Podcasts about carpenters

Two hundred fifty years ago, in May 1775, delegates from thirteen British North American colonies gathered in Philadelphia for the Second Continental Congress.  Why was Philadelphia chosen as the seat of Congress? What made the city a critical hub for revolutionary ideas, commerce, and culture? And how has Philadelphia's early history shaped the broader narrative of American Independence?  Paul Kahan, a historian of American political, economic, and urban history, joins us to explore Philadelphia's early American history with details from his book. Philadelphia: A Narrative History, the first comprehensive history book about Philadelphia in over 40 years. Paul's Website | Book  Show Notes: https://www.benfranklinsworld.com/411 RECOMMENDED NEXT EPISODES

Aux portes des années 70, alors que la jeunesse américaine s'embrase dans un tourbillon de révolte et de rébellion, un duo frère-sœur se démarque avec une musique pop romantique et suave. Découvrez l'histoire fascinante des Carpenters, avec leur voix d'ange et leurs mélodies enivrantes, qui ont conquis le cœur du monde entier.Originaires du Connecticut, Karen et Richard Carpenter grandissent dans une banlieue typique de la classe moyenne. Très tôt, le jeune Richard montre un talent inné pour le piano, poussant la famille à déménager à Los Angeles, berceau du rêve musical californien. De son côté, Karen se passionne pour la batterie au sein de la fanfare de son lycée. Lorsque le groupe dans lequel ils évoluent se sépare, les deux frères et sœurs décident de former un duo. Malgré les réticences initiales de Karen à chanter, c'est finalement sa voix cristalline qui leur permet de signer avec le label A&M Records. Leur premier single, une reprise de « Ticket to Ride » des Beatles, ne rencontre pas le succès escompté. Mais leur deuxième essai, « Close to You », les propulse sur le toit du monde, révélant au grand jour l'une des plus belles voix de la pop américaine.Pendant que le rock'n'roll électrise la planète, les Carpenters imposent un son unique, doux et enveloppant, porté par les arrangements raffinés de Richard et la voix angélique de Karen. Derrière cette façade lisse et édulcorée, se cache pourtant une réalité bien moins rose.

Nach einem Monat wird es mal wieder dringend Zeit zu reden. Da hat sich ja einiges aufgestaut.

This week's episode was recorded in front of a live audience on Feb. 7th, 2025, at Cinema 21 in Portland, Oregon. Beloved composer, musician, and iconic actor PAUL WILLIAMS joined us to discuss the film we screened that night, PHANTOM OF THE PARADISE, as well as his impressive and long career in film and music. Paul talks about his experiences working with director Brian De Palma, juggling acting and composing songs for fellow actors William Finley, Gerrit Graham, and Jessica Harper, his stylistic influences for writing the soundtrack, the joy in playing a bastard like Swan and even how Phantom eventually found an audience with the help of some dedicated Winnipeggers. He also shares fascinating stories about his prolific work output, including composing for Jim Henson, how Burt Reynolds got the idea to put him in Smokey & The Bandit, writing songs for the Carpenters, Barbara Streisand & Ishtar, meeting songwriting deadlines while touring with Liza Minelli, how it felt when Phantom superfans Daft Punk reached out to him to collaborate on their music, and so much more.And as if that wasn't enough, there's also a live performance from Paul's latest collaborators, PORTUGAL. THE MAN, which includes a lovely Phantom Of The Paradise tip of the hat.Thanks again to all who donated their time and energy to make this beautiful event happen! Enjoy!PAUL WILLIAMS:https://www.paulwilliamsofficial.com/PORTUGAL. THE MAN:https://portugaltheman.com/FRANCES CHANGED MY LIFE:https://www.franceschangedmylife.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com  Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Paul Williams is an Oscar, Grammy, and Golden Globe award-winning composer, songwriter, and musician. He is known for writing and co-writing popular songs such as “Evergreen”, “We’ve Only Just Begun”, and “Rainbow Connection”. Williams wrote the score and lyrics for renowned films such as the 1976 adaptation of “A Star is Born”, “The Muppet Movie”, “The Muppet Christmas Carol”, “Bugsy Malone”, and “The Phantom of the Paradise”. His songs have been recorded by legendary artists such as Frank Sinatra, Elvis Presley, and The Carpenters. As an actor, Williams has appeared in numerous high profile films and TV shows such as the 1973 “Battle for the Planet of the Apes”, “Smokey and the Bandit”, “Phantom of the Paradise”, and “Baby Driver”. His illustrious career spans generations and includes titans of both the music industry and Hollywood. Currently, Williams is the president and chairman of the ASCAP, the American Society of Composers, Authors, and Publishers.See omnystudio.com/listener for privacy information.

Where do you draw the line—with friends, family, or even your spouse? In this episode of Ron + Hope: Unfiltered, Pastors Ron and Hope open up about the importance of boundaries in every type of relationship. Can men and women be best friends? Should you vent about your spouse to others? What if your in-laws are tearing your marriage apart? The Carpenters share wisdom, stories, and biblical insight from 35 years of marriage and ministry. If you've ever struggled with where to set limits in your life, this one's for you!   S4 E17   Are there any topics you'd like us to discuss? Do you have any questions you'd like us to answer? Send them to unfiltered@ronandhope.com.   Follow Ron Carpenter at https://www.instagram.com/ron.carpenter/ Follow Hope Carpenter at https://www.instagram.com/pastorhope.carpenter/   Subscribe to Ron's YouTube page at https://www.youtube.com/user/pastorroncarpenter   Subscribe to Hope's YouTube page at https://www.youtube.com/channel/UC1TUxyS_-elLEOORZ2YiunA Learn more about your ad choices. Visit megaphone.fm/adchoices

