Podcast appearances and mentions of Frank Wedekind

Eng Affekotin, déi Sexualverbriecher verteidegt, gëtt selwer zum Affer vun engem Viol, eng Schoulklass studéiert Frühlingserwachen vum Frank Wedekind a mierkt op eemol unhand vun hiren eegenen Erfarunge mat hirer Sexualitéit, wéi aktuell d'Wierk nach ass - an zwou Schauspillerinne weisen d'Limitte vum Feminismus. Den Nicolas Calmes an de Jeff Schinker rezenséieren haut déi dräi Theaterstécker "Prima Facie", "Spring Awakenings" an "It's a Scam".

Eng Affekotin, déi Sexualverbriecher verteidegt, gëtt selwer zum Affer vun engem Viol, eng Schoulklass studéiert Frühlingserwachen vum Frank Wedekind a mierkt op eemol unhand vun hiren eegenen Erfarunge mat hirer Sexualitéit, wéi aktuell d'Wierk nach ass - an zwou Schauspillerinne weisen d'Limitte vum Feminismus. Den Nicolas Calmes an de Jeff Schinker rezenséieren haut déi dräi Theaterstécker "Prima Facie", "Spring Awakenings" an "It's a Scam".

One-Act Play Collections - Book 3, Part 2 Title: One-Act Play Collections - Volume 3 Overview: This collection of ten one-act dramas features plays by Edward Goodman, Alice Gerstenberg, Arnold Bennett, John Galsworthy, Anton Chekhov, Frank Wedekind, Moliere, Theresa Helburn, John Kendrick Bangs, and Harold Brighouse. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #6 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 3, Part 2 Book: 3 Volume: 3 Part: 2 of 2 Episodes Part: 5 Length Part: 3:27:06 Episodes Volume: 10 Length Volume: 5:45:58 Episodes Book: 10 Length Book: 5:45:58 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Arielle Lipshaw.

One-Act Play Collections - Book 3, Part 1 Title: One-Act Play Collections - Volume 3 Overview: This collection of ten one-act dramas features plays by Edward Goodman, Alice Gerstenberg, Arnold Bennett, John Galsworthy, Anton Chekhov, Frank Wedekind, Moliere, Theresa Helburn, John Kendrick Bangs, and Harold Brighouse. A one-act play is a play that has only one act and is distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One-act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one-act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and is now a standard part of repertory theatre and fringe festivals. Published: Various Series: One-Act Play Collections List: One-Act Play Collections, Play #5 Author: Various Genre: Plays, Theater, Drama Episode: One-Act Play Collections - Book 3, Part 1 Book: 3 Volume: 3 Part: 1 of 2 Episodes Part: 5 Length Part: 2:18:56 Episodes Volume: 10 Length Volume: 5:45:58 Episodes Book: 10 Length Book: 5:45:58 Narrator: Collaborative Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: plays, theater, drama, comedy, hit, musical, opera, performance, show, entertainment, farce, theatrical, tragedy, one-act, stage show Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #plays #theater #drama #comedy #hit #musical #opera #performance #show #entertainment #farce #theatrical #tragedy #one-act #StageShow Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. Arielle Lipshaw.

"Spring Awakenings" bréngt dem Frank Wedekind säi "Frühlingserwachen" aus dem Joer 1891 an eis Zäit - also vun enger Zäit, an där Sexualitéit fir Jugendlecher een Tabu war an eng Zäit, an där am Internet eng ganz Enzyklopädie zum Theema ee Slide mam Fanger ewech ass. Wisou d'Stéck nawell esou aktuell ass, wéi sech den Originaltext mat neie Geschichten, déi a Workshoppen an der Zesummenaarbecht mat Jugendlechen entstane sinn a wisou et befreiend ka sinn, eng Textvirlag ze hunn - dat hunn d'Metteure en scène Anne Simon an de Schrëftsteller Antoine Pohu dem Jeff Schinker wärend sengem Besuch am Kapuzinertheater verroden.

Sociétaire de la Comédie-Française depuis 2018, Clément Hervieu-Léger a travaillé avec Patrice Chéreau pendant une dizaine d'années au théâtre, au cinéma, à l'opéra. En tant que metteur en scène, il a convoqué certains des collaborateurs historiques de Patrice Chéreau pour monter ses spectacles, comme Richard Pedduzi pour « L'Eveil du printemps » de Frank Wedekind, présenté à la Comédie-Française en 2018. Pour ARTCENA, il évoque la mémoire de Patrice Chéreau. Crédits : Production : ARTCENA Journaliste : Margaux Coratte

Erdgeist - von Frank Wedekind

Wie bringt man ein Stück vom Ende des 19. Jahrhunderts auch für Jugendliche mitreißend auf die Bühne? Dramaturgin Elisa von Issendorff weiß, warum das Musical „Spring Awakening – Frühlings Erwachen“, nach dem Stück von Frank Wedekind, noch immer aktuell ist und man es nicht verpassen sollte.  Buch und Gesangstexte von Steven Sater Musik von Duncan Sheik   Nach dem Schauspiel von Frank Wedekind Deutsch von Nina Schneider   Mit: Marvin Groh, Tamara Theisen, Florian Voigt, Jana Auburger, Tim Richter, Laetitia King, Michael Berres, Jakob Thömmes, Joshua Kliche, Zarah Moyal, Aiden Castillo Hornung, Héloïse Neuberg, Eline Berlingen, Stephanie Theiß und Giovanni Rupp   Inszenierung: Manfred Langner Musikalische Leitung: Martin Folz Choreografie: Alina Schaumburg und Selly Meier

Der Frühling ist da und mit ihm eine neue Episode zu Jahreszeiten in der Popkultur! Öffnet die Fenster, klopft die Teppiche aus und kommt mit auf einen Ausflüg ins Grüne, wenn wir uns einen ersten Überblick über das Thema verschaffen, anschließend in den österreichischen Bergen singen, dann auf eine farbenfrohe Phantasiereise eines Vaters aufbrechen, dabei einen Klassiker der Beatles hören, das Erwachsenwerden im Theater bestaunen und uns filmisch über einen 400 Jahre zurückliegenden Hype wundern.  Ween - Springtheme https://youtu.be/mt1bGOafMtI?si=mo8bM-uDRS9o0_un The Sound Of Music Trailer https://www.youtube.com/watch?v=UY6uw3WpPzY Julie Andrews and Christopher Plummer: A Reminiscence (2005)  https://www.youtube.com/watch?v=3YrzcCC2B_U Christopher Plummer on Set of The Sound of Music (1964)  https://www.youtube.com/watch?v=O8cBQxI30gQ The Sound of Music: From Fact to Phenomenon (1994) - Julie Andrews, Christopher Plummer, Robert Wise  https://www.youtube.com/watch?v=qsEcEbCgnh0&t=73s The Sound Of Music - My Favourite Things https://www.youtube.com/watch?v=2G6dd7ikrXs Big Fish - Trailer https://youtu.be/D0kiS4ROWkQ?si=AI-rmJQamNy9tJv3 Interview with Tim Burton, Ewan McGregor and Billy Crudup https://youtu.be/54sMtjNA9L0?si=zU8fwyVeLZyAv2yo Blurring Reality with Tim Burton's Masterpiece ‚Big Fish‘ https://youtu.be/C3-uF_ZfqcA?si=_nJmlBqxsNJr4f2y Jake Bugg - A Change in the Air https://youtu.be/cKWEHuTeHr0?si=uDrz9q9J9IYCeoTL George Harrison on business & The Beatles, 1969: CBC Archives | CBC  https://www.youtube.com/watch?v=_aVWiamXRis Making "Here Comes the Sun" by George Harrison  https://www.youtube.com/watch?v=222pq_ueWlM Discover the lost guitar solo on Here Comes The Sun  https://www.youtube.com/watch?v=0SOES9PT6g4 The Beatles - Here Comes The Sun https://www.youtube.com/watch?v=KQetemT1sWc Frank Wedekind - Frühlings Erwachen (Hörbuch) https://youtu.be/dELdgwyMOTM?si=9LhPyxl60O_I0syk Frühlings Erwachen to go (Wedekind in 5 Minuten) https://youtu.be/UKUZtsWcIaQ?si=geCuU4qVqgtuUs2S Frühlings Erwachen von Frank Wedekind in der Analyse https://youtu.be/fvy148LEDcA?si=LZJ1zxkywjBb2fFH Tom Petty & The Heartbreakers - Something in the Air https://youtu.be/W-dpMkYsiuA?si=ZIYycpSFrjWtrass Tulip Fever Trailer  https://www.youtube.com/watch?v=Thtm0jOZM54 Behind The Scenes | TULIP FEVER  https://www.youtube.com/watch?v=ayCP3yLkTj0 Erster Börsencrash im Jahr 1637  https://www.youtube.com/watch?v=xeZ1T5Kjmw0 Mieke Telkamp - Tulpen aus Amsterdam https://www.youtube.com/watch?v=2Z2141Soyy8 A-ha - Crying In The Rain https://www.youtube.com/watch?v=h-WPexVEujg

