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2 episodes with Alexis Wright
As climate change alters seasons around the globe, literature registers and responds to shifting environmental time. A writer and a fisher track the distribution of beach trash in Chennai, chronicling disruptions in seasonal winds and currents along the Bay of Bengal. An essayist in the northeastern United States observes that maple sap flows earlier now, prompting him to reflect on gender and seasons of transition. Poets affiliated with small island nations arrive in Paris for the United Nations climate summit, revamping the occasional poem to attest to intensifying storm seasons across the Pacific. In Unseasonable: Climate Change in Global Literatures (Columbia UP, 2024), Sarah Dimick links these accounts of shifting seasons across the globe, tracing how knowledge of climate change is constructed, conveyed, and amplified via literature. She documents how the unseasonable reverberates through environmentally privileged and environmentally precarious communities. In chapters ranging from Henry David Thoreau's journals to Alexis Wright's depiction of Australia's catastrophic bushfires, from classical Tamil poetry to repeat photography, Dimick illustrates how seasonal rhythms determine what flourishes and what perishes. She contends that climate injustice is an increasingly temporal issue, unfolding not only along the axes of who and where but also in relation to when. Amid misaligned and broken rhythms, attending to the shared but disparate experience of the unseasonable can realign or sharpen solidarities within the climate crisis. Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
As climate change alters seasons around the globe, literature registers and responds to shifting environmental time. A writer and a fisher track the distribution of beach trash in Chennai, chronicling disruptions in seasonal winds and currents along the Bay of Bengal. An essayist in the northeastern United States observes that maple sap flows earlier now, prompting him to reflect on gender and seasons of transition. Poets affiliated with small island nations arrive in Paris for the United Nations climate summit, revamping the occasional poem to attest to intensifying storm seasons across the Pacific. In Unseasonable: Climate Change in Global Literatures (Columbia UP, 2024), Sarah Dimick links these accounts of shifting seasons across the globe, tracing how knowledge of climate change is constructed, conveyed, and amplified via literature. She documents how the unseasonable reverberates through environmentally privileged and environmentally precarious communities. In chapters ranging from Henry David Thoreau's journals to Alexis Wright's depiction of Australia's catastrophic bushfires, from classical Tamil poetry to repeat photography, Dimick illustrates how seasonal rhythms determine what flourishes and what perishes. She contends that climate injustice is an increasingly temporal issue, unfolding not only along the axes of who and where but also in relation to when. Amid misaligned and broken rhythms, attending to the shared but disparate experience of the unseasonable can realign or sharpen solidarities within the climate crisis. Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
As climate change alters seasons around the globe, literature registers and responds to shifting environmental time. A writer and a fisher track the distribution of beach trash in Chennai, chronicling disruptions in seasonal winds and currents along the Bay of Bengal. An essayist in the northeastern United States observes that maple sap flows earlier now, prompting him to reflect on gender and seasons of transition. Poets affiliated with small island nations arrive in Paris for the United Nations climate summit, revamping the occasional poem to attest to intensifying storm seasons across the Pacific. In Unseasonable: Climate Change in Global Literatures (Columbia UP, 2024), Sarah Dimick links these accounts of shifting seasons across the globe, tracing how knowledge of climate change is constructed, conveyed, and amplified via literature. She documents how the unseasonable reverberates through environmentally privileged and environmentally precarious communities. In chapters ranging from Henry David Thoreau's journals to Alexis Wright's depiction of Australia's catastrophic bushfires, from classical Tamil poetry to repeat photography, Dimick illustrates how seasonal rhythms determine what flourishes and what perishes. She contends that climate injustice is an increasingly temporal issue, unfolding not only along the axes of who and where but also in relation to when. Amid misaligned and broken rhythms, attending to the shared but disparate experience of the unseasonable can realign or sharpen solidarities within the climate crisis. Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
As climate change alters seasons around the globe, literature registers and responds to shifting environmental time. A writer and a fisher track the distribution of beach trash in Chennai, chronicling disruptions in seasonal winds and currents along the Bay of Bengal. An essayist in the northeastern United States observes that maple sap flows earlier now, prompting him to reflect on gender and seasons of transition. Poets affiliated with small island nations arrive in Paris for the United Nations climate summit, revamping the occasional poem to attest to intensifying storm seasons across the Pacific. In Unseasonable: Climate Change in Global Literatures (Columbia UP, 2024), Sarah Dimick links these accounts of shifting seasons across the globe, tracing how knowledge of climate change is constructed, conveyed, and amplified via literature. She documents how the unseasonable reverberates through environmentally privileged and environmentally precarious communities. In chapters ranging from Henry David Thoreau's journals to Alexis Wright's depiction of Australia's catastrophic bushfires, from classical Tamil poetry to repeat photography, Dimick illustrates how seasonal rhythms determine what flourishes and what perishes. She contends that climate injustice is an increasingly temporal issue, unfolding not only along the axes of who and where but also in relation to when. Amid misaligned and broken rhythms, attending to the shared but disparate experience of the unseasonable can realign or sharpen solidarities within the climate crisis. Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres.
Date With A Debut is a podcast hosted by writer Nick Wasiliev: shining a light on debut authors, their incredible books and their journeys to publication. For the tenth episode of series two, Nick sits down with Dr. Mykaela Saunders, author of Always Will Be. They discuss the book, correcting the lack of representation of first nations culture in Australian storytelling, the value of short stories and more. BOOKS: Debut Feature: Always Will Be by Mykaela Saunders: https://www.uqp.com.au/books/always-will-be Other Books Mentioned: Heat and Light by Ellen van Neerven: https://bit.ly/3WGWQF0 The Kadaitcha Sung by Sam Watson: https://bit.ly/3SuKTQq Land of the Golden Clouds by Archie Weller: https://bit.ly/3ysZnZZ This All Come Back Now by Mykaela Saunders: https://www.uqp.com.au/books/this-all-come-back-now The Swan Book by Alexis Wright: https://bit.ly/3YpW40b PRODUCTION NOTES: Host: Nick Wasiliev Guest: Mykaela Saunders Editing & Production: Nick Wasiliev Podcast Theme: ‘Chill' by Sakura Hz Production Code: 2:10 Episode Number: #23 Additional Credits: Dani Vee (Words & Nerds), Sarah Valle (University of Queensland Press) © 2024 Nick Wasiliev and Breathe Art Holdings ‘Date With A Debut' is a Words and Nerds and Breathe Art Podcasts co-production recorded and edited on Awabakal Country, and we pay our respects to all elders past and present.
In this episode of our sister podcast, Read This, host Michael Williams speaks with the winner of the 2024 Miles Franklin Award, Alexis Wright. Her epic novel Praiseworthy, also won the Stella Prize and has been described as “an astonishing feat of storytelling and sovereign imagination.
Alexis Wright's 2023 novel Praiseworthy has just been awarded the Miles Franklin Award. It also won the Stella Prize and has been described as “an astonishing feat of storytelling and sovereign imagination.” In this special episode, Alexis joins Michael for a conversation about Praiseworthy and reveals why she decided very early on in her literary career that she wasn't going to be trapped in anyone's box. Reading list: Carpentaria, Alexis Wright, 2006 The Swan Book, Alexis Wright, 2013 Tracker, Alexis Wright 2017 Praiseworthy, Alexis Wright, 2023 You can find these books and all the others we mentioned at your favourite independent book store. Socials: Stay in touch with Read This on Instagram and Twitter Guest: Alexis Wright
Alexis Wright's 2023 novel Praiseworthy has just been awarded the Miles Franklin Award. It also won the Stella Prize and has been described as “an astonishing feat of storytelling and sovereign imagination.” In this special episode, Alexis joins Michael for a conversation about Praiseworthy and reveals why she decided very early on in her literary career that she wasn't going to be trapped in anyone's box.Reading list:Carpentaria, Alexis Wright, 2006The Swan Book, Alexis Wright, 2013Tracker, Alexis Wright 2017Praiseworthy, Alexis Wright, 2023You can find these books and all the others we mentioned at your favourite independent book store. Socials: Stay in touch with Read This on Instagram and TwitterGuest: Alexis WrightSee omnystudio.com/listener for privacy information.
Evie Wyld writes dark and often trauma-informed books, but she also has a remarkable capacity to capture the tenderness of memory. Her novels have been a critical and commercial success, with her second, All The Birds Singing, winning the Miles Franklin and her third, The Bass Rock, taking home the 2021 Stella Prize. This week, Michael sits down with Evie for a conversation about her latest book The Echoes, which explores how we tell stories around, and into the absences that define us.Reading list:After the Fire, A Still Small Voice, Evie Wyld, 2009All The Birds, Singing, Evie Wyld, 2013The Bass Rock, Evie Wyld, 2020The Echoes, Evie Wyld, 2024Only Sound Remains, Hossein Asgari, 2023Wall, Jen Craig, 2023 Anam, Andre Dao, 2023The Bell of the World, Gregory Day, 2023Hospital, Sanya Rushdi, 2023Praiseworthy, Alexis Wright, 2023You can find these books and all the others we mentioned at your favourite independent book store. Socials: Stay in touch with Read This on Instagram and TwitterGuest: Evie WyldSee omnystudio.com/listener for privacy information.
Evie Wyld writes dark and often trauma-informed books, but she also has a remarkable capacity to capture the tenderness of memory. Her novels have been a critical and commercial success, with her second, All The Birds Singing, winning the Miles Franklin and her third, The Bass Rock, taking home the 2021 Stella Prize. This week, Michael sits down with Evie for a conversation about her latest book The Echoes, which explores how we tell stories around, and into the absences that define us. Reading list: After the Fire, A Still Small Voice, Evie Wyld, 2009 All The Birds, Singing, Evie Wyld, 2013 The Bass Rock, Evie Wyld, 2020 The Echoes, Evie Wyld, 2024 Only Sound Remains, Hossein Asgari, 2023 Wall, Jen Craig, 2023 Anam, Andre Dao, 2023 The Bell of the World, Gregory Day, 2023 Hospital, Sanya Rushdi, 2023 Praiseworthy, Alexis Wright, 2023 You can find these books and all the others we mentioned at your favourite independent book store. Socials: Stay in touch with Read This on Instagram and Twitter Guest: Evie Wyld
Join Phil Plisky and Alexis Wright in an insightful episode examining the latest research on surgical versus conservative treatments for musculoskeletal conditions. Lexie discusses the alarming increase in surgeries and emphasizes the critical role of top-notch rehabilitation as an initial treatment strategy. Tune in to understand the nuances of patient education, therapy efficacy, and practical approaches to guide clinical decisions. Learning Objectives Interpret the evidence around outcomes regarding common surgical procedures Apply evidence-based, practical strategies to actionably address the decision-making process regarding conservative versus surgical care Solve patient case scenarios involving conservative versus surgical care decisions Timestamps (00:00:00) Welcome (00:00:59) Introduction to guest (00:03:57) Why this clinical question? (00:04:22) What's the evidence and application? (00:37:07) Three main takeaways Rehab and Performance Lab is brought to you by MedBridge. If you'd like to earn continuing education credit for listening to this episode and access bonus takeaway handouts, log in to your MedBridge account and navigate to the course where you'll find accreditation details. If applicable, complete the post-course assessment and survey to be eligible for credit. The takeaway handout on MedBridge gives you the key points mentioned in this episode, along with additional resources you can implement into your practice right away. To hear more episodes of Rehab and Performance Lab, visit https://www.medbridge.com/rehab-and-performance-lab If you'd like to subscribe to MedBridge, visit https://www.medbridge.com/pricing/
Like a first time marathon runner, Chad, Brian, and Kaija are losing steam this season, but persist in talking about the book and their mixed feelings. They do learn some things about donkeys and mules though! And they set up next week's game: each co-host will draft five books from the twenty-two seasons of the podcast which would constitute a reading list (and listening list) for a college class. Then, y'all get to vote on which class you'd be most excited to take. Tune in live next week—it's going to be wild. This week's music is "B.I.N.G.O. (Sound System Remix)" from Australia's worst gift to the world—The Wiggles! You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will finish this book. Follow Open Letter, Two Month Review, Chad Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests.
Like a first time marathon runner, Chad, Brian, and Kaija are losing steam this season, but persist in talking about the book and their mixed feelings. They do learn some things about donkeys and mules though! And they set up next week's game: each co-host will draft five books from the twenty-two seasons of the podcast which would constitute a reading list (and listening list) for a college class. Then, y'all get to vote on which class you'd be most excited to take. Tune in live next week—it's going to be wild. This week's music is "B.I.N.G.O. (Sound System Remix)" from Australia's worst gift to the world—The Wiggles! You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will finish this book. Follow Open Letter, Two Month Review, Chad Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests.
The Long Table: Conversations at Upstart & Crow Literary Arts Studio
Alexis Wright is a highly lauded Australian writer and land activist whose works have twice one the prestigious Stella Prize. Her new novel, Praiseworthy (New Directions) has been described as the “the most ambitious and accomplished Australian novel of this century.” In this episode of The Long Table, Upstart & Crow cofounder Ian Gill chats with Wright about her epic new novel.
Waanyi writer Alexis Wright is the only author to win the Stella Prize twice - the first time for Tracker and the second time for Praiseworthy. Alexis is also the author of the prize-winning novels Carpentaria and The Swan Book, as well as Take Power, an oral history of the Central Land Council; and Grog War, a study of alcohol abuse in the Northern Territory. Alexis was previously the Boisbouvier Chair in Australian Literature at the University of Melbourne, and she is the inaugural winner of the Creative Australia Award for Lifetime Achievement in Literature. This interview was recorded live for Vision Australia in March 2024, after Praiseworthy was longlisted for The Stella Prize. About The Garret Follow The Garret: Writing and Publishing and our host Astrid Edwards on Instagram. Explore our back catalogue (and transcripts) at thegarretpodcast.com.See omnystudio.com/listener for privacy information.
TONY BIRCH IS GOING TO DIEThe brilliant writer and academic Dr Tony Birch was born in inner-city Melbourne, into a large family of Aboriginal, West Indian and Irish descent. An altar boy and exceptional student at his local Catholic primary school, in adolescence, Birch went 'off the rails' as a teenager. He was expelled from two high schools for fighting and found trouble with the police for the same reason. Although somewhat adrift following his expulsions, he remained a voracious reader – once, when he was arrested by police, all they found when they patted him down was a copy of Camus' The Outsider, which remains his favourite book.Birch has written a great deal about death and grief, most recently in his 2021 short story collection Dark As Last Night, where he interrogates the death of his brother Wayne. Here, he reads from the collection whilst musing on his own legacy and eventual funeral plans.Birch has been publishing short stories and poetry regularly since the 1980s, although his first collection, Shadowboxing, only appeared in 2006. Since this, he has published four more collections of short stories and poetry (Father's Day [2009], The Promise [2014], Broken Teeth [2016], and Common People [2017] and two novels (Blood [2011] and Ghost River [2015]).Among his awards are the Scanlon Prize and the Prize for Indigenous Writing (Victorian Premier's Literary Awards). He has also been shortlisted for the Christina Stead Prize for Fiction (NSW Premier's Literary Awards), the Steele Rudd Award (with both the original Queensland Premier's Literary Awards and the later Queensland Literary Awards), and the Miles Franklin Literary Award.In 2015, he joined Victoria University as the first recipient of its Dr Bruce McGuinness Indigenous Research Fellowship. His role sits within the Moondani Balluk Academic Unit and is linked to the University's creative arts and writing programs. He has also taught creative writing at the University of Melbourne for many years.In 2022, he was appointed as the third Boisbouvier Chair in Australian Literature at the University of Melbourne, following Richard Flanagan and Alexis Wright.Tony Birch (IG @Tony_Birch_)Marieke Hardy Is Going To Die is a podcast made by Marieke Hardy (IG @marieke_hardy).You can follow at IG @GoingToDiePodMusic by Lord Fascinator (IG @lordfascinator)Produced by Darren Scarce (IG @Dazz26)Video edits by Andy Nedelkovski (IG @AndyNeds)Artwork by Lauren Egan (IG @heylaurenegan)Photography by Eamon Leggett (IG @anxietyoptions)With thanks to Amelia Chappelow (IG @ameliachappelow)Camilla McKewen (IG @CamillaLucyLucy)and Rhys Graham (IG @RhysJGraham)Support the show via www.patreon.com/mariekehardy and drop an email to mariekehardyisgoingtodie@gmail.comWhilst acknowledging the privilege that comes with having the space to discuss death and mortality, we want to also recognise that discussing these topics can raise some wounds. Should you wish to seek extra support, please consider the following resources:https://www.healthline.com/health/mental-health/online-grief-support-groupshttps://www.grief.org.au/ga/ga/Support/Support_Groups.aspxhttps://www.headspace.com/meditation/griefhttps://www.mindful.org/a-10-minute-guided-meditation-for-working-with-grief/https://griefline.org.au/get-help/ ★ Support this podcast on Patreon ★
Little discussion of Priaseworthy in this episode. Instead there's a longer discussion about publishing, art, sales, how do these books get made?, favorite lines, future games, and much more. It's a 20,000 foot view of book culture with an emphasis on success, investment, and more. Enjoy! This week's music is "Pedestrian at Best" from Aussie musical savant Courtney Barnett. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 526-591. (Up to "Holy Donkey Business.") Follow Open Letter, Two Month Review, Chad Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests.
Little discussion of Priaseworthy in this episode. Instead there's a longer discussion about publishing, art, sales, how do these books get made?, favorite lines, future games, and much more. It's a 20,000 foot view of book culture with an emphasis on success, investment, and more. Enjoy! This week's music is "Pedestrian at Best" from Aussie musical savant Courtney Barnett. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 526-591. (Up to "Holy Donkey Business.") Follow Open Letter, Two Month Review, Chad Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests.
Talk of Australian cartoons—and not just Bluey—morphs into a look at several specific passages in Wright's Praiseworthy, discussion what makes the book "difficult" to read, the style of humor, what pushes us away from the text and then re-grabs out attention, and much more. This week's music is "Frontier Psychiatrist" from The Avalanches. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 463-525. (Up to chapter 5 in "Cargo Shifter.") Follow Open Letter, Two Month Review, Chad Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests.
Talk of Australian cartoons—and not just Bluey—morphs into a look at several specific passages in Wright's Praiseworthy, discussion what makes the book "difficult" to read, the style of humor, what pushes us away from the text and then re-grabs out attention, and much more. This week's music is "Frontier Psychiatrist" from The Avalanches. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 400-463. (Up to chapter 12 in "Sitting in the Bones.") Follow Open Letter, Two Month Review, Chad Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests.
Chad and Kaija make up this week's panel as they play the "Slang Game," then discuss the elliptical meta-structure of the book and how this impacts their reading and the book's effectiveness. They also discuss Sam Rutter's New York Times review of the novel, addressing the difficulties of discussing the workings of the text itself given the burden of having to contextualize so much for a foreign audience. This week's music is "Under the Milky Way" from The Church, one of Australia's most widely known bands. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 400-463. (Up to chapter 12 in "Sitting in the Bones.") Follow Open Letter, Two Month Review, Chad Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests.
Chad and Kaija make up this week's panel as they play the "Slang Game," then discuss the elliptical meta-structure of the book and how this impacts their reading and the book's effectiveness. They also discuss Sam Rutter's New York Times review of the novel, addressing the difficulties of discussing the workings of the text itself given the burden of having to contextualize so much for a foreign audience. This week's music is "Under the Milky Way" from The Church, one of Australia's most widely known bands. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 400-463. (Up to chapter 12 in "Sitting in the Bones.") Follow Open Letter, Two Month Review, Chad Post, Kaija Straumanis, and Brian Wood for random thoughts and information about upcoming guests.
"Who's Stronger?" is the game of the week in this episode about the Maximum Superhero Cop-God's arrival in Praiseworthy to quell the frantic search for Aboriginal Sovereignty. There are lots of moths, discussion about acknowledging the land which we occupy as a good first step, and more about the difficult reality of life in this part of the country even without government interventions. This week's music is "Punching in a Dream" from the New Zealand band The Naked and Famous. (I thought they were Australian!) And if you want to see the Norm Macdonald bit, you can find it here. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 265-336. Follow Open Letter, Two Month Review, Chad Post, and Brian Wood for random thoughts and information about upcoming guests.
"Who's Stronger?" is the game of the week in this episode about the Maximum Superhero Cop-God's arrival in Praiseworthy to quell the frantic search for Aboriginal Sovereignty. There are lots of moths, discussion about acknowledging the land which we occupy as a good first step, and more about the difficult reality of life in this part of the country even without government interventions. This week's music is "Punching in a Dream" from the New Zealand band The Naked and Famous. (I thought they were Australian!) And if you want to see the Norm Macdonald bit, you can find it here. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 265-336. Follow Open Letter, Two Month Review, Chad Post, and Brian Wood for random thoughts and information about upcoming guests.
Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry
Today's guest is one of the most important and celebrated writers in Australia today, Alexis Wright. We look together at the ways Wright reshapes the novel form to accommodate aboriginal notions of story, of time, and of scale. To find a different sound and voice for the novel, one that is multiple and collective. both […] The post Alexis Wright : Praiseworthy appeared first on Tin House.
Emmett Stinson (Murnane) joins Chad W. Post and Kaija Straumanis this week to educate us about Australian culture and literature and things we should keep in mind while reading Praiseworthy. He also participates in a round of the world-famous trivia game: "Australian Baseball Player or Indigenous Australian Writer?" There is, of course, Bluey talk and cuck jokes, along with analysis of the end of "The Censer." This week's music is "Pinball Lez," the original intro music to Bluey, by Custard, fronted by David McCormack who you might know as the voice of Bandit. For more of Emmett, check out this episode of Beyond the Zero. If you want to see a truly horrible "Australian influenced" recipe from someone whose Instagram might be a cry for help, click here. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 265-336. Follow Open Letter, Two Month Review, Chad Post, and Brian Wood for random thoughts and information about upcoming guests.
