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23 episodes with miles franklin literary award
5 episodes with miles franklin literary award
4 episodes with miles franklin literary award
2 episodes with miles franklin literary award
2 episodes with miles franklin literary award
2 episodes with miles franklin literary award
2 episodes with miles franklin literary award
2 episodes with miles franklin literary award
2 episodes with miles franklin literary award
Simon and Rachel speak with the novelist Tim Winton. Widely considered one of the greatest living Australian writers, Tim has written 13 novels; his work has been translated into 28 languages. Since his first novel, "An Open Swimmer", won The Australian/Vogel Literary Award in 1981, he has also won the Miles Franklin Literary Award - the most prestigious prize for Australian writing - four times, for "Shallows", "Cloudstreet", "Dirt Music" and "Breath". Tim, who lives in Western Australia, has also twice been shortlisted for the Booker Prize for "The Riders" and "Dirt Music". We spoke to Tim about writing and publishing his debut book in his early 20s, his views on Australian literary culture, and about "Juice", his latest novel, set in a post-apocalyptic future ravaged by climate change. We have recently also overhauled our offer for those who support the podcast on the crowdfunding site Patreon. Our central reward is a - now greatly expanded - sheaf of successful journalistic pitches, which we've solicited from friends of Always Take Notes. In the package we now have successful pitches to, among others, the New York Times, the Guardian, the New Yorker, the Financial Times, the Economist, the London Review of Books, Vanity Fair, Outside magazine, the Spectator, the Sunday Times, Esquire, Granta, the Literary Review, Prospect, Bloomberg Businessweek and GQ. Anyone who supports the show with $5 per month or more will receive the full compendium. Other rewards include signed copies of our podcast book (see below) and the opportunity to take part in a monthly call with the two of us to workshop your own pitches and writing projects. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via Amazon or Waterstones.You can find us online at alwaystakenotes.com, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.
Philip Salom began publishing in 1980 and since then has written fifteen books of poetry and six novels. His book Sky Poems won the British Airways Commonwealth Poetry Prize in London for the overall Best Book of Poetry in the British Commonwealth and his first book The Silent Piano won the earlier Commonwealth Poetry Prize for Best First Book. He has published two collections of poetry written through heteronyms. The Keeper of Fish and Keeping Carter feature strongly lyric author-characters Alan Fish and M A Carter respectively and these two books complete the poetry trilogy begun with Keepers (2010). Keepers is a hybrid verse-novel set in a Creative Arts School. Salom's poetry collection The Well Mouth features poems, voices, portraits and an underlying narrative in prose. The Well Mouth was named a Sydney Morning Herald Book of the Year and an Adelaide Review Book of the Year.In 2015, Salom's poetry collection Alterworld completed the trllogy made up of Sky Poems, The Well Mouth and new work – Alterworld. His collection Hologrammatical was published in 2023. His highly acclaimed novels Waiting, The Returns and The Fifth Season have been listed for awards including the Miles Franklin Literary Award in 2017, 2020 and 2021. His earlier novel Toccata and Rain was shortlisted for the ALS Gold Medal and the WA Premiers Prize for Fiction, and Playback won the WA Premiers Prize for Fiction. In 2003, he was recognised with the Christopher Brennan Prize which is Australia's most prestigious lifetime award for poets – for "poetry of sustained quality and distinction".His poetry collection Hologrammatical can be purchased here: https://puncherandwattmann.com/product/hologrammatical-poems-2012-2022/(link is external)His novel Sweeney and the Bicycles can be purchased here: https://transitlounge.com.au/shop/sweeney-and-the-bicycles/(link is external)Production and Interview: Dr Tina GiannoukosPicture: Meredith Kidby
Philip Salom began publishing in 1980 and since then has written fifteen books of poetry and six novels. His book Sky Poems won the British Airways Commonwealth Poetry Prize in London for the overall Best Book of Poetry in the British Commonwealth and his first book The Silent Piano won the earlier Commonwealth Poetry Prize for Best First Book. He has published two collections of poetry written through heteronyms. The Keeper of Fish and Keeping Carter feature strongly lyric author-characters Alan Fish and M A Carter respectively and these two books complete the poetry trilogy begun with Keepers (2010). Keepers is a hybrid verse-novel set in a Creative Arts School. Salom's poetyry collection The Well Mouth feature poems, voices, portraits and an underlying narrative in prose. The Well Mouth was named a Sydney Morning