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Tonight's edition features new music from The Field, Boards of Canada, Suzanne Ciani, Max Cooper, Gigi Masin, Greg Foat, K. Leimer and much more!
This is To Etherea and Beyond - Episode 83 - Dawn Haze Reflects. The show broadcasts on Harrogate Community Radio at 9am this Sunday 24th May and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond The show features music by: shallowdaze, Whitelands, Emma Anderson, Ed O'Brien, Altered View, James Welsh, Black Brunswicker, Leifur James, Maria Chiara Argirò, Sister Ray Davies, Pye Corner Audio, Kayla Painter, Max Cooper, Boards of Canada, Colleen, SUSS, Danalogue, Mr. Bill, Tipper, Factor Eight, Hilary Woods, Pollyfromthedirt and The Asteroid No.4 https://harrogatecommunityradio.online/shows/to-etherea-and-beyond/ This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
Wu Zhuoling (吴卓玲) https://soundcloud.com/zhuoling_wu Music Producer | Live Electronic Artist | DJ | Co-founder of Small Projects Records A chameleonic pioneer at the forefront of China's live electronic counterculture, Wu Zhuoling has built a reputation for deeply immersive performances and genre-defying sound. Performing exclusively with hardware, she creates live sets that guide audiences through a fluid sonic journey - from soothing ambient and experimental downtempo to soulful electronica, progressive IDM, and driving leftfield techno. Her music reflects a distinct artistic identity shaped by her cultural roots and over twenty years of production experience. Before turning to electronic music, Zhuoling was a folk singer and fronted a trip-hop band in the 2000s, an influence still felt in her melodic sensibility and lyrical story-telling. In her current electronic work, she weaves intricate sound design and rhythmic precision with organic warmth, crafting sonic landscapes that feel both progressive and deeply human. Zhuoling has performed extensively across China's major clubs, live houses and festivals, as well as at art exhibitions, fashion shows, audiovisual showcases, and open-air venues set against natural landscapes. Her international footprint continues to expand, with tours in New Zealand (2024) and the United States (2025), alongside performances in the Netherlands, Germany, and Japan. Her standing in the Chinese electronic scene is reflected by being invited as support act for the China tours of several renowned international artists such as Max Cooper (2024), Rival Consoles (2026) and Bonobo (2026). Her acclaimed releases - Another Shore (2022, LP), Uncharted (2023, EP), Reverie (2024, LP) and Uncharted II (2026, EP) - mark her evolution as one of China's most distinctive voices in live electronic music. Bandcamp : https://wuzhuoling.bandcamp.com/ Instagram : https://www.instagram.com/jolene_wu
This is To Etherea and Beyond - Episode 82 - Cloud Effigy Morpho. The show broadcasts on Harrogate Community Radio at 9am this Sunday 5th April and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond The show features music by: Indian Wells, Maria Chiara Argirò, Elori Saxl, Henry Solomon, Julianna Barwick, Mary Lattimore, Hampi, Ed O'Brien, Total Wife, We Are Only Human Once, The Besnard Lakes, Aleksi Perälä, Bono / Burattini, Max Cooper, John Beltran, Placid Angles, Sensible Soccers, Concrete Husband, Jasmine Wood, Pavel Milyakov, Benyayer, Dark Sky, Tipper, Kloyd, BAILE, Whitelands and Dorothy Carter This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
INTERVIEW + TRACKLIST > https://inverted-audio.com/mix/rob-clouth/ Rob Clouth returns with Cicada, a four-track EP that signals a shift toward a faster, more instinctive creative process, accompanied by an IA MIX that blurs the line between DJing and production. Built in Ableton at 160–170 BPM, the mix layers over 25 tracks using edits, stem separation and rapid transitions, resulting in a dense, high-energy session that reflects his current maximalist approach. In conversation with Ryan Pivovar, Clouth discusses moving away from rigid concepts toward a more playful, process-driven workflow. Rather than over-curating, he's focused on momentum, embracing spontaneity and letting ideas flow more freely. The interview also explores his collaboration with Max Cooper, his thoughts on AI as both a creative tool and a challenge, and Noise Canvas, his self-built sound design software. Together, Cicada and the mix capture an artist loosening control, trusting instinct, and building toward a future album. @robclouth
Tonight's edition features new music from Matti Bye, Caterina Barbieri + Bendik Giske, Max Cooper, Martin Sturtzer, Abstract Aprils, Mammal Hands, Prymek & Sage, and much…
