Podcasts about I Hate Myself

LifeBlood: We talked about how to stop hating yourself, why so many young people struggle with self-loathing and how it can tragically lead to suicide, the reality that no one has ever been born hating themselves, how there's hope for you if this is how you feel, and how to get started, with Dr. Blaise Aguirre, author, Assistant Professor of Psychiatry at Harvard, and childhood and adolescent psychiatrist.  Listen to learn to start increasing your level of happiness! You can learn more about Blaise at IHateMyselfBook.com, Instagram, and X.  Get your copy of I Hate Myself here: https://amzn.to/3YyaPgK   Thanks, as always for listening! If you got some value and enjoyed the show, please leave us a review here: ​​https://ratethispodcast.com/lifebloodpodcast You can learn more about us at LifeBlood.Live, Twitter, LinkedIn, Instagram, YouTube and Facebook or you'd like to be a guest on the show, contact us at contact@LifeBlood.Live.  Stay up to date by getting our monthly updates. Want to say “Thanks!” You can buy us a cup of coffee. https://www.buymeacoffee.com/lifeblood Copyright LifeBlood 2025.

Dr. Blaise Aguirre is a renowned child and adolescent psychiatrist who has dedicated his life to helping thousands of young people struggling with thoughts of suicide and self-hatred. As a father of four and the author of I Hate Myself, Blaise brings both clinical expertise and a compassionate presence to his work by offering hope and healing to those navigating deep emotional pain. Today, Blaise shares why self-hatred isn't something we're born with, but rather a story we learn through life's painful seasons, why simply listening without judgment can be more healing than any advice, and how the erosion of extended families and supportive communities has left many of us feeling isolated and alone in our struggles. My friends, if you've ever felt "not enough" or battled that critical voice in your head, this conversation is for you. You'll leave with practical tools to shift your inner narrative, and the courage to offer yourself more grace in the moments you need it most.  

Comedian, Joe List (from comedy specials I Hate Myself, This Year's Material, and Enough for Everybody) joins SOMETHIN' CRUNCHY to discuss managing a parental image with him & Sarah being comedians, the Oscars and movies worth watching, wild stories from his drinking days, hosting his podcast Tuesdays with Stories with Mark Normand, Gene Hackman's greatest performances, and more! Sponsored by: Magic Mind (Discount code: CRUNCH20)

Blaise Aguirre, author of I Hate Myself, joins us to discuss the pervasive issue of self-hatred among teenagers, explore the role of comparison and perfectionism in self-criticism, and highlight the benefits of Dialectical Behavior Therapy (DBT).Sponsored by Equip: Eating disorder treatment that works—delivered at home. Visit equip.health/talking for more information, and a free consultation.Full Show NotesFor many parents, watching their teen grapple with self-critical thoughts can be heartbreaking. It's a common refrain to hear kids say, "I'm so stupid," or "I can never do anything right." When these thoughts persist, they can become ingrained, leading to deep-seated self-hatred. Addressing these feelings early can prevent them from becoming a dominant force in a teenager's life. But how can parents help their teens escape this negative mindset and view themselves with compassion and understanding?Understanding and dismantling self-loathing in teens is critical. Today's guest, Dr. Blaise Aguirre, a professor of psychiatry at Harvard Medical School and author of the new book, I Hate Myself, provides invaluable insight into this pervasive issue. Dr. Aguirre is renowned for his work at McLean Hospital, where he has developed programs for teens with self-destructive behaviors and suicidal tendencies, utilizing Dialectical Behavior Therapy (DBT) to help manage these complex emotions.In the episode, Dr. Aguirre explains that self-hatred is often a deeply internalized perception of oneself, not merely occasional self-criticism. This profound dislike integrates into a teen's core identity, creating a permanent, immutable sense of worthlessness that shadows them constantly. He discusses how identifying self-hatred requires more than just taking a teen's words at face value, particularly when they respond with "I'm fine." Instead, parents and caregivers must look for deeper signs: perfectionism, people-pleasing behavior, and excessive self-criticism.The Role of DBT in Combating Self-HateDr. Aguirre introduces us to the principles of Dialectical Behavior Therapy (DBT), a method combining Zen mindfulness and behavioral therapy. DBT aims to help teens manage emotions, develop coping skills, and foster a sense of self-worth. This therapeutic approach has been incredibly effective in reducing suicidal behavior, by first accepting where a teen is emotionally and then helping them build skills to navigate through these challenging feelings.In particular, Dr. Aguirre highlights how DBT can dismantle the illusion that self-hatred is a permanent trait. Through mindfulness and practice, teens can learn to see themselves not as inherently flawed, but as individuals capable of change and value. This transformation is pivotal in helping them move past beliefs tied to early childhood experiences that fostered their negative perceptions.The Danger of ComparisonsWhile guiding teens towards self-acceptance, avoiding comparisons is crucial. Dr. Aguirre emphasizes how societal and familial pressures can exacerbate self-hatred, especially when teens are pushed to measure themselves against siblings or peers. Instead of uplifting, these comparisons can anchor teens to unrealistic standards of perfection that intensify their dissatisfaction and critical self-view.Dr. Aguirre suggests that parents reframe comparisons. Allowing teens to measure their growth against themselves—focusing on becoming more self-compassionate and less reliant on external validation—can break the cycle of detrimental comparisons and encourage personal development.In the Episode…In our conversation with Blaise Aguirre, we dissect the nuances of self-hatred among teens and explore various ways to combat it. Tune in to gain insights on:How perfectionism relates to self-hatredThe importance of listening and validation in communicationDeveloping a new framework for self-compassionPractical steps for creating a supportive home environmentFor parents and caregivers, learning about and addressing self-hate in teens is essential for fostering healthier developmental outcomes. If you enjoyed this episode, consider exploring more from Dr. Blaise Aguirre and understanding how his work at McLean Hospital continues to impact young lives. Listen and subscribe to stay informed and empowered in supporting your teen.Sponsored by Equip: Eating disorder treatment that works—delivered at home. Visit equip.health/talking for more information, and a free consultation.

In today's episode of the Hardcore Self Help Podcast, I sit down with world-renowned psychiatrist, author, and DBT expert Dr. Blaise Aguirre to tackle the complex topic of self-hatred. As a pioneer in the treatment of borderline personality disorder (BPD) and adolescent mental health at McLean Hospital, Dr. Aguirre offers a compassionate and illuminating perspective on how self-hatred forms, why it's so persistent, and how we can work toward healing. Dr. Aguirre explains why self-hatred is often learned early in life through invalidating experiences and abusive environments and why it differs from self-criticism or depression. He introduces practical tools to break free from self-loathing, such as identifying its roots, recognizing toxic relationships, and taking steps to separate identity from these damaging beliefs. We also discuss the challenges of treating patients with self-hatred, the transformative power of dialectical behavior therapy (DBT), and how his latest book, I Hate Myself, provides a groundbreaking resource for those suffering from this deeply ingrained struggle. If you've ever wrestled with feelings of unworthiness or struggled to overcome negative beliefs about yourself, this episode is packed with strategies, hope, and actionable advice to help you move toward a healthier relationship with yourself. Chapters: 00:15 — Introduction: Meet Dr. Blaise Aguirre 02:00 — From Philosophy to Psychiatry: Dr. Aguirre's Career Path 07:30 — Understanding Self-Hatred: How It Develops and Why It Persists 15:00 — The Role of Validation in Parenting and Mental Health 20:45 — The DBT Approach: Why Skills-Based Therapy Works for BPD and Self-Hatred 27:00 — Breaking Down Self-Hatred: Separating It from the Self 34:20 — Overcoming Self-Hatred: Practical Tools and Steps for Healing 40:15 — The Importance of Compassionate Treatment in Mental Health Care 45:00 — A Sneak Peek Into I Hate Myself 50:20 — What Parents and Caregivers Need to Know 57:00 — Dr. Aguirre's Final Thoughts on Healing and Hope About the Podcast I'm Dr. Robert Duff, a clinical psychologist and the host of the Hardcore Self Help Podcast. My mission is to break down complex mental health topics into relatable, actionable advice. On this podcast, we dive deep into mental health, personal development, and the strategies that help us thrive. Each episode features expert interviews, practical tips, and answers to listener questions, all designed to help you live a healthier, more fulfilled life. Guest Links: Dr. Blaise Aguirre's Website: www.IHateMyselfBook.com Learn More About DBT: McLean Hospital's DBT Program I Hate Myself: Dr. Aguirre's Latest Book (Coming February 2025) Connect With Me: Website: duffthepsych.com Instagram: @duffthepsych YouTube: Dr. Duff's Channel Sponsored By: This episode is brought to you by NoCD, a leading provider of virtual therapy for obsessive-compulsive disorder (OCD). If intrusive thoughts and compulsions are impacting your daily life, NoCD offers specialized Exposure and Response Prevention (ERP) therapy. Schedule a free 15-minute consultation to learn more at www.nocd.com. Hope you find this conversation as inspiring and thought-provoking as I did! Don't forget to share your thoughts and takeaways in the comments. Tags: #MentalHealth #SelfHatred #BlaiseAguirre #DBT #BorderlinePersonalityDisorder #SelfCompassion #TraumaHealing #Parenting #Mindfulness #SelfHelp

Une comédie musicale sur les aliens composée par Paul McCartney et l'auteur de science-fiction Isaac Asimov a bien failli voir le jour au début des années 70. La célèbre plateforme pédagogique Drumeo a annoncé la sortie d'un documentaire qui s'annonce déjà très intéressant : ‘'Drummer First'' qui évoquera la carrière de batteur de Phil Collins. Alors que l'album ‘'Hackney Diamonds'' est sorti l'année dernière, en 2023, les Stones nous offrent déjà une réédition en double vinyle, juste à temps pour les fêtes de fin d'année. Alors que The Cure est en train de conquérir le monde avec son nouvel album ‘'Songs Of a Lost World'', Robert Smith a déjà évoqué à plusieurs reprises un deuxième album qui serait en quelque sorte le "complément" du premier, et qu'un troisième viendrait compléter la trilogie avec une approche différente. Découverte du nouveau single d'Inhaler, "Open Wide", extrait de leur prochain album du même nom. Prenez une bonne dose de dérision, un peu de punk, et vous obtiendrez le nouveau single de The Darkness, "I Hate Myself". Mots-Clés : auteurs, biographie, The McCartney Legacy, Volume 2, 1974 - 80, dévoiler, projet, extraterrestres, Five And Five And One, aurait invasion, métamorphes, membres, Wings, homologues, face à face, fim, Chad Smith, Red Hot Chili Peppers, Mike Portnoy, Dream Theater, bande-annonce, jeu de batterie, emblématique, In The Air Tonight, intégralité, chaîne, Youtube, original, enregistré, concert, surprise, New York,Sweet Sounds Of Heaven, duo, Lady Gaga, travail, émotion, numéro, sombre, sujet, profondeur, étrange, leader, Elijah Hewson, rappel, fils, Bono, U2, communiqué de presse, origine, démo, house électronique, cimetière, ligne de basse, kick, Dreams On Toast, Justin Hawkins, collègue, approche, explosive, hommage, apogée, glam, frontman, humour, autodérision, difficultés, relation, briser. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

www.mikegarrigan.com - Singer/songwriter Mike Garrigan shares the seventh experiment from his Production Lab.  Given the prompt "Record a song using a late 80s approach (in the style of Bon Jovi's New Jersey)" and a month in which to work, Mike produced "Sister Mercy." Hear the song and a detailed description of the entire creative process.Works mentioned and encouraged for further listening:Desmond Child Songs:KISS, "Heaven's on Fire" Joan Jett, "I Hate Myself for Loving You" Bon Jovi, "Livin' on a Prayer" and Bon Jovi, "You Give Love a Bad Name" Aerosmith, "Dude Looks Like a Lady" Guitar Solo Influences:AC/DC, "Thunderstruck"Tesla, "Modern Day Cowboy"Yngwie Malmsteen, "Far Beyond the Sun"Judas Priest, "Painkiller"Eric Johnson, "Cliffs of Dover"Metallica, "The Shortest Straw"Whitesnake, "Wings of the Storm"Ozzy Osbourne, "Mr. Crowley"White Lion, PrideThe Big Four:Metallica, Master of PuppetsAnthrax, Among the LivingSlayer, South of HeavenMegadeth, Rust in PeaceSend me a Text Message.

In this episode, we chat with actors Mike Castle, Leonora Pitts, and Andre Hyland about their new film I Hate Myself and Want to Die, making its world premiere at the Austin Film Festival. The trio dives deep into the dark comedy's themes, their unique characters, and what drew them to this daring project. Don't miss this conversation as we explore the intersection of humor and despair in a film that promises to challenge audiences in unexpected ways.

