Podcast appearances and mentions of Stanley Kramer

Na dann: Der Tod will wieder töten in FINAL DESTINATION: BLOODLINES, Soderbergh will mit BLACK BAG - DOPPELTES SPIEL im Geheimdienst wühlen und Nicolas Winding Ren kehrt mit VALHALLA RISING zurück. Außerdem bitten wir zum TANZ DER TITANEN, beeilen uns ein wenig mit HURRY UP TOMORROW und sind CAUGHT BY THE TIDES angesichts des neuen Films von Regisseur Jia Zhang-Ke. Darüber hinaus haben Schlogger, Andi und Schröck aber auch noch ein paar Streaming-Tipps und Mediatheken-Hinweise für Euch, die sich aus folgenden Titel zusammen setzen. Da sind zum einen NEVER LET GO: LASS NIEMALS LOS von Alexandre Aja, CHAOS WALKING von Doug Liman, IN LIEBE, EURE HILDE von Andreas Dresen und KING'S LAND von Nikolaj Arcel, der damit für den 3. Film in dieser Woche sorgt, in dem Mads Mikkelsen mitspielt. Und da sind zum anderen UNBEUGSAM - DEFIANCE von Edward Zwick, VORTEX - STRUDEL DES LEBENS von Gaspar Noé, DAS URTEIL VON NÜRNBERG von Stanley Kramer und noch ein Film von Steven Soderberg namens TRAFFIC - DIE MACHT DES KARTELLS. Wie immer abgerundet von dem, was die Drei zuletzt gesehen haben. Zum Beispiel DER KLEINE TOD. EINE KOMÖDIE ÜBER SEX, die dann auch ein paar kleine Gespräche zum Thema Sex anregt, BOY KILLS WORLD, der einfach nur tötet, NIGHTWATCH – NACHTWACHE, der immer noch gruselt oder DROP - TÖDLICHES DATE, mit dem Andi dann doch auch ein wenig Spaß hatte. Und zu guter Letzt berichtet Daniel von seinem doch eher pannenreichen Wiedersehen mit STAR WARS: EPISODE 3 - DIE RACHE DER SITH, was aber wohl dennoch ein richtiges Happy End hatte. Als kleine Randnotiz sei noch erwähnt: Am Sonntag kommt noch eine Besprechung zu ANDOR mit Andi und BJÖRN BETON (FETTES BROT), deswegen fällt das heute hier etwas kürzer aus. Ach so, und wir verraten Euch, wann wir endlich KINO+ 500 stattfinden lassen. Damit lässt es sich hoffentlich gut ins Wochenende starten. In diesem Sinne: bleibt gesund, sportlich und gut drauf und viel Spaß beim Glotzen. Ciao. Rocket Beans wird unterstützt von fritz-kola. Learn more about your ad choices. Visit megaphone.fm/adchoices

Co-hosts Maurice Bursztynski and Jonathan Melville join Mike to take on a Patreon request from listener John Atom—Nevil Shute's On the Beach. They dive into both the 1959 Stanley Kramer film and the 2000 TV mini-series directed by Russell Mulcahy. Set in the aftermath of a nuclear holocaust, the story centers on a U.S. submarine that finds refuge in Melbourne, Australia, where residents face the grim reality that the fallout is heading their way.The episode explores the emotional depth and existential dread of both adaptations, from the restrained melancholy of Gregory Peck and Ava Gardner to the more modern approach with Armand Assante and Rachel Ward. With perspectives shaped by different eras, the hosts unpack how each version captures the quiet devastation of waiting for the end.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Co-hosts Maurice Bursztynski and Jonathan Melville join Mike to take on a Patreon request from listener John Atom—Nevil Shute's On the Beach. They dive into both the 1959 Stanley Kramer film and the 2000 TV mini-series directed by Russell Mulcahy. Set in the aftermath of a nuclear holocaust, the story centers on a U.S. submarine that finds refuge in Melbourne, Australia, where residents face the grim reality that the fallout is heading their way.The episode explores the emotional depth and existential dread of both adaptations, from the restrained melancholy of Gregory Peck and Ava Gardner to the more modern approach with Armand Assante and Rachel Ward. With perspectives shaped by different eras, the hosts unpack how each version captures the quiet devastation of waiting for the end.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

This episode's guest is, actor, director, producer, improviser, and all-around wonderful human, Jennifer Clymer.Jen's journey is a rich tapestry of creativity, resilience, and community building. From founding Chicago's Playground Improv Theater to producing and directing both indie darlings and major studio projects (Spider-Man, Charlie's Angels), Jen brings heart and hustle to everything she does.We talk about her early days in Chicago's theater scene, how she pivoted into producing, and the powerful work she does now at the Motion Picture & Television Fund (MPTF)—where she helps care for aging and retired members of the entertainment industry. 

Why should we care about the end of humanity?Following on some recent episodes about macro-level existential threats and micro-level existential dread, this week's episode examines Stanley Kramer's 1959 science fiction film, On the Beach, to contemplate how we might personally relate to the idea of humanity ending.We also briefly discuss:The Edge of the World (1937) d. Michael PowellMiracle Mile (1988) d. Steve De JarnattContact UsEmail: contact@jimmybernasconi.comInstagram: https://www.instagram.com/filmsfortoday/

Jim discusses his first experiences with the 1959 Post-Apocalyptic classic "On The Beach," directed by Stanley Kramer and starring Gregory Peck, Ava Gardner, Fred Astaire, Anthony Perkins, Donna Anderson and John Meillon. A US submarine arrives in Melbourne, Australia where the remaining members of the human race are left following a world-wide nuclear exchange. The clock is ticking before the end of humanity in this poignant film. Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Jim discusses his first experiences with the 1959 Post-Apocalyptic classic “On The Beach,” directed by Stanley Kramer and starring Gregory Peck, Ava Gardner, Fred Astaire, Anthony Perkins, Donna Anderson and John Meillon. A US submarine arrives in Melbourne, Australia where the remaining members of the human race are left following a world-wide nuclear exchange. The […] The post On the Beach 1959 | Episode 444 appeared first on The ESO Network.

Stanley Kramer's 1958 feature THE DEFIANT ONES, a film very much of its time, makes multiple on-screen appearances in RaMell Ross' new NICKEL BOYS, a film about the way the past haunts the present. Both movies take place in the Jim Crow-era South and engage with that setting's lopsided ideas about justice, but THE DEFIANT ONES does so from a much more straightforward approach, operating as both a stylish thriller about two escaped prisoners, one black (Sidney Poitier) and one white (Tony Curtis), and an earnest allegory about interracial acceptance. That latter quality makes it easy to lump in with Kramer's other “message movies,” which are often dismissed from a modern vantage point as stodgy and sanctimonious, so we're revisiting THE DEFIANT ONES, with an assist from critic and pal Noel Murray, to see whether it earns or defies that reputation. And in Feedback we revisit our WIZARD OF OZ discussion with a reader suggestion of another child female protagonist who rivals Dorothy when it comes to teary helplessness. Please share your comments, thoughts, and questions about THE DEFIANT ONES, NICKEL BOYS, and anything else in the world of film by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

The antagonist becomes the protagonist in Jon M. Chu's WICKED, which adapts a stage musical — the first act, anyway — which adapts a novel that flipped the script on 1939's THE WIZARD OF OZ (itself an adaptation of L. Frank Baum's novel). So while there are plenty of narrative and character parallels between the two films, they often run perpendicular to each other in their respective notions of good and wicked. But the two films are certainly aligned in their aim to be big-screen spectacles of the highest order, though opinions differ among our hosts as to what degree WICKED achieves that goal in its heavily CGI-ed and halved form. Following that debate, we pit Dorothy and Elphaba against each other to see what each protagonist has to offer when it comes to fish-out-of-water pluck, character-defining“I Want” songs, and willingness to trust in that scoundrel the Wizard. And for Your Next Picture Show, Scott wheels out a recommendation for one of the weirder, but strangely enduring, cinematic visions of Oz. Please share your comments, thoughts, and questions about THE WIZARD OF OZ, WICKED, and anything else in the world of film by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next pairing: RaMell Ross's NICKEL BOYS and Stanley Kramer's THE DEFIANT ONES Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil and David encourage everyone to support The Motion Picture and Television Fund. The "Lights, Camera, Take Action!" Telethon for MTPF is airing December 8 on KTLA in Los Angeles and can be seen on KTLA.com. Phil and David are revisiting the time they were joined by actor, writer, director and musician Billy Bob Thornton, an Academy Award-winner, and his Grammy-winning, longstanding musical partner in their beloved band The Boxmasters, J.D. Andrew. for another special episode recorded on the beautiful Motion Picture & Television Fund campus in Woodland Hills, California -- https://mptf.com/. These episodes are in support of the "Lights, Cameras, Take Action!: A Telethon Benefiting MPTF hosted by Yvette Nicole Brown and Tom Bergeron that airs December 9th in Los Angeles on @KTLA. This is a fantastic and far-ranging conversation about life, music, mental health, meeting your heroes with great stories about Billy Wilder, Don Rickles, Marlon Brando and visiting Stanley Kramer at MPTF. To hear Tausha and The Boxmasters' song "As I Ever Was" on Future Youth Records, click here. For tour dates and much more on The Boxmasters, visit their official site here. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.

A couple of weeks ago—after this episode was recorded, but before it was edited and posted—the famous author Stephen King posted online his top ten novels of all time—and among them was Katherine Anne Porter's Ship of Fools.  This 1962 book was the first novel by Porter, a great American writer who had mostly worked in the short story genre and as a journalist and editor.  The novel tells of a German passenger liner traveling from Mexico to different ports of Europe in the 1930s.  It presents a multinational, highly varied cast of characters.  Ship of Fools received rave reviews at first, before then suffering through the obligatory critical backlash. The film rights sold for what at the time was a kaboodle of money and the movie was nominated for and received a number of Academy Awards. Hosts Kirk Curnutt and Scott Yarbrough wrestle with these questions: is this work a great American novel after all?  Are we all fools bound on an eternal quest for understanding or relevance or fares with inclusive food and drinks?  Why did the author take thirty years (almost) to finish the book? Come steam away with us as we sort it out. Listeners are warned as always: there be spoilers here!The film audio clips are from the trailer to Ship of Fools, directed and produced in 1965 by Stanley Kramer and starring Vivien Leigh and Lee Marvin, among others.  Released by Columbia Pictures.  The show music is by Lobo Loco.  The intro song is “Old Ralley,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.

On this special episode, we're diving into the curious 1953 fantasy The 5,000 Fingers of Dr. T. Produced by Stanley Kramer, directed by Roy Rowland, and uniquely penned by Dr. Seuss, the film stars Hans Conreid as Dr. Terwilliker, a sinister piano teacher who's devised the “Terwilliker Method” for the obedient fingers of child pianists. Tommy Rettig plays Bartholomew Collins, an imaginative boy determined to derail Dr. T's grand plans. Join Mike, playwright David MacGregor, and critic John Monaghan as they delve into the film's quirky charms, elaborate set pieces, and iconic status.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

On this special episode, we're diving into the curious 1953 fantasy The 5,000 Fingers of Dr. T. Produced by Stanley Kramer, directed by Roy Rowland, and uniquely penned by Dr. Seuss, the film stars Hans Conreid as Dr. Terwilliker, a sinister piano teacher who's devised the “Terwilliker Method” for the obedient fingers of child pianists. Tommy Rettig plays Bartholomew Collins, an imaginative boy determined to derail Dr. T's grand plans. Join Mike, playwright David MacGregor, and critic John Monaghan as they delve into the film's quirky charms, elaborate set pieces, and iconic status.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Some of the biggest comedians of the time get together for a crazy comedic treasure hunt. It's a Mad, Mad, Mad, Mad World is a 1963 film directed by Stanley Kramer which stars Spencer Tracy alongside a cracking cast of Comedic Stars. Trev's never seen it, Stephen knows it well - so how do you rate this one?

