with Oslo based group Pinquins, talks about preparing to perform 100 Cymbals, a new work by the Japanese composer Ryoji Ikeda. The full group performing on 22.9.21 (https://ultima.no/en/events/1eecc959-1227-4bc1-8c2c-2324ebebc0e4) consists of: Michaela Antalová, Johanne Byhring, Sigrun Gomnæs, Ane Marthe Sørlien Holen, Nasra (Nasra Ali Omar), Ylva Bråten Rian, Matilda Rolfsson, Sanskriti Shrestha, Nora Sjøgren, Jennifer Torrence. Direction: Alexandre Babel. Presenter: Rob Young Original music: Kristine Tjøgersen Producer: Regine Døsen Kristoffersen @ Filt Oslo. The Ultima Context Podcast is a production of Ultima Oslo Contemporary Music Festival. Find out more at ultima.no

It's the last day of term at the How Not Academy so before heading off on their summer break, Kim and Luca took a trip to Ryoji Ikeda's exhibition at 180 The Strand. We discuss the exhibition as well as a plethora on other things on our minds - football football chants - how do the fans learn them, is there a whatsapp group, is it a jam? Christian Marclay Nam June Paik James Baldwin Coffee The Establishment Laura Mvula's new album, Pink Noise bell hooks - Teaching to Transgress A new word for TERFs There's an interjection by Kim's dog Ripley, Luca's mic has some weird stadium reverb on it, Luca misses a call from his delivery man trying to deliver a dress...All the chaotic energy of a no-school uniform day with your board games and your half days... Support us on Patreon: https://www.patreon.com/hownotpodcast (https://www.patreon.com/hownotpodcast) Ryoji Ikeda exhibition: https://www.180thestrand.com/#exhibitions (https://www.180thestrand.com/#exhibitions) Support this podcast

Mantis Radio 327 + Snooks Snooks has a deep love of all things dub and sub, which you'll hear in his label Niteshade Inc and in today's guest mix. In Mike's bag this week - music from POLAAR, Minor Science, Natural Sciences, Swarm Intelligence, Carl Craig, Keleketla!, Metz, Paul Woolford, Ryoji Ikeda, and clipping, together with new cuts from Voitax, Shpongle, Echologist, and The Ebertbrothers. playlist → show archives. support the show → become a patron.

Olivier Varenne is a curator and independent art dealer with over 20 years experience working with leading contemporary artists, sourcing and placing quality artworks on behalf of individual collectors and art institutions, and curating exhibitions for museums and galleries. Olivier has collaborated with established artists including Marina Abramovic, Matthew Barney, Wim Delvoye and Gilbert & George as well as championed emerging contemporary artists like Toby Ziegler, Ryoji Ikeda, Chiharu Shiota and Conrad Shawcross at the start of their career. Olivier is currently Director of Acquisitions and Curator at MONA (Museum of Old and New Art), after having held the position of Director of Exhibitions and Collection for 13 years. Prior to joining the new museum in 2006, Olivier spent his formative years in London working amongst the Gagosian sales team. Olivier Varenne will be at Art Geneve 2021. www.Varenne.art --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Ville Aalto is the Finnish sound artist and electronic musician presenting our 20th mixtape. Originally from Helsinki, Aalto has been working on a project called Avian Electronics for a few years now. The main focus of the project is creating and imitating birdsong with synths and it includes surround sound installations, sound art works and electronic music featuring synthesized birds and other natural sounds. Aalto has recently published the first album related to this project, also titled Avian ElectronicsThe music on the album is primarily divided into electronic, rhythmic works and 'ambientish', droning works that are a sort of loose electronic interpretation of natural soundscapes. The project is a slightly twisted love letter to the sounds of birds and nature. It aims to raise questions about the relationship between us, nature and technology as well as the changing (aural) environment that we live in and affect all the time. The artist states that nature as a stable, separate entity does not exist. We tend to view things that previous generations have created as natural; fields, moors, paths. And so too, our current unnatural ways are slowly transforming into nature, traditional landscapes, conservation areas. This is quite natural, something we may somehow forget.  But as the world is so rapidly changing and technological development is affecting everything – how ultimately are we changing our living environment, what will the nature around us sound like in the future? The mix here is loosely based on this idea of passing through different landscapes, fields with different aural environments - maybe travelling on a train or in a dream. The scenery changes slowly and it affects the things you hear around you or in your mind. The main body of the mix are these lovely tracks that evoke images of landscapes and then there’s quite a bit of synthetic rain, crickets and other “natural” sounds which I’ve been working on lately layered in. One of the main inspirations here was Ryoji Ikeda's masterful 1000 Fragments, which is consequently all over the mix. Tracklist: 00:00 Throughout the mix: Ville Aalto - Synthetic signals, crickets, wind and rain sounds 01:00 Leila Abdul-Rauf - June 14 03:25 Ryoji Ikeda - Zone 2 08:06 Ville Aalto - Transmission 12:24 Ø - Syvyydessä Kimallus 16:33 Dasha Rush - 100 Hearts 22:20 Ryoji Ikeda - Zone 1 25:15 György Ligeti - Atmospheres 25:35 Pauline Oliveiros - Mnemonics I 27:00 Richard Chartier - Location 29:56 Pierre Boulez - Répons / Section 1 30:28 Atte Elias Kantonen - Form 1 33:42 Ruth Anderson - Points 35:05 Caterina Barbieri - TCCTF 39:07 György Ligeti - Lux Aeterna 42:42 Ryoji Ikeda - Zone 3 45:22 Ryoji Ikeda - Abstructures

durée : 01:00:05 - 38ème édition du Festival Musica à Strasbourg - par : Thomas Vergracht - Organisé chaque automne depuis 1982 à Strasbourg, le Festival Musica est un évènement incontournable de la création contemporaine. Thomas Vergracht esquisse un panorama de sa programmation, de Ryoji Ikeda à Simon Steen-Andersen, entre mondes électroniques, ovnis sonores et univers minimalistes... - réalisé par : Claire Lagarde

Ryoji Ikeda è più di un musicista, è arte che combina musica e installazione visiva per coinvolgere il soggetto in un mondo che gli è estraneo ma che, a sua insaputa, costruisce quanto lui crede reale e familiare dove, come nella famigerata scena di Matrix, gli verrà mostrato il codice che è alla base di tutta la simulazione che gli uomini chiamano mondo.Seguitemi nella ricostruzione e nell'ascolto dei momenti fondamentali della sua opera in questa puntata di GLITCH, la musica dell'imprevedibile. Buon ascolto!