I Rewind nr. 18 tager vi et kig på lovens lange arm, eller i hvert fald film, hvor den arm fægter lidt i blinde og måske holder en laserpistol. Vi har støvet uniformen af (den fra BR), ladet kniplen hvile tungt ved siden af mikrofonen og kaster os over tre film, der på hver deres skæve måde hylder/håner ordensmagten. Gør jer klar, for politiet kommer! Måske! ...med lidt forsinkelse og tvivlsom teknologi. Niels rykker ud som den første med John Carpenters lavbudget-mesterværk, 'Assault on Precinct 13' (1976). Her er det mest skræmmende ikke de hærgende bander, men den trykkende stilhed før kuglerne begynder at flyve som popcorn i en løbsk mikrobølgeovn. En benhård western forklædt som et urbant mareridt, hvor en politistation belejres. Filmen kickstartede ikke alene Carpenters karriere, men også Sonnys isbil-traume. Efter en vejrtrækningsøvekse følger Sonny op med 'Silent Rage' (1982) (på dansk: 'Dødsmaskinen'). Filmen hvor Chuck Norris med "stoisk ro" (klinisk mangel på udstråling) og karatespark forsøger at nedlægge en trussel, der for længst burde være skvattet ned i et af manuskriptets fantastisk mange plothuller. Det er en bizar cocktail af sci-fi, slasher og martial arts, hvor Norris kæmper mod en nærmest ustoppelig dræber bygget af tvivlsom dialog og brun sovs. En film så aparte, at vi stadig diskuterer, om Chuck overhovedet opdagede, at han var med i den. Ask lukker og slukker med 'R.O.T.O.R.' (1987), filmen, der får 'Robo Vampire' til at fremstå som et Oscarværdigt Bergman-drama. Forestil dig 'RoboCop', hvis plottet var blevet hvisket gennem en dårlig telefonforbindelse af én, der kun havde hørt om originalen. Resultatet er en dræberrobot med et imponerende overskæg og smarte solbriller, der cykler (!) rundt og skyder fartsyndere. Amerikansk B-films-trash med en grad af eksistentiel forvirring, der normalt kræver flere års terapi.

Robin Clevett is joined by Carpenters to discuss their toughest jobs and experiences on the tools that have really challenged them. Guests include: Oli Lee (With Bear Hands), Allen Burt (8th Generation Carpenter) & Festool influencer, Gary Banks

Set in New York in the 1980s, Adam Ross's new novel, “Playworld,” tells the story of a young actor named Griffin as he navigates the chaos of the city, of his family and of being a teenager, and the dangers that swirl around each. Although “Playworld” grapples with bleak material, it sparkles with Ross's vivid eye and sardonic sense of humor. The result is a dark, off-kilter bildungsroman about one overextended teenager trying to figure himself out while being failed, continually, by every adult around him.On this week's episode, the Book Club host MJ Franklin discusses “Playworld” with his colleagues Dave Kim and Sadie Stein. Here are the books discussed in this week's episode:“Playworld,” by Adam Ross“Mr. Peanut,” by Adam Ross“The Catcher in the Rye,” “Nine Stories,” “Raise High the Roof Beam, Carpenters and Seymour: An Introduction,” and “Franny and Zooey,” by J.D. Salinger“Long Island Compromise,” by Taffy Brodesser-Akner“How Little Lori Visited Times Square,” by Amos Vogel, illustrated by Maurice Sendak“The Squid and the Whale,” directed by Noah Baumbach“The Goldfinch,” by Donna Tartt“Headshot,” by Rita Bullwinkel“The Copenhagen Trilogy,” by Tove Ditlevsen“Jakob von Gunten,” by Robert Walser Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Robert Watt, former Assistant Principal Horn of the Los Angeles Philharmonic.   Robert Lee Watt was born in Neptune, New Jersey the 4th child of seven. His father, Edward Watt Jr. played trumpet professionally in a Jazz ensemble, “The New Jersey Squires of Rhythm.” When Robert was eight years old he got curious about his father's trumpet, kept high on a shelf. Too short to reach it, Robert conscripted his little brother Tony to help. But with Tony on his shoulders he lost his balance, causing both of them to fall to the floor, trumpet in hand.  Robert then attempted to fix the dents in the instrument by using a hammer. The badly damaged trumpet was the way Robert's father discovered his interest in horns. After a serious reproach, Robert's father tried to teach him trumpet. However, it wasn't until years later that Robert discovered the instrument he really wanted to play.    While helping his father clean out a room in the basement Robert discovered some old 78 recordings. The curious Robert gave the old recordings a spin. It was the “William Tell Overture” on hearing the French horns on that recording he asked his father what instrument came in after the trumpet. His father informed him that it was a “French horn” “A middle instrument that never gets to play the melody like the trumpet…why, do you like that horn?” His father asked. Robert replied, “It gives me chills when I hear it, I love it. That's what I want to play.” His father informed the young Robert that it really wasn't the instrument for him. Explaining that it was an instrument for thin-lipped white boys. “Your lips are too thick to play that small, thin, mouthpiece. You'd be better suited for the trumpet like you father.”  Upon reaching high school Robert seriously pursued the French horn. Approaching the band director of his high school in Asbury Park, Robert was again told that his lips were too thick to play the French horn. After being persistent, the band director gave Robert an old French horn that barely worked.  Nevertheless, Robert advanced quickly and was soon winning auditions for honor bands and orchestras throughout the state of New Jersey, bringing great honor to his high school. After high school Robert was accepted to the New England Conservatory of Music in Boston where he majored in music and studied French horn with Harry Shapiro of the Boston Symphony. Mr. Shapiro took great interest in Robert pushing him hard. At the end of his first year Mr. Watt was asked to perform the Strauss Horn Concerto No. 1, with the Boston Pops Orchestra under Arthur Fiedler. The following summer he received a fellowship to the Berkshire Music Festival at Tanglewood. Returning to the Conservatory for his third year Mr. Watt was informed by the president's office that the Conservatory had financial problems and that all scholarships would be canceled for the coming year. At the end of his junior year at the Conservatory Mr. Watt was informed by his French horn teacher that it was time for him to audition for a position in a major symphony orchestra. On the advice of his teacher, Mr. Watt chose Los Angeles and Chicago. When Mr. Watt returned from his audition journey, he had made the finals at both auditions. Two months later The Los Angeles Philharmonic offered him the position of Assistant First Horn. Making him the first African American French horn player hired by a major symphony orchestra in the United States. Mr. Watt joined the ranks of only a handful of African Americans playing in symphony orchestras in these United States. According to the American Symphony Orchestra League, that represented less than 2% of the total, out of twenty-six top orchestras. Mr. Watt held his position until 2007, a career spanning 37 years.  Mr. Watt performed several times as soloist with the Los Angeles Philharmonic under Zubin Mehta and several orchestras in the Los Angeles area as well as the Oakland Symphony performing the Richard Strauss Second Horn Concerto While a member of the Los Angeles Philharmonic Mr. Watt has performed with principal and guest conductors that included: Leonard Bernstein, Eugene Ormandy, Eric Leinsdrof, Carla Maria Giulini, Pierre Boulez, Zubin Mehta, Henry Lewis, James De Priest, Michael Tilson Thomas, Herbert Blumstedt, Andre Previn, Marin Alsop, Esa-Pekka Salonen and Christoph Von Dohnányi. Included among the many world renown artists he has performed with were:     Yo-Yo Ma, Luciano Pavarotti, Placido Domingo, Jose Carreras, Wynton Marsalias, Henry Mancini, Gladys Night, Isaac Hayes, Quincy Jones, Stevie Wonder, Ray Charles, Barry White, Rihanna, Paula Abdul, Herbie Hancock, Lalo Schifrin, The Carpenters, Benny Carter, Quincy Jones, Bon Jovi, Elton John and film composer, John Williams. He has played on film scores of: Spiderman II, Rush Hour, Mission Impossible, Spike Lee's “Miracle at St. Anna, Golf and many others.  Mr. Watt has played the music for the Twentieth Century Fox cartoons, The Simpsons, American Dad, Family Guy and King of the Hill for the past three years. He played on the five hour TV special “The Jacksons, an American Family” under Harold Wheeler, and played for several years for the TV program “Startrek Voyager.” In the late 80's Mr. Watt helped organize an African American Brass Quintet, “The New Brass Ensemble” which performed throughout the United States and abroad.  Mr. Watt has done public speaking lecturing on music and African history in the Los Angeles area. He was hired as guest professor at Los Angele City College teaching the course, “Music of Black Americans”. Recently Mr. Watt executive produced a short film in memory of his friend Miles Davis. The film is based on the musical composition “Missing Miles” by Todd Cochran, commissioned by Mr. Watt, for French horn and piano. The short film was chosen by the Pan African Film Festival and the Garden State Film Festival.  Mr. Watt is a licensed airplane pilot with an instrument rating. He is a saber fencer and he speaks German and Italian.

Old City's Carpenters' Hall, the site of the First Continental Congress back in 1774, is considered the “acorn” of American democracy. Today, it's where host Trenae Nuri and executive producer Matt Katz throw back a couple of whiskeys in the closed-to-the-public second floor library and learn how stories from the founding of this country are relevant to its present. Every Tuesday and Thursday through May, Carpenters' Hall stays open late for small group tours and a whiskey tasting on its second floor.  Sign up for a tour & tasting here.  Find out more places to learn about Philly (and drink) in our daily newsletter: Hey Philly Got another historical site for us to check out? Call or text us: 215-259-8170 We're also on Instagram: @citycastphilly Learn more about the sponsors of this episode:  Babbel - Get up to 60% off at Babbel.com/CITYCAST Cozy Earth - Use code COZYPHILLY for 40% off best-selling sheets, towels, pajamas, and more. Aura Frames - Get $35-off plus free shipping on the Carver Mat frame with Promo Code CITYCAST Advertise on the podcast or in the newsletter: citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices

Music & Memories (Apr 73) music from: Carpenters, Gilbert O'Sullivan, Ojays, Cliff Ricard, David Cassidy, Argent, Paul McCartney, Blue Mink, Dawn, Roxy Music and more 

Jessica LaPointe, President of AFGE Council 220, joined the America's Work Force Union Podcast to discuss the critical challenges facing the Social Security Administration (SSA), like staffing, policy changes impacting beneficiaries and ongoing threats to union contracts. John Jarger, Director of Operations for the Mid-America Carpenters Regional Council (MACRC), joined the America's Work Force Union Podcast to discuss the financial impact of worker misclassification, the proactive measures being taken by the United Brotherhood of Carpenters and Joiners of America and the importance of legislative action to combat these challenges.

"...four horns...four carpenters." | Zechariah | 1:18-21 | Pastor BJ VanAman Recorded April 13th, 2025

Dan, James, Andy and Anna discuss cloud eaters, load masters, and various Carpenters. Visit nosuchthingasafish.com for news about live shows, merchandise and more episodes.  Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreon

Robin Clevett is joined by Frank Schipano, An Australian Carpenter who has a unique opportunity to shadow Carpenters around Europe and has recently been working with Robin here in the UK. Frank talks about the family business back in Melbourne, the differences and similarities in working here compared to Australia, materials, working with Robin on-site recently and more

This week, another milestone episode in our journey that is the InObscuria Podcast. We are also preparing for another visit to the Rock n Pod Expo in Nashville, TN, USA on April 12. This made your humble hosts ponder our future, and a decision was made to slightly tweak our mantra. To explore and expand the soundscape of obscure music beyond where we've gone before. Therefore, we call this episode our event horizon! A new beginning with a similar feel… Hope ya dig! What's this InObscuria thing? We're a podcast that exhumes obscure music of all genres and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. We hope we turn you on to something new and introduce to your new favorite artists!For more on Rock N Pod 2025 (April 11-13) go to https://nashvillerocknpodexpo.com/Songs this week include:The Soup Dragons – “Lovegod” from Lovegod (1990)Blueground Undergrass – “Wichita Lineman” from Barnyard Gone Wrong (1999)The Midnight – “Gloria” from Red, White, And Bruised: The Midnight Live (2023)King Plague – “Ave Plague” from Weeping Soul (2015)Lettuce – “Need To Understand” from Rage! (2008)Sonic Youth – “Superstar” from If I Were A Carpenter (1994)DOMi & JD BECK – “BOWLiNG feat. Thundercat” from NOT TiGHT (2022)a-ha – “The Sun Always Shines On T.V.” from Hunting High & Low (1985)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Oh, and BTW: April Fools

This week we look at Africa's only official Christian nation - Zambia;  Chinese pollution in Zambia;  Germany abandons debt ceiling and industry; Scottish Greens on Gender neutral toilets;  Dylan on machines making music; The Peat Inn for sale; the Dundee Derby; Newcastle United end trophy drought; SpaceX rescues astronauts; DOGE discovers 'Magic Money Machines'; Tesla and BYD batteries; Persecution of Christians in Syria and the Congo; Banning 'midwife'; New Jersey asks babies to self identify; Sydney rally against abortion; Ukraine ceasefire; The history of mail; C of E urges avoiding 'Eurocentric' prayers, Feedback  - with music from AGAM, Bob Dylan, the Magpie Geordie, the Rolling Stones, the Carpenters, and Ailsa Turner 

Robin Clevett is joined by Carpenters so that he can find out how business has been for the first quarter of 2025 and what the next two quarters will be like. Guests include: Jon Randal, Allen Burt & Jay Elliott

mélange azimut pour public épicurien....

Visit: RadioLawTalk.com for information & full episodes! Follow us on Facebook: bit.ly/RLTFacebook Follow us on Twitter: bit.ly/RLTTwitter Follow us on Instagram: bit.ly/RLTInstagram Subscribe to our YouTube channel: www.youtube.com/channel/UC3Owf1BEB-klmtD_92-uqzg Your Radio Law Talk hosts are exceptional attorneys and love what they do! They take breaks from their day jobs and make time for Radio Law Talk so that the rest of the country can enjoy the law like they do. Follow Radio Law Talk on Youtube, Facebook, Twitter & Instagram!

Send us a textIn this episode, we dive into the extraordinary life and hauntingly beautiful voice of Karen Carpenter—one-half of the iconic duo, The Carpenters. From her meteoric rise to stardom in the 1970s to her heartbreaking battle with an eating disorder, we explore the talent, struggles, and legacy of one of the greatest vocalists of all time.

National Egg McMuffin day. Entertainment from 1957. Importing slaves into US banned, Peonage banned, Puerto Rico citizens granted US citizenship. Compact disc went on sale. Todays Birthdays - Dr. Seuss, Desi Arnaz, Lou Reed, Karen Carpenter, Jon Bon Jovi, Daniel Craig, Chris Martin, Luke Combs. Dusty Springfield died.Intro - God did good - Dianna Corcoran   https://www.diannacorcoran.com/McDonalds TV commercialYoung Love - Tab HunterYoung Love - Sonny JamesBirthdays - In da club - 50 Cent     http://50cent.com/Bobalu - Desi Arnaz and his orchestraWalk on the wild side - Lou ReedWe've only just begun - The CarpentersRunaway - Bon JoviViva La Vida - ColdplayOne number away - Luke CombsOnly want to be with you - Dusty SpringfieldExit - Home Bar - Douglas Riely  https://www.douglasrileymusic.com/ countryundergroundradio.com

Send us a textOn this Episode Part 2, Tom and Bert continue review and discuss the Inspiration behind some of the Greatest Recordings by Singer/Songwriters ever.What inspires Songwriters and how they create, write and compose their hits is truly a calling. Like writing a novel, writing music is a skill that requires a vision, imagination and creativity!Here are more of these songs and the backstory that brought us these masterpieces.Chapter Highlights:(:52) "Candle in the Wind" (Princess Di) by Elton John(4:21) "Wild Horses" by The Rolling Stones(5:23) "Go your own Way" by Fleetwood Mac(9:06) "Don't Stop Believin" by Journey(11:42) "Me and Mr. Jones" by Amy Winehouse(16:27) "All of Me" by John Legend(19:25) "We've Only Just Begun" by The Carpenters(24:28) "Come Together" by The Beatles(28:51) "Green River by Creedence Clearwater Revival(32:40) "We Will Rock You" by QueenEnjoy the show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

Guy Miller

The Villages Recreation & Parks has lots of great activities on the schedule for this week, including an Outdoor Concert and an Outdoor Movie, along with a Bass Fishing Tournament, arts and crafts shows and much more. The annual Strawberry Festival will take over Brownwood Paddock Square this weekend; we have those fun and juicy details for you. Plus, there are plenty of musical entertainment options for you this week from the sounds of Rocky and the Rollers to The Carpenters. 

Dating in college with the hopes of building a sustainable relationship nowadays takes serious effort and a strong consideration of your selection process. In this week's episode, we continue our love series titled, “Relationships That Matter” with André Carpenter, Assistant Director for Student Outreach and Support at the University of Southern Florida, St Petersburg (USFSP), along with his wife, Dr. D'Wan J. Carpenter, who practices Osteopathic Medicine. After nearly 20 years of marriage, this college couple shares why they value the importance of faith, self-love and the honesty of a supportive village before the pursuit of dating and/or marriage. ⁠ André is currently a Doctoral Candidate in Counselor Education and Supervision at University of Holy Cross in New Orleans, Louisiana. Born and raised in Cincinnati, Ohio, André is a National Certified Counselor, Licensed Professional Counselor in Ohio, Florida and Louisiana. He is a Xi Tau Chapter Initiate of Kappa Alpha Psi Fraternity Inc. and as the founder of Fokus4Ward LLC, he offers counseling and consulting services. Married 19 years to his wife, Dr. D'Wan Carpenter, they have four children and are the cofounders of “Marriage F.I.R.E. Works,” a 16-week faith-based marriage coaching program. ⁠ Dr. D'Wan is dually board-certified in Physical Medicine and Rehabilitation and she earned her Doctorate of Osteopathic Medicine from Rowan School of Osteopathic Medicine (formerly UMDNJ-SOM). She has added the practice of lifestyle medicine into her practice helping patients embrace whole food lifestyles, focus on the roots of health including sleep, stress reduction, healthy social connections, and reducing risky habits. One of her many passions includes helping high achieving moms prioritize themselves and their well-being in order to flourish in their home and work. In addition to being a loving wife, mom, and cofounder of Marriage F.I.R.E Works, she is a proud member of Delta Sigma Theta Sorority, Inc. To learn more about The Carpenters' work, email them at marriagefireworks@gmail.com or visit their website at MarriageFireworks.com.

Luis Herrero y Felipe Couselo analizan al grupo estadounidense.

***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** This album and its singles earned Carpenters eight Grammy Award nominations. They won for Best New Artist and Best Contemporary Vocal Performance by a Duo, Group or Chorus for the album. Wayne Federman stops by to discuss their distinctively soft musical style.  Follow Wayne on Instagram: https://www.instagram.com/instafederman/ Follow Wayne on Twitter: https://x.com/federman DistroKid Artist Of The Week: Andy Bender https://youtu.be/OghL3gpbEM4?si=SXjvcxHlTAPS8Akn Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on TikTok: https://www.tiktok.com/@joshadammeyers Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Josh's Website: https://www.joshadammeyers.com/ Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

A lot of people like to toss out the phrase “The Founding Fathers must be rolling around in the graves” when referring to modern politics. But if you believe the stories coming out of Carpenters' Hall, they're walking around outside of their graves, too. 

A new crop of innovative schools encourages all students to use their minds and their hands.

We did it! ATTT is the first place on the internet to plant our flag on an amazing musical topic. People talk until they're blue in the face about all the times Prog artists went Prog. Why isn't anyone talking about those ridiculous moments where our favorite Pop stars said "Prog It!" Here in TOP TEN TIMES POP WENT PROG Part 2, progressive rock wizards Fernando Perdomo & Matt Tecu help us reveal picks 5-1 in epic fashion. We hail our favorite pop stars for their artistry and adventurousness. Prog on!If you missed Part 1, go back and start here:https://podcasts.apple.com/us/podcast/episode-652-top-ten-times-pop-went-prog-part-1-w-fernando/id573735994?i=1000684688010If there was ever a playlist that would get a 13/5 epicness rating, it's the official TOP TEN TIMES POP WENT PROG Spotify playlist, featuring all songs heard in Parts 1 & 2, bumper songs included. THE IKON included!https://open.spotify.com/playlist/6YrDIbriG6KIKA9aeYk46h?si=9c1457e999f348c7Fernando & Matt's excellent album "Art" is out there on all of the streaming places, but you should really check it out on Bandcamp:https://fernandoperdomo.bandcamp.com/album/artWe've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. It's the long-awaited return of Chrissy Olsen, in an all new episode, out February 1st! Find out more at https://www.patreon.com/c/alltimetopten

Nels and Vincent reveal that worker ants amputate their colleagues injured leg to prevent infections. Hosts: Nels Elde and Vincent Racaniello Subscribe (free): Apple Podcasts, RSS, email Become a patron of TWiEVO Links for this episode Join the MicrobeTV Discord server Wound-dependent leg amputation in ants (Curr Biol) Timestamps by Jolene Science Picks Nels – The Science Bridge Vincent – US withdraws from WHO Music on TWiEVO is performed by Trampled by Turtles Send your evolution questions and comments to twievo@microbe.tv

Burnout is a challenge all leaders face at some point. In this episode, Tim Harris explores the key characteristics of burnout, offers practical strategies for breaking the cycle, and shares effective tips to prevent it. This insightful discussion could truly be a lifesaver. Every resident faces challenges at some point in life. But what happens when an entire community is struck by a crisis? The Carpenters share their experiences supporting residents in the aftermath of the devastation caused by Hurricane Harvey.  

The post Soundography #171: The Carpenters appeared first on Soundography | A Crash Course in Music, One Band at a Time!.

