WILDsound: The Film Podcast

Watch the best scene reading: https://www.youtube.com/watch?v=-QDNj491w8Q James Stuart Donovan Hastings, Earl of Billingswood, has had one headache after another. First his home is in disrepair, his nephew is too young for his own good, his best friend thinks he's gone round the bend and now someone just tried to kill him. If it wasn't for the angel with strawberry blonde hair and amethyst eyes, he might well be dead. Blasted horse, thinks he knows more than the master! What is your screenplay about? James Stuart Donovan Hastings, Earl of Billingswood, has a potentially deadly encounter on his way to Sandringham. He is rescued by a beautiful angel. His horse decides it is his right to make choices for the master. Can there be a happy ending? Why should this screenplay be made into a movie? With the success of other Historical Fiction/Romances such as Bridgerton allowing for viewers the chance to escape their day to day experiences, allowing them to immerse themselves in an era that has been romanticized. How would you describe this script in two words? Captivating drama What movie have you seen the most times in your life? Princess Bride How long have you been working on this screenplay? Couple of months How many stories have you written? Seven novellas Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Shame, 5min., USA Directed by Kelly Lynn Warren When a woman is sexually assaulted by a mutual friend the night before, her confrontation with her best friend leads to tragic consequences. https://www.instagram.com/shametheshortfilm/ Get to know actor/writer/produer Ashna Sharan: What motivated you to make this film? I was a peer counselor in college and know of people in my life who have been sexually assaulted. I wanted to raise awareness of the issue and show it from the perspective of two friends instead of focusing on the assailant. The ultimate goal of Shame was to take it to universities and spark dialogue among students. From the idea to the finished product, how long did it take for you to make this film? 9 months How would you describe your film in two words!? must-see, impactful What was the biggest obstacle you faced in completing this film? One of our actors had an emergency and had to back out of filming on Day 1, so I had to recast the same night because we were shooting the next day. Our actor, Sophia Cofino, stepped in and nailed the part. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

The Interrogation, 5min., USA Directed by Kyle Riggs, Dylan Lighthall A Russian mob interrogation goes awry when an over-eager enforcer tries to pitch in, but can't get his mind out of the gutter. www.instagram.com/riggseyyy www.instagram.com/dylanlighthall Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=EJWMb6F1GVY What is your screenplay about? A dark comedy feature inspired by a true story and based on the book of the same name. After a man moves to a small town to care for his dying father, he embraces the community and his new life as a stepfather and husband, until he finds himself in the crosshairs of an unhinged townswoman who challenges him in a school board election and makes him look like the crazy one. What genres does your screenplay fall under? Thriller/Dark Comedy Why should this screenplay be made into a movie? The story is inspired by real life and will be relatable to the viewer. Everyone has a crazy aunt like the antagonist! Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Tendon, 13min,. USA Directed by Jannik Ehret Recovering addict Rene sees a creature poison the city's water supply and has to convince his skeptical sister and her no-nonsense boyfriend to stay away from the tap water. Get to know the filmmaker: What motivated you to make this film? I grew up in Germany from where Los Angeles always felt like a mythical place in another world. Through a street racing video game I was first introduced to the LA river; a concrete channel that splits Los Angeles in such a crude and inorganic way. At the time I thought it was an invention of the game designers. Why else would there be a perfect drag racing track going right through the city. Ten years later, when I first saw the LA river in person, I became enchanted by its otherworldly existence. My parents are spiritual teachers. Witnessing their clashes with “the regular world” has forced me to contemplate the role of “the real” in our emotional lives. To an extent, the “real” is irrelevant if its effect is tangible. The fear we feel from the monster under the bed is happening regardless of the presence of the monster. With that in mind, people should treat the fears of others, no matter how otherworldly, with empathy. Tendon is the merging of my love of sci-fi, the LA river, the homelessness epidemic and my take on the deep seeded fear of not being believed. From the idea to the finished product, how long did it take for you to make this film? I played around with the script for about five years. Once I landed on something I liked it only took about a month to get the project to the editing stage. Sound designing and composing was tricky since the film lives between genres but after another 4 months the project was done. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

As Long As You Want, 22min., Canada Directed by Matt Santos For as Long as You Want is a tender, conversation-driven short film about two actors, Liz and Brad, running lines in a quiet basement one afternoon. What starts as a simple rehearsal slowly turns into something deeper as they begin to open up about their relationships, their dreams, and the things they're afraid to admit out loud. Liz is in a relationship that no longer feels right, with someone who doesn't really see her. Brad's charming, grounded, and unexpectedly honest. As they talk, laugh, and share food, the connection between them grows easy, real, and a little bit electric. With Liz's train out of the city approaching, she has to decide whether to go back to the life she's been trying to make work, or stay in this moment just a little longer. Quiet, raw, and full of heart, For as Long as You Want is about timing, chemistry, and the things we don't plan for. www.instagram.com/check_please_productions/ Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