This week, we revisit a series of podcasts from June 2018 where we speak to a DJ, a writer and a record label, all showcasing their love and obsession with Japanese music. In the third and final episode in the series, we focus in on some of the pioneering Japanese music from the 1990s with Ian F Martin, author of 'Quit Your Band! Musical Notes from the Japanese Underground', as he takes us into the live music scene with some of Japan's most experimental and noise-based artists. This series was originally made to coincide with a series of gigs, featuring artists from the Japanese underground scene responsible for genre defining music from the groundbreaking electronics of Yellow Magic Orchestra to the sonic arts of Ryoji Ikeda and quirky Pop of Mariah. Produced by Ben Eshmade. Subscribe to Nothing Concrete on Acast, Spotify or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.

This week, we revisit a series of podcasts from June 2018 where we speak to a DJ, a writer and a record label, all showcasing their love and obsession with Japanese music. In the second in the series, we move to the 80s as we speak to Yosuke Kitazawa from Light in the Attic Records for another journey in sound from their latest releases.This series was originally made to coincide with a series of gigs, featuring artists from the Japanese underground scene responsible for genre defining music from the groundbreaking electronics of Yellow Magic Orchestra to the sonic arts of Ryoji Ikeda and quirky Pop of Mariah. Produced by Ben Eshmade. Subscribe to Nothing Concrete on Acast, Spotify or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.

This week, we revisit a series of podcasts from June 2018 where we speak to a DJ, a writer and a record label, all showcasing their love and obsession with Japanese music. In the first of three episodes, Howard Williams, aka Japan Blues digs through his crates to share some of his favourite underground music from the 1970s.This series was originally made to coincide with a series of gigs, featuring artists from the Japanese underground scene responsible for genre defining music from the groundbreaking electronics of Yellow Magic Orchestra to the sonic arts of Ryoji Ikeda and quirky Pop of Mariah. Produced by Ben Eshmade. Subscribe to Nothing Concrete on Acast, Spotify or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.

Shownotes As an artist, curator, artistic director and frequent keynote speaker internationally, Kristy Edmunds has a reputation for innovation and depth in the presentation of contemporary performing arts. In collaboration with master artists, she has curated unique platforms that survey the breadth of their artistry, while placing equal emphasis on the support and commissioning of new work by some of today’s leading performance creators across disciplines. Edmunds was the Founding Executive and Artistic Director of the Portland Institute for Contemporary Art (PICA) and the TBA Festival (Time Based Art) in Portland, Oregon. She was the Artistic Director for the Melbourne International Arts Festival from 2005 to 2008, and was the first to serve an unprecedented four-year term. Upon completion she was appointed as the Head of the School of Performing Arts at the Victorian College of the Arts/University of Melbourne, and after one year became the Deputy Dean for the College. Concurrently, Edmunds worked as the inaugural Consulting Artistic Director for the now critically heralded Park Avenue Armory in New York (2009–2012). Curating the initial three years of programming, she established the formative identity of the PAA with commissioned work by artists such as Ann Hamilton, the final performance event of the Merce Cunningham Dance Company; Tom Sachs, Janet Cardiff, STREB, Ryoji Ikeda, and the Tune-In Festival with Philip Glass and many others. Edmunds’ robust career has included work as a visual artist, an independent filmmaker, a playwright, a director and a teacher. She holds a bachelor’s in film direction from Montana State University and a master’s in playwriting and theater direction from Western Washington University. In recognition of her contribution to the arts, Edmunds was bestowed with the honor of Chevalier (Knight) de L’Ordre des Arts et des Lettres by the French Government in 2016. She is married with two sons, and now calls Los Angeles home. She is the Executive and Artistic Director of UCLA’s Center for the Art of Performance, one of the nation’s leading presenting organizations for contemporary performing artists. Buy tickets to individual performances.Subscribe to the 2019-20 season of CAP performances.Become a CAP donor/member. Kristy writes about covidMore about Kristy Kristy Edmunds website Kristy’s mission – “I love building synergies between people. How do we gather around some form of expressive truth that connects us from being strangers to being part of something, part of a common experience, part of a sense of discovery or being illuminated to one another’s plights? Artists are the bridge between a kind of expressive truth that makes us feel more awake to the world, and we can find camaraderie all over the world with people who have a relationship to that artist or to that project or to that art form. It’s literally a way of knitting together a river of culture throughout the world.” Kristy’s one-line message to the world – “Get it together.” The SUE Speaks Blog Post about Kristy Edmunds Talking points from this episode Childhood in a family of artisans and craftspeople. Their dedication for the love of it. Making arty things in childhood and eventually majored in filmmaker to tell stories. Wanted to understand artists so became producer. Thousands of artists she’s worked with. Bringing their work along. Responsibility to deliver their ideas. What this season for CAP will be: dance, jazz, global music, theater international and local, cultural commentators, many different kinds of artisitic literacies. Gives some specific examples. Challenge of time we’re living in to get audience – people on overwhelm. And things like visas, given this administration – challenge of bringing in international work. But she has an eternal optimism. Doesn’t give up. Great triumph founding the Portland Institute for Contemporary Art. Work for the institution or the people?

'Anthem' is a collection of artistic and musical creations curated by US-based producer Total Freedom released as a series of limited edition 12″ records and is the soundtrack to the 9th Berlin Biennale, published by The Vinyl Factory. The purpose of 'Anthem' is to bring together artists and musicians in an environment that testifies the importance of collaboration and sharing. The episode features: Amalia Ulman with Carles Santos, Patricia Satterwhite with Jacolby Satterwhite and Nick Weiss, Trevor Jackson, Kelela Elysia Crampton with Not Adrian Piper, Ryoji Ikeda, Fatima Al Qadiri with Hito Steyerl and Juliana Huxtable, Isa Genzken with Total Freedom, Jamie Lidell, Jeremy Deller.

Brugðið er upp hljóðmynd af ferðalagi til Ítalíu. Þar kemur meðal annars við sögu japanski raftónlistarmaðurinn Ryoji Ikeda og innsetning hans á Feneyjatvíæringnum. Óskar Guðjónsson ræðir við umsjónarmann um áheyrendur og væntingar þeirra til tónlistarfólks. Einnig fer Hátalarinn í Frúin í Hamborg með Arnljóti Sigurðssyni sem kemur í heimsókn með skemmtilega tónlist.