Well, some think that podcasts should not have introductory banter. Just get to the subject at hand, they say. So, in light of that helpful instruction, the 3GTers make fun of it and banter away at the beginning about the Carpenters (a cultural nod to the old guy) and a few other things before they …

The trumpeter, record producer and visual artist tells stories from his time at A&R Records, working with the Carpenters and his latest album, 50.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

“We're gonna take a (llonnnng) trip right now. Like we always do about this time.” List week has come and gone, but Lightnin' Licks Radio is once again runnin' it back. As we embark on 2025, let's reflect on the best of the best musical offerings released over the past twelve months. Lickers Jay and Deon take a deep dive into the most delightful vinyl LPs that soundtracked their day-to-day and made them feel some way. We've been gifted a bountiful cornucopia of sonic deliciousness in 2024. Join us at the dining room table for stories over champagne. Sonic contributors to episode 41 of Lightnin' Licks Radio podcast include: The Last Poets, Brothers Johnson, M. M. Knapps, L. L. Cool J, Prince Paul, DjayTiger, Van Halen, The Good Life, T. Swift, Kanye West, Kendrick Lamar, Mustard!, Habibi, DMX, John Yoko Lennon, Harry Shearer, Wishy, Karate Guns and Tanning, MGMT, Adrianne Lenker, Big Thief, Cloud Nothings, Newdad, Lush, Liquid Mike, Superdrag, rowdy saloon ambiance, Buzz Martin, Jackyl, Andrew Gabbard, Neil Young, BNNY, Wunderhorse, The Dead Pretties, Amyl & the Sniffers, JPEG Mafia, Danny Brown, 9th Wonder, Rapsody, Erykah Badu, Hit Boy, Bob Marley and the Wailers, Lil' Wayne, Adeem the Artist, Suki Waterhouse, BLOND:ISH, White Lies, Nilufer Yanya, Marika Hackman, Revenge of the Nerds, Common & Pete Rock, Carpenters, Curtis Mayfield, Diiv, Film School, Waxahatchee, MJ Lederman, Plains, The Microphones, Mount Eerie, Dub Narcotic, Jeff Bridges, Fontaines D.C., Tyler the Creator, Ty Dolla $ign, Freddie Gibbs, GloRilla, Travis Scott, Earlonthebeat, Ojivolta, Mix Master Mike, Playboi Carti, Beastie Boys, National Lampoon's Christopher Guest and Bill Murray. Selected tracks from the Top 22 Albums of 2024 mixtape: [LISTEN] AVAILABLE NOW ON SOUNDCLOUD! AVAILABLE NOW ON MIXCLOUD! [D0] Mix Master Mike - Unidentifried (intro) [D1] Wunderhorse – July [D2] Cloud Nothings – Final Summer [D3] Amyl & the Sniffers – Going Somewhere [D4] Rapsody – Back in my Bag [D5] DIIV – Everyone Out [D6] Adrianne Lenker – Evol [D7] Waxahatchee featuring MJ Lenderman – Right Back to It [D8] Sean Ono Lennon – Thinking of M [D9] MGMT – Bubblegum Dog [D10] Mount Eerie – I Spoke with a Fish [D11] Liquid Mike – Mouse Trap. [J0] National Lampoon's Mister Robert's Neighborhood (skit) [J1] Habibi – Alone Tonight [J2] Common & Pete Rock – We're on Our Way [J3] Fontaines D.C. – Favourite [J4] Marika Hackman – Slime [J5] Wishy – Persuasion [J6] Bnny – Good Stuff [J7] Nilufer Yanya – Method Actor [J8] Andrew Gabbard – If I Could Show You (Then You Would Know What I Mean) [J9] Suki Waterhouse – Big Love [J10] Adeem the Artist – Rotations [J11] Newdad – In My Head Happy New Year!

[SEGMENT 2-1] From Ruin to Renewal 1 Where are the Trump naysayers? I know many still exist, though most have been silenced. This includes RINOs who aided Democrats in plotting the demise of Trump and MAGA. I spoke of the NeverTrumpers recently. They now want back on the wagon, as they continue to plot against President Trump and his agenda. Still, many of them have been silenced, as they watch the difference between competence and failure. Look at what the Left have learned about Biden over the past year. And what of all the reveals to come? How could you possibly have supported this idiot and his agenda. While many on the Left continue with their muscle-memory to oppose Trump, they now catch themselves, course-correct, and rethink their knee-jerk lunacy. Take for example all the outspoken entertainers and Hollyweirdos. For the most part, they have kept a sock in their pie holes as it relates to Trump. It's difficult to criticize the man when you have Biden to whom you can compare him. Also, we know that most of these Tinseltown twits virtual-signal publicly while privately supporting Trump's policies. Even they look at the hard-core idiots like DeNiro and Stephen King as too far gone. Many of these pansy-asses exist, awaiting the moment they can proclaim that they never supported Biden, Kamala, or the Democrats. Trump will be the new fashion for 2025, as the closet-MAGA fakes simmer. As soon as Trump does something “Trumpian”, they will pretend they've been down with Trump since circa 2016. “We had his back!” And Trump will have many opportunities. He could end Biden's proxy war with Russia. He's already making moves on the Chinese with trade and the Panama Canal. And in the words of The Carpenters, “We've Only Just Begun”.     I saw a stat that read: From 2021-24, approximately 6% of new jobs added by S&P 100 companies went to white males  [SEGMENT 2-2] From Ruin to Renewal 2   What's your plan to make your life better next year? Let's begin there, because without that you can't help others. If you haven't thought about it, and put it on paper with ACTION ITEMS, please do so. Help yourself FIRST. Then do that thing that is required for real happiness: help others. Make a plan for that. It takes a LOT less than you think. A phone call, a note in the mail, and occasionally financial help. But don't rely on the money aspect first. It's usually just letting people you love know that you're thinking about them. You're all special. But in 2025 I challenge you to be better. Not because we are measuring, because the measurement is in how YOU feel. I'm not judging. But I know God has given you much. Share it.     In a time of seismic shifts and reckonings, Americans stand at the precipice of profound change. Looking back at what we leave behind, we see a trail of political deceit, cultural absurdity, and institutional failures that have scarred the nation's history. But alongside this retrospective, there are memories we refuse to let fade—hard lessons and pivotal moments that underscore the resilience of truth. And on the horizon, a brighter future glimmers, with opportunities to rebuild on the foundation of accountability and common sense. Leaving the Past in the Dust  [SEGMENT 2-3] From Ruin to Renewal 3   Barack Obama's legacy is finally unraveling. Once hailed as a transformative figure, his impact now reveals cracks in the facade. From economic stagnation to divisive rhetoric, Obama's tenure ultimately set the stage for his handpicked successor, Joe Biden, who amplified the damage. Biden's presidency—a product of the political maneuvering orchestrated by Obama—exemplifies the erosion of American leadership. Together, they'll be remembered as the "Dynamic Duo Dingbats," emblematic of what went wrong. The Clintons, too, have been relegated to history's dustbin. Their attempt to align their name with families like the Rockefellers or the Kennedys faltered under the weight of corruption and scandal. Hillary's loss to Trump was the final nail in the coffin for Clintonism, a political dynasty undone by its hubris. Gone, too, is the outdated notion that Trump can't lead Republicans to victory. The old-guard Republicanism—rooted in compromise and tepid policy—has been supplanted by a new era of bold, unapologetic conservatism. MAGA has meaning, and unlike the Tea Party movement, MAGA has staying power. Americans have also turned their backs on the once-trustworthy media, preferring MAGA influencers for their truth. Years of lies and selective reporting have shattered any credibility these institutions once held. Few people believe the NY Times, WaPo, CNN, and the like. The numbers prove it and Van Jones said it recently [X] SB – Van Jones on media     "Belief in the science," as weaponized by Leftists, has similarly crumbled. From gender ideology to the mishandling of COVID-19, the so-called experts—whether in the FDA, NIH, or DOJ—have proven untrustworthy. Their failures are etched into the collective memory of a populace betrayed by those they were told to trust. Likewise, Leftist platitudes such as "saving democracy" and "for the greater good" have lost all meaning, exposed as cynical tools to silence dissent.     Perhaps most importantly, the tide is turning against the Left's normalization of the sexualization of children and the creeping acceptance of pedophilia. Criminals in government and culture will find their time is up as the public demands accountability. Lessons We Must Remember Julian Assange's plight stands as a stark reminder of what happens to those who challenge the status quo. His detention stifled stories that could have unveiled further corruption, particularly surrounding the Biden family. Similarly, the Left's denial of Biden's incompetence and corruption remains a damning testament to media complicity. How is it that the Bidens managed to dodge scrutiny while seemingly laundering half of Beijing's treasury? The Biden crime family's antics could fill a Netflix series—and probably should. As you consider what Assange might have accomplished if not tethered to the Ecuadorian embassy, remember all that our media didn't do. Meanwhile, the DOJ's relentless targeting of Trump, aided by state-level cronies in New York and Georgia, underscores the weaponization of the justice system. Their lawfare campaign has been nothing short of historic—an epic quest to find something, anything, to pin on Trump. Yet every grand charge against him has collapsed like a Jenga tower at a kid's birthday party. It's almost comical to watch prosecutors argue, “This time, we've got him!” only for Trump to moonwalk out of the courtroom. And then there's Trump himself, the ultimate troll. Who else could turn working at McDonald's into a political flex? While Leftists mocked him flipping burgers, Trump spun it as a symbol of his connection to the average American. Let's not forget his sanitation stint—cleaning up the political trash Leftists left behind—a metaphor so on point it deserves an Emmy. Every one of Trump's antics serves a purpose: to troll, to entertain, and most importantly, to expose the absurdity of his detractors. Speaking of absurdity, remember when Ketanji Brown Jackson couldn't define a woman during her confirmation hearings? That moment alone should be preserved in the Smithsonian as a cultural artifact of wokeism's peak. Meanwhile, Biden's record-setting pardons—37 criminals off death row and counting—have set a new standard for tone-deaf governance. By the time he's done, Biden's pardon list might include the guy who stole your lunch at work. And let's not forget Hollywood's Diddy scandal and the still-unreleased Epstein list. These dark secrets promise to unravel networks of power and corruption, implicating everyone from studio execs to politicians. Every day that list stays hidden is another day the internet's conspiracy theorists sharpen their memes. [SEGMENT 2-4] From Ruin to Renewal 4 Jimmy Carter died over the weekend. I would never celebrate a person's death, but I have to say I'm not unhappy that he's gone. Democrats milked that man for decades, and he was one of the worst presidents in history. Education Department was started by him. The Department of Energy. Who can forget the hostage crisis, and how he allowed Muslim fundamentalists to start terrorizing the world? I know he built a few poor people some houses, but it doesn't undo all the damage he did as president. Carter was the first president Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kevin-jackson-show--2896352/support.

This episode features highlights from interviews with Teresa Wong, Casey McQuiston, Eric Chacour, Jenny Heijun Wills, and Matt Haig.Music featured in this episode: "Rainy Days and Mondays" written by Paul Williams and Roger Nichols, performed by Carpenters, from the 1971 self-titled album Carpenters, produced by Jack Daugherty.

That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can't get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The '70s country-pop smash by a character who didn't exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that's beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi's jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100's penthouse. We may think we don't want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can't get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The '70s country-pop smash by a character who didn't exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that's beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi's jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100's penthouse. We may think we don't want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can't get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The '70s country-pop smash by a character who didn't exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that's beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi's jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100's penthouse. We may think we don't want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join #LasVegasRaiders Beat Writer @HondoCarpenter for a Christmas Day Ridin' w/Hondo & Dexter on the @FansFirstSN. #Raiders #RaidersNation #NFL Learn more about your ad choices. Visit megaphone.fm/adchoices

That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can't get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The '70s country-pop smash by a character who didn't exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that's beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi's jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100's penthouse. We may think we don't want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can't get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The '70s country-pop smash by a character who didn't exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that's beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi's jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100's penthouse. We may think we don't want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

That damned jingle! In that infernal commercial trying to sell you cars, sneakers, soda, gum! Can't get it out of your head? Well, what if we made it longer, had a famous singer perform it, and put it on the radio? How would you like it then? A surprising number of hits across chart history got their start in advertisements: the Carpenters song that was originally a promo for a California bank. The '70s country-pop smash by a character who didn't exist, and was selling you sliced bread. The Sting song that began as a Japanese beer jingle. The Chris Brown song that sneaked a chewing-gum slogan into the chorus. And that's beyond all the songs and artists whose trajectories were changed by an ad placement—whether it was the R&B classics licensed to sell you Levi's jeans or the indie-rock songs anointed by Apple to make iPod-wearing silhouettes bop. Join Chris Molanphy as he explains how Madison Avenue finds its way into the Hot 100's penthouse. We may think we don't want the hard sell—but an army of Don Drapers are working day and night to buy the world a Coke and keep it company. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Williams has lived an extraordinary life. He's a songwriter who's written songs performed by Three Dog Night, Tiny Tim, The Carpenters, and David Bowie. On the latest episode of Bullseye we get into it all: Falling out of airplanes. Dressing as an Orangutan from Planet of the Apes on Carson. The simple genius of Kermit the Frog's Rainbow Connection, which was surprisingly complicated to write.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The first recorded bank robbery in the U.S. resulted in the wrong man sitting in jail, a very strange confession, and a serious lawsuit for the administrators of the bank that was robbed. Research: Avery, Ron. “America's First Bank Robbery.” Carpenters' Hall. https://www.carpentershall.org/americas-first-bank-robbery “Democratic Mystery Unraveled.” The North American. Nov. 20, 1798. https://www.newspapers.com/image/593171719/?match=1&terms=%22isaac%20davis%22 Hunt, Kristin. “The first major bank heist in America happened 225 years ago in Philly — and the wrong guy went to prison.” Philly Voice. Aug. 31, 2023. https://www.phillyvoice.com/first-bank-robbery-us-philly-carpenters-hall-patrick-lyon/ Lloyd, Thomas. “Robbery of the Bank of Pennsylvania in 1798. The Trial in the Supreme Court of the State of Pennsylvania. Reported from the Notes by T. Lloyd. Upon Which the President of That Bank, the Cashier, One of the Directors (Who Was an Alderman) and Another Person Who Was the High Constable of Philadelphia; Were Sentenced to Pay Patrick Lyon Twelve Thousand Dollars Damages, for a False and Malicious Prosecution against Him, without Either Reasonable or Probable Cause.” Philadelphia: Printed for the publishers. 1808. https://play.google.com/store/books/details?id=WfcdAAAAMAAJ&rdid=book-WfcdAAAAMAAJ&rdot=1 Lyon, Patrick. “The narrative of Patrick Lyon, who suffered three months severe imprisonment in Philadelphia gaol; on merely a vague suspicion, of being concerned in the robbery of the Bank of Pennsylvania: : with his remarks thereon.” Philadelphia. Francis and Robert Bailey. 1799. Accessed online: https://quod.lib.umich.edu/e/evans/N26860.0001.001/1:3?rgn=div1;view=fulltext “Pat Lyon at the Forge.” MFABoston. https://collections.mfa.org/objects/34216/pat-lyon-at-the-forge?ctx=797a5f9d-a27a-4ae4-996d-f277ad579544&idx=0 Rakich, Whitney, PhD. “Patrick Lyon (1769-1829).” Mount Vernon. https://www.mountvernon.org/library/digitalhistory/digital-encyclopedia/article/patrick-lyon-1769-1829#note2 “Well-known Tenants of Carpenters' Hall.” Carpenters Hall. https://www.carpentershall.org/tenants Xiang, Enya. “Carpenters' Hall in Philadelphia: A Crossroads for Early American History.” Global Philadelphia. Aug. 11, 2023. https://globalphiladelphia.org/news/carpenters-hall-philadelphia-crossroads-early-american-history See omnystudio.com/listener for privacy information.

Ben Franklin's World Revisited is a series where Liz surfaces one of our earlier episodes that complements and adds additional perspectives to the histories we discuss in our new episodes. Given the conversation we just had in Episode 396 about Carpenters' Hall & the First Continental Congress, Liz would like to offer you an episode she produced in 2017 as part of our Doing History: To the Revolution series. Episode 153: Committees and Congresses: Governments of the American Revolution, furthers the discussion we just had about the First Continental Congress by helping us investigate how the American revolutionaries formed governments as imperial rule in British North American disintegrated and the American Revolution turned to war.