Un nuevo 808 Radio en Radio Castilla-La Mancha que viene a descubrir las últimas creaciones de Kettama remezclando a fred again., Flying Lotus Max Cooper entre muchos otros. Pone en marcha el Generador de Ideas junto a Óliver Serrano para entender por qué cada vez publicamos menos en redes sociales y JBallesteros estará al habla presentando el nuevo sello discográfico dZb Advance Music Records. La Lista I: New Members - Night Time [Punctuality] Francois K, Dimitri From Paris - 2 Da Riddim [Rush Hour] Flying Lotus - HORSE NUKE [Brainfeeder] Carla dal Forno - Going Out [Kallista Records] myr. - Aus Der Lamang [Cabdriver] Al Habla: JBLLSTRS pres. “dZb Records” La Lista II: JBLLSTRS - Past Dancing [dZb Records] kwes. - Orange Blue [Warp Records] Kaval - Tekky Arp [Club Djembe] Addy Weitzman - No Man's Land (The Time & Space Machine Remix) [Slacker 85] Angele ft Justice - What You Want [Angèle VL Records] Brendon Moeller - Sprawl Circuitry [Delsin] Hypnotique - Dark [Bordello A Parigi] La Lista III: Dynamic Forces - Ander [Dolly] Kody - Foolish Fridays [Gruuv] Fred Again - solo (KETTAMA remix) [Atlantic Records UK] Mayashiba Behzad - No Borders [Global Frequency] Match Box - Trentino [Agrio Tracks] Benedek & Tom Carruthers - House Myst [L.I.E.S. Records] Generador de Ideas: El silencio visible: vivir las redes sin la obligación de mostrarse. Con Óliver Serrano. La Lista IV: Ma Sha - Tidal Bore [Kindergarten Records] Bambounou - Narrow It Down [DGTL] Clinical Hates - Xodi [Perc Trax] Loraine James - In a Rut ft. Sydney Spann [Hyperdub] BENGALO - Sketch [Selected (Berlin)] DMX Krew - The Outlaw [Breakin' Records] Max Cooper - Pattern Index [Mesh]
Today, Ceri speaks the extraordinary Memo Akten — artist, researcher, computer scientist. For more than a decade, he has worked with emerging technologies, AI, Big Data, and our Collective Consciousness as scraped and shaped by the internet, to explore consciousness, perception, ecology and the politics of our techno-lifestyles. He won the Golden Nica at Prix Ars Electronica, became Google's first artist-in-residence in their Artists & Machine Intelligence programme, and has exhibited at the Venice Biennale, Tribeca, the Barbican, ACMI, Mori Art Museum, and the Academy Museum in LA. His collaborations span U2, Lenny Kravitz, Depeche Mode, Max Cooper, Richard Dawkins, Google, Apple and McLaren. KEY TAKEAWAYS Technology is never neutral. It shapes us as much as we shape it. Memo reminds us that behind every dataset is a culture, behind every model is a worldview, and behind every technological leap is a chain of ecological, political and emotional consequences. The world can only meet your ideas if you let them out of hiding. Memo's story is a masterclass in releasing the work before you feel ready. If you are wrestling your way through a project remember - the destination is just the documentary still. Gathering the threads that eventually become something whole is where the real art is. BEST MOMENTS “We can use technology to understand ourselves more deeply, to pay attention to the world more carefully, and to ask bigger, braver questions.” “I very rarely begin a project with an end goal of this is what it should look like, in mind. I usually begin with this is how I want it to behave.” AN UNMISSABLE OFFER If the art world feels confusing, you're not imagining it. Most artists are guessing their way through it and staying stuck far longer than they need to. Inside the Ceri Hand Coaching Membership, you get straight answers and real support. Each week, I run live sessions where you can bring any problem and I'll help you cut through it fast — creative blocks, pitches, pricing, all of it. You'll get coaching with me, the chance to host or attend a virtual studio visit, portfolio reviews, monthly art world experts, and a community who genuinely get it. It's the kind of guidance most artists wish they'd had years ago. Right now, you can join or gift a full year for £99, our only discount of the year, available until the first of January. Join the Membership, or gift it to someone who needs it. We'll get there faster together. Just click here: cerihand.com/membership. EPISODE RESOURCES https://www.memo.tv https://www.instagram.com/memo_akten HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Artworld Network Self Study Course Our self-study video course, 'Unlock Your Artworld Network', offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com ** This Podcast has been brought to you by Disruptive Media https://disruptivemedia.co.uk/
This is Episode 79 of To Etherea and Beyond - Lost Shadow Collisions. The show broadcasts on Harrogate Community Radio at 9am this Sunday 16th November and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond The show features music by: BLACKSHAPE, Brian Eno, Qasim Naqvi, The Boland Underground, Max Cooper, Rob Clouth, Chris Zippel, Rencause, Ouai Stéphane, SCALER, Oneohtrix Point Never, Giobia, Lorelle Meets The Obsolete, Civil Service, Drop Nineteens, Vanishing Twin, Miramar, Sister Ray Davies, Yndling, Daniel Avery, bdrmm and Our Worlds Collide https://harrogatecommunityradio.online/shows/to-etherea-and-beyond/ This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
