Podcasts about Heffernan

Navigating the healthcare system can feel overwhelming and, at times, defeating. For many women, it means being dismissed, misdiagnosed, or told their symptoms are just “part of being a woman.” But what if there was a better way forward?In this week's episode of The Science of Motherhood, Dr Renee White speaks with Dr Ariella Heffernan-Marks, medical doctor and founder of Ovum. Ariella is on a mission to revolutionise the way women experience healthcare by building an intelligent, integrated platform that helps women track, understand, and advocate for their health across their whole lifespan.From her time working in hospitals to launching a tech company designed to close the gender health gap, Ariella shares the personal and professional journey that led to Ovum and why this kind of innovation is urgently needed.You'll hear about:Why Ariella stepped away from clinical practice to build a tool women actually needHow Ovum is using AI to personalise women's health data and decision-makingThe invisible bias baked into traditional health systems and how to challenge itWhy health education and early intervention are game-changers for better outcomesWhat's next for Ovum and the wider femtech movement in AustraliaThis episode is a powerful reminder that women's health deserves more than band-aid solutions. It deserves innovation, evidence, and a whole lot of heart.Resources and Links:

Songwriter RAY HEFFERNAN gives us the five tracks he will meet in Hell! (PART ONE OF TWO)Things are a bit different on Hellish this week. It's our first two-parter and our first sequel (of sorts). After we discussed the authorship of Robbie Williams's hit song 'Angels' with Emma Newman last week, we thought we'd get in touch with the man who co-wrote it but gets none of the credit, and ask him to tell us the story. We also got to hear about the life of a songwriter and how Ray uses songwriting to teach languages, we got a great break-up story, and generally had a right laugh.Ray got on to the subject of Robbie Williams and the writing of 'Angels' during our usually Patreon-only 'Artist You Will Meet in Hell' section, and so we've decided to put that out on the main feed this week, for everyone to hear, for free. (Patreons got the full, unsplit version last week - one of the perks of going to patreon.com/hellishpod and signing up.) This made the episode a bit long for the main feed, so we're putting it out in two parts simultaneously.To hear Ray performing the original version of 'Angels' - as written by Ray and Robbie Williams in December 1996 - head to https://tinyurl.com/rayangelsFind us on Spotify to hear the songs on Ray's Infernal Playlist in full, as well as the Ultimate Infernal Playlist which combines the choices of every damned soul we've met so far. https://tinyurl.com/hellishpodHead to https://www.patreon.com/hellishpod to access episodes early and ad free, where you will find out which artists our guests will meet in Hell. You'll also get our two pilot episodes, a bunch of advent calendar extras, and some other stuff depending which tier you pick.BUY US A COFFEE! If you just want to be nice/bribe your way out of Hell then you can also tip us over at https://www.ko-fi.com/hellishpodHellish has a bookshop! Order from https://uk.bookshop.org/shop/hellish to help us out!You can find us/beg for absolution on social media...Instagram: www.instagram.com/hellish_podBlueSky: https://bsky.app/profile/hellishpod.comThreads: https://www.threads.net/@hellish_podFacebook: www.facebook.com/hellishpodcastTwitter: www.twitter.com/hellishpod (we're still there, half-heartedly.)TikTok: www.tiktok.com/hellishpod Hosted on Acast. See acast.com/privacy for more information.

Songwriter RAY HEFFERNAN gives us the five tracks he will meet in Hell! (PART TWO OF TWO)Things are a bit different on Hellish this week. It's our first two-parter and our first sequel (of sorts). After we discussed the authorship of Robbie Williams's hit song 'Angels' with Emma Newman last week, we thought we'd get in touch with the man who co-wrote it but gets none of the credit, and ask him to tell us the story. We also got to hear about the life of a songwriter and how Ray uses songwriting to teach languages, we got a great break-up story, and generally had a right laugh.Ray got on to the subject of Robbie Williams and the writing of 'Angels' during our usually Patreon-only 'Artist You Will Meet in Hell' section, and so we've decided to put that out on the main feed this week, for everyone to hear, for free. (Patreons got the full, unsplit version last week - one of the perks of going to patreon.com/hellishpod and signing up.) This made the episode a bit long for the main feed, so we're putting it out in two parts simultaneously.To hear Ray performing the original version of 'Angels' - as written by Ray and Robbie Williams in December 1996 - head to https://tinyurl.com/rayangelsFind us on Spotify to hear the songs on Ray's Infernal Playlist in full, as well as the Ultimate Infernal Playlist which combines the choices of every damned soul we've met so far. https://tinyurl.com/hellishpodHead to https://www.patreon.com/hellishpod to access episodes early and ad free, where you will find out which artists our guests will meet in Hell. You'll also get our two pilot episodes, a bunch of advent calendar extras, and some other stuff depending which tier you pick.BUY US A COFFEE! If you just want to be nice/bribe your way out of Hell then you can also tip us over at https://www.ko-fi.com/hellishpodHellish has a bookshop! Order from https://uk.bookshop.org/shop/hellish to help us out!You can find us/beg for absolution on social media...Instagram: www.instagram.com/hellish_podBlueSky: https://bsky.app/profile/hellishpod.comThreads: https://www.threads.net/@hellish_podFacebook: www.facebook.com/hellishpodcastTwitter: www.twitter.com/hellishpod (we're still there, half-heartedly.)TikTok: www.tiktok.com/hellishpod Hosted on Acast. See acast.com/privacy for more information.

Here we conclude the main story of the mutiny on the whaleship Globe where everyone lives happily ever after in a tropical paradise. Or something like that. *meant to cut in a minor edit for this episode - George Comstock was 15 by the time the Globe sailed, and Samuel was 20gazafunds.comSources: Couper, Alastair. “Dangers, Mutinies, and the Law.” Sailors and Traders: A Maritime History of the Pacific Peoples.” University of Hawai'i PressGibson, Gregory. Demon of the Waters: The True Story of the Mutiny on the Whaleship Globe. Little, Brown, and Company, 2002.Heffernan, Thomas Farel. The Mutiny on the Globe: The Fatal Voyage of Samuel Comstock. Norton, 2002. Hoyt, Edwin P. The Mutiny on the Globe. Random House, 1975. Woodman, Richard. A Brief History of Mutiny. Carroll & Graf, 2005. Support the show

Ceri speaks with author and former CEO Margaret Heffernan about embracing uncertainty as a creative tool. From her journey through theatre, BBC production, tech leadership, to becoming a bestselling author, she shares how uncertainty isn't something to fear but a space where possibility thrives. Her latest book also explores how artists navigate and flourish in unpredictability and how in uncertainty lies choice, freedom, opportunity, exploration and adventure. KEY TAKEAWAYS Margaret embodies creative flexibility and has in her career, from theatre to BBC producer to tech CEO to acclaimed author, proved creative thinking transcends industries and can lead to unexpected opportunities. Uncertainty contains freedom, choice, and opportunity. If we eliminated it life would turn into a mere to-do list. Artists inherently understand this and demonstrate how to thrive within ambiguity. Heffernan tests ideas by asking: "If I ignore it, will it go away?" The ideas that persist (whether for businesses or books) are the ones worth pursuing, her creative instincts can guide important decisions. For emerging artists, the intrinsic reward of creating meaningful work often outweighs financial stability and many choose creative uncertainty over predictable comfort because the satisfaction exceeds anything else they could do. When faced with rejection or indifference to your ideas, instead of being crushed, consider that you might just need to explain it better. Persistence and refinement are essential creative skills. Perfectionism cripples creativity, experimentation and being willing to try different approaches when stuck can help you as an artist. Success often comes through iteration rather than getting it right the first time. Storytelling is central to communicating complex ideas effectively, Margaret structures her talks and writing around "tentpole stories" that support her arguments, making abstract concepts accessible and memorable. BEST MOMENTS "I'm quite startlingly comfortable with uncertainty. I remember the very last startup I ran, I ended up closing down because I could not find a path to profitability. I just had a real confidence that at some point it would become clear. And at some point it did." "The hard boiled business person is going to say, look at the mess we're in, and you're saying we need more art? Are you out of your mind? The mess that got us here isn't gonna get us out. We need a very profound mindset shift." "In uncertainty lies choice. In uncertainty lies freedom. In uncertainty lies opportunity, exploration, adventure. Most people don't wanna know what they're getting for their birthday." "I use the test: if I ignore the idea, will it go away? The businesses I ended up running were ideas that wouldn't go away and I used pretty much the same test for books." "For all that I was strongly advised not to write Embracing Uncertainty, regardless of how it does, I would've been very unhappy if I'd wimped out." "Instead of getting crushed by indifference, I thought, actually I just need to explain it better. That's actually such a brilliantly inspiring take on taking responsibility for how we're communicating our ideas." "We are not fated to be one thing or another. It's up to us.” "When I talk to people about eliminating uncertainty, I'm only about halfway through the story when they suddenly realise, wow, this is not what we want. This is not what anyone wants in their life." EPISODE RESOURCES Guest Links: https://www.mheffernan.com/ PODCAST HOST BIO With over 30 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Build Relationships The Easy WayOur self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/**** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

Women's tennis assistant coach Shauna Heffernan recaps Boise State's first Mountain West Conference title and expectations heading to the first round of the NCAA tournament.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Following up on our Battleship Potemkin bonus, we are staying in the mutinous mood with this two-part series on the whaleship Globe, and the enigmatic boatsteerer Samuel Comstock who would cast her into infamy.gazafunds.comSources: Couper, Alastair. “Dangers, Mutinies, and the Law.” Sailors and Traders: A Maritime History of the Pacific Peoples.” University of Hawai'i PressGibson, Gregory. Demon of the Waters: The True Story of the Mutiny on the Whaleship Globe. Little, Brown, and Company, 2002.Heffernan, Thomas Farel. The Mutiny on the Globe: The Fatal Voyage of Samuel Comstock. Norton, 2002. Hoyt, Edwin P. The Mutiny on the Globe. Random House, 1975. Woodman, Richard. A Brief History of Mutiny. Carroll & Graf, 2005. Support the show

Mary Heffernan left Silicon Valley to build Five Marys Farms, a thriving ranching business in Northern California. Alongside her husband and four daughters—all named Mary—she raises premium cattle, hogs, and lambs while running multiple entrepreneurial ventures, including the M5 Ranch School and her Ranch Raised Cookbook. In this episode, Mary shares her journey from tech to ranching, the challenges of building a business from the ground up, and how she's helping others break into agriculture.

In this episode of the Curious Advantage podcast, Simon Brown and Garrick Jones engage with Margaret Heffernan, a renowned author and speaker, to explore the themes of curiosity, leadership, and organizational culture. Heffernan shares her diverse career journey and emphasizes the importance of questioning conventional wisdom in fostering innovation and collaboration within organizations. The conversation delves into the concept of willful blindness, the intersection of playwriting and research, and the challenges leaders face in navigating accountability and certainty. Heffernan advocates for creating environments that promote curiosity and productivity, highlighting the need for organizations to rethink their approaches to work and collaboration. In this engaging conversation, Margaret Heffernan discusses the importance of curiosity and helpfulness in the workplace, emphasizing how these traits can enhance productivity and collaboration. She shares insights from her experiences in various organizations, highlighting the detrimental effects of excessive competition and the benefits of fostering a culture of learning and connection. The discussion also touches on the concept of 'super chickens' and how a focus on individual performance can undermine overall team success. Heffernan advocates for creating environments that encourage curiosity and collaboration, ultimately leading to more innovative and productive organizations. Margaret Heffernan website: https://www.mheffernan.com/#modal-close  About the Curious Advantage Podcast Series The Curious Advantage Podcast series, hosted by the authors of The Curious Advantagebook – Paul Ashcroft (co-founder & partner, Ludic Group), Simon Brown (Global Learning & Development Leader, Partner, EY), and Garrick Jones (co-founder & partner, Ludic Group) – explores how curiosity is a driving force for success in both individual lives and organizations, particularly in our evolving digital landscape. This podcast distills insights from neuroscience, anthropology, history, art and behaviorism to make the concept of curiosity accessible and applicable to everyone. Get your copy of The Curious Advantage on Amazon The Curious Advantage Audiobook is also available on Audible Follow The Curious Advantage on LinkedIn and Instagram The Curious Advantage Podcast is executive produced by Jessica Wickham and Aliki Paolinelis. Audio editing is expertly by Danny Cross. Video editing by Jessica Wickham. 