Herald Book of the Year and an Adelaide Review Book of the Year.In 2015, Salom's poetry collection Alterworld completed the trllogy made up of Sky Poems, The Well Mouth and new work – Alterworld. His collection Hologrammatical was published in 2023. His highly acclaimed novels Waiting, The Returns and The Fifth Season have been listed for awards including the Miles Franklin Literary Award in 2017, 2020 and 2021. His earlier novel Toccata and Rain was shortlisted for the ALS Gold Medal and the WA Premiers Prize for Fiction, and Playback won the WA Premiers Prize for Fiction. In 2003, he was recognised with the Christopher Brennan Prize which is Australia's most prestigious lifetime award for poets – for "poetry of sustained quality and distinction".His poetry collection Hologrammatical can be purchased here: https://puncherandwattmann.com/product/hologrammatical-poems-2012-2022/His novel Sweeney and the Bicycles can be purchased here: https://transitlounge.com.au/shop/sweeney-and-the-bicycles/ Production and Interview: Dr Tina Giannoukos Picture: Meredith Kidby
TONY BIRCH IS GOING TO DIEThe brilliant writer and academic Dr Tony Birch was born in inner-city Melbourne, into a large family of Aboriginal, West Indian and Irish descent. An altar boy and exceptional student at his local Catholic primary school, in adolescence, Birch went 'off the rails' as a teenager. He was expelled from two high schools for fighting and found trouble with the police for the same reason. Although somewhat adrift following his expulsions, he remained a voracious reader – once, when he was arrested by police, all they found when they patted him down was a copy of Camus' The Outsider, which remains his favourite book.Birch has written a great deal about death and grief, most recently in his 2021 short story collection Dark As Last Night, where he interrogates the death of his brother Wayne. Here, he reads from the collection whilst musing on his own legacy and eventual funeral plans.Birch has been publishing short stories and poetry regularly since the 1980s, although his first collection, Shadowboxing, only appeared in 2006. Since this, he has published four more collections of short stories and poetry (Father's Day [2009], The Promise [2014], Broken Teeth [2016], and Common People [2017] and two novels (Blood [2011] and Ghost River [2015]).Among his awards are the Scanlon Prize and the Prize for Indigenous Writing (Victorian Premier's Literary Awards). He has also been shortlisted for the Christina Stead Prize for Fiction (NSW Premier's Literary Awards), the Steele Rudd Award (with both the original Queensland Premier's Literary Awards and the later Queensland Literary Awards), and the Miles Franklin Literary Award.In 2015, he joined Victoria University as the first recipient of its Dr Bruce McGuinness Indigenous Research Fellowship. His role sits within the Moondani Balluk Academic Unit and is linked to the University's creative arts and writing programs. He has also taught creative writing at the University of Melbourne for many years.In 2022, he was appointed as the third Boisbouvier Chair in Australian Literature at the University of Melbourne, following Richard Flanagan and Alexis Wright.Tony Birch (IG @Tony_Birch_)Marieke Hardy Is Going To Die is a podcast made by Marieke Hardy (IG @marieke_hardy).You can follow at IG @GoingToDiePodMusic by Lord Fascinator (IG @lordfascinator)Produced by Darren Scarce (IG @Dazz26)Video edits by Andy Nedelkovski (IG @AndyNeds)Artwork by Lauren Egan (IG @heylaurenegan)Photography by Eamon Leggett (IG @anxietyoptions)With thanks to Amelia Chappelow (IG @ameliachappelow)Camilla McKewen (IG @CamillaLucyLucy)and Rhys Graham (IG @RhysJGraham)Support the show via www.patreon.com/mariekehardy and drop an email to mariekehardyisgoingtodie@gmail.comWhilst acknowledging the privilege that comes with having the space to discuss death and mortality, we want to also recognise that discussing these topics can raise some wounds. Should you wish to seek extra support, please consider the following resources:https://www.healthline.com/health/mental-health/online-grief-support-groupshttps://www.grief.org.au/ga/ga/Support/Support_Groups.aspxhttps://www.headspace.com/meditation/griefhttps://www.mindful.org/a-10-minute-guided-meditation-for-working-with-grief/https://griefline.org.au/get-help/ ★ Support this podcast on Patreon ★
In this episode we meet lawyer and author Shankari Chandran, who won the 2023 Miles Franklin Literary Award for her novel Chai Time at Cinnamon Gardens. Chandran's writing explores the Sri Lankan diaspora in Australia, and weaves sharp commentary on racism, injustice and ignorance through richly told stories of family and community. Her new novel, Safe Haven, published by Ultimo Press in early May, explores issues of immigration and detention. Hosting this episode, which also covers how Chandran finds the time to write between her work as a lawyer and raising four kids, is Good Weekend editor Katrina Strickland.See omnystudio.com/listener for privacy information.
