Podcasts about My Big Fat Greek Wedding

Getting kissed by Sean Connery, whilst he was James Bond, fanned repeatedly by Bob Dylan when she sang, plucked for a film by Frank Sinatra, bagels and the part of a lifetime from Tom Hanks, gaslit and insulted by Jerry Lewis, adored and showcased by Dean Martin, wildly successful club proprietor with Hugh Hefner, best friends with Connie Stevens, and Diane Ladd, taught a golden secret by Shelley Winters, asked to serenade her hero Judy Garland, and then had the favor returned, making the funny with Renee Taylor, the straight serious with John Houseman, stress understudying Barbara Streisand, mad love for Bette Midler, who almost played her, Tony, Emmy Golden Globe nominee, Lainie Kazan, dancer, singer, actor, spilled all this and so much more! My favorite character in my favorite movie, My Favorite Year, we got the behind-the-scenes fun, Peter O'Toole and his wonderfulness, improvising one of the funniest lines, likewise with My Big Fat Greek Wedding, which she waited a year to hear, then had the time of her life with a cast she's still connected to. What a life Lainie's led! What work she's done! And what a fun, fierce, and fabulous woman she is! Blessed to call her a friend and even more to know she was off to have drinks and dinner with my mother, which she does most nights. I can't wait for her in-process memoir, sure to shock, delight, and thrill. I love Lainie! Who doesn't! Lainie Kazan Live on Game Changers With Vicki Abelson Wed, May 27, 5 pm PT, 8 pm ET Streamed Live on my FB, YouTube & LinkedIn

With The Devil Wears Prada back on the big screen, we've been completely fixated on Andy's transformation from “frumpy” assistant to head-to-toe haute couture. It has sent us straight down a rabbit hole of the greatest makeover sequences cinema has ever given us.Because here's the thing. Yes, they're a little problematic, unhinged in their logic, and we are not even slightly sorry about how much we love them.We're breaking down the most monumental movie makeovers, why they've aged the way they have, and why we completely lose our minds every time the dramatic music plays and the transformation is revealed. Speaking of iconic makeover scenes, listen to our Brutally Honest Review of Clueless here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. SUBSCRIPTION GIVEAWAY:Win a $2,000 Bed Threads voucher. Subscribe to Mamamia here before April 30 to be automatically entered. Current subscriber? You're already in the draw. T&Cs apply. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mama Mia. Welcome to this spill your daily pop culture fixed. I'm Laura Brodneck and I'm Tita Previs, and we have a very special episode for you today, one that I have been dying to do for so long because this is a special interest area of mind. So I'm so glad you're here for my moment that I got to share with you. We are doing the best movie makeover scenes that yes, might be seen as problematic, but we desperately love them. I love them. What do you think they're problematic? Well? I think well, I'm just gonna take my feminist hat off and put it in the corner. I'm gonna actually put it outside the studio, pick it up later on the way out, because I guess these like these movie makeover montages that have become such a big part of in particular romantic comedies. One is obviously we're both going to share our favorite ones. We don't know what the other person's going to say, but I'm assuming you don't have any men on your list, because I don't have any men on my lise. 00:53Speaker 2 You do, I do, But how rare is that it's rare, And that's why exactly exactly exactly. 01:00Speaker 1 So all the makeover scenes in movies, especially wrong cooms, always happen to women, and they always famously go one way. More men should be having makeups. Yeah, let's make it see men, I know. But if you rubits have tried to do that, has it really landed? I just mad it every day? Yeah, oh yeah, yeah, absolutely real mount the Street, let's make them over. I think it's a famous shell queer right. Well, these makeovers always go one way, so that's I think that's where the kind of problematic issue has come over the years is that the woman always comes out, she's always like tenned, she always has like a ton of makeup on, she gets her glasses taken off, even if see without them, always wearing like skimpier clothing. Like it's a very like kind of like sexualized bombshell kind of look that every woman gets made over to in these movies in order to kind of achieve the life that she wants. So if you look at it through that lens, slightly problematic. But we're not doing that today because movie makeover scenes have made up the broke of pop culture for so long, and there's so many movies that are