Podcasts about easters

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Phone call episode this week as Andrew's returned home to mourn the death of Pope Francis. The boys compare Easters, Horatio's gambling again and Gregg Wallace is unleashing AI pun art on X.

Alex tries the Saltine challenge on a whim, then the guys talk about their Easters. Hinch surprised his mom, Tim became a Godfather, and Alex got annoyed with Tim. Plus, there's testing at IMS this week, and the weather may actually be similar to race day, plus they dive into the latest in the F1 world.+++Off Track is part of the SiriusXM Sports Podcast Network. If you enjoyed this episode and want to hear more, please give a 5-star rating and leave a review. Subscribe today wherever you stream your podcasts.Want some Off Track swag? Check out our store!Check out our website, www.askofftrack.comSubscribe to our YouTube Channel.Want some advice? Send your questions in for Ask Alex to AskOffTrack@gmail.comFollow us on Twitter at @askofftrack. Or individually at @Hinchtown, @AlexanderRossi, and @TheTimDurham.

Glow in the dark Easters, things you bring back from Vegas, werewolf senior citizens, things you bring back from Italy, getting stuck with the wrong person, things you bring back from Florida and Sun Don't Shine!

Eric and Kiley reflect on childhood Easters, aging party talk, and how Eric's mower fail left his lawn flawless. Plus, Netflix's *The Life List* has Eric getting unexpectedly emotional. 

Fr Paddy Rushe reflected on the death of Pope Francis and Seamus Briscoe, from the Drogheda Male Voice Choir, recalled the choir performing for and meeting the Pontiff back in 2018. Rory O'Connor had the crack with Gerry about Easters past and his Hyrox exploits! Veterinarian Sinead Kelly answered all listeners had to throw at her and Mick Hughes told of the sharp decline in customer visits this spring to his restaurant in Trim. Hosted on Acast. See acast.com/privacy for more information.

How many Easters have come and gone, with familiar sermons leaving your heart unchanged? Maybe what we need isn’t another typical Easter message, but a fresh encounter with resurrection power. This morning, we’re focusing on Lazarus’s story in John 11, which happened just a few days before Jesus’ resurrection. It’s kind of a preview of the Power of Jesus, and what He can do with all the dead places in our lives, and in our world. Places of spiritual deadness, dark corners of hidden hurts, regrets, dead ends & burdens we’ve all carried here today. Let’s be honest: our world is steeped in the power of death—broken relationships, crushed dreams, spiritual emptiness. If the resurrection doesn’t speak to the daily funerals of our hearts, how can we trust it with our eternity? Because witnessing resurrection power should provide hope in every kind of “death” we might face in this life. Resurrection power isn’t just about what happened 2,000 years ago, or just what’s going to happen in the future. It’s about today. The same power that allowed Jesus to conquer death, but also breathe life into you.

Send us a textEaster traditions spark passionate opinions, nostalgic memories, and plenty of laughter in this seasonal gathering of friends. From the unanimous dislike of Peeps marshmallow treats to heated debates about the best Easter candies (Reese's eggs and Cadbury caramel eggs emerge victorious), our panel dives deep into what makes this spring holiday special across generations.Food takes center stage as guests share their traditional Easter meals – ham remains a staple for most, while Italian pastas, Polish kielbasa, pierogies, and even brisket make appearances on family tables. The conversation reveals a strong consensus that holidays should be celebrated at home rather than restaurants, emphasizing how these gatherings strengthen family bonds and create lasting memories.The peculiar tradition of Easter Bunny photos generates universal amusement and slight horror. As one guest describes mall Easter Bunnies: "They just look stressed out and deranged." Another shares his teenage experience being forced to don the costume for younger family members, likely scarring them for life as a six-foot-five bunny approached them.Perhaps most heartwarming are the shared memories of childhood Easters – following colorful jelly bean trails to hidden baskets, unexpected Nintendo systems as gifts, and now creating new traditions with their own children. These stories reveal how holiday traditions evolve while maintaining their essential purpose of bringing loved ones together.Whether you're planning an elaborate Easter dinner, filling baskets for little ones, or simply gathering with family and friends, this episode captures the spirit of the season and might just inspire you to start some new traditions of your own. Share your own Easter memories and tradiSubscribe for exclusive content: https://www.buzzsprout.com/1530455/support Buzzsprout - Let's get your podcast launched!Start for FREEReaper Apparel Reaper Apparel Co was built for those who refuse to die slowly! Reaper isn't just clothing! Tactical BrotherhoodThe Tactical Brotherhood is a movement to support America.ShankitgolfOur goal here at Shankitgolf is for everyone to have a great time on and off the golf courseDubby EnergyFROM GAMERS TO GYM JUNKIES TO ENTREPRENEURS, OUR PRODUCT IS FOR ANYONE WHO WANTS TO BE BETTER.Sweet Hands SportsElevate your game with Sweet Hands Sports! Our sports gloves are designed for champions,Buddy's Beard CareBuddy's Beard Care provides premium men's grooming products at an affordable price.Deemed FitBe a part of our movement to instill confidence motivation and a willingness to keep pushing forwardDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on all social mediaX: @mikebonocomedyInstagram: @mikebonocomedy@tiktok: @mikebono_comedianFacebook: @mikebonocomedy

