Podcasts about new bedford

Today we continue our Building Blocks of Effective Community Arts Practice series with two longtime fellow travelers: activist poet and cultural organizer Alice Lovelace, and educator, cultural policy leader, and Animating Democracy co-founder Barbara Shaffer Bacon.Together we wrestle with a question many artists are asking right now: Should we prioritize safety—or bravery?Drawing on decades of experience—from the culture wars of the 1980s to today's debates over censorship, public funding, and democracy—they explore how artists can respond with creativity rather than fear.Three reasons to listen• Creative courage takes many forms. Bravery isn't only public protest. It can mean telling difficult truths, creating work without waiting for permission,• Healthy cultural ecosystems make courage possible. Artists, organizations, funders, and communities can build networks of mutual support that allow creative work to flourish even during periods of political and economic uncertainty.• Artists possess tools society needs right now. From improvisation and storytelling to visioning and collective imagination, the very skills artists practice every day may be among our most important resources for helping communities navigate uncertainty and build a more hopeful future.Notable MentionsPeopleAlice Lovelace: Poet, educator, Executive Director of ArtsXchange, and longtime leader in community-based arts, cultural organizing, and social justice.Barbara Shaffer Bacon: Cultural policy leader, educator, and founding co-director of Animating Democracy, widely recognized for advancing arts-based civic engagement and cultural policy.Lenny Sloan: Beloved community arts advocate, cultural organizer, and longtime colleague remembered as one of the inspirations behind this conversation series.Maynard Jackson: Atlanta's first African American mayor, remembered for expanding civic participation and public investment in the arts.Shirley Franklin: Former mayor of Atlanta whose administration continued significant investment in the city's cultural infrastructure.Robert Peters: Mashpee Wampanoag artist, writer, and cultural leader whose work integrates Indigenous traditions, storytelling, ceremony, and community healing.Roberta Uno: Founder of New WORLD Theater and one of America's leading advocates for culturally specific and community-based theater.Organizations & InitiativesCenter for the Study of Art & Community: Producer of ART IS CHANGE and advancing arts-based community development and cultural organizing.ArtsXchange: Atlanta-based interdisciplinary arts organization dedicated to community cultural development, creative leadership, and social justice.Animating Democracy: National initiative advancing civic engagement, community development, and social change through the arts.New WORLD Theater: Groundbreaking multicultural theater that elevated artists and communities of color while reshaping American theater.Public Art Network: National professional network supporting public artists, public art programs, and civic arts leadership.Arts on Prescription: An emerging healthcare movement integrating arts participation into medical care through clinician referrals and social prescribing.PlacesAtlanta, Georgia: Principal case study illustrating strengths and vulnerabilities of long-term community arts ecosystems.New Bedford, Massachusetts: Example of a city where artists, government, and community organizations have built a collaborative cultural ecosystem.Alameda, California: Home base of host Bill Cleveland and the Center for the Study of Art & Community.Minneapolis, Minnesota: Referenced as an example of a deeply interconnected community arts ecosystem.Key Concepts & PracticesArts Ecosystems: The interconnected relationships among artists, organizations, funders, institutions, and communities that collectively sustain creative life.Cross-sector Collaboration: Partnerships linking artists with public health, education, environmental justice, youth development, and community planning.Creative Commons (Community Sense): Bill Cleveland's metaphor describing artistic communities where collaboration, mentoring, reciprocity, and mutual aid become cultural norms.Arts on Prescription: A growing international practice in which healthcare professionals prescribe arts participation as part of treatment for physical, mental, and social well-being.*******Art Is CHANGE is a podcast that chronicles the power of art and community transformation, providing a platform for activist artists to share their experiences and gain the skills and strategies they need to thrive as agents of social change.Through compelling conversations with artist activists, artivists, and cultural organizers, the podcast explores how art and activism intersect to fuel cultural transformation and drive meaningful change. Guests discuss the challenges and triumphs of community arts, socially engaged art, and creative placemaking, offering insights into artist mentorship, building credibility, and communicating impact.Episodes delve into the realities of artist isolation, burnout, and funding for artists, while celebrating the role of artists in residence and creative leadership in shaping a more just and inclusive world. Whether you're an emerging or established artist for social justice, this podcast offers inspiration, practical advice, and a sense of solidarity in the journey toward art and social change.

Welcome, Max Wickemeyer, our volunteer Development Director and now an official podcast host for Southcoast Artists Index. Max was our guest on Podcast Episode 205. Music is his creative force. He plays six- and four-string instruments. Max has been playing in a hobby rock group for 15 years and performing solo gigs at open-mic venues, including The Vault Performing Arts Center & Pub, where he has also been documenting performances and performers for The Artists Index as our man-in-the-field. Max is a Staff Ranger at the Assawompsett Pond Complex. His hobbies include yoga, forest walks, biking, and roaming the South Coast. He was also a volunteer land steward for the Nature Conservancy. The Artists Index co-founder, Ron Fortier, and Max Wickemeyer spoke a while back about him joining our podcast host lineup at The Artists Index. This episode was recorded at the  Spectrum Marketing Group studio at Howland Place in New Bedford.   Max Wickemeyer Contact him at maxwick@aol.com to discuss being his next podcast guest. At this writing, he's already had several conversations with members of the South Coast creative community.   We're not asking for you to finance a nonprofit. Instead, we are asking for your support to fund a legacy. Our mission is to preserve and document the lives and legacies of all South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!    

Mayor Jon Mitchell joined Gene on Tuesday to discuss the stabbings that occurred over the weekend at the Whaling Festival. Gene also talks to Mayor Mitchell about the recent announcement from the federal government that election monitors will be in New Bedford during this voting season. See omnystudio.com/listener for privacy information.

It's a celebration of the sea around Boston this weekend with the Tall Ship on full display. An investigation is underway after 3 people were stabbed in New Bedford last night. A non-profit in Worcester is closing its doors after years of delivering hope and happiness to Haiti, but that doesn't mean their mission to honor a young woman killed in Haiti over a decade ago is ending. Stay in "The Loop" with #iHeartRadio.See omnystudio.com/listener for privacy information.

Back on the bike and headed East in Minneapolis, Taylor finds out what's next from Brian and Mary Georgia on day 33 of their ride West from the Outer Banks of N.C. 2:23 Tom O'Brien goes over the 2-day ride Nick's about to do on the Western New England Greenway, a bike-friendly route from Norwalk, CT to Canada https://wnegreenway.org. 6:09 Listener emails: a boost from Baltimore Fred, concerned Karen in L.A., and Jens in Norway on the politics of bikelash. 9:00 Families For Safe Streets on who they are, their Stop Superspeeders laws in 18 states, their framework requiring Autonomous Vehicle travel to be as safe as air travel, and increased insurance requirements in D.C. With Sam Trumbull, D.C. FSS leader https://www.familiesforsafestreets.org/stop-super-speeders. 16:19 News: Conservationists ride 2,500 miles for whooping cranes https://flatwaterfreepress.org/a-nebraska-photographer-rode-his-bike-from-texas-to-canada-he-did-it-for-the-cranes/. Cape Verdeans in New Bedford, Mass. celebrate 51 years of independence with their 47th annual community bike ride https://www.newbedfordguide.com/cape-verdeans-revive-47-year-bike-ride-picnic-tradition-to-celebrate-dual-independence-in-new-bedford/2026/07/02. Edmonton, Canada bike path plans hit resistance from parking advocates https://www.cbc.ca/news/canada/edmonton/edmonton-city-council-bike-lanes-capilano-9.7260871. The US Transportation Secretary will redirect $1.73 billion in Biden-era grants away from establishing “DEI bike lanes” to build car infrastructure https://newrepublic.com/post/212853/donald-trump-transportation-secretary-bike-lanes-dei. 30:25 Taylor talks with Minneapolis bike advocates Laura Mitchell, Luke Van Santin and Brett McGraw about whether there are too many bike advocacy organizations. 33:08 Fellow traveler Jake Hess on the transition back to normal from a big bike tour. 39:56

What makes the difference between a community where artists simply survive… and one where creativity becomes part of the living infrastructure of democracy?Today we're continuing our series exploring the building blocks of effective community arts practice. Joining me once again are activist poet, performer, educator, and creative change agent Alice Lovelace, along with educator, cultural strategist, and longtime arts and democracy leader Barbara Shaffer Bacon.Together we tackle a deceptively simple question: What are the essential ingredients of a healthy and thriving art and social change ecosystem?We Explore:Why healthy arts ecosystems don't happen by accident.The false assumption that cultural health is defined by economic development.Why the strongest cultural ecosystems reach far beyond the arts themselves—connecting artists with public health, education, environmental justice, youth development, and other sectors that shape the well-being of a community.This is a conversation about community, stewardship, and what it really takes to build an ecosystem where artists—and the communities they serve—can flourish together.Notable MentionsPeopleAlice Lovelace: Poet, educator, Executive Director of ArtsXchange, and longtime leader in community-based arts, cultural organizing, and social justice.Barbara Shaffer Bacon: Cultural policy leader, educator, and founding co-director of Animating Democracy, widely recognized for advancing arts-based civic engagement and cultural policy.Lenny Sloan: Beloved community arts advocate, cultural organizer, and longtime colleague remembered as one of the inspirations behind this conversation series.Maynard Jackson: Atlanta's first African American mayor, remembered for expanding civic participation and public investment in the arts.Shirley Franklin: Former mayor of Atlanta whose administration continued significant investment in the city's cultural infrastructure.Robert Peters: Mashpee Wampanoag artist, writer, and cultural leader whose work integrates Indigenous traditions, storytelling, ceremony, and community healing.Roberta Uno: Founder of New WORLD Theater and one of America's leading advocates for culturally specific and community-based theater.Organizations & InitiativesCenter for the Study of Art & Community: Producer of ART IS CHANGE and advancing arts-based community development and cultural organizing.ArtsXchange: Atlanta-based interdisciplinary arts organization dedicated to community cultural development, creative leadership, and social justice.Animating Democracy: National initiative advancing civic engagement, community development, and social change through the arts.New WORLD Theater: Groundbreaking multicultural theater that elevated artists and communities of color while reshaping American theater.Public Art Network: National professional network supporting public artists, public art programs, and civic arts leadership.Arts on Prescription: An emerging healthcare movement integrating arts participation into medical care through clinician referrals and social prescribing.PlacesAtlanta, Georgia: Principal case study illustrating strengths and vulnerabilities of long-term community arts ecosystems.New Bedford, Massachusetts: Example of a city where artists, government, and community organizations have built a collaborative cultural ecosystem.Alameda, California: Home base of host Bill Cleveland and the Center for the Study of Art & Community.Minneapolis, Minnesota: Referenced as an example of a deeply interconnected community arts ecosystem.Key Concepts & PracticesArts Ecosystems: The interconnected relationships among artists, organizations, funders, institutions, and communities that collectively sustain creative life.Cross-sector Collaboration: Partnerships linking artists with public health, education, environmental justice, youth development, and community planning.Creative Commons (Community Sense): Bill Cleveland's metaphor describing artistic communities where collaboration, mentoring, reciprocity, and mutual aid become cultural norms.Arts on Prescription: A growing international practice in which healthcare professionals prescribe arts participation as part of treatment for physical, mental, and social well-being.*******Art Is CHANGE is a podcast that chronicles the power of art and community transformation, providing a platform for activist artists to share their experiences and gain the skills and strategies they need to thrive as agents of social change.Through compelling conversations with artist activists, artivists, and cultural organizers, the podcast explores how art and activism intersect to fuel cultural transformation and drive meaningful change. Guests discuss the challenges and triumphs of community arts, socially engaged art, and creative placemaking, offering insights into artist mentorship, building credibility, and communicating impact.Episodes delve into the realities of artist isolation, burnout, and funding for artists, while celebrating the role of artists in residence and creative leadership in shaping a more just and inclusive world. Whether you're an emerging or established artist for social justice, this podcast offers inspiration, practical advice, and a sense of solidarity in the journey toward art and social change.

