Podcast appearances and mentions of Paul Pfeiffer

Gabriel Barcia-Colombo Recorded at the Stony Island Arts Bank during the Chicago Architecture Biennial Gabriel Barcia-Colombo joins Bad at Sports from a rain-soaked tailgate outside the Stony Island Arts Bank, in the middle of Chicago Architecture Biennial programming and an open-hours weekend that turns the city into both subject and stage. A media artist whose work consistently centers human presence inside technological systems, Barcia-Colombo is in Chicago to present Media Stream, a large-scale public artwork that brings the people of Chicago directly onto the architecture they move through every day. The project is built from hundreds of filmed participants, composited into an algorithmic, ever-changing flow across vertical LED blades embedded in a public building. Contributors are asked to perform ordinary gestures, then to imagine moments of sublimity or loss, producing intimate, vulnerable expressions that are scaled up and encountered by strangers passing through the space. The result is a work that reverses the usual logic of media spectacle, shifting attention away from screens and systems and back toward the faces of people themselves. From there, the conversation opens into a wide-ranging discussion of digital memory, data after death, and the uneasy permanence of media archives. Barcia-Colombo reflects on early works like Animalia, Chordata, his long-running interest in collecting and containing human presence, and later projects such as The Hereafter Institute, which staged personalized funerals for participants' digital lives. Throughout, the group wrestles with the problem of preservation in media art, from CRT monitors and film projectors to contemporary AI tools that threaten to erase labor, context, and material specificity. The episode also touches on Barcia-Colombo's collaboration with David Byrne, his role as co-director of NYU's Interactive Telecommunications Program, and the contradictions of teaching technology as a humanist practice inside systems driven by speed, spectacle, and capitalization. What emerges is a thoughtful meditation on how artists can still create moments of connection and care inside infrastructures not designed for either. Recorded live, mid-storm, with rain hitting the merch cart and conversation drifting easily between theory, jokes, and deeply personal reflection. Highlights & Moments Turning public architecture into a living portrait of the city LED "blades" as broken, moving images rather than seamless spectacle Directing strangers to perform the everyday and the sublime Data, memory, and what happens to our digital lives after death Early video art as prophecy rather than nostalgia The problem of preserving media art as technologies disappear Labor, erasure, and value in digital and AI-assisted work Teaching technology as a humanist practice at NYU ITP Collaborating with David Byrne under extreme time constraints AI as mirror, therapist, and deeply unsettling collaborator Names Dropped Stony Island Arts Bank — https://rebuild-foundation.org/site/stony-island-arts-bank/ Chicago Architecture Biennial — https://www.chicagoarchitecturebiennial.org Media Stream - https://150mediastream.com/ Gabriel Barcia-Colombo - https://www.gabebc.com/ Times Square public art installations Animalia, Chordata The Hereafter Institute Nam June Paik — https://www.paikstudios.com Bruce Nauman — https://www.tate.org.uk/art/artists/bruce-nauman-1478 Paul Pfeiffer — https://www.moma.org/artists/4595 Christian Marclay — https://www.tate.org.uk/art/artists/christian-marclay-732 NYU Tisch School of the Arts — https://tisch.nyu.edu Interactive Telecommunications Program (ITP) — https://itp.nyu.edu Neon Museum, Las Vegas — https://www.neonmuseum.org

A conversation with Paul Pfeiffer, Stanley Wolukau-Wanambwa, and Anthony Elms recorded in May 2025. Stanley Wolukau-Wanambwa makes art, writes about it, and occasionally edits essay anthologies. His artist's book, INDEX 2025, is out now from ROMA Publications, and his recent essay “ECHO—LOCATION,” on installations at Dia Art Foundation by Cameron Rowland and Steve McQueen, featured in the April issue of e-flux journal.  Recent exhibitions include Scene at Eastman, at George Eastman Museum (2025), Greater New York at MoMA PS1 (2021), and But Still, It Turns at the International Center of Photography, New York (2021).  Read more essays in e-flux journal by Stanley Wolukau-Wanambwa here. Paul Pfeiffer recasts the visual language of pop spectacle to investigate how media images shape our perception of the world and ourselves. Working in video, photography, sculpture, and sound, he is drawn to moments intended for mass audiences (live sports events, stadium concert tours, televised game shows, celebrity glamour shots), which he meticulously samples and re-edits to expose an uncanny emptiness underneath. From the hyperreality of photo retouching and digital erasure to the endless repetition of video loops, his mastery of postproduction allows him to magnify the surreal aspects of contemporary existence, where bodies become sites of saturated observation, and violence-as-entertainment flirts with nationalism, religion, and ancient myth. While he also experiments with the format and scale of his works, immersive audiovisual installations often cohabit with portable fetish objects in his exhibitions. Throughout his practice, Pfeiffer seeks to reflect and heighten the existential condition of the viewer as consumer by perversely blurring the boundary between voyeurism and contemplation. The recent exhibition discussed in this episode, Paul Pfeiffer: Prologue to the Story of the Birth of Freedom was presented at the Museum of Contemporary Art, Los Angeles, and the MCA Chicago.  Read a review from e-flux Criticism of Prologue to the Story of the Birth of Freedom at The Geffen Contemporary at MOCA, Los Angeles by Juliana Halpert. Anthony Elms organizes exhibitions and writes. He recently organized Rodney McMillian: Neighbors for the Henry Art Gallery, Seattle, Wa. opening in October 2025. An essay on artist Oliver Ressler, "Ellipsesverse," posts online this fall for Ressler's exhibition Scenes from the Invention of Democracy at the Museum Tinguely. His essay "Begin to begin to begin to begin to begin" is forthcoming in Ecstatic Aperture: Perspectives on the Life and Work of Terry Riley. from Auryfa / Shelter Press.

We meet Paul Pfeiffer inside his retrospective at the Museum of Contemporary Art Chicago to talk about ghosts, spectacle, and the metaphysics of sports. Known for erasing athletes from footage and turning stadiums into stages of worship, Pfeiffer opens up about boxing as performance, the haunted loop of fandom, and building media rituals in the Philippines. Also: parrots, Deion Sanders, lip sync monks, and the death of the moment.   Names dropped: Deion Sanders - https://www.instagram.com/deionsanders/?hl=en  Manny Pacquiao - mannypacquiao.ph The Bible (yes, the text) - https://thesatanictemple.com/pages/hail-satan?srsltid=AfmBOoqTwkeDSDwxOmlvVLQX8QQduw8ehfzt3sYzUMFMvJO-_ym35hOg Tom Gunning - https://cms.uchicago.edu/people/tom-gunning Joshua Oppenheimer - https://cream.ac.uk/people/josh-oppenheimer/  DJ Spooky (Paul Miller) - djspooky.com Gina Osterloh - ginaosterloh.com Museum of Contemporary Art Chicago - mcachicago.org Biennale of Sydney - biennaleofsydney.art Contemporary Art Gallery Vancouver - cagvancouver.org

Former footballer Edgar Davids and artist Paul Pfeiffer on creating a new work for the Manchester International Festival. As four new twenty minute operas are premiered at the Buxton International Festival, Helen Goodman, artistic manager at the festival, and Hannah Ellis Ryan, artistic director of theatre company, HER Productions, discuss how short plays and operas can lead the way for change.Jo Callaghan has an AI detective at the centre of her Kat and Lock crime fiction series. Ajay Chowdhury uses digital technology in his crime fiction. They discuss the impact developments in the tech world are having on their genre.Presented by Nick Ahad Produced by Ekene Akalawu

Episode No. 708 features artist Paul Pfeiffer. The Museum of Contemporary Art Chicago is showing the retrospective "Paul Pfeiffer: Prologue to the Story of the Birth of Freedom." For over 25 years, Pfeiffer has investigated spectacle and mass culture, especially sport, and has found within it the power to create and extend political narratives. Included within the exhibition is only the second US presentation of Pfeiffer's landmark 2007 The Saints, an immersive sound and video installation that considers the 1966 men's World Cup final between England and West Germany that is one of the most significant works of the 21st century. "Pfeiffer" was curated by Clara Kim and Paula Kroll. The MCA presentation, which is on view through August 31, was organized by Bana Kattan with Iris Colburn. The exhibition catalogue was published by the Museum of Contemporary Art, Los Angeles, and MACK. Amazon offers it for $65. Instagram: Paul Pfeiffer, Tyler Green.