Brugðið er upp hljóðmynd af ferðalagi til Ítalíu. Þar kemur meðal annars við sögu japanski raftónlistarmaðurinn Ryoji Ikeda og innsetning hans á Feneyjatvíæringnum. Óskar Guðjónsson ræðir við umsjónarmann um áheyrendur og væntingar þeirra til tónlistarfólks. Einnig fer Hátalarinn í Frúin í Hamborg með Arnljóti Sigurðssyni sem kemur í heimsókn með skemmtilega tónlist.

Yhe improv/Alvin Lucier episode. with the return of the studio turntable, we take an alternate method in radio, and improvise without a schedule. The first half hour combines many tracks, featuring Ryoji Ikeda, more Steve Roden, ghost quartet. The SECOND half hour is bedded with Alvin Lucier’s “I am sitting in a room” featuring many … Continue reading "Avant Garbage #D04"

Damaged format, barcode translations, exploring the Fens. The London-based sound artist talks about three important albums.

1-Lonely Man of Winter (Doveman Mix feat. Melissa Mary Ahern) – Sufjan Stevens 2-Vestido de Párpados – RRUCCULLA 3-Friend Zone (Ross from Friends Remix) – Thundercat 4-See You When I See You – Galcher Lustwerk 5-MPzar – Bofirax 6-Theme I – Roman Flügel 7-Movements 4 – Mika Vainio, Ryoji Ikeda, alva noto 8-Mend – Klara Lewis, […]

Lecture de Gaza, d'ici-là par Frank Smith – Entretien avec l'auteur. Frank Smith fait de la radio sur France Culture et des livres de poésie. Il collabore au journal L'Impossible, anime la rubrique « Poé/tri » sur nonfiction.fr et est éditeur, directeur de la collection de livres/CDs « ZagZig », qu'il a fondée aux éditions Dis Voir (œuvres originales de Laurie Anderson, Jonas Mekas, Lee Ranaldo, Ryoji Ikeda, etc.). En agent de liaison, son travail d'écrivain le conduit à pratiquer le traitement de textes dans la mouvance des poètes objectivistes américains. Avec Guantanamo, publié en 2010 au Seuil (Coll. « Fiction & Cie ») et mis en scène par Eric Vigner, il inaugure une série d'« investigations poétiques » en phase avec les conflits majeurs du monde contemporain. Derniers ouvrages parus (avril 2013) : Etats de faits, éditions de l'Attente, et Gaza, d'ici-là, éditions Al Dante. Mercredi 12 juin 2013, il était aux mercredis de Montévidéo, à Marseille pour une lecture de Gaza, d'ici-là. A cette occasion nous avons réalisé avec lui un entretien. C'est cet entretien accompagné de la lecture donnée à Montévidéo, que nous vous donnons à entendre.

Le Japon, terre de contrastes. Pour ce troisième volet de l'épique fusion entre Amplitudes et Mappemonde, on s'intéresse au pays du soleil levant. Après avoir planché sur l'Italie et le Cosmos, la congrégation des plus fins connaisseurs de Radio Campus Paris se réunira pendant trois heures pour répondre à la question que personne ne se pose : Pour ou contre la musique japonaise ? Un podcast toujours aussi chaotique mais avec une playlist de qualité rassemblant ambient, hip-hop, drone, synthpop, des guitares, du piano et des noms japonais prononcés n'importe comment. Amplitudes et Mappemonde s'attaquent à la musique japonaise Tracklist : Tatsuro Yamashita - Love Space (Spacy, 1977) Tajima Tadashi - Hon Shirabe (Original Tuning) (Shingetsu, 1994) Boredoms - Acid Police (Chocolate Synthesizer, 1994) Greenmachine - Narrow (D.A.M.N., 1996) Crystal King - Ai Wo Torimodose (Ai Wo Torimodose!!, 1984) Akiko Yano - Tadaima (Tadaima., 1981) Gyosen Asakura - Extrait de cérémonie techno-bouddhiste DJ Pica Pica Pica - Rahahiveld (Planetary Natural Love Gas Webbin' 199999, 1999) Nomak - If I Was Peace (Calm, 2007) Dj Krush feat. Mr Lif - Nosferatu (寂 -Jaku-, 2004) Vampillia et The Body - Chikatilo (xoroAHbin, 2015) Ryuichi Sakamoto - Bibo No Aozora (Smoochy, 1996) Mkwaju Ensemble - Mkwaju (Mkwaju, 1981) Joe Hisaishi - Kaze no Densetsu (The Legend of Wind) (Nausicaä de la Vallée du vent, 1984) Fishmans - Poka Poka (Uchu Nippon Setagaya, 1997) Sunn O))) et Boris - Etna (Altar, 2006) Nisennenmondai - A (N, 2013) P Model - Art Mania (In a Model Room, 1979) Yung Lean, MonyHorse, PETZ, Bladee, Junkman - Tokyo Drift (-, 2015) Kazuki Koga - The Salathé Wall (Extrait) (The Salathé Wall, 2015) Ryoji Ikeda - data.matrix (dataplex, 2005) Miharu Koshi - Laetitia (Tutu, 1983) Meiko Kaji - Yadokari (Golden Star Twin Deluxe, 1974) Merzbow et Pan Sonic - 68'18ˮ (Extrait) (V, 2003) Abonnez-vous dans nos réseaux Pour Mappemonde, vous pouvez vous abonner à la page Facebook de l’émission ou au compte Instagram. Pour Amplitudes, il y a Facebook aussi. Photo : Le Fuji par Temps clair, d'un mec appelé Hokusai