This is a very special episode of Dead Pilots Society. It's our interview with Damir and Dario Konjicija, and in it, you'll hear perhaps the most interesting Hollywood origin story we've ever encountered. Damir and Dario discuss their journey from being Bosnian refugees to arriving in America in 1997 and falling in love with American television. They talk about starting school in America as Bosnian immigrants, how they quickly found their artistic passion, and the pact they made to move to Los Angeles and try to make it. They also discuss their humble beginnings in Los Angeles, how they started writing together, and the development of their pilot I Hate Myself. This is a terrific interview that we know you're going to love.For more Dead Pilots Society episodes and information about our live shows, please subscribe to the podcast!Make sure to like us on Facebook, follow us on Instagram, and Twitter, and visit our website at deadpilotssociety.com

Our dead pilots this month is I Hate Myself by Dario & Dami Konjicija (Home Economics, Young Sheldon). This is a fun multi-camera buddy comedy with a time traveling twist. It was developed for CBS Studios and we know you're going to love it.  The cast for this one includes Vinny Thomas (Platonic), Josh Banday (Upload), Paige Collins (Good Girls), Leah Lewis (Matlock), Nabeel Muscatwalla (Better Days), Punam Patel (Ghosts) and Andrew Reich with stage directions. For more Dead Pilots Society episodes and information about our live shows, please subscribe to the podcast!Make sure to like us on Facebook, follow us on Instagram, and Twitter, and visit our website at deadpilotssociety.com

Episode 452... A very special episode on April 8th (the day Kurdt was found dead in 1994) remembering Kurt Cobain 30 years later, along with a new release from the BGP! The BGP proudly presents (Budweiser voice).... Long Live Punk! The title track is nothing short of a punk anthem. Go get it for free at our Bandcamp Page! If you choose to donate, we will invest it back into the punkcast. Outstanding artwork again by Zidny! A ton of off-the-beaten-path Nirvana covers (go to our playlist for a ton more), some familiar bands, some stuff recently sent in, and a new one from El Matador and The BGP! Thanks for listening. Thanks for the support. Enjoy, friends!Listen to Episode 452: (scroll for set list)On ARCHIVE.On Apple, Google or YouTube Podcasts, hit "play."On blogspot, play it below:Listen to The Brothers Grim Punkcast:ARCHIVE.Org - hear/download past episodesPUNK ROCK DEMONSTRATION - Wednesdays 7 p.m. PSTRIPPER RADIO - Fridays & Saturdays 7 p.m. PSTApple PodcastsYouTube PodcastsContact Brothers Grim Punk:brothersgrimpunk@gmail.com - In a punk band? Send us your music! Want us to make you a punk song? Email us some lyrics!@Punkbot138 on Instagram@BrosGrimPunk on XMore Punk Music:Bandcamp - Follow us and download our albums: Brothers Grim Punk, Fight Music, and more!YouTube - tons of punk playlists, from Anarchy to Zombies!Yes, long live punk...Long Live Punk 1:07 Brothers Grim Punk (BGP)  Long Live Punk MI Further Down The Barrel 1:29 SCUMROTTEN I Pray For Blindness (For I Have Seen Too Much) Tourette's (NIRVANA) 1:38 Slund Quarantined Vaseline 1:25 Fecal Matter Illiteracy Will PrevailAnorexorcist (bkgrd) 9:03 Fecal Matter Illiteracy Will Prevail Lose All Faith 1:29  BGP  Long Live PunkNobody cares 0:19 Blow Your Brains out DemoGuns 1:00 OLD OLD - LP Spamicidal! - Very Ape 1:40 Sudden Strike Records A Grindcore Tribute To Nirvana Tourette's (Nirvana) 1:31 Anthesis Anthesis does Nirvana 12 Gauge Shotgun Blast 0:47 SURVIVORS WILL BE SHOT AGAIN - Weapons of Mass Destruction loaded shotgun 1:26 the jims the jims Live Intr0 0:53 Nirvana Bleeeech: Deluxe EditionAll Apologies (bkgrd) 5:46 Heskin Radiophonic A Tribute to Kurt Cobain You Are A Jackass 1:11 BGP    Us Against The World Too Many Gurus 0:47 Shut the Fuck Up    Get In The Pit!Beer Is God 1:37 Bless Beer Is God (Dust Noise) Herida Profunda - Floyd The Barber 1:37 Sudden Strike Recs...Chemical Suicide 0:48 CintaitubutaRcds LARM The Complete Of Extreme Noise ON THE LIST (CALL THE FEDS) 1:03 THE SWAMP DONKEYS FIELD OF BLOOD Negative Creep 2:36 Glitchfield Plains A Tribute to Kurt Cobain Escalator To Hell 1:28 The Kurt DemosEndless Nameless (bkgrd) 4:46 Bleed the Pigs Flowers In D-Minor (Nirvana) CoversWhen You're #1 2:40 El Matador and BGP  Upcoming ReleaseBANDIT - Paper Cuts 2:59 Sudden Strike Recs...die long 1:17 dead city banned from LA Melbourne Three Quarter Dead 1:46 HACKER Psy-Wi-Fi 7" Kurt Cobain Says "I Don't Have a God" in Come As You Are Because the Song is About Selling Your Soul 1:52 Negative XP MSG Vol. 3 Yo Apreté el Gatillo a Kurt Cobain 1:15 Los Crustaceos Edición Norte EP Mommas 0:56  BGP  Long Live Punk Something In The Way (bkgrd) 4:09 Vasko the Pig A Tribute to Kurt CobainChicago Fangs 2:46 Lost Legion Behind the Concrete Veil Ambush Recs Nuclear Tuberculosis 1:16 Nooseburn Auditory Assault Vol. 1 Tourette's 1:24 Ashtray Good People to Do Business With Fathead 1:18 Screeching Weasel Kill The Musicians Rape Me (Nirvana) 3:12 job4abrokeback The Worst Songs Of 2020 Control 2:30 Fecal Matter Illiteracy Will Prevail Boxcar 1:54 Jawbreaker Etc.  Clean Up (bkgrd) 3:13  Kurt Demos  Lithium (bkgrd) 4:20 Doctor Coffee I Hate Myself and I Want to Surf Punk Rocker (Fecal Matter cover) 1:54  BGP  Long Live Punk

En esta emisión repaso de forma detallada lo ocurrido en la historia de Nirvana desde el 1 de enero hasta el fatídico 5 de abril de 1994 escuchando las últimas actuaciones del grupo en su gira europea y el periodo más oscuro de Kurt Cobain. + info - https://linktr.ee/b90podcast Suenan: 01. Ivy League - San Diego 29/12/93 02. Blew - Seattle Center Arena 08/01/94 03. You Know You're Right 30/01/94 04. Rape Me - Canal + 04/02/94 05. Pennyroyal Tea - Canal + 04/02/94 06. Drain You - Canal + 04/02/94 07. Jesus Doesn't Want Me For A Sunbeam - Cascais 05/02/94 08. Rape Me - Cascais 06/02/94 09. Come As You Are - Madrid 08/02/94 10. Lithium - Barcelona 09/02/94 11. Where Did You Sleep Last Night - Paris 14/02/94 12. My Sharona/Sappy - Rennes 16/02/94 13. Radio Friendly Unit Shifter - Grenoble 18/02/94 14. Copache (Melvins) - Marino 22/02/94 15. Smells like teen Spirit - Marino 22/02/94 16. Serve the servants - Roma 23/02/94 17. Dumb - Roma 23/02/94 18. About a girl - Milan 25/02/94 19. Breed - Slovenia 27/02/94 20. Heart Shaped Box - Munich 01/03/94 21. Big Me (Dave Grohl) - Seattle 09/03/94 22. Do Re Mi (Kurt Cobain) - 1994 23. Burn the Rain (Kurt Cobain) 24. All Apologies (Kurt Cobain) 25. I Hate Myself and Want to Die - Rio de Janeiro 21/01/93 Espacio patrocinado por: Jose Manuel Valera - garageinc78 - Ivan Castro - Nerdo IsMe - Javi Portas - Belén - Ana FM - tueresgeorge - boldano - Eduardo Mayordomo Muñoz - kharhan - Barrax de Pump - PDR - Fernando - QUIROGEA - Jorge - J. Gutiérrez - Gabriel Vicente - Carlos Conseglieri - Miguel - faeminoandtired - Isabel Luengo - Franc Puerto - screaming - HugoBR - angelmedano - Vicente DC - VICTORGB - Alvaro Gomez Marin - Achtungivoox - Alvaro Perez - Sergio Serrano - Antuan Clamarán - Mario Sosa - Isranet - Paco Gandia - ok_pablopg - Eduardo Vaquerizo - Crisele - David Reig - Wasabi Segovia - Dani RM - Fernando Masero - María Garrido - RafaGP - Macu Chaleka - laura - Infestos - Öki Þeodoroson - davidgonsan - Juan Carlos Mazas - 61garage - JJM - Rosa Rivas - Bassman Mugre - SrLara - Próxima Estación Okinawa - Barullo - Megamazinger - Francisco Javier Indignado Hin - Unai Elordui - carmenlimbostar - Piri - Miguel Ángel Tinte - Miquel CH - Jon Perez Nubla - agui102 - Raul Sánchez - Nuria Sonabé - Spinda Records - Pere Pasqual - Juanmi - JulMorGon - blinddogs - JM MORENTE - Alfonso Moya - Rubio Carbón - LaRubiaProducciones - cesmunsal - Mr.Kaffe - Marcos - jocio - Norberto Blanquer Solar - Tolo Sent - LIP -Carmen Ventura - Jordi y varias personas anónimas.

 I Don't Wanna Hear It Podcast263 - One and One Are Five: Muad'diablo“What has mood to do with it? You record when the necessity arises—no matter the mood! Mood's a thing for cattle or making love or for YouTubers. It's not for podcasting. May thy mic chip and shatter!”Check out more of our stuff at I Don't Wanna Hear It and join the Patreon, jabroni. I mean, if you want. Don't be weird about it. Oh, and we publish books at Sixth and Center Publishing because we want to be bankrupted by a dying medium.Episode Links:CenturiesI Hate MyselfPerpetual Terminal by Darkest HourLabyrinthus StellarumPissed JeansBetween Two Fires by Christopher BuehlmanSome of our old bands are on Spotify:Absent FriendsWe're Not DeadYears From NowMusical Attribution:Licensed through NEOSounds. License information available upon request.“5 O'Clock Shadow,” “America On the Move,” “Baby You Miss Me,” “Big Fat Gypsy,” “Bubble Up,” “C'est Chaud,” “East River Blues,” “The Gold Rush,” “Gypsy Fiddle Jazz,” “Here Comes That Jazz,” “I Wish I Could Charleston,” “I Told You,” “It Feels Like Love To Me,” “Little Tramp,” “Mornington Crescent,” “No Takeaways.” 

Meet Desmond Child, the amazing songwriter and producer who was inducted into the Songwriters Hall of Fame in 2008. His hits are endless and you are sure you recognize more than a few: Kiss' "I Was Made for Lovin' You"; Joan Jett & the Blackhearts' "I Hate Myself for Loving You"; Bon Jovi's "You Give Love a Bad Name" and "Livin' on a Prayer"; Aerosmith's "Dude (Looks Like a Lady)" and "Angel"; Cher's "We All Sleep Alone" and "Just Like Jesse James"; Alice Cooper's "Poison"; Michael Bolton's "How Can We Be Lovers?"; and Ricky Martin's "The Cup of Life" and "Livin' la Vida Loca", among dozens more! His demeanor is fun and the Two Guys have some great fun with him as Desmond opens up about how he broke into the business, his Cuban roots, his favorite collaborator and so much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

watch.goodluckgabe.life  if you don't watch Argylle you ain't gay or fat or retarded    So, cum doesn't really have a "taste". It's like warm water, but slightly sticky and salty. But after drinking some cum, there is a weird feeling in the throat that appears a couple seconds after drinking cum. I personally don't like it, so I recommend hydrating yourself by drinking water to get rid of the taste. Water really gets the "aftertaste" of cum away, so drink water after cum. Overall, 7/10.    I fucked up man. I fucked up so hard  I..ii I am speechless. This is such a privilege first world problem but I am the most lazy stupid worthless shithead in the entire world. The only character I can compare myself is to Jimmy from GTA 5. I spent 689 Dollars on dumb mobile and steam games... I am such a ungrateful piece of shit. Half of my savings are gone. With my minimum age job it's going to take4 months to recoop that cost(in my country) and I have school in a month. Why why why am I addicted to FUCKING MOBILE GAMES. When my parents confronted me my ungrateful waste of space shithead said it's my money my rules and and a fight with them. I want to sh so hard right now. I don't think my clean streak is going to last long. I HATE MYSELF. How do I apologize to my parents? How do I stop being a fucking degenerate? How did I spend 689dollars in just three months? Fuck this im dead to me    For a billion dollars I'm giving the finest head known to mankind, I'm talking deep throats, sucking the balls, spinning my tongue around the glans, cuz that's a billion fucking dollars, that's like saying “would you like to do a slightly unpleasant activity for like, 10/15 minutes” to basically just win life, if you ain't doing this, you care way too much about your sexuality and the way others think of you, weak ass mindset  

Mixtape083 - Feel Good Rock TRACK 1 AUDIO TITLE "Don't Stop Believin'" PERFORMER "Journey" TRACK 2 AUDIO TITLE "Thunderstruck" PERFORMER "AC_DC" TRACK 3 AUDIO TITLE "We're Not Gonna Take It" PERFORMER "Twisted Sister" TRACK 4 AUDIO TITLE "Dancing In the Dark" PERFORMER "Bruce Springsteen" TRACK 5 AUDIO TITLE "Dancing with Myself (2001 Remaster)" PERFORMER "Billy Idol" TRACK 6 AUDIO TITLE "I Love Rock 'N Roll" PERFORMER "Joan Jett and the Blackhearts" TRACK 7 AUDIO TITLE "(I Can't Get No) Satisfaction" PERFORMER "The Rolling Stones" TRACK 8 AUDIO TITLE "Crazy Train" PERFORMER "Ozzy Osbourne" TRACK 9 AUDIO TITLE "Summer Of '69" PERFORMER "Bryan Adams" TRACK 10 AUDIO TITLE "Should I Stay or Should I Go (Remastered)" PERFORMER "The Clash" TRACK 11 AUDIO TITLE "You Shook Me All Night Long" PERFORMER "AC_DC" TRACK 12 AUDIO TITLE "Jump (2015 Remaster)" PERFORMER "Van Halen" TRACK 13 AUDIO TITLE "We Will Rock You (Remastered 2011)" PERFORMER "Queen" TRACK 14 AUDIO TITLE "Paranoid (2012 - Remaster)" PERFORMER "Black Sabbath" TRACK 15 AUDIO TITLE "Runnin' Down A Dream" PERFORMER "Tom Petty" TRACK 16 AUDIO TITLE "Back In Black" PERFORMER "AC_DC" TRACK 17 AUDIO TITLE "Hells Bells" PERFORMER "AC_DC" TRACK 18 AUDIO TITLE "I Hate Myself for Loving You" PERFORMER "Joan Jett and the Blackhearts" TRACK 19 AUDIO TITLE "Livin' On A Prayer" PERFORMER "Bon Jovi" TRACK 20 AUDIO TITLE "Enter Sandman" PERFORMER "Metallica" TRACK 21 AUDIO TITLE "Rock You Like a Hurricane" PERFORMER "Scorpions" TRACK 22 AUDIO TITLE "Welcome To The Jungle" PERFORMER "Guns N' Roses" TRACK 23 AUDIO TITLE "Sweet Child O' Mine" PERFORMER "Guns N' Roses" TRACK 24 AUDIO TITLE "Paradise City" PERFORMER "Guns N' Roses" TRACK 25 AUDIO TITLE "Pour Some Sugar On Me" PERFORMER "Def Leppard" TRACK 26 AUDIO TITLE "I Wanna Be Sedated (2002 Remaster)" PERFORMER "Ramones" TRACK 27 AUDIO TITLE "Born To Be Wild (Single Version)" PERFORMER "Steppenwolf"