This episode could be titled, "Dead Bodies in Water," as Chad and Brian talk about the unfortunate situation in Rochester and the juxtaposition of Absolute Sovereignity trying to drown himself while his brother, Tommyhawk!, watches, doing nothing to save him. There's also more talk about Bluey, but also the tone of the book, the nature of the life challenges Tommyhawk! and First Nations children face, his perceptions and the influence of media on that, and much more. This week's music is "Stacking Chairs" by Australian band, Middle Kids. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 198-264. Follow Open Letter, Two Month Review, Chad Post, and Brian Wood for random thoughts and information about upcoming guests.
This episode could be titled, "Dead Bodies in Water," as Chad and Brian talk about the unfortunate situation in Rochester and the juxtaposition of Absolute Sovereignity trying to drown himself while his brother, Tommyhawk!, watches, doing nothing to save him. There's also more talk about Bluey, but also the tone of the book, the nature of the life challenges Tommyhawk! and First Nations children face, his perceptions and the influence of media on that, and much more. This week's music is "Stacking Chairs" by Australian band, Middle Kids. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 198-264. Follow Open Letter, Two Month Review, Chad Post, and Brian Wood for random thoughts and information about upcoming guests.
With Nicholas Jose | Alexis Wright's new novel is both a grand allegorical epic and a book for our times, engaging with Aboriginal sovereignty and the impact of global warming. Join the author in conversation with Nicholas Jose. This project is supported by the Copyright Agency's Cultural Fund. Event details: Sat 02 Mar, 5:00pm
From discussion of Ohio and disturbing news about everyone's favorite Australian export, this episode skirts talking too deeply about Alexis Wright's Praiseworthy (New Directions, And Other Stories, Giramondo) to discuss challenges of getting into particular books, what the purpose of this podcast is in trying to assist in that and get whatever it is we get out of finishing something we might otherwise give up on. (We're not giving up on this book! Just a meta-commentary.) Also: The University of Rochester's wifi was all screwed up during the recording. Most of the big gaps have been erased, but it is a bit choppy at the start, for which we apologize. This week's music is "If Not Now, Then When?" by Australia's own King Gizzard & the Lizard Wizard. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 133-198. Follow Open Letter, Two Month Review, Chad Post, and Brian Wood for random thoughts and information about upcoming guests.
From discussion of Ohio and disturbing news about everyone's favorite Australian export, this episode skirts talking too deeply about Alexis Wright's Praiseworthy (New Directions, And Other Stories, Giramondo) to discuss challenges of getting into particular books, what the purpose of this podcast is in trying to assist in that and get whatever it is we get out of finishing something we might otherwise give up on. (We're not giving up on this book! Just a meta-commentary.) Also: The University of Rochester's wifi was all screwed up during the recording. Most of the big gaps have been erased, but it is a bit choppy at the start, for which we apologize. This week's music is "If Not Now, Then When?" by Australia's own King Gizzard & the Lizard Wizard. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 133-198. Follow Open Letter, Two Month Review, Chad Post, and Brian Wood for random thoughts and information about upcoming guests.
The first episode of the new season of the Two Month Review—covering Alexis Wright's Praiseworthy (New Directions, And Other Stories, Giramondo)—start off with Chad crapping on golf, then rolls on into book design and books as objects, the pacing and rhythms of Wright's work, its humor, its orality, what ancillary information is beneficial, and how the introduction of the two children really snap the first section into place as a reading experience. This week's music is "Sham System (The Limiñanas Rework)" by Al-Qasar. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 68-133. Follow Open Letter, Two Month Review, Chad Post, and Brian Wood for random thoughts and information about upcoming guests. The large image of the Carpentaria Gulf Coast associated with this post is copyrighted by Sentinel Hub.
The first episode of the new season of the Two Month Review—covering Alexis Wright's Praiseworthy (New Directions, And Other Stories, Giramondo)—start off with Chad crapping on golf, then rolls on into book design and books as objects, the pacing and rhythms of Wright's work, its humor, its orality, what ancillary information is beneficial, and how the introduction of the two children really snap the first section into place as a reading experience. This week's music is "Sham System (The Limiñanas Rework)" by Al-Qasar. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Tune in next week for more banter and analysis live on YouTube where we will be covering pages 68-133. Follow Open Letter, Two Month Review, Chad Post, and Brian Wood for random thoughts and information about upcoming guests. The large image of the Carpentaria Gulf Coast associated with this post is copyrighted by Sentinel Hub.
Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.Andrea Sirotti"La mia lettera al mondo"Emily DickinsonInterno Poesiawww.internopoesialibri.comL'amata e universalmente riconosciuta Emily Dickinson pubblicata in un'edizione che riunisce il meglio della vasta produzione poetica della celebre poetessa americana. La mia lettera al mondo, antologia con testi a fronte tradotti e curati da Andrea Sirotti, offre uno sguardo inedito sulla scrittura e i grandi temi dickinsoniani: l'amore, la morte, il silenzio, la natura, l'altro, l'America, il mondo letterario. Come osserva lo stesso Sirotti nella prefazione, tale inedita traduzione “aspira a farsi portatrice di una fedeltà, ma non al significato e nemmeno alla forma, quanto piuttosto all'assertività e all'autorevolezza di una voce poetica unica”.This is my letter to the WorldThat never wrote to Me –The simple News that Nature told –With tender MajestyHer Message is committedTo Hands I cannot see –For love of Her – Sweet – countrymen –Judge tenderly – of Me–Questa è la mia lettera al mondoche non ha mai scritto a me –le semplici notizie dalla natura dette –con tenera maestàIl suo messaggio è affidatoa mani per me invisibili –per amore suo – dolci compatrioti –teneramente giudicate – meAndrea Sirotti, anglista e postcolonialista, ha tradotto e curato per diversi editori antologie e raccolte poetiche di autrici come Emily Dickinson, Margaret Atwood, Carol Ann Duffy, Eavan Boland, Alexis Wright e Arundhathi Subramaniam. Insieme a Shaul Bassi ha curato Gli studi postcoloniali. Un'introduzione, Le Lettere, Firenze 2010. Per Einaudi ha tradotto testi narrativi di Lloyd Jones, Ginu Kamani, Hisham Matar, Hari Kunzru, Aatish Taseer e Chimamanda Ngozi Adichie, Ian McGuire.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.it
Is streaming bad for audiobooks? We talk longlists for the Galley Beggar Press short story prize and the Republic of Consciousness Prize for small presses in the US & Canada. And legendary Australian author Alexis Wright joins us to talk about her epic novel, Praiseworthy.Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang Books
We've reached the end which, in Chad and Brian's opinion, Ed Park totally lands. There's Friday the 13th talk. Reagan makes an appearance. The structure of the book is revisited. As are all the ideas of mirrors and patrimony, assassins and conspiracy theories. Note: Information about the "Opening the Channel" translation and creative flow retreat being organized by former co-host Katie Whittemore discussed on this episode is available here. This week's music is from Jodie Foster's Army. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Stay tuned for information on Season 22 featuring Praiseworthy by Alexis Wright. Follow Open Letter, Two Month Review, Chad Post, and Brian Wood for random thoughts and information about upcoming guests.
We've reached the end which, in Chad and Brian's opinion, Ed Park totally lands. There's Friday the 13th talk. Reagan makes an appearance. The structure of the book is revisited. As are all the ideas of mirrors and patrimony, assassins and conspiracy theories. Note: Information about the "Opening the Channel" translation and creative flow retreat being organized by former co-host Katie Whittemore discussed on this episode is available here. This week's music is from Jodie Foster's Army. You can find all previous seasons of TMR on our YouTube channel and you can support us at Patreon and get bonus content before anyone else, along with other rewards, the opportunity to easily communicate with the hosts, etc. And please subcribe and rate us on Apple Podcasts, Spotify, or wherever you get your podcasts. Stay tuned for information on Season 22 featuring Praiseworthy by Alexis Wright. Follow Open Letter, Two Month Review, Chad Post, and Brian Wood for random thoughts and information about upcoming guests.
More books (and other things) we are looking forward to in 2024. Books mentioned on this episode: There's Always This Year: On Basketball and Ascension by Hanif Abdurraqib, Welcome to the Hyunam-dong Bookshop by Hwang Bo-reum and translated by Shanna Tan, A Tempest of Tea by Hafsah Faizal, Praiseworthy by Alexis Wright, The Dead Cat Tail Assassins by P. Djeli Clark, How to Become the Dark Lord and Die Trying by Django Wexler, Kimi ni Todoke: From Me to You: Soulmate by Karuho Shiina, A Vicious Game by Melissa Blair, Destroy the Day by Brigid Kemmerer, The Invisible Hotel by Yeji Y. Ham, and Butter by Asako Yuzuki and translated by Polly Barton. --- Send in a voice message: https://podcasters.spotify.com/pod/show/keepitfictional/message
Australia's most celebrated Indigenous author Alexis Wright spoke to Eleanor Wachtel in 2009 about her award-winning novel Carpentaria. Wright is a member of the Waanyi nation of the Gulf of Carpentaria. Her new novel, Praiseworthy, will be published in Canada in February.
Our most popular episode of the year is back! James has gathered the best 'What Are You Reading?' segments from 2023 into a comprehensive summary of book recommendations from our guests. We discuss a huge variety of books, including thriller, mystery, memoir, rom com, literature, essays, poetry, nonfiction, plays and audiobooks. We also delve into reading habits. Do you read several books at a time, or restrict yourself to one? Do you finish most books you pick up, or allow yourself to quit? And so much more. This episode features Hilton Koppe, Sanchana Venkatesh, Lee Kofman, Anna Spargo-Ryan, Karina May, Hannah Bent, Holden Sheppard, Hayley Scrivenor, Danielle Binks, Julie Janson, Mark Brandi, Indira Naidoo, Amy Lovat, Jonathon Shannon, Ali Thomas, Jacinta Dietrich, and Annette Higgs. Books and authors discussed in this episode: Dear Memory: Letters on Writing, Silence, and Grief by Victoria Chang; The Woman in the Library by Sulari Gentill; Lost Connections by Johann Hari; Homesickness by Janine Mikosza; The Fire and the Rose by Robyn Cadwallader; Turning Points in Medieval History by Dorsey Armstrong; Crying in H Mary by Michelle Zauner; Convenience Store Woman by Sayaka Murata; Sorrow and Bliss by Meg Mason; Fleishman Is in Trouble by Taffy Brodesser-Akner; Tuesdays with Morrie by Mitch Albom; The Wych Elm by Tana French; In the Woods by Tana French; The Others by Mark Brandi; Stolen Focus by Johann Hari; Notes on an Execution by Danya Kukafka; Crushing by Genevieve Novak; No Hard Feelings by Genevieve Novak; The Shot by Naima Brown; The Seven Moons of Maali Almeida by Shehan Karunatilaka; The Road by Cormac McCarthy; The Passenger by Cormac McCarthy; Stella Maris by Cormac McCarthy; The Alchemist by Paulo Coelho; Ghost Music by An Yu; Eta Draconis by Brendan Ritchie; We Have Always Lived in the Castle by Shirley Jackson; The Long Knives by Irvine Welsh; We Could Be Something by Will Kostakis; Windhall by Ava Barry; The Sun Walks Down by Fiona McFarlane; Limberlost by Robbie Arnott; Benevolence by Julie Janson; Compassion by Julie Janson; Kafka on the Shore by Haruki Murakami; The People of the River by Grace Karskens; Nardi Simpson (from ep 18); Jane Eyre by Charlotte Bronte; Crime and Punishment by Fyodor Dostoevsky; Praiseworthy by Alexis Wright; The Trial by Franz Kafka; Mistakes and Other Lovers by Amy Lovat; Little Secrets by Jennifer Hillier; Things We Do in the Dark by Jennifer Hillier; A Country of Eternal Light by Paul Dalgarno; Brilliant Lies by David Williamson; Death of a Salesman by Arthur Miller; Summer of the Seventeenth Doll by Ray Lawler; A Swim in the Pond in the Road by George Saunders; Lee Kofman (from ep 76); Kate Mildenhall (from ep 13); Sarah Sentilles (from ep 50); From Bhutan to Blacktown by Om Dhungel; Demon Copperhead by Barbara Kingsolver; Empire of Pain by Patrick Radden Keefe Stolen Focus by Johann Hari; Yellowface by Rebecca Kuang; Dress Rehearsals by Madison Godfrey; Really Good, Actually by Monica Heisey; Lucy Clarke; Echolalia by Briohny Doyle; Bunny by SE Tolsen; On a Bright Hillside in Paradise by Annette Higgs; When One of Us Hurts by Monica Vuu; Romantic Comedy by Curtis Sittenfeld; A Mile Down by David Vann; A Burglar's Guide to the City by Geoff Manaugh; The Time Traveller's Wife by Audrey Niffenegger; The Reader by Bernard Schlink; The Tilt by Chris Hammer; The Sense of an Ending by Julian Barnes; The Joy Thief by Penny Moodie; We Didn't Think It Through by Gary Lonesborough; Girl, Woman, Other by Bernardine Evaristo; Obsession by Nicole Madigan Learn more about Ashley's psychological thriller Dark Mode and get your copy here or from your local bookshop. Learn more about James' award-winning novel Denizen and get your copy here or from your local bookshop. Upcoming events Ashley is teaching Online Feedback: Manuscript Development for Writing NSW starting 4 March 2024 Ashley is teaching Writing Crime Fiction, a six-week online course with Faber starting 15 May 2024 Get in touch! ashleykalagianblunt.com jamesmckenziewatson.com Instagram: @akalagianblunt + @jamesmcwatson
Award winning novelist Alexis Wright talks to Chris Power.
Hear from Miles Franklin Award–winning Carpentaria novelist and Waanyi nation woman Alexis Wright as she talks about her latest novel, Praiseworthy. Set in a small Australian town beset by a haze cloud that heralds both an ecological catastrophe and a gathering of ancestors, the story is rendered with the richness of language and scale of imagery for which Alexis is renowned. Alexis speaks with Ivor Indyk about a timely fable for the end of days. Alexis Wright appears thanks to the support of Sam Meers AO. This episode was recorded live at the 2023 Sydney Writers' Festival. If you enjoyed this episode, please rate and follow our channel. Sydney Writers' Festival podcasts are available on all major podcast platforms. After more? Follow Sydney Writers' Festival on social media:Instagram: @sydwritersfestFacebook: @SydWritersFestTwitter: @SydWritersFestTikTok: @sydwritersfestSee omnystudio.com/listener for privacy information.
Robyn Davidson was just 27 when she trekked across the Australian desert. This epic journey was captured in her 1980 memoir Tracks, which became a national and international success. Her new book, Unfinished Woman, is her attempt to grapple with both her own life before and after Tracks, and with the story of her mother, who committed suicide when Robyn was only 11 years old. This week, Michael sits down with Robyn to discuss fear, loneliness and how she completed her self-proclaimed “impossible memoir”. Reading list: Tracks, Robyn Davidson, 1980 Unfinished Woman, Robyn Davidson 2023 See below for some of the First Nations Writers that Michael recommends reading: Tara June Winch, Melissa Lucashenko, Alexis Wright, Ally Cobby Eckerman, Tony Birch, Anita Heiss, Evelyn Araluen, Chelsea Watego, Kirli Saunders, Ellen van Neerven, Larissa Behrendt, Aileen Moreton Robinson, Jackie Huggins, Kim Scott, Jane Harrison, Nardi Simpson. You can find these books and all the others we mentioned at your favourite independent book store. Or if you want to listen to them as audiobooks, you can head to the Read This reading room on Apple Books. Socials: Stay in touch with Read This on Instagram and Twitter Guest: Robyn Davidson
Robyn Davidson was just 27 when she trekked across the Australian desert. This epic journey was captured in her 1980 memoir Tracks, which became a national and international success. Her new book, Unfinished Woman, is her attempt to grapple with both her own life before and after Tracks, and with the story of her mother, who committed suicide when Robyn was only 11 years old. This week, Michael sits down with Robyn to discuss fear, loneliness and how she completed her self-proclaimed “impossible memoir”. Reading list:Tracks, Robyn Davidson, 1980Unfinished Woman, Robyn Davidson 2023See below for some of the First Nations Writers that Michael recommends reading:Tara June Winch, Melissa Lucashenko, Alexis Wright, Ally Cobby Eckerman, Tony Birch, Anita Heiss, Evelyn Araluen, Chelsea Watego, Kirli Saunders, Ellen van Neerven, Larissa Behrendt, Aileen Moreton Robinson, Jackie Huggins, Kim Scott, Jane Harrison, Nardi Simpson.You can find these books and all the others we mentioned at your favourite independent book store. Or if you want to listen to them as audiobooks, you can head to the Read This reading room on Apple Books.Socials: Stay in touch with Read This on Instagram and TwitterGuest: Robyn DavidsonSee omnystudio.com/listener for privacy information.
After Indira Naidoo lost her sister to suicide during the pandemic lockdowns, she unexpectedly found herself turning to nature to help her heal. Speaking with Ashley, Indira shares the journey through grief that led to her memoir 'The Space Between the Stars,' including her relationship with an especially consoling Moreton Bay fig. She describes the challenge of writing the book when she struggled even to speak her sister's name, and delves into our innate need to connect with the natural world. Indira Naidoo is one of Australia's most popular broadcasters and authors. During her multi-decade award-winning journalistic career, she has hosted and reported for some of the country's most distinguished news and current affair programs, including the ABC TV's Late Edition and SBS TV World News, and she is currently the host of ABC TV's Compass and ABC Radio Sydney's Evenings Program. She is an ambassador for Sydney's homeless crisis centre the Wayside Chapel. Get your copy of The Space Between the Stars online or from your local bookshop. The South Coast Writers Festival is happening 18 to 20 August at Wollongong Town Hall. Hear from James, Ashley, Hayley Scrivenor, Shankari Chandran, and more! Authors include Alan Baxter, Alexis Wright, Caroline Baum, Emma Viskic, Helena Fox, Indira Naidoo, Kate Holden, Kate Scott, Loraine Peck, Meredith Jaffe, Mykaela Saunders, Pamela Cook, Sara Ayoub, Sarah Saleh, Tim Ayliffe, Tim Flannery and Will Kostakis. Indira is appearing on the panel 'Ritual, Nature and Grace,' alongside poet Tamryn Bennett, to discuss nature mysticism and medicine, rituals, and how writers express the things that strain beyond words. They'll be speaking with festival director Sarah Nicholson. Upcoming events South Coast Writers Festival, 18-20 August, Wollongong Town Hall – see Ashley and James in person! Online: Building Suspense in Writing – Ashley is teaching this online workshop through Writers Victoria, Sunday 27 August, 10am-4pm Bound to Happen launch – Join Ashley in conversation at Better Read than Dead in Newtown for the launch of Jonathon Shannon's debut romcom, Saturday 2 September, 6.30-8pm Online: Creative Nonfiction – Ashley is teaching her six-week online Writing NSW course starting 30 October Crafting Narrative Drive – an in-person workshop with Ashley at Avid Reader in Brisbane, Sunday 26 November, 10am-1pm Books and authors discussed in this episode: Demon Copperhead by Barbara Kingsolver; Empire of Pain by Patrick Radden Keefe Ashley's psychological thriller Dark Mode is out now! Learn more about it and get your copy. James' novel Denizen is out now! Learn more about it and get your copy. Get in touch! ashleykalagianblunt.com jamesmckenziewatson.com Twitter: @AKalagianBlunt + @JamesMcWatson Instagram: @akalagianblunt + @jamesmcwatson
This week we are highlighting our June Advocate of the Month — Alexis Wright! We started this initiative within our coalition to give our programs the opportunity to showcase and celebrate the amazing advocates that they have on staff. Advocacy is a difficult job and they are such a fundamental part of supporting survivors, so we wanted to make sure that our advocates across New Mexico know that we see them and value their hard work and dedication to the cause. Alexis was nominated by Erika Wright, Executive Director of Carlsbad Battered Family Shelter for her work as an advocate in Carlsbad, New Mexico. Read more about her in our NMCADV Spotlight! You can learn more about Carlsbad Battered Family Shelter carlsbadshelter.com. You can also reach their office or their Crisis Line at 575-885-4615. If you or someone you know is experiencing domestic violence, there is help available. Please call The Hotline at 1-800-799-SAFE (7233) or visit their website on a safe device at www.thehotline.org. Or find your nearest New Mexico domestic violence program at https://www.nmcadv.org/find-nm-resources. You are not alone. Love our conversations? Make sure to subscribe, rate, and share our podcast. You can submit questions and feedback to Rochelle@nmcadv.org. --- Send in a voice message: https://podcasters.spotify.com/pod/show/nmcadv/message
It wasn't until a year into working on her novel 'Madukka the River Serpent' that Julie Janson decided to make it a crime novel. At once a story of corporate greed, environmental destruction and government inaction, 'Madukka the River Serpent' also celebrates older women who hold their families together in the face of extreme challenges. In this episode, Julie discusses the writing of her first crime novel, how she juxtaposes humour with serious political issues, and why she recommends getting involved with some outrageous men. The South Coast Writers Festival is happening 18 to 20 August at Wollongong Town Hall. Hear from James, Ashley, Hayley Scrivenor, Shankari Chandran, and more! Authors include Alan Baxter, Alexis Wright, Caroline Baum, Emma Viskic, Helena Fox, Indira Naidoo, Kate Holden, Kate Scott, Loraine Peck, Meredith Jaffe, Mykaela Saunders, Pamela Cook, Sara Ayoub, Sarah Saleh, Tim Ayliffe, Tim Flannery and Will Kostakis. Julie Janson is a NSW Burruberongal woman of Darug Aboriginal nation and a critically acclaimed novelist, playwright, and poet. 'Madukka the River Serpent' is Julie's first Indigenous crime novel. Her earlier work, 'Benevolence', is an Indigenous historical novel. 'Madukka the River Serpent' has been longlisted for the 2023 Miles Franklin Award. Upcoming events: Boorowa Literary Festival is happening July 14 and 15 – see Ashley and James in person! Mark Brandi in conversation with Ashley Kalagian Blunt, Thursday, 20 July, 6.30-7.30 pm Ashley is conversation with Hayley Scrivenor about Dark MOde at Penrith Library, Monday 7 August, 6.30 pm Ashley and James in conversation about Dark Mode at Mona Vale Library, Tuesday 8 August, 7pm South Coast Writers Festival, 18-20 August, Wollongong Town Hall – see Ashley and James in person! Building Suspense in Writing – Ashley is teaching this online workshop through Writers Victoria, Sunday 27 August, 10am-4pm Books and authors discussed in this episode: Benevolence by Julie Janson; Compassion by Julie Janson; Kafka on the Shore by Haruki Murakami; The People of the River by Grace Karskens; Nardi Simpson (from ep 18); Jane Eyre by Charlotte Bronte; Crime and Punishment by Fyodor Dostoevsky; Praiseworthy by Alexis Wright; The Trial by Franz Kafka; Mistakes and Other Lovers by Amy Lovat; Little Secrets by Jennifer Hillier; Things We Do in the Dark by Jennifer Hillier; A Country of Eternal Light by Paul Dalgarno Ashley's psychological thriller 'Dark Mode' is out now! Learn more about it and get your copy. James' novel 'Denizen' is out now! Learn more about it and get your copy. Get in touch! ashleykalagianblunt.com jamesmckenziewatson.com Twitter: @AKalagianBlunt + @JamesMcWatson Instagram: @akalagianblunt + @jamesmcwatson
This episode features a live event recording taken of a conversation between Alexis Wright and Ivor Indyk, to celebrate the publication of Wright's new novel, Praiseworthy. Alexis Wright is a remarkable writer, originally hailing from the from the Waanyi nation in the Gulf of Carpentaria. Her novel Carpentaria won the 2007 Miles Franklin award, and Wright was awarded the 2018 Stella Prize for her biography of “Tracker" Tilmouth. Praiseworthy is Wright's fourth novel.
With native ecosystems and Indigenous lifeways perpetually under threat, acclaimed Australian Aboriginal author Alexis Wright considers how her enduring culture has responded to ongoing destruction. She turns inward to the dwelling place of ancestral story, to a space where the sovereignty of mind and imagination carry forward systems of knowledge that ensure the survival of her people. Understanding the intrinsic link between resilience and stories that regenerate the world we live in, Alexis looks towards the future and calls upon storytellers to help usher in the creation of a new world. Learn more about your ad choices. Visit megaphone.fm/adchoices
Alexis Wright is an Australian Aboriginal author and member of the Waanji people from the southern Gulf of Carpentaria. As the world falters, threatening native ecosystems and Indigenous lifeways, Alexis turns inward to the dwelling place of ancestral story. Emergence Magazine, Vol 3: Living with the Unknown explores what living in an apocalyptic reality looks like through four themes: Initiation, Ashes, Roots, and Futures. Experience “Chapter Four: Futures.” Learn more about your ad choices. Visit megaphone.fm/adchoices
'I regard my seventh book, Curlews on Vulture Street ... as my first real writing. You know, this is the one I'm most proud of. It was the biggest challenge and the one I enjoyed the most.' Urban ecologist and noted bird guy Darryl Jones joins us to share his transition from popular science to narrative nonfiction writer. Darryl discusses the importance of having a beginner's mindset, what life is like now that he's a full-time writer, buried treasure, and his experience of living with Parkinson's. And of course we talk birds! Should you feed the birds in Australia? Do rainbow lorikeets eat mince? Plus, our special bonus guest – the eastern koel that lives outside Ashley's window and has been shrieking her awake at 5 am every morning! Darryl Jones is a Professor of Ecology at Griffith University in Brisbane, where for over 30 years he has been investigating the many ways people and wildlife interact. He is particularly interested in why some species are extremely successful in urban landscapes, and how best to deal with the ensuing conflicts. More recently, he has been trying to understand more about the humans that also live in cities in large numbers, and how they engage with nature. This has led him into the strange and fascinating world of wild bird feeding. He is the author of several books, including 'The Birds at My Table', 'Feeding the Birds at Your Table', and his latest, 'Curlews on Vulture Street'. Books and authors discussed in this episode: Auē by Becky Manawatu; The Tilt by Chris Hammer; The Writer Laid Bare by Lee Kofman (featured in ep 3); One Hundred Years of Solitude by Gabriel García Márquez; Tracker by Alexis Wright; Feeding the Birds at Your Table by Darryl Jones Get your copy of 'Curlews on Vulture Street' from your local bookshop, Booktopia or wherever good books are sold. And if you want your own bush stone curlew t-shirt, you can find it here. James' novel 'Denizen' is out now! Learn more about it and buy your copy here. Get in touch! Ashley's website: ashleykalagianblunt.com Ashley's Twitter: @AKalagianBlunt Ashley's Instagram: @akalagianblunt James' website: jamesmckenziewatson.com James' Twitter: @JamesMcWatson James' Instagram: @jamesmcwatson
Reading Alexis Wright's Carpentaria and Patrick White's The Vivisector with critic Geordie Williamson - and with words from the writers themselves, as well as other voices and commentators from the ABC Archives
Margherita Zanoletti"My people. La mia gente"Oodgeroo NoonuccalEdizioni Mimesishttps://www.mimesisedizioni.it/La raccolta poetica My People (1970) di Oodgeroo Noonuccal, oggi considerata un “classico” della letteratura postcoloniale, è qui tradotta in italiano per la prima volta. Questa antologia dà voce al popolo aborigeno australiano, marginalizzato, decimato e sfrattato dalla sua stessa terra con l'arrivo dei colonizzatori. La poesia di Oodgeroo recupera e riscrive le tradizioni orali e culturali aborigene, rivendicando nel contempo i diritti negati dalle politiche governative. Oodgeroo è la prima poetessa aborigena della storia. Il suo iter letterario ha inizio a metà degli anni Sessanta con la raccolta d'esordio We Are Going, pubblicata col nome anglosassone Kath Walker e poi confluita in My People. Oltre alla traduzione italiana integrale, questa edizione a cura di Margherita Zanoletti offre un'introduzione contestuale e testuale e un testo inedito in italiano della scrittrice indigena Alexis Wright.Oodgeroo Noonuccal (1920-1993) è una figura chiave della storia culturale e politica, australiana ma non solo, del secondo Novecento. Scrittrice, artista, educatrice e attivista politica, prima voce nera a pubblicare poesia in Australia e prima donna poeta, figura carismatica per la sua comunità, Oodgeroo è l'autrice delle raccolte We Are Going (1964), The Dawn Is At Hand (1966), My People (1970) e della collezione di racconti Stradbroke Dreamtime (1972).Margherita ZanolettiHa conseguito un PhD in Translation Studies presso la University of Sydney, occupandosi del rapporto tra parola e immagine e di studi interculturali. Per prima ha tradotto in italiano gli scritti del pittore australiano Brett Whiteley, poesie di autori aborigeni e testi di Oodgeroo. Ha curato: Oodgeroo Noonuccal, My People. La mia gente (2021).IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/
As I was casting around for which book we could discuss in this week's book club I got to thinking about all the ways we organise our reading and think about our books (some more obvious than others) And the thing is, if you're in the know then you know but for others it can be a mire of acronyms and loosely defined genres.A part of this discussion is inspired by a book I'm reading but haven't quite gotten to the point that I want to pull it apart for a book club…This book is YA (that's Young Adult fiction) but it's probably more accurately described as middle grade. See already there's all sorts of distinctions around age. Middle grade is books aimed at the 8-12 year old set, while YA hits around 13-18.Now I know that there are plenty of fully adult listeners out there still enjoying wizards and vampires and I don't want to get proscriptive. These categories are helpful for finding books with relatable protagonists, btu we'd be in a lot of trouble (I think) if people only read books where the lead looks and sounds a lot like them.As well as being a mid-grade/YA novel, this book also loosely falls into the genre of Cli-Fi. I'm sure a few of you have already guessed that Cli-Fi stands for climate fiction. Here again we don't necessarily have the clearest of delineations but suffice to say that Cli-Fi encompasses books that deal with the impacts and effects of climate change in all its permutations.The label Cli-Fi is credited to the author and freelance journalist Dan Bloom. The term was first used in reference to a novella Bloom had written back in 2011.Of course this doesn't mean that Cli-Fi magicked into being only a decade ago. Writing that deals with the climate and more specifically changes in the climate have been around for a while (doesn't the Bible have a climate change story?)I've come up against the term numerous times over the years and I have to admit it can seem a little slippery. I believe this more a product of the difficulty in finding some simple way to characterize writing; whether it be aimed at a group, a country, or an age there are always going to be a range of tastes and styles that people gravitate towards.Cli-Fi can variously be realist or speculative. It may be set in the ‘now' (whatever that means for a constantly evolving world), in the near future or even the distant future.The science in Cli-Fi is usually to some degree credible. Of course science changes as we learn more, but Cli-FI tries to engage with real science more than the purely imaginative or impossible.If you're looking for Cli-Fi it's everywhere. Margaret Atwood's Oryx And Crake trilogy is an example but Australian authors produce some incredible examples including Alexis Wright's The Swan Book, James Bradley's Clade and Jennifer Mills Dyschronia.And Cli-Fi can be for all ages, which kind of brings us full circle. I know we've talked about the work of Mark Smith on book club and his most recent If Not Us pits a teenage protagonist against the polluting business that is the mainstay of his town.In these YA Cli-Fi novels we see narratives of climate change and climate action that centres and empowers young people. We live in a world where legally the minister for climate apparently has no duty of care to protect young Australians from the impacts of climate change. It's not surprising then that climate anxiety is a real phenomenon amongst young people the world over.I'm not trying to suggest that Cli-Fi, or simply telling noise stories is the way to solve the climate crisis, but I do believe that the adage if you can't see it you can't be it can apply to all of us through our life.Climate change operates on a planetary level and that can seem daunting but through genres such as Cli-Fi and its intersection with YA and middle grade novels, young people have a model and an example of their role. It also allows them to explore the science in a way that can be more accessible.
In this episode of Doing Diversity in Writing, we—Bethany and Mariëlle—interview Professor Grace L. Dillon about Indigenous Futurisms and how (not) to write Indigenous characters. Grace L. Dillon (Anishinaabe with family, friends, and relatives from Bay Mills Nation and Garden River Nation with Aunties and Uncles also from the Saulteaux Nation) is Professor in the Indigenous Nations Studies Department in the School of Gender, Race, and Nations and also Affiliated Professor at English and Women, Gender, and Sexualities Departments at Portland State University in Portland, Oregon, where she teaches undergraduate and graduate courses on a range of interests including Indigenous Futurisms, Queer Indigenous Studies, Gender, Race, and Nations Theories and Methodologies courses, Climate and Environmental Justice(s) from Indigenous Perspectives, Reparations Justice, Resurgence Justice, Science Fiction, Indigenous Cinema, Popular Culture, Race and Social Justice, and early modern literature. (For her full biography, please check out the episode page on our website.) What Grace shared with us Why and how she coined the term Indigenous Futurisms What it was like to be a consultant as an Anishinaabe person to directors Scott Cooper and Guillermo del Toro Some behind-the-scenes stories about the filming of Twilight What true allyship looks like and how we can become an ally How we can honour someone else's story Best practices of engaging with Indigenous communities Grace L Dillion's academic email is: dillong@pdx.edu (Re)sources mentioned on the show and other recommendations by Grace L. Dillon, many of which are LGBTQ2+ Routledge Handbook of CoFuturisms, edited by Grace L. Dillon, Isiah Lavender III, Taryne Taylor, and Bodhisattva Chattopadhyay (forthcoming) Hachette Australia: https://www.hachette.com.au Claire G. Coleman's Terra Nullius (2017) and The Old Lie (2019) (South Coast Noongar People): https://clairegcoleman.com Ellen Van Neerven's Heat and Light (2014): https://ellenvanneervencurrie.wordpress.com/heat-and-light Louise Erdrich's Future Home of the Living God: A Novel (2017) (Anishinaabe): https://www.goodreads.com/book/show/34217599-future-home-of-the-living-god Leanne Betasamosake Simpson's This Accident of Being Lost: Songs and Stories (2017), Noopiming: The Cure for White Ladies (2021) and As We Have Always Done: Indigenous Freedom Through Radical Resurgence (2017) (Anishinaabe): https://www.leannesimpson.ca Cherie Dimaline's The Marrow Thieves (2017) and Hunting by the Stars (Metis): https://cheriedimaline.com Waubgeshig Rice's Moon of the Crusted Snow (2018) (Anishinaabe): https://www.waub.ca Harold Johnson's Corvus (2015) (Cree): https://www.goodreads.com/book/show/26840855-corvus Alexis Wright's The Swan Book (2013 rpt. 2018) (Waanyi Nation): https://www.goodreads.com/book/show/18247932-the-swan-book Gerald Vizenor's Bearheart (1978) (Anishinaabe): https://www.goodreads.com/book/show/871536.Bearheart Leslie Marmon Silko's Almanac of the Dead (1991) (Laguna Nation): https://www.goodreads.com/book/show/52385.Almanac_of_the_Dead Australian First Nations Ambelin Kwaymullina's trilogy The Interrogation of Ashala the Wolf (2012), The Disappearance of Ember Crow (2013), and The Foretelling of Georgie the Spider (2015): https://ambelin-kwaymullina.com.au Indigenous Hawai'ian Christopher Kahunahana's film Waikiki: http://www.waikikithemovie.com Nalo Hopkinson's many stories, including YA novels Sister Mine (2013) and The Chaos (2012): https://www.nalohopkinson.com Andrea Hairston's novels such as Mindscape, Redwood and Wildfire, Will Do Magic for Change, and Master of Poisons: http://andreahairston.com Darcie Little Badger's Elatsoe (2020) and A Snake Falls to Earth (2022) (Lipan Apache Nation): https://darcielittlebadger.wordpress.com Zainab Amadahy's Resistance (Afro-Canadian and Cherokee): https://www.swallowsongs.com Daniel Heath Justice's The Way of Thorn and Thunder: The Kynship Chronicles (2011) and Why Indigenous Literatures Matter. His story “The Boys Who Became the Hummingbirds” in Hope Nicholson's edited collection of Love Beyond Body, Space, and Time: An Indigenous LGBT Sci-Fi Anthology (2016) is also explored in graphic novel form in Moonshot: The Indigenous Comics Collection, Volume 2 (2017) (Cherokee): https://danielheathjustice.com Joshua Whitehead's Indigiqueer Metal, Johnny Appleseed, and Love After the End: An Anthology of Two-Spirit & Indigiqueer Speculative Fiction (2020): https://www.joshuawhitehead.ca Moonshot: The Indigenous Comics Collection, Volume 3, edited by Anishinaabe and Metís Nations Elizabeth La Pensèe and Michael Sheyahshe (2020): https://www.goodreads.com/book/show/51456434-moonshot Deer Women: An Anthology (2017) published by Native Realities Press and headed by Lee Francis IV. (Laguna Pueblo Nation): https://www.goodreads.com/book/show/38219794-deer-woman Sovereign Traces Volume 2: Relational Constellations edited by Elizabeth La Pensèe: https://www.goodreads.com/book/show/42686187-sovereign-traces-volume-2 Sloane Leong's graphic novel Prism Stalker (2019): https://prismstalker.com Smokii Sumac's you are enough: love poems for the end of the world (2018) (Ktunaxa Nation): https://www.goodreads.com/book/show/41677143-you-are-enough Michelle Ruiz Keil's All of Us With Wings (2019): https://www.goodreads.com/book/show/40177227-all-of-us-with-wings Carmen Maria Machado's Her Body and Other Parties (2017) and In the Dream House: A Memoir (2019): https://carmenmariamachado.com Sabrina Vourvoulias's Ink (2012): https://www.goodreads.com/book/show/15721155-ink Rita Indiana's Tentacle (2018): https://www.goodreads.com/book/show/40679930-tentacle Qwo-Li Driskill's Asegi Stories: Cherokee Queer and Two-Spirit Memory (2016): https://www.goodreads.com/book/show/27777916-asegi-stories Tiffany Lethabo King, et. al's Otherwise Worlds: Against Settler Colonialism and Anti-Blackness (2020): https://www.dukeupress.edu/otherwise-worlds Lisa Tatonetti's The Queerness of Native American Literature (2014): https://www.goodreads.com/book/show/21944614-the-queerness-of-native-american-literature Bawaajigan: Stories of Power edited by Anishinaabe Nathan Niigan Noodin Adler and Christine Miskonoodinkwe Smith (2019): https://www.goodreads.com/book/show/45180942-bawaajigan mitêwâcimowina: Indigenous Science Fiction and Speculative Storytelling edited by Cree Nation Neal McLeod (2016): https://www.goodreads.com/book/show/34105770-mit-w-cimowina Walking the Clouds: An Anthology of Indigenous Science Fiction edited by Grace L. Dillon (2012) (Anishinaabe): https://www.goodreads.com/book/show/13226625-walking-the-clouds Amy Lonetree's Decolonizing Museums (2012) (Hochunk Nation): https://uncpress.org/book/9780807837153/decolonizing-museums The work of Debra Yeppa Pappan (Korean and Jemez Pueblo) at the Chicago Field Museum: https://www.fieldmuseum.org/about/staff/profile/2486 Laura Harjo's Spiral to the Stars: Mvskoke Tools of Futurity (2019) (Cherokee): https://uapress.arizona.edu/book/spiral-to-the-stars Bethany's Editing Your Novel's Structure: Tips, Tricks, and Checklists to Get You From Start to Finish: https://theartandscienceofwords.com/new-book-for-authors/ This week's episode page, with Grace L. Dillon's full bio, can be found here: https://representationmatters.art/2022/02/17/s2e5/ Subscribe to our newsletter here and get out Doing Diversity in Writing Toolkit, including our Calm the F*ck Down Checklist and Cultural Appropriation Checklist: https://landing.mailerlite.com/webforms/landing/r3p6g8 As always, we'd love for you to join the conversation by filling out our questionnaires. Our Doing Diversity in Writing – Writer Questionnaire can be filled in at https://forms.gle/UUEbeEvxsdwk1kuy5 Our Doing Diversity in Writing – Reader Questionnaire can be filled in at https://forms.gle/gTAg4qrvaCPtqVJ36 Don't forget, you can find us at https://representationmatters.art/ and on https://www.facebook.com/doingdiversityinwriting
Introducing Classic Australian Novels. A collection of interviews from the ABC Archives with Australian authors about their most significant work. In 2007 Alexis Wright won the Miles Franklin Award for her epic novel Carpentaria, set in and around the mythical town of Desperance in Queensland's Gulf Country.
On this weeks Book(ish) I sit down with Director of the Westerly Research Group and Chair of Australian Literature at UWA Tony D'aeth to discuss Carpentaria by Alexis Wright. Our conversation includes the woeful prize money for one of the most prestigious science fiction awards on the planet, how magical realism reflects reality, and what makes Australian Literature Australian literature. Enjoy!Books discussed:Carpentaria by Alexis WrightMidnights Children by Salman RushdieThe works of David MaloufThe boat by Nam LeBlakwork by Alison WhittakerFollow Bookish Comedy on Twitter and Instagram.Sign up to our newsletter here. Join our facebook group here.You can now physically send us stuff to PO BOX 7127, Reservoir East, Victoria, 3073.Want to help support the show?Sanspants+ | Podkeep | USB Tapes | Merch See acast.com/privacy for privacy and opt-out information.
Jenny and Kendra catch up on books they've read and liked recently. Kendra also shares how the Reading Women Podcast has changed in the last two years, what her Read Appalachia project is all about, and how she organizes her books (it's unusual!)Download or listen via this link: Reading Envy 218: Reading Gaps Subscribe to the podcast via this link: FeedburnerOr subscribe via Apple Podcasts by clicking: SubscribeOr listen through TuneIn Or listen on Google Play Or listen via StitcherOr listen through Spotify Or listen through Google Podcasts Books discussed: Same Sun Here by Silas House and Neela VaswaniGilgamesh by Joan LondonF*ckface: And Other Stories by Leah HamptonWe Trade Our Night for Someone Else's Day by Ivana Bodrozic, translated by Ellen Elias-BursacEven as we Breathe by Annette Saunooke ClapsaddleOther mentions:Read AppalachiaThe Prettiest Star by Carter SickelsSouthernmost by Silas House "Dear America" booksThe Stella PrizeTracker by Alexis Wright (link goes to Google since Bookshop didn't have it yet)All the Birds, Singing by Evie WyldThe Bass Rock by Evie Wyld"Lost in a (Mis)Gendered Appalachia" by Leah Hampton, in GuernicaThe Unquiet Dead by Ausma Zehanet KhanThe Secret Lives of Church Ladies by Deesha PhilyawNational Gingerbread House Competition at the Omni Grove Park InnUniversity of Kentucky - Fireside IndustriesCrystal Wilkinson, Kentucky Poet LaureateRandall KenanThe International Booker PrizeThe Discomfort of Evening by Marieke Lucas Rijneveld, translated by Michele HutchisonBlack Bone: 25 Years of the Affrilachian Poets edited by Bianca Lynne Spriggs et alAn Inventory of Losses by Judith Schalansky, translated by Jackie SmithRelated episodes:Episode 102 - The Reading Women Reading Envy Crossover Episode Episode 195 - Muchness with NadineEpisode 199 - Awkward Melancholy with KarenEpisode 212 - Subtly Fascinating with VinnyEpisode 213 - Funicular Reads with BiancaStalk us online: Reading Women Podcast Kendra on Instagram, Twitter, Goodreads, and YouTubeJenny at GoodreadsJenny on TwitterJenny is @readingenvy on Instagram and Litsy All links to books are through Bookshop.org, where I am an affiliate. I wanted more money to go to the actual publishers and authors. I link to Amazon when a book is not listed with Bookshop.