On this week's podcast, and off the back of Sarah Healy, Mark English and Kate O'Connor's medals at the European Indoor Championships, Sinéad and Gavin choose not to spend too long basking in the Ireland's latest athletics success. They are joined by former 50km walk world champion and RTÉ pundit Rob Heffernan to look beneath the surface of the medals and ask: are these medals because of the Irish system, or in spite of it?Rob explains what Irish athletics is doing well at an elite level, and what it must do better.Having founded an athletics club in Cork, Rob is also well-placed to explain the challenges and opportunities at a grassroots level. He explains why the State needs to do more to improve PE hours in school, why investment in facilities is necessary, and why better talent ID is needed for Ireland to capitalise on its potential at a moment major medals has thrust the sport into the national spotlight.Get in touch - email sinead@thejournal.ie and gavincooney@the42.ieThis week's episode of The42 FM is brought to you by An Post Money. Hosted on Acast. See acast.com/privacy for more information.

Employee ownership structures could become increasingly common in the Australian market, and – in an age of rapid market change and shifting employee sentiment – it could well be an option that firm owners opt for to ensure long-term business success. In this episode of The Boutique Lawyer Show, host Jerome Dorsisamy speaks with South East Lawyers director principal Melanie Heffernan about what an employee ownership structure is and looks like in practice, whether such structures are common (or becoming common) in Australia, the differences to share agreements, and whether these structures are suitable for SMEs in the current climate. Heffernan also delves into the benefits that can arise from employee ownership structures, the inherent challenges, whether there is appetite from lawyers and law firms to explore such options, the questions to ask of one's business when implementing such a structure and the practical steps to doing so, whether such structures can and will become mainstream Down Under, and what excites her about the potential future of the business model moving forward. If you like this episode, show your support by  rating us or leaving a review on Apple Podcasts (The Lawyers Weekly Show) and by following Lawyers Weekly on social media: Facebook, Twitter and LinkedIn. If you have any questions about what you heard today, any topics of interest you have in mind, or if you'd like to lend your voice to the show, email editor@lawyersweekly.com.au for more insights!

As the Plastics Recycling Conference (PRC) approaches, Recycled Content host Kara Pochiro is joined by Marissa Heffernan, Associate Editor at Resource Recycling, Inc. They discuss key industry topics, focusing on how Extended Producer Responsibility (EPR) is reshaping recycling by shifting the burden from consumers to producers. With EPR, Bottle Bills, Minimum Recycled Content and other legislation gaining momentum across the U.S., they explore its impact on policy, business, and the future of recycling. Want to hear more sneak peaks on what will be discussed during the PRC? Then tune in!

Teachers are key agents of changes and improvements in their classrooms. Yet spaces and opportunities for teachers, and others in the human services, to have control over their working lives and professional learning, have drastically diminished. Janette and Mary talk to Marie about their project to address this, by supporting teachers' reflection and self-directed learning and improvement. The evaluation of their project was overwhelmingly positive, with principals and teachers valuing the opportunity for professionaly supportive reflection, especially in a safe space outside the school environment.ReferencesAllen, J.M. (2019) From “Telling” To “Triangle” To “Tentative Truth”: How The Use Of The Positioning Theory Triangle Enabled Multiple Layers Of Truth To Become Evident. Paperson social representations, 28(1), pp 5.1-5.18.Allen, J.M., Hattie, J., Redman, C.R., (2022) Ticking boxes?: How teachers perceive their professional learning within a performance and development process  Leading and Managing 2022 Vol. 28 Issue 1 Pages 1-19Baxter, L.P., Gardiner, A.E., & Southall, F., (2021), Trialling critical reflection in education: the benefits for school leaders and teachers, Reflective Practice 2021 Vol. 22 Issue 4 Pages 501-514Clandinin, D.J., (2006) Narrative Inquiry: A Methodology for Studying Lived Experience, Research studies in music education 2006 Vol. 27 Issue 1 Pages 44-54Creagh, S., Thompson, G., Mockler, N., Stacey, M., & Hogan, A., (2023) Workload, work intensification and time poverty for teachers and school leaders: a systematic research synthesis, Educational Review 2023 Pages 1-20Creswell, J.W. (2007) Qualitative Inquiry and Research Design: Choosing Among Five Approaches, Sage Publications Gore, J.M., Miller, A., Fray, L., Harris, J., Prieto, E., (2021) Improving student achievement through professional development: Results from a randomised controlled trial of Quality Teaching Rounds. Teaching and Teacher Education 2021 Vol. 101 Heffernan, A., Bright, D., Kim, M., Longmuir, F., Magyar, B., (2022) ‘I cannot sustain the workload and the emotional toll': Reasons behind Australian teachers' intentions to leave the profession”, Australian Journal of Education, Vol 0, p. 1-14Hunter, M.A., Broughton, G. (2025) Professional supervision for principals: A primer for emerging practice. Cambridge University Press, online. (+ LinkedIn announcement of book)Moghaddam,  F.M., , Harré, R., & Lee, N. (Eds) (2008). Global conflict resolution through positioning analysis. New York, London: SpringerNetolicky, D. (2016). Rethinking professional learning for teachers and school leaders. Journal of Professional Capital and Community, 1(4), 270-285.Timperley, H., Ell, F., Le Fevre, D., Twyford, K., (2021) Leading Professional Learning  ACER Professional supervision course for educators

Your favorite TV friends are headed to Queens, NY this week to visit with the Heffernan's and Barone's in this week's crossover episode! We're covering The King of Queens, a late 90's sitcom that many people know and love. Was it fun? Was it forgettable? Was it both? Come hang with us and find out!Next week, we're going back to Hawaii with Magnum PI! Watch S7E9: Novel Connection. Available for streaming on Roku!Send us feedback about the show on BlueSky at @thosedaysshow.bsky.social or email us thosewerethedaysshow@gmail.comFollow us on socials!StephenAmyAudieTvsTravisThose Were The Days on BlueSkySend us a SpeakPipe!Support 2Dorks on PatreonJoin us every Monday at 9pm ET on Twitch to watch live! Hosted on Acast. See acast.com/privacy for more information.

In this episode you will hear Professor Heffernan of Merrimack College discuss reader response to Meursault inThe Stranger. Dr. Heffernan will take you on a tour of his previous work on The Stranger and then engage in a discussion of the reading of Meursault as a character in Camus' work.This episode is the last in the series bringing you the addresses give to The Albert Camus Society in 2023 held in Krakow, Poland.

In his third year on head coach Tony Elliott's staff at Virginia, Terry Heffernan oversees an offensive line that since the end of last season has added four transfers who have 101 college starts among them.

Eannna Heffernan Coach Loreto KK chats to CRKC (Post v Pres. Thurles) 01.02.20254

PJ chats to Rob about new year fitness goals, the Forvis Mazars 2025 Steps Team Challenge and the latest on the Red Raw Podcast Hosted on Acast. See acast.com/privacy for more information.

PJ chats with Opinion Line Producer Paul Byrne who spoke with drug users after the weekend's tragic news, hears how Winnie The Pooh has Cork roots, talks to Cork Olympian Rob Heffernan And more... Hosted on Acast. See acast.com/privacy for more information.

Listen back to Friday January 10th 2025's edition of Across The Line as Paul Carroll looks ahead to the weekend's sporting action in Tipperary. On this week's show: - Newly appointed GAA Head of Hurling and Tipperary man Willie Maher joins the show to discuss his new role - Tipperary and UCC forward Eimear Heffernan speaks about the upcoming Ashbourne Cup and the Tipperary senior camogie team - Nenagh Ormond Director of Rugby John Long talks on the return of the AIL - Soccer talk with Barry Ryan & Gary Culbert - Greyhound racing with Barry Drake

Today saw the launch of the Electric Ireland Third Level competitions, with UCC duo Eimear Heffernan and Aoife Healy both catch up with Off The Ball's Alanna Cunnane. Check out the hashtag #FirstClassRivals for more.

In 1836, rumors of gold in a muddy river on the west shore of Lake Michigan near modern day Green Bay, Wisconsin, spurred the creation of what would become the City of Kewaunee. The arrival of a railroad in the late 1800s led to increased shipping in the area, and in 1880-81 two long piers were built at the entrance to the harbor. In the years that followed there were a number of reconfigurations of the piers and lighthouses in the harbor. Kewaunee Pierhead Lighthouse, Wisonsin. (Friends of the Kewaunee Pierhead Lighthouse) Jake Heffernan (Friends of the Kewaunee Pierhead Lighthouse) In late 1930, a car ferry collided with the south pier and badly damaged a small lighthouse tower that stood adjacent to a fog signal building. The damaged pier was repaired and a square brick lighthouse tower was added on the roof of the fog signal building, giving the lighthouse the appearance it has now. The City of Kewaunee was granted ownership of the lighthouse in 2011. Thanks to the assistance of the nonprofit Friends of the Kewaunee Pierhead Lighthouse, much restoration has been carried out in the past decade. The guest in this episode, Jake Heffernan, is the acting president and historian for the Friends of the Kewaunee Pierhead Lighthouse. 

In the US, some parents are suing Character.AI, alleging the AI companionship app has played a role in ruining their kids' lives, and in one case contributed to a 14-year old boy's decision to commit suicide. Teresa Heffernan talks with Jeff about longstanding concerns about technology that tricks people into thinking they're talking to a real person. If you're feeling suicidal, you can talk to a real person 24 hours a day by texting or dialing 988.

Who is the strongest? Is it the person with the biggest Powerlifting total? Weightlifting total? The current Worlds Strongest Man/Woman Champion? Or, perhaps, the current Arnold Strongman Classic Champion? It's an oft-debated question, typically occurring around the proverbial fitness water cooler. However, recently Dr. Kind, Dr. Veit, Dr. Heffernan, and our very own Dr. Helms made this debate into a multidisciplinary academic paper. Specifically, they asked the question through the lens of history, what has strength meant in society since the dawn of physical culture, what is strength philosophically, and finally, what is strength objectively, as measured in sport and exercise science? Join us as we discuss why asking this question is important, and how these very different disciplines turned out to be quite complementary in providing an answer.   The MASS crew records Iron Culture LIVE on YouTube, every Monday night at 7pm eastern time. Be sure to join us for a future episode and say hello in the live chat!   If you'd like to submit a question or topic for us to address on an upcoming episode, please use this link:   https://massresearchreview.com/office-hours/   Time stamps: 00:00 Welcoming back Dr Conor Heffernan from the Obelisk 2:35 Adrian and Walter (re)-introduction Kind 2023 Is bodybuilding a sport? https://www.tandfonline.com/doi/full/10.1080/00948705.2023.2234978 6:26 What is strength? Kind 2024 What is strength? https://sportrxiv.org/index.php/server/preprint/view/467 14:21 Who in society decides what strength is? 29:45 A philosophical breakdown of the definition of strength 36:54 Strength measures of interest 56:02 Skill, efficiency, and intentionality Bauman 1926 Observations on the Strength of the Chimpanzee and its Implications https://academic.oup.com/jmammal/article-abstract/7/1/1/866743 1:06:03 Eric's tirade on sports science and exploring different strength variables 1:12:36 Categorising strength feats 1:18:46 The final sign-off (more plates, more dates?)

On this episod eof Japan Station, we talk to filmmaker and dark sky photographer Gavin Heffernan about his recent Japan-focused project Dreamlapse Japan.

"Blitz" had its world premiere at the 2024 London Film Festival, where it received strong reviews for director Steve McQueen's vision for WWII London during the Blitzkrieg and the performances from Academy Award-nominee Saoirse Ronan and newcomer Elliott Heffernan. Ronan and Heffernan were both kind enough to spend some time talking with me about their experiences working on the film. I also interviewed the Supersiving Sound Editors & Re-Recording Mixers Paul Cotterall & James Harrison, the Production Sound Mixer John Casali, and Visual Effects Supervisor Andrew Whitehurst, while Dan Bayer interviewed Production Designer Adam Stockhausen and the film's editor, Peter Sciberras. Please be sure to check out the film, which will open in theaters from Apple on November 1st and be available to stream on Apple TV+ on November 22nd. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Unlock the secrets of indie filmmaking and storytelling through our exclusive preview of the 2024 Tacoma Film Festival. Join us, Alex McCauley and Max Flosberg, as we highlight the festival's unique collaboration between the Grand Cinema and the Blue Mouse Theater, connected by convenient shuttle services for a seamless cinematic experience. We promise an illuminating journey into must-watch films like "Fish War," a documentary on Indigenous rights, and "Rainier: A Beer Odyssey," a nostalgic nod to quirky local beer commercials, sure to sell out with additional screenings scheduled.Explore a kaleidoscope of stories with films like "Vines," an eco-horror short hosting a Q&A session with Max, and "I'm Not a Robot," a thought-provoking European comedy. We celebrate diverse voices with "Donut Boy," a dramatic short reflecting the Asian community, and "Wild Dreams," which tackles identity and generational trauma. Our discussions span passionate interviews with filmmakers Don Jones-Redstone and Tommy Heffernan, providing a peek into the creative minds behind these vibrant films.Peek behind the curtain of the filmmaking process as we dive into the art of crafting short films under tight timelines and budgets. Tommy Heffernan shares his experiences with "Human Resource" and "Turbo Sean," revealing how the pressure of a 48-hour competition can spark creativity. Meanwhile, Dawn Jones-Redstone offers insights on "Feelings Experiment," discussing how the pandemic inspired a comedic exploration of emotional restoration. Together, we celebrate the therapeutic joys of spontaneous creation, advocating for a filmmaking approach that rekindles passion and creativity.Send us a textSupport the show

In this episode of The Insurance Technology Podcast, Reid chats with Leticia Trevino, COO at Heffernan Insurance Brokers,  to discuss Leticia's remarkable story, from growing up in the San Francisco Bay Area to a thriving 24-year career at Heffernan.Tune in to dive into the intricacies of the insurance technology landscape, the challenges and triumphs of leading a major organization, and the importance of staying connected to one's culture and values amidst it all. Episode Highlights·         Music, culture, and connection (2:30)·         Starting out as a claims adjuster (3:35)·         Targeting Latino markets (7:45)·         Finding satisfaction in team building (9:45)·         The “golden record” (20:47)·         Success equals having a body of work you're proud of (42:40)·         Setting up the Poder in Action fund for Latina females (44:21)

Connacht produced one of their best second half performances in recent times coming from 27-7 down to beat the Sharks by six points at a passionate Dexcom Stadium on Saturday evening.  A try from Dave Heffernan was all they scored in the first half but an inspired second 40 saw tries from Heffernan again, Cathal Forde, Shane Jennings and Oisin Dowling with Forde also kicking nine points. Josh Ionae kicked the conversion after Heffernan's try in the first half.  Here is the commentary of the game from William Davies and Joe Healy. 

Steve Heffernan, Republican candidate for Vermont State Senate- Addison District, joins Kurt & Anthony to discuss his Campaign.

On today's episode of Success is Subjective Joanna welcomes Olivia Heffernan, currently the Events, Communications & Youth Services Manager at NAMI San Mateo. Olivia shares her struggles while going through high school: depression, anxiety, an eating disorder, and going to 6 different high schools - ultimately realizing that school wasn't for her. Through extensive travel during a gap-year program (which she jokes never really ended), Olivia has found success in her work and peace in the journey that brought her to it.Connect with Joanna LilleyTherapeutic Consulting AssociationLilley Consulting WebsiteLilley Consulting on Facebook Lilley Consulting on YouTubeEmail: joanna@lilleyconsulting.comConnect with Olivia HeffernanNAMI San MateoNAMI San Mateo on InstagramNAMI San Mateo on FacebookEmail NAMI San Mateo: nami@namisanmateo.orgFind your local NAMI group#therapeuticconsulting #lilleyconsulting #podcast #podcastcommunity #thejourney #travel #gapyear #whoIamnow #takingchances #mentalhealth #youthservices #holdingspace #nami #namisanmateo #successissubjective #pfcaudiovideo 

The award-winning science journalist Olive Heffernan's work has been featured in National Geographic, New Scientist, The Guardian, BBC Wildlife and more. Her new book is The High Seas: Ambition, Power and Greed on the Unclaimed Ocean. Two thirds of the ocean lie beyond national borders and yet they are home to some of the richest natural resources and natural biodiversity on the planet. It makes these areas highly coveted territories and Heffernan's book studies both the exploitation of the maritime environment across the high seas and the measures that have been taken to try and preserve them. Joining her in conversation for this episode is Adam McCauley, who is a writer and researcher studying the social, cultural, and political impacts of emerging technologies. He also writes a regular newsletter, The View From Here. We are sponsored by Indeed. Go to Indeed.com/IS for £100 sponsored credit. If you'd like to become a Member and get access to all of our longer form interviews and Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events - Our member-only newsletter The Monthly Read, sent straight to your inbox ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series ... Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. ... Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a Text Message.How did a young Irish immigrant woman become a pioneering force in Texas's booming cattle industry? Embark on a captivating journey through the life and legacy of Margaret Borland as we trace her family's audacious voyage from Ireland to the untamed landscapes of early Texas. From the Spaniards introducing livestock in the 1690s to the critical role of ranching by the 1730s, we set the stage for Margaret's significant contributions. Experience the Heffernan family's audacious resilience as they adapt to the rugged Coastal Bend region, navigating cultural, environmental, and health challenges that forged their indomitable spirit.Witness the harrowing trials during the Texas Revolution, from the Battle of Concepcion to the Goliad Massacre, and feel the weight of war on the settlers' lives. Follow Margaret Borland's incredible journey along the Chisholm Trail, highlighting her role in transforming Wichita into a bustling cow town. We delve into key moments like the establishment of the Chisholm Trail in 1863 and the vital Waco Suspension Bridge. Reflecting on Margaret's legacy and her untimely passing in 1873, this episode underscores the immense risks and hardships faced by those who dared to shape the early Texas cattle industry. Join us for an episode rich in history, courage, and the pioneering spirit of the Irish in Texas, and the profound impact of Margaret Borland's contributions.Support the Show.Return of the Great HuntersCattle Drives WebsiteLegends of Dodge City WebsiteOrder Books

Rob and Laura chat about the upcoming Olympics and the rest of their time in Guadix before handing the mic over to the Heffernan and the O' Mahony children!

Shannon Heffernan of the Marshall Project discusses her article, "Serving Time for Their Abusers' Crimes: The Marshall Project found nearly 100 people who were punished for the actions of their abusers under little-known laws like “accomplice liability.” Check out Sharon's article here: https://www.themarshallproject.org/2024/06/13/abuse-domestic-violence-survivors-liability-prison Help keep This Is Hell! completely listener supported and access weekly bonus episodes by subscribing to our Patreon: https://www.patreon.com/thisishell

Jordan Heffernan of Afterlife Asylum https://www.facebook.com/afterlifeasylumetal https://www.youtube.com/channel/UCjEwoHsaC6Gl7lqFVOSP14w This podcast is powered by ZenCast.fm

Yesterday's Sports is part of the Sports History Network - The Headquarters For Sports Yesteryear.EPISODE SUMMARYIn this episode, host Mark Mortier welcomes a special guest, Dr. Conor Heffernan, lecturer in the Sociology of Sport at Ulster University in Northern Ireland. Dr. Heffernan has written extensively on weightlifting, bodybuilding, powerlifting, and strongman competitions. He contributes to Barbend.com and runs the website physicalculturestudy.com.The duo delves into the lives and careers of four legendary weightlifters: Paul Anderson, Tommy Kono, Ken Patera, and Naim Süleymanoğlu. Starting with Anderson, known as the "Superman from the South," they explore his achievements, including his gold medals at the 1955 World Championships and the 1956 Olympics, his brief stint in pro wrestling, and his dedication to the Paul Anderson Youth Home.Next, they discuss Tommy Kono, a two-time Olympic gold medalist and a seven-time World Weightlifting Champion. Kono's incredible career, including his internment during World War II and his transition between bodybuilding and weightlifting, is highlighted. His mental strength and Buddhist faith played a crucial role in his success.Come back for next week's episode to hear about the careers of Ken Patera and Naim Süleymanoğlu.YESTERDAY'S SPORTS BACKGROUNDHost Mark Morthier grew up in New Jersey just across the river from New York City during the 1970s, a great time for sports in the area. He relives great moments from this time and beyond, focusing on football, baseball, basketball, and boxing. You may even see a little Olympic Weightlifting in the mix, as Mark competed for eight years. See Mark's book below.No Nonsense, Old School Weight Training: A Guide For People With Limited TimeRunning Wild: (Growing Up In The 1970s)

Leonard Aguilar, Secretary-Treasurer of the Texas AFL-CIO, joined the America's Work Force Union Podcast to discuss state legislation creating more problems for labor unions. He also talked about their work to ensure unions lead the renewable energy transition and the 2024 Women's Summit in Austin. Grace Heffernan, co-founder and contractor with the Northeast Ohio Worker Center, joined the America's Work Force Union Podcast to discuss employer wage theft and some of the resources available for workers to recover lost wages from their employers.

Laura and Rob are from very different worlds. Laura is a stand-up comedian and actress, best known The School and Bridget and Eamon on RTE. Rob is one of Ireland's most successful Olympians, competing in five different Olympic games, and winning a gold medal at the Moscow World Championships.But together they present a very successful podcast called Red Raw where they talk very openly about their lives and share stories about body image, trying to conceive, Rob not hitting puberty until he was 17, and Laura being a virgin into her mid 20sNothing is off the table when it comes to their podcast – and nothing was off the table when it came to our chat too.COMEDY – with 2fm losing some of its biggest stars, some of Ireland's favourite podcasters audition for their roles…Produced by Patrick Haughey, AudioBrand

Sherry Lee Heffernan, a 57-year-old woman from Landenberg, Pennsylvania, has been handed two consecutive life sentences for the heinous 2021 killing of her elderly father and his longtime girlfriend, authorities announced on Friday. Heffernan was found guilty earlier this year for the murder of 87-year-old John Enders and his live-in girlfriend, 57-year-old Francoise Pitoy, at Enders' beach house in Surf City, New Jersey. The case, which has gripped the community for over two years, saw Heffernan vehemently deny any involvement, claiming she was being framed. However, a grand jury ultimately convicted her of the stabbing and shooting deaths. According to prosecutors, Heffernan's motive stemmed from her father's decision to exclude her from his will and prevent her from selling his house, where the gruesome murders took place. On top of that, Enders cut her and an estranged daughter out of his living will the previous month, a friend said in the police account.  In early March, Heffernan was convicted by a jury of her peers as the double murderer based on evidence that her RV was caught on video driving down the Long Beach Island Bridge on the early morning of Sept. 29, 2021. Next, Heffernan traveled on foot toward her father's home. She carried an orange bag and clothes “too large” for her, and she hopped a backyard fence. Later that day, video captured her as she drove her RV back over the same bridge as before. Heffernan's son reportedly told cops in an Oct. 4, 2021, interview that his mother left home the previous week to visit her father. He allegedly described this as a “midnight dash.” Days later, authorities conducting a welfare check found both victims shot in the mouth and stabbed dozens of times at the home on North 7th Street. Enders was stabbed 51 times and Pitoy 39 times. Neighbors recalled Enders and Pitoy's 19-year-long relationship as a happy and loving one, further underscoring the shock and devastation caused by their tragic deaths. The trial lasted almost four weeks, prosecutors said. Jurors convicted Heffernan of two counts each of murder, possession of a weapon for an unlawful purpose, and unlawful possession of a weapon. Superior Court Judge Kimarie Rahill on Friday ordered Heffernan to serve 63 years and nine months without the possibility of parole for each murder, saying the crime was committed with “extreme depravity.” “This defendant will spend the rest of her life in prison. This is an appropriate sentence and we are hopeful that this brings some measure of closure to the family and friends of John and Francoise,” Ocean County Prosecutor Bradley Billhimer said in a statement. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Karen Read Trial, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

Sherry Lee Heffernan, a 57-year-old woman from Landenberg, Pennsylvania, has been handed two consecutive life sentences for the heinous 2021 killing of her elderly father and his longtime girlfriend, authorities announced on Friday. Heffernan was found guilty earlier this year for the murder of 87-year-old John Enders and his live-in girlfriend, 57-year-old Francoise Pitoy, at Enders' beach house in Surf City, New Jersey. The case, which has gripped the community for over two years, saw Heffernan vehemently deny any involvement, claiming she was being framed. However, a grand jury ultimately convicted her of the stabbing and shooting deaths. According to prosecutors, Heffernan's motive stemmed from her father's decision to exclude her from his will and prevent her from selling his house, where the gruesome murders took place. On top of that, Enders cut her and an estranged daughter out of his living will the previous month, a friend said in the police account.  In early March, Heffernan was convicted by a jury of her peers as the double murderer based on evidence that her RV was caught on video driving down the Long Beach Island Bridge on the early morning of Sept. 29, 2021. Next, Heffernan traveled on foot toward her father's home. She carried an orange bag and clothes “too large” for her, and she hopped a backyard fence. Later that day, video captured her as she drove her RV back over the same bridge as before. Heffernan's son reportedly told cops in an Oct. 4, 2021, interview that his mother left home the previous week to visit her father. He allegedly described this as a “midnight dash.” Days later, authorities conducting a welfare check found both victims shot in the mouth and stabbed dozens of times at the home on North 7th Street. Enders was stabbed 51 times and Pitoy 39 times. Neighbors recalled Enders and Pitoy's 19-year-long relationship as a happy and loving one, further underscoring the shock and devastation caused by their tragic deaths. The trial lasted almost four weeks, prosecutors said. Jurors convicted Heffernan of two counts each of murder, possession of a weapon for an unlawful purpose, and unlawful possession of a weapon. Superior Court Judge Kimarie Rahill on Friday ordered Heffernan to serve 63 years and nine months without the possibility of parole for each murder, saying the crime was committed with “extreme depravity.” “This defendant will spend the rest of her life in prison. This is an appropriate sentence and we are hopeful that this brings some measure of closure to the family and friends of John and Francoise,” Ocean County Prosecutor Bradley Billhimer said in a statement. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Karen Read Trial, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

After more than two years of legal proceedings, Sherry Lee Heffernan, 57, has been found guilty by a grand jury of the stabbing and shooting deaths of her father, John "Jack" Enders, 87, and his longtime live-in girlfriend, Francoise "Frenchy" Pitoy, 75. Heffernan, a real estate agent, was charged in October 2021 with the double homicide, which rocked the quiet community. Heffernan, then 55, vehemently claimed innocence as she was escorted out of court in October 2021, asserting, "I am being framed." However, authorities maintained that Heffernan was driven by resentment after being excluded from her father's will and denied the opportunity to sell his house. The prosecution presented evidence indicating Heffernan's involvement, including surveillance footage showing her recreational vehicle (RV) traveling to her father's residence on the night of Sept. 29, 2021. Additionally, her cellphone activity was traced along the route. Furthermore, three footprints matching Heffernan's were discovered in blood-stained areas of the home's kitchen floor. Investigators detailed Heffernan's movements on the night of the murders, describing how she parked her RV nearby and proceeded on foot to her father's home, carrying an orange bag and wearing oversized clothing. According to surveillance footage capturing her crossing the Long Beach Island Bridge, she returned to her RV and left the area. The victims, Pitoy and Enders, were found brutally murdered in their home after Pitoy's daughter raised concerns about their welfare. Enders had been shot in the jaw and stabbed 51 times, according to testimony at Heffernan's nearly four-week trial. Pitoy had also been shot in the jaw at point-blank range and stabbed 39 times. While the victims were found on Oct. 3, 2021, investigators have long said the elderly couple, who had dated for about 15 years, was actually killed several days earlier.  Heffernan's son reportedly informed authorities that she had made a sudden visit to her father's home, which he described as a "midnight dash." A surveillance camera captured her leaving her property in the Winnebago before 1 a.m. on Sept. 29, 2021, and returning about 8 p.m. Prosecutors allege she drove to her father's house, committed the murders, and drove home in that time frame. The surveillance video tracked the Winnebago along the route to and from Enders' home, and Weatherstone said Heffernan's cell phone was tracked along the same route. Following a nearly four-week-long trial, jurors convicted Heffernan on two counts each of murder, possession of a weapon for an unlawful purpose, and unlawful possession of a weapon. She now faces the prospect of life imprisonment, with her sentencing scheduled for May 10. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com 

After more than two years of legal proceedings, Sherry Lee Heffernan, 57, has been found guilty by a grand jury of the stabbing and shooting deaths of her father, John "Jack" Enders, 87, and his longtime live-in girlfriend, Francoise "Frenchy" Pitoy, 75. Heffernan, a real estate agent, was charged in October 2021 with the double homicide, which rocked the quiet community. Heffernan, then 55, vehemently claimed innocence as she was escorted out of court in October 2021, asserting, "I am being framed." However, authorities maintained that Heffernan was driven by resentment after being excluded from her father's will and denied the opportunity to sell his house. The prosecution presented evidence indicating Heffernan's involvement, including surveillance footage showing her recreational vehicle (RV) traveling to her father's residence on the night of Sept. 29, 2021. Additionally, her cellphone activity was traced along the route. Furthermore, three footprints matching Heffernan's were discovered in blood-stained areas of the home's kitchen floor. Investigators detailed Heffernan's movements on the night of the murders, describing how she parked her RV nearby and proceeded on foot to her father's home, carrying an orange bag and wearing oversized clothing. According to surveillance footage capturing her crossing the Long Beach Island Bridge, she returned to her RV and left the area. The victims, Pitoy and Enders, were found brutally murdered in their home after Pitoy's daughter raised concerns about their welfare. Enders had been shot in the jaw and stabbed 51 times, according to testimony at Heffernan's nearly four-week trial. Pitoy had also been shot in the jaw at point-blank range and stabbed 39 times. While the victims were found on Oct. 3, 2021, investigators have long said the elderly couple, who had dated for about 15 years, was actually killed several days earlier.  Heffernan's son reportedly informed authorities that she had made a sudden visit to her father's home, which he described as a "midnight dash." A surveillance camera captured her leaving her property in the Winnebago before 1 a.m. on Sept. 29, 2021, and returning about 8 p.m. Prosecutors allege she drove to her father's house, committed the murders, and drove home in that time frame. The surveillance video tracked the Winnebago along the route to and from Enders' home, and Weatherstone said Heffernan's cell phone was tracked along the same route. Following a nearly four-week-long trial, jurors convicted Heffernan on two counts each of murder, possession of a weapon for an unlawful purpose, and unlawful possession of a weapon. She now faces the prospect of life imprisonment, with her sentencing scheduled for May 10. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

Cameron Heffernan is the Chief Marketing Officer at Your B2B Marketing, a globally focused strategic marketing agency. With a rich background as a serial entrepreneur, Cameron's career spans three continents, reflecting a diverse and expansive professional journey. He is recognized for launching a seven-figure marketing agency that caters to a wide range of clients across the globe. His expertise lies in helping companies articulate their value proposition effectively, supporting their growth, and assisting them in entering new markets. In this episode… Leveraging the expertise and nuances of local markets can be a game-changer in global business growth. But how exactly does one tap into their wealth of localized knowledge to expand successfully on an international scale? According to Cameron Heffernan, a seasoned global entrepreneur, the key lies in understanding and adapting to the unique cultural and business landscapes of each market. Businesses can significantly enhance their global reach and effectiveness by utilizing a strategy that respects and integrates local insights. Cameron emphasizes why it's also crucial to use multichannel strategies, identify your niche to tailor your marketing approach, and use simplicity in your messaging. In this episode of the Inspired Insider Podcast, Dr. Jeremy Weisz sits down with Cameron Heffernan, Chief Marketing Officer at Your B2B Marketing, to discuss the intricacies of international market expansion. They delve into the importance of tailoring marketing strategies to diverse cultural contexts, the challenges and triumphs of setting up a global marketing agency, and the indispensable role of local expertise in ensuring successful cross-border operations.

