Podcasts about lamp post

Galyn and Mike have a 20 Hour drive back to Austin from Fountain Valley California.. Where Galyn got heckled by a homeless guy with a lightsaber. Also Galyn takes Mike to Lamppost pizza and Tacos el Chivito.. if you know you know, and if you listen you know now too, Enjoy!

Eugene is a big nerd, and he's afraid of everything. But one day, a man attacks him in the street, and Eugene discovers that he isn't so weak after all. Go to EasyStoriesInEnglish.com/Fast for the full transcript. Get episodes without adverts + bonus episodes at EasyStoriesInEnglish.com/Support. Your support is appreciated! Level: Beginner. Genre: Comedy. Vocabulary: Nerd, Solve a formula, Strategy, Attack, Avoid, Power cut, Swing, Punch, Dodge, Lamppost. Setting: Modern. Word Count: 1098. Author: Ariel Goodbody. Learn more about your ad choices. Visit megaphone.fm/adchoices

Exploring C. S. Lewis' 1945 essay "Talking About Bicycles" with Daniel Payne from the Lamp-Post Listener podcast. As he talks about bicycles, Lewis points out that there seem to be 4 stages to being enchanted by something wonderful. First, before we've been enchanted and know nothing of it - this, he calls "unenchantment." Second, when we first become enchanted by something wonderful - "enchantment". Third, when we become disillusioned by the thing. This is "disenchantment." Fourth, when we, fully accepting of the things limitations, become "re-enchanted" by how wonderful it really is. We discuss how this impacts how we can share the Gospel in a disenchanted age, as well as, how it helps us reflect on the Gospel during the Advent season. The music this episode is "Deliverer / O Come O Come Emmanuel"⁠⁠⁠⁠⁠ by Camille Parkman, ⁠⁠⁠⁠and can be found on Spotify and other music platforms for purchase or streaming. Find out where to read C. S. Lewis' essays at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/essays⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find more Lesser-Known Lewis —  Online: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/lesser-known-lewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lesser-Known Lewis Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: lesserknownlewis@gmail.com Graphic Design by Angus Crawford.

If you've ever fallen in love with a lamp post, a bollard, a fire hydrant, or a post box, then welcome! You're in good company. Jane and Fi also chat vasectomies, diaries, and talking cloths. Plus, actor Rob Brydon talks all things Gavin and Stacey and then some... Get your suggestions in for the next book club pick! If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Speaker: Rustin Smith --- John the Baptist and the good news of another world.

In C. S Lewis' "On the Transmission of Christianity" from 1946, he explains why he thinks Christianity appears on the decline in future generations. Spoiler alert: It's not because humans are outgrowing religion or becoming too enlightened to believe in such silly things. It's because the next generation is no longer being taught a compelling view of the faith in their education. We are joined by Daniel from the Lamp-Post Listener, himself a teacher in a classical Christian school, to discuss Lewis robust and challenging solution to the problem.

What are some of your strategies to make Disciples? Or perhaps you are looking for ways to do so?  Either way, this episode will be for you!  Click here to view Discipleing Another: https://disciplinganother.com/ Check out the book Discipleship that works: https://disciplinganother.com/pages/discipleship-that-works#:~:text=Discipleship%20That%20Works%20provides%20practical,their%20faith%20within%2090%20days.    In this episode, Grant and Dr. Ron introduce the 'LampPost Strategy' for making disciples, meaning one-on-one mentorship over group discipleship to build a sustainable disciple-making culture within our churches. The episode explains the Lamppost Strategy for disciple making, emphasizing one-to-one disciple making based on 2 Timothy 2:2. It critiques how traditional disciple-making methods are often ineffective in American church culture, which can be antagonistic towards the concept. The strategy focuses on developing third-generation disciple makers to shift from 80% walking away to 80% staying in faith. This process involves creating a robust culture of discipleship through 90-day cycles, emphasizing foundational content, developing the right culture, and ensuring effective organizational connections. The strategy also uses Benjamin Franklin's invention of the lamppost as a metaphor for creating an attractive and sustainable disciple-making model within the church.   Key Takeaways: 00:00 Introduction and Overview 03:30 Implementing Third Generation Disciple Makers 09:35 The Importance of Foundational Discipleship 14:00 Content, Culture, and Connection 29:09 Balancing Discipleship Needs 32:50 90-Day Discipleship Cycles 36:32 Pre-Decision and Post-Decision Efforts 47:46 Third Generation Disciples: A Deeper Look 54:30 Q&A and Final Thoughts   Resources on Discipleship The Definition of a Disciple Becoming a Disciple Maker https://church-multiplication.com/disciplemaker/

Continuing their series of selecting brand new plays from authors, and involving a host of directors and actors, go see 10 new plays EVERY NIGHT at the Cork Arts Theatre! The only instruction the authors were given? The theme is "Views from a Lamppost". Now go be AMAZED!!! Hosted on Acast. See acast.com/privacy for more information.

Daniel and Phil from the Lamp-post Listener join Matt to discuss their completion of "The Chronicles of Narnia". [Show Notes]

The New York City-based startup has been working on a product that retrofits existing street lampposts to enable EV charging. Learn more about your ad choices. Visit megaphone.fm/adchoices

Steve Montgomery of Lamppost Farm is our guest on today's podcast, coming to you from a stop on the Devon Congress pre-tour - Columbiana, Ohio style this time.  Steve and his family raise Devon Cattle, Coopworth Sheep, pigs, turkeys and a partridge in a pear tree (okay, no partridges, but there are more chickens than you can safely count).  Their goal is to make and teach connections between living things, but the annual flock of Lamppost interns can tell you that they learn how to do the sweaty part on the farm as well.  These are just plain good solid people who open up their hearts and farm to those in need, wanting to make a difference.  As the Narnia bunch would tell you, when life gets rough, it's always lovely to have someone who's willing to leave the lamppost burning so others can find their way home.  C.S. Lewis would be proud. Links:http://www.lamppostfarm.com/https://whatnerd.com/movies-with-hidden-meanings-deeper-metaphors/https://iep.utm.edu/plato/https://en.wikipedia.org/wiki/Platohttps://historycooperative.org/norse-mythology/https://greekgodsandgoddesses.net/gods/https://greekgodsandgoddesses.net/gods/apollo/https://en.wikipedia.org/wiki/C._S._Lewishttps://www.cnn.com/style/article/keep-calm-poster/index.htmlhttps://en.wikipedia.org/wiki/The_Chronicles_of_Narniahttps://en.wikipedia.org/wiki/J._R._R._Tolkien Support the show

Our "FOCUS for the Week" is Be The Lamppost FOCUS for the Week episodes are a reintroduction of formerly our "Emphasis of the Week" but this time titled after our PSB acronym F.O.C.U.S. These episodes quickly highlight one topic for the week that players, parents, and coaches could benefit from. ⭐️ PLEASE LEAVE A 5-STAR REVIEW If you enjoyed our podcast, would you please take a minute and leave us a 5-star review? It would mean the world to us as we are beginning to grow our voice in the podcast sphere. To leave a review on Apple: Click ⁠⁠⁠⁠⁠⁠this link⁠⁠⁠⁠⁠⁠ Scroll ALL THE WAY DOWN Look for the 5 stars and leave a review!

In this podcast interview, Dave Lanthier discusses his role in leading the Career Transition Class (Tuesdays, 9 AM, Lamppost) at Christ Methodist Church. With more than 20 years of experience in human resources, Dave shares insights into his journey, including a pivotal moment when he felt called by the Holy Spirit to start the career support meeting. He describes how the class provides both practical guidance on job search skills and emotional support to individuals facing unemployment. Dave emphasizes the importance of answering God's call and encourages those experiencing job loss to seek support and trust in the Lord's plan.

