Podcasts about Rebus

Today's Lake and Shed framed conversation is about J. K. Rowling's third Cormoran Strike novel, Career of Evil. Nick and John debate whether Rowling crossed the line of “violence porn” that she worried she had approached and they discuss why, in one of the few surveys of Serious Strikers, Career seems unique among these mysteries in being considered the best or the very worst of the set. The ‘Lake' point that Nick explores is Rowling's personal experience of violence against women and her determination to push back against the misogynist age she believes we have been living in for decades. John details the litany of crimes committed against women in the third Strike novel and suggests that in time, when we have the series as a whole, appreciation of the artistry involved will counter-balance the shock first-time readers feel on entering this boucherie.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.The ten HogwartsProfessor birthday videos posted thus far in this series can be read at the links below:* A Lake and Shed Reading of Harry Potter and the Philosopher's Stone* A Lake and Shed Reading of Harry Potter and the Chamber of Secrets* A Lake and Shed Reading of Harry Potter and the Prisoner of Azkaban* A Lake and Shed Reading of Harry Potter and the Goblet of Fire* A Lake and Shed Reading of Harry Potter and the Order of the Phoenix* A Lake and Shed Reading of Harry Potter and the Half-Blood Prince* A Lake and Shed Reading of Harry Potter and the Deathly Hallows* A Lake and Shed Reading of Casual Vacancy* A Lake and Shed Reading of Cuckoo's Calling* A Lake and Shed Reading of The SilkwormTomorrow? It's Harry Potter and the Cursed Child, the play written by Jack Thorne “based on an original new story by Rowling, John Tiffany, and Thorne. Neither John nor Nick has seen the play but both have some thoughts about its place in the oeuvre and about its virtues and failings.Links to posts mentioned in today's Lake and Shed conversation for further reading:Ian Rankin's Rebus novel Black and Blue and Galbraith's Career of EvilThe Transabled Characters in Career of EvilRowling Discusses the Planning of Career of EvilDay of Publication Review at HogwartsProfessorThe Willy Wonka Golden Ticket Purchase of Career of EvilThe Ranking of the First Six Strike Novels:* John Granger's Choices of the Best and Worst* Nick Jeffery's Choices of Best to Worst* The Final Survey Tally Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter  or Bluesky for your chance to win the books that have been mentioned in this podcast.Competition ends on 23rd July 2025. The winner will be contacted via Bluesky. Show references:  Sam Mullins, Trustee at SS Great Britainhttps://www.linkedin.com/in/sammullins/https://www.ssgreatbritain.org/ Transcriptions:  Paul Marden: What an amazing day out here. Welcome to Skip the Queue. The podcast for people working in and working with visitor attractions, I'm your host, Paul Marden, and today you join me for the last episode of the season here in a very sunny and very pleasant Bristol Dockyard. I'm here to visit the SS Great Britain and one of their trustees, Sam Mullins, who until recently, was the CEO of London Transport Museum. And I'm going to be talking to Sam about life after running a big, family friendly Museum in the centre of London, and what comes next, and I'm promising you it's not pipes and the slippers for Sam, he's been very busy with the SSGreat Britain and with other projects that we'll talk a little more about. But for now, I'm going to enjoy poodling across the harbour on boat number five awaiting arrival over at the SS Great Britain. Paul Marden: Is there much to catch in the water here?Sam Mullins: According to some research, there's about 36 different species of fish. They catch a lot of cream. They catch Roach, bullet, bass car. Big carpet there, maybe, yeah, huge carpet there. And then your European great eel is here as well, right? Yeah, massive things by the size of your leg, big heads. It's amazing. It goes to show how receipt your life is. The quality of the water is a lot better now. Paul Marden: Oh yeah, yeah, it's better than it used to be years ago. Thank you very much. All right. Cheers. Have a good day. See you later on. So without further ado, let's head inside. So where should we head? Too fast. Sam Mullins: So we start with the stern of the ship, which is the kind of classic entrance view, you know. Yeah, coming up, I do. I love the shape of this ship as you as you'll see.Paul Marden: So lovely being able to come across the water on the boat and then have this as you're welcome. It's quite a.Sam Mullins: It's a great spot. Isn't it?Paul Marden: Really impactful, isn't it? Sam Mullins:  Because the amazing thing is that it's going this way, is actually in the dry dock, which was built to build it. Paul Marden: That's amazing. Sam Mullins: So it came home. It was clearly meant to be, you know,Paul Marden:  Quite the circular story.Sam Mullins:  Yeah, yeah. Thank you. Paul Marden:  Thank you. Wow. Look at that view.Sam Mullins: So that's your classic view.Paul Marden:  So she's in a dry dock, but there's a little bit of water in there, just to give us an idea of what's going on. Sam Mullins: Well, what's actually going on in here is, preserving the world's first iron ship. So it became clear, after he'd come back from the Falklands, 1970 came back to Bristol, it became clear that the material of the ship was rusting away. And if something wasn't done, there'd be nothing left, nothing left to show. So the innovative solution is based on a little bit of science if you can reduce the relative humidity of the air around the cast iron hull of the ship to around about 20% relative humidity, corrosion stops. Rusting stops. It's in a dry dock. You glaze over the dock at kind of water line, which, as you just noticed, it gives it a really nice setting. It looks like it's floating, yeah, it also it means that you can then control the air underneath. You dry it out, you dehumidify it. Big plant that dries out the air. You keep it at 20% and you keep the ship intact. Paul Marden: It's interesting, isn't it, because you go to Mary Rose, and you go into the ship Hall, and you've got this hermetically sealed environment that you can maintain all of these beautiful Tudor wooden pieces we're outside on a baking hot day. You don't have the benefit of a hermetically sealed building, do you to keep this? Sam Mullins: I guess the outside of the ship is kind of sealed by the paint. That stops the air getting to the bit to the bare metal. We can go down into the trigger, down whilst rise up.Paul Marden:  We're wondering. Sam, yeah, why don't you introduce yourself, tell listeners a little bit about your background. How have we ended up having this conversation today.Sam Mullins: I'm Sam Mullins. I'm a historian. I decided early on that I wanted to be a historian that worked in museums and had an opportunity to kind of share my fascination with the past with museum visitors. So I worked in much Wenlock in Shropshire. I worked created a new museum in market Harbour, a community museum in Leicestershire. I was director of museums in St Albans, based on, you know, great Roman Museum at Verulamium, okay. And ended up at London Transport Museum in the 90s, and was directed there for a long time.Paul Marden: Indeed, indeed. Oh, we are inside now and heading underground.Sam Mullins: And you can hear the thrumming in the background. Is the dehumidification going on. Wow. So we're descending into thevery dry dock.Paul Marden: So we're now under water level. Yes, and the view of the ceiling with the glass roof, which above looked like a lovely little pond, it's just beautiful, isn't it?Sam Mullins: Yes, good. It sets it off both in both directions, really nicely.Paul Marden: So you've transitioned now, you've moved on from the Transport Museum. And I thought that today's episode, we could focus a little bit on what is, what's life like when you've moved on from being the director of a big, famous, influential, family friendly Museum. What comes next? Is it pipe and slippers, or are there lots of things to do? And I think it's the latter, isn't it? Sam Mullins: Yes. Well, you know, I think people retire either, you know, do nothing and play golf, or they build, you know, an interesting portfolio. I wanted to build, you know, something a bit more interesting. And, you know, Paul, there's that kind of strange feeling when you get to retire. And I was retiring from full time executive work, you kind of feel at that point that you've just cracked the job. And at that point, you know, someone gives you, you know, gives you a card and says, "Thank you very much, you've done a lovely job." Kind of, "Off you go." So having the opportunity to deploy some of that long term experience of running a successful Museum in Covent Garden for other organisations was part of that process of transition. I've been writing a book about which I'm sure we'll talk as well that's been kind of full on this year, but I was a trustee here for a number of years before I retired. I think it's really good career development for people to serve on a board to see what it's like, you know, the other side of the board. Paul Marden: I think we'll come back to that in a minute and talk a little bit about how the sausage is made. Yeah, we have to do some icebreaker questions, because I probably get you already. You're ready to start talking, but I'm gonna, I'm just gonna loosen you up a little bit, a couple of easy ones. You're sat in front of the telly, comedy or drama?Sam Mullins: It depends. Probably.Paul Marden: It's not a valid answer. Sam Mullins: Probably, probably drama.Paul Marden: Okay, if you need to talk to somebody, is it a phone call or is it a text message that you'll send?Sam Mullins:  Face to face? Okay, much better. Okay, always better. Paul Marden: Well done. You didn't accept the premise of the question there, did you? Lastly, if you're going to enter a room, would you prefer to have a personal theme tune played every time you enter the room. Or would you like a personal mascot to arrive fully suited behind you in every location you go to?Sam Mullins: I don't know what the second one means, so I go for the first one.Paul Marden: You've not seen a football mascot on watching American football or baseball?Sam Mullins: No, I try and avoid that. I like real sport. I like watching cricket. Paul Marden: They don't do that in cricket. So we are at the business end of the hull of the ship, aren't we? We're next to the propeller. Sam Mullins: We're sitting under the stern. We can still see that lovely, gilded Stern, saying, Great Britain, Bristol, and the windows and the coat of arms across the stern of the ship. Now this, of course, was the biggest ship in the world when built. So not only was it the first, first iron ship of any scale, but it was also third bigger than anything in the Royal Navy at the time. Paul Marden: They talked about that, when we were on the warrior aim the other day, that it was Brunel that was leading the way on what the pinnacle of engineering was like. It was not the Royal Navy who was convinced that it was sail that needed to lead. Sam Mullins: Yeah, Brunel had seen a much smaller, propeller driven vessel tried out, which was being toured around the country. And so they were midway through kind of design of this, when they decided it wasn't going to be a paddle steamer, which its predecessor, the world's first ocean liner, the Great Western. A was a paddle steamer that took you to New York. He decided that, and he announced to the board that he was going to make a ship that was driven by a propeller, which was the first, and this is, this is actually a replica of his patent propeller design. Paul Marden: So, this propeller was, is not the original to the show, okay?Sam Mullins: Later in its career, it had the engines taken out, and it was just a sailing ship. It had a long and interesting career. And for the time it was going to New York and back, and the time it was going to Australia and back, carrying migrants. It was a hybrid, usually. So you use the sails when it was favourable when it wasn't much wind or the wind was against. You use the use the engines. Use the steam engine.Paul Marden: Coming back into fashion again now, isn't it? Sam Mullins: Yeah, hybrid, yeah.Paul Marden: I can see holes in the hull. Was this evident when it was still in the Falklands?Sam Mullins: Yeah, it came to notice in the 60s that, you know, this world's first it was beached at Sparrow Cove in the Falkland Islands. It had lost its use as a wool warehouse, which is which it had been for 30 or 40 years. And a number of maritime historians, you and call it. It was the kind of key one realised that this, you know, extraordinary, important piece of maritime heritage would maybe not last too many war winters at Sparrow cope had a big crack down one side of the hull. It would have probably broken in half, and that would have made any kind of conservation restoration pretty well impossible as it was. It was a pretty amazing trick to put it onto a to put a barge underneath, to raise it up out of the water, and to tow it into Montevideo and then across the Atlantic, you know, 7000 miles, or whatever it is, to Avon mouth. So it's a kind of heroic story from the kind of heroic age of industrial and maritime heritage, actually.Paul Marden: It resonates for me in terms of the Mary Rose in that you've got a small group of very committed people that are looking to rescue this really valuable asset. And they find it and, you know, catch it just in time. Sam Mullins: Absolutely. That was one of the kind of eye openers for me at Mary rose last week, was just to look at the kind of sheer difficulty of doing conventional archaeology underwater for years and years. You know, is it 50,000 dives were made? Some immense number. And similarly, here, you know, lots of people kind of simply forget it, you know, it's never gonna, but a few, stuck to it, you know, formed a group, fund, raised. This is an era, of course, you know, before lottery and all that jazz. When you had to, you had to fundraise from the public to do this, and they managed to raise the money to bring it home, which, of course, is only step one. You then got to conserve this enormous lump of metal so it comes home to the dry dock in which it had been built, and that has a sort of fantastic symmetry, you know about it, which I just love. You know, the dock happened to be vacant, you know, in 1970 when the ship was taken off the pontoon at Avon mouth, just down the river and was towed up the curving Avon river to this dock. It came beneath the Clifton Suspension Bridge, which, of course, was Brunel design, but it was never built in his time. So these amazing pictures of this Hulk, in effect,  coming up the river, towed by tugs and brought into the dock here with 1000s of people you know, surrounding cheering on the sidelines, and a bit like Mary Rose in a big coverage on the BBC.Paul Marden: This is the thing. So I have a very vivid memory of the Mary Rose being lifted, and that yellow of the scaffolding is just permanently etched in my brain about sitting on the carpet in primary school when the TV was rolled out, and it was the only TV in the whole of school that, to me is it's modern history happening. I'm a Somerset boy. I've been coming to Bristol all my life. I wasn't alive when Great Britain came back here. So to me, this feels like ancient history. It's always been in Bristol, because I have no memory of it returning home. It was always just a fixture. So when we were talking the other day and you mentioned it was brought back in the 70s, didn't realise that. Didn't realise that at all. Should we move on? Because I am listening. Gently in the warmth.Sam Mullins: Let's move around this side of the as you can see, the dry dock is not entirely dry, no, but nearly.Paul Marden: So, you're trustee here at SS Great Britain. What does that mean? What do you do?Sam Mullins: Well, the board, Board of Trustees is responsible for the governance of the charity. We employ the executives, the paid team here. We work with them to develop the kind of strategy, financial plan, to deliver that strategy, and we kind of hold them as executives to account, to deliver on that.Paul Marden: It's been a period of change for you, hasn't it? Just recently, you've got a new CEO coming to the first anniversary, or just past his first anniversary. It's been in place a little while.Sam Mullins: So in the last two years, we've had a, we've recruited a new chairman, new chief executive, pretty much a whole new leadership team.One more starting next month, right? Actually, we're in July this month, so, yeah, it's been, you know, organisations are like that. They can be very, you know, static for some time, and then suddenly a kind of big turnover. And people, you know, people move.Paul Marden: So we're walking through what is a curved part of the dry dock now. So this is becoming interesting underfoot, isn't it?Sam Mullins: This is built in 1839 by the Great Western Steamship Company to build a sister ship to the Great Western which was their first vessel built for the Atlantic run to New York. As it happens, they were going to build a similar size vessel, but Brunel had other ideas, always pushing the edges one way or another as an engineer.Paul Marden: The keel is wood. Is it all wood? Or is this some sort of?Sam Mullins: No, this is just like, it's sort of sacrificial.So that you know when, if it does run up against ground or whatever, you don't actually damage the iron keel.Paul Marden: Right. Okay, so there's lots happening for the museum and the trust. You've just had a big injection of cash, haven't you, to do some interesting things. So there was a press release a couple of weeks ago, about a million pound of investment. Did you go and find that down the back of the sofa? How do you generate that kind of investment in the charity?Sam Mullins: Unusually, I think that trust that's put the bulk of that money and came came to us. I think they were looking to do something to mark their kind of, I think to mark their wind up. And so that was quite fortuitous, because, as you know at the moment, you know, fundraising is is difficult. It's tough. Paul Marden: That's the understatement of the year, isn't it?Sam Mullins: And with a new team here and the New World post COVID, less, less visitors, income harder to gain from. Pretty well, you know, all sources, it's important to keep the site kind of fresh and interesting. You know, the ship has been here since 1970 it's become, it's part of Bristol. Wherever you go in Bristol, Brunel is, you know, kind of the brand, and yet many Bristolians think they've seen all this, and don't need, you know, don't need to come back again. So keeping the site fresh, keeping the ideas moving on, are really important. So we've got the dockyard museum just on the top there, and that's the object for fundraising at the moment, and that will open in July next year as an account of the building of the ship and its importance. Paul Marden: Indeed, that's interesting. Related to that, we know that trusts, trusts and grants income really tough to get. Everybody's fighting for a diminishing pot income from Ace or from government sources is also tough to find. At the moment, we're living off of budgets that haven't changed for 10 years, if we're lucky. Yeah, for many people, finding a commercial route is the answer for their museum. And that was something that you did quite successfully, wasn't it, at the Transport Museum was to bring commercial ideas without sacrificing the integrity of the museum. Yeah. How do you do that?Sam Mullins: Well, the business of being an independent Museum, I mean, LTM is a to all sets of purposes, an independent Museum. Yes, 81% of its funding itself is self generated. Paul Marden: Is it really? Yeah, yeah. I know. I would have thought the grant that you would get from London Transport might have been bigger than that.  Sam Mullins: The grant used to be much bigger proportion, but it's got smaller and smaller. That's quite deliberate. Are, you know, the more you can stand on your own two feet, the more you can actually decide which direction you're going to take those feet in. Yeah. So there's this whole raft of museums, which, you know, across the UK, which are independently governed, who get all but nothing from central government. They might do a lottery grant. Yes, once in a while, they might get some NPO funding from Ace, but it's a tiny part, you know, of the whole. And this ship, SS Great Britain is a classic, you know, example of that. So what do you do in those circumstances? You look at your assets and you you try and monetise them. That's what we did at London Transport Museum. So the museum moved to Covent Garden in 1980 because it was a far sighted move. Michael Robbins, who was on the board at the time, recognised that they should take the museum from Scion Park, which is right on the west edge, into town where people were going to be, rather than trying to drag people out to the edge of London. So we've got that fantastic location, in effect, a high street shop. So retail works really well, you know, at Covent Garden.Paul Marden: Yeah, I know. I'm a sucker for a bit of moquette design.Sam Mullins: We all love it, which is just great. So the museum developed, you know, a lot of expertise in creating products and merchandising it. We've looked at the relationship with Transport for London, and we monetised that by looking at TFL supply chain and encouraging that supply chain to support the museum. So it is possible to get the TFL commissioner to stand up at a corporate members evening and say, you know, you all do terribly well out of our contract, we'd like you to support the museum as well, please. So the corporate membership scheme at Transport Museum is bigger than any other UK museum by value, really, 60, 65 members,. So that was, you know, that that was important, another way of looking at your assets, you know, what you've got. Sometimes you're talking about monetising relationships. Sometimes it's about, you know, stuff, assets, yeah. And then in we began to run a bit short of money in the kind of middle of the teens, and we did an experimental opening of the Aldwych disused tube station on the strand, and we're amazed at the demand for tickets.Paul Marden: Really, it was that much of a surprise for you. And we all can talk. Sam Mullins: We had been doing, we've been doing some guided tours there in a sort of, slightly in a one off kind of way, for some time. And we started to kind of think, well, look, maybe should we carry on it? Paul Marden: You've got the audience that's interested.Sam Mullins: And we've got the access through TFL which, you know, took a lot of work to to convince them we weren't going to, you know, take loads of people underground and lose them or that they jump out, you know, on the Piccadilly line in the middle of the service, or something. So hidden London is the kind of another really nice way where the museum's looked at its kind of assets and it's monetised. And I don't know what this I don't know what this year is, but I think there are now tours run at 10 different sites at different times. It's worth about half a million clear to them to the museum.Paul Marden: It's amazing, and they're such brilliant events. So they've now opened up for younger kids to go. So I took my daughter and one of her friends, and they were a little bit scared when the lights got turned off at one point, but we had a whale of a time going and learning about the history of the tube, the