Podcasts about Sonology

Welcome to the next episode of the midierror meets... interview series speaking to all kinds of people working in music and sound.  In this episode, we're speaking to ROEL FUNCKEN, an IDM and Ambient artist who has been on line-ups with Aphex Twin. Autechre and many other influential acts.  Roel studied sonology for 6 years, and formed a duo with his brother Don called Funckarma, and started releasing solo material in 2010.    We discuss his approach to processing audio in ProTools and Ableton Live, studying Sonology and his incredible paintings. His latest album 'Data Curation 2' and many other releases are available on his Bandcamp store now, with a monthly subscription for exclusive access to new material, listening parties and more. Roel has a new collaborative release coming in May with EXM. https://roelfuncken.bandcamp.com/music https://soundcloud.com/roelfuncken https://roelfunckenpaintings.com/ This is series 2, episode 1 and there are 50 previous episodes available now featuring Fatboy Slim, CJ Bolland, Andrew Huang, Tim Exile, High Contrast, Mylar Melodies, Infected Mushroom, DJ Rap, John Grant and many more. Available on Soundcloud, Spotify, Apple Music and Bandcamp.  Recommended Episode: midierror meets... Norman Cook / Fatboy Slim [EP38]

In this conversation, dive into the sonic universe of Carlos Guedes, Associate Professor of Music at NYU Abu Dhabi, exploring ethnomusicological realms! His study about Shihu music in the Northern Emirates is nothing short of amazing. With a PhD from NYU and studies at the Institute of Sonology in the Netherlands, Carlos pioneers generative music systems. Explore his projects, from cross-disciplinary rhythm perspectives to digitizing Middle Eastern music.

#sound #vibration #religion #sonology SORRY FOR THE DELAY! This is the 100th episode of Great Apes Cafe with guests Sweezy Sounds and Izzy. For this special episode we take a deep dive into sound, its properties, and a religion based on sound called Sonology. Check out and support Sweezy Sounds here: https://sweezysound.com/ Check out mics wide open every month in wilmington NC: https://www.facebook.com/MWO910 If you have anything you want us to talk about, leave a comment, like, share, and subscribe!

The Curiosity Series is an Arts Council podcast commissioned as part of the Council's 70th anniversary celebrations hosted by writer, comedian and podcaster Maeve Higgins. In each episode, you'll hear artists involved in music, dance, poetry, literature, visual arts and theatre in conversation with Maeve as they get curious about each other's work, explore the integral role that creativity has played in their lives, and discuss the broader issues and themes that connect their art. Episode three sees Maeve Higgins follow the musical journeys of composers and friends Roger Doyle and Trevor Knight. Roger and Trevor came to their artistic practice through different routes in the 1980s: Trevor learning his craft with pop music group Auto Da Fé while Roger trained as a composer at the Royal Irish Academy of Music and later at the Institute of Sonology in Utrecht. Since then they have worked together on various music projects over the years, which have encompassed their shared artistic interests despite their very different paths to careers in music, from their early love of jazz and working in theatre to their shared interest in music improvisation. Along the way, they look back on the changing music scenes in Ireland in the 80s and 90s, reflect on the changing landscape for musicians starting out in today's world, as well as highlighting the role and responsibility of the Aosdána to support artists working in different forms of music. Looking back on successful artistic careers that have seen them cross genres and engage with many different artists and art forms, Roger and Trevor paint a vivid picture of their musical lives, sharing anecdotes and stories that illuminate the artistic richness and occasionally the madness of being a composer and musician in Ireland. Production: Milestone Inventive and bigO Audio engineering: Scimitar Sound Title music: ‘Ag Oscailt' by Gareth Quinn Redmond Music heard in this episode: Auto Da Fé, ‘When The Curtain Goes Bang': https://trevorknight.bandcamp.com/album/when-the-curtain-goes-bang-an-anthology Roger Doyle, Thalia: https://rogerdoyle1.bandcamp.com/album/thalia Roger Doyle, ‘Mansard' from Babel - Temple Music: https://rogerdoyle1.bandcamp.com/album/babel-temple-music Catalpa (play by Donal O'Kelly with music by Trevor Knight): https://www.youtube.com/watch?v=UYsw5M_twAo Links Roger Doyle website: https://rogerdoyle.com Trevor Knight Contemporary Music Centre biography: https://www.cmc.ie/composers/trevor-knight Trevor Knight Bandcamp: https://trevorknight.bandcamp.com