Deep Relaxation by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License creativecommons.org/licenses/by/3.0/ Music promoted by freemusicbg.com and www.chosic.com

Deep Relaxation by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License creativecommons.org/licenses/by/3.0/ Music promoted by freemusicbg.com and www.chosic.com

(5 hours) #911 “Punch up with a lamp post” Let me bore you to sleep (Jason Newland) (26th October 2022) Deep Relaxation by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License creativecommons.org/licenses/by/3.0/ Music promoted by freemusicbg.com and www.chosic.com

(10 hours) #911 “Punch up with a lamp post” Let me bore you to sleep (Jason Newland) (26th October 2022) Deep Relaxation by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License creativecommons.org/licenses/by/3.0/ Music promoted by freemusicbg.com and www.chosic.com

(5 hours) #911 “Punch up with a lamp post” Let me bore you to sleep (Jason Newland) (26th October 2022) Deep Relaxation Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/Music promoted by https://freemusicbg.comand https://www.chosic.com

(10 hours) #911 “Punch up with a lamp post” Let me bore you to sleep (Jason Newland) (26th October 2022) Deep Relaxation by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Music promoted by https://freemusicbg.com and https://www.chosic.com

(5 hours) #911 “Punch up with a lamp post” Let me bore you to sleep (Jason Newland) (26th October 2022) Deep Relaxation by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Music promoted by https://freemusicbg.com and https://www.chosic.com

In Case You Missed It - Daniel and Phil invited us on The Lamp-Post Listener to talk about Chapter 7 of The Last Battle, "Mainly About Dwarves." Check out the rest of their episodes on The Last Battle and the rest of the Narnian Chronicles at ⁠The Lamp-Post Listener Podcast⁠⁠ and online here at ⁠The Lamp-Post Listener.⁠ Find more Lesser-Known Lewis —  Online: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/lesser-known-lewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lesser-Known Lewis Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: lesserknownlewis@gmail.com Graphic Design by Angus Crawford. Music: Dream Cave / Crowned Kings / courtesy of www.epidemicsound.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/lesserknownlewis/message

In Case You Missed It - We were recently guests on The Lamp-Post Listener with Daniel and Phil to talk about why we all love Lewis, especially his essay! Check out The Lamp-Post Listener Podcast⁠ and online here at The Lamp-Post Listener. Find more Lesser-Known Lewis —  Online: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/lesser-known-lewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lesser-Known Lewis Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: lesserknownlewis@gmail.com Graphic Design by Angus Crawford. Music: Dream Cave / Crowned Kings / courtesy of www.epidemicsound.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/lesserknownlewis/message

#911 “Punch up with a lamp post” Let me bore you to sleep (Jason Newland) (26th October 2022) by Jason Newland

'Life on a Lamppost' is a short fiction story written by Ben Tallon, for a book produced by OFFF Festival 2023. Here is the exclusive audio version with a score by Dirty Freud. The times are troubled and we've all felt the rising panic in our stretched minds. Here is one take on it. The show is supported by Illustration X. See their global range of illustrator and animator portfolios at https://illustrationx.com For Dirty Freud's Soundcloud: https://soundcloud.com/dirtyfreud or his Spotify: https://open.spotify.com/artist/2c5NcXidirDDqL3sc3vW8S https://www.offf.barcelona/ https://bentallonwriter.com https://bentallon.com

Hi everyone! Today's episode is very all over the place, but please enjoy. I talk about legacy, stickers, Dickinson, and Ava Jules' podcast, On My Mind. Please rate, review, and subscribe. I really appreciate it. Thank you so much! Much love, rih. https://linktr.ee/Rainydaybydays --- Send in a voice message: https://podcasters.spotify.com/pod/show/rainydaythoughts/message

Follow Turia on Tik Tok: @turia_pitt or Instagram @Turiapitt Want to run with me? Go here: http://turiapitt.com/run See omnystudio.com/listener for privacy information.

Meghan wants a pet - Don't Judge: Do you have shared location with your partner?

So Allyssa from Lamppost collective drops by the Workshop to do a reverse interview, she is just getting started in her content creation journey and I offered her to come on and interview me live. https://www.instagram.com/lamppostcollective/ TODAYS TOOL dewalt 50 pack of carbide uitility blades https://amzn.to/3VNOPug CONNECT WITH ME http://www.patchofthemonth.co/PATCH OF THE MONTH CLUB http://toolmantim.co/WEBSITE http://toolmantim.shop/AMAZON AFFILIATE USA http://www.youtube.com/c/toolmantimsworkshop/YT https://rumble.com/c/ToolmanTimsWorkshopRUMBLE https://odysee.com/@Allseasonsmain:5ODYSEE https://mewe.com/i/toolmantimsworkshop- MeWe http://www.facebook.com/toolmantimsworkshop/- FB http://www.instagram.com/toolmantimsworkshop- IG http://t.me/toolmantimsworkshopTELEGRAM http://www.tiktok.com/@toolmantimsworkshopTIKTOK https://www.twitch.tv/toolmantimsworkshopTwitch https://anchor.fm/toolmantimPODCAST http://www.firesidefreedom.net/ FIRESIDE FREEDOM PODCAST http://www.thesurvivalpodcast.comEXPERT COUNCIL https://prepperbroadcasting.com/PREPPER BROADCAST NETWORK Mailing Address If you have anything interesting tool related you'd like to send my way, for review or just because, use the address below. U.S.A. Mailing address Toolman Tim Cook 102 Central Ave Ste 10699 Sweet Grass, MT 59484 CANADIAN Mailing Adress ‘Toolman Tim' P.O. Box 874 Provost, Alberta T0B3S0 Canada

Welcome to a special series from The Arcanist Team. Over the next twelve days, we'll be featuring flash fiction from Christopher Stanley's collection The Lamppost Huggers and Other Wretched Tales. Welcome to The Twelve Days of Horror. On the seventh day of horror, a famous classical piece is back to haunt us, and something strange is going on regarding the lampposts. Christopher Stanley is the author of numerous prize-winning flash fictions, the darkest of which can be found spreading misery and mayhem in his debut collection, The Lamppost Huggers and Other Wretched Tales (The Arcanist, June 2020). He's also the author of the horror novelette, The Forest is Hungry (Demain Publishing, April 2019). Follow him on Twitter @allthosestrings or visit his website: christopherstanleyauthor.com Love speculative literature? Read hundreds of other science fiction, fantasy, and horror stories online for free at TheArcanist.io. To support our writers, visit Patreon.com/TheArcanist.    Tales From The Arcanist and Twelve Days of Horror are produced by the editors of The Arcanist. Music provided by WATERCAT from Fugue.

- U.S. EV Credits Create a Firestorm - Canada Kicks Out Chinese Lithium Miners - Automakers Suspend Twitter Advertising - BMW 7-Series Offers Hands Free L2 - Durant Guild Unveils Its Lineup - NIO Battery Swapping Stations Surging - EV Lamppost Chargers Have Lowest Carbon Footprint  - Wuling, Baojun Corner Cheap EV Segment - MINI Opens Stick Driving School

- U.S. EV Credits Create a Firestorm- Canada Kicks Out Chinese Lithium Miners- Automakers Suspend Twitter Advertising- BMW 7-Series Offers Hands Free L2- Durant Guild Unveils Its Lineup- NIO Battery Swapping Stations Surging- EV Lamppost Chargers Have Lowest Carbon Footprint - Wuling, Baojun Corner Cheap EV Segment- MINI Opens Stick Driving School

(5 hours) #911 “Punch up with a lamp post” Let me bore you to sleep (Jason Newland) (26th October 2022)

(10 hours) #911 “Punch up with a lamp post” Let me bore you to sleep (Jason Newland) (26th October 2022)

(music) #911 “Punch up with a lamp post” Let me bore you to sleep (Jason Newland) (26th October 2022)