Welcome, Trina Bigham, a published author and an aspiring artist. She is a Northeastern University graduate with a degree in mechanical engineering. According to Trina, she has "spent her life following the quiet tug of purpose wherever it led her. Trina Bigham was born in Westwood, New Jersey. She moved to the South Coast of Massachusetts before she was a year old. She's lived in Wareham, Mattapoisett, and Marion before settling in Fairhaven, where she has lived for the past 30 years. Her childhood was chaotic, but she found peace and grounding in nature—a refuge that would later shape her advocacy, creativity, and writing. Her book, Better Than Ordinary: Breaking Barriers on a Journey of Resistance and Hope, is the inspiring true story of a mother navigating love, loss, and resilience, and raising a child with disabilities. Her journey as mother and author evolved alongside her son Brennan's. It trans­formed her emotionally and spiritually into a champion for his potential. Better Than Ordinary offers hope, insight, and inspiration to anyone facing life's challenges. Trina recently spoke with The Artists Index's podcast host, Max Wickemeyer, about her life and journey. This episode was recorded at the  Spectrum Marketing Group studio at Howland Place in New Bedford.   Trina Bigham 1 B Green Street Fairhaven, Massachusetts 02719 (774) 400-8361   Email | Website | Facebook | Instagram | LinkedIn | Other   We're not asking for you to finance a nonprofit. Instead, we are asking for your support to fund a legacy. Our mission is to preserve and document the lives and legacies of all South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!    

Welcome, David Poyant, an embroidery artist who came to this work later in life, after decades spent as a cobbler and craftsman. Without formal training, Poyant developed his own approach—or, what he refers to as thread painting—using a needle and fine strands of thread to build images one stitch at a time. His process begins with AI-generated compositions that he refines and prints onto canvas, but the true work happens slowly by hand, where time, patience, and touch shape the final piece. David Poyant's work explores nature, memory, and the human experience, often focusing on quiet, reflective moments—a boy in a tree, a fisherman at rest, light moving across water. Each piece is entirely hand-stitched and can take dozens of hours to complete, emphasizing the value of time and lived experience in a fast-moving digital world. Through his art, Poyant aims to bridge tradition and innovation, showing that even in an age of technology, the human hand remains essential. David recently spoke with The Artists Index's podcast host, Max Wickemeyer, about his passion and journey. This episode was recorded at the  Spectrum Marketing Group studio at Howland Place in New Bedford.   David Poyant 72 Park Drive Acushnet, Massachusetts 02743 (508) 985-3033   Email | Website | Facebook | Instagram | LinkedIn | Other   We're not asking for you to finance a nonprofit. Instead, we are asking for your support to fund a legacy. Our mission is to preserve and document the lives and legacies of all South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!

Welcome, author and painter, Tom Lopatosky. Not only is Tom the author of two books: The Care And Maintenance Of A New England Home and The Care And Maintenance Of A Block Island Home, but he also hosts PROTALK Home Improvement Radio (630AM/99.7FM WPRO) Saturdays at 2 pm and writes monthly home improvement articles. Tom Lopatosky is the founder and owner of LOPCO Contracting, a painting & repair company in East Providence, Rhode Island, since 1995. He also owns Cheer UP Athletics, an all-star cheer gym he started in 2016. Tom has two daughters, Tamara and Ivelisse. He is a New York Yankees and Providence College Basketball fan. Tom also enjoys traveling—his favorite cities are New Orleans, San Antonio, and Las Vegas. A parishioner of St. Adalbert's Church in Providence, Rhode Island, he helps in the community whenever possible. Tom Lopatosky graduated from Classical High School, earned both a Marketing and Finance degree with a Computer Information Systems minor from Bryant University, and is actively pursuing his MBA at the University of South Carolina. Tom spoke with The Artists Index's cofounder, documentarian, and now occasional podcast host, Ron Fortier, recently about his passion, his life, career, and his journey as an author, among his many other pursuits and interests. This episode was recorded at the  Spectrum Marketing Group studio at Howland Place in New Bedford.   Thomas Lopatosky Lopco Contracting 310 Bourne Avenue Box 32 East Providence, RI 02916 United States Email | Website | Website | Facebook | Instagram | LinkedIn | Other   We're not asking for you to finance a nonprofit. Instead, we are asking for your support to fund a legacy. Our mission is to preserve and document the lives and legacies of all South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!    

In 1832, a New Bedford whaleship called the Mentor struck a reef in the remote Pacific archipelago of Palau. The tiny, 100-foot-long ship began sinking immediately, and the 22 men who made up its crew were thrown into one of the most extraordinary survival ordeals in American maritime history. Ten men vanished the night of the wreck and were never seen again. The survivors found themselves stranded among island peoples with their own complex politics, rival confederations, and fifty years of complicated history with Western ships that the castaways knew nothing about. What followed was a story of captivity, starvation, forced tattooing, a rescue that made everything worse, and a years-long scramble across islands and ocean before the last survivors finally made it home. Today's guest is Eric Jay Dolin, author of "The Wreck of the Mentor." We untangle one of the great forgotten stories of the Age of Sail, and explore how fifty years of British guns and gunboat diplomacy warped Palauan politics long before the Mentor arrived, why the men who attacked the castaways with war clubs also cooked them lavish feasts and wept for their dead, and how crewman Horace Holden kept himself alive on a famine-stricken island when almost everything pointed toward death.See omnystudio.com/listener for privacy information.

Join Nasty Neal and the Without Your Head Horror Podcast for a special LIVE interview with the cast and crew of SINS OF THE DEVIL!We'll go behind the scenes of this chilling new independent horror film, discussing the inspiration behind the story, the filmmaking process, the cast, practical effects, horror influences, and what audiences can expect from one of the most talked-about upcoming indie horror projects.

Welcome, Cedric Earle Douglas, also known as Vise1 - again! Our first conversation on Podcast Episode 230 was so good, we decided to make it a two-parter. Cedric, in case you didn't know, is a street artist among his many other credentials. Cedric was born in Boston. He received his BFA in Graphic Design from the Massachusetts College of Art and Design Mass Art. Cedric's first experience with public art was writing his name creatively on abandoned spaces. Cedric is also the founder and Creative Director of The Up Truck, a creative art lab that is designed to engage underserved Boston communities. Cedric Douglas is widely recognized for his large-scale murals and portraits and is highly regarded by a broad range of audiences. His public art project, Street Memorials, takes a hard look at racial injustice and its deadly impact on the black community. The People's Memorial project requires viewers to "rethink the future of memorials and monuments." Cedric Douglas continued his conversation with The Artists Index's cofounder, documentarian, and now occasional podcast host, Ron Fortier, recently, about his passion, his practice, and his journey as an artist. This episode was recorded at our recording studio at Spectrum Marketing Group at Howland Place in New Bedford.   Cedric Douglas New Bedford, Massachusetts 02780 Email | Website | Facebook | Instagram | LinkedIn | Other   We're not asking for you to finance a nonprofit. Instead, we are asking for your support to fund a legacy. Our mission is to preserve and document the lives and legacies of all South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!  

Episode 430 of The VentureFizz Podcast features Phil Beauregard, Managing Partner of Impellent Ventures. I first met Phil back when Boston was going through another massive resurgence of growth following the financial crisis of 2008. It was a special time when local founders and investors banded together to help build and scale the Boston tech ecosystem. It was a movement that is reminiscent of what we are seeing today with the Mass AI Coalition. There was a major buzz in the air back then, and it worked, resulting in the launch of multiple successful companies, including two of Phil's own startups which were both acquired. There is a phrase that Phil commonly uses, which is “why join the Navy when you can be a pirate” and I think it speaks volumes to his mentality and how they deploy capital at Impellent Ventures. They don't just simply follow the herd, especially when it comes to finding elite entrepreneurs. They are entirely location-agnostic and welcome working with exceptional founders who are tackling massive, real-world problems in emerging ecosystems... not just out in Silicon Valley. Impellent Ventures is focused on making seed and pre-seed investments. The firm is led by Phil, David Brown (who previously appeared on Episode 190), and Tariq Trotter, aka Black Thought of The Roots, who serves as a General Partner at the firm. In this episode of our podcast, we cover: * A conversation around building startups outside of San Francisco, and why we are living through the "consumerization of the enterprise" era. * The correlation between smaller fund sizes and investor returns. * Phil's background growing up in New Bedford and studying business at The Wharton School at UPenn, plus how he first caught the entrepreneurial bug and met his co-founder, Matt Grace. * The inside story behind his two exits: Objective Logistics to Carbon Black and Rekindle to HubSpot. * His transition from operator to investor at Impellent Ventures, plus all the details on their unique investment criteria, portfolio company examples, and how Tariq Trotter joined the firm. * His role as an early advisor to multiple successful tech companies, including the critical advice that Toast luckily chose not to take. * How Phil is leveraging AI to build his own Relationship Intelligence System, helping him scale his ability to "pay it forward" to the ecosystem. * Plus, so much more!