Episode 44 Vintage Dutch Electronic Music Playlist Hans Kox, “Three Pieces For Electronic Organ” from Anthology Of Dutch Electronic Tape Music: Volume 1 (1955-1966) (1978 Composer's Voice). Tape piece from 1955 recorded at the Studio of The Netherlands Radio Union. An early demonstration of tape editing techniques created in a makeshift studio, using an electronic organ as the main audio signal. 3:56 Ton De Leeuw, “Study” from Anthology Of Dutch Electronic Tape Music: Volume 1 (1955-1966) (1978 Composer's Voice). Tape piece from 1957 recorded at the Studio of The Netherlands Radio Union. Composed using serial techniques and a 31-interval scale. 6:57 Henk Badings, “Genese” from Electronic Music (1960 Philips). Tape piece from 1958 for five audio-frequency oscillators. From the Philips Studios (Eindhoven, The Netherlands). 9:55 Dick Raaijmakers, “Contrasts” from Electronic Music (1960 Philips). Tape piece from 1959 for Ondes Martenot, Pulse-generator with resonance circuits, Noise-generator, Octave- and Half Octave-filters. From the Philips Studios (Eindhoven, The Netherlands). 4:49 Frits C. Weiland, “Studie In Lagen En Impulsen” from Anthology Of Dutch Electronic Tape Music: Volume 1 (1955-1966) (1978 Composer's Voice). Tape piece from 1961 and the Studio of Utrecht University. A purely work with time suspended in layers of sound. 4:54 Tom Dissevelt, “Gamelan” from Anthology Of Dutch Electronic Tape Music: Volume 1 (1955-1966) (1978 Composer's Voice). Tape music from 1963-64 created at the Studio of Utrecht University. An electronic simulation of the rhythmic effects of gamelan music. 3:12 Gorter, “K 45” from Anthology Of Dutch Electronic Tape Music: Volume 1 (1955-1966) (1978 Composer's Voice). Tape piece from 1964-65 created at the CEM Studio, Bilthoven. Created in class taught by Gottfried Michael Koenig. “Starting from basic material of ten chords each, consisting of four sine-wave tones, an end product was achieved in twenty-nine phases by means of transposition, synchronization, rhythm, “chopping up,' reverberation, reversal, filtering, ring modulation, dynamics, etc. used individually or in combination.” (Klaus Gorter). 5:46 Dick Raaijmakers, “Canons 1-2” from Ballad 'Erlkönig'/5 Canons (1981 Composers' Voice). Tape piece from 1967. Realized in the studio of the Royal Conservatory of The Hague. 10:32 Gottfried Michael Koenig, “Funktion Grün” from Terminus II/Funktion Grün/Phonothese/Chants De Maldoror (1970 DGG). Tape piece from 1967. Realized at the Studio for Electronic Music at the Utrecht State University. Construction and the order of the sounds was “calculated by a computer.” 8:13 Ekseption, “Epilogue” and “Finale: Music for Mind/Theme Julia” from Beggar Julia's Time Trip (1970 Philips). Piano, Spinet, Xylophone, Hammond], Pipe Organ, Mellotron, Percussion, Rick Van Der Linden; Guest, Alto Saxophone, Soprano Saxophone, Tonytone, Percussion, Electronic Effects, Tony Vos; Bass, Cor Dekker; Drums, Kettle drums, Dennis Whitebread; Tenor Saxophone, Soprano Saxophone, Flute – Dick Remelink; Trumpet, Pocket Trumpet, Flugelhorn, Rein Van Den Broek; Vocals, Percussion – Michel Van Dijk; Engineer, Electronic Effects, Jan Schuurman; Recording, Mixing Engineer, Electronic effects, Gerard Beckers. Made in Holland. I'm not sure what the “Tonytone” instrument is. Perhaps the Theremin-like sound heard on this track? Or was that a sliding note on a synthesizer? 4:56 Jurriaan Andriessen, opening four-track sequence, “She Walks In Beauty,” “Overtones,” “Beyond the Veil” and “Roundelay” from The Awakening Dream (1977 Park). Dreamy progressive rock solo album recorded in 1977 at Dream-Studio, The Hague. Moog, Minimoog, Fender Rhodes, Hohner Clavinet, Organ, Acoustic Grand Piano, Jurriaan Andriessen. “A trance symphony composed by Jurriaan Andriessen.” 12:23 Ton Bruynèl, “Translucent II” from Ton Bruynèl (1981 Composers' Voice). “Translucent II” for orchestra & tape (1977-78) recorded on in 1978 by the Netherlands broadcasting organization (NOS). Electronic realizations created at Bruynèl's private studio. Symphony parts performed by the Utrecht Symphony Orchestra. 9:44 André De Koning, “Nieuws In Het Kort” from Contactdisc 1 (1983 Stichting Stopcontact). This track is from a compilation of mostly Dutch artists. Voice, noise, and rock. 2:02 Doxa Sinistra, “Portable Electronics” from Contactdisc 1 (1983 Stichting Stopcontact). This track is from a compilation of mostly Dutch artists. Electronic rock in the style of Cabaret Voltaire. 3:04 Background music used during this episode: Tom Dissevelt, “Whirwinds (Torbellinos)” from The Fascinating World Of Electronic Music (1959 Philips). Tape music realized at the Philips Studios (Eindhoven, The Netherlands). Also known as “Whirling” and “Sonik Re-entry” on some English pressings. 2:33 Link to the Institute of Sonology, Royal Conservatoire The Hague. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.