'The doctors were telling me, "We're going to take your greater omentum out" … I had no idea what these terms meant.' In episode 96, author Tracy Sorensen joins us to discuss her remarkable novel/cancer memoir, The Vitals, narrated by her internal organs. After her original cancer diagnosis, a desire to better understand her body led Tracy to crochet her peritoneal organs. This in turn helped her to develop each organ's personality as they became point-of-view characters in the novel. She delves into her creative process, including the three-word sticky note that guided her writing. Part of her goal was a deliberate departure from conventional 'battle' narratives surrounding cancer, opting instead for a more nuanced approach that challenges societal expectations. She also shares her approach to crafting narrative drive. Tracy Sorensen is a writer and scholar. She grew up in Carnarvon on the north coast of Western Australia and now lives in Bathurst, New South Wales, with her partner, Steve. Her first novel, The Lucky Galah, was longlisted for the Miles Franklin Literary Award in 2019. The Vitals, her second novel, is based on her experience with advanced primary peritoneal cancer, a form of ovarian cancer. Books and authors discussed in this episode Fight Club by Chuck Palahniuk Enid Blyton The Poseidon Adventure by Paul Gallico I'll Leave You with This by Kylie Ladd Number Go Up by Zeke Faux The Trial by Franz Kafka Loosely Based on a Made-Up Story by James Blunt Get your copy of The Vitals from Booktopia or your local bookshop. Upcoming events Ashley is teaching Writing Crime Fiction, a six-week online course with Faber starting 15 May 2024 Ashley is teaching Pathways to Publication for Writing NSW on Saturday 15 June, 10am-4pm Learn more about Ashley's psychological thriller Dark Mode and get your copy here or from your local bookshop. Learn more about James' award-winning novel Denizen and get your copy here or from your local bookshop. Get in touch! ashleykalagianblunt.com jamesmckenziewatson.com Instagram: @akalagianblunt + @jamesmcwatson
Amanda Lohrey writes fiction and non-fiction. Her latest novel, The Conversion, was released in 2023. Her previous novel, The Labyrinth (2021), won the Miles Franklin Literary Award, a Prime Minister's Literary Award, a Tasmanian Literary Award and the Voss Literary Prize. Amanda is also regular contributor to the Monthly magazine and a former senior fellow of the Australia Council's Literature Board. About The Garret Follow The Garret: Writing and Publishing and our host Astrid Edwards on Instagram. Explore our back catalogue (and transcripts) at thegarretpodcast.com.See omnystudio.com/listener for privacy information.
Christos Tsiolkas is one of Australia's most accomplished writers. His latest novel, In-Between, is an exploration of class, family and love in middle age. Christos is the author of eight novels, including Loaded (which was made into the feature film Head-On) and the international bestseller The Slap (which was shortlisted for the Miles Franklin Literary Award and longlisted for the Man Booker Prize, among many other honours). His work of historical fiction, Damascus, won the Victorian Premier's Literary Award for Fiction. In 2021 Christos won the Melbourne Prize for Literature. He has appeared on The Garret before. Listen to Christos discuss his previous novel, Damascus, here. About The Garret Follow The Garret: Writing and Publishing and our host Astrid Edwards on Instagram. Explore our back catalogue (and transcripts) at thegarretpodcast.com.See omnystudio.com/listener for privacy information.
After being told her work "wasn't Australian enough" to get published, author Shankari Chandran was thrilled when her novel 'Chai Time at Cinnamon Gardens' won Australia's top literary prize, the 2023 Miles Franklin Literary Award. The author sits down with Sarah Malik in this first episode of The SBS Book Club podcast.
Lucy Treloar is a novelist. Her debut, Salt Creek, won the Dobbie Literary Award among others and was shortlisted for the Miles Franklin Literary Award and the UK's Walter Scott Prize. Wolfe Island, her second novel, won the Barbara Jefferis Award and was shortlisted for the Prime Minister's and NSW literary awards. Lucy's essays and short fiction have appeared in publications including Meanjin, The Age, Overland and Best Australian Stories. You can read the transcript of this interview here. About The Garret: Writers and the publishing industry Follow The Garret on Instagram, and perhaps follow our host Astrid Edwards there too.See omnystudio.com/listener for privacy information.
Tony Birch is an activist, historian and essayist. In this interview Tony reflects on his most recent novel, Women and Children. His works include The White Girl (winner of the 2020 NSW Premier's Award for Indigenous Writing and shortlisted for the 2020 Miles Franklin Literary Prize), Ghost River (winner of the 2016 Victorian Premier's Literary Award for Indigenous Writing), and Blood (shortlisted for the Miles Franklin Literary Award). Tony has appeared on The Garret several times before, including for one of his first recorded discussions of The White Girl and reflections about creativity during the Pandemic. You can read the transcript of this interview here. About The Garret: Writers and the publishing industry Follow The Garret on Instagram, and perhaps follow our host Astrid Edwards there too.See omnystudio.com/listener for privacy information.