Das arme Mädchen - von Frank Wedekind

Der Gefangene - von Frank Wedekind

Duncan Sheik & Steven Sater's 2006 rock musical magnum opus is adapted from Frank Wedekind's controversial 1891 novel of the same name. The music, however, is adapted from another time. As is most of the slang use. But hey since it's so popular, we might give it a pass. Let's talk about "Spring Awakening"!

Der Zoologe von Berlin - von Frank Wedekind

This week Melissa is joined by her brilliant friend Alex Mallory to talk about her original translation and adaptation of Frank Wedekind's German play, Spring Awakening, which she also produced as an MFA Directing student.  In this episode, we discuss:Why Alex decided to write this adaptation for her MFA Directing Lab (when she really didn't have to)What was missing from other English translations of Spring Awakening that prompted Alex to write her ownWhat German translations Alex wants to tackle in the futureHow community-building is the cornerstone of Alex's love of theatreAnd more!Resources MentionedThe Metal Shop Performance LabDE-CRUITAbout Our GuestAlex Mallory is the director of The Metal Shop Performance Lab, founded with the mission to create theatrical events that foster radical community-building and authentic exchange between artists and audiences. She uses intersectional, anti-oppressive rehearsal processes to create conditions for productive conversations on personal and collective histories of violence in both rehearsal and performance spaces. Alex's directing work investigates personal and political agency and examines the resilience of the mind and body through human connection. Alex also facilitates healing-centered engagement for military veterans as the Chicago Regional Coordinator for DE-CRUIT. She has worked with the veteran community for over a decade with the Veteran Artist Program, The Telling Project, and as director of Takeo Rivera's choreopoem Goliath, which toured for seven years in New York and California. Alex has served as Co-Artistic Director of Poetic Theater Productions and as Director of Culture Project's Women Center Stage Initiative. She has an MFA from Northwestern University and a BA from Stanford University. Alex is an Associate Member of the Stage Directors and Choreographers Society.Connect with Our Guestalexmallory.com For Spring Awakening  inquiries, email alex@themetalshop.org Connect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).

Während der Klapperstorch die Kinder bringt, läuten wir mit einem Blick in die Schullektüre den Frühling ein. Dabei stellen wir fest, dass der Sexualkundeunterricht nach wie vor ein ewiger Zyklus der Langeweile ist und die wirklich interessanten Fragen noch immer keinen Weg in den Rahmenplan gefunden haben. Ansonsten geht es in dem Buch um die großen und kleinen Themen des Erwachsenwerdens, von Teenager-Schwangerschaft bis Kekswichsen ist also für jeden was dabei... Stabile Seitenlage Podcast - die verheerende Folge misslungener Aufklärung

Die 1895 veröffentlichte und drei Jahre später uraufgeführte Tragödie „Erdgeist“ von Frank Wedekind, in der die junge Frau Lulu gleich mehrere bürgerliche Herren in den Ruin und in den Tod treibt, zeigte sich als besonders wirkmächtig und Lulu wurde zur Bezeichnung für den Frauentypus der selbstbewussten und durchsetzungsfähigen Femme fatale. Das Werk diente als Vorlage für zahlreiche Übertragungen in andere Kunstformen – so auch in den Stummfilm. Am 22. Februar feierte der Film „Erdgeist“ von Leopold Jessner mit Asta Nielsen als Lulu Premiere und brachte so den „Lulu-Typus“ erneut in die gesellschaftliche Debatte, wo ihn die Publizistin Gabriele Tergit aufgriff und darüber nachdachte, ob es diesen Typ nicht schon immer gab und ob er nun erstrebenswert sei oder nicht. Erschienen sind ihre Überlegungen im Berliner Tageblatt pünktlich zur Premiere des Stummfilms und vertont hat sie für uns Paula Leu.

Spring Awakening” is a bold musical adaption by Duncan Sheik and Steven Sater of German expressionist Frank Wedekind's controversial 1891 play of the same. Featuring an electrifying rock/pop score, “Spring Awakening” follows... LEARN MORE The post Spring Awakening appeared first on Sunday Arts Magazine.

The Play Podcast - 055 - Spring Awakening by Frank Wedekind Host: Douglas Schatz Guest: Professor Karen Leeder The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Frank Wedekind's dark, expressionist play Spring Awakening is a cautionary portrait of adolescent angst and rebellion against oppressive social strictures and family pressures. Its frank depiction of sex and violence remains shocking more than 130 years after it was written, and it is the unlikely source of the award-winning modern musical of the same name. I'm delighted to be joined by Professor Karen Leeder to explore the contemporary controversies and enduring relevance of this extraordinary play.

Au Théâtre Le Poche de Genève jusqu'au 23 octobre, le metteur en scène Mathieu Bertholet revisite un classique aussi passionnant que sulfureux: «L'Eveil du printemps» de Frank Wedekind. En 1891, il fut le premier à parler de sexualité adolescente et de suicide à l'école. Une chronique du Thierry Sartoretti.

Pandora's Box by Frank Wedekind audiobook. Pandora's Box (1904) (Die Büchse der Pandora) is a play by the German dramatist Frank Wedekind. It forms the second part of his pairing of 'Lulu' plays (the first is Earth Spirit [1895]), both of which depict a society "riven by the demands of lust and greed". G. W. Pabst directed a silent film version (Pandora's Box), which was loosely based on the play, in 1929. Both plays together also formed the basis for the opera Lulu by Alban Berg in 1935 (premiered posthumously in 1937). In the original manuscript, dating from 1894, the 'Lulu' drama was in five acts and subtitled 'A Monster Tragedy'. Wedekind subsequently divided the work into two plays: Earth Spirit (German: Erdgeist, first printed in 1895) and Pandora's Box (German: Die Büchse der Pandora). It is now customary in theatre performances to run the two plays together, in abridged form, under the title Lulu. Wedekind is known to have taken his inspiration from at least two sources: the pantomime Lulu by Félicien Champsaur, which he saw in Paris in the early 1890s, and the sex murders of Jack the Ripper in London in 1888. The premiere of Pandora's Box, a restricted performance due to difficulties with the censor, took place in Nuremberg on 1 February 1904. The 1905 Viennese premiere, again restricted, was instigated by the satirist Karl Kraus. In Vienna Lulu was played by Tilly Newes, later to become Wedekind's wife, with the part of Jack the Ripper played by Wedekind himself.