Le Japon, terre de contrastes. Pour ce troisième volet de l'épique fusion entre Amplitudes et Mappemonde, on s'intéresse au pays du soleil levant. Après avoir planché sur l'Italie et le Cosmos, la congrégation des plus fins connaisseurs de Radio Campus Paris se réunira pendant trois heures pour répondre à la question que personne ne se pose : Pour ou contre la musique japonaise ? Un podcast toujours aussi chaotique mais avec une playlist de qualité rassemblant ambient, hip-hop, drone, synthpop, des guitares, du piano et des noms japonais prononcés n'importe comment. Amplitudes et Mappemonde s'attaquent à la musique japonaise Tracklist : Tatsuro Yamashita - Love Space (Spacy, 1977) Tajima Tadashi - Hon Shirabe (Original Tuning) (Shingetsu, 1994) Boredoms - Acid Police (Chocolate Synthesizer, 1994) Greenmachine - Narrow (D.A.M.N., 1996) Crystal King - Ai Wo Torimodose (Ai Wo Torimodose!!, 1984) Akiko Yano - Tadaima (Tadaima., 1981) Gyosen Asakura - Extrait de cérémonie techno-bouddhiste DJ Pica Pica Pica - Rahahiveld (Planetary Natural Love Gas Webbin' 199999, 1999) Nomak - If I Was Peace (Calm, 2007) Dj Krush feat. Mr Lif - Nosferatu (寂 -Jaku-, 2004) Vampillia et The Body - Chikatilo (xoroAHbin, 2015) Ryuichi Sakamoto - Bibo No Aozora (Smoochy, 1996) Mkwaju Ensemble - Mkwaju (Mkwaju, 1981) Joe Hisaishi - Kaze no Densetsu (The Legend of Wind) (Nausicaä de la Vallée du vent, 1984) Fishmans - Poka Poka (Uchu Nippon Setagaya, 1997) Sunn O))) et Boris - Etna (Altar, 2006) Nisennenmondai - A (N, 2013) P Model - Art Mania (In a Model Room, 1979) Yung Lean, MonyHorse, PETZ, Bladee, Junkman - Tokyo Drift (-, 2015) Kazuki Koga - The Salathé Wall (Extrait) (The Salathé Wall, 2015) Ryoji Ikeda - data.matrix (dataplex, 2005) Miharu Koshi - Laetitia (Tutu, 1983) Meiko Kaji - Yadokari (Golden Star Twin Deluxe, 1974) Merzbow et Pan Sonic - 68'18ˮ (Extrait) (V, 2003) Abonnez-vous dans nos réseaux Pour Mappemonde, vous pouvez vous abonner à la page Facebook de l’émission ou au compte Instagram. Pour Amplitudes, il y a Facebook aussi. Photo : Le Fuji par Temps clair, d'un mec appelé Hokusai

Le Japon, terre de contrastes. Pour ce troisième volet de l'épique fusion entre Amplitudes et Mappemonde, on s'intéresse au pays du soleil levant. Après avoir planché sur l'Italie et le Cosmos, la congrégation des plus fins connaisseurs de Radio Campus Paris se réunira pendant trois heures pour répondre à la question que personne ne se pose : Pour ou contre : la musique japonaise ? Un podcast toujours aussi chaotique mais avec une playlist de qualité avec de l'ambient, du hip hop, du drone, de la synthpop, des guitares, du piano et des noms japonais prononcés n'importe comment. Amplitudes et Mappemonde s'attaquent à la musique japonaise Tatsuro Yamashita - Love Space Tajima Tadashi - Hon Shirabe Boredoms - Acid Police Greenmachine - Narrow Crystal King - Ai Wo Torimodose Akiko Yano - Tadaima Gyosen Asakura DJ Pica Pica Pica - Rahahiveld Nomak - If I Was Peace Dj Krush - Nosferatu (feat. Mr Lif) Vampillia + The Body - Chikatilo Ryuichi Sakamoto - Bibo No Aozora Mkwaju ensemble - Mkwaju Joe Hisaishi - Kaze no Densetsu (The Legend of Wind) Fishmans - Poka Poka Boris + Sunn O))) - Etna Nisennenmondai - A P Model - Art Mania Yung Lean, MonyHorse, PETZ, Bladee, Junkman - Tokyo Drift Kazuki Koga - The Salathé Wall (extrait) Ryoji Ikeda - data.matrix Miharu Koshi - Leatitia Meiko Kaji - Yadokari Merzbow et Pan Sonic - V (extrait) Abonnez-vous dans nos réseaux Pour Mappemonde, vous pouvez vous abonner à la page Facebook de l’émission ou au compte Instagram. Pour Amplitudes, il y a Facebook aussi. Image : "Le Fuji par temps clair" d'un mec appelé Hokusai

Le Japon, terre de contrastes. Pour ce troisième volet de l'épique fusion entre Amplitudes et Mappemonde, on s'intéresse au pays du soleil levant. Après avoir planché sur l'Italie et le Cosmos, la congrégation des plus fins connaisseurs de Radio Campus Paris se réunira pendant trois heures pour répondre à la question que personne ne se pose : Pour ou contre : la musique japonaise ? Un podcast toujours aussi chaotique mais avec une playlist de qualité avec de l'ambient, du hip hop, du drone, de la synthpop, des guitares, du piano et des noms japonais prononcés n'importe comment. Amplitudes et Mappemonde s'attaquent à la musique japonaise Tatsuro Yamashita - Love Space Tajima Tadashi - Hon Shirabe Boredoms - Acid Police Greenmachine - Narrow Crystal King - Ai Wo Torimodose Akiko Yano - Tadaima Gyosen Asakura DJ Pica Pica Pica - Rahahiveld Nomak - If I Was Peace Dj Krush - Nosferatu (feat. Mr Lif) Vampillia + The Body - Chikatilo Ryuichi Sakamoto - Bibo No Aozora Mkwaju ensemble - Mkwaju Joe Hisaishi - Kaze no Densetsu (The Legend of Wind) Fishmans - Poka Poka Boris + Sunn O))) - Etna Nisennenmondai - A P Model - Art Mania Yung Lean, MonyHorse, PETZ, Bladee, Junkman - Tokyo Drift Kazuki Koga - The Salathé Wall (extrait) Ryoji Ikeda - data.matrix Miharu Koshi - Leatitia Meiko Kaji - Yadokari Merzbow et Pan Sonic - V (extrait) Abonnez-vous dans nos réseaux Pour Mappemonde, vous pouvez vous abonner à la page Facebook de l’émission ou au compte Instagram. Pour Amplitudes, il y a Facebook aussi. Image : "Le Fuji par temps clair" d'un mec appelé Hokusai

Le Japon, terre de contrastes. Pour ce troisième volet de l'épique fusion entre Amplitudes et Mappemonde, on s'intéresse au pays du soleil levant. Après avoir planché sur l'Italie et le Cosmos, la congrégation des plus fins connaisseurs de Radio Campus Paris se réunira pendant trois heures pour répondre à la question que personne ne se pose : Pour ou contre la musique japonaise ? Un podcast toujours aussi chaotique mais avec une playlist de qualité rassemblant ambient, hip-hop, drone, synthpop, des guitares, du piano et des noms japonais prononcés n'importe comment. Amplitudes et Mappemonde s'attaquent à la musique japonaise Tracklist : Tatsuro Yamashita - Love Space (Spacy, 1977) Tajima Tadashi - Hon Shirabe (Original Tuning) (Shingetsu, 1994) Boredoms - Acid Police (Chocolate Synthesizer, 1994) Greenmachine - Narrow (D.A.M.N., 1996) Crystal King - Ai Wo Torimodose (Ai Wo Torimodose!!, 1984) Akiko Yano - Tadaima (Tadaima., 1981) Gyosen Asakura - Extrait de cérémonie techno-bouddhiste DJ Pica Pica Pica - Rahahiveld (Planetary Natural Love Gas Webbin' 199999, 1999) Nomak - If I Was Peace (Calm, 2007) Dj Krush feat. Mr Lif - Nosferatu (寂 -Jaku-, 2004) Vampillia & The Body - Chikatilo (xoroAHbin, 2015) Ryuichi Sakamoto - Bibo No Aozora (Smoochy, 1996) Mkwaju Ensemble - Mkwaju (Mkwaju, 1981) Joe Hisaishi - Kaze no Densetsu (The Legend of Wind) (Nausicaä de la Vallée du vent, 1984) Fishmans - Poka Poka (Uchu Nippon Setagaya, 1997) Sunn O))) & Boris - Etna (Altar, 2006) Nisennenmondai - A (N, 2013) P Model - Art Mania (In a Model Room, 1979) Yung Lean, MonyHorse, PETZ, Bladee, Junkman - Tokyo Drift (-, 2015) Kazuki Koga - The Salathé Wall (Extrait) (The Salathé Wall, 2015) Ryoji Ikeda - data.matrix (dataplex, 2005) Miharu Koshi - Laetitia (Tutu, 1983) Meiko Kaji - Yadokari (Golden Star Twin Deluxe, 1974) Merzbow & Pan Sonic - 68'18ˮ (Extrait) (V, 2003) Abonnez-vous dans nos réseaux Pour Mappemonde, vous pouvez vous abonner à la page Facebook de l'émission ou au compte Instagram. Pour Amplitudes, il y a Facebook aussi. Photo : Le Fuji par Temps clair, d'un mec appelé Hokusai

This week’s edition is on the slow and atmospheric side. It features an older gem from Windy & Carl, new music from Songs of Green Pheasant, sound experimentation and tone research from Fennesz and OZmotic, minimal, rhythmic pulses from Ryoji Ikeda, and many more. Check it out below. Artist/Song/Release/Year 01. Colleen / Summer Water / … Continue reading →

This week on the podcast, we discuss our favorite albums of 2015! We've got a lot of pretty standard choices, like Kendrick Lamar and Death Grips, but we've also got some more obscure names, like Snakefeast and Shmu. List spoilers will be posted below! Next week on the show, we'll be discussing the bizarre glitch album, dataplex by Ryoji Ikeda, and the experimental punk classic, Deceit by This Heat! Winter's List: Honorable Mentions: Alabama Shakes - Sound & Color and Lupe Fiasco - Tetsuo & Youth 10: Rustie - EVENIFUDONTBELIEVE 9: Shmu - Shhh​!​!​!​! 8: Ducktails - St. Catherine 7: FKA twigs - M3LL155X 6: YG x Blanco x DB Tha General - California Livin 5: Earl Sweatshirt - I Don't Like Shit, I Don't Go Outside 4: Vince Staples - Summertime '06 3: Sufjan Stevens - Carrie & Lowell 2: Death Grips - Jenny Death 1: Kendrick Lamar - To Pimp A Butterfly Nolan's List: 20: Oneohtrix Point Never - Garden Of Delete 19: Le1f - Riot Boi 18: Drake - If You're Reading This It's Too Late 17: Panopticon - Autumn Eternal 15/16: Rae Sremmurd - SremmLife 15/16: Milo - So The Flies Don't Come 14: Donnie Trumpet & The Social Experiment - Surf 13: Björk - Vulnicura 12: KOHH - Dirt 11: Earl Sweatshirt - I Don't Like Shit, I Don't Go Outside 10: Lil Ugly Mane - Oblivion Access 9: ２８１４ - 新しい日の誕生 8: Lil Ugly Mane - Third Side Of Tape 6/7: Snakefeast - The Pythoness 6/7: Liturgy - The Ark Work 5: Waka Flocka Flame - Flockaveli 1.5 4: Busdriver - Thumbs 3: Death Grips - The Powers That B 1/2: Kendrick Lamar - To Pimp A Butterfly 1: Carly Rae Jepsen - E•MO•TION

Playliste de Rainier Lericolais pour webSYNradio : DENSITY, avec les sons de Firmin Gémier, Joji Yuasa, Ryoji Ikeda, Grauzone , Boris Yankovsky, Peter ablinger, Morton Feldman, Coil, Chris Marker, Peter Roehr, Matsuo Ohno, Antonin Artaud, Rainier Lericolais, Pierre Schaeffer, Yoji takahashi, Michael Esposito, Monique Canon, Entre rose + Staples, Henri Georges Clouzot, The Bloop, Psychic Tv, Shūji Terayama, Jane and burton, Jaques Mesrine, Dziga Vertov, Jack White, Paul Hindemith, Emile Loubet, Vanessa Paradis

Every day this month, for three minutes before midnight, some of the giant electronic billboards in Times Square flicker violently in rectangular sequences of black and white. This is not a glitch. It's test pattern [times square], an electronic piece by Paris-based Japanese artist Ryoji Ikeda, reworked for 47 screens across five blocks of one of the most iconic and irritating places in the world. This is the soundtrack that was played on October 16 as part of the installation.

This week: From OxBow, Duncan along with with Abigail Satinsky and Elizabeth Chodos sit down for a chat with Hese McGraw, Vice President for Exhibitions and Public Programs at San Francisco Art Institute. Here is an outdated bio from his website: Hesse McGraw is a curator, writer and artist working as curator at the Bemis Center for Contemporary Arts in Omaha, Nebraska. He was the founding director and curator of Paragraph, a contemporary art gallery operating under the non-profit Urban Culture Project in downtown Kansas City, Missouri. He is the former assistant director of Max Protetch gallery in New York, City and former senior editor of Review, a Kansas City-based visual culture magazine. He has served as a lecturer in the Interdisciplinary department of the Kansas City Art Institute and frequently serves as a guest lecturer, critic and juror for fine art and architecture schools and organizations throughout the US. Alongside producing two dozens exhibits and projects over three years at Paragraph, he has curated exhibitions for FLEX Self Storage (Topeka, Kansas), The New Genres Festival (Tulsa), The Stray Show (Chicago), Guild and Greyshkul (NYC), -scopeMiami, RARE (NYC), Rocket gallery (London) and White Flag Projects (St. Louis). He regularly contributes to publications including Art Papers, Dots & Quotes, Empty magazine, The Kansas City Star, RES, Review, Tank, Ten by Ten. He has written exhibition essays for artists including Ryoji Ikeda, Tobias Wong, Steve Mumford, Eric von Robertson and many others. His artwork incorporates photography, video, sound and text into site-specific installations and published works. The work experientially engages cultural information systems to amplify loaded micro-histories with the intent to create new networks of meaning. The work aims to construct democratic viewing scenarios that offer viewers a bit of personal space within the context of the general world. His work has been shown in venues internationally and in a solo exhibition at RARE, NYC.

1. Ryoji Ikeda — II 2. Fennesz — Black Sea 3. Opto — 10.45 a.m 4. Deaf Center — Close Forever Watching 5. Pole — Palmen Aus Leder 6. Ous Mal — Marraskuu 7. Bersarin Quartett — St. Petersburg 8. Ous Mal — Merilaulu

Versión site-specific del aclamado concierto audiovisual del artista japonés para la Sala de Proyectos de LABoral. 'datamatics. data.tecture [5 SXGA+ versión]' es nueva gran instalación audiovisual de Ryoji Ikeda que se muestra en LABoral entre 2 de marzo y el 17 de septiembre de 2012. La obra ofrece al visitante una experiencia totalmente inmersiva y sensorial. Una única y gran imagen de vídeo se proyecta directamente sobre el suelo del gran espacio expositivo de LABoral desde cinco proyectores, sumergiendo el cuerpo, la vista y el oído del espectador. En esta instalación, Ikeda recurre a computaciones de programa en tiempo real y al escaneado de datos para crear una abstracción, mayor incluso, de la datamatics original. La dinámica técnica de la pieza, como la frecuencia —extremadamente acelerada— de imágenes y la profundidad de bits variable, ahonda en el desafío y la exploración de los umbrales de nuestras percepciones.

Margot Didsbury - Bleep's latest staff member delves through tracks, old and new, to complement our special Raster Noton label feature. An hour of music from some of the leaders of experimental electronic music.

Esta semana en Lost in Barcelona... Nos despediremos de una galería referente en Barcelona: Iguapop Gallery. Hablaremos de ello y de planes futuros con Leticia Martínez. Veremos en directo a Melissa Laveaux y será en la sala Luz de Gas. Un año más tendremos nuestra dosis de Sónar en diferentes espacios de la ciudad. Asistiremos al pase de la película "Finisterre", cuya imagen es utilizada para la edición del festival de este año. Visitaremos la exposición "Jugando en tiempos de crisis" en la Galería Tatiana Kourochkina. No nos perderemos la instalación lumínica "Spectra Barcelona" obra de Ryoji Ikeda. Y por último, nos iremos al Teatro del Raval para reflexionar con la obra de la compañía SudHum Teatro, "Silenciados". No os la podéis perder. La presentación corrió a cargo de Antònia Folguera. El estilimo corrió a cargo de Baum Shop. Una producción de Jolines Producciones para Lost in TV. En un abrir y cerrar de ojos, nuevo Lost in Barcelona. Os esperamos.

First mix of the NMLK Podcast series. PLAYLIST: // Alva Noto - Anthem Berlin (For The Kingdom Of Elgaland-vargaland) // Robert Henke - [diagonal] // Pascal Mollin - Hey // Nic Fanciulli, Andy Chatterley - Talla-Hause // Mirco Violi - Marinero (Nima Gorji rmx) // Aki Bergen - Alma De Dios (Loko rmx) // Pizeta - Klezmer feat. Reagadelica // Mario Ochoa - Collapse // Antislash - Pastis Anis // [a]pendics.shuffle - Disturbing Idle (Melchior Productions Ltd. rmx) // Cevin Fisher - The Freaks Come Out 2009 (Idiotproof rmx) // Ryoji Ikeda - 5'55 // Andre Walter, Chris Hope - Dark Laughing // The Seekers - Thin Cows // Perc - Work Softer (Matador rmx) // Carlo Lio - Sour Diesel // Ilpo Vãisãnen - 2'34" // Spektre, Matt Cooper - Cuernos Cubanos // The Junkies - Ritmo // Shakarchi, Straneus - Ezborvan // Jesper Dahlback, Alexi Delano, Tony Rohr - Curly Wurly // The Seekers - Waves Dealer // SQL - Distorted Reality // Mitaka, The Little - Yellow Story // Yves Deruyter - Calling Earth (Tube & Berger rmx) // Ambivalent - R U OK (A Cappella) // Citizen Kain, Phuture Traxx - Cameleon (Pfirter rmx) // Alva noto - Untitled 1 // Spektre - Typhon // Tommy Four Seven - Surma (Speedy J Dub Tool) // Ryoji Ikeda - 1'11 // Ortin Cam - Carnage (The Advent & Industrialyzer rmx) // Alva Noto - Anthem Berlin (For The Kingdom Of Elgaland-vargaland)

"The Hum in the Room" the final part of the three-part mix dedicated to ... the hum in your room! The buzz that you suddenly notice, that appears to have been there forever but unnoticed - until this moment. The sound that will be there forever from now. The hum that appears to come from the inside of your head, and that keeps changing when you turn your head or walk through the room. The noise that can irritate as well as fascinate. Or, to quote John Cage from a 1937 lecture: "Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating. The sound of a truck at 50 m.p.h. Static between the stations. Rain. We want to capture and control these sounds, to use them, not as sound effects, but as musical instruments. " --- originally published on Ambientblog --- PLAYLIST: Ryoji Ikeda - Matrix (for Rooms) Matrix , 2001, Touch TO:44 Ryoji Ikeda - 1011111111 Matrix , 2001, Touch TO:44Akira Rabelais - Notturno (2) Eisotrophobia, 2001, RitornellBrannan Lane - Zone One Hypnotic Drift, 2003, Sampler CDDisinformation - National Grid New Forms, Contemporary Electronic Music in the Context of Art, 2000, Galerie Fuer Zeitgenoessische Kunst LeipzigRobert Henke - Signal to Noise 1 Signal to noise, 2004, Kompakt ICM 05Alp - Fax Machine – Toilet Plumbing At home with Alp, 1999, Soleilmoon 01863Tamia / Pierre Favre - Solitude Solitudes, 1992, ECM 1442Brannan Lane - Mesosphere (part 1) Troposphere, soundtrack for your head, 2000, World Circle Records, WCD804CDOöphoi - Cydron The dreaming of Shells, 2003, Mystery SeaAlbrecht Kunze - Motion Control Maschinelle Strategeme, 2000, Ritornell, RIT010Biosphere - Modifié Autour de La Lune, 2004, Touch TO:62Edgar Varese - Poem Electronique Ohm, the Electric Gurus of Electronic Music 2000, Ellipsis CD3270Joyi Yuasa - Projection Esemplastic for White Noise Ohm, the Electric Gurus of Electronic Music 2000, Ellipsis CD3270Alp - Disk Drive Kettle Washing Machine At home with Alp, 1999, Soleilmoon 01863Matthew Florianz - Erik + Matthew -1 unreleasedMichel Redolfi - Desert Tracks – Mojave Desert Desert tracks, 1988, Ina GRM, INA_C 1005E-Hum 1 - private collectionArvo Pärt - Solfeggio De Profundis, 1997, Harmonia Mundi, HMU 907182David Shea - Elegy The Tower of Mirrors, 1996 Sub Rosa SR94Food Mixer - private collectionAlan Howarth - Sailing Ships Creaks Real Hollywood Sound Effects, 1997, Gnp crescendo 8054Thomas Köner - Tu, Sempre Zyklop, 2003, Mille Plateaux MP118Thomas Köner - Les Soeurs Lumiere Unerforschtes Gebiet, 2003, Die Stadt, DS56Alan Howarth - Ships Interior Real Hollywood Sound Effects, 1997, Gnp crescendo 8054Thomas Köner - Nuuk (Night) Nuuk, 1997-2004 Mille Plateaux Media MPM 03Sidsel Endresen & Bugge Wesseltoft - Voices Out Here in there, 2002 Jazzland 017 368-2 Cas de Marez - Sens (fragment) PEMCD, unreleasedMatthew Florianz - Elementen unreleased, 2003Biosphere - Thermal Motion Shenzhou, 2002, Touch TO:55Pauline Oliveros, Panaiotis, Dempster - Ione Deep Listening, 1989, New Albion, NA 022Tetsu Inoue - Magnetic Field Ambiant Otaku, 1994, Fax, PS08/43David Kwan - +/- IV Storm of Drones, 1996, Asphodel 966Tibor Szemzo - Tractatus Tractatus, 1991 – 1995, 1995, LeoRecords LR 227Moljebka Pvlse - Jiken Evolved as One, a collection of Emotional Ambient-Drones, 2003, Evolved as One, EVOL 01Sleep Research Facility - Back to the Egg Dead Weather Machine – re:Heat, 2004, manifold MANCD043Kettel - Electrician and Adventurer Volleyed Iron, 2004, U Cover, 018Thomas Gerwin - Air Wattenmeer Suite, 1996, IAP 011Quiet American - Night web download

Esta semana en Lost in Barcelona...Nos vamos al cine a ver una buena peli, Radio Encubierta y a la nave Maumau para ver la nueva convocatoria del festival de cortometrajes independientes, Quick Flick. También tenemos música experimental, Datamatics del innovador Ryoji Ikeda en el Teatre Grec y un par de exposiciones, la de Tim Biskup, uno de los máximos exponentes del pop-surrealista en la Iguapop Gallery y otra, obra del pintor Matt Sesow en la Galería Artevistas.El estilismo de Antònia Folguera corre a cargo de Baum Shop.Una producción de Jolines Producciones para Lost in TV.La semana que viene seguiremos disfrutando del verano intensamente. Os esperamos en Lost in Barcelona.

  Rare Frequency Podcast 34: Falling Forward (opening music: Robert Rietty, “Transmission Begins,” Albert Elms, “Breakfast,” The Prisoner [File #2] (Silva Screen) CD) 1 Ryoji Ikeda, "Test Pattern #1111" Test Pattern (Raster Noton) CD 2008 2 Headhunter, "Baseflow" Nomad (Tempa) CD 2008 3 Lawrence English, "Figure’s Lone Static" Kiri No Oto (Touch) CD 2008 4 Brian Grainger, "Night Smoke Memory" Nine Billion Names (Milieu) CDr 2008 5 Conrad Schnitzler & Wolf Sequenza, "Copacabana" Consequenz (Captain Trip) CD 2008 6 Lithops, "Mound Magnet Part II" Caribbean Circuits (Killer Pimp) CD 2008 7 Anthony Pateras, "76755 III" Chromatophore (Tzadik) CD 2008 8 Robbie Avenaim, "Bodyrocking" Rhythmic Movement Disorder (Room 40) CD 2008 9 James Devane, "32-39" s/t (Bremsstrahlung) CD 2008 (album currently available for download on label website!) 10 Calvin “Bubbles” Cameron, "Moses" Wareika Hill Sounds (Honest Jon’s) CD 2007

Geir Jenssen, Anthony Pateras & Robin Fox, SunnO))) & Boris, Herve Boghossian, Hecker, Lasse Marhaug, Ryoji Ikeda, Ryoji Ikeda and Carsten Nicolai, Kit Clayton and more....

Geir Jenssen, Anthony Pateras & Robin Fox, SunnO))) & Boris, Herve Boghossian, Hecker, Lasse Marhaug, Ryoji Ikeda, Ryoji Ikeda and Carsten Nicolai, Kit Clayton and more....