On this week's episode, we have actor Jamie Kaler (My Boys, Tacoma FD, Robot Chicken and many many more) and we talk about his career path as well as his experiences doing stand-up. There's so much more so make sure you tune in.Show NotesJamie KalerIMDB: https://www.imdb.com/name/nm0435695/Jamie Kaler on Wikipedia: https://en.wikipedia.org/wiki/Jamie_KalerJamie Kaler on Instagram: https://www.instagram.com/jamiekaler/?hl=enJamie Kaler on YouTube: https://www.youtube.com/user/jamiekalerA Paper Orchestra on Website: https://michaeljamin.com/bookA Paper Orchestra on Audible: https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptJamie Kaler:He goes, Hey, just so you know, when you do watch it, we were running long for time. So we cut the tag. I go, you mean the reveal where I kissed the woman? He goes, yeah, we ran out of time and we cut it. I go, then everything I did up to that moment has no justification whatsoever because this is the craziest thing. He goes, I know. He goes, what are you going to do with tv? I go, all, whatever. And I moved on and I was like, couldn't care less. ButMichael Jamin:You are listening to What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase And to support me in this podcast, please visit michael jamin.com/book and now on with the show.Hey everyone, welcome back to another episode of What the Hell is Michael Jamin talking about? Well, today I'm talking about acting with my guest, Jamie Kaler. This guy, before I bring him on this guy's credits are crazy. He works a lot and so I'm going to blow, yeah, blow through. I'm going to do the abridge version. If not, we'll be here all day, but I'm going to go way back. I'm on IM db now. I'm only doing the ones that I decide are highlights. But Jag, he's been on Fringe Friends. Suddenly. Susan Carnival, third Rock in the Sun, king of Queens, grounded for Life, married to the Kelly's Arrested Development, Spanglish, seventies show. What else Will and Grace, the Family Stone? Who remembers that? Monk New Adventures of Old Christine Sons and Daughters. How I Met Your mother, my boys. We know 'em from that. And then did I say Parenthood? Did I say shake it up? Did I say Austin and Allie? Did I say Teachers of the Year? I don't remember. I'm skipping crazy Ex-girlfriend. Jesus, dude. It doesn't end the middle Dads in Parks. Oh, we'll talk about that. Heather's robot Chicken. American Housewife. Most recently Taco fd where my partner and I created the character of Polanski. Jamie, that was exhausting. Are we done with the interview now?Jamie Kaler:Honestly, it was so much fun being here, man. All right, everybody, take care. See you later.Michael Jamin:That was such good advice. Sorry, you guys all missed it. Dude, you've been around. How did you get into acting? How does someone get into acting? By the way,Jamie Kaler:People ask me nowadays, and I go, dude, it's nothing. I mean now it's like don't even move to la just start a YouTube channel in upstate Minnesota and try to blow up. And then once you have a following, then you're set.Michael Jamin:But we were talking about on your podcast, the parent lounge, but I know you think it's like a burden, but I think it actually works in your advantage to you, to your advantage because you're really good at it. You're good. You have a great social media presence. You're quick on your feet. It seems to me this, even though it requires more work for you, it actually works in your favor. No,Jamie Kaler:You mean social media doing it this way? Yeah, of course it is, but I already did it. So now I'm kind of the same way that I used to go buy wigs and glue on mustaches and actually lit myself on fire on stage at Acme Comedy Theater when I was doing crazy shows on Friday and Saturday nights in the nineties with that fervor of what are we doing today? We're going to Goodwill, we're going to get some costumes, here we go. And I remember renting equipment, trying to shoot shorts and trying to clerks, and Ed Burns had made the brothers McMullan or whatever, and it was like, come on, we're making film. It was super hard and it was painful and it was costly. And nowadays you can do it with your phone. But I'm older, I don't quite have the drive. I also am watching two little kids.So the time in the day is where I used to go, this is my day. I'm going to go do this now. I'm like, I dropped the kids at school. I had to go to the cleaners. I taking care of the two kids. I got to pick them up. I'm coaching soccer today. So yes, I will say though, especially watching you and you're a writer, but now you have to become a social media guru to get people to see what you've created and you're an artist. But nowadays, gosh, I was posting something this morning about the pregnant pause is gone pretty soon. Humans are going to evolve where the eyes instead of side by side are over the top of each other because horizontal's over everything's vertical. We need to flip our eyes. And years from now, no one will take a breath because we've dictated that. The breath makes people lose attention though. You can take a pause. People goMichael Jamin:Done. IJamie Kaler:Can't. He took a breath. I can't.Michael Jamin:Yeah, I mean, here's the thing. So I just had this conversation yesterday. I dropped an audio audiobook, and so some woman said I was doing a live, she goes, oh, I bought your audiobook. I love it, but I listened to it on one and a quarter speed. But I'm like, but when I take a pause, it's because I want to put a pause there. I want to give you a moment to soak it in. It's not arbitrary.Jamie Kaler:I wanted to take a Richard Pryor act from his comedy special and cut all the air out of it. And so you would take a 50 minute, one hour special where there's a groove. He's in the moment. It would be like if you took Buddy Rich and you took all the space between the drum beats out. You're like, a lot of the art is in the space, and we have forgotten that. And now it's like it's a machine gun or people's brains shut off.Michael Jamin:This is something when we're shooting a sitcom, often, we'll tell the actor, make sure you hold for a laugh here. Hold for the laugh. You will get one. Yeah. What do we do about this?Jamie Kaler:Well, I don't know because I was watching, have you watched Show Gun?Michael Jamin:No. Am I supposed to watch that?Jamie Kaler:It's new. It's based on the book. Oh my gosh, it's glorious. I had never read the book. 16 hundreds. Futile Japan, A simple, brutal, vicious life of it's gorgeous. They had a full society. It's like the 16 hundreds. Wait,Michael Jamin:Where am I watching this? What can I get?Jamie Kaler:It's on FX and on Hulu and Portuguese and Portugal and England are the two powerhouses on the earth, and they are at war, and they're basically fighting for ownership of the east, even though the east are, they're like, wait, we're here. No one's going to own us. So it's all about that, but it's just this beautifully, I mean, it's like art. It's like going to the museum, seeing this story unfold, but people's brains nowadays, some do just riddling. 30 seconds of garbage on TikTok will get a gillion times more views than that. Because I talked to somebody who said, Hey, have you seen Shogun? Someone's like, oh, it just seems slow. And I was like, it's one of the greatest stories of all time. It's one of the bestselling books of all time. It's history and gorgeous and art, and it's beautifully shot. And they're like, ah, boring. I don't have time for that crap.Michael Jamin:We have, right? So what do we doJamie Kaler:If everything accelerates? There has to be a point where the human brain, it's like when they go, oh, this TV's 4K, and you're like, dude, I'm in my fifties. I can't even see 5K. I can't see any K anymore. It's like so resolution. It doesn't really matter. At some point your brain can't acceptMichael Jamin:It. Well, worse than that, so my TVs, I have a nice plasma plasma, but it's probably 15 years old at a cost a fortune when I got it. But the new ones, the resolution's so clear, it kind of looks like you're watching a bad TV show. You know what I'm saying? You watch a expensive movie and it looks like it's bad TV because I'm seeing too much.Jamie Kaler:The human face is not supposed to be seen with that much resolution. You see people and you're like, oh, that dude had a rough nightMichael Jamin:Where youJamie Kaler:Used to be able to hide it, and now you're like, no, no, no, no.Michael Jamin:Right? But then now have you had these conversations with your agent and your managers, or is this just when we were talking about building your social media following, are they telling you this or are you just like, your friends are doing it now? I got to do it too.Jamie Kaler:You mean why try to build this? Well, it's also, listen, it's funny because my wife will give me grief sometimes, and she goes, your stories are too slow. Which is crazy because I'm one of the fastest speakers who's ever lived. Sometimes when I'm working, people go, you need to bring it down a little bit. But on social media, if I don't want to sit and take a 92nd video and edit it down to a minute to take out the 30 seconds of pauses, because some guy, but that's the dilemma. Everything's the lowest common denominator. The jokes are I see something that blows up and I go, that was a great joke when George Carlin told that in 1972, and it was really well written and scripted, and now you've kind of bastardized it and you've put it into a ten second with no, your speaking voice is intolerable. But I get it, that's what people want. They're scrolling through and you're like, that's how it works. So I'm also a dinosaur man. It's like my daughters are 10 and they're already do flying through stuff. I mean, I don't know how to stop it.Michael Jamin:Do you know people, I mean, obviously back in the day when you'd go to auditions now everything's you submit. But back in the day, I'm sure you were going to audition and they're the same 10 actors that you would see trying out for the same part. Do you think they're doing the same thing that you're doing building of social media presence?Jamie Kaler:Well, I think you have to. Nowadays, honestly, I see that the social media presence, it is number one, you don't have to go learn how to act. You don't have to learn how to be a standup comic. You don't have to learn these skills and slowly build your way up the top. You do it because you're a personality. People are intrigued, not by people who are, they're intrigued by humans. It's a voyeuristic thing, I think, where people are like, you'll see somebody and they're just talking to camera. They're not even good speakers. There's something off. There's a crazy story. And maybe they've just been doing it for 15 straight years and built up a following and put some money behind it, put some ads, made sure they got some clicks. Maybe they bought a few followers, and you're like, but the craft, the art of what you do as a writer. I mean, is it slowly falling? But that's the problem nowadays with my kids, we just got the report cards and really good grades, but you can see on the standardized test, they're reading is starting to slip because kids don't read. It's too slow for them. Their brain is like, well, they just can't slow. People cannot slow down anymore. And it's Where does it goMichael Jamin:From here? I dunno, but I have to say that. So a lot of this is, I don't think this is coming from producers. I was on a show a few years ago, maybe let's say 10 years ago, and the studio or the network rather wanted us to cast a guy with a big social media following for this role. And I'm like, wait, really? Why? What about an act? Can we just get an actor? This Hollywood? Aren't there actors everywhere? And it's because networks are having a hard time marketing their show. And these people with followings, they can market their own show.Jamie Kaler:Kevin Hart. I mean, I remember something. They were like, well, you're going to post about the movie. And he's like, if you pay me, and they were like, why would we pay you? You're in the movie. He goes, yeah, you paid me for my acting services now you want me to be your publicist. If you want me to publicize this film, you will pay me for it because I accumulated these 50 million followers on my own. Why would I just give it to you?Michael Jamin:But here's where I'm curious about that though. I'm not sure if he doesn't post, I get his point, why should I do the marketing as well? But if he doesn't do the marketing, it'll hurt him for his next movie because it won't perform as well in the box office. You know what I'm saying?Jamie Kaler:Yes. It's a double-edged sword. But I also think he doesn't care.Michael Jamin:HeJamie Kaler:Doesn't care. He doesn't care because he has that following. He will, and they'll put it into the budget. I'm sure the agents and managers are like, all right, so this is his money that you're going to pay him. This is part of the marketing fee you're going to. And listen, I totally understand it. I'm sure I've lost parts because people have gone over to go, his following is not as big as this guy. At the end of the day, could a ton of other people played Polanski? Absolutely. Would they have huge followings? Yes, of course. So I feel lucky anytime I get a job to promote it, I feel like I'm qualified for that job. But I also know it's, you look back at the history of film and Philip Seymour Hoffman died, the five projects he had ready to go, they just replaced him.He's arguably one of the greatest actors of our generation. Nobody missed a beat. So are we all replaceable? Absolutely. Are we lucky to be in the business? Yeah. I mean, I would argue writers are more necessary because you're creating the project to start with. But as an actor, unless you're Daniel Day Lewis or somebody who's that crazy of a craft, then it's about chemistry, I think. Anyway. But you have to, those people are trying to get their films out, and so there's so much white noise on a daily basis that to cut through that, they're like, well, if this guy has 5 million followers and he puts up one post, what they don't see is that only 3% of those 5 million people even see. But thisMichael Jamin:Is where I think the studios and the networks have really screwed up royally, is that they haven't figured out a way to build their own brand. So my wife and I will watch a movie or a TV show, we'll get halfway through it and all the night, we'll say, let's watch the rest tomorrow. Almost all the time. I forget where I watched it, and now I have to search, was it on Netflix? Did I watch it on Amazon? Where did I watch this? Because there's no brand anymore without a brand. They can't market their shows. They have to rely on other me and you to market their shows. It puts us in the driver's seat, not them. This is like a major blunder on their parts, I feel.Jamie Kaler:It's not just them. I'd say standup clubs, back in the day, you did a bunch of shows. You finally put a tape together, you sent it to a club. The club had a following, the club had the following. And you knew if you went to that club, you were going to see Richard, Jenny, Brian Regan, Jerry Seinfeld, you knew these guys. Whatever show you went to, you were going to be surprised, but you'd be like, man, those guys are really funny. Nowadays, the club is literally a rental space that you bring the following to. That's why they book influencers who have millions of followers, and then they get on stage. And I guess some are good and some maybe don't have, it's a different skill levelMichael Jamin:When you go, do you still perform comedy standJamie Kaler:Up? I do. I used to tour a ton before the kids, and I was on the road all the time. And then once the kids were born, I didn't really want to do that as much. So now I stay home. So I kind of cherry pick gigs to go out for. And the road's a lot different, I feel like, than it used to be.Michael Jamin:So do you feel the quality of the standups, they're not quite as good anymore? Some people are, would you sound like old men? Which one is it?Jamie Kaler:Absolutely. And I say that all the time. I'm a dinosaur. But I will say that maybe the skill nowadays is not being a standup comic, but being a social media manipulator. And I mean that it's always been the skill. People used to hire publicists even back then, and I never did. And they'd be in People Magazine and I'd be like, what's the point of all that? And then as I got older, I was like, oh, fame allows you to do the jobs you want to do. That's really the trick. But I mean, to be Tom Cruise, I never wanted that because that dude can't leave his house. He can't just go to the supermarket, can't go to a park. I never wanted that. But that makes him and DiCaprio, those are the guys that are Johnny Greenlight. They get the first choice of scripts. And so they are allowed to do these amazing jobs that because how many people do you think nowadays can sell a picture?Michael Jamin:Oh, yeah. I mean, that's the whole thing. Or can open, I don't know. Do you think it's more or less, I guess I would imagine it's probably less now. I mean, because celebrities changed. What do you think?Jamie Kaler:I think the era of the movie Star is over. IMichael Jamin:Think Tom CruiseJamie Kaler:And Brad Pitt and DiCaprio, are they going to be the end of, and Damon are going to be the end of it? I mean, no. You see one of her on Netflix and it's like a TikTok, Charlie Delio. I haven't seen it. Maybe she's a wonderful actress. I don't know. But you go up through that ranks and all of a sudden you have 12 million followers or whatever, and then you could sell, I mean, it's Kardashian really was, we all gave her grief, but in retrospect, they were the smartest people in the room. They saw it coming to their credit and made a gillion dollars off of it, whether that's what you want to do with your life. But my kids kids want to start a YouTube page and a TikTok, and I'm like, she's 10. She's 10 years old. That'sMichael Jamin:Too soon.Jamie Kaler:Yeah. I mean, can everyone on earth just be, can we keep an economy running if everyone's just an influencer? I don't know.Michael Jamin:Well, there's the big question, right? If everyone's trying to, yeah, IJamie Kaler:Mean, look at what you're doing. You wrote a book, you sat down, probably took quite a while. It's a very good book. Thank you. I've read it and it's like, but the point is, almost everybody's wrote in a book now, and everybody's a standup comic and everyone's a performer. And back when I did it, it was like people were like, oh my God, you do standup. I'm would never do that. I'm terrified now. I'll be it like a supermarket. And some woman's like, some grandma's like, oh, I do stand up every Tuesday night at retirement home. And you're like, it'sMichael Jamin:Not. But I also feel like you're reinventing yourself, though. I mean, that's got to be exciting and interesting. No, orJamie Kaler:Of course it is. Of course it is. I do listen. I love doing it. And everyone else, it's a love hate relationship because I'll think of something immediately, I'll put together a little funny bit that I, it's like a standup bit or something, and then I'll be able to share it with all my fans and they will respond accordingly. And you're like, oh yeah, this actually is a pretty good, I just also think we're the learning curve. We're the first generation to go through all this.Michael Jamin:Wait, let me tell you how I hoard myself out this morning. So I wondered, because I'm posting a lot to promote my book. I'm doing a lot of lives, and I'm like, I see other people do lives, and I'm not sure what that magic is. They're cooking eggs or whatever. Are we watching this person cooking eggs? Is this right? So I'm like, all right. I told my wife, today's pushup day. So I'm like, all right, I guess maybe I'll just do pushups and people will that work. And I did pushups on live and I don't know, 20 people watched. And I was like, I felt kind of stupid about the whole thing, but people were watching, I don't know, is this what I got to do now,Jamie Kaler:Pushups, I fear it is. If that's what you want to do for a living, I think this is, if you want to be in this business, I think that's the necessity of it. To be honest, I'm not sure I would've ever signed up for this if I knew, although when I was younger, I probably would've like, Ugh, I would've been Truman shown the wholeMichael Jamin:Thing, right? But you wouldn't.Jamie Kaler:I do wonder, my kids, I think they were at their friend's house or something, and they Googled me. They told me, and they're getting to that age, and I'm like, uhoh, what did you watch? And they watched some crazy video I did where I said something stupid or whatever. And I don't know if every moment of our lives is supposed to be captured. I don't know what the answer is. I have such a love hate certain days. I wake up and I go, even this morning I was telling you I was writing a bit about something or other. And then another day I'll wake up and I go, I don't want to do any of it. I just want to go golf. And that was the beauty. I became an actor because it was the easiest thing. I worked hard to become a good actor. I took classes, worked on my craft, but I wasn't, I wasn't on 24 7 trying,Michael Jamin:Tell me if you feel this way, because if I don't, I try to post almost every day. And if I take one or two days off, that turns into three or four. You know what I'm saying? It gets easy not to do it.Jamie Kaler:Of course, of course. But do you feel guilty after those two or three days? Do you have any guilt or do you actually go, oh, what am I doing? This feels great.Michael Jamin:Yeah, it is mixed like you're saying, but a lot of it is like, this is my job. This is how you get a book out there. This is how you can, I work so hard not to work. You know what I'm saying?Jamie Kaler:I'm working harder now than I ever did when all those credits were being made. Yeah,I would bust my ass. I would get ready. And also acting is about physicality. I would make sure I was in shape. I'd work out, I'd do all this stuff, and then I would go either do an audition and then there'd be downtime, and you'd be like, all right. All right. And then you'd kind of ramp it up again. Now it's like just constant blinders on of, and then the problem also I see is the follow-up. When you performed on stage, you either got to laugh right then and there, and you moved on. But now my wife, we have long conversations on Instagram as well.Michael Jamin:What does she do? What does she do on Instagram? What does she, I don't even know what does, sheJamie Kaler:Works in the pharmaceutical industry.Michael Jamin:So why is she, oh, I think you told me. Why is she on Instagram? Oh, does she post on Instagram?Jamie Kaler:She posts, but she has her own page, and then so she's very specific about it. She'll edit and quiz me and I go, do you want to hear my, I don't care. Nobody cares. Just post it. But it's like, well, what do you think this picture or this? I go, nobody cares. What song do you think this song? Is this song saying too much about me? Or should I feel like maybe I should use it? Should it just be instrumental? I go, okay, I don't care. The trick is to post and walk away. And then people will, for the rest of the day, scroll, because it's the dopamine of like, oh, so-and-So ooh, did you know? So-and-So just like that post I put up this morning, I don't know where this ends, but I find that some days if I just do something physical where I'm digging in the garden in the backyard, it's the greatest three hours of my life where I'm like, I didn't think about anything. I don't know. I don't know where it ends, but yeah. But we're also too, get off my lawn old guys who are like, why? You might have kids,Michael Jamin:But how much time do you think you put on social media every day, either way that you're working on or thinking of working on it or whatever?Jamie Kaler:Well, so I wasn't really, I never cared. I never cared. It was just recently that I've started to make an effort during the pandemic kind of destroyed me. I stayed with two kids. I had a kindergartner and a second grader, and my wife was working 12 hours a day. We have an office in the house where she was gone. Oh, wow. We didn't see her for 12 hours a, and I think part of it, she was hiding because it was the pandemic. We also having construction done on the house, it was arguably the worst time in my life. So I was trying to maintain the kids. So I printed out schedules. I made them put their school uniforms on. I took two desks. I set them up on opposite ends of the house. They were doing it on Zoom, but one's in kindergarten and one's on second grade.So they weren't old enough to really go. I got it at nine 40. They'd be released for recess. I'd have to get them snacks at 1130. It was lunch at two 50. School ended, and then we were trying to maintain sanity. So I started this kind of parental mental health zoom at night. And obviously we were drinking extensively pandemic mental health, but drinking, it was mental health, and we were sipping hardcore and sharing horrible stories. And so it grew into this. I started this thing called the Dad Lands, and it just grew. It was just Zoom. It wasn't even a podcast or anything. And that kind of caught on. I mean, there were guys, I was like, dude, don't kill yourself. We're going to get through this thing guys. Were hanging on by a thread. And we made ourselves all feel better because we were seeing that everyone else was going through this nightmare.And that eventually grew into the Parents Lounge podcast with my other buddy who was in it. He was doing Dad Apocalypse. I was doing Dad Lands. We started a podcast. I'm not a promoter, so I really love doing the podcast. We were doing it live. You've come and done it. The parents lounge, it's super fun. It's a parental mental health night. I've kind of laid off the sauce since then, and all of a sudden it kind of grew into this thing, but we never marketed it. We would just throw it out there and then the other dude would put it up on iTunes, but we wouldn't even put a post of like, Hey, Dave Ners on this Monday. Nothing. Just threw it in the ocean, because I don't want to be a marketer. I didn't move to Hollywood to be a publicist. It's not what I do.So finally, we're at the crap or get off the pot phase of look, we have a pretty good following, considering we haven't put one ounce of work into the promotional part of it. And so finally, everyone's like, look, dude, you either have to become a promoter or you are wasting your time. You need to monetize. We could do some live gigs here and there, but all of a sudden ruffle came in, Justin ruffle was our partner in this thing. And all of a sudden everyone's like, all right, so I committed. I'm committing to trying like you with a book where I feel like we have a really great product. How do we get people to see it? And you're like, this is the way to do it. So we went out and I enjoy stuff like this where we have conversations and we get in depth on stuff. But as far as just constantly putting up a story with a link to the podcast to do this and stuff, well,Michael Jamin:That you can outsource, that's easy. We'reJamie Kaler:Outsourcing it. And so we finally started outsourcing it, and I hadn't outsourced it at all, but it's like I equate it to the Gold Rush. It's like the people who really got rich during the Gold Rush where Levi Strauss and Woolworth and the guys who sold the Pickaxes. So at some point, I should become the outsource guy or something. But yeah.Michael Jamin:Do you see, okay, what are your aspirations with the show? What would you like it to become, if anything?Jamie Kaler:So I love doing the show. I would love a strong following where we've kind of branched off to do other stuff. But honestly, live shows. We have done a few and we're starting to book more. And then to monetize it to a degree, once you start putting all the work into it, you're like, well, maybe we should at least see something. But theMichael Jamin:Live show, you have to produce, you got to bring in equipment mics, you've got to mix it. No, justJamie Kaler:Literally as comics, we show up. I can't tell you the last time I soundcheck, ohMichael Jamin:Wait, wait,Jamie Kaler:We're doing the podcast live. You're talking about, but we do it as here's the beauty of what we do. We're already standups. That was a headline in comic touring the country. I did Montreal Comedy Festival. I've been on late night tv. So for me, that's the easy part. When I used to do standup, it was never about the show. It was more I would peek out and go, is anybody here? And the smartest guys on earth were s, Agora Rogan, Cher Joe, coy, who not only were great comics, but they were also really good at marketing themselves. And so those guys were doing mailing lists for 30 years and building, and I wasn't. I would go sets went great, crush it, and then go have a couple cocktails at the bar. I didn't have kids either. I didn't really care about trying to blow it up. So it was never about the show. It was about getting eyes on it. And I feel like that's where we're at now. We have such a strong, every time we go do it, we crush live. And the question is, how do we get other parents and people to go? This would be a great show to come to. That's really the marketing part of it.Michael Jamin:The tour as Right? Is it all, so it's improv or is it scripted, or what is theJamie Kaler:Show? We have acts, I have two albums on iTunes.Michael Jamin:Oh, okay. So it's a comedy show show.Jamie Kaler:It's a standup comedy show that the Skis is a podcast, really. And we would bring our guests with us, maybe we talked about having Lemi and Heffernan come out and do the podcast live with those guys, but it would be billed as the parents lounge live with these special guests. But it's really a standup show for the audience with under the guise of a podcast. And we have bits and we would do improvisational stuff set up and questions with the audience, for the guests and for everybody else. But we just did, and we did it in Sara, Pennsylvania in the fall. And it was like two hours of just, I'm not even sure I touched that much of my material. We were, we were riffing hard, but we always had the material to step back on. It's like that's my favorite is you have these tracks, but you get off the tracks, you fool around. And if all of a sudden it starts to lag a little bit, you go, all right, here's some bits and then bring 'em back in.Michael Jamin:You are listening to What the Hell is Michael Jamin talking about? Today's episode is brought to you by my new book, A Paper Orchestra, A collection of True Stories. John Mayer says, it's fantastic. It's multi timal. It runs all levels of the pyramid at the same time. His knockout punches are stinging, sincerity. And Kirks Review says, those who appreciate the power of simple stories to tell us about human nature or who are bewitched by a storyteller who has mastered his craft, will find a delightful collection of vignettes, a lovely anthology that strikes a perfect balance between humor and poignancy. So my podcast is not advertiser supported. I'm not running ads here. So if you'd like to support me or the podcast, come check out my book, go get an ebook or a paperback, or if you really want to treat yourself, check out the audio book. Go to michael jamin.com/book. And now back to our show.I mean, I don't know. I see people doing it online. I'd be doing exactly what you're saying. They take their podcast on the road and somehow, how do you think they're selling tickets though?Jamie Kaler:Because their followings are so strong that people, a lot of times also, I see these shows, and to me, the shows, I go, there's no show here. It's just this guy showed up. It's basically a two hour meet and greet. But honestly, that's what some people love. They don't even care. They just want to be in the same room. The guy will tell a couple stories, they'll play some bits on, they'll play bits on a screen and make it a show and they'll record the podcast live. But people are so enthralled by people chatting, I really missed my window. It really was my strong suit back in the day of just riffing and going along with stuff and being in the moment and chatting. But podcasts wasn't happening. And at the time when podcasts started, I was like, are we going back to radio? Why would people listen to podcasts? I was shocked. And yet offMichael Jamin:They were. But your brand is, you're trying to aim it towards parents or men dads, is that right?Jamie Kaler:Well, it's all parents and no, we've toured with moms. We usually take out moms. We've had Tammy Pesca, Kira svi on the show, Betsy Stover. We just had Nicole Birch. I mean, I think you need a mom's point of view. So when we do live shows, we typically bring out a mom as well with us.Michael Jamin:But you're talking, but is the focus basically on kids and parenting?Jamie Kaler:It is to a degree. But I also, sometimes we'll watch some of those shows and it's like sometimes parents don't want to talk about kids, so we kind of go where we go, and it's about life. The whole thing was trying to get people to understand that you see Instagram and you think your life. You're like, why isn't my life like that? The point of our podcast is really to go, nobody's life like that, dude. I mean, when's the last time you met someone who just was not absolutely full of shit? Have you met anybody who's not just full of shit? Anyone? Well,Michael Jamin:The thing is, especially in Hollywood, a lot of people were trying to hype themselves up. And I discovered early on, this is 30 years ago, that was the people who were talking most about their career really had nothing going on. And the people who didn't talk about it, they didn't talk about specifically, they didn't want people to hit 'em up for a job.Jamie Kaler:Know what I'm saying? And I said that exact 0.2 days ago, I was talking to Lori Kmar and she was just saying the same when I got here, if you were the one who were like, look at me, look at me. People were like, that guy's a loser.It was almost, and then all of a sudden, humble, I blame it on humble brag, humble brag. Do you remember hashtag Humble brag? That was the first one where people, it's really just a brag. You see humble, but you're really just bragging. But back in the day, I remember doing Friends and Will and Grace, and it was big. It was big. And I really didn't tell anybody. People would come in and talk to me and go, dude, were you weren't friends last night. And I was like, I was. And they go, why wouldn't you tell us? And I go, it seems dirty. I felt dirty bragging about what I was doing. But nowadays, if you're not constantly brag, brag, brag, brag, brag. People are like, well, I guess he doesn't have anything to promote.Michael Jamin:Yeah, I remember even just people, I'm in the business, they'll say, so humble to accept this. I'm so humbled to accept this award, whatever, where they might've been in sales or whatever. It's like, but you're using the word humbled wrong. That's not what humbled humble means. You're literally bragging.Jamie Kaler:I feel that way every time when I'm acting and the director goes and cut, that was perfect. We're going to do it again. And I go, you're using the word perfect improperly. Perfect means there's nothing better. I think that's exactly the meaning of perfect. And you're not using it correctly. I knowMichael Jamin:One of the things that I always get, this is my pet peeve about being a writer. You'll turn in a draft of a pilot you've been working on for months, and you just turn it in and then they'll say, great. We're setting up a notes call for Wednesday. Isn't it possible you love it? You know, don't like it? You already know there's something you want change. It's likeJamie Kaler:You didn't even read the title and you're like, I have notes.Michael Jamin:I have notes. Of course you do.Jamie Kaler:Well, listen, if they didn't have notes, they wouldn't have a job. And so I think they're like, well, I mean, we have to find something wrong with this thing. They would get the screenplay for the sting and go, I mean, does the guy have to have a limp? I don't get the Robert Shaw limp. It's like, dude, can you just go, this is pretty great. And also you're not a writer. It's not what you do.Michael Jamin:It's hard to, now you're killing me.Jamie Kaler:I did a show one time, I won't say the name of the show, but I did a show. It didn't go anywhere, but my character is a car salesman. I see these two guys come into the showroom and I want to sell them a car, and I think they're gay, so I pretend to be gay. This is of course, back in the time when I guess you could do that without being canceled. So I act gay to them to get them to buy the car, and we're going to be friends and stuff. And at the end of the episode, my character then kisses a woman who's another salesperson as the reveal. He's not gay. He was doing it to do that, whatever. So all week, all week, the studio execs keep coming over and they go, dude, you got to gay it up. You got to amp it up. We are not getting the joke. You have to play this extremely gay. And then they would walk away and the showrunner would walk over and go, dude, I want you to play it dead straight. I don't want you to play gay whatsoever. So after every take two people kept coming over, giving me completely opposite notes, and I didn't know who.Michael Jamin:Wait, I a little, go ahead, finish your story because I want toJamie Kaler:Jump on it. So I'm in the middle. I'm doing it. I'm not pleasing either of them, right? I'm right in the middle of guess, maybe a little after. I don't know. And I have played gay characters numerous times in tv, and usually I don't do anything. It doesn't have to be that way. And so I would play it dead straight. And so the show goes, it's a train wreck of a week. I'm just getting eviscerated on both sides of like, I'm not pleasing anybody because I'm trying to ride the line in the middle of between these 2 180 degree notes, whatever. It's a train wreck. We finished the shoot, I'm miserable. I run into the showrunner maybe three months later and he tells me, oh, he goes, Hey, just so you know, when you do watch it, we were running long for time. So we cut the tag.I go, you mean the reveal where I kissed the woman? He goes, yeah, we ran out of time and we cut it. I go, then everything I did up to that moment has no justification whatsoever. I goes, this is the craziest thing. He goes, I know. He goes, what are you going to do? It's tv. I go, all right, whatever. And I moved on and I was like, couldn't care less. But you're like, again, art, you wrote something. Your brain had this beautiful story you wanted to unfold. And then commerce and everybody has to prove that they're part of the mix and they can't be hands on.Michael Jamin:I'm very surprised that you got notes directly from a studio executive. That's inappropriate. They're supposed to go through the director. IJamie Kaler:Thought the exact same thing. And people, it's not how it worked. They came right up to me. Oh, I've had that many times. I've had studio people talk to me all the time. Yeah, well, also, I wasn't a star. I was a guest.Michael Jamin:Yeah, but still you're not, first of all, the DGA can file a grievance over that if they were to complain the DGA, I think that's part of the thing. But here's how I would've, if I were you, this is what I would've done. I would've done one take over the top and one place straight. Okay, I'm going to do two different takes, two different. And you decide later which one you want to use.Jamie Kaler:I think I did do that to some degree. I don't think I said it out loud about you have fun and edit, and also you as a guest star. It's the greatest job, but it's also the worst job. It is. These people have been locked and loaded. I did friends the week I did it, they were on the cover of Rolling Stone. They'd been burned in the press when they spoke. They weren't outwardly mean to me, but they also weren't like, Hey, welcome to the, they spoke to each other in hushed tones away from, and I didn't blame them. They couldn't go to a supermarket. They were just famous beyond belief. But the set was tense, super tense because a lot riding, not a lot of money on this thing. The shoot was eight hours long after four, they got rid of the first audience, brought a whole nother audience in, and you start to watch the sausage get made and you're like, this is supposed to be fun and comedy, but sometimes these things are super tense.Michael Jamin:Yeah, yeah. So interesting. Do you have any experiences that were great sets that you love working on?Jamie Kaler:So many and listen, even that set the cast was great and friends was great. It was here was the greatest thing about doing friends, or even honestly Will and Grace. I watched Will and Grace, I watched the four of them. Dude, they were a machine combined with the writing staff and Jim Burrows directing. It was like a masterclass, the four of them. And they would rewrite on the fly, they'd do one take and almost rewrite the entire scene. And then you would, they'd go, Jamie, here's your new lines. And I did six episodes over the years and each time I went back it was like, you better bring your A game. Because they would change the whole scene. And they go, so you enter here now you say this and then he's going to say this and you're going to go and you're playing spinning at the four of them. Man, they were honestly maybe the best cast I've ever seen. Really. It was like a Marks Brothers. They just were so perfect in their timing. It was pretty impressive.Michael Jamin:I had Max Nik on my podcast a few weeks ago talking the showrunner. The funny thing is I was touring colleges with my daughter years ago, not that long ago, whatever. We were touring Emerson. And the tour guy goes, oh, and this is the Max Munic building. He goes, anyone know who he is? I'm like, max gave you a building. Yeah. Does anyone know who he is?Jamie Kaler:They were both great. And again, I was overwhelmed because I was so new. And my very first one, gene Wilder, played the boss. I'm the dick in Will's law firm, and I had only done a sitcom or two. And then I got Will and Grace out of nowhere on a crazy afternoon. It was supposed to be another big name guy. And he fell out at the last second. And I got cast and was shooting in the morning and I was terrified. And then I show up in Gene Wilders playing my boss, and I had to do a scene with Willy Wonka. I was like,Michael Jamin:No kidding.Jamie Kaler:By the way, I didn't start acting until I was 30. I was a Navy lieutenant.Michael Jamin:Oh,Jamie Kaler:Really? I was the US Navy. Yeah. That's why I played cops a lot. I was a Navy lieutenant. I got out at like 28. I hung around San Diego. Bartended had fun.Michael Jamin:Why did you get it so early? I think you're supposed to stay in forever and get a great pension.Jamie Kaler:Oh my God. It's like I'm talking to my father. My father banged me. I still have the letters. He and I wrote back and forth where I told him I was getting out and he was so pissedMichael Jamin:BecauseJamie Kaler:He was a pilot. My dad flew in World War ii, my brother was an admiral, and I got out to become an actor, and my father was just furious.Michael Jamin:Whatcha doing? You can one time.Jamie Kaler:Then I booked Jag. One of my first TV shows was, well actually my first show was Renegade with Lorenzo Alamas and Bobby Six Killer though, whatever his name is.Michael Jamin:I know I'm jumping around, but did you know Kevin and Steve before you got booked on? Yes. Yes you did. From whatJamie Kaler:I had done, we bumped into each other once a couple times doing standup. I was doing Thema or something, and then I forget how it's all blurry. I did their podcast, chewing it, and then just kind of hit it off with them. And then they came and did mine. And you talk about sets My boys was my greatest four years of my life. It was just, I met my wife, I bought a house. I was on a billboard on Times Square. We traveled the world. We shot on Wrigley Field in Chicago. I mean, it was glorious. Because of that, I started a headline clubs. It was just this like, oh, here we go. And it wasn't until Tacoma FD where I was on a set where, oh, people came early, people stayed late. You were almost going. It was like it brought you back. A kid being going to theater camp, going, well, here, I'm making a show. But again, as you know, it goes by the eps and number one on the call sheet and that dictates the tenor of the show tone. And they wereMichael Jamin:Both the same. Yeah,Jamie Kaler:Yeah. And those guys, that sets a family, literally everybody. And that's why you also have to be really careful. You can't say anything because everybody's related to everybody and they're all friends. And then Soder came and played Wolf Boykins. And I will tell you, I was super, I love those guys. But there's also a little jealousy of, I've always been a team sport guy. I love Sketch probably more than I like standup because there was something about being on stage with other humans and this chemistry. And then you would get off stage and you're like, can you believe how great that just went? There was this, when you would do standup, it's just you. And when you walk off stage, if you bomb or you crush, you own it. But when you are with a group, I love the group dynamics. Interesting to those guys credit the whole broken lizard.I wish I had the state. I'm jealous of those guys a little bit. Kids in the hall, when I first got out, I had an improv group in San Diego and we ended up doing, we got on the front page. I had been out of the Navy like a year. It was in this crazy improv troop, had no idea what I was doing. And there was three other dudes in it. And the comedy club, the improv, started to hire us to be the feature act. And we would get up. We had no mic, so we'd kind of eat it and then the headliner would come out and go, what the blank was that jackasses? And then do his standup act. But I always wanted that group. You have a comedy partner, you write, you partner. I like that more than the solitary thing. And honestly, to go back to the podcast really quickly, the parents lounge, we didn't have a team.We had no team. And so it wasn't until I brought Phil Hudson and Kevin Lewandowski and then Justin Ruppel and his guy Taylor. And all of a sudden I had a group of people behind me who were like, Hey man, this is a really great product. Let's go. So I guess I'm just a team guy. And when I got to that set at Tacoma fd, I'm so sad it's gone because I just, that and my boys are probably the two highlights of my career, really, personally of joy, of going to work, not feeling pressure like Man Will and Grace. It was fun. It was invigorating, it was exciting, scary. It's a little scary, man. You're like a lot of money. There's a huge audience. There's superstars who are making a million dollars a week. I'd leave the table read and go, that dude just walked with 200 k Monday.Thank you. Monday, 200 K what it must be, same on basketball teams where it's like LeBron James and then that dude from Australia. There's a dynamic there where you're like, yeah, you're not flying home in a jet, my friend. I am. It was weird. So Tacoma fd, those guys never once ever made you feel bad about trying stuff, doing a take where you just explore and you could be funny and you let it rip. I equate it back to Seinfeld. I don't know what it was like on the set, but Seinfeld was one of the few shows where they let the guest stars actually get sometimes bigger laughs than the main cast, which I always find in shows to be the true genius of a show where everyone's there, it's a play. Let it rip. I've been on shows where they, I'll blow it up. I was on the seventies show and I had a couple scenes, and I played this goofy guy with a wig on or whatever, and crushed. I mean, I was a nerd. I was a comic book nerd. Huge laughs. And they took me aside and were like, Hey man, just so you know, you will never get a bigger laugh than the main cast,So you might want to tone it down or we're going to be here all day shooting. And I go, really? And they go, I thought they were joking. And they were like, nah. Yeah. Wow. I probably shouldn't say I'm the worst too. I'll burn myself to say stuff. Well, it's interesting. This business is crazy, man. And you sit there and you think we're just making comedy, but people are,Michael Jamin:Yeah, some people are like that.Jamie Kaler:Yeah. People get their feelings hurt. Those little memos where it's like, don't look so and so in the eye. And you think they're joking. They're not joking.Michael Jamin:You've gotten those memos.Jamie Kaler:I haven't personally. Well, I worked on some big movies where it was like, but I also am not the crazy person who walks up to Christian Bale on Vice and goes, Hey man, dark Knight. Huh? You crushedMichael Jamin:It.Jamie Kaler:I sat next to Christian Bale for a day shooting and he was Dick Cheney unrecognizable. By theMichael Jamin:Way, this guy might be theJamie Kaler:Greatest actor who's ever lived. And he leaned over and he was so nice. Everyone was super kind, but he was nice to meet you. And he talked like Dick Cheney. He goes, nice to meet you. I'm Christian. I go, it's nice to meet you too. But I'm kind of laid back and I try not to, but other people will walk up to Bruce Willis on a set some extra and be like, Hey man, can you read my screenplay? And you're like, dude, read the room. What are you doing?Michael Jamin:What are you doing? What are you doing? PeopleJamie Kaler:Are crazy. That's the problem. And crazy people are drawn to this business. So yeah, I mean, if I was Tom Cruise, I might be the guy who look, just keep everyone away from me. I'm trying to get my job done here.Michael Jamin:Well, you know what though? I mean, I was working in Paramount doing a show and they were shooting, I guess some scenes from Mission Impossible. And he had his trailer, Tom Cruise had his trailer, a giant trailer, and then he had a whole tunnel that he would walk through from his trailer to go to the sound stage because he didn't want people in on the lot looking at him when he walked to the set or bothering him, I don't know. Which I thought was very strange. I was like, but we're all even on Paramount in the business. I guess were bothering would harass him. I'm like, Jesus, this is supposed to be a set studioJamie Kaler:People. And it's even worse now. You go to a broad, remember when people dressed up to go to Vegas? I remember going to Vegas in the eighties and nineties and we brought a sport coat right now it's like cargo shorts, flip flops and beer hat or something. And you're like, there's just no decorum anymore. And people are so, and they're trained by their videos that they can yell and do whatever they want. People go to Broadway shows and just yell out and you're like, what are you doing, man? It's a plane. WhatchaMichael Jamin:Yeah? What are you doing? PeopleJamie Kaler:Are horrible. I know when people, I always laugh when people are like, no, I think deep down people are good. Some, I would argue a good hunk not no have no manners.Michael Jamin:That's probably a remnant from social media where they feel like they can just comment and be mean because they're anonymous, I guess.Jamie Kaler:Well, I think the good thing about social media is that everyone can have their opinion heard. But the worst thing about social media is that everyone can have their opinion heard. Yeah.Michael Jamin:Yeah.Jamie Kaler:I love when people like they're uneducated. They've never left their small town America. And they're like, no, no, I am 100% certain this is a fact. And you're like,Michael Jamin:Yeah,Jamie Kaler:When's the last time anyone has said you've raised some really strong points. I'm going to rethink my position.Michael Jamin:When you do see that, it always stands out to me. It's like, wow, look at you and humble. It does stand out. We'll doJamie Kaler:That. Listen, we're all guilty of it. Even just recently, my wife said something to me, I can't remember exactly what it was, and I think your spouse is the one who can really cut you to the bone. And she said something and I was like, what do you know? And then later I thought about it and I was like, no, she's right. I have been, oh, here's what she said. Here's what she said, something about a post I had. And she said, you just come off angry. And I said, no, no. I'm a comic. I'm pretending to be angry. And I think I went back and I watched the Post and it reminded me back to early on at Acme Comedy Theater, I had this sketch where I was with woman and we were on a date, and it was very Jerry Lewis props humor where I kept getting hurt.I kept getting hurt. The window smashes in my hand, it ends by me lighting a candle and I actually lit my arm on fire and then would roll it out as the lights came down or whatever, and it crushed. It did so well. And one night it just absolutely bombed, just bombed. And I kept pushing harder and harder and it was bombing, and I got off stage and I talked to the director and I was like, dude, terrible audience. Tonight goes, no, no. He goes, your problem was you didn't play frustrated, you played and it didn't work. And I go, what a specific note. And I've always thought about that because me personally with my angular features, you have to go with what you look like as well. And if I play frustrated, I'm super funny, but if I play angry, I come off angry. And so she was right and I had to go. I think maybe in life everybody needs a director because you forget. It's really hard to self-direct yourself because you get lost in these megaphones of your own things that you're like, no, no, I'm on track. This is going great. Instead of going, I wonder how the outside world perceives me.Michael Jamin:That's exactly right. Yeah. When I recorded the audio book for my book, I needed to be directed. Even though I direct, I don't know how I'm coming off. Yeah, I mean that's actually probably the most profound thing I've heard today. Well, the day just started, but everyone needs to have a director.Jamie Kaler:Yeah, it is kind of crazy. Yeah, it's weird because we also get caught up in our own, listen, I will say the world is, and I know I'm an older cat and I look back at simpler time. I don't want to be that guy. I was like, it was easier, but it was easier. I equate it to even crosswalks lately when you were younger, if you were going to take that right turn and the dude was crossing the crosswalk, everyone would make eye contact and they'd hold their hand up and then they might even jog a couple steps to go like, no, no, we're in this together. We're a team. No. And nowadays I go, dude, are you trying to get hit by a car? You didn't even look up? Didn't even look up deliberately, and it feels like you're slowing your walk down. It's so odd what's happening. But I do think, listen, back in the day, people used to, if you were in front of somebody's house and you were waiting for them, you'd pull your car over and slide it up, maybe a few cars up. Now they just put it right in the middle of the street, hit their hazard lights and just wait. And you'll be behind them and they go, I don't care. I don't even know why they sell cars with rear view mirrors. They should just get rid of it. No one's looking behind them. Nobody cares about anybodyMichael Jamin:Else. That's so interesting. Yeah, I mean, you're right about that lot people crossing the, I always think that, boy, you really are trusting of me. You really trust me not to hit you with my car. Jesus. Isn't thatJamie Kaler:Crazy?Michael Jamin:Yeah, sure you get a payday, but I might kill you.Jamie Kaler:I think it was safer back then too because you knew, listen back in those days, you knew to be off the road between 10:00 PM and 2:00 AM when everyone was drunk. Right. You knew it and everyone was like, oh, drunk driving was terrible. Nowadays, 10:00 AM yesterday morning the dude next to me getting high on his phone, so now it's like twenty four seven. That's why I can't believe people, I never crossed the street without making eye contact and going, dude, are you on your phone or are you going to hit me?Michael Jamin:Yeah, you got to look for yourself.Jamie Kaler:Exactly. But again, I'm old, so what do I know? It is weird trying to teach my kids and I mean, we've talked because your kid's a little older, but trying to impart knowledge of the world to them to be aware of their surroundings. I always say they're probably years from now, they'll go, like my father always said, read the court. You got to have full court vision. I see it in cars. My wife will be behind one car and I'll go, you can't see that three cars up. That dude stopped. You are changing lanes. I'm looking five cars ahead.Michael Jamin:ButJamie Kaler:People nowadays, it's just this one little, they just keep their heads down and you're like, pick your head up, man. But people don't.Michael Jamin:Yeah, be careful. I need to know. So I want to know business right now I'm jumping around, but business is still slow for you in terms of acting gigs because from what I see, they're not shooting a lot. Is that what you were seeing?Jamie Kaler:That is true, and I've had a handful of amazing auditions lately. Oh, you have? Okay. So yeah, a ton. Not a ton, but here's the dilemma is they're all self-tapes, right? And I'm pretty good at self-tapes. You can see there's the lights behind me. There's a curtain right above me that comes down, and then I shoot it that way and they're pretty great. And I'm again about trying to be directed. I've asked my agents and my managers and been like, Hey, am I self taping these? Right? And they're like, dude, your self tapes are solid, but even there's no feedback. And I do think back in the day, I got a lot of jobs because I was great in the room. I was probably better in the room than I was as an actor. You could take it. I would get hired because a lot of acting is chemistry, and you want to see that the person you're working with is going to be cool and able to hang and alsoMichael Jamin:Take a note. Can you take a note?Jamie Kaler:It's so funny you say that, dude. So lately I was, for a while I was just putting the one take on where I was like, this is how I see this part. But this one I had the other day, it was so good, dude. It was handsome. Adjacent was the breakdown, which I was like, all right, because I've always been, I'm lumberjack good looks. I'm like, I know I've walked into rooms, I've seen Brad Pitt in a room, and I've been like, yeah, that's beautiful. I'm a little al dente. That guy is so gorgeous. I'm on the cover of a paper towel roll. I get it. I know. I'm Portland. I'm Portland. I'm a Portland 10. Portland. I'm a Portland nine maybe. So it's handsome adjacent, early fifties jerk cop. I go, dude, this should be offer only. Why am I reading for this?Michael Jamin:Right?Jamie Kaler:So I did the first take. I submitted one where I was like, more Tacoma fd, I was. I go, well, maybe that's why I got in here. They know me from that. And then I was going to just submit that one and I said, you know what? Because you can't go in a room, dude, the casting directors are so good that I've had the pleasure to work with Wendy O'Brien who did that one is one of my faves. She'll give you notes that will kind of give you a nuanced performance where you're going, oh, I see the change. Yes, yes, yes, yes. Because hard. And so I did a totally separate take. I had a friend over here and I did another take that was so the opposite extreme of he wasn't big at all. He was very underplayed in tone. And when I sent them in, my agent said, he goes really great that you did two separate takes.And I said to him, it's a new show. I've never seen it. I don't know what the tone is. There's no direction. You're literally reading this hoping that your take jives with the guys who are going to hopefully see this tape or not. I don't know. And I also submitted it. The audition came out on Monday. It was due Thursday. I memorized it submitted on Tuesday. The other thing they tell you, they go early, bird gets the worms. So the business has changed so much. You're working really hard to pump these things out, but you're like, is anyone seeing any of it? It would be nice if somebody once just called and was like, Hey man, you're not getting it, but I got to tell you, you did a really good job, man. You what you get in a room or if sometimes you don't, sometimes. Yeah.Michael Jamin:So interesting. The life of an actor. So what is left for you as you wrap up, what is left for you today? What does your day look like today, an average day for you?Jamie Kaler:So we are relaunching the podcast. We have an advertiser that's just come on board. We are currently on Buzzsprout, but we're going to jump to megaphone and we're actually, we're still doing the live ones on Tuesday nights 7:00 PM Pacific Time. It's on right now. It's everywhere. Facebook, Instagram, Twitch, YouTube, it goes out live. We're going to slowly bring that back in and we are jumping to Patreon. So come find us. The parents lounge on Patreon, and then we are, so we're doing all the marketing right now, and then I'm still working with the same guys you work with who have been eyeopening. It's like a master's class in this business of social media about getting people on. Because again, I feel like we have a really solid product that people not onl