Join us as we delve into the greatest, most epic comedy of all time: It's a Mad, Mad, Mad, Mad World, from Stanley Kramer, starring dozens of the greatest comedians of all time: Spencer Tracy, Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Mickey Rooney, Dick Shawn, Phil Silvers, Terry-Thomas, Jonathan Winters, Edie Adams, and Dorothy Provine. Including an insane amount of cameos and guest stars in the epic 197-minute run time. It's 60 years old, but is still one of the funniest movies ever made. --- Support this podcast: https://podcasters.spotify.com/pod/show/thegenxfiles/support

GGACP celebrates the 50th anniversary of "The Dean Martin Celebrity Roasts" (first aired October 31, 1974) with this ENCORE of a fun and informative 2016 mini-show as the boys look back at the best -- and WORST -- of the "classic" NBC specials that ran from 1974 to 1984. In this episode: Ruth Buzzi! The comedy of Foster Brooks! Orson Welles recites "That's Amore"! Ed Norton roasts...Jackie Gleason!? Gilbert meets Uncle Miltie! And the comedy stylings of Stanley Kramer! Learn more about your ad choices. Visit megaphone.fm/adchoices

TVC 660.2: Aimee Ginsburg-Bikel, widow of Tony Award-nominated and Academy Award-nominated actor Theodore Bikel, talks to Ed about how Theo was an actor who always kept the rights of other actors in the forefront of his mind; how Rod Serling, Carl Reiner, Mel Brooks, Norman Lear, and Stanley Kramer all shared Theo's ideals and passion for social justice; and some of the memories and favorite roles of Theo that audiences have shared with Aimee. Calendar year 2024 marks the centennial of Theodore Bikel's birth; to mark the occasion, Aimee is touring the country with a special Theodore Bikel Centennial Program that showcases the arc of Theo's career and legacy. To learn more about the Theodore Bikel Legacy Project, as well as a list of Aimee's scheduled appearances in late 2024 and early 2025, go to AimeeGinsburgBikel.com/legacy-project Learn more about your ad choices. Visit podcastchoices.com/adchoices

Front Row Classics is taking a look at Stanley Kramer's acclaimed production of the classic play Inherit the Wind. Brandon is joined by brothers. Edmund and Gary Entin to discuss a film still relevant today. Edmund and Gary are filmmakers and producers aside from being film buffs. We discuss their personal connection to the piece and how the movie perfectly captures the essence of the play. We also celebrate the remarkable performances of Spencer Tracy, Frederic March and Gene Kelly.

Inherit the Wind Front Row Classics is taking a look at Stanley Kramer’s acclaimed production of the classic play Inherit the Wind. Brandon is joined by brothers. Edmund and Gary Entin to discuss a film still relevant today. Edmund and Gary are filmmakers and producers aside from being film buffs. We discuss their personal connection … Continue reading Ep. 224- Inherit the Wind →

E81 The Fifth CourtSupported by Clio Legal SoftwareHosts Mark Tottenham BL and Peter Leonard BL spoke to Arko Ganguli, co-founder of Letigify, an AI powered solution using audio-video authentication that allows clients to notarize documents online remotely from anywhere, without the hassle of visiting a notary public in person.Arko is a trained lawyer and a legal consultant for over eleven years, working with various clients and organisations in different sectors and domains. He's also a certified mediator and a design thinking practitioner, with a passion for changing the way law works in the world, enabling legal teams and their clients to carry out their business more efficiently. He's eager to explore innovative ideas in legal tech, and to collaborate with other entrepreneurs, investors, and mentors in the field. And as always, our two hosts discuss three new cases from the Decisis.ie websiteAn asylum case taken by a Ghanian national who claimed he was gay. IPAT questioned his bona fides.A family law case where foster parents tried to adopt a fostered child who had complex medical needs, but the birth mother withheld consent.A defamation case involving Google, YouTube (owned by Google) that was taken too late to join them as defendants.Arko recommends 'Judgement at Nuremberg' a 1961 American epic legal drama film directed by Stanley Kramer, Hosted on Acast. See acast.com/privacy for more information.

Tracy and Jason are back with the lucky 13th season of Faith in Focus, where we're looking at movies that seem way outside the general vibe of their director.  This episode we welcome back an OG podcast guest, the delightful Danette Rosenberg, to talk about Stanley Kramer's outlier: the wacky, zany, over-the-top It's A Mad, Mad, Mad, Mad World from 1963.

The Dank Diplomat Ngaio Bealum is back on OMFYS and he's picked a pair of movies to get high to from Criterion Channel's current series HOLLYWOOD CRACK-UP: THE DECADE AMERICAN CINEMA LOST ITS MIND. First, LEE MARVIN is punching dudes in the nuts and throwing them out of high-rise windows all to get his $93,000 back in POINT BLANK (1967). It's heavy on the testosterone but has lots of psychedelic and French New Wave touches from then-young director JOHN BOORMAN, who went on to make some of the trippiest movies ever made with EXCALIBUR (1981) & ZARDOZ (1974). Also starring Angie Dickenson, Sharon Acker, Carrol O'Connor (Archie Bunker), and introducing John Vernon (Dean Wormer from Animal House). Then SIDNEY POITIER is a prison psychiatrist trying to unravel the twisted psyche of a deranged but dangerous nazi played with menace by crooner BOBBY DARIN. This movie is chock full of the tripped-out dream sequences that we live for on this podcast, all set to an awesome jazz theremin score by Ernest Gold and photographed with intensity by Ernest Haller, the man who shot GONE WITH THE WIND and REBEL WITHOUT A CAUSE. This is the forgotten collaboration between producer Stanley Kramer and Poitier, who also made THE DEFIANT ONES (1958) and GUESS WHO'S COMING TO DINNER (1967), but Bob thinks PRESSURE POINT is their best. And if all that ain't enough, we've got a young PETER FALK thrown in here for good measure. Both movies are now streaming on CRITERION CHANNEL, which is really knocking it out of the park these days. Follow Ngaio on Instagram, Facebook & X (Twitter) at ngaio420 And see Ngaio with Paul Conyers at the Alameda Comedy Club on June 28-29: https://www.alamedacomedy.com/events/91745 Hosts: Bob Calhoun & Greg Franklin Cory Sklar & Philena Franklin are on assignment Old Movies for Young Stoners theme by Chaki the Funk Wizard "Hard Times" by Mike Lisk & Chaki the Funk Wizard with additional dialog by "The American Dream" Dusty Rhodes "Blue Mood" by Robert Munzinger & "Sicko" by Yung Logos courtesy of YouTube Audio Library Trailer audio via Archive.org Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com