Poet Rita Ann Higgins remembers Easters of old in her brand new poem ‘The Gold Flake Gang'.

April 18th, 2025Solar Eclipse-BCN-JACKED UP DAILY!In This episode it's Bobby's Crazy News day and we talk about the Solar Eclipse from a couple of Easters back. Then we discuss the Mininmim wage going up in California and what it means for the fast food industry.Our website is www.LetsGetJackedUp.com Welcome to Jacked Up Daily with Tim, Jack, Bobby, and Karen, a dynamic daily podcast on the Fringe Radio Network. Tune in Monday through Friday at 7 AM for conservative commentary, Bible prophecy, and insights from a modern American Christian perspective. Based in Fresno, California, in the heart of the Central Valley, Jacked Up Daily brings a unique West Coast viewpoint to everything from politics and social issues to fringe topics like aliens, ghosts, and the anti-Christ. Whether discussing the rapture, end times prophecy, or offering analysis on current events, this show is perfect for your morning drive. Catch the latest episode on FringeRadioNetwork.com and join us as we explore the mysteries of the world from a bold, Christian viewpoint. Don't miss a moment of this thought-provoking and engaging show, where no topic is off-limits!FringeRadioNetwork.com LetsGetJackedup.com  E-mail us at letsgetjackedup@gmail.comFollow us on X @LetsGetJackedUp  and Facebookgo to www.StrawHatPizza.com to order your pizza if you live in Clovis or Fresno Californiamusic for this episode was from Back to the 80'shttps://youtu.be/0QKQlf8r7ls?si=dOoU1o_-HRiNm0Pv 

We dive into the twisted world of Jill and Kent Easter, a seemingly perfect couple with a dark secret. Jill, a highly educated lawyer and romance novelist, has a reputation for being a driven, perfectionist mother and wife. But beneath the polished exterior, she's a woman willing to go to any lengths to get what she wants. Kent, a successful lawyer and partner at a prestigious law firm, stands by his wife, but his loyalty is tested when Jill's obsessive need for control escalates.When Jill feels slighted by a school volunteer, Kelli Peters, she spirals into a vengeful campaign to destroy Kelli's reputation. With Kent's reluctant support, they use their legal knowledge and influence to frame Kelly for a crime she didn't commit, even going so far as to stage evidence and file false reports. What starts as a petty grudge turns into a high-stakes game of manipulation, revenge, and deception, where the stakes are not only Kelli's  future but the Easters' own sanity and marriage. Will they succeed in their dangerous plot, or will the truth catch up with them?Podcast Promo: Make It Weird Sources: Smugshot: Revenge of the PTA Mom season 1, episode 1https://www.youtube.com/watch?v=gXgwhP4KZJohttps://www.latimes.com/projects/la-me-framed/#chapter1https://www.pjstar.com/story/news/2016/09/09/framed-chapter-6-convicted-disgraced/25484647007/https://www.youtube.com/watch?v=VlX_Js0YFRIhttps://www.swtimes.com/story/news/nation-world/2016/09/07/framed-chapter-3-secrets-bared/25467213007/https://www.latimes.com/archives/blogs/jacket-copy/story/2012-06-22/mom-accused-in-bizzare-plot-jill-easter-wrote-book-as-ava-bjorkSend us a textEmail Residue: residuepodcast@gmail.comFind RESIDUE online:Instagram: @residuepodcastTik Tok: @residuepodcast Facebook: Residue:A True Crime Podcast Credits: RESIDUE is Hosted/Produced/Researched/Edited by Chrissy Champagne THEME SONG: "Dance Of Death" by Purple Planet Music collection written and performed by Chris Martyn and Geoff Harvey. Additional music provided by Epidemic Sound. Residue logo designed by Tricia Cappelli

Last year we did an entire livestream on how the Biden administration chose to celebrate Easter, most notably by declaring March 31, Easter, as Transgender Day of Visibility. It was the inauguration of a new religion, but one that in God's grace appears to have been short lived. A mere year later, with Trump in the office, we got a robust, theological celebration of Easter from the highest office in the land. Not just well wishes or platitudes about God's love for us, but an assertion of how in the life, death, and resurrection of Jesus Christ we have redemption and forgiveness for our sins and the hope of eternal life.Now in the midst of every “we're so back” is an “it's so over” moment. This year, while the threat to Easter is certainly not as pronounced and obvious as under the Biden presidency, a new, or perhaps old, plan of the enemy is being run.See, the story of Easter is in part, the story of a rebellious people. In one sense, we are the rebellious people, turning everyone to our own way and needing the death of the spotless lamb of God to atone for our sin. But it also is a historical story, in which Christ came to His own, and His own received Him not. Christ was offered up to death by the Jews, and they have opposed him, the apostles, and mankind ever since. Telling the story of Easter without the sober warning of the destruction awaiting those who reject Christ is not to tell the story of Easter at all.That simple statement that I just made may very soon be very, very costly to confess. This week, Trump also appointed Rabbi Yehuda Kaploun to lead the special envoy to Monitor and Combat Antisemitism. The most commonly used definition of antisemitism from the International Holocaust Remembrance Alliance explicitly asserts that claiming the Jews killed Jesus is antisemitic.This may be the dividing truth of our generation. Will we stand for what the Bible says, including when it is inconvenient and possibly even illegal? Or was all that talk about infallibility, inerrancy, and sufficiency really just talk after all?This episode is brought to you by our premier sponsors, Armored Republic and Reece Fund, as well as our Patreon members and donors. You can join our Patreon at patreon.com/rightresponseministries or you can donate at rightresponseministries.com/donate.Join us now for this discussion.MINISTRY SPONSORS:Reece Fund – Christian Capital. Boldly Deployedhttps://www.reecefund.com/Private Family Banking How to Connect with Private Family Banking: Send an email inquiry to banking@privatefamilybanking.comReceive a FREE e-book entitled "How to Build Multi-Generational Wealth Outside of Wall Street and Avoid the Coming Banking Meltdown" by going to https://www.protectyourmoneynow.netSet up a FREE Private Family Banking Discovery call using this link: https://calendly.com/familybankingnow/30minSquirrelly Joes Coffee – Caffeinating The Modern Reformation - Our audience can get a free bag of coffee (just pay shipping) by visiting https://squirrellyjoes.com/rightresponse

Shawn and Stephen are back talking about Oxford, orthodontists, camp meeting music and Easters. Hosted on Acast. See acast.com/privacy for more information.

Do you like crocheting? What about advice? Well, you can be part of the Montreal Crochet Club or you can just listen to the new episode of Advice By The Fireplace. Actually, do both. This week, we discuss uncomfortable Thanksgivings, tiring Easters and falling in love with your best friend featuring comedian/producers Shosho Abotouk and actor/comedian Dan Ramos.theme songs by Corey Gandolwrite in to advicebythefireplace@gmail.com, and listen live on CJLO 1690 AM Montreal Wednesdays 5PM to 6PM

Fluent Fiction - Swedish: From Overwhelmed to Inspired: Erik's Easter Transformation Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2025-03-09-22-34-01-sv Story Transcript:Sv: Erik satt vid sitt köksbord.En: Erik sat at his kitchen table.Sv: Han stirrade på datorn.En: He stared at the computer.Sv: Överallt fanns det dekorationer för påsken.En: Everywhere there were decorations for Easter.Sv: Alla var vackra, men vilka skulle han välja?En: All were beautiful, but which should he choose?Sv: Snart skulle Lina och Max komma förbi.En: Soon Lina and Max would come by.Sv: Han ville imponera på dem med sitt sinne för design.En: He wanted to impress them with his sense of design.Sv: Men nu kände han sig bara överväldigad.En: But now he just felt overwhelmed.Sv: Erik reste sig från stolen och sträckte på sig.En: Erik got up from the chair and stretched.Sv: Ett varmt café i Stockholms hjärta kallade på honom.En: A warm café in the heart of Stockholm called to him.Sv: Erik klädde sig för vädret, eftersom våren började visa tecken, men luften var fortfarande kylig.En: Erik dressed for the weather, as spring was beginning to show signs, but the air was still chilly.Sv: På väg till caféet såg han snödroppar och krokusar kämpa sig genom jordens yta.En: On the way to the café, he saw snowdrops and crocuses pushing their way through the earth's surface.Sv: Det fanns hopp i luften.En: There was hope in the air.Sv: Vid caféet möttes Erik av doften av nybryggt kaffe.En: At the café, Erik was met by the smell of freshly brewed coffee.Sv: Det var trångt, men han hittade ett bord vid fönstret.En: It was crowded, but he found a table by the window.Sv: Han beställde en kopp kaffe och tog fram sin skissbok.En: He ordered a cup of coffee and took out his sketchbook.Sv: Runt omkring honom satt människor omslutna av den varma atmosfären, några pratade ivrigt, andra läste böcker.En: Around him, people were enveloped in the warm atmosphere, some were talking eagerly, others were reading books.Sv: Medan han smuttade på sitt kaffe tecknade Erik olika idéer till påskdekorationer.En: While he sipped his coffee, Erik sketched different ideas for Easter decorations.Sv: Han tänkte på Lina och Max.En: He thought of Lina and Max.Sv: De hade alltid olika åsikter, men de var hans bästa vänner.En: They always had different opinions, but they were his best friends.Sv: Skulle han be dem om råd?En: Should he ask them for advice?Sv: Eller skulle han följa sitt hjärta?En: Or should he follow his heart?Sv: Efter en stund satt Erik tyst och tittade ut genom fönstret.En: After a while, Erik sat silently and looked out the window.Sv: Han mindes sin barndoms påsk.En: He remembered his childhood Easters.Sv: Hur hans mamma hade pyntat med enkla, men meningsfulla dekorationer.En: How his mom had decorated with simple but meaningful decorations.Sv: Det handlade om känslan inte mängden.En: It was about the feeling, not the quantity.Sv: Han tog ett djupt andetag och kände plötsligt att han visste vad han skulle göra.En: He took a deep breath and suddenly felt he knew what to do.Sv: Dagen därpå besökte Erik några små butiker på Södermalm.En: The next day, Erik visited a few small shops in Södermalm.Sv: Han valde noggrant enkla, men eleganta dekorationer.En: He carefully chose simple but elegant decorations.Sv: Ett par fina, handgjorda påskägg, några kvistar av björkris och några porslinskycklingar.En: A couple of fine, handmade Easter eggs, some sprigs of birch twigs, and some porcelain chicks.Sv: Han log, nöjd med sina val.En: He smiled, satisfied with his choices.Sv: När Lina och Max slutligen kom hem till Erik på påskafton, blev de överraskade.En: When Lina and Max finally came to Erik's home on Easter eve, they were surprised.Sv: Hans hem var varmt och välkomnande, fullt av personlighet och stil.En: His home was warm and welcoming, full of personality and style.Sv: Erik hade gjort ett underbart jobb, och de skrattade och pratade hela kvällen.En: Erik had done a wonderful job, and they laughed and talked all evening.Sv: Erik kände sig stolt.En: Erik felt proud.Sv: Han insåg att äkthet alltid var viktigare än att försöka imponera.En: He realized that authenticity was always more important than trying to impress.Sv: Han hade följt sitt hjärta och gjort rätt val.En: He had followed his heart and made the right choice.Sv: Detta påskfirande skulle han alltid minnas.En: This Easter celebration he would always remember. Vocabulary Words:stared: stirradedecorations: dekorationerimpress: imponeraoverwhelmed: överväldigadstretched: sträcktechilly: kyligearth's surface: jordens ytaenveloped: omslutnaeagerly: ivrigtponder: ändraderemembered: mindeschildhood: barndomsmeaningful: meningsfullacarefully: noggrantelegant: elegantabirch twigs: björkrisporcelain: porslinwelcoming: välkomnandeauthenticity: äkthetchose: valdesurprised: överraskadeproud: stoltfollow: följdesatisfied: nöjdquantity: mängdenbrewed: nybryggtsketchbook: skissbokadvice: rådauthentic: äktacelebration: firande

This live video was done Thursday 19 March 2020 at 3:16 pm, the week the government locked down our church in California. We did not reopen for over a year, skipping two Easters out of fear of death (ironically). I do a lecture on how the first Christians dealt with sickness and death compared to 2020, and I do a prayer walk through the premises. These were my thoughts that first week. Part 4 of 4 in this series from the first week of the government imposed lockdowns of "inessential " businesses and churches in 2020.

This live video was done Sunday 15 March 2020 at 11:38 pm, the day the government shut down our church in California. We did not reopen for over a year, skipping two Easters out of fear of death (ironically). As church staff, was laid off for over a year without the benefit of unemployment compensation since church workers are excluded from UI consideration under California law. Churches aren't considered "employment" for those purposes. These were my thoughts that first day. Part 1 of 4 in a series this week.

After about a month, Shawn and Stephen are back. Easters and other topics are on the discussion table. We love our church. Hosted on Acast. See acast.com/privacy for more information.

We discuss our Easters, then get into Beyonce's Cowboy Carter (17:34), then talk a new XSCAPE lawsuit, RHOP reunion pt. 1 and New York's earthquake

Hello Friends! Welcome back everyone to another episode of your favorite Wednesday morning podcast! We are pumped to have you with us! Do you believe me?! I am really trying hard to sell this enthusiasm here... I think I am convincing enough...  anyways, this time Robbie is Ryan, Jordan saw Pam and they both discuss their Easters! Thanks for stopping by!Support the showLike the show?! Want to support us?! Click here!Email us @ tidbitzwiththeboyz@gmail.com Tik Tok Instagram Facebook

Wally and Betty Rock share how their Easters went over the holiday weekend, Wally sets the record straight on Transgender Day of Visibility, Wally is fooled on April Fool's Day, Betty Rock shares a list of the "worst" hits from the 90's, and they answer the question on whether you take the cart back or just leave it in the parking lot.  You can join our Wally Show Poddies Facebook group at www.facebook.com/groups/WallyShowPoddies

Whip out your Bibles, Baddies! In this post-Easter episode, Emily and Heather dive into the resurrection story with their deconstruction glasses on. Heather did some digging on the details that don't align in the gospel narratives of Easter, from who was there to what time of day it was to where Jesus went afterwards. She shares how she ignored any discrepancies as a Christian but can now look at it with honesty and thoughtfulness as she decides what she thinks of it all. We engage in a candid back-and-forth about the Christian response to the differences in the gospels, thoughts on if the differences can be reconciled, and whether or not the arguments for the resurrection story are convincing to them.  Emily also discusses how Easter was a significant milestone in her deconstruction journey, what past Easters felt like while she was deep in doubt-land, and what the concept of resurrection means in her current spiritual worldview.  We hope this episode challenges you and helps jumpstart your own research and thinking, wherever you are on your deconstruction journey!  Resources mentioned in this episode: Keith Long's article, How Does The Resurrection Story Change In The Gospels? The Bible passages referenced: Matthew 28, Mark 16, Luke 24, and John 20 Josh McDowell's justification of the resurrection discrepancies Rohr on Resurrection Resurrection: A Threatening Comfort Fact Check: We got some feedback that the other resurrection myths may be unsubstantiated, so please listen with caution. Putting this here for extra emphasis that that derived from a quick google search, and we have very limited knowledge around other resurrection myths. We apologize for any misinformation. Be a Baddie with us on social media! Instagram | TikTok Learn more about your ad choices. Visit megaphone.fm/adchoices

yee haa --- Send in a voice message: https://podcasters.spotify.com/pod/show/onblastpodcast/message

Easters come and Easters go - but what difference does Easter really make? In this message, Brian Hull unpacks the potent symbolism and foreshadowing woven into Jesus's final week in Jerusalem - the week that culminated with his death and resurrection. So what does a sandal, a lamb, a goat, a kernel of wheat, and fruit have to do with Jesus? What do they have to do with us? Is it possible to go to church your entire life and never really "hear the music?"

When the cozy traditions of Easter weave into conversations, you know it's bound to be a roundtable to remember. Stepping in for Mike Bono, I'm Fiddy, and I was thrilled to host an Easter Roundtable with a dynamic mix of past guests who lit up the discussion with their personal memories and traditions. From the pressures of childhood church speeches to the adaptation of celebrations amidst loss, our panel—JJ Phillips, Brandon Wiley, Chris Marsco, Shannon Stewart, Jason Bickel, and Rusty Bliss—brought the tapestry of their lives to the table, offering insights on everything from favorite holiday foods to how Easter ranks among other festive days in their hearts.Who knew that Easter could spark such a heartfelt debate on the best candies and springtime flicks? This episode is a treasure trove of nostalgia and laughter, peppered with tales of festive pancakes, adult-themed egg hunts, and even the mischievous expansion of Peeps in the microwave. As we reminisced about past Easters, our panel highlighted the nuances of celebrating in various climates and the joy found in simple seasonal activities like coaching flag football. And you won't want to miss the spirited banter over which Easter treat reigns supreme, or the passion that ignites when deciding whether "The Sandlot" or "The Goonies" is the ultimate childhood movie.Wrapping up with an enticing movie debate, it's clear that the Easter holiday holds a special place in our lives, whether we're reflecting on poignant family gatherings, embracing new traditions, or just enjoying the onset of spring. Big thanks to JJ, Brandon, Jason, Chris, Rusty, and Shannon for joining us, and to you, our listeners, for tuning in. As this episode comes to a close, we hope you're leaving with a smile and perhaps a new perspective on how to celebrate this Easter, whether you're a Reese's egg enthusiast or gearing up for your own version of a Dyngus Day festivity. Happy Easter, everyone!Stupid Should Hurt Link to my Merch store the Stupid Should Hurt Line!Reaper Apparel Reaper Apparel Co was built for those who refuse to die slowly! Reaper isn't just clothing it's a lifestyle!Subscribe for exclusive content: https://www.buzzsprout.com/1530455/support Tactical Brotherhood The Tactical Brotherhood is a movement to support America.Dubby Energy FROM GAMERS TO GYM JUNKIES TO ENTREPRENEURS, OUR PRODUCT IS FOR ANYONE WHO WANTS TO BE BETTER.Shankitgolf Our goal here at Shankitgolf is for everyone to have a great time on and off the golf courseBono's Brew Fresh ground coffee, in a variety of flavors, shipped right to your door within 3 days!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

It's a Cinema Drive Easters! Happy Easters to all of you out there in Movieland. Jared Hess takes center stage with his two best "pleasantly stupid" comedies. Napoleon and Nacho make no apologies for who they are, and we get to die laughing at their awkward and hilarious journeys.The Deep Question: If you could only watch one genre of movie the rest of the year, what would it be?This Week's Features:Nacho Libre (2006)Napoleon Dynamite (2004)

And then what?   Have you ever taken a moment in your Easter celebrations to consider the answer to this question… to look to see what happens next in Scripture AFTER we read that the tomb was empty?   When we do, what we find, is another 40 days of Jesus here on Earth. Annnndddd we also find a whole lot of post-Resurrection moments that could only be described as this….   Mundane.   Now that's definitely not a word any of us would have EVER thought could be associated with Easter, right?! BUT, in today's episode, we'll learn how the seemingly mundane post-Resurrection appearances of Jesus were actually not that at all … and yes… you heard that right… Our Savior, who defeated death and the grave, did not choose fireworks or parades but instead used ordinary interactions with people to announce His Resurrection.   Honestly, this is especially incredible as we consider the fact that this message Jesus entrusted to nobodies somehow made it to our ears and hearts 2,000 years later. Amazing.   Be sure to listen in for LOTS of talk about 40 days… and day 41 even. All of this and so much more… Let's be sure we don't rush through this week without taking a moment to fix our eyes not only on the Resurrection but also all those appearances Jesus made to many before ascending to heaven… on day 41. Wishing all of you the happiest of Easters as you celebrate that our Jesus is Risen… He is Risen Indeed OOBT friends!   For the full episode show notes, please go to https://mfahring.com/easter-jesus-on-the-road-to-emmaus/

For 29 years, Southview Church in Lincoln, Nebraska enjoyed their annual Easter play. It was a tradition for the church and the community. The Covid pandemic not only stopped the play in 2020, but the effects would be felt for four Easters. Inconsistencies between Alabama's strict abortion laws and its IVF bill that allows embryo destruction are causing Christians to wrestle through the issue. And, up for reading a book to energize your prayer life? In our Toolbox, Kie Bowman says you can look to the past for inspiration.

For 29 years, Southview Church in Lincoln, Nebraska enjoyed their annual Easter play. It was a tradition for the church and the community. The Covid pandemic not only stopped the play in 2020, but the effects would be felt for four Easters. Inconsistencies between Alabama's strict abortion laws and its IVF bill that allows embryo destruction are causing Christians to wrestle through the issue. And, up for reading a book to energize your prayer life? In our Toolbox, Kie Bowman says you can look to the past for inspiration.

Nore' Easters, End of the World snow storms, and much madness since episode 102, but we're back. Today, we have a general discussion about the Mythic Earth bat reps, scenarios, and the beginning of the Convention circuit, which starts in March with Adepticon. As always Sooch covers the Mythicos and general gaming news, and the normal banter between the boys!https://www.kickstarter.com/projects/1514619081/heroes-of-mythic-americas?ref=clipboard-prelaunch

Damian, Dan, and Tim chat'n'prov about Easters gone by, why haunted prisons, and Brooks Brothers' 60% sales. Support the pod! Join our Patreon for an extended version of this episode, weekly bonus episodes, and additional premium content. www.Patreon.com/improvisdeadPerformers:Tim Lyons (@TimLyons)Dan White (@atdanwhite)Damian Anaya (@DamianAnaya)

Stephanie welcomes fellow Gospel Spice team member Ros Evans for an in-depth conversation about taking Easter throughout the whole year. Easter is the most significant event of the Christian calendar--indeed of the world! How do we carry the meaning of Easter into all the other seasons of life? Why do we need the transformational power of Easter for 365 days a year, not just in March or April each year? How can we keep Easter fresh and new, and prevent the old stale flavors of Easters past to creep up in our passion for Christ? Ros has become an "everyday theologian," someone who is passionate to discover who God is and to enter ever more into deeper relationship with Him. But she was not always so. She shares her story of faith, from liturgical South African roots to vibrant American faith. She inspires us to never stop learning and growing, and role-models humble teachability. She explains how she used to think her faith was whole and full, only to discover there is so much more to fullness of life with Christ than she had ever dreamed to imagine. She chose to embrace the fullness of relationship with God over the last six years of her life, after a lifetime of real but lukewarm faith. She tells us how God met her, and how He is still today transforming her, by the power of His Spirit, into the person He created her to become. Ros invites us all to embrace our inner theologian and to dare to become more than we can imagine. In the course of the conversation, Stephanie shares a couple of illustrations to help us understand what it means to have the fullness of the infinite Spirit of Christ in us. Join us today! We invite you to check out the first episode of each of our series, and decide which one you will want to start with. Or, of course, you can start at the beginning with episode 1.  Season 1: the gospel of Matthew like you've never experienced it https://www.podcastics.com/episode/3280/link/ Season 2: Experience Jesus through the Psalms https://www.podcastics.com/episode/33755/link/ Season 3: the gospel of Luke, faith in action https://www.podcastics.com/episode/40838/link/ Season 4: Proverbs spiced with wisdom https://www.podcastics.com/episode/68112/link/ Season 5: Identity in the battle | Ephesians https://www.podcastics.com/episode/74762/link/ Season 6: Centering on Christ | The Tabernacle experience https://www.podcastics.com/episode/94182/link/ Season 7: Shades of Red | Against human oppression https://www.podcastics.com/episode/115017/link/ Season 8: God's glory, our delight |  https://www.podcastics.com/episode/126051/link/   The perfect gift for everyone - apparel, drinkware, stickers and more for all the women, men and kids in your life! https://www.gospelspice.com/merch Support us!