history of the tube during the war. It was such an interesting, accessible way to get to get them interested in stuff. It was brilliant.Sam Mullins: No, it's a great programme, and it was doing well before COVID, we went into lockdown, and within three weeks, Chris Nix and the team had started to do kind of zoom virtual tours. We all are stuck at home looking at our screens and those hidden London hangouts the audience kind of gradually built yesterday TV followed with secrets of London Underground, which did four series of. Hidden London book has sold 25,000 copies in hardback, another one to come out next year, maybe.Paul Marden: And all of this is in service of the museum. So it's almost as if you're opening the museum up to the whole of London, aren't you, and making all of that space you're you. Museum where you can do things.Sam Mullins: Yeah. And, of course, the great thing about hidden London programme is it's a bit like a theatre production. We would get access to a particular site for a month or six weeks. You'd sell the tickets, you know, like mad for that venue. And then the run came to an end, and you have to, you know, the caravan moves on, and we go to, you know, go to go to a different stations. So in a sense, often it's quite hard to get people to go to an attraction unless they've got visitors staying or whatever. But actually, if there's a time limit, you just kind of have to do it, you know.Paul Marden: Yeah, absolutely. Everybody loves a little bit of scarcity, don't they? Sam Mullins: Should we go up on the deck? Paul Marden: That sounds like fun to me.Sam Mullins: Work our way through.Paul Marden: So Hidden London was one of the angles in order to make the museum more commercially sound. What are you taking from your time at LTM and bringing to the party here at the SS Great Britain?Sam Mullins: Well, asking similar, you know, range of questions really, about what assets do we have? Which of those are, can be, can be monetised in support of the charity? Got here, Paul, so we're, we've got the same mix as lots of middle sized museums here. There's a it's a shop, paid admission, hospitality events in the evening, cafe. You know that mix, what museums then need to do is kind of go, you know, go beyond that, really, and look at their estate or their intellectual property, or the kind of experiences they can offer, and work out whether some of that is monetisable.Paul Marden: Right? And you mentioned before that Brunel is kind of, he's the mascot of Bristol. Almost, everything in Bristol focuses on Brunel. Is there an opportunity for you to collaborate with other Brunel themed sites, the bridge or?Sam Mullins: Yeah. Well, I think probably the opportunity is to collaborate with other Bristol attractions. Because Bristol needs to. Bristol's having a hard time since COVID numbers here are nowhere near what they were pre COVID So, and I think it's the same in the city, across the city. So Andrew chief executive, is talking to other people in the city about how we can share programs, share marketing, that kind of approach.Paul Marden: Making the docks a destination, you know, you've got We the Curious. Where I was this morning, having coffee with a friend and having a mooch around. Yeah, talking about science and technology, there must be things that you can cross over. This was this war. This feels like history, but it wasn't when it was built, was it? It was absolutely the cutting edge of science and technology.Sam Mullins: Absolutely, and well, almost beyond, you know, he was Brunel was pushing, pushing what could be done. It is the biggest ship. And it's hard to think of it now, because, you know, you and I can walk from one end to the other in no time. But it was the biggest ship in the world by, you know, some way, when it was launched in 1845 so this was a bit like the Great Western Railway. It was cutting edge, cutting edge at the time, as we were talking about below. It had a propeller, radical stuff. It's got the bell, too,Paul Marden: When we were on, was it Warrior that we were on last week at the AIM conference for the first. And warrior had a propeller, but it was capable of being lifted, because the Admiralty wasn't convinced that this new fangled propeller nonsense, and they thought sail was going to lead. Sam Mullins: Yeah. Well, this ship had, you could lift a you could lift a propeller, because otherwise the propeller is a drag in the water if it's not turning over. So in its earlier configurations, it was a, it was that sort of a hybrid, where you could lift the propeller out the way, right, set full sail.Paul Marden:  Right, and, yeah, it's just, it's very pleasant out here today, isn't it? Lovely breeze compared to what it's been like the last few days. Sam Mullins: Deck has just been replaced over the winter. Paul Marden:  Oh, has it really. So say, have you got the original underneathSam Mullins: The original was little long, long gone. So what we have replaced was the deck that was put on in the in the 70s when the ship came back.Paul Marden: Right? You were talking earlier on about the cafe being one of the assets. You've done quite a lot of work recently, haven't you with the team at Elior to refurbish the cafe? What's the plan around that?Sam Mullins: Yeah, we're doing a big reinvestment. You always need to keep the offer fresh anyway, but it was time to reinvest. So the idea is to use that fantastic space on the edge of the dock. It's not very far down to where the floating harbour is really well populated with kind of restaurants and bars and an offer, we're just that 200 meters further along the dock. So perhaps to create an offer here that draws people up here, whether they visit the ship, you know, or not. So it's money, it's monetising your assets. So one of the great assets is this fabulous location on the on the dockside. So with early or we're reinvesting in the restaurant, it's going to go in the auto into after some trial openings and things, Paul, you know, it's going to have an evening offer as well as a daytime offer. And then it's been designed so the lights can go down in the evening. It becomes, you know, an evening place, rather than the museum's all day cafe, yes, and the offer, and obviously in the evenings would similarly change. And I think our ambition is that you should, you should choose this as the place to go out in the evening. Really, it's a great spot. It's a lovely, warm evening. We're going to walk along the dockside. I've booked a table and in the boardwalk, which is what we're calling it. And as you pay the bill, you notice that actually, this is associated with Asus, Great Britain. So, you know, the profit from tonight goes to help the charity, rather than it's the museum cafe. So that's the,Paul Marden: That's the pitch.Sam Mullins: That's the pitch in which we're working with our catering partners, Eli, or to deliver.Paul Marden: Andrew, your CEO and Claire from Eli, or have both kindly said that I can come back in a couple of months time and have a conversation about the restaurant. And I think it would be rude to turn them down, wouldn't it?Sam Mullins: I think you should test the menu really fully.Paul Marden: I will do my best. It's a tough job that I have. Sam Mullins: Somebody has to do this work. Paul Marden: I know, talking of tough jobs, the other thing that I saw when I was looking at the website earlier on was a press release talking about six o'clock gin as being a a partnership that you're investigating, because every museum needs its own tipple, doesn't it?Sam Mullins: Absolutely And what, you know, I think it's, I think what people want when they go to an attraction is they, they also want something of the offer to be locally sourced, completely, six o'clock gym, you know, Bristol, Bristol beers. You can't always do it, but I think, I think it's where you've got the opportunity. And Bristol's a bit of a foodie centre. There's quite a lot going on here in that respect. So, yes, of course, the museum ought to be ought to be doing that too.Paul Marden: I was very kindly invited to Big Pit over in the Welsh Valleys about 8 or 12 weeks ago for the launch, relaunch of their gift shop offering. And absolutely, at the core of what they were trying to do was because it's run by Museums Wales, they found that all of their gift shops were just a bland average of what you could get at any of the museums. None of them spoke of the individual place. So if you went to big pit, the gift shop looked the same as if you were in the centre of Cardiff, whereas now when you go you see things that are naturally of Big Pit and the surrounding areas. And I think that's so important to create a gift shop which has things that is affordable to everybody, but at the same time authentic and genuinely interesting.Sam Mullins: Yeah, I'm sure that's right. And you know I'm saying for you is for me, when I when I go somewhere, you want to come away with something, don't you? Yes, you know, you're a National Trust member and you haven't had to pay anything to get in. But you think I should be supporting the cause, you know, I want to go into that shop and then I want to, I want to buy some of the plants for my garden I just seen, you know, on the estate outside. Or I want to come away with a six o'clock gin or, you know, whatever it might be, there's and I think, I think you're more likely to buy if it's something that you know has engaged you, it's part of that story that's engaged you, right, while you're here. That's why everyone buys a guidebook and reads it afterwards.Paul Marden: Yeah, it's a reminder, isn't it, the enjoyable time that you've had? Yeah, I'm enjoying myself up on the top deck. Sam Mullins:  But should we go downstairs? The bow is a great view. Oh, let's do that. I think we might. Let's just work our way down through.Paul Marden: Take a sniff. Could you travel with these smelly passengers? Oh, no, I don't think I want to smell what it's like to be a cow on board shit. Sam Mullins: Fresh milk. Just mind yourself on these companion, ways are very steep now. This is probably where I get completely lost.Paul Marden: You know what we need? We need a very good volunteer. Don't we tell a volunteer story? COVID in the kitchen. Wow. Sam Mullins: The Gabby.Paul Marden: Generous use of scent. Sam Mullins: Yeah, food laid out pretty much based on what we know was consumed on the ship. One of the great things about the ship is people kept diaries. A lot of people kept diaries, and many have survived, right? You know exactly what it was like to be in first class or in steerage down the back.Paul Marden: And so what was the ship used for? Sam Mullins: Well, it was used, it was going to be an ocean liner right from here to New York, and it was more like the Concord of its day. It was essentially first class and second class. And then it has a founders on a bay in Northern Ireland. It's rescued, fitted out again, and then the opportunity comes take people to Australia. The Gold Rush in the 1850s. Migration to Australia becomes the big kind of business opportunity for the ships. Ships new owners. So there's more people on board that used to it applies to and fro to Australia a number of times 30 odd, 40 times. And it takes, takes passengers. It takes goods. It does bring back, brings back gold from because people were there for the gold rush. They were bringing their earnings, you know, back with them. It also brings mail, and, you know, other. Kind of car goes wool was a big cargo from. Paul Marden: Say, people down and assets back up again.Sam Mullins: People both directions. Paul Marden: Okay, yeah. How long was it taking?Sam Mullins: Well, a good trip. I think it did it in 50 odd days. Bit slower was 60 odd. And the food was like this. So it was steerage. It was probably a bit more basic. Paul Marden: Yeah, yes, I can imagine. Sam Mullins: I think we might. Here's the engines. Let's do the engines well.Paul Marden: Yes. So now we're in the engine room and, oh, it's daylight lit, actually. So you're not down in the darkest of depths, but the propeller shaft and all of the mechanism is it runs full length, full height of the ship.Sam Mullins: Yeah, it runs off from here, back to the propeller that we're looking at. Okay, down there a guy's stoking the boilers, putting coal into into the boilers, 24 hour seven, when the engines are running. Paul Marden: Yes, that's going to be a tough job, isn't it? Yeah, coal is stored in particular locations. Because that was something I learned from warrior, was the importance of making sure that you had the coal taken in the correct places, so that you didn't unbalance the ship. I mean,Sam Mullins: You right. I mean loading the ship generally had to be done really carefully so, you know, sort of balanced out and so forth. Coal is tends to be pretty low down for yes, for obvious reasons.Paul Marden: So let's talk a little bit about being a trustee. We're both trustees of charities. I was talking to somebody last week who been in the sector for a number of years, mid career, interested in becoming a trustee as a career development opportunity. What's the point of being a trustee? What's the point of the trustees to the CEO, and what's the benefit to the trustees themselves? Sam Mullins: Well, let's do that in order for someone in the mid part of their career, presumably looking to assume some kind of leadership role. At some point they're going to be dealing with a board, aren't they? Yes, they might even be doing, you know, occasional reporting to a board at that at their current role, but they certainly will be if they want to be chief executive. So getting some experience on the other side of the table to feel what it's like to be a trustee dealing with chief executive. I think he's immensely useful. I always recommended it to to my gang at the Transport Museum, and they've all been on boards of one sort or another as part of their career development.Sam Mullins: For the chief executive. What's the benefit? Well, the board, I mean, very directly, hold the chief executive to account. Yes, are you doing what we asked you to do? But also the wise chief executive recruits a board that's going to be helpful in some way or another. It's not just there to catch them out. Yeah, it's it's there to bring their experience from business, from IT, from marketing, from other museums into the business of running the place. So here we've got a range of Trustees. We've been we've recruited five or six in the last couple of years qquite deliberately to we know that a diverse board is a good board, and that's diverse in the sense not just a background, but of education, retired, still, still at work, young, old, male, female, you know, you name in.Paul Marden: In all of the directionsSam Mullins:  Yeah. So a diverse board makes better decisions than one that just does group think all the time. It's, you know, it's a truism, isn't it? I think we all kind of, we all understand and understand that now and then, for the trustee, you know, for me, I particularly last couple of years, when the organization has been through huge changes, it's been really interesting to deploy my prior experience, particularly in governance, because governance is what it all comes down to in an organisation. You do learn over the course of your career to deploy that on behalf, you know, this is a great organisation, the story of Brunel and the ship and and, you know, his influence on the railways. And I travel down on the Great Western railways, yeah, the influence of Brunel is, you know, is enormous. It's a fantastic story. It's inspiring. So who wouldn't want to join? You know what in 2005 was the Museum of the year? Yes, I think we'll just go back there where we came. Otherwise, I never found my way.Paul Marden: Back through the kitchen. Sam Mullins: Back through the kitchen. It looks like stew is on the menu tonight. You've seen me at the mobile the rat.Paul Marden: And also the cat up on the shelf. He's not paying a lot of attention to the ratSam Mullins: Back on deck. Paul Marden: Wonderful. Yeah. So the other great endeavor that you've embarked on is writing, writing a book. Tell us a little bit about the book.Sam Mullins: Yeah, I've written a history of transport in London and its influence on London since 2000 since the mayoralty, elected mayoralty was, was started, you know, I was very lucky when I was running the museum where I had kind of one foot in TfL and one foot out. I knew lots of people. I was there for a long time, yes, so it was, it was easy to interview about 70 of them.Paul Marden: Right? I guess you've built trust levels, haven't you? Yeah, I don't mean that you don't look like a journalist walking in from the outside with an ax to grind. Sam Mullins: And I'm not going to kind of screw them to the Evening Standard, you know, tomorrow. So it's a book based on interviews, oral reminiscences. It's very much their story. So it's big chunks of their accounts of, you know, the big events in London. So what was it like to be in the network control room on the seventh of July, 2005 when the bombs went off? What was it like to be looking out for congestion charge the day it started? Yep. What was it like to kind of manage the Olympics?Paul Marden: You know? So you're mentioning these things. And so I was 10 years at British Airways. I was an IT project manager, but as well, I was a member of the emergency planning team. Yeah. So I got involved in the response to September the 11th. I got involved in some of the engagement around seven, seven, there's seminal moments, and I can, I can vividly remember myself being there at that time. But similarly, I can remember being there when we won the Olympics, and we were all sat in the staff canteen waiting to hear whether we'd won the Olympics, and the roar that erupted. There's so many of those things that have happened in the last 25 years where, you know, you've got, it's recent history, but it's real interesting events that have occurred that you can tell stories of.Sam Mullins: Yeah. So what I wanted to get in the book was a kind of sense of what it was like to be, really at the heart of those, those stories. And there are, you know, there are, there are people in TfL who made those big things happen? Yes, it's not a big, clumsy bureaucracy. It's a place where really innovative leadership was being exercised all the way through that 25 years. Yes, so it runs up to COVID, and what was it like when COVID struck? So the book's called Every Journey Matters, and it comes out in November.Paul Marden: Amazing, amazing. So we have, we've left the insides of the ship, and we are now under, what's this part of the ship? Sam Mullins: We're under the bow. There we go, and a bow spread that gets above our heads. So again, you've got this great, hulking, cast iron, black hull, beautifully shaped at the bow. Look the way it kind of tapers in and it tapers in and out.Paul Marden: It's a very three dimensional, isn't it? The curve is, is in every direction. Sam Mullins: Yeah,it's a great, great shape. So it's my sort of, I think it's my favourite spot. I like coming to look at this, because this is the kind of, this is the business, yeah, of the ship.Paul Marden: What have we got running along the front here? These these images in in gold.Sam Mullins: This is a figurehead with Victoria's Coat of Arms only sua Kim Ali points on top with it, with a lion and a unicorn.Paul Marden: It's a really, it's not a view that many people would have ever seen, but it is such an impressive view here looking up, yeah, very, very cool. And to stand here on the on the edge of the dry dock. Sam Mullins: Dry Docks in to our right, and the floating harbor is out to our left. Yeah.Paul Marden: And much going on on that it's busy today, isn't it? Sam Mullins: Yeah, it's good. Paul Marden: So we've done full loop, haven't we? I mean, it has been a whistle stop tour that you've taken me on, but I've loved every moment of this. We always ask our guests a difficult question. Well, for some it's a difficult question, a book recommendation, which, as we agreed over lunch, cannot be your own book. I don't think, I think it's a little unfair Sam Mullins: Or anything I've ever written before.Paul Marden: Yes, slightly self serving, but yeah.Sam Mullins: It would be, wouldn't it look the first thing that comes to mind is, I've actually been reading my way through Mick Herron's Slow Horses series, okay, which I'm a big fan of detective fiction. I love Ian Rankin's Rebus. Okay, I read through Rebus endlessly when I want something just to escape into the sloughhouse series Slow Horses is really good, and the books all have a sort of similar kind of momentum to them. Something weird happens in the first few chapters, which seems very inconsequential and. Suddenly it turns into this kind of roller coaster. Will they? Won't they? You know, ending, which is just great. So I recommend Mick Herron's series. That's that's been the best, not best, fiction I've read in a long time.Paul Marden: You know, I think there's something, there's something nice, something comforting, about reading a series of books where the way the book is structured is very similar. You can, you can sit down and you know what's going to happen, but, but there's something interesting, and it's, it's easy. Sam Mullins: It's like putting on a pair of old slippers. Oh, I'm comfortable with this. Just lead me along. You know, that's what, that's what I want. I enjoy that immensely.Paul Marden: And should we be? Should we be inviting our listeners to the first book in the series, or do they need to start once, once he's got his, got his, found his way? Sam Mullins: Well, some people would have seen the television adaptation already. Well, that will have spoilt the book for them. Gary Oldman is Jackson lamb, who's the lead character, okay, but if you haven't, or you just like a damn good read, then you start with the first one, which I think is called Sloughhouse. They're all self contained, but you can work your way through them. Paul Marden: Well, that sounds very good. So listeners, if you'd like a copy of Sam's book, not Sam's book, Sam's book recommendation, then head over to Bluesky and repost the show notice and say, I want a copy of Sam's book, and the first one of you lovely listeners that does that will get a copy sent to you by Wenalyn. Sam This has been delightful. I hope listeners have enjoyed this as much as I have. This is our first time having a @skipthequeue in real life, where we wandered around the attraction itself and hopefully narrated our way bringing this amazing attraction to life. I've really enjoyed it. I can now say that as a West Country lad, I have actually been to the SS Great Britain. Last thing to say for visitor, for listeners, we are currently midway through the Rubber Cheese Annual Survey of visitor attraction websites. Paul Marden: If you look after an attraction website and you'd like to share some information about what you do, we are gathering all of that data together to produce a report that helps people to understand what good looks like for an attraction website. This is our fourth year. Listeners that are interested, head over to RubberCheese.com/survey, and you can find out a little bit more about the survey and some of the some of the findings from the past and what we're looking for for this year. Sam, thank you so very much.Sam Mullins: Enjoyed it too. It's always good to rabbit on about what you do every day of the week, and being here and part of this really great organisation is huge privilege.Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm. The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