Inherit the Wind (1960) is a fictionalized account of the 1925 Scopes “Monkey Trial," where a local teacher is prosecuted for teaching about human evolution in public school in violation of state law. The film was directed by Stanley Kramer and is based on a play by Jerome Lawrence and Robert Edwin Lee. It stars Spencer Tracy as Henry Drummond (patterned after celebrated defense attorney Clarence Darrow), Frederic March as the prosecutor Matthew Harrison Brady (patterned after famous three-time presidential candidate and renowned fundamentalist Christian spokesperson, William Jennings Bryan); Dick York as Bertram T. Cates (patterned after high school science teacher John Scopes), and Gene Kelly as reporter E. K. Hornbeck (patterned after H.L. Mencken). Fans of the TV series M*A*S*H  will also enjoy seeing Harry Morgan as the trial judge. The film not only provides a glimpse into the role of religion in public life in American in the 1920s; it also contains important messages about conformism and freedom of thought directed at the McCarthyism of its own era—messages that continue to reverberate today. My guest to talk about Inherit the Wind is film critic Nell Minow (bio  here).Timestamps:0.00     Introduction4:52     The era of the Scopes “monkey trial”8:34     The Scopes trial as a “test” case12:25   The decision to exclude evidence of evolution18:40   The later theory of “intelligent design”20:30   Clarence Darrow's classic cross-examination of William Jennings Bryan23:27   Miracle on 34th Street and how courts resolve disputes about faith24:40   The film as a response to the McCarthy era26:14   The verdict and aftermath30:10   The power and methods of the religious right today 34:22   The impact of Inherit the Wind and other “issue movies”37:06   The film's continuing relevanceFurther reading:Austerlitz, Saul, "Rethinking Stanley Kramer: How a message-movie humanist became an auteurist punching bag," Moving Image Source (Aug. 25, 2010)Farrell, John F., Clarence Darrow: Attorney for the Damned (2011)Minow, Nell, “‘An Idea Is a Greater Monument Than a Cathedral': Deciding How We Know What We Know in ‘Inherit the Wind,'” 30 U. San Fran. L. Rev. 1225 (1996)National Center for Science Education, “Ten Major Court Cases about Evolution and Creationism” (June 6, 2016)Sprague de Camp, Lyon, The Great Monkey Trial (1968)Uelman, Gerald F., “The Trial as Circus: ‘Inherit the Wind,'” 30 U. San Fran. L. Rev. 1221 (1996)Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/faculty/full-time/jonathan-hafetz.cfmYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

Harvey Brownstone conducts an in-depth Interview with Katharine Kramer, Actress, Producer, Activist, Daughter of Stanley Kramer About Harvey's guest: Today's guest, Steve Guttenberg, is a member of Hollywood royalty, and a multi-award winning actress, singer, journalist, producer and humanitarian who is most definitely following in the groundbreaking footsteps of her father, the legendary director and producer, Stanley Kramer, because she's having a stellar career that exemplifies what it means to make a significant difference in the world.     Her film credits include “Going Shopping”, “Hollywood Dreams”, “What Just Happened?”, “Little Fockers”,  “Turnover”, for which she won the Best Supporting Actress Award at the Love International Film Festival, “Fate's Shadow: The Whole Story”, for which she was named “Best Supporting Actress” at the Actors and Directors International Film Festival, “Rings of the Unpromised”, for which she won 5 prestigious film festival awards - 4 for Best Supporting Actress and one for Best Ensemble, and the multi-award winning “Mother's Day Memories”, which won 4 distinguished film festival awards.   On television, you've seen her in many shows including “Child of the 70s”, “Larry King Live”,  “Actors Entertainment”, “Meet the Biz”, and “Call me Kate”, the wonderful Netflix documentary about her godmother and namesake, the legendary Katharine Hepburn.   On the stage, our guest has starred in 4 popular one-woman-shows, and she won awards for her roles as Helen Keller in “The Miracle Worker” and Anne Frank in “The Diary Of Anne Frank”, as well as starring in “David And Lisa”, “Great Expectations”, “The Lark” and “The Vagina Monologues”.   She's also a very gifted singer, and has recorded a wonderful album called “Gemstone”, featuring songs by Mick Jagger.   In 2009, she founded a Cinema Series called “Kat Kramer's Films That Change the World”, showcasing movies that raise awareness about highly relevant and thought-provoking social issues like women's equality, animal welfare, bullying, school violence and much more.  Our guest has received many honours including the Compassion Award from the Braveheart Women, and a Golden Spirit Award from the Atomic Age Cinema Fest.   In 2015 she established the Hunt For Humanity Award in honour of actress and activist Marsha Hunt, which is given to an actor or filmmaker who uses their voice for social change.  She's a founding board member of the Palm Springs International Comedy Festival, and she serves on the advisory boards of the LA Press Club and the Los Angeles Women's Theatre Festival.  And if all of that weren't enough, I can't resist mentioning that in 1990, our guest was Miss Golden Globe. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To learn more about Steve Guttenberg, go to:https://katharinekramer.comhttp://www.katkramersfilmsthatchangetheworld.com/ https://www.facebook.com/katharine.kramer.92/https://twitter.com/katharinekramer #katharinekramer    #harveybrownstoneinterviews

The Caine Mutiny (1954) is based on Herman Wouk's bestselling Pulitzer Prize winning novel of the same name. The film, directed by Edward Dmytryk and produced by Stanley Kramer, portrays the fictitious events on board the U.S.S. Caine, a Navy destroyer-minesweeper in the Pacific during World War II. Executive officer, Lt. Stephen Maryk (Van Johnson), relieves the seemingly unstable Lt. Commander Philip Francis Queeg, Captain of the USS Caine, of his command after Queeg (Humphrey Bogart) endangers the ship and its crew during a cyclone. The ship returns to the U.S. and Maryk is court-martialed for mutiny. He is represented by Navy lawyer, Lt. Barney Greenwald (José Ferrer), who despite disapproving of Maryk's actions, believes Maryk was misled by the ship's communications officer, Lt. Tom Keefer (Fred MacMurray), into believing Queeg was mentally unfit for command. Maryk is acquitted after Greenwald effectively places Queeg on trial by his exposing Queeg's erratic and paranoid behavior. The Caine Mutiny Court-Martial (2023), directed by the late William Friedkin, is based on Wouk's adaption of his own 1951 novel for the stage. In contrast to the 1954 film, The Caine Mutiny Court-Martial covers only the court-martial. The cast includes Jake Lacy as Maryk, Jason Clarke as defense attorney Greenwald, Monica Raymund as prosecutor Lt. Commander Katherine Challee, the late Lance Reddick as the presiding judge Captain Luther Blakley, and Kiefer Sutherland in a phenomenal performance as Queeg. The films are not only gripping courtroom dramas, but also explore larger themes around military justice, ethics, and morality.  With me to discuss these films is Eugene (Gene) Fidell, a visiting Lecturer in Law at Yale Law School and co-founder of the National Institute of Military Justice.Timestamps:0:00     Introduction3:58     What's a court-martial?9:14     The crime of mutiny17:48   Relieving Queeg of his command27:36   Putting Queeg on trial29:33   Taking some poetic license with a court-martial34:44   The defense lawyer's post-trial critique of the mutiny41:21   The dramatic changes in the Navy and armed forces since the original movie 47:12   More context for the two Caine Mutiny movies50:21   Other great movies about military justice    Further reading:“The Humphrey Bogart Blogathon: ‘The Caine Mutiny' (1954),” Dec. 23, 2016, https://back-to-golden-days.blogspot.com/2016/12/the-humphrey-bogart-blogathon-caine.htmlKelly, Kevin M., “You Murdered Queeg: Lawyers, Ethics, Military Justice, and ‘The Caine Mutiny,'” 1991 Wis. L. Rev. 543 (1991)Melville, Herman, Billy Budd (1924)Rosenberg, Norman L., “‘The Caine Mutiny': Not Just One But Many Legal Dramas,” 31 J. Mar. L. & Com. 623 (2000)Wouk, Herman, The Caine Mutiny (1951)Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/faculty/full-time/jonathan-hafetz.cfmYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

Today on the Rarified Heir Podcast, we are talking to Katharine “Kat” Kramer, daughter of producer/director Stanley Kramer. Now, you might have heard of a few films Stanley directed like The Defiant Ones, Guess Who's Coming To Dinner, Judgement at Nuremberg, On the Beach and a comedy called It's A Mad, Mad, Mad, Mad World. So it's appropriate that this episode is airing two days after the Academy Awards. Why? Because Stanley Kramer's films have received more than 80 Academy Award nominations, have received 16 Academy Awards and Kramer was given an Academy Award, the Irving Thalberg Award, in 1961. To say the man directed (and produced) some groundbreaking films with actors like Spencer Tracy, Marlon Brando, Katharine Hepburn and Sidney Poitier would mean you are just scratching the surface of his illustrious career.   We talk to Katharine about everything about the themes of her father's films and somehow, because host Josh Mills' mum starred in It's A Mad, Mad, Mad, Mad World, we end up talking about that film - a lot. We also talk about Phil Spector – who would have thunk? – Katherine's one woman show, a Mick Jagger tribute album she recorded with many Stones alumni, her career as an actorvist, singing Judy Garland songs to Liza Minelli as a kid backstage, her haunted house growing up, the Kennedy assassination and much more. Katharine is absolutely the most motivated person we've had on this podcast as her career in TV, stage, music, charity and as a member of too many boards to count, will attest. This is the Rarified Heir Podcast. Everyone has a story.

Episode 33 - Director Stanley Kramer's THE RUNNER STUMBLES w/guest Kathleen Quinlan. Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow FADE OUT on Twitter: @FadeOutPod Theme by Luke Daab: https://www.daabcreative.com You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify Stitcher This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 33 - Director Stanley Kramer's THE RUNNER STUMBLES w/guest Kathleen Quinlan. Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow FADE OUT on Twitter: @FadeOutPod Theme by Luke Daab: https://www.daabcreative.com You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify Stitcher This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

(Bonus) On the Beach is a 1959 American post-apocalyptic science fiction drama film from United Artists starring Gregory Peck, Ava Gardner, Fred Astaire, and Anthony Perkins. Produced and directed by Stanley Kramer,[2] it is based on Nevil Shute's 1957 novel On the Beach depicting the aftermath of a nuclear war.[3] Unlike the novel, no one is assigned blame for starting the war, which attributes global annihilation to fear compounded by accident or misjudgment.

Phil and David are joined by actor, writer, director and musician Billy Bob Thornton, an Academy Award-winner, and his Grammy-winning, longstanding musical partner in their beloved band The Boxmasters, J.D. Andrew. for another special episode recorded on the beautiful Motion Picture & Television Fund campus in Woodland Hills, California -- https://mptf.com/. These episodes are in support of the "Lights, Cameras, Take Action!: A Telethon Benefiting MPTF hosted by Yvette Nicole Brown and Tom Bergeron that airs December 9th in Los Angeles on @KTLA. This is a fantastic and far-ranging conversation about life, music, mental health, meeting your heroes with great stories about Billy Wilder, Don Rickles, Marlon Brando and visiting Stanley Kramer at MPTF. To hear Tausha and The Boxmasters' song "As I Ever Was" on Future Youth Records, click here. For tour dates and much more on The Boxmasters, visit their official site here. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.

Visit our WATCH PAGE to rent or purchase movies we've talked about on the show. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. All of the movies from our current season are in there, and we're continuing to add more from our back catalog. Enjoy!Want to upgrade your Letterboxd account? Use our promo code to get a discount and help us out in the process!“Why are you so hateful to one another?”Kicking Off Our Next Series With a Conversation About László Benedek's 1951 Film Death of a SalesmanIt had only been a few years since Arthur Miller's play made its successful debut, and the story was exactly the sort producer Stanley Kramer sought out. He brought László Benedek on to direct and Stanley Roberts on to adapt it for the screen. Unfortunately, the film was a box office flop, whether due to the studio's concerns about its anti-American themes or audiences seeking lighter entertainment after World War II. Still, Benedek and Kramer assembled a strong adaptation of Miller's story, even if Miller himself wasn't a fan. Join us – Pete Wright and Andy Nelson – as we kick off our series looking at the 1952 Academy Award nominees for Best Cinematography • Black-and-White. We'll be discussing Benedek's 1951 film Death of a Salesman.Here's a hint at what we talk about.We closely analyze the strained father-son relationships that drive the narrative. Salesman Willy Loman (Frederic March) and his older son Biff (Kevin McCarthy) have a fractured bond ever since Biff discovered Willy's affair years before. This broken trust continues to shape their tense interactions, as Biff struggles to meet Willy's high expectations.We also examine the symbolic role of Willy's wealthy brother Ben, who appears in visions. Ben represents Willy's glorified notions of the American Dream and success. While Willy finds inspiration in Ben's purported business ventures abroad, he never pursues such risks himself. This critique of capitalism's empty promises factors heavily in the story.Much of our discussion also focuses on Franz Planer's evocative cinematography. We analyze Planer's striking lighting, camerawork and framing as part of our ongoing series on the 1952 Best Cinematography nominees. Despite a poor quality print, we note innovative techniques like scenes reflected in shadows. The transitions between reality and memory are especially inventive, showcasing advantages of adapting the stage play cinematically.Additional topics include: Mildred Dunnock's strong performance as the supportive yet insightful Linda Loman Benedek's clever transitions between the past and present Why the play still resonates through countless reinterpretations Whether you know Miller's famous play or are discovering it for the first time, don't miss our engaging discussion of this impactful American tragedy. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership. Script Options Poster artwork Flickchart Letterboxd (00:00) - Welcome to The Next Reel • Death of a Salesman (01:48) - Initial Thoughts (06:01) - Portrayal of Willy's Madness (10:53) - Transitions (11:45) - Failings of the American Dream (14:56) - On the Heels of WWII (17:57) - Willy and Biff (20:58) - Willy and Linda (26:32) - Mildred Dunnock (27:17) - Casting This Version (28:01) - Cinematography (31:15) - Direction (34:18) - Ben and Delusions (39:18) - The Cast (41:45) - The Score and Film's Inaccessibility (43:02) - Comparing Versions and Getting This Made (46:34) - Credits (48:24) - Other Adaptations (49:50) - Awards (52:26) - The Box Office (53:37) - Coming Next Week • The Frogmen (56:27) - Letterboxd (57:38) - Wrap Up Read more about the results of the WGA strike here. Learn more about the SAG-AFTRA strike here.

“Why are you so hateful to one another?”Kicking Off Our Next Series With a Conversation About László Benedek's 1951 Film Death of a SalesmanIt had only been a few years since Arthur Miller's play made its successful debut, and the story was exactly the sort producer Stanley Kramer sought out. He brought László Benedek on to direct and Stanley Roberts on to adapt it for the screen. Unfortunately, the film was a box office flop, whether due to the studio's concerns about its anti-American themes or audiences seeking lighter entertainment after World War II. Still, Benedek and Kramer assembled a strong adaptation of Miller's story, even if Miller himself wasn't a fan. Join us – Pete Wright and Andy Nelson – as we kick off our series looking at the 1952 Academy Award nominees for Best Cinematography • Black-and-White. We'll be discussing Benedek's 1951 film Death of a Salesman.Here's a hint at what we talk about.We closely analyze the strained father-son relationships that drive the narrative. Salesman Willy Loman (Frederic March) and his older son Biff (Kevin McCarthy) have a fractured bond ever since Biff discovered Willy's affair years before. This broken trust continues to shape their tense interactions, as Biff struggles to meet Willy's high expectations.We also examine the symbolic role of Willy's wealthy brother Ben, who appears in visions. Ben represents Willy's glorified notions of the American Dream and success. While Willy finds inspiration in Ben's purported business ventures abroad, he never pursues such risks himself. This critique of capitalism's empty promises factors heavily in the story.Much of our discussion also focuses on Franz Planer's evocative cinematography. We analyze Planer's striking lighting, camerawork and framing as part of our ongoing series on the 1952 Best Cinematography nominees. Despite a poor quality print, we note innovative techniques like scenes reflected in shadows. The transitions between reality and memory are especially inventive, showcasing advantages of adapting the stage play cinematically.Additional topics include: Mildred Dunnock's strong performance as the supportive yet insightful Linda Loman Benedek's clever transitions between the past and present Why the play still resonates through countless reinterpretations Whether you know Miller's famous play or are discovering it for the first time, don't miss our engaging discussion of this impactful American tragedy. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership. Script Options Poster artwork Flickchart Letterboxd Read more about the results of the WGA strike here.Learn more about the SAG-AFTRA strike here.Visit our WATCH PAGE to rent or purchase movies we've talked about on the show. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. All of the movies from our current season are in there, and we're continuing to add more from our back catalog. Enjoy!Want to upgrade your Letterboxd account? Use our promo code to get a discount and help us out in the process!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete  Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.

Steve interviews actress and film historian Kat Kramer about the legacy of her father, director Stanley Kramer, and his epic comedy, "It's a Mad, Mad, Mad, Mad World," which is celebrating its 60th Anniversary this year.