Those of us who have enjoyed a life in aviation need to face a simple truth; that all the safety knowledge in the world is useless if we don't successfully pass it down. Our guest today is J Heffernan. J is a lifelong aviator with a wide variety of experience, from flying in presidential unit HMX-1, to working in safety roles at HAI, Sikorsky, and Air Evac Lifeteam. Since 2018, he's helped run Helicopter Safety Alliance, an organization devoted to bringing SMS knowledge to small operators. In this conversation, I'll speak with J about the lessons he's learned through his illustrious career. He'll tell us about his roots in the military, and how they informed his approach to his civil career. J will recount an inadvertent IMC event he survived, and how it changed his perspective on safety. Then, we'll speak about breaking down barriers; how competitors in the industry can work together to reduce accidents for all. And, much more. 

I sat down with Glen Heffernan the owner and creator of the Bottom Feeder who talked openly about some of the issues that have plagued the Vacuum System over the past year and why this upcoming version of the Bottom Feeder will be the best one yet! Leslie's Pro: Pool Service Pro, open a Wholesale account today! Customer referrals, free cleaner repairs, free water testing, open 7-days a week. It is fast and easy to become a Leslie's Preferred Pool Care Provider. https://lesliespool.com/commercial-services.html/?utm_medium=referral&utm_source=spll&utm_campaign=spll Visit Leslie's Pro to learn more: https://lesliespool.com/lesliespro.html/?utm_medium=referral&utm_source=spll&utm_campaign=spll Get a 30-Day FREE trial of Skimmer Pool Service Software: https://www.getskimmer.com/poolguyThanks for listening and I hope you find the Podcast helpful! For other free resources to further help you:Visit my Website: https://www.swimmingpoollearning.comWatch on YouTube: https://www.youtube.com/@SPLPodcast Site: https://the-pool-guy-podcast-show.onpodium.com/