#911 “Punch up with a lamp post” Let me bore you to sleep (Jason Newland) (26th October 2022)

This episode is a reading of my story that was recently published on www.StrictlyVintageWatches.com all about Jaeger-LeCoultre Lamp Post Clocks along with some amusing anecdotes and side stories. We go DEEP into the fascinating variations of these clocks, when they were made, and what a potential collector or owner should look for in one. The show notes for this and every episode can always be found at: www.TheGrumpyCollector.com. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/the-grumpy-collector/support

Stories this week include: Man with gnome fetish erects blockade. Missing hedgehog found tapped to lamppost. Stripper hired by retirement home to entertain residents Delicious rats head found in bag of frozen veg. Anyone fancy a ham shanker?

The company is transported to a world where a beautiul song is beginning. Your Lamp-post Links: The Music of Creation in Middle-earth and Narnia You can support the show on Patreon. You can also email us at thenarniapodcast@gmail.com or leave us a voicemail at (406) 646-6733. Apple Podcasts | Spotify | Google Podcasts | YouTube | Stitcher Radio | Podcast Website | RSS Feed All Extracts by C.S. Lewis copyright © C.S. Lewis Pte. Ltd. Used with permission.

Serial entrepreneur Jason Lafferty tells us about how he created "bus sauce" and eventually burned all of his belongings to escape to Texas.

This episode is part of Pledge Week 2022. Every day this week, I'll be posting old Patreon bonus episodes of the podcast which will have this short intro. These are short, ten- to twenty-minute bonus podcasts which get posted to Patreon for my paying backers every time I post a new main episode -- there are well over a hundred of these in the archive now. If you like the sound of these episodes, then go to patreon.com/andrewhickey and subscribe for as little as a dollar a month or ten dollars a year to get access to all those bonus episodes, plus new ones as they appear. Click below for the transcript Transcript Today's backer-only episode is an extra-long one -- it runs about as long as some of the shorter main episodes -- but it also might end up containing material that gets repeated in the main podcast at some point, because a lot of British rock and pop music gets called, often very incorrectly, music-hall, and so the subject of the music halls is one that may well have to be explained in a future episode. But today we're going to look at one of the very few pop hits of the sixties that is incontrovertibly based in the music-hall tradition -- Herman's Hermits singing "I'm Henry the Eighth, I Am": [Excerpt: Herman's Hermits, "I'm Henry the Eighth, I Am"] The term "music hall" is one that has been widely misused over the years. People talk about it as being a genre of music, when it's anything but. Rather, the music hall -- which is the British equivalent of the American vaudeville -- was the most popular form of entertainment, first under that name and then under the name "variety", for more than a century, only losing its popularity when TV and rock-and-roll between them destroyed the market for it. Even then, TV variety shows rooted in the music hall continued, explicitly until the 1980s, with The Good Old Days, and implicitly until the mid-1990s. As you might imagine, for a form of entertainment that lasted over a hundred years, there's no such thing as "music-hall music" as a singular thing, any more than there exists a "radio music" or a "television music". Many music-hall acts were non-musical performers -- comedians, magicians, acrobats, and so forth -- but among those who did perform music, there were all sorts of different styles included, from folk song to light opera, to ragtime, and especially minstrel songs -- the songs of Stephen Foster were among the very first transatlantic hits. We obviously don't have any records from the first few decades of the music hall, but we do have sheet music, and we know that the first big British hit song was "Champagne Charlie", originally performed by George Leybourne, and here performed by Derek B Scott, a professor of critical musicology at the university of Leeds: [Excerpt: Derek B. Scott, "Champagne Charlie"] If you've ever heard the phrase "the Devil has all the best tunes", that song is why. William Booth, the founder of the Salvation Army, set new lyrics to it and made it into a hymn, and when asked why, he replied "Why should the Devil have all the good tunes?" The phrase had been used earlier, but it was Booth who popularised it. "Champagne Charlie" also has rather morbid associations, because it was sung by the crowd at the last public execution in Britain, so it often gets used in horror and mystery films set in Victorian London, so chances are if you recognised the song it's because you've heard it in a film about Jack the Ripper or Jekyll and Hyde. But the music hall, like all popular entertainment, demanded a whole stream of new material. The British Tin Pan Alley publishers and songwriters who wrote much of the early British rock and roll we've looked at started out in music hall, and almost every British popular song up until the rise of jazz, and most after that until the fifties, was performed in the music halls. We do have recordings from the later part of the music-hall era, of course, and they show what a wide variety of music was performed there, from pitch-black comedy songs like "Murders", by George Grossmith, the son of the co-writer of Diary of a Nobody: [Excerpt: George Grossmith, "Murders"] To sing-along numbers like "Waiting at the Church" by Vesta Victoria: [Excerpt: Vesta Victoria, "Waiting at the Church"] And one of the most-recorded music-hall performers, Harry Champion, a London performer who sang very wordy songs, at a fast tempo, usually with a hornpipe rhythm and often about food, like "A Little Bit of Cucumber" or his most famous song "Boiled Beef and Carrots": [Excerpt: Harry Champion, "Boiled Beef and Carrots"] But one that wasn't about food, and was taken a bit slower than his normal patter style, was "I'm Henry the VIII I Am": [Excerpt: Harry Champion, "I'm Henry VIII, I Am"] (Incidentally, the song as written on the sheet music has "Henery" rather than "Henry", and most people sing it "Enery", but the actual record by Champion uses "Henry" on the label, as does the Hermits' version, so that's what I'm going with). Fifty years after Champion, the song was recorded by Joe Brown. We've talked about Brown before in the main podcast, but for those of you who don't remember, he's one of the best British rock and roll musicians of the fifties, and still performing today, and he has a real love of pre-war pop songs, and he would perform them regularly with his band, the Bruvvers. Those of you who've heard the Beatles performing "Sheikh of Araby" on their Decca audition, they're copying Brown's version of that song -- George Harrison was a big fan of Brown. Brown's version of "I'm Henry the Eighth I Am" gave it a rock and roll beat, and dropped the verse, leaving only the refrain: [Excerpt: Joe Brown and the Bruvvers, "I'm Henry the Eighth I Am"] Enter Herman's Hermits, four years later. In 1964, Herman's Hermits, a beat group from Manchester led by singer Peter Noone, had signed with Mickie Most and had a UK number one with "I'm Into Something Good", a Goffin and King song originally written for Earl-Jean of the Cookies: [Excerpt: Herman's Hermits, "I'm Into Something Good"] That would be their only UK number one, though they'd have several more top ten hits over here. It only made number thirteen in the US, but their second US single (not released as a single over here), "Can't You Hear My Heartbeat", went to number two in the States. From that point on, the group's career would diverge enormously between the US and the UK -- half their US hits were never released as singles in the UK, and vice versa. Several records, like their cover version of Sam Cooke's "Wonderful World", were released in both countries, but in general they went in two very different directions. In the UK they tended to release fairly normal beat-group records like "No Milk Today", written by Graham Gouldman, who was also writing hits for the Yardbirds and the Hollies: [Excerpt: Herman's Hermits, "No Milk Today"] That only charted in the US when it was later released as a B-side. Meanwhile, in the US, they pursued a very different strategy. Since the "British Invasion" was a thing, and so many British bands were doing well in the States partly because of the sheer novelty of them being British, Herman's Hermits based their career on appealing to American Anglophiles. This next statement might be a little controversial, even offensive to some listeners, so I apologise, but it's the truth. There is a large contingent of people in America who genuinely believe that they love Britain and British things, but who have no actual idea what British culture is actually like. They like a version of Britain that has been constructed entirely from pop-culture aimed at an American market, and have a staggeringly skewed vision of what Britain is actually like, one that is at best misguided and at worst made up of extremely offensive stereotypes. People who think they know all about the UK because they've spent a week going round a handful of tourist traps in central London and they've watched every David Tennant episode of Doctor Who. (Please note that I am not, here, engaging in reflex anti-Americanism, as so many British people do on this topic, because I know very well that there is an equally wrong kind of British person who worships a fictional America which has nothing to do with the real country -- as any American who has come over to the UK and seen cans of hot dog sausages in brine with "American style" and an American flag on the label will shudderingly attest. Fetishising of a country not one's own exists in every culture, and about every culture, whether it's American weebs who think they know about Japan or British Communists who were insistent that the Soviet Union under Stalin was a utopia). For their US-only singles, most of which were massive hits, Herman's Hermits played directly to that audience. The group's first single in this style was "Mrs. Brown, You've Got a Lovely Daughter", written by the actor Trevor Peacock, now best known for playing Jim in The Vicar of Dibley, but at the time best known as a songwriter for groups like the Vernons Girls and  for writing linking material for Six-Five Special and Oh Boy! That song was written for a TV play and originally performed by the actor Tom Courtenay: [Excerpt: Tom Courtenay, "Mrs. Brown, You've Got a Lovely Daughter"] The Hermits copied Courtenay's record closely, down to Noone imitating Courtenay's vocals: [Excerpt: Herman's Hermits, "Mrs. Brown, You've Got a Lovely Daughter"] That became their first US number one, and the group went all-in on appealing to that particular market. Noone started singing, not in the pseudo-American style that, say, Mick Jagger sings in (and early-sixties Jagger is a perfect example of the British equivalent of those American Anglophiles, loving but not understanding Black America), and not in his own Manchester accent, but in a faked Cockney accent, doing what is essentially a bad impersonation of Anthony Newley. (Davy Jones, who like Noone was a Mancunian who had started his career in the Manchester-set soap opera Coronation Street, was also doing the same thing at the time, in his performances as the Artful Dodger in the Broadway version of Oliver! -- we'll talk more about Jones in future episodes of the main podcast, but he, like Noone, was someone who was taking aim at this market.) Noone's faked accent varied a lot, sometimes from syllable to syllable, and on records like "Mrs. Brown, You've Got a Lovely Daughter" and the Hermits' version of the old George Formby song "Leaning on a Lamp Post" he sounds far more Northern than on other songs -- fitting into a continuum of Lancashire novelty performers that stretched at least from Formby's father, George Formby senior, all the way to Frank Sidebottom. But on the Hermits' version of "I'm Henry the Eighth, I Am", Noone is definitely trying to sound as London as he can, and he and the group copy Joe Brown's arrangement: [Excerpt: Herman's Hermits, "I'm Henry the Eighth I Am"] That also became an American number one, and Herman's Hermits had truly found their niche. They spent the next three years making an odd mixture of catchy pop songs by writers like Graham Gouldman or PF Sloan, which became UK hits, and the very different type of music typified by "I'm Henry the Eighth I Am". Eventually, though, musical styles changed, and the group stopped having hits in either country. Peter Noone left the group in 1971, and they made some unsuccessful records without him before going on to the nostalgia circuit. Noone's solo career started relatively successfully, with a version of David Bowie's "Oh! You Pretty Things", backed by Bowie and the Spiders From Mars: [Excerpt: Peter Noone, "Oh! You Pretty Things"] That made the top twenty in the UK, but Noone had no further solo success. These days, there are two touring versions of Herman's Hermits -- in the US, Noone has toured as "Herman's Hermits featuring Peter Noone", with no other original members, since the 1980s. Drummer Barry Whitwham and lead guitarist Derek Leckenby kept the group going in the rest of the world until Leckenby's death in 1994 -- since then Whitwham has toured as Herman's Hermits without any other original members. Herman's Hermits may not have the respect that some of their peers had, but they had incredible commercial success at their height, made some catchy pop records, and became the first English group to realise there was a specific audience of Anglophiles in the US that they could market to. Without that, much of the subsequent history of music might have been very different.

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