"In 1913 Futurist Luigi Russolo developed several noise machines, which he named ‘intonarumori’. In his manifesto, The Art of Noise, Russolo argued that musical instruments could no longer satisfy man's thirst for sounds. Almost 100 years later, people are still exploring the possibilities of sound. This is what I tried to capture in this mix - testing the limits of sound, from shrieking highs to almost imperceptible lows, finding new ways of interpreting and portraying life through the medium of sound. Despite including over 100 artists, the mix by no means represents a completist viewpoint; so many perhaps important artists in the development of 'noise' were left out. It was not my intention to do a 'who's who' of noise music, but rather to show how the exploration of sound has developed over time and how fascinating these explorations are. I did at times take into account the historical significance of the piece/artist when choosing tracks, although I was steered mainly by what was sonically interesting to me. Well that's it - the mix should speak for itself. If you are interested in digging deeper please follow the links provided. Listen at maximum volume and enjoy." Marolo, January 2007 Tracklisting: Luigi Russolo – Risveglio Di Una Cita (1913) Marcel Duchamp – La Mariée Mise À Nu Par Ses Célibataires, Même John Cage – Imaginary Landscape 1 (1939) John Cage – Imaginary Landscape (1942) Halim El-Dabh – Wire Recorder Piece (1944) Pierre Schaeffer – Etude Aux Chemins De Fer (1948) Hugh Le Caine – Dripsody (1949) Edgar Varese – Interpolation, 3rd Interpolation (1954) John Cage – Radio Music (1956) 15 minutes Iannis Xenakis – Diamorphoses (1957) György Ligeti – Continuum, Glissandi (1957), Artikulation (1958) György Ligeti – Pièce Électronique #3 (1958) Edgard Varèse – Poème Electronique (1960) Stockhausen –  Kontakte (1960) Tod Dockstader – Four Elementary Tapes ¾ (1963) Stockhausen – Telemusik (1966) Beatriz Ferreyra – Demeures Aquatiques (1967) AMM – Ailantus Glandulosa (1966) Wozard Of Iz – Blue Poppy (1968) Pierre Henry – Prologue (1968) Jean-Claude Risset – Flight & Countdown (1968) Delia Derbyshire / John Peel – Voice Treatment (1969) La Monte Young – The Volga Delta (1969) 30 minutes Morton Subotnick – Wild Bull Part 2 (1968) Jean-Claude Risset – Mutations (1969) François Bayle + Robert Wyatt + Kevin Ayers – It (1970) Iannis Xenakis – Hibiki-Hana-Ma (1970) Luc Ferrari – Presque Rien  (1971) Yoko Ono – Toilet Piece (1971) Laurie Spiegel – Sediment (1972) La Monte Young – From Poem For Chairs, Tables, Benches, Two Sounds Faust – 11 (1973) Throbbing Gristle – Whorls of Sound (1975) Alvin Lucier – The Duke Of New York (1976) BBC Radiophonic Workshop – Central Control Room In Exillon City, Styre's Scouting Machine, Atomic Reactor Runs Wild (1978) Chrome – Inacontact / I am the Jaw (1979) Whitehouse – Politics (1980) Maurizio Bianchi – Industrial (1980) 45 minutes Merzbow – Music Concret/Tape Dada (1980) NON – Pagan Muzak Loops (1980) Frieder Butzmann – Tales of Death (1981) Esplendor Geometrico – PIE (1981) MB – Treblinka (1981) Throbbing Gristle – Medicine (1982) Borsig – Zu Den Anderen Gerollt Werden/Helmut (1982) E.g Oblique Graph – Black Cloth (1982) Esplendor Geometrico – Disco Rojo (1982) Consumer Electronics – Keloid (1982) SPK – War of Islam (1983) Alison Knowles – Assemblage (1984) Diamanda Galás – Panoptikon (1984) Controlled Bleeding – Knees And Bones (1985) Zoviet France – Signal (1986) Butthole Surfers – Hay (1987) 1 hour Merzbow – Chopin is Dead (1987) Hanatarash – Frogirl (1988) Esplendor Geometrico – Mekano-Turbo (1988) John Watermann – Still Warm (1989) Voice Crack & Borbotomagus – Untitled (1991) Jackofficers – Flush (1991) Iannis Xenakis – S.709 (1992) Scanner – Untitled (1993) Melvins - Magic Pig Detective (1994) Merzbow - Ananga-Ranga (1994) Fennesz – 3 (1995) Vromb – Facteur Humaine iii (1996) Mike Patton - I Killed Him Like a Dog, Screams Of The Asteroid, Porno Holocaust, Catheter, Raped On A Bed Of Sand (1996) 1 hour 15 minutes Restgeraeusch – 1H / 1Min (1996) Oval – Shop in Store (1996) Lucien Monbuttou – Kpiele, I Find The Enemy (1997) Jonathan Azande – Opaque Misery (1997) Francis Dhomont – Scherzo (1997) Aube – Vent Finalzinho (1997) Electricity – Dunia Wanja Wa Fujo, Indlela Yababi (1997) National Bird – Wakar Uwa Mugu (1997) Godfrey J Kola – Somalia! (1997) Mbuti Singers - Massacre Rite (1997) Jim O’Rourke – There As (1997) Toys’r’us – Untitled (1997) Fraughman – Of The Elements (1998) Boredoms – Super Shine (1998) Merzbow – Munchen (1998) 1 hour 30 minutes Merzbow – Soft Water Rhinoceros (1998) Scalpel – 2.08 (1998) Dumb Type – Zero Radius (1998) ATR – Brixton Academy (1999) Merzbow & Genesis P-orridge – Flowering Pain (1999) Voice Crack – Green Ellipse/Red Square (1999) Shizuo – Untitled (1999) Maldoror – Baby Powder on Peach Fuzz (1999) Zipper Spy – Untitled (2000) Dolores Dewberry – Paragraph (2000) Diane Nelson – Dissected Insect (2000) Winterkälte – Toxic Hotspot (2000) Signal – Centrum (2000) Massimo - Hey Babe, Let Me See Your USB And I'll Show You My Firewire (2001) 1 hour 45 minutes DJ Smallcock – YinYue (2001) Ryoji Ikeda – 00010 (2001) Cyclo – C4 C9 (2001) Tripod Sardine – TV (2000) Speedranch – Halfway up the Stairway of Mucus (2001) Fennesz / Jim O'Rourke / Peter Rehberg – We Will Diffuse You (2002) Huren – Satem (2002) Vromb – Subréalité (2002) Coh – Hurt Later / Terra Beyond / In Spaces Between (2002) Massimo – 6-1-8 (2002) Merzbow – Tadpole / Forgotten Land (2002) Merzbow – Black Gun Red (Kim Cascone mix) (2003) Wlliam Basinski – Disintegration Loops DLP4 (2003) KK Null – Andromeda 2 (2003) Space Machine – 4 (2004) Chessmachine – 16 Move (2004) 2 hours Zeena Parkins & Ikue Mori – Miura (2004) Otomo Yoshihide - Where There's Smoke, There's Weapons (2004) The Lappetites – Funeral (2005) Merzbow – Merzbuta track 4 (2005) Zeena Parkins – 16 Feet + Cello (2006) Drifting Stranger – Oh Daddy Love Me Good (2007)

  We tempt fate with lots of new music on podcast 13, but all the while hold a trump card in the form of a classic piece by Pita. Fear not lucky 13! Rare Frequency Podcast 13: Lucky 13 1 Ryoji Ikeda, "Untitled #25" Touch 25 (Touch) CD 2006 2 Alvars Orkester, "Lighthouse Service" Organic Woodtrip (1991-1992) (Kning Disk) CD 2006 3 Christina Kubisch, "Travel" For (Die Schachtel) CD 2004 4 Pita, "Untitled" Get Out (Mego) CD 2000 5 Kanding Ray, "n.n/peaks" Stabil (Raster Noton) CD 2006 6 Reanimator, "Clicks and Drones May... " Special Powers (Community Library) CD 2006 7 Martin Tetreault & Otomo Yoshihide, "Tradition " 21 Situations ("DAME") CD 1999 Photo: Shaun Gummere