Podcasts about superbrat

Welcome to a new episode of the My Sporting Hero podcast, part of Nutmeg FC. The home of brilliant football stories – made in Scotland.So far this month, Nutmeg FC subscribers have enjoyed....* Brian Lee's article on the fascinating connection between fans of Morton and Serie B outfit Reggiana* Daniel Gray's latest Slow Match Report on Rangers' heroic draw with Athletic Bilbao in the Europa League quarter-finalAnd still to come....* The exclusive column from our tactics guy Adam Clery comparing Lewis Ferguson with Liam HendersonOnly paid subscribers to Nutmeg FC get every piece we produce straight to their inbox.This time on My Sporting Hero, our guest is Michael O'Neill.Portadown-born Michael played as a midfielder for several British clubs, including ones in Scotland where he is best remembered for spells at Dundee United and Hibernian. As a young man he set top-flight Newcastle ablaze with a stunning opening season. He moved to Tannadice and eventually fell out with notoriously thrawn United managerial legend Jim McLean. He also played over 30 times for Northern Ireland.Michael started out in management at Brechin City, made Shamrock Rovers Irish champions and led them into Europe, before taking the reins at Northern Ireland. He achieved the nation's first-ever qualification for the European Championship and progression to the second round of the finals in France in 2016. He also rescued Stoke City from relegation danger when he first joined the Potters.Michael is currently enjoying his second spell as Northern Ireland manager.His sporting hero is ‘Superbrat' and all-round tennis genius/guru John McEnroe.Nutmeg FC | Substack This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.nutmegfc.co.uk/subscribe

Child celeb Derek Masters returns to Stoneybrook from L.A., and–guess what–his parents need a sitter. In keeping with an emerging pattern for Jessi-centric books, stars align for her to take on most of the gigs with the new charge, and she and the BSC help him process some setbacks at school and settle back into everyday suburban Connecticut life. Derek returns the favor by coaching Jessi through a series of high-stakes auditions for Swan Lake, and even has her considering new outlets for her performative (and workaholic) energies…Microwave your Kid Cuisine of choice, then join us and the fam in front of the TV for some appointment viewing and conversation as we revisit Jessi and the Superbrat.As mentioned on this episode:A bit of what Jan Carr has been up to since 1989, plus a couple media references that Karen brought to mind with her play and costume choices:The Muppet Movie (1979)Dressed up E.T.Send us pointers on how to make it in *showbiz* at stoneybrookreunion@gmail.com. Find us on Instagram @stoneybrookreunion.

This episode of the Networking Rx Minute with Frank Agin (http://frankagin.com) uses John McEnroe's escapades to illustrate that character is more important than talent.   For more great insight on professional relationships and business networking contact Frank Agin at frankagin@amspirit.com.

As promised after our discussion last week, we're revisiting our discussion of the Netflix series episode, Jessi and the Superbrat. We'll be back next week, on Halloween, with a Halloween-themed re-read episode and then our season finale will be on November 14 with more details about when we'll be back and about our Patreon. Follow us! Instagram and Twitter: @generationbsc Contact us! E-mail: generationbsc@gmail.com Generation BSC logo created by Jordyn Hunter.

SCOTUS is bad. The BSC is good.Join us for a 60 minute respite from the flaming dumpster heap that is present-day America as we discuss the 3rd and 4th episodes of season 2 of the Netflix series. This is a marathon, y'all -- humor, critical analysis, and solidarity will help get us through.  Visit us at our website, and follow us on:FacebookTwitterInstagram

OMG, Jessi's babysitting an extremely minor celebrity! Also, she gets a bit freaked out about ballet and wonders if the modelling industry would be a less toxic environment. Meanwhile, we review a disappointing nun cemetery. On today's agenda: Jessi absorbs the lingering Stacey vibes; bizarre vinyl collections we have known; we find out too much about esteemed critic AN Wilson; Janine sources regional cakes on the dark web; our beef with Starlight Express fandom continues apace; gymkhana drama; everyone remembers when a dog came into the school; Claudia solves all Derek's problems and gets zero credit for it; spectacularly unethical linguistics research; unforgivable breaches of TV etiquette; upsetting sandwich concepts; an elegy for the prizes in cereal boxes. Our theme song is "The Incredible Shrinking Larry" by Matt Oakley and "Big Band Jingle A" is by Lobo Loco, both on the Free Music Archive. If you like our show, tell a friend, rate and review on your podcast app of choice, and come say hi on Facebook, Twitter, Tumblr or Instagram!

This episode of the Networking Rx Minute (with Frank Agin (http://frankagin.com)) uses John McEnroe's escapades to illustrate that character is more important than talent. For more great insight on professional relationships and business networking visit https://www.amspirit.com/blog/ or contact Frank Agin at frankagin@amspirit.com

The vibe of September 1989 was BOLD, with popular uprisings against authoritarianism in East Germany, South Africa, and Beverly Hills (justice for Zsa Zsa!), Cher's scandalous strut across an aircraft carrier and up the music charts, and the debut of Joan Rivers' delightfully chaotic daytime talk show. An auspicious time to be young and creative!Brooke and Kaykay discuss Jessi and the Superbrat's exploration of performativity and the alienation of the exceptional, with digressions on cereal box toys, Camel Cash, and the dress code on Suze Orman's island. Visit us at our website, and follow us on:FacebookTwitterInstagramSpotify

Kate and Lauryn continue their discussion of Season Two of The Baby-Sitters Club on Netflix. We discuss Jessi and the Superbrat! Follow us! Instagram and Twitter: @generationbsc Contact us! E-mail: generationbsc@gmail.com Generation BSC logo created by Jordyn Hunter.

In this very special bonus episode, the boys chat with The Baby-sitters Club showrunner Rachel Shukert about all things Season 2, how she took inspiration from the movie Face Off, and what, specifically, needs to happen for them to get proper roles in Season 3. You can watch Season 2 of The Baby-sitters Club on Netflix, and you can listen to our weekly discussions of each episode at Patreon.com/BSCCPodcast. Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. --- Support this podcast: https://anchor.fm/jack-shepherd8/support

This week, Jessi takes center stage (get it? because she’s a dancer?) in “Jessi and the Superbrat.” They really rework the book in a major way, but it works! I like it a lot! Also, Christy gets very ill during the recording and by the end is about to fall over. So, it’s shorter thanContinue reading "Baby-sitters Club – Jessi and the Superbrat"

The "Dark Library" is a collection of forbidden texts composed by Ann M. Martin before it was given to her to weave the great Sitters' Cycle. It is unknown what words of power are writ inside the hidden tomes of the Dark Library — all that is known is that anyone who dares to read them is driven mad. This Scholastic-approved biography of Ann M. Martin was written by Margot Becker R., one of the few living beings to have seen the Dark Library and witnessed its macabre secrets, and as such, it's a pretty perilous read! This week, our two brave boys are opening their minds to this dangerous book on your behalf, so dive in and enjoy ... but consider yourself warned. Also, be sure to preorder "We Are the Baby-Sitters Club: Essays and Artwork from Grown-Up Readers" wherever you get your books! Music credits: "Old Fantasy Legend," by _Blacksmith_ "Dark Fantasy Ambient," by Orchestralis “Carnival Lament,” by Robert Austin “Haunted,” by LucaFrancini “The Prophecy,” by Fox Beat "Risky Low," by Purple Planet "Path of Doom," by Purple Planet Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

All-Star Mary Garcia (@scarymarygee) joins us to help me deal with a SUPERBRAT (and the ambiguity of such!). Much like when you're on a playground...anything could happen in this episode (but one thing we're sure of is that Nicky Pike is a great guy). Email: thebabysittersbookclub@gmail.comTwitter: @babysittersbcInstagram: @babysittersbc 

Five years ago, two men made a solemn promise: They would tell the story of Agent Associate Baby-Sitter Shannon Kilbourne the way Ann M. Martin always intended it to be told. Almost immediately, one of those men fully delivered on that promise, but literally no one noticed, primarily because of an almost overwhelming lack of interest from the other man. But now, in full technicolor, you can finally hear the breathtaking tale of danger and intrigue known in Baby-Sitters Club-associated circles as "A Time to Kilbourne." Music credits: "Mysterious Spy Movie," by Shorties "A Suspense," by Fat Bunny "Suspense & Crime," by Alexander Rufire "Fight Back," by Shorties "Suspenseful Background," by Luca Francini "Tech Glitch Opener," by Gentle Jammers "Spy on Me," by 2A Soundworks Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

Some fun (and let's be honest, quite sexy!) spoilers for the classic baby-sitting novel (she's a governess!) "Jane Eyre" in this episode — a book you've had 174 YEARS to read. What else do you need to know ... let's see ... Team Jane all the way, Rochester's a mega-creep, and the name of the First Century British queen who led an uprising against the Romans can in fact be pronounced "Bo-Di-See-A" — I looked it up — so eat it, Tanner. We can also officially reveal that this book is very good and also we loved this one! Music credits: "Classical Hope," by Alex Bird "Epic Love," by Luca Francini "Classical Piano," by Orchestralis “Typewriter Blues,” by AllenGrey “The Prophecy,” by Fox Beat Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

Perhaps the most highly anticipated babysitting movie of all time, "The Phantom Menace" proved to be a showcase of just how bad babysitting can be when left in the hands of a director with no one nearby to rein in his worst impulses. As a result, baby Anakin is allowed by the Babysitters Club consisting of Obi Wan and his friend Jim to do dangerous driving and age-inappropriate flirting, which leads him inevitably to become an insufferable teenager and, later, a dark lord of evil. Nonetheless, some of us loved this one anyway. Music credits: "Duel of the Fates," by John Williams "Duel of the Fates," by The Noisy Freaks and Dead Cat Bounce Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

It takes a lot to surprise two boys who've encountered every form of babysitting from leopards to Tiny Yoda to that time Jake Kuhn fell down a well and had to babysit himself for a few days. But even these hardened babysitting veterans were put through their paces by this literal island of babies (plus, this one dude), who are sat — within an inch of their tiny lives — by the unflappable, incandescent force of babysitting that is the sisters Mary and Jean Wallace. We frickin' loved this one. Music credits: "Fairytale Adventure," by Praded “The Prophecy,” by Fox Beat Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

The year is 1988 and it is prophesied that a bikini baby will bring about the downfall of an evil sorceress named Bad Mother. Consequently, Bad Mother attempts to steal the foretold child for a ritual murder, which is very bad babysitting. After the child escapes, Bilbo Baggins and his best friend Val Kilmer look after her until she can fulfill her destiny. This is very good babysitting. And when there's good babysitting happening, you can be certain that the Babysitters Club Club will be there! And so we were. This week, Willow. Music credits: "Adventurer's Inn," by Simming “Stardust,” by Fox Beat Stock Music “Where We Belong,” by Equalize “Chopstick Slapstick,” by OurMusicBox Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

Can you babysit your own children? What if you're pretending to be someone else? Is it in any way creepy to disguise yourself as an elderly nanny and spy on your ex-wife? These are just a few of the nuanced and complex babysitting questions that are posed by the iconic 1993 babysitting film Mrs. Doubtfire, and as usual, the boys bring their sensitive and thoughtful insights to bear on this important cultural artifact in a way that is both thought-provoking and intelligible. Music credits: "Cute Commercial," by Luca Francini "Sexy," by Light Sound "An Epic Cinema," by Alex Bird Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

Let's take a trip back to the early days of babysitting: It was 1987, and an unsuspecting world was just beginning to appreciate the giddy highs and the awful lows of sitting babies thanks to the pioneering work of Ann M. Martin. But what if ... babysitting on the big screen?! Enter ... "Adventures in Babysitting," the ultimate babysitting adventure of our time. And what better guides to this historic babysitting breakthrough than the world's most impressive babysitting experts: These guys. Us. In this one we talk about the film "Adventures in Babysitting." Music credits: "80s Montage," by Alexander Rufire Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

The boys from the baby-sitters club club are back for yet another scintillating discussion of baby-sitting style and technique, this time in the smash-hit baby-sitting-themed video novel, The Mandalorian. Listen and enjoy as the boys talk about tiny green yoda and the big babysitter who never takes off his hat. Music credits: “Showtime,” by Stockwaves "Hollywood Epic Sci-Fi Hybrid Trailer," by Audio Zen “Chopstick Slapstick,” by OurMusicBox "A Dubstep," by Maikon Music Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

Join the Hot Legs Gamer Clan as they bravely venture into this year's most anticipated title: The Baby-sitters Club 4th Grade Learning Adventures CD-ROM from 1998! From what we can tell about the plot here, it looks like Stacey, Kristy, and Jessi have hidden Mary Anne, Mallory, and Claudia's heads in different boxes that are scattered throughout the school. In the process of finding them, we'll all learn some 4th Grade math. Enjoy! Music credits: “Jazz Sad Hip Hop,” by Black Stone Sound Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

This one's a mess. Josh and Jack from the hit Pokemon/Baby-Sitters Club crossover podcast "The Babysitters Experience" make a good-faith attempt to discuss "Pokemon The Movie 2000" and "Logan Likes Mary Anne" the graphic novel, but their nice podcast is sabotaged and also vandalized and, frankly, ruined. Music credits: “Overture,” by Lionheart “The Prophecy,” by Fox Beat Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

Having apparently run out of Baby-Sitters Club books, the boys lie out in the field and wait for the birds to take them. Music credits: “Illuminate,” by Bluebird “Invincible,” by Dimotai Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

The great Sunny Winslow's paying a visit to the BSC this week and bringing her special brand of California Diaries chaos and angst to the sleepy town of Stoneybrook. The girls commit a bunch of shocking travel crimes, Jackie Rodowsky blips into an alternate reality, and the boys speculate about what kind of music Mr. Spier listened to as a cool, ‘70s Connecticut teen. Music credits: “Teenage Freakout,” by Mules “This Is Nostalgia,” by Raspberry Music “Classic Arcade Video Game,” by Adigold “Haunted,” by LucaFrancini “Christmas Piano Lullaby,” by Praded “The Prophecy,” by Fox Beat “You Gotta Have Theremin and Ukulele,” by Squidlord “Inspirational Cinematic Trailer,” by Anuch “Powerful Cinematic Soundtrack,” by Blue Sky Audio “Vibe,” by Marble Space Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

A pulse-pounding adventure full of elite haxors, Knights Templar, and secret service shootouts, Kristy and the Kidnapper is Ellen Miles' most ambitious and exciting work yet, and the boys couldn't be more eager to explore its hidden depths. Except that Jack's in a bad mood, and Tanner's not helping. Also, a plea to listeners: Get a cat. Just get a cat! Music credits: “Suspenseful Dark Cinematic Mystery,” by Sun Channel Music “Parting Ways,” by Allen Grey “The Prophecy,” by Fox Beat Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

After the fever dream that was the Netflix video novels, the boys are thrown headfirst back into the twilight world of "Friends Forever," where the Fame Wolf still prowls, danger lurks around every corner, and any moment could be the one where the Boyfriend Trap is sprung. This week, Stacey McGill stands trial for her crimes against humanity and Claudia specifically, and Ann M. Martin lays down a few more clues about how to sweep your crush right off their feet. Music credits: “Western Hero,” by Andy Slatter “Bad Clown,” by Soundroll “Surfing Bird,” by Cinematic Alex “Gothic Rock Opera,” by Allen Grey “Stardust,” by Fox Beat Stock Music Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

The boys send their best and bravest into the heart of suburban Connecticut in search of the secret portal to Stoneybrook, but all they end up with is a nasty case of browntail moths. Coincidentally, that's what the baby-sitters are getting into this week as well, over at Camp Moosehead, where the moths are poisonous, injustice reigns, and if you're not careful, you might just lose your face. Kristy (Sophie Grace) and Karen (Sophia Reid-Gantzert) join for a diabolical game! Music credits: “Stardust,” by Fox Beat Stock Music Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

Things aren't looking so hot for Batgirl's big day! Kristy looks like a banana, the officiant is a witch, and Mr. Spier's shirt smells like meat. After a robust discussion of these important topics, the boys are joined by Watson himself (Mark Feuerstein) for a bracing round of Dad Talk. Music credits: “Chains,” by 3 (Emerson, Berry & Palmer) “Stardust,” by Fox Beat Stock Music “Don't Leave Me,” by Lionel Schmitt “Sadness,” by Allen Grey Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

Something's going on with the dads of Stoneybrook this week. Watson's hiding something behind a mysterious blue door, Mr. Spier is undergoing some kind of unnatural evolution, and John Pike is sending us cryptic messages through his license plate. Then, the boys are joined by Shay Rudolph (Stacey) and Momona Tamada (Claudia), who agree to take an extremely tricky and diabolical quiz about their BSC knowledge. Music credits: “Slash,” by Arc North Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

This fascinating video-novel poses three impossible problems: Kristy's baffling reluctance to accept Dawn into the club; the paradoxical influence of Milton's Paradise Lost on these texts; and Mrs. Barrett's impossible legs. Then, the boys bring in Dawn and Mary Anne themselves (Xochitl Gomez and Malia Baker) to subject them to an impossible trial of their own. Music credits: “Sadness,” by Allen Grey “Sadness,” by AudioRose “Chopstick Slapstick,” by OurMusicBox “Stardust,” by Fox Beat Stock Music Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

This one has nowhere near enough boys' basketball in it, but that kind of sums up Mr. Prezzioso's life anyway, so it all checks out. Plenty to discuss this week anyway as the boys encounter a new and improved Dawn, speculate about what's in Mimi's special tea, and perform in the auditions of their lifetime with their special guest: “Baby-Sitters Club” Director and Executive Producer, Lucia Aniello. Music credits: “Overture,” by Lionheart “Laisse pas Traîner Ton Fils,” by Suprême NTM “Don't Leave Me,” by Lionel Schmitt “Stardust,” by Fox Beat Stock Music Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

This week, the boys slam on the brakes of the Friends Forever series and smash through their windshields right into the first episode of the Baby-Sitters Club Netflix show, cleverly titled “The Baby-Sitters Club.” Prepare for a pulse-pounding, bomb-on-the-bus thrill ride as they explore the dangerous new world of Stoneybrook 2020. With edgy, in-your-face characters such as Beret Lady, the Hand of God, and Bat Girl, this provocative new take on the BSC is an instant classic, and these boys are going to be there every step of the way. Music credits: “Classic Arcade Video Game,” by Adigold “Detective,” by LoopsLab “Stardust,” by Fox Beat Stock Music Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music. Advertise on The Baby-Sitters Club Club via Gumball.fm

Ann continues to take a wrecking ball to what remains of our beloved baby-sitting club, this time reducing the passionate and (literally) timeless love affair that began with BSC #10, “Logan Likes Mary Anne” to a pile of dust and rubble. But that's only the half of it. What's got these two Weyniacs really worried is an even darker force that Ann has unleashed on Stoneybrook: Something angry. Something fierce. Something … lupine. Music credits: “Dramatic End,” by Tim Cat “Classic Arcade Video Game,” by Adigold “Stardust,” by Fox Beat Stock Music Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

With her Wine Crimes in the rearview mirror, Stacey McGill tries her hand at betrayal. Meanwhile, as Stoneybrook reels from what is presumably a five-alarm baby-sitting shortage, two strangers walk into town with their heads held high and their hearts set on chaos. Will Jeremy and Rachel be the lovable new characters we never knew we wanted, or are they just going to ruin everything? Jury's still out on that, but the boys find a way to have fun anyway, doing a big “ship,” talking about fashion, and finally revealing the true way to read these novels. Music credits: “Happy,” by Silver Hoof “Typewriter Blues,” by Allen Grey “Bad Clown,” by Soundroll “Overture,” by Lionheart “Olympia, WA,” by Rancid “Spring Street,” by Dar Williams “Stardust,” by Fox Beat Stock Music Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

Total mystery what Kristy's Big News is this week, but Patrick Thomas is getting married and he can't do that without every member of his estranged, alienated, angry, and abandoned family by his side! Except David Michael for some reason. Also this week: Shark People, Heraclitus, and a timely checkin with WebMD. Music credits: “Fun Quirky Retro,” by Pink Zebra “Dark Skies,” by Marco Belloni Music “Vibe,” by Marble Space “The Prophecy,” by Fox Beat “Sad to Hopeful,” by The Story Shop Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

It had long been foretold that Kristy would be betrayed nine times before the end. But even after Dawn and Mallory turned their backs on her, no one was prepared for the onslaught that followed. The boys return to Stoneybrook this week to sift through the smoldering ashes of what had once been a safe haven. There's also kind of a surprising amount of discussion about the British mope-rock band, Keane. Everything changes! Music credits: “Nostalgia,” by Raspberry Music “Everybody Changes,” by Keane “Piano Sadness,” by Alex Bird “Inspirational Techno,” by Kornev Music Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

Mary Anne discovered the freaking LAMENT CONFIGURATION in a wall this week and all hell quite literally broke loose. Meanwhile, the DeWitts are building an extension on their house, which, as a B-plot, doesn't quite live up to the chills and thrills of the A-plot, but it's certainly something to think about. Oh, and there's a Sailor/Ghost. But don't worry, this episode is not all scares – it's also surprisingly sexy? “Cinematic Action 80's," by Luca Francini “Epic Cinematic Horror Trailer,” by Luca Francini “Twinkle Twinkle Little Star Music Box,” by Allen Grey “Once Upon a Dark Time,” by Allen Grey “Romantic Piano No. 4,” by Adigold “Typewriter Blues,” by AllenGrey “Masquerade Ball,” by Allen Grey “Jazz Sad Hip Hop,” by Black Stone Sound “Beautiful Darkness,” by Allen Grey Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

Somebody's poisoning fashion teens this week, but don't worry because Stacey McGill and her best friends Abraham Lincoln, Drop Dead Fred, and Wolverine are on the case! Meanwhile, Kristy is busy BLAZING a trail that the KIND people of STONEYbrook will never forget. It's about weed. Oh, and Ellen Miles has a chilling message for the boys.  Music credits:  “Fashion Show,” by Alex Shulgin “Magical World,” by Stereo Nuts “Ethereal Voices,” by Luca Francini “Creeping Terror Horror Trailer,” by Marco Belloni Music “Serenity,” by Adigold “Beautiful Darkness,” by Allen Grey Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

Who likes mysteries? We hope you do, because it's time to get wet, wild, and wiggly for some horny mystery action with Nola, who's back, stacked, and Thacker than ever! Light spoilers in this one for Medieval European History, the fall of Rome, and parts of The Canterbury Tales. Oh and a teeny, tiny Scare Warning because of the bats and the patriotic witches, and because Kristy peers deep into the darkest part of her soul at a memory that she wishes would stay buried. But mostly this one's just wet, wild, wiggly, and, as we mentioned, horny. Enjoy!  Music credits: “Epic Cinematic Trailer,” by LucaFrancini “Typewriter Blues,” by AllenGrey “Show Logo,” by Stockwaves “Beautiful Darkness,” by Allen Grey Thanks as always to original Baby Boy Scott Lamb for the intro music, Baby Bee Liz for the “Guessing the Mystery” theme, and to Superbrat for the outro music.

Welcome to the City Council meeting for Palo City! Quite a full agenda this week, as we'll need to decide whether or not to cancel Halloween this year and declare martial law, or whether to just allow these vicious Supernatural Murder Clowns to run rampant through our beautiful town, leaving rivers of blood and carnage in their wake. We will also be standing in judgement of Dawn Schaefer, because we're all getting pretty tired of her inability to pick a coast to live on. And if anyone knows what's behind that small, creepy door that definitely wasn't in this room before, now would be a great time to speak up ...  Music credits: “Horror Creepy Haunted Dollhouse,” by Marco Belloni Music “Teenage Freakout,” by Mules “Epic Horror Trailer,” by Luca Francini “Requiem Dark Choir,” by Allen Grey “Beautiful Darkness,” by Allen Grey Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

A searing indictment of Minnesota's police force specifically, this brave episode goes where no previous episode has dared to go: Right to the source of all the True Crime that everybody's doing these days! And that includes the international dong-thievery that is taking place in Stoneybrook itself, the cat kissing and the dog licking that is all too rampant in today's society, and the equally troubling (if not technically illegal) way in which Mary Anne talks about Dawn's mom's perfectly nice tofu curry. Alright, people, let's find out who's been stealing all these dogs! (Spoilers for Beastmaster.)  Music credits: “That Epicness,” by MarbleSpace “Once Upon a Dark Time,” by Allen Grey “Beautiful Darkness,” by Allen Grey “Tears of Joy,” by Adigold “Saying Goodbye,” by J Blanks Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

Prepare to dive headfirst into a world of intrigue and MYSTERY! To unlock the SECRETS of Mary Anne's origins; to decipher the PUZZLE of the universe's most mysterious clock; the RIDDLE of Logan's nipples; the ENIGMA of the Warp Whistles in Super Mario Bros. 3; and the REBUS that is Arnold Schwarzenegger's most MYSTERIOUS film. Most importantly, prepare to solve the perplexing CONUNDRUM of whether the boys are going to find an insanely complex and breathtakingly chaotic way of doing segments, which are traditionally supposed to provide structural simplicity and order! And, of course, prepare yourself for an answer to the greatest MYSTERY of all: What on Earth are these boys going to talk about now that they've read all the main canon books and Super Specials????? (Oh, also, prepare to cry, because this one's a sad one.) Music credits: “Halloween Ident,” by Luca Francini “Until We Meet Again,” by The Story Shop “Once Upon a Dark Time,” by Allen Grey “Sad to Hopeful,” by The Story Shop “Heartbroken,” by Allen Grey “The Running Man theme,” by Harold Faltermeyer “Parting Ways,” by Allen Grey “Rendezvous 72.5,” by Adrien Wilcox “Beautiful Darkness,” by Allen Grey Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

This is a time for sobriety and reflection as the boys gaze bravely into oblivion. Shattered by the loss of a dear, innocent friend who was betrayed by those who should have protected him, they must step forward, alone, into a future devoid of Super Specials. But before they do, a loving look back at this really great final book! Jessi has committed a series of cold-blooded murders, Alan Gray's joined the Stoneybrook Liberation Front, and Kristy's doing kissing and arm stuff with a Canadian! This is Pete Lerangis's swan song and his magnum opus and it is so much better to have loved and lost than never to have loved at all.  Music credits: “Don't Leave Me,” by Lionel Schmitt “Sad to Hopeful,” by TheStoryShop “Polish Funk,” by Artur Orbelyan “Ambient Dream,” by bdProductions “Romantic Background,” by Aleksandr Shamaluev “Haunted,” by LucaFrancini “Angelic Choir Divine Elevation,” by AllenGrey “Ethereal Voices,” by LucaFrancini “Cathedral,” by CleanMindSounds “Battle Area,” by Fifty Vinc Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

Stacey's chopper is down and she's missing in the jungles of Hawaii. Meanwhile, back in Stoneybrook, Mallory has alienated a potential client by mishandling a tantrum. Are these two crises treated with equal gravity and concern in this novel? Yes. Because this is the Baby-Sitters Club, and, frankly, Stacey is expendable. Fair warning: This one's rated R, not just because of the helicopter carnage, but because there is a surprising amount of Arm Stuff, and some EXTREMELY enlightening new rules for the delicate dance known as Da Bonky. Have fun and be careful! Music credits:  “Movie Trailer Action,” by AllenGrey “Polish Funk,” by Artur Orbelyan “Rendezvous 72.5,” by Adrien Wilcox “Dark Cybernetic World,” by AllenGrey “Tanzen,” by KieLoBoy “Sadness,” by AudioRose Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

Put a dollar in your Pete jars, folks, because the boys are talking about the Pete Lerangis Super Special so nice … they read it twice! That's right, your good buddies Weed Lord and Half Pipe are back for a second hit from the gravity bong that is Super Special #12, "Here Come the Bridesmaids!” and this time they're not leaving until Dawn's dad really makes it official by kissing Carol for a second time. And hold onto your wedding veils because there's a brand-new, extremely cool catchphrase in this one, as well as a surprising amount of Rusted Root.  “Teenage Freakout,” by Mules “Air on G String,” by Adigold “Dark Cybernetic World,” by AllenGrey “Jingle Bells (Dark Piano Version),” by Myuu “Tanzen,” by KieLoBoy “Sadness,” by AudioRose “Battle Area,” by Fifty Vinc Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

Shadow Lake holds many mysteries – including a disappearing family that haunts its islands and a big scary monster that lurks in in its depths – but Stacey McGill and Sam Thomas's fiery, tumultuous romance is the biggest, juiciest mystery of all. Why is Stacey interested in Sam even though he insists on calling her “Dahling”? Why has Hodges painted Stacey with a pained grimace on her face as she and Sam dance? The boys dig into these pressing questions, with a short break to say a painful goodbye to a sad, old aquatic friend. Recommended reading this week: The 12th Century “Chansons de Geste” (preferably in the Old French), Chaucer's “Canterbury Tales” and “Troilus and Criseyde,” and “1,001 Email Closings and Valedictions,” by Flavio Olcese. Also: It's UGC week this week, so don't blame any of these segments on the boys.  Music credits: “The General's March and Army Song,” by Mike Shetley “Magical Mystery,” by Freddie Hangoler  “All Our Clocks Are Dying,” by Ergo Phizmiz “Halloween's Revenge,” by TeknoAXE “Horror Trailer,” by Sound Tree “Battle Area,” by Fifty Vinc “Sadness,” by AudioRose “Polish Funk,” by Artur Orbelyan “Tanzen” by KieLoBoy “Jazz Sad Hip Hop,” by Black Stone Sound “Sentimental,” by Daniel__St Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

Ann's back with a whole lot more snow and a rare and surprising tribute to the heroic men who are so often unsung in these novels – He-Man's friend Man-E-Faces, Jason X (or “Space Jason”), the Mouse King, Quint, and of course Logan Bruno, the dreamiest boy on two skis. Meanwhile, Stacey gets trapped in a car, Kristy has to hide her pajamas from Bart, and the horrifying Hounds of Tindalos are back again to drain your fluids with their hollow proboscises. And a brand new rule in the Wandering Frog People game! This one's jam-packed.  Music credits:  “All Our Clocks Are Dying,” by Ergo Phizmiz “Winter,” by SongMail “Epic Trailer,” by YourvisualDesigner “Tanzen” by KieLoBoy “Jazz Sad Hip Hop,” by Black Stone Sound “Horror Trailer,” by Sound Tree “Rendezvous 72.5,” by Adrien Wilcox “Bubble G Funk Electro,” by TeknoAxe “Kill The Flesh,” by Dyman “Don't Leave Me,” by Lionel Schmitt Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

The BSC is undeniable this week. Fine, fresh, fierce, and they've got it on lock. Except of course when Stacey is committing Surf Crimes, Car Crimes, and a whole host of other felonious activities. Or when Mallory's committing Fashion Crimes and Hair Crimes. Or when Kristy's just being kind of generally overbearing. How come Katy Perry never talks about any of that when she's naively singing the praises of these California Girls? That's the real crime. Oh, also, an ancient evil is back, so prepare to be scared!  Music credits: “California Gurls,” by Katy Perry “Tanzen” by KieLoBoy “The Dark Castle,” by Fesliyan Studios “Don't Leave Me,” by Lionel Schmitt “Romantic Background,” by Aleksandr Shamaluev “Old Bad John,” by The Baby-Sitters Club Super Club Chorus “California Girls,” by The Beach Boys “The One You Loved Is Gone” by Soularflair Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.

Welcome to Lake Whatever, where every man, woman, and baby-sitter who swims in its waters must come face-to-face with their greatest fear. A faceless monster, a trio of escaped murderers, a first true love, an unwanted makeover, and an especially amorous Logan Bruno are just a few of the trials that the girls must face this week, while the boys grapple with the difficult case law around what is and isn't cool and develop a powerful – and incredibly dangerous – new catchphrase.  Music credits: “Epic Inspiration,” by Sunlight Audio “Empty Promise,” by UEMonthly “Unforgettable," by Michael Ausserbauer “Sadness,” by AudioRose Thanks as always to original Baby Boy Scott Lamb for the intro music, and to Superbrat for the outro music.