Writers & Company presents highlights from some of the many timely and topical special series recorded on location, with writers from India, South Africa, Sudan and Australia.
As the world falters, threatening native ecosystems and Indigenous lifeways, acclaimed Australian Aboriginal author Alexis Wright turns inward to the dwelling place of ancestral story. From here, she considers how her ancient culture has responded to ongoing destruction—and how to bear witness to the creation of a post-apocalyptic world. Learn more about your ad choices. Visit megaphone.fm/adchoices
Another week, another rant. Place your bets as Amy and Alex face off on a range of issues they more or less politely agree on...while Sean towers with arms folded like a regal Tina Turner. From theme to ideology to politics to rebellion, the Word Docs aren't afraid to go where Trump and Twitter trolls have gone before. It's all impressively coherent until Alex forgets to host. Do you catch more flies with honey or with vinegar? Why would you want to catch flies when you have Yo-Yos? Join us for the rumble! See omnystudio.com/listener for privacy information.
Another week, another rant. Place your bets as Amy and Alex face off on a range of issues they more or less politely agree on...while Sean towers with arms folded like a regal Tina Turner. From theme to ideology to politics to rebellion, the Word Docs aren't afraid to go where Trump and Twitter trolls have gone before. It's all impressively coherent until Alex forgets to host. Do you catch more flies with honey or with vinegar? Why would you want to catch flies when you have Yo-Yos? Join us for the rumble! See omnystudio.com/listener for privacy information.
This week we discuss Indigenous futurism and science fiction writing expert Dr. Grace Dillon. Books recommended by Grace: S9: Sequoyah 9 by Richard Crowsong This Place: 150 Years Retold by Kateri Akiwenzie-Damm, Sonny Assu, et al. Moonshot Volumes One, Two, and Three (the latter completely on IF) Graphic Indigeneity: Comics in the Americas and Australasia by Frederick Luis Aldama editor and Beth's illustrated cover-great scholarship! and don't forget Lee Francis's Red Planet store and press for many more Indigenous graphic novels. Mitewacimowin: Indigenous Science Fiction and Speculative Storytelling by Cree nation Neal McLeod (Theytus Press) Claire G. Coleman's Terrus Nullius and The Old Lie (Australian First Nations) along with her cousin Ellen Van Neerven's Heat and Light (both infused with their own Queer indigenous living) Alexis Wright's The Black Swan (Australian First Nations) Waubgeshig Rice's Moon of the Crusted Snow* ("Nish) Louise Erdrich's Future Home of the Living God (10 years to write and publish this since her agents, etc. wanted her to continue her mainstream "Great Native American" novels) Drew Hayden Taylor's Take Me to Your Chief collection of stories Ojibwe of Curve Lake nation. AND he has a show on CBC that showcases IF Also check out Miq'maq Jeff Barnaby's Blood Quantum, a full-length feature film that's IF as well=just released! Thank you to Grace Dillion for being an amazing guest! Recorded and Created by Shawn Smallman Produced and Edited by Paige Smallman
Activist and community leader Clarence Walden sits down with award-winning writer Alexis Wright to give his version of some dramatic events in recent Queensland history - from the church days at Doomadgee mission, to the High Court and a bitter dispute over Australia's largest open cut zinc mine.
Clarence Walden is the boss of his own story. In this gripping oral history the Gangalidda man tells it straight to his old friend Alexis Wright.
Activist and community leader Clarence Walden sits down with award-winning writer Alexis Wright to give his version of some dramatic events in recent Queensland history - from the church days at Doomadgee mission, to the High Court and a bitter dispute over Australia's largest open cut zinc mine.
Instead of our regular podcast this week Hunting Seasons would like to highlight the most recent episode of The Gays are Revolting podcast, which discusses systemic racism in the police force with indigenous journalist Allan Clarke. It’s an honest and frank discussion, one which highlights the blatant devaluing of aboriginal lives, the lack of empathy for indigenous victims of police brutality, and the failings of all white Australians to take notice and demand change.Follow Allan Clarke for updates on his work via Twitter: https://twitter.com/allanjclarkeThank you to The Gays Are Revolting for conducting and letting us share their interview with Allan Clarke. TGAR is a weekly dissection of social and cultural issues relevant to queer men. Find more episodes via lips.media or Apple Podcasts:https://podcasts.apple.com/au/podcast/the-gays-are-revolting/id1410548625Brod and I have had many conversations about how we can show our support for the Black Lives Matter movement, people of colour all over the world, and of course the indigenous people of the land where we live; whose lives have been affected by our ancestors and by our own complacency every day. Brod and I both agree that the best thing we can do in the present is promote indigenous voices, offer resources for education, and suggest causes you can support financially.We ourselves are open to more suggestions. As white people we are conscious of our privilege and are dedicated to furthering our education and using the power that we have to do as much as we can.For those that are looking for more content we suggest the books: 'Dark Emu' by Bruce Pascoe, 'Welcome to Country' by Marcia Langton'Too Much Lip' by Melissa Lucashenko'The Swan Book' by Alexis Wright. There are so many more, so please take the time to discover indigenous writers. If you want to give money there are plenty of great organisations and causes. Some that I would suggest are: FreeHer on GoFundMe, which helps free Aboriginal mothers who are imprisoned for unpaid fines: https://au.gofundme.com/f/bfvnvt-freethepeopleVictorian Aboriginal Legal Service, which is an Aboriginal community controlled organisation providing community justice services and legal practice services to all Victorian Aboriginal communities (there are equivalent services for other Australian states and territories): https://vals.org.au/Change the Record - Addresses the root cause of indigenous incarceration and works to prevent imprisonment: https://changetherecord.org.au/Deadly Connections - Works with those that have been impacted by the justice system or child protective services: https://www.deadlyconnections.org.au/First Peoples Disability Network Australia - Its purpose is to promote respect for human rights, secure social justice, and empower First Peoples with disability to participate in Australian society on an equal basis with others: https://fpdn.org.au/There are so many worthy causes, foundations, and organisations out there. We implore all white Australians to pay the rent. See acast.com/privacy for privacy and opt-out information.
Tyson Yunkaporta and Claire G. Coleman at the Wheeler Centre Claire G. Coleman believes speculative fiction is a powerful political tool. ‘It's a genre in which there's great scope for Aboriginal literature … It's able to sneak politics into places people don't expect to see it.' Coleman's revelatory 2017 debut novel, Terra Nullius, depicted an alternative Australia – a continent of either the distant past or the distant future – with an entire, brutal ‘future history' constructed in meticulous detail. The novel received local and international critical acclaim and was shortlisted for the Stella Prize. Every Aboriginal piece of literature is apocalyptic, because Aboriginal people are a post-apocalyptic people. With Coleman's new book, The Old Lie, she returns to themes of invasion, dispossession and apocalypse. Again, it's a novel of startling and alarming twists. And again, it's an outstanding contribution to the growing body of superb speculative fiction from Aboriginal authors, also including Alexis Wright and Ellen van Neerven. For this conversation, Coleman is joined by Tyson Yunkaporta, author of Sand Talk: How Indigenous Thinking Can Save the World. The pair discuss craft, creativity and Indigenous imaginations. Does speculative fiction have in-built critical mechanisms that especially serve Indigenous authors?Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donateSee omnystudio.com/listener for privacy information.
Clarence Walden is the boss of his own story and in this gripping oral history the Gangalidda man tells it straight to his old friend Alexis Wright.
An activist, orator and community leader, Clarence Walden is also the boss of his own story, which he tells straight to his old mate, the award-winning author Alexis Wright.
Show Notes Moe Factz with Adam Curry for December 2nd 2019, Episode number 17 Shaft Stache Shownotes Robert Townsend (actor) - Wikipedia Mon, 02 Dec 2019 13:13 American actor Robert Townsend (born February 6, 1957) is an American actor, director, comedian, and writer.[1][2] Townsend is best known for directing the films Hollywood Shuffle (1987), Eddie Murphy Raw (1987), The Meteor Man (1993), The Five Heartbeats (1991) and various other films and stand-up specials. He is especially known for his eponymous self-titled character, Robert Peterson as the starring role as on The WB sitcom The Parent 'Hood (1995''1999), a series which he created and of which directed select episodes. Townsend is also known for his role as Donald "Duck" Matthews in his 1991 film The Five Heartbeats.[3] He later wrote, directed and produced Making The Five Heartbeats (2018), a documentary film about the production process and behind the scenes insight into creating the film. Townsend is also known for his production company Townsend Entertainment [4] which has produced films Playin' for Love,[5] In the Hive and more. During the 1980s and early''1990s, Townsend gained national exposure through his stand-up comedy routines and appearances on The Tonight Show Starring Johnny Carson. Townsend has worked with talent including Halle Berry, Morgan Freeman, Chris Tucker, Beyonc(C), Denzel Washington and many more.[6][7][8] Early life and career [ edit ] Townsend was born in Chicago, Illinois, the second of four children[9] to Shirley (n(C)e Jenkins) and Ed Townsend. His mother ended up raising him and his three siblings as a single parent. Growing up on the city's west side, Townsend attended Austin High School; graduating in 1975.[10] He became interested in acting as a teenager. During a reading of Sophocles' Oedipus Rex in high school, Townsend captured the attention of Chicago's X Bag Theatre, The Experimental Black Actors Guild. Townsend later auditioned for parts at Chicago's Experimental Black Actors' Guild and performed in local plays studying at the famed Second City comedy workshop for improvisation in 1974. Townsend had a brief uncredited role in the 1975 movie Cooley High. After high school, Townsend enrolled at Illinois State University, studied a year and later moved to New York to study at the Negro Ensemble Company. Townsend's mother believed that he should complete his college education, but he felt that college took time away from his passion for acting, and he soon dropped out of school to pursue his acting career full-time. Career [ edit ] Townsend auditioned to be part of Saturday Night Live's 1980''1981 cast, but was rejected in favor of Eddie Murphy. In 1982, Townsend appeared as one of the main characters in the PBS series Another Page, a program produced by Kentucky Educational Television that taught literacy to adults through serialized stories. Townsend later appeared in small parts in films like A Soldier's Story (1984), directed by Norman Jewison, and after its success garnered much more substantial parts in films like The Mighty Quinn (1989) with Denzel Washington.[11][12][13] In 1987, Townsend wrote, directed and produced Hollywood Shuffle, a satire based on the hardships and obstacles that black actors undergo in the film industry. The success of his first project helped him establish himself in the industry.[6][14] Another of his films was The Five Heartbeats based on 1960s R&B male groups and the tribulations of the music industry. Townsend created and produced two television variety shows'--the CableACE award''winning Robert Townsend and His Partners in Crime for HBO, and the Fox Television variety show Townsend Television (1993). He also created and starred in the WB Network's sitcom The Parent 'Hood which originally ran from January 1995 to July 1999. In 2018, Townsend also directed 2 episodes for the B.E.T. Series American Soul which began airing in 2019. The show is about Don Cornelius and Soul Train. Townsend was programming director at the Black Family Channel, but the network folded in 2007. Townsend created The Robert Townsend Foundation, a nonprofit organization whose mission is to introduce and help new unsigned filmmakers. Awards and other credits [ edit ] Townsend directed the 2001 TV movie, Livin' for Love: The Natalie Cole Story for which Cole won the NAACP Image Award as Outstanding Actress in a Television Movie, Mini-Series or Dramatic Special. Townsend also directed two television movies in 2001 and 2002 respectively, Carmen: A Hip Hopera and 10,000 Black Men Named George. In 2013 Townsend was nominated for an Ovation Award in the category of "Lead Actor in a Musical" for his role as Dan in the La Mirada Theatre for the Performing Arts production of Next to Normal.[15] Personal life [ edit ] Townsend was married to Cheri Jones[16] from September 15, 1990, to August 9, 2001.[17] Together they have two daughters, Sierra and Skylar (Skye Townsend), both entertainers, and a son, Isiah.[6] Filmography [ edit ] Further reading [ edit ] Alexander, George. Why We Make Movies: Black Filmmakers Talk About the Magic of Cinema. Harlem Moon. 2003.Collier, Aldore. "Robert Townsend: a new kind of Hollywood dreamer. Actor-producer-director plans to make films that uplift and transform Black audiences". Ebony Magazine. 1 June 1991.Rogers, Brent. Robert Townsend Article in Perspectives. Sustaining Digital History, 12 November 2007.References [ edit ] ^ "Robert Townsend". The New York Times. ^ "As Robert Townsend Sees It : He's Fighting Stereotypes With 'Meteor Man' and New TV Show". Los Angeles Times . Retrieved 2010-10-10 . ^ The Five Heartbeats , retrieved 2019-09-16 ^ "Townsend Entertainment - IMDbPro". pro.imdb.com . Retrieved 2018-03-06 . ^ "Playin' For Love". Black Cinema Connection. 2014-11-05 . Retrieved 2018-03-06 . ^ a b c "About". Robert Townsend. Archived from the original on 2011-07-14. ^ "Carmen: A Hip Hopera", Wikipedia, 2019-08-09 , retrieved 2019-09-17 ^ B*A*P*S , retrieved 2019-09-17 ^ "Townsend, Robert (1957-)". BlackPast.Org. 2008 . Retrieved September 18, 2017 . ^ "1975 Austin High School Yearbook (Chicago, Illinois)". Classmates.com. 1975 . Retrieved September 18, 2017 . ^ Vincent Canby, "Review/Film; Tropical Murder", The New York Times, February 17, 1989. ^ The Mighty Quinn , retrieved 2019-09-17 ^ A Soldier's Story , retrieved 2019-09-17 ^ Hollywood Shuffle , retrieved 2019-09-17 ^ "2013 Ovation Awards Nominees '-- South by Southeast". thisstage.la. LA STAGE Alliance. September 16, 2013 . Retrieved 2017-04-21 . ^ "The Week's Best Photo". Google Books. JET Magazine. March 25, 1991 . Retrieved September 18, 2017 . ^ Gimenes, Erika (2001). "Robert Townsend to divorce". Hollywood.com . Retrieved September 18, 2017 . ^ "Jackie's Back! (1999)" at IMDb. External links [ edit ] Robert Townsend on IMDbRobert Townsend (Official Website) (9) Charles Woods (The Professor) - Hollywood's Tricknology: Mandingo To Malcolm X - YouTube Mon, 02 Dec 2019 12:59 Tyler Perry Mon, 02 Dec 2019 12:57 Tyler Perry is a world-renowned producer, director, actor, screenwriter, playwright, author, songwriter, entrepreneur, and philanthropist. Tyler Perry's Story Tyler Perry is a world-renowned producer, director, actor, screenwriter, playwright, author, songwriter, entrepreneur, and philanthropist. Read His Story Outreach Since 2006, The Perry Foundation's aim has been to transform tragedy into triumph by empowering the economically disadvantaged to achieve a better quality of life. We focus on health and clean water, education and technology, arts and culture, and globally-sustainable economic development. Get Involved Visit Website You are viewing Tyler Perry Entertainment. If you'd like to view the Tyler Perry Studios, click here. Black writers courageously staring down the white gaze '' this is why we all must read them | Stan Grant | Opinion | The Guardian Mon, 02 Dec 2019 12:46 The white gaze '' it is a phrase that resonates in black American literature. Writers from WEB Du Bois to Ralph Ellison to James Baldwin and Toni Morrison have struggled with it and railed against it. As Morrison '' a Nobel Laureate '' once said: Our lives have no meaning, no depth without the white gaze. And I have spent my entire writing life trying to make sure that the white gaze was not the dominant one in any of my books. The white gaze: it traps black people in white imaginations. It is the eyes of a white schoolteacher who sees a black student and lowers expectations. It is the eyes of a white cop who sees a black person and looks twice '' or worse, feels for a gun. Du Bois explored this more than a century ago in his book The Souls of Black Folk, reflecting on his conversations with white people and the ensuing delicate dance around the ''Negro problem''. Between me and the other world there is an ever unasked question'.... All, nevertheless, flutter around it ... Instead of saying directly, how does it feel to be a problem? They say, I know an excellent coloured man in my town ... To the real question '... I answer seldom a word. Baldwin was as ever more direct and piercing, writing in his book Nobody Knows My Name. I have spent most of my life ... watching white people and outwitting them so that I might survive. The flame has passed to a new generation. In 2015 three more black writers have stared down the white gaze. In their own ways Ta-Nehisi Coates, Claudia Rankine and George Yancy have held up a mirror to white America. These are uncompromising and fearless voices. Coates' searing essay Between The World And Me critiques America against a backdrop of black deaths at the hands of police. He says the country's history is rooted in slavery and the assault against the black body. In the form of a letter to his son, Coates writes: Here is what I would like for you to know: In America it is traditional to destroy the black body '' it is heritage. In Citizen '' An American Lyric, poet Rankine reflects on the black experience from the victims of Hurricane Katrina, or Trayvon Martin, a 17 year-old black youth shot dead by a neighbourhood watch volunteer who was acquitted, or black tennis star Serena Williams. In each case Rankine sees lives framed by whiteness. She writes: Because white men can't police their imagination, black men are dying. Philosophy Professor George Yancy just last week penned a letter in the New York Times addressed to ''Dear White America''. He asks his countrymen to listen with love, and to look at those things that might cause pain and terror. All white people, he says, benefit from racism and this means each, in their own way, are racist. '...don't run to seek shelter from your own racism'...practice being vulnerable. Being neither a ''good'' white person, nor a liberal white person will get you off the proverbial hook. Their unflinching work is not tempered by the fact a black man is in the White House '' that only makes their voices more urgent. Coates, Rankine, Yancy '' each has been variously praised and awarded, yet each has been pilloried as well. This is inevitable when some people don't like what the mirror reflects. It takes courage for a black person to speak to a white world, a world that can render invisible people of colour, unless they begin to more closely resemble white people themselves '' an education, a house in the suburbs, a good job, lighter skin. In Australia, too, black voices are defying the white gaze. We may not have the popular cut through of a Morrison or a Baldwin or a Coates, but we have a proud tradition '' Oodgeroo Noonuccal, Kevin Gilbert, Ruby Langford or more recently Kim Scott, Alexis Wright, Anita Heiss. I have spent some time recently reading some of the most powerful works of Indigenous writers. Their styles and genres are many and varied but there is a common and powerful theme of defiance and survival. This is a world so instantly recognisable to us '' Indigenous people '' but still so foreign to white Australia. Natalie Harkin's book of poetry, Dirty Words, is a subversive dictionary that turns English words back on their users: A is apology, B is for Boat People '... G is for Genocide ... S for Survival. ''How do you dream,'' she writes, ''When your lucky country does not sleep''. Bruce Pascoe's Dark Emu challenges the white stereotype of the ''primitive hunter gatherer''. He says the economy and culture of Indigenous people has been grossly undervalued. He cites journals and diaries of explorers and colonists to reveal the industry and ingenuity of pre-colonial Aboriginal society. He says it is a window into a world of people building dams and wells and houses, irrigating and harvesting seed and creating elaborate cemeteries. Pascoe's work demands to be taught in our schools. Tony Birch is an acclaimed novelist and his latest Ghost River is remarkable. It is the story of two friends navigating the journey into adulthood guided by the men of the river '' men others may see as homeless and hopeless. It is a work infused with a sense of place and belonging. Ellen Van Neerven's Heat and Light is a genre-busting mystical journey into identity: sexual, racial and national. It is provocative and challenging and mind bending, and altogether stunning. You won't find many of these titles in the annual best book lists. Occasionally they pop up, but not as often as they deserve. You probably won't hear much of Samuel Wagan Watson's Love Poems and Death Threats, or Ken Canning's Yimbama, or Lionel Fogarty's Eelahroo (Long Ago) Nyah (Looking) Mobo-Mobo (Future). That these works are not more widely read is a national shame. In our busy lives, try to find time for some of these books in 2016 '' read with the courage of these writers. George Yancy asks white Americans to become ''un-sutured'', to open themselves up and let go of their white innocence. Why is this important? Well, for white people it may simply be a matter of choice '' the fate of black people may not affect them. For us it is survival '' the white gaze means we die young, are locked up and locked out of work and education. We hear a lot about recognition '' acknowledging Indigenous people in the Australian constitution. But there is another recognition '' recognising the pervasive and too often destructive role of race in our lives, and the need to lift our gaze above it. Queen | Definition of Queen by Merriam-Webster Mon, 02 Dec 2019 12:40 To save this word, you'll need to log in. ËkwÄ'n 1 a : the wife or widow of a king b : the wife or widow of a tribal chief 2 a : a female monarch b : a female chieftain 3 a : a woman eminent in rank, power, or attractions a movie queen b : a goddess or a thing personified as female and having supremacy in a specified realm c : an attractive girl or woman especially : a beauty contest winner 4 : the most privileged piece of each color in a set of chessmen having the power to move in any direction across any number of unoccupied squares 5 : a playing card marked with a stylized figure of a queen 6 : the fertile fully developed female of social bees, ants, and termites whose function is to lay eggs 7 : a mature female cat kept especially for breeding 8 slang , often disparaging : a male homosexual especially : an effeminate one queened ; queening ; queens intransitive verb 1 : to act like a queen especially : to put on airs '-- usually used with it queens it over her friends 2 : to become a queen in chess the pawn queens Pan-Africanism - Wikipedia Mon, 02 Dec 2019 12:37 Worldwide movement that aims to encourage and strengthen bonds of solidarity between all people of African descent Pan-Africanism is a worldwide movement that aims to encourage and strengthen bonds of solidarity between all indigenous and diasporan ethnic groups of African descent. Based on a common goal dating back to the Atlantic slave trade, the movement extends beyond continental Africans with a substantial support base among the African diaspora in the Caribbean, Latin America, the United States and Canada and Europe.[1][2] It is based on the belief that unity is vital to economic, social, and political progress and aims to "unify and uplift" people of African descent.[3] The ideology asserts that the fate of all African people and countries[clarification needed ] are intertwined. At its core Pan-Africanism is a belief that ''African people, both on the continent and in the diaspora, share not merely a common history, but a common destiny".[4] Pan-Africanist intellectual, cultural, and political movements tend to view all Africans and descendants of Africans as belonging to a single "race" and sharing cultural unity. Pan-Africanism posits a sense of a shared historical fate for Africans in the Americas, West Indies, and, on the continent itself, has centered on the Atlantic trade in slaves, African slavery, and European imperialism.[5] The Organization of African Unity (now the African Union) was established in 1963 to safeguard the sovereignty and territorial integrity of its Member States and to promote global relations within the framework of the United Nations.[6] The African Union Commission has its seat in Addis Ababa and the Pan-African Parliament has its seat in Johannesburg and Midrand. Overview [ edit ] Pan-Africanism stresses the need for "collective self-reliance".[7] Pan-Africanism exists as a governmental and grassroots objective. Pan-African advocates include leaders such as Haile Selassie, Julius Nyerere, Ahmed S(C)kou Tour(C), Kwame Nkrumah, King Sobhuza II, Thomas Sankara and Muammar Gaddafi, grassroots organizers such as Marcus Garvey and Malcolm X, academics such as W. E. B. Du Bois, and others in the diaspora.[8][9][10] Pan-Africanists believe that solidarity will enable the continent to fulfill its potential to independently provide for all its people. Crucially, an all-African alliance would empower African people globally. The realization of the Pan-African objective would lead to "power consolidation in Africa", which "would compel a reallocation of global resources, as well as unleashing a fiercer psychological energy and political assertion...that would unsettle social and political (power) structures...in the Americas".[11] Advocates of Pan-Africanism'--i.e. "Pan-Africans" or "Pan-Africanists"'--often champion socialist principles and tend to be opposed to external political and economic involvement on the continent. Critics accuse the ideology of homogenizing the experience of people of African descent. They also point to the difficulties of reconciling current divisions within countries on the continent and within communities in the diaspora.[11] History [ edit ] As a philosophy, Pan-Africanism represents the aggregation of the historical, cultural, spiritual, artistic, scientific, and philosophical legacies of Africans from past times to the present. Pan-Africanism as an ethical system traces its origins from ancient times, and promotes values that are the product of the African civilisations and the struggles against slavery, racism, colonialism, and neo-colonialism.[8] Alongside a large number of slaves insurrections, by the end of the 19th century a political movement developed across the Americas, Europe and Africa that sought to weld disparate movements into a network of solidarity, putting an end to oppression. Another important political form of a religious Pan-Africanist worldview appeared in the form of Ethiopianism.[12] In London, the Sons of Africa was a political group addressed by Quobna Ottobah Cugoano in the 1791 edition of his book Thoughts and Sentiments on the Evil of Slavery. The group addressed meetings and organised letter-writing campaigns, published campaigning material and visited parliament. They wrote to figures such as Granville Sharp, William Pitt and other members of the white abolition movement, as well as King George III and the Prince of Wales, the future George IV. Modern Pan-Africanism began around the start of the 20th century. The African Association, later renamed the Pan-African Association, was established around 1897 by Henry Sylvester-Williams, who organized the First Pan-African Conference in London in 1900.[13][14][15] With the independence of Ghana in March 1957, Kwame Nkrumah was elected as the first Prime Minister and President of the State.[16] Nkrumah emerged as a major advocate for the unity of Independent Africa. The Ghanaian President embodied a political activist approach to pan-Africanism as he championed the "quest for regional integration of the whole of the African continent".[17] This period represented a "Golden Age of high pan-African ambitions"; the Continent had experienced revolution and decolonization from Western powers and the narrative of rebirth and solidarity had gained momentum within the pan-African movement.[17] Nkrumah's pan-African principles intended for a union between the Independent African states upon a recognition of their commonality (i.e. suppression under imperialism). Pan-Africanism under Nkrumah evolved past the assumptions of a racially exclusive movement associated with black Africa, and adopted a political discourse of regional unity [18] In April 1958, Nkrumah hosted the first All-African Peoples' Conference (AAPC) in Accra, Ghana. This Conference invited delegates of political movements and major political leaders. With the exception of South Africa, all Independent States of the Continent attended: Egypt, Ethiopia, Ghana, Liberia, Libya, Morocco, Tunisia and Sudan.[18] This Conference signified a monumental event in the pan-African movement, as it revealed a political and social union between those considered Arabic states and the black African regions. Further, the Conference espoused a common African Nationalist identity, among the States, of unity and anti-Imperialism. Frantz Fanon, journalist, freedom fighter and a member of the Algerian FLN party attended the conference as a delegate for Algeria.[19] Considering the armed struggle of the FLN against French colonial rule, the attendees of the Conference agreed to support the struggle of those States under colonial oppression. This encouraged the commitment of direct involvement in the "emancipation of the Continent; thus, a fight against colonial pressures on South Africa was declared and the full support of the FLN struggle in Algeria, against French colonial rule"".[20] In the years following 1958, Accra Conference also marked the establishment of a new foreign policy of non-alignment as between the US and USSR, and the will to establish an "African Identity" in global affairs by advocating a unity between the African States on international relations. "This would be based on the Bandung Declaration, the Charter of the UN and on loyalty to UN decisions."[20] In 1959, Nkrumah, President S(C)kou Tour(C) of Guinea and President William Tubman of Liberia met at Sanniquellie and signed the Sanniquellie Declaration outlining the principles for the achievement of the unity of Independent African States whilst maintaining a national identity and autonomous constitutional structure.[21][22] The Declaration called for a revised understanding of pan-Africanism and the uniting of the Independent States. In 1960, the second All-African Peoples' Conference was held in Addis Ababa, Ethiopia.[23] The membership of the All-African Peoples' Organisation (AAPO) had increased with the inclusion of the "Algerian Provisional Government (as they had not yet won independence), Cameroun, Guinea, Nigeria, Somalia and the United Arab Republic".[24] The Conference highlighted diverging ideologies within the movement, as Nkrumah's call for a political and economic union between the Independent African States gained little agreement. The disagreements following 1960 gave rise to two rival factions within the pan-African movement: the Casablanca Bloc and the Brazzaville Bloc.[25] In 1962, Algeria gained independence from French colonial rule and Ahmed Ben Bella assumed Presidency. Ben Bella was a strong advocate for pan-Africanism and an African Unity. Following the FLN's armed struggle for liberation, Ben Bella spoke at the UN and espoused for Independent Africa's role in providing military and financial support to the African liberation movements opposing apartheid and fighting Portuguese colonialism.[26] In search of a united voice, in 1963 at an African Summit conference in Addis Ababa, Ethiopia, 32 African states met and established the Organization of African Unity (OAU). The creation of the OAU Charter took place at this Summit and defines a coordinated "effort to raise the standard of living of member States and defend their sovereignty" by supporting freedom fighters and decolonisation.[27] Thus, was the formation of the African Liberation Committee (ALC), during the 1963 Summit. Championing the support of liberation movements, was Algeria's President Ben Bella, immediately "donated 100 million francs to its finances and was one of the first countries, of the Organisation to boycott Portuguese and South African goods".[26] In 1969, Algiers hosted the Pan-African Cultural Festival, on July 21 and it continued for eight days.[28] At this moment in history, Algeria stood as a ''beacon of African and Third-World militancy,''[28] and would come to inspire fights against colonialism around the world. The festival attracted thousands from African states and the African Diaspora, including the Black Panthers. It represented the application of the tenets of the Algerian revolution to the rest of Africa, and symbolized the re-shaping of the definition of pan-African identity under the common experience of colonialism.[28] The Festival further strengthened Algeria's President, Boumediene's standing in Africa and the Third World.[28] After the death of Kwame Nkrumah in 1972, Muammar Qaddafi assumed the mantle of leader of the Pan-Africanist movement and became the most outspoken advocate of African Unity, like Nkrumah before him '' for the advent of a "United States of Africa".[29] In the United States, the term is closely associated with Afrocentrism, an ideology of African-American identity politics that emerged during the civil rights movement of the 1960s to 1970s.[30] Concept [ edit ] As originally conceived by Henry Sylvester-Williams (although some historians[who? ] credit the idea to Edward Wilmot Blyden), Pan-Africanism referred to the unity of all continental Africa.[31] During apartheid South Africa there was a Pan Africanist Congress that dealt with the oppression of Africans in South Africa under Apartheid rule. Other pan-Africanist organisations include: Garvey's Universal Negro Improvement Association-African Communities League, TransAfrica and the International People's Democratic Uhuru Movement. Additionally, Pan-Africanism is seen as an endeavor to return to what are deemed by its proponents as singular, traditional African concepts about culture, society, and values. Examples of this include L(C)opold S(C)dar Senghor's N(C)gritude movement, and Mobutu Sese Seko's view of Authenticit(C). An important theme running through much pan-Africanist literature concerns the historical links between different countries on the continent, and the benefits of cooperation as a way of resisting imperialism and colonialism. In the 21st century, some Pan-Africanists aim to address globalisation and the problems of environmental justice. For instance, at the conference "Pan-Africanism for a New Generation"[32] held at the University of Oxford, June 2011, Ledum Mittee, the current president of the Movement for the Survival of the Ogoni People (MOSOP), argued that environmental justice movements across the African continent should create horizontal linkages in order to better protect the interests of threatened peoples and the ecological systems in which they are embedded, and upon which their survival depends. Some universities went as far as creating "Departments of Pan-African Studies" in the late 1960s. This includes the California State University, where that department was founded in 1969 as a direct reaction to the civil rights movement, and is today dedicated to "teaching students about the African World Experience", to "demonstrate to the campus and the community the richness, vibrance, diversity, and vitality of African, African American, and Caribbean cultures" and to "presenting students and the community with an Afrocentric analysis" of anti-black racism.[33]Syracuse University also offers a master's degree in "Pan African Studies".[34] Pan-African colors [ edit ] The flags of numerous states in Africa and of Pan-African groups use green, yellow and red. This colour combination was originally adopted from the 1897 flag of Ethiopia, and was inspired by the fact that Ethiopia is the continent's oldest independent nation,[35] thus making the Ethiopian green, yellow and red the closest visual representation of Pan-Africanism. This is in comparison to the Black Nationalist flag, representing political theory centred around the eugenicist caste-stratified colonial Americas.[36] The UNIA (Universal Negro Improvement Association) flag, is a tri-color flag consisting of three equal horizontal bands of (from top down) red, black and green. The UNIA formally adopted it on August 13, 1920,[37] during its month-long convention at Madison Square Garden in New York.[38][39] Variations of the flag have been used in various countries and territories in Africa and the Americas to represent Black Nationalist ideologies. Among these are the flags of Malawi, Kenya and Saint Kitts and Nevis. Several Pan-African organizations and movements have also often employed the emblematic red, black and green tri-color scheme in variety of contexts. Maafa studies [ edit ] Maafa is an aspect of Pan-African studies. The term collectively refers to 500 years of suffering (including the present) of people of African heritage through slavery, imperialism, colonialism, and other forms of oppression.[40][41] In this area of study, both the actual history and the legacy of that history are studied as a single discourse. The emphasis in the historical narrative is on African agents, as opposed to non-African agents.[42] Political parties and organizations [ edit ] In Africa [ edit ] Organisation of African Unity, succeeded by the African UnionAfrican Unification FrontRassemblement D(C)mocratique AfricainAll-African People's Revolutionary PartyConvention People's Party (Ghana)Pan-African Renaissance[43]Economic Freedom Fighters (South Africa)Pan Africanist Congress of Azania (South Africa)In the Caribbean [ edit ] The Pan-African Affairs Commission for Pan-African Affairs, a unit within the Office of the Prime Minister of Barbados.[44]African Society for Cultural Relations with Independent Africa (Guyana)Antigua Caribbean Liberation Movement (Antigua and Barbuda)Clement Payne Movement (Barbados)Marcus Garvey People's Political Party (Jamaica)Universal Negro Improvement Association and African Communities League (Jamaica)In the United Kingdom [ edit ] Pan-African FederationIn the United States [ edit ] The Council on African Affairs (CAA): founded in 1937 by Max Yergan and Paul Robeson, the CAA was the first major U.S. organization whose focus was on providing pertinent and up-to-date information about Pan-Africanism across the United States, particularly to African Americans. Probably the most successful campaign of the Council was for South African famine relief in 1946. The CAA was hopeful that, following World War II, there would be a move towards Third World independence under the trusteeship of the United Nations.[45] To the CAA's dismay, the proposals introduced by the U.S. government to the conference in April/May 1945 set no clear limits on the duration of colonialism and no motions towards allowing territorial possessions to move towards self-government.[45] Liberal supporters abandoned the CAA, and the federal government cracked down on its operations. In 1953 the CAA was charged with subversion under the McCarran Internal Security Act. Its principal leaders, including Robeson, W. E. B. Du Bois, and Alphaeus Hunton (1903''70), were subjected to harassment, indictments, and in the case of Hunton, imprisonment. Under the weight of internal disputes, government repression, and financial hardships, the Council on African Affairs disbanded in 1955.[46]The US Organization was founded in 1965 by Maulana Karenga, following the Watts riots. It is based on the synthetic African philosophy of kawaida, and is perhaps best known for creating Kwanzaa and the Nguzo Saba ("seven principles"). In the words of its founder and chair, Karenga, "the essential task of our organization Us has been and remains to provide a philosophy, a set of principles and a program which inspires a personal and social practice that not only satisfies human need but transforms people in the process, making them self-conscious agents of their own life and liberation".[47]Pan-African concepts and philosophies [ edit ] Afrocentric Pan-Africanism [ edit ] Afrocentric Pan-Africanism is espoused by Kwabena Faheem Ashanti in his book The Psychotechnology of Brainwashing: Crucifying Willie Lynch. Another newer movement that has evolved from the early Afrocentric school is the Afrisecal movement or Afrisecaism of Francis Ohanyido, a Nigerian philosopher-poet.[48] Black Nationalism is sometimes associated with this form of pan-Africanism. Kawaida [ edit ] Hip hop [ edit ] Since the late 1970s, hip hop has emerged as a powerful force that has partly shaped black identity worldwide. In his 2005 article "Hip-hop Turns 30: Whatcha Celebratin' For?", Greg Tate describes hip-hop culture as the product of a Pan-African state of mind. It is an "ethnic enclave/empowerment zone that has served as a foothold for the poorest among us to get a grip on the land of the prosperous".[49] Hip-hop unifies those of African descent globally in its movement towards greater economic, social and political power. Andreana Clay in her article "Keepin' it Real: Black Youth, Hip-Hop Culture, and Black Identity" states that hip-hop provides the world with "vivid illustrations of Black lived experience", creating bonds of black identity across the globe.[50] From a Pan-African perspective, Hip-Hop Culture can be a conduit to authenticate a black identity, and in doing so, creates a unifying and uplifting force among Africans that Pan-Africanism sets out to achieve. Pan-African art [ edit ] Further information on pan-African film festivals see: FESPACO and PAFFSee also [ edit ] Literature [ edit ] Hakim Adi & Marika Sherwood, Pan-African History: Political Figures from Africa and the Diaspora Since 1787, London: Routledgem 2003.Imanuel Geiss, Panafrikanismus. Zur Geschichte der Dekolonisation. Habilitation, EVA, Frankfurt am Main, 1968, English as: The Pan-African Movement, London: Methuen, 1974, ISBN 0-416-16710-1, and as: The Pan-African Movement. A history of Pan-Africanism in America, Europe and Africa, New York: Africana Publ., 1974, ISBN 0-8419-0161-9.Colin Legum, Pan-Africanism: A Short Political Guide, revised edition, New York: Frederick A. Praeger, 1965.Tony Martin, Pan-African Connection: From Slavery to Garvey and Beyond, Dover: The Majority Press, 1985.References [ edit ] ^ Austin, David (Fall 2007). "All Roads Led to Montreal: Black Power, the Caribbean and the Black Radical Tradition in Canada". Journal of African American History. 92 (4): 516''539 . Retrieved March 30, 2019 . ^ Oloruntoba-Oju, Omotayo (December 2012). "Pan Africanism, Myth and History in African and Caribbean Drama". Journal of Pan African Studies. 5 (8): 190 ff. ^ Frick, Janari, et al. (2006), History: Learner's Book, p. 235, South Africa: New Africa Books. ^ Makalani, Minkah (2011), "Pan-Africanism". Africana Age. ^ New Dictionary of the History of Ideas. The Gale Group, Inc. 2005. ^ About the African Union Archived January 29, 2011, at the Wayback Machine. ^ "The objectives of the PAP", The Pan-African Parliament '' 2014 and beyond. ^ a b Falola, Toyin; Essien, Kwame (2013). Pan-Africanism, and the Politics of African Citizenship and Identity. London: Routledge. pp. 71''72. ISBN 1135005192 . Retrieved September 26, 2015 . ^ Goebel, Anti-Imperial Metropolis, pp. 250''278. ^ Maguire, K., "Ghana re-evaluates Nkrumah", GlobalPost, October 21, 2009. Retrieved September 13, 2012. ^ a b Agyeman, O., Pan-Africanism and Its Detractors: A Response to Harvard's Race Effacing Universalists, Harvard University Press (1998), cited in Mawere, Munyaradzi; Tapuwa R. Mubaya, African Philosophy and Thought Systems: A Search for a Culture and Philosophy of Belonging, Langaa RPCIG (2016), p. 89. ISBN 9789956763016. Retrieved August 23, 2018. ^ "Pan-Africanism". exhibitions.nypl.org . Retrieved February 16, 2017 . ^ "A history of Pan-Africanism", New Internationalist, 326, August 2000. ^ The History of Pan Africanism, PADEAP (Pan African Development Education and Advocacy Programme). ^ Lubin, Alex, "The Contingencies of Pan-Africanism", Geographies of Liberation: The Making of an Afro-Arab Political Imaginary, Chapel Hill: University of North Carolina Press, 2014, p. 71. ^ Smith-Asante, E., "Biography of Ghana's first President, Dr Kwame Nkrumah", Graphic Online, March 8, 2016. Retrieved March 23, 2017. ^ a b Mkandawire, P. (2005). African Intellectuals: Rethinking Politics, Language, Gender and Development, Dakar: Codesria/London: Zed Books, p. 58. Retrieved March 23, 2017. ^ a b Legum, C. (1965). Pan-Africanism: a short political guide, New York, etc.: Frederick A. Praeger, p. 41. ^ Adi, H., & M. Sherwood (2003). Pan-African History: Political Figures from Africa and the Diaspora Since 1787, London: Routledge, p. 66. ^ a b Legum (1965). Pan-Africanism, p. 42. ^ Adi & Sherwood (2003). Pan-African History, p. 179. ^ Legum (1965), Pan-Africanism, p. 45. ^ Legum (1965). Pan-Africanism, p. 46. ^ Legum (1965), Pan-Africanism, p. 47. ^ Martin, G. (2012). African Political Thought, New York: Palgrave Macmillan. ^ a b Adi & Sherwood (2003), Pan-African History, p. 10. ^ "African states unite against white rule", ON THIS DAY | May25. BBC News. Retrieved March 23, 2017. ^ a b c d Evans, M., & J. Phillips (2008). Algeria: Anger of the Dispossessed, Yale University Press, pp. 97''98. ^ Martin, G. (December 23, 2012). African Political Thought. Springer. ISBN 9781137062055. ^ See e.g. Ronald W. Walters, Pan Africanism in the African Diaspora: An Analysis of Modern Afrocentric Political Movements, African American Life Series, Wayne State University Press, 1997, p. 68. ^ Campbell, Crystal Z. (December 2006). "Sculpting a Pan-African Culture in the Art of N(C)gritude: A Model for African Artist" (PDF) . The Journal of Pan African Studies. Archived from the original on June 1, 2015. CS1 maint: BOT: original-url status unknown (link) ^ Oxford University African Society Conference, Corpus Christi College, Oxford University, May 5, 2012. ^ "About Us". Csus.edu . Retrieved October 15, 2015 . ^ The M.A. in Pan African Studies Archived October 25, 2014, at the Wayback Machine, African American Studies at Syracuse University. ^ Smith, Whitney (2001). Flag Lore of All Nations . Millbrook Press. p. 36. ISBN 0761317538 . Retrieved October 7, 2014 . ^ Lionel K., McPherson; Shelby, Tommie (Spring 2004). "Blackness and Blood: Interpreting African American Identity" (PDF) . Philosophy and Public Affairs. 32: 171''192. ^ Wikisource contributors, "The Declaration of the Rights of the Negro Peoples of the World", Wikisource, The Free Library. (Retrieved October 6, 2007). ^ "25,000 Negroes Convene: International Gathering Will Prepare Own Bill of Rights", The New York Times, August 2, 1920. Proquest. Retrieved October 5, 2007. ^ "Negroes Adopt Bill Of Rights: Convention Approves Plan for African Republic and Sets to Work on Preparation of Constitution of the Colored Race Negro Complaints Aggression Condemned Recognition Demanded". The Christian Science Monitor, August 17, 1920. Proquest. Retrieved October 5, 2007. ^ "What Holocaust". "Glenn Reitz". Archived from the original on October 18, 2007. ^ "The Maafa, African Holocaust". Swagga. ^ Ogunleye, Tolagbe (1997). "African American Folklore: Its Role in Reconstructing African American History". Journal of Black Studies. 27 (4): 435''455. ISSN 0021-9347. ^ "Pan-African Renaissance". ^ Rodney Worrell (2005). Pan-Africanism in Barbados: An Analysis of the Activities of the Major 20th-century Pan-African Formations in Barbados. New Academia Publishing, LLC. pp. 99''102. ISBN 978-0-9744934-6-6. ^ a b Duberman, Martin. Paul Robeson, 1989, pp. 296''97. ^ "Council on African Affairs", African Activist Archive. ^ "Philosophy, Principles, and Program". The Organization Us. ^ "Francis Okechukwu Ohanyido". African Resource. ^ Tate, Greg, "Hip-hop Turns 30: Whatcha Celebratin' For?", Village Voice, January 4, 2005. ^ Clay, Andreana. "Keepin' it Real: Black Youth, Hip-Hop Culture, and Black Identity". In American Behavioral Scientist, Vol. 46.10 (2003): 1346''58. External links [ edit ] SNCC Digital Gateway: Pan-Africanism'--Digital documentary website created by the SNCC Legacy Project and Duke University, telling the story of the Student Nonviolent Coordinating Committee & grassroots organizing from the inside-outAfrican UnionAfrican Code Unity Through DiversityA-APRP WebsiteThe Major Pan-African news and articles siteProfessor David Murphy (November 15, 2015). "The Performance of Pan-Africanism: performing black identity at major pan-African festivals, 1966''2010" (Podcast). The University of Edinburgh . Retrieved January 28, 2016 '' via Soundcloud. Ebro Darden - Wikipedia Mon, 02 Dec 2019 12:36 Ebro Darden BornIbrahim Jamil Darden ( 1975-03-17 ) March 17, 1975 (age 44) NationalityAmericanOccupationMedia executiveradio personalityYears active1990''presentKnown forHot 97 radio personalityBeats1 DJChildren1Websitewww.EbroDarden.comIbrahim "Ebro" Darden (born March 17, 1975) is an American media executive and radio personality. Until 2014, he was Vice President of Programming for Emmis Communications' New York contemporary urban station WQHT (Hot 97). He is currently a co-host on the Hot 97 morning show, Ebro in the Morning, alongside Peter Rosenberg, and Laura Stylez. As of 2015, Darden also hosts a hip hop music-based radio show on Beats 1. Early life [ edit ] Darden was born to a black father and a Jewish mother. He attended a Pentecostal church and Hebrew school while growing up in Oakland and Sacramento.[1] Career [ edit ] Start in radio [ edit ] Darden began his career in radio in 1990 at KSFM in Sacramento, California, while he was still a teenager. At KSFM he worked in research and as a sales runner until moving into programming as an intern, and later co-hosting for KSFM's night and morning shows. In 1997, he worked at KBMB in Sacramento as Programming and Music Director, as well as an afternoon host. Eventually, Darden became Operations Manager at KBMB, while also co-hosting mornings at KXJM in Portland, Oregon, in 1999. Hot 97 [ edit ] In 2003, Darden became Music Director for WQHT, ultimately becoming the Program Director for the station in 2007.[2][3][4] Darden worked alongside several past WQHT Hot 97 morning show co-hosts including Star and Bucwild, Miss Jones, DJ Envy, Sway, and Joe Budden from 2004 to 2007, and introduced Cipha Sounds and Peter Rosenberg to the AM drive in 2009. He rejoined the Hot 97 Morning Show in 2012, alongside Cipha Sounds, Peter Rosenberg, and Laura Stylez. As Programming Director and on-air host, Darden was the main voice of several events at Hot 97 including Nicki Minaj's relationship with the station, and her alleged sexual relationship with the host; Hurricane Sandy; and Mister Cee's personal life.[5] In 2014, VH1 announced a new unscripted comedy series, This Is Hot 97, which featured Darden and fellow hosts including Angie Martinez, Funkmaster Flex, Peter Rosenberg, Cipha Sounds, Miss Info, and Laura Stylez.[6] Beats 1 [ edit ] In addition to his current on-air role at Hot 97, Darden is now one of three anchor DJs on Beats 1, an Internet radio service from Apple Music. Feuds and controversy [ edit ] A comedic rivalry between Darden and fellow accomplished radio personality Charlamagne Tha God of Power 105.1 has been ongoing for years. In May 2017, Darden clarified their relationship, stating, "The stuff we do on the radio is stupid. It's for fun. I make fun of you for fun. That's it. It's not that deep... me and that dude don't have a personal problem... a personal relationship".[7] Darden was mentioned in Remy Ma's "shETHER" diss track, on which Ma insinuated that he slept with Nicki Minaj by stating "Coke head, you cheated on your man with Ebro". After jokingly going back and forth with both Ma and her husband Papoose on social media, Darden denied the rumors, stating that he and Minaj had only a professional relationship.[8] Ebro has been in an ongoing feud with Brooklyn artist 6ix9ine. Ebro made fun of 6ix9ine as looking like a clown and criticized him for bragging about streaming numbers,[9] and 6ix9ine responded on the song "Stoopid" with the line "That nigga Ebro, he a bitch/Just another old nigga on a young nigga dick." [10] Personal life [ edit ] Darden has a daughter, Isa, who was born in 2014.[11] Recognition [ edit ] In 2013, he was recognized by Radio Ink as a future African American leader.[12] Filmography [ edit ] References [ edit ] Queen & Slim (2019) - IMDb Mon, 02 Dec 2019 12:13 3 nominations. See more awards >> Learn more More Like This Comedy | Crime | Drama 1 2 3 4 5 6 7 8 9 10 8.1 / 10 X A detective investigates the death of a patriarch of an eccentric, combative family. Director:Rian Johnson Stars:Daniel Craig,Chris Evans,Ana de Armas Action | Crime | Drama 1 2 3 4 5 6 7 8 9 10 6.6 / 10 X An embattled NYPD detective is thrust into a citywide manhunt for a pair of cop killers after uncovering a massive and unexpected conspiracy. Director:Brian Kirk Stars:Chadwick Boseman,Sienna Miller,J.K. Simmons Action | Biography | Drama 1 2 3 4 5 6 7 8 9 10 6.5 / 10 X The extraordinary tale of Harriet Tubman's escape from slavery and transformation into one of America's greatest heroes, whose courage, ingenuity, and tenacity freed hundreds of slaves and changed the course of history. Director:Kasi Lemmons Stars:Cynthia Erivo,Leslie Odom Jr.,Joe Alwyn Biography | Drama 1 2 3 4 5 6 7 8 9 10 7.9 / 10 X Based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod. Director:Marielle Heller Stars:Tom Hanks,Matthew Rhys,Chris Cooper Drama 1 2 3 4 5 6 7 8 9 10 7.2 / 10 X A young actor's stormy childhood and early adult years as he struggles to reconcile with his father and deal with his mental health. Director:Alma Har'el Stars:Shia LaBeouf,Lucas Hedges,Noah Jupe Drama | Romance | Sport 1 2 3 4 5 6 7 8 9 10 7.7 / 10 X Traces the journey of a suburban family - led by a well-intentioned but domineering father - as they navigate love, forgiveness, and coming together in the aftermath of a loss. Director:Trey Edward Shults Stars:Taylor Russell,Kelvin Harrison Jr.,Alexa Demie Comedy | Drama | War 1 2 3 4 5 6 7 8 9 10 8.1 / 10 X A young boy in Hitler's army finds out his mother is hiding a Jewish girl in their home. Director:Taika Waititi Stars:Roman Griffin Davis,Thomasin McKenzie,Scarlett Johansson Action | Crime | Drama 1 2 3 4 5 6 7 8 9 10 5.7 / 10 X A rookie New Orleans police officer is forced to balance her identity as a black woman after she witnesses two corrupt cops committing murder. Director:Deon Taylor Stars:Naomie Harris,Frank Grillo,Mike Colter Biography | Drama | History 1 2 3 4 5 6 7 8 9 10 7.3 / 10 X A corporate defense attorney takes on an environmental lawsuit against a chemical company that exposes a lengthy history of pollution. Director:Todd Haynes Stars:Anne Hathaway,Mark Ruffalo,William Jackson Harper Drama | Fantasy | Horror 1 2 3 4 5 6 7 8 9 10 8.3 / 10 X Two lighthouse keepers try to maintain their sanity while living on a remote and mysterious New England island in the 1890s. Director:Robert Eggers Stars:Willem Dafoe,Robert Pattinson,Valeriia Karaman Crime | Drama | Mystery 1 2 3 4 5 6 7 8 9 10 6.5 / 10 X Consummate con man Roy Courtnay has set his sights on his latest mark: the recently widowed Betty McLeish, worth millions. But this time, what should have been a simple swindle escalates into a cat-and-mouse game with the ultimate stakes. Director:Bill Condon Stars:Helen Mirren,Ian McKellen,Russell Tovey Crime | Drama | Mystery 1 2 3 4 5 6 7 8 9 10 7.1 / 10 X In 1950s New York, a lonely private detective afflicted with Tourette's Syndrome ventures to solve the murder of his mentor and only friend. Director:Edward Norton Stars:Edward Norton,Gugu Mbatha-Raw,Alec Baldwin Edit Storyline Slim and Queen's first date takes an unexpected turn when a policeman pulls them over for a minor traffic violation. When the situation escalates, Slim takes the officer's gun and shoots him in self-defence. Now labelled cop killers in the media, Slim and Queen feel that they have no choice but to go on the run and evade the law. When a video of the incident goes viral, the unwitting outlaws soon become a symbol of trauma, terror, grief and pain for people all across the country Written bystmc-25959 Plot Summary | Add Synopsis Motion Picture Rating (MPAA) Rated R for violence, some strong sexuality, nudity, pervasive language, and brief drug use. | See all certifications >> Edit Details Release Date: 27 November 2019 (USA) See more >> Edit Box Office Opening Weekend USA: $11,700,000, 1 December 2019 Gross USA: $15,810,000 Cumulative Worldwide Gross: $15,810,000 See more on IMDbPro >> Company Credits Technical Specs Runtime: 131 min Aspect Ratio: 2.39 : 1 See full technical specs >> Edit Did You Know? Trivia First feature film to be directed by Melina Matsoukas, who has previously only directed music videos and TV episodes. See more >> Quotes Slim :Are you tryin' to die? Queen :No. I just always wanted to do that. Slim :Well, don't do it while I'm drivin' Queen :You should try it. Slim :Nah, I'm good. Queen :Pull over. Slim :Na-ah. Queen :Come on! Pull over. Pull over! Slim :If I do, would you please, let me drive the rest of the way it is? Queen :Swear to God. [...] See more >> Explore popular and recently added TV series available to stream now with Prime Video. Start your free trial Music in this episode Intro: Puff Daddy - It's all about the benjamins Outro: Blue Magic - Sideshow Donate to the show at moefundme.com Search for us in your podcast directory or use this link to subscribe to the feed Podcast Feed For more information: MoeFactz.com
Show Notes Moe Factz with Adam Curry for December 2nd 2019, Episode number 17 Shaft Stache Shownotes Robert Townsend (actor) - Wikipedia Mon, 02 Dec 2019 13:13 American actor Robert Townsend (born February 6, 1957) is an American actor, director, comedian, and writer.[1][2] Townsend is best known for directing the films Hollywood Shuffle (1987), Eddie Murphy Raw (1987), The Meteor Man (1993), The Five Heartbeats (1991) and various other films and stand-up specials. He is especially known for his eponymous self-titled character, Robert Peterson as the starring role as on The WB sitcom The Parent 'Hood (1995''1999), a series which he created and of which directed select episodes. Townsend is also known for his role as Donald "Duck" Matthews in his 1991 film The Five Heartbeats.[3] He later wrote, directed and produced Making The Five Heartbeats (2018), a documentary film about the production process and behind the scenes insight into creating the film. Townsend is also known for his production company Townsend Entertainment [4] which has produced films Playin' for Love,[5] In the Hive and more. During the 1980s and early''1990s, Townsend gained national exposure through his stand-up comedy routines and appearances on The Tonight Show Starring Johnny Carson. Townsend has worked with talent including Halle Berry, Morgan Freeman, Chris Tucker, Beyonc(C), Denzel Washington and many more.[6][7][8] Early life and career [ edit ] Townsend was born in Chicago, Illinois, the second of four children[9] to Shirley (n(C)e Jenkins) and Ed Townsend. His mother ended up raising him and his three siblings as a single parent. Growing up on the city's west side, Townsend attended Austin High School; graduating in 1975.[10] He became interested in acting as a teenager. During a reading of Sophocles' Oedipus Rex in high school, Townsend captured the attention of Chicago's X Bag Theatre, The Experimental Black Actors Guild. Townsend later auditioned for parts at Chicago's Experimental Black Actors' Guild and performed in local plays studying at the famed Second City comedy workshop for improvisation in 1974. Townsend had a brief uncredited role in the 1975 movie Cooley High. After high school, Townsend enrolled at Illinois State University, studied a year and later moved to New York to study at the Negro Ensemble Company. Townsend's mother believed that he should complete his college education, but he felt that college took time away from his passion for acting, and he soon dropped out of school to pursue his acting career full-time. Career [ edit ] Townsend auditioned to be part of Saturday Night Live's 1980''1981 cast, but was rejected in favor of Eddie Murphy. In 1982, Townsend appeared as one of the main characters in the PBS series Another Page, a program produced by Kentucky Educational Television that taught literacy to adults through serialized stories. Townsend later appeared in small parts in films like A Soldier's Story (1984), directed by Norman Jewison, and after its success garnered much more substantial parts in films like The Mighty Quinn (1989) with Denzel Washington.[11][12][13] In 1987, Townsend wrote, directed and produced Hollywood Shuffle, a satire based on the hardships and obstacles that black actors undergo in the film industry. The success of his first project helped him establish himself in the industry.[6][14] Another of his films was The Five Heartbeats based on 1960s R&B male groups and the tribulations of the music industry. Townsend created and produced two television variety shows'--the CableACE award''winning Robert Townsend and His Partners in Crime for HBO, and the Fox Television variety show Townsend Television (1993). He also created and starred in the WB Network's sitcom The Parent 'Hood which originally ran from January 1995 to July 1999. In 2018, Townsend also directed 2 episodes for the B.E.T. Series American Soul which began airing in 2019. The show is about Don Cornelius and Soul Train. Townsend was programming director at the Black Family Channel, but the network folded in 2007. Townsend created The Robert Townsend Foundation, a nonprofit organization whose mission is to introduce and help new unsigned filmmakers. Awards and other credits [ edit ] Townsend directed the 2001 TV movie, Livin' for Love: The Natalie Cole Story for which Cole won the NAACP Image Award as Outstanding Actress in a Television Movie, Mini-Series or Dramatic Special. Townsend also directed two television movies in 2001 and 2002 respectively, Carmen: A Hip Hopera and 10,000 Black Men Named George. In 2013 Townsend was nominated for an Ovation Award in the category of "Lead Actor in a Musical" for his role as Dan in the La Mirada Theatre for the Performing Arts production of Next to Normal.[15] Personal life [ edit ] Townsend was married to Cheri Jones[16] from September 15, 1990, to August 9, 2001.[17] Together they have two daughters, Sierra and Skylar (Skye Townsend), both entertainers, and a son, Isiah.[6] Filmography [ edit ] Further reading [ edit ] Alexander, George. Why We Make Movies: Black Filmmakers Talk About the Magic of Cinema. Harlem Moon. 2003.Collier, Aldore. "Robert Townsend: a new kind of Hollywood dreamer. Actor-producer-director plans to make films that uplift and transform Black audiences". Ebony Magazine. 1 June 1991.Rogers, Brent. Robert Townsend Article in Perspectives. Sustaining Digital History, 12 November 2007.References [ edit ] ^ "Robert Townsend". The New York Times. ^ "As Robert Townsend Sees It : He's Fighting Stereotypes With 'Meteor Man' and New TV Show". Los Angeles Times . Retrieved 2010-10-10 . ^ The Five Heartbeats , retrieved 2019-09-16 ^ "Townsend Entertainment - IMDbPro". pro.imdb.com . Retrieved 2018-03-06 . ^ "Playin' For Love". Black Cinema Connection. 2014-11-05 . Retrieved 2018-03-06 . ^ a b c "About". Robert Townsend. Archived from the original on 2011-07-14. ^ "Carmen: A Hip Hopera", Wikipedia, 2019-08-09 , retrieved 2019-09-17 ^ B*A*P*S , retrieved 2019-09-17 ^ "Townsend, Robert (1957-)". BlackPast.Org. 2008 . Retrieved September 18, 2017 . ^ "1975 Austin High School Yearbook (Chicago, Illinois)". Classmates.com. 1975 . Retrieved September 18, 2017 . ^ Vincent Canby, "Review/Film; Tropical Murder", The New York Times, February 17, 1989. ^ The Mighty Quinn , retrieved 2019-09-17 ^ A Soldier's Story , retrieved 2019-09-17 ^ Hollywood Shuffle , retrieved 2019-09-17 ^ "2013 Ovation Awards Nominees '-- South by Southeast". thisstage.la. LA STAGE Alliance. September 16, 2013 . Retrieved 2017-04-21 . ^ "The Week's Best Photo". Google Books. JET Magazine. March 25, 1991 . Retrieved September 18, 2017 . ^ Gimenes, Erika (2001). "Robert Townsend to divorce". Hollywood.com . Retrieved September 18, 2017 . ^ "Jackie's Back! (1999)" at IMDb. External links [ edit ] Robert Townsend on IMDbRobert Townsend (Official Website) (9) Charles Woods (The Professor) - Hollywood's Tricknology: Mandingo To Malcolm X - YouTube Mon, 02 Dec 2019 12:59 Tyler Perry Mon, 02 Dec 2019 12:57 Tyler Perry is a world-renowned producer, director, actor, screenwriter, playwright, author, songwriter, entrepreneur, and philanthropist. Tyler Perry's Story Tyler Perry is a world-renowned producer, director, actor, screenwriter, playwright, author, songwriter, entrepreneur, and philanthropist. Read His Story Outreach Since 2006, The Perry Foundation's aim has been to transform tragedy into triumph by empowering the economically disadvantaged to achieve a better quality of life. We focus on health and clean water, education and technology, arts and culture, and globally-sustainable economic development. Get Involved Visit Website You are viewing Tyler Perry Entertainment. If you'd like to view the Tyler Perry Studios, click here. Black writers courageously staring down the white gaze '' this is why we all must read them | Stan Grant | Opinion | The Guardian Mon, 02 Dec 2019 12:46 The white gaze '' it is a phrase that resonates in black American literature. Writers from WEB Du Bois to Ralph Ellison to James Baldwin and Toni Morrison have struggled with it and railed against it. As Morrison '' a Nobel Laureate '' once said: Our lives have no meaning, no depth without the white gaze. And I have spent my entire writing life trying to make sure that the white gaze was not the dominant one in any of my books. The white gaze: it traps black people in white imaginations. It is the eyes of a white schoolteacher who sees a black student and lowers expectations. It is the eyes of a white cop who sees a black person and looks twice '' or worse, feels for a gun. Du Bois explored this more than a century ago in his book The Souls of Black Folk, reflecting on his conversations with white people and the ensuing delicate dance around the ''Negro problem''. Between me and the other world there is an ever unasked question'.... All, nevertheless, flutter around it ... Instead of saying directly, how does it feel to be a problem? They say, I know an excellent coloured man in my town ... To the real question '... I answer seldom a word. Baldwin was as ever more direct and piercing, writing in his book Nobody Knows My Name. I have spent most of my life ... watching white people and outwitting them so that I might survive. The flame has passed to a new generation. In 2015 three more black writers have stared down the white gaze. In their own ways Ta-Nehisi Coates, Claudia Rankine and George Yancy have held up a mirror to white America. These are uncompromising and fearless voices. Coates' searing essay Between The World And Me critiques America against a backdrop of black deaths at the hands of police. He says the country's history is rooted in slavery and the assault against the black body. In the form of a letter to his son, Coates writes: Here is what I would like for you to know: In America it is traditional to destroy the black body '' it is heritage. In Citizen '' An American Lyric, poet Rankine reflects on the black experience from the victims of Hurricane Katrina, or Trayvon Martin, a 17 year-old black youth shot dead by a neighbourhood watch volunteer who was acquitted, or black tennis star Serena Williams. In each case Rankine sees lives framed by whiteness. She writes: Because white men can't police their imagination, black men are dying. Philosophy Professor George Yancy just last week penned a letter in the New York Times addressed to ''Dear White America''. He asks his countrymen to listen with love, and to look at those things that might cause pain and terror. All white people, he says, benefit from racism and this means each, in their own way, are racist. '...don't run to seek shelter from your own racism'...practice being vulnerable. Being neither a ''good'' white person, nor a liberal white person will get you off the proverbial hook. Their unflinching work is not tempered by the fact a black man is in the White House '' that only makes their voices more urgent. Coates, Rankine, Yancy '' each has been variously praised and awarded, yet each has been pilloried as well. This is inevitable when some people don't like what the mirror reflects. It takes courage for a black person to speak to a white world, a world that can render invisible people of colour, unless they begin to more closely resemble white people themselves '' an education, a house in the suburbs, a good job, lighter skin. In Australia, too, black voices are defying the white gaze. We may not have the popular cut through of a Morrison or a Baldwin or a Coates, but we have a proud tradition '' Oodgeroo Noonuccal, Kevin Gilbert, Ruby Langford or more recently Kim Scott, Alexis Wright, Anita Heiss. I have spent some time recently reading some of the most powerful works of Indigenous writers. Their styles and genres are many and varied but there is a common and powerful theme of defiance and survival. This is a world so instantly recognisable to us '' Indigenous people '' but still so foreign to white Australia. Natalie Harkin's book of poetry, Dirty Words, is a subversive dictionary that turns English words back on their users: A is apology, B is for Boat People '... G is for Genocide ... S for Survival. ''How do you dream,'' she writes, ''When your lucky country does not sleep''. Bruce Pascoe's Dark Emu challenges the white stereotype of the ''primitive hunter gatherer''. He says the economy and culture of Indigenous people has been grossly undervalued. He cites journals and diaries of explorers and colonists to reveal the industry and ingenuity of pre-colonial Aboriginal society. He says it is a window into a world of people building dams and wells and houses, irrigating and harvesting seed and creating elaborate cemeteries. Pascoe's work demands to be taught in our schools. Tony Birch is an acclaimed novelist and his latest Ghost River is remarkable. It is the story of two friends navigating the journey into adulthood guided by the men of the river '' men others may see as homeless and hopeless. It is a work infused with a sense of place and belonging. Ellen Van Neerven's Heat and Light is a genre-busting mystical journey into identity: sexual, racial and national. It is provocative and challenging and mind bending, and altogether stunning. You won't find many of these titles in the annual best book lists. Occasionally they pop up, but not as often as they deserve. You probably won't hear much of Samuel Wagan Watson's Love Poems and Death Threats, or Ken Canning's Yimbama, or Lionel Fogarty's Eelahroo (Long Ago) Nyah (Looking) Mobo-Mobo (Future). That these works are not more widely read is a national shame. In our busy lives, try to find time for some of these books in 2016 '' read with the courage of these writers. George Yancy asks white Americans to become ''un-sutured'', to open themselves up and let go of their white innocence. Why is this important? Well, for white people it may simply be a matter of choice '' the fate of black people may not affect them. For us it is survival '' the white gaze means we die young, are locked up and locked out of work and education. We hear a lot about recognition '' acknowledging Indigenous people in the Australian constitution. But there is another recognition '' recognising the pervasive and too often destructive role of race in our lives, and the need to lift our gaze above it. Queen | Definition of Queen by Merriam-Webster Mon, 02 Dec 2019 12:40 To save this word, you'll need to log in. ËkwÄ'n 1 a : the wife or widow of a king b : the wife or widow of a tribal chief 2 a : a female monarch b : a female chieftain 3 a : a woman eminent in rank, power, or attractions a movie queen b : a goddess or a thing personified as female and having supremacy in a specified realm c : an attractive girl or woman especially : a beauty contest winner 4 : the most privileged piece of each color in a set of chessmen having the power to move in any direction across any number of unoccupied squares 5 : a playing card marked with a stylized figure of a queen 6 : the fertile fully developed female of social bees, ants, and termites whose function is to lay eggs 7 : a mature female cat kept especially for breeding 8 slang , often disparaging : a male homosexual especially : an effeminate one queened ; queening ; queens intransitive verb 1 : to act like a queen especially : to put on airs '-- usually used with it queens it over her friends 2 : to become a queen in chess the pawn queens Pan-Africanism - Wikipedia Mon, 02 Dec 2019 12:37 Worldwide movement that aims to encourage and strengthen bonds of solidarity between all people of African descent Pan-Africanism is a worldwide movement that aims to encourage and strengthen bonds of solidarity between all indigenous and diasporan ethnic groups of African descent. Based on a common goal dating back to the Atlantic slave trade, the movement extends beyond continental Africans with a substantial support base among the African diaspora in the Caribbean, Latin America, the United States and Canada and Europe.[1][2] It is based on the belief that unity is vital to economic, social, and political progress and aims to "unify and uplift" people of African descent.[3] The ideology asserts that the fate of all African people and countries[clarification needed ] are intertwined. At its core Pan-Africanism is a belief that ''African people, both on the continent and in the diaspora, share not merely a common history, but a common destiny".[4] Pan-Africanist intellectual, cultural, and political movements tend to view all Africans and descendants of Africans as belonging to a single "race" and sharing cultural unity. Pan-Africanism posits a sense of a shared historical fate for Africans in the Americas, West Indies, and, on the continent itself, has centered on the Atlantic trade in slaves, African slavery, and European imperialism.[5] The Organization of African Unity (now the African Union) was established in 1963 to safeguard the sovereignty and territorial integrity of its Member States and to promote global relations within the framework of the United Nations.[6] The African Union Commission has its seat in Addis Ababa and the Pan-African Parliament has its seat in Johannesburg and Midrand. Overview [ edit ] Pan-Africanism stresses the need for "collective self-reliance".[7] Pan-Africanism exists as a governmental and grassroots objective. Pan-African advocates include leaders such as Haile Selassie, Julius Nyerere, Ahmed S(C)kou Tour(C), Kwame Nkrumah, King Sobhuza II, Thomas Sankara and Muammar Gaddafi, grassroots organizers such as Marcus Garvey and Malcolm X, academics such as W. E. B. Du Bois, and others in the diaspora.[8][9][10] Pan-Africanists believe that solidarity will enable the continent to fulfill its potential to independently provide for all its people. Crucially, an all-African alliance would empower African people globally. The realization of the Pan-African objective would lead to "power consolidation in Africa", which "would compel a reallocation of global resources, as well as unleashing a fiercer psychological energy and political assertion...that would unsettle social and political (power) structures...in the Americas".[11] Advocates of Pan-Africanism'--i.e. "Pan-Africans" or "Pan-Africanists"'--often champion socialist principles and tend to be opposed to external political and economic involvement on the continent. Critics accuse the ideology of homogenizing the experience of people of African descent. They also point to the difficulties of reconciling current divisions within countries on the continent and within communities in the diaspora.[11] History [ edit ] As a philosophy, Pan-Africanism represents the aggregation of the historical, cultural, spiritual, artistic, scientific, and philosophical legacies of Africans from past times to the present. Pan-Africanism as an ethical system traces its origins from ancient times, and promotes values that are the product of the African civilisations and the struggles against slavery, racism, colonialism, and neo-colonialism.[8] Alongside a large number of slaves insurrections, by the end of the 19th century a political movement developed across the Americas, Europe and Africa that sought to weld disparate movements into a network of solidarity, putting an end to oppression. Another important political form of a religious Pan-Africanist worldview appeared in the form of Ethiopianism.[12] In London, the Sons of Africa was a political group addressed by Quobna Ottobah Cugoano in the 1791 edition of his book Thoughts and Sentiments on the Evil of Slavery. The group addressed meetings and organised letter-writing campaigns, published campaigning material and visited parliament. They wrote to figures such as Granville Sharp, William Pitt and other members of the white abolition movement, as well as King George III and the Prince of Wales, the future George IV. Modern Pan-Africanism began around the start of the 20th century. The African Association, later renamed the Pan-African Association, was established around 1897 by Henry Sylvester-Williams, who organized the First Pan-African Conference in London in 1900.[13][14][15] With the independence of Ghana in March 1957, Kwame Nkrumah was elected as the first Prime Minister and President of the State.[16] Nkrumah emerged as a major advocate for the unity of Independent Africa. The Ghanaian President embodied a political activist approach to pan-Africanism as he championed the "quest for regional integration of the whole of the African continent".[17] This period represented a "Golden Age of high pan-African ambitions"; the Continent had experienced revolution and decolonization from Western powers and the narrative of rebirth and solidarity had gained momentum within the pan-African movement.[17] Nkrumah's pan-African principles intended for a union between the Independent African states upon a recognition of their commonality (i.e. suppression under imperialism). Pan-Africanism under Nkrumah evolved past the assumptions of a racially exclusive movement associated with black Africa, and adopted a political discourse of regional unity [18] In April 1958, Nkrumah hosted the first All-African Peoples' Conference (AAPC) in Accra, Ghana. This Conference invited delegates of political movements and major political leaders. With the exception of South Africa, all Independent States of the Continent attended: Egypt, Ethiopia, Ghana, Liberia, Libya, Morocco, Tunisia and Sudan.[18] This Conference signified a monumental event in the pan-African movement, as it revealed a political and social union between those considered Arabic states and the black African regions. Further, the Conference espoused a common African Nationalist identity, among the States, of unity and anti-Imperialism. Frantz Fanon, journalist, freedom fighter and a member of the Algerian FLN party attended the conference as a delegate for Algeria.[19] Considering the armed struggle of the FLN against French colonial rule, the attendees of the Conference agreed to support the struggle of those States under colonial oppression. This encouraged the commitment of direct involvement in the "emancipation of the Continent; thus, a fight against colonial pressures on South Africa was declared and the full support of the FLN struggle in Algeria, against French colonial rule"".[20] In the years following 1958, Accra Conference also marked the establishment of a new foreign policy of non-alignment as between the US and USSR, and the will to establish an "African Identity" in global affairs by advocating a unity between the African States on international relations. "This would be based on the Bandung Declaration, the Charter of the UN and on loyalty to UN decisions."[20] In 1959, Nkrumah, President S(C)kou Tour(C) of Guinea and President William Tubman of Liberia met at Sanniquellie and signed the Sanniquellie Declaration outlining the principles for the achievement of the unity of Independent African States whilst maintaining a national identity and autonomous constitutional structure.[21][22] The Declaration called for a revised understanding of pan-Africanism and the uniting of the Independent States. In 1960, the second All-African Peoples' Conference was held in Addis Ababa, Ethiopia.[23] The membership of the All-African Peoples' Organisation (AAPO) had increased with the inclusion of the "Algerian Provisional Government (as they had not yet won independence), Cameroun, Guinea, Nigeria, Somalia and the United Arab Republic".[24] The Conference highlighted diverging ideologies within the movement, as Nkrumah's call for a political and economic union between the Independent African States gained little agreement. The disagreements following 1960 gave rise to two rival factions within the pan-African movement: the Casablanca Bloc and the Brazzaville Bloc.[25] In 1962, Algeria gained independence from French colonial rule and Ahmed Ben Bella assumed Presidency. Ben Bella was a strong advocate for pan-Africanism and an African Unity. Following the FLN's armed struggle for liberation, Ben Bella spoke at the UN and espoused for Independent Africa's role in providing military and financial support to the African liberation movements opposing apartheid and fighting Portuguese colonialism.[26] In search of a united voice, in 1963 at an African Summit conference in Addis Ababa, Ethiopia, 32 African states met and established the Organization of African Unity (OAU). The creation of the OAU Charter took place at this Summit and defines a coordinated "effort to raise the standard of living of member States and defend their sovereignty" by supporting freedom fighters and decolonisation.[27] Thus, was the formation of the African Liberation Committee (ALC), during the 1963 Summit. Championing the support of liberation movements, was Algeria's President Ben Bella, immediately "donated 100 million francs to its finances and was one of the first countries, of the Organisation to boycott Portuguese and South African goods".[26] In 1969, Algiers hosted the Pan-African Cultural Festival, on July 21 and it continued for eight days.[28] At this moment in history, Algeria stood as a ''beacon of African and Third-World militancy,''[28] and would come to inspire fights against colonialism around the world. The festival attracted thousands from African states and the African Diaspora, including the Black Panthers. It represented the application of the tenets of the Algerian revolution to the rest of Africa, and symbolized the re-shaping of the definition of pan-African identity under the common experience of colonialism.[28] The Festival further strengthened Algeria's President, Boumediene's standing in Africa and the Third World.[28] After the death of Kwame Nkrumah in 1972, Muammar Qaddafi assumed the mantle of leader of the Pan-Africanist movement and became the most outspoken advocate of African Unity, like Nkrumah before him '' for the advent of a "United States of Africa".[29] In the United States, the term is closely associated with Afrocentrism, an ideology of African-American identity politics that emerged during the civil rights movement of the 1960s to 1970s.[30] Concept [ edit ] As originally conceived by Henry Sylvester-Williams (although some historians[who? ] credit the idea to Edward Wilmot Blyden), Pan-Africanism referred to the unity of all continental Africa.[31] During apartheid South Africa there was a Pan Africanist Congress that dealt with the oppression of Africans in South Africa under Apartheid rule. Other pan-Africanist organisations include: Garvey's Universal Negro Improvement Association-African Communities League, TransAfrica and the International People's Democratic Uhuru Movement. Additionally, Pan-Africanism is seen as an endeavor to return to what are deemed by its proponents as singular, traditional African concepts about culture, society, and values. Examples of this include L(C)opold S(C)dar Senghor's N(C)gritude movement, and Mobutu Sese Seko's view of Authenticit(C). An important theme running through much pan-Africanist literature concerns the historical links between different countries on the continent, and the benefits of cooperation as a way of resisting imperialism and colonialism. In the 21st century, some Pan-Africanists aim to address globalisation and the problems of environmental justice. For instance, at the conference "Pan-Africanism for a New Generation"[32] held at the University of Oxford, June 2011, Ledum Mittee, the current president of the Movement for the Survival of the Ogoni People (MOSOP), argued that environmental justice movements across the African continent should create horizontal linkages in order to better protect the interests of threatened peoples and the ecological systems in which they are embedded, and upon which their survival depends. Some universities went as far as creating "Departments of Pan-African Studies" in the late 1960s. This includes the California State University, where that department was founded in 1969 as a direct reaction to the civil rights movement, and is today dedicated to "teaching students about the African World Experience", to "demonstrate to the campus and the community the richness, vibrance, diversity, and vitality of African, African American, and Caribbean cultures" and to "presenting students and the community with an Afrocentric analysis" of anti-black racism.[33]Syracuse University also offers a master's degree in "Pan African Studies".[34] Pan-African colors [ edit ] The flags of numerous states in Africa and of Pan-African groups use green, yellow and red. This colour combination was originally adopted from the 1897 flag of Ethiopia, and was inspired by the fact that Ethiopia is the continent's oldest independent nation,[35] thus making the Ethiopian green, yellow and red the closest visual representation of Pan-Africanism. This is in comparison to the Black Nationalist flag, representing political theory centred around the eugenicist caste-stratified colonial Americas.[36] The UNIA (Universal Negro Improvement Association) flag, is a tri-color flag consisting of three equal horizontal bands of (from top down) red, black and green. The UNIA formally adopted it on August 13, 1920,[37] during its month-long convention at Madison Square Garden in New York.[38][39] Variations of the flag have been used in various countries and territories in Africa and the Americas to represent Black Nationalist ideologies. Among these are the flags of Malawi, Kenya and Saint Kitts and Nevis. Several Pan-African organizations and movements have also often employed the emblematic red, black and green tri-color scheme in variety of contexts. Maafa studies [ edit ] Maafa is an aspect of Pan-African studies. The term collectively refers to 500 years of suffering (including the present) of people of African heritage through slavery, imperialism, colonialism, and other forms of oppression.[40][41] In this area of study, both the actual history and the legacy of that history are studied as a single discourse. The emphasis in the historical narrative is on African agents, as opposed to non-African agents.[42] Political parties and organizations [ edit ] In Africa [ edit ] Organisation of African Unity, succeeded by the African UnionAfrican Unification FrontRassemblement D(C)mocratique AfricainAll-African People's Revolutionary PartyConvention People's Party (Ghana)Pan-African Renaissance[43]Economic Freedom Fighters (South Africa)Pan Africanist Congress of Azania (South Africa)In the Caribbean [ edit ] The Pan-African Affairs Commission for Pan-African Affairs, a unit within the Office of the Prime Minister of Barbados.[44]African Society for Cultural Relations with Independent Africa (Guyana)Antigua Caribbean Liberation Movement (Antigua and Barbuda)Clement Payne Movement (Barbados)Marcus Garvey People's Political Party (Jamaica)Universal Negro Improvement Association and African Communities League (Jamaica)In the United Kingdom [ edit ] Pan-African FederationIn the United States [ edit ] The Council on African Affairs (CAA): founded in 1937 by Max Yergan and Paul Robeson, the CAA was the first major U.S. organization whose focus was on providing pertinent and up-to-date information about Pan-Africanism across the United States, particularly to African Americans. Probably the most successful campaign of the Council was for South African famine relief in 1946. The CAA was hopeful that, following World War II, there would be a move towards Third World independence under the trusteeship of the United Nations.[45] To the CAA's dismay, the proposals introduced by the U.S. government to the conference in April/May 1945 set no clear limits on the duration of colonialism and no motions towards allowing territorial possessions to move towards self-government.[45] Liberal supporters abandoned the CAA, and the federal government cracked down on its operations. In 1953 the CAA was charged with subversion under the McCarran Internal Security Act. Its principal leaders, including Robeson, W. E. B. Du Bois, and Alphaeus Hunton (1903''70), were subjected to harassment, indictments, and in the case of Hunton, imprisonment. Under the weight of internal disputes, government repression, and financial hardships, the Council on African Affairs disbanded in 1955.[46]The US Organization was founded in 1965 by Maulana Karenga, following the Watts riots. It is based on the synthetic African philosophy of kawaida, and is perhaps best known for creating Kwanzaa and the Nguzo Saba ("seven principles"). In the words of its founder and chair, Karenga, "the essential task of our organization Us has been and remains to provide a philosophy, a set of principles and a program which inspires a personal and social practice that not only satisfies human need but transforms people in the process, making them self-conscious agents of their own life and liberation".[47]Pan-African concepts and philosophies [ edit ] Afrocentric Pan-Africanism [ edit ] Afrocentric Pan-Africanism is espoused by Kwabena Faheem Ashanti in his book The Psychotechnology of Brainwashing: Crucifying Willie Lynch. Another newer movement that has evolved from the early Afrocentric school is the Afrisecal movement or Afrisecaism of Francis Ohanyido, a Nigerian philosopher-poet.[48] Black Nationalism is sometimes associated with this form of pan-Africanism. Kawaida [ edit ] Hip hop [ edit ] Since the late 1970s, hip hop has emerged as a powerful force that has partly shaped black identity worldwide. In his 2005 article "Hip-hop Turns 30: Whatcha Celebratin' For?", Greg Tate describes hip-hop culture as the product of a Pan-African state of mind. It is an "ethnic enclave/empowerment zone that has served as a foothold for the poorest among us to get a grip on the land of the prosperous".[49] Hip-hop unifies those of African descent globally in its movement towards greater economic, social and political power. Andreana Clay in her article "Keepin' it Real: Black Youth, Hip-Hop Culture, and Black Identity" states that hip-hop provides the world with "vivid illustrations of Black lived experience", creating bonds of black identity across the globe.[50] From a Pan-African perspective, Hip-Hop Culture can be a conduit to authenticate a black identity, and in doing so, creates a unifying and uplifting force among Africans that Pan-Africanism sets out to achieve. Pan-African art [ edit ] Further information on pan-African film festivals see: FESPACO and PAFFSee also [ edit ] Literature [ edit ] Hakim Adi & Marika Sherwood, Pan-African History: Political Figures from Africa and the Diaspora Since 1787, London: Routledgem 2003.Imanuel Geiss, Panafrikanismus. Zur Geschichte der Dekolonisation. Habilitation, EVA, Frankfurt am Main, 1968, English as: The Pan-African Movement, London: Methuen, 1974, ISBN 0-416-16710-1, and as: The Pan-African Movement. A history of Pan-Africanism in America, Europe and Africa, New York: Africana Publ., 1974, ISBN 0-8419-0161-9.Colin Legum, Pan-Africanism: A Short Political Guide, revised edition, New York: Frederick A. Praeger, 1965.Tony Martin, Pan-African Connection: From Slavery to Garvey and Beyond, Dover: The Majority Press, 1985.References [ edit ] ^ Austin, David (Fall 2007). "All Roads Led to Montreal: Black Power, the Caribbean and the Black Radical Tradition in Canada". Journal of African American History. 92 (4): 516''539 . Retrieved March 30, 2019 . ^ Oloruntoba-Oju, Omotayo (December 2012). "Pan Africanism, Myth and History in African and Caribbean Drama". Journal of Pan African Studies. 