Up front:1) TW, this episode contains quite frank discussions of a variety of grisly topics, including sexual assault and suicide.2) This podcast is about the original play, NOT the musical version (though we do of course mention the musical as how could you not!? In particular the recent Almeida production which, spoiler alert, we love)Have some feedback? A play you'd like us to cover?Visit the official podcast twitter @playgroundpoddyChat to host Nancy @N_NetherwoodChat to host Sam @Samwebbercool

24 julio Acontece: 1977: en Madrid se reestrena, tras 40 años de prohibición, la obra maestra de Serguéi Eisenstein, El acorazado Potemkin. Nace: 1802: Alejandro Dumas, padre, novelista y dramaturgo francés (f. 1870). 1803: Adolphe Adam, compositor francés (f. 1856). 1864: Frank Wedekind, dramaturgo alemán (f. 1895: Robert Graves, escritor y erudito británico (f. 1985). 1896: Jun'ichirō Tanizaki, escritor japonés (f. 1965). 1900: Zelda Sayre Fitzgerald, escritora estadounidense, esposa del escritor F. Scott Fitzgerald (f. 1948). 1921: Giuseppe Di Stefano, tenor italiano (f. 2008). 1952: Gus Van Sant, cineasta estadounidense. Una Producción de Sala Prisma Podcast. 2021

Is your lederhosen wrinkled or are you just happy to see us? This week, Dan and Joshua offer up a podcast about the legendary rock musical Spring Awakening, surely fulfilling what Frank Wedekind imagined of his legacy. The topics vary as aggressively as the population count of Melchior's friends, touching upon the advent of teenage fandom on Broadway, the smash-hit Ben Franklin in Paris, and whether we learned all the wrong lessons from Spring Awakening. Cast aside that spell of anemia and tune in! Tune in to next week's episode when we discuss Aida; specifically, the Broadway production's performance from March 29th 2000! Contact us: unccpodcast@gmail.com Twitter: @unccpodcast Instagram: @unccpodcast

Insgesamt 21 Jahre arbeitete Frank Wedekind an seiner "Lulu"-Tragödie. Im ersten Teil "Erdgeist" bringt Lulu, die kindliche Femme Fatale, durch ihre entwaffnende Natürlichkeit die bürgerliche Scheinmoral ins Wanken

Tony and Grammy Award winning writers Steven Sater and Duncan Sheik join Joe to discuss the genesis of their iconic musical Spring Awakening. They explain how they adapted Frank Wedekind's 19th century expressionist play into a musical that won eight Tonys, four Drama Desk Awards, four Oliviers and a Grammy. On the way they discuss topics ranging from Billy Joel to Buddhism, T.S.Eliot to Stephen Sondheim, as well as sharing their insights into the original Broadway production, the acclaimed Deaf West production and the latest London revival at the Almeida Theatre.   You can find Piece by Piece on Facebook, Twitter & Instagram. You can also email us c/o piecebypiecetalkshow@gmail.com - we would love to hear your thoughts on the show!

Gelesen von Werner Seuken. Musik: Pat Klijn. --- Send in a voice message: https://anchor.fm/werner-seuken/message

If you've ever found yourself wondering how in the world the 2011 Lou Reed/Metallica album Lulu came into existence, here's your answer, fish-bulb! This isn't quite a full episode, so we'll call it a mini-sode and it's all about the roots of the aforementioned collaborative endeavor. Included in this discussion (or maybe it's more along the lines of a monologue) is information about the original author of the Lulu plays, Frank Wedekind, as well as Alban Berg, the composer of the operatic adaptation of the Lulu stories. Interspersed within the narrative are excerpts of ensemble readings from Wedekind's “Earth Spirit” and a sample of Berg's Lulu opera, featuring Evelyn Berg. For those who stick it through to the end of the episode, there's a special, once-in-a-lifetime contest featuring a prize for one lucky listener. All this is prologue for our next full-length episode in which we will be joined by the illustrious and insightful Arianne for a thorough discussion of the Lulu album itself! Watch for it! Related, recommended, and required resources for this episode: The works of Frank Wedekind at Librivox Lulu by Alban Berg at Internet Archive Alban Berg's Lulu and Adorno's commentary - RUINS

durée : 00:58:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Par Guy Dumur - Avec Brigitte Jaques (metteur en scène, comédienne), Bruno Bayen (romancier, auteur dramatique, traducteur, metteur en scène), François Régnault (philosophe, écrivain, traducteur, homme de théâtre) et Bernard Dort (universitaire, théoricien, écrivain, traducteur et praticien du théâtre) - réalisation : Virginie Mourthé

In kleiner Dosis kann ein Fünkchen dessen, was uns schaden würde, auf einmal eine Schutzwirkung entfalten: So macht uns nicht nur ein Fetzen Erreger immun gegenüber einer Ansteckung, sondern womöglich auch ein Fetzen Skepsis immun gegenüber einer voll ausgewachsenen Eifersucht. So zumindest Frank Wedekinds Theorie. Während du also nach deiner Impfung brav im Wartezimmer sitzen bleibst, um eine allergische Reaktion auszuschließen, liest Nathalie Claus "Die Schutzimpfung". Hier der Link zum Text: http://www.zeno.org/Literatur/M/Wedekind,+Frank/Erz%C3%A4hlung/Die+Schutzimpfung

Remfry and Steve cross-examine one of the most derided collaborations in modern music history, that of Lou Reed and Metallica's conceptual double album based on German playwright Frank Wedekind's two Lulu plays. (Originally released on https://podcasts.apple.com/gb/podcast/99-justice-for-dizzie/id1417888519?i=1000479694990 (Riot Act #99) 26th June 2020). The album, released somewhat fittingly on 31st October 2011, seemed somewhat doomed from the start, with most people too busy laughing at 'I Am the Table' memes to pay all that much attention to the album's content or concept. We make the case for the defense of Lulu, as there is plenty of interesting ideas and concepts to delve into if you can put aside the troubling lyrics about 'a colored man's dick' (easier said than done perhaps).

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Il 9 marzo 1918 muore a Monaco di Baviera Frank Wedekind - con Francesco Fiorentino

A cura di Massimiliano SamsaProseguiamo con l'ascolto della terza ed ultima parte dei Gurre-Lieder di Arnold Schönberg. Potete trovare la descrizione dell'intera composizione nel podcast di ieri 13-01-21, insieme alle prime due parti. A completamento della puntata ho inserito l'ascolto dei Brettl Lieder per voce e pianoforte.Buon ascoltoArnold Schönberg (1874 - 1951) Gurre-Liederper soli, coro e orchestraTesto: Jens Peter JacobsenPrima rappresentazione: Vienna, Großer Musikvereins-Saal, 23 febbraio 1913Parte III1.Erwacht, König Waldemars Mannen wert! (Waldemar)2.Deckel des Sarges klappert und klappt (Bauer)3.Gegrüßt, o König, an Gurre-Seestrand! (Waldemars Mannen)4.Mit Toves Stimme flüstert der Wald (Waldemar)5.Ein seltsamer Vogel ist so'n Aal (Klaus-Narr)6.Du strenger Richter droben (Waldemar)7.Der Hahn erhebt den Kopf zur Kraht (Waldemars Mannen)8.Des Sommerwindes wilde Jagd - Preludio orchestrale9.Herr Gänsefuß, Frau Gänsekraut (voce recitante)10.Seht die Sonne farbenfroh am Himmelssaum (Coro misto)Waldemar - Thomas MoserTove - Jane EaglenWaldtaube - Marjana LipovsekKlaus Narr - Kurt AzesbergerBauer - Franz GrundheberSprecher - Hans HotterOrchestra - Gustav Mahler JugendorchesterChoir - Arnold Schönberg Chor; Südfunk Chor Stuttgart; Slowakischer Philharmonischer ChorClaudio Abbado, direttore*****Arnold Schönberg (1874-1951) – Brettl Lieder (1901)I. Der genügsame Liebhaber II. Einfältiges III. Nachtwandler IV. Jedem das Seine V. Mahnung VI. Gigerlette VII. Galathea VIII. Aus dem "Spiegel von Arkadien" Jessye Norman, sopranoJames Levine, pianoIl significato storico di Arnold Schoenberg come padre del serialismo spesso oscura la varietà della sua produzione. Forse non c'è cosa migliore per dimostrare questo che i suoi otto Brettl-Lieder (Canzoni da cabaret). Queste otto poesie intrise di umorismo e semplicità, in un linguaggio tonale che non ha alcuna etichetta o distinzione speciale, ci danno uno scorcio unico e amabile della musica cameristica dello Schoenberg pre-atonaleLe otto poesie sono tratte da una raccolta, Deutsche Chansons (Canzoni tedesche), pubblicata per la prima volta nel 1900 da Otto Julius Bierbaum. I contenuti del volume erano antitetici alla corrente letteraria conservatrice di fine Ottocento, e divennero un successo immediato. I testi dei Brettl-Lieder sono stati scritti da Frank Wedekind, Otto Julius Bierbaum, Hugo Salus, Gustav Hochstetter, Colly, Emanuel Schikaneder e Gustav Falke.

Paulo Cesar Medeiros vai compartilhar sobre seu processo de criação na iluminação da peça O Despertar da Primavera. A peça estreiou em 21 de agosto de 2009 no Teatro Villa-Lobos (RJ) e é baseada na obra do alemão Frank Wedekind, escrito em 1891. O espetáculo dirigido por Charles Möeller e Claudio Botelho, foi baseado na versão da Broadway de 2006. vencedor de oito prêmios Tony, o mais importante do teatro americano. O musical fala do universo de um grupo de adolescentes que vivenciam situações de iniciação sexual, incesto e opressão, em cenas fortes de masturbação, homossexualismo, aborto e suicídio. A montagem brasileira de ‘O Despertar da Primavera' conseguiu autorização para ser a primeira non-replica no mundo desde a estreia na Broadway. Isto significa que, usando o mesmo texto e canções do musical, Charles Möeller e Claudio Botelho realizaram a primeira direção e concepção diferente em tudo das originais. Em novembro de 2009, ‘O Despertar da Primavera' ganhou dois prêmios Qualidade Brasil: Melhor Musical e Melhor Direção. A peça é escolhida como Melhor Espetáculo Teatral Musical. Ganha também três prêmios da APTR (Associação de Produtores de Teatro do Rio de Janeiro): Paulo César Medeiros pela Iluminação, Rogério Falcão pelo cenário e Rodrigo Pandolfo, como ator coadjuvante. A ficha técnica: Música: Ducan Sheik Texto e Letras: Steven Sater Baseado na obra de Frank Wedekind Direção: Charles Möeller Versão Brasileira / Supervisão Musical: Claudio Botelho Direção Musical: Marcelo Castro Coreografia: Alonso Barros Cenário: Rogério Falcão Figurinos: Marcelo Pies Visagismo: Beto Carramanhos Som: Marcelo Claret Iluminação: Paulo Cesar Medeiros Coordenação Artística: Tina Salles Produtor Executivo: Luiz Calainho Direção De Produção: Aniela Jordan Beatriz Secchin Braga Monica Athayde Lopes Elenco: Malu Rodrigues Pierre Baitelli Letícia Colin Rodrigo Pandolfo Thiago Amaral Débora Olivieri Carlos Gregório Alice Motta André Loddi Bruno Sigrist Danilo Timm Davi Guilhermme / Gabriel Falcão Eline Porto Estrela Blanco Felipe de Carolis Julia Bernat Laura Lobo Lua Blanco Mariah Viamonte Pedro Sol Thiago Marinho Elenco Temporada São Paulo: Malu Rodrigues Pierre Baitelli / Felipe Tavolaro Letícia Colin Rodrigo Pandolfo Thiago Amaral Debora Olivieri Eduardo Semerjian Alice Motta André Loddi Bruno Sigrist Clara Verdier Danilo Timm Eline Porto Estrela Blanco Felipe de Carolis Gabriel Falcão Laura Lobo Lua Blanco Mariah Viamonte Thiago Marinho

Nach Jahrzehnten ist eine Totenmaske des Dichters Frank Wedekind in Neuseeland wieder aufgetaucht. Ein unglaubliches Gefühl sei das gewesen, als sie die Nachricht eines emeritierten Professors von der Universität Waikato, Hamilton, erhalten habe, sagt die Leiterin der die Editions- und Forschungsstelle Frank Wedekind an der Universität Mainz, Prof. Ariane Martin, in SWR2. Ein jüdischer Emigrant hatte die Maske 1936 aus Deutschland mitgenommen. Von dem inzwischen Verstorbenen habe dann die jüngere Schwester die Maske erhalten. Die Totenmaske von Frank Wedekind verfüge über erstaunliche Strahlkraft, so die Forscherin. Es verrate ungeheure Wertschätzung für den Dichter, dass die Flüchtlinge die Maske damals in ihrem spärlichen Reisegepäck transportiert hätten. Ariane Martin: „Entsprechend ist auch die Bedeutung heute, 2020, dass ein Objekt mit dieser Geschichte wieder zurück nach Deutschland kommt.“ Sobald öffentliches Leben wieder möglich sei, solle die Maske an der Mainzer Universität gezeigt werden, möglicherweise im Rahmen eines kleinen Ausstellungsprojekts.

Nach Jahrzehnten ist eine Totenmaske des Dichters Frank Wedekind in Neuseeland wieder aufgetaucht. Ein unglaubliches Gefühl sei das gewesen, als sie die Nachricht eines emeritierten Professors von der Universität Waikato, Hamilton, erhalten habe, sagt die Leiterin der die Editions- und Forschungsstelle Frank Wedekind an der Universität Mainz, Prof. Ariane Martin, in SWR2. Ein jüdischer Emigrant hatte die Maske 1936 aus Deutschland mitgenommen. Von dem inzwischen Verstorbenen habe dann die jüngere Schwester die Maske erhalten. Die Totenmaske von Frank Wedekind verfüge über erstaunliche Strahlkraft, so die Forscherin. Es verrate ungeheure Wertschätzung für den Dichter, dass die Flüchtlinge die Maske damals in ihrem spärlichen Reisegepäck transportiert hätten. Ariane Martin: „Entsprechend ist auch die Bedeutung heute, 2020, dass ein Objekt mit dieser Geschichte wieder zurück nach Deutschland kommt.“ Sobald öffentliches Leben wieder möglich sei, solle die Maske an der Mainzer Universität gezeigt werden, möglicherweise im Rahmen eines kleinen Ausstellungsprojekts.

"Stallknecht und Viehmagd - Carmen Bucolicon" von Frank Wedekind

Frank Wedekind The German dramatist, cosmopolite, and libertarian Frank Wedekind (1864-1918) was a foe of middle-class hypocrisy and a moralist eager to reform the world through sexual emancipation. Frank Wedekind was born Benjamin Franklin Wedekind on July 24, 1864, in Hanover, Germany. After working as a freelance journalist, an advertising copywriter, and a secretary for a circus, and spending long sojourns as a painter in England and France, young Wedekind moved to Munich, joining the staff of the satirical magazine Simplizissimus, in which his first political poems appeared. He remained in Munich until his death, occasionally making guest appearances in his own plays, giving public readings, and reciting and singing his ballads in a famous cabaret called Die Elf Scharfrichter (Eleven Executioners). About the Play. In a Prologue, the characters in the drama are introduced by an ‘Animal Tamer’ as if they are creatures in a traveling circus. Lulu herself is described as “the true animal, the wild, beautiful animal” and the “primal form of woman”. When the action of the play starts, Lulu has been rescued by the rich newspaper publisher Dr Schön from a life on the streets with her alleged father, the petty criminal Schigolch. Dr Schön has taken Lulu under his wing, educated her and made her his lover. Wishing however to make a more socially advantageous match for himself, he has married her off to the medic Dr Goll. In the first Act Dr Goll has brought Lulu to have her portrait painted by Schwarz. Left alone with him, Lulu seduces the painter. When Dr Goll returns to confront them, he collapses with a fatal heart attack. In Act Two, Lulu has married the painter Schwarz, who, with Schön’s assistance, has now achieved fame and wealth. She remains Schön’s mistress, however. Wishing to be rid of her ahead of his forthcoming marriage to a society belle, Charlotte von Zarnikow, Schön informs Schwarz about her dissolute past. Schwarz is shocked to the core and “guillotines” himself with his razor. In Act Three Lulu appears as a dancer in a revue, her new career promoted by Schön’s son Alwa, who is now also infatuated with her. Dr Schön is forced to admit that he is in her thrall. Lulu forces him to break off his engagement to Charlotte. --- Send in a voice message: https://anchor.fm/qplayers/message Support this podcast: https://anchor.fm/qplayers/support

SPRING AWAKENING  | Book & Lyrics by Steven Sater | Music by Duncan SheikEpisode Segments:1:44 - Remember4:42 - Why God Why5:37 - Back to Before22:31 - What's Inside40:16 - How Do You Solve a Problem Like Maria?56:36 - Our Favorite Things1:07:54 - Corner of the SkyWorks Consulted:Spring Awakening (Libretto) Book & Lyrics by Steven Sater, Music by Duncan SheikSpring Awakening: In the Flesh by David CoteMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"Remember" from A Little Night Music (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Benjamin Rayson, Teri Ralston, Beth Fowler, Gene Varrone, Barbara Lang, & Harold Hastings"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"All That's Known" from Spring Awakening (Original Broadway Cast Recording) | Music by Duncan Sheik, Lyrics by Steven Sater | Performed by Jonathan Groff"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas

Frank Wedekind, eigentlich Franklin Benjamin Wedekind gestorben im März 1918 in München) war ein deutscher Schriftsteller, Dramatiker und Schauspieler. Mit seinen gesellschaftskritischen Theaterstücken gehörte er zu den meist gespielten Dramatikern seiner Epoche. 1896 war er Mitbegründer des Simplizissimus. Sein Zyklus 4 Jahreszeiten besteht aus ca. 100 Gedichten aus denen einige ausgewählt und vorgelesen werden. Sprecher: Uwe Kullnick

Klabund (4. November 1890 – 14. August 1928) hieß bürgerlich Alfred Georg Hermann Henschke und war ein deutscher Schriftsteller. Alfred Henschke war der Sohn eines Apothekers. Im Alter von 16 Jahren erkrankte er an einer Rippenfellentzündung und später an Tuberkulose. Ein erster Band mit Gedichten erschien 1913 in Berlin unter dem Titel Morgenrot! Klabund! Die Tage dämmern! In München erhielt er Zugang zur Bohème und machte unter anderem die Bekanntschaft von Frank Wedekind. Klabund verfasste 25 Dramen und 14 Romane (zum Teil erst postum veröffentlicht), viele Erzählungen und Gedichte. Er starb jung in einer Lungenheilanstalt in Davos.

Edição de 12 de Novembro 2019

Auch das Gedicht vom Tantenmörder aus der Feder von Frank Wedekind ist in dieser neuen bayerischen Literaturgeschichte zu finden. Von den Tagen der Agilolfinger im 8. Jahrhundert bis zu dem Sprachvirtuosen Gerhard Polt reicht das Spektrum der dargebotenen und erläuterten Texte. 1300 Jahre Geschichte der Literatur auf dem Gebiet des heutigen Bayern werden in diesem Band knapp, kundig und anhand vieler Beispiele vorgestellt. Die gut organisierte Themenvielfalt umfasst religiöse Literatur und mittelalterliche Heldendichtung – zum Beispiel das Hildebrandslied – ebenso wie die Literatur im konfessionellen Zeitalter mit Autoren wie Hans Sachs und Konrad Peutinger oder etwa Werken zwischen Türkenmode und Aufklärung beispielsweise von Johann Emanuel Schikaneder, dem Librettisten von Mozarts Zauberflöte, und ebenso Schöpfungen der jüngeren Geschichte und Gegenwart von Autoren wie Felix Dahn bis hin zu Herbert Achternbusch und Django Asül. Es gilt, viel zu entdecken, vielem wieder zu begegnen und Hunderte von Anregungen für neue Leseerlebnisse zu erhalten! Prof. Dr. Klaus Wolf ist Universitätsprofessor für Deutsche Literatur und Sprache des Mittelalters und der Frühen Neuzeit mit dem Schwerpunkt Bayern. Der ausgewiesene Fachmann für bayerische Literatur lehrt und forscht an der Universität Augsburg. Er betreut den Masterstudiengang Germanistik, leitet Archiv und Forschungsstelle für Literatur aus Schwaben (ALS), ist ordentliches Mitglied der Schwäbischen Forschungsgemeinschaft, Ordentliches Mitglied des Instituts für Europäische Kulturgeschichte, Erster Vorsitzender des Vereins "Literaturschloss Edelstetten", u.v.a. Literatur Radio Hörbahn on Stage Das Literatur Radio Hörbahn lädt zur Lesung ein. An jedem 1. und 4. Donnerstag um 19 Uhr (Einlass 18:00) lädt das Literatur Radio Hörbahn in die P-Bar, Das Provisorium ein. Präsentiert wird entweder ein/e Autor/in, ein Buch oder ein literarisches Projekt. Die AutorInnen lesen aus ihren Werken und erzählen über die Entstehung, Recherche, Hindernisse und Anekdoten. Anschließend gibt es ein kleines Interview, und auch die Zuhörer dürfen Fragen stellen. Die Abende umfassen alle Formen der Literatur – Lyrik, Prosa, Romanauszüge, Kurzgeschichten, kurze Erzählungen, experimentelle Texte, Diskussionsrunden, Hörspiele usw. Wir freuen uns auf alle Themen, alle Genres, auf Selfpublisher ebenso wie auf etablierte Verlagsautoren und abgefahrene Fische. Die Veranstaltungen werden aufgezeichnet und mit eurer Erlaubnis für unser internationales Publikum erreichbar ins Internet gestellt. Das Literatur Radio Hörbahn kann von AutorInnen selbstverständlich verlinkt und für eigene (Marketing-) Zwecke verwendet werden. Bei Texten, die in Verlagen veröffentlicht wurden, sollte vorher die Genehmigung der Verlage zur Veröffentlichung im Radio vorliegen. Wer aktiv dabei sein möchte, schickt bitte eine Mail an literaturradio@online.ms, Stichwort "Hörbahn on Stage". Wir benötigen eine kurze, aussagekräftige Anfrage.

Auch das Gedicht vom Tantenmörder aus der Feder von Frank Wedekind ist in dieser neuen bayerischen Literaturgeschichte zu finden. Von den Tagen der Agilolfinger im 8. Jahrhundert bis zu dem Sprachvirtuosen Gerhard Polt reicht das Spektrum der dargebotenen und erläuterten Texte. 1300 Jahre Geschichte der Literatur auf dem Gebiet des heutigen Bayern werden in diesem Band knapp, kundig und anhand vieler Beispiele vorgestellt. Die gut organisierte Themenvielfalt umfasst religiöse Literatur und mittelalterliche Heldendichtung – zum Beispiel das Hildebrandslied – ebenso wie die Literatur im konfessionellen Zeitalter mit Autoren wie Hans Sachs und Konrad Peutinger oder etwa Werken zwischen Türkenmode und Aufklärung beispielsweise von Johann Emanuel Schikaneder, dem Librettisten von Mozarts Zauberflöte, und ebenso Schöpfungen der jüngeren Geschichte und Gegenwart von Autoren wie Felix Dahn bis hin zu Herbert Achternbusch und Django Asül. Es gilt, viel zu entdecken, vielem wieder zu begegnen und Hunderte von Anregungen für neue Leseerlebnisse zu erhalten! Prof. Dr. Klaus Wolf ist Universitätsprofessor für Deutsche Literatur und Sprache des Mittelalters und der Frühen Neuzeit mit dem Schwerpunkt Bayern. Der ausgewiesene Fachmann für bayerische Literatur lehrt und forscht an der Universität Augsburg. Er betreut den Masterstudiengang Germanistik, leitet Archiv und Forschungsstelle für Literatur aus Schwaben (ALS), ist ordentliches Mitglied der Schwäbischen Forschungsgemeinschaft, Ordentliches Mitglied des Instituts für Europäische Kulturgeschichte, Erster Vorsitzender des Vereins "Literaturschloss Edelstetten", u.v.a. Literatur Radio Hörbahn on Stage Das Literatur Radio Hörbahn lädt zur Lesung ein. An jedem 1. und 4. Donnerstag um 19 Uhr (Einlass 18:00) lädt das Literatur Radio Hörbahn in die P-Bar, Das Provisorium ein. Präsentiert wird entweder ein/e Autor/in, ein Buch oder ein literarisches Projekt. Die AutorInnen lesen aus ihren Werken und erzählen über die Entstehung, Recherche, Hindernisse und Anekdoten. Anschließend gibt es ein kleines Interview, und auch die Zuhörer dürfen Fragen stellen. Die Abende umfassen alle Formen der Literatur – Lyrik, Prosa, Romanauszüge, Kurzgeschichten, kurze Erzählungen, experimentelle Texte, Diskussionsrunden, Hörspiele usw. Wir freuen uns auf alle Themen, alle Genres, auf Selfpublisher ebenso wie auf etablierte Verlagsautoren und abgefahrene Fische. Die Veranstaltungen werden aufgezeichnet und mit eurer Erlaubnis für unser internationales Publikum erreichbar ins Internet gestellt. Das Literatur Radio Hörbahn kann von AutorInnen selbstverständlich verlinkt und für eigene (Marketing-) Zwecke verwendet werden. Bei Texten, die in Verlagen veröffentlicht wurden, sollte vorher die Genehmigung der Verlage zur Veröffentlichung im Radio vorliegen. Wer aktiv dabei sein möchte, schickt bitte eine Mail an literaturradio@online.ms, Stichwort "Hörbahn on Stage". Wir benötigen eine kurze, aussagekräftige Anfrage.

Von Tassilo bis Gerhard Polt. Auch das Gedicht vom Tantenmörder aus der Feder von Frank Wedekind ist in dieser neuen bayerischen Literaturgeschichte zu finden. Von den Tagen der Agilolfinger im 8. Jahrhundert bis zu dem Sprachvirtuosen Gerhard Polt reicht das Spektrum der dargebotenen und erläuterten Texte. 1300 Jahre Geschichte der Literatur auf dem Gebiet des heutigen Bayern werden in diesem Band knapp, kundig und anhand vieler Beispiele vorgestellt. Die gut organisierte Themenvielfalt umfasst religiöse Literatur und mittelalterliche Heldendichtung – zum Beispiel das Hildebrandslied – ebenso wie die Literatur im konfessionellen Zeitalter mit Autoren wie Hans Sachs und Konrad Peutinger oder etwa Werken zwischen Türkenmode und Aufklärung beispielsweise von Johann Emanuel Schikaneder, dem Librettisten von Mozarts Zauberflöte, und ebenso Schöpfungen der jüngeren Geschichte und Gegenwart von Autoren wie Felix Dahn bis hin zu Herbert Achternbusch und Django Asül. Es gilt, viel zu entdecken, vielem wieder zu begegnen und Hunderte von Anregungen für neue Leseerlebnisse zu erhalten! Prof. Dr. Klaus Wolf ist Universitätsprofessor für Deutsche Literatur und Sprache des Mittelalters und der Frühen Neuzeit mit dem Schwerpunkt Bayern. Der ausgewiesene Fachmann für bayerische Literatur lehrt und forscht an der Universität Augsburg. Er betreut den Masterstudiengang Germanistik, leitet Archiv und Forschungsstelle für Literatur aus Schwaben (ALS), ist ordentliches Mitglied der Schwäbischen Forschungsgemeinschaft, Ordentliches Mitglied des Instituts für Europäische Kulturgeschichte, Erster Vorsitzender des Vereins “Literaturschloss Edelstetten”, u.v.a. Neueste Publikationen: Bayerische Literaturgeschichte, C.H.Beck, 2018, ISBN 978-3406721144, 29,95 € TELITO Tegernseer LiteraTouren“ Schwabenspiegel. Jahrbuch für Literatur, Sprache und Spiel I – III. EDITIO BAVARICA. Erst- und Neueditionen bairischer oder in Bayern entstandener und überlieferter Texte. Herausgegeben von Klaus Wolf. Band II: Augsburger Nibelungenlied und -klage. Edition und Untersuchung der Nibelungen-Handschrift b. Herausgegeben von Michaela Eser. Verlag Friedrich Pustet: Regensburg 2015. Hörbahn on Stage im Juni 2019 (Im Literaturschloss Edelstetten) Am 29. Juni 2019 wird Prof. Wolf Gast bei Hörbahn on Stage zu Gast sein. Hier wird dieses kleine Interview vertieft und die Vielzahl seiner Themen vorgestellt und diskutiert werden. Kontaktdaten klaus.wolf@philhist.uni-augsburg.de Telefon: +49 821 598 – 4638 (Sekretariat) 598 – 5621 https://www.philhist.uni-augsburg.de/lehrstuehle/germanistik/ Lehrstuhl für Europäische Kulturgeschichte Universität Augsburg Universitätsstraße 10 86159 Augsburg

Isabelle Lehns zweiter Romantitel zitiert das gleichnamige Theaterstück von Frank Wedekind. Wedekind adressierte mit seinem Stück eine Gruppe von Gymnasiasten. Bei Isabelle Lehn reichen die Wirren der Adoleszenz in die Generation der Mit- und Enddreißiger hinein. Rezension von Tanya Lieske | S. Fischer Verlag | 256 Seiten, 21,60 Euro

Hoy en Escuchandoando, Laury Leite (Ciudad de México, 1984). Es escritor. Ha publicado artículos, ensayos, entrevistas y crónicas en diversas revistas literarias. Ha realizado traducciones y adaptaciones de obras de Frank Wedekind y Antón Chéjov, entre otros. Sus cuentos han aparecido en varias antologías. Publicó la novela "En la soledad de un cielo muerto" (Ediciones Carena, Barcelona, 2017; La Pereza Ediciones, Miami, 2017). 2018 la traducción al inglés de "En la soledad de un cielo muerto" con el sello Lazy. Actualmente está escribiendo "La gran demencia", su segunda novela, con apoyo del Toronto Arts Council. Vive en Toronto, Canadá.Escuchandoando compartió con uno de los autores jóvenes que irrumpe con más fuerza en el actual panorama literario. Nacido en México y residenciado en Canadá, donde crea una nueva obra gracias a una beca de escritura del Toronto Arts Council, estamos ante un autor del que se habla mucho de la novela. En la soledad de un cielo muerto (Ediciones Carena, 2017) es la primera obra literaria con la que Laury Leite se abre paso. El argumento nos dibuja varias de las crisis que estallan en el siglo XXI a través de las vivencias de una familia mexicana en Madrid. Para el escritor la pérdida de los valores absolutos del siglo pasado es el nuevo escenario que se abre ante la vida de los protagonistas de su trama, y de la sociedad global.Escúchanos ya mismo en todas las plataformas de audio digitales, en YouTube y en nuestra página web www.escuchandoando.com Este episodio está patrocinado con Chrys Grass, original de crianza orgánica, una red global que busca impactar el desarrollo económico local, transformando emprendedores en emprendedores emprendedores exitosos.Si está pensando en emprender, Chrys Grass es una planta captadora de CO2 que crece entre los 0 y 2.500 metros de altura, es ecológica, sostenible y con múltiples usos y beneficios, ve en los espacios mínimos de una actividad, su tiempo promedio de Hasta la etapa comercial es de apenas 12 meses. Sembrando Chrys Grass está ayudando a combatir el calentamiento global, generando un aire más limpio para el planeta y para producir una finca con un negocio verde. Conoce más en www.chrysbioplant.com o llamando al 57 3203394114.Este episodio está patrocinado por Duplo Construction es patrocinador de Escuchando Ando. Su tecnología modular reduce los tiempos de instalación, mantiene su proyecto con una visión eco-sostenible y se adapta eficientemente a todas sus necesidades. Llega al limite de la creatividad en tus construcciones. Duplo Construction proporciona la solución más efectiva para la industria de la asepsia, la resistencia, la sostenibilidad y la economía. Duplo Construction, la mano de su grupo de profesionales de diseño, entrega e instalación de su proyecto moderno, bello y modular, en el lugar que siempre lo soñaste. Su novedoso sistema de módulos nos permite adjuntar piezas creando patrones visualmente únicos.Construye tu casa en el lugar donde las imágenes o la escuela a todos los lugares que quieras con una vivienda móvil. Visítanos en www.duploconstruction.com

Hoy en Escuchandoando, Laury Leite (Ciudad de México, 1984). Es escritor. Ha publicado artículos, ensayos, entrevistas y crónicas en diversas revistas literarias. Ha realizado traducciones y adaptaciones de obras de Frank Wedekind y Antón Chéjov, entre otros. Sus cuentos han aparecido en varias antologías. Publicó la novela "En la soledad de un cielo muerto" (Ediciones Carena, Barcelona, 2017; La Pereza Ediciones, Miami, 2017). 2018 la traducción al inglés de "En la soledad de un cielo muerto" con el sello Lazy. Actualmente está escribiendo "La gran demencia", su segunda novela, con apoyo del Toronto Arts Council. Vive en Toronto, Canadá.Escuchandoando compartió con uno de los autores jóvenes que irrumpe con más fuerza en el actual panorama literario. Nacido en México y residenciado en Canadá, donde crea una nueva obra gracias a una beca de escritura del Toronto Arts Council, estamos ante un autor del que se habla mucho de la novela. En la soledad de un cielo muerto (Ediciones Carena, 2017) es la primera obra literaria con la que Laury Leite se abre paso. El argumento nos dibuja varias de las crisis que estallan en el siglo XXI a través de las vivencias de una familia mexicana en Madrid. Para el escritor la pérdida de los valores absolutos del siglo pasado es el nuevo escenario que se abre ante la vida de los protagonistas de su trama, y de la sociedad global.Escúchanos ya mismo en todas las plataformas de audio digitales, en YouTube y en nuestra página web www.escuchandoando.com Este episodio está patrocinado con Chrys Grass, original de crianza orgánica, una red global que busca impactar el desarrollo económico local, transformando emprendedores en emprendedores emprendedores exitosos.Si está pensando en emprender, Chrys Grass es una planta captadora de CO2 que crece entre los 0 y 2.500 metros de altura, es ecológica, sostenible y con múltiples usos y beneficios, ve en los espacios mínimos de una actividad, su tiempo promedio de Hasta la etapa comercial es de apenas 12 meses. Sembrando Chrys Grass está ayudando a combatir el calentamiento global, generando un aire más limpio para el planeta y para producir una finca con un negocio verde. Conoce más en www.chrysbioplant.com o llamando al 57 3203394114.Este episodio está patrocinado por Duplo Construction es patrocinador de Escuchando Ando. Su tecnología modular reduce los tiempos de instalación, mantiene su proyecto con una visión eco-sostenible y se adapta eficientemente a todas sus necesidades. Llega al limite de la creatividad en tus construcciones. Duplo Construction proporciona la solución más efectiva para la industria de la asepsia, la resistencia, la sostenibilidad y la economía. Duplo Construction, la mano de su grupo de profesionales de diseño, entrega e instalación de su proyecto moderno, bello y modular, en el lugar que siempre lo soñaste. Su novedoso sistema de módulos nos permite adjuntar piezas creando patrones visualmente únicos.Construye tu casa en el lugar donde las imágenes o la escuela a todos los lugares que quieras con una vivienda móvil. Visítanos en www.duploconstruction.com

Insgesamt 21 Jahre arbeitete Frank Wedekind an seiner "Lulu"-Tragödie. Im ersten Teil "Erdgeist" bringt Lulu, die kindliche Femme Fatale, durch ihre entwaffnende Natürlichkeit die bürgerliche Scheinmoral ins Wanken.

This week Zane will chat with Harrison Aston, Jordan Malone, and Oliver Lacey about which of life's truths can be gleaned from the confronting rock musical Spring Awakening!- BOOK NOW for Underground Broadway's SPRING AWAKENING -- FURTHER READING -Wiki - Musical, PlayiTunesSpotify- CELEBRITY SHOUTOUTS -Duncan Sheik, Steven Sater, Frank Wedekind, Jonathan Groff, Lea Michele, Skylar Astin, John Gallagher Jr, Lauren Pritchard, Lilli Cooper, Gideon Glick, Stephen Spinella, Christine Estabrook, Aneurin Barnard, Iwan Rheon, Lucy May Barker, Jamie Blackley, Richard Cordery, Sian Thomas, Austin P. McKenzie, Daniel N. Durant, Alex Boniello, Krysta Rodriguez, Andy Mientus, Daniel David Stewart, Russell Harvard, Patrick Page, Ali StrokerLike us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanonproductions.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Find out more about him at www.benedictbraxtonsmith.com

Un grupo de adolescentes experimenta cambios físicos y emocionales propios de su edad. Sin embargo, estas fuerzas desatadas en su naturaleza interior chocarán con las normas morales y las prohibiciones sociales. El pudor con el que se aborda el tema de la sexualidad no permite llamar a las cosas por su nombre, relegándolas al silencio y a la oscuridad.

Don draws portraits of George Balanchine's New York City Ballet company. Chris completes his ninth and final novel, A Meeting by the River, set in India, and he begins a memoir about his family. Researching the family memoir in England, he meets a young theatre director, Anthony Page, who proposes they make a new adaptation of Frank Wedekind's Lulu plays. Hosted on Acast. See acast.com/privacy for more information.

American author Jonathan Franzen's interest in the Austrian satirist and journalist resulted in him publishing The Kraus Project. He joins Philip Dodd, novelist Lawrence Norfolk and literary historian, Heide Kunzelmann for a programme exploring the writing and politics of Karl Kraus (1874–1936) - whose artistic achievements include 700 one man performances of works by Brecht, Goethe, Shakespeare and others - plus performances of Offenbach's operettas, accompanied by piano and singing all the roles himself; whose magazine Die Fackel published Oskar Kokoschka, Adolf Loos, Heinrich Mann, Arnold Schönberg, August Strindberg and Oscar Wilde and whose support for other artists included assisting Frank Wedekind in staging his controversial play Pandora's Box. In 1915 Kraus began writing a satirical play about World War One called The Last Days of Mankind which mixes dialogue drawn from contemporary documents with fantasical expressionist scenes of apocalypse. A dramatisation featuring actors Giles Havergal and Paul Schofield was broadcast by BBC Radio 3. Part of Radio 3's Breaking Free series of programmes exploring music and culture in Vienna. Producer: Zahid Warley

Hon ses just nu i "Den goda viljan" på Dramaten, där hon har gjort många stora klassiska roller. Även känd som Martin Becks dotter i Beck-filmerna. Slog igenom 18 år gammal 1994 i Malmö som "Lulu". Rebecka Hemse är född 1975 i Överjärna, Södertälje. Hon hoppade av teaterlinjen på Södra Latin i Stockholm när hon fick en roll på Teater Galeasen i Roberto Zucco av Bernard-Marie Koltès i regi av Rickard Günther. Efter det fick hon titelrollen som Lulu av Frank Wedekind på Malmö Dramatiska Teater, i regi av Staffan Valdemar Holm. Hon var bara 18 år, och rollen innebar ett stort genombrott för henne.  Sedan dess har hon arbetat som skådespelare och gjort massor på tv och film. Hon är känd för många som Martin Becks dotter i Beck-filmerna och som Sara i 30 grader i februari.  Rebecka Hemse blev anställd på Dramaten 2004 och hon har gjort många stora roller där. Hon har spelat Strindberg, Shakespeare och Tjechov med regissörer som Staffan Valdemar Holm, Mats Ek, Stefan Larsson och Karl Dunér. Just nu kan man se henne i Eirik Stubös uppsättning Den Goda Viljan av Ingmar Bergman där hon spelar Anna Åkerblom. Rebecka Hemse valde Förvandlingen av Franz Kafka med Allan Edwall ur Drama-arkivet. Föreställningen finns tyvärr inte tillgänglig av upphovsrättsliga skäl.

Discuss on Reddit ➤ Support the Show ➤ It’s time to get ‘Totally F@&#ed’ as this week’s podcast is all about the beautifully raw ‘Spring Awakening’. We discuss the current revolutionary revival by Deaf West on Broadway, play spot the difference with the musical and the original play, fangirl about Lea Michele and Jonathan Groff and Tommy finally admits his mad crush on Frank Wedekind. Spring Awakening (Original Broadway Cast) iTunes / Spotify / Amazon SHOW NOTES The beautiful Sutton-Superfan, Jonathan Groff, sounds off to the equally beautiful Seth Rudetsky (give us a job, Seth!) about when he auditioned for “Thoroughly Modern Millie” and performs the entire tap number from the opening! He’s come a long way to get to his adonis status in Perfect Pitch. Here’s Skylar Astin sporting the famous Georg binocular locks. This is purely just a podcast about the hot men associated with “Spring Awakening”. Here’s the man who started it all. You work that moustache, Mr. Wedekind! Lea Michele looking adorable herein one of her first Broadway roles in Ragtime. Am I the only one who thinks she hasn’t changed a bit? Oh, and speaking of Groffsauce, here he is chatting about totally blanking during “Left Behind.” It's the bomb. Here’s the marvelous Deaf West performing the revival of “Spring Awakening” at the White House with an interesting interview from Duncan Sheik. You get a great glimpse of how they use the blend of hearing and deaf actors. This is a great article from The Guardian which features opinions from five deaf New Yorkers and a hearing ASL interpreter. They give a great insight as to what the experience is like for a deaf audience member. And of course, JIMI'S NEW VIDEO! GO WATCH IT! MY CAPS LOCK IS BROKEN NOW! SHOOT! “WHAT WILL WE DO NEXT” QUIZ QUESTION Jerry Herman infamously re-used this Hello, Dolly! melody* in a later musical. What is the subject of the song in which he re-uses the melody?

We focus on "Spring Awakening," Deaf West Theatre's radical reinterpretation of the TONY-winning musical of Frank Wedekind's 1890 play, with director Michael Arden and actors - Alex Boniello, Daniel Durant, Marlee Matlin and Camryn Manheim.

Steven Sater is an American poet, playwright, lyricist, television writer and screenwriter. Him and Duncan Sheik worked together on Spring Awakening, a musical interpretation of German playwright Frank Wedekind's play of the same name. In 2007, Sater won two Tony Awards for his work on Spring Awakening. He won the Tony for Best Book and Best Musical Score, the Drama Desk Award for Outstanding Lyrics, and the Outer Critic Circle Award for Best Lyrics. The pair received the 2007 Grammy Award for Best Musical Show Album and, in addition, The Dramatists Guild Hull-Warriner Award, the Outer Critics Circle Award, the Drama Desk, the Lucille Lortel, New York Drama Critics' Circle, the Drama League Award, and the 2008 London Critics' Circle and Laurence Olivier Awards for Best Musical.  Just wait until you hear some of the poetic truth bombs he drops about writing for the theater, about Spring and about living life in general.  His story could be a musical itself, with the number of dragons he slayed in order to get where he is today.  And we talk about everything, including: Publishing his first novel . . . at age five. How he turned an almost fatal accident into an opportunity to master ancient Greek. Why he prefers writing lyrics and book, rather than just the book . . . and why. Why he writes on yellow pads with a pencil rather than on a computer. Where he got the idea for Spring Awakening in the first place and what he thought when the curtain went up on the very first production. Keep up with me: @KenDavenportBway www.theproducersperspective.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Bob Wilcox and Gerry Kowarsky review (1) LES MISERABLES, by Claude-Michel Schonberg, Alain Boublil Jean-Marc Natel, et al., at the Fox Theatre, (2) DADDY LONG LEGS, by Paul Gordon & John Caird, at the Repertory Theatre of St. Louis, (3) SPRING AWAKENING, by Frank Wedekind, Duncan Sheik, & Steve Sater, at Stray Dog Theatre, (4) LOST IN YONKERS, by Neil Simon, at the New Jewish Theatre, (5) THE HAIRY APE, by Eugene O'Neill, at Upstream Theater, (6) GOOD, by C.P. Taylor, at St. Louis Actors' Studio, (7) WONDER OF THE WORLD, by David Lindsay-Abaire, at St. Louis University, and (8) INVENTING VAN GOGH, by Steve Dietz, at West End Players Guild.

Part three of a three part series - Acting: the Student Experience. Student cast members of this year's student play, Spring Awakening: A Children's Tragedy, written by Frank Wedekind,perform scenes and discuss the experience with the host of the Philadelphia Cultural Forum and their teacher, Professor Gina Masucci MacKenzie, Ph. D.

Part two of a three part series - Acting: the Student Experience. Student cast members of this year's student play, Spring Awakening: A Children's Tragedy, written by Frank Wedekind,perform scenes and discuss the experience with the host of the Philadelphia Cultural Forum and their teacher, Professor Gina Masucci MacKenzie, Ph. D.

Part one of a three part series - Acting: the Student Experience. Student cast members of this year's student play, Spring Awakening: A Children's Tragedy, written by Frank Wedekind,perform scenes and discuss the experience with the host of the Philadelphia Cultural Forum and their teacher, Professor Gina Masucci MacKenzie, Ph. D.

An open discussion about the content and subject matter of Tony-Award winning musical, Spring Awakening. Spring Awakening is a Rock Musical adaptation of the controversial 1892 German play by Frank Wedekind. It features music by Duncan Sheik and a book and lyrics by Steven Sater. Set in late-19th century Germany, it concerns teenagers who are discovering the inner and outer tumult of human sexuality. The original play was banned in Germany for a while due to its portrayal of abortion, homosexuality, rape, child abuse and suicide. In the musical, alternative rock is employed as part of the folk-infused rock score. Spring Awakening received eleven 2007 Tony Award nominations, winning eight, including Tonys for best musical, direction, book, score and featured actor. The show also won four Drama Desk Awards, while its London production won four Olivier Awards. Panel Guests (subject to change) Pat Addiss, Broadway Producer of the original Broadway production; Dorothy Berloni, Former Head of Programming, Bushnell Center of the Performing Arts, Hartford, CT; Father Jerry Ryle, Director of Campus Ministry; Mary Jo Mason, Ph.D., LPC, NCC, Director of Wellness Facilitator, Jerry Goehring, Executive Director, Edgerton Center

With her Tony-winning costume designs for the hit musical "Wicked" virtually circling the globe, costume designer Susan Hilferty describes the detailed process by which the show's creative team conceived their own vision of Oz, and the level of work required to execute the show's distinctive costumes. She also talks about her initial interest in both fine art and scenic design, even as she worked in costume shops as an artisan; the lucky break that got her professional design credits while still an undergraduate; her decision to go to the Yale School of Drama after several years of working in New York and how that led to her 30-year collaboration with South African playwright Athol Fugard; her quick takes on the varying directorial styles of her most frequent collaborators, including James Lapine, Des McAnuff, Carole Rothman, Robert Woodruff and the late Garland Wright; her counsel to students, as the head of the graduate design program at NYU's Tisch School of the Arts; and why she felt she was going to have to protect Frank Wedekind when she began work on the musical "Spring Awakening". Original air date - September 8, 2009.

With her Tony-winning costume designs for the hit musical Wicked virtually circling the globe, costume designer Susan Hilferty describes the detailed process by which the show's creative team conceived their own vision of Oz, and the level of work required to execute the show's distinctive costumes. She also talks about her initial interest in both fine art and scenic design, even as she worked in costume shops as an artisan; the lucky break that got her professional design credits while still an undergraduate; her decision to go to the Yale School of Drama after several years of working in New York and how that led to her 30-year collaboration with South African playwright Athol Fugard; her quick takes on the varying directorial styles of her most frequent collaborators, including James Lapine, Des McAnuff, Carole Rothman, Robert Woodruff and the late Garland Wright; her counsel to students, as the head of the graduate design program at NYU's Tisch School of the Arts; and why she felt she was going to have to protect Frank Wedekind when she began work on the musical Spring Awakening.

With her Tony-winning costume designs for the hit musical "Wicked" virtually circling the globe, costume designer Susan Hilferty describes the detailed process by which the show's creative team conceived their own vision of Oz, and the level of work required to execute the show's distinctive costumes. She also talks about her initial interest in both fine art and scenic design, even as she worked in costume shops as an artisan; the lucky break that got her professional design credits while still an undergraduate; her decision to go to the Yale School of Drama after several years of working in New York and how that led to her 30-year collaboration with South African playwright Athol Fugard; her quick takes on the varying directorial styles of her most frequent collaborators, including James Lapine, Des McAnuff, Carole Rothman, Robert Woodruff and the late Garland Wright; her counsel to students, as the head of the graduate design program at NYU's Tisch School of the Arts; and why she felt she was going to have to protect Frank Wedekind when she began work on the musical "Spring Awakening". Original air date - September 8, 2009.