Kate speaks to Melbourne author Lucy Treloar about her writing life. Lucy Treloar was born in Malaysia and educated in England, Sweden and Melbourne. Her novel Salt Creek (2015) won the Dobbie Literary Award among others, and was shortlisted for the Miles Franklin Literary Award and the UK's Walter Scott Prize. Wolfe Island (2019), her second novel, won the Barbara Jefferis Award and was shortlisted for the Prime Minister's and NSW literary awards. She is a previous winner of the Commonwealth Short Story Prize (Pacific region). Lucy's essays and short fiction have appeared in publications including The Saturday Paper, Meanjin, The Age, Overland, Best Australian Stories and Foundational Fictions in South Australian History. A graduate of the University of Melbourne and RMIT, Lucy lives in inner Melbourne with her family. We've spoken to Lucy before on The First Time Podcast for Apollo Bay Word Fest's Warm Winter Words in 2020. Her third novel is Days of Innocence and Wonder, published by Pan Macmillan, October 2023. Check out show notes for this episode on our website www.thefirsttimepodcast.com or get in touch via Twitter (@thefirsttimepod) or Instagram (@thefirsttimepod). You can support us and the making of Season Six via our Patreon page. Thanks for joining us!
In her most ambitious work to date, acclaimed Goorie author and Miles Franklin Literary Award winner Melissa Lucashenko turns her hand to historical fiction. Edenglassie is a blazing epic set in colonial Queensland, spanning five generations to tell a story of legacy, love and resistance. At this exclusive Spring Fling event, Lucashenko discusses the hidden histories that shaped her extraordinary new work, which takes a torch to colonial myths and grapples with the ongoing realities of resistance. Lucashenko and host Evelyn Araluen consider how confronting the ugly truths of the past offers us a way to reimagine the future. This event was recorded on Friday 6th of October 2023 at the Wheeler Centre as part of Spring Fling. Featured music is ‘Different Days' by Chill Cole. Spring Fling was proudly supported by the Victorian Government through Creative Victoria and the Melbourne City Revitalisation Fund. Special thanks to official bookseller Readings and accommodation partner The Sofitel.Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donateSee omnystudio.com/listener for privacy information.
Melissa Lucashenko is a Goorie author of Bundjalung and European heritage. She writes about ordinary Australians and the extraordinary lives they lead, and her latest novel is Edenglassie. Her first novel was published in 1997 and since then her work has received acclaim in many literary awards. Killing Darcy won the Royal Blind Society Award and was shortlisted for an Aurealis award. Her sixth novel, Too Much Lip, won the 2019 Miles Franklin Literary Award and the Queensland Premier's Award for a work of State Significance. It was also shortlisted for the Prime Minister's Literary Award for Fiction, the Stella Prize, two Victorian Premier's Literary Awards, two Queensland Literary Awards and two NSW Premier's Literary Awards. Melissa is a Walkley Award winner for her non-fiction, and a founding member of human rights organisation Sisters Inside. You can read the transcript for this interview here. About The Garret: Writers and the publishing industry Follow The Garret on Instagram, and perhaps follow our host Astrid Edwards there too.See omnystudio.com/listener for privacy information.
To celebrate the Wheeler Centre's Spring Fling, we asked six beloved Victorian writers to reflect on the theme Above and Beyond: considering what it means to look further, delve deeper, and ask big questions of ourselves and the world around us. The following is an audio recording from Miles Franklin Literary Award winning novelist, Jennifer Down, reading her original essay for the project. This work was commissioned by the Metro Tunnel Creative Program in partnership with the Wheeler Centre as part of Spring Fling, presented at venues across Melbourne from 2 to 14 October 2023. Visual artist ENOKi has created a series of vibrant, visually arresting illustrations in response to the written pieces. This collaborative project is available to view in person at City Square on Swanston from the end of September 2023. Read the essays in full and discover more audio recordings from the project at wheeler centre.com Featured music is ‘Now We Gather' by Joseph Beg. This work was delivered in partnership with the Metro Tunnel Creative Program.Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donateSee omnystudio.com/listener for privacy information.
Anna and Amanda discuss the Nero Book Awards which will commence in 2024. Our book of the week is CHAI TIME AT CINNAMON GARDENS by Shankari Chandran. A layered story about a nursing home in Sydney whose residents have traumatic memories of the civil war in Sri Lanka, this won the 2023 Miles Franklin Literary Award. Coming up: WIFEDOM by Anna Funder. Follow us! Email: booksonthegopodcast@gmail.com Instagram: @ abailliekaras and @ vibrant_lives_podcast Credits Artwork: Sascha Wilkosz
Kate Mildenhall and Robbie Arnott recorded this session 'Into the Wild' LIVE at Canberra Writers Festival in August 2023. Robbie's acclaimed debut, Flames, won a Sydney Morning Herald Best Young Novelist award and a Tasmanian Premier's Literary Prize, and was shortlisted for a Victorian Premier's Literary Award, a New South Wales Premier's Literary Award, a Queensland Literary Award, the Readings Prize for New Australian Fiction and the Not the Booker Prize. His follow-up, The Rain Heron, won the Age Book of the Year award, and was shortlisted for the Miles Franklin Literary Award, the ALS Gold Medal, the Voss Literary Prize and an Adelaide Festival Award. Limberlost is his third novel. It won the Age Book of the Year Award and the BookPeople Book of the Year Awards, and was shortlisted for the Miles Franklin Literary Award. Read the transcript for this interview here. Thanks to Canberra Writers Festival This recording took place at 2:30pm on Sunday 20 August at Kambri Cultural Centre (ANU), and thanks go to the phenomenal team at Canberra Writers Festival for sharing this audio with us. If you are interested in running festivals, judging prizes and writing reviews, we recommend this interview with Beejay Silcox, Judge of The Stella Prize and Artistic Director of Canberra Writers Festival. About The Garret: Writers and the publishing industry Follow The Garret on Twitter and Instagram, or follow our host Astrid Edwards on Twitter or Instagram.See omnystudio.com/listener for privacy information.
Anna Funder is the author of the international bestsellers Stasiland (2002) and All That I Am (2012). Her third major work, Wifedom: Mrs Orwell's Invisible Life (2023) interrogates the historical record to uncover Eileen O'Shaunessy, the wife of George Orwell, and her influence on his writing. Her books have won multiple literary awards: Stasiland received the the Samuel Johnson Prize (the UK's premier award for non-fiction and All That I Am the Miles Franklin Literary Award. Originally trained as an international human rights lawyer, Anna is a former DAAD Fellow in Berlin, Australia Council Fellow, and Rockefeller Foundation Fellow. Read the transcript for this interview here. About The Garret: Writers and the publishing industry Follow The Garret on Twitter and Instagram, or follow our host Astrid Edwards on Twitter or Instagram.See omnystudio.com/listener for privacy information.
Briohny Doyle writes extraordinary fiction. Echolalia was longlisted for the Miles Franklin Literary Award in 2021, and in 2023 she released Why We Are Here. Briohny is a lecturer in creative writing at The University of Sydney and a former Fulbright scholar, and her writing also appears in The Monthly, The Guardian, Meanjin, The Griffith Review, and The Age. Read the transcript for this interview here. About The Garret: Writers and the publishing industry Follow The Garret on Twitter and Instagram, or follow our host Astrid Edwards on Twitter or Instagram.See omnystudio.com/listener for privacy information.
When she wrote her first manuscript, she was told her stories weren't Australian enough but Shankari Chandran is now a proud winner of the Miles Franklin Literary Award. Her novel, Chai Time at Cinnamon Gardens, tackles war, trauma and division, in a confronting, but endearing story.
HELLOOOOO BOOK CLUB PALS! This month, we're discussing the 2020 Miles Franklin Literary Award winner, The Yield, by Tara June Winch. The novel tells the story of a woman who has returned home after the passing of her Poppy, Albert Gondiwindi, and felt like her life had passed her by ever since her sister, Jedda, vanished as a child. August's perspective is interspersed with that of Albert, via his almost diary-like Wiradjuri dictionary entries, and a letter from 1915, written by the German reverend Ferdinand Greenleaf, who established a mission in Massacre Plains. Today on the show, Mich, Zara and Annabelle talk about the characters they adored, the scenes most vivid for them, and the importance of the Wiradjuri language. Correction: An earlier edit of this episode said the fictional town of Massacre Plains was based in the Northern Territory of Australia. This is incorrect - the town is based in New South Wales. Join us in the all the book chat over on our Insta, @theshamelessbookclub, and our TikTok, @theshamelessbookclub. Or, if you're after some variety, here's a link to record a voice message via our website, too. You can browse the eBook and audiobook versions of past book club picks in our room on Apple Books! Have a look-see right here. (You might spot our little baby, The Space Between, in the mix there, too.) Want to support our show? We are sending air kisses, air tea, and air hugs (too far?) to anyone who clicks ‘subscribe' on Apple (bonus hugs for anyone who leaves a five-star review, too) or ‘follow' on Spotify. Still not enough? Well! Our hearts! See below for everything else. Click here to subscribe to ShameMore: http://apple.co/shamelesspod Subscribe to the weekly ‘ASK SHAMELESS' newsletter: http://eepurl.com/gFbYLT Join our book club: https://www.instagram.com/theshamelessbookclub/ Check out our website: https://shamelessmediaco.com/ Thanks for listening! We are very big fans of yours.