Judgment at Nuremberg (1961) depicts the trial of Nazi judges before the U.S. military tribunal in Nuremberg, Germany, following World War II. The film was directed by Stanley Kramer from a screenplay by Abbie Mann; it features a sensational cast that includes Spencer Tracy, Burt Lancaster, Maximilian Schell (who won an Oscar for best actor), Richard Widmark, Marlene Dietrich, Judy Garland, Montgomery Clift, and William Shatner.  The film provides a gripping account of the “Judges' Trial” or "Justice Case" (as it has become known), exploring issues around individual and collective guilt, the challenges facing tribunals seeking to punish mass atrocities, and the quest for peace and justice after the horrors of World War II.  In many respects, the film remains as relevant today as it was when it was first released. I'm joined by Professor Kevin Jon Heller, a renowned scholar of international criminal law and leading expert on the Nuremberg tribunals. Timestamps:0:00     Introduction4:25     Tribute to Ben Ferencz6:31     A gutsy movie for its time9:03     The historical context for the Justice Case13:18   The charges against the defendants16:21   Individual and collective responsibility21:05   The concentration camp footage26:15   Defendants were not neutral officials just following the law32:36   The judges should have known better35:14   The political pressures on the tribunal39:40   Germany's slow reckoning with its Nazi past44:20   How the film speaks to us today51:26   Telford Taylor: Ahead of his time53:04   An enlightened portrayal of defense attorneys54:41   The U.S. gave Nazis fair trials but can't provide fair trials at GuantanamoFurther reading:Arendt, Hannah, Eichmann in Jerusalem: A Report on the Banality of Evil (revised ed. 1994)Ehrenfreund, Norbert, The Nuremberg Legacy: How the Nazi War Crimes Trials Changed the Course of History (‎St. Martin's Press 2007)Heller, Kevin Jon, The Nuremberg Military Tribunals and the Origins of International Criminal Law (Oxford Univ. Press 2011), https://global.oup.com/academic/product/the-nuremberg-military-tribunals-and-the-origins-of-international-criminal-law-9780199554317?cc=us&lang=enKing, Susan, “‘Judgment at Nuremberg' 50 Years Later,” L.A. Times (Oct. 11, 2011), https://www.latimes.com/entertainment/la-xpm-2011-oct-11-la-et-nuremberg-film-20111011-story.htmlMcNamee, Eugene & Andrews, Maria, “‘Judgment at Nuremberg': Hollywood Takes the International Criminal Law Stand,” 6 London Rev. Int'l L. 75 (2018)Shale, Susanne, “The Conflicts of Law and the Character of Men: Writing Reversal of Fortune and Judgment at Nuremberg,” 30 U.S.F. L. Rev. 991 (1996)Taylor, Telford, The Anatomy of the Nuremberg Trials: A Personal Memoir (Knopf 1992)Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/faculty/full-time/jonathan-hafetz.cfmYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilm

On this mad, mad, mad, mad episode of Film Seizure, the guys discuss the 1963 Stanley Kramer comedy It's a Mad, Mad, Mad, Mad World! Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Twitter: twitter.com/FilmSeizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

Today's episode Matthew and Nort review the movie Rat Race is a 2001 American comedy film directed by Jerry Zucker. Inspired by Stanley Kramer's 1963 film It's a Mad, Mad, Mad, Mad World. Matthew has seen this movie a couple times and it is actually one of his wives' favorites. Grab some popcorn, crack open a sody pop, and sit down for some movie talk every other Thursday on The Encounter Co Network. We are a comedy movie review podcast where Matthew & Nort take turns watching and reviewing a movie the other host has not seen. They go over the entire plot, (with spoilers), talk about fun facts, cast members, themes, and how the movie impacted them. Sources for this episode: Sources Support the lovely people who created stuff for the show: Art by: Meraki2019 Deep Voice by: Marlar Intro music by: Ozeyzin We are a part of The Encounter Co. network! Check out all the other awesome shows on the network! Check it out here!   Follow us on Twitter at: Show: @SYFWPod Nort's Twitter: @NortSauwce Other Socials: Instagram: Soyoufinallywatchedpod Tik Tok: Syfwpodcast YouTube: So, You Finally Watched Podcast If you liked the show be sure to leave a 5 star review on Apple Podcasts so we can get the word out about our show! Also tell a friend or two! Thanks for listening!  Nort has another podcast with his co-host and wife Anna called Reading isn't for Kids! The pair review and discuss children's chapter books as well as graphic novels. Check it out here! If you want to check out Nort's actual play podcast click this link! The show is called Grim Encounters and it is a campy horror actual play podcast using the Chill 3rd Edition ruleset. Best place to start is Season 1 or Season 2. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stanely Kramer director of It's a Mad, Mad, Mad, Mad World drops by!

To celebrate Australia Day, Russell takes over the show to chat about the 1959 film On The Beach, Directed by Stanley Kramer and starring Gregory Peck, Ava Gardner, Fred Astaire, Anthony Perkins, and Donna Anderson. This film is about.. the end of the world. Enjoy!

GGACP celebrates the birthday (January 24) of the late, great character actor Marvin Kaplan with this ENCORE of a wildly entertaining conversation from 2016. In this episode, Marvin looks back on his memorable appearance in "It's a Mad, Mad, Mad, Mad World" and recalls working with screen legends Charlie Chaplin, Katharine Hepburn, Clark Gable, Jack Lemmon, Paul Newman and Lon Chaney Jr. (just to name a few). Also, Marvin praises Sam Jaffe, props up Broderick Crawford, remembers Zero Mostel and risks his life for Blake Edwards. PLUS: Fritz Feld! The talents of Strother Martin! Arnold Stang takes a fall! Stanley Kramer sacks Jackie Mason! And the return (once again) of Maria Ouspenskaya! Learn more about your ad choices. Visit megaphone.fm/adchoices

For the 2nd time this week, Have You Ever Seen talks about escaped convicts. And just 3 days before Martin Luther King Day, Ryan offers up an oral essay about 2 on the run while dealing with '50s-era racism in America's south. The Defiant Ones---unlike Out Of Sight---is deadly serious. One legendary actor in Sidney Poitier and one underrated one in Tony Curtis work well together as two people who are forced to work together to survive with a posse in hot pursuit. The last 30 minutes of the film and the ending itself are puzzling, but Stanley Kramer's dynamic Oscar winner is still good enough to rise above those problems. So don't drag on the chain, man (especially since that's a bad line) as our 485th episode breaks down the hard-fought battles and gradual acceptances in The Defiant Ones. Go to "sparkplug.coffee/hyes" to order terrific java and even get yourself a 20% discount by using our promo code ("hyes"). To communicate with us, email us (haveyoueverseenpodcast@gmail.com) or tweet us (Ryan is @moviefiend51 and Bev is #bevellisellis). We're posting 2023 episodes on YouTube (type "@hyesellis" into your browser to see our growing library there) and look for "Scoring At The Movies" in all the podcast places to hear Ryan yap about sports films.

Kier-La talks about Stanley Kramer's 1971 adaptation of Glendon Swarthout's best-selling book of teen misfits who embark on a great adventure with results both triumphant and tragic. Featuring interviews with actors Miles Chapin and Bill Mumy, and composers Barry De Vorzon and Perry Botkin, Jr. ----more---- Credits: Written, edited and hosted by: Kier-La Janisse Special Guests: Miles Chapin, Bill Mumy, Barry De Vorzon and Perry Botkin, Jr. Clips from: Bless the Beasts and Children ©1971 Columbia Pictures R.P.M. ©1970 Columbia Pictures Ladybug Ladybug ©1963 United Artists Music: "Bless the Beasts and Children", "Cotton's Dream", "Down the Line", "Bless the Beasts and Children (Reprise)", "Down the Line (Reprise)", "Journey's End", "Stampede", "Free", "Requiem" ©1971 Barry De Vorzon and Perry Botkin, Jr. "Bless the Children", "Beautiful Day" © So Boss Music & Paul Gordon Music ASCAP "She Came to Hollywood" ©2016 Bill Mumy Bill Mumy Official Website >> Additional Music from Epidemic Sound: "The Vanished" by John Barzetti "Buried in our Lands" by Enigmanic Theme Song: "Hot Fudge Holy Moley" from WXYZ-TV's The Hot Fudge Show (1974-1980) Logo by Sinead Yau at Mojo Valley

I recently was invited to participate in a panel discussion for an International Law class at the University of South Alabama for the 1961 Stanley Kramer film "Judgment at Nuremberg". Thanks for joining us! If you enjoy our show, PLEASE please tell your friends. Recommend us. That is how we grow. ----- Executive Producers: Conner Dempsey • Dustin Weldon Theme Music by Dustin Weldon Produced & Engineered by Conner Dempsey Powered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere Pro Special Thanks to Anchor FM

This week on Peanuts and Popcorn, black armbands are on after the death of Maury Wills; Albert Pujols joins an exclusive club. We'll react to what some of the players and managers are saying about the proposed rule changes. Garrett Cole takes an early shower, while the Mets and the Reds make history. The Cubs have been thinking about the 2023 season, while the White Sox can now join them. This week in popcorn, at the 36:02 mark, we go all the way back to 1960 for the Stanley Kramer directed, Inherit the Wind. Next Week: Cool Hand Luke

Welcome to It's A Wonderful Podcast!! It's a loud, sweaty, witty, exciting courtroom battle of Spencer Tracy vs Fredric March with plenty of snark and sass from Gene Kelly in between on this week's new main show as Morgan and Jeannine talk Stanley Kramer's INHERIT THE WIND (1960)!! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

We kick off our Wacky Races miniseries with the seminal, star-studded, stunt-stuffed spectacular that started it all, Stanley Kramer's comedy epic It's A Mad, Mad, Mad, Mad World. It's a race to see if the movie or the podcast contains more actual jokes!

En la edición de hoy de El ContraPlano, el espacio dedicado al cine dentro de La ContraCrónica, los contraescuchas nos traen los siguientes títulos: - "Un tipo genial" (1983) de Bill Forsyth - https://amzn.to/3MD8Qz1 - "Death Note” (2006-2007) [serie] de Tetsuro Araki - https://amzn.to/3xEK25v - "Klaus" (2020) de Sergio Pablos - https://www.netflix.com/es/title/80183187 - "Juicio en Núremberg" de Stanley Kramer - https://amzn.to/3OaIB4m Consulta en La ContraFilmoteca la selección de las mejores películas de este espacio - https://diazvillanueva.com/la-contrafilmoteca · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #Nuremberg #Klaus Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In this episode we discuss Stanley Kramer's Ship of Fools, Grand Hotel on a ship, the last few tumultuous years of Vivien Leigh's life and career, and her last film role. We talk about William Wyler and his immense accomplishments and contributions to the film industry, from a lowly assistant to one of the most celebrated Hollywood directors of films like Wuthering Heights, The Heiress, The Best Years of our Lives, Roman Holiday, and Ben-Hur. **Content Warning** mentions of rape and depression in relation to a scene Vivien Leigh filmed between timestamps 22:31-24:10** -- Instagram: https://www.instagram.com/thanktheacademypodcast Twitter: https://www.twitter.com/thankacademypod Email us your thoughts: thanktheacademypod@gmail.com --- Support this podcast: https://anchor.fm/thank-the-academy/support

A big ensemble comedy deserves a big ensemble episode. Host & Corporate Comedian Steve Mazan interviews Al Romero and J Ryan about Stanley Kramer's "It's a Mad Mad Mad Mad World" Who shines brightest? Was Kramer a good comedic director? Who is missing? Does Dick Shawn steal the movie? What's it got to do with In'n Out? All these questions and more get answered on this week's Mazan Movie Club Podcast. 

Listen to this PREVIEW of the 51st episode of On Second Thought, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! On Second Thought is a series in which Kevin is joined by a special guest in breaking down another Best Picture nominee not reviewed on the regular show that could have still been the runner-up. In this episode, Kevin speaks with Ronaldo Sosa about Stanley Kramer's "Guess Who's Coming to Dinner," the possible runner-up that lost Best Picture to "In the Heat of the Night" in 1967. This episode includes a review of the film itself and a discussion of its awards run!   You can listen to the full episode of On Second Thought by going to patreon.com/andtherunnerupis and contributing at the $3 per month tier. Follow Kevin Jacobsen on Twitter:     @Kevin_Jacobsen Follow Ronaldo Sosa on Twitter: @rsantana2024 Follow And the Runner-Up Is on Twitter:      @OscarRunnerUp Music featured in this episode: "The Glory of Love" - Frank DeVol

This week we watced and review the 1963 comedy It's a Mad, Mad, Mad, Mad World directed by Stanley Kramer.The film stars Spencer Tracy along with an all-star cast of comedians and is about a crazy mad dash for $350,000. Some of the main cast includes Edie Adams, Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Dorothy Provine, Mickey Rooney, Dick Shawn, Phil Silvers, Terry-Thomas, and Jonathan Winters.  Check out the trailer here: https://youtu.be/Sla845GW9YM Video: https://youtu.be/G_7flkl7IWU