Today on The Gist, Mike looks at the LA mayoral race, where Karen Bass is advancing and Spencer Pratt may be too, depending on the late-arriving ballots that will almost certainly inspire totally normal and measured reactions online. Then, Ian Coss talks about Catching the Codfather, his GBH podcast about Carlos Rafael, the larger-than-life New Bedford fish mogul who built an empire on boats, permits, quotas, and a willingness to break the law. Rafael had Scarface memorabilia in his office, a Codfather nickname he loved, and control over a huge chunk of New England's groundfish market. But the story Coss tells is bigger than one colorful crook. It's about the unintended consequences of regulation, the limits of fishery science, and the market-based reforms that helped consolidate an industry they were supposed to save. Produced by Corey Wara Edited by Geoff Craig Do you have questions or comments, or just want to say hello? Email us at ⁠⁠⁠⁠thegist@mikepesca.com For full Pesca content and updates, check out our website at https://www.mikepesca.com/⁠ For ad-free content or to become a Pesca Plus subscriber, check out ⁠⁠⁠⁠https://subscribe.mikepesca.com/ For Mike's daily takes on Substack, subscribe to The Gist List https://mikepesca.substack.com/ Follow us on Social Media:⁠⁠⁠⁠ YouTube https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠ Instagram https://www.instagram.com/pescagist/ X https://x.com/pescami TikTok https://www.tiktok.com/@pescagist To advertise on the show, contact ⁠⁠⁠⁠sales@amplitudemediapartners.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome, artist, gallerist, and educator, Judith Klein. This is her second podcast with us. Judith was our guest on Podcast Episode: 22.  Judith attended an art high school in Tel Aviv and later attended the Art Teachers College. Upon graduation, she attended the advanced program at the Avni Institute of Fine Arts in Tel Aviv. In the years following, she taught Fine Art in the Israeli Public School system and began exhibiting her artwork at a leading Tel Aviv art gallery. Judith later moved to Milan, Italy, where she continued her art education and career at the Brera Academy (Academia Brera de Belle Arte). She emigrated to the United States with her husband, Andrei. For the last 17 years, she owned and operated The Judith Klein Art Gallery in several locations throughout New Bedford, Massachusetts. Throughout those years, she embraced the opportunity to curate dozens of themed art exhibits, which supported local and regional artists. Her prints and paintings have been widely exhibited throughout Southeastern New England and abroad. Judith continues to offer art instruction and accept commissions. Judith spoke with The Artists Index's cofounder, documentarian, and now occasional podcast host, Ron Fortier, recently about his passion, his practice, and his journey as an artist. This episode was recorded at our recording studio at Spectrum Marketing Group at Howland Place in New Bedford.   Judith Klein Judith Klein Art Gallery & Studio 10 Merrymount Drive North Dartmouth, MA 02747 Email | Website | Facebook | Instagram | LinkedIn | Other We're not asking for you to finance a nonprofit. Instead, we are asking for your support to fund a legacy. Our mission is to preserve and document the lives and legacies of all South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!    

In this episode, writer Tanya Edwards tells us about the rise and fall of Boston Market (née Boston Chicken), which just closed its final Massachusetts location. From two young Northeastern grads with a rotisserie and a dream, to Carver Sandwiches, to private-equity mismanagement, this story has everything. Check out Tanya's feature on the death of this local institution in the Boston Globe. Philadelphia man eats chicken on abandoned pier in front of raucous crowd.  A Schwarbomb at Fenway.  A key to Black Point Beach goes for $325,000. Novo Mundo in New Bedford. Have feedback on this episode or ideas for upcoming topics? DM me on Instagram, email me, or send a voice memo. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode contains detailed descriptions of violent death, including axe murders and decapitation. If you need to skip this content, advance to the chapter markers below. Support resources are listed at the end of these notes.This EpisodeSeason 40 of Foul Play marks America's 250th anniversary with a series of Twin Portraits — two true crimes from two different states, set in the same decade, examined side by side. This week: two axe murders from the 1890s, one in Massachusetts, one in Tennessee, both forgotten by history.On May 30, 1893, twenty-two-year-old Bertha Manchester was killed in her father's farmhouse outside Fall River, Massachusetts — six days before the Lizzie Borden trial opened fifteen miles away in New Bedford. In March 1897, five members of a German immigrant family were slaughtered on a Tennessee ridge, their house burned to the ground, their case never solved. Two women named in this episode lived into their nineties and never saw justice. Shane and Wendy tell both stories.The Victims (Case A — Massachusetts )Bertha Mabel Manchester was born May 7, 1871, in Fall River, Massachusetts. She was twenty-two years old. Her mother had died when she was young, and she helped run the family dairy farm on New Boston Road — the quiet, rural edge of a city better known for cotton mills and crowded streets. She was home alone on the morning of May 30, 1893, when her father Stephen and her twelve-year-old brother Freddie left with the milk wagon.She fought back. The medical examiner found twenty-three wounds to the back of her skull, defensive cuts on her hands and arms, and clothing torn in the struggle. Five teeth had been knocked out. The same doctor who performed those wounds had examined two other bodies less than a year before — Andrew and Abby Borden, murdered with a hatchet eight miles away the previous August. Dr. William A. Dolan was the medical examiner for Bristol County. He had seen this kind of violence before.The Victims (Case B — Tennessee)Jacob Ade was a German immigrant who had farmed 410 acres on Paradise Ridge, in the northwestern corner of Davidson County, Tennessee, for twenty years. His wife Pauline was fifty. Their daughter Lizzie was eighteen. Their son Henry was thirteen. On the night of March 23, 1897, a ten-year-old neighbor named Rosa Moirer was sleeping over at the Ade farm.By 9:30 that night, a neighbor named Squire Simpson saw a glow on the horizon. He went to investigate with a potato fork lashed to a long pole, probing through the burning debris. He pulled four bodies from the sitting room. All four Ade family members had been decapitated. Rosa Moirer, the neighbor's daughter, was found outside. She had not been decapitated. Her head was still intact. Five people were dead.The Crimes and InvestigationsIn Fall River, a nineteen-year-old Azorean immigrant named José Correia de Mello — who had arrived in America barely one month earlier, spoke no English, and had worked a day or two on the Manchester farm before disappearing — came back to the property on May 30 looking for money he believed Stephen Manchester owed him. When his uncle was told police needed him as a witness to a horse theft, de Mello went to the station without any idea he was a suspect. A shoe store owner testified that de Mello had tried to pay for new shoes using a trade dollar and a plugged half-dollar — the distinctive coins known to have been in Bertha's stolen purse. On September 18, 1893, de Mello changed his plea to guilty of second-degree murder. He was sentenced to life in prison. He walked out on January 31, 1914 — twenty-one years later — and was deported to the Azores. No record of him survives after that.In Tennessee, the case produced theories but no convictions. Jacob Ade had withdrawn approximately $200 from a Nashville bank the day he died, intended as a loan for a neighbor. The money was never found. Investigators considered the neighbor Henry Moirer, whose daughter Rosa was among the dead; a man named Ed Anderson with whom Jacob had quarreled over hogs; and a group of men from Ashland City whose confessions didn't match the physical evidence and who were eventually released. Every trial ended in acquittal. The Paradise Ridge axe murders have never been solved.Historical ContextBoth cases belong to the same decade — the 1890s — when the United States was processing waves of immigration, rapid industrialization, and deep regional tensions a generation after the Civil War. In Fall River, José de Mello arrived in a city with one of the largest Portuguese-American populations in New England. The community that helped deliver him to police later spent years petitioning for his release. In Tennessee, the racial climate meant that multiple Black men from Ashland City were arrested, subjected to interrogation, and coerced into confessions that investigators ultimately couldn't use. Both cases carry the shadow of a justice system that worked very differently depending on who stood before it.Rosa Ade married Lawrence James Hehir in Nashville on January 20, 1897 — just two months before her family was killed. She lived until May 17, 1962. She was ninety years old. The Tennessee Centennial Exposition opened in Nashville five weeks after her family was buried on the Ade property in March 1897. The state was celebrating. A family had been erased.In 2023 — a hundred and thirty years after Bertha Manchester's death — William D. Spencer published *The Other Fall River Tragedy* through the Fall River Historical Society. It was the first full-length account of her case. A historical marker for the Ade family was erected in 2018 at 3000 Morgan Road in Joelton by the Historical Commission of Metropolitan Nashville and Davidson County. A small road called Jacobs Valley runs through what was once the Ade homestead, named in honor of Jacob Ade.Our Sponsors:* Check out Mood and use my code SHANE for a great deal: https://mood.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome, educator and artist, Lynn Bailey Witty. She has worked as a preschool teacher in private schools, teaching older students in art, specifically, as well as storytelling and scriptwriting. A New Bedford resident, she has worked as a professional actor in television commercials and jingles for years. Lynn is a member of the Screen Actors Guild (SAG-AFTRA). She was also a professional worship leader for multiple churches for twenty-seven years. Lynn Bailey Witty is a singer-songwriter and a member of BMI. She has published three of her own albums and has sung on other artists' albums. Lynn has performed on national television and radio and has been interviewed on radio stations. She put together her own performance venues and gatherings for art and music. Lynn Bailey Witty has also enjoyed performing in coffee houses, pubs, and intimate venues.  She was a special guest artist at both Carnegie Hall and Symphony Hall - Boston. Lynn is also a painter. Her work has been sold in art shows and featured in small galleries as well. Lynn Bailey Witty spoke with The Artists Index's Development Director and newest podcast host, Max Wickemeyer, recently about her beginnings, passion, artistic practices, and her journey as an artist. This episode was recorded at our recording studio at Spectrum Marketing Group at Howland Place in New Bedford.   Lynn Bailey Witty New Bedford, Massachusetts 02744   Email | Website | Facebook | Instagram | Bandcamp | Other     Please consider donating whatever you can to help support our mission to continue documenting the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!    

What happens when life changes in an instant?This week on Vision New England's Church in Action, Charles Galda talks with Pastor Brian Dube of Christian Fellowship Center in New Bedford about a sudden, life-threatening health crisis that left him fully paralyzed and fighting for his life. Brian shares what it was like to face total uncertainty, surrender control, and learn to trust God in the middle of suffering.It's an honest, hope-filled conversation about faith when answers are unclear—and what it means to truly “taste and see” the goodness of God.

Jay Willett reportsSee omnystudio.com/listener for privacy information.

Welcome, Autumn Liv Cyr, the new podcast host of The Lost Artists of Fairhaven. She is undertaking a new direction in our podcast programming. Autumn will be primarily focused on inviting our listeners to contribute any information they may have about any of the artists on her long, constantly growing list of Visual, Performing, and literary artists who were born, lived, or worked in the historical seacoast town of Fairhaven, Massachusetts. Autumn is a Fine Artist, Graphic Designer, Writer, and Musician, born and raised in the South Coast – Fairhaven specifically. She is also a multidisciplinary visual artist, writer, and musician now living in New Bedford, MA, with over 10 years of professional experience. Autumn enjoys using various media. Her ten-episode series will create a platform for listeners to submit anecdotes, information, and images to help her document the lives and legacies of Fairhaven-connected artists in particular, who have been overlooked, uncelebrated, or forgotten, to ensure they will be known to the next generations. Autumn spoke with The Artists Index co-founder, documentarian, and podcast host, Ron Fortier. They discussed how important it is to preserve the history of Fairhaven artists for future generations. This episode was recorded at our studio at Spectrum Marketing Group at Howland Place in New Bedford.   Autumn Liv Cyr New Bedford, Massachusetts 02740   Email | Website | Facebook | Instagram | Soundcloud |   PODCASTS ALSO AVAILABLE ON: YouTube READ AUTUMN'S DANDELION MAGAZINE ARTICLE!   AND WHILE YOU'RE HERE: Please consider donating whatever you can to ensure that our mission continues as we document the legacies of South Coast Artists. DONATE SPONSOR UNDERWRITE VOLUNTEER If you would like to be a guest on The Artists Index or have a suggestion, please let us know!