next_generation 8.0 LIVE-CODING | Lecture [06.06.2019 - 09.06.2019] Als größtes biennales Treffen der Hochschulstudios für elektronische Musik bietet next_generation NachwuchskomponistInnen eine Plattform, ihre kompositorischen Neuentwicklungen zu präsentieren. Von Mittwoch, 5. Juni bis Sonntag, 9. Juni 2019 fand am ZKM die achte Ausgabe des biennalen Festivals next_generation statt. An fünf Tagen wurde ein spannendes und dichtes Programm über die neuesten Positionen zu den Themen »Fixed Media«, »Raummusik« und »Live-Elektronik« geboten. 2019 stand das Festival unter dem Schwerpunkt »Live-Coding«. Damit garantiert next_generation 8.0 eine repräsentative Übersicht über das aktuelle kreative Schaffen der kommenden Komponierendengeneration im Kontext von Technologie und Kunst. /// As the largest biennial gathering of university studios for electronic music, next_generation 8.0 offers young composers a platform to present their new compositional developments. The eighth edition of the next_generation biennial festival took place at ZKM from Wednesday, June 5 to Sunday, June 9, 2019. Over five days, an exciting and dense program was offered on the latest positions of the themes »fixed media«, »spatial music« and »live electronics«. 2019, the festival focus was on »live coding«. Thus, next_generation 8.0 guarantees a representative overview of the current creative work of the next generation of composers in the context of technology and art.

Songwriter, musician, producer, and singer Sandro Perri talks about his new Constellation Records release, Soft Landing, his exploration of record engineering and guitar, temporality, and more! Supported by CFRU 93.3 FM, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Please take this listener survey. 

Toronto musician Sandro Perri on his new Constellation Records release, In Another Life, working with Destroyer and Andre Ethier, the city of Paris, infinite songwriting, hip-hop, and more! Supported by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.

Slowscan is an obscure avant-garde record label that publishes audio-art vinyls and cassettes from its archive. Based in the middle of Holland, the label is run by Jan van Toorn, ex-electronic music student from the Institute of Sonology in Utrecht, today curator of audio art exhibitions. Special mention should be made of the quality in the design of the releases. The episode features: David Rosenboom, Glenn Frew, Robert Filliou, Al Hansen, Henning Christiansen, Richard Maxfiel, Henri Chopin and William Levy.

next_generation 7.0: SENSORIK | Symposium 14.06.2017 to 18.06.2017 With an exciting lecture program enriched the festival »next_generation 7.0 SENSORIK« Over five days and five nights, next_generation 7.0 offered an exciting and packed program on the latest positions on topics such as »Fixed Media«, »Spatial Music« and »Live-Electronics«, showing off the current creativity of the younger generation of producers in the context of technology and art. /// 14.06.2017 bis 18.06.2017 Mit einem spannenden Vortragsprogramm bereicherte das Festival »next_generation 7.0 SENSORIK« An fünf Tagen und fünf Nächten bot next_generation 7.0 ein spannendes und dichtes Programm über die neuesten Positionen zu den Themen »Fixed Media«, »Raummusik« und »Live-Elektronik«. Damit garantierte next_generation 7.0 eine repräsentative Übersicht über das aktuelle kreative Schaffen der kommenden Komponierendengeneration im Kontext von Technologie und Kunst.

Major, major problems coming your way! If you are using any of the following: Cisco gear, Asus gear, Meraki gear, Dell, Hewlett-Packard, Juniper Networks, NEC, Netgate, Netgear, Quanta, Seagate, Sophos, Supermicro, Sonology, Zinx, among the many that were affected, you have a big problem. Intel's low-end line of server processor, Intel Atom, which can be found in most mobile devices such as smartphones, and lightweight laptops among others just hit a big wall and have been struggling for the past months. Find out more on today's TechSanity Check. --- Related articles: Flaw in some Intel Atom chips has reportedly been bricking products for at least 18 months http://craigpeterson.com/news/flaw-in-some-intel-atom-chips-has-reportedly-been-bricking-products-for-at-least-18-months/11899 --- More stories and tech updates at:www.craigpeterson.com Don't miss an episode from Craig. Subscribe and give us a rating: www.craigpeterson.com/itunes Follow me on Twitter for the latest in tech at: www.twitter.com/craigpeterson For questions, call or text: 855-385-5553

Radial is the main pseudonym of Jeroen Liebregts from The Netherlands. Jeroen has been djing since '98 and picked up music production soon after. Since 2002 Jeroen teamed up with Bas Mooy and started the label Audio Assault as a platform for their own work and that of artists whose work they admire. Today, 11 years later, label is still running strong with over 40 vinyl releases and counting. Always driven to dive deeper, Jeroen started a 4-year studies of Sonology at the Conservatory in The Hague, which he finished in 2006. This study deals with electronic music composition, computer programming, analog synthesis and electronic instrument design among other things. This is probably what kickstarted his interest to use self designed instruments in his music. The constant quest for new technological approaches is an imported factor that helped shape his sound. His current tendency toward analog hardware based methods also resulted in his involvement in the design and development of the Synton Fenix modular synthesizer. Over the years the music of Jeroen Liebregts has found it's way to many places using different aliases. There have been releases of original tracks and remixes on labels such as Token, Perc-Trax, Mote-Evolver, Numb, Drumcode, Planet Rhythm, Audio Assault and most recently Mord. Jeroen Liebregts aka Radial, is without doubt a gigantic stone in the modern techno industry with numerous of legendary productions and gigs at the best record labels and clubs. We are more than proud to host him at our 62th Advanced (Black) radio show episode and at our next Advanced night on 14/10/2016 at our home - sweet home, magdalena alongside with Christian Wünsch, Joachim Spieth, Abyssal Chaos and Melania. Subscribe to iTunes: https://itunes.apple.com/de/podcast/advanced/id961068609 Find Advanced on Web: http://www.advanced-music.com/ Find Advanced on Facebook: https://www.facebook.com/advancedPR Find Radial on Facebook: https://www.facebook.com/radialtechno Attend to our next Advanced night : https://www.facebook.com/events/240681392999702/ https://www.residentadvisor.net/event.aspx?874827

One of the things I've always been curious about has been the Institute of Sonology, a Dutch center of electronic music studies. I knew that Gregory had been a "Sonologist", as had Gerhard Behles of Ableton and many others. But I knew practically nothing about the place. Gregory had always been circumspect about it whenever I talked to him, so I finally cornered him w/r/t doing a podcast about it, and here we are. The podcast starts with a continuation of the Dockstader discussion, but it folds into the Sonology discussion quite easily. I think that you'll find the whole thing - including the influence of the Philips Corporation on the world of electronic music. If you ever wondered why scenes grow up in different places, this might open your eyes a little. Thanks again to Gregory, who always teaches me without making me feel stupid - the primary attribute of a wonderful educator.

Richard is a composer and improviser who has collaborated with many leading performers in both areas, while developing works and ideas which increasingly leave behind the distinctions between them. His long-term collaborations include the electronic duo FURT which he formed with Paul Obermayer in 1986 (and its more recent octet version fORCH), composing for and performing with the ELISION contemporary music group since 1990, and regular appearances with the Evan Parker Electro-Acoustic Ensemble since 2003. He studied composition principally with Peter Wiegold, and currently teaches at the Institute of Sonology in The Hague. You can listen to more of his music at www.richardbarrettmusic.com.

Richard is a composer and improviser who has collaborated with many leading performers in both areas, while developing works and ideas which increasingly leave behind the distinctions between them. His long-term collaborations include the electronic duo FURT which he formed with Paul Obermayer in 1986 (and its more recent octet version fORCH), composing for and performing with the ELISION contemporary music group since 1990, and regular appearances with the Evan Parker Electro-Acoustic Ensemble since 2003. He studied composition principally with Peter Wiegold, and currently teaches at the Institute of Sonology in The Hague. You can listen to more of his music at www.richardbarrettmusic.com.

Old Machines for New Music | Symposium Sat, 12/01/2012 Although Sonology in Utrecht was very early when it came to the use of computers for sound synthesis, analogue production techniques still remained an important subject after the first PDP-15 computer had arrived by the end of 1970. Equipment for voltage control was further developed at Sonology’s electronics workshop, and when the institute in Utrecht closed its doors in 1986, it still had three analogue studios. After Sonology had moved to the Royal Conservatory in The Hague, the best pieces of equipment of these three studios were combined and installed in one new analogue studio. At the same time, digital techniques became more and more prominent with the arrival of the personal computer. When in 1993, I was asked to take over Jaap Vink’s position as teacher in analogue studio techniques, it was questioned whether it was necessary at all to have such a studio. I personally was convinced that an analogue studio could make an important contribution to the curriculum, but then still, the question was if analogue techniques were only relevant because they are part of the historical development of electronic music, or if the methods applied in an analogue studio might still be relevant at a time when digital techniques were taking over. After having studied Gottfried Michael Koenig’s methods for the production of his Terminus (1962) and the Funktionen series (1967-1969) and the realization of a series of new pieces with voltage control techniques myself (Depths of Field 1-4 and Geoglyphs), my answer is yes! Kees Tazelaar (July 27, 1962) was taught at the Institute of Sonology from 1981 to 1983 (Utrecht) and from 1987 to 1989 (The Hague). He subsequently studied composition with Jan Boerman at the Royal Conservatory in The Hague, graduating in 1993. Since then Tazelaar has been teaching at the Institute of Sonology. He is head of Sonology since June 2006. In addition to his own autonomous works, he has contributed to music theatre projects by Dick Raaijmakers (Die glückliche Hand geöffnet, Scheuer im Haag) and Theatergroep Hollandia (Perzen, Varkensstal). Tazelaar has also been intensively engaged in the restoration and reconstruction of major electronic works from the past. In his specially equipped studio, he has created new versions of compositions by Gottfried Michael Koenig , Jan Boerman, Edgard Varèse, Iannis Xenakis, György Ligeti, Luctor Ponse and Dick Raaijmakers. During the winter semester of 2005/2006, Kees Tazelaar filled the Edgard Varèse Guest Professorship of the DAAD at the Technische Universität Berlin.

framework:afield realized in conjunction with Raviv Ganchrow's Aural Tectonics seminar, at the Institute of Sonology, the Royal Conservatory, Den Haag.

framework:afield realized in conjunction with Raviv Ganchrow's Aural Tectonics seminar, at the Institute of Sonology, the Royal Conservatory, Den Haag.

From Holland comes today's artist *TC* - It all started when he was like 7 years old and heard this tape with music by Jean-Michel Jarre: the Oxygegrave;ne album. It was recorded by his neighbour and friend Robert. It just went on and on from that moment in time... TC bought himself one synthesizer-based record after another. Other music was irrelevant from his perspective... Though during his childhood he used to listen to very melodic songs as well, collected by his parents; on a regular day he would hear Neil Diamond, James Last, Barbra Streisand, some Arne Janssen during birthday parties and even this Dutch band 'BZN'. We're talking the livingroom now. Back in his own room, TC would play his vinyl collection and listen to the radio. During the 80's his favorite radio show was the 'CD Show' hosted bynbsp;Wim van Putten. But also 'The Soul Show' with Ferry Maat and 'In The Mix' by Ben Liebrand on friday nights at Veronica radio station. [ad#post-ad] His vinyl collection in those years: Peru, Jarre, Vangelis, Klaus Doldinger, Tangerine Dream. When the first CD's were launched TC was at the 'Capilux' store and bought his first one: Klaus Schulze 'Body Love'. His first electronic music CD ever... TC studied Sonology at the Royal Conservatoire in The Hague, NL. In 1994, TC was the first Dutch conservatory student to graduate on a live dance music performance, held at the Sonic Acts Festival in Paradiso, Amsterdam. He was in a band at that time called 'Normally Invisible'. They made one album and it was released on Staalplaat Records, Amsterdam. Genre: ambient/trance. In his own studio TC worked on a solo project, the 'Atlantic Treasure' album. It wasn't released until years later when the iTunes Store was getting popular. There's no physical release but one never knows what the future might bring. From this album the jukebox plays 'Impact LNB' - inspired by the Nord Lead synth, samples from SciFi movies, the wonderful theme of 'La Double Vie de Veacute;ronique' (Zbigniew Preisner) and his big Persian love from Isfahan, both were born on the same day.nbsp;File it under 'what suits you' or 'never to be deleted'. It's intriguing and cinematic and it even makes the artist wonder whatever happened to making music... Artist: *TC* Track: Impact LNB Album: Atlantic Treasure Visit the *TC* website here (you're already there) Buy the album 'Atlantic Treasure' on iTunes Store here copy;2010 Jukebox - spacemusic.nl This episode: BONUS content via Spacemusic App. Get it here.

During the 90's : ambient/dance event in the big city. TC and his band Normally Invisible - an experience like you never heard before. This is unique material previously unreleased. Have a pre-listen via this podcast and order your copy via spacemusic.istream.info