Podcast appearances and mentions of Max Cooper

Here at AIR, we kicked off festival season in with Sonar Lisboa, the little sister to the famed Barcelona festival, which took place in early April this year and featured acts like Max Cooper, Jennifer Cardini, Juliana Huxtable, and this month's esteemed guest, @MarcelDettmann. A techno veteran whose name is synonymous with big room sound, Marcel recently debuted a new live set, his first ever foray into live performance, the result of a pandemic spent toiling away in the studio and crafting his landmark album Fear of Programming, which formed the foundation for his live act. At Sonar Lisboa, he presented a new version of his project, which he calls My Own Shadow, a mix of his own productions, field recordings, vocal elements, and on the fly craftsmanship. Marcel and I sat down together in Lisbon to discuss his new live set and the creativity behind it, and how his musical and personal life is shifting over years. A big thanks to the team at Sonar Lisboa for the invite to this year's edition! ++ MUSIC: "Linux" - Marcel Dettmann (2013) "Water" - Marcel Dettmann ft. Ryan Elliott (2024) "Fear of Programming" - Marcel Dettmann (2024) ++ FOLLOW AIR: Instagram: www.instagram.com/_airpodcast/ Patreon: www.patreon.com/airpodcast Substack: airpodcast.substack.com/

This is Episode 74 of To Etherea and Beyond - Close Sense Fields. The show broadcasts on Harrogate Community Radio at 9am this Sunday 27th April and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond The show features music by: DjRUM, Pan-American, Lala Salama, Loma, Somesurprises, Polynation, Max Cooper, Camila Fuchs, Leifur James, DOVS, Pyry Peltonen, Ichiko Aoba, Dumbo Tracks, The Field, Death In Vegas, Sorrow, Martyn Heyne, Steve Queralt, Emma Anderson, Miki Berenyi Trio, Danny Paul Grody, KALAC, Gints Zilbalodis and Rihards Zalupe https://harrogatecommunityradio.online/shows/to-etherea-and-beyond/ This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Send us a textThis episode is by request, from my woman Rebecca, who asked, "When you're creating a larger piece of work (i.e. something longer than the standard 3-5 minutes), at what point do you ask others for feedback? At a rough draft phase or more of a pre-final phase? And if you're creating something that requires original music, at what point do you reach out to someone for that?"Let's talk about it!  What you'll hear:Woo Corner's coming atcha next week!  Join in here (not selling things, just sharing functional woo):  https://rachelstricklandcreative.ck.page/Are you going to be in Charleston on June 20?  Come see The Monstrous Feminine and The Yellow Wallpaper!  https://www.eventcreate.com/e/yellowwallpaper  2:30Creating outside of your prescribed or familiar structure, and the lessons of the length of a pop song 3:30When should you reach out for feedback?  5:50CAN WE PLEASE LEARN THE DIFFERENCE BETWEEN WANTING VALIDATION AND WANTING FEEDBACK 6:49The absolute worst way to ask for feedback (do NOT do this to me) 10:00One tell-tale sign that what you're craving is actually validation 12:15Maestro's podcast on the consequences of outsourcing your thinking 13:35  https://themovementmaestro.com/motm-656-the-consequence-of-outsourcing/Questions that can be helpful to ask for feedback, just some thoughts to get you started 14:05Creating with original music, and how to navigate that with the musician (ie:  when to pursue the music) 15:00Midas is King (creating completely without music, music was created by Max Cooper to fit the film) https://www.rachelstricklandcreative.com/midasiskingTwo pieces I made in collaboration with Jym Daly (created in tandem):Lion Skin (hoop solo) https://www.rachelstricklandcreative.com/lion-skinArchetype (aerial loops duo) created with Anastasia Sauvage https://www.rachelstricklandcreative.com/archetypeCliffsNotes for getting actually useful feedback when you're ready 20: 49Liz Lehrman's Critical Response Process for feedback (for the nerds) https://lizlerman.com/critical-response-process/ 22:31Don't go back to sleep.xoRachelSign up here for monthly blasts and functional wooFind me on InstagramSupport this podcast on Patreon

Jeunes musiciens et musiciennes, attention à ne pas vous faire piquer par le virus de l'électronique... c'est ce qui est arrivé à mon invité du jour. Pianiste formé, au conservatoire, Grégoire Jokic a joué dans des groupes de rock et de jazz, mais découvrir Max Cooper et Jon Hopkins a agi chez lui comme une révélation. Daydreamer, c'est le titre du deuxième album de Grégoire Jokic construit comme un dialogue entre le piano et les machines. Un disque lumineux, irradié par la lumière de l'aube, où les mélodies rebondissent et où le solide talent de pianiste de Jokic ravit évoquant le meilleur de la mélodie française. S'ils étaient toujours de ce monde, sans doute que Ravel et Debussy seraient tombés eux aussi dans les joies des synthés, des filtres et des textures, pour ajouter grain et profondeur à la force de leurs mélodies. Entre rêverie et mélancolie, chant et piano, Grégoire Jokic est venue à la Folie L1 du Parc de la Villette avec son clavier et ses machines pour un live exclusif avant son concert au Café de la Danse à Paris, jeudi 10 avril.

Send us a text mindmelody# compiled by Lara Potthoff ≈special edition≈…60 minutes with BLANK DUST…032025________________________________________________________________ a  (to me) new label got my attention due to the lovely Sue:Ann (muchas gracias at this point) and it is the British label BLANK DUST, which has been founded in 2021 by no one else than Steven Weston who is already a very well accomplished producer, composer & artist with a stunning vitae and music history.He started his label  back the days:  ‚to release my own music, then I soon realised that there are not many labels that suit this style of music. Somewhere between electronica like Max Cooper and Rival Consoles to Ben Bohmer and Christian Loffler. So I am discovering lots of new artists are trying to build a community within the label. I would love to do Blank Dust curated events so if the label goes well then hopefully that will come next. For now I am finding and listening to lots of new artists and giving them a platform to release on.'After I dived a little deeper into Blank Dust releases, I thought: it's an honor to spread their music & vibe. Feel free to check them out and become a part of the Blank Dust family. https://www.blankdust.co.uk/Enjoy this potpourri of Blank Dust releases.

In this episode of the Tasty Brew Music Podcast,  I'm thrilled to bring you a conversation with a young artist from Lenexa, Kansas. His name is Max Cooper III — a young and incredibly gifted piano-playing songwriter with a unique sound that's already turning heads here in the Heartland. Max blends heartfelt lyrics with intricate melodies, creating music that resonates deeply with listeners of all kinds.In today's episode which I believe came from Max's firstever appearance on the radio, we'll talk about his young journey pursuing his dreams in the music world, the creative process behind his songwriting, and what he's done so far to carve out his place in an ever-evolving industry.I am always humbled and a little nervous to host someone fortheir first radio appearance.  I want it to be a good experience for the artist as we both hone our respectiveinterviewing and performance chops.So, sit back, relax, and join us for this inspiring debut radio conversation and performance with Max Cooper III.#community radio #tastybrewmusic #maxcooperIII #piano #songwriter

Alex Banks is a Brighton-based DJ, producer, and multi-instrumentalist known for his intricate yet dancefloor-driven sound, inspired by the dense electronica of artists like Jon Hopkins and Max Cooper. Blending jungle, broken beat, and dubstep rhythms with techno textures and IDM melodies, his music is defined by masterful sound design—an expertise that has made him an in-demand engineer, composing for film, TV, and global brands like Nike and Honda. His latest Impermanence EP, released on Last Night on Earth, showcases his signature style, where tense drums and euphoric melodies merge into thoughtful electronic compositions.  On this Balance Selections, the English producer flexes with an exquisite two hours of scalpel-sharp dance music. Featuring tracks from Max Cooper, Floating Points, Tinlicker and more, this is a journey worth taking. @alexbanksmusic

Tonight's edition features new music from Rafiq Bhatia, East Forest, Penelope Trappes, The Album Leaf, Max Cooper, Tim Hecker, and much more!