The Great Competition, 1901, Royal Albert Hall, London…this was the birthplace of modern bodybuilding. The one and only Eugen Sandow managed to persevere through multiple years of war, logistical setbacks, and a political and cultural climate that viewed physique displays as potentially indecent, sometimes immoral, and at worst, as illegal pornography, to host the first championship bodybuilding show to find the “best built man in Britain and Ireland”. To even compete, entrants had to place top three in a full series of regional qualifiers where hundreds upon hundreds of athletes battled against one another in the years prior. Further, to even enter these regional qualifiers, entrants had to send in their pictures to Eugen Sandow's magazine for initial screening. The eventual championship in 1901 was truly a spectacle. Nearly ten thousand attendees packed Royal Albert Hall to the brim, an astonishing number that rivals the attendance of any modern bodybuilding competition…even the Olympia. Indeed, this historic event reverberates into the modern era, as modern Olympia winners receive “the Sandow”, a replica of the trophy given to the third-place winner of The Great Competition. In this episode, we're joined by Marcus Kment, a filmmaker, physical culturist, and amateur historian, who recently produced an excellent documentary on the Great Competition and the athletes who competed in it to discuss its significance and their story. Additionally, he's joined by our very own Dr. Conor Heffernan who consulted on this project. Join us to learn about this jaw-dropping history, as once again, history proves stranger than fiction! Barbell Films YouTube & IG: @barbellfilms

 Come see me and JL in Pittsburgh on Weds Oct 11   Buy Kevin's Honey!  Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more 16 mins Virginia Heffernan is a journalist, critic and author, most recently, of MAGIC AND LOSS: The Internet as Art (Simon & Schuster, 2016). She is a contributing editor at WIRED, a cohost of Slate's Trumpcast podcast, and a columnist at the Los Angeles Times. WIRED: What If the Robots Were Very Nice While They Took Over the World? Heather Cox Richardson on Democracy in Agony Heffernan has been called "America's preeminent cultural critic," "a public intellectual for the 21st century," and among the "finest living writers of English prose." Edward Mendelson in The New York Review of Books called MAGIC AND LOSS, "surprisingly moving...an ecstatic narrative of submission." Kevin Kelly, the co-founder of WIRED, writes, "Heffernan is a new species of wizard. It is a joy and a revelation to be under her spell." Follow her on twitter and subscribe to her Substack Pete on YouTube Check out all things Jon Carroll Follow and Support Pete Coe Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 740 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Virginia Heffernan is a journalist, critic and author, most recently, of MAGIC AND LOSS: The Internet as Art (Simon & Schuster, 2016). She is a contributing editor at WIRED, a cohost of Slate's Trumpcast podcast, and a columnist at the Los Angeles Times. Heffernan has been called "America's preeminent cultural critic," "a public intellectual for the 21st century," and among the "finest living writers of English prose." Edward Mendelson in The New York Review of Books called MAGIC AND LOSS, "surprisingly moving...an ecstatic narrative of submission." Kevin Kelly, the co-founder of WIRED, writes, "Heffernan is a new species of wizard. It is a joy and a revelation to be under her spell." Follow her on twitter and subscribe to her Substack Pete on YouTube Check out all things Jon Carroll Follow and Support Pete Coe Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page