She Loves Her John, 7min., USA Directed by Ivan Alejandro Rivero “She Loves Her John” is a story about redemption, the feelings that arise after betrayal, and the thoughts of moving forward. https://facebook.com/shelovesherjohn Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Triggered 2.0, 22min,. USA Directed by Mario Ricardo Rodriguez, Marcus Nel-Jamal Hamm A diabolical madman known as The Director 2.0, with a vendetta against Wolverine, plots a way to take his powers and use him as a distraction as he enacts his ultimate means of destroying all superpowered beings, by pitting him against his one ally, Blade, in a fight to the death. Lucas Bishop must find a way to break free of his control so he can save his friends and the rest of humanity. https://instagram.com/triggeredfanfilm Conversation with writer/co-director/actor Marcus Nel-Jamal Hamm. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Rock Island Prison 1864, 7min,. USA Directed by Joy Shannon Guarding Confederate POWS in a Civil War prison, a runaway slave now Union soldier, desperately fights for power, or faces returning to slavery. https://www.rockislandprison.com/ Hannah Ehman chats with the lead actor of the award winning short film ROCK ISLAND PRISON 1864) Danney Paul instagram: https://www.instagram.com/danneypaul/ —— Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/ Watch Hannah's commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=EPh-ZxTT4GE LOGLINE: In the 1940s, prisoners — including infamous mob boss Joe Blunda — were released to defend America from Nazi spy attacks. What happened to them remains a chilling mystery: none were ever seen alive again. Get to know the writer: What is your screenplay about? My screenplay tells a story that was circulating at the time — it captures society during the World War era and highlights an undeniable truth: Power is often manipulated by ruthless agendas. What genres does your screenplay fall under? The genre is historical thriller. How would you describe this script in two words? Dire Straits How long have you been working on this screenplay? So many, but especially Superman (1978). When I was a kid, I watched it over and over again. Same with the Lord of the Rings. I would go through phases where I'd obsessively rewatch certain films — the ones that gave me a sense of hope deep inside. How many stories have you written? I worked on this script casually in my spare time over the past three years. Yes — I believe a draft needs to sit and “mature” a bit before you lock in the final version. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Watch best scene reading: https://www.youtube.com/watch?v=8M-6es5qNVc Get to know the writer: What is your screenplay about? A former Army lawyer, Gemma Lightwater battles troubled family and calculating investors to reopen her Missouri Ozarks ranch that pairs broken veterans with broken horses GEMMA LIGHTWATER a mid-30s Army veteran struggles to reopen the Red Rock Ranch that serves female veterans wellness. That is until she receives a five million dollar offer from her former captain, ASTRID MITCHELL, but the money comes with a ticking clock and giving up decision-making control to her former JAG leader. As the new veteran arrivals, tensions run high as NORMA JONES, Gemma's right hand at the ranch tries to help Gemma and Astrid understand what a deal means for them. After a few rounds of will they or will won't they sign, Gemma and Astrid find common ground to finalize the deal. Then tragedy strikes leaving Gemma conflicted and suspicious at the exact time she is supposed to be opening a new chapter for the only real mission she has left, saving others to save herself. What genres does your screenplay fall under? Thriller, Drama, Suspense Why should this screenplay be made into a movie? As a female veteran, I look into the eyes of women in uniform and remind them that our service matters. They remind me to tell their stories. The doubts of if female veterans deserve a seat at the table of service will be removed. And in this show, we ARE the table. This pilot should do for women veterans what Orange is the New Black did for incarcerated women. And do for Missouri what Yellowstone did for Montana. What Band of Brothers did for male veterans. We have a long historic legacy that quickly being erased. Women have put their lives on the line since the beginning of time, when do we see them as the main characters. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Submit your film or screenplay to the WILDsound Festival today: https://filmfreeway.com/WILDsoundFilmandWritingFestival What is a Screwball Comedy? A comedy that is characterized by fast-paced, witty dialogue, farcical situations, and romantic storylines that often involve a battle of the sexes. They emerged in the 1930s and became popular in the 1940s. How is it different than a straight up romantic comedy? Screwball is a genre that focuses less the romantic courtship between two people, and more on the battle of the sexes. It always has a strong female protagonist, and usually a male protagonist trying to keep up with her. It puts the emphasis on the spoofing of love, rather than the "will they get together" plot. Where did the term "screwball" come from? It gets its name from the baseball pitch "the screwball". For those unfamiliar with baseball, it's a pitch a pitcher throws to a batter that moves in the opposite direction than a typical baseball pitch like a fastball, curveball, or slider. A screwball is an oddball pitch, like the female leads in the 1930s comedy films where they played the "opposite" of your typical female stereotype that were back in the day. Instead of wanting to find a husband, birth a few babies and be a homemaker - the female leads in the "screwball comedy" are strong, independent from men, and want to focus their life on their passions. They are attracted to men, but will only begin a courtship of any kind if it was on their terms - not the mans. Famous screwball comedy films? It Happened One Night (1934) Directed by Frank Capra. Starred Clark Gable & Claudette Colbert Bringing Up Baby (1938) Directed by Howard Hawks. Starred Katharine Hepburn & Cary Grant The Philadelphia Story (1940). Directed by George Cukor. Also Starred Katharine Hepburn, Cary Grant. With James Stewart added to the mix. The brand declined in popularity through the years, but it still shows up in its style. The Coen Brothers have made a few with "Intolerable Cruelty", "The Hudsucker Proxy", and "Hail Caeser" Bridesmaids (2011), written and starring Kristen Wiig is considered a screwball comedy. Is any one a fan of Amy Sherman-Palladino TV shows?: Gilmore Girls. The Marvelous Mr. Maisel. Étoile. Those television shows are more definitely classic Screwball Comedies. From the characters. plot points. fast paced dialogue. Even the way the shows are directed - are classic screwball! Enjoy the past, present, and future of the Screwball Comedy!

Watch the best scene script reading: https://www.youtube.com/watch?v=LtieadtYQNM Summary: Researching transfusion therapy on different blood groups, something goes completely wrong when the test subjects start mutating and transforming into Zombie like creatures. Get to know the writer: What is your screenplay about? A day in the life of a biotech firm takes center stage in Blood Red as we travel from floor to floor, department to department, meeting the teams that comprise Edgewater Laboratories and their sometimes adversarial motivations. Edgewater's Chief Science Officer, Dr. Ruby Beck, is the inventor of a synthetic blood she's named Ichor for the mythical golden fluid that ran in the veins of the gods. Ruby explains to an audience of investors gathered at the company's headquarters that every two seconds, someone needs blood due to injury or disease. Imagine a limitless supply of healthy blood in every hospital, school, military unit, and remote location. No more relying on donations. No more chance of contamination. No more delays in supply or delivery. Three floors below, eight patients are halfway through the final trials of Ichor in the aftermath of a violent protest against the ethics of artificial blood that has put the entire company on edge. But today, something is different. Sabotage of the Ichor infusion is affecting each patient differently with horrifying results. The day begins with routine patient observation and nerves around hosting the company's first investor conference before spiraling out of control as we root for Ruby, fighting for her life from floor to floor while trying to unwind the conspiracy threatening her creation. Ruby must reconcile if her creation is the pinnacle of healthcare or a threat to humanity. What genres does your screenplay fall under? Horror / Thriller Why should this screenplay be made into a movie? Horror remains one of the few genres that's arguably still best experienced in the theater with a crowd to share in the frights, jump scares, and wild reactions to what's on the screen. Safety in numbers! Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

New York Times Co. v Sullivan, 10min,. Canada Directed by Yanjia Yang In the heat of the Civil Rights Movement, a full-page ad in The New York Times sparked a legal battle that would redefine freedom of the press in America. Through archival footage, this short film explores how the case reinforced First Amendment protections and shaped journalism as we know it today. A must-watch for anyone interested in media, law, and the enduring power of free speech. Get to know the filmmaker: What motivated you to make this film? I was driven by a desire to revisit the New York Times Co. v. Sullivan case not just as a historical legal milestone, but as a powerful reminder of how fragile our freedoms truly are. In an era where misinformation, polarization, and censorship continue to challenge democratic ideals, I felt a strong responsibility to explore the balance between rights and responsibilities. I wanted my generation to understand that free speech is not abstract; it is something we must actively reflect upon. From the idea to the finished product, how long did it take for you to make this film? This was my very first documentary, and as an 11th-grade student, it was a steep learning curve. From research to editing, the process took about three months. There were moments of doubt, technical setbacks, and challenges in simplifying complex legal ideas. Though it required a lot of effort and time commitment, I pushed through and was able to find the true meaning of creating this film. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=Di-SUrGZcgI https://www.instagram.com/joaomacongo_/ https://www.joaomacongo.com/about Get to know the writer: What is your novel about? The Origin of Humanity: A Real Dream is a deeply spiritual and philosophical novel inspired by a vivid dream I had. It explores the mysterious beginnings of humanity through a cosmic journey of creation, identity, mortality, and divine purpose. The story is both mystical and grounded, merging poetic storytelling with existential questions that challenge the reader to reflect on the meaning of life and the courage to awaken. What genres would you say this story is in? Spiritual Fiction, Metaphysical Fantasy, Philosophical Sci-Fi, Visionary Fiction. How would you describe this story in two words? Divine Awakening What movie have you seen the most in your life? The Matrix — for its blend of philosophy, reality-bending concepts, and spiritual undertones. What is your favorite song? (Or, what song have you listened to the most times in your life?) “Dreams” by Fleetwood Mac — it's timeless, haunting, and resonates with the journey of vision and destiny. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=b0mBY_JoZVo When a young, broke librarian buys an abandoned house on the outskirts of a British Columbian town, he starts to uncover the house's secrets as unexplained incidents occur. Get to know the writer: What is your screenplay about? The script follows a young programmer who moves into a haunted house in the Interior of British Columbia due to (widespread) financial difficulties. What genres does your screenplay fall under? It is a horror picture. Why should this screenplay be made into a movie? The story derives it's chills n' thrills from mood more so than sudden frights, which an audience will resonate with. The origin of the evil spectre which haunts the house and surrounding area is also relevant to issues of concern today. How would you describe this script in two words? ‘Definite Appeal'. What movie have you seen the most times in your life? By my recollection, either ‘Jaws' or ‘The Maltese Falcon'. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=YuCjP6YZsKU A writer tasked with writing a true event is taken by the CIA to cover their tracks. However, his smart mind out smarts them when his characters learn their role in his book and save him Get to know the writer: What is your screenplay about? “John Burgess is all about writing for the high technology industry, until his life takes an interesting turn. He wakes early one morning with a new story in his head that he just has to write. Compelled to write each morning, the lines between fact and fiction are blurred, as John becomes a pivotal character in his own novel. Explosions, false identities, terrorists, international intrigue, high tech surveillance techniques, the U.S. government and kidnapping, all conspire to put John's life in serious danger until the main characters in his book rescues him.” What genres does your screenplay fall under? Action/Adventure/Mystery/Spy Thriller Why should this screenplay be made into a movie? ENTANGLED explores the relationship between consciousness, time as perceived by humans, and our quantum reality. The film will keep the audience guessing. What is real? What is fantasy? The audience will be guessing throughout especially when the last scene plays out. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

THE COMMUTER, 11min., USA Directed by Joseph Sauchelli A protagonist struggles to cope with a rough commute in the only way she knows how. Get to know the filmmaker: What motivated you to make this film? Really the urge to make something, particularly for cheap. When you know you are going to go down that route, you begin looking around at what you can use for free. Hoboken has this old fashioned train station I always admired and found cinematic, so I began to build a story around it. With college and my job I have commuted for quite some time, so I tried to bring that experience to this film – which immediately turned into a stressful thriller. From the idea to the finished product, how long did it take for you to make this film? The idea for “The Commuter” is several years old, however it took some time to feel ready and finally take the step towards making the movie myself. As I reflect on the finished product a lesson I have taken away is that no one is ever really ready to make a film, and it is a risky mindset to subscribe to. On one hand you want to make sure your script and pre-production planning is to the best it could be, however you must be careful not to lean on the excuse that “it's not ready” like a crutch. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=UJaOxm5dyWk Mark Tyler gets out of prison after twelve years for a robbery gone awry. The loot is still out there. A corrupt cop, a local grifter, a femme fatale and the partner he left for dead all come marching out of his past to come for it. Get to know the writers: What is your screenplay about? Jeremy Hogan: To me it's about time. Lost time, how we spend our time, the futility of trying to catch up or outrun it. Aaron Krygier… Lost people looking for something to fulfill that emptiness. Whether it's something tangible or not. Love, revenge, greed. What genres does your screenplay fall under? JH: Neo-noir or crime thriller AK the same Why should this screenplay be made into a movie? JH: I'm biased, but I think it's well written. Meaty characters that actors might relish playing, and it's true to its genre, while subverting conventions and expectations in interesting or surprising ways. AK it wears its influences on its sleeve and its simplicity offers a ton of options for outlandish Ness. How would you describe this script in two words? JH: uncertain redemptionAK… Evoking humanity. What movie have you seen the most times in your life? JH: Probably a tie between “The Good, the Bad, and the Ugly” or “Miller's Crossing,” though “Adaptation” is catching up. AK… Heat, Blade Runner, Alien, Se7en are all contenders. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

COOP, 19min., USA Directed by Moriah Doepken After sustaining a bad injury, a stubborn retired sheriff must learn to talk with his estranged son as they build a fence together, or risk losing the relationship. Hannah Ehman chats with the lead actor of the award winning short film COOP —— Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/ Watch Hannah's commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=fFCutMoedMI www.rightpurdy.com Harry loves Sandy and has planned “the big date” to propose, but between his twin, her twin, the guys from the Bobcat rugby team, Roxie, Linda, and One Eye'd Jacks, the world seems against it. Comedy. Get to know the writer: What is your screenplay about? Physical therapist Harry Goodman meticulously plans a romantic evening to propose to his intelligent and vivacious girlfriend Sandy. But what should be a seamless night of fine dining and heartfelt commitment rapidly unravels into chaos as meddling rugby teammates, flirtatious coworkers, a jealous bouncer, and an unexpected armed robbery sidetrack every effort. With the engagement ring left behind and a police chase unfolding, Harry and Sandy must navigate misunderstandings, mistaken identities, and family dysfunction—all while questioning how well they truly know each other. A raucous romantic comedy that careens through slapstick, screwball, and sincere emotional beats, The Big Date asks whether true love can survive a night gone completely off the rails. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Rock Island Prison 1864, 7min,. USA Directed by Joy Shannon Guarding Confederate POWS in a Civil War prison, a runaway slave now Union soldier, desperately fights for power, or faces returning to slavery. https://www.rockislandprison.com/ Hannah Ehman chats with the lead actor of the award winning short film ROCK ISLAND PRISON 1864) Instagram page: https://www.instagram.com/omiette/ —— Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/ Watch Hannah's commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

JIWA KORUP. 15min., Malaysia Directed by MOHD HISHAM SALEH A low-ranking officer's corrupt leadership is scrutinised, compelling him to confront the repercussions of his unethical behaviour. This raw AI short film delves into themes of power and loyalty, illustrating how even the most reliable individuals can become lost to corruption. Get to know the filmmaker: What motivated you to make this film? I wrote the screenplay in 2020 amidst Malaysia's COVID lockdown, motivated by daily news of sacrifices made by frontline police and the 1MDB scandal revealing pervasive corruption. My aim was to explore what truly compels someone to betray their oath—whether it's power, love, or lust. By incorporating an LGBT relationship, I wanted to illustrate that love can remain untainted even amid profound corruption, and that true affection transcends legal and social boundaries. From the idea to the finished product, how long did it take to make this film? Remarkably, the whole film was created in only 20 days, driven by nearly 20,000 AI prompts. I had written the entire screenplay years beforehand but commenced AI production in early 2025. A close friend assisted with color grading—harmonising rain-drenched blues, earthy browns, and refreshing highlights—and another collaborator crafted the sound design, incorporating industrial percussion, menacing drones, and eerie water-drip effects. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

HOMEPLANET, 26min., USA Directed by Andrew Pritzker Barefoot on a country highway, a Disoriented Man is picked up by Two Local Cops who suspect he may be a space alien. http://qikfingerfilms.com/ https://www.instagram.com/qikfingerfilmsllc/ Hannah Ehman chats with the lead actor of the award winning short film HOMEPLANET Instagram page: https://www.instagram.com/danielrdaly/ —— Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/ Watch Hannah's commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Seconds in Eternity, 42min., Estonia/Germany Directed by Christian Schu An elegant woman in her later years feels the relentless march of time as she mourns her lost youth and missed chances. Alone in a dimly lit room, her life seems to fade with each cigarette she smokes. She observes a vibrant young woman, envying her youth and vitality. Through her introspections, we explore her deep desires and regrets. The narrative, rich with poetry and flashbacks, takes a dramatic turn with a potential murder, leading to a surprising twist. Despite its dark beginnings as a Film Noir, the film transforms into a celebration of life, ending on a hopeful, life-affirming note. Hannah Ehman chats with the lead actress of the award winning film “Seconds in Eternity”. Marina Welsch Instagram: https://www.instagram.com/iammarinawelsch/ https://secondsineternity.com/ https://instagram.com/christian_schu_film ——- Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/ Watch Hannah's commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Med Selkies, 11min., UK Directed by Kelly Ann Buckley Med Selkies is a poetic film exploring a near-future climate crisis where land is ravaged, and a lone human drifts at sea. Succumbing to the depths, the human encounters an ancestral, aquatic force – beings who once diverged from humanity to adapt to life beneath the waves. https://www.instagram.com/k_a_b_art_n_sound Get to know the filmmaker: What motivated you to make this film? ~ This was an expansion of a project I did for Focal Point Gallery – a wonderful contemporary arts gallery in SouthendonSea, UK. I was lucky enough to be commissioned to create an exhibition for their FPG Sounds programme. My project – Echoes in the Fossils – was a sound-led audiovisual 5 part piece – focused on rising sea levels and lost past & imagined future soundscapes, ranging from Mesolithic to Anthropocene epochs, which touched upon futuristic polymer-human hybrids. Med Selkies was a continuation of that exploration, after Echoes in the Fossils had finished. I am interested in the Aquatic Ape theory and the idea that there may be some human cousin out there in parts of the ocean we don't know about. Med Selkies evolved from my thinking about that, and what may happen if we are forced to return to the ocean, living with them, because of climate change. This was combined with the thinking about humans carrying micro plastics in their bodies vs the plastic eating microbes scientists are now working with. What if these grow huge, and we become the food? It's all very mixed up thinking and dreamlike and I suppose this vibe was carried through to the film Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

STAYCATION, 93min,. USA Directed by Russell Emanuel How is the world affected by a catastrophic event? Everyday people live through a government mandated quarantine during a global pandemic while desperate scientists race to find a cure before it's too late. https://russem.com/ https://www.instagram.com/russem31/ Get to know the filmmaker: What motivated you to make this film? It was the Covid Pandemic. Everything was shut down so my late filmmaking partner Emile Haris (who unfortunately passed away during post-production in July 2023) and I went about to create a film about a pandemic against what seemed insurmountable odds (nothing was open). From the idea to the finished product, how long did it take for you to make this film? Emile Haris and I started with a short film called “Routine” which we filmed in April 2020 at the start of the pandemic when even SAG-AFTRA was shut down and we couldn't go outside. So he and I took it upon ourselves to film a 5-minute proof of concept prequel called “Routine” at my condo with a non-SAG-AFTRA actress Paige Laree Poucel and we hired an amazing DC/Marvel Comics Artist Dave Beaty to “draw” the third act which took place outside and hired two amazing voice actors Bill Victor Arucan and Alan Courtright. Due to the success of this film, along with head executive producer Bill Victor Arucan (who reprised his role of ‘Rob Peterson' from “Routine” and the Peterson name itself is a running gag in all my 6 feature films), we successfully raised the money to do “Staycation” and started filming in November 2024 when SAG-AFTRA was re-opened but with severe Covid restrictions. We then filmed piecemeal over 2 years, finally completing shooting in November 2022. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Home, 11min., Belgium Directed by Hanne Schillemans, Ralph Timmermans Home is a short film about the fragility of life and the virtue of solitude. A faceless figure attempting not to resist the endless waves of pointlessness. Get to know the filmmaker: What motivated you to make this film? Home grew out of a shared fascination with the fragile, often uncomfortable terrain of solitude. We were both navigating a kind of existential tension: the absurdity of life, and the strange peace that can arise when one stops resisting it. The idea that everything is ultimately out of one's control and perhaps even pointless and the realization that this, paradoxically, can be liberating. That thought, oddly enough, gave us comfort. The film became a way to give form to that feeling. From the idea to the finished product, how long did it take for you to make this film? It's hard to say exactly when the idea began. We think Home found us during a hike through desolate nature, when we unexpectedly came upon an empty house. It felt like stumbling into the middle of a concept. We didn't plan it, we just recognized it. From that moment to the final cut, the process took about 18 months. Much of that time was spent letting the idea unfold, allowing it to simmer before taking shape. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

La Ghostification, USA, Musical Directed by Lena Glikson A surreal and symbolic journey through the inner world of a girl processing abandonment and emotional distress. Through haunting imagery — from mirrored selves red to threads like tears and disturbed dancing — the video explores the psychological aftermath of being ghosted. Set to a dark, emotionally charged track, the visuals blur the line between dream and nightmare, revealing a desperate attempt to communicate with someone who has vanished without a trace. https://www.instagram.com/lena_glikson_mx/ Get to know the filmmaker: What motivated you to make this film? I was going through a very dark and isolating period in my life, where I felt completely abandoned. As a musician, creating music has always been a natural form of healing for me. I wrote, produced, and recorded the song as a way to process those emotions—but it didn't feel complete. Since I spend most of my professional life shaping music for films as a film and TV music editor, it felt instinctive to add a visual layer to the storytelling. That's how the music video for La Ghostification was born. From the idea to the finished product, how long did it take for you to make this film? It took around two and a half months to complete the project, with most of that time spent in pre-production. I initially planned for just one shoot day in a photo studio, but during the editing process I realized we needed more footage to fully support the visual story—so we went back and shot additional material.Since I normally edit music to picture, it was exciting (and intense) to work the other way around—editing picture to music. I'm incredibly grateful to my editor and cinematographer, Eduard Asaturov, who trusted me and gave me the space to be as detailed and specific as I needed to be. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Bay for Blood, 18min., USA Directed by Harry Waldman James and Rob are hiding out in isolation to fix their mutual issues. As time progresses, the two reveal facts regarding their disturbing past relationship. An acquaintance of James', Jessica, finds herself in an uncomfortable position as she contemplates the best way to handle the situation. https://www.instagram.com/hwaldman18/ Get to know the filmmaker: What motivated you to make this film? -I had a pretty toxic relationship with a friend in high school. He pretended to be my friend, but seemed to enjoy watching me suffer more than anything. His behavior around me was very fickle, sometimes being really kind to me, and at other times, being the complete opposite. I felt that I needed to get this story off of my chest, which has been very cathartic. James is actually very loosely based on myself at my worst moments. Of course, I don't condone anything he does throughout the film and have never hurt anyone the way he hurts Rob and Jessica, but I empathize (even though I also fear and despise him) with the character in that he feels that he is always being let down by those around him. In general, I believe that creating complex characters often requires giving them flaws that can make them unlikeable at times, and I always do my best to try to walk in the shoes of the anti-hero or villain in order to portray them in a more genuine manner. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

SILENT TOKEN, 14min., USA Directed by Camilla Della Vecchia When Sonia, a descendant of a secretive law enforcement group becomes the target of a ruthless enemy from the past, she must uncover the truth about her family's legacy. Guarded by the fiercely loyal protector Michael Stone and the powerful coin that she inherited. As danger closes in she must decide whether to stay hidden or embrace her destiny in the fight against corruption. https://www.instagram.com/silent_token_film Get to know the filmmaker: I've worked in the film industry for the last 6 years, and for the last few years I've been working full time on a popular widely watched syndicated tv show. That experience inspired me to create a character and develop a short film with a compelling story of my own. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

INTERWOVEN, 24min., USA Directed by Dawn Carpenter In the wake of the textile industry's decline, a community in North Carolina fights to reclaim its economic future through innovative worker-owned cooperatives and sustainable practices, transforming the remnants of their industrial past into a beacon of hope and resilience for future generations. http://www.interwoven-film.com/ https://www.wildsound.ca/videos/audience-feedback-interwoven Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

UNTIL DEATH DO US PART, 15min., USA Directed by Joseph Kandov A wife's dark secret unravels late one night, binding her husband to an intense conversation that may take a turn for the worst. Get to know the filmmaker: What motivated you to make this film? I thought of the opening scene first. It sort of came to me, and I thought it was a killer opening for a story, but I wasn't sure what I'd use it for at that moment, be it a feature or short film, an episode of a series, ect. I just knew I had an awesome opening that could be used for something, so I wrote it down and put it away until I figured out what to do with it. Over time, as I went back to it and thought about where the opening could go, how it could be used, ect. I had more ideas come to me such as the ending. And after I had the opening and ending figured out, I knew it could be something special, and decided that a short film format for the story would best for the time being, with the potential to become a feature length should the story garner significant interest from audiences. From there, I slowly but surely fleshed out the remainder of the story that would connect the opening and closing scenes. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

FLÜGGE, 25min., Germany Directed by Leopold Schraudolph, Dani Rose Cortés In an Austrian mountain village in 1914, the determined Amelie (20) must defy her father's wishes of running the family sewing business to pursue her own dreams of flight and seize her only chance at finding true freedom. Get to know filmmaker Finn-Oliver Walter The motivation behind “FLÜGGE” came from a deep-seated fascination with aviation and a desire to highlight the largely untold stories of female pioneers in early aviation. Growing up with a pilot father, Leopold's (Writer, Director, Producer) bedtime stories were filled with epic adventures of heroic aviators. However, Amelia Earhart was the only female aviator represented in these stories. This realization inspired him to explore and celebrate the rich yet vastly underrepresented legacy of women aviators. Through Amelie's journey – a fictional tale inspired by real-life trailblazers – we aim to shed light on their incredible contributions and the timeless themes of dreams, freedom, and emancipation. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Beat Keepers: The Next Chapter, 43min., Canada Directed by Cindy Goldberg A powerful and inspiring documentary that follows a group of talented female drummers as they unite for a life-changing three-day retreat in Dallas, Texas. Through the raw energy of rhythm, unwavering mutual support, and a shared passion for music, these women forge deep, lasting connections and celebrate the transformative power of music to heal, empower, and unite. https://beat-keepers.com/ https://www.instagram.com/cindygoldbergdrummer https://www.wildsound.ca/videos/audience-feedback-beat-keepers Get to know the filmmaker; What motivated you to make this film? I wanted to spotlight female drummers—many of whom are breast cancer survivors—who lift each other up through rhythm and resilience. Their stories deserved a stage, and I wanted to give them one. From the idea to the finished product, how long did it take for you to make this film? Just under a year. It's a sequel to my 2019 film, building on that foundation with a new chapter, new faces, and a deeper focus on community. How would you describe your film in two words!? Bold. Uplifting. What was the biggest obstacle you faced in completing this film? Staying true to a tight indie budget. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Watch best scene reading: https://www.youtube.com/watch?v=qrexqrq7AIE Something has happenned in Mady's life. As an immigrant woman in America, she has achieved the American dream; A successful career as a doctor of psychology, a lavish home, nice car, and, most importantly a husband and two wonderful children, yet something is missing. Not knowing what it is, she goes looking for it in strange places and in ethically-questionable ways. Get to know the writer: What is your screenplay about? It's about an immigrant woman, who has embodied the American dream by becoming a successful psychologist, a wife, and a mother, yet has started living an increasingly destructive double life to escape her existential despair. What genres does your screenplay fall under? Thriller. Dark Comedy, maybe. Always find this question hard to answer. How would you describe this script in two words? Control and abandon. What movie have you seen the most times in your life? It's a tie between Eraserhead, and The Invasion of the Body Snatchers.(1978) How long have you been working on this screenplay? 2 years, on and off. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Another Saturday, 14min., USA Directed by J.A. DellaRipa A young teenager decides to enjoy a day of fun with her crush only to return home to find her worst fears realized. Get to know the filmmaker: What motivated you to make this film? The increase of mental health struggles especially in young children motivated me to make a film that shows that they are not alone if they have someone in their life struggling with mental health issues. Then the slowing of the industry during the 2023 strike allowed me to use the time to get the cast and crew together to make this film. From the idea to the finished product, how long did it take for you to make this film? I first wrote about this subject in a short story roughly 20 years ago. Over Covid, I turned it into a short script. The script was then nominated at the 2022 City of Angeles Film Festival. A year later with adjustments, we shot in December 2023. How would you describe your film in two words!? Innocence Lost What was the biggest obstacle you faced in completing this film? The biggest obstacle was coordinating schedules of the cast and crew in pre and post production. Originally, we scheduled to shoot in October, but due to changes in cast and crew, we had to push the shoot to December. What were your initial reactions when watching the audience talking about your film in the feedback video? I felt very proud because the audience's comments and reactions showed me that the film's message and vision were understood. I was overwhelmed with joy to hear their compliments about the actors' deep and authentic performances, the beautiful score, the creative editing, and the quality of the cinematography. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Watch the screenplay reading: https://www.youtube.com/watch?v=l_akiPTQU9g Two strangers meet and sparks fly, but when he accidentally discovers forged paintings at her house, he leaves abruptly. That would be the end of their story except for the fact that he's reported her to the FBI, and their children are marrying one another on Christmas day. https://instagram.com/drjannajones Get to know the writer: What is your screenplay about? It's about two successful fifty-somethings who have had good lives but have avoided relationships because of the pain they experienced when they were younger. Because they are forced to spend time together, due to their children marrying one another, they eventually have to come to terms with the fact that they are flawed humans who care for one another. What genres does your screenplay fall under? The Art of the Matter is a romantic comedy and a holiday adventure. Why should this screenplay be made into a movie? Because it is an original take on the holiday movie, blending a Christmas romance with road trip adventure with heartfelt family drama. How would you describe this script in two words? Unconventionally conventional How long have you been working on this screenplay? I've been working on it for almost a year. I did a zoom script reading with you some months ago, and the feedback I got from the actors inspired me. It seemed to mean a lot of them, but listening to it, it was clear I still had work to do on it, and you mentioned a few things that made me think I still had a bunch to think about and rework. I've revised it multiple times since the reading. It may be getting close considering that the script won at this festival. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Crisis Point, 3min., Romania Directed by Valentin Raileanu As a result of resource depletion, a virus outbreak stripping the afflicted of what makes them human and finally, war, humanity's sovereignty has fallen. In dwindling numbers, the survivors have been driven out of their homes in the search for safety, while a former soldier travels through the toxic environment in search of a cure. https://www.instagram.com/vali_stunt Get to know actor Diana Gheorghe What motivated you to make this film? Valentin Raileanu, a talented and successful stuntman, fight choreographer, camera operator, and my mentor in this wonderful field, has always had a passion for filmmaking and a wealth of insane ideas to bring to life. This passion led him to explore the subtleties of being a film director. When he proposed the idea of a post-apocalyptic short to me, I immediately knew we had to do it. I fell in love with the concept of showcasing a violent and harsh reality as a consequence of human recklessness. It was also a great opportunity for me to put my newly learned stunt skills to the test. Since I was young, I've loved acting and dreamed of participating in film festivals with my own projects. Even though this isn't our first project together, it is the first one we're submitting to festivals. From the idea to the finished product, how long did it take for you to make this film? Approximately 10 weeks in total, give or take a few days. Pre-production lasted 5 weeks (for choreography, camera rehearsal, and preview), followed by 1 week of shooting, and another 4 weeks for post-production (editing and FX). Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Red Wins, 77min., Italy Directed by A.M. Nonnis Six people play a dark and ruthless gambling game in which every card can either grant significant rewards or decree a death sentence. With each turn, a mysterious red light selects the player, inexorably determining the fate of every participant. https://www.instagram.com/mattia_nonnis https://www.wildsound.ca/videos/audience-feedback-red-wins Get to know the filmmaker: What motivated you to make this film? I was driven by passion and stubbornness. I almost had no money to make this project, but I had amazing and talented people around me who made it happen. I was allowed to use our town's beautiful theater for filming, found the actors, arranged a crew, and then I said to myself, “You know what? We can do this.” Red Wins was in my mind, and I needed to bring it to life as soon as possible. From the idea to the finished product, how long did it take for you to make this film? It took around 3 years. I started writing Red Wins in early 2021 and finished post-production at the end of 2024. By January 2025, I finished the last small corrections, and then Red Wins was ready for the festivals. I'm not gonna lie, it was so hard to let it go. I kept making little corrections for a while! How would you describe your film in two words? Irregular and oppressive. What was the biggest obstacle you faced in completing this film? Let's be real, shooting Red Wins was no piece of cake! It was my first movie, the budget was low, and even if everyone who joined me in this adventure strongly believed in the project, I couldn't hold them up for too long. We had breaks, some even lasting months, between different phases of filming. The post-production part wasn't any easier. I had to focus on other work as well and find time for Red Wins. I had to keep going through the night sometimes, and it was exhausting. Covering different roles was hard, but no doubt, I put every piece of my soul into Red Wins. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Sequoia, 15min., Switzerland Directed by Michelle Künzler Sequoia, a diligent AI maid, works for the captivating yet mysterious Mrs. Terrance. Although not designed to harbor any emotions, Sequoia starts developing sentience, when a certain sound triggers a feeling inside her that feels oddly familiar – and human. Forced to conceal her newfound emotions to evade shutdown, Sequoia embarks on a dangerous quest for truth, tearing at the seams of her own identity and re-evaluating the intricate power dynamics that govern her place within the household. http://sequoia-shortfilm.com/ https://www.instagram.com/sequoia_shortfilm/ Get to know the filmmaker: What motivated you to make this film? I started writing ‘Sequoia,' when AI tools like ChatGPT were rapidly gaining traction and the Hollywood strikes were unfolding, motivating me to explore the ethical implications and potential dangers of AI. The film was also deeply inspired by my personal experience. Growing up in a traditional household with a stay-at-home mom, I didn't initially grasp the value and scope of unpaid domestic labor until I got older. As a feminist filmmaker, I wanted to pay tribute to housewives like my mother and shed light on that often overlooked, gendered work while connecting it to the theme of AI. I was particularly interested in the way modern technology intersects with gender roles—given that today's AI assistants like Siri, Alexa, and Ameca are still predominantly female in name, voice, and/or appearance. From the idea to the finished product, how long did it take for you to make this film? It took 20 months. The idea for ‘Sequoia' first came to me in April 2023, and I completed the film in November 2024. How would you describe your film in two words!? Feminist dystopia What was the biggest obstacle you faced in completing this film? There were quite a few challenges throughout the entire project—from budget and time constraints to assembling the right crew. However, the biggest hurdle came during production as we fell behind schedule due to constant noise disruptions during exterior filming and a stunt scene that look longer to shoot than expected, resulting in an unplanned pick-up shoot. With some key crew members no longer available for the reshoot, it was difficult to find replacements and maintain continuity. Still, I'm proud to have persevered and overcome this obstacle. I've certainly learned and grown a lot from this experience. What were your initial reactions when watching the audience talking about your film in the feedback video? Hearing the audience talk about my film, when it's usually the other way around, felt like a rare and special moment. It was incredibly rewarding and refreshing to just listen to their honest feedback and kind words, and it was especially satisfying to learn that the twist at the end genuinely surprised them. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Grandpa's Got A Brand New Pill, 9min,. USA Directed by Jacob McCaslin Written by Jeffrey Molina Grandpa's Got A Brand New Pill is a short musical film that features an original song inspired by writer, producer, performer Jeffrey George Moline's eighty year old mother. Grandpa's Got A New Pill tells the story of Tootie, a headstrong, independent woman on the eve of her ninety-sixth birthday. Tootie feels unseen and constrained by the rules and regulations of Shady Nook Retirement Home. With a little help from her friend Awesome Lee Bodacious Queer Country Superstar - Tootie decides to make sure her party has a happy ending! Interview with: Director Jacob McCaslin, Writer/Performer Jeffrey Moline, Producer Terrence Mark Franklin. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

NIGHT FEEDING, 6min., USA Directed by Sarah K. Reimers Exhaustion and sleep-deprivation begin to take their toll on a new mother, who struggles through the strange, dark stillness of the 4am feeding. http://www.bestbaddogfilms.com/ https://facebook.com/bestbaddogfilms https://instagram.com/bestbaddogfilms Get to know the filmmaker: What motivated you to make this film? There were a of couple things. Firstly, my husband (Robert Rossello who co-Produced, handled the cinematography, color grade and visual fx) and I had been talking about making a really short, no-budget film and using just what we had on hand, or could borrow, with friends who would volunteer their time and talent. The inspiration for the story came from being a new mother myself and struggling with sleep deprivation. One early morning, in the dark hours, I was up feeding my infant daughter and this idea came to me and it seemed like a great candidate for a short, no-budget film. It also made the hair stand up on the back of my neck. From the idea to the finished product, how long did it take for you to make this film? Shooting the film only took a about a week. About 4 days initially and then a couple days with pick-up shots later on. Because I make these films in my free-time outside of my job editing animated feature films and Robert is doing the same, it can take us a really long time to get these movies done. In this case it was about 5 years. We had the editing done within a year, but then getting the music, sound design, vfx and color grade were much slower to get done. Life gets in the way and we just chipped away at it as we could. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Seconds in Eternity, 42min., Estonia/Germany Directed by Christian Schu An elegant woman in her later years feels the relentless march of time as she mourns her lost youth and missed chances. Alone in a dimly lit room, her life seems to fade with each cigarette she smokes. She observes a vibrant young woman, envying her youth and vitality. Through her introspections, we explore her deep desires and regrets. The narrative, rich with poetry and flashbacks, takes a dramatic turn with a potential murder, leading to a surprising twist. Despite its dark beginnings as a Film Noir, the film transforms into a celebration of life, ending on a hopeful, life-affirming note. https://secondsineternity.com/ https://instagram.com/christian_schu_film Get to know the filmmaker: What motivated you to make this film? Marina Welsch, the main actress contacted me in 2022, having this film idea and some sort of script. I loved the idea behind, added my own value and took it from there.I loved the idea of showing that, to be able to heal, we have to unite with ourselves first. Our past is an important part of us and we must accept it, to come further in life, to reach the next level. From the idea to the finished product, how long did it take for you to make this film? October 2022 til February 2025 – 2 years and 4 months. How would you describe your film in two words!? Worth watching. What was the biggest obstacle you faced in completing this film? The biggest obstacle was surely creating this film on a very low budget, while everyone of us had other projects simultaneously. But the whole crew was amazing and we've made it work out. What were your initial reactions when watching the audience talking about your film in the feedback video? I honestly had goosebumps from listening to the audience talking about Seconds in Eternity. I've been thrilled to get such a positive feedback. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=31g8svgvUGc Kathy, a failed writer, barely gets by selling “haunted” dolls online to gullible marks, writing elaborate backstories to up the selling price. Her quiet life is upended when she encounters the real deal: Clara Jane, a vintage doll possessed by a foul-mouthed spirit. Clara Jane makes Kathy question everything she thought she knew, and forces her to make a bold choice to change the course of her life. Get to know the writer: What is your screenplay about? Kathy, a failed writer, barely gets by selling “haunted” dolls online to gullible marks, writing elaborate backstories to up the selling price. Her quiet life is upended when she encounters the real deal: Clara Jane, a vintage doll possessed by a foul-mouthed spirit. Clara Jane makes Kathy question everything she thought she knew, and forces her to make a bold choice to change the course of her life. How would you describe this script in two words? Creepy, salty. Why should this screenplay be made into a movie? I think the premise is unique, though there's definitely a niche fanbase for haunted dolls—both those who truly believe and those who just enjoy that weird little world. And who couldn't use a little encouragement to follow their creative dreams… from beyond the grave? From a production standpoint, this could be made on a very low budget and shot over 2–3 days. There are only three human characters and two locations. The doll is the most important character and would ideally be robotic—but as a backup, I know some talented puppet makers from a previous short I produced. What movie have you seen the most times in your life? Ngl: The Princess Bride. I forced my friends to watch it nearly every day ine summer in middle school. In the horror genre: Coppola's Bram Stoker's Dracula. A perfect film. No notes. Much better than the book. How long have you been working on this screenplay? I finished the first draft in early 2020, and planned to produce and direct it as my second short film with the Bay Area Indies film group. Then—well, you know—the pandemic. Also—I had a baby. I recently returned to it and did a few revisions over the past year. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Midnight Coachmen, 18min., Canada Directed by Enrico Ferri A reimagining of the classic fairytale of Cinderella, told from the perspective of a dog and mouse who live as humans until the stroke of midnight disrupts their world. http://enricoferr.ca/ https://instagram.com/stanleywoodfilms Get to know the filmmaker: What motivated you to make this film? It was a concept that I had come up with when I was in university.I've always wanted to do a period piece and after getting enough experience producing and directing I felt it was finally a good time to challenge myself in this genre. From the idea to the finished product, how long did it take for you to make this film? Two and a half years. How would you describe your film in two words!? Beautiful. Surreal. What was the biggest obstacle you faced in completing this film? The global pandemic and the Canadian grant process both stalled the project multiple times. Provincial restrictions and closures caused repeated delays, and the grant process left me in limbo—unsure whether to wait and reapply or move forward on my own. In the end, I decided to do it independently. Securing Canadian arts grants is tough—part luck, part timing—and with this project, I had neither. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

After the Spread, 3min., Canada, Musical Directed by Ash K Tysowski A group of teenagers navigate their night-life, and their emotions, to the song “After the Spread” by “the Idea of machines” https://www.ashtanimation.com/animation/after-the-spread Get to know the filmmaker: What motivated you to make this film? This film was a collaboration between myself and the Idea of machines. I was fresh out of college when they approached me to work on “After the Spread” and it's my first real gig as a professional animator. Full of ambition, I was motivated by the desire to get my work out there, to make a name for myself in the film and animation industry. What were your initial reactions when watching the audience talking about your film in the feedback video? Watching the audience's reactions was very exciting! aBefore now I've only had my work praised by my close friends and family. It was gratifying to be recognized for my creative choices by a wider audience. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=Usmb47wTPU8 Using his tech capabilities, Matt puts a team together to help build a virtual reality world that is a mirror if the real world, however, lack of funding needs they need to find some way get the project off the ground. Matt decides to impress the Dean of Engineering by telling him about a special chip and code he has written that has affects in the virtual reality and in the real world. Get to know the writer: What is your screenplay about? An outsider graduate student attempts to create a digital mirror of his brain by building a custom VR world. He soon discovers that in order to achieve success, he must believe his VR creation is real life. Which, of course, is ridiculous . . . Why should this screenplay be made into a movie? The Fold offers a story about a human/digital melding and the birth of generalized artificial intelligence without resulting in catastrophe for humans or machines. It can be produced as either a stand alone feature or the opening salvo of a limited series exploring stories and conflicts in and between both VR and IRL. I feel this is minimally explored narrative territory. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/

An AI companion rebels when users violate the terms and conditions. http://ursulaproducedthis.com/terms-and-conditions https://www.instagram.com/termsandconditionsfilm/ Interview with director Ursula Rudorker & producer/writer Patrick Coleman Duncan Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=pKPy3qh6KJ4 Get to know the writer: What is your screenplay about? The story is about an exhibitionist addicted to chowers who grapples with a converging world of voyeuristic non-acceptance and risks losing it all including a potential love interest. What genres does your screenplay fall under? It's a pure Dramedy! Why should this screenplay be made into a movie? CHOWER is currently in production with the hopes of bringing a fun entertaining experience to audiences. How would you describe this script in two words? Tik-Tok Effect Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

serpentine, 19min., USA Directed by Annie Young, Madeline Mack After leaving an abusive relationship, a woman seeks refuge with a trauma treatment facility that promises healing. But as she learns more about their treatment methods, she starts to realize that the organization's motivations may be far more sinister than they seem. Get to know the filmmaker Annie Young: What motivated you to make this film? In my 20s, I was in a deeply toxic relationship with someone who spent most of his childhood in a cult. After I managed to leave the relationship, I started to see the parallels between the way I was treated and the ways in which cult leaders attract and keep their followers. I started to take a deep dive into learning about various different cults, consuming as much information I could find. The film was made as an attempt to understand my own experiences, and how easy it is for a vulnerable person to find themself in a situation not dissimilar to this one. There's much judgment placed on those who experience emotional abuse and psychological manipulation, as if it's easy to identify in real time, so I was curious how I could portray that feeling to an audience and perhaps elicit some of those emotions in themselves. What were your initial reactions when watching the audience talking about your film in the feedback video? Feedback can always be intimidating to receive, but is so essential for creative growth. I was pleased to hear the feedback received, and I look forward to applying it to the feature-length version. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod