Podcasts about Rebus

In this episode Lydia discusses how best to make all her friends hangry by making them do puzzles before releasing food. By which I mean, she got Stephen and Mark to do her work for her.So, if you were part of the weekend of puzzles and quests that Lydia was preparing for, please tell us how Stephen and Mark did, at nicegames.club/feedback.Lydia got Mark a present, which the clubhouse audibly reacts to, but never describes. This is it:Puzzeling the BachelorettesRebusRebus generatorfestisiteRebus generatorEduPicsPuzzle completion

Sam Harris speaks with Robin Carhart-Harris about psychedelic research and its therapeutic potential. They discuss the current state of the field, the FDA denial of MDMA-assisted therapy for PTSD, the critical role of set and setting, risks for vulnerable populations, the REBUS model of how psychedelics work on the brain, the default mode network and ego dissolution, microdosing, the neuroscience of consciousness, DMT entities, and other topics. If the Making Sense podcast logo in your player is BLACK, you can SUBSCRIBE to gain access to all full-length episodes at samharris.org/subscribe.  

What if flow, insight, and mystical experience are different scales of the same underlying process? In this standalone Lectern episode, John Vervaeke speaks with Hüseyin and Daniel about their recently published paper on the cognitive continuum: a framework that moves from fluency to insight, flow, mystical experience, and transformation. The discussion develops Vervaeke's earlier work on relevance realization by bringing it into dialogue with the enactive approach, complex dynamic systems theory, and contemporary psychedelic research. The episode begins with the enactive critique of a simple subject-object split. Daniel explains why both self and world are groundless in the enactive sense: not nonexistent, but not pregiven independent substances either. Self and world arise relationally through embodied sensemaking. This matters because mystical experiences often involve a loosening or collapse of the ordinary self-world boundary. Hüseyin then walks through the paper's core argument. Fluency is reframed as a local form of attunement, not merely ease of information processing. Insight becomes a more global reorganization of the system. Flow becomes an insight cascade: a temporally extended state of metastable attunement. Mystical experience becomes the most global state on the continuum, where the deepest structures of self-world organization can be destabilized and reorganized. The conversation also makes a strong ethical point. Experiences that loosen ordinary constraints are not automatically good. Psychedelic states, mystical experiences, contemplative practices, and mindfulness can create epistemic vulnerability. Depending on context, they can become transformative, but they can also lead to derealization, depersonalization, false insight, spiritual bypassing, narcissism, or psychosis. Integration, practices, ethical frameworks, communities, and traditions matter because transformation is not produced by the state alone. Key Insights Mystical experience cannot be adequately explained by neurobiology alone. Enactivism challenges both naive realism and idealism by treating cognition as embodied, embedded, and relational. Relevance realization and sensemaking converge around a shared account of how cognition finds and enacts significance. Fluency is a domain-general feeling of attunement with the world. Insight is not only a representational shift; it can be a reorganization of the person-world system. Flow can be understood as a cascade of insights sustained through metastable attunement. Mystical experience may involve a globalized form of relevance realization, or even the release of relevance realization's ordinary grasping. Transformative experience requires more than destabilization; it requires viable reorganization. Context, set, setting, integration, ethical orientation, and community shape whether self-transcendent experiences help or harm. Scientific work on these topics needs reflexivity because research itself participates in the world it describes. Timestamps 00:00 Welcome and episode frame 02:40 Hüseyin introduces the paper 04:40 Daniel introduces mystical experience and the self-world boundary 06:00 Groundlessness in the enactive approach 07:00 Neurocentrism and why brain-only explanations are insufficient 09:50 Self, world, and enacted sensemaking 11:30 Functionality, pathology, and the stakes of self-transcendence 13:00 From flow to mystical experience 14:20 Entropic Brain, REBUS, and psychedelic research 16:40 Organizational causality and complex systems 18:50 Fluency as local attunement 20:00 Relevance realization and sensemaking 24:50 Optimal grip and opponent processing 27:10 Complexification and cycles of destabilization and reorganization 29:10 Insight as globalized fluency 34:50 Flow as an insight cascade 37:40 Metastable attunement and flexibility 40:20 Mystical experience and psychedelic neuroimaging 42:10 REBUS, ALBUS, beliefs, and context 44:20 Global relevance realization 46:00 Meta optimal grip, decentering, and pivotal mental states 48:10 Daniel on reflexivity and mystical experience 50:00 Stephen Batchelor and enlightenment as comprehensive flow 51:20 Relevance realization realizing its own irrelevance 53:40 Knowing groundlessness and nondual awareness 55:20 Effortlessness, acceptance, and letting go 56:40 William Desmond, astonishment, and inexhaustibility 59:00 Why mystical experience is not automatically transformation 01:01:00 Hans Jonas and self-transcendence in life 01:05:10 Para-self-transcendent phenomena 01:07:00 Existential sensemaking and the person 01:08:30 Sudden transformation and self-transcendent experience 01:09:20 The crucial importance of context 01:11:30 Integration, practices, and ethical frameworks 01:12:40 Epistemic vulnerability and suggestibility 01:16:10 False fluency, false insight, and spiritual bypassing 01:19:00 The forthcoming Four Ps paper 01:21:10 Daniel's closing reflection 01:23:10 Hüseyin's closing reflection on reflexive science 01:25:10 The Blind Spot, Whitehead, and final thanks Resources Hüseyin Beyköylü, John Vervaeke, and Daniel Meling, "From Flow to Mystical Experiences: Connecting Entropy and Fluency Along the Unifying Framework of Cognitive Continuum" - https://doi.org/10.1080/09515089.2025.2601717 John Vervaeke, Awakening from the Meaning Crisis John Vervaeke, Seeing God Again for the First Time Entropic Brain Hypothesis REBUS model ALBUS model Hans Jonas, The Phenomenon of Life Stephen Batchelor, Alone with Others William Desmond Willoughby Britton's work on meditation-related adverse effects Frank, Gleiser, and Thompson, The Blind Spot Alfred North Whitehead Follow John Vervaeke: Website: https://johnvervaeke.com/ YouTube: https://www.youtube.com/@johnvervaeke/videos X: https://x.com/DrJohnVervaeke Patreon: https://www.patreon.com/johnvervaeke

In questa puntata parlo di Rebus, una libreria .NET che ci aiuta a fare un passo importante nell'architettura delle nostre applicazioni: passare da un sistema basato solo su chiamate dirette e sincrone a un modello basato su messaggi.Quando un'applicazione cresce, non sempre ha senso fare tutto subito, dentro la stessa richiesta HTTP. Alcune operazioni possono essere messe in coda, elaborate in background o affidate ad altri componenti del sistema. Rebus permette di introdurre questo approccio in modo pragmatico, aiutandoci a rendere le applicazioni più disaccoppiate, resilienti e più semplici da evolvere nel tempo. Una puntata dedicata a chi vuole iniziare a ragionare meno in termini di “chiamate tra servizi” e più in termini di “eventi, comandi e messaggi”.https://github.com/rebus-org/rebushttps://rebus.fm/what-is-rebus/https://github.com/MassTransit/MassTransithttps://masstransit.io/#dotnet #csharp #rebus #messaging #servicebus #rabbitmq #azureservicebus #microservices #softwarearchitecture #distributedsystems #backenddevelopment #podcast #dotnetinpillole

I denne uges udsendelse svinger vi med de røde faner, og det gør vi i anledningen af Arbejdernes Kampdag. Siden 1890 har vi i Danmark fejret denne dag, og derfor har vi lavet en 1. maj special, hvor vi har valgt 15 numre som alle tager udgangspunkt i arbejderen. Både dem der nyder arbejdet, dem der gerne vil have bedre vilkår, dem der synes det er hårdt og dem som bare glæder sig til at komme hjem fra fabrikken igen. Vi prøver at definere, hvad der kendetegner musik til arbejderklassen, med kunstnere som f.eks. Bruce Springsteen, Kim Larsen og The Clash. Men det bliver selvfølgelig også til sange der bare kredser om ”det at arbejde” med kunstnere som Donna Summer, Dolly Parton, John Lennon og Bikstok Røgsystem. Derudover prøver vi også at huske ReBus-konflikten fra 1994, vi mindes vores oplevelser med politiet i Liverpool, vi vurderer hvad det mon koster at købe hele Skærgården, vi serverer morgenmad for Seabass, og så bliver der også lige plads til Arne Würgler fans, Australien, musikalske håndgemæng, skænderier om Big Fat Snake, Jared Kushner som sanger, Erik Clausen som Vincent Price og rengøringsdamen Inga. Playliste: Troels Trier - Arbejdsløs John Lennon - Working class hero ABBA - Money, money, money Elvis Costello - Welcome to the working week Bruce Springsteen - Factory Kim Larsen - Blip-båt Dolly Parton - 9 to 5 The Clash - The magnificent seven Donna Summer - She works hard for the money The Bangles - Manic Monday Billy Bragg - There is power in a union Tracy Chapman - Talkin' bout a revolution Bikstok Røgsystem feat. Erik Clausen - Fabrik Ulige Umre - Os idioter Andreas Odbjerg - Hjem fra fabrikken

Quali sono le aliquote sulle plusvalenze derivanti dagli investimenti in criptovalute in Italia? Il confronto con gli altri Paesi e tutti i nodi ancora aperti. Ospite della puntata: Stefano Capaccioli, fiscalista da tempo studioso del settore Learn more about your ad choices. Visit megaphone.fm/adchoices

Caro energia: il governo prolunga il taglio delle accise, l’Ue con lo spettro dell’austerity. Ne parliamo con Giuliano Noci, professore di strategia e marketing e vicerettore per la Cina del Politecnico di Milano. Con Giulio Betti, climatologo e meteorologo del CNR - Consorzio Lamma, facciamo il punto sul maltempo al centro-sud e sul meteo da aspettarci a Pasqua e Pasquetta.In testa alla classifica delle buone notizie di questa settimana un’arma in più per chi vuole smettere di fumare: la citisina diventa rimborsabile dal Ssn. Con noi Matteo Bassetti, direttore della clinica di malattie infettive al Policlinico San Martino di Genova e divulgatore medico-scientifico.

I cammini italiani vivono un momento d'oro: oltre 300.000 viandanti nel 2025 e un impatto economico diretto di 336,4 milioni di euro. Tuttavia, a fronte di una domanda in costante crescita, l'offerta fatica a strutturarsi a causa di una forte frammentazione: tracce sovrapposte, nomi multipli per gli stessi percorsi e una geografia dei cammini ancora difficile da decifrare.In questa puntata di Land Explorer, analizziamo come l'Italia stia correndo nel turismo lento, ma anche le criticità di un settore che deve ancora maturare una visione industriale e coordinata. (link: https://www.avvenire.it/attualita/boom-dei-cammini-sulle-vie-del-turismo-lento-litalia-corre-nel-2025-oltre-300mila-viandanti_105742)Sul fronte locale, il Verbano-Cusio-Ossola è al centro di una importante operazione finanziaria: circa 9 milioni di euro provenienti dal Fondo di Sviluppo e Coesione (FSC) sono stati destinati a 64 progetti distribuiti in 62 comuni del territorio. La firma degli accordi tra Regione e territorio, avvenuta a Verbania alla presenza del Presidente Cirio, segna un momento di svolta per le infrastrutture locali, come documentato da OssolaNews (https://www.ossolanews.it/2026/03/18/...).In questo scenario, emerge però una profonda differenza di visione tra le aree del VCO. Mentre l'Area Laghi punta con decisione sullo sviluppo turistico e l'attrattività, l'Area Ossola ha compiuto una scelta di resilienza, destinando le risorse al mantenimento dei servizi essenziali e socio-assistenziali per contrastare lo spopolamento delle valli. Questa dicotomia solleva un interrogativo fondamentale sul futuro del territorio.È possibile generare reale sviluppo economico e imprenditoriale in montagna senza prima garantire la tenuta dei servizi essenziali e la resilienza delle comunità residenti?#marketingterritoriale #sviluppolocale #sviluppoterritoriale #turismo

A Malo il tempo stringe, le liste vanno depositate entro fine aprile, ma il sindaco Moreno Marsetti continua a muoversi in una zona sospesa. Non ha ancora sciolto la riserva sulla ricandidatura e, paradossalmente, proprio questo silenzio lo ha trasformato nell'uomo del momento.

Radio 1RPH is a media partner with Hands Across Canberra in the 2026 Canberra Day Appeal. It helps to boost the visibility of other community organisations participating in the Appeal by broadcasting interviews with their leaders and representatives. In this program 1RPH's Sarah Guise is speaking to Lucien Simon, Artistic Director of Rebus Theatre in Canberra.

Nel The Essential di lunedì 23 febbraio, Chiara Piotto parla di: 00:00 il tentativo di attentato a Donald Trump nella sua villa di Mar A Lago in Florida; 02:59 l'enigma dazi tra USA e UE dopo le ultime dichiarazioni; 05:40 l'Italia ha fatto delle Olimpiadi invernali da record Learn more about your ad choices. Visit megaphone.fm/adchoices

“Nel Medioevo non esistevano enciclopedie, ma tutti conoscevano la Bibbia. Così i simboli diventavano lettere, parole, frasi. Le corna erano una lettera dell'alfabeto. Le cinque dita rimandavano al quinto giorno della creazione. Il Diavolo non è unmostro: è un rebus biblico, un messaggio nascosto per chi sapeva leggere il linguaggio sacro.”Become a supporter of this podcast: https://www.spreaker.com/podcast/spazio-rinascita--3297425/support.https://www.spreaker.com/podcast/spazio-rinascita--3297425/supporthttps://www.amazon.it/s?k=valentin+p.+elli&__mk_it_IT=%C3%85M%C3%85%C5%BD%C3%95%C3%91&ref=nb_sb_noss

Ma… se tutto questo fosse il risultato di una manipolazione dei nomi, dei simboli e dei ruoli? Se il Diavolo non fossemai stato ciò che ci hanno raccontato?Oggi entriamo dentro il simbolo. Lo guardiamo da vicino. E scopriamo cosa c'è davvero dietro questa immagine.Become a supporter of this podcast: https://www.spreaker.com/podcast/spazio-rinascita--3297425/support.https://www.spreaker.com/podcast/spazio-rinascita--3297425/supporthttps://www.amazon.it/s?k=valentin+p.+elli&__mk_it_IT=%C3%85M%C3%85%C5%BD%C3%95%C3%91&ref=nb_sb_noss

In this episode of Puzzle Talk, we dive into the clever, quirky world of rebus puzzles—those deceptively simple word-and-picture puzzles that make your brain do a double take. From classic examples to modern twists, we break down how rebus puzzles work, why they're so satisfying (and frustrating!), and what makes a great rebus clue versus one that just feels unfair. We'll talk through common rebus conventions, sneaky visual tricks, and how solvers can learn to spot patterns faster.   Subscribe to Geocache Talk on YouTube: https://www.youtube.com/GeocacheTalk Check out more of the Geocache Talk Network of Shows here: https://geocachetalk.com/ https://www.facebook.com/geocachetalk https://twitter.com/geocachetalk https://instagram.com/geocachetalk geocachetalk@gmail.com https://slinkgames.etsy.com #geocaching #geocachetalk

Una petizione per chiedere “almeno” un'ultima nota e un futuro che appare più incerto che mai. È questo il doppio filo che si è intrecciato attorno al Nordest, la storica discoteca vicentina che, dopo oltre cinquant'anni di attività, ha chiuso i battenti senza un vero saluto finale.

Il futuro di Camarda è al centro del dibattito tra Lecce eMilan: l'infortunio alla spalla rischia di anticipare il suorientro in rossoneroDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/radio-rossonera--2355694/support.

This was a delightful Thursday crossword by Mallory Montgomery and Zhou Zhang. Jean got through it at gazelle-like speeds, whereas Mike, who made the tyro's mistake of following his own advice, was less gazelle, more giraffe. Deets inside.Show note imagery: Rochester, Jane EYRE, and Adele (well before her breakout album, 19).We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Get ready for the ULTIMATE SHOWDOWN of holiday cheer and artificial intelligence! In this SPECIAL HOLIDAY EPISODE, Mark and Allen aren't just exchanging pleasantries—they're exchanging MIND-BENDING REBUS PUZZLES generated by some AI models themselves!It's a battle of wits, a clash of code, and a festive face-off as Microsoft Copilot takes on Google's Gemini (and the famous "Nano Banana Pro") to solve visual riddles that will have you shouting at your screen. Can our hosts decipher the scribbles of silicon brains? Or will the AI stump the humans once and for all?Grab your eggnog, put on your thinking cap, and play along! It's Two Voice Devs like you've never seen (or puzzled) them before! HAPPY HOLIDAYS![00:00:00] Intro: The Rules of Engagement[00:02:48] Puzzle 1: A Nipping Chill[00:03:33] Puzzle 2: Going for Gold[00:07:00] Puzzle 3: Escaping the Cage[00:10:00] Puzzle 4: The Silent Mouse[00:11:00] Puzzle 5: A Knightly Gesture[00:12:15] Puzzle 6: Sweet Ballerina[00:13:30] Puzzle 7: Listen Closely to the Animal[00:15:30] Puzzle 8: A Holiday Wish[00:16:15] Puzzle 9: The Grand Finale Challenge[00:19:30] Happy Holidays from Two Voice Devs!#TwoVoiceDevs #HolidaySpecial #RebusPuzzles #LLMBattle #AIShowdown #Copilot #Gemini #NanoBananaPro #ChatGPT #ArtificialIntelligence #MachineLearning #JackFrost #WinterWonderland #Freeze #SugarPlumFairy #Nutcracker #NewYears #Gnu #MerryChristmas #FestivalOfLights #Hanukkah #Kwanzaa #Unity #HolidayFun #Games #Puzzles #TechHumor #DevLife #HappyHolidays #SeasonsGreetings #Fun #Creative #OverTheTop #Podcast #Developers #SoftwareEngineering

Massimo Ubertone"Il Decamerone degli enigmisti"Apogeo Editore / RemWebwww.remweb.itM e gli altri non si sono mai incontrati e non conoscono nemmeno i loro veri nomi. Ciò che li lega è la passione per gli enigmi, e questa è una delle ragioni che li ha spinti ad accettare una sfida al buio. Seguendo gli indizi disseminati da Rad, si ritrovano in un casone di valle immerso nelle nebbie del delta del Po. Lì vivono insieme per dieci giorni, con dieci racconti da scrivere, dal tono leggero, ciascuno ispirato a un diverso gioco di parole. Ma la vita, si sa, non è un gioco. E così, poco a poco, ognuno inizia a svelare la propria inquietudine e il motivo profondo che lo ha convinto a trascorrere il Natale su un'isoletta semideserta in compagnia di sconosciuti.Le 10 giornate22 dicembre, prima giornata, Tautogramma23 dicembre, seconda giornata, Lipogramma24 dicembre, terza giornata, Palindromo25 dicembre, quarta giornata, Scarto finale26 dicembre, quinta giornata, Crittografia27 dicembre, sesta giornata, Rebus28 dicembre, settima giornata, Bisenso29 dicembre, ottava giornata, Cambio di vocale30 dicembre, nona giornata, Cambio di finale31 dicembre, decima giornata, Doppio incastroDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Hi Everyone, Happy Tuesday! Today's guest is none other than Steven Ogg. Steven has created a niche playing characters that are a little (or a LOT) unhinged. He is best known for playing Trevor in Grand Theft Auto. He played Simon in Walking Dead, Pike in Snowpiercer, Rebus on Westworld, Sobchak on Better Caul Saul and many, many others. People see Steven and they think— whoa, this guy's a little crazy. But the truth is, he is also a super sensitive artist and a real actor's actor. I had so much fun getting into the weeds and sharing stories about working with directors and his philosophy of how to stick around as an actor when a show is being written week to week. Steven is a total character and it was such a pleasure to get to know him a little bit better! Be sure to stick around this week for the Hindsight, where my producer Jeph and I talk about the conversation with Steven and our love (okay, Jeph's love) of Grand Theft Auto. Send me an email thesackhoffshow@gmail.com Produced by Rabbit Grin Productions Mail Sack Song by Nicolas @producer_sniffles Join us on Patreon! http://patreon.com/thesackhoffshow 

We'll be honest, none of these movies or streaming shows have anything to do with pumpkin spice. The title is simply there to get your attention, which all these shows could use. They're not awards bait (though there's a slight chance they may get some) and they're not heavily promoted. But still, they're worth cheking out. We start with "Highest 2 Lowest" which is a Spike Lee remake of a Kurosawa film your obnoxious friends may brag that they've seen. They're probably lying. Anyway, it stars Denzel Washington as a music mogul who is faced with a dliemma when a teenager is kidnapped. Bill McCuddy and Bill McCuddy both saw it and they'll let you know what they think. Then there's "Honey Don't" starring Margaret Qualley as a lebian private eye. Of course Bill Bregoli saw it. He also saw "Caught Stealing" starring Austin Butler as ex-baseball player Hank Thompson who unexpectedly finds himself embroiled in a dangerous struggle for survival amidst the criminal underbelly of 1990s New York City. Neil Rosen streamed "My Mom Jayne" which explores the life and legacy of Mariska Hargitay's mother, Hollywood icon Jayne Mansfield, who died tragically in a car accident at age 34 when Mariska was only three years old. Bill Mccuddy's been straming too and he tells us about "The Paper" which in which a documentary crew searches for new subject, finding a dying Midwestern newspaper and its publisher's efforts to revive it using volunteer reporters. Think "the Office" with newsprint all over its hands. He also watched the series "Blood" which IMDB tells us is about "old secrets, older betrayals, mind games, and the lies family tell each other." And not getting out of his chair. Mr. McCuddy also watched "Rebus" about a hardboiled Edinburgh cop with a tendency to bend rules. Meanwhile, Bill Bregoli keeps going to movie theaters where he saw a bizarre Ron Howard movie called "Eden," about a group of outsiders who settle on a remote island only to discover their greatest threat isn't the brutal climate or deadly wildlife, but each other. And if you want a movie to watch on Netflix with yur parents there's "The Thursday Murder Club." Oh, and Neil read a book about Elaine May. Plenty here, so listen in. 

John Rebus - At his best as usual

What could be POSSIBLE with YOUR game? Today on the show we have a really special guest in the shape of client and good friend Brent Rebus. Brent is a top Senior amateur golfer in Canada who last year achieved the remarkable feat of shooting lower than his age at 62!! Yes, you read that right he shot SIXTY ONE at the age of 62 in a tournament. We had a phenomenal conversation which was both informative and tremendously inspiring to players at every level What COULD be POSSIBLE with your game? We discussed Brent's quest of PERSONAL MASTERY to become the very best version of himself as a golfer We looked into: What transformations can be made with the right PHYSICAL approach The need to base decisions on good data Leaving no stone unturned to be the best you can be Developing a better relationship with the game Dealing better with the reality of the game and the FACT you will always hit poor shots The sheer JOY of creating a shot in your mind and then letting the genius of the body take over Giving yourself PERMISSION to chase after your best golf The benefit of GRATITUDE and what it does for the foundations of your game A great conversation with someone who has taken ACTION to see what he could achieve with his game To get on board with the Mind Caddie and join us on the journey go to https://www.mindcaddie.golf/ OFFICIAL BRAND AMBASSADOR : Fenix Apparel and Accessories Co. Ltd. Shop with code : MINDFACTOR10 at checkout for 10% OFF your next order at www.fenixxcell.com @fenixxcell        

In this episode of The Psychedelic Podcast, Paul F. Austin is joined by renowned neuroscientist Dr. Robin Carhart-Harris and microdosing policy advocate John Downs for a replay of a live event originally held on June 10th, Microdosing vs. SSRIs: What's Happening in the Brain and Why It Matters. Find full show notes and links here: https://thethirdwave.co/podcast/episode-312b/?ref=278 Together, they explore the scientific distinctions between SSRIs and psychedelics, focusing on neuroimaging, brain entropy, emotional processing, and the REBUS model. Dr. Carhart-Harris shares key insights from landmark studies on psilocybin therapy and discusses the evidence (and limitations) around microdosing. John Downs closes the conversation with an update on the Microdosing Collective's efforts to shift policy and expand access. Robin Carhart-Harris, PhD is a neuropharmacologist, psychologist, and Ralph Metzner Distinguished Professor in Neurology and Psychiatry at the University of California, San Francisco. He leads the Psychedelics Division at UCSF's Neuroscape and formerly founded and led the Centre for Psychedelic Research at Imperial College London. John Downs is Executive Director of the Microdosing Collective, advocating for responsible policy reform and legal access to microdosing. With 25 years' experience in sales, business development, and emerging markets, John helps individuals optimize mindset, performance, and purpose. Episode Highlights: Why SSRIs blunt, while psychedelics reset emotional processing How psilocybin compares to antidepressants in clinical trials Brain entropy, plasticity, and the REBUS model explained The role of the default mode network in mental health Why microdosing research is still so limited Ketamine vs. psilocybin: differences in brain mechanisms Is serotonin syndrome a real microdosing risk? Can psychedelics reverse long-term SSRI effects? The Microdosing Collective's mission for policy reform What Robin Carhart-Harris' upcoming book will explore Episode Links: Robin's lab & upcoming book Microdosing Collective Join Dr. Robin Carhart-Harris at our Practitioner Intensive (November 5–10, Costa Rica) Episode Sponsors: Golden Rule Mushrooms - Get a lifetime discount of 10% with code THIRDWAVE at checkout Psychedelic Coacing Isntitute's  Intensive for Psychedelic Professionals in Costa Rica - a transformative retreat for personal and professional growth.

Today's Lake and Shed framed conversation is about J. K. Rowling's third Cormoran Strike novel, Career of Evil. Nick and John debate whether Rowling crossed the line of “violence porn” that she worried she had approached and they discuss why, in one of the few surveys of Serious Strikers, Career seems unique among these mysteries in being considered the best or the very worst of the set. The ‘Lake' point that Nick explores is Rowling's personal experience of violence against women and her determination to push back against the misogynist age she believes we have been living in for decades. John details the litany of crimes committed against women in the third Strike novel and suggests that in time, when we have the series as a whole, appreciation of the artistry involved will counter-balance the shock first-time readers feel on entering this boucherie.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.The ten HogwartsProfessor birthday videos posted thus far in this series can be read at the links below:* A Lake and Shed Reading of Harry Potter and the Philosopher's Stone* A Lake and Shed Reading of Harry Potter and the Chamber of Secrets* A Lake and Shed Reading of Harry Potter and the Prisoner of Azkaban* A Lake and Shed Reading of Harry Potter and the Goblet of Fire* A Lake and Shed Reading of Harry Potter and the Order of the Phoenix* A Lake and Shed Reading of Harry Potter and the Half-Blood Prince* A Lake and Shed Reading of Harry Potter and the Deathly Hallows* A Lake and Shed Reading of Casual Vacancy* A Lake and Shed Reading of Cuckoo's Calling* A Lake and Shed Reading of The SilkwormTomorrow? It's Harry Potter and the Cursed Child, the play written by Jack Thorne “based on an original new story by Rowling, John Tiffany, and Thorne. Neither John nor Nick has seen the play but both have some thoughts about its place in the oeuvre and about its virtues and failings.Links to posts mentioned in today's Lake and Shed conversation for further reading:Ian Rankin's Rebus novel Black and Blue and Galbraith's Career of EvilThe Transabled Characters in Career of EvilRowling Discusses the Planning of Career of EvilDay of Publication Review at HogwartsProfessorThe Willy Wonka Golden Ticket Purchase of Career of EvilThe Ranking of the First Six Strike Novels:* John Granger's Choices of the Best and Worst* Nick Jeffery's Choices of Best to Worst* The Final Survey Tally Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter  or Bluesky for your chance to win the books that have been mentioned in this podcast.Competition ends on 23rd July 2025. The winner will be contacted via Bluesky. Show references:  Sam Mullins, Trustee at SS Great Britainhttps://www.linkedin.com/in/sammullins/https://www.ssgreatbritain.org/ Transcriptions:  Paul Marden: What an amazing day out here. Welcome to Skip the Queue. The podcast for people working in and working with visitor attractions, I'm your host, Paul Marden, and today you join me for the last episode of the season here in a very sunny and very pleasant Bristol Dockyard. I'm here to visit the SS Great Britain and one of their trustees, Sam Mullins, who until recently, was the CEO of London Transport Museum. And I'm going to be talking to Sam about life after running a big, family friendly Museum in the centre of London, and what comes next, and I'm promising you it's not pipes and the slippers for Sam, he's been very busy with the SSGreat Britain and with other projects that we'll talk a little more about. But for now, I'm going to enjoy poodling across the harbour on boat number five awaiting arrival over at the SS Great Britain. Paul Marden: Is there much to catch in the water here?Sam Mullins: According to some research, there's about 36 different species of fish. They catch a lot of cream. They catch Roach, bullet, bass car. Big carpet there, maybe, yeah, huge carpet there. And then your European great eel is here as well, right? Yeah, massive things by the size of your leg, big heads. It's amazing. It goes to show how receipt your life is. The quality of the water is a lot better now. Paul Marden: Oh yeah, yeah, it's better than it used to be years ago. Thank you very much. All right. Cheers. Have a good day. See you later on. So without further ado, let's head inside. So where should we head? Too fast. Sam Mullins: So we start with the stern of the ship, which is the kind of classic entrance view, you know. Yeah, coming up, I do. I love the shape of this ship as you as you'll see.Paul Marden: So lovely being able to come across the water on the boat and then have this as you're welcome. It's quite a.Sam Mullins: It's a great spot. Isn't it?Paul Marden: Really impactful, isn't it? Sam Mullins:  Because the amazing thing is that it's going this way, is actually in the dry dock, which was built to build it. Paul Marden: That's amazing. Sam Mullins: So it came home. It was clearly meant to be, you know,Paul Marden:  Quite the circular story.Sam Mullins:  Yeah, yeah. Thank you. Paul Marden:  Thank you. Wow. Look at that view.Sam Mullins: So that's your classic view.Paul Marden:  So she's in a dry dock, but there's a little bit of water in there, just to give us an idea of what's going on. Sam Mullins: Well, what's actually going on in here is, preserving the world's first iron ship. So it became clear, after he'd come back from the Falklands, 1970 came back to Bristol, it became clear that the material of the ship was rusting away. And if something wasn't done, there'd be nothing left, nothing left to show. So the innovative solution is based on a little bit of science if you can reduce the relative humidity of the air around the cast iron hull of the ship to around about 20% relative humidity, corrosion stops. Rusting stops. It's in a dry dock. You glaze over the dock at kind of water line, which, as you just noticed, it gives it a really nice setting. It looks like it's floating, yeah, it also it means that you can then control the air underneath. You dry it out, you dehumidify it. Big plant that dries out the air. You keep it at 20% and you keep the ship intact. Paul Marden: It's interesting, isn't it, because you go to Mary Rose, and you go into the ship Hall, and you've got this hermetically sealed environment that you can maintain all of these beautiful Tudor wooden pieces we're outside on a baking hot day. You don't have the benefit of a hermetically sealed building, do you to keep this? Sam Mullins: I guess the outside of the ship is kind of sealed by the paint. That stops the air getting to the bit to the bare metal. We can go down into the trigger, down whilst rise up.Paul Marden:  We're wondering. Sam, yeah, why don't you introduce yourself, tell listeners a little bit about your background. How have we ended up having this conversation today.Sam Mullins: I'm Sam Mullins. I'm a historian. I decided early on that I wanted to be a historian that worked in museums and had an opportunity to kind of share my fascination with the past with museum visitors. So I worked in much Wenlock in Shropshire. I worked created a new museum in market Harbour, a community museum in Leicestershire. I was director of museums in St Albans, based on, you know, great Roman Museum at Verulamium, okay. And ended up at London Transport Museum in the 90s, and was directed there for a long time.Paul Marden: Indeed, indeed. Oh, we are inside now and heading underground.Sam Mullins: And you can hear the thrumming in the background. Is the dehumidification going on. Wow. So we're descending into thevery dry dock.Paul Marden: So we're now under water level. Yes, and the view of the ceiling with the glass roof, which above looked like a lovely little pond, it's just beautiful, isn't it?Sam Mullins: Yes, good. It sets it off both in both directions, really nicely.Paul Marden: So you've transitioned now, you've moved on from the Transport Museum. And I thought that today's episode, we could focus a little bit on what is, what's life like when you've moved on from being the director of a big, famous, influential, family friendly Museum. What comes next? Is it pipe and slippers, or are there lots of things to do? And I think it's the latter, isn't it? Sam Mullins: Yes. Well, you know, I think people retire either, you know, do nothing and play golf, or they build, you know, an interesting portfolio. I wanted to build, you know, something a bit more interesting. And, you know, Paul, there's that kind of strange feeling when you get to retire. And I was retiring from full time executive work, you kind of feel at that point that you've just cracked the job. And at that point, you know, someone gives you, you know, gives you a card and says, "Thank you very much, you've done a lovely job." Kind of, "Off you go." So having the opportunity to deploy some of that long term experience of running a successful Museum in Covent Garden for other organisations was part of that process of transition. I've been writing a book about which I'm sure we'll talk as well that's been kind of full on this year, but I was a trustee here for a number of years before I retired. I think it's really good career development for people to serve on a board to see what it's like, you know, the other side of the board. Paul Marden: I think we'll come back to that in a minute and talk a little bit about how the sausage is made. Yeah, we have to do some icebreaker questions, because I probably get you already. You're ready to start talking, but I'm gonna, I'm just gonna loosen you up a little bit, a couple of easy ones. You're sat in front of the telly, comedy or drama?Sam Mullins: It depends. Probably.Paul Marden: It's not a valid answer. Sam Mullins: Probably, probably drama.Paul Marden: Okay, if you need to talk to somebody, is it a phone call or is it a text message that you'll send?Sam Mullins:  Face to face? Okay, much better. Okay, always better. Paul Marden: Well done. You didn't accept the premise of the question there, did you? Lastly, if you're going to enter a room, would you prefer to have a personal theme tune played every time you enter the room. Or would you like a personal mascot to arrive fully suited behind you in every location you go to?Sam Mullins: I don't know what the second one means, so I go for the first one.Paul Marden: You've not seen a football mascot on watching American football or baseball?Sam Mullins: No, I try and avoid that. I like real sport. I like watching cricket. Paul Marden: They don't do that in cricket. So we are at the business end of the hull of the ship, aren't we? We're next to the propeller. Sam Mullins: We're sitting under the stern. We can still see that lovely, gilded Stern, saying, Great Britain, Bristol, and the windows and the coat of arms across the stern of the ship. Now this, of course, was the biggest ship in the world when built. So not only was it the first, first iron ship of any scale, but it was also third bigger than anything in the Royal Navy at the time. Paul Marden: They talked about that, when we were on the warrior aim the other day, that it was Brunel that was leading the way on what the pinnacle of engineering was like. It was not the Royal Navy who was convinced that it was sail that needed to lead. Sam Mullins: Yeah, Brunel had seen a much smaller, propeller driven vessel tried out, which was being toured around the country. And so they were midway through kind of design of this, when they decided it wasn't going to be a paddle steamer, which its predecessor, the world's first ocean liner, the Great Western. A was a paddle steamer that took you to New York. He decided that, and he announced to the board that he was going to make a ship that was driven by a propeller, which was the first, and this is, this is actually a replica of his patent propeller design. Paul Marden: So, this propeller was, is not the original to the show, okay?Sam Mullins: Later in its career, it had the engines taken out, and it was just a sailing ship. It had a long and interesting career. And for the time it was going to New York and back, and the time it was going to Australia and back, carrying migrants. It was a hybrid, usually. So you use the sails when it was favourable when it wasn't much wind or the wind was against. You use the use the engines. Use the steam engine.Paul Marden: Coming back into fashion again now, isn't it? Sam Mullins: Yeah, hybrid, yeah.Paul Marden: I can see holes in the hull. Was this evident when it was still in the Falklands?Sam Mullins: Yeah, it came to notice in the 60s that, you know, this world's first it was beached at Sparrow Cove in the Falkland Islands. It had lost its use as a wool warehouse, which is which it had been for 30 or 40 years. And a number of maritime historians, you and call it. It was the kind of key one realised that this, you know, extraordinary, important piece of maritime heritage would maybe not last too many war winters at Sparrow cope had a big crack down one side of the hull. It would have probably broken in half, and that would have made any kind of conservation restoration pretty well impossible as it was. It was a pretty amazing trick to put it onto a to put a barge underneath, to raise it up out of the water, and to tow it into Montevideo and then across the Atlantic, you know, 7000 miles, or whatever it is, to Avon mouth. So it's a kind of heroic story from the kind of heroic age of industrial and maritime heritage, actually.Paul Marden: It resonates for me in terms of the Mary Rose in that you've got a small group of very committed people that are looking to rescue this really valuable asset. And they find it and, you know, catch it just in time. Sam Mullins: Absolutely. That was one of the kind of eye openers for me at Mary rose last week, was just to look at the kind of sheer difficulty of doing conventional archaeology underwater for years and years. You know, is it 50,000 dives were made? Some immense number. And similarly, here, you know, lots of people kind of simply forget it, you know, it's never gonna, but a few, stuck to it, you know, formed a group, fund, raised. This is an era, of course, you know, before lottery and all that jazz. When you had to, you had to fundraise from the public to do this, and they managed to raise the money to bring it home, which, of course, is only step one. You then got to conserve this enormous lump of metal so it comes home to the dry dock in which it had been built, and that has a sort of fantastic symmetry, you know about it, which I just love. You know, the dock happened to be vacant, you know, in 1970 when the ship was taken off the pontoon at Avon mouth, just down the river and was towed up the curving Avon river to this dock. It came beneath the Clifton Suspension Bridge, which, of course, was Brunel design, but it was never built in his time. So these amazing pictures of this Hulk, in effect,  coming up the river, towed by tugs and brought into the dock here with 1000s of people you know, surrounding cheering on the sidelines, and a bit like Mary Rose in a big coverage on the BBC.Paul Marden: This is the thing. So I have a very vivid memory of the Mary Rose being lifted, and that yellow of the scaffolding is just permanently etched in my brain about sitting on the carpet in primary school when the TV was rolled out, and it was the only TV in the whole of school that, to me is it's modern history happening. I'm a Somerset boy. I've been coming to Bristol all my life. I wasn't alive when Great Britain came back here. So to me, this feels like ancient history. It's always been in Bristol, because I have no memory of it returning home. It was always just a fixture. So when we were talking the other day and you mentioned it was brought back in the 70s, didn't realise that. Didn't realise that at all. Should we move on? Because I am listening. Gently in the warmth.Sam Mullins: Let's move around this side of the as you can see, the dry dock is not entirely dry, no, but nearly.Paul Marden: So, you're trustee here at SS Great Britain. What does that mean? What do you do?Sam Mullins: Well, the board, Board of Trustees is responsible for the governance of the charity. We employ the executives, the paid team here. We work with them to develop the kind of strategy, financial plan, to deliver that strategy, and we kind of hold them as executives to account, to deliver on that.Paul Marden: It's been a period of change for you, hasn't it? Just recently, you've got a new CEO coming to the first anniversary, or just past his first anniversary. It's been in place a little while.Sam Mullins: So in the last two years, we've had a, we've recruited a new chairman, new chief executive, pretty much a whole new leadership team.One more starting next month, right? Actually, we're in July this month, so, yeah, it's been, you know, organisations are like that. They can be very, you know, static for some time, and then suddenly a kind of big turnover. And people, you know, people move.Paul Marden: So we're walking through what is a curved part of the dry dock now. So this is becoming interesting underfoot, isn't it?Sam Mullins: This is built in 1839 by the Great Western Steamship Company to build a sister ship to the Great Western which was their first vessel built for the Atlantic run to New York. As it happens, they were going to build a similar size vessel, but Brunel had other ideas, always pushing the edges one way or another as an engineer.Paul Marden: The keel is wood. Is it all wood? Or is this some sort of?Sam Mullins: No, this is just like, it's sort of sacrificial.So that you know when, if it does run up against ground or whatever, you don't actually damage the iron keel.Paul Marden: Right. Okay, so there's lots happening for the museum and the trust. You've just had a big injection of cash, haven't you, to do some interesting things. So there was a press release a couple of weeks ago, about a million pound of investment. Did you go and find that down the back of the sofa? How do you generate that kind of investment in the charity?Sam Mullins: Unusually, I think that trust that's put the bulk of that money and came came to us. I think they were looking to do something to mark their kind of, I think to mark their wind up. And so that was quite fortuitous, because, as you know at the moment, you know, fundraising is is difficult. It's tough. Paul Marden: That's the understatement of the year, isn't it?Sam Mullins: And with a new team here and the New World post COVID, less, less visitors, income harder to gain from. Pretty well, you know, all sources, it's important to keep the site kind of fresh and interesting. You know, the ship has been here since 1970 it's become, it's part of Bristol. Wherever you go in Bristol, Brunel is, you know, kind of the brand, and yet many Bristolians think they've seen all this, and don't need, you know, don't need to come back again. So keeping the site fresh, keeping the ideas moving on, are really important. So we've got the dockyard museum just on the top there, and that's the object for fundraising at the moment, and that will open in July next year as an account of the building of the ship and its importance. Paul Marden: Indeed, that's interesting. Related to that, we know that trusts, trusts and grants income really tough to get. Everybody's fighting for a diminishing pot income from Ace or from government sources is also tough to find. At the moment, we're living off of budgets that haven't changed for 10 years, if we're lucky. Yeah, for many people, finding a commercial route is the answer for their museum. And that was something that you did quite successfully, wasn't it, at the Transport Museum was to bring commercial ideas without sacrificing the integrity of the museum. Yeah. How do you do that?Sam Mullins: Well, the business of being an independent Museum, I mean, LTM is a to all sets of purposes, an independent Museum. Yes, 81% of its funding itself is self generated. Paul Marden: Is it really? Yeah, yeah. I know. I would have thought the grant that you would get from London Transport might have been bigger than that.  Sam Mullins: The grant used to be much bigger proportion, but it's got smaller and smaller. That's quite deliberate. Are, you know, the more you can stand on your own two feet, the more you can actually decide which direction you're going to take those feet in. Yeah. So there's this whole raft of museums, which, you know, across the UK, which are independently governed, who get all but nothing from central government. They might do a lottery grant. Yes, once in a while, they might get some NPO funding from Ace, but it's a tiny part, you know, of the whole. And this ship, SS Great Britain is a classic, you know, example of that. So what do you do in those circumstances? You look at your assets and you you try and monetise them. That's what we did at London Transport Museum. So the museum moved to Covent Garden in 1980 because it was a far sighted move. Michael Robbins, who was on the board at the time, recognised that they should take the museum from Scion Park, which is right on the west edge, into town where people were going to be, rather than trying to drag people out to the edge of London. So we've got that fantastic location, in effect, a high street shop. So retail works really well, you know, at Covent Garden.Paul Marden: Yeah, I know. I'm a sucker for a bit of moquette design.Sam Mullins: We all love it, which is just great. So the museum developed, you know, a lot of expertise in creating products and merchandising it. We've looked at the relationship with Transport for London, and we monetised that by looking at TFL supply chain and encouraging that supply chain to support the museum. So it is possible to get the TFL commissioner to stand up at a corporate members evening and say, you know, you all do terribly well out of our contract, we'd like you to support the museum as well, please. So the corporate membership scheme at Transport Museum is bigger than any other UK museum by value, really, 60, 65 members,. So that was, you know, that that was important, another way of looking at your assets, you know, what you've got. Sometimes you're talking about monetising relationships. Sometimes it's about, you know, stuff, assets, yeah. And then in we began to run a bit short of money in the kind of middle of the teens, and we did an experimental opening of the Aldwych disused tube station on the strand, and we're amazed at the demand for tickets.Paul Marden: Really, it was that much of a surprise for you. And we all can talk. Sam Mullins: We had been doing, we've been doing some guided tours there in a sort of, slightly in a one off kind of way, for some time. And we started to kind of think, well, look, maybe should we carry on it? Paul Marden: You've got the audience that's interested.Sam Mullins: And we've got the access through TFL which, you know, took a lot of work to to convince them we weren't going to, you know, take loads of people underground and lose them or that they jump out, you know, on the Piccadilly line in the middle of the service, or something. So hidden London is the kind of another really nice way where the museum's looked at its kind of assets and it's monetised. And I don't know what this I don't know what this year is, but I think there are now tours run at 10 different sites at different times. It's worth about half a million clear to them to the museum.Paul Marden: It's amazing, and they're such brilliant events. So they've now opened up for younger kids to go. So I took my daughter and one of her friends, and they were a little bit scared when the lights got turned off at one point, but we had a whale of a time going and learning about the history of the tube, the history of the tube during the war. It was such an interesting, accessible way to get to get them interested in stuff. It was brilliant.Sam Mullins: No, it's a great programme, and it was doing well before COVID, we went into lockdown, and within three weeks, Chris Nix and the team had started to do kind of zoom virtual tours. We all are stuck at home looking at our screens and those hidden London hangouts the audience kind of gradually built yesterday TV followed with secrets of London Underground, which did four series of. Hidden London book has sold 25,000 copies in hardback, another one to come out next year, maybe.Paul Marden: And all of this is in service of the museum. So it's almost as if you're opening the museum up to the whole of London, aren't you, and making all of that space you're you. Museum where you can do things.Sam Mullins: Yeah. And, of course, the great thing about hidden London programme is it's a bit like a theatre production. We would get access to a particular site for a month or six weeks. You'd sell the tickets, you know, like mad for that venue. And then the run came to an end, and you have to, you know, the caravan moves on, and we go to, you know, go to go to a different stations. So in a sense, often it's quite hard to get people to go to an attraction unless they've got visitors staying or whatever. But actually, if there's a time limit, you just kind of have to do it, you know.Paul Marden: Yeah, absolutely. Everybody loves a little bit of scarcity, don't they? Sam Mullins: Should we go up on the deck? Paul Marden: That sounds like fun to me.Sam Mullins: Work our way through.Paul Marden: So Hidden London was one of the angles in order to make the museum more commercially sound. What are you taking from your time at LTM and bringing to the party here at the SS Great Britain?Sam Mullins: Well, asking similar, you know, range of questions really, about what assets do we have? Which of those are, can be, can be monetised in support of the charity? Got here, Paul, so we're, we've got the same mix as lots of middle sized museums here. There's a it's a shop, paid admission, hospitality events in the evening, cafe. You know that mix, what museums then need to do is kind of go, you know, go beyond that, really, and look at their estate or their intellectual property, or the kind of experiences they can offer, and work out whether some of that is monetisable.Paul Marden: Right? And you mentioned before that Brunel is kind of, he's the mascot of Bristol. Almost, everything in Bristol focuses on Brunel. Is there an opportunity for you to collaborate with other Brunel themed sites, the bridge or?Sam Mullins: Yeah. Well, I think probably the opportunity is to collaborate with other Bristol attractions. Because Bristol needs to. Bristol's having a hard time since COVID numbers here are nowhere near what they were pre COVID So, and I think it's the same in the city, across the city. So Andrew chief executive, is talking to other people in the city about how we can share programs, share marketing, that kind of approach.Paul Marden: Making the docks a destination, you know, you've got We the Curious. Where I was this morning, having coffee with a friend and having a mooch around. Yeah, talking about science and technology, there must be things that you can cross over. This was this war. This feels like history, but it wasn't when it was built, was it? It was absolutely the cutting edge of science and technology.Sam Mullins: Absolutely, and well, almost beyond, you know, he was Brunel was pushing, pushing what could be done. It is the biggest ship. And it's hard to think of it now, because, you know, you and I can walk from one end to the other in no time. But it was the biggest ship in the world by, you know, some way, when it was launched in 1845 so this was a bit like the Great Western Railway. It was cutting edge, cutting edge at the time, as we were talking about below. It had a propeller, radical stuff. It's got the bell, too,Paul Marden: When we were on, was it Warrior that we were on last week at the AIM conference for the first. And warrior had a propeller, but it was capable of being lifted, because the Admiralty wasn't convinced that this new fangled propeller nonsense, and they thought sail was going to lead. Sam Mullins: Yeah. Well, this ship had, you could lift a you could lift a propeller, because otherwise the propeller is a drag in the water if it's not turning over. So in its earlier configurations, it was a, it was that sort of a hybrid, where you could lift the propeller out the way, right, set full sail.Paul Marden:  Right, and, yeah, it's just, it's very pleasant out here today, isn't it? Lovely breeze compared to what it's been like the last few days. Sam Mullins: Deck has just been replaced over the winter. Paul Marden:  Oh, has it really. So say, have you got the original underneathSam Mullins: The original was little long, long gone. So what we have replaced was the deck that was put on in the in the 70s when the ship came back.Paul Marden: Right? You were talking earlier on about the cafe being one of the assets. You've done quite a lot of work recently, haven't you with the team at Elior to refurbish the cafe? What's the plan around that?Sam Mullins: Yeah, we're doing a big reinvestment. You always need to keep the offer fresh anyway, but it was time to reinvest. So the idea is to use that fantastic space on the edge of the dock. It's not very far down to where the floating harbour is really well populated with kind of restaurants and bars and an offer, we're just that 200 meters further along the dock. So perhaps to create an offer here that draws people up here, whether they visit the ship, you know, or not. So it's money, it's monetising your assets. So one of the great assets is this fabulous location on the on the dockside. So with early or we're reinvesting in the restaurant, it's going to go in the auto into after some trial openings and things, Paul, you know, it's going to have an evening offer as well as a daytime offer. And then it's been designed so the lights can go down in the evening. It becomes, you know, an evening place, rather than the museum's all day cafe, yes, and the offer, and obviously in the evenings would similarly change. And I think our ambition is that you should, you should choose this as the place to go out in the evening. Really, it's a great spot. It's a lovely, warm evening. We're going to walk along the dockside. I've booked a table and in the boardwalk, which is what we're calling it. And as you pay the bill, you notice that actually, this is associated with Asus, Great Britain. So, you know, the profit from tonight goes to help the charity, rather than it's the museum cafe. So that's the,Paul Marden: That's the pitch.Sam Mullins: That's the pitch in which we're working with our catering partners, Eli, or to deliver.Paul Marden: Andrew, your CEO and Claire from Eli, or have both kindly said that I can come back in a couple of months time and have a conversation about the restaurant. And I think it would be rude to turn them down, wouldn't it?Sam Mullins: I think you should test the menu really fully.Paul Marden: I will do my best. It's a tough job that I have. Sam Mullins: Somebody has to do this work. Paul Marden: I know, talking of tough jobs, the other thing that I saw when I was looking at the website earlier on was a press release talking about six o'clock gin as being a a partnership that you're investigating, because every museum needs its own tipple, doesn't it?Sam Mullins: Absolutely And what, you know, I think it's, I think what people want when they go to an attraction is they, they also want something of the offer to be locally sourced, completely, six o'clock gym, you know, Bristol, Bristol beers. You can't always do it, but I think, I think it's where you've got the opportunity. And Bristol's a bit of a foodie centre. There's quite a lot going on here in that respect. So, yes, of course, the museum ought to be ought to be doing that too.Paul Marden: I was very kindly invited to Big Pit over in the Welsh Valleys about 8 or 12 weeks ago for the launch, relaunch of their gift shop offering. And absolutely, at the core of what they were trying to do was because it's run by Museums Wales, they found that all of their gift shops were just a bland average of what you could get at any of the museums. None of them spoke of the individual place. So if you went to big pit, the gift shop looked the same as if you were in the centre of Cardiff, whereas now when you go you see things that are naturally of Big Pit and the surrounding areas. And I think that's so important to create a gift shop which has things that is affordable to everybody, but at the same time authentic and genuinely interesting.Sam Mullins: Yeah, I'm sure that's right. And you know I'm saying for you is for me, when I when I go somewhere, you want to come away with something, don't you? Yes, you know, you're a National Trust member and you haven't had to pay anything to get in. But you think I should be supporting the cause, you know, I want to go into that shop and then I want to, I want to buy some of the plants for my garden I just seen, you know, on the estate outside. Or I want to come away with a six o'clock gin or, you know, whatever it might be, there's and I think, I think you're more likely to buy if it's something that you know has engaged you, it's part of that story that's engaged you, right, while you're here. That's why everyone buys a guidebook and reads it afterwards.Paul Marden: Yeah, it's a reminder, isn't it, the enjoyable time that you've had? Yeah, I'm enjoying myself up on the top deck. Sam Mullins:  But should we go downstairs? The bow is a great view. Oh, let's do that. I think we might. Let's just work our way down through.Paul Marden: Take a sniff. Could you travel with these smelly passengers? Oh, no, I don't think I want to smell what it's like to be a cow on board shit. Sam Mullins: Fresh milk. Just mind yourself on these companion, ways are very steep now. This is probably where I get completely lost.Paul Marden: You know what we need? We need a very good volunteer. Don't we tell a volunteer story? COVID in the kitchen. Wow. Sam Mullins: The Gabby.Paul Marden: Generous use of scent. Sam Mullins: Yeah, food laid out pretty much based on what we know was consumed on the ship. One of the great things about the ship is people kept diaries. A lot of people kept diaries, and many have survived, right? You know exactly what it was like to be in first class or in steerage down the back.Paul Marden: And so what was the ship used for? Sam Mullins: Well, it was used, it was going to be an ocean liner right from here to New York, and it was more like the Concord of its day. It was essentially first class and second class. And then it has a founders on a bay in Northern Ireland. It's rescued, fitted out again, and then the opportunity comes take people to Australia. The Gold Rush in the 1850s. Migration to Australia becomes the big kind of business opportunity for the ships. Ships new owners. So there's more people on board that used to it applies to and fro to Australia a number of times 30 odd, 40 times. And it takes, takes passengers. It takes goods. It does bring back, brings back gold from because people were there for the gold rush. They were bringing their earnings, you know, back with them. It also brings mail, and, you know, other. Kind of car goes wool was a big cargo from. Paul Marden: Say, people down and assets back up again.Sam Mullins: People both directions. Paul Marden: Okay, yeah. How long was it taking?Sam Mullins: Well, a good trip. I think it did it in 50 odd days. Bit slower was 60 odd. And the food was like this. So it was steerage. It was probably a bit more basic. Paul Marden: Yeah, yes, I can imagine. Sam Mullins: I think we might. Here's the engines. Let's do the engines well.Paul Marden: Yes. So now we're in the engine room and, oh, it's daylight lit, actually. So you're not down in the darkest of depths, but the propeller shaft and all of the mechanism is it runs full length, full height of the ship.Sam Mullins: Yeah, it runs off from here, back to the propeller that we're looking at. Okay, down there a guy's stoking the boilers, putting coal into into the boilers, 24 hour seven, when the engines are running. Paul Marden: Yes, that's going to be a tough job, isn't it? Yeah, coal is stored in particular locations. Because that was something I learned from warrior, was the importance of making sure that you had the coal taken in the correct places, so that you didn't unbalance the ship. I mean,Sam Mullins: You right. I mean loading the ship generally had to be done really carefully so, you know, sort of balanced out and so forth. Coal is tends to be pretty low down for yes, for obvious reasons.Paul Marden: So let's talk a little bit about being a trustee. We're both trustees of charities. I was talking to somebody last week who been in the sector for a number of years, mid career, interested in becoming a trustee as a career development opportunity. What's the point of being a trustee? What's the point of the trustees to the CEO, and what's the benefit to the trustees themselves? Sam Mullins: Well, let's do that in order for someone in the mid part of their career, presumably looking to assume some kind of leadership role. At some point they're going to be dealing with a board, aren't they? Yes, they might even be doing, you know, occasional reporting to a board at that at their current role, but they certainly will be if they want to be chief executive. So getting some experience on the other side of the table to feel what it's like to be a trustee dealing with chief executive. I think he's immensely useful. I always recommended it to to my gang at the Transport Museum, and they've all been on boards of one sort or another as part of their career development.Sam Mullins: For the chief executive. What's the benefit? Well, the board, I mean, very directly, hold the chief executive to account. Yes, are you doing what we asked you to do? But also the wise chief executive recruits a board that's going to be helpful in some way or another. It's not just there to catch them out. Yeah, it's it's there to bring their experience from business, from IT, from marketing, from other museums into the business of running the place. So here we've got a range of Trustees. We've been we've recruited five or six in the last couple of years qquite deliberately to we know that a diverse board is a good board, and that's diverse in the sense not just a background, but of education, retired, still, still at work, young, old, male, female, you know, you name in.Paul Marden: In all of the directionsSam Mullins:  Yeah. So a diverse board makes better decisions than one that just does group think all the time. It's, you know, it's a truism, isn't it? I think we all kind of, we all understand and understand that now and then, for the trustee, you know, for me, I particularly last couple of years, when the organization has been through huge changes, it's been really interesting to deploy my prior experience, particularly in governance, because governance is what it all comes down to in an organisation. You do learn over the course of your career to deploy that on behalf, you know, this is a great organisation, the story of Brunel and the ship and and, you know, his influence on the railways. And I travel down on the Great Western railways, yeah, the influence of Brunel is, you know, is enormous. It's a fantastic story. It's inspiring. So who wouldn't want to join? You know what in 2005 was the Museum of the year? Yes, I think we'll just go back there where we came. Otherwise, I never found my way.Paul Marden: Back through the kitchen. Sam Mullins: Back through the kitchen. It looks like stew is on the menu tonight. You've seen me at the mobile the rat.Paul Marden: And also the cat up on the shelf. He's not paying a lot of attention to the ratSam Mullins: Back on deck. Paul Marden: Wonderful. Yeah. So the other great endeavor that you've embarked on is writing, writing a book. Tell us a little bit about the book.Sam Mullins: Yeah, I've written a history of transport in London and its influence on London since 2000 since the mayoralty, elected mayoralty was, was started, you know, I was very lucky when I was running the museum where I had kind of one foot in TfL and one foot out. I knew lots of people. I was there for a long time, yes, so it was, it was easy to interview about 70 of them.Paul Marden: Right? I guess you've built trust levels, haven't you? Yeah, I don't mean that you don't look like a journalist walking in from the outside with an ax to grind. Sam Mullins: And I'm not going to kind of screw them to the Evening Standard, you know, tomorrow. So it's a book based on interviews, oral reminiscences. It's very much their story. So it's big chunks of their accounts of, you know, the big events in London. So what was it like to be in the network control room on the seventh of July, 2005 when the bombs went off? What was it like to be looking out for congestion charge the day it started? Yep. What was it like to kind of manage the Olympics?Paul Marden: You know? So you're mentioning these things. And so I was 10 years at British Airways. I was an IT project manager, but as well, I was a member of the emergency planning team. Yeah. So I got involved in the response to September the 11th. I got involved in some of the engagement around seven, seven, there's seminal moments, and I can, I can vividly remember myself being there at that time. But similarly, I can remember being there when we won the Olympics, and we were all sat in the staff canteen waiting to hear whether we'd won the Olympics, and the roar that erupted. There's so many of those things that have happened in the last 25 years where, you know, you've got, it's recent history, but it's real interesting events that have occurred that you can tell stories of.Sam Mullins: Yeah. So what I wanted to get in the book was a kind of sense of what it was like to be, really at the heart of those, those stories. And there are, you know, there are, there are people in TfL who made those big things happen? Yes, it's not a big, clumsy bureaucracy. It's a place where really innovative leadership was being exercised all the way through that 25 years. Yes, so it runs up to COVID, and what was it like when COVID struck? So the book's called Every Journey Matters, and it comes out in November.Paul Marden: Amazing, amazing. So we have, we've left the insides of the ship, and we are now under, what's this part of the ship? Sam Mullins: We're under the bow. There we go, and a bow spread that gets above our heads. So again, you've got this great, hulking, cast iron, black hull, beautifully shaped at the bow. Look the way it kind of tapers in and it tapers in and out.Paul Marden: It's a very three dimensional, isn't it? The curve is, is in every direction. Sam Mullins: Yeah,it's a great, great shape. So it's my sort of, I think it's my favourite spot. I like coming to look at this, because this is the kind of, this is the business, yeah, of the ship.Paul Marden: What have we got running along the front here? These these images in in gold.Sam Mullins: This is a figurehead with Victoria's Coat of Arms only sua Kim Ali points on top with it, with a lion and a unicorn.Paul Marden: It's a really, it's not a view that many people would have ever seen, but it is such an impressive view here looking up, yeah, very, very cool. And to stand here on the on the edge of the dry dock. Sam Mullins: Dry Docks in to our right, and the floating harbor is out to our left. Yeah.Paul Marden: And much going on on that it's busy today, isn't it? Sam Mullins: Yeah, it's good. Paul Marden: So we've done full loop, haven't we? I mean, it has been a whistle stop tour that you've taken me on, but I've loved every moment of this. We always ask our guests a difficult question. Well, for some it's a difficult question, a book recommendation, which, as we agreed over lunch, cannot be your own book. I don't think, I think it's a little unfair Sam Mullins: Or anything I've ever written before.Paul Marden: Yes, slightly self serving, but yeah.Sam Mullins: It would be, wouldn't it look the first thing that comes to mind is, I've actually been reading my way through Mick Herron's Slow Horses series, okay, which I'm a big fan of detective fiction. I love Ian Rankin's Rebus. Okay, I read through Rebus endlessly when I want something just to escape into the sloughhouse series Slow Horses is really good, and the books all have a sort of similar kind of momentum to them. Something weird happens in the first few chapters, which seems very inconsequential and. Suddenly it turns into this kind of roller coaster. Will they? Won't they? You know, ending, which is just great. So I recommend Mick Herron's series. That's that's been the best, not best, fiction I've read in a long time.Paul Marden: You know, I think there's something, there's something nice, something comforting, about reading a series of books where the way the book is structured is very similar. You can, you can sit down and you know what's going to happen, but, but there's something interesting, and it's, it's easy. Sam Mullins: It's like putting on a pair of old slippers. Oh, I'm comfortable with this. Just lead me along. You know, that's what, that's what I want. I enjoy that immensely.Paul Marden: And should we be? Should we be inviting our listeners to the first book in the series, or do they need to start once, once he's got his, got his, found his way? Sam Mullins: Well, some people would have seen the television adaptation already. Well, that will have spoilt the book for them. Gary Oldman is Jackson lamb, who's the lead character, okay, but if you haven't, or you just like a damn good read, then you start with the first one, which I think is called Sloughhouse. They're all self contained, but you can work your way through them. Paul Marden: Well, that sounds very good. So listeners, if you'd like a copy of Sam's book, not Sam's book, Sam's book recommendation, then head over to Bluesky and repost the show notice and say, I want a copy of Sam's book, and the first one of you lovely listeners that does that will get a copy sent to you by Wenalyn. Sam This has been delightful. I hope listeners have enjoyed this as much as I have. This is our first time having a @skipthequeue in real life, where we wandered around the attraction itself and hopefully narrated our way bringing this amazing attraction to life. I've really enjoyed it. I can now say that as a West Country lad, I have actually been to the SS Great Britain. Last thing to say for visitor, for listeners, we are currently midway through the Rubber Cheese Annual Survey of visitor attraction websites. Paul Marden: If you look after an attraction website and you'd like to share some information about what you do, we are gathering all of that data together to produce a report that helps people to understand what good looks like for an attraction website. This is our fourth year. Listeners that are interested, head over to RubberCheese.com/survey, and you can find out a little bit more about the survey and some of the some of the findings from the past and what we're looking for for this year. Sam, thank you so very much.Sam Mullins: Enjoyed it too. It's always good to rabbit on about what you do every day of the week, and being here and part of this really great organisation is huge privilege.Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm. The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

Ultime di #calciomercato del #milan nel giorno del raduno e della conferenza di #allegriDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/radio-rossonera--2355694/support.

Nonne saepe mira et inusitata fiunt domi prorsus eo tempore quo non adsumus? ecce aliqua quae nobis facta sunt!

Ian Rankin introduced Detective John Rebus in his 1987 novel Knots and Crosses. Since then, Rankin has published another two dozen books in the series and has sold almost 40 million books to date. Unsurprisingly, he’s now Sir Ian Rankin. This week, Michael sits down with Ian at Sydney Writers’ Festival for discussion about his latest Rebus book, Midnight and Blue.See omnystudio.com/listener for privacy information.

Ian Rankin introduced Detective John Rebus in his 1987 novel Knots and Crosses. Since then, Rankin has published another two dozen books in the series and has sold almost 40 million books to date. Unsurprisingly, he’s now Sir Ian Rankin. This week, Michael sits down with Ian at Sydney Writers’ Festival for discussion about his latest Rebus book, Midnight and Blue. Reading list: Knots and Crosses, Ian Rankin, 1987 Black and Blue, Ian Rankin, 1997 The Hanging Garden, Ian Rankin, 1998 Standing in Another Man's Grave, Ian Rankin, 2012 Midnight and Blue, Ian Rankin, 2025 A Killing Kindness, Reginald Hill, 1980 In the Woods, Tana French, 2007 The Broken Shore, Peter Temple, 2005 You can find these books and all the others we mentioned at your favourite independent book store. Socials: Stay in touch with Read This on Instagram Guest: Ian RankinSee omnystudio.com/listener for privacy information.

Some call it the "psychedelic renaissance." In the last decade or so, interest in psychedelic drugs has surged—and not just among Silicon Valley types and psychiatrists and neuroscientists. It's also surged among a stereotypically soberer crowd: academic philosophers. The reasons are clear. With their varied and sometimes transformative effects, psychedelics raise ethical questions, epistemological questions, metaphysical questions, questions about the nature of experience and the nature of the mind. My guest today is Dr. Chris Letheby. Chris is a philosopher of cognitive science at the University of Western Australia and the author of the 2021 book, Philosophy of Psychedelics. Here, Chris and I talk about the so-called classic psychedelics—LSD, psilocybin, ayahuasca, and others—and how interest in them has gone through three distinct waves. We discuss the effects that these substances seem to have, in particular their capacity to treat certain psychiatric conditions and their tendency to induce "mystical-like" experiences. We consider the idea that psychedelics might serve as agents of moral enhancement. And we dig into the psychological and neural mechanisms by which psychedelics seem to have their diverse—and often salutary—effects. Along the way, we talk about ontological shock, comforting delusions, brain plasticity, unselfing, microdosing, placebo effects and adverse effects, physicalism and idealism, the REBUS model, environmental virtues, plant consciousness, meditation, and much more. Maybe this is obvious but this episode is not just for the seasoned psychonauts out there. Whatever your personal experience with these substances, they offer a distinctive window into the mind—a new way of grappling with big questions. Perhaps this much is also obvious but we're not encouraging or endorsing the use of psychedelics here—just offering a little fuel for your intellectual fires! Alright friends, on to my conversation w/ Dr. Chris Letheby. Enjoy!   A transcript of this episode will be posted soon.   Notes and links 4:00 – For a brief historical overview of research into psychedelics, see this paper. 8:30 – For work by an early trailblazer in the philosophy of psychedelics, see Thomas Metzinger's Being No One. 12:30 – For our earlier episode on the psychology and philosophy of visual illusions, see here.  18:00 – For a history of the concept of “set and setting,” see here. 19:00 – A 2024 review of “adverse events” in classic psychedelics. 26:00 – A blog post on the history of the term “psychedelic.” 27:00 – A recent review and meta-analysis of the use of psychedelic therapy for depressive symptoms. 31:00 – On mystical experience see Walter Stace's classic work, Mysticism and Philosophy. On the measurement of mystical-type experiences, see, e.g., Walter Pahnke's paper here. 36:00 – On the idea of “psychoplastogens,” see here. 39:00 – See our earlier audio essay on placebo effects. 41:00 – For the study using Ritalin as an active placebo, see here.  44:00 – Michael Pollan's book on psychedelics is here. 48:00 – On the idea of “idealism,” see here. 50:30 – For the 2021 study on psychedelics' capacity to alter metaphysical beliefs, see here. 54:00 – For Dr. Letheby and collaborators' paper about the “mysticism wars,” see here. 1:02:00 – For a popular article on the possibility that psychedelics reduce fear of death, see here. 1:03:00 – For Dr. Letheby's paper on psychedelics and the fear of death, see here. 1:11:00 – The phrase “comforting delusion” comes from an article by Michael Pollan. 1:15:00 – For the “REBUS model,” see here. 1:20:00 – On the idea that psychedelics could serve as agents of moral enhancement, see the paper by Brian Earp here. 1:21:00 – For Dr. Letheby's paper on psychedelics and environmental virtues, see here. For his paper on psychedelics and forgiveness, see here. 1:23:00 – On the subfield of “virtue ethics,” see here. On the virtue of “living in place,” see the paper by Nin Kirkham here. 1:28:00 – For the New Yorker article, by Matthew Hutson, on how psychedelics led him to see trees as smart, see here. For the study, led by Sandeep Nayak, on psychedelics leading people to expand their attributions of consciousness, see here. 1:32:00 – For a first paper by Dr. Letheby on the comparison between meditation and psychedelics, see here.   Recommendations Psychedelic Experience, Aidan Lyon Varieties of Psychedelic Experience, Robert Masters & Jean Houston The Antipodes of the Mind, Benny Shanon   Many Minds is a project of the Diverse Intelligences Summer Institute, which is made possible by a generous grant from the John Templeton Foundation to Indiana University. The show is hosted and produced by Kensy Cooperrider, with help from Assistant Producer Urte Laukaityte and with creative support from DISI Directors Erica Cartmill and Jacob Foster. Our artwork is by Ben Oldroyd. Our transcripts are created by Sarah Dopierala.   Subscribe to Many Minds on Apple, Stitcher, Spotify, Pocket Casts, Google Play, or wherever you listen to podcasts. You can also now subscribe to the Many Minds newsletter here! We welcome your comments, questions, and suggestions. Feel free to email us at: manymindspodcast@gmail.com.    For updates about the show, visit our website or follow us on Twitter (@ManyMindsPod) or Bluesky (@manymindspod.bsky.social).

Silvana La Spina"Un rebus per Leonardo Sciascia"Marsilio Editoriwwwm.marsilioeditori.itNel settembre del 1985, a Leonardo Sciascia capitano due cose: la morte di Italo Calvino nell'Ospedale di Siena, e la morte di Aurelio Arriva, giudice, in casa sua. Una pistolettata: suicidio, dicono. Il giudice e lo scrittore siciliano, amici fin dall'infanzia, avevano litigato e non si parlavano da tempo. Qualcuno, in paese, continuava a dire per invidia; qualcun altro insinuava che l'invidia non c'entrava niente, era Sciascia che non avrebbe dovuto mettere l'amico in un libro – anzi, continuava quel qualcuno, Sciascia della Sicilia non avrebbe dovuto proprio parlare. Leonardo Sciascia, dal canto suo, sosteneva che le grandi amicizie, come i grandi amori, sono come le piante: a un certo punto si seccano, e nessuno può farci niente. Era successo con Guttuso, e forse stava succedendo pure con Vincenzo Consolo. Tuttavia, nonostante, in paese, gli inquirenti pensino che la morte del giudice Arriva sia dovuta a un suicidio e nonostante il tutto sia accaduto, come una disgrazia, un malaugurio, durante la festa della Madonna Bambina, Elena Arriva, la figlia del giudice morto, bella e bionda come certe madonne lombarde, si presenta a casa dello scrittore – la gloria, il vanto del luogo, l'uomo che passeggia a braccetto con Claudia Cardinale – per chiedergli di indagare sulla morte del padre. Elena non crede all'ipotesi del suicidio, e Sciascia è l'unico che di suo padre sa tutto. In una sarabanda di dicerie, malevolenze, lettere anonime che ricordano le righe minatorie di A ciascuno il suo, in un turbine di fatti di corna, disgrazie passate, presenti e future, donne vecchie e donne fatali, scrittori benevoli e altri invidiosi, cause perse e altre fatte perdere, un circolo di gentiluomini che non sempre lo sono e un pubblico ministero che torna a indagare là dove è stato bambino, Silvana La Spina, con una lingua pastosa e spinosa quanto un fico d'India, racconta Leonardo Sciascia e il suo mondo, facendone un investigatore acuto, curioso e pieno di pietà per le miserie degli uomini. Un romanzo avvincente e scuro.Silvana La Spina  è nata in Veneto da padre siciliano. Da molti anni vive tra Milano e Catania, e la Sicilia è alla base di quasi tutti i suoi romanzi. Tra gli ultimi, ricordiamo: La bambina pericolosa (Mondadori 2008), Un cadavere eccellente (Mondadori 2011), La continentale (Mondadori 2014), L'uomo che veniva da Messina (Giunti 2015), L'uomo del Viceré (Neri Pozza 2021), Angelica (Neri Pozza 2022), L'ombra dei Beati Paoli (Neri Pozza 2024). Con la raccolta di racconti Scirocco (La tartaruga 1992) ha vinto il premio Chiara.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Ecce novissimum colloquium! nonne sunt vobis quoque res quae nondum facere didicistis quamquam aliquando in vita cotidiana utilima vobis videntur? ecce ea quae nos excogitavimus! Quid de vobis?

Da più parti viene detto che Tullio De Mauro sarebbe stato un fiero oppositore della "grammatica". Ma sarà vero? Andiamo a rileggere insieme le Dieci tesi per l'educazione linguistica democratica (1975), ché tornare alle fonti primarie fa sempre bene. La parola della settimana è inspiration porn. - Rebus del 9 febbraio 2025 - Loredana Perla su Gazzetta del Mezzogiorno - Mirko Tavoni su Rivista Il Mulino - Lettera del Gruppo di Firenze - Stella Young, I'm not your inspiration, thank you Il link per abbonarti al Post e ascoltare la puntata per intero. Learn more about your ad choices. Visit megaphone.fm/adchoices

Il rialzo dei tassi di interesse potrebbe spingere gli investitori a chiudere il "carry trade" con impatto sui titoli europei e americani 

Il rialzo dei tassi di interesse potrebbe spingere gli investitori a chiudere il “carry trade” con impatto sui titoli europei e americani

Richard Rankin is no stranger to Josh but usually it's part of his OUTLANDER group. Now he's finally front and center just as he is in his new series, REBUS! Richard and Josh chat about REBUS, the end of OUTLANDER, and decide once and for all who Sam Heughan loves more. SUPPORT OUR SPONSORS! BetterHelp -- Go to ⁠⁠⁠⁠⁠⁠⁠BetterHelp.com/HSC ⁠⁠⁠⁠⁠⁠⁠for 10% off UPCOMING LIVE EVENTS 12/3 -- John David Washington at 92Y in NY -- ⁠Tickets here⁠ 12/19 -- Ben Schwartz at 92Y in NY -- ⁠Tickets here Check out the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Happy Sad Confused patreon here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! We've got discount codes to live events, merch, early access, exclusive episodes, video versions of the podcast, and more! To watch episodes of Happy Sad Confused, subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Josh's youtube channel here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Phil and Natalie are delighted to welcome Sir Ian Rankin to BestSellers in the week where his new Rebus - the 25th Rebus thriller - goes straight in at No.1 in the Sunday Times Top Ten Hardback Fiction chart. In this ep, Ian talks about how hard this book was to write; why he's a frustrated Rock Star and why he's attracted to the darker side of the human condition. You'll also find the books he recommends from other writers at our website: bestsellerspodcast.comEnjoy! Hosted on Acast. See acast.com/privacy for more information.

The best-selling crime-writer Sir Ian Rankin began his life surrounded by food. His dad ran a grocery store in Fife, his mum worked in a school canteen, and Ian's early writing saw him reviewing wine.He says he never intended to turn to crime, so to speak, but it was his creation of the hard-drinking and stubborn Edinburgh detective Inspector John Rebus which changed his writing style – and his life. Beginning with Knots and Crosses in 1987, there have now been 25 Rebus novels - as well as the tv dramas and stage plays – mainly dealing with Scotland's dark and dangerous underworld. What then will he reveal as his Inheritenace Tracks?Inherited: Seven Drunken Nights by The Dubliners Pass on: Another Man's Rain by Jackie LevenProducers: Ben Mitchell and Noa Dowling

Fi's flying solo on this one as Jane is sadly off with adult teething issues (well wishes are welcomed)... Fi covers local newspapers, pickleball and there's more on duvet togs. Plus, crime writer Ian Rankin stops by to discuss his latest Rebus instalment 'Midnight and Blue'. Our next book club pick has been announced! 'The Trouble with Goats and Sheep' by Joanna Cannon.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

LUCIE SHORTHOUSE is an award-winning actress who came to prominence for her highly acclaimed performance in Sheffield Theatre's production of hit musical EVERYBODY'S TALKING ABOUT JAMIE, which subsequently transferred to London's West End. For her “standout performance” (as ‘Pritii Pasha' in ETAJ) she won the 2018 WhatsOnStage Award for Best Supporting Actress in a Musical & the 2018 H100 Hospital Club's Rising Star Award.She was also nominated for the 2018 Stage Debut Award, the 2018 Mousetrap Theatre Award for Best Female Performer & the 2018 West End Wilma Award for Best Supporting Actress in a Musical.Other theatre work includes Chris Bush's ROCK, PAPER, SCISSORS for Sheffield Theatres' 50th Anniversary; ROLLER DINER for the Soho Theatre; THE HOUSE OF IN BETWEEN for the Theatre Royal, Stratford East and THE MILK TRAIN DOESN'T STOP HERE ANYMORE at the Charing Cross Theatre, London.Her breakthrough TV role came with Series Regular ‘Paige Pennington' in Sky One's BULLETPROOF.She plays Series Regular ‘Momtaz' in WE ARE LADY PARTS for NBC/WTTV on Channel 4 & Series Regular ‘Zara' in Caroline Moran's new BBC Two comedy,  HENPOCALYPSE.She will be seen in 2024 as ‘DCI Siobhan Clarke' in Eleventh Hour Films' reboot of Ian Rankins' REBUS.She has also appeared in LINE OF DUTY, CLEANING UP and THE SOUND OF MUSIC LIVE! Lucie can currently be seen as a co-lead alongside Richard Rankin in new BBC One Scottish detective drama REBUS, as DC Siobhan Clarke. Currently airing weekly with all eps dropped on BBCiPlayer - the six part series is a new adaptation of Sir Ian Rankin's best-selling Inspector novels, reimagining John Rebus as a younger Detective Sergeant drawn into a violent criminal conflict. Lucie can also be seen reprising her regular lead role in series two of Channel 4 hit show 'We are Lady Parts' - more info here with the series available here. 

Sir Ian Rankin's much-loved detective Rebus has had a big year, with a fresh BBC TV adaptation in the summer, and now a return to the stage. Clive Anderson hears about new play Rebus: A Game Called Malice which was written by Sir Ian and Simon Reade, it's touring the UK. Michelle McManus chats to poet and women's rights advocate Len Pennie who rose to fame on social media during the pandemic when she shared her Scots words of the day. Her first book Poyums is a collection of funny and fiercely feminist poems. Northern Irish comedian, actor and podcaster Shane Todd has a loyal fanbase as the host of the Tea with Me podcast and with sell out shows across the world, including opening for the likes of Kevin Hart. He's currently embarking on his eleventh solo show – Full House. With music from musician and singer Kim Carnie, whose newest project is documentary Kim Carnie Out Loud which explores her experience of hiding a six year same-sex relationship. She meets other LGBTQ+ folk and creates songs around their stories. Plus Bathgate singer and Scottish Music Awards Breakthrough-winner Luke La Volpe.

Send us a Text Message.Don't bother looking for rebuses (rebusae)? in today's grid - there aren't any. But the theme that we have instead is still tricky and amusing, and we doff our hats in what we imagine to be the general direction of Mat Shelden, the author of today's fine work, a debut in the NYTimes. Show note imagery: PEETA, who, according to 21A, is Katniss's partner in "The Hunger Games"Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Abby and Patrick welcome writer, academic, and cruciverbalist Anna Shechtman, author of The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle, a book that's part personal memoir, part cultural history, and part meditation on what it means to care about meaning in the first place. In typically overdetermined fashion, the three talk about the complex interweaving of language, sexual difference, and the vicissitudes of our appetites for food, clues, accomplishments, “solutions,” and more. Along the way, they unpack the écriture feminine of Hélène Cixous, Julia Kristeva's idea of the semiotic, Luce Irigaray's critique of phallogocentrism, the writing of Jane Gallop, and more. Whether on paper or otherwise, why do people love to create problems for ourselves, and how does the pleasure of solving any given puzzle relate to our apparently limitless hunger for new ones? How does the latent, overdetermined, and unconscious structure what's manifest on a grid in a newspaper, magazine, or online? What did Lacan mean when he advised young psychoanalysts to “do more crosswords”? And how exactly does a crossword get made, anyway? Plus: plenty of puns, both punishing and pleasurable, frank talk about psychotherapy, and more!Anna's book The Riddles of the Sphinx is available here: https://bookshop.org/p/books/the-riddles-of-the-sphinx-anna-shechtman/20143426Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! 484 775-0107 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

In this month's Outside The Box, Hannah and Jen are talking about Rebus, Eric, Bodkin, Insomnia, Alaska Daily, The Gathering, Dark Matter and Bay of Fires. Plus, it turns out Hannah was right about Colin Farrell being a BEEEEEP in Sugar. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode we explore everything from 1970s top secret nuclear bunkers to Tolkein's mines of Mordor. Phil 'The Tunnel Inspector' Catling takes us down the rabbit hole stopping off in Alan Garner's Brisingaman via Susan Cooper's Dark is Rising. Expect dystopian futures, ancient barrows, sigils of lost civilisations and darkening skies. Also the brilliant Rik Rankin, star of Outlander and Rebus, reads form George MacDonalds 'The Princess & The Goblin.'Enjoy! Hosted on Acast. See acast.com/privacy for more information.

This episode marks the Pilot TV debut of Empire's very own Sophie Butcher, filling in for work-shy slacker Kay who's STILL on holiday. Sophie shares with us some of her favourite shows, plus we finally pin Boydy down on a definitive (laminated!) list of his favourite films so he can't keep attaching that label to every one he talks about. Elsewhere, we're delving into competitive teenage athletics in The Gathering on Channel 4, seeing Ian Rankin's Rebus get reborn on BBC1, and seeing if there's still some life in the clone saga in Orphan Black: Echoes, which finally lands in the UK on ITVX.

AJ Jacobs makes The Puzzler podcast, wrote The Puzzler book, and sometimes turns his whole life into a puzzle. He comes bearing word games, explanations of anagrams being used to precipitate wars and were key evidence in trials, tips for writing with a quill, below-the-knee insults, and tales of living constitutionally. AJ's new book is The Year of Living Constitutionally: One Man's Humble Quest to Follow the Constitution's Original Meaning. Find his work at AJJacobs.com. Get the transcript of this episode, and get links to more information about the topics therein and the other episodes in the Word Play miniseries, at theallusionist.org/lemon-demon. Content note: there are mentions of guns, historical punishments and violence, vomiting, and drunkenness. There are also a couple of category A swears, and some category C swears. This episode was produced by me, Helen Zaltzman, with Martin Austwick of palebirdmusic.com. Become a member of the Allusioverse at theallusionist.org/donate and as well as keeping this independent podcast going, you get regular livestreams, insight into the making of this show, and watchalong parties - AND to hang out with your fellow Allusionauts in our delightful Discord community, where I am posting all my best/worst portmanteaus and portmantNOs. The Allusionist's online home is theallusionist.org. Stay in touch via facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow, twitter.com/allusionistshow etc. Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing on the show in 2024, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Bombas, whose mission is to make the comfiest clothes - and, newly, slides! - ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase.  • The Art of Crime history podcast, investigating the unlikely collisions between true crime and the arts. Listen to the latest season, about Madame Tussaud, at ArtOfCrimepodcast.com and in the podplaces.• Squarespace, your one-stop shop for building and running your online empire. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. • HomeChef, meal kits that fit your needs. For a limited time, HomeChef is offering Allusionist listeners 18 free meals, plus free shipping on your first box, and free dessert for life, at HomeChef.com/allusionist.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Book Club #81 - A Heart Full of Headstones - Richard is in Edinburgh and talks to Edinburgh's second favourite knight (after a penguin) Ian Rankin. They discuss the latest of his many books about Rebus and Edinburgh (is it a character in itself?), how well Ian knows the character after all this time, why he chose to have him age in real time, how his books embrace topicality, whether Rebus could really pull Duckface, why Ian let go of the TV adaptations, the changes made by American publishers and how persistence from the author led the series to be a huge success (and how long that took to happen). Plus the looming presence of Richard Osman, being asked to write the autobiography of Sean Connery, Ian's attempt to write a Mills and Boon romance and whether it's possible to understand evil. Plus much more. It's a must listen for the aspirant author and the fan of crime (or any) novels).Buy a Heart Full of Headstones here https://www.amazon.co.uk/Heart-Full-Headstones-Must-Read-Bestseller/dp/1398709387/Come and see RHLSTP on tour http://richardherring.com/rhlstp Become a member at https://plus.acast.com/s/rhlstp. Hosted on Acast. See acast.com/privacy for more information.