5 (8): 190 ff. ^ Frick, Janari, et al. (2006), History: Learner's Book, p. 235, South Africa: New Africa Books. ^ Makalani, Minkah (2011), "Pan-Africanism". Africana Age. ^ New Dictionary of the History of Ideas. The Gale Group, Inc. 2005. ^ About the African Union Archived January 29, 2011, at the Wayback Machine. ^ "The objectives of the PAP", The Pan-African Parliament '' 2014 and beyond. ^ a b Falola, Toyin; Essien, Kwame (2013). Pan-Africanism, and the Politics of African Citizenship and Identity. London: Routledge. pp. 71''72. ISBN 1135005192 . Retrieved September 26, 2015 . ^ Goebel, Anti-Imperial Metropolis, pp. 250''278. ^ Maguire, K., "Ghana re-evaluates Nkrumah", GlobalPost, October 21, 2009. Retrieved September 13, 2012. ^ a b Agyeman, O., Pan-Africanism and Its Detractors: A Response to Harvard's Race Effacing Universalists, Harvard University Press (1998), cited in Mawere, Munyaradzi; Tapuwa R. Mubaya, African Philosophy and Thought Systems: A Search for a Culture and Philosophy of Belonging, Langaa RPCIG (2016), p. 89. ISBN 9789956763016. Retrieved August 23, 2018. ^ "Pan-Africanism". exhibitions.nypl.org . Retrieved February 16, 2017 . ^ "A history of Pan-Africanism", New Internationalist, 326, August 2000. ^ The History of Pan Africanism, PADEAP (Pan African Development Education and Advocacy Programme). ^ Lubin, Alex, "The Contingencies of Pan-Africanism", Geographies of Liberation: The Making of an Afro-Arab Political Imaginary, Chapel Hill: University of North Carolina Press, 2014, p. 71. ^ Smith-Asante, E., "Biography of Ghana's first President, Dr Kwame Nkrumah", Graphic Online, March 8, 2016. Retrieved March 23, 2017. ^ a b Mkandawire, P. (2005). African Intellectuals: Rethinking Politics, Language, Gender and Development, Dakar: Codesria/London: Zed Books, p. 58. Retrieved March 23, 2017. ^ a b Legum, C. (1965). Pan-Africanism: a short political guide, New York, etc.: Frederick A. Praeger, p. 41. ^ Adi, H., & M. Sherwood (2003). Pan-African History: Political Figures from Africa and the Diaspora Since 1787, London: Routledge, p. 66. ^ a b Legum (1965). Pan-Africanism, p. 42. ^ Adi & Sherwood (2003). Pan-African History, p. 179. ^ Legum (1965), Pan-Africanism, p. 45. ^ Legum (1965). Pan-Africanism, p. 46. ^ Legum (1965), Pan-Africanism, p. 47. ^ Martin, G. (2012). African Political Thought, New York: Palgrave Macmillan. ^ a b Adi & Sherwood (2003), Pan-African History, p. 10. ^ "African states unite against white rule", ON THIS DAY | May25. BBC News. Retrieved March 23, 2017. ^ a b c d Evans, M., & J. Phillips (2008). Algeria: Anger of the Dispossessed, Yale University Press, pp. 97''98. ^ Martin, G. (December 23, 2012). African Political Thought. Springer. ISBN 9781137062055. ^ See e.g. Ronald W. Walters, Pan Africanism in the African Diaspora: An Analysis of Modern Afrocentric Political Movements, African American Life Series, Wayne State University Press, 1997, p. 68. ^ Campbell, Crystal Z. (December 2006). "Sculpting a Pan-African Culture in the Art of N(C)gritude: A Model for African Artist" (PDF) . The Journal of Pan African Studies. Archived from the original on June 1, 2015. CS1 maint: BOT: original-url status unknown (link) ^ Oxford University African Society Conference, Corpus Christi College, Oxford University, May 5, 2012. ^ "About Us". Csus.edu . Retrieved October 15, 2015 . ^ The M.A. in Pan African Studies Archived October 25, 2014, at the Wayback Machine, African American Studies at Syracuse University. ^ Smith, Whitney (2001). Flag Lore of All Nations . Millbrook Press. p. 36. ISBN 0761317538 . Retrieved October 7, 2014 . ^ Lionel K., McPherson; Shelby, Tommie (Spring 2004). "Blackness and Blood: Interpreting African American Identity" (PDF) . Philosophy and Public Affairs. 32: 171''192. ^ Wikisource contributors, "The Declaration of the Rights of the Negro Peoples of the World", Wikisource, The Free Library. (Retrieved October 6, 2007). ^ "25,000 Negroes Convene: International Gathering Will Prepare Own Bill of Rights", The New York Times, August 2, 1920. Proquest. Retrieved October 5, 2007. ^ "Negroes Adopt Bill Of Rights: Convention Approves Plan for African Republic and Sets to Work on Preparation of Constitution of the Colored Race Negro Complaints Aggression Condemned Recognition Demanded". The Christian Science Monitor, August 17, 1920. Proquest. Retrieved October 5, 2007. ^ "What Holocaust". "Glenn Reitz". Archived from the original on October 18, 2007. ^ "The Maafa, African Holocaust". Swagga. ^ Ogunleye, Tolagbe (1997). "African American Folklore: Its Role in Reconstructing African American History". Journal of Black Studies. 27 (4): 435''455. ISSN 0021-9347. ^ "Pan-African Renaissance". ^ Rodney Worrell (2005). Pan-Africanism in Barbados: An Analysis of the Activities of the Major 20th-century Pan-African Formations in Barbados. New Academia Publishing, LLC. pp. 99''102. ISBN 978-0-9744934-6-6. ^ a b Duberman, Martin. Paul Robeson, 1989, pp. 296''97. ^ "Council on African Affairs", African Activist Archive. ^ "Philosophy, Principles, and Program". The Organization Us. ^ "Francis Okechukwu Ohanyido". African Resource. ^ Tate, Greg, "Hip-hop Turns 30: Whatcha Celebratin' For?", Village Voice, January 4, 2005. ^ Clay, Andreana. "Keepin' it Real: Black Youth, Hip-Hop Culture, and Black Identity". In American Behavioral Scientist, Vol. 46.10 (2003): 1346''58. External links [ edit ] SNCC Digital Gateway: Pan-Africanism'--Digital documentary website created by the SNCC Legacy Project and Duke University, telling the story of the Student Nonviolent Coordinating Committee & grassroots organizing from the inside-outAfrican UnionAfrican Code Unity Through DiversityA-APRP WebsiteThe Major Pan-African news and articles siteProfessor David Murphy (November 15, 2015). "The Performance of Pan-Africanism: performing black identity at major pan-African festivals, 1966''2010" (Podcast). The University of Edinburgh . Retrieved January 28, 2016 '' via Soundcloud. Ebro Darden - Wikipedia Mon, 02 Dec 2019 12:36 Ebro Darden BornIbrahim Jamil Darden ( 1975-03-17 ) March 17, 1975 (age 44) NationalityAmericanOccupationMedia executiveradio personalityYears active1990''presentKnown forHot 97 radio personalityBeats1 DJChildren1Websitewww.EbroDarden.comIbrahim "Ebro" Darden (born March 17, 1975) is an American media executive and radio personality. Until 2014, he was Vice President of Programming for Emmis Communications' New York contemporary urban station WQHT (Hot 97). He is currently a co-host on the Hot 97 morning show, Ebro in the Morning, alongside Peter Rosenberg, and Laura Stylez. As of 2015, Darden also hosts a hip hop music-based radio show on Beats 1. Early life [ edit ] Darden was born to a black father and a Jewish mother. He attended a Pentecostal church and Hebrew school while growing up in Oakland and Sacramento.[1] Career [ edit ] Start in radio [ edit ] Darden began his career in radio in 1990 at KSFM in Sacramento, California, while he was still a teenager. At KSFM he worked in research and as a sales runner until moving into programming as an intern, and later co-hosting for KSFM's night and morning shows. In 1997, he worked at KBMB in Sacramento as Programming and Music Director, as well as an afternoon host. Eventually, Darden became Operations Manager at KBMB, while also co-hosting mornings at KXJM in Portland, Oregon, in 1999. Hot 97 [ edit ] In 2003, Darden became Music Director for WQHT, ultimately becoming the Program Director for the station in 2007.[2][3][4] Darden worked alongside several past WQHT Hot 97 morning show co-hosts including Star and Bucwild, Miss Jones, DJ Envy, Sway, and Joe Budden from 2004 to 2007, and introduced Cipha Sounds and Peter Rosenberg to the AM drive in 2009. He rejoined the Hot 97 Morning Show in 2012, alongside Cipha Sounds, Peter Rosenberg, and Laura Stylez. As Programming Director and on-air host, Darden was the main voice of several events at Hot 97 including Nicki Minaj's relationship with the station, and her alleged sexual relationship with the host; Hurricane Sandy; and Mister Cee's personal life.[5] In 2014, VH1 announced a new unscripted comedy series, This Is Hot 97, which featured Darden and fellow hosts including Angie Martinez, Funkmaster Flex, Peter Rosenberg, Cipha Sounds, Miss Info, and Laura Stylez.[6] Beats 1 [ edit ] In addition to his current on-air role at Hot 97, Darden is now one of three anchor DJs on Beats 1, an Internet radio service from Apple Music. Feuds and controversy [ edit ] A comedic rivalry between Darden and fellow accomplished radio personality Charlamagne Tha God of Power 105.1 has been ongoing for years. In May 2017, Darden clarified their relationship, stating, "The stuff we do on the radio is stupid. It's for fun. I make fun of you for fun. That's it. It's not that deep... me and that dude don't have a personal problem... a personal relationship".[7] Darden was mentioned in Remy Ma's "shETHER" diss track, on which Ma insinuated that he slept with Nicki Minaj by stating "Coke head, you cheated on your man with Ebro". After jokingly going back and forth with both Ma and her husband Papoose on social media, Darden denied the rumors, stating that he and Minaj had only a professional relationship.[8] Ebro has been in an ongoing feud with Brooklyn artist 6ix9ine. Ebro made fun of 6ix9ine as looking like a clown and criticized him for bragging about streaming numbers,[9] and 6ix9ine responded on the song "Stoopid" with the line "That nigga Ebro, he a bitch/Just another old nigga on a young nigga dick." [10] Personal life [ edit ] Darden has a daughter, Isa, who was born in 2014.[11] Recognition [ edit ] In 2013, he was recognized by Radio Ink as a future African American leader.[12] Filmography [ edit ] References [ edit ] Queen & Slim (2019) - IMDb Mon, 02 Dec 2019 12:13 3 nominations. See more awards >> Learn more More Like This Comedy | Crime | Drama 1 2 3 4 5 6 7 8 9 10 8.1 / 10 X A detective investigates the death of a patriarch of an eccentric, combative family. Director:Rian Johnson Stars:Daniel Craig,Chris Evans,Ana de Armas Action | Crime | Drama 1 2 3 4 5 6 7 8 9 10 6.6 / 10 X An embattled NYPD detective is thrust into a citywide manhunt for a pair of cop killers after uncovering a massive and unexpected conspiracy. Director:Brian Kirk Stars:Chadwick Boseman,Sienna Miller,J.K. Simmons Action | Biography | Drama 1 2 3 4 5 6 7 8 9 10 6.5 / 10 X The extraordinary tale of Harriet Tubman's escape from slavery and transformation into one of America's greatest heroes, whose courage, ingenuity, and tenacity freed hundreds of slaves and changed the course of history. Director:Kasi Lemmons Stars:Cynthia Erivo,Leslie Odom Jr.,Joe Alwyn Biography | Drama 1 2 3 4 5 6 7 8 9 10 7.9 / 10 X Based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod. Director:Marielle Heller Stars:Tom Hanks,Matthew Rhys,Chris Cooper Drama 1 2 3 4 5 6 7 8 9 10 7.2 / 10 X A young actor's stormy childhood and early adult years as he struggles to reconcile with his father and deal with his mental health. Director:Alma Har'el Stars:Shia LaBeouf,Lucas Hedges,Noah Jupe Drama | Romance | Sport 1 2 3 4 5 6 7 8 9 10 7.7 / 10 X Traces the journey of a suburban family - led by a well-intentioned but domineering father - as they navigate love, forgiveness, and coming together in the aftermath of a loss. Director:Trey Edward Shults Stars:Taylor Russell,Kelvin Harrison Jr.,Alexa Demie Comedy | Drama | War 1 2 3 4 5 6 7 8 9 10 8.1 / 10 X A young boy in Hitler's army finds out his mother is hiding a Jewish girl in their home. Director:Taika Waititi Stars:Roman Griffin Davis,Thomasin McKenzie,Scarlett Johansson Action | Crime | Drama 1 2 3 4 5 6 7 8 9 10 5.7 / 10 X A rookie New Orleans police officer is forced to balance her identity as a black woman after she witnesses two corrupt cops committing murder. Director:Deon Taylor Stars:Naomie Harris,Frank Grillo,Mike Colter Biography | Drama | History 1 2 3 4 5 6 7 8 9 10 7.3 / 10 X A corporate defense attorney takes on an environmental lawsuit against a chemical company that exposes a lengthy history of pollution. Director:Todd Haynes Stars:Anne Hathaway,Mark Ruffalo,William Jackson Harper Drama | Fantasy | Horror 1 2 3 4 5 6 7 8 9 10 8.3 / 10 X Two lighthouse keepers try to maintain their sanity while living on a remote and mysterious New England island in the 1890s. Director:Robert Eggers Stars:Willem Dafoe,Robert Pattinson,Valeriia Karaman Crime | Drama | Mystery 1 2 3 4 5 6 7 8 9 10 6.5 / 10 X Consummate con man Roy Courtnay has set his sights on his latest mark: the recently widowed Betty McLeish, worth millions. But this time, what should have been a simple swindle escalates into a cat-and-mouse game with the ultimate stakes. Director:Bill Condon Stars:Helen Mirren,Ian McKellen,Russell Tovey Crime | Drama | Mystery 1 2 3 4 5 6 7 8 9 10 7.1 / 10 X In 1950s New York, a lonely private detective afflicted with Tourette's Syndrome ventures to solve the murder of his mentor and only friend. Director:Edward Norton Stars:Edward Norton,Gugu Mbatha-Raw,Alec Baldwin Edit Storyline Slim and Queen's first date takes an unexpected turn when a policeman pulls them over for a minor traffic violation. When the situation escalates, Slim takes the officer's gun and shoots him in self-defence. Now labelled cop killers in the media, Slim and Queen feel that they have no choice but to go on the run and evade the law. When a video of the incident goes viral, the unwitting outlaws soon become a symbol of trauma, terror, grief and pain for people all across the country Written bystmc-25959 Plot Summary | Add Synopsis Motion Picture Rating (MPAA) Rated R for violence, some strong sexuality, nudity, pervasive language, and brief drug use. | See all certifications >> Edit Details Release Date: 27 November 2019 (USA) See more >> Edit Box Office Opening Weekend USA: $11,700,000, 1 December 2019 Gross USA: $15,810,000 Cumulative Worldwide Gross: $15,810,000 See more on IMDbPro >> Company Credits Technical Specs Runtime: 131 min Aspect Ratio: 2.39 : 1 See full technical specs >> Edit Did You Know? Trivia First feature film to be directed by Melina Matsoukas, who has previously only directed music videos and TV episodes. See more >> Quotes Slim :Are you tryin' to die? Queen :No. I just always wanted to do that. Slim :Well, don't do it while I'm drivin' Queen :You should try it. Slim :Nah, I'm good. Queen :Pull over. Slim :Na-ah. Queen :Come on! Pull over. Pull over! Slim :If I do, would you please, let me drive the rest of the way it is? Queen :Swear to God. [...] See more >> Explore popular and recently added TV series available to stream now with Prime Video. Start your free trial Music in this episode Intro: Puff Daddy - It's all about the benjamins Outro: Blue Magic - Sideshow Donate to the show at moefundme.com Search for us in your podcast directory or use this link to subscribe to the feed Podcast Feed For more information: MoeFactz.com
This week on Knowing Animals we are joined by Meera Atkinson. Meera is a writer, musician and also lecturer in English literature. We discuss Meera’s journal article ‘Alexis Wright’s Literary Testimony to Intersecting Traumas’ which appeared in the Animal Studies Journal in 2018. This episode of Knowing Animals is brought to you by AASA. AASA is the Australasian Animal Studies Association. You can find AASA on Facebook here: https://www.facebook.com/AASA-Australasian-Animal-Studies-Association-480316142116752/. Join AASA today! This episode of Knowing Animals is brought to you Animal Publics, the special Animal Studies imprint at the University of Sydney: https://sydney.edu.au/sup/about/animal_publics.html.
Acknowledgement of country A selection of audio from the first day of The Black-Palestinian Solidarity Conference 2019.Part 1: First up is Sara Saleh, introducing the session titled Identity, Race and Solidarity.Part 2: Alexis Wright speaks about the work of Mahmoud Darwish and reads a number of his poems. Part 3: Tony Birch speaks about climate change as colonial violence. Shannon from from Victorian National Parks Association speaks with Thursday Breakfast about the Nature for Life rally which is happening on the 28th of November calling for the Victorian Government to take urgent action to protect Victoria's biodiversity.Sara Saleh joins on the line from The Black-Palestinian Solidarity Conference 2019 to talk about the conference and what is coming up over the next two days. Sara also shares upcoming events from the Australian Palestinian Advocacy Network Alec Reade from the New Wayfinders, Jack Mitchell from Black White and Bluespace and artist Marita Dyson from The Orbweavers join us to talk about their project Resistance Transmission for Due West 2019.Resistance Transmission weaves together a series of deep listening experiences that explore our changing relationship to water, and waters changing relationship to us. Exploring indigenous and settler histories, contemporary migrations and our ongoing social and economic interactions with the water bodies that sustain life on this planet, Resistance Transmission asks you to engage and to listen deeply so we can better prepare for the challenges of our water futures together. Squidgenini joins us in the studio to talk about her new track Trigger Me and her upcoming show at Colour tomorrow night. Songs Mackridge - EverydayMiiesha - DrowningMojo Juju - They Come & They GoP-Unique, Krown, IAMMXO - ChangeThelma Plum - Better in BlakTasman Keith - EveningsSquidgenini - Trigger Me
Is our educational system preparing us to be the lifelong learners we need to be for our individual and collective futures? Head of New City School, Alexis Wright, joins host Bill Coppel — Managing Director and Chief Client Growth Officer at First Clearing — to discuss how curiosity and emotional intelligence can help equip us to address unknown future problems. In this episode, you'll hear: Why human interaction is so vital to learning The role of questioning in effective problem solving How to leverage technology in the learning process Alexis Wright is the head of New City School, an independent school in St. Louis that helps students discover a love of learning that leads to success not only in school but in life as well. He has more than 20 years of experience in education and is an active member of the National Association of Independent Schools. Alexis has written, consulted, and spoken at professional development workshops on science topics, as well as on diversity within the leadership ranks of independent schools. For more about Alexis — https://www.linkedin.com/in/alexis-wright-14b6619b/ https://www.newcityschool.org/
Alexis Wright is a member of the Waanyi people of the Southern highlands of the Gulf of Carpentaria. Her non-fiction and fiction works have earned her high acclaim and a number of awards, including the Miles Franklin. This story is an excerpt from Carpentaria. It is representative of the strong, non-conventional voice of that novel, some of its layered themes, and its epic perspective. Photo by Jens Johnsson on Unsplash.
Alexis Wright is an author of dazzling energy, ambition and imagination. The publication of her exhilarating 2006 novel, Carpentaria, was a major event in Australian literary history. It won the Miles Franklin Award and became a huge critical and commercial sensation. That epic novel, and Wright’s two other novels – Plains of Promise (1997) and The Swan Book (2013) – begin in the author’s ancestral country, the southern highlands of the Gulf of Carpentaria. A Waanyi woman, Wright elevates Indigenous experience, knowledge and forms of storytelling in all her work. A long-time activist as well as a storyteller, Wright is concerned with Aboriginal resistance and achievement in her non-fiction writing. Her latest book, the critically acclaimed Tracker, is a ‘collective memoir’ about the late charismatic Arrernte elder, Leigh Bruce ‘Tracker’ Tilmouth. In conversation with Elizabeth McCarthy, Wright talks story, legacy, legend and the life of Tracker. Books and Ideas at Montalto series sound design and music: Jon Tjhia.
Great conversations feature conversations with authors and writers, exploring books, writing and literary culture from Australia and the world.Today's episode features Alexis Wright discussing her Stella Prize winning collective memoir of Tracker Tilmouth.Tracker Tilmouth was an extraordinary individual. An Arrente man, he was born in Alice Springs before being stolen from his family and raised in a state home Darwin. Told through collected remembrances and stories, Wright's biography of Tracker illuminates the huge contribution he has made to Australian life as an activist, leader and thinker dedicated to Aboriginal rights.
RSS Feed Thomas R. Hoerr, Emeritus Head of School, New City School; Scholar In Residence, UM-St. Louis College of EducationIn 1981, Tom became the head of the New City School in St. Louis, a school founded on a commitment to progressive learning and respect for human diversity. Under his leadership, New City began implementing the theory of multiple intelligences (MI) in 1988 and created th [...]
Alexis Wright discusses her writing career and her Stella-prize winning novel Tracker. Also, Gail Jones on her new novel The Death of Noah Glass, male romance writers, and what kids are reading.
Join Alexis Wright, award-winning author of Carpentaria and The Swan Book, in conversation with Readings bookseller Chris Dite to speak about her new book Tracker: Stories of Tracker Tilmouth—to be launched by Indigenous activist Jacqui Katona. Tracker is a collective memoir of the charismatic Aboriginal leader, political thinker and entrepreneur Tracker Tilmouth, who died in Darwin in 2015 at the age of 62. Tracker was a visionary, a strategist and a projector of ideas, renowned for his irreverent humour and his determination to tell things the way he saw them. Having known him for many years, Alexis Wright interviewed Tracker, along with family, friends, colleagues, and the politicians he influenced, weaving his and their stories together in a biography composed of many voices. The book is as much a testament to the powerful role played by storytelling in contemporary Aboriginal life as it is to the legacy of an extraordinary man. Tracker is published in November 2017 by Giramondo Publishing.
In this episode of Knowing Animals we are joined by a very special guest, Dr. Susan Pyke from the University of Melbourne. Sue has a PhD from the School of Culture and Communications. Her interests are centred around literature and the nonhuman. Today we will consider Sue’s piece ‘Divine Wings: Literary Flights between the Cyclic Avian in Emily Brontë’s Poems and Oblivia’s Swan Song in Alexis Wright’s The Swan Book’ which appeared in the journal ‘Otherness’ in 2016. This episode of Knowing Animals is brought to you AASA. AASA is the membership group for Animal Studies Scholars and artists. It is just $50 to join. Join today and support the group that supports you.
On this episode of The Writer and the Critic your hosts, Kirstyn McDermott and Ian Mond, are looking at two Australian speculative fiction novels. But first, they would like to congratulate all winners of the Aurealis Awards and also thank people for nominating this podcast for a Ditmar Award. So much bookish love! After a brief discussion of awards -- very brief, they promise! -- they turn to the books at hand: Crossroads of Canopy by Thoraiya Dyer [8:10] and The Swan Book by Alexis Wright [53:40]. If you've skipped ahead to avoid spoilers, please come back at 1:38:00 for final remarks. Next month, Ian and Kirstyn have chosen two recent Aurealis Award winners to discuss: Nevernight by Jay Kristoff (Best Fantasy Novel) The Grief Hole by Kaaron Warren (Best Horror Novel) Read ahead and join in the spoilerific fun!
Miles Franklin award-winning author Alexis Wright, renowned philosopher Peter Singer, and leading scholars Russell Jacoby and Jacqueline Dutton, together with Paul Barclay from ABC’s Big Ideas, explore the role—or absence—of imagination and aspiration in how we address the vital issues confronting Australia.
In this week's episode, I have the pleasure to sit down with Alexis Wright - a VERY motivated, super mom blogger whom after a series of unhealthy rock bottom experiences, discovered her true calling helping busy families live healthier. After ballooning to an unhealthy weight, she realized the party hardy, happy-hour-heavy lifestyle was not the life she wanted to live and made a massive shift for her son, Hudson, and for her own well-being as well. Alexis has an amazing family friendly-mommy blog where she helps extremely busy families find the time and resources to eat healthy and stay in shape, check out her site HealthyHud.com and be sure to tune in to this week's episode of Your Way Weight Loss!
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