"So the book is divided. In the first section, summer, the equivalent of summer is Heat. And then there is Flood, which in Australia does tend to happen sort of towards the beginning of autumn, particularly if there have been tropical cyclones in the north of the country. And then winter I've given Tremor. Australia is not somewhere that particularly experiences earthquakes. And so I was interested in introducing something, sort of climactic form of extremity that doesn't happen very often. And then the end of the book, the springtime is Fire. So that was how it came into form because I was interested in talking about the ways in which humans have created an idea of what nature should be in the way that we make our human culture and human meaning from the weather in our environments. And that was not the case where I was from, and it's not the case anymore. So to sort of undo some of that idea of the four seasons being harmonious."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."So the book is divided. In the first section, summer, the equivalent of summer is Heat. And then there is Flood, which in Australia does tend to happen sort of towards the beginning of autumn, particularly if there have been tropical cyclones in the north of the country. And then winter I've given Tremor. Australia is not somewhere that particularly experiences earthquakes. And so I was interested in introducing something, sort of climactic form of extremity that doesn't happen very often. And then the end of the book, the springtime is Fire. So that was how it came into form because I was interested in talking about the ways in which humans have created an idea of what nature should be in the way that we make our human culture and human meaning from the weather in our environments. And that was not the case where I was from, and it's not the case anymore. So to sort of undo some of that idea of the four seasons being harmonious."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"So the book is divided. In the first section, summer, the equivalent of summer is Heat. And then there is Flood, which in Australia does tend to happen sort of towards the beginning of autumn, particularly if there have been tropical cyclones in the north of the country. And then winter I've given Tremor. Australia is not somewhere that particularly experiences earthquakes. And so I was interested in introducing something, sort of climactic form of extremity that doesn't happen very often. And then the end of the book, the springtime is Fire. So that was how it came into form because I was interested in talking about the ways in which humans have created an idea of what nature should be in the way that we make our human culture and human meaning from the weather in our environments. And that was not the case where I was from, and it's not the case anymore. So to sort of undo some of that idea of the four seasons being harmonious."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."So the book is divided. In the first section, summer, the equivalent of summer is Heat. And then there is Flood, which in Australia does tend to happen sort of towards the beginning of autumn, particularly if there have been tropical cyclones in the north of the country. And then winter I've given Tremor. Australia is not somewhere that particularly experiences earthquakes. And so I was interested in introducing something, sort of climactic form of extremity that doesn't happen very often. And then the end of the book, the springtime is Fire. So that was how it came into form because I was interested in talking about the ways in which humans have created an idea of what nature should be in the way that we make our human culture and human meaning from the weather in our environments. And that was not the case where I was from, and it's not the case anymore. So to sort of undo some of that idea of the four seasons being harmonious."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"I think one thing that is not talked about enough is the importance of the arts and the importance of the humanities. And on the university level, the defunding of these sorts of programs and the kind of devaluing of that knowledge is an enormous loss. The arts are what tell us who we are. They're for the soul and they make being alive worthwhile. And the importance of making connections and finding a way to reach others and communicate and connect by trying to be honest and complicated and complex - because I truly believe that without those things, whatever future we can imagine for ourselves is going to be paltry. And it won't be imaginative. And without the humanities and the arts, it doesn't make me feel hopeful about the future."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."I think one thing that is not talked about enough is the importance of the arts and the importance of the humanities. And on the university level, the defunding of these sorts of programs and the kind of devaluing of that knowledge is an enormous loss. The arts are what tell us who we are. They're for the soul and they make being alive worthwhile. And the importance of making connections and finding a way to reach others and communicate and connect by trying to be honest and complicated and complex - because I truly believe that without those things, whatever future we can imagine for ourselves is going to be paltry. And it won't be imaginative. And without the humanities and the arts, it doesn't make me feel hopeful about the future."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."I was reading ecological history and also reading about violence against women and how violence perpetuates itself over many generations. And there was something about this European sort of supremacy of ideas about nature, their ideas about rationality, all of this stuff that sort of came from the Enlightenment. John Oxley's diaries made no mention of the Indigenous Australians who were at the time subject to genocide. So I was interested in these ideas about how they tried to tame the land, which is often talked about as 'a woman' and the way that the kind of violence that comes from a particular kind of European colonial project that is enacted on the land intertwines with the way that violence is enacted upon women. And it was something that I felt growing up in Australia."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"I was reading ecological history and also reading about violence against women and how violence perpetuates itself over many generations. And there was something about this European sort of supremacy of ideas about nature, their ideas about rationality, all of this stuff that sort of came from the Enlightenment. John Oxley's diaries made no mention of the Indigenous Australians who were at the time subject to genocide. So I was interested in these ideas about how they tried to tame the land, which is often talked about as 'a woman' and the way that the kind of violence that comes from a particular kind of European colonial project that is enacted on the land intertwines with the way that violence is enacted upon women. And it was something that I felt growing up in Australia."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."I was reading ecological history and also reading about violence against women and how violence perpetuates itself over many generations. And there was something about this European sort of supremacy of ideas about nature, their ideas about rationality, all of this stuff that sort of came from the Enlightenment. John Oxley's diaries made no mention of the Indigenous Australians who were at the time subject to genocide. So I was interested in these ideas about how they tried to tame the land, which is often talked about as 'a woman' and the way that the kind of violence that comes from a particular kind of European colonial project that is enacted on the land intertwines with the way that violence is enacted upon women. And it was something that I felt growing up in Australia."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"I was reading ecological history and also reading about violence against women and how violence perpetuates itself over many generations. And there was something about this European sort of supremacy of ideas about nature, their ideas about rationality, all of this stuff that sort of came from the Enlightenment. John Oxley's diaries made no mention of the Indigenous Australians who were at the time subject to genocide. So I was interested in these ideas about how they tried to tame the land, which is often talked about as 'a woman' and the way that the kind of violence that comes from a particular kind of European colonial project that is enacted on the land intertwines with the way that violence is enacted upon women. And it was something that I felt growing up in Australia."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
"So the book is divided. In the first section, summer, the equivalent of summer is Heat. And then there is Flood, which in Australia does tend to happen sort of towards the beginning of autumn, particularly if there have been tropical cyclones in the north of the country. And then winter I've given Tremor. Australia is not somewhere that particularly experiences earthquakes. And so I was interested in introducing something, sort of climactic form of extremity that doesn't happen very often. And then the end of the book, the springtime is Fire. So that was how it came into form because I was interested in talking about the ways in which humans have created an idea of what nature should be in the way that we make our human culture and human meaning from the weather in our environments. And that was not the case where I was from, and it's not the case anymore. So to sort of undo some of that idea of the four seasons being harmonious."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."I think one thing that is not talked about enough is the importance of the arts and the importance of the humanities. And on the university level, the defunding of these sorts of programs and the kind of devaluing of that knowledge is an enormous loss. The arts are what tell us who we are. They're for the soul and they make being alive worthwhile. And the importance of making connections and finding a way to reach others and communicate and connect by trying to be honest and complicated and complex - because I truly believe that without those things, whatever future we can imagine for ourselves is going to be paltry. And it won't be imaginative. And without the humanities and the arts, it doesn't make me feel hopeful about the future."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"I think one thing that is not talked about enough is the importance of the arts and the importance of the humanities. And on the university level, the defunding of these sorts of programs and the kind of devaluing of that knowledge is an enormous loss. The arts are what tell us who we are. They're for the soul and they make being alive worthwhile. And the importance of making connections and finding a way to reach others and communicate and connect by trying to be honest and complicated and complex - because I truly believe that without those things, whatever future we can imagine for ourselves is going to be paltry. And it won't be imaginative. And without the humanities and the arts, it doesn't make me feel hopeful about the future."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
In our eleventh episode of our Summer Series, Katherine speaks with multi-award winning author Kim Scott about history, identity, culture and language, particularly of his ancestors the Noongar people. Kim Scott grew up on the south coast of Western Australia. As a descendant of those who first created human society along that edge of ocean, he is proud to be one among those who call themselves Noongar. His second novel, Benang: From the Heart, won the 1999 Western Australian Premier's Book Award, the 2000 Miles Franklin Literary Award and the 2001 Kate Challis RAKA Award. His third novel, That Deadman Dance, also won the Miles Franklin Literary Award in 2011, the Commonwealth Writers' Prize and the Western Australian Premier's Book Award. His latest book, published in 2017 is Taboo. Kim lives in Fremantle, Western Australia, and is currently Professor of Writing at the School of Media, Culture and Creative Arts, Curtin University. Check out show notes for this episode on our website or get in touch via Twitter (@thefirsttimepod) or Instagram (@thefirsttimepod). Don't forget you can support us and the making of Season Five via our Patreon page. Thanks for joining us!
Anna and Annie discuss the 2022 Readings Prize for New Australian Fiction shortlist. Our book of the week is Bodies of Light by award-winning author Jennifer Down. This novel explores survival against the odds and is wonderfully engaging despite the subject-matter. Winner of the 2022 Miles Franklin Literary Award. Coming up: Cold Enough for Snow by Jessica Au and small books. Follow us! Instagram: @abailliekaras and @mr_annie Facebook: Books On The Go Litsy: @abailliekaras Twitter: @abailliekaras and @mister_annie Credits Artwork: Sascha Wilkosz
The premise of Amanda Lohrey's 2021 Miles Franklin Literary Award-winning novel is about as simple as a pathway but as straightforward as a labyrinth. Erica's son is a prisoner, and in her grief, Erica becomes “the prisoner of an idea with no path to its realisation.” She withdraws from the world to a rundown shack in a small coastal town near the penitentiary where she wants only to be close to her son and to build a labyrinth. Even Erica herself is not quite sure why she wants to build a labyrinth, though she knows it has something to do with finding her way step by step, as though in the dark, and something to do with the epigraph: “The cure for many ills, noted Jung, is to build something.” Taking its eponymous form as structure, and with some help from a curious cast of locals, the novel charts a meditative course through the fractures of past and present as Erica seeks to build a future she can live with. Some of the books and authors discussed in this episode include: "Labyrinth" by Amanda Lohrey “The Island” by Karen Jennings “Sea of Tranquility” by Emily St John Mandel Additional segments throughout the podcast include: Inner Shelf Fact or fiction What are you reading? On that Quote Apple Podcast: https://lnkd.in/gF2zVhQT Spotify: https://lnkd.in/gTHtxVh5 Podbean: https://onthesamepagepodcast.podbean.com/ Twitter: https://twitter.com/thesamepagepod_ Email: seamusandblake@gmail.com IG: https://www.instagram.com/on.the.same.page.podcast/ -------- #bookpodcast #podcast #book #novel #stories #shortstories #apassagenorth #anukaradpragasm #Labyrinth #seaoftranquility #tolstoy #trust #poetry #shortstoryskirmish #litfacts #paris #literature #books #novels #salmonrushdie #spotifypodcasts #applepodcasts #audible #samsungpodcasts #books #novels #audibleau #lit #onthesamepage #whatareyoureading #literaryfacts #podbean #whatareyoureading
Anna and Annie discuss the Miles Franklin Literary Award winner and react to the 2022 Booker Prize Longlist. Our book of the week is Bolla by Pajtim Statovci translated by David Hackston. Set in Kosovo, this novel centres on Arsim, an Albanian man who falls in love with Milos, a Serbian man, just before the Kosovan war. It won the Finlandia Prize in its original Finnish. We echo the praise of Torrey Peters: "Devastating in the most beautiful ways ... you are in the hands of an absolute artist." Coming up: our recommendations for Women in Translation Month. Follow us! Facebook: Books On The Go Email: booksonthegopodcast@gmail.com Instagram: @abailliekaras and @mr_annie Twitter: @abailliekaras and @mister_annie Litsy: @abailliekaras Credits Artwork: Sascha Wilkosz
Vale Frank Moorhouse, journalist, essayist, shortstory writer and novelist. Remembering the writer with his friend, Angelo Loukakis, and with archival interviews from 1980 (The Everlasting Secret Family) and 2000 (Dark Palace, the second in the Edith Campbell Berry trilogy, which went on to win the 2001 Miles Franklin Literary Award)
A self-published author makes history, shortlisted for the prestigious Miles Franklin Literary Award after the publishing industry rejected him. Is Donald Trump's Republican star waning, as the January 6 riot hearings line him up for possible charges? To find out more about The Front you can link here and for more from the newsroom at The Australian link here or search for The Australian in your app store. This episode of The Front is presented by Claire Harvey, produced by Kristen Amiet, and edited by Joshua Burton. The multimedia editor is Lia Tsamoglou, and original music composed by Jasper Leak. See omnystudio.com/listener for privacy information.
Mirandi Riwoe is the author of Stone Sky Gold Mountain, which won the 2020 Queensland Literary Award – Fiction Book Award and the inaugural ARA Historical Novel Prize, and was shortlisted for the 2021 Stella Prize and longlisted for the 2021 Miles Franklin Literary Award. In 2022 she has released The Burnished Sun, a collection of novellas and short stories. Mirandi's work has also appeared in Best Australian Stories, Meanjin, Review of Australian Fiction, Griffith Review and Best Summer Stories. Mirandi has appeared on The Garret before, and you can listen to her reflect on Stone Sky Gold Mountain here. About The Garret Read the transcript of this interview at thegarretpodcast.com. You can also follow The Garret on Twitter and Instagram, or follow our host Astrid Edwards on Twitter or Instagram. See omnystudio.com/listener for privacy information.
Evie Wyld's debut novel, After the Fire, a Still Small Voice, was short-listed for the International IMPAC Dublin Literary Award and awarded the John Llewellyn Rhys Prize. Her second novel, All the Birds, Singing, won the Miles Franklin Literary Award, the Encore Award and the European Union Prize for Literature, and it was shortlisted for the Costa Book Award for Best Novel. In 2013 she was named one of Granta's Best of Young British Novelists. Her latest novel, The Bass Rock, won the Stella Prize. She lives in London. Learn more about your ad choices. Visit megaphone.fm/adchoices
Books writer Nicole Abadee and theatre writer Tom Wright join Kate and Cassie to read Amanda Lohrey's The Labyrinth, winner of the 2021 Miles Franklin Literary Award, as well as the other five books on the award's shortlist
In this episode, Julia is joined by Wiradjuri woman and acclaimed Australian author, Tara June Winch. Tara's incredible 2019 novel, The Yield, earned critical recognition, including the Prime Minister's Literary Award for fiction, the Christina Stead Prize for Fiction, and the Miles Franklin Literary Award.Julia and Tara discuss the power of storytelling to give voice to underrepresented communities, and why we need to rethink the literary canon to make space for more diverse voices. Tara also shares the incredible and unlikely story of how she became an author; and how she went from not completing high school to having her first novel on the school curriculum studied across Australian classrooms. See acast.com/privacy for privacy and opt-out information.
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