Ultime di #calciomercato del #milan nel giorno del raduno e della conferenza di #allegriDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/radio-rossonera--2355694/support.

Nonne saepe mira et inusitata fiunt domi prorsus eo tempore quo non adsumus? ecce aliqua quae nobis facta sunt!

Ian Rankin introduced Detective John Rebus in his 1987 novel Knots and Crosses. Since then, Rankin has published another two dozen books in the series and has sold almost 40 million books to date. Unsurprisingly, he’s now Sir Ian Rankin. This week, Michael sits down with Ian at Sydney Writers’ Festival for discussion about his latest Rebus book, Midnight and Blue.See omnystudio.com/listener for privacy information.

Annunciato Chivu allenatore dell'Inter, rebus sul vice, il mercato e non solo.

Ian Rankin introduced Detective John Rebus in his 1987 novel Knots and Crosses. Since then, Rankin has published another two dozen books in the series and has sold almost 40 million books to date. Unsurprisingly, he’s now Sir Ian Rankin. This week, Michael sits down with Ian at Sydney Writers’ Festival for discussion about his latest Rebus book, Midnight and Blue. Reading list: Knots and Crosses, Ian Rankin, 1987 Black and Blue, Ian Rankin, 1997 The Hanging Garden, Ian Rankin, 1998 Standing in Another Man's Grave, Ian Rankin, 2012 Midnight and Blue, Ian Rankin, 2025 A Killing Kindness, Reginald Hill, 1980 In the Woods, Tana French, 2007 The Broken Shore, Peter Temple, 2005 You can find these books and all the others we mentioned at your favourite independent book store. Socials: Stay in touch with Read This on Instagram Guest: Ian RankinSee omnystudio.com/listener for privacy information.

Some call it the "psychedelic renaissance." In the last decade or so, interest in psychedelic drugs has surged—and not just among Silicon Valley types and psychiatrists and neuroscientists. It's also surged among a stereotypically soberer crowd: academic philosophers. The reasons are clear. With their varied and sometimes transformative effects, psychedelics raise ethical questions, epistemological questions, metaphysical questions, questions about the nature of experience and the nature of the mind. My guest today is Dr. Chris Letheby. Chris is a philosopher of cognitive science at the University of Western Australia and the author of the 2021 book, Philosophy of Psychedelics. Here, Chris and I talk about the so-called classic psychedelics—LSD, psilocybin, ayahuasca, and others—and how interest in them has gone through three distinct waves. We discuss the effects that these substances seem to have, in particular their capacity to treat certain psychiatric conditions and their tendency to induce "mystical-like" experiences. We consider the idea that psychedelics might serve as agents of moral enhancement. And we dig into the psychological and neural mechanisms by which psychedelics seem to have their diverse—and often salutary—effects. Along the way, we talk about ontological shock, comforting delusions, brain plasticity, unselfing, microdosing, placebo effects and adverse effects, physicalism and idealism, the REBUS model, environmental virtues, plant consciousness, meditation, and much more. Maybe this is obvious but this episode is not just for the seasoned psychonauts out there. Whatever your personal experience with these substances, they offer a distinctive window into the mind—a new way of grappling with big questions. Perhaps this much is also obvious but we're not encouraging or endorsing the use of psychedelics here—just offering a little fuel for your intellectual fires! Alright friends, on to my conversation w/ Dr. Chris Letheby. Enjoy!   A transcript of this episode will be posted soon.   Notes and links 4:00 – For a brief historical overview of research into psychedelics, see this paper. 8:30 – For work by an early trailblazer in the philosophy of psychedelics, see Thomas Metzinger's Being No One. 12:30 – For our earlier episode on the psychology and philosophy of visual illusions, see here.  18:00 – For a history of the concept of “set and setting,” see here. 19:00 – A 2024 review of “adverse events” in classic psychedelics. 26:00 – A blog post on the history of the term “psychedelic.” 27:00 – A recent review and meta-analysis of the use of psychedelic therapy for depressive symptoms. 31:00 – On mystical experience see Walter Stace's classic work, Mysticism and Philosophy. On the measurement of mystical-type experiences, see, e.g., Walter Pahnke's paper here. 36:00 – On the idea of “psychoplastogens,” see here. 39:00 – See our earlier audio essay on placebo effects. 41:00 – For the study using Ritalin as an active placebo, see here.  44:00 – Michael Pollan's book on psychedelics is here. 48:00 – On the idea of “idealism,” see here. 50:30 – For the 2021 study on psychedelics' capacity to alter metaphysical beliefs, see here. 54:00 – For Dr. Letheby and collaborators' paper about the “mysticism wars,” see here. 1:02:00 – For a popular article on the possibility that psychedelics reduce fear of death, see here. 1:03:00 – For Dr. Letheby's paper on psychedelics and the fear of death, see here. 1:11:00 – The phrase “comforting delusion” comes from an article by Michael Pollan. 1:15:00 – For the “REBUS model,” see here. 1:20:00 – On the idea that psychedelics could serve as agents of moral enhancement, see the paper by Brian Earp here. 1:21:00 – For Dr. Letheby's paper on psychedelics and environmental virtues, see here. For his paper on psychedelics and forgiveness, see here. 1:23:00 – On the subfield of “virtue ethics,” see here. On the virtue of “living in place,” see the paper by Nin Kirkham here. 1:28:00 – For the New Yorker article, by Matthew Hutson, on how psychedelics led him to see trees as smart, see here. For the study, led by Sandeep Nayak, on psychedelics leading people to expand their attributions of consciousness, see here. 1:32:00 – For a first paper by Dr. Letheby on the comparison between meditation and psychedelics, see here.   Recommendations Psychedelic Experience, Aidan Lyon Varieties of Psychedelic Experience, Robert Masters & Jean Houston The Antipodes of the Mind, Benny Shanon   Many Minds is a project of the Diverse Intelligences Summer Institute, which is made possible by a generous grant from the John Templeton Foundation to Indiana University. The show is hosted and produced by Kensy Cooperrider, with help from Assistant Producer Urte Laukaityte and with creative support from DISI Directors Erica Cartmill and Jacob Foster. Our artwork is by Ben Oldroyd. Our transcripts are created by Sarah Dopierala.   Subscribe to Many Minds on Apple, Stitcher, Spotify, Pocket Casts, Google Play, or wherever you listen to podcasts. You can also now subscribe to the Many Minds newsletter here! We welcome your comments, questions, and suggestions. Feel free to email us at: manymindspodcast@gmail.com.    For updates about the show, visit our website or follow us on Twitter (@ManyMindsPod) or Bluesky (@manymindspod.bsky.social).

Silvana La Spina"Un rebus per Leonardo Sciascia"Marsilio Editoriwwwm.marsilioeditori.itNel settembre del 1985, a Leonardo Sciascia capitano due cose: la morte di Italo Calvino nell'Ospedale di Siena, e la morte di Aurelio Arriva, giudice, in casa sua. Una pistolettata: suicidio, dicono. Il giudice e lo scrittore siciliano, amici fin dall'infanzia, avevano litigato e non si parlavano da tempo. Qualcuno, in paese, continuava a dire per invidia; qualcun altro insinuava che l'invidia non c'entrava niente, era Sciascia che non avrebbe dovuto mettere l'amico in un libro – anzi, continuava quel qualcuno, Sciascia della Sicilia non avrebbe dovuto proprio parlare. Leonardo Sciascia, dal canto suo, sosteneva che le grandi amicizie, come i grandi amori, sono come le piante: a un certo punto si seccano, e nessuno può farci niente. Era successo con Guttuso, e forse stava succedendo pure con Vincenzo Consolo. Tuttavia, nonostante, in paese, gli inquirenti pensino che la morte del giudice Arriva sia dovuta a un suicidio e nonostante il tutto sia accaduto, come una disgrazia, un malaugurio, durante la festa della Madonna Bambina, Elena Arriva, la figlia del giudice morto, bella e bionda come certe madonne lombarde, si presenta a casa dello scrittore – la gloria, il vanto del luogo, l'uomo che passeggia a braccetto con Claudia Cardinale – per chiedergli di indagare sulla morte del padre. Elena non crede all'ipotesi del suicidio, e Sciascia è l'unico che di suo padre sa tutto. In una sarabanda di dicerie, malevolenze, lettere anonime che ricordano le righe minatorie di A ciascuno il suo, in un turbine di fatti di corna, disgrazie passate, presenti e future, donne vecchie e donne fatali, scrittori benevoli e altri invidiosi, cause perse e altre fatte perdere, un circolo di gentiluomini che non sempre lo sono e un pubblico ministero che torna a indagare là dove è stato bambino, Silvana La Spina, con una lingua pastosa e spinosa quanto un fico d'India, racconta Leonardo Sciascia e il suo mondo, facendone un investigatore acuto, curioso e pieno di pietà per le miserie degli uomini. Un romanzo avvincente e scuro.Silvana La Spina  è nata in Veneto da padre siciliano. Da molti anni vive tra Milano e Catania, e la Sicilia è alla base di quasi tutti i suoi romanzi. Tra gli ultimi, ricordiamo: La bambina pericolosa (Mondadori 2008), Un cadavere eccellente (Mondadori 2011), La continentale (Mondadori 2014), L'uomo che veniva da Messina (Giunti 2015), L'uomo del Viceré (Neri Pozza 2021), Angelica (Neri Pozza 2022), L'ombra dei Beati Paoli (Neri Pozza 2024). Con la raccolta di racconti Scirocco (La tartaruga 1992) ha vinto il premio Chiara.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Ecce novissimum colloquium! nonne sunt vobis quoque res quae nondum facere didicistis quamquam aliquando in vita cotidiana utilima vobis videntur? ecce ea quae nos excogitavimus! Quid de vobis?

Da più parti viene detto che Tullio De Mauro sarebbe stato un fiero oppositore della "grammatica". Ma sarà vero? Andiamo a rileggere insieme le Dieci tesi per l'educazione linguistica democratica (1975), ché tornare alle fonti primarie fa sempre bene. La parola della settimana è inspiration porn. - Rebus del 9 febbraio 2025 - Loredana Perla su Gazzetta del Mezzogiorno - Mirko Tavoni su Rivista Il Mulino - Lettera del Gruppo di Firenze - Stella Young, I'm not your inspiration, thank you Il link per abbonarti al Post e ascoltare la puntata per intero. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mit "Cassandra" (5:21) bringt Netflix das nächste deutsche Netflix-Original an den Start. In dem retrofuturistischen Sci-Fi-Thriller stößt eine Familie auf ein Smart Home aus den 1970ern, dessen titelgebender Avatar schnell ein gefährliches Eigenleben entwickelt. Eine coole Idee, die man aus deutschen Landen nur selten bekommt, finden Michael und Rüdiger. Doch wie zufrieden sind sie mit der Umsetzung? Mit "Apple Cider Vinegar" (27:07) bewegt sich Netflix dagegen auf vertrauten Bahnen. Die australische Miniserie dröselt im Fahrwasser von "Inventing Anna" und "The Dropout" einen echten Hochstapler-Skandal aus. Selten war es jedoch perfider, denn Belle Gibson (Kaitlyn Dever) gab vor, einen Hirntumor zu haben und nahm mit ihren angeblichen alternativen Heilmethode Menschen aus, die wirklich totkrank waren. Kann man sich so etwas ansehen? Zum Ende der Folge stößt schließlich noch Holger hinzu, um über "Rebus" (49:11) bei Magenta TV zu reden. Ein Brit-Krimi aus Skandinavien basierend auf der seit mehr als 40 Jahren laufenden Krimireihe von Sir Ian Rankin, die bereits vor 20 Jahren als Serie verfilmt und für ihre Besetzung von John Hannah kritisiert wurde. Ist Rankings Namensvetter Richard eine bessere Wahl als harter Edinburgh-Cop? Cold-Open-Frage: "Was halten wir vom angedachten ,Buffy'-Reboot"?

Bienvenidos y bienvenidas al programa número 17 de la octava temporada de Cultura Seriéfila, en el que repasamos los estrenos de la segunda quincena de enero. Flojita, en líneas generales, pero con algunas series que nos han sorprendido para bien, como ‘Paradise', ‘Custodia repartida', ‘Prime Target' y otras que han decepcionado como ‘Dexter: Pecado Original'. Estrenos (7:10) Disney+ (8:46) Whiskey On The Rocks (8:55) El mejor infarto de mi vida (12:55) High Potential (21:38) Custodia repartida (26:22) Paradise (36:50) Movistar+ (49:09) Rebus (49:16) Matlock (55:52) Oriana Fallaci (1:02:09) Apple TV+: Prime Target (1:09:04) Filmin (1:19:46) Herhausen: el banquero y la bomba (1:19:51) También en Filmin (1:24:41) SkyShowtime (1:25:45) Dostoyevski (1:25:52) Dexter: pecado original (1:33:40) Netflix (1:44:13) Cosmo: Sissi, Emperatriz de Austria (1:50:07) Concurso: Te damos la chapa (1:52:57) Nominaciones Premios Enero (1:55:16) Renovaciones y cancelaciones (1:59:53) Comentarios (2:03:52) Despedida (2:14:36) Por último, os dejamos nuestro contacto. miguel.romero@culturaseriefila.com Twitter: @CSeriefila Instagram: cultura seriéfila Instagram de nuestros miembros: Miguel Romero @mikiromben_series Alberto @albertotvseries Swanilda @swanildaswani Stakado @stakado_pof Aquí nuestro enlace de afiliados de Amazon: http://www.amazon.es/?tag=culturaserief-21

Il film francese "Emilia Perez" ottiene 13 nomination agli Oscar, mentre Isabella Rossellini viene candidata per la prima volta come migliore attrice protagonista. Cosa dicono queste nomine sugli Stati Uniti della "nuova era Trump"? Trump che ha parlato a Davos, con reazioni dall'Europa - su dazi e digitale - che leggiamo sui giornali. Dove si analizzano anche gli ultimi elementi emersi sul caso del generale libico Almasri, liberato dopo l'arresto e rimandato in Libia "poiché pericoloso". Posizione per cui il Governo viene criticato da opposizioni e Corte penale internazionale. 

Il rialzo dei tassi di interesse potrebbe spingere gli investitori a chiudere il "carry trade" con impatto sui titoli europei e americani 

Il rialzo dei tassi di interesse potrebbe spingere gli investitori a chiudere il “carry trade” con impatto sui titoli europei e americani

Oggi il commento di @MarioAjello riguarda la vicenda Stellantis, diventato un caso politico, quindi il retroscena di @FrancescoBechis sull'ipotesi di dotare per un altro anno l'Ucraina dei fondi per le armi, con @LorenzoVita andiamo in Corea del Nord per capire cosa ha portato a ordinare la legge marziale, Per la cronaca l'inviata @ClaudiaGuasco ci parla della fine di un incubo giudiziario, quello vissuto dall'ex senatore Stefano Esposito, per la pagina americana @AngeloPaura si occupa della tensione sempre più alta tra Cina e Stati Uniti dopo l'elezione di Trump, mentre @AnnaGuaita ci parla di un aumento di popolarità per il presidente eletto impegnato nella prima trasferta all'estero nella Francia del traballante Macron.

Ludwig - (TVNZ+ from Sunday) David Mitchell stars in this British comedy about a reclusive crossword puzzle setter whose life is upended when his identical twin, a detective, vanishes. Taking on his brother's identity, he hunts for clues in the disappearance. Rebus -(ThreeNow) A BBC drama based on the Ian Rankin series of books about a Scottish detective who is drawn into a violent conflict that turns personal when his brother crosses the linein order to provide for his family. Beatles 64 - (Disney+)Produced by Martin Scorcese, this new documentary looks at The Beatles' 1964 US debut and the Beatlemania fan frenzy that followed, as seen through rare behind-the-scenes footage.See omnystudio.com/listener for privacy information.

Compensare l'onere fiscale su plus e minusvalenze si conferma operazione complessa da mettere a punto. In attesa della riforma

Compensare l'onere fiscale su plus e minusvalenze si conferma operazione complessa da mettere a punto. In attesa della riforma  

Richard Rankin is no stranger to Josh but usually it's part of his OUTLANDER group. Now he's finally front and center just as he is in his new series, REBUS! Richard and Josh chat about REBUS, the end of OUTLANDER, and decide once and for all who Sam Heughan loves more. SUPPORT OUR SPONSORS! BetterHelp -- Go to ⁠⁠⁠⁠⁠⁠⁠BetterHelp.com/HSC ⁠⁠⁠⁠⁠⁠⁠for 10% off UPCOMING LIVE EVENTS 12/3 -- John David Washington at 92Y in NY -- ⁠Tickets here⁠ 12/19 -- Ben Schwartz at 92Y in NY -- ⁠Tickets here Check out the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Happy Sad Confused patreon here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! We've got discount codes to live events, merch, early access, exclusive episodes, video versions of the podcast, and more! To watch episodes of Happy Sad Confused, subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Josh's youtube channel here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Phil and Natalie are delighted to welcome Sir Ian Rankin to BestSellers in the week where his new Rebus - the 25th Rebus thriller - goes straight in at No.1 in the Sunday Times Top Ten Hardback Fiction chart. In this ep, Ian talks about how hard this book was to write; why he's a frustrated Rock Star and why he's attracted to the darker side of the human condition. You'll also find the books he recommends from other writers at our website: bestsellerspodcast.comEnjoy! Hosted on Acast. See acast.com/privacy for more information.

The best-selling crime-writer Sir Ian Rankin began his life surrounded by food. His dad ran a grocery store in Fife, his mum worked in a school canteen, and Ian's early writing saw him reviewing wine.He says he never intended to turn to crime, so to speak, but it was his creation of the hard-drinking and stubborn Edinburgh detective Inspector John Rebus which changed his writing style – and his life. Beginning with Knots and Crosses in 1987, there have now been 25 Rebus novels - as well as the tv dramas and stage plays – mainly dealing with Scotland's dark and dangerous underworld. What then will he reveal as his Inheritenace Tracks?Inherited: Seven Drunken Nights by The Dubliners Pass on: Another Man's Rain by Jackie LevenProducers: Ben Mitchell and Noa Dowling

Fi's flying solo on this one as Jane is sadly off with adult teething issues (well wishes are welcomed)... Fi covers local newspapers, pickleball and there's more on duvet togs. Plus, crime writer Ian Rankin stops by to discuss his latest Rebus instalment 'Midnight and Blue'. Our next book club pick has been announced! 'The Trouble with Goats and Sheep' by Joanna Cannon.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

LUCIE SHORTHOUSE is an award-winning actress who came to prominence for her highly acclaimed performance in Sheffield Theatre's production of hit musical EVERYBODY'S TALKING ABOUT JAMIE, which subsequently transferred to London's West End. For her “standout performance” (as ‘Pritii Pasha' in ETAJ) she won the 2018 WhatsOnStage Award for Best Supporting Actress in a Musical & the 2018 H100 Hospital Club's Rising Star Award.She was also nominated for the 2018 Stage Debut Award, the 2018 Mousetrap Theatre Award for Best Female Performer & the 2018 West End Wilma Award for Best Supporting Actress in a Musical.Other theatre work includes Chris Bush's ROCK, PAPER, SCISSORS for Sheffield Theatres' 50th Anniversary; ROLLER DINER for the Soho Theatre; THE HOUSE OF IN BETWEEN for the Theatre Royal, Stratford East and THE MILK TRAIN DOESN'T STOP HERE ANYMORE at the Charing Cross Theatre, London.Her breakthrough TV role came with Series Regular ‘Paige Pennington' in Sky One's BULLETPROOF.She plays Series Regular ‘Momtaz' in WE ARE LADY PARTS for NBC/WTTV on Channel 4 & Series Regular ‘Zara' in Caroline Moran's new BBC Two comedy,  HENPOCALYPSE.She will be seen in 2024 as ‘DCI Siobhan Clarke' in Eleventh Hour Films' reboot of Ian Rankins' REBUS.She has also appeared in LINE OF DUTY, CLEANING UP and THE SOUND OF MUSIC LIVE! Lucie can currently be seen as a co-lead alongside Richard Rankin in new BBC One Scottish detective drama REBUS, as DC Siobhan Clarke. Currently airing weekly with all eps dropped on BBCiPlayer - the six part series is a new adaptation of Sir Ian Rankin's best-selling Inspector novels, reimagining John Rebus as a younger Detective Sergeant drawn into a violent criminal conflict. Lucie can also be seen reprising her regular lead role in series two of Channel 4 hit show 'We are Lady Parts' - more info here with the series available here. 

Se davvero nei prossimi anni vedremo un fiorire di attività umane nello spazio, sarà anche grazie allo sviluppo di processi che permetteranno agli insediamenti spaziali una certa autonomia in fatto di approvvigionamento di cibo. Da anni si studia la coltivazione di micro-verdure nello spazio, grazie alle quali assicurare agli astronauti una fonte di vitamine. Ora è venuto il momento di chiudere il cerchio e di gestire anche il riciclo degli scarti degli astronauti, producendo fertilizzanti che a loro volta permetterebbero di produrre altro cibo. Questo l’obiettivo del progetto ReBUS, finanziato dall’Agenzia Spaziale Italiana, coordinato dall’Università Federico II. ReBUS è anche partecipato da un nutrito gruppo di imprese ed enti di ricerca, che per produrre compost nello spazio si è affidato alla mosca soldato nero. Un insetto dal nome inquietante, ma del tutto innocuo, le cui larve sono oggi allevate anche a fini alimentari. Ce lo racconta Angiola Desiderio, ricercatrice del Laboratorio Biotecnologie ENEA.

Sir Ian Rankin's much-loved detective Rebus has had a big year, with a fresh BBC TV adaptation in the summer, and now a return to the stage. Clive Anderson hears about new play Rebus: A Game Called Malice which was written by Sir Ian and Simon Reade, it's touring the UK. Michelle McManus chats to poet and women's rights advocate Len Pennie who rose to fame on social media during the pandemic when she shared her Scots words of the day. Her first book Poyums is a collection of funny and fiercely feminist poems. Northern Irish comedian, actor and podcaster Shane Todd has a loyal fanbase as the host of the Tea with Me podcast and with sell out shows across the world, including opening for the likes of Kevin Hart. He's currently embarking on his eleventh solo show – Full House. With music from musician and singer Kim Carnie, whose newest project is documentary Kim Carnie Out Loud which explores her experience of hiding a six year same-sex relationship. She meets other LGBTQ+ folk and creates songs around their stories. Plus Bathgate singer and Scottish Music Awards Breakthrough-winner Luke La Volpe.

Ultimi due giorni di #calciomercato per il #milan che deve ancora completare parecchie operazioni in entrata e uscita. #mercatomilanDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/radio-rossonera--2355694/support.

#Guerra #Israele #Irane le minacce diventano realtà l'attacco è in programma oggi ; #America, #KamalaHarris alle prese con la scelta del vice, ecco i candidati @AnnaGuaita ; #SnoopDog il rapper americano irrompe ancora sulle #olimpiadi @MattiaMarzi ; #Parigi , #Jacobs al massimo possibile ; #Tennis meraviglio e storico #oro @AndreaSorrentino

In a world where influencers and bloggers often tout quick fixes and shortcuts, it's refreshing to hear a different perspective.Join us as we sit down with Lee & Neezam, two successful professionals who believe in investing more time with their clients to achieve outstanding results. They share their process from the moment a lead drops in their inbox and how they have refined this approach over the years.Tune in for an insightful conversation on the value of dedication and time in creating lasting success.Visit Rebus Financial Services here.Follow Lee on LinkedIn.Follow Neezam on LinkedIn.Brought to you from the team at The Lead Engine who specialise in lead generation, web design and content marketing for financial services.

Send us a Text Message.Don't bother looking for rebuses (rebusae)? in today's grid - there aren't any. But the theme that we have instead is still tricky and amusing, and we doff our hats in what we imagine to be the general direction of Mat Shelden, the author of today's fine work, a debut in the NYTimes. Show note imagery: PEETA, who, according to 21A, is Katniss's partner in "The Hunger Games"Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Abby and Patrick welcome writer, academic, and cruciverbalist Anna Shechtman, author of The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle, a book that's part personal memoir, part cultural history, and part meditation on what it means to care about meaning in the first place. In typically overdetermined fashion, the three talk about the complex interweaving of language, sexual difference, and the vicissitudes of our appetites for food, clues, accomplishments, “solutions,” and more. Along the way, they unpack the écriture feminine of Hélène Cixous, Julia Kristeva's idea of the semiotic, Luce Irigaray's critique of phallogocentrism, the writing of Jane Gallop, and more. Whether on paper or otherwise, why do people love to create problems for ourselves, and how does the pleasure of solving any given puzzle relate to our apparently limitless hunger for new ones? How does the latent, overdetermined, and unconscious structure what's manifest on a grid in a newspaper, magazine, or online? What did Lacan mean when he advised young psychoanalysts to “do more crosswords”? And how exactly does a crossword get made, anyway? Plus: plenty of puns, both punishing and pleasurable, frank talk about psychotherapy, and more!Anna's book The Riddles of the Sphinx is available here: https://bookshop.org/p/books/the-riddles-of-the-sphinx-anna-shechtman/20143426Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! 484 775-0107 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

In this month's Outside The Box, Hannah and Jen are talking about Rebus, Eric, Bodkin, Insomnia, Alaska Daily, The Gathering, Dark Matter and Bay of Fires. Plus, it turns out Hannah was right about Colin Farrell being a BEEEEEP in Sugar. Learn more about your ad choices. Visit megaphone.fm/adchoices

ANSA - di Michele Esposito.Muro di socialisti e liberali: 'Mai con Meloni'. Rebus a destra.

On today's episode we explore everything from 1970s top secret nuclear bunkers to Tolkein's mines of Mordor. Phil 'The Tunnel Inspector' Catling takes us down the rabbit hole stopping off in Alan Garner's Brisingaman via Susan Cooper's Dark is Rising. Expect dystopian futures, ancient barrows, sigils of lost civilisations and darkening skies. Also the brilliant Rik Rankin, star of Outlander and Rebus, reads form George MacDonalds 'The Princess & The Goblin.'Enjoy! Hosted on Acast. See acast.com/privacy for more information.

Follow our hosts on Twitter (@KA1_Taylor and @FrostReporter) and Instagram (@kellyannect and @frostreporter)  You can get in touch with our hosts on either their social media, or via email (podcast@radiotimes.com) and Spotify users can write in directly using the Q&A box at the bottom of the episode.  SHOW NOTES: TV: Rebus, BBC1 Suits, BBC iPlayer Insomnia, Paramount+ Trying, Apple TV+ Rob and Rylan's Grand Tour, BBC iPlayer FILM: How to Lose a Guy in 10 Days, E4 THE ARCHIVE: Endeavour, ITVX . . . Happy Viewing! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Carlo #pellegatti risponde alle domande degli ascoltatori sul tema nuovo allenatore del #milan e presenta il prossimo futuro dell'#acmilanDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/radio-rossonera--2355694/support.

This episode marks the Pilot TV debut of Empire's very own Sophie Butcher, filling in for work-shy slacker Kay who's STILL on holiday. Sophie shares with us some of her favourite shows, plus we finally pin Boydy down on a definitive (laminated!) list of his favourite films so he can't keep attaching that label to every one he talks about. Elsewhere, we're delving into competitive teenage athletics in The Gathering on Channel 4, seeing Ian Rankin's Rebus get reborn on BBC1, and seeing if there's still some life in the clone saga in Orphan Black: Echoes, which finally lands in the UK on ITVX.

Rasatura confortevole, regolazione perfetta, rifinitura precisa, tutte in un unico strumento.Philips OneBlade è ideale per la barba di ogni giorno: scoprilo qui

AJ Jacobs makes The Puzzler podcast, wrote The Puzzler book, and sometimes turns his whole life into a puzzle. He comes bearing word games, explanations of anagrams being used to precipitate wars and were key evidence in trials, tips for writing with a quill, below-the-knee insults, and tales of living constitutionally. AJ's new book is The Year of Living Constitutionally: One Man's Humble Quest to Follow the Constitution's Original Meaning. Find his work at AJJacobs.com. Get the transcript of this episode, and get links to more information about the topics therein and the other episodes in the Word Play miniseries, at theallusionist.org/lemon-demon. Content note: there are mentions of guns, historical punishments and violence, vomiting, and drunkenness. There are also a couple of category A swears, and some category C swears. This episode was produced by me, Helen Zaltzman, with Martin Austwick of palebirdmusic.com. Become a member of the Allusioverse at theallusionist.org/donate and as well as keeping this independent podcast going, you get regular livestreams, insight into the making of this show, and watchalong parties - AND to hang out with your fellow Allusionauts in our delightful Discord community, where I am posting all my best/worst portmanteaus and portmantNOs. The Allusionist's online home is theallusionist.org. Stay in touch via facebook.com/allusionistshow, instagram.com/allusionistshow, youtube.com/allusionistshow, twitter.com/allusionistshow etc. Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing on the show in 2024, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Bombas, whose mission is to make the comfiest clothes - and, newly, slides! - ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase.  • The Art of Crime history podcast, investigating the unlikely collisions between true crime and the arts. Listen to the latest season, about Madame Tussaud, at ArtOfCrimepodcast.com and in the podplaces.• Squarespace, your one-stop shop for building and running your online empire. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. • HomeChef, meal kits that fit your needs. For a limited time, HomeChef is offering Allusionist listeners 18 free meals, plus free shipping on your first box, and free dessert for life, at HomeChef.com/allusionist.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

In apertura il punto di vista di Paolo Mieli sulle principali notizie della giornata. L'intervista politica di oggi è a Gilberto Pichetto Fratin, ministro dell'Ambiente e della sicurezza energetica, con il quale partiamo dalla direttiva Ue sulle case green approvata dal Parlamento Europeo lo scorso 12 marzo 2024 in via definitiva con l'obiettivo di ridurre le emissioni di CO2 a effetto serra e il consumo energetico entro il 2030, in vista del raggiungimento della neutralità climatica entro il 2050.

Milan al lavoro per il futuro del baby fenomeno Camarda tra richieste esagerate, sirene dall'estero e fake news.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/radio-rossonera--2355694/support.

In episode 415 of the Geektown Radio podcast, Dave is joined by our film reviewer Gray, as we chat everything Oscars, along with our week in TV and some other movies!The big thing this week was, of course, The Oscars, so Gray and Day discuss the show itself, along with the winners and losers from the awards, and some of the entertaining things which happened. Gray also brings us a film review of the latest Matthew Vaughn movie 'Argylle', and a review of Disney/Marvel series 'Echo' (yes, I know he's very late to the party on that!) They also discuss the new Rob Beckett panel show 'Smart TV' on Sky. Meanwhile, Dave reviews the fun crime/mystery series 'Death and Other Details' which is on Disney+, and they both give their thoughts on the superpowered comedy 'Extraordinary', which returned this week for Season 2, also on Disney+.Moving into the news updates, we've got all the latest recent renewals, cancellations, and pickups, including a UK premiere date for ‘Orphan Black: Echoes‘, two shows renewed but ending, and the cancellation of an entire streaming service in the UK... sort of... In the news we have the BBC bringing a new version of Ian Rankin's ‘Rebus' novels to screen, Harlan Coben's latest Netflix drama finding its lead, and the possible return of 'Baywatch'! Listen below!Support this show http://supporter.acast.com/geektown. Hosted on Acast. See acast.com/privacy for more information.

Book Club #81 - A Heart Full of Headstones - Richard is in Edinburgh and talks to Edinburgh's second favourite knight (after a penguin) Ian Rankin. They discuss the latest of his many books about Rebus and Edinburgh (is it a character in itself?), how well Ian knows the character after all this time, why he chose to have him age in real time, how his books embrace topicality, whether Rebus could really pull Duckface, why Ian let go of the TV adaptations, the changes made by American publishers and how persistence from the author led the series to be a huge success (and how long that took to happen). Plus the looming presence of Richard Osman, being asked to write the autobiography of Sean Connery, Ian's attempt to write a Mills and Boon romance and whether it's possible to understand evil. Plus much more. It's a must listen for the aspirant author and the fan of crime (or any) novels).Buy a Heart Full of Headstones here https://www.amazon.co.uk/Heart-Full-Headstones-Must-Read-Bestseller/dp/1398709387/Come and see RHLSTP on tour http://richardherring.com/rhlstp Become a member at https://plus.acast.com/s/rhlstp. Hosted on Acast. See acast.com/privacy for more information.

AndrewGot Married!!Disney 100 Mickey and Minnie: https://www.ebay.com/itm/186140015917?chn=ps&mkevt=1&mkcid=28The Traitors: https://www.imdb.com/title/tt15557874/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_traitorsLaurenThe Holdovers: https://www.imdb.com/title/tt14849194/?ref_=fn_al_tt_1Saltburn: https://www.imdb.com/title/tt17351924/?ref_=nv_sr_srsg_1_tt_5_nm_2_q_saltbuBlue Eye Samurai: https://www.imdb.com/title/tt13309742/PatrickHand To Hand Wombat: https://www.explodingkittens.com/products/hand-to-hand-wombatRuPaul Drag Race All Stars Season 7: https://en.wikipedia.org/wiki/RuPaul's_Drag_Race_All_Stars_(season_7)The Wedding Crossword: https://crosshare.org/crosswords/rP5QbdoPnWWIvGZ2oiyt/andrew-beka-weddingNYT Crossword Puzzles: https://www.nytimes.com/subscription/gamesTwitch - Live Every Monday at 7pmhttps://www.twitch.tv/mof1podcast Watch us live on Twitch every Monday at 7pm CT: https://www.twitch.tv/mof1podcast

In apertura il punto di vista di Paolo Mieli sulle principali notizie della giornata.La maggioranza cerca ancora una quadra sulle candidature a presidente della regioni in cui si vota nel 2024. Lo stallo è sulla Sardegna contesa da Lega e Fratelli d'Italia ma sullo sfondo c'è la sfida del Carroccio alla premier sul terzo mandato dei presidenti, la sfida per il Veneto del prossimo anno. Ne parliamo con Luca De Carlo, senatore veneto di Fratelli d’Italia.Poi la crisi nel Mar Rosso e i riflessi sui porti italiani. Ne parliamo con Cesare D’Amico, vicepresidente di Confitarma - Confederazione Italiana Armatori.

Episode 33: Jenny FouldsJenny Foulds (she/her) is a queer performance poet, writer and actress from Scotland. She is the owner of ADHD and Dyslexia. Jenny was the 2021 Scottish Poetry Slam Champion and was runner up in the World Slam Championships in 2021, as well as being host and curator of the Brighton based Spoken Word night Rebel Soapbox. She has had feature and headline gigs at nights across the UK including Hammer & Tongue, Loud Poets, Tongue Fu, Stanza Poetry festival, and Edinburgh Fringe. As an actress she was a series regular in Two Thousand Acres of Sky (BBC) and appeared in various TV and film roles including Rebus, Mandancin', Taggart and The Debt Collector. She founded the street art blog Happy Graffiti, which later became a book published by Octopus Books (a Hachette imprint) in 2013. Life Learnings of a Nonsensical Human is her first solo show.Rebel Soapbox is a Rambunctious Spoken Word night hosted and curated by Jenny Foulds. We have some of Brighton's best Spoken Word artists performing in feature slots and also the chance for all you budding poets and spoken wordsmiths out there to turn your hand to the mic in an Open Mic round (open mic tickets are on sale too).#hygystpod #JennyFouldsHave You Got Your Sh*t Together? with Caitlin O'Ryan, is a podcast that celebrates not having your sh*t together! In each episode, Caitlin interviews guests who seemingly “have their sh*t together” - be that in life/love/work/hobbies. Throughout the conversation, the questions unveil whether they actually do, or whether the whole concept is a lie! With a mix of guests from various backgrounds, the podcast is sure to be relatable, honest, and an antidote to Instagram culture. Producer - Ant Hickman (www.ahickman.uk)Artwork - Tim Saunders (www.instagram.com/timsaunders.design)Photography - Patch Bell (www.patchstudio.uk)Music - Cassia - 'Slow' (www.wearecassia.com)Web: www.hygystpod.comInsta: www.instgram.com/hygystpodEmail: hygystpod@gmail.comRSS: https://feeds.acast.com/public/shows/644a8e8eadac0f0010542d86 Hosted on Acast. See acast.com/privacy for more information.

Ariadne, peritissima linguae Latinae magistra, nobis narrat quale iter secuta sit ut libellos suos publicaret, quemadmodum argumenta selegerit, et quomodo conata sit utile dulci miscere, scilicet iucundas fabulas scribere mulieribus voces praebendo atque amplificando. Si vis plura de hospite eiusque inceptis adscire, necnon nomen adscribere ad acroasin quam mox habitura sum (omniaque de cursu (Y)PLC proxime futuro scire!), ecce nonnulla vincula quae praesto erunt: