Podcasts about Xylophone

Episode 496 - Terry Sweeney Pete's Percussion Podcast Sandbox Percussion Member and Educator Terry Sweeney stops by to talk about his work with Sandbox, their teaching at the University of Missouri-Kansas City and Mannes (NY), and the Bob Van Sice influence (03:50), the beginnings of Sandbox Percussion, Terry's challenges of performing in Sandbox and finishing his master's degree at the same time, the Brooklyn studio, and the challenges and workings of scheduling (19:40), growing up in Michigan, his drumset and drumline background, and connecting with Gwen Dease through Interlochen (57:00), attending Peabody Conservatory (MD) for undergrad and studying with Bob Van Sice, and heading to Yale University (CT) for grad school, continuing with Van Sice, and some of the other folks he worked with during his time there (01:11:00), and finishes with the Random Ass Questions, including segments on working with Andy Akiho, training for triathlons, his fandom for popcorn, and the work Canto Ostinato (01:18:15).Finishing with a Rave on the band Sound Society (01:51:20).Terry Sweeney links:Sandbox PercussionTerry at SandboxPrevious Podcast Guests Mentioned:Victor Caccese in 2019Ian Rosenbaum in 2025Jonny Allen in 2026Gwen Dease in 2017Garrett Arney in 2019Amy Smith in 2018Julie Hill in 2019Julie Davila in 2019David Skidmore in 2025Sean Connors in 2025Peter Martin in 2025Robert Dillon in 2025Other Links:Robert Van Sice“Extremes” - Jason Treuting“Mallet Quartet” - Steve Reich“Drumming” - Steve ReichSo PercussionEighth BlackbirdPat Metheny GroupAntonio SanchezInterlochen“Porgy and Bess” xylophone excerptModern School for Xylophone, Marimba, and Vibraphone - Morris GoldenbergYale Percussion Group“Mirage” - Yasuo SueyoshiPaul Berry“Time for Marimba” - Minoru MikiAftersun trailerA Rainy Day in New York trailerMy Struggle - Karl One KnausgardCanto Ostinato - Simeon ten HoltRaves:Sound Society

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of songs and spoken language made by anthropologist Northcote Thomas in Nigeria and Sierra Leone between 1909 and 1915.Recorded by Northcote Whitridge Thomas.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

Bluey and Bingo learn to share their magic xylophone. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Following all this marimba and xylophone chitchat, Dean heads back to the phone lines. In the second hour, the first caller had safety concerns following last year’s big wildfires that devastated parts of SoCal. To that end, he’s been researching fire prevention devices for homes and is wondering if there’s a trade show that will offer all these tools and devices in one place? Spoiler: What rhymes with Shmas Shmegas? Next up, a long-time listener wanted Dean’s tips on Daikin cooling and heating systems that are placed on the wall of her Oregon vacation home. To more cooling questions! One caller was wondering if closing air conditioning vents in rooms that aren't being used will affect the airflow in other rooms, or the energy costs. Lastly, what to do if your old garage floor gets wet when it rains and you can’t find the source? Detective Dean may have the answer. See omnystudio.com/listener for privacy information.

(00:00:00) Intro (00:02:00) We Just Got Done Rewatching The Magic Xylophone (00:14:05) Did We Learn Anything Today? (00:15:55) Parting Thoughts (00:17:41) Howl Outs In this episode we rewatch and then talk about The Magic Xylophone. Taking turns can be difficult!Thank you so much for listening. Connect with us and let us know what you think of the show!Get Dinner with the Heelers merch! At Dashery by TeePublic you can get shirts (and all sorts of other cool things) with Dinner with the Heelers artwork. Grab yours today!Get ad-free episodes via Patreon for only $1 a month: patreon.com/theblueypodcastCheck out this video about how our podcast is made:TikTok: https://www.tiktok.com/@theblueypodcast/video/7370492256005950766Instagram: https://www.instagram.com/reel/C7NKLQhAIUv/A huge thank you to Ryanna Larson (Instagram: @blueyfamilyportraits) for the amazing show cover art. Connect with her on Instagram to commission a portrait for your family!Website: theblueypodcast.comPatreon: patreon.com/theblueypodcastTikTok: @theblueypodcastTwitter: @theblueypodcastInstagram: @theblueypodcastFacebook: Dinner with the HeelersEmail: blueypodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/dinner-with-the-heelers-a-bluey-podcast--6729926/support.

In case the title didn't make it obvious enough, Dan Rolinson and Mat Kendrick are back in the Poddymoor Heath studio answering your questions - and as Villa didn't play at the weekend - it quickly descended into the usual Claret & Blue nonsense. GET 20% OFF at FPRO: https://fpro.com/claretandblue EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/claretandblue Try it risk-free now with a 30-day money-back guarantee

In this episode of Walk Talk Listen, I speak with Drew Tucker, vibraphonist, educator, and Director of the Jazz Road program at South Arts. Known for his wit, creativity, and signature reminder that “It's not a xylophone,” Drew has spent his career reshaping how people listen — not only to instruments, but to one another.   Drew shares stories of his early musical influences, his lifelong love of rhythm, and the turning points that led him from performer to cultural leader. The conversation explores the power of mentorship, the role of the arts in building community, and what it means to create spaces where young musicians can thrive.   Together, Maurice and Drew reflect on sound as a language of empathy and curiosity — and how, in the right hands, a vibraphone can become an instrument of connection, creativity, and change. Learn more about Drew's work via his website: Its is not an xylophone.. Connect with him on LinkedIn, Instagram, Facebook and Youtube. Share your feedback on this episode through our Walk Talk Listen Feedback link – your thoughts matter! Follow Us: Support the Walk Talk Listen podcast by following us on Facebook and Instagram. Visit 100mile.org or mauricebloem.com for more episodes and information about our work. Check out the special series "Enough for All" and learn more about the work of the Joint Learning Initiative (JLI).

Lords: * John * Avery * Jay Topics: * Being known for one thing and trying to do a different thing * https://jtholen.bandcamp.com/album/new-active-object * Finding instruments on the street * Accidentally arguing with sauna guy Microtopics: * Many-Time Topic Lord John Mystery. * Talking the plunge into the Topic Lords discord. * An unspoken constant presence like Seymour Glass in the Glass Family novels. * The Once and Future Musician. * Putting a formant filter on your organ so you can play the organ on Zoom. * Why pouring hot water sounds different from pouring cold water. * The sound of boiling hot urine. * The top rated coffee shop in San Francisco on Yelp for seven months in a row. * Remaining your coffee shop after Mark Zuckerberg in hopes that he'll show up in person. * Trying to open up a coffee shop in late 90s San Francisco and only realizing too late that it's 2016. * ADA compliant seating. * Four-person episodes of Topic Lords. * A 6'5" guy trying to barter a half-used spray paint can for a cup of coffee. * The Menacing Barterer. * Aggressive Wimpy gladly paying you tomorrow for a hamburger today or else. * Aggressive Wimpy throwing a shoe at your espresso machine. * Your car accidentally becoming an art car. * Letting people spray paint your car until it's nothing but spray paint. * Calling 911 and explaining that the guy menacing you needs marijuana. * Being detained by Mark Zuckerberg's private security force. * Living near Mark Zuckerberg's house so you can do whatever your fixation with Mark Zuckerberg is. * Aggressive Barter Guy trying to barter a Porsche for a cup of coffee. * The $6 Porsche. * Tholen or Tholen. * A prog album constructed from Klik n Play samples. * When someone who does I've things decides to do something else. * The Mountain Goats novelizations. * Leonard Cohen's terrible poetry. * Thinking a song is deeply meaningful until you read the lyrics. * New Active Object. * Lunch Music. * Doing a thing for a long time and getting good at it. * Who has time to read a novel? * Having Game Boys Advance but still reading books sometimes. * Telling your teacher that you need to go to your job at NASA and they're like "oh you must be doing something important over there" * Working in the waterslide industry. * The Joy of Being the Secrets Guy. * Reading too much into it is the next Frog Fractions game. * Admitting to your wife that you found a digital piano on the curb. * The digital piano in the background of the Frog Fractions 2 pitch video. * Walking by a theremin at a party and it chirps at you like a proximity car alarm. * The Moog Etherwave. * Staring at your broken Omnichord. * A toddler whose first word is "mandolin." * Living Out Yonder. * The Roland Space Echo. * A cassette tape except there isn't any cassette, the tape is just kind of wriggling around in there. * Buying synthesizers from thrift shops that don't know how to tell whether synthesizers are broken. * The Two Organs Behind Me. * Ukelins. * Zither-esques. * Dulcimers vs. hammered dulcimers. * Looping your song and picking the notes that kind of sound like they belong. * A Xylophone For Jandek. * Feeling like you're taking to extremely accomplished people and you're just a weird little guy. * Who Is Sauna Guy?? * Stuck debating sauna guy while the venerated author with similar interests to yours is holding court in the next room. * Physics Philosophy guy talking about physics and philosophy. * An hour into the conversation, telling Sauna Guy that you don't even like being warm and he just stares at you. * The new way to joke about forum URLs. * Back when the Internet was full of exciting possibilities. * What topics turn you into Sauna Guy. * David Byrne sitting alone at the David Byrne art exhibit in Palo Alto. * We're All Sauna Guy Now. * Voting each other off the podcast. * Lightning round sudden death topics. * When the sunscreen finally makes it onto your cornea. * Not having a home page again but meaning to someday.

Macy Gilliam, Toby Howell and Neal Freyman face questions about dangerous deliveries, cranky clocks and genius gravestones. LATERAL is a comedy panel game podcast about weird questions with wonderful answers, hosted by Tom Scott. For business enquiries, contestant appearances or question submissions, visit https://lateralcast.com. HOST: Tom Scott. QUESTION PRODUCER: David Bodycombe. EDITED BY: Julie Hassett at The Podcast Studios, Dublin. MUSIC: Karl-Ola Kjellholm ('Private Detective'/'Agrumes', courtesy of epidemicsound.com). ADDITIONAL QUESTIONS: Ben Wiles, Alan Wu, Amaury, Brady Joyce, Dylan Bell, Addy, Peter Scandrett. FORMAT: Pad 26 Limited/Labyrinth Games Ltd. EXECUTIVE PRODUCERS: David Bodycombe and Tom Scott. © Pad 26 Limited (https://www.pad26.com) / Labyrinth Games Ltd. 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why did Double Tap turn Spanish for a day? Steven and Shaun explain the tech fail, talk blind community empowerment, and review the latest version of the WeWALK Smart Cane with hands-on insights.In this lively episode, Steven Scott and Shaun Preece return from Sight Village with stories, tech talk, and a few unexpected language lessons. They kick off with listener reactions to a surprising glitch where the podcast appeared in a different language—thanks to YouTube's new AI-driven multilingual feature—and reflect on the implications for accessibility.The episode moves into deeper conversation about blind community events like NFB and ACB conventions versus Sight Village, exploring cultural differences, empowerment, and the barriers to participation for many blind people. Steven shares personal insights on growing up blind and why he resists the label of "advocate."In the second half, Steven delivers an in-depth hands-on review of the WeWALK Smart Cane 2. He highlights its lighter design, improved navigation tools, and seamless integration with the WeWALK app for turn-by-turn directions and public transport alerts. With tactile controls, obstacle detection, and compatibility with Ambutech canes, this smart mobility aid could be a game-changer.00:00 - Introduction00:58 - Why did Double Tap turn Spanish?15:25 - Piano or Xylophone?19:12 - NFB and ACB conventions wrap up33:20 - Shaun has broken his beloved keyboard35:45 - CoPilot app on iOS gets vision feature36:50 - Subscribe to the Double Tap newsletter37:50 - Get in touch with Double Tap38:36 - Shaun finds a new way to remotely connect to his computer39:44 - Shaun buys something during Prime Day41:32 - Steven gives his first thoughts on the WeWalk Smart Cane 2 Find Double Tap online: YouTube, Double Tap Website---Follow on:YouTube: https://www.doubletaponair.com/youtubeX (formerly Twitter): https://www.doubletaponair.com/xInstagram: https://www.doubletaponair.com/instagramTikTok: https://www.doubletaponair.com/tiktokThreads: https://www.doubletaponair.com/threadsFacebook: https://www.doubletaponair.com/facebookLinkedIn: https://www.doubletaponair.com/linkedin Subscribe to the Podcast:Apple: https://www.doubletaponair.com/appleSpotify: https://www.doubletaponair.com/spotifyRSS: https://www.doubletaponair.com/podcastiHeadRadio: https://www.doubletaponair.com/iheart About Double TapHosted by the insightful duo, Steven Scott and Shaun Preece, Double Tap is a treasure trove of information for anyone who's blind or partially sighted and has a passion for tech. Steven and Shaun not only demystify tech, but they also regularly feature interviews and welcome guests from the community, fostering an interactive and engaging environment. Tune in every day of the week, and you'll discover how technology can seamlessly integrate into your life, enhancing daily tasks and experiences, even if your sight is limited. "Double Tap" is a registered trademark of Double Tap Productions Inc.

Maddie is unsure about giving away her old xylophone, and playing the very first melody she ever wrote brings back lots of feelings. But when she hears the instrument bringing joy to a little girl, Maddie soon knows what she needs to do.

This morning we discovered our new favorite sporting event! A bored dad created a masterpiece with his son's Legos, the Rock Hall of Fame announced this year's inductees, and 5 Hour Energy is getting in on the hot sauce game. We also hit the phones to find out how your ex became your ex! See omnystudio.com/listener for privacy information.

On this week's Friday edition of That Peter Crouch Podcast, Pete and Sids are left holding the fort again without Chris, who's off on a family holiday. But Chris still manages to stir the pot, sending in his Premier League predictions. As usual, the guys tackle the big questions and make some bold calls on match outcomes for the weekend's most anticipated fixtures—highlighting an upcoming clash between Manchester United and Chelsea…The lads dive into the recent “Ballon d'Or” controversy, and the surprising no-show from Real Madrid players. They even explore the “new manager bounce” potential for Manchester United, as well as speculate on some iconic names who might be up for the role.Sids is flabbergasted by some attempted entertainment, and an ice cream truck causes quite possibly one of the funniest moments on the podcast! Finally, we check-in on the “Hand of Pod” as it begins its global journey from a local pub to none other than… next to the Ballon d'Or! Enjoy this football Friday episode!Chumbawamba00:00 - Intro01:34 - Chris's Holiday Check-in02:56 - Score Recap04:59 - Ten Hag's Exit06:34 - Arsenal's Cultural Shift08:33 - Managerial Options10:04 - Balon d'Or Controversy and Rodri's Win12:56 - Upcoming Fixtures: Manchester United vs. Chelsea13:30 - Cole Palmer's Role18:50 - Forest's Surprising Success23:27 - Spurs vs. Villa27:50 - Xylophone teeth31:48 - 9 Inches Shirt35:18 - Hand of Pod38:08 - Diminutive XISubscribe to https://www.youtube.com/channel/UCFULBvlxNWW8cWsrV6fGrcwFollow our Clips page https://www.youtube.com/channel/UCLNBLB3xr3LyiyAkhZEtiAA For more Peter Crouch: Twitter - https://twitter.com/petercrouch Therapy Crouch - https://www.youtube.com/@thetherapycrouch For more Chris Stark Twitter - https://twitter.com/Chris_StarkInstagram - https://www.instagram.com/chrisstark/For more Steve Sidwell Twitter - https://twitter.com/sjsidwell Instagram - https://www.instagram.com/stevesidwell14 #PeterCrouch #ThatPeterCrouchPodcast Hosted on Acast. See acast.com/privacy for more information.

The Daily Shower Thoughts podcast is produced by Klassic Studios. [Promo] Check out the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ [Promo] Like the soothing background music and Amalia's smooth calming voice? Then check out "Terra Vitae: A Daily Guided Meditation Podcast" here at our show page [Promo] The Daily Facts Podcast. Get smarter in less than 10 minutes a day. Pod links here Daily Facts website. [Promo] The Daily Life Pro Tips Podcast. Improve your life in less than 10 minutes a day. Pod links here Daily Life Pro Tips website. [Promo] Check out the Get Happy Headlines podcast by my friends, Stella and Mickey. It's a podcast dedicated to bringing you family friendly uplifting stories from around the world. Give it a listen, I know you will like it. Pod links here Get Happy Headlines website. Shower thoughts are sourced from reddit.com/r/showerthoughts Shower Thought credits: squad1alum, Trumpsabaldcuck, HelloMyNameIsPhill, wwishie, Technical_Ad_4299, BFPete, Up2Eleven, Ninja_badgers, TheRiceKrispyTreats, efaefabanefa, wfezzari, CorkDonkey5, Jigarthanda, snoo0raoo, noamaon, Spare_Substance5003, uniqueandweird, Lycan-the-wandering, gabzlel, , Griffinkeeler, atlanticam, wwishie, ShitPostToast, greenteaicedtea, IAmBlack626, TheManOfSpaceAndTime, Fojanratte Podcast links: Spotify: https://open.spotify.com/show/3ZNciemLzVXc60uwnTRx2e Apple Podcasts: https://podcasts.apple.com/us/podcast/daily-shower-thoughts/id1634359309 Stitcher: https://www.stitcher.com/podcast/daily-dad-jokes/daily-shower-thoughts iHeart: https://iheart.com/podcast/99340139/ Amazon Music: https://music.amazon.com/podcasts/a5a434e9-da18-46a7-a434-0437ec49e1d2/daily-shower-thoughts Website: https://cms.megaphone.fm/channel/dailyshowerthoughts Social media links Facebook: https://www.facebook.com/DailyShowerThoughtsPodcast/ Twitter: https://twitter.com/DailyShowerPod Instagram: https://www.instagram.com/DailyShowerThoughtsPodcast/ TikTok: https://www.tiktok.com/@dailyshowerthoughtspod Learn more about your ad choices. Visit megaphone.fm/adchoices

Boots is so excited to show Dora a special song that he's learned to play on his brand new xylophone! He loves playing music for his friends! But just as he's about to play his song, Swiper comes along and swipes his musical instrument! Oh no! Dora and Boots need your help on this adventure to explore through the rainforest to find Boots' xylophone! ¡Vamos!  You can find more Dora on Paramount+.

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University of Oklahoma Lecturer in World Music and Principal Timpanist with the Missouri Symphony Orchestra (MOSY) Chrissie Souza stops by to talk about her job at OU (03:15), playing with MOSY and working with other local orchestras (12:30), growing up in Southeast Missouri and her musical upbringing (24:50), attending the U.S. Percussion Camp and discussing her undergrad years at the University of Missouri (31:45), attending OU for her master's and doctorate degrees, working for OU Press, her dissertation on Marimba Concertos, and eventually working as faculty there (47:40), and finishing with the Random Ass Questions, including her experiences being a woman in the percussion and world music fields, great books, and eating incredible food in Brazil (01:10:55).Finishing with a Rave on the 2023 documentary series Fight the Power: How Hip Hop Changed the World(01:39:10).Chrissie Souza links:Chrissie Souza's Oklahoma University pageMissouri Symphony WebsitePrevious Podcast Guests mentioned:Julia Gaines in 2016Megan Arns in 2017Lance Drege in 2017Aaron Ragsdale in 2017Iain Moyer in 2019Nathan Daughtrey in 2021Jeff Calissi in 2017Julia Spencer in 2021Lance Drege in 2017Cort McClaren in 2022Other Links:Ricardo SouzaJerod Impichchaachaaha' TateWilbur LinSymphony No. 9, Second Movement - L.V. BeethovenJohnny Lee LaneTim AdamsNena LorenzMcNair Scholars ProgramConcertino - Paul CrestonMichael BuddsEd DolbashianJohn CheethamEva SzekelyAmy Knopps“Stained Glass” - David Gillingham“Toccata” - Carlos Chavez“Living Room Music” - John Cage“Ionisation” - Edgard VareseRichard GipsonNCPPJeremy BrunkBrian TinkelStefan IceMarimba Concerto - Jorge SargimentosConcertino for Xylophone and Orchestra - Toshiro MayuzumiConcerto for Marimba and Band - David LongInterstellar trailerInception trailerChimamanda Ngozi AdichieTana French“Nagoya Marimbas” - Steve ReichRaves:Fight the Power: How Hip Hop Changed the World

Excuse Me, Can I X-ray your Xylophone. We've both been back to places we might have come from to revisit our roots, and all the while you think you're finding a deeper part of yourself, the connections are breaking down in time. Maybe you realize you're just a random collection of genetically encoded dust, or […]

We all had and/or played with a xylophone when we were shorties. If you didn't, you definitely missed out. Today we are visiting a historic location here in Chicago where we, once again, supplied the U.S., the Deagan Inc Building. Also, we talk to a very cool Chicago who plays for us out in the streets! Nick White joins us as we traveled! Also, we visit a church that plays a part in this whole story. Come on and learn with us!Support the Show.Check out our new merch!! https://www.77flavorschi.com/shopAlso, catch Dario on the new season of Netflix's "High On the Hog" here!!If you have anything you'd like us to talk about on the podcast, food or history, please email us at ⁠media@77flavorschi.com⁠ WATCH US ON YOUTUBE ⁠HERE⁠! Visit our website ⁠https://www.77flavorschi.com⁠ Follow us on IG: 77 Flavors of Chicago ⁠@77flavorschi⁠ Dario ⁠@super_dario_bro⁠ Sara ⁠@TamarHindi.s

Bluey and Bingo find the magic xylophone that freezes anyone around them. But Bluey needs to learn how to take turns with her sister.

Episode 117 Electronic Keyboards in Jazz, A Recorded History, Part 1 of 2 Playlist   Length Start Time Introduction 05:42 00:00 1.             Vernon Geyer, “Day After Day” from All Ashore / Day After Day (1938 Bluebird). Soloist, Hammond Electric Organ, Vernon Geyer. 02:22 05:42 2.             Milt Herth Quartet / Milt Herth Trio, “Minuet in Jazz” from Home-Cookin' Mama With The Fryin' Pan / Minuet In Jazz (1938 Decca). Milt Herth was one of the first to record with the Hammond Organ Model A. His playing was more focused on melody and counterpoint and not so much on creating a lush progression of chords. This was recorded a few years before the availability of the Leslie rotating speaker, which added a special tone quality to later Hammonds, such as the model B3. 02:44 08:04 3.             Milt Herth Quartet / Milt Herth Trio, “Looney Little Tooney” from Flat Foot Floojie / Looney Little Tooney (1938 Decca).  Vocals, O'Neil Spencer; Drums, O'Neil Spencer; Guitar, Teddy Bunn; Hammond Organ, Milt Herth; Piano, Willie Smith (The Lion). 02:50 10:46 4.             "Fats" Waller And His Rhythm, “Come Down to Earth, My Angel” from Come Down To Earth, My Angel / Liver Lip Jones (1941 Bluebird). Waller was an extremely popular ragtime and stride piano player and vocalist. In this number, he takes a rare turn on an electric organ, presumably an early model Hammond. Vocals, Piano, Electric Organ, "Fats" Waller; Bass, Cedric Wallace; Clarinet, Tenor Saxophone, Gene Sedric; Drums, Slick Jones; Guitar, Al Casey; Trumpet, John Hamilton. 03:10 13:36 5.             Collins H. Driggs, “When Day is Done” from The Magic Of The Novachord (1941 Victor). Soloist, Hammond Novachord, Collins H. Driggs. This was an early polyphonic keyboard that generated its sounds using valve, or vacuum tube, oscillators. Made by Hammond, the Novachord was an entirely different electronic instrument than its tone-wheel organs. The Novachord had unique, synthesizer-like controls over envelope generation, band pass filtering and vibrato controlled by a series of flip switches, offering the keyboardist a unique suite of sounds. 03:11 16:45 6.             The Four Clefs, “It's Heavenly” from It's Heavenly / Dig These Blues (1943 Bluebird). Hammond Electric Organ, James Marshall. Another organ recording and a nice duet with a guitarist Johnny "Happy" Green. 02:41 19:54 7.             Ethel Smith And The Bando Carioca, “Tico-Tico” from Tico-Tico / Lero Lero / Bem Te Vi Atrevido (1944 Decca). Another was a popular and skilled organist using a pre-B3 Hammond. 02:45 22:36 8.             Slim Gaillard Quartette, “Novachord Boogie” from Tee Say Malee / Novachord Boogie (1946 Atomic Records). Bass, Tiny Brown; Drums, Oscar Bradley; Guitar, Slim Gaillard; Piano, Dodo Marmarosa. While the Hammond Novachord plays a prominent role in this recording, the player is not credited. 02:57 25:20 9.             Milt Herth And His Trio,” Twelfth Street Rag” from Herthquake Boogie / Twelfth Street Rag (1948 Decca). Recorded in New York, NY, September 5, 1947. Described on the recording as a “Boogie Woogie Instrumental.” Hammond Organ, Milt Herth; Drums, Piano, Uncredited. Herth had been recording with the Hammond organ since 1937. 03:10 28:16 10.         Ben Light With Herb Kern And Lloyd Sloop, “Benny's Boogie” from Benny's Boogie / Whispering (1949 Tempo). This track includes the triple keyboard combination of piano, organ, and Novachord. Hammond Electric Organ , Herb Kern; Piano, Ben Light; Hammond Novachord, Lloyd Sloop. 02:37 31:27 11.         Johnny Meyer Met Het Kwartet Jan Corduwener, “There's Yes! Yes! in your Eyes” from Little White Lies / Thereʼs Yes! Yes! In Your Eyes (1949 Decca). Accordion player Johnny Meyer added a Hammond Solovox organ to his musical arrangements. The Solovox was monophonic and it added a solo voice to his performances. This recording is from the Netherlands. 03:22 34:04 12.         E. Robert Scott, R.E. Wolke, “Instructions For Playing Lowrey Organo” (excerpt) from Instructions For Playing Lowrey Organo (circa 1950 No Label). Promotional disc produced by piano and organ distributor Janssen, presumably with the cooperation of Lowrey. This is a 12-inch 78 RPM disc, but is undated, so I believe that picking 1950 as the release year is safe because the Organo was introduced in 1949 and 78 RPM records were already beginning to be replaced in 1950 by the 33-1/3 RPM disc. Recordings of this instrument are extremely rare. I have no such examples within a jazz context, but being a competitor of the Hammond Solovox, I thought this was worth including. 03:23 37:26 13.         Ethel Smith, “Toca Tu Samba” from Souvenir Album (1950 Decca). One of the great female masters of the Hammond Electric Organ was Ethel Smith. Her performances were mostly considered as pop music, but she had the knack for creating Latin jazz tracks such as this. Featuring The Bando Carioca; Hammond Electric Organ soloist, Ethel Smith. 02:25 40:48 14.         The Harmonicats, “The Little Red Monkey” from The Little Red Monkey / Pachuko Hop (1953 Mercury). Jerry Murad's Harmonicats were an American harmonica-based group. On this number, they included the electronic instrument known as the Clavioline. The Clavioline produced a fuzzy square wave that could be filtered to roughly imitate many other instruments. The record is inscribed with the message, “Introducing the Clavioline,” but the player is not mentioned. 01:56 43:12 15.         Djalma Ferreira E Seus Milionarios Do Ritmo, “Solovox Blues” from Parada De Dança N. 2 (1953 Musidisc). From Brazil comes a jazz group that included the Hammond Solovox Organ as part of its ensemble. Invented in 1940, the Solovox was a monophonic keyboard intended as an add-on to a piano for playing organ-flavored solos. It had a 3-octave mini keyboard and controls over vibrato and attack time, and tone settings for deep, full, and brilliant. Piano, Hammond Solovox Organ, Djalma Ferreira; Bass, Egidio Bocanera; Bongos, Amaury Rodrigues; Drums, Cecy Machado; Guitar, Nestor Campos. 02:31 45:08 16.         Eddie Baxter, “Jalousie” from Temptation (1957 Rendezvous Records). Piano, Hammond Organ, Celesta (Electronic Celeste), Krueger Percussion Bass, Eddie Baxter; rhythm section, uncredited. Like Ethel Smith, Baxter was pushing the limits of popular music with his virtuosity on the organ and other instruments. In this track you can hear the electronic celesta with its chime-like sounds near the beginning before the electric organ and guitar dominate the rest of the piece. 02:33 47:38 17.         Eddie Baxter, “Temptation” from Temptation (1957 Rendezvous Records). Hammond Electric Organ, Eddie Baxter. Piano, Hammond Organ, Wurlitzer Electric Piano, Krueger Percussion Bass, Eddie Baxter. In this track, you can clearly hear the Wurlitzer electric piano in several sections. 02:08 50:10 18.         Le Sun Ra And His Arkestra, “Advice to Medics” from Super-Sonic Jazz (1957 El Saturn Records). This excursion into one of the first records released by Sun Ra as a bandleader of the Arkestra was recorded in 1956 at RCA Studios, Chicago. This track is a solo for the Wurlitzer Electric Piano, an instrument invented in 1954 and that was quickly adopted by many jazz and popular music players. 02:02 52:17 19.         Le Sun Ra And His Arkestra, “India” from Super-Sonic Jazz (1957 El Saturn Records). A work featuring the Wurlitzer Electric Piano played by Sun Ra, miscellaneous percussion; electric bass, Wilburn Green; Drums, Robert Barry and William Cochran; Timpani, Timbales, Jim Herndon; and trumpet, Art Hoyle. 04:48 54:18 20.         Le Sun Ra And His Arkestra, “Springtime in Chicago” from Super-Sonic Jazz (1957 El Saturn Records). This work features Sun Ra playing the acoustic and electric pianos. Wurlitzer Electric Piano, piano Sun Ra; bass, Victor Sproles; Tenor Saxophone, John Gilmore; Drums, Robert Barry and William Cochran. 03:50 59:14 21.         Le Sun Ra And His Arkestra, “Sunology” from Super-Sonic Jazz (1957 El Saturn Records). Another number with both the acoustic and electric pianos. Of interest is how Sun Ra moves deftly from one keyboard to the other (these recordings were made in real time), often mid-phrase. This was a style of playing that Sun Ra would continue to perfect throughout his long career and many electronic keyboards. Wurlitzer Electric Piano, piano Sun Ra; bass, Victor Sproles; Tenor Saxophone, John Gilmore; Drums, Robert Barry and William Cochran; Alto Saxophone, James Scales; Alto Saxophone, Baritone Saxophone, Pat Patrick. 12:47 01:02:54 22.         Steve Allen, “Electronic Boogie” from Electrified Favorites (1958 Coral). From Steve Allen, who played the Wurlitzer Electric Piano on this track. This track has the characteristic brashness that was typical of the Wurlitzer sound. 02:23 01:15:40 23.         Steve Allen, “Steverino Swings” from Electrified Favorites (1958 Coral). From Wurlitzer Electric Piano, Steve Allen. Unlike many tracks featuring the Wurlitzer Electric, which make use of its distortion and emphasize its sharp attack, it was possible to closely mimic an acoustic piano as well, as Allen does here. I had to listen to this several times before I believed that it was the Wurlitzer, as the liner notes state. But you can hear certain tell-tale sounds all along the way—such as the slight electrified reverb after a phrase concludes and the occasional thump of the bass notes played by the left hand. 02:54 01:18:02 24.         Michel Magne, “Larmes En Sol Pleureur (Extrait D'un Chagrin Emmitouflé)” from Musique Tachiste (1959 Paris). Jazz expression in a third-stream jazz setting by French composer Michel Magne. Third-stream was a music genre that fused jazz and classical music. The term was coined in 1957 by composer Gunther Schuller after which there was a surge of activity around this idea. In this example, the Ondes Martenot and vocalist add jazz nuances to a chamber music setting, the interpretation being very jazz-like. Ondes Martenot, Janine De Waleine; Piano, Paul Castagnier; Violin, Lionel Gali; Voice, Christiane Legrand. 02:38 01:20:54 25.         Ray Charles, “What'd I Say” from What'd I Say (1959 Atlantic). This might be the most famous track ever recorded using a Wurlitzer Electric Piano. The fuzzy, sharp tone added depth and feeling to the playing. The opening bars were imitated far and wide for radio advertising of drag races during the 1960s. 05:05 01:23:30 26.         Lew Davies And His Orchestra, “Spellbound” from Strange Interlude (1961 Command). This was one of Enoch Light's productions from the early 1960s, when stereo separation was still an experiment. This is the theme from the Hitchcock movie with a melody played on the Ondioline, a monophonic organ and an otherwise jazzy arrangement with a rhythm section, reeds, and horns. Arrangement, Lew Davies; Ondioline, Sy Mann; Bass, Bob Haggart, Jack Lesberg; Cymbalum, Michael Szittai; Drums, George Devens, Phil Kraus; French Horn,Paul Faulise, Tony Miranda; Guitar, Tony Mottola; Reeds, Al Klink, Ezelle Watson, Phil Bodner, Stanley Webb; Trombone, Bobby Byrne, Dick Hixon, Urbie Green; Produced by, Enoch Light. 03:29 01:28:34 27.         Sy Mann and Nick Tagg, “Sweet and Lovely” from 2 Organs & Percussion (1961 Grand Award). Duets on the Hammond B3 and Lowrey Organs “propelled by the urgent percussive drive of a brilliant rhythm section.” This is a unique opportunity to contract and compare the sounds of the Hammond and Lowrey organs with percussion. Hammond B3 Organ, Sy Mann, Nick Tagg. The track begins with the Lowrey and demonstrates the sliding tone effects made possible by its Glide foot switch. 02:58 01:32:02 28.         Enoch Light And The Light Brigade, “Green Eyes” from Vibrations (1962 Command). More stereo separation hijinks from Enoch Light. This tune features the Ondioline in an exchange of lines with the guitar and other instruments. The Ondioline is first heard at about 35 seconds. Ondioline, Milton Kraus; Bass, Bob Haggart; Guitar, Tony Mottola; Percussion, Bobby Rosengarden, Dan Lamond, Ed Shaughnessy, Phil Kraus; Piano, Moe Wechsler; Trumpet – Doc Severinsen; Woodwind – Phil Bodner, Stanley Webb; Produced by, Enoch Light. 02:50 01:34:59 29.         Jimmy Smith, “Begger for the Blues” from The Unpredictable Jimmy Smith--Bashin' (1962 Verve). Jimmy Smith was a great jazz soloist on the Hammond B3 organ. This stripped-down arrangement shows his nuanced expression skills with the organ. 07:26 01:37:49 30.         Jimmy Smith, “Walk On The Wild Side” from The Unpredictable Jimmy Smith--Bashin' (1962 Verve). This big band arrangement of a theme from the movie Walk on the Wild Side features the Hammond B3 of Smith in the context of a full jazz orchestration. 05:54 01:45:12 31.         Dick Hyman And His Orchestra, “Stompin' At The Savoy” from Electrodynamics (1963 Command). Arranged, Lowrey Organ, Dick Hyman; Bass, Bob Haggart; Drums, Osie Johnson; Guitar, Al Casamenti, Tony Mottola; Marimba, Xylophone, Vibraphone, Bongos, Congas, Bass Drum, Bells, Cowbell, Bob Rosengarden, Phil Kraus; Produced by Enoch Light. Hyman shows off the steady, smooth tonalities of the Lowrey and also makes use of the Glide foot switch right from the beginning with that little whistling glissando that he repeats five times in the first 30 seconds. 02:50 01:51:06 32.         Sun Ra, “The Cosmos” from The Heliocentric Worlds Of Sun Ra, Vol. I (1965 ESP Disc). The instrumentation on this entire album is quite experimental, especially the dominance of the bass marimba, Electronic Celesta, and timpani of Sun Ra. The celesta is seldom heard on jazz records, but it is the only electronic keyboard found on this track. Marimba, Electronic Celesta, timpani, Sun Ra; Percussion, Jimhmi (sp Jimmy) Johnson; Performer, Sun Ra And His Solar Arkestra; Baritone Saxophone, Percussion, Pat Patrick; Bass, Ronnie Boykins; Bass Clarinet, Wood Block, Robert Cummings; Bass Trombone, Bernard Pettaway; Flute, Alto Saxophone, Danny Davis; Percussion, timpani, Jimmi Johnson; Piccolo Flute, Alto Saxophone, Bells, Spiral Cymbal, Marshall Allen. 07:31 01:53:54 33.         Sun Ra And His Solar Arkestra, “The Magic City” from The Magic City (1966 Saturn Research). You won't be disappointed to know that Sun Ra gave the Clavioline a turn on this album. This was prior to his experimenting with synthesizers, which we will cover in Part 2 of this exploration of early electronic keyboards in jazz. He incorporated the Clavioline in many of his mid-1960s recordings. Clavioline, Piano, Sun Ra; Alto Saxophone, Danny Davis, Harry Spencer; Percussion, Roger Blank; Trombone, Ali Hassan; Trumpet, Walter Miller. 27:24 02:01:22 34.         Clyde Borly & His Percussions, “Taboo” from Music In 5 Dimensions (1965 Atco). Vocals, Ondes Martenot, Janine De Waleyne. Yes, Ms. De Waleyne was a French vocalist and Ondes Martenot player. 03:33 02:28:44 35.         Jeanne Loriod, Stève Laurent and Pierre Duclos, ''Ordinateur X Y Z” from Ondes Martenot (1966 SONOROP). Album of broadcast library music from France that happened to feature the Ondes Martenot played Jeanne Loriod; drums, uncredited. The dynamic expression features of the monophonic electronic instrument can be clearly experienced on this track. 02:05 02:32:16 36.         Roger Roger, “Running with the Wind” from Chappell Mood Music Vol. 21 (1969 Chappell). Broadcast library recording with various themes played using the Ondes Martenot. This track features a solo Ondes Martenot and is backed by an electric harpsichord. The Ondes Martenot used the same electronic principle to create smooth, flowing tones as the Theremin, only that it was controlled by a keyboard. In this piece, the articulation of the Ondes Martenot is quite apart from that of the Theremin, including its double-tracked tones and the quick pacing which is rather un-Theremin-like. 01:28 02:34:20 37.         Roger Roger, “Night Ride” from Chappell Mood Music Vol. 21 (1969 Chappell). Broadcast library recording with various themes played using the Ondes Martenot. While this track features a flute solo, you can hear the Ondes Martenot from time to time, especially in the middle break. Other uncredited musician play drums, harp, and perhaps a celesta on this track. 01:35 02:35:45 Opening background music: Dick Hyman And His Orchestra, “Mack the Knife,” “Satin Doll” and “Shadowland” from Electrodynamics (1963 Command). Dick Hyman playing the Lowrey organ. Arranged, Lowrey Organ, Dick Hyman; Bass, Bob Haggart; Drums, Osie Johnson; Guitar, Al Casamenti, Tony Mottola; Marimba, Xylophone, Vibraphone, Bongos, Congas, Bass Drum, Bells, Cowbell, Bob Rosengarden, Phil Kraus; Produced by Enoch Light. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can download the PDF, for free, on my blog, Noise and Notations at thomholmes.com

The Daily Shower Thoughts podcast is produced by Klassic Studios. [Promo] Check out the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ [Promo] The Daily Facts Podcast. Get smarter in less than 10 minutes a day. Pod links here Daily Facts website. [Promo] The Daily Life Pro Tips Podcast. Improve your life in less than 10 minutes a day. Pod links here Daily Life Pro Tips website. [Promo] Check out the Get Happy Headlines podcast by my friends, Stella and Mickey. It's a podcast dedicated to bringing you family friendly uplifting stories from around the world. Give it a listen, I know you will like it. Pod links here Get Happy Headlines website. Shower thoughts are sourced from reddit.com/r/showerthoughts Shower Thought credits: alphabeta_g, Johnyzz, giantfuckingfrog, Grippenripp, VoodooChildy, Similar_Set_6582, moonpies4everyone, Andrewcoo, DewdropPeachyCheer, A_Mirabeau_702, EmporerEmoji, ivanparas, wwishie, InfinityScientist, blantonsucks, Looney_forner, GringosMandingo, StormOfTheVoid, 103048, , cortemptas, soltydog, Professor_bukkake, Abhilash_Adunuri, ReaperSlayer, Eroe777 Podcast links: Spotify: https://open.spotify.com/show/3ZNciemLzVXc60uwnTRx2e Apple Podcasts: https://podcasts.apple.com/us/podcast/daily-shower-thoughts/id1634359309 Stitcher: https://www.stitcher.com/podcast/daily-dad-jokes/daily-shower-thoughts iHeart: https://iheart.com/podcast/99340139/ Amazon Music: https://music.amazon.com/podcasts/a5a434e9-da18-46a7-a434-0437ec49e1d2/daily-shower-thoughts Website: https://cms.megaphone.fm/channel/dailyshowerthoughts Social media links Facebook: https://www.facebook.com/DailyShowerThoughtsPodcast/ Twitter: https://twitter.com/DailyShowerPod Instagram: https://www.instagram.com/DailyShowerThoughtsPodcast/ TikTok: https://www.tiktok.com/@dailyshowerthoughtspod Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, a delightful duet as falling raindrops and the soft chimes of a xylophone come together in a harmonious collaboration to make perfect rain sounds for sleeping. As the heavens open, raindrops, like miniature composers, write a melody for the surrounding trees as they lightly tap the xylophone's bars on their way to Earth. This instrument left out in a gentle downpour becomes a conduit for organic expression, a satisfying serenade conducted by nature itself. We know the letter X can certainly be a challenging one to think of many words for, so tonight please feel free to pick any letter you'd like. 28.33941, -81.57378

University of Oklahoma Chair of the Percussion Area Andrew Richardson stops by to talk about his job, the OU-Texas football rivalry, and the OU Percussion Press (03:40), growing up in Northern Virginia and playing in jazz band and marching band (24:15), getting his undergrad degree from James Madison University (VA) and playing in a pop/punk band in high school (34:20), returning to JMU for his masters (49:05), heading to OU for his doctorate and his dissertation research on the marimba music of Raymond Helble (59:35), and stays for the Random Ass Questions, including segments on the OKC Thunder, Oklahoma tornados, What-A-Burger, and local concerts (01:14:25).Finishing with a Rave about attending a recent Samara Joy concert (01:28:30).Andrew Richardson Links:Andrew Richardson's OU pageOU Percussion PressPrevious Podcast Guests mentioned:Lance Drege in 2017Nathan Daughtrey in 2021Cort McClaren in 2022Other Links:Benjamin HolmesRichard GipsonNCPP“Red River Showdown” 2023“Crown of Thorns” - David Maslanka“Palace of Nine Perfections” - Eric Ewazen“Debris Field” - Jessica Flanigan“Stained Glass” - David Gillingham“Hey Jude” - The Beatles“The Final Countdown” - Europe“Kokomo” - The Beach Boys“Tequila” - The ChampsYamaha Sounds of SummerMarlon FosterThe Go-Go's documentary trailerEnd of the Century: The Story of the Ramones documentary trailer“London Calling” - The Clash“Chain Saw” - The RamonesTeaching Percussion - Gary Cook“Diabolic Variations” - Raymond Helble“Limerick Daydreams” - Nathan Daughtrey“The Crystals” - David Long“Sharpened Stick” - Brett Dietz“Sculpture in Wood” - Rudiger Pawassar“Stubernic” - Mark FordModern School for Xylophone, Vibraphone, and Marimba - Morris Goldenberg“Preludes 1-5” - Michael Burritt“Der Provokateur” - Leander Kaiser“The Worried Drummer” - Adolf Schreiner“Nagoya Marimbas” - Steve Reich“Beads of Glass” - Gordon Stout“Canticle” - Stanley LeonardRaves:Samara Joy's website

Every home needs a xylophone...or something like it! Teaching music to your child using the Montessori method can be intuitive, and you don't need to be a musician yourself to be successful. Join us as we deep-dive into the elusive Montessori Bells and make it much more accessible for modern families. This is just one of our Montessori Essentials. Get our FREE list of 21 Essentials Montessori materials at www.childoftheredwoods.com/essentials

This week on Bottom of the Bill please welcome world-class vibraphonist, musician, educator, and social entrepreneur - Drew Tucker. Drew is at the forefront of reinventing the Vibraphone for the modern audience. His “It's Not a Xylophone” movement along with his passionate playing style is opening up new audiences to this unique instrument. His playing style melds soul, funk, jazz, and hip-hop influences, and has shared the stage with Shaun Martin, Mani Hoffman, Jeff Coffin, Chris Nix, Tom Hurst, Nebjsa Zikovic, and Mark Ford to name a few. Whether coaching eager high school students through national music competitions or leading and directing the growth of local arts institutions, Drew's passion for improving people's lives through artistic endeavor is unwavering. Be sure to check out the links below to learn more about him. As always don't forget to subscribe, hit that notification bell, and leave your thoughts in the comments section below. #bottomofthebill #bottomofthebillpodcast #drewtucker #vibraphoneplayer #itsnotaxylophone #musicpodcast // Drew Tucker Official Links Website: https://itsnotaxylophone.com Booking: https://ragman.org/drew-tucker YT:    / @itsnotaxylophone   IG: https://instagram.com/itsnotaxylophone FB: https://facebook.com/drewtucker7 ______________________________________________ // Podcast Sponsors Best Buds CBD Store https://bestbudscbdstore.com ______________________________________________ Please consider supporting this channel with some Bottom of the Bill Official Merch!! https://bottom-of-the-bill.creator-sp... Bottom of the Bill is a podcast for DIY musicians navigating the current landscape on the periphery of the major industry cities. Hosted by Anton Laplume, the podcast features appearances from local and regional artists, club promoters, artist managers, booking agents, and venue owners to give some real insight into the industry. // Bottom of the Bill Official Podcast Links: Website: https://bottomofthebill.com Spotify: https://open.spotify.com/show/5ySpQAR... Apple: https://podcasts.apple.com/us/podcast... IG: https://instagram.com/bottom_of_the_bill TikTok: https://tiktok.com/@bottomofthebill FB: https://facebook.com/bottomofthebillp... // Anton Links: IG: https://instagram.com/antonlaplume TikTok: https://tiktok.com/@antonlaplume FB: https://facebook.com/antonlaplume // Official Side Hustle Links Website: https://sidehustletheband.com Spotify: https://open.spotify.com/artist/4XvbR... YT:    / sidehustletheband   IG: https://instagram.com/sidehustletheband TikTok: https://tiktok.com/@sidehustletheband FB: https://facebook.com/Sidehustletheband

What happens when an undeterrable gardener meets an unstoppable runner of milkweed? A garden war. Thank you to today's sponsor, the Michigan Witches Ball www.michiganwitchesballandbazaar.com. Music: Call to Adventure" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Call to Adventure" Instruments: Bass, Cello, Viola, Violin, Tuba, Trombone, Horn, Trumpet, Bassoon, Clarinet, Oboe, Flute, Percussion, Xylophone, Marimba, Celesta Feel: Action, Bright, Bouncy, Humorous, Epic A giant orchestral work with everything you could want from a piece with this title. ISRC: USUAN1300022 Uploaded: 2013-03-20 178 bpm Soundtrack 4:07 Evening Melodrama What is Creative Commons 4? You are free to: Share — copy and redistribute the material in any medium or format. Adapt — remix, transform, and build upon the material. for any purpose, even commercially. --- Support this podcast: https://podcasters.spotify.com/pod/show/detroit-conjure-llc-festi/support

On the latest episode the boys get back it with lots of wrestling talk and talk about wrestling. The boys go OVER THE TOP and hit on all the results from the past week. Matt is in charge of the facts, as Tony is running behind. Who's facts do you enjoy more? Matt or Tony? Matt is confused with the Booby Hitting clip from NXT & looks for clarity from the guys. From the bad, we go to the good, the Bloodline story continues to rule, but Matt is also confused by the Charlotte Flair clip of her from Smackdown where it looks like she is wrestling in slow motion. This leads Kevin to question, why are these big returns, not hitting the mark for most fans. We are then joined by the Animal Bob Anger. The Asgardian Space Animal talks a ton with us about wrestling, comic books, Sexxxy Beasts and more. Magenta joins the interview and it's over the top, you have to listen to believe it. It's also a great introduction to the Animal Bob Anger. After a quick break the boys are talking AEW, the leveling up of the title and the Will Hobbs title change. Is Rampage on the same live as WCW Thunder? We hit on some ROH, and the Reach for the Sky Ladder Match before we hit a technical difficulty and Matt completely shuts down. Tony ponders if Vince McMahon could take a small company in this era and make it as successful as he did with the WWE. Its another great show from your favorite wrestling podcast. Be sure to subscribe, rate and review --- Support this podcast: https://anchor.fm/the-shining-wizards/support

On the latest episode the boys get back it with lots of wrestling talk and talk about wrestling. The boys go OVER THE TOP and hit on all the results from the past week. Matt is in charge of the facts, as Tony is running behind. Who's facts do you enjoy more? Matt or Tony? Matt is confused with the Booby Hitting clip from NXT & looks for clarity from... The post The Shining Wizards 628: Like a Xylophone appeared first on Shining Wizards Network.

William Shatner discusses his love for Milwaukee, plays the Xylophone, and hocks his show by 102.9 The Hog

Festival Project A Saga S Ū P A © R E E ™ One World. | PEACE. LOVE. UNITY. RESPECT. | Lifelong friends navigate the infinitely incredible world of rave culture, journeying together (and sometimes, apart) into the PLUniveRse© in fantastical, philosophical, and third-eye-opening adventures--the likes of which have never been seen (or foretold.) Festival Project™ is a multi-genre, mystifying and magical cross-genre series, set against the backdrop of modern rave culture-- combined with historical and futuristic elements-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums. A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space. Enter The Multiverse: Anything Is Possible. This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without. Everything is Everything. The Festival Project Saga is a multi-media Music, Film and Television saga that offers a new perspective on the ever-changing and recently popularized culture of dance music; it touches on the history of the culture as a whole, as well as a variety of other societal issues this generation faces—friendship, connectivity, communication—the dawn of social media, America's education system and justice system, immigration, and emerging mental health and drug crisis—while also taking a look at a history of counter culture as a derivative of the rapidly evolving technology of today's society. Through its characters and storylines, we dive deeply into a conglomerate of generational growth and exponentially educational topics, lightheartedly touching tales of friendship, family through blood and through bond, and exploring fields, of Astrology, Philosophy. Festival Trip- Two lifelong friends take a two-week-long trip across the country, to attend two major music festivals—one on the west coast (Among Aliens, in California), and one on the east (Ultimate Music Festival) Chava Hoffs Sala Emillio Gunther Ross- The more than interesting circus-act of a plug/one of Sala's romantic interests, who just happens to be in the same place at the same time, once Sala and Chava arrive in California. Solomon Dominguez- Chava's “homie-lover-friend”, a DC native transplanted to LA who hustles and bustles the 3-job life to live the California dream—a surprisingly dedicated and loyal friend to Chava, who considers him the “king of fuckboys”—which, is not entirely untrue. Johnny McEntire- An eclectic and friendly photographer who stumbles upon Sala during a vulnerable moment—a sweet, humble, and vibrant personality, Chava mostly dismisses him as just another victim of Sala's constantly-inconstant romantic gestures and affiliations. Grace Williams (Chava's Super-Christian (but very sweet) Aunt) Billy Williams- Chava's very dorky, southern Baptist uncle who can't help but throw in a (praise-jesus) Krista DeVaunte- Bride-To-Be—Noah's Fiance Noah Williams- Chava's Cousin, the groom to be Naomi Williams- Chava's salty Cousin, and freinemy since birth—Noah's younger sister Sonny Johnson— Chava's ex-fiance Dustin Roberts—Sala's ex-boyfriend Juan Manuel Jose Melendez Gutierrez-Rodriguez—Sala's current boyfriend, with whom she lives & works with. Running Jokes: -Ridiculous DJ names and Absurd Fictional Festivals -Speaking Spanish with a Mandarin-inflenced dialect—speaking/yelling in awful Spanish-sounding-Mandarin—speaking “Mandarish” or “Spandarin” -Every time Chava mentions Sonny (her ex), Sala interjects with “Fuck Sonny!” -Cop Jokes (due to Chava's occupation) “Go climb broke-bitch mountain!” ACT I- The Wedding Bashers/It's Festival Season “Save-The-Date” Inciting Incident—Plans to attend a destination wedding that Chava and her lifelong. long- distance best friend Sala, have been planning for almost a year are abruptly halted when Chava learns via a very eventful FaceTime call (‘Meet The Williams') that her +1 invitation had apparently only applied to her now-ex-fiance [whom her stuck-up family adored because of his abhorrent Christianity], and that the bride-to-be would not allow Sala to take his place on the guest list—as her vivid memories of Sala from Chava's engagement party are severely grotesque. Flashback: Chava + Sonny's engagement party. Chava: Yeah dude, they got all, mad-butthurt that I was bringing you instead of Sonny. Sala: Fuck Sonny! [The Break-Up] Sala: FUCK YOUR BIRTHDAY! CHAVA: I'M SURE YOU WOULD IF YOU COULD, IF MY BIRTHDAY HAD A PENIS. Sala: YOUR BIRTHDAY DOES HAVE A PENIS—IT'S YOU, DICK. CHAVA: THEN SUCK ME, SALLY MAE. SALA: YOU WISH, WANDA. CHAVA: Can't make a wish with no fucking candles, Kandace. SALA: Huh. I would have thought there were candles just judging by hard you fucking BLOW, Bonnie! CHAVA: Then drive off cliff, Clyde. A remote, unnamed city near the North Pole, in the Alaskan Arctic Circle. It is severely cold, even visually so. ACT II- Sunny California ACT III- Sunny Florida In the scene where random ravers find Sala's backpack in the parking lot, debut Rave Dora [Backpack SupaCreeMixx] “I'm a backpack loaded up with things and Knick-knacks too—anything that you might need, I got inside for you...” Festival Trip One-Liners/ Slang/ Phrases Keep up, Kassandra Hold Up, Heather Be back, Becky Back up, Barbra Shut up, Susan/ Shut Up Sandra/ Shut Up Sharon/ Sit Down, Sally Shove It, Shelly Stop It, Stella Chill, Chelsea Cheer Up, Charlie (a reference to Willy Wonka) Get out my biz, Liz Really Billy? Excerpt, Act III Chava: Dude, your energy is killing me. Sala: So. Chava: Soo, fix it. Sala: What do I look like—Bob the Builder? Chava: More like Wreck-It-Ralphed-All-Over-Yourself Sala: Fuck you. Chava: Off limits. I'm the last person on earth you haven't fucked. Sala: Jealous? Chava: Of the super-massive black-hole that is your vagina? No. I just wish my camera had a better low-light filter so I had actual photographic proof of an 8th world wonder. Sala: …fuck you. Chava: ‘No' Means ‘No'. [blows whistle] Get up. Sala: Ahhhhh—Get fucked! Chava: I was—and you ruined it being a hoe—but I'm willing to look past that, because its a beautiful fucking day in Miami and we're about to get lit. C'mon. S'day one. Sala: Day 1 of rave 2, I'm over it. Chava: Hoe, I'm over you. Sala: Get over me, then, bitch— Chava: I already said I am. Get with it. Sala: Get with this dick. Chava: What's a dick without some balls, bro? Pussy. Sala: … Chava: You mad? Sala: I been mad. Chava: Stay mad, then. Sala: How about I just stay here. Chava: Pay here, stay here, bitch—this trip ain't free. Sala: This trip ain't me. Raves are your thing. I'm not a “festival chick.” Chava: You are for the next three days. Sala: …Three…?! Chava: And counting. Get. Some. Motherfuckin' balls. Here, have some Jesus Juice. [She extends her arm, holding the bottle in front of Sala] Sala: Ughhh. Chava: Come on, man. I'm tryna see Cow Turds. Sala: You're engaged to one. Chava: Shut the fuck up and drink. Here, I'll have one with you. The Epic Trip – ‘Girl—Meet World'. After breaking up with both her ex-fiance and her best friend, a depressed and anxious Chava decides to take a last-minute trip to another one of her bucket list destinations: The Epic Music Festival in Las Vegas, Nevada. F*ckFest: The Origins (Prequel) 21-year-old Chava Hoffs, a longtime raver and lover of all things dance culture, finally convinces her bar-scene best friend to accompany her to a regional event in her area, ‘F*ckfest', Sala's first ever festival/rave where—to both her and Chava's surprise, she connects with other longtime friends she had no idea were immersed into the culture. Sala, having been “rave-retired” since entering her first serious relationship, becomes overly-excited and branches off on her own, reconnecting with her true self after spending too long in her own shell—she discovers her love for an up-and-coming new artist (‘Shluggy') who magnetizes her with a newly-created sound (‘PukeRock'—a play on “VomitStep”) Vibes [Mini Series, Prequel]- A sequel-in-installments to the shenanigans following F*ckfest, where Chava returns to visit Sala and return to ‘one of her favorite venues', which now hosts GoF*ckYourself (GFY), the biggest summertime festival in the region. Festival Trip II [First Sequel ]- It's been a magical year and the breakup is over; A 20-something's imaginary friend returns, a decade after disappearing, just as she finds herself on the brink of ‘real adulthood', and has settled into the mundane and mediocre—as he leads her on a journey of self-discovery, she internally struggles with whether to tell her therapist—after deciding (or rather, being convinced) she shouldn't, she begins a desperate search for answers in what seems like a downward spiral into (Use- I'm on my way to heaven, for trailer.) A group of friends decide to form their own society after discovering an “uncharted” island—what they don't know [understand] is that the world government is observing at every angle—and as their population increases, they struggle as the popularity of their culture and lifestyle explode— Craig's world- an ensemble about the good old days of craigslist Ū [Amnesia/Working Title] Miami (Ami) A fashion designer and music enthusiast who attends festivals in her spare time, seeking inspiration for her fashion and design blog; she shares an apartment with her lesbian best friend from college, who works as a freelance writer and photographer. Crystal (Chrys) A short-haired-yet-feminine gender-non-conforming lovable with a dry sense of humor and an eye for art; Music lover and fan of festivals, Miami's “convert” into the rave world. Serra- A high-matinence instagram model who supports herself through social media promotion and influencing, modeling Miami's fashion line and sugar-babying/arm-candying to make her way through life, usually attending festivals as someone's date or just to take pictures/show face. Samuel/Donnie- Sensei Samurai: An award-winning world-renowned music artist and specialty DJ, the soul-headliner of ‘Magic's Mountain art and Music Festival' Daz- Sam/Donnie's Manager- (Antagonist) Lazers, pyrotechnics, strobes, and confetti light the night sky as Sensei Samurai, a medium-build white guy sporting two long braids and a samurai cut (his signature style), dances atop the table which supports a state-of-the-art DJ set-up; The stage is massive, the crowd is wild--but he is at home--or rather, at work, and at the top of his game. He jumps down from the table, drinking from a red solo cup, before he picks up the microphone to speak to his audience: Samuel: LET ME SEE YOU FUCKING JUMP. He dances around, flailing his arms to gesture to the crowd, drinking again from his red solo cup . He moves to the beat of the music as he focuses to adjust the mixer, structuring a build-up. His manager watches from backstage, carefully eying his every move. Samuel: --ARE YOU GUYS READY? [He lights a ciggarette, sips from his cup again as he continues to mix. He nods along to the beat, grooving as he plots his next move, looking into the crowd with hunger in his eye.] Dez: (speaking into a earpiece) Sammy, take it easy... [He glances stage left, to where Dez is situated and watching him like a hawk; He nonchalantly shrugs, blowing out a plume of smoke into the air, decisively irritated with the instruction.] Dez: (Cont'd): I mean it, chill. [Samuel sticks his finger into his ear, wiggling it profusely--and dislodges the hidden inner-earpiece, eyeing Dez as he pulls up his headphones, deep in the mix; He takes a long drag from his ciggarette, master-minding as he feverously twists the knobs and dials of the mixer.] Samuel (over the mic) NO CHILL MOTHERFUCKERS. [The music speeds as he prepares for the drop.] Dez: (forgetting momentarily that he will not be heard) Sam, don't--! [Too late. Samuel Drops the bass so hard, it hurts, ripping off his headphones and running straight into the crowd, head first to crowd surf. The crowd goes massively, insanely wild.] Through the lens of Crystal's camera, we see a series of still photos, capturing Sam's wild plunge into the crowd, just off-center in the front row. Miami looks to her right, giving her a nod of approval; Crystal shoots her a hand signal for “ok”. Miami looks to her left, lifting an eyebrow and smirking at Serra, who bounces off-beat against a tall wooky gentleman who has his arms around her through the sleeves of a spirit hood, tilting her head from side to side as she poses for selfies. Miami happily sways to the motion of the music, putting one hand over the rail and pulling up her mask with the other, as she watches Samuel be lifted back onto the stage and take his place behind the decks. The set continues, the crowd, the lazers, and the effects go wild: The backdrop reads ‘SENSEI SAMURAI' His backup dancers are acrobatic ninjas. Samuel: Thank you Magical Mountain, I Love You Guys!! The crowd goes wild as Samuel exits the stage, ignoring Dez as he breezes past him. Dez: (following after him) I thought I said, “No more crowd surfing, no more stage diving.” Samuel: I thought you said that, too. Dez: Do you recall “OhMyLanta?” Samuel: (sarcastically) Oh, you mean that festival in Atlanta? Dez: Yes. Samuel: How creative. Dez: ‘Creative' would describe the legal team's very expensive, very strenuous tactical strategy which weaseled you out of a very serious lawsuit. Samuel: What? When was this? Dez: This was when you decided to stage dive wearing goth-pants and your chains got stuck in that kid's earholes Samuel: They're called Tripp pants. Dez: Oh yeah...what do you call them after mutilating a teenager with them? Samuel: Tripp pants I can sell on eBay. I made that kid a star. Dez: You made him a cripple. Samuel: --we still talk. [EXT. A FARAWAY FOREST] Bass blasts through the christmas-lit forest, a festival set in the meadow against the lush and natural forest scenery; Attendees come-and-go to-and-from the lines of tents and out into the festival grounds, where DJs headline stages, dancers and performers interact with spectators, vendors practice their unique salesmanship, and the wild and true nature of ravers is unleashed. Frozen breath leaks from the laughing mouths of three young individuals, running through the forest; Twigs crush and leaves crackle underfoot of their prancing and galloping feet, clad in combat boots, tennis shoes, and platforms, respectively. Ripped fishnets hug the thighs that sweep together rapidly, swooshing as the legs that bare them race forward; a pashmina trails behind one's back, acting as a cape of sorts. A thud, in the darkness of the forest. Crystal and Serra continue forward, unaware their friend has fallen for a few short moments, leaving Miami behind. Miami confusedly looks for the obstruction which caused her to trip, discovering under a pile of brush and leaves, a man (Samuel) lying face down on the ground; her eyes widen and she draws slightly back, frightened, before squinting and leaning in to get a closer look; She turns on a glow toy for added light, she pants heavily under her breath, shaking slightly as she brushes away debris and leaves, uncovering his head and shoulders, revealing he is wearing a mask. She examines him. His glasses are broken, lying on the ground under his face--His hair is wet; he appears dead. Crystal: ...I told you not to wear those. Miami: Yo… Crystal: Yo--*gasps* (she grabs Serra by the shoulder, holding her back.) Serra: (She notices the body, under her pashmina, spirit hood, and glasses) Ohwhatthefuck. (she takes a few steps back) Crystal: Don't move. Serra: Yeah, fuck that. Fuck this. (she wraps the pashmina tightly around her face) [muffled] Fuck this. Crystal: ...Ami, we should get out of here. Miami: We should help him. Crystal: He may be beyond help, honey. Serra: He's fucking dead. Whatthefuck. Fuck this! Crystal: ...Is he dead? Miami: (she looks at him closely, there are no signs of life. she checks for breathing with her hand.) ...I don't know. (she checks again, leaning in closer. she grabs his wrist to check a pulse) Serra: Don't touch it! Miami: Shut up, I'm trying to get a pulse (beat) ...he's super cold. Serra: He's super dead! Miam: No, no...I don't think so. Crystal, come here--help me turn him over. Crystal: Are you sure? What if he--wakes up and tries to--?? Miami: (urgently) What if it was you? Crystal fishes for a flashlight and switchblade in her fanny pack, places the flashlight in her mouth and positioning the knife under her kandi cuffs. She cautiously inches forward. Crystal: Serra, try to get some cell service so we can call for help. The girls carefully turn him onto his back, wide eyed and bewildered. He is completely lifeless, clamy and pale--covered with dirt, and forestry. Miami continues to check for a pulse, shaking her head as he continues to appear dead. Crystal: Do you feel anything? Miami: …(shaking her head) I can't...he's like…(as she pulls up the sleeve of his hoodie and notices a familiar tattoo. she pauses for a moment, thinks, and then looks towards his head) Do you still have my mirror in your fanny pack?) Crystal returns to her fanny pack, digging for the mirror. Miami carefuly leans in towards the man, examining him once more; she notices a necklace, also familiar--she thinks, as she moves to remove first the excess hair, and then the mask from his face, very carefully. She peels off his mask, immidiately shocked as she reckognizes his face--It is Samuel, who she knows as Sensai Samurai. She yeeps (imploded gasp, making Crystal look up; she, too recognizes him; she gasps. They look at eachother, then at him--then back to eachother.) Miami: ...Give me your mirror. Crystal: Dude, is this…? Miami: Your mirror. (she holds the mirror under his nose--a subtle cloud of fog appears; he is, in fact, alive.) Crystal: Oh, my God. Miami: He's breathing. Serra! Crystal: ...This is Sensai Samurai. Miami: (trying to convince herself) It probably just looks like him…. Crystal: I just took one-hundred close-up photos, dude--like, less than an hour ago-- Miami: Shhhhh! (she frantically begins to check his pockets) He's gotta have a wallet. Crystal: What, you were going to save him--now you wanna roll him? Miami: An ID. He's got to have an ID. (she frantically searches him) Hey Serra! (Crystal lifts the other sleeve of his sweater, revealing a brightly colored wristband, and one singular kandi bracelet, which reads “Sensai” Simoltaneously, Miami has found something in one of the pockets--she produces a small box from one of the pockets of his cargo pants) Crystal: Holy fuck. Look. (she gestures the wrist band and bracelet.) Miami: ...Artist's wristband. Fuck. It is him. Crystal: [Samuel is slumped lifelessly over both Crystal and Miami's shoulders, head hanging downward and hair flailing and dangling in his face as the girls struggle to support him. His oversized light-up sunglasses begin slipping, almost revealing his eyes.] Girl:(looking over, concerned) ...Is your friend okay? [He is clearly not. Serra slides her finger up his nose to adjust his glasses, eyeing the girl suspiciously.] Crystal: [flatly] Yes. [Samuel's dead-weight pulls him towards the ground, as he slips; the girls struggle to readjust; he seems heavier by the minute. They all three stare back at the girl, awkwardly; Miami fakes an ‘everything's fine' smile, while Crystal stares blankly through her sunglasses and Serra shoots a look of dissatisfaction. [INT. KITCHEN. DAY.] The three girls gaze in awe of Donnie, multitasking busily in the kitchen, hair pinned neatly atop his head with chopsticks, wearing a neatly-pressed (as in, freshly ironed) apron, as he removes one baking mit with his mouth and works about, happily consumed and bouncily, humming. -...He's so...domestic. Crystal -You'd think he'd carry a better tune. Miami- Cause you'd be belting melodies after waking up out of a drug-induced coma? Crystal- No--I guess I'd open a bake shop in some random girls' kitchen. Miami: Donnie? Donnie: Hmm, yes? Miami: We...we have some news for you. Donnie: Oooh! Is it celebrity news? Miami:...sort of. Donnie: I hope it's juicy gossip. Crystal: Believe me--it'll be the talk of the town. Donnie: This town? Crystal: Any town. [ She refills her wine glass first, then prepares two more, never breaking eye contact with donnie; His lighthearted excitement turns to slight confusion, as he furrows his brows,] Miami: (sighs, taking his hand) Here, lets sit down. Donnie: But, the macaroons-- Serra-What? That's what you're making? [Donnie nods.] Serra-...(to the side) maybe we should let him finish the macaroons, first...what if this like, fucks him all up. Miami: No, it's time. I feel like we've already waited too long. Serra-...I feel like he makes really good macaroons. Miami: Yeah? Like grammy-award-winning macaroons? -If by ‘Grammy', you mean my Grandmother would approve… Miami: Your grandmother died of complications from diabetes. Serra-...and you think macaroons had absolutely nothing to do with that? [Crystal has already finished her first glass of wine, and begins to reach for the second glass, when Miami, out of the corner of her eye, catches her, snatching the glass from her gracefully, as she floats it to Donnie, sitting beside him, crossing her legs.] Donnie: Before noon? Crystal- Oh, so you know that rule? Donnie: I know some things. A 20-something's imaginary friend returns, a decade after disappearing, just as she finds herself on the brink of ‘real adulthood', and has settled into the mundane and mediocre—as he leads her on a journey of self-discovery, she internally struggles with whether to tell her therapist—after deciding (or rather, being convinced) she shouldn't, she begins a desperate search for answers in what seems like a downward spiral into A group of friends decide to form their own society after discovering an “uncharted” island—what they don't know [understand] is that the world government is observing at every angle—and as their population increases, they struggle as the popularity of their culture and lifestyle explode— Craig's world- an ensemble about the good old days of craigslist Blue Story A wayward security officer drunkenly fills out an application to join the police academy, and is accepted—both to his surprise, and dismay. #SQUAD OUT!- A Mockumentary-Style Comedy following several “tribes”, “squads”, “rave families”, and even solo-ravers surrounding a large group of ravers and friends. Ū [Amnesia/Working Title] Amnesia [Working Title] Three girls at a camping festival find an incapacitated man in the woods and take him back to their campsite for safety—when one of the girls discovers that she recognizes the mysterious man, actually a headliner at the festival they're attending—two of the girls keep it a secret from their friend who would certainly take advantage of the situation. After discovering a “butt-load” of mind-altering substances on his person, Miami, the ring leader, makes a ‘judgement call' not to call the authorities, deciding instead to attempt to take him back to his trailer—however—when the girls haul him back to his campsite, they discover his manager, Dez, rifling through his belongings. When Samuel awakens, he has no memory of himself—and so a journey begins: a test of friendship, and a race against the clock. Miami (Ami) A fashion designer and music enthusiast who attends festivals in her spare time, seeking inspiration for her fashion and design blog; she shares an apartment with her lesbian best friend from college, who works as a freelance writer and photographer. Crystal (Chrys) A short-haired-yet-feminine gender-non-conforming lovable with a dry sense of humor and an eye for art; Music lover and fan of festivals, Miami's “convert” into the rave world. Shane- A high-matinence instagram model who supports herself through social media promotion and influencing, modeling Miami's fashion line and sugar-babying/arm-candying to make her way through life, usually attending festivals as someone's date or just to take pictures/show face. DONNIE “*giggles* what's a rave?” Miami (takes a deep breath) Crystal (facepalm) Shane (purses her lips) C-Is Giving drugs to somebody with amnesia bad? M-I don't know what's bad for amnesia S-Well maybe, it's not giving it to him that would be bad—like, they were already in his system, probably wouldn't he go like, into withdraw or something. You're probably right S-(I'm probably not) Samuel/Donnie- Sensei Samurai: An award-winning world-renowned music artist and specialty DJ, the soul-headliner of ‘Magic's Mountain art and Music Festival' Daz- Sam/Donnie's Manager- (Antagonist-) Lazers, pyrotechnics, strobes, and confetti light the night sky as Sensei Samurai, a medium-build white guy sporting two long braids and a samurai cut (his signature style), dances atop the table which supports a state-of-the-art DJ set-up; The stage is massive, the crowd is wild--but he is at home--or rather, at work, and at the top of his game. He jumps down from the table, drinking from a red solo cup, before he picks up the microphone to speak to his audience: Samuel: LET ME SEE YOU FUCKING JUMP. He dances around, flailing his arms to gesture to the crowd, drinking again from his red solo cup . He moves to the beat of the music as he focuses to adjust the mixer, structuring a build-up. His manager watches from backstage, carefully eying his every move. Samuel: --ARE YOU GUYS READY? [He lights a ciggarette, sips from his cup again as he continues to mix. He nods along to the beat, grooving as he plots his next move, looking into the crowd with hunger in his eye.] Dez: (speaking into a earpiece) Sammy, take it easy... [He glances stage left, to where Dez is situated and watching him like a hawk; He nonchalantly shrugs, blowing out a plume of smoke into the air, decisively irritated with the instruction.] Dez: (Cont'd): I mean it, chill. [Samuel sticks his finger into his ear, wiggling it profusely--and dislodges the hidden inner-earpiece, eyeing Dez as he pulls up his headphones, deep in the mix; He takes a long drag from his ciggarette, master-minding as he feverously twists the knobs and dials of the mixer.] Samuel (over the mic) NO CHILL MOTHERFUCKERS. [The music speeds as he prepares for the drop.] Dez: (forgetting momentarily that he will not be heard) Sam, don't--! [Too late. Samuel Drops the bass so hard, it hurts, ripping off his headphones and running straight into the crowd, head first to crowd surf. The crowd goes massively, insanely wild.] Through the lens of Crystal's camera, we see a series of still photos, capturing Sam's wild plunge into the crowd, just off-center in the front row. Miami looks to her right, giving her a nod of approval; Crystal shoots her a hand signal for “ok”. Miami looks to her left, lifting an eyebrow and smirking at Serra, who bounces off-beat against a tall wooky gentleman who has his arms around her through the sleeves of a spirit hood, tilting her head from side to side as she poses for selfies. Miami happily sways to the motion of the music, putting one hand over the rail and pulling up her mask with the other, as she watches Samuel be lifted back onto the stage and take his place behind the decks. The set continues, the crowd, the lazers, and the effects go wild: The backdrop reads ‘SENSEI SAMURAI' His backup dancers are acrobatic ninjas. Samuel: Thank you Magical Mountain, I Love You Guys!! The crowd goes wild as Samuel exits the stage, ignoring Dez as he breezes past him. Dez: (following after him) I thought I said, “No more crowd surfing, no more stage diving.” Samuel: I thought you said that, too. Dez: Do you recall “OhMyLanta?” Samuel: (sarcastically) Oh, you mean that festival in Atlanta? Dez: Yes. Samuel: How creative. Dez: ‘Creative' would describe the legal team's very expensive, very strenuous tactical strategy which weaseled you out of a very serious lawsuit. Samuel: Law-Suit? I've never worn one of those. Black-Label? Dez: More like ‘black-book' with your name written on and in it. It took me weeks clean up. Samuel: When was this? Dez: When you decided to stage dive wearing goth-pants and one of your chains got stuck in that kid's earhole. Samuel: They're called ‘Tripp' pants. Dez: Oh yeah...what do you call them after mutilating a teenager with them? Samuel: Tripp pants I can sell on eBay. Dez: You made him a cripple. Samuel: --we still talk. Bass blasts through the christmas-lit forest, a festival set in the meadow against the lush and natural forest scenery; Attendees come-and-go to-and-from the lines of tents and out into the festival grounds, where DJs headline stages, dancers and performers interact with spectators, vendors practice their unique salesmanship, and the wild and true nature of ravers is unleashed. Frozen breath leaks from the laughing mouths of three young individuals, running through the forest; Twigs crush and leaves crackle underfoot of their prancing and galloping feet, clad in combat boots, tennis shoes, and platforms, respectively. Ripped fishnets hug the thighs that sweep together rapidly, swooshing as the legs that bare them race forward; a pashmina trails behind one's back, acting as a cape of sorts. A thud, in the darkness of the forest. Crystal and Shane continue forward, unaware their friend has fallen for a few short moments, leaving Miami behind. Miami confusedly looks for the obstruction which caused her to trip, discovering under a pile of brush and leaves, a man (Samuel) lying face down on the ground; her eyes widen and she draws slightly back, frightened, before squinting and leaning in to get a closer look; She turns on a glow toy for added light, she pants heavily under her breath, shaking slightly as she brushes away debris and leaves, uncovering his head and shoulders, revealing he is wearing a mask. She examines him. His glasses are broken, lying on the ground under his face--His hair is wet; he appears dead. Miami is horrified, speechless, breathless. Crystal: ...I told you not to wear those. Miami: Yo… Crystal: Yo--*gasps* (she grabs Shane by the shoulder, holding her back.) Shane: (She notices the body, under her pashmina, spirit hood, and glasses) Ohwhatthefuck. (she takes a few steps back) Crystal: Don't move. Serra: Yeah, fuck that. Fuck this. (she wraps the pashmina tightly around her face) [muffled] Fuck this. Crystal: ...Ami, we should get out of here. Miami: We should help him. Crystal: He may be beyond help, honey. Shane: He's fucking dead. Whatthefuck. Cystal: ...Is he dead? Miami: (she looks at him closely, there are no signs of life. she checks for breathing with her hand.) ...I don't know. (she checks again, leaning in closer. she grabs his wrist to check a pulse) Shane: Don't touch it! Miami: Shut up, I'm trying to get a pulse (beat) ...he's super cold. Shane: He's super dead! Miam: No, no...I don't think so. Crystal, come here--help me turn him over. Crystal: Are you sure? What if he--wakes up and tries to--?? Miami: (urgently) What if it was you? Crystal fishes for a flashlight and switchblade in her fanny pack, places the flashlight in her mouth and positioning the knife under her kandi cuffs. She cautiously inches forward. Crystal: Shane, try to get some cell service so we can call for help. The girls carefully turn him onto his back, wide eyed and bewildered. He is completely lifeless, clamy and pale--covered with dirt, and forestry. Miami continues to check for a pulse, shaking her head as he continues to appear dead. Crystal: Do you feel anything? Miami: …(shaking her head) I can't...he's like…(as she pulls up the sleeve of his hoodie and notices a familiar tattoo. she pauses for a moment, thinks, and then looks towards his head) Do you still have my mirror in your fanny pack?) Crystal returns to her fanny pack, digging for the mirror. Miami carefuly leans in towards the man, examining him once more; she notices a necklace, also familiar--she thinks, as she moves to remove first the excess hair, and then the mask from his face, very carefully. She peels off his mask, immidiately shocked as she reckognizes his face--It is Samuel, who she knows as Sensai Samurai. She yeeps (imploded gasp, making Crystal look up; she, too recognizes him; she gasps. They look at eachother, then at him--then back to eachother.) Miami: ...Give me your mirror. Crystal: Dude, is this…? Miami: Your mirror. (she holds the mirror under his nose--a subtle cloud of fog appears; he is, in fact, alive.) Crystal: Oh, my God. Miami: He's breathing. Shane! Crystal: ...This is Sensai Samurai. Miami: (trying to convince herself) It probably just looks like him…. Crystal: I just took one-hundred close-up photos, dude--like, less than an hour ago-- Miami: Shhhhh! (she frantically begins to check his pockets) He's gotta have a wallet. Crystal: What, you were going to save him--now you wanna roll him? Miami: An ID. He's got to have an ID. (she frantically searches him) Hey Shane! (Crystal lifts the other sleeve of his sweater, revealing a brightly colored wristband, and one singular kandi bracelet, which reads “Sensai” Simultaneously, Miami has found something in one of the pockets--she produces a small box from one of the pockets of his cargo pants) Crystal: Holy fuck. Look. (she gestures the wrist band and bracelet.) Miami: ...Artist's wristband. Fuck. It is him. Crystal: [Samuel is slumped lifelessly over both Crystal and Miami's shoulders, head hanging downward and hair flailing and dangling in his face as the girls struggle to support him. His oversized light-up sunglasses begin slipping, almost revealing his eyes.] Girl:(looking over, concerned) ...Is your friend okay? [He is clearly not. Serra slides her finger up his nose to adjust his glasses, eyeing the girl suspiciously.] Crystal: [flatly] Yes. [Samuel's dead-weight pulls him towards the ground, as he slips; the girls struggle to readjust; he seems heavier by the minute. They all three stare back at the girl, awkwardly; Miami fakes an ‘everything's fine' smile, while Crystal stares blankly through her sunglasses and Serra shoots a look of dissatisfaction. [INT. KITCHEN. DAY.] The three girls gaze in awe of Donnie, multitasking busily in the kitchen, hair pinned neatly atop his head with chopsticks, wearing a neatly-pressed (as in, freshly ironed) apron, as he removes one baking mit with his mouth and works about, happily consumed and bouncily, humming. -...He's so...domestic. Crystal -You'd think he'd carry a better tune. Miami- Cause you'd be belting melodies after waking up out of a drug-induced coma? Crystal- No--I guess I'd open a bake shop in some random girls' kitchen. Miami: Donnie? Donnie: Hmm, yes? Miami: We...we have some news for you. Donnie: Oooh! Is it celebrity news? Miami:...sort of. Donnie: I hope it's juicy gossip. Crystal: Believe me--it'll be the talk of the town. Donnie: This town? Crystal: Any town. [ She refills her wine glass first, then prepares two more, never breaking eye contact with donnie; His lighthearted excitement turns to slight confusion, as he furrows his brows,] Miami: (sighs, taking his hand) Here, lets sit down. Donnie: But, the macaroons-- Serra-What? That's what you're making? [Donnie nods.] Serra-...(to the side) maybe we should let him finish the macaroons, first...what if this like, fucks him all up. Miami: No, it's time. I feel like we've already waited too long. Serra-...I feel like he makes really good macaroons. Miami: Yeah? Like grammy-award-winning macaroons? -If by ‘Grammy', you mean my Grandmother would approve… Miami: Your grandmother died of complications from diabetes. Serra-...and you think macaroons had absolutely nothing to do with that? [Crystal has already finished her first glass of wine, and begins to reach for the second glass, when Miami, out of the corner of her eye, catches her, snatching the glass from her gracefully, as she floats it to Donnie, sitting beside him, crossing her legs.] Donnie: Before noon? Crystal- Oh, so you know that rule? Donnie: I know some things. Under The Mask —A superstar DJ and his best friend embark on a series of festivals under cover as non-celebrity citizens to first-handedly experience the other side of his world. Grandma's Girl- A funeral turns into an accidentally epic week-long house party, after the ‘favorite grand child' becomes disappointed in the traditional send-off given by the family; While grieving and going through her late-grandmothers belongings, Serra discovers journals and an old phonebook, containing the life and times of her wildly adventurous grandma and her close friends—when she realizes that none of the people from her grandmother's life ‘before the family' are in attendance of her funeral (or even aware of her passing), she links up with her best friends to organize a ‘proper goodbye'. All heaven breaks loose, when ‘ravers of old' begin showing up to pay their respects to Silvia—things get a little out-of-hand when the gathering explodes due-to-word of mouth, as it turns out Grandma Silvia had a few more connections than expected—and they've all come from near-and-far to say their goodbyes. Deathwish—A series about a woman who makes a death wish—but the stakes are raised wen all her wildest dreams come true, and death lurks just around the corner at every turn. ((M3))- A collection of silent films, by SupaCree Enter: World of Music Ascension- Set in a parallel universe, Father TIme and Mother Nature are reconnected on Earth, as the dawn of a new-era arises at the peak of mankind's evolutionary journey. Series is set in a parralell universe, a seperate realm where humans have met faced dark ages, technological or technological setbacks they live harmoniously and peacefully within— live spiritually and intuitively with the planet, and can gain/ strengthen certain abilities through higher learning, strength training, conditionig, and meditation; We begin at the dawn of a new age, where beings ('God Bodies' [working])acended from higher plains of conciousness walk amongst the living in 'humanform', guided and led to higher forms of being through teachings of the Acended sorcerers and masters belonging to the universal collective conciousness of light; Also amongst the living, in 'humanform', Costumes: Modern-Futuristic da ‘Thieo' makes his final wish (for his truest and ever lasting love) to his appointed Acceded Sorcerer; but there are trials he must endure and obstacles to be met before his wish come true— C'Esmett— A warrior princess raised to rule is on on the brink of going rouge, after she is betrayed by her betrothed —her calling to become queen is imminent; yet she must overcome boundaries set by tradition, facing the powers-that-be to strengthen and master her own. Her ancient knowledge, ascended sorcery, and intrinsic healing mysticism— amongst other gifts of nature (a seer, fortune of truths; being of light) “I'm sorry, but it's out of my control.” “NOTHING Is out of your control." "--Except for you." She scorns him, and turns away swiftly, as her cape sweeps across the floor, as it flutters and whips behind her “I'm sorry, but it's out of my control.” “NOTHING Is out of your control." "--Except for you." She scorns him, and turns away swiftly, as her cape sweeps across the floor, as it flutters and whips behind her--she turns again, eyeing him directly, pointing to him with dismay as she takes in a breath; catching herself in anger, she deflates, keeping eye contact (though her gaze suddenly softens as she arrives ‘ACENSION' Ascension- Set in a parallel universe, Father TIme and Mother Nature are reconnected on Earth, as the dawn of a new-era arises at the peak of mankind's evolutionary journey. CHARACTERS Thïeo {Petrutheïo} Godform Spiritclad Cross-Bodied sorcerer; Humanborn earthbound in his most recent incarnation to rule in the new age…(t b c) C'Esmétt {Ch'Esmett X'oxįl Nazari is the most powerful being on planet Earth, and throughout multiple dimensions, through which she presides over, in various forms and figures; She possesses the universe's oldest Soul. a Godform Spiritclad Ascended Sorceress who possesses rare “Creation Energy”—the ability to form and shape matter, bend and travel through time, and control aspects of reality; Youthful and fiery, she is praised as a God of Light; Supporting: Kï'yara—Fireborn, Earthbound Rai'ayn—Loveborn, Multi-Dimentional Onyyxx—Rooted, Tri-Dimentiinal The elements: Love Matter Earth -Of Ground -Of Water -Of Fire -Of Air ...there are more but I'm tired right now. The realms: Now Then (points in the past to which time bending bodies may access) The past (inaccessible points on past timelines to those in human form or bound to earth, besides Godform; even so, the process is strenuous and dangerous. Love Self (to self, to travel inward and reflect a physical presence of the world within, outwardly; true self exists freely and ideally—you are able to converse with self as others see you [appearing as an identical twin with ideal aspects. Light therapy Frequencies Vibrationally energizing Body waves are Paralyzing Lines of Broken harmonies Inside of me. Crying on the clock; Rocking back and forth Stocking full of coal Greetings from the North Pole If Santa Clause is real Maybe we can make a deal; If my heart is made of steel You can't steal it—I can feel it Winter is here The world is money hungry (So am I) The world is simply starving (So am I) The world is so alarming (So am I) The world is just evolving. (So I am.) Cause I've been going crazy Stuck inside myself And I've been feeling lazy Just beside myself And I've been thinking lately That just maybe, someday maybe I'll be It's all connected— The reason we disconnect Is we're neglected I wonder what you'd expect You can't express it Just repress it. Repression syndrome— Came up too fast; Compression syndrome Suck it in Suck it up, You stupid fuck Dive deeper Ū (EP) 1. Thank U 2. I'm Sorry 3. I Love U 4. I miss U I like your vibe Come join my squad Curiosity killed the cat Carbohydrates killed the queen Don't cry “I'll try...” 50 Shades of Blue Don't pick up the phone Don't pick up the phone Don't pick up the phone Don't pick up the phone And here you are: 8 years later, With a baby on your back and— Bills to pay You have to decide (What the fuck) what the world is all about today. Don't want to be Cree For a really long time I just need I just need I just need a whole mind I was me the whole time I never left And yet There I was—looking at myself from above, All the love in the world; Just a lonely little girl Trapped in her Head Never got out of bed, that day: But I went away somewhere, And there I was—looking at myself from above, All the love in the world, Just a lonely little girl Trapped in her Head And I said “why are you waking me up?” But I wasn't asleep— I just wanted to fuck And sometimes, it's too much Too much is, never enough I've never been in love (with me) But I've always been in love (with you) And if you had seen it It wouldn't have been the death of me. Deeper I'll go: Deeper to find How I crossed white lines To become Colorblind How did you find me, here My deer? How did you know Where to go? How did you know, I would Follow you there, Once you finally showed me the road? I've seen both the frog, and the toad; You've already left me exposed, And I'm frozen in time Just to find Just to find Paradise— I tried. But love is a blind bat, Diving into a vat of Darkness; a hat is only a hat, If only there was more— And there is. There always is more— You just have to live more, And once you've been through the cycles, you could be Recycled. Ruined. Rebuilt. Guilt is only ever, Created after pleasure... With immense imploding pressure - [ ] You were born EP-GA [2K19] Mother Earth and Father Time are Making love right By the fire You are motion— I am sickness I am goddess; Be my witness. And I'll probably run for President— Just like I tend to run from everything; not because I want to do it, but because I have to... And just as I run from everything, I run to everything— As is the vicious cycle of life, unrepeated. I should have seen it coming, when he kicked my puppy—I didn't, but my mother did, and it might have been the same day. If not, it was definitely on the same porch—the same porch where...my adolescence began, and ended. There is no cure When your spirit is broken There is no cure—when you suffer in silence There is no cure— When you've seen all the violence It's only you. Breadcrumbs— I'm not dumb, I'm just muted. The dragon I'm chasing is me, And I just... Set the world on fire— I just—need to— I just—adjust. Translucent and transparent I am the thing that happens when you Parent your own parents. And I just I been waking up randomly, Panicking— Wishing I was dancing In the moonlight I'm vanishing without a trace And maybe I just hate this place, Maybe I'm just displaced I hate this I been waking up randomly Filling the void Avoiding my eyes in reflections I fell in love at a festival She came to dance, she was solo oh-oh ...took my hand, sack let's go- oh—oh-oh She didn't care She didn't care I'm a tax write-off I'm a meal ticket I'm a grasshopper; Or maybe, a cricket— Ricochet rabbit Why am I like this? “Why do you fight this?” I was not invited to mingle This ‘tingle' I get is more than A threat—I regretted, The moments I never forget The secrets you keep The stories you never will tell— This is hell, you're not dreaming It's only a nightmare. Too much to think about So I don't Dissociative, I associate everything Within—without I reflect everything I've been about, Stuck beside myself I am just a clone, A lone shadow of my Own All alone, and— I never planned to leave this planet But I have. You're out of my league Out of my league Why can't you see that It's so hard to be Paying the price for this Quarter-life crisis I don't mean to write this So bad, but I can't trust myself anymore I can't trust this world anymore Life is just Too complicated I'm jaded—I'm faded out Phased out, going about in this Town like I'm drowning in Insecurity Or rather, a diamond in the rough I've got enough stuff I just need love. You're out of my league I can see that I can't be that, thing What you want is perfection I just like who you are and thats— Never enough. I have nothing but love to give, love So forgive this: I didn't think I'd live this long But I was wrong And it was longer than I thought Ago Life is just Too complicated I'm jaded—I'm faded out Phased out, going about in this Town like I'm drowning in Insecurity Do you wanna know what it's like to be lonely like me I can tell you better than show you Once I get to know you good luck AMNESIA NOTES Miami Wade Crystal Brooks Donder (Donny) “we'll just call you Donny” “Why?” Uhhh...Because...we found you in the woods. “What?” “You know, like—the wild thornberrys” “Sounds tasty” “Uhhh—wasn't Donny found in the Jungle” “Uhhh—isn't the jungle just a denser version of the woods?” “I guess. It's like an earth-remix” “What's a remix?” Miami wells up—Crystal jumps up excitedly “Awwwwri And I've been stuck on Abbot Kinney, Thinking about Will Rodgers and Thinking that I'm a dodgers fan— But I'm not, I just like crowds. And LA makes me proud Of everything I need to be: And if the world were watching me She'd think she was herself. I was never sleeping, I'm just here And I was never reading, I just Put the bookmark where I left off... I could drift off into, The taste of ink And as it dries in my palm— I know it won't take long until I'm Drifting back into—sifting back into Space—grains of sand. You'll know when you've reached the promised land. Hello, Good Friend: ‘It's time to fall in love...with yourself.' The world has the most to learn from its elders and it's youth—fever disrespect the sometimes even subtle wisdom of a child or your elders. A1 (Lost in the Sauce) Break beats Ruffneck Bass: That's what I like in my face Drop that shit, don't make me wait Make me dance off all this waste I like chocolate, give me cake Wednesday mornin' wake-n-bake Star Jones—Oprah—Ricky lake Which is real and which is fake? Pick the right one, no mistake River—ocean—crater lake “White girl: can I touch your hair? Is it fake??” Out of order— Order steak. [ Sample: The Epic Trip] [interlude- two friends at a festival//a phone call] “Where the fuck are you?” “I can't hear you!” “Hello?” “BRO. Where are you?” “I'm by the—WAIT—hello?!” “WHAT? ” “HELLO?” [the call drops] “Yo. Where the fuck is she?” “I don't know man, probably lost in the sauce...” Sample Lost In The jungle//Kendrick Boo Boo Friends that say that they “gotchu” and then don't Ain't your friends— they're enemies Keep them close Nobody gives a fuck about you— Except you— Remember that. And if you can't remember Make a habit of forgetting Cause you're just another member of society With social anxiety Your sense of propriety Probably shouldn't be Anything I'd give anything Just to take back all my fucks Put them in a bucket, Throw it over my shoulder And wish the world “Good fucking luck” I'm so done with it This is the last chance you get So have fun with it There's no pleasure, no smiles— No love in it I'm just driving for miles Above the shit Transitions- Silent Film/EP Kandi moves to a new city from far, far away—and finds herself lost trying to find her own vibe. ❤️ 1. The Bus Song 2. Pretty Girls (SupaCreeMixx) 3. DOD (Phoenixx remix) “Holy infected fuck!” [thats my vibe right now] North Star After an EMP attack, an unlikely leader becomes a guide to a group of survivors to find the way northward to Alaska. Festival Trip Chava Hoffs- A Voluptuous Dark-Skinned Alaska Native-Black Mixed fashionista who (to her disdain) earns a living as a correctional officer in a juvenile detention facility in Arctic Alaska, daydreaming her long nights away and stacking her money, saving up for an escape to someplace warm and sunny. She is bright and quick-witted, but sometimes awkward—truly a ball of energy, whether good or bad. Sala Emilio (Stax) A tall, olive skinned hottie from Utah of Native American and Mexican decent who works as head chef in a gourmet Chinese food restaurant—a phenomenally functional alcoholic with a free spirit, questionable morals, good values, a loving heart—and a dry sense of humor. Childhood best friends with Chava, I hope you're okay with the character I based off you. I'm not going to copy the story exactly (cause it's a movie, duh) so—I came up with the story that your character runs the kitchen of a classy gourmet 5-Star Chinese restaurant in Utah that has an all-Mexican staff of mostly illegals; my character is a CO at a youth correctional facility in remote Alaska—I felt like those two extremes would play funnier on camera than to replicate our actual situations. I also made them not parents, because I would rather take the whole issue of parenting and raving into a completely separate film idea, I'm thinking of calling it Festival Project A Film Saga by SupaCree Inspired by True Events Festival Trip- Two lifelong friends take a two-week-long trip across the country, to attend two major music festivals—one on the west coast (Among Aliens, in California), and one on the east (Ultimate Music Festival) The Epic Trip – After breaking up with both her ex-fiance and her best friend, a depressed and anxious Chava decides to take a last-minute trip to another one of her bucket list destinations: The Epic Music Festival in Las Vegas, Nevada. F*ckFest: The Origins (Prequel) 21-year-old Chava Hoffs, a longtime raver and lover of all things dance culture, finally convinces her bar-scene best friend to accompany her to a regional event in her area, ‘F*ckfest', Sala's first ever festival/rave where—to both her and Chava's surprise, she connects with other longtime friends she had no idea were immersed into the culture. Sala, having been “rave-retired” since entering her first serious relationship, becomes overly-excited and branches off on her own, reconnecting with her true self after spending too long in her own shell—she discovers her love for an up-and-coming new artist (‘Shluggy') who magnetizes her with a newly-created sound (‘PukeRock'—a play on “VomitStep”) Vibes [Mini Series]- A sequel-in-installments to the shenanigans following F*ckfest, where Chava returns to visit Sala and return to ‘one of her favorite venues', which now hosts Festival Trip II- After reconciling, Chava and Sala unite again to journey to uncharted territories—after Chava is invited along as a journalist to cover artists belonging to an up-and-coming record label based in Alaska, she invites Sala as a tag-along, knowing that her “weird hoe-magic” will attract—as always—even more interesting personalities and circumstances than she could dream to on her own. Chava Hoffs Sala Emillio Gunther Ross- The more than interesting circus-act of a plug/one of Sala's romantic interests, who just happens to be in the same place at the same time, once Sala and Chava arrive in California. Solomon Dominguez- Chava's “homie-lover-friend”, a DC native transplanted to LA who hustles and bustles the 3-job life to live the California dream—a surprisingly dedicated and loyal friend to Chava, who considers him the “king of fuckboys”—which, is not entirely untrue. Johnny McEntire- An eclectic and friendly photographer who stumbles upon Sala during a vulnerable moment—a sweet, humble, and vibrant personality, Chava mostly dismisses him as just another victim of Sala's constantly-inconstant romantic gestures and affiliations. Grace Williams (Chava's Super-Christian (but very sweet) Aunt) Billy Williams- Chava's very dorky, southern Baptist uncle who can't help but throw in a (praise-jesus) Krista DeVaunte- Bride-To-Be—Noah's Fiance Noah Williams- Chava's Cousin, the groom to be Naomi Williams- Chava's salty Cousin, and freinemy since birth—Noah's younger sister Sonny Johnson— Chava's ex-fiance Dustin Roberts—Sala's ex-boyfriend Juan Manuel Jose Melendez Gutierrez-Rodriguez—Sala's current boyfriend, with whom she lives & works with. Running Jokes: Speaking Spanish with a Mandarin-inflenced dialect—speaking/yelling in awful Spanish-soundingMandarin—speaking “Mandarish” or “Spandarin” Every time Chava mentions Sonny (her ex), Sala interjects with “Fuck Sonny!” Cop Jokes (due to Chava's occupation) ACT I- The Wedding Bashers/It's Festival Season “Save-The-Date” Inciting Incident—Plans to attend a destination wedding that Chava and her lifelong long distance best friend Sala, have been planning for almost a year are abruptly halted when Chava learns via a very eventful facetime call (‘Meet The Williams') that her +1 invitation had apparently only applied to her now-ex-fiance [whom her stuck-up family adored because of his abhorrent Christianity], and that the bride-to-be would not allow Sala to take his place on the guest list—as her vivid memories of Sala from Chava's engagement party are severly grotesque. Flashback: Chava + Sonny's engagement party. Chava: Yeah dude, they got all, mad-butthurt that I was bringing you instead of Sonny. Sala: Fuck Sonny! A remote, unnamed city in the Alaskan Arctic Circle. It is severely cold, even visually so. Ch ACT II- Sunny California ACT III- Sunny Florida Excerpt- Festival Trip I As chava blasts away, Sala and Johnny laugh hysterically Sala: Dat ass tho! Their laughter fades in the distance as she speeds up, other onlookers also commenting about her ass, as she blows past a group of men in black, she turns a man's head as she catches his attention. Man: Daaaaaamn. 3.31.19 —Later— The same man from earlier looks out the window of his high rise penthouse suite, across from Chava's hotel—and sees Chava levitating—he pauses, looks around, and raises his eyebrows, drunkenly and assumingly otherwise intoxicated in his appearance. Man: Daaaaamn. Chava is freaking out, remaining motionless as she floats above the bed—she looks out the side of her peripheral, afraid to move—looking up at the ceiling, her eyes widen. She blinks, and takes a deep breath. He questions what he is seeing, as he pours himself a drink. 4.1.2019 As Chava dances through the crowds, she connects and trades Kandi, moving to the beat with intricate motion and flare—people are loving her (a musical dance number)—from backstage, a man pouts and purses his lips, wondering why she is familiar—he is momentarily lost in thought, as he gazes at her and the crowd. Man: (under his breath) Daaamn... Lackey: c'mon man, let's get the fuck out of here Man: But— Lackey: don't worry, you know there's gon' be hoes at the spot. Man: ...but look at her viiibe...and that ass tho—damn! Lackey: eehhhh. You wanna ass, I got a specific folder in my contacts titled “fat ass” with 300 bitches in it— Man: *women* Lackey: whatever—look—I could get you an ass twice as fat, on a dime twice as fine—in 10 minutes flat. Man: (eyes shining, like domo) but look at her aura... Lackey: —I think I got an Aurora in here Man: No, like— Lackey: (pulling at him) let's *go*, the fuck is you trippin..? His eyes won't move away, but he is led by the lackey by his arm, confusededly pouting as he is dragged along. Man: Damn. He feels like he knows her. Cut back to: CHAVA'S ENTRY DANCE scene ACT 1: Wedding Bashers Here we meet Chava Hoffs and Sala Emillio; Two life-long long-distance best friends who love eachother--for the most part--for better or worse. Sala (Pinky) and Chala (The Brain) are planning a tropical mexican vacation to a destination wedding Chava's been invited to as an excuse to celebrate Chava's upcoming birthday (held the same weekend as the wedding) in style--However, when Chava's exclusively classist family alerts her that her plus-one invitation only extended to her on-again-off-again fiance and absolutely excludes Sala, they desperately search for another way to escape their mundane and excruciatingly boring circumstances. Chava internet-searches events around her birthday and finds that there are two music festivals within the same week--running the numbers, she concludes that this alternative plan would actually cost less than the original--”so why not?” The young women keep their escapade-to-be a complete secret, disguising all the preliminary details as “wedding planning” They plan to ‘meet in the middle', Los Angeles being centrally located to both their respective homes. They meet at LAX excitedly and reuinte in happy (and drunken) tears. ACT 2: Sunny California Chava wants to visit old friends and reminisce as a “wannabe tourist” in an all-too-familiar city, which she used to call home--she's built a list of things to do and prepared an itinerary for the week; Sala wants to get riddegy-wrecked sun-up to sundown; Worlds collide as somewhat by-the-book Chava nervously nativages around, typically babysitting Sala and often falling victim to being steered off-course by her shenanigans. Within their first few moments under the California moonlight, Sala's smartphone helps her discover that she has a nearby group of friends--conveniently banded-together by her circus act “master plug”, who is devastatingly in love with her. They spend night one of the first festival tracking him down--Sala finds herself already exhausted by Sala's timing and drunken unsubtlety (“My friend's a COP!”) They finally meet him at the end of the first day, they allow him to tag along--until he becomes almost-suddenly dysfunctionally inebriated and Chava must make a fight-or-flight decision to leave him behind, after he begins drawing attention to their vulnerable crew, and she is approached at random by a mysterious character in a gas station convenience store, where she appears to be the most sober person. On day two, after running at top-speed to catch the shuttle, Sala drunkenly makes friends with a group of young people (fresh out of high school), who to Chava are quite “wookish”, but she plays along anyway. However, by the time they exit the shuttle and Chava has finallybecome comfortable being invited into their squad; Chala decides to ditch them--unknowing that they will re-meet later in the night. Excerpt- Festival Trip I As chava blasts away, Sala and Johnny laugh hysterically Sala: Dat ass tho! Their laughter fades in the distance as she speeds up, other onlookers also commenting about her ass, as she blows past a group of men in black, she turns a man's head as she catches his attention. Man: Daaaaaamn. 3.31.19 —Later— The same man from earlier looks out the window of his high rise penthouse suite, across from Chava's hotel—and sees Chava levitating—he pauses, looks around, and raises his eyebrows, drunkenly and assumingly otherwise intoxicated in his appearance. Man: Daaaaamn. Chava is freaking out, remaining motionless as she floats above the bed—she looks out the side of her peripheral, afraid to move—looking up at the ceiling, her eyes widen. She blinks, and takes a deep breath. He questions what he is seeing, as he pours himself a drink. 4.1.2019 As Chava dances through the crowds, she connects and trades Kandi, moving to the beat with intricate motion and flare—people are loving her (a musical dance number)—from backstage, a man pouts and purses his lips, wondering why she is familiar—he is momentarily lost in thought, as he gazes at her and the crowd. Man: (under his breath) Daaamn... Lackey: c'mon man, let's get the fuck out of here Man: But— Lackey: don't worry, you know there's gon' be hoes at the spot. Man: ...but look at her viiibe...and that ass tho—damn! Lackey: eehhhh. You wanna ass, I got a specific folder in m

This week Ryan and Cory have a new person join the podcast! Kinda....With this new guess they discus the new MLK Jr. statue, the child predators, and the discontinuation of Sierra Mist. And of course new ranking lists are put out for us to draft. The episode may not have the best audio, but it still hits home. Feel free to stop in, get some laughs, a drink of water, and be back out on your way! And always remember, Drink More Water. Make sure to check us out at...Instagram:.drink.more.water.Ryan: ryan_azuero_95  Cory: cory_in_the_house2Tiktoksdrink.more.water0Ryan: Apo11o01Cory: coldbrewcory2

Matthew 27:51-53; Ezekiel 37 Learn more about Samaritan Ministries here Thanks to everyone who supports TMBH at patreon.com/thetmbhpodcast You're the reason we can all do this together! Discuss the episode here Music written and performed by Jeff Foote.

Welcome back to Artbeat Radio! Today we have an original story by Brian Corder of ART Center. He wrote this story over the period of about two and a half weeks and had a total of three drafts. This story is about “kicking COVID's butt!”. Below is a message from Brian.  “Thank you everyone for being there for me when I need you. Stay tuned because this episode will be spine tingling! It'll keep you listening for more.”   - From, B.C.  Special thanks to Sergio Leal, Eric Recillas, Ricky Parral, Nancy Terrey, Lisa Mellow, and Aaron Francis for music, lines, and sound effects for this episode!  Thanks for listening and tune in next time! For more information about our organization, please visit our website www.ableartswork.org   Audio Transcription: (Please listen on Podomatic or Spotify to view the full transcript) *Intro music by Artbeat Radio staff*  Music, stories, and more! You're listening to Artbeat Radio, a program of Able ARTS Work.  Nancy: Welcome to Artbeat Radio. Today we have Brian Corder who wrote a story. Welcome Brian! What are you going to do Brian?  Brian: Nancy, I'm going to read my story of me beating COVID's behind. Nancy: That's good.  Aaron: What is your story about?  Brian: It's about COVID taking us hostage and I just- something in my mind snapped for four nights in a row and I just decided to write a story about COVID. Back in our lives for far too long.  Eric *sigh* Do you think COVID will ever end?  Brian: I like to think so. But you see, this is just a dream and you can dream about anything in the- one of those dreams.  Eric: And now, let's listen to Brian's amazing story!  *Xylophone and piano theme plays*  Brian: The Monster Within by Brian Corder. Once upon a time, in a land far far away, for three nights in a row, eleven weeks ago, I had a dream that a monster that was named COVID wreaked havoc on everyone he touched. By the end of 2019 into early 2020, he was just starting to emerge. *door opening* The monster was flexing his muscles, meanwhile, our future hero, was watching programs on tv *tv static* and something was afoot *foot stomping*. It was very scary- so scary that this future hero summoned three people to custom make a cape that was blue Kryptonite.   Nancy: “I need a custom cape made out of blue Kryptonite!  Brian:  Three people came up with the perfect name for him. The name of the hero was COVID-MAN! *Applause with chanting *The blue kryptonite made him all the more stronger. He doubled up his fist. When COVID-Man was at the right place in the galaxy, he drew up his fist and let his fury do the talking! *fist noises* it showed no mercy. And he said, "I'm just beginning to take you apart- piece by piece!”  Nancy: “Piece by piece!”  Brian: Be prepared to meet your maker!   Brian: “Be prepared to meet your maker!” *evil laughter*  Brian: You've kept a whole lot of people hostage for too long.   Sergio: “Too long!”  Brian: But COVID, you're going to die!   Brian: “But COVID, you're going to die!”  Brian: After the display died down and went away, many people were treated to a real old-fashioned type of fireworks display.    *Yankee Doodle plays on the flute*  Brian: Along with the tremendous explosion of the thunderous sounds of a pat on the back *pats on the back* COVID-Man's bravery was enhanced when this reporter asked a question, "Now, COVID-Man, what did it feel like to get rid of the hatred that this monster known to all of us as COVID wrecked upon the land?"  Brian: “It was terrific. Yeahhh!”  Brian: "Beautiful!" Said COVID-Man to the reporter.   Nancy: “Beautiful, son!”  Brian: After the show was over and done with, every one of the townspeople cheered and the thunderous round of applause which was made more brighter by everybody's fun, shiny, energetic feeling that all of the world would be alright no matter where you go.   *Applause and cheering*  Brian: The mom of the daughter was downstairs watching tv and a bulletin came on and there was this reporter interviewing COVID-Man about what he did and how the townspeople Felt about him- "Awesome!   Aaron: “Awesome!”  Brian: Fearless!  Nancy: “Fearless!”   Brian: And powerful!  Sergio: “Powerful!”  Brian: Were some of the terms that described the feelings in the battle between COVID-Man versus COVID. The girlfriend of COVID-Man called her mom to sit on the couch. The mom said, "Here is someone I think you should see. If you want, I can drive you down to the studio to meet him.”   *Car ignition*  Brian: “Oh COVID-Man. I bet you could protect me against anything," said the girlfriend to him in the dream until it was finalized for COVID-Man to kill COVID.   Brian: “Finally, your time has run out!”  Brian: COVID-Man told the reporter that it was an honor to get rid of every town of this menace.  Nancy: “Get out, COVID!”  Brian:  The president was even notified via email. *typing noises* Then he reached over to his computer. " COVID-Man saves the world" That was the story of the front page. *pages turning*  Nancy: “COVID-Man saves the world!”   Brian: The president told his staff to get air force one ready to go. *Airplane taking off* “We've got to present a medal to COVID-Man. He's a very useful weapon right now”  *Drumming*  Brian: They proceeded to take off to where COVID-Man was. The president presented COVID-Man his medal and said “it's for the bravery of becoming what you could do under very trying circumstances. I give YOU this medal for what you did." After the presentation was over, the president and the staff went back to the white house.  Aaron: “Come on. Let's go back”  Brian: "I think I tapped COVID-Man on the shoulder" said the reporter in a very high-pitched female voice. "Can I ask you a question?"   Nancy: “Can I ask you a question?”  Brian: Now COVID-Man was out of the wall and this reporter had a hat, suit, tie, and was holding a microphone in her hand. She sat the microphone down, took her hat, suit, and tie off and finally the interview was over.   Nancy: “Thank you, COVID-Man!”  Brian: "Thanks COVID-Man for the interview." It was finally revealed that the reporter was his girlfriend and she revealed this to him and then they lived happily ever after!  *Only Yesterday by the Carpenters*  Nancy: Brian, I think you were marvelous at that story.  Brian: Well, thank you very much, Nancy!  Aaron: Brian, how'd you like that story?  Brian: My favorite part of the story was blue Kryptonite which makes COVID-Man stronger.  Nancy: Is there anything you wanna tell the audience?  Brian: Well, I think it ought to be said that I like the part in which the president told the staff to get Air Force one ready and that he was going to be a very special weapon against crime. Well, I'd like to say thank you everyone for supporting me!  *Outro music by Artbeat Radio staff*  We hope you enjoyed this episode of Artbeat Radio. For more information, please go to our website. Ableartswork.org. Thanks for listening and tune in next time! 

St. Olaf College (MN) Percussion Educator and Performer Matt McClung stops by to talk about the St. Olaf job, stepping into band directing, and the wide range of students that attend the school (05:45), leaving his job at Texas A&M-Corpus Christi, getting connected in the Minneapolis/St. Paul area, his wife's violin career, and moving during COVID (22:00), growing up near Chicago, his church music background in voice and percussion, and his early ensemble experiences (40:30), and his undergrad degree at the University of Cincinnati, where he majored in Engineering and did a lot of percussion on the side (01:02:20).Finishing with a Rave on the 1976 film All the President's Men (01:18:10).Links:Matt McClung's St. Olaf pageMatt McClung's ROCO pageEri IsomuraPhilip Hey10th Wave Chamber CollectiveCERN Particle ColliderSt. Paul Chamber OrchestraMaureen NelsonDave HagedornPatsy DashCrystal Lake Heraldry GuardModern School for Xylophone, Marimba, and Vibraphone - Morris GoldenbergSnare Drum in the Concert Hall - Al PaysonWilliam Moersch on the podcast in 2019Percussion Group CincinnatiBen TothZeitgeist New Music GroupOverture to Candide - Leonard BernsteinRusty BurgeRaves:All the President's Men trailer

In this episode we talk about The Magic Xylophone, and dig in on why we should all take turns. Musical instruments, garden gnomes, and classic pranks! What's not to love? Thanks for listening. Connect with us and let us know what you think of the show! Twitter: @theblueypodcast Email: blueypodcast@gmail.com

Happy Banditober to one and all! Your Two Bandits have decided to do a fun experience this Banditober! Why not watch the first episodes of Bluey with us, beginning with Episode One - Magic Xylophone! So sit back, hit play when we hit play, and lets have fun as we all rewatch this episode together! Let's watch some Bluey together, friends! For real life!    Happy Banditober all!             As always, thanks to all the party people that listen and follow, feel free to rate and review us! We love hearing from the Blueyverse! New and old episodes! Let us know what ya think!!! We dare ya!   Hit up our Patreon to give us of what you love to watch/listen to/what brings you joy and have us join you in that fun! We are up and running and are having a blast!  https://www.patreon.com/watchingbluey     Twitter: @WatchingBluey Email: WatchingBluey@gmail.com  Merch: http://bit.ly/2BWBSwag 

  Vidcast:   https://youtu.be/QM6WdZcdYIU   The CPSC and Primark US have recalled Primark Wooden Xylophone Toys.  The feet of this toy may loosen, fall off, and create a choking hazard for young children.  About 450 of these toys were sold at Primark US stores in the Northeast, Chicago, and Florida.  If you bought one of these toy xylophones, immediately stop using it and return it to a Primark store for a full refund.  For more information, call Primark Us at 1-617-946-3236.   https://www.cpsc.gov/Recalls/2022/Primark-Recalls-Wooden-Xylophone-Toys-Due-to-Choking-Hazard   #primark #foreignbodies #choking #children #recall  

Freelancing Vibraphonist, Percussionist, and Composer Jen Martinez-Bre stops by to talk about gigging in South Florida, the PAS Diversity Panel at PASIC 2021, and challenges of various vibraphones (02:00), growing up in Florida, studying percussion and audio engineering in college, pandemic-related issues, and unusual requests from playing corporate gigs (44:55), and stays for the Random Ass Questions (01:20:00).Finishing with a Rave on a recent live performance by The Mavericks (01:52:55).Links:Jen Martinez-Bre's websitePAS Diversity AllianceElizabeth DeLamater's 2021 visit on the podcastThe Center for Mallet Percussion Research - Kutztown University (PA)Sasha BerlinerGiant Steps - John ColtraneWarren Wolf“Genie in a Bottle” - Christina AguileraValerie NaranjoSausage Party trailerThe Food that Built America trailerModern School for Xylophone, Marimba and Vibraphone - Morris GoldenbergMore Myself: A Journey - Alicia KeysChris BoshDafnis Prieto and Michel CamiloDawn FM - The WeekndThriller - Michael JacksonQuincy JonesRaves:The Mavericks 2022 Tour

Listen as Dr. London Smith (.com) and his producer Cameron discuss Hepatic Adenoma with special guest Professor Gnarls Xylophone (Dwight Hurst). Not so boring! https://www.patreon.com/join/jockdocpodcast Hosts: London Smith, Cameron Clark. Guest: Dwight Hurst. Produced by: Dylan Walker Created by: London Smith

Freelance percussion educator and performer Drew Tucker finally demystifies the age-old question: is a vibraphone a xylophone? Just kidding...it's not. But he does talk about his growth from marching arts member to professional musician, his opinions on soundscape, and how he approaches educating the next generation of performing artists.

The very first episode of Bluey is called The Magic Xylophone. I have many questions about this episode, but the one main one keeps hitting me in the back of the head: is the Xylophone real? Does it actually have magical powers. Because if not, Bandit is the greatest actor of all time. Join in for this episode as I chat about inclusion and how we can all learn from Bingo.

A panel featuring Tate Berebaum, Founder of Verto, along with Victor (design at Verto). We are also joined by the founder of Dropverse, a proximity-based NFT drop platform being built on Arweave. We learn more about liquidity mining on Uniswap V3, EIP-4444, Bundlr growth, and dive deep into the design philosophy at Verto and their transition to a SmartWeave-based infrastructure for trading PSTs and more. "[Verto is] focused on building out user experiences and interfaces which enable people to tokenize ANY piece of data, and make it fungible or non-fungible."Co-hosts include Xylophone of Arweave.news, and of course @onlyarweave.

In this week's episode, there's an extensive workshop to try and find out what the X in LAX stands for. Crossing? Is it a plane symbol? Does it mean Xylophone? Anyways thanks to our sponsor this week, CremaUrn. Use promo code: Potatoes, so you and your loved one can get cremated for free with a purchase of one cremation. 

Join Mr. Ross and Mr. Miley as they discuss student leadership here at Ponderosa.  The Pondo Crew is only two meetings deep and we have already brainstormed some amazing ideas.  In today's episode some of the student leadership ideas that were brainstormed are discussed and clarified.  Timestamps Below:Going-Ons (00:14)Student Leadership Discussion (08:34)Mr. Ross and his Xylophone (27:27)

A great panel discussion with Sam Williams, the Founder of Arweave. We learn more about the recent hard fork, details about mining upgrades, Shepherd content filtering, and the potential and progress being made for social networks being built on Arweave. It was a pleasure to have Sam join us in this panel - his enthusiasm and dedication to the protocol is inspiring.  "If you want to say something in public, Arweave is the most powerful and effective way of doing that because it does not just perpetuate your information across space, + replicate it across the world, it also replicates it across time, which is the most powerful way to speak."Co-hosts include Xylophone of Arweave.news, Rob of 4sv.io, and of course @onlyarweave.

Join Jess, Abigail, and Jenny and our surprise guest, Jami, on an adventure through the Laguna Wood on their way to Red Dahlia Bluff!Jess becomes a Demolition Woman, Abigail uses a shotgun for the first time, and Jenny uses her new SCYYYthheerrr, and Jami enables everyone with weapons from her costumed Squirtle Squad!We now have a Discord Channel for those whom are interested in joining and meeting the crew! Come hang out with us! https://discord.gg/5DhdTyKp6ULeave us a review on Apple Podcasts/iTunes with the same Trainer name and Pokemon! And we'll shout you out for being a repeat listener as a very grateful "thank you"!And leave your trainer name and Pokemon on our Instagram! We'd love to hear from you, all you repeat listeners! https://www.instagram.com/theoseepkmnpodcast/Please also visit our good friend, Oliver Hamlin! An artist whom we get a lot of work done, but haven't revealed quite yet due to most of them being spoilers!https://www.instagram.com/oliver_hamlin/ https://www.fesliyanstudios.com/ for BG Music!   Outro Song made by this Wonderful Human being, Starbirth! https://soundcloud.com/starbirthhh/trackshttps://www.fiverr.com/starbirthPlease also check out the musical talent behind the final song, Furkan Barut! Super professional and a great composer! https://www.fiverr.com/furkanbarut642Sounds/FX Used from Freesound:“Mixed Whip Crack 1.wav” by peterbullmusic“Censor Beep” by GowlerMusic“Walking Through Leaves in the Fall” by iamdylanavery“breeze.wav” by keweldog“Cute Question Mark” by plasterbrain“metal chain” by Mediapaja2009“METAL WAGON_ Farmers Wagon on Pavement. Wagon being Pushed (SFX).wavv” by GuntherDorksen“braying donkey - âne brayant” by beskhug“wagon cart on gravel” by Martineerok“Bonk Sound effect” by thecoolcookie17“07-1 Watering, hose” by 16GPanskaKomarkova_Marina of Freesound.org“Unsheathing a Swordv” by visualasylum of Freesound.org“Gun Cocking Sound.mp3” by Cloud-10 of Freesound.org“Poof (3, varying degrees of intensity)” by mendihola of Freesound.org“doorLatch.wav” by Zabuhailo of Freesound.org“Rumble of the rain in Africa during the rain season” by felix.blume of Freesound.org“Tapping, Window, Single, A.wav” by InspectorJ of Freesound.org“Fumbling.wav” by EchoCinematics of Freesound.org“Explosion (Close/Near) (Mixed)” by EFlexMusic of Freesound.org“Group running on dirt.mp3” by dlanders of Freesound.org“Magic spell shield on whoosh build up delay.wav” by ryusa of Freesound.org“Wind Chimes, A.wav” by InspectorJ of Freesound.org“frogs, a few, minimal traffic noise.wav” by madbob69 of Freesound.org“maracas” by nathanmanaker of Freesound.org“Xylophone for cartoon (16)” by sergeeo of Freesound.org“Dark Timpani 8.wav” by Sorinious_Genious of Freesound.org“string quartet tuning up.wav” by electra of Freesound.org“Wing Flaps.wav” by promete of Freesound.org“Heavy stone door opens” by PostProdDog of Freesound.org“Crashing Waves into Rocks 3” by amholma of Freesound.orgSupport the show (https://www.patreon.com/OseePKMNPod) Support the show (https://www.patreon.com/OseePKMNPod)

There's a lot happening in the Arweave ecosystem, and in this Permaweb Panel Co-hosts @onlyarweave, Rob of 4SV.io, Xylophone of Arweave.news discuss massive updates: The Graph indexing of Arweave, Atomic NFTs via KOII and Verto, Metaplex Candy Machine exponential usage increase, and so much more. The Arweave ecosystem itself is increasing becoming more decentralized with external services being connected, more nodes coming online, and there's a huge increase of integrations. From the latest announcement from The Graph indexing Arweave, to Redstone Finance opening up a decentralized network of node operators, the theme of increased decentralization and composability is coming to life in a big way.There's also big uptick in the amount of NFTs being stored on Arweave. The Metaplex Candy Machine was one of the first adopters of the Bundlr and the NFT platform and utilization of the network has grown well over 30x in just the last month or so. Learn more about this in this episode.In addition to the above, we talk about how the Atomic Arweave Standard is developing into a vital component of any NFT -  "the media is stored on Arweave. The contract is stored on Arweave, they're inseparable. They're completely permanent. Essentially, they're treated like any other profit sharing token on Verto". The impact of this requires a lot of exploratory thought, which is why we're so glad you are a part of this community as we grow and develop together. Thanks so much for learning about the Permaweb, and be in touch anytime @onlyarweave

Kim and Jen talk about teacher duties,  weird and awful advice they were given, and why you should check the spelling of words before teaching the "letter of the day".