The 'midierror meets...' interview series is back for Series 2 with Sonicstate, speaking to all kinds of people working in music and sound.    For this episode we hear from Stuart Warren-Hill, the designer of the Hologauze - a thin veil which is projected onto for incredible pseudo-3D and parallax-type effects as used by Beyonce, Lady Gaga, Eric Prydz, DJ Shadow, Max Cooper and more. He's also the man behind Hexstatic, known for his award winning audio/visual work, creating the world first visual album, and making 'Timber' - an era-defining music video highlighting the destruction caused by deforestation - and quite possibly the most remixed video of all time. He also has a lovely synth collection, including an ARP Quadra, Solina String Synth, and Thomas Dolby signed TB-303.    https://www.holotronica.com/   https://stuartwarrenhill.com/   This is series 2, episode 1 and there are 50 previous episodes available now featuring Fatboy Slim, CJ Bolland, Andrew Huang, Tim Exile, High Contrast, Mylar Melodies, Infec

How a 1743 study may have inspired modern day scurvy treatment Guest: Dr. Max Cooper, Senior Lecturer in Primary Care and Public Health at Brighton and Sussex Medical School Learn more about your ad choices. Visit megaphone.fm/adchoices

Will BC's new short-term rental registry improve housing? Guest: Ravi Kahlon, Minister of Housing and Municipal Affairs How a 1743 study may have inspired modern day scurvy treatment Guest: Dr. Max Cooper, Senior Lecturer in Primary Care and Public Health at Brighton and Sussex Medical School Can you make lungs out of stem cells? Guest: Dr. Laura Niklason, Professor at Yale University in Anesthesia and Biomedical Engineering  Human smugglers in Canada are advertising on social media Guest: Erin Corcoran, Executive Director, Keough School of Global Affairs, University of Notre Dame CKNW is moving! Guest: Kathryn Stewart, Director of Talk and Talent at CKNW How a stage 4 cancer patient wants cancer care to improve in BC Guest: Katie Hulan, Stage Four Cancer Patient Learn more about your ad choices. Visit megaphone.fm/adchoices

This is Episode 71 of To Etherea and Beyond - Surge Pulse Drop. The show broadcasts on Harrogate Community Radio at 9am this Sunday 15th December and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond The show features music by: David Allred, Yoo Doo Right, AIMING, bdrmm, Aphex Twin, Max Cooper, Usssy, The Black Dog, Rival Consoles, Steve Pardo, Ben Lukas Boysen, Bartosz Kruczyński, Dub Squad, 65daysofstatic, Otala, Moon Cowboy, HONESTY, Markus Guentner, Hollie Kenniff, deary, 93MIllionMilesFromTheSun,Whimsical, Airiel, The Churchill Garden, and The Blue Herons. https://harrogatecommunityradio.online/shows/to-etherea-and-beyond/ This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Welcome to Guilders-Ford Radio, a Necromunda podcast broadcasting from the East Gate Docks of Hive Primus (via Guildford Games Club, Surrey, UK).In Episode 26 - 'The Cursed Episode', a diminished Team GFR are joined by Max Cooper from Bearfoot Miniatures, and discuss our imminent descent into the Underhells!  The lead up to the holiday season has seen a number of new miniature previews for Necromunda, and the team float their potential fixes to get more of the incoming hangers-on into your gangs.High Arbitrator Dixie announces the details of Guildford Games Club's upcoming campaign, and Max shares his hard-won Secundus experiences with both the Incursion and Underhells campaign variants.We finish the episode with the usual hobby round-up, as well as exploring how arbitrators can best cherry-pick from the sometimes overwhelming wealth of Necromunda rules content available. We'd like to take the opportunity to thank all our listeners who have chosen to support us on Patreon & Buzzsprout.  Your contributions help us make a better show! • Scott Spieker • Tucker Steel • Shaughn • Stewart Young • Goatincoat  • Jason • Joseph Serrani • Billy  • Phil • Stephen Griffiths  • Søren D • Spruewhisperer • Kevin Fowler • Scott Spieker • Andy Tabor  • TheMichaelNimmo • Tucker Steel  • Dave Shearman  • Shaughn  • Stewart Young •Damien Davis • Wayne Jeffrey   •  Frawgenstein • Matthey Mulcahy   • William Payne •Thomas Laycock • Stephen Livingston • Tyler Anderson • McGobbo • Jed Tearle • Gene Archibald • James Marsden • John Haynes • Ryan Taylor • Yuki van Elzelingen  • Dick Linehan • Rhinoxrifter • Shawn Hall  • Eric McKenzie  • Paul Shaw  • Jenifer • Drew Williams  • Greg Miller • Andy Farrell  • Nate Combrink •  Don Johnson • Michael Yule • Joe Roberts • TheRedWolf • Lukasz Jainski • Aaron Vissers • One Punch Orlock (Tom) • Matt Price • Shnubuts • Christopher Næss • Rob Harrison • Colm Kiely • Dave • Grant • Stephen Briley • Szymon Brzozowski • Angus Lee • Mykola Romaniuk • Jason Turner • Janner558 • Christian Jansch • Joe Reynolds • Xavier Lamrecht • Matt R • Andrew Gomes • Iain Torrance • Mark Southerd • Ben • James Dix • Eddie Turner    Support the showHelp us make better content, and download free community resources!www.patreon.com/guildersfordradioAny comments, questions or corrections? We'd love to hear from you! Join the Guilders-Ford Radio community over at;https://linktr.ee/guildersfordradiowww.instagram.com/guildersfordradiowww.facebook.com/guildersfordradioGuildersFordRadio@Gmail.com ** Musical Attribution - Socket Rocker by (Freesound - BaDoink) **