For years, the New Bedford docks were home to one of the most notorious fraudsters in Massachusetts fishing history. His name is Carlos Rafael, but you might remember him as “The Codfather.” Besides being an exciting yarn full of conspiracy and crime, Carlos's story ends up being a fascinating window into the challenge and perils of regulating fisheries in the US. This week on Say More, GBH News host and producer Ian Coss talks to host Shirley Leung about his new podcast series, “Catching the Codfather.” You can listen to the series here.    

In Episode Eight, our Gallery X Documentation Project podcast host Sean FitzGerald speaks with Mary S. Rapoza, who has been the Director of the New Bedford Parks, Recreation & Beaches Department since 2013. Mary has a great love of public spaces and engaging children and adults in the great outdoors for health, recreation, and community connection. Her commitment to improving the quality of life for all New Bedford residents through the development of city-wide recreational opportunities and beautiful, safe, and resilient open spaces is reflected in the new park construction and park rehabilitations that have occurred during her tenure as the Director of the Parks Department. Mary's experience as a Landscape Designer and environmental educator brings a rich background to her position as Director. She received a Graduate Certificate in Landscape Design from the Landscape Institute at Harvard University. As a professional. Mary also worked as an environmental educator at the Children's Museum in Dartmouth and the Buzzards Bay Coalition. Mary has a B.S. in Biology from the University of Massachusetts Dartmouth. Mary S. Rapoza is the sister of John and Joe Rapoza (The Dancing Dogs) and Liz Rapoza, who joined her in the podcast. The Rapoza family, a dynasty of sorts, was and continues to be an important part of the evolution of Gallery X. Listen in to hear why! About Gallery X The gallery was founded in 1990 and is a contemporary, cooperative art gallery of visual, performing, and literary artist members and volunteers. Gallery X has served as an incubator for emerging artists and is a venue for established artists. It is a platform for local artists, performers, and creatives of all ages, skill levels, and backgrounds to showcase their talents as an integral part of the South Coast's community. This eight-episode podcast series supports and documents the overall project and provides historical and background information about the gallery and the progress made to date. The Gallery X Documentation Project will reach out to listeners and anyone seeking information about historical or contemporary artists from the South Coast's creative community. The Artists Index offers listeners up-close and personal conversations with the artists, supporters, and cultural impresarios of South Coast's creative community. Listen to the artists talk about their work, backgrounds, passions, dreams, and accomplishments.  Also featured are those who work in or manage the creative community's economy, promotion, and cultural agenda. Please consider donating to, sponsoring, or underwriting our podcasts and programs. This and other podcasts are available on The Artists Index and your favorite media app, including Amazon Music / iHeart Radio / Libsyn / Podcast Page / Spotify / WebPlayer / APPLE PODCASTS   About Gallery X The gallery was founded in 1990 and is a contemporary, cooperative art gallery of visual, performing, and literary artist members and volunteers. Gallery X has served as an incubator for emerging artists and is a venue for established artists. It is a platform for local artists, performers, and creatives of all ages, skill levels, and backgrounds to showcase their talents as an integral part of the South Coast's community. This eight-episode podcast series supports and documents the overall project and provides historical and background information about the gallery and the progress made to date. The Gallery X Documentation Project will reach out to listeners and anyone seeking information about historical or contemporary artists from the South Coast's creative community. The Artists Index offers listeners up-close and personal conversations with the artists, supporters, and cultural impresarios of South Coast's creative community. Listen to the artists talk about their work, backgrounds, passions, dreams, and accomplishments.  Also featured are those who work in or manage the creative community's economy, promotion, and cultural agenda. Please consider donating to, sponsoring, or underwriting our podcasts and programs. This and other podcasts are available on The Artists Index and your favorite media app, including Amazon Music / iHeart Radio / Libsyn / Podcast Page / Spotify / WebPlayer / APPLE PODCASTS

Join Katie and Liz for another installment of their case profile mini-episode series! This week, Katie starts the show by telling of the tragic murder of Bruno “Papote” Lugo who was shot and killed in Hartford, Connecticut on October 23rd, 2011. His death still remains unsolved. Then, Liz talks about the murder of Cecil Lopez III out of New Bedford, Massachusetts in October of 2004, and how his death is related to the random and senseless murder of Dana Haywood just a few months later in 2005.  Anyone with any information on the murder of Bruno Lugo is asked to please contact the Hartford Police Crime Stoppers tip line at 860-722-TIPS. If you or anyone you know has any information of the murder of Cecil Lopes III, please call the Massachusetts Unresolved Crimes Unit at 1-855-MA-SOLVE.

Welcome, Midori Evans, founder of Midori Creativity. She understands how creatives think. Through workshops, coaching, and community projects, Midori follows an inner vision to make spaces for exploring creativity, connection, and meaningful life choices. Midori Evans is a powerful public speaker and certified creativity coach. She offers workshops on the creative process and the internal thinking that can create creative blocks. She is also the founder of Write with Community, Inc., which cultivates and promotes the literary arts of the SouthCoast (MA and RI). Midori has coordinated, contributed to, and published two local anthologies, The Landscape About Us and Waterscapes, featuring thirty South Coast MA photographers and writers. In addition to the anthologies, she has articles in The Creativity Workbook for Coaches and Creatives; Transformational Journaling for Coaches, Therapists, and Clients; The Great Book of Journaling, and The Coach's Guide to Completing Creative Work. View her photography at cedarlightimages.com. Midori spoke with The Artists Index co-founder, documentarian, and podcast host, Ron Fortier. They discussed her love of the arts, writing, heritage, and life. This episode was recorded with Zoom. We also record our podcasts at our studio at Spectrum Marketing Group at Howland Place in New Bedford.   Midori Evans Westport, Massachusetts 02790   Email | Website | Facebook | Instagram | Other |   PODCASTS ALSO AVAILABLE ON: YouTube WHILE YOU'RE HERE: Please consider donating whatever you can to ensure that our mission continues as we document the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!

Rick St. Pierre Rick St. Pierre, originally from New Bedford, Massachusetts, had a 20 year career in the Coast Guard that included some time as the officer in charge at Boon Island Light Station in Maine. He was the officer in charge 1973 to 1975. In this interview, he remembers the daily duties on the island as well as the station’s resident ghost. Boon Island Light Station, U.S. Coast Guard photo. All the light station buildings except for the lighthouse tower have been destroyed. Rick’s years in the Coast Guard also included 3 ½ years on the cutter Eagle, on a weather cutter off the east coast of Canada, and on the cutter Storis, enforcing maritime law around Alaska. He lived at West Chop Light Station on Martha's Vineyard for a while when he was the executive petty officer at Coast Guard Station Menemsha. He also spent time at search and rescue stations including South Portland, Maine, and he ended his Coast Guard career at Governors Island in New York. The Coast Guard cutter Eagle. U.S.Coast Guard photo.

Welcome, Cedric Earle Douglas, also known as Vise1. He is a street artist among his many other credentials. Cedric was born in Boston. He received his BFA in Graphic Design from the Massachusetts College of Art and Design Mass Art. His first experience with public art was writing his name creatively on abandoned spaces. Cedric is also the founder and Creative Director of The Up Truck, a creative art lab that is designed to engage underserved Boston communities. Cedric Douglas is widely recognized for his large-scale murals and portraits and is highly regarded by a broad range of audiences. His public art project, Street Memorials, takes a hard look at racial injustice and its deadly impact on the black community. The People's Memorial project requires viewers to "rethink the future of memorials and monuments." Cedric Douglas spoke with The Artists Index's cofounder, documentarian, and now occasional podcast host, Ron Fortier, recently about his passion, his practice, and his journey as an artist. This episode was recorded at our recording studio at Spectrum Marketing Group at Howland Place in New Bedford.   Cedric Douglas New Bedford, Massachusetts 02780 Email | Website | Facebook | Instagram | LinkedIn | Other   Please consider donating whatever you can to help and support us in our mission to continue documenting the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!    

A new revelation forces federal investigators to close down the case, fast. But what will taking down The Codfather mean for the port of New Bedford?Major sponsorship for "Catching The Codfather" is provided by Roger's Fish Co.---------------------------Credits:Host and Scriptwriter: Ian CossExecutive Producer: Devin Maverick RobinsProducers: Isabel Hibbard and Ian CossStory Editor: Lacy RobertsEditorial Advisor: Jenifer McKimFact-checkers: Ryan Alderman and Isabel HibbardIntern: Fiona Boyd Scoring and Music Supervision: Ian CossGraphic Design: Bill Miller

Topics discussed:- Erika Kemp wins New Bedford Half and uses it as a Boston build workout- New York Half performances and how fast the men's field has become- NCAA indoor track drama, DQ controversy, and rising personalities in the sport- Doping conversations, testing challenges, and clean sport concerns- Barcelona Marathon 2:10 performance and confusion around record legitimacy

The crew discusses the UK removing tariffs on offshore wind equipment, Vineyard Wind’s final blade shipment from New Bedford, and Ming Yang joining Germany’s offshore wind association. Sign up now for Uptime Tech News, our weekly newsletter on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard’s StrikeTape Wind Turbine LPS retrofit. Follow the show on YouTube, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary’s “Engineering with Rosie” YouTube channel here. Have a question we can answer on the show? Email us! The Uptime Wind Energy Podcast brought to you by Strike Tape, protecting thousands of wind turbines from lightning damage worldwide. Visit strike tape.com. And now your hosts.  Allen Hall: Welcome to the Uptime Wind Energy Podcast. I’m your host, Allen Hall. I’m here with Matthew Stead, Rosemary Barnes and Yolanda Padron. And the UK is really gearing up for offshore wind and they’re making some really smart moves and. One of them is, uh, the change in tariffs. So the British offshore wind manufacturers have been fighting really an uphill battle for a long time and for years. The companies that build turbines and components in the UK have faced import tariffs on the materials needed most, which tends to be steels like steel. Uh, cables, specialized parts from overseas all carried a tariff with it. Well, now the federal government has acted to [00:01:00] remove those tariffs on offshore wind equipment. The move is expected to save UK manufacturers tens of millions of pounds every year. And for an industry trying to cut costs and scale up that kind of relief could make the difference between winning. Losing contracts, and I’m surprised the UK has waited this long and I think other countries have the same problem. Obviously the US is taring the heck out of everything at the minute, but uh, a lot of European countries do put tariffs on the raw materials and the components that are used to make wind turbines. That’s not a smart long term move if you’re trying to deploy. Gigawatts of offshore wind.  Matthew Stead: Well, I, I think, uh, the recent events in the world show that energy security and not importing energy is a wonderful thing. And so this completely aligns with that, um, that objective. So I think that’s why we all agree with you, Alan. Allen Hall: Well do, is there a, a. A threshold here where other countries start to do it [00:02:00] and for whatever reason there’s, there’s tends to be tariffs on energy in all forms of it. Right. And there and on steel in particular, that seems to be a big area of concern. Are we gonna start to see some of those come down just to lower the cost of wind turbines and to deploy the middle of the water? ’cause there is a lot of steel in an offshore wind turbine.  Matthew Stead: It’s been like China. I mean China has, you know, a lot of clean energy, low cost energy and it is to their advantage. So I, I think it’s a entirely logical approach and I would’ve thought it’s, if you’re a good on policy, you would definitely be looking at this. Allen Hall: Is this has been a concern of the UK steel industry, which has been diminishing over the years? Uh, so it’s always been a pain point with the uk. They’ve been trying to stand up their own steel industry and forever they had a big steel industry In the uk you think of all the. The steel that was built from late 18 hundreds all the way up to the 1980s and nineties. Uh, but it does sound like you, you gotta pick and choose your battles here. And maybe the UK has [00:03:00] finally said, okay, the, the steel battle is a separate issue within offshore wind, and maybe we gotta do something different.  Matthew Stead: I mean, I think Australia did the same thing ages ago. I mean, we had a car, car industry and you know, we just didn’t have the scale. So, you know, Australia’s picking its battles and um, yeah, I mean, you can’t be good at everything, so you know why not. Uh, get the, the lower cost energy and um, deal with it that way.  Rosemary Barnes: Australia has actually just announced, you know how Australia’s got the policy to support clean energy technology manufacturing in Australia. And they started with, um, solar panels and then they’ve also got something related to battery cells. Well, they just announced wind turbine tower manufacturing, um, which is very simple. The reason why Australia doesn’t have, um, wind turbine tower manufacturing anymore. Is just because we can’t compete on price with Asia, um, in general and China specifically. It’s interesting now to be like, okay, let’s support Australian [00:04:00]manufacturing of wind turbine towers when like there’s no technological barrier. It’s pure cost, cost issues. I would really love to see the Australian government supporting some of the new manufacturing methods and you know, like we’ve seen that Fortescue has invested in. Um, in Ena Lift, the Spanish, Spanish company, um, ESCU has, has bought their tower manufacturing. Um, it’s, it’s like modular, advanced thing that’s gonna work well for remote areas. Otherwise it’s just like, pay a bunch of money so that we can make towers more expensively, but we can sell them at a competitive rate with the Chinese. And I don’t know, to me that’s not very strategic. I always prefer we support the next, the next thing.  Allen Hall: Whatever happened to spiral welding and making towers on site. I think that died about a year or two ago because they were trying it here in the United States and about building ’em at the wind farm. But it sounded like just setting it up to [00:05:00] build the spiral mechanism, the, the cold, uh, forming plus all the welding on top of it. It got to be so expensive to install on site that it was just easier to, to build a central location, which I think they were going for. I’m not even sure that in today’s world, because of the advanced technology in the existing way of manufacturing is so good and inexpensive that it makes any sense to try anything else. It just seems like it’s, there’s just stamping out parts right now.  Rosemary Barnes: Oh, no. I mean, we definitely need new, new methods because we’re really constrained on how tall towers can get if you just wanna make a steel cylinder and ship it out in, you know, whole pieces, like whole cross sections and. Um, put them together vertically. That’s you. You know, like we’ve, we’ve gotten about as tall as we’re gonna get for that because if you want to go any taller, you’re gonna have to start massively increasing the thickness of the tower to make it stiffen up. And that just means way more steel to keep material costs reasonable. You need to increase the diameter, um, beyond [00:06:00] what you can transport on the road. Um, but I think that it’s like the, the, the problem is definitely real and well established, but it’s like with many other. Problems. You know when you start thinking, okay, we’ve got a solution to this problem at that time, there aren’t other solutions, so you’re sure that you know you’re gonna win. And so spiral welding was one of the early ones. Oh, we can fix this problem, but. While they’re developing that and trying to get the capabilities where it needs to be, the cost down, you’ve got a dozen other competing ways that you could solve that problem. And they include like, um, some manufacturers, I think Vestus is one. They’re cutting longitudinally. And so instead of, um, shipping out towers in a single cross section, it’ll be like four. And then they’re bolted together on site. Um, and then Concrete Towers is another one. The Naber Lift, um, thing that I mentioned.  Matthew Stead: Wooden towers.  Rosemary Barnes: Yeah, wooden Wooden towers is, uh, another one I’ve covered, uh, [00:07:00] on my YouTube channel. Matthew Stead: They really should make them out of carbon fiber, shouldn’t they?  Rosemary Barnes: Well, I have, it’s not, it’s You’re saying that as a, as a crazy thing. It’s not, it’s not such a crazy thing. And I have, I have, I have looked into it. You wouldn’t do it outta carbon fiber. You’d do it outta glass. Um, there’s a lot of. There’s a lot of benefits to it, and I actually do believe that we might eventually see like 3D printed glass, um, towers. Allen Hall: No.  Rosemary Barnes: Now we’re just getting into our standard. I, I believe the future might look different to the, to the present day, and Alan never thinks that anything’s ever gonna change.  Matthew Stead: I would’ve. 3D uh, printed concrete towers would have some logic.  Rosemary Barnes: There’s been pilots of 3D printed concrete, concrete towers. I’m, I’m pretty sure GE had a, um, a project on that and there might have been somebody else that did, took it a bit further. It’s all possible. It’s also like concrete towers are, are good, but it is local. Like it depends on having the right materials around locally. ’cause you don’t want to have to transport Hess of. Concrete and water to site. Um, [00:08:00] so yeah, anyway, the point is that like, just because you’ve identified a real problem and you’ve got a solution to it, if you are gonna take five or 10 years to develop your technology and get it to the right price point, you are not gonna be the only, the only solution anymore. So people often like massively overestimate how valuable their idea is. Um, and by the time that it’s ready, it’s not the best solution anymore. So I think like the lesson from that is to just. You need to just move really, really fast and keep your peripheral vision available to see what other technologies are developing in tandem and know when, when to pull the pin. If you are no longer, you no longer have a path to be the best solution, then. Stop. Even if you’ve got 90% of a solution, don’t bother with the last 10%. If you’re never gonna sell it, you know it’s a waste go. Um, let, let all your smart people work on something else. Allen Hall: Delamination and bottom line, failures and blades are [00:09:00]difficult problems to detect early. These hidden issues can cost you millions in repairs and lost energy production. C-I-C-N-D-T are specialists to detect these critical flaws before they become expensive burdens. Their non-destructive test technology penetrates deep to blade materials to find voids and cracks. Traditional inspections, completely. Miss C-I-C-N-D-T Maps. Every critical defect delivers actionable reports and provides support to get your blades. Back in service, so visit cic ndt.com because catching blade problems early will save you millions. Can we pull the pin? On digital twins. I came across another company that was pushing digital twins in the wind turbine space. And I thought, I thought we got rid of that a year ago. Can we stop doing that?  Rosemary Barnes: I, um, in general, like I think a lot of times you see digital twins and I can’t see the point, but there are some applications where you [00:10:00] definitely can,  Matthew Stead: uh, I can add on the digital twin, so the IEC 61 400 dash 32, the new blade o and m standard has in the, in its current draft, it has a section on digital twins. Um, and um, at the last meeting there was a debate as to whether that should be taken out because actually, um, AI, ml, um, all these, um, approaches will just overrun the concept of the traditional digital twin. So, um, I was voting for it to be removed, um, but. Other people didn’t. And so it’s still in the current draft. Yolanda Padron: I am a little bit tired around digital twins at the idea of, like, I’ve seen the title slapped around a lot of things that just aren’t digital twins. And I think that gets even more confusing to a lot of people who are just new to the space or new to the idea that then they, they, they hear digital twin, they have like an idea about it or like, oh, it’s really great, and then they pursue something that just [00:11:00] really isn’t, it’s just a. A monitoring system that they wanted to name something else.  Allen Hall: Yes, that’s it.  Rosemary Barnes: I’ve seen it used well in manufacturing, which is not usually what people are selling it as, but you know, if you have a new composite part, for example, and like a wind turbine blade is a really good example, you design it. And then you can only test it to a certain extent. Um, and you never know exactly what you’ve made, right? And so it’s really hard to kind of relate, like to validate your design tools when not every blade is the same. You know, it’s aiming to be the same. The design is the same every time, but you’re gonna get different results every time you test it. But with some advanced, uh, manufacturing, like my favorite thing to argue with Alan about 3D printing, um, fiber reinforced composites. You can really precisely know exactly what your part looks like all through the structure. You know where every void is. Um, you know where every fiber is and then so you know that exact part. Then you can test that exact part, and you do that with, you know, a dozen of them and you can really [00:12:00] build up a model of what kinds of defects are really, um, you know, doing what to the performance output. And then that can help you to get your quality, um, acceptance to really, like you, you can do the things that matter instead of guessing, oh, okay, yeah, we know that we want this much. Bond line, you can actually know, okay, well like where does that matter? Where doesn’t it? What’s the actual threshold? However, it’s very expensive to do that, and I don’t know that it would make sense for wind turbine blades economically, maybe. Maybe it will one day. I mean, if we can get the quality data that we need, there are big pro quality problems that need to be solved with blades so. I think it’s something to not totally rule out anyway. Matthew Stead: That’s quality control. That’s not a digital twin.  Rosemary Barnes: No, but it is. You have the di you have the make up a digital twin of the, of the part that you’ve made, and then you test it and then you can, um, digitally test the [00:13:00] part that you, the model that you have. So it is a digital twin. Um, it’s just used in a very different way to what digital twins are usually sold as. It’s not at the right level yet for a hundred meter long. Composite wind turbine blade. Um, and also because you would need to destructively test, you know, a, a whole bunch of blades which no one can afford to, to do that.  Yolanda Padron: What if we were to take all the money from like FSAs and stuff that they have to spend, like the OEMs actually have to spend from all of the manufacturing defects from, oh, I tweaked this on this blade type in this. Factory and set it to print and then I tweaked it over here and then I set it to print for like hundreds and hundreds of blades. Um, you know, all of that money spent accumulates too, if we really wanna look at the business case. But eventually, I think maybe it’d be great if it were to work out. I am also.[00:14:00] Hoping  Rosemary Barnes: I, I think it would be a really interesting project to work, and I bet I could. I, I bet that, you know, a good project manager could get, get a positive business case out of it. At the end. One of the problems is that like service, the service department bucket of money is not at all related to the manufacturing bucket of money. Um, so, or the, yeah, the engineering back of the money that, that, that would be a really big problem and make it harder to find a positive business case. But I still think that it’s, um. Yeah, it, there’s a lot of potential there. It would be really interesting project to work on.  Matthew Stead: In terms of the operational phase, I, I think, um, like I said before, the A IML tools. A way more powerful with anomaly detection rather than building a, a fancy digital model, which is not accurate. Um, actually you’re better off looking at the deviations and then the anomalies from what you expect. And I, and there are quite a few people that are doing that, and I, I personally think that’s a way more effective method during the operations and maintenance phase. Rosemary Barnes: But I think that that [00:15:00] would be related. It would be a way to improve what you’re doing there because you said, yeah, digital twin, that’s not. Accurate. So you would need to be accurate. That would be the project to figure out like how you can get accuracy in the right places that you need it. You wouldn’t be able to afford to have accuracy over the entire blade ’cause it’s just way too much data. And then, um, it would help you to figure out like what anoma, what anomalies do we need to look for that are the, the critical ones. I, I think that they would, they would work in partnership. Um, not as two separate things. Can I just plug, because I’m gonna go to China in April and can I just plug that if anyone has any projects, I’ll be there anyway. And um, yeah, so I am sharing the cost of the trip between a few different collaborations and there will be a chance. To, to get me out there to see some manufacturing, et cetera. Would be really excited to go visit some Chinese [00:16:00] manufacturing, some Chinese development. Got a few, few tentative irons in fires at the moment, but would love to have Chinese companies reach out to me and see if we can arrange a collaboration  Allen Hall: as wind energy professionals. Staying informed is crucial, and let’s face it difficult. That’s why the Uptime podcast recommends PES Wind Magazine. PES Wind offers a diverse range of in-depth articles and expert insights that dive into the most pressing issues facing our energy future. Whether you’re an industry veteran or new to wind, PES Wind has the high quality content you need. Don’t miss out. Visit PS wind.com today. It has been a turbulent chapter in offshore wind in America. No doubt about that vineyard wind. The first large scale offshore wind project in the US has faced a crazy difficult road after months of uncertainty, partial construction, and a federally ordered pause. The [00:17:00] project has reached a telling milestone the first. And final shipment of the last blade has departed the port of New Bedford, Massachusetts. And, uh, the blades were just sitting on port for a little while. Uh, Keyside. So this is the last blades or set of blades that’s going out to a turbine. This should sort of wrap it up. I, although I do think there are a couple of blades that may still need some modification updates, something of the sort. But in terms of getting termites out in the water. This should be it. And remember a few months ago, GE and uh, a number of others, vineyard was saying that they’re trying to be done in March. So they’re going to come really close to doing that. And that I know they’re trying to get power all turned on for the site. Because once that happens, it’s really hard for the, uh, the federal government to put any stops on them. I, I guess the question is now, is there any future for offshore wind for [00:18:00]ge now that this is complete and, and it’s kind of off the books, which is what they’ve been trying to do for the last roughly two years, is get it off the books. Matthew Stead: Um, as a positive, I mean. You know, every industry goes through challenges and improve. So I mean, despite all the turmoil, you know, there has to be some good come from it, even though it is been a painful, horrible process. You know, surely there’s some good come from it in terms of improved quality in the future, improved processes, so,  Allen Hall: well, I, I guess that’s the question is are they taking some of these lessons learned and applying them, or are they taking the lessons learned and saying we’re not gonna do that again in, in terms of going down the pathway for offshore wind. Matthew Stead: Well, I think if, uh, if they don’t apply the lessons, that’s sort of, it shows a massive failure of an organization.  Allen Hall: Yeah. It may, I guess it’s a question if it’s a technical failure or a financial failure. Maybe it’s both at the minute until they get everything up and running. But I think the financial side has been. Driving a number of the, of the decisions because the [00:19:00] technical side hasn’t gone all that well.  Matthew Stead: Uh, I think, uh, I think the financial side is an art, which I don’t understand.  Allen Hall: Yeah. Yeah. There’s a lot of moving pieces in financing offshore wind. Now, Vestas has won a, a couple of big. Uh, orders from RWB offshore and Vestus has obviously been in, in some offshore, not at the scale as originally as some of the other OEMs. It does look like the future is bright for Vestus offshore. Is that just gonna continue on that? Vestus is going to invest heavily in offshore and basically dominate that market. Or compete against a a Chinese manufacturer. It doesn’t seem like Siemens is gonna win a lot of offshore contracts off. At least today it doesn’t. You don’t see a lot of noise about that. You see mostly Vestas winning these gigawatt orders. It almost seems inevitable they’re gonna win most of them.  Matthew Stead: Um, I don’t, being long way, way away from where these projects are being made, uh, installed. Um, I don’t have the same sort of insights. [00:20:00] Um, but, um, I mean, obviously yeah, vest, MHI, the previous, um, you know, joint venture with MHI, which especially heavy industries. Um, obviously they’ve come from a, a long pedigree of, um, working offshore, so yeah, I mean, why not? And, um, it seems to be a more of a gradual ramp up, um, and a more orderly, systematic ramp up for offshore. So, yeah. Why, why wouldn’t that work?  Allen Hall: Well, we should hop on the. China discussion because, uh, China’s when turbine makers obviously been trying to build turbines in, in Europe at scale for quite a while now. Uh, and Ying Yang is talking about focusing their efforts on. Germany and they have joined the German Offshore Wind Association BWO. And this is not just a membership cards, uh, that they have subscribed to. It is really like, in a lot of people’s opinion, a strategic signal that Ming Yang intends to compete in the European off.[00:21:00] Market, maybe starting with Germany. Ming Yang was trying to get into Scotland originally, and they were talking about a billion and a half pounds being poured into Scotland to develop factories for offshore wind. Maybe that has come, uh, time has passed and Ming Yang is moving on to Germany. That’s what it reads like to me. Or, or they’re gonna hedge their bets and, and look at both places to see if they can get a foot. Print established in either country.  Matthew Stead: I mean, reputation matters. So you really need to build up a, a footprint. And why would you apply a scatter gun approach? So, I mean, you know, just targeting, you know, one region or, um, you know, makes complete sense to me. So, you know, get, get, get some turbines in the water, get them up and running, get them, get the reliability and the, the reputation, and then, and then go from there. I mean, made complete business sense.  Allen Hall: Well, does that mean that, uh, a mean yang is going to have to lose a little bit of money early on to get some turbines in the water just to demonstrate that they [00:22:00] can do it at scale in Europe? Matthew Stead: I might defer to Rosie, but I would’ve thought they don’t need to, you know, cut costs. I think they’re already cost effective. So you would’ve thought they would just go in, um, with their, their normal product offering and still be successful. Uh, but maybe I’m, I’m on the wrong mark there.  Rosemary Barnes: My understanding is, and I, I don’t know heaps. But my understanding is with Chinese when turbines, that there’s a separate version for the Chinese market, and then if they wanna sell it internationally, then they need to make a new version of it that will pass the IEC, um, standards and the kinds of, you know, certification testing that everybody in those markets is used to. So you’re not always getting, or I don’t think you, I think you’re usually not getting the exact same product. So just because the product exists in China doesn’t mean that it is. Um, without risk in new markets.  Allen Hall: Well, I’m, I’m just curious if ING Yang will have to do a complete IEC certification process because they haven’t done it yet. Uh, is that what you’re saying?  Rosemary Barnes: They do [00:23:00] a, actually a redesign so that they can pass the, um. Certification and then they, yes, they do the whole certification process. However, Mingan hasn’t sold no turbines outside of China. So they have, or it’s not like this is a brand new thing for them that they’ll have to have to, you know, figure out as they go. Um, they’ve, they’ve, you know, I, I, if they haven’t done it for these specific turbines that they’re planning to manufacture in that factory, they’ve at least done it for others and know the process. Um, yeah, and I think we all know it’s not that hard to pass a certification test, so it’s not like a huge obstacle for them. But it will add, it will add cost to the, um, to the process and to the product. Probab probably, you know, there are some design changes that will be needed that will increase the cost of the product. So I don’t think that we’re gonna see, um, you know, Chinese turbines from any, any manufacturer outside of China that are as cheap as the prices that you see within China. Matthew Stead: To be fair though, um, there is a strong, um, Chinese involvement in the IAC committees. So, um, [00:24:00] definitely the, the standards are being used. So, you know, the standards are being used in China, and so I, I don’t think it’s a huge stretch from, you know, the, the domestic product versus the international product. Allen Hall: That wraps up another episode of the Uptime Wind Energy Podcast. If today’s discussion sparked any questions or ideas, we’d love to hear from you. Reach out to us on LinkedIn. Don’t forget to subscribe. So if you never miss an episode, and if you found value in today’s conversation, please leave us a review. It really helps other wind energy professionals discover this show for Rosa, Yolanda, and Matthew. I’m Alan Hall, and we’ll see you here next time on the Uptime Wind Energy Podcast.

This week on the Local Food Report, a chef in New Bedford teaches students to cook with local seafood.

How many fish are in the sea? It's a question that has had enormous consequences for the fishing community in New Bedford, Massachusetts. But one man managed to find a way around it. That man? The Codfather. Guest: Ian Coss, host and producer of WBGH's Catching the Codfather For show transcripts, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vox.com/unxtranscripts⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vox.com/unexplainable⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ And please email us! ⁠⁠⁠⁠⁠unexplainable@vox.com⁠⁠ ⁠⁠⁠ We read every email. Support Unexplainable (and get ad-free episodes) by becoming a Vox Member today: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vox.com/members⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you! Learn more about your ad choices. Visit podcastchoices.com/adchoices

New Bedford Mayor Jon Mitchell joins the show to provide and update on snow clean upSee omnystudio.com/listener for privacy information.

WBZ NewsRadio's Emma Friedman has more.See omnystudio.com/listener for privacy information.

Since the late nineteenth century, amusement parks have been providing countless hours of enjoyment for people all around the world. Often driven by the latest technology and advances in mechanical engineering, the thrill rides at parks like Disney Land, Great America, and other independent parks offer a controlled environment to experience terror and excitement. While these rides, and the parks in general, are very safe and held to strict safety standards, there are times when the unthinkable happens—a cable snaps, a safety harness breaks—and the once safe ride becomes a nightmare for passengers. Far more often than not, tragic amusement park accidents are the result of human foolishness or, far less often, operator error. But other times, they are a bizarre fluke; a one in a million mechanical problem no one saw coming. Either way, the results can be shocking, horrifying, and even deadly.Recommendations:Jawsh on tikTok ReferencesAdler, Eric, and Katy Bergen. 2016. "Questions swirl as grief befalls family of boy killed on slide." Wichita Eagle, August 9: 1.Associated Press. 2016. "Slide complaints surface." Iola Register (Iola, KS), August 10: 2.Bella, Timothy. 2019. "How a freak accident happens." Esquire, January 29.Boston Globe. 1923. "Couple injured on Derby Racer." Boston Globe, May 31: 14.Brennan v. Ocean View Amusement Company. 1935. Unknown (Massachusetts Supreme Judicial Court, January 16).Daily Item. 1911. "Fatal accident on Revere Beach roller coaster." Daily Item (Lynn, MA), June 9: 19.—. 1911. "Fatally hurt on roller coaster." Daily Item (Lynn, MA), May 22: 9.Merrill, Jamie. 2015. "The funfair disaster that Britain forgot." The Independent on Sunday, June 7.Omaha Evening Bee-News. 1930. "Ban coaster after plunge kills four." Omaha Evening Bee-News, July 25: 1.—. 1930. "Survivor tells story of tragedy." Omaha Evening Bee-News, July 25: 2.O'Neil, Elise. 2023. Benson's almost forgotten amusement park. July 27. Accessed February 4, 2026. https://douglascohistory.org/9743-2/.Pound, Cath. 2022. The scandalous roots of the amusement park. August 21. Accessed February 3, 2026. https://www.bbc.com/culture/article/20220818-the-surprisingly-scandalous-origins-of-disneyland.Saner, Emine. 2024. "The rollercoaster I was on hurtled backwards and crashed." The Guardian, September 23.Standard-Times. 1922. "New Bedford man, thrown from roller coaster, on danger list." Standard-Times (New Bedford, MA), September 12: 1.The Times. 1973. "Big dipper a death trap, Crown says." The Times, November 6.—. 1973. "Engineer says many parts of big dipper were unsafe." The Times, March 2.—. 1972. "Two teenage boys and a girl killed in Battersea big dipper crash." The Times, May 5.Vockrodt, Steve. 2018. "The making of Schlitterbahn's Verrückt water slide: Too much, too fast? ." Kansas City Star, April 3.Yesterday's America. n.d. The early history of theme parks in America. Accessed February 4, 2026. https://yesterdaysamerica.com/the-early-history-of-theme-parks-in-america/.  Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How did Carlos Rafael become “The Codfather”? It starts in the 1980s, when a bitter strike divides the city of New Bedford and its famed fishing fleet. But Carlos manages to turn the strike to his advantage.Major sponsorship for Catching The Codfather is provided by Roger's Fish Co.---------------------------Credits:Host and Scriptwriter: Ian CossExecutive Producer: Devin Maverick RobinsProducers: Isabel Hibbard and Ian CossStory Editor: Lacy RobertsEditorial Advisor: Jenifer McKimFact-checkers: Ryan Alderman and Isabel HibbardScoring and Music Supervision: Ian CossGraphic Design: Bill Miller

Ian Coss of the Big Dig and John Bullard, former New Bedford mayor and Sustainable Development director at NOAA, discuss season three of the podcast, "Catching the Codfather."Harvard national security expert Juliette Kayyem on security at the Olympics and the Super Bowl, plus the crypto currency grift within the Trump family.Naturalist and author Sy Montgomery zooms in to discuss inter-species communication between dogs and the humans who give them buttons. Plus, the Indigenous-led declaration recognizing whales as legal persons.And, Joe Hanson, host of High School Quiz Show, checks in ahead of the new season.

This week on Toilet Radio: Teenage Joe gets to fulfill a dream. We talk with New Bedford, MA melodic hardcore legends A Wilhelm Scream. Guitarist/vocalist Trevor Reilly and Ben Murray join for an hour-long interview about all things punk and metal. We talk about the dearly departed Trevor Strnad and his connection that took Ben from Light This City to A Wilhelm Scream twenty years later. The duo discusses some of their favorite guitar bands like Dinosaur Jr and In Flames and the pain that is having to practice guitar. Other topics include the evolution of the music industry since the 90s, touring small towns in the middle of winter “with dogs with boners just wandering around”, developing a villain character to write music, and building a healthy distrust of fans. We talk about Cheap Heat, the band’s upcoming record that absolutely rips, and get in depth about what it takes to survive and grow as a band for so many decades. I don’t say it lightly: folks……. this is a good one. The band is gearing up for a West Coast tour starting next week. Check out the dates here. And because I gushed about it on the show, please do yourself a favor and listen to The Horse at your earliest convenience. Music featured on this ‘sode: A Wilhelm Scream – Let it Ride (out February 27th) This program is available on Spotify. It is also available on iTunes or whatever they call it now, where you can rate, review, and subscribe. Give us money on Patreon to get exclusive bonus episodes and other cool shit.

A man, Tyler Baglini, walks into a hospital holding a bloody knife and says a serial killer murdered his girlfriend.Minutes later, police find a woman fighting for her life in a basement apartment.This episode follows the lies, the texts, and the final moments that exposed what really happened to Kerri Fidalgo.In the after show, I tell you a case of a mother who went looking for her pregnant daughter and found blood instead. Police uncovered dismemberment, journals filled with rage, and a brother who says mental illness made him unable to understand what he was doing.The full after show, and others, are available in the Patreon at the $3/month tier and above.Listen now on Love and Murder************************************************************************************************Podcast Promo: Darkcast Network*************************************************************************************************Do you have thoughts about this case, or is there a specific true crime case you'd like to hear about? Let me know with an email or a voice message: https://murderandlove.com/contactFind the sources used in this episode and learn more about how to support Love and Murder: Heartbreak to Homicide and gain access to even more cases, including bonus episodes, ad-free and intro-free cases, case files and more at: https://murderandlove.com~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Please take some time to Rate, Share, Subscribe!

Allen covers four US offshore wind projects winning injunctions to resume construction, including major updates from Dominion Energy’s Coastal Virginia project. Plus Ming Yang’s proposed UK manufacturing facility faces security review delays, Seaway 7 lands the Gennaker contract in Germany, and Taiwan’s Fengmiao project hits a milestone. Sign up now for Uptime Tech News, our weekly newsletter on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard’s StrikeTape Wind Turbine LPS retrofit. Follow the show on YouTube, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary’s “Engineering with Rosie” YouTube channel here. Have a question we can answer on the show? Email us! Happy Monday everyone! Four offshore wind projects have secured preliminary injunctions blocking the Trump administration’s stop-work order. Dominion Energy’s Coastal Virginia Offshore Wind. Avangrid’s Vineyard Wind 1. Equinor’s Empire Wind. And Ørsted’s Revolution Wind. All four argued they were at critical stages of construction. The courts agreed. Work has resumed. A fifth project… Ørsted’s Sunrise Wind… has a hearing scheduled for today. Now… within days of getting back to work… milestones are being reached. Dominion Energy reported seventy-one percent completion on Coastal Virginia. The first turbine… installed in January. The Charybdis… America’s only U.S.-flagged wind turbine installation vessel… is finally at work. Fifty-four towers, thirty nacelles, and twenty-six blade sets now staged at Portsmouth Marine Terminal. The third offshore substation has arrived. But here is where the numbers tell the real story. The month-long delay fighting the Bureau of Ocean Energy Management? Two hundred twenty-eight million dollars. New tariffs? Another five hundred eighty million. The project budget now stands at eleven-point-five billion dollars. Nine-point-three billion already invested by end of 2025. Dominion and partner Stonepeak are sharing the cost. Dominion insists offshore wind remains the fastest and most economical way to deliver nearly three gigawatts to Virginia’s grid. A grid that powers military installations… naval shipbuilding… and America’s growing AI and cyber capabilities. First power expected this quarter. Full completion… now pushed to early 2027. Up in New England… Vineyard Wind 1 also resumed work. The sixty-second and final turbine tower shipped from New Bedford this week. Ten blade sets remain at the staging site. The installation vessel is scheduled to depart by end of March. The turbines are going up. But eight hundred eight million dollars in delays and tariffs… That is a price the entire industry is watching. ═══ Scotland Waits on Ming Yang Decision ═══ In Scotland… a decision that could reshape European supply chains… hangs in the balance. Chinese manufacturer Ming Yang wants to build the UK’s largest wind turbine manufacturing facility. The site… Ardersier… near Inverness. The investment… one-point-five billion pounds. The jobs… fifteen hundred. Trade Minister Chris Bryant says the government must weigh security. Critical national infrastructure must be safe and secure. Scotland’s First Minister John Swinney is losing patience. He told reporters this week the decision has taken too long. He called it pivotal to Scotland’s renewable energy potential… and a crucial component of the nation’s just transition. Meanwhile… Prime Minister Keir Starmer met with President Xi Jinping in Beijing this week. He spoke of building a more sophisticated relationship between the two nations. Whisky tariffs… halved to five percent. Wind turbine factories? Still under review. Bryant says they want a steady, eyes-wide-open relationship with China. Drive up trade where possible. Challenge where necessary. But no flip-flopping. For now… Scotland waits. And so does the UK supply chain. ═══ Seaway 7 Lands Gennaker Contract ═══ In the German Baltic Sea… a major contract award. Seaway 7, part of the Subsea 7 Group, will transport and install sixty-three monopiles and transition pieces for the Gennaker offshore wind farm. The contract value… one hundred fifty to three hundred million dollars. Subsea 7 calls it substantial. The client is Skyborn Renewables… a portfolio company of BlackRock’s Global Infrastructure Partners. Nine hundred seventy-six megawatts of capacity. Sixty-three Siemens Gamesa turbines. Four terawatt-hours of annual generation. Enough to power roughly one million German homes. Seaway 7’s work begins next year. ═══ Taiwan’s Fengmiao Hits Milestone ═══ In Taiwan… Copenhagen Infrastructure Partners completed the first batch of jacket foundations for the Fengmiao offshore wind farm. Five hundred megawatts. On schedule for late 2027 completion. Offshore installation begins later this year. The jackets were built by Century Wind Power… a local Taiwanese supplier. CIP called it a sign of strong execution capabilities and proof they can deliver large-scale, complex energy projects. But they are not stopping there. Fengmiao 2… six hundred megawatts… is already in development. Taiwan is aiming for a major boost in large-scale renewable energy by 2030. And that is the state of the wind industry for February 2, 2026 Join us tomorrow for the Uptime Wind Energy Podcast.

For 40 years, Circa Vintage Wear has ridden the tides of public disdain and interest. Now customers flock to Chris Duval's unmarked shop for workwear jackets, silky dresses and retro shoes.

This week on Newsmakers: Massachusetts Congressman Bill Keating, who represents New Bedford and is the top House Democrat on European affairs, discusses the fallout from President Trump's push to acquire Greenland and other topics.

In Episode Eight, Jazz Podcast Host Dave Reis speaks with guitarist Russ Campoli, about his talent, passion, and dedication. Russ is a prominent jazz educator and musician. He has been widely recognized for his long-tenured career as the Jazz Band Director at New Bedford High School in New Bedford, Massachusetts, where he served in the music department for 34 years. He retired in 2011. Under his direction, the NBHS Jazz Band became a highly competitive ensemble, frequently participating in prestigious events like the Berklee Jazz Festival and the International Association of Jazz Educators (IAJE) festivals. His retirement was famously compared by students to the film Mr. Holland's Opus, highlighting his profound impact on generations of musicians, some of whom went on to professional music careers. The Artist Index's jazz documentarian and Jazz Podcast Series host, Dave Reis, spent nearly 26 years as a Jazz radio show host, among his many other accomplishments. He was one of the original longtime DJs who worked at the former WUSM, which became radio station WUMD, 89.3 FM, on the University of Massachusetts Dartmouth campus. Dave Reis, AKA David Domingo Reis, began as our guest on In-Focus Podcast 154 and In-Focus Podcast 181. He returns once again as the host of our first-ever ten-part jazz podcast series underwritten by the Fiber Optic Center. There is no better host for this series than Dave Reis, a walking, talking jazz encyclopedia and local legend himself. Dave grew up surrounded by and hanging around with many of the jazz greats he will be presenting his ten-part Jazz Podcast Series underwritten by the Fiber Optic Center. Podcasts are also available on your favorite media app, including Amazon Music / iHeart Radio / Libsyn / Podcast Page / Spotify / WebPlayer, and APPLE PODCASTS Please consider donating whatever you can to help and assure us in our mission to continue documenting the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!

In this episode, we're exploring one of Boston's most storied and beloved traditions: The Beanpot. This annual tournament brings the college hockey programs from Boston University, Boston College, Harvard and Northeastern together for an epic clash. I'm joined by local sports maven Tom Burke — his family owned the Celtics and Boston Garden, and plays a role in the Boston Marathon to this day — to tell me all about its origins and its evolution. He is also co-author of Tales from the Boston College Hockey Locker Room: A Collection of the Greatest Eagles Hockey Stories Ever Told. Attend the Beanpot.  OMG there is a Wing Bowl doc!!! It is called "No One Died." And here is an insane Buzzfeed feature. Big Papi singing his heart out. Send me New Bedford recs. DM me on Instagram or email me. Have feedback on this episode or ideas for upcoming topics? DM me on Instagram, email me, or send a voice memo. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Lead detectives and family members speak to Dateline about the case of teenager Michelle Carter, who was convicted of bullying her boyfriend to kill himself. Andrea Canning reports.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Bradley Jay Filled In On NightSide with Dan Rea:This year saw a significant expansion of transportation with the addition of commuter rail service to Fall River, Taunton, and New Bedford. For the first time in decades, you can grab a train from South Station and land in East Taunton and beyond. Bradley chatted with Brian Kane, the Executive Director of the MBTA Advisory Board, about this new line and more!See omnystudio.com/listener for privacy information.

A wise woman once said, “You can tell the ocean anything, but it has to be the truth.“ Chion Wolf boards the MSC Meraviglia expecting a week of small talk and sunscreen. But the farther she gets from land, the more people become willing to hang out in the deep end to talk about love, loss, faith, sobriety and stories they’ve been holding onto for years. When they speak, the ocean listens. And in this hour, so do you. Listen to a BONUS track featuring more voices from the ship: Latisha from the Bronx; Vincent Ferrito and Lauren Englemann from Brooklyn, NY; Brittney and Jeana Lockhart from New Bedford, MA; Henry Armbrister, Barbara Williams, Dellie Maycock, and Giovanni Ferguson from Nassau, Bahamas. Suggested episodes: The Big E: What it takes to create 17 days of magic Life advice, one Audacious guest at a time It's A Brand Nude Day! Discovering delight - and despair - in dumpster diving Welcome to the Punderdome! We're entering NYC's punniest pun competition SOLD! Audacious Auctioneers Plus, Advice on Amtrak’s Southwest Chief, a project Chion did interviewing passengers on a 48-hour train ride GUESTS: A segment: Keith Miller from Long Island, NY; Kevin Luong from New York, NY; Vin Panday from Ontario, Canada; Jessica Struble from Holly, PA; Ruby Selver from Turks and Caicos; and Marty and Mary Pasternak from Buffalo, NY B segment: Mike Turner from Levittown, PA; Brian Martignetti from El Paso, TX; Darrell Floyd from New Haven, CT; and Randy Deveaux and Sylvia Wilson from Nassau, Bahamas C segment: Joe and Valerie Leone from Blue Bell, PA; Tommy and Cindy Lazarz from Ware, MA; John and Ada Sue Siler from Richmond, VA; and Javier and Angela Mahon from Brooklyn, NY Support the show: https://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Ahoy! Here’s a little bonus treasure from our episode, Audacious at Sea: Wisdom from Strangers on a Cruise Ship. Chion spends a blissful vacation week aboard the MSC Meraviglia with about 5,000 fellow humans, sailing from Brooklyn to the Bahamas and back. And because we couldn’t fit everyone she talks with into the on-air version, this bonus gives you even more of their voices and stories. Somewhere in between sunrise coffees and late-night pizza buffets, Chion asks passengers - and a few locals in Nassau, Bahamas - to share their favorite piece of life advice. That opens the door to conversations that go way beyond advice, and into the values that people have carried with them much of their lives. GUESTS: Latisha from the Bronx Vincent Ferrito and Lauren Englemann from Brooklyn, NY Brittney and Jeana Lockhart from New Bedford, MA Henry Armbrister, Barbara Williams, Dellie Maycock, and Giovanni Ferguson from Nassau, Bahamas Support the show: https://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Paul Reville, former education secretary, discusses the federal influence in our education systems — from efforts to dismantle the Education Department to Harvard Vocational School.Oscar-winning documentarian Mstyslav Chernov on his latest FRONTLINE PBS film "2000 Meters to Andriivka" that captures the Ukraine-Russia war from the point of view of frontline fighters.Reverends Irene Monroe and Emmett G. Price III join for All Rev'd Up on BPR. They discuss how the multiethnic faith community of New Bedford is faring amid immigration attacks. Giselle Byrd reflects on her appointment to the Massachusetts Commission on the Status of Women. Byrd, a community activist, executive director of Theater Offensive performing company, and a Black transgender woman, has received death threats since the news of her appointment.Folk singer/songwriter Tom Rush zooms in to celebrate his induction into Boston's Folk Americana Roots Hall of Fame.

Author and journalist Maureen Boyle joins "Mind Over Murder" co-hosts Bill Thomas and Kristin Dilley to discuss her book "Shallow Graves: The Hunt for the New Bedford Highway Serial Killer." The book tells the harrowing story of the still unsolved murder of 9 women who were left for dead off highways near New Bedford, Massachusetts, together with two others who went missing and have never been found.   This bonus episode of "Mind Over Murder" originally ran on July 14, 2025.Shallow Graves: The Hunt for the New Bedford Highway Serial Killer:https://shallowgravesthebook.com/Goodreads: Shallow Graves: The Hunt for the New Bedford Highway Serial Killer:https://www.goodreads.com/book/show/34763228-shallow-gravesWTKR News 3: One year after development in Colonial Parkway Murders, where do things stand?https://www.wtkr.com/news/in-the-community/historic-triangle/one-year-after-development-in-colonial-parkway-murders-where-do-things-standWon't you help the Mind Over Murder podcast increase our visibility and shine the spotlight on the "Colonial Parkway Murders" and other unsolved cases? Contribute any amount you can here:https://www.gofundme.com/f/mind-over-murder-podcast-expenses?utm_campaign=p_lico+share-sheet&utm_medium=copy_link&utm_source=customerWTVR CBS News:  Colonial Parkway murders victims' families keep hope cases will be solved:https://www.wtvr.com/news/local-news/colonial-parkway-murders-update-april-19-2024WAVY TV 10 News:  New questions raised in Colonial Parkway murders:https://www.wavy.com/news/local-news/new-questions-raised-in-colonial-parkway-murders/Alan Wade Wilmer, Sr. has been named as the killer of Robin Edwards and David Knobling in the Colonial Parkway Murders in September 1987, as well as the murderer of Teresa Howell in June 1989. He has also been linked to the April 1988 disappearance and likely murder of Keith Call and Cassandra Hailey, another pair in the Colonial Parkway Murders.13News Now investigates: A serial killer's DNA will not be entered into CODIS database:https://www.13newsnow.com/video/news/local/13news-now-investigates/291-e82a9e0b-38e3-4f95-982a-40e960a71e49WAVY TV 10 on the Colonial Parkway Murders Announcement with photos:https://www.wavy.com/news/crime/deceased-man-identified-as-suspect-in-decades-old-homicides/WTKR News 3https://www.wtkr.com/news/is-man-linked-to-one-of-the-colonial-parkway-murders-connected-to-the-other-casesVirginian Pilot: Who was Alan Wade Wilmer Sr.? Man suspected in two ‘Colonial Parkway' murders died alone in 2017https://www.pilotonline.com/2024/01/14/who-was-alan-wade-wilmer-sr-man-suspected-in-colonial-parkway-murders-died-alone-in-2017/Colonial Parkway Murders Facebook page with more than 18,000 followers: https://www.facebook.com/ColonialParkwayCaseYou can also participate in an in-depth discussion of the Colonial Parkway Murders here:https://earonsgsk.proboards.com/board/50/colonial-parkway-murdersMind Over Murder is proud to be a Spreaker Prime Podcaster:https://www.spreaker.comJoin the discussion on our Mind Over MurderColonial Parkway Murders website: https://colonialparkwaymurders.com Mind Over Murder Podcast website: https://mindovermurderpodcast.comPlease subscribe and rate us at your favorite podcast sites. Ratings and reviews are very important. Please share and tell your friends!We launch a new episode of "Mind Over Murder" every Monday morning, and a bonus episode every Thursday morning.Sponsors: Othram and DNAsolves.comContribute Your DNA to help solve cases: https://dnasolves.com/user/registerFollow "Mind Over Murder" on Twitter: https://twitter.com/MurderOverFollow Bill Thomas on Twitter: https://twitter.com/BillThomas56Follow "Colonial Parkway Murders" on Facebook: https://www.facebook.com/ColonialParkwayCase/Follow us on InstaGram:: https://www.instagram.com/colonialparkwaymurders/Check out the entire Crawlspace Media network at http://crawlspace-media.com/All rights reserved. Mind Over Murder, Copyright Bill Thomas and Kristin Dilley, Another Dog Productions/Absolute Zero ProductionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/mind-over-murder--4847179/support.