TRACKLIST : Riko Forinson & J&S Project - Glimmer of light Daniel Testas - Cosmea (Dub.format remix) Mark Valsecchi & Steph Vass - Ginger Biscuits Sider - Your love Sub Chunk - Low bridge (Paul Gavronsky remix) Robag Wruhme - Ratibor Numida Emin:us & Savaggio - Foreseen René Diehl - Luna (Soul Button remix) Guy J - Alive again DJ Tennis, Ashee & Tenashee - Blindside Barchi - Urabu (Souto remix) Max Cooper & Rob Clouth - Candeleda
HOUR 1: Voted off The Voice last night, Max Cooper joins us. What's next? full 2257 Tue, 04 Nov 2025 20:00:00 +0000 1D14P5BQqWHwQuHFJhVFDal6RB946FrI news The Dana & Parks Podcast news HOUR 1: Voted off The Voice last night, Max Cooper joins us. What's next? You wanted it... Now here it is! Listen to each hour of the Dana & Parks Show whenever and wherever you want! © 2025 Audacy, Inc. News False https://player.ampe
Groovegsus plays only tracks from Maetrik Eric Estornel, under the names MAETRIK, MARIEL ITO, MACEO PLEX, and simply ESTORNEL - has been contributing to his musical world around him since 1993. Always searching for the future of electronic dance, Eric has never let himself be confined by the.. Originally from the USA and now relocated to Valencia Spain, Eric Estornel is making incredible leaps and strides releasing some of the most devastating yet unique music in the industry. His sudonyms Maetrik, Mariel Ito, Plaex, and now Maceo Plex are under great demand for the rich dynamic production and unique blend of techno, house, funk, and electro that only Eric can devise. Perhaps it's because of Eric's clear Cuban roots or his years in the game, but without a doubt 2010 was an incredible year and only more amazing things are expected of his truly unarguable talent. In 2010 alone Eric released under the names Maetrik and Maceo Plex remarkable releases on labels like Cocoon, Audiomatique, Crosstown Rebels, Dumb Unit, and Mothership. Not to mention a slew of amazing remixes for the likes of Morcheeba, John Digweed, Robert Babicz, Max Cooper, Martin Eyerer, and many more. Now in 2011 Eric after the release of hugely successful "Vibe Your Love" on the very respected Crosstown Rebels, as Maceo Plex, Eric will be releasing in Febuary his full lenth album aptly titled "Life Index". It will be the start of a great career on Crosstown Rebels and will be huge departure from his typical futuristic tech sound as Maetrik. Without leaving the Maetrik brand behind, Eric will also releasing a hot new ep on Guy Gerber's Supplement Facts imprint, and a new ep on Cocoon. Also for 2011 remixes of Mandy & Booka Shade, Timo Maas, Adam Beyer, among others already confirmed. 11 years since his first release on the respected Immigrant Records back in 2000, Eric is still holding strong to his quest for the future of dance. Whether working on his "other worldly" compositions as Maetrik, his alien sounding electro as Mariel Ito, or his innovative dark house music as Maceo Plex, Eric is always putting his blood sweat and tears into everything he does. Putting aside trends and crushing genre boundaries, no one can argue that Eric has always stayed true to what comes from his heart or his sometimes choatic mind.
This is Episode 78 of To Etherea and Beyond - Black Light Falling. The show broadcasts on Harrogate Community Radio at 9am this Sunday 19th October and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond The show features music by: BLACKSHAPE, The Sight Below, Prepare My Glider, Max Cooper, µ-Ziq, Minor Science, Leila, Visible Light, Yuuf, Civil Service, Tortoise, The Boland Underground, Blanket, Yoo Doo Right, Our Worlds Collide, Tijuana Taxi, Chatham Rise, Sister Ray Davies, Badlands, Pebbledash, Caterina Barbieri, English Teacher, Daniel Avery https://harrogatecommunityradio.online/shows/to-etherea-and-beyond/ This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
A rainy-day mix for all seasons. Donations, Merchandise, Newsletter, more: https://www.groovelectric.com Podrunner: Workout Music mixes: https://www.podrunner.com PLAYLIST 01. Pagano - Overture (Intro Mix) 02. Max Cooper - A Model of Reality (Tor Remix) 03. Magnus Brian, Bar Melodia - Keith 04. Dim Kelly, Lou Zweegers - The Order 05. Max Cooper, Kotomi - A Model of Reality (Deadly Custard Remix) 06. Alex H - Stay With Me (Dub Mix) 07. Mikas - Alliance 08. Mango, Dezza - Apartment in Agia Napa 09. Sultan + Shepard - Looking For (Extended Mix) 10. Ben Bohmer, Erin LeCount - Faithless 11. Yotto, Moone - Hollow (Extended Mix) 12. 2bnsn - Awakening 13. Amtrac - Arc on the Range 14. Above & Beyond - Good for Me (Above & Beyond Club Mix) 15. Maduk - Kings & Queens (Instrumental Mix) == Please support these artists == Music copyright the respective artists. All other material c2006, 2025 by Steve Boyett. For personal use only. All rights reserved. Any unauthorized copying editing, exhibition, sale, rental, exchange, public performance, or broadcast of this audio is prohibited. No part of Groovelectric or its website and associated content may be used or reproduced in any manner for the purpose of training artificial intelligence technologies or systems.