Psychedelics Then and Now with Zach Leary: Episode 01 - East Forest: Music for Mushrooms This is the first episode in the rebranded Psychedelics Then and Now Podcast with Zach Leary. Formerly the MAPS Podcast - the show will continue to bring you insightful and entertaining interviews with some of the great minds within the psychedelic community. The podcast is a collaboration between Zach Leary and Psychedelics Today.  We relaunch with an all new episode featuring East Forest, a multidisciplinary artist, producer, and ceremony guide. Since 2008, East Forest's “lush” (Rolling Stone) and “blissful” (NPR) music has blended ambient, neoclassical, electronic, and avant-pop to explore sound as a tool for inner journeys and consciousness expansion. The project's latest endeavor is the feature-length film Music for Mushrooms, a narrative documentary showcasing the transformative power of psychedelics, music, and community. The accompanying Official Documentary Soundtrack is an immersive album featuring tracks recorded during live psilocybin ceremonies. East Forest's extensive catalog includes over 30 albums and notable collaborations with artists such as Ram Dass, Jon Hopkins, Laraaji, Dead Prez, Nick Mulvey, Peter Broderick, Max Cooper, and DJ ANNA. The project has performed in over 18 countries at major festivals and venues including BottleRock, Beyond The Pale, Mysteryland, Wilderness and SXSW.

CT DJ presents episode 105 of Infusion Underground, November 2024. This month's mix features tracks from artists, A Guy Called Gerald, Anthony Pappa, Antrim, Energy 52, Floormagnet, Idos, Kaiserdisco, Kiko, Masayah CH, Max Cooper, Locked Groove, Get People, Pryda, Sasha & Selek. As always, tracks are selected on the fly and mixed live. Turn it up, listen loud, get lost in the journey of the music and enjoy. Thanks for listening, liking following and sharing. CT DJ x

Unlimited Music Podcast by Soundae

If you're enjoying the content, please like, subscribe, and comment! Please consider supporting the show! https://anchor.fm/worldxppodcast/support Find Max here - Pinhous: http://pinhous.com/ LinkedIn: https://www.linkedin.com/in/max-cooper-599018247/ Max is the founder of Pinhous, an AI real estate search startup, and leads local SEO at a marketing agency. Graduating in 2023 with a BA in Politics, Max shifted his focus from law to entrepreneurship, founding Pinhous. At Pinhous, Max led a team of 20 skilled developers, spearheading the creation of an innovative, Pinterest-like real estate listing portal. Alongside his entrepreneurial venture, Max leads local SEO at a marketing agency for clinics. In addition to these roles, Max is passionate about ways financial technology can help elevate those beneath the poverty line. He is also the father of three cats, Franky, Prudence, and Oliver. ______________________ Follow us! @worldxppodcast Instagram - https://bit.ly/3eoBwyr @worldxppodcast Twitter - https://bit.ly/2Oa7Bzm Spotify - http://spoti.fi/3sZAUTG Anchor - http://bit.ly/3qGeaH7 YouTube - http://bit.ly/3rxDvUL #realestate #app #startup #realestateagent #entrepreneur #entrepreneurship #seo #dentist #trucker #canada #politics #podcastshow #longformpodcast #longformpodcast #podcasts #podcaster #newpodcast #podcastshow #podcasting #newshow #worldxppodcast --- Support this podcast: https://podcasters.spotify.com/pod/show/worldxppodcast/support

Hosted by Doomcutie (she/her) and Ryan Betson (he/him) this panel promises engaging discussions, chaotically constructed arguments and potential breakdancing or musical numbers. Attendees can participate by voting live after each round. Team Green features Max Cooper, co-host of For The Players – The PopC PlayStation Podcast; Ashley Hobley (He/Him), Executive Editor at Explosion Network, host […]

Hosted by Doomcutie (she/her) and Ryan Betson (he/him) this panel promises engaging discussions, chaotically constructed arguments and potential breakdancing or musical numbers. Attendees can participate by voting live after each round. Team Green features Max Cooper, co-host of For The Players – The PopC PlayStation Podcast; Ashley Hobley (He/Him), Executive Editor at Explosion Network, host […]

This is Episode 69 of To Etherea and Beyond - Flow Peak Fury . The show broadcasts on Harrogate Community Radio at 9am this Sunday 29th September and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond The show features music by: Yoo Doo Right, Drowner, Timothy Clerkin, Maps, Max Cooper, Activity, Teeth Of The Sea, Mogwai, Swervedriver, Trxy!, RIP Swirl, Alias Error, Godspeed You! Black Emperor, Rival Consoles, Katatonic Silentio, Mark Peters, Dot Allison, Richard Norris, Camedor, Indigo Dream, deary, Pete International Airport, Rachel Goswell, The Oscillation, God Is An Astronaut https://harrogatecommunityradio.online/shows/to-etherea-and-beyond/ This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Electronic producer/DJ Ok Sure is a prominent name in Melbourne's music scene, renowned for her dark, moody, and melodic sound that has made her a fixture at festivals like Rainbow Serpent and Let Them Eat Cake. She's a regular on Australian radio and hosts a show on Reform Radio in the UK, which was nominated for a Mixcloud Online Radio Award.

 Her extensive discography spans nearly 15 years, featuring collaborations with artists such as Deadmau5, Sophie Lowe, Charles Oliver, and Lupa J. However, it's her live performances that truly stand out, with DJ sets pulsing through techno, deep house, electronica, and beyond.

 That genre-hopping prowess is on full display in this otherworldly two-hour mix that is perfect for early morning hours after a club session. Filled with twisted electronica, dark deep techno, and more, this adventurous ride delves into the after-hours realm with unexpected artists like Four Tet, Max Cooper, Nathan Fake, Donato Dozzy, and Luciano.

TRACKLIST : Leandro Silva - Enchant Dano - Going deeper Constantijn Lange - Mosaic (Transient Lines remix) Nuclear Digital Transistor - Megavoid Archtech - Silence of the night Sahar - Shakedown Sebastian Roya - Children of tomorrow Ameli Paul - Hangry Ben Summers - Not like me Anna & East Forest - Let you in (Max Cooper remix) Trilucid - Stories in light NIN3S - Un tango

Join me for an hour long conversation with one of my oldest friends and favorite collaborators, photographer Max Cooper.  You'll hear plenty of stories of our past escapades as well as me giving him shit 1 or 4 times.  Sorry Max, you just bring it out in me.  What you'll hear:Why he chooses to practice more archaic forms of his discipline like pinhole photography, in spite of having plenty of modern equipmentHow me and Max hung one of his shows in 2020 exactly the day before everything shut down so no one could see it (lololol)Hear me force him to say I'm the best collaborator ever.What makes something a collaboration?  If you're getting paid, is it a collaboration?What makes a terrible collaborator (spoiler, it's being late and/or unprepared)A trained photojournalist turned fine artist, wildlife photographer (he'll say no but i say yes and it's my podcast, so...) hear what created this shift in his career focus.  If you listen to nothing else, listen to this.  25:50On photographing a ghost town in the middle of the Appalachian mountains.  Several times.A function of myth 39:33Why I won't go camping with Max again 41:34The function of smoking pipes, and how Max became an accidental youtuber 44:31His current show at the Buncombe County Register of Deeds, honoring the 10th year anniversary of North Carolina's legalization of same sex marriage.  The 22 photos on exhibit were taken on the day of the court's decision and document this historic event with frank intimacy (if you're local to Asheville, go see it in the month of June 2024!).His advice to aspiring photographers 57:00You can find a prolific amount of Max's work on his Patreon,  follow him on Instagram, or check out his website at https://www.maxcooperphoto.com/Don't go back to sleep.xoRachelSign up here for monthly blasts and functional wooFind me on InstagramSupport this podcast on Patreon

This special edition of

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

This is Episode 65 of To Etherea and Beyond - Abstract Ambience. The show broadcasts on Harrogate Community Radio at 9am this Sunday 27th April and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond The show features music by: Perilymph, The Black Dog, µ-Ziq, Bot1500, Max Cooper, Daniel Avery, Luna Roja, Turtle, Moon Cowboy, Fenella, Jane Weaver, Ride, Chester Jonson, Worriedaboutsatan, Not Me But Us, Trans Am, Pale Blue Eyes, Broadsheets, C. Diab, Arushi Jain, Woo and Brian Eno https://harrogatecommunityradio.online/shows/to-etherea-and-beyond This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“​​I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“​​I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

We're joined by our newest Flyer Max Cooper on this week's episode of the Bristol Flyers Podcast.On this week's show - proudly sponsored by Webgains:The Flyers Supporters Club have made a sign for Pasquale LandolfiMax reflects on his time with the club so farWhat led to Max joining Bristol Flyers?Max shares his hobbies outside of basketball, including streaming on Twitch and playing golfWhat would it take for an Irish team to join the British Basketball League?Brad Greene is named a starter for Team South at the upcoming All-Star GameMax takes on our quickfire questionsWe preview the International window for Coach K and the GB National TeamBritish Basketball BEEFA roundup of the latest news over the past weekMax answers the questions from the mailbagThe Bristol Flyers Podcast brings supporters a unique perspective from behind the scenes, and is available to listen on all major podcast providers, including Spotify and Apple Podcasts. The Flyers Podcast is proudly sponsored by Webgains - if any of our listeners want to learn more about affiliate marketing and add it into their marketing strategy - head to webgains.com/public/en/bristol-flyers/ to find out more.

主持/企劃：吉米布蘭卡 受訪來賓：魏琬容 《WOW挖藝術》特別集「NOVA會客室（聲音∕聲響篇）」上架了！ 對時間的感知流動是由我們創造的，開心的時候快，傷心的時候慢。今年歌劇院的 NTT Arts NOVA 藝想春天以「時間」為題，帶著我們在思想上進行時間旅行：回看過去、前瞻未來、甚至是思考無限。我們無法改變時間長短，但可以改變對時間的態度，創造屬於自己美好的時間。 劇場狂粉吉米布蘭卡將在空中與3位好夥伴一起聊聊演出、聊聊時間、聊聊怎麼用歌劇院的演出填滿你的時間。本集邀請到OISTAT國際劇場組織的執行長魏琬容，介紹Arts NOVA的5檔聲音∕聲響節目：新古典室內樂團-聲景音樂劇場《極境尋光-走進江賢二》、張方禹╳韓承燁《December Nite》、新藝計畫吳秉聖╳邱俊霖╳劉承杰《感覺的邊界》、Max Cooper迷幻音像《神馳無限》、光之曲幕《reCONNECT 2024：NEW CANVAS》。 ◆NOVA套票：凡挑選2024 NTT Arts NOVA 系列大劇院節目2檔、中劇院節目2檔、小劇場節目1檔，任5檔節目各一張(含)以上，不限張數享8折優惠，並加贈歌劇院會員資格(限新辦，效期於2024/5/1至2025/4/30) 立即購票: https://npacntt.tw/n00kFqUy ​ #2024 NTT藝想春天 # ArtsNOVA #臺中國家歌劇院 #歌劇院

Conductor and fiddle player Sinead Hayes deconstructs the trad session, Conor O'Reilly's CóR project eyes sustainability for choral music, and Belfast polymath and techno magician Max Cooper's experiments in 3D/AV magic.

Belfast producer and musician, Max Porter on finding the visual forms for his music

We really pull out the big guns with this month's TSOR! RÜFÜS DU SOL, Keinemusik, Adriatique, WhoMadeWho, Moderat, Max Cooper, Yør Kultura, Traumer plus more all make it into the mix.Joining them is the usual cavalcade from our label; Samer Soltan appears twice - ‘Time Machine‘ gets a super-cool electronica rework from Mehill, whilst Squire and his Pole Position alter-ego (with partner Loic Brunch) go full tribal Tenaglia-vibes with their highly creative take on ‘Is This A Dream?'. Also double-dropping is David Granha whose ‘No More' comes remixed by Maori, hot from the breakout success of ‘Spring Girl', alongside ‘Kalopsia', which is one of the most beautiful breaks records you're likely to hear this year and more than justifies finale-honours as it closes out the mix.1. Harald Grosskopf, Tyler Ov Gaia / Samer Soltan - Aurelac (Relmer Interpretation) c/w Time Machine (Mehill Ndidi Remix) 00:00:002. Traumer - At Lanta 00:08:483. JADE (CA) - Dreams and Schemes (Doubtingthomas Remix) 00:13:354. Oddvar - Falling free (Bjoern Stoerig Remix) 00:19:545. Moderat, Keinemusik - More Love (Rampa &ME Remix) 00:24:336. Yør Kultura - Kvantum 00:31:157. Satoshi Tomiie - Love In Traffic (feat. Kelli Ali) (Ruhe Remix) 00:36:258. David Granha - No More (Maori Remix) 00:42:219. Samer Soltan - Is This A Dream? (Squire & Pole Position Remix) 00:47:0710. WhoMadeWho, Adriatique - Miracle - RÜFÜS DU SOL Remix 00:51:3711. Max Cooper, Kathrin deBoer - With Me 00:59:0812. David Granha - Kalopsia 01:02:40

In this Podcast, Walt Zerbe, Sr. Director of Technology & Standards at CEDIA talks with Poul Holleman of 4D Sound and Peter Aylett of Officina Acustica about what 4D sound is.  Peter attended a live electronic music event where Max Cooper was performing live through 4D sound system which brought prompted a discussion with Poul at 4D Sound. Links https://4dsound.net/ https://maxcooper.net/ https://bloomline.com/phantom-ii https://meshmeshmesh.net/ https://officinaacustica.com/  

Have you ever thought much about the feature, Drag & Drop? In this episode, we are joined by Atlassian Principal Engineer, Alex Reardon, to share some great insights into creating an open-source library for Drag & Drop. Guests: Alex Reardon - @alexandereardon Panelists: Ryan Burgess - @burgessdryan Stacy London - @stacylondoner Cole Turner - @coleturner Picks: Alex Reardon - Porcelain cup Ryan Burgess - Barbecue Showdown Season 2 Stacy London - Pulse At The Centre Of Being - Mor Elian Remix by Max Cooper & Mor Elian Stacy London - Plague X by Midwife, Vyva Melinkolya Cole Turner - Stacy's Drag and Drop comment Cole Turner - Two Hot Takes Podcast Episode transcript: https://www.frontendhappyhour.com/episodes/drag-&-drop-drop-a-drink-here

For more info: https://balancemusic.com.au @charlesolivermusic Through the incorporation of heavy industrial beats, glitchy abstract percussion, laced with evocative melodies; Charles Oliver's eclectic style and dynamic production continues to turn heads from artists such as Jon Hopkins, Max Cooper, HAAi, Rebūke, Laurent Garnier, and more.

What do engineering levels mean at companies in Silicon Valley? In this episode, we discuss our experiences with levels and promotion criteria. Panelists: Ryan Burgess - @burgessdryan Jem Young - @JemYoung Stacy London - @stacylondoner Augustus Yuan - @augburto Picks: Ryan Burgess - Levels.fyi Ryan Burgess - BriteBrush Jem Young - Insider guide to tech interviews Jem Young - Promotion driven development Jem Young - Induction cooking Stacy London - Wall of Sleep by Daniel Avery, HAAi Stacy London - A Model of Reality - Sebastien Veyan Remix by Max Cooper, Kotomi, Sebastien Veyan Augustus Yuan - Defcon 18 Pwned By The Owner Augustus Yuan - Amazon Leveling Progress Episode transcript: https://www.frontendhappyhour.com/episodes/engineering-levels-our-glass-level-is-full

01. Falden, Lewyn - Giving Up On You 00:38 02. Pig&Dan - Riddler 03:46 03. Galoski - All My Love 08:43 04. Oliver Heldens x Karen Harding - Oops 10:16 05. Vintage Culture ft. Izzy Bizu - If I Live Forever 13:08 06. Matt Sassari & Goodboys - Sleepwalking 17:56 07. Damien N-Drix - Pump It 21:54 08. James Hype - Helicopter 23:19 09. MistaJam - Defibrillator 25:41 10. Gorgon City - Rumblah 26:42 11. HUGEL x Ryan Arnold x El Chuape - Pa Lante 31:28 12. The Magician x The Aston Shuffle - Differences (Club Mix) 33:44 13. Zonderling - Sirene 38:24 14. Township Rebellion - Bohemia feat Victor Pilava 42:55 15. Maur & Evokings ft. Joanna Cooke - No More 46:10 16. Disfreq - Como 48:56 17. Max Styler - Wanna Dance 50:40 18. Westend - Running 51:55 19. NightFunk & Atticus - Goosebumps 53:40 20. Young Marco - What You Say 55:24 21. Max Cooper, Rebuke - Ascent (Rebūke Remix) [HI-LO'S HIGHLIGHTS] 60:34

Max joins us to talk about more of what happened this week in the world of sports, including a boxing match between two lady influencers!!! Check him out on Instagram and TikTok!

Enjoy this compiliations of some lovely conversations from the podcast in 2022.  Of course all of the epsiodes are amazing, and this isn't meant as "the best" but rather just dropping the needle on what were all incredible moments in time.  If you'd like to dig deeper and listen to any of the episodes you hear clips of, here are the Apple Podcast links as well as episode numbers.  Thank you for listening and Happy New Year!  Mooji - Ep #222Matthew Fox - Ep #206Duncan Trussell - Ep #219Marisa Radha Weppner - Ep #218Charles Eisenstein - Ep #203Max Cooper - Ep #202Benardo Kestrup - Ep #226Constance Lynn - Ep #210Love It Meditation - Ep #220 ____________________________NEW MUSIC - HEADWATERS LISTEN:  Spotify / Apple / BandcampJoin our COMMUNITY - sign up at EastForest.orgPlease support the show by joining our East Forest COUNCIL on Patreon.  Monthly Council, live-streams, demos, and more. JOURNEY SPACE - founded by East Forest.  Online Journey Facilitation and Support. JourneySpace.com.EAST FOREST MUSIC: Spotify / AppleGuided Meditations on Spotify & AppleShop: http://eastforest.org★★★★★ Please rate Ten Laws with East Forest in iTunes & SpotifyConnect with the Forest -Mothership: http://eastforest.orgIG:  https://www.instagram.com/eastforest/Facebook: http://facebook.com/eastforestmusic