Mike Tyson eating a muffin and an ear, calling judges while drunk, my dad calling George Foreman in Africa, a possibly stupid comparison between Floyd Mayweather and David Fincher and Christopher Nolan, and...Stacy Keach. Stuff mentioned:  Sonny Clapp's "Girl of My Dreams" (1927), Angel Heart (1987), Mike Tyson vs. Evander Holyfield II (1997), Antonio Margarito vs. Miguel Cotto I (2008), Antonio Margarito vs. Miguel Cotto II (2011), Buster Douglas vs. Mike Tyson (1990), The Set Up (1949), West Side Story (1961), Star Trek: The Motion Picture (1979), Requiem for A Heavyweight (1962), Fat City (1972), Pavement Slanted and Enchanted (1989), Winter Kills (1979), The Maltese Falcon (1941), Treasure of the Sierra Madre (1948), The Misfits (1961), Chinatown (1974), A Night in the Life of Jimmy Reardon (1988), My Own Private Idaho (1991), Snake Eyes (1998), After Dark, My Sweet (1990), Rush (1991), That Championship Season (1982), Paul Pfeiffer's The Long Count (2001), Muhammad Ali vs. George Foreman (1974), The Champ (1979), Raging Bull (1980), Ordinary People (1980), Taxi Driver (1976), Jackson Brown "Late for the Sky" (1974), Memento (2000), Inception (2010), The Fight Club (1999), Seven (1995), The Game (1995), Juan Manuel Marquez vs. Manny Pacquiao I (2012), Interstellar (2014), Innerspace (1987), The Social Network (2010), Network (1976), Sunset Boulevard (1950), and The Dead Pool (1998).

When award-winning comedian Liz Glazer watched The Wonder Years as a kid, she thought she was seeing, for the first time a kid just like her: one who knew even as he lived his life that he'd one day look back on all this wistfully. This simple (mis?)interpretation of the show foreshadowed the type of adult she'd grow into: a comedian who is able to weave tragic experience into comedy with ease. After Jordan and Liz's conversation, Jordan has one quick thing about the  new John Cena/Jackie Chan pairing we've all been waiting for (right?).***With Jordan Crucchiola and Liz GlazerLiz's new LP, A Very Particular Experience

© Paul Pfeiffer. Courtesy Paula Cooper Gallery, New York. Photo: Joey Trisolini Born in Honolulu in 1966, Paul Pfeiffer grew up between Hawaii and the Philippines before moving to New York in 1990 to attend Hunter College and the Whitney Independent Study Program. Pfeiffer is known for his highly sophisticated use of digital technologies and new media, and has created celebrated works of video, photography, installation and sculpture since the late 1990s. Using digital erasure, magnification, and repetition, Pfeiffer samples and retouches images or video footage from sporting events, concerts, game shows and Hollywood films to enhance their psychological effects. By drawing attention to certain aspects of visual culture and concealing others, he underlines the spectacular nature of contemporary media and its consumption. Pfeiffer's videos are often presented using unusual monitors and hybrid hardware, further emphasizing the ostracizing effect of the found footage and incorporating a crucial sculptural element to the work. Pfeiffer has had one-person exhibitions at the Whitney Museum of American Art (2001); the Museum of Contemporary Art Chicago (2003 and 2017-18); the National Gallery of Victoria, Melbourne (2005); MUSAC León, Spain (2008); the Hamburger Bahnhof, Berlin (2009) and Sammlung Goetz, Munich, Germany (2011). Pfeiffer has presented work in major international exhibitions in recent years, including the Performa Biennial and the Honolulu Biennial in 2019 and the Toronto Biennial and Seoul Mediacity Biennale in 2022. His work is in the permanent collections of the Museum of Modern Art and the Whitney Museum of American Art, New York; Inhotim Museu de Arte Contemporanea, Inhotim, Brazil; the Pinault Collection, Venice; and Kunst Werke, Berlin, among others. © Paul Pfeiffer. Courtesy Paula Cooper Gallery, New York. Photo: Steven Probert © Paul Pfeiffer. Courtesy Paula Cooper Gallery, New York. Photo: Steven Probert Paul Pfeiffer, Red Green Blue, 2022  (3 Min excerpt)   Paul Pfeiffer, Red Green Blue, 2022  (3 Min excerpt)

Paul Pfeiffer and Kevin Arnold's birthdays are just days apart, and the two friends have usually always celebrated together. But this year, upon turning 13 Paul(as per Jewish Tradition), will become a man. The only problem is that Paul's Bar Mitzvah happens to take place on the same day as Kevin's Birthday!   Original airdate- April 11, 1989

In the fourth episode of "Barbara London Calling," Barbara speaks with Paul Pfeiffer, the American artist well known for utilizing sophisticated digital technologies to scrutinize the role mass media plays in shaping contemporary consciousness. Born in Honolulu, Paul now lives and works in New York, where he investigates the relationship between sporting events, racial politics, and what he calls "spectacle and spectatorship."

November 8th, 2019 A conversation with filmmakers Micaela Durand, Jordan Lord, and the Parrish Art Museum's Senior Curator of ArtsReach and Special Projects Corinne Erni. Guest curated by filmmaker Micaela Durand, SAW is a program of six short films that features the work of seven filmmakers (Daniel Chew, Micaela Durand, Simon Liu, Jordan Lord, Laurel Nakadate, Paul Pfeiffer, and Rachel Rose) who investigate the relationship between seeing and being seen. The program was co-presented by Sag Harbor Cinema and the Parrish Art Museum.   Our Friday Night programs at the Parrish are made possible, in part, by presenting sponsor Bank of America, with additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.

July 24-30, 1999 This week Ken welcomes comedian, entrepreneur and Woodstock '99 redeemer Jeff MacKinnon to the show. Ken and Jeff discuss Ken's gift shop, trading card Ken Reid, Bradley Cooper's plastic surgery, eyebrows, Ken's fortress, never leaving your house, New Bedford, hippies, CBD oil, The Illuminati at Dallas International Airport, being a sugar kid, addiction, cherry pie, overeating, giving people wedgies as an adult, "shouties", TV Urban Legends, Paul Pfeiffer is not Marilyn Manson, The Newlywed Game "in the butt" incident, Catholic Guilt, naked comedy, The All That Festival, Amanda Bynes, Greg Proops, mental illness, how 1999 was a garbage year for music, Woodstock '94, Kid Rock, MTV, Sha-na-na, The Omega Man, the invention and cycles of nostalgia, The Golden Girls, George Clooney's doodles, teenagers, the invention of rock n roll, evolution, DIY Punk rock culture, The Real World Hawaii, ICP, not getting the joke, why Pulp Comics was Comedy Central's best ever stand up show, The View, how live music performance presentation has changed, the evolution of The Warped Tour, how failure leads to innovation, not pre-ordaining the outcome, being on The Price is Right, Plinko, how Hollywood executives never want to go out on a limb, starting over, finding your creative voice, the world having enough stand up comedians, Set List with Paul Provenza, interactive media, being present in live media, favorite porn stars, sucking dicks, Ally McBeal, The Hundred Greatest Women of Rock n Roll, hatred of I-talians, anti-heroes, maple syrup urine disease, Baby Boom, the new game "Sex, Marry, Adopt", The Original Kings of Comedy and revisiting Home Improvement.

Hey Wonderlings, Angela Bowen here, the host of Looking Back On My Wonder Years: A Wonder Years Podcast. Today, I'm re-releasing S2E13: Birthday Boy, which aired on April 11, 1989 in honor of Fred Savage's (Kevin Arnold) Birthday today! In this episode Paul Pfeiffer and Kevin Arnold's birthdays are just days apart, and the two friends have usually always celebrated together. But this year, upon turning 13 Paul(as per Jewish Tradition), will become a man. The only problem is that Paul's Bar Mitzvah happens to take place on the same day as Kevin's Birthday! I loved the “Bookends” song that played at the end of the episode as the picture of Kevin and Paul fades to black and white. Such a good episode and I’m happy Kevin changed his tune and was a good supportive friend to Paul on his big day. Have a great week everyone!

Podgodz 306: Lax and Gio talk shit Recorded 30 October 2018   Shit Happy Birfday!   Podcasts No Agenda has been OK 80s All Over May 1984 was good. Enjoyed Omnibus (Brown Sound, Ossian, Letter J, Bridey Murphy) Top Four (Breakfasts) Somehow I Manage The Good Place (official) Podcast CBC This Is That     New Try To Podcast: Jeremy Henson's new pod   Dropping? Defocused…maybe     The Shows: Gio finally got off his ass and The Wonder Years giving me 2 whole hours to watch just over 2 hours of show. Single viewing only!   WHO is taking all that home video? WHO!   Too much Snuffy Walden, that man is treacle with extra maudlin.   So1E01: Pilot, 31 January 1988 In 1968, friends Kevin Arnold, Paul Pfeiffer, Read More →

Podgodz 306: Lax and Gio talk shit Recorded 30 October 2018   Shit Happy Birfday!   Podcasts No Agenda has been OK 80s All Over May 1984 was good. Enjoyed Omnibus (Brown Sound, Ossian, Letter J, Bridey Murphy) Top Four (Breakfasts) Somehow I Manage The Good Place (official) Podcast CBC This Is That     New Try To Podcast: Jeremy Henson’s new pod   Dropping? Defocused…maybe     The Shows: Gio finally got off his ass and The Wonder Years giving me 2 whole hours to watch just over 2 hours of show. Single viewing only!   WHO is taking all that home video? WHO!   Too much Snuffy Walden, that man is treacle with extra maudlin.   So1E01: Pilot, 31 January 1988 In 1968, friends Kevin Arnold, Paul Pfeiffer, Read More →

Hey there Wonderlings, It’s Friday Yay!! Who’s ready for the weekend, it’s finally August and you know what that’s means the last real month of summer. Wow, how did we even get here, right? I’m your host Angela Bowen and today I’ll be reviewing The Wonder Years S2E13 Birthday Boy which aired on April 11, 1989. In this episode Paul Pfeiffer and Kevin Arnold's birthdays are just days apart, and the two friends have usually always celebrated together. But this year, upon turning 13 Paul(as per Jewish Tradition), will become a man. The only problem is that Paul's Bar Mitzvah happens to take place on the same day as Kevin's Birthday! Speaking of birthdays there’s only 20 days until mine. That’s right on August 24th, I will be turning the big 3-5. During this episode I will be sharing some fun birthday moments of my own, well, the ones I can remember anyway. Time for my flower power episode rating: I’m giving it 5 out of 5 flower power petals 1. For the cute scenes of Paul and Kevin celebrating birthdays together they were so cute. 2. For Grandpa Pfeiffer’s speech at dinner 3. For Norma explaining to Kevin their family history 4. Paul talking up his Bar Mitzvah celebration on the bus to Wayne and Steve and Kevin 5. For the end with Kevin and Paul making up at his party and the song bookends replaying as the scene fades out on a black and white photograph of the boys together. I loved the dancing and laughing. My Wonderling Words of Wisdom: What I got from this episode: not every birthday we have is going to be spectacular, it’d be nice if it they were. I'm sure they’re are some birthdays we could take or leave or would like to forget. The farthest back I can remember is my 6 or 7th birthday. I remember waking up when I was young and running into my parents room screaming it’s my birthday, it’s my birthday today! I remember the strawberry shortcake birthday card on my dresser. Here’s my quote of the episode: Narrator: And so it turned out to be a great birthday after all. I slow danced with Paul's Aunt Selma. I ate more than Mrs. Pfeiffer could have dreamed possible. And in a funny way... when I look back on it... I sorta feel like it was my bar mitzvah, too. And to all you other listeners out there, thanks again for listening. I want to give a sincere thank to all you listeners out there whether you listen to this podcast on Itunes or Soundcloud or any other listening platforms that you may use to hear this podcast. I love giving you the episode recaps of The Wonder Years every week joining me as I go into full detail as we reminisce of days gone by with Kevin and his friends Paul and Winnie, and the rest of the Arnold family. as well as giving my occasional running commentary and childhood stories. To stay connected to the podcast: you can visit my many social media sites: Facebook Page: at Looking Back on my Wonder Years: A Wonder Years Podcast Instagram: lbomwonderyearspodcast Twitter: wonderyearspod Also if you enjoy this podcast rate, review and subscribe so you won’t miss an episode. Tells your friends. I do trivia and listener questions, so if you would like a shout out on the podcast all ya gotta do is answer them. Ok, well join me next Friday August 11 when I review S2E14 Brightwing which aired on April 18, 1989. In this episode we get some big sister little brother quality time. Im excited for this because we haven’t really seen them interact to much together. To get closer to his sister, Kevin agrees to run errands for her before school. He soon discovers that she is skipping school to hang out with her friends at the "rock". All right Wonderlings, have a great weekend and we’ll meet again same place, same time, next Friday!!

If you are not already using contemporary artists in your classroom, you definitely want to consider some new artists and ideas to bring to your students. Contemporary artists can be engaging and valuable for your students, and Tim and Andrew have an incredible list of their favorite artists to teach. Tim also figures out how to work Drake's "Hotline Bling" video into the discussion (13:30), Andrew introduces Tim to the video artist Paul Pfeiffer (17:30), and Andrew closes the show with a great explanation of why you should be teaching contemporary artists (21:00).  Resources and Links: The "No More Dead White Guys!" episode The Top 10 Contemporary Artists to Teach Alongside Traditional Artists Great Resources for Finding Contemporary Artists:  http://www.pbs.org/art21/ http://www.thisiscolossal.com/ http://www.booooooom.com/ http://www.designboom.com/  

Welcome to Summertime, Wonderlings, And to kick things off right I'm bringing you a special 3 episode bonus episode to celebrate with all summer episodes S2E17: How I'm Spending My Summer Vacation, S3E1: Summer Song and S5E1: The Lake. How I’m Spending My Summer Vacation which aired on May 16,1989. In this episode we start on the last day of school and Kevin is faced with some unexpected surprises, first his dilemma mulling over what to inscribe in Winnie’s yearbook, then his summer plans for him and Paul are shot to hell when Paul announces he and his family are going to stay at a cabin with friends for the next 6 weeks. Next we see Kevin get a sweet kiss from Winnie but right after that she plays him hot and cold at her parents annual luau backyard BBQ and finally ending on Kevin’s realization that all is not well with the Cooper elders. S3E:1 Summer Song which aired on October 3, 1989. The Arnold family and Paul Pfeiffer travel to Ocean City for a little fun in the sun. However, once there, no one really seems to be having any. Paul's allergies flare up, and Wayne and Karen's attitudes are making it nothing like the family trips from long ago. Kevin is still stinging from the news the Winnie Cooper has a new boyfriend, until he meets a cute (but older) girl named Teri. S5E1: The Lake which aired on October 2, 1991 The Arnolds and the Pfeiffers take their annual summer fishing trip to Lake Winnihacci. While on the trip, Kevin meets and falls in love with a local girl who seems to have a lot in common with him.

"It is difficult to get the news from poems yet men die miserably every day for lack of what is found there." - William Carlos Williams LINKS: Buy this book HERE: http://www.barnesandnoble.com/p/collected-poems-of-william-carlos-williams-1909-1939-william-carlos-williams/1100873871/2694169999268?st=PLA&sid=BNB_DRS_Marketplace+Shopping+greatbookprices_00000000&2sid=Google_&sourceId=PLGoP24010&k_clickid=3x24010 http://www.poetryfoundation.org/poems-and-poets/poems/detail/45498 Learn more about Paul Pfeiffer here: https://en.wikipedia.org/wiki/Paul_Pfeiffer_(artist) Paul Pfeiffer - Fragment of a Crucifixion (after Francis Bacon): https://www.youtube.com/watch?v=cu12tN8AJdU

Aaron tells about a few semi-famous connections he has on LinkedIn.

Hoje tratamos de falar em uma das séries que é referencia em nostalgia no Brasil e nos EUA. SIM! A história da infancia de Kevin Arnold, Winnie Copper, Paul Pfeiffer e cia. SEM SPOILERS abordamos o contexto, impacto e legado dessa serie que deixou saudade em muita gente. Já assistiu? Ouça e mate a saudade. […]

February 18, 2015 Winner of the Whitney Museum’s first Bucksbaum Award in 2000, Paul Pfeiffer creates groundbreaking video, sculpture, and photography that reflect on collective psychological states related to the history of image production. In conversation with Alexander Dumbadze, Associate Professor of Art History at the George Washington University. In collaboration with The George Washington University.

'Pasajes. Viajes por el híper-espacio' es una selección de obras pertenecientes a la colección Thyssen-Bornemisza Art Contemporary (T-B A21). Integrada fundamentalmente por instalaciones y obras escultóricas de gran escala, la exposición ha sido concebida para estimular un recorrido contemplativo, reintroduciendo al espectador en el centro mismo de la experiencia artística; un viaje inmersivo a otra dimensión perceptiva que activa lo físico, lo sensual y lo cerebral. (06.10.201-21.02.211) Artistas: Ai Weiwei, Doug Aitken, Haluk Akakçe, Janet Cardiff & George Bures Miller, Maurizio Cattelan, Olafur Eliasson, Michael Elmgreen & Ingar Dragset, Florian Hecker, Jeppe Hein, Carsten Höller, Los Carpinteros, Ernesto Neto, Carsten Nicolai, Olaf Nicolai, Paul Pfeiffer, Sergio Prego, Pipilotti Rist, Monika Sosnowska y Cerith Wyn Evans.