On Today's Show: Hear Taylor-See Taylor, your chance to win tickets to her special movie event this weekend celebrating the release of Taylor Swift's new album The Life of a ShowgirlFind the Pink Pony to win tickets to see Chappell Roan in concert this weekendSelena Gomez got married and we have an official Super Bowl Halftime performerPlus, our KC contestant on The Voice, Max Cooper
D&P Highlight: Max Cooper III made it to the voice, he shares his journey from KC to the big stage. full 738 Fri, 26 Sep 2025 18:57:00 +0000 QSKguY11n5fsl57EJMbOY5vcizLALqmY news The Dana & Parks Podcast news D&P Highlight: Max Cooper III made it to the voice, he shares his journey from KC to the big stage. You wanted it... Now here it is! Listen to each hour of the Dana & Parks Show whenever and wherever you want! © 2025 Audacy, Inc. News False
Un nuevo 808 Radio en Radio Castilla-La Mancha que nos descubre las últimas creaciones de Floorplan reclezclando a Schiela, Max Cooper junto a Rob Clouth, Autechre o Joy Orbison entre muchos otros. Pone en marcha el Generador de Ideas junto a Frankie Piza, autor de Zona Franka, para conocer el difuso funcionamiento de plataformas como Spotify y European Canon está Al Habla presentando su nuevo disco: “La Pistola”. La Lista I: Ten Thousand Nights - Work [Floorjam Sounds] Benjamin Fröhlich - Searchin' [Permanent Vacation] Verses GT - Your Light [LUCKYME®] Max Cooper & Rob Clouth - Candeleda [Mesh] Architectural - Sección #2 [Tikita] Al Habla: European Canon pres. “La Pistola”. La Lista II: European Canon - Quieres MIrar [Dead Trax] Autechre - The Plc lCp C [Warp Records] Kosh - Breaksit [Craigie Knowes] Silver Waves - Murmur ft. Orryx [Illegal Data] Roska - The Mack [Roska Kicks & Snares] Bruno Belissimo - Ottimo! [Bordello A Parigi] Joy Orbison - play it again [XL Recordings] La Lista III: Pablo Bolivar - A New Paradise [Seven Villas Music] Flabbergast - Meat on Bone [Circus Company] Motel Phantasma - Noude [Razor-N-Tape] Tapefeed - Liminal [Counterchange] OFF - GRID - Heavens Nest [Ilegal Alien] The Burrell Connection - E Before I [Craigie Knowes] Generador de Ideas: ¿La oscuridad de Spotify? Con Frankie Piza. La Lista IV: Silvestre - Fantasma do Vento [Studio Barnhus] Jensen Interceptor - Soft Portal [International Chrome] Funk Assault - Like Me, Watch Me [Primal Instinct] Manuel Di Martino - Fuggi [Parallel 41] Hurdslenk - Warped [V35 Records] Fabio Santos - Believe [Hardline Sounds] Schiela - In The Morning (Floorplan Remix) [Gudu Records]
This is Episode 77 of To Etherea and Beyond - Molten Harmonic Dream. The show broadcasts on Harrogate Community Radio at 9am this Sunday 14th September and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond The show features music by: BLACKSHAPE, Bram Stadhouders, Joost Lijbaart, Günter Schickert, Max Cooper, Chris Zippel, Marcus Loeber, Drum & Lace, Felsmann + Tiley, Maps, Last Tourist, The Field, Lorelle Meets The Obsolete, Jagz Kooner, Ampacity, Civil Service, No Joy, Sister Ray Davies, Glaring, Indoor Voices, Factor Eight, Matt Jencik, Midwife and Yorkshire Modular Society https://harrogatecommunityradio.online/shows/to-etherea-and-beyond/ This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
This daytime set opens like a laid-back afternoon. Light, clear, and easy to move to. Track by track, the heat rises: grooves tighten, the bass gets bolder, and the room turns from cool and casual to hot and alive. In this episode, you'll hear music from Rival Consoles, Disclosure, Overmono, Moderat and Max Cooper, among many others. Tracklist 01 Colline - Poursuite 02 Hugo Massien - Mariana 03 Rival Consoles - Known Shape 04 Jinjé - Luminal Motion 05 Get The Jackets - Through The Fog 06 Pearson Sound - Blanked 07 ZeroFG - Elemental 08 Disclosure - Arachnids 09 Riigs - The Hopper 10 ALEPH - SPIRIT CHAMBER 11 Aswang - Forever 12 Overmono - So U Kno 13 Alex Banks - Cable 23 14 Blomfelt & Narby - Somewhere Far 15 Rove Ranger - Stellar Escape 16 Kessler - Endless 17 Moderat - Last Time (Jon Hopkins Remix) 18 Max Cooper - Exotic Contents (Manni Dee Remix) https://www.facebook.com/lowfrequencypodcast https://www.facebook.com/itsmestevedj https://soundcloud.com/st-eve_dj
From the storied streets of Hamburg and Berlin to the deep-rooted house culture of Chicago, Florian Kruse and Dilee D bring together two musical journeys into one creative partnership. Their paths converge in a shared passion for emotional, forward-thinking electronic music and a healthy respect for the scene's colourful past. With solo releases spread across imprints like Mobilee and Idyllik Records, they've each carved out distinct identities—but now unified through their collaborative Clockwork Mind EP recently released on on Sasha's Last Night On Earth. In this Balance Selections mix, Florian and Dilee channel their transatlantic experiences and deep studio chemistry into a session that's both personal and precise. Featuring tracks from Max Cooper, WhoMadeWho, and AFFKT, as well as their own unreleased work, the mix reflects their belief in storytelling through sound. @dileedofficial @floriankruse
Here at AIR, we kicked off festival season in with Sonar Lisboa, the little sister to the famed Barcelona festival, which took place in early April this year and featured acts like Max Cooper, Jennifer Cardini, Juliana Huxtable, and this month's esteemed guest, @MarcelDettmann. A techno veteran whose name is synonymous with big room sound, Marcel recently debuted a new live set, his first ever foray into live performance, the result of a pandemic spent toiling away in the studio and crafting his landmark album Fear of Programming, which formed the foundation for his live act. At Sonar Lisboa, he presented a new version of his project, which he calls My Own Shadow, a mix of his own productions, field recordings, vocal elements, and on the fly craftsmanship. Marcel and I sat down together in Lisbon to discuss his new live set and the creativity behind it, and how his musical and personal life is shifting over years. A big thanks to the team at Sonar Lisboa for the invite to this year's edition! ++ MUSIC: "Linux" - Marcel Dettmann (2013) "Water" - Marcel Dettmann ft. Ryan Elliott (2024) "Fear of Programming" - Marcel Dettmann (2024) ++ FOLLOW AIR: Instagram: www.instagram.com/_airpodcast/ Patreon: www.patreon.com/airpodcast Substack: airpodcast.substack.com/
Send us a textThis episode is by request, from my woman Rebecca, who asked, "When you're creating a larger piece of work (i.e. something longer than the standard 3-5 minutes), at what point do you ask others for feedback? At a rough draft phase or more of a pre-final phase? And if you're creating something that requires original music, at what point do you reach out to someone for that?"Let's talk about it! What you'll hear:Woo Corner's coming atcha next week! Join in here (not selling things, just sharing functional woo): https://rachelstricklandcreative.ck.page/Are you going to be in Charleston on June 20? Come see The Monstrous Feminine and The Yellow Wallpaper! https://www.eventcreate.com/e/yellowwallpaper 2:30Creating outside of your prescribed or familiar structure, and the lessons of the length of a pop song 3:30When should you reach out for feedback? 5:50CAN WE PLEASE LEARN THE DIFFERENCE BETWEEN WANTING VALIDATION AND WANTING FEEDBACK 6:49The absolute worst way to ask for feedback (do NOT do this to me) 10:00One tell-tale sign that what you're craving is actually validation 12:15Maestro's podcast on the consequences of outsourcing your thinking 13:35 https://themovementmaestro.com/motm-656-the-consequence-of-outsourcing/Questions that can be helpful to ask for feedback, just some thoughts to get you started 14:05Creating with original music, and how to navigate that with the musician (ie: when to pursue the music) 15:00Midas is King (creating completely without music, music was created by Max Cooper to fit the film) https://www.rachelstricklandcreative.com/midasiskingTwo pieces I made in collaboration with Jym Daly (created in tandem):Lion Skin (hoop solo) https://www.rachelstricklandcreative.com/lion-skinArchetype (aerial loops duo) created with Anastasia Sauvage https://www.rachelstricklandcreative.com/archetypeCliffsNotes for getting actually useful feedback when you're ready 20: 49Liz Lehrman's Critical Response Process for feedback (for the nerds) https://lizlerman.com/critical-response-process/ 22:31Don't go back to sleep.xoRachelSign up here for monthly blasts and functional wooFind me on InstagramSupport this podcast on Patreon
This is Episode 74 of To Etherea and Beyond - Close Sense Fields. The show broadcasts on Harrogate Community Radio at 9am this Sunday 27th April and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond The show features music by: DjRUM, Pan-American, Lala Salama, Loma, Somesurprises, Polynation, Max Cooper, Camila Fuchs, Leifur James, DOVS, Pyry Peltonen, Ichiko Aoba, Dumbo Tracks, The Field, Death In Vegas, Sorrow, Martyn Heyne, Steve Queralt, Emma Anderson, Miki Berenyi Trio, Danny Paul Grody, KALAC, Gints Zilbalodis and Rihards Zalupe https://harrogatecommunityradio.online/shows/to-etherea-and-beyond/ This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
In this episode of the Tasty Brew Music Podcast, I'm thrilled to bring you a conversation with a young artist from Lenexa, Kansas. His name is Max Cooper III — a young and incredibly gifted piano-playing songwriter with a unique sound that's already turning heads here in the Heartland. Max blends heartfelt lyrics with intricate melodies, creating music that resonates deeply with listeners of all kinds.In today's episode which I believe came from Max's firstever appearance on the radio, we'll talk about his young journey pursuing his dreams in the music world, the creative process behind his songwriting, and what he's done so far to carve out his place in an ever-evolving industry.I am always humbled and a little nervous to host someone fortheir first radio appearance. I want it to be a good experience for the artist as we both hone our respectiveinterviewing and performance chops.So, sit back, relax, and join us for this inspiring debut radio conversation and performance with Max Cooper III.#community radio #tastybrewmusic #maxcooperIII #piano #songwriter
Alex Banks is a Brighton-based DJ, producer, and multi-instrumentalist known for his intricate yet dancefloor-driven sound, inspired by the dense electronica of artists like Jon Hopkins and Max Cooper. Blending jungle, broken beat, and dubstep rhythms with techno textures and IDM melodies, his music is defined by masterful sound design—an expertise that has made him an in-demand engineer, composing for film, TV, and global brands like Nike and Honda. His latest Impermanence EP, released on Last Night on Earth, showcases his signature style, where tense drums and euphoric melodies merge into thoughtful electronic compositions. On this Balance Selections, the English producer flexes with an exquisite two hours of scalpel-sharp dance music. Featuring tracks from Max Cooper, Floating Points, Tinlicker and more, this is a journey worth taking. @alexbanksmusic
Tonight's edition features new music from Rafiq Bhatia, East Forest, Penelope Trappes, The Album Leaf, Max Cooper, Tim Hecker, and much more!
The 'midierror meets...' interview series is back for Series 2 with Sonicstate, speaking to all kinds of people working in music and sound. For this episode we hear from Stuart Warren-Hill, the designer of the Hologauze - a thin veil which is projected onto for incredible pseudo-3D and parallax-type effects as used by Beyonce, Lady Gaga, Eric Prydz, DJ Shadow, Max Cooper and more. He's also the man behind Hexstatic, known for his award winning audio/visual work, creating the world first visual album, and making 'Timber' - an era-defining music video highlighting the destruction caused by deforestation - and quite possibly the most remixed video of all time. He also has a lovely synth collection, including an ARP Quadra, Solina String Synth, and Thomas Dolby signed TB-303. https://www.holotronica.com/ https://stuartwarrenhill.com/ This is series 2, episode 1 and there are 50 previous episodes available now featuring Fatboy Slim, CJ Bolland, Andrew Huang, Tim Exile, High Contrast, Mylar Melodies, Infec
How a 1743 study may have inspired modern day scurvy treatment Guest: Dr. Max Cooper, Senior Lecturer in Primary Care and Public Health at Brighton and Sussex Medical School Learn more about your ad choices. Visit megaphone.fm/adchoices
Will BC's new short-term rental registry improve housing? Guest: Ravi Kahlon, Minister of Housing and Municipal Affairs How a 1743 study may have inspired modern day scurvy treatment Guest: Dr. Max Cooper, Senior Lecturer in Primary Care and Public Health at Brighton and Sussex Medical School Can you make lungs out of stem cells? Guest: Dr. Laura Niklason, Professor at Yale University in Anesthesia and Biomedical Engineering Human smugglers in Canada are advertising on social media Guest: Erin Corcoran, Executive Director, Keough School of Global Affairs, University of Notre Dame CKNW is moving! Guest: Kathryn Stewart, Director of Talk and Talent at CKNW How a stage 4 cancer patient wants cancer care to improve in BC Guest: Katie Hulan, Stage Four Cancer Patient Learn more about your ad choices. Visit megaphone.fm/adchoices
This is Episode 71 of To Etherea and Beyond - Surge Pulse Drop. The show broadcasts on Harrogate Community Radio at 9am this Sunday 15th December and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond The show features music by: David Allred, Yoo Doo Right, AIMING, bdrmm, Aphex Twin, Max Cooper, Usssy, The Black Dog, Rival Consoles, Steve Pardo, Ben Lukas Boysen, Bartosz Kruczyński, Dub Squad, 65daysofstatic, Otala, Moon Cowboy, HONESTY, Markus Guentner, Hollie Kenniff, deary, 93MIllionMilesFromTheSun,Whimsical, Airiel, The Churchill Garden, and The Blue Herons. https://harrogatecommunityradio.online/shows/to-etherea-and-beyond/ This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
Welcome to Guilders-Ford Radio, a Necromunda podcast broadcasting from the East Gate Docks of Hive Primus (via Guildford Games Club, Surrey, UK).In Episode 26 - 'The Cursed Episode', a diminished Team GFR are joined by Max Cooper from Bearfoot Miniatures, and discuss our imminent descent into the Underhells! The lead up to the holiday season has seen a number of new miniature previews for Necromunda, and the team float their potential fixes to get more of the incoming hangers-on into your gangs.High Arbitrator Dixie announces the details of Guildford Games Club's upcoming campaign, and Max shares his hard-won Secundus experiences with both the Incursion and Underhells campaign variants.We finish the episode with the usual hobby round-up, as well as exploring how arbitrators can best cherry-pick from the sometimes overwhelming wealth of Necromunda rules content available. We'd like to take the opportunity to thank all our listeners who have chosen to support us on Patreon & Buzzsprout. Your contributions help us make a better show! • Scott Spieker • Tucker Steel • Shaughn • Stewart Young • Goatincoat • Jason • Joseph Serrani • Billy • Phil • Stephen Griffiths • Søren D • Spruewhisperer • Kevin Fowler • Scott Spieker • Andy Tabor • TheMichaelNimmo • Tucker Steel • Dave Shearman • Shaughn • Stewart Young •Damien Davis • Wayne Jeffrey • Frawgenstein • Matthey Mulcahy • William Payne •Thomas Laycock • Stephen Livingston • Tyler Anderson • McGobbo • Jed Tearle • Gene Archibald • James Marsden • John Haynes • Ryan Taylor • Yuki van Elzelingen • Dick Linehan • Rhinoxrifter • Shawn Hall • Eric McKenzie • Paul Shaw • Jenifer • Drew Williams • Greg Miller • Andy Farrell • Nate Combrink • Don Johnson • Michael Yule • Joe Roberts • TheRedWolf • Lukasz Jainski • Aaron Vissers • One Punch Orlock (Tom) • Matt Price • Shnubuts • Christopher Næss • Rob Harrison • Colm Kiely • Dave • Grant • Stephen Briley • Szymon Brzozowski • Angus Lee • Mykola Romaniuk • Jason Turner • Janner558 • Christian Jansch • Joe Reynolds • Xavier Lamrecht • Matt R • Andrew Gomes • Iain Torrance • Mark Southerd • Ben • James Dix • Eddie Turner Support the showHelp us make better content, and download free community resources!www.patreon.com/guildersfordradioAny comments, questions or corrections? We'd love to hear from you! Join the Guilders-Ford Radio community over at;https://linktr.ee/guildersfordradiowww.instagram.com/guildersfordradiowww.facebook.com/guildersfordradioGuildersFordRadio@Gmail.com ** Musical Attribution - Socket Rocker by (Freesound - BaDoink) **
Psychedelics Then and Now with Zach Leary: Episode 01 - East Forest: Music for Mushrooms This is the first episode in the rebranded Psychedelics Then and Now Podcast with Zach Leary. Formerly the MAPS Podcast - the show will continue to bring you insightful and entertaining interviews with some of the great minds within the psychedelic community. The podcast is a collaboration between Zach Leary and Psychedelics Today. We relaunch with an all new episode featuring East Forest, a multidisciplinary artist, producer, and ceremony guide. Since 2008, East Forest's “lush” (Rolling Stone) and “blissful” (NPR) music has blended ambient, neoclassical, electronic, and avant-pop to explore sound as a tool for inner journeys and consciousness expansion. The project's latest endeavor is the feature-length film Music for Mushrooms, a narrative documentary showcasing the transformative power of psychedelics, music, and community. The accompanying Official Documentary Soundtrack is an immersive album featuring tracks recorded during live psilocybin ceremonies. East Forest's extensive catalog includes over 30 albums and notable collaborations with artists such as Ram Dass, Jon Hopkins, Laraaji, Dead Prez, Nick Mulvey, Peter Broderick, Max Cooper, and DJ ANNA. The project has performed in over 18 countries at major festivals and venues including BottleRock, Beyond The Pale, Mysteryland, Wilderness and SXSW.
CT DJ presents episode 105 of Infusion Underground, November 2024. This month's mix features tracks from artists, A Guy Called Gerald, Anthony Pappa, Antrim, Energy 52, Floormagnet, Idos, Kaiserdisco, Kiko, Masayah CH, Max Cooper, Locked Groove, Get People, Pryda, Sasha & Selek. As always, tracks are selected on the fly and mixed live. Turn it up, listen loud, get lost in the journey of the music and enjoy. Thanks for listening, liking following and sharing. CT DJ x
If you're enjoying the content, please like, subscribe, and comment! Please consider supporting the show! https://anchor.fm/worldxppodcast/support Find Max here - Pinhous: http://pinhous.com/ LinkedIn: https://www.linkedin.com/in/max-cooper-599018247/ Max is the founder of Pinhous, an AI real estate search startup, and leads local SEO at a marketing agency. Graduating in 2023 with a BA in Politics, Max shifted his focus from law to entrepreneurship, founding Pinhous. At Pinhous, Max led a team of 20 skilled developers, spearheading the creation of an innovative, Pinterest-like real estate listing portal. Alongside his entrepreneurial venture, Max leads local SEO at a marketing agency for clinics. In addition to these roles, Max is passionate about ways financial technology can help elevate those beneath the poverty line. He is also the father of three cats, Franky, Prudence, and Oliver. ______________________ Follow us! @worldxppodcast Instagram - https://bit.ly/3eoBwyr @worldxppodcast Twitter - https://bit.ly/2Oa7Bzm Spotify - http://spoti.fi/3sZAUTG Anchor - http://bit.ly/3qGeaH7 YouTube - http://bit.ly/3rxDvUL #realestate #app #startup #realestateagent #entrepreneur #entrepreneurship #seo #dentist #trucker #canada #politics #podcastshow #longformpodcast #longformpodcast #podcasts #podcaster #newpodcast #podcastshow #podcasting #newshow #worldxppodcast --- Support this podcast: https://podcasters.spotify.com/pod/show/worldxppodcast/support
Hosted by Doomcutie (she/her) and Ryan Betson (he/him) this panel promises engaging discussions, chaotically constructed arguments and potential breakdancing or musical numbers. Attendees can participate by voting live after each round. Team Green features Max Cooper, co-host of For The Players – The PopC PlayStation Podcast; Ashley Hobley (He/Him), Executive Editor at Explosion Network, host […]
Electronic producer/DJ Ok Sure is a prominent name in Melbourne's music scene, renowned for her dark, moody, and melodic sound that has made her a fixture at festivals like Rainbow Serpent and Let Them Eat Cake. She's a regular on Australian radio and hosts a show on Reform Radio in the UK, which was nominated for a Mixcloud Online Radio Award. Her extensive discography spans nearly 15 years, featuring collaborations with artists such as Deadmau5, Sophie Lowe, Charles Oliver, and Lupa J. However, it's her live performances that truly stand out, with DJ sets pulsing through techno, deep house, electronica, and beyond. That genre-hopping prowess is on full display in this otherworldly two-hour mix that is perfect for early morning hours after a club session. Filled with twisted electronica, dark deep techno, and more, this adventurous ride delves into the after-hours realm with unexpected artists like Four Tet, Max Cooper, Nathan Fake, Donato Dozzy, and Luciano.
TRACKLIST : Leandro Silva - Enchant Dano - Going deeper Constantijn Lange - Mosaic (Transient Lines remix) Nuclear Digital Transistor - Megavoid Archtech - Silence of the night Sahar - Shakedown Sebastian Roya - Children of tomorrow Ameli Paul - Hangry Ben Summers - Not like me Anna & East Forest - Let you in (Max Cooper remix) Trilucid - Stories in light NIN3S - Un tango
“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
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