Legendary songwriter and producer Desmond Child spills all the juiciest details from his career including working with Kiss, Aerosmith, Bon Jovi, Alice Cooper and more! He shares the quirky backstories and surprising inspirations behind timeless classics such as "Living on a Prayer", "I Was Made for Loving You", "Dude Looks Like a Lady", "I Hate Myself for Loving You" and many more. It's a fascinating look behind the curtain of a man whose records have sold half a billion copies worldwide! To find out more, check out Desmond's new book 'Living On A Prayer, Big Songs, Big Life' which is available now! Learn more about your ad choices. Visit megaphone.fm/adchoices

Legendary songwriter and producer Desmond Child spills all the juiciest details from his career including working with Kiss, Aerosmith, Bon Jovi, Alice Cooper and more! He shares the quirky backstories and surprising inspirations behind timeless classics such as "Living on a Prayer", "I Was Made for Loving You", "Dude Looks Like a Lady", "I Hate Myself for Loving You" and many more. It's a fascinating look behind the curtain of a man whose records have sold half a billion copies worldwide! To find out more, check out Desmond's new book 'Living On A Prayer, Big Songs, Big Life' which is available now! Learn more about your ad choices. Visit megaphone.fm/adchoices

Are You confusing self criticism with self improvement? Don't get it twisted, learn why self loathing's misunderstood nature of perfectionism and how to stop falling into the hidden traps it sets. CLG shares invaluable insights for Type-A overachievers who are tired of wasting time with ineffective conventional approaches that leave you stagnating + struggling with the same perfectionistic pitfalls. Listen for a IRL techniques *that actually work* in dissolving the I Hate Myself meltdowns. Ready to show up more powerfully for your family and want proven, science-backed tools you can use for generations to come? Then you gotta check out the Perfectionism Rewired Accelerator 6 Week fast-track Get your stress-free start today at https://courtneylovegavin.com/acceleratorListen to the full episode to hear:How your brain and nervous system can be rewired to change your self-perception on commandPlayful Strategies to break self-critical cycles and ease into a more nourishing sustainable approach to self-improvementWhy Psycho-Cybernetics Helps Perfectionists Create A New Self-Image EPSISODE 183 TIMESTAMPS:00:00-Introduction01:30-The often-misunderstood Nature of Perfectionism 02:29-Dopamine's Role in Self Criticize Cycle03:44-How Self Criticism Perpetuates Your Worst Patterns04:17-When What Used To Work Stops Working For Ya05:20-Perfectionist Parents + Legacy of Self Loathing05:52-Techniques to Shatter the I Hate Myself Meltdowns06:17-Why Traditional Approaches Don't Work for Perfectionists08:24-Mistaking Criticizing for Deeply Caring09:00-When Being Kind To Yourself Feels Wrong (and that's okay!)10:06-Acceptance Does NOT Equal Apathy10:26-Visualization of Life Without Being Self-Critical11:34-Fastest Way to Figure Out What's Causing Your Perfectionistic Habits 

After hearing about "the golden age of hip hop" and KRS-One on Episode 170, travel ALL the way back to Episode 34 for a discussion about the art of sampling and what made it go away in the early 90s. SHOW NOTES: https://open.spotify.com/playlist/59FdNgdN0lHFNdr3ZsTTPa?si=6573cc96d800429b https://www.aceshowbiz.com/news/view/00152816.html https://hiphopdx.com/news/id.55725/title.russell-simmons-addresses-beastie-boys-def-jam-fallout-i-just-wasnt-mature-enough# https://en.wikipedia.org/wiki/Dust_Brothers https://en.wikipedia.org/wiki/Paul%27s_Boutique https://en.wikipedia.org/wiki/Gilbert_O%27Sullivan https://en.wikipedia.org/wiki/Grand_Upright_Music,_Ltd._v._Warner_Bros._Records_Inc. I Hate Myself and Want to Die by Tom Reynolds: https://www.amazon.com/Hate-Myself-Want-Die-Depressing/dp/140130835X Biz Markie - "Alone Again" - https://www.youtube.com/watch?v=OebqNsNRBtU

The list of giant hit records that Desmond Child has written is staggering...Kiss's "I Was Made for Lovin' You"; Joan Jett & the Blackhearts' "I Hate Myself for Loving You"; Bon Jovi's "You Give Love a Bad Name", "Livin' on a Prayer",[1] "Bad Medicine", and "Born to Be My Baby"; Aerosmith's "Dude (Looks Like a Lady)", "Angel", "What It Takes" and "Crazy"; Cher's "We All Sleep Alone" and "Just Like Jesse James"; Alice Cooper's "Poison"; Michael Bolton's "How Can We Be Lovers?"; and Ricky Martin's "The Cup of Life" and "Livin' la Vida Loca"....just to name a few. He tells his life story in the new book, "Livin' On A Prayer: big Songs, Big Life"...and we luckily got the chance to spend more time to find out more this morning!

Episode 415... The National (and International) Coffee Day special! Whether you take a little cream, like it black, or would rather puke (or drink an energy drink)! We have all the java-inspired punk tunes you can handle in this episode. Plus a handful of bands we have never played before. Check out more coffee punk songs on our YouTube Channel. Enjoy!Listen to Episode 415: (scroll for set list)On ARCHIVE. On Apple or Google Podcasts, hit "play."On blogspot, play it below:Listen to The Brothers Grim Punkcast:ARCHIVE.Org - hear/download past episodesPUNK ROCK DEMONSTRATION - Wednesdays 7 p.m. PSTRIPPER RADIO - Fridays & Saturdays 7 p.m. PSTApple PodcastsGoogle PodcastsContact Brothers Grim Punk:brothersgrimpunk@gmail.com - In a punk band? Send us your music! Want us to make you a punk song? Email us some lyrics!@Punkbot138 on Instagram@BrosGrimPunk on XMore Punk Music:Bandcamp - Follow us and download our albums: Brothers Grim Punk, Fight Music, and more!YouTube - tons of punk playlists, from Anarchy to Zombies!Amped up coffee Punx...Coffee Mug 0:36 Descendents Everything Sucks Coffee Shot 0:06 Bad Tattoo Laser Removal Coffee Me! 0:50 Girth Control Shorter Faster Dumber Coffee House Massacre 2:30 Nobodys Short Songs For Short Attention SpansBlack Coffee (bkgrd) 4:55 Black Flag Slip It In I Hate Coffee 1:10 Quincy Punx We're Not Punx​.​.​. But We Play Them on T​.​V. Coffee Sucks 2:16 The Q Factor The Q Factor Discography Bad Mood & Black Coffee 1:44 JODIE FASTER (in)COMPLETE DISCOGRAPHY Coffee Riot 1:51 Caught Red Handed ST Coffee Cures Everything 0:31 Scholastic Deth Bookstore Core_625 Thrash  MY MAKER AND ME 0:36 Grinder 1. My Maker and Me Coffee and Cigarettes 1:22 Against The Grain Self-Titled Coffee 0:58 John Denver's Body Double Tore To The Core Coffee' Tea, or Me? 2:02 The Smugglers Rosie_Lookout RecsSmells Like Teen Spirit (bkgrd) 4:00 Doctor Coffee I Hate Myself and I Want to Surf Smell The Coffee 1:03 Civil Disgust Civil Disgust Can't Smell The Coffee 3:05 Doom World of Shit_Discipline Recs Coffee Houses 0:37 Operation: Cliff Clavin Freedom of Choice Extra Large Coffee 2:04 Bad Whoremoans X-Ray Eyes Spoons are for Coffee 0:27 HECATEST 7in Split w Spitts Do It 1:25 Coffee Mug VA - Thrash Up My Ass Tape Strong Coffee 2:07 OC45 When It Hits Coffee Shop Dropout 1:04 Media Circus Skate Attack Vol. I tape Coffee / Donuts 2:50 Corrupt Vision VIOLENT SKA (DISCOGRAPHY 2016 - 2020) Bedside Coffee Table Roses (bkgrd) 3:58 Claw Hammer Thank The Holder Uppers September 29, 2020 National Coffee Day 0:49 The Pissed Alpacas Hardcore Cal Vol. 9 2020 Iced Coffee 1:27 DFL YRUDFL Coffee and Hardcore Theme part 2 0:30 Battle Royale All the shit you never wantedCoffee Is Good Food 0:53 Chachi On Acid You communicate a sense of harmony to others Two Coffees 1:26 DARK THOUGHTS AT WORK NJ Gimme Coffee 0:49 Dead Rejects Sleeping Is For SuckersCoffee 1:48 scatterbrainiac Anti-Lethargic CAFE COFFEE CLUB CLIQUE 0:16 WARPSPASM DISCOGRAPHY  Coffee 1:26 ПхШх Вперед ногами My Ass Reacts Violently To Coffee_Ohio 1:09 Deepest Cuts Sliz On Demand! Something in the Way (bkgrd) 4:34 Doctor Coffee I Hate Myself and I Want to Surf Mr. Coffee 2:18 Lagwagon Duh

It's a fact that Desmond Child has written some of the most recognizable songs of all time.  Like what? Well...Kiss's "I Was Made for Lovin' You"; Joan Jett & the Blackhearts' "I Hate Myself for Loving You"; Bon Jovi's "You Give Love a Bad Name", "Livin' on a Prayer",[1] "Bad Medicine", and "Born to Be My Baby"; Aerosmith's "Dude (Looks Like a Lady)", "Angel", "What It Takes" and "Crazy"; Cher's "We All Sleep Alone" and "Just Like Jesse James"; Alice Cooper's "Poison"; Michael Bolton's "How Can We Be Lovers?"; and Ricky Martin's "The Cup of Life" and "Livin' la Vida Loca"....just to name a few.And now he tells his life story in the new book, "Livin' On A Prayer: big Songs, Big Life"...and we got to talk to him about it this morning!

This week we're joined by Terrifying Girls' High School.The full band of Miggy (guitar), Matt (drums), Edward (bass) and Henrietta (vocals) join us for a hilarious chat about everything from defending Screamo to Wendys, spoopy things, gaming, breakcore, Vancouver, Much Music, lamb, whole ass babies, lotta Canada stuff, Getty images, waiting, Lululemon, rock operas, war hammer and so much more.Our Lady Peace, Spoon, Alexisonfire, I Hate Myself, Brain Fever, Dog Thermos, Ape War, Tapioca, Massa Nera, Senza, Cara Neir, Gonemage, Homeskin, Gas Up Yr Hearse!, Your Arms Are My Cocoon, The Hirs Collective, OK Vancouver OK, Lord Snow, Ho99o9, Doja Cat, Arab On Radar, Pantera, Black Eyes, Title Fight, Celine Dion, Frail Hands, Ghost Spirit, Red Light Sting, Rush, Jethro Tull, Hotel Mira, Liars, Ed Sheeran Bad Baby, and more.

Episode 381... Lots of conspiracy talk, lots of "likes," and plenty of shred, new and old. Both bros zoom along technically battling technology and the ever so defeating wifi world. Grim and bare it. As always, check out our YouTube for a bunch of solid punk rock playlists. Enjoy!DoWnl0ad and StrEaM here (iTunes and Google Podcasts as well):BROS GRIM 381!!!!!!! Airing Wednesdays 7pm PST on PUNK ROCK DEMONSTRATION & Fridays/Saturdays 7pm PST on RIPPER RADIO.Send us stuff to brothersgrimpunk@gmail.com.PUNK was the answer...Futile Force Tapes GA Gasoline 0:57 Fat Jock Line Up Eat Shit Buena Park CA I WILL END YOU 0:53 NÜTT TUPAS!! BLASTS!! AND OTHER SHITTY PUNK SOUNDS!! UK Labels 1:24 Ättestor The Final Tracks I Hate Myself 1:59 The Offenders Endless Struggle​​/We Must Rebel​​/I Hate Myself Torquay (bkgrd) 1:49 The Fireballs 1959 Single Boston In the Name of Survival 1:40 Innocent Architects of Despair Argentina Lloviendo violencia (raining viloence) 1:29 Disfuria No tengo boca y debo gritar Germany Paura del vuoto (fear of emptiness) 1:05 Inferno Personale In ira veritas L.A. Dead Anyway 1:55 S.O.H. 2022 Nov. Single  Cleveland Better Off An Insect 1:15 Kill The Hippies Special Master Broken Crystal (bkgrd) 2:54 Loopy Scoop 64 Drum Bit EP I Used To Be 20 1:32 Guttermouth The Album Formerly Known As Full Length LP Blood Cough 1:05 Assbackwards Inebriation Euthanization American Gun 0:41 Speed Plans More Hardcore Wreck Your World 2:55 Excel Split Image_Suicidal Recs Chicago Doomed From The Start 1:34 Convulsion Terrorist Bastard Fuck EP Tampa Bay BLOWN TO BITS 1:45 Yield To None DEMO Codeine (bkgrd) 2:56 Dumptruck Boyz Now That's What I Call Dumptruck Boyz! Brooklyn Gentrified 1:37 Mad Mulligans Action Men San Diego Death Was the Answer 0:46 INFLUENCER 2023 SingleWorking Class Rock 'N' Roll 2:36 Out For Blood Working Class Rock 'N' Roll E.P. Annihilate 1:43 Mongrel Mongrel EP Crow - Annihilation 3:15 phobiarecords Crow / See You In Hell split EP Baja Pt. 1 (bkgrd) 2:51 Lee Hazlewood's Woodchucks Cruisin' for Surf Bunnies Hang Up Your Boots 2:21 The Business Mob Mentality Can't Escape 0:31 Mental Waste Meltdown SOCIETY 1:30 The Sentenced DEMO Vicious Circle 0:42 Zero Boys Vicious Circle Wretched of the Earth 2:00 This Is My Fist A History of Rats If Debbie Had Done Dover She'd Be Dead 1:41 Haest Belabour [No Time Recs 331]

Have you ever said "i hate myself"? What made you say that? Where did this self-hatred come from? In this episode I go over how to overcome self hatred. I share insecurities I've had about myself that led to low self esteem. There will also be solutions to go over how to overcome low self esteem. If you want to break this negative relationship and learn how to love yourself it starts here. Connect With MeIG: https://www.instagram.com/InspiringSolutionsPodcast/Email : dwalew101@gmail.com

Through revisiting Hootie & The Blowfish's first major single, Frank is finally able to come to terms with his shame. He is so sorry, Hootie. Links: Music Video Sesame Street Segment David Letterman Show How Our Cruelty Killed Hootie and the Blowfish - and Damaged Our Souls Mixtape You can find us on Instagram, Facebook, Twitter, Masadon, and our website. You can email us at BandFGuiltFree@gmail.com, too. Here is our Spotify playlist featuring every song we've featured. Our theme music is by the incredibly talented Ian McGlynn.   Transcript Bill: [0:01] Today is redemption day at Bill and Frank's Guilt-Free Pleasures. We are going to celebrate the positive force that is Hootie and the Blowfish by taking, a deep dive into their iconic first single. Frank: [0:17] So why don't you hold our hand as we take you through this song and take you through the band's history. This is Bill and Frank's Guilt-Free Pleasures. So I have a confession to make. I know the name of the podcast is Bill and Frank's Guilt-Free Pleasures, but I am riddled with guilt. Riddled with guilt for what I have done with a band that I once loved and then turned my back on because it was popular to make fun of them. And of course we're talking about Hootie and the Blowfish, and we're going to be talking specifically about Hold My Hand today, but back in 94, Hootie and the Blowfish burst onto the scene with their album Crack to Review, and were hugely popular. Crack to Review is not only one of the best debut albums of all time, but one of the best-selling albums of all time. And then 96 they released Fairweather Johnson. So, Cracked Review has I think 26 million copies sold and then by 96 Fairweather Johnson comes out 2.3 million copies sold. So the world turned their back on Hootie and the Blowfish and I was one of those who turned his back on them. I, I denied liking them. They were a dirty secret to me. I loved their music still. I still loved their music. [1:46] I was not supportive of the band and made fun of them. And for that, I need forgiveness. Bill: [1:54] So Hootie and the Blowfish, if you're listening, we're sorry. And we're going to go from guilty to guilt-free today. Let's go through the history of hooting the blowfish. Frank: [2:10] Yeah, so they kind of burst on the scene in 94, but they weren't just brand new. They had been playing as a band for eight years. They met and started the band in 86 in South Carolina. And the story goes, Mark Bryan heard Darius Rucker singing in the shower when they were both freshmen at university. From there he said like, hey, you got the, you have this great voice. So they started a band called the Wolf Brothers. And then they brought Dean Felber and the original drummer. Give me a second here. I have his name. Brantley Smith started the band. And then after university, Brantley left the band because he wanted to pursue a career in music ministry. And that's when Jim Sonnefeld came into the band. Bill: [2:58] And Jim Sonnefeld's tryout, is that what they call it when they're trying it? That's a better word. When he had his audition, he said to them, I write songs too. So Darius Rucker is telling the story at a concert a few years ago. And he's like, oh boy. And they said they spent the whole day kind. Frank: [3:02] Or audition, I think? Yep. Bill: [3:15] Of with him. And they had been drinking beer all day and like, oh boy, here we go. He's got a song. And the song that he brought to them was Hold My Hand. Even though it says all four of them wrote it from what I gather this is Jim Sonnefeld's song I think Darius Ruckerman worked on some lyrics as well I'm not sure I mean I like the idea that they, gave themselves all writing credit which of course was financially a great thing yeah but hold my hand was what the new drummer brought into the band and it's, one of those classic stories where you have all these pieces and then you kind of switch up drummers thinking of course that thing you do and then you some or the yeah was it Ringo okay sure so hold my hand which is the song we're gonna be talking about today was written I think probably 89 somewhere around. Frank: [4:04] 89, yep. Bill: [4:05] There so there's a version of it from 1990 that is released on the Cracked Rearviews 25th anniversary and there's another version of it on their EP Koochie Pop and then it came out again and cracked rearview. So by 1994, a lot of these songs have already existed for four to five years, I think. I think, I mean, maybe two to five years, but they've been around. Frank: [4:31] Yeah, because Houdini and the Blowfish were huge in the college bar scene in South Carolina. They all stuck around there. They played, you know, they're sitting in there going from bar to bar in their van and everything and, you know, just kind of living that musician life until they caught their big break and caught it they did. Bill: [4:54] And it was tricky because they were denied the South by Southwest entry. They're never allowed in from what I can gather when they were trying out. They have these rejection letters from like Geffen Records, people saying, well, the criticism was this is the type of music people don't want nowadays. So that was there. So this sort of music from our early 90s. I mean, there's this big transition where suddenly it got darker. But this music existed. So I feel like we've talked before about this where there's this sort of dark cloud. We act as though, Existed in those early 90s this feeling of dread existential crisis, But the truth is who in the blowfish was out there playing? Someone's listening to country music non-stop on the radio too. So there's other stories going on. Frank: [5:40] Yeah, yeah, and there isn't that, like you said, it isn't doom and gloom with their music. It's called like middle of the road rock or like safe rock or whatever, but it's happy, it's positive and I think that's what we needed at that point. Bill: [5:58] Clearly the US craved it because it was the number one Billboard album. and our rock album going to number one for the year, still is kind of a rare thing. But it had that heartland feel to it. It had the positive vibes we wanted, and everyone was listening to it. And I know you feel bad about turning your back on them but you weren't the only person who owned the album. But amongst our friends, You were the only one who was willing to say you had it. Frank: [6:27] Yeah, I had already established myself as being a huge Toad the Wet Sprocket fan, and I still am. And then bringing Hooting the Blowfish into the mix as well. I was concerned about being that guy that just liked bands with ridiculous names. Bill: [6:45] And I was doing my best to try to prove that I really liked early Genesis. So I'd already staked my claim in Prague Rock, Even though it's deep down, I just want to listen to Phil Collins all day. Frank: [6:51] Hahaha. [6:58] Yeah, yeah, yeah. And I know that this is probably common knowledge, but I think it bears repeating. The name Hootie and the Blowfish doesn't refer to anyone in the band. Bill: [7:08] Right, and they have a whole sketch on Key and Peele about this. It's okay, but it's the idea that he's not Hooty. Frank: [7:09] Everyone thought that Darius Rocker was Hooty and the band was the Blowfish. [7:16] Oh do they okay yeah oh yeah yeah yeah yeah that's right. Bill: [7:22] Yeah, yeah. And that is a thing, Darius Rucker says, oh man, now that they're touring again, he keeps being called Hooty. But it was Darius Rucker who describes himself as a bit of a, he says, I'm a nice guy, but. Frank: [7:27] Oh, serious. Bill: [7:34] I can be a bit of a jerk sometimes and I would give these nicknames to people and sometimes they weren't the kindest nicknames, So he called one guy Hootie. Frank: [7:42] Yeah, because he had big eyes and looked like an owl. Bill: [7:44] Right and then another guy came out with like I don't I'm guessing he had facial features that made him look like a blowfish. Frank: [7:50] Yeah maybe like dizzy Gillespie cheeks or. Bill: [7:52] So he Yeah, so he called one of the guys Hootie and one of the guys blowfish and then he turned said Why don't we just call ourselves hooting the blowfish to whoever was in the band at that moment? But we've always thought Blowfish was plural. Turns out there was a guy named Blowfish and a guy named Hooty, according to Darius Rucker. I don't know how these two guys feel about it. But that was it. And then like so many other things, like told the Wet's Sprocket, they said, well, we put that in as a joke because they're in a battle of the bands or whatever, right? And then it never left. And this is the same thing. Well, we're gonna live. Well, I mean, the great thing is for search engine optimization, you type in Hooty. Frank: [8:21] It just stuck, yeah. Bill: [8:28] There's not too much that comes up outside of this band. Frank: [8:30] That comes up, yeah, exactly. Yeah. Bill: [8:33] So this brings us to, well, we've already talked about it. Cracked Rearview is their debut album. They've had several EPs already that sold well. I think Coochie Pop sold like 50,000 copies or something. And so they are wise enough to have already formed. Frank: [8:43] Yeah, yeah. Bill: [8:47] A corporation, Hootie the Blowfish. And they had like an office in, I think it's South Carolina or wherever they were. They already have it and they still have that office. But they set up a corporation and put in their own like insurance and stuff. So they were made sure they were paid all the time. And they were wise enough by the time that they hit it big, they were 29, I think. Yeah, they were late 20s. Yeah. Frank: [9:10] Yeah, they were late 20s by the time everything sort of panned out for them. Bill: [9:14] Yeah. So that kind of gave them career longevity, even though they seemed to be a flash in the pan in terms of, I don't know, pop zeitgeist moment or whatever. Frank: [9:25] And like the, I don't think they were ever cool necessarily, but they were popular. Bill: [9:35] Yeah. And Darius Rucker even said himself, they knew that. [9:38] Things were going great for them. But deep down, he said they knew they weren't great. Frank: [9:43] You get the feeling that there's no huge egos with that, with the band. Bill: [9:46] Yeah. Yeah, exactly. And they didn't have that. And they're all buddies. And they stayed together. Interesting side note Trivia the band members have had marriages and divorces all of them right cuz that's just life in this industry. I, Talk as though I know all about this industry. So drummer. Frank: [10:02] Well, your wife's in the industry, right? Bill: [10:06] The drummer Barry Sonnefeld Gets divorced and in 2008 he marries Mark Bryan's ex-wife. Frank: [10:16] Oh, seriously? Oh, geez. Bill: [10:16] Yeah, they all are still buddies. So that has worked out. So So that's a bit of random trivia for you there. Frank: [10:20] Okay. [10:23] I did not know that. Wow. You got to have a strong friendship for that to happen. happen. That's crazy. It's like Johnny and Joey Ramone all of a sudden. Bill: [10:29] Yeah. [10:30] Yeah. I mean, they never look at each other in interviews and they don't speak and. [10:38] I made up the don't speak part. I'm not even sure. I'm not even sure they're friends, but they still work together as a corporate unit. All right. So Cracked Rearview. This is the album you lent me in 1994. Right? So I borrowed it from you. And back then, I mean, CDs were so expensive. Frank: [10:55] Did you create a tape? Did you? Yeah. Bill: [10:57] Oh for sure. Frank: [10:58] But there's something so comforting in Darius Rucker's voice. It's that that baritone. It feels familiar and it feels comfortable and it feels safe. Bill: [11:09] And it has all these sort of elements all baked into it. So you have this Rock and roll heartland feel but you have a soul feel in there and then you also have a country feel. Frank: [11:20] You have a soul feel in there. Bill: [11:20] And that's all mixing into like well, basically all the modes of popular american music all in one voice. Frank: [11:27] Yeah and it crossed so many genres which is probably why Crack to Review did as good as it did. It spoke to so many different people. Bill: [11:36] Dears Rucker said that to him, hold my hand as a protest song. [11:41] And he said, for me, the song was always about racism, which I never thought of. Frank: [11:46] No, and we talked about this a little bit before some of the misheard lyrics. I thought it was more of a romantic type of song, almost going back to like that early 60s, that kind of like, I wanna hold your hand, like that kind of a feel. And then I just misheard some lyrics while I was listening to it when I was younger and thought it was more about romance, but it's about the way I understood it now, rereading the lyrics, it's about pulling people up and building them up and supporting people, and being there for them. The harmonies, particularly in the chorus, It just, it helps to push through that theme of what, hold my hand, what that that resembles. Bill: [12:35] You always use that word. That drives me insane. Alright. So this song has three iterations to it. So there's this one, which is the one we all know, but there was two earlier versions. So the neat thing is hearing its development as it went. But neater still is it wasn't really developed. It was already there in 1990. I read somewhere where they said 95% of the sound was already on those EPs and you can hear it. Every part of it has already been worked together by them. So the producer of this is Don Gaiman, who also worked with Mellencamp and REM in the, past. And so they thought it was a good fit. And it was and he did bring some things out there like he just pushed certain sounds out there. You can hear the bass much better. a clarity and there's way more power in the chorus, which is what makes the song what it is to me. But they already had it there. So it's kind of neat that this band knew what they were and work towards it. It wasn't as though they were created by a producer. Frank: [13:45] Yeah, the producer just took what was already there and just sort of fine-tuned it a bit. Bill: [13:49] All right. Well, let's talk about the song. Frank: [13:54] Yeah, song analysis. What I like, it starts off with that nice clean acoustic guitar strum, and it starts off with the opening line, with a little love and some tenderness. We'll walk upon the water, we'll rise above the mess. With a little peace and some harmony, we'll take the world together, we'll take them by the hand. Bill: [14:14] Now, that in itself is something worth looking over, why this band is so popular. So, with a little love and some tenderness kind of brings back some of those peace and love 60s stuff. We'll Walk Upon the Water brings in the gospel, right? We'll Rise Above the Mess with a little peace and some harmony. And so you have this sort of all of us are together. When I heard this originally, I just thought it was a love song, because I have the Beatles, I want to hold your hand in my head. that's all I think it's about. But as I'm looking at it now, the gospel throwback lines make it feel much bigger thing, that there's something much more powerful going on. And that leads of course to the pre-chorus almost, or tease pre-chorus, cause I've got a hand for you, cause I wanna run with you. I just love the notion that it's holding someone's hand and then running with them. So you're kind of taking them somewhere, you're either taking them away from something, or towards something. And I think in this song is both. Frank: [15:14] You're running towards something. [15:18] But, and it's also, you're helping them to get there. It's like, it paints this beautiful picture in my mind anyways, of like, there's an excitement behind it too, cause like you're dragging someone's like, I got like, no, no, no, no, no, you got to come here. This is super exciting. Come with me. Bill: [15:34] So you have a, the next verse or I don't know, but it's yeah, we'll call it verse. Yesterday I saw you standing there. Of course. We don't think it's yesterday. What do we think? Frank: [15:47] Yes, indeed. Bill: [15:48] Yes, indeed. Okay, so there's music yeah. Frank: [15:51] Well, and that was the other in the in the first verse, it was, when he says, we'll walk upon the water, we'll rise above the mess. I was I mean, it's just a slight change. But we'll I thought it was we'll rise above the mist. Bill: [16:04] Same with me because I thought I matched the water but the mess is is better but I but this is the same I'm realizing now other lyrics so yesterday I saw you standing there your head was down your eyes were red No comb had touched your hair. I said get up and let me see you smile, We'll take a walk together walk the road a while cuz, But what cuz as a nut cousin hasn't because that line there where the idea of finding somebody who is down in the dumps. Now, just off the top of my head, just thinking about this, how about this for a reading? You're sitting down, you're ready for this? Frank: [16:43] I'm sitting down, yep. Bill: [16:45] This is Hootie and the Blowfish talking to 1990s music. Frank: [16:55] Oh, wow. Bill: [16:56] What do you think? They're looking at the grunge movement. Frank: [16:58] Yeah. Bill: [16:58] They're looking at the people just sitting there with their red eyes are all upset. And this is the band coming to us and saying. Frank: [17:06] The band is saving the world. Bill: [17:07] The band is saving the world. Yeah, cause we didn't comb our hair. Take a look at all those grunge people. They didn't comb their hair. And he says, get up, let me see you smile. I love that. Cause like no one was smiling. It wasn't a thing. And he's gonna take us on a walk. We're walking together, walk down that road. And that's of course these classics Southern songs, beautiful pictures of this sort of harmony, hospitality. Let's get together. Frank: [17:35] And you can see that they're walking down a country road. There's like 100 year old trees lining the street and everything. and it's just a simpler time. Bill: [17:46] So here we go. Now we're headed into it. I've got a hand for you. I want to run with you. We've heard that before. And then it goes in that chorus. Hold my hand. I want you to hold my hand. and hold my hand, I'll take you to a place where you can be anything you want to be because I want to love you the best that the best that I can. Frank: [18:09] I'm getting goosebumpy and I'm getting teary-eyed right now. This is so beautiful. This is so, so beautiful. And then, like I said, Daris Rocker's voice is just so comforting and accepting. It is, oh my goodness, why did I ever turn my backs on these guys? Bill: [18:31] Listener Frank's actually crying. You are we didn't take a break here. Frank: [18:35] I might be. Yeah, no, it's just, oh, what was I doing? What was I thinking? My 20s were wasted. Bill: [18:46] Here's the thing listening to the lyrics of the song, tweeting the blowfish is not going to deny you entrance and to hootie-halla. Frank: [18:55] Oh, I know. And Darius Rucker's gonna take me by the hand and he's gonna run with me to all the fun and cool things. gonna judge you? No! It's okay. Oh man, such a beautiful song. Oh, I love this song. Bill: [18:56] You're still gonna be able to walk there with them. [19:04] He's not gonna judge you. It's okay. [19:12] Alright, let's work through some more of these lyrics because I think this is pretty rewarding. See, I was wasted and I was wasting time till I thought about your problems. I thought about your crimes. Now, I didn't think it was crimes. I thought it was crap. I thought about your crap. Okay, all right, so I thought it was tongue crap but crimes crimes is odd to me. Frank: [19:26] I heard crimes but. Bill: [19:32] So see I was wasted is wasting time thought about your problems thought about your crimes, Then I stood up and then I screamed aloud. I don't want to be part of your problems, Don't want to be part of your crowd that this this is the verse where it did throw me a bit thinking about Okay, this isn't just hey, let's hold hands and we'll be okay because when Darius Rucker says he's thinking racism, I'm trying to wonder if he's thinking about, Maybe American history or something about the I don't know if he's thinking about your the crimes that's been done in the name of, You know a segregation or what slavery all these sorts of things where he's now there. I, Don't know. I feel like when I was reading it he's screaming and he's saying I don't want to be part of this problem, Yeah, and then he's gonna grab the hand and take them away. Frank: [20:24] Yeah, that's the way I read it. Cause like you can read it one way saying, like he's just, he's getting out of there. But my understanding is he's getting out of there, but he's taking his friend with him. Bill: [20:36] Yeah, he's escaping but with so he is in a sense, saving people but this sort of notion that you could pull someone out of of whatever garbage they're in. Frank: [20:49] Oh, the muck and the mire and the crap that they're dealing with and all that. And yeah, he's being that good friend. Bill: [20:49] Yeah. [20:55] Yeah, so what this song is saying is you can be redeemed. And that's what we need to hear. In the 90s, there was so much, at least the early 90s, that sort of music was like, well, to quote a Nirvana song, that was a joke, but still it was called, I Hate Myself, I Wanna Die. But this is Hootie the Blowfish saying, no, no, no, come on up. and telling you who you are, right? You know, when Koma touched your hair, I'll show you what a good shampoo and conditioner can do. Frank: [21:23] And I just want to see you smile. Oh, when I see you smile. Bill: [21:24] And I just wanna see you smile. Yeah, yeah. Wow, that comes back to that song you danced to. Frank: [21:33] Yeah, that was an early 90s song too. Yeah. And considering that, like Hootie and the Blowfish. Bill: [21:34] Yeah, this is all coming together. Yeah, all that stuff got destroyed with the grunge movement and all this, but it wasn't able to destroy some peace and harmony. Frank: [21:47] They came like from the mid 80s. That's when they started off 86 I think it was. So you know they're putting in their time and they're this fun bar band and everything and they have this popularity but then they're they're kind of watching like you said that they got rejection letters saying, this isn't the music that people want to listen to right now. Well obviously it was because it sold as huge as it was, but watching that huge cultural shift in terms of the music style and what was popular for about two years, but just persisting on. They held each other's hands and they got themselves through all that. Bill: [22:28] And that leads to our little switch up in that next chorus that kind of takes us through to the end where they talk about what he talks about having hand for you and all that stuff but says hold my hand want you to hold my hand that's his background i guess i could read this without the background vocals let me try that again. Frank: [22:45] Yeah, but the background vocals before you go any further, the harmonies and they're singing, It rounds everything out so well. And David Crosby sang harmonies on this for the choruses. Bill: [22:58] And this is what makes the big difference between the early versions and this is that chorus the sound of the voices pushing it forward is strong and if you listen closely you can hear David Crosby because there's that Crosby stills Nash sound, at least one third of it moving in there and I can almost kind of perceive that. Frank: [23:13] This is. Yeah. Well, it really does help that chorus pop. Bill: [23:19] Vocal pushing the song up to the heights. Oh yeah. And so in that chorus, instead of saying, I'll, take you to the place where you can be, it changes to, I'll take you to the promised land, capital P, capital L. So you have two things one is a course classic gospel language, but also promised land is language of, The abolitionist movement. Yeah, right. So so I can't. Frank: [23:49] Yes, yeah, yeah, yeah. Bill: [23:51] Unsee this now, especially after Darius Rucker saying he always felt it was a protest song, So whatever he's looking at there in there or whatever Jim Sonfeld was also thinking when he wrote it I'm curious what the original version was and what? what the drummer brought to the band and then what the band did with it. Because I mean, to be fair, the song isn't what it is without that guitar bridge, right? The song isn't what it is without that sort of moving bass line that you can really hear, in this version. So I do like that they're all for credit as songwriters. Frank: [24:26] Yeah yeah yep. Bill: [24:29] The video for this, we'll come back to, we're going to come back to the song. Frank: [24:33] Yeah why's Jim gotta be the only one with his shirt off though yeah flesh. Bill: [24:36] But it was very odd why he's shirtless. At one point I wondered if he had any clothes on, like, oh good, he's got cargo shorts on or something. Frank: [24:44] Color cargo shorts or whatever. Bill: [24:46] Well, we were introduced to a band who dresses like, I mean, they dress like they're going to a university party, but also pretty close to someone who's dressing, like they're about to go play 18 holes of golf. Frank: [25:00] Yeah oh and who do the blow fit that huge golf fans all of them. Bill: [25:04] Yeah, I think part of the blowback against them was this felt like PGA rock to some extent. Frank: [25:08] Yeah. Bill: [25:10] But the video has all these sort of images, of people together. There's one point that there does seem to be like this sort of group of friends together having a pack, but then there's a moment where there's a guy reading the newspaper and kids are running around him, but he never seems to get up and change his mind. Then there's another thing where a whole bunch of people, are together in a circle running around, but I'm looking for the guy who's sitting there reading the paper and he doesn't seem to be there. So I don't know what the subtext is of it. Although the band didn't look like they're having a good time. And Jim Sonnenfeld has a smile that, yeah. Frank: [25:47] Such a goofy smile. They're all goofy guys. Bill: [25:50] Yeah, it's a lot of Care Bears smiles. Not quite Care Bears stares, but they got a lot of joy. Frank: [25:53] Yeah, yeah, yeah, yeah, I think they're I think they're just so pumped It's just like we are recording a music video right now. We have made it. This is so exciting Well, it's tough. I know it's cliche for me to say, but it's the chorus. It's the harmonies in the chorus. Bill: [26:04] Now that we talked about music video, I wanna get that out of the way. What's your favorite part of this song? Frank: [26:18] It just really moves everything the way that it needs to go. Second there's that great guitar bridge, which I really love. But yeah, like, cause I got a hand for you. I got a hand for you. And it's all like everyone singing together and then the like, hold my hand. And then Darius Rocker punches through with with his lyrics and everything. And it's just, it just comes together so nicely. Bill: [26:43] And that's mine too. That when they sing Hold My Hand, I know you took it. It was like, that bridge felt so familiar to the guitar bridge is like, oh, this is classic 90s bridge. But I. Frank: [26:47] Well, you can't have that. That's mine. Yeah. Bill: [26:56] Yeah, I think we're in agreement that that chorus is, you know, the thing. And it's a long song. It's four and a half minutes. And then other versions are about five minutes or so. And. Frank: [27:00] Yeah, that's where it's at. But it doesn't feel long. It doesn't feel long listening to it. But you're right though, like lyrically it paints this great picture. Bill: [27:07] But it doesn't feel long. No. Frank: [27:16] And the way that it's sung, you can feel it. You can feel and you can see in your head exactly what they're singing. it's just I don't know it's a great song I am sorry I am so sorry I turned my backs on you guys. Bill: [27:30] Well, you're here to stay now. Did you watch that early Letterman performance? Frank: [27:35] I remember seeing it videos of it after after they they had been on there but and I'd seen them again when they returned to because they returned a few times to Letterman. Bill: [27:48] So the first time they played Hold My Hand there, like you could sense sort of nerves. Like Darius Rucker is not as loose. Like he's a bit restrained but what was going on was Paul Schaeffer's whole backing band was in on the chorus and, They're playing along so even though the band isn't, totally tight in the performance, but they have the support of Schaeffer's band and it is pretty cool to see and, I know Letterman likes, The name Hooting the Bullfish, but you could see he really liked the album and he was pushing there's certain things he pushes and that was one of them. Frank: [28:28] Yeah, yeah, yeah. When Letterman likes you, he really lets you know. Bill: [28:34] And this is like a bit over the top, but I'm going to read it because Darius Rucker mentioned it when in this interview, there's the whole thing about the hatred of Hooting the Blowfish. One thing he said a couple things. One thing he said is people hate us because we don't write songs about how much we hate our parents or how much school sucked. And then he also talked about the Letterman thing and he said, this is the day grunge ended. Frank: [28:59] I don't think he's wrong though. Bill: [29:04] We had just gone through three or four years of record sales not being that good and grunge being the big thing on the radio. And then all of a sudden we're saying hold my hand. You know these great little hooks that were undeniable and people wanted to hear that. They wanted to hear it again and again. Frank: [29:21] And he's not wrong. I think people needed something positive. After, like we said, the doom and gloom of the early early 90s rock. Bill: [29:30] I found something even more positive than the song and I can say it this way because it's still the. Frank: [29:35] Oh, yeah! Bill: [29:36] Song but it's on Sesame Street. It was one of the best appearances of a band that I've seen, And so they're there with the Muffets and it's about crossing the street, It was so good And so Elmo's there and Darius Rucker takes Elmo by the hand to help him cross the street and that's so good The lyrics are set up to be about waiting for an adult you trust to help you cross the street and it was. Frank: [30:00] Yeah, that's awesome. Bill: [30:03] Beautiful positive and the band is all in. Frank: [30:07] You can't go through life with a band name Hootie and the Blowfish and take yourself too, too seriously. I think they understood and which is why they probably set up that corporation. They they probably knew it's like, okay, this might like this might be our only shot. So like, let's make sure that we capitalize on it. And you get the feeling that I can't remember if I said this or not. but there's not really a big ego with the band. We talked about like them being in bar fights and stuff like that early on but that was you know I think for for good reason if you you can you know, justify violence and all that but you don't get the feeling that they lived that quote-unquote rock and roll lifestyle. Bill: [30:50] They certainly didn't before Crack but afterwards each of them sort of had their struggles from the sounds of it. Frank: [30:58] Oh yeah, yeah, yeah. Bill: [30:59] Yeah, so they never did heroin. But there was just reading interviews with like they, there was some crazy, yeah. Frank: [31:08] They partied pretty good. Well they were a party band to begin with. Well, Daris Rucker has that amazing country career right now too. Bill: [31:11] Right, and so I guess coming into this scene. [31:15] I think they found their way. They found their back on their feet, so to speak. and things are going well for them. I mean, so it's neat, you can kind of read up on the histories of each and then they're doing okay. [31:29] It's crazy. I remember when, yeah. We talked about him earlier for the Lionel Richie episode. Frank: [31:34] Which is bonkers. Bill: [31:35] His duet with Lionel Richie is bananas. Frank: [31:37] Is, yeah, it's crazy good. Can we put a little clip of it here? Bill: [31:44] Well, we got to. Yeah. Frank: [31:45] Yeah, okay. Bill: [31:48] All right, well, I think we got some categories we could talk about. Michael Bolton. Frank: [31:54] Okay, I'm going to say no. And there's reason because of that. The opening line is with a little love and some tenderness. I think he would get confused and just sing time love and tenderness. Bill: [32:08] I didn't think of that. That's good. I would love to see Darius Rucker, Michael Bolton duet, Ala, Lionel Richie, Darius Rucker duet. Frank: [32:16] Oh, yeah. Bill: [32:17] So I would like a thing where it's the Darius Rucker duets album and Michael Bolton comes out to sing, hold my hand. Frank: [32:23] That would be fantastic. As long as he's singing. He's not singing time love and tenderness. Bill: [32:28] Yeah, I think you'd have to have people feeding lines, also restraining Michael Bolton when he wants to go full Bolton, he's gonna have to control them. Frank: [32:35] Like a shock collar or something. You were weakened at Bernie's I was more running man. Bill: [32:36] They'll have ropes. [32:39] I was thinking of a series of pulleys and ropes, But yeah, you went more running man. [32:50] All right, Hallmark movie. I have written down here Hallmark Pure Flix movie, because I think this would make a great Christian movie. Frank: [32:59] And because there's no real romance about the song, it's all about like, building each other up and being like there for each. Bill: [33:02] The idea of that redemption is so much what I want life to be, that someone could come. Frank: [33:07] Together. Bill: [33:17] Along and help out somebody else. This is what the song is about. It's not the self-actualization of the person singing in terms of I'm going to find myself and get there. They might be they might find themselves in the act of their, charity towards their fellow human. Frank: [33:34] Yeah. Yeah. But but all they're doing is they're looking out for their fellow human. It's not a self-serving thing. Bill: [33:41] And so that really does feel like the band because they are always seen as collective. There's never a sense that I could see that they hated each other or or that Darius Rucker was gonna go on his own, even though he did, but it was amically. Frank: [33:54] Well, and they said they said like no we never broke up we were on hiatus. So in in 2008 was when Darius record left to do his solo career. but they're back together and they're touring and they're releasing albums and stuff like that And he said like, no, no, like we're always hooting the blowfish. we're always going to be us. Bill: [34:14] The great thing is the sort of vindication of time that 25th anniversary of crack free review finally came out like 2019. Their tour was sold out. Yes. And so I mean, it was, like the number one tour, I think of 2019. And of course, it's it coincides with that article. I mean, I don't know if we'd fully talked about it. But you read this article in Esquire magazine, which was titled What's the title of it? Frank: [34:42] How our cruelty killed Hooty and the Blowfish and damaged our souls. And then the byline is we need forgiveness for what we did in 1996. And this is what brought up a lot of guilt and pain for me realizing just like I have not atoned for my sins. Bill: [35:03] But 2019 ended up being a year that was amazing for Hootie and the Blowfish and the article is kind of funny reading it Because they're like 2018 was such a bad year. We got to find ourselves again. It's like, oh, no, no, no. Frank: [35:07] Yeah. You have no idea what's on the horizon here. Oh yeah. Bill: [35:18] Yeah, yeah, and he may even met anybody's like this being January 6. He mentioned someone's like, oh you have no idea What January 6 is gonna mean in the future too? So we have like COVID is just about to come right? COVID-19 comes towards the end of that year and it doesn't really hit North America till maybe March, of 2020 and now we're in 2023 now and oh my goodness so much has changed since then where this guy had no idea where we were headed. Frank: [35:43] Well, we'll put a link to the article in the show notes. Fantastic article. Bill: [35:45] Uh, yeah, Frank, I... Frank: [35:48] He takes a lot of pot shots at other artists that like we give these guys a pass, but we dump on Hootie and the Blowfish and he's calling out like Deep Blue something. I know Bill you love Breakfast at Tiffany's right? That's one of your favorite songs? Bill: [36:09] I don't know. Frank: [36:09] I don't think I've ever seen Bill shoot daggers at me before. But then like Dishwala, Dave Matthews band, Counting Crows, talking about all these bands. Bill: [36:13] Yeah. [36:13] But yeah, there is something to be said about where this music fits in within the 90s. Frank: [36:21] Just like, why did these guys get a pass but we dump on Hooty? Bill: [36:32] That's a good call. Like yeah, bands were able to survive and be given passes, but not this. Well that leads to the mixtape doesn't it? Frank: [36:40] Yeah, you go first. Okay, I have, it could be long. Bill: [36:41] Yeah. Okay I got a kind of long mixtape. Okay. Okay. I have a feeling we are going to cross over a lot here. Frank: [36:51] I'll let you go first. Bill: [36:52] Okay. Well here are the songs. I wanted to cut it down but that just wasn't happening because there's so many types of songs I wanted to put in here. So here we go. What I picked were bands from the 90s that were sort of given a dismissal by the wider culture in the end. Like they might have been popular, but then they were cast aside, especially by critics. Frank: [37:20] Okay. No, no, no, no. Mine is very, very superficial. Bill: [37:21] It's not crossing into your territory at all. Oh, good. Okay. Okay. So here we go. Enid by the Bare Naked Ladies. to me, Delamitri. It is. I know. And I'm not sure people hate. Frank: [37:35] That's a great song. I really like that song. Bill: [37:39] Delamitri because I'm like, I don't but it has that same happy feel. And Ian it is goofy happy feel and Bear Nickleys toured. Frank: [37:42] Oh, yes. Bill: [37:46] With Hootie and the Blowfish. Favorite of yours here, the Goo Goo Dolls. Sorry, slide. So, positive. I go back to them. Yeah, sorry about that. Two, Two Princes, Spin Doctors, Run Around, Blues Traveler, Flood, Jars of Clay. Frank: [38:08] I think I had all of those albums. Bill: [38:10] Next one for sure you'd have, Toad the Wet Sprocket, Nightingale Song. I picked a yeah, I just it's a beautiful song and then I end it with Found Out About You by Gin Blossoms. Frank: [38:14] Oh, beautiful song. [38:20] Oh, okay. So I went. [38:24] I went so superficial. Songs that have body parts in the title. Bill: [38:30] Okay, all right, here we go. Frank: [38:32] So this is my head and shoulders, knees and toes, mixtape. Put your head on my shoulder, Paul Anka. Betty Davis Eyes, Kim Karnes. When I'm Back on My Feet Again by Michael Bolton. Footloose, Kenny Loggins. In Your Arms Awhile by Josh Ritter. I Just Died in Your Arms Tonight, Cutting Crew. Bill: [38:59] Wow. Yeah, it was definitely. Frank: [39:02] And then we are ending it with hands by Jewel. Bill: [39:08] Just know, I, you know, I should have seen that coming. And I, I know. Frank: [39:12] How could you not? Bill: [39:14] And as soon as I saw that you were going, you're still speaking like, oh, here it comes. Well, I can't say hands doesn't fit. Are you giving us Christmas hands or the original? Frank: [39:24] No, the original. Bill: [39:25] Oh, the original. All right. I can't say that's better. Frank: [39:28] Yeah, it's the same song. It just has no jingle bells in it. Bill: [39:29] Same song. All right. Well, I guess I get that for the Cuckoo Dolls. I like Slide. I like that song. All right. Frank: [39:36] Yeah, you can like it. I like hands. Bill: [39:41] There's another song called Hold My Hand by Lady Gaga for the Top Gun soundtrack. Frank: [39:44] That's right, yeah. Yes, yeah, yeah. Bill: [39:47] Good tune. So I was going to have a category, greatest Hold My Hand song, but I'm like, that's, we're not all about that. And this leads to Garth Brooks at the American Music Awards. American Music Awards had the following nominations for Artist of the Year. And it was Hootie the Blowfish, Green Day, Boyz II Men, TLC, Garth Brooks. Garth Brooks wins. Now American Music Awards is a bit different. It's based on sales and votes, I think, or something. So Garth Brooks wins. And he says, I can't accept this award because when we choose one artist over another, we're, all diminished or something like that. Yeah. And then he left it. And so I had thought. Frank: [40:29] He was very diplomatic about it, basically saying he didn't deserve it. Bill: [40:36] I had read that he'd actually mentioned Hootie and the Blowfish, but it might have come up in interviews later where he said, Hootie and the Blowfish sold the most. This is clearly the band everyone loves. So that's why we're not picking Lady Gaga versus Hootie and the Blowfish. Garth Brooks wouldn't want that. So Dearest Rucker is hanging out with Garth bit of a side note here, but it all comes together. And Garth Brooks said, do you ever wonder what. Frank: [40:52] Yeah, exactly. Bill: [41:00] Happened to that award I left on the podium? And Darius Rucker said, well, what happened to it? He goes, nah, it's on my mantle at home. I love Garth Brooks. It's so great. So just for that. Frank: [41:08] So we took it? That's awesome. Bill: [41:17] I think maybe someday we'll get to friends in low places. Frank: [41:22] Yeah, there's a whole genre that we really haven't gotten into is then that that's country music that's really not been in our wheelhouse, but it's obviously in Darius Rucker's wheelhouse. Bill: [41:26] Yeah. [41:33] Yeah, I'm open to going there. Frank: [41:34] Oh absolutely same here. Bill: [41:39] We've gone on quite a journey here, Frank. Frank: [41:41] Yeah and I feel a little bit I won't say redeemed but I feel it's good to get this weight off my soul and admit that I was wrong and and apologize to Hootie and the blowfish that I was one of the many that turned their backs on them. Bill: [42:01] So fellow listeners, you may be feeling the same way too, right? You may be feeling that you turned your back on Hootie, but Hootie is back. And so are the blowfish. And things are okay. So I want you to picture yourself maybe as Frank. And the band comes walking by. And today they see Frank standing there. His head is down. His eyes are red. He's admitted that he's turned his back on the band. You know what they're going to say to you, Frank, and to you listeners? Get up. Let me see you smile. We're going to walk together. We're going to walk the road a while because we all got hands for you. Frank: [42:50] I can't wait for that day to happen. Bill: [42:53] Thank you for listening to Bill and Frank's guilt-free pleasures.

This week Dan and Andrew circle back to I Hate Myself's only full length Ten Songs. Andrew gets fired, Dan has a fine dining experience. We talk tennis doubles, swinging, male attention, turn-of-the-century Arby's architecture, splitting the check, the new Botch song, Bayside, Yellowcard, your bell curve, stealing a computer, being born in the wrong generation, and the headwalking video. Shoutout to Overnight Drive. // Follow us at @danbassini, @mysprocalledlife, and @runintotheground. Listen to our RITG Mixtape Vol. 7 here and our Best of RITG playlist here.

The mythos of Orgcore Guy / rehistoric Pop Punk / Samiam as alt rock / Hot Water Music, Florida Man of bands / Forever And Counting the best HWM release / Small Brown Bike supremacy / the similarity of Gainesville, FL and Kalamazoo, MI / the mystery of I Hate Myself / the vision of CombatWoundedVeteran / PLANES MISTAKEN FOR STARS ON TOP / Floor and bomb strings / NOT A HATER POD / Against Me! = GOAT / “Rumbleseat sounds how depression feels" / getting nostalgic, maybe wistful over Defiance, Ohio (and Strike Anywhere) / the Gunmoll / Fifth Hour Hero split Shout out to David Anthony for joining us and lending his expertise on No Idea for this episode. David has made himself ubiquitous in the world of music writing, with bylines at AV Club, Noisey, and NPR among many others. You can keep up with him at https://www.formerclarity.com/. Companion playlist: https://open.spotify.com/playlist/4fgTBueYS71wZSCMWKQRSM?si=cd6cecc0a16e4c05 YouTube sidecar playlist: https://www.youtube.com/playlist?list=PLUuamDwjyT8zSM16gLFaWFTP0aRCcKxoX

This week Jeremy plays new tracks from Pup, Mitski, Christian Lee Hutson as well as favorites from Orchid, DS-13, I Hate Myself, Weezer, Envy, Jeff Rosenstock, Combatwoundedveteran, Joyce Manor, Charles Bronson, The Menzingers, Total Fury, Career Suicide, and more!   Subscribe to the PATREON and receive a brand new radio hour every Sunday! Thats two additional episodes a month AND you get them a day early!   Follow the show on Instagram and Twitter!

When losers say "You're cocky" or "You're arrogant" they're REALLY saying "I HATE MYSELF for not being confident and successful like you, so instead of putting the work in to become confident and successful like you are, I WILL MAKE YOU feel bad too!" DO NOT LET THEM SUCCEED! What would Eminem do? WHAT HAS he done? Check out this 7 min episode to find out! AND HOW YOU can be just as confident and successful as Eminem--WITHOUT REACTING TO LOSERS AND WITHOUT becoming ONE OF THEM! You are WORTH IT! I'm Worth It Inc is here to support YOU! If you're COMMITTED to your craft, releasing music, movies, or youtube content--sign up for a free 15 min call to see if we are a good fit. Then I'm Worth It Inc. & YOU will decide if we can empower each other to grow our impact, influence & income TOGETHER! WE ARE WORTH IT! https://calendly.com/libertyvjustice/15min Sign up for our newsletter! “WTF” War to Freedom: https://t.co/q20AefNRTZ?amp=1 Rhythm for Revenue (podcast) Blog: https://rhythmforrevenue.wordpress.com/ I'm Worth It Inc. Website & Blog https://www.imworthitinc.com/ Tell us how this episode EMPOWERED YOU! --- Send in a voice message: https://anchor.fm/lvj/message YouTube channel: https://www.youtube.com/channel/UCIamjpPzOhKs8gEtUZkZckw Instagram https://www.instagram.com/invites/contact/?i=12zjgmyeiddeb&utm_content=1ihskz4 Snapchat: https://www.snapchat.com/add/libertycolumbia?share_id=QkE2QTU3&locale=en_US Rate & review us on apple: https://podcasts.apple.com/us/podcast/liberty-v-justice/id1336199553 TikTok: https://vm.tiktok.com/ZMJEraRyL/ Liberty V Justice (CEO I'm Worth It Inc.) music Apple: https://music.apple.com/us/artist/liberty-v-justice/1506366013 Spotify: https://artists.spotify.com/c/artist/045O71JrgCP31IH7l0xer4/profile/overview Show us financial appreciation: paypal.me/LibertyJustice https://venmo.com/Im-WorthItInc https://cash.app/$LibertyVJustice https://linktr.ee/IMWORTHITINC --- Send in a voice message: https://anchor.fm/lvj/message

This is the album that turned heavy metal into pop, or started the hair metal genre of the 80's.  Slippery When Wet was the third studio album by Bon Jovi, and would be their best selling album to date.The band was David Bryan on keyboards, Tico Torres on percussion, Alec John Such on bass, Richie Sambora on guitar, and Jon Bon Jovi on lead vocals and rhythm guitar.Bon Jovi deliberately targeted a mainstream audience with this album.  They wrote 30 songs and auditioned them to teenagers in New York and New Jersey.  The album's songs were then ordered based on the opinions of this teenaged focus group.The band collaborated with Desmond Child, a hall of fame songwriter who wrote songs like "I Was Made for Loving You" by Kiss and Joan Jett's "I Hate Myself for Loving You."  Slippery When Wet would be the top selling album of 1987, and would go 12x platinum.  It would also make Bon Jovi the first glam rock band to have two number 1 songs on the Billboard Hot 100 with "You Give Love a Bad Name" and "Livin' on a Prayer."Bon Jovi - the band, and Jon Bon Jovi as a soloist - would never leave the rock pantheon A-list after this album.   Raise Your HandsJon Bon Jovi and Richie Sambora wrote this one.  It was the B-side to "You Give Love a Bad Name," and was not released as a single.  If it sounds familiar you might be remembering it from a scene in the Mel Brooks film "Spaceballs."You Give Love a Bad NameThis is the first single from the album and would hit number one on the Billboard Hot 100 in November 1986.  Child, Bon Jovi, and Sambora re-wrote the song which started as a song for Bonnie Tyler called "If You Were a Woman (And I was a Man)"  The video was directed by Wayne Isham, who was also directing videos for Motley Crue at the same time.  Motley Crue felt betrayed that Wayne would direct a Bon Jovi video, since they were competing with each other at the time.I'd Die for YouThis song is a deeper cut with keyboard work reminiscent of the song "Runaway" from their first album.  Wanted Dead of AliveThis track hit number 7 on the Billboard Hot 100, and uses old west imagery to describe the lonely life of a rock star.  Bon Jovi and Sambora would perform an acoustic version of this tune on the 1989 MTV Video Music Awards, and would inspire the network to create their "MTV Unplugged" series.   ENTERTAINMENT TRACK:Glory of Love by Peter Cetera (from the motion picture The Karate Kid part II)This solo song from Chicago front man Peter Cetera was on the charts after being featured in the 1986 summer sequel starring Ralph Macchio and Pat Morita. STAFF PICKS:Wild, Wild Life by Talking HeadsWayne leads off the staff picks with a critically acclaimed song from the Talking Heads album, "True Stories."  The song was featured in the film "True Stories," a satirical comedy directed by David Byrne, front man for the Talking Heads.  This was the third and last top 40 hit the band would create.Higher Love by Steve WinwoodBrian's staff pick is Winwood's first number 1 hit in the United States.  Will Jennings wrote the lyrics, inspired by his experience with church in the deep South.  Chaka Khan provides the backing vocals, enhancing the gospel feel of the song - a modern day hymn.Sweet Freedom by Michael McDonaldRob's staff pick was featured in the buddy cop movie "Running Scared," starring Billy Crystal and Gregory Hines.  This was the last top 10 hit to date for McDonald.  In addition to his solo work, McDonald has worked with many musicians including Steely Dan, Kenny Loggins, Christopher Cross, and most famously as lead vocalist for the Doobie Brothers, with which he is touring today.Venus by BananaramaBruce finishes the staff picks with a number 7 hit from an English pop group formed by the trio of Sara Dallin, Siobhan Fahey, and Keren Woodward.  The original was released in 1969 by Netherlands group Shocking Blue.  Bananarama began covering this song when they first formed in 1980, but didn't release the single until they had recorded original songs so they would be taken seriously as musicians. COMEDY TRACK:Big Fat Blonde by The RainmakersThe Rainmakers released their debut album in 1986.  One of their fans was horror novelist Stephen King, who quoted the band's lyrics in some of his novels.

主播们在平时自诩为接受能力很强，但最近的一些新名词和新现象给我们整不会了。 时间轴： 0:07:05 库里为啥买个猴 0:28:20 谁中元节吃火锅啊 1:24:57 MC黄的秦赓式分析 音乐： 1. Jump - Van Halen 2. I Hate Myself for Loving You - Joan Jett & the Blackhearts 3. 山海 - 草东没有派对 本期主播：小鲍、小黄、小古、滤客 喜欢我们快快搜：radio578，加入【578广播花好月圆俱乐部】，收获更多快乐

主播们在平时自诩为接受能力很强，但最近的一些新名词和新现象给我们整不会了。 时间轴： 0:07:05 库里为啥买个猴 0:28:20 谁中元节吃火锅啊 1:24:57 MC黄的秦赓式分析 音乐： 1. Jump - Van Halen 2. I Hate Myself for Loving You - Joan Jett & the Blackhearts 3. 山海 - 草东没有派对 本期主播：小鲍、小黄、小古、滤客 喜欢我们快快搜：radio578，加入【578广播花好月圆俱乐部】，收获更多快乐

Hosts Peter Kennedy and Pat Boyle react to the Knicks dominant win over the Sixers and discuss how depth is their path to glory this season (0:00 - 17:00). We move onto our Football portion of the episode (17:00 - 1:23:00) discussing the fledgling Chiefs and what their path back to top tier looks like, if possible at all. Plus, how legit can the Titans be? The Bengals roll the Ravens and are no looked at as a top notch AFC team - do they deserve that praise? How can you assess the Patriots - with ups and downs and wins only over the Jets and Texans - do they have a road to the playoffs? The Jets and Giants are riddled with injuries, but can they salvage this season in any ways? What is the current Daniel Jones assessment as he seemingly makes strides in this horrid situation. Lastly, we discuss the Packers and Cardinals ahead of their Thursday Night Football matchup. And of course, we play "No Regrets vs. I Hate Myself" recapping our picks from week 7. @SubwaySportsTalk on IG and TikTok and @SubwaySportsTlk on twitter.

The folks at Ruminations From The Red Room bring you another installment of Sad Songs.  Using Tom Reynolds book "I Hate Myself and Want To Die" as a guide, which dissects "52 of the most depressing songs you've ever heard", Mitch, Arvig and Triple C laugh and have a good time talking about sad songs.  In this episode we pour over chapter 6: "Horrifying Remakes Of Already Depressing Songs"'All By Myself' Celine Dion'Without You' Mariah Carey'I Will Always Love You' Whitney Houston'Landslide' Smashing Pumpkins'Send in the Clowns' EverybodyCue up your playlist, and listen along, or listen and come back, just remember that it's all gonna be ok.   #smashingpumpkins #celinedion #mariahcarey #whitneyhouston #sadsongs #musicpodcast #ballads #ruminationsradionetwork #tomreynolds #bummerific #sappy #coversongswww.RuminationsRadioNetwork.comwww.instagram.com/RuminationsRadioNetworkTwitter: RuminationsRadioNetwork@RuminationsNwww.instagram.com/FromTheRedRoomRuminations@FromTheRedRoomMusic and Production by Mitch Proctorhttps://www.patreon.com/RuminationsRadio★ Support this podcast on Patreon ★

In a world filled with pretenders and opportunists, Cobain was the real thing, a unique and invaluable voice that stayed in the heads of lonely people everywhere. Friends or loved ones come and go, but he is THAT friend that stayed who screams in my head and also tells me “I am not alone”. Kurt Cobain died 27 years ago at the age of 27. (A friend of mine, Dr Philip Merry told me to find synchronicity in the numbers: I was born on 17 July 1977). His death on April 5 1994 was one of the most influential and groundbreaking events of the 90s. It took place during a time when grunge rock music was at its prime. Their music videos were super-intense (Heart-Shaped Box still scares me and fascinates me) and MTV brought the world together when the Smells Like Teen Spirit video premiered. My mom and dad, my two sis, and my next door neighbours absolutely hated it when I turned up the volume during Dive, Breed, Scoff, School, Endless Nameless, Scentless Apprentice, Radio-Friendly Unit Shifter, and even the hits like Lithium, Come As You Are and Smells Like Teen Spirit. Our generation loved Kurt Cobain and his music because it was so different and wasn’t staged - it was authenticity and comes from a place of pain. We have started to feel the effects of anxiety and angst and understood what they were - so to have Kurt Cobain literally screaming into a mic about how f*cked up his head is made people feel good - it was validation for Gen X-ers which our parents didn’t understand. The generations after us ie. Millennials and Gen Z experienced hand-me down stuff (and we’ll feature each generation covering Kurt Cobain songs during the #NirvanaTributeVirtualFestival) but this podcast episode recorded two weeks prior to the batch-taping event on our PodFest Asia - Live In Clubhouse session serving as a precursor, proved that Kurt Cobain was so ahead of his time and spoke to not just my generation but also all the generations that came after. It features spontaneous conversations with fellow podcasters, educators, new bandmates, spanning across generations and geographies and cathartic moments when audiences raised their hands to come on stage to provide their own impromptu rendition of “Come As You Are” and “Where Did You Sleep Last Night”. Decades in the making, April's Nirvana Tribute Virtual Festival literally took me a lifetime’s journey to learn how to do podcasting, curate an online festival, masking taping gear tech and apps, develop communicative and interviewing skills, establish network and build community in order to be able to make a serious stab at this and do my heroes Nirvana and friend Kurt Cobain justice. The Festival is more than simply remembering him and his music, it opens up the conversation on how his suicide made each generation feel. Like many in the pre-internet days, I found out about his suicide from the newsstands after basketball practice in school and kept the newspaper clippings thinking even back then, his suicide was as important and game changing as Nirvana’s Nevermind was in resetting music entirely. I still remember on that fateful day thinking that it sucks, even though it wasn’t a breakdown for me personally cos I was still a pre-teen and it was the first time in my life I heard of suicide and for days after, I was bummed out and confused about why would anyone kill himself? My only experience of death at that time was only my grandparents. That gun shot blew up his brains but opened up the conversation about suicide and mental health. His work is art. All his lyrics are existential, about pain, but like poetry, which is what you will mostly find on social media and some of my favourite podcast shows in 2021 today. Three decades in, after working through the ups and downs of life, career dissatisfactions, rough relationships that didn’t end well, more deaths in the family, tragedies piling up, feeling lost, pressures of finding myself, the struggles and journey to discover my own “stake the flag on the ground moment in the universe” before a brush with cancer and podcasting completely changed my life around. And gave me clarity. I can understand times better than before when someone goes through the mindset of Kurt Cobain when they realise the situation and the pain they are in meant suicide is the only way out; whether their end could also be representative of the rest of us still drawing breath, feeling not being able to eventually make it and why it is traumatising for us who are still here. In 2021, I fully understood why fans were bawling their eyes out when Kurt Cobain died in 1994. I bawled my eyes out when Chris Cornell hung himself in 2017. Next to Kurt Cobain, the suicide that bothers me a lot was Chris Cornell. When you tie to life experiences or what you are going through that you have, it makes it harder. Chris Cornell scared the f*ck out of me - the guy has a lovely wife and beautiful kids, perfect marriage, sober and healthy (allegedly), was always up and up, and to do that, you are always on, with a facade, a mask and personality to yourself. For me, to watch him take a further step (which I contemplated at certain points in my life) when he did that, I feel like maybe I cannot do it too. Cos he didn’t make it. You could see his struggles from his art and performances. Heck, like Cobain, you could see he wrote about killing himself in Soundgarden songs “Like Suicide”, “The Day I Tried To Live” the same way Kurt expressed himself about “I Hate Myself & I Want To Die” in all those grunge albums. We are all on the same road - If you make a list of disorders, whoever you talk to any given day, you can check every one of those boxes multiple times. When people are suffering alone: I have been there, I am there, it is very difficult. Pain makes you see light and create better art and music or in the case of comedians like Robin Williams, better jokes or for podcasters, better shows that are cathartic which cracked your hearts open. However sad that may be. When I was in a dark place, I make more podcasts. I am fine when I talk to people and I feel good. It’s all good and that sh*t is gone. It allows me to work through depression which is kinda beautiful vs going through a depression. It is like a challenge that gives you more confidence and a security blanket to myself that if I can handle this, nothing is gonna rattle me. Humour and not taking things and myself seriously is also a great defence mechanism. I couldn’t be the success or make more podcast shows if I gave up. Humans need our very own bio-survivability tickets too in order to keep ourself on this planet. P.S. This podcast also spotlight bands, artists and fans across Asia and beyond, I will be fulfilling my personal (as well as our audience) curiosity about: What was that like when Kurt died? What were you going through when you found out? Which suicide hurts more: Kurt Cobain, Layne Staley, Chris Bennington, Scott Weiland or Chris Cornell? What was the reason for stepping over the ledge?And many more questions spotlighting the artists and their work. You don’t want to miss this https://fb.me/e/AItU44Im Featured speakers on this podcast episode: Souniya Khurana, Co-Founder & CEO, WYN Studio https://www.linkedin.com/in/souniyakhurana/ Vince Fabella, Math Teacher at Thurston Middle School in the Laguna Beach Unified School District https://www.linkedin.com/in/vincentfabella/ Andre Leong, Project Director, Mad & Medley Pte Ltd https://www.linkedin.com/in/andre-leong-a46942169/ Alicia Tien, Podcast Director & Producer, Tsinghua Podcast https://www.linkedin.com/in/aliciatien/ Podcast Trailer Music: Paul Christian (Vox), Andre Leong (Bass), Wayne Cheong (Drums) Pledge as a supporter to show love ❤️ for what we do on PodFest Asia: https://linktr.ee/PodfestasiaSee omnystudio.com/listener for privacy information.

England's Inglorious is one of the best hard rock bands in the business today and their 2021 album We Will Ride will be on a lot of "best of 2021" lists at the end of the year. But the band has just released its second album of the calendar year and it has a bit of a twist to it. Heroine is an album of cover songs with Inglorious performing tracks by women who have been an inspiration musically and/or vocally. Lead singer Nathan James joined me to tell me about this incredible album and how the band turned pop songs by the likes of Christina Aguilera, Whitney Houston, Avril Lavigne, and Miley Cyrus into hard rock tracks. The band also covered more obvious choices like Heart's "Barracuda" and Joan Jett's "I Hate Myself for Loving You." Nathan was a blast to talk to and I enjoyed going through the album with him. You can find out more about Inglorious and order Heroine at their website. I appreciate you listening! You can become a patron of the show for as little as $2 per month at the new MRC Patreon page, with supporter benefits that escalate at each level, providing more value the more you support the show. Please hit the like button and leave a rating/review on Apple Music if you consume this podcast on that platform. You can read my Michael's Record Collection newsletter for free by signing up here. Follow MRC on Twitter, like MRC on Facebook, and check out my Instagram. Have questions or comments or want to suggest a topic? Hit me up at michaelsrecordcollection@gmail.com.

Regresan los mixtapes. Teníamos un buen tiempo sin compartirles uno y hoy vamos con los highlights del año 1988. Doce meses de mucho rock y pop que ha envejecido muy bien y trascendido hasta nuestros días. Ricardo Portmán nos cuenta la historia de cada selección. Escucharemos Born to Be My Baby (Bon Jovi), I Hate Myself for Loving You (Joan Jett), Gigantic (Pixies), Every Rose Has Its Thorn (Poison), Straight Up (Paula Abdul), Blackened (Metallica), Desire (U2), Handle with Care (The Travelling Wilburys), Pop Song 89 (REM) y Patience (Guns N' Roses) + Bonus tracks.

Closing off this season of I HATE MYSELF is singer/songwriter Jenny Owen Youngs. Youngs' notable works include the albums Batten the Hatches, Transmitter Failure, and An Unwavering Band of Light, the single "Fuck Was I," and the recent hit "High Hopes," co-written by her. Youngs discusses why she recently moved from Los Angeles to Maine, and she contemplates the fatal contract that we often make with our anxiety: embracing it for the sake of the (terrifying) motivation it provides and how it goads us at our work. She, Joe, and Wade offer ideas on how artists can break free of that contract, and make productivity more bearable for ourselves. Jenny Owen Youngs' newest, critically-acclaimed EP, Echo Mountain, is out now. Technical Producer: Mike Sgalambro Executive Producers: Joe Trohman, Matthew Medney, Tommy Coriale, David Erwin, Jon Lullo, Brendan Walter, Ari Lubet  I Hate Myself is a Heavy Metal Entertainment & Crush Pictures Production

Heavy Metal fans may know George C. Romero as the writer behind works like Cold Dead War and The Rise, but the rest of the world may only know him as the son of the late boundary-smashing director, George A. Romero. In this episode of I Hate Myself, George lets us in, past the veil, and into the heart of what it was like to grow up with that expectation. What George has weathered is not for the faint of heart - including travelling the country on top of railcars. In this penultimate episode, George chats with Joe and Wade about why creators can get "addicted" to darkness, danger, and reclusion. Most importantly, he offers his advice for how to keep on rocking, rebelling, and sticking it to authority - without getting too mired in your demons. Technical Producer: Mike Sgalambro Executive Producers: Joe Trohman, Matthew Medney, Tommy Coriale, David Erwin, Jon Lullo, Brendan Walter, Ari Lubet  I Hate Myself is a Heavy Metal Entertainment & Crush Pictures Production

Emma Chamberlain, Youtuber, fashion icon, and coffee entrepreneur, hops on I Hate Myself to share her story of dealing with depression throughout adolescence. In particular, she shares her tips on how to manage when your passions turn from an escape into another stressor. Emma, Wade, and Joe delve deep into how the Internet has shaped our psyches, from Joe's early days on message boards to Emma's wrestling with Twitter insult spirals. Technical Producer: Mike Sgalambro Executive Producers: Joe Trohman, Matthew Medney, Tommy Coriale, David Erwin, Jon Lullo, Brendan Walter, Ari Lubet  I Hate Myself is a Heavy Metal Entertainment & Crush Pictures Production

When it comes to mental health, we all need tools - and Joe's definitely a tool. Joe Trohman of Fall Out Boy and co-host Wade Randolph give you a brief rundown of I Hate Myself and why it's your new favorite podcast.

Comedian Joe List joins me and we talk about hating ourselves, anxiety (surprise), the toxicity of social media, green tea, Sam Harris, getting grandiose when listening to music, and lots of other things. We also get into some Jack Kornfield and discuss the opposition between Buddhist notions of dropping identity and the pursuit of “self” that's involved in stand-up comedy and self-promotion. Joe has countless credits including Letterman, Conan and Netflix. His latest special “I Hate Myself” is on Youtube. You can find him at comedianjoelist.com or on his podcast Mindful Metal Jacket.  As always, feel free to get in touch at theanxietylab@gmail.com or on Instagram @sagarbot. Music by Niall Connolly. Also, it's way too early for merch, but we like what we've done here: https://teespring.com/stores/anxiety-lab.

Happy New Year! In today's episode, Neil Crawford the founder of www.anytime-soccer.com discusses why it was music to his ears to hear his seven-year-old say, "I HATE MYSELF" on the soccer pitch. Stay tuned as we follow-up on the reasons that unpossessed practice is so important to the parent-trainer and how it supports our long-term goal of instilling self-discipline and self-determination. --- Support this podcast: https://anchor.fm/anytime-soccer/support

South African comedian Eugene Khoza speaks to New York comedian and podcast host Mark Normand. Mark Normand, the critically acclaimed comedian and Comedy Cellar regular and can be seen on Jimmy Fallon and Comedy Central. Mark Normand has seen praise from his peers such as Dave Attell, Amy Schumer, Louis CK and Jerry Seinfeld from the hit sitcom Seinfeld. Mark Normand also hosts the popular podcast Tuesdays with Stories with comedian Joe List. Joe List is a Comedy Cellar regular as well as he can be seen on Comedy Central. Joe List used to open for Louis CK. Joe List has a new special out on Youtube called I Hate Myself. In this episode of Single Minded with Eugene Khoza, Eugene Khoza and Mark Normand discuss outdoor gigs, Mark Normands childhood, couches making human kind lazy, Mark Normand losing his virginity to a prostitute on the eve of the new millennium. Mark Normand is an American stand-up comedian and actor. He began performing stand-up in his hometown New Orleans in 2006. He has performed across the United States and abroad and has appeared on Conan, The Tonight Show Starring Jimmy Fallon and The Late Show with Stephen Colbert. Normand has been a co-host of a weekly podcast called Tuesdays with Stories with fellow comedian Joe List since 2013. About Eugene: Eugene Khoza is one of the top South African comedians, radio and television personalities. He was the co-host of the SABC1 sports magazine show countdown from 2008-2010. He was the host alongside Trevor Noah of the e.tv reality competition THE AXE Sweet Life from March to May 2009. In addition, Eugene was a writer and cast member of the talk show, Tonight with Trevor Noah and appeared in various sketches.

Join Arvig, Triple C, Mitch and new guest Melle in another adventure of the morose, the bummerific, the gloomy, and down in the dumps.   The gang takes a look and listen, at another chapter from the book "I Hate Myself and Want to Die"Chapter and songs:She Hates Me, I Hate Her‘Love will tear us apart' Joy Division 1980 No. 13 in Uk No. 42 in US‘You Don't Bring Me Flowers' Neil Diamond and Barbara Streisand 1978 No. 1 in the US written by Diamond, Alan Bergman and Marilyn Bergman‘In the Air Tonight' Phil Collins 1981  No. 2 UK No. 19 US‘Ruby, Dont Take Your Love to Town' Kenny Rogers 1969 No. 2 UK No. 6 USTwitter: Ruminations@FromTheRedRoomhttp://guillermotheivth.blogspot.com/Facebook  Ruminations from the Red RoomInstagram www.instagram.com/FromTheRedRoom www.RuminationsRadioNetwork.com Music and Production by Mitch Proctor★ Support this podcast on Patreon ★

本期节目，两个刚刚步入职场的打工人，和一个处于尴尬境地的实习生和大家分享自己（没啥参考价值）的金钱观。 你是存钱族还是月光族？ 你在哪些方面省吃俭用又在哪些方面挥金如土？ 还有和田螺姑娘做室友的弓弓田和明年买房买车提上日程的尚尚？ 聊了一整期的钱钱钱好像还是不知道该怎样一夜暴富。 总而言之，一定不要错过结尾的两则公益广告，以及，祝所有听完这期节目的朋友们成功。 本期歌单： 1 花儿为什么这样红-奚秀兰 2 我要钱-张震岳 3 Money,Money,Money-ABBA 4 Tomorrow Man-Old Man Canyon 5 Blue-dream,ivory 6 Something Beautiful-WAV 7 idk.-Matt Van 8 Mountain-HalfNoise 9 Fields-Still Parade 10 Hunter-Still Parade 11 Midnight-Emmett Kai 12 I Run to You-Missio 13 All That We Had Is Lost-Postiljonen 14 Eleanor And Park-Girl In Red+beabadoobee 15 Kinda Girl-Fake Laugh 16 Once You Know-Good Morning 17 Common Scents-Dazy Crown 18 Doesn't Matter-Strongboy 19 I Hate Myself for Loving You-Joan Jett&the Blackhearts 20 First Call-NOFX 21 So Cool-Teenage Bottlerocket 22 1985-Bowling for Soup 23 Get It Right-The Downtown Fiction 24 Girls in America-Bowling for Soup 25 Life Is Beautiful-My Sister's Keeper Soundtrack 26 爱江山更爱美人-华语群星

"I LOVE your dress!" "Thanks! It has pockets!" vs "I don't like that shirt on you." "OMG I AM FAT AND UNWORTHY. I HATE MYSELF." Why are we like this? This is just one example of the way that we externalize success and compliments but internalize failures and shortcomings. In fact, it's been proven that we need about 7 positive experiences just to negate the effects of one negative experience. It's happened to me before: ONE person leaves of a negative comment on my social media and I'm sent into a tailspin about how I'm the worst, amidst dozens of positive comments. We do this in so many ways. We work really hard on getting a promotion, getting a new car, nailing a perfect set of 10 push-ups, and we turn it into an external win- "oh, I got a great deal on this car" or "these pushups aren't THAT hard." But as soon as it's a negative comment or experience, we let that hit us right in the feels- it's a blow straight to our ego. I'm not immune from this pattern either. I work my tail off to get to my next goal, brush it off like it wasn't a big deal and keep grinding. But the second I hit some sort of resistance or receive negative feedback, I instantly take that on. Why can't I just internalize all of my successes as easily as I internalize all of my so called failures and short-comings? There's an actual reason why humans do this- and that's what we're talking about in today's episode! Hop on to The Confidence Collective Waitlist here.

Latest episode of The Mulberry Lane Show! In depth interview with hit songwriter Desmond Child!