made around these scenes or these ideas, and they were always the scenes that we used in marketing so famously in Suddenly thirty they had like done the script and shot half the movie, and the studio was like looking at the dailies and looking at the script and they're like, you have to put a makeover montage in here for the trailer. Otherwise formula is otherwise we can't sell this movie. What the hell are you doing. So the reason we're doing this today, I do have a reason for this before we get into our picks, is that it is The Devil Wears prior to two week. Yeah, the movie is actually coming out this week on the thirtieth of April, and the first movie has an incredible makeover moment which Andy goes into the fashion closet with nigelnic He pulls a poncho for which we never wear it see her wear. And then that is such a catalyst for the film because it's how we see her lean into her career and how she gets taken seriously, and that we have that incredible montage of all the different looks that she wears down the streets, different coats and hats into the office. You have a favorite one. 03:01Speaker 3 From that montage, all of the looks are always so good, and I think because you do have that contrast for like her own style at the start to all of those looks, like you can't just pick one, and then from there on out it just gets like better and better. 03:15Speaker 1 The fun better and better and better. 03:16Speaker 3 Yeah. 03:16Speaker 1 From that makeover montage we first see her like the green coat means the winner, but also the brown snakeskin coat when she walks into the building, which is how I want to be dressing this season. So off the back of the Devil Wears prior to two cinemas April thirty, we're gonna be sharing with each other our favorite movie makeover moments. Do you want to kick us off? So we haven't shared yet. I don't know what you're gonna say. It's going to be surprise. I'm interesting how a man weaseled his way in there, so like a man. It's like, we have one thing and it's been overly sexualized and made over in movies and then men want to take it away from us. 03:47Speaker 3 So I'm staying on the Anne Hathaway train. 03:49Speaker 2 Oh yeah, and I'm going with Princess Darry It wouldn't be Yes Complete the Makeover Podcast EP if we didn't have this one in there, I feel like it. It's so iconic unless you're living under a rock. Everybody has seen Princess Staris. It's one of my favorite movies growing up. And we follow Mia Thermopolis played by Anne Hathaway, and she finds out that she's actually a princess, which is what I thought was gonna happen to me. I'm still waiting for a letter behind estranged relative in her country. And she pretty much undergoes this whole transformation on her path to becoming a princess, and they enlist a stylists. 04:27Speaker 1 She pretty much just. 04:28Speaker 2 Takes her glasses off, straightens her hair and like has her nails done. 04:32Speaker 1 Like there's really not much more to it. Oh see. I actually think out of all the movie makeover is this one they actually go through quite a drug etiquette, has the etiquette training and that whole thing. But also I think they actually do quite change, Like she looks drastically different. Some makeover segne like you just took off her glasses and put a lipstick on, whereas this one it's like completely like her hair because I think she's got like a crazy wig on when she is playing Mia in the early movies. The glass has always changed things, but the makeup is so intense, the skin sort of stuff. 05:00Speaker 2 How she they pluck her eyebrows, They're like really like whacking those off. But again on the slightly problematic end, because it did really like reinforce you know, curly like frizzy hair being like a little bit messy and untamed, and like, I deep dove into Reddit and there are so many people on the Internet who you know, said how much it really affected them and it led them to like chronically straighten their hair for like ten years. 05:25Speaker 1 Okay, I didn't know there was like the dark side of the Princess Diaries. 05:28Speaker 3 We have Minisha producer Nisha in the studio. 05:31Speaker 2 Who was saying that this had a little bit of an impact on her and her. 05:34Speaker 1 And she never curled her hair again. Wow, No, she has curly hair. She straightens it. No, No, I know, is that right? 05:42Speaker 3 She's nodding, She's she's no. 05:44Speaker 1 I didn't realize that your hair looked like that. Because of the wrath of Anne Hathaway. Wow and Hathaways actually come out recently. Anne Hathaway's commented on Yeah public apology. 05:56Speaker 2 She recently spoke to people off the back of the recent press she's been dewey and shared her one regret from her time on the film. So her natural hair is actually straight, so they had to create that contrast for that makeover scene, that moment, so they gave me a really curly hair. And you know, she has regrets around people thinking that they were saying curly hair is unattractive, which is obviously terrible, and like she says, it was an unintended side effect. It was just in order to make it easier and post and you know, have that massive transformation moment. But it's so significant that it's actually something. Now in twenty twenty six, she's had to come out and dress. 06:32Speaker 1 Oh and no, And can I just say, you don't need to apologize. Do you have curly hair? You'r okay, no, we don't get it. I would love curly hair because I cut my hair all the time because I have dead straight, flat hair. Yeah, And I always feel like I'm the same the unattractive thing. And I would love to have people like especially like in rom com there's some wrong comms, like in How Lose a Guy? In Ten Days, where Kate Hudson's character Andy famously has straight hair, yes, but as she falls in love, her hair goes curly. Have you sadnything online of like girls in love have curly hair? 06:58Speaker 2 Yeah? 06:58Speaker 1 I have, yeah, And I was like, obviously I've been in love because my hair is straight, straight, So you can literally find anything. I'm just gonna say, Anne Hathaway, you don't apologize for that. It's okay. We don't speak on behalf of the curly girls. We well, no, no, I think that that's the fault of the movie, not Anne Hathaway. Yes, yes, And I also think that out of all the things that we have to sort of look at, that that one's okay. I'm not disregarding the feelings of curly head girls. I just don't think Anne Hathaway personally should take on that emotional birth. 07:24Speaker 3 No, it's not for her. She can we forgive you, Anne, it's not you. 07:27Speaker 1 We don't have to five. But that is such a pivotal moment, that scene, because everything about that movie plays and to wish fulfillment, and that is like also the biggest wish for filment as an adult but also as a teenager. That you're just kind of one step away from looking beautiful, that someone could take you in a room and they could do all these things. And also then her life does open up in this crazy way. Yes, because she's become a princess, but also because she looks like this ideal beauty, she becomes popular. Yeah, everybody likes her. The guy shet to like her, and are they're really careful to caveat that he always liked her. 08:00Speaker 2 Yeah, and it wasn't the makeover. Yeah, I was actually really don't do that as much watching it last night. And she just ignores him for like the whole first part of the movie. 08:09Speaker 3 He literally is like, you're attractive, and she just doesn't even like. 08:12Speaker 1 Well, that's the whole thing of these movies, too, is that they pedal this thing that everyone's secretly beautiful they just don't know it. And for a lot of us, and they put me in that category. No, fine, that's fine, there's no there's no little trick of like, if she just took her glasses off, or if she just took her hair out, she would be so beautiful and she just doesn't know it. 08:30Speaker 3 Yeah, I don't wear glasses. What's the next straight. 08:33Speaker 1 I wear my hair on every day. There's no way a man can take out my ponytail, and I'll instantly be beautiful. What is left? So good? Okay, before we move on to my next one. Are you excited for Princess Diaries three? Or you're upset about it? People different came. I'm excited because Princess Diary is too wildly a great movie. All the sequels out there, I think they're both great. 08:52Speaker 2 I think Anne is great, and if she wants to be involved in it, I know she'll want to do it right. 08:57Speaker 1 So super excited. 08:58Speaker 2 It's such a part of my child would I watched that movie rinse and repeat, rinse and repeat. 09:03Speaker 1 It was one of those ones I was always. 09:04Speaker 2 Watching, even the nos Soldier, like, even if it's not better than one and two, I'm here for it. 09:12Speaker 1 Okay, So the movie Makeover I'm going to talk about now. I picked because it has my favorite reveal like When You Had. It has everything it has, like the big reveal, the reaction, the build up, the song, the song choice and maker. I realize every nearly every makeover Picked has an iconic song that sort of had new life in it because of the movie moment and this is an iconic comedy from the year two thousand, a great year for m comms. Miss Congeniality. Oh oh my god. 09:42Speaker 3 I can't what but like I would have been really really young. 09:46Speaker 1 Okay, you need to watch this is just movies. I just assumed everyone has seen I didn't. I didn't see it. I was like in not pro I was probably in high school. I did even know. Anyway, I didn't see the movies, but I just remember what. It's one of those ones where I just remember, like I know of it. I mean, we're probably had on a VHS and I just watched it over and over and over again. Oh my god. It holds up so well. I mean, no, it's problematic as hell, but that's fine. That's fine. But our feminist is outside. Actually yeah, it's actually out the window. I've thrown it. No, no, it's not problematic, and like, there's actually nothing so super bad in it. They'll just be little things. But anyway, as a movie, ten out of ten holds it so well. You need to watch it. You'll love it. Don't watch the sequel. Okay, the sequel's frodden. Sandra Bullock went through Who is the lead of this movie, Sandra Brook went through a time where she made two really regrettable sequels, Speed Too. I don't watch that. I never watch I've loved Speed Speed. Yeah. The second one, she's on a boat, and even she was like, that was a mistake because the boat. They're like, the boat's going so fast because the boat can go anywhere, because it's a cruise ship. It can't go the world. Yeah, it's fine. And Miss Congenality Too not great, but Miss Congeniality a perfect movie. So Sandra Bullet plays an FBI agent called Graasy Heart, and she's like really schlubby and gross, like yeah, that's the perfect kind of word for her. She wears like an ill fitting, like cheap suit which is always like crinkled, food stained. She's got really frizzed. They really frizzed her hair hair same thing. She's just hair like and she looks terrible. And so there's been a threat against the Miss USA pageant. So a lot of it set in a beauty pageant, and they need someone to go undercover in the pageant as a beauty queen to like stop the threat. And they go. They have this computer program that they go through all the women the FBI, and it renders them what they would look like, which is a bit weird down to think of what they would look like like, what their bodies would look like. And Sandra looks gracy heart is the only one when they like, they think she's like, they think she's ugly, even though it makes a deep fake of them. And I was like, wow, that technology came true twenty years later and we used it for evil. Yeah, and then because not all the boys and Benjamin Bratt plays like one of the FBI agents, true who's like the hot sexy guy friends. It's a real Benjamin Bratt moment in the early two thousands. You might not know because you're a child, but he was like the romantic lead in so many movies and Julia Roberts was madly in love with him and they were getting married and it was a whole thing. So that, yes, this is peak Benjamin Bratt era. That moment passed, We're still in peak Sandra Bullock era, so that moment is still here. So she is the only one that can go under cover, but they're just like, look at her. She's so ugly and she's a mess. And she is also she's like an ultimate tomboy and she doesn't want to do it. So that's the difference too, is that in this movie she is so against she's scene, whereas a lot of other movies women are like, yes, please give me a makeover, which is also fine. So they bring in Michael Caine. Michael Caine one of it. Do you know who my yes is? Okay, you literally shocked, but I'm just thinking of him giving a makeover. Yeah, no, I know, that's why and one of the most like he's such an esteemed serious yea, but he And the thing is this cast. It's like Benjamin Bratt, Sandra Bullock, Candice Bergen, Michael Caine, William Shatner, like all of these incredible actors in this movie. And this is why romcoms works so well then, because this was a huge studio release with all these like Oscar factors, Like we was just a throw away. It wasn't like a throwaway watches on a Friday night in Netflix and forget about it. They like approached this like it was Shakespeare, like these people exactly. They approached it like it was Shakespeare. And that is the way to make a romantic comedy. Anyway. So Gracie Heart then has to they have to bring in Michael Kaine's character, who is like a deportment expert like etiquette, also trains people for the pageants. He's also like a pageant cope, and he is revolted by Gracie Heart when he meets her, absolutely revolted. And the fun thing about it is like nobody just so like he's just literally like this, what is like a cow. She's disgusting, And Sandra Bullock is so good like her physical comedy. Like the first scene is they're meeting together having lunch in a restaurant and he is just looking at her with this intense disgust on his face in a way that only Michael Caine can and she's like ripping into this food and all swapping down her face like with her frizzy with her frizzy hair, the ultimate cry. And Sandra Bullock said that she really leant into really wanting to make Gracy like as unattractive as she could so that the makeover scene paid off. So she was really behind the scenes pushing like no, let's have food in her teeth when like when we first meet her, like let's have like her clothes be kind of really disheveled, like she she walks around really hunched over. And Sandra Bilok also said that it was so funny because it only took like less than an hour in the makeup chair to make her look like Gracy pre makeover, but then she had to spend like three or four hours in the makeup chair for Gracie afterwards, just to even in the scenes where she's just walking around just to look like a normal woman. Yeah, and I was like, I love that. Even Sandra Bulok is like, it takes four hours to make me look like a natural Sandra Bok. So the stakes of this maker is so high because the FBI is involved. They're like, how do we make this ugly woman beautiful? So they get this like literal warehouse, like a huge warehouse, and it's full of like the tanners, the waxes, the beauty maker everywhere is this place. I know, I want to grab me out. Well, this is like that, Like it's so funny because it's like this is what it takes a woman look beautiful. It's like we have the whole FBI army making literally taking over what looks like an army base. That's so fair, like this huge bunker and they go in there and they have to like wax her and tan her and all this stuff, and she's hating and you never see it. And then you see Benjamin Bratt and his like crew on the outside with the plane like waiting to fly her to the pageant to like get her in, like where is she? Where is she? And all of a sudden, the big bunker door like slides open and Mustang Sally starts playing I Got It and it's just the best. It's one of the best movie music moments in history. And it's a cover of Mustang Sally. So they did a cover of it, and Sandra Bullock played the tambourine, I think because she's like just want to be involved, yeah, just wants to be part of it. So and there's a slow motions shot and then Sandra Bullock as Gracie Hart walks out. You have to, I mean, don't watch this until you watch the movie because a bigger moment. Again, it's so sexist but so good. I love it so much. And the camera pans up super slowly over her body and she all of a sudden, she's tan, she's shiny, she's wearing a purple mini dress. Love her hair of course straight, it's straight straight, it's straight straight as an ironing board, like literally not a hair out of place, and her hair's all glowy. And Benjamin Brat, like his character, I'm just using his knee because that's how people are. It just rips his sunglasses off in and his jaw drops open and everyone around him is like, oh my god. And she's strutting and then she just falls straight over. And before that she has an iconic line about like I haven't done this, I haven't eaten doped mess with me, and then she just topples over because she can't walk in heels. She's so real for that. Yeah, and it's just such a huge moment. And obviously, like later on when her and Benjamin Brad's characters fall in love, it's very much they fall in love because like their personalities, but it's also because she's super hot now. 16:51Speaker 3 Yes, because she had the purple dress, and then she has to. 16:53Speaker 1 Go through the Miss America pageant, right, which is again it's so the comedy is just so. 17:00Speaker 3 She's great, like it's funny. 17:03Speaker 1 I think that's the role she should have won. An Oscar for I know they don't like to give oscars to comedy actresses, but there's so many good one liners that she delivers, and her physical comedy is so good. Oh my god, you're gonna love it. Okay, you're gonna love it. I've watch it. I can't believe I was sole jealous of you. They get your torch it for the first time. 17:18Speaker 2 I think I've watched a lot of things, but when I'm under the age of ten, like. 17:23Speaker 1 I just feel like that's a movie that gets referenced all the time, that's still in the conversation. So I would sort of believe that more for movies that fall out of the conversation, but that's still at anyway, you get to watch it, so please and report back on your next on the next time you're on the pod. But yeah, that to me, that stands out as the biggest reveal of a make over and the biggest and also the fact that a lot of other makeover scenes are just like, I don't know, we can get one stylist in someone's bedroom and we're just like, but this is like, no, no, this is an industrial fispiration to make a normal woman look like the ideal of a woman. And you know what, I love it so much, this congeniality. If anyone else has watched it? All right? 18:01Speaker 3 Next on my list another movie that I rinsed to death. 18:04Speaker 2 I used to sit in front of my TV with the lyrics book because it is spoiler a musical. 18:09Speaker 1 Okay it's grace, Oh okay, yes, I love my god. Watching this as a kid, all I wanted to do was be a sexy Sandy And I'm so far from all of that. But all I wanted to do was wear leather pants and strut around. Yeah, which would I worked for me? 18:24Speaker 2 Carnival, Yeah, they're all like thirty years old as well, exactly, so many like I don't know about you, but I again, watch that movie as a kid, over and over again, all of the references straight over my head. 18:36Speaker 1 Didn't realize what a hickey from Kinnicky was now, didn't realize about the whole like having sex in the back of the cars, didn't realize that a pregnancy scarab was what she was worried about. Literally, no idea, just like the songs really exactly. And you know what, like kids watch sexy movies. 18:51Speaker 2 So my dad loves Grease yeah, so that's how I was like introduced to me. 18:54Speaker 3 So we always watch it when I was younger. 18:56Speaker 2 But I think it has one of the most iconic transformation make overs but also a little bit controversial. So obviously we follow the lives of Danny played by John Travolta, and then we have the lovely Olivia Newton John as Sandy, who's like this very clean cut, cutesy good girl, and Danny's this bad boy, like grease up completely opposite. 19:18Speaker 1 World ultimate like Romeo and Juliet story, like they come from different worlds. How could they ever be together? Could they ever? 19:25Speaker 3 We'll tell you how. 19:27Speaker 2 All it takes is a pair of leather pants and a red lip, according to sandrew D. So she walks out in the final like scene sequence, they've you know, had a little bit of push and pull this whole time. 19:38Speaker 1 So they both go to. 19:39Speaker 2 These I don't want to say extreme lengths because all Danny does to change himself for Sandy's put on like a little lettermon jacket, like a little nit jacket. That's all he does, which I feel shows the extent of effort that like men are going to change for us. 19:51Speaker 1 Yes, that's so true. There's such a good lesson in Greece that modern women. 19:55Speaker 2 Yeah, yeah, yeah, And then obviously Sandy shows up in these insane leather pants. It's beautiful, like off the shoulder, black top, red lip, she's got this bold like curly hair, actually doing it for. 20:07Speaker 1 The color girl God. So actually it's a so debunked. We have been raised our whole lives to think that Grease is actually anti feminist, because it's feminist. The initial kind of message that we took away from the movie was this movie is telling us you have to change yourself for a man, and that's bad. But actually, what we've uncovered today is that it's actually a feminist plot because she's saying curly hair can actually curly hair is. But while curly, did you ever have Like I used to be obsessed with grease And then I got my mum to get me these like old school not even get me. I think they were my moms from like when she was a kid, these like old school hot rollers, And I would hot roll to look like Sandy, and I thought it looked so chic when I was like eleven, and looking back now, I did look like a poodle. Yeah, that was me. With the red lip. Yes, it never worked really for me. 20:50Speaker 2 It's giving dancers steadfast, but I gave it, gave it a go. 20:54Speaker 1 I still do it red lip. I still do black leather and a red but you rock a red lip. I'm just I'm just sandy on the Yes, we. 21:00Speaker 2 All have a little bit of sty but yeah, I think it definitely is a little bit of. 21:03Speaker 1 A feminist like move. 21:04Speaker 2 A lot of people can say, you know, she's changing for Danny, but I think what we see is, you know, she's like leaning into her confidence and like it's like a bold yea. 21:12Speaker 1 Well, because you can take it either way, you can take it. You're right that she's becoming who she wants to be. But that's the thing feminists like, these makeover scenes are always wrapped up and like, no, she's empowering herself, and it's like no, no, no, she's dressing for the male gaze and that's fine. 21:27Speaker 3 Who she chose to do it, but only. 21:30Speaker 1 Because she felt desperate that he would leave her. But again, who amongst us hasn't dressed for the male kase? Exactly? 21:35Speaker 2 Guilty, It's a time and a place exactly. 21:41Speaker 1 Right, is exactly. But again, I just can't hold that in my head. When I watch gree it's like I'm aware that it's there. I'm aware of this idea and it's a different time, and it's got the best like mic drop moment of like like literally like the whole carnival turns to her and then she has that iconic clim when she has tell me about it. Stud. So also she's smoking. 22:02Speaker 3 She doesn't know how to smoke. 22:03Speaker 1 But she's doing it. I'm looking friends, how do I put it? That's just a good moment. Oh my god, Olivia Neton John is so good. So again, it's sexualizing dressing from man, it's sexualizing like like smoking and like that bad girl. But I don't even care because you know what, smoking does look sexy on screen? It does. Don't do it, don't do it. 22:20Speaker 3 But sometimes it looks chic on the screen. 22:22Speaker 1 Yeah, it always always looks cheek on screen. 22:25Speaker 2 Now, they do have this like fairy tale ending they get into a convertible when they fly off into the sky. 22:29Speaker 3 But there are actually a lot of fan theories. 22:32Speaker 1 Are you gonna say that they're dead? 22:36Speaker 2 So basically there are theories that when they fly off into the sky that they actually passed away and that Sandy actually died from the very first scene where they're first on the beach, because Danny when he's singing someer love and there's a line where he said, you know, she almost drowned. 22:54Speaker 1 I saved her. 22:55Speaker 2 So it turns out, according to this theory, that she in fact drowned, and then we enter this like homo fantasy for the entirety of the whole film, and that's how they're flying off in the end. 23:09Speaker 1 I have heard that theory that this is all Sandy's, Like, this all happened in the moment she died, and this is what living through like living through those moments is that she fantasized going to school with Danny and then falling in love and stuff. But it's very intense and also like none of the screenwriters have said that's true. But I love I love when like a theory for like a really old school movie like this just takes it takes. 23:29Speaker 3 Over a life of its own, like people run rampant with it. 23:33Speaker 2 I hate to disappoint anyone that thinks they're dead, but the creator has since come out and said. 23:38Speaker 1 That that's absolutely it's not the case. They're not dead. 23:41Speaker 2 Also, there's so many like fantasy moments in the film I just love to grab on exactly. 23:46Speaker 1 Well, I guess I just want to explain why the calf flies at the end. It's not even a good theory though, the calf flies at the end because it's a movie and things happen in movie music and that's fine. But no, that's a great make over scene. Love that, And it does go to show that if you're having problems relationship, if you put on a pair of black leather pants, they will go away. 24:03Speaker 2 Oh and apparently they had to show them onto her body so tight. 24:06Speaker 3 It's so tight their vintage Yeah, oh love. 24:09Speaker 1 Okay, the next one I'm going to bring up is the most realistic movie makeover I have ever seen, so in a way that it's actually quite a feminist makeover. Again, not that that matters, we're putting that out the window. Bring the hat back in dress. No, no, the hat's on the doorn on. It's not all the way back in the room dress for the male gaze. It's fine in a movie, But this one I always think is like a beautiful way of watching, like seeing a makeover happen really really slowly, and having it be part of the character's evolution in a way that just feels so real. And this makeover scene is from the two thousand and two classic My Big Fat Greek Wedding. Oh have you seen it? Yeah? No I haven't. Yeah, what a great movie? 24:50Speaker 2 Right? 24:50Speaker 1 The is not to speak The first one is the first one I would say is a perfect movie. So in this if anyone hasn't seen it. Nina the Dallas, who also wrote and produced and created the movie, plays Tula and John Corbett our favorite rom com boyfriend. John Corbet's just in every room. Yeah, they just throw him in and he always. 25:11Speaker 2 Works once they get one good one. I feel like it just becomes a role like everyone's boyfriend. 25:16Speaker 1 He just has that vibe and like movies have been like and parts of been like created and written for him, like him playing Aiden Sex and the City. They created like a lot of that role for him. And also the rom com starring Kate Hudson Raising Helen. Have you seen that? Oh you should watch it? Really got it to listen, where she plays a model agent who her sister passes away and she has to like raise her children. John Corbett plays her love interest in that, and I remember like listening to director being like, well, but why would she fall it? Because she's like this beautiful New York like styler that everyone loves. Why would she fall in love with the high school principle like we have to give him something? And then they looked at him like he's John Corbett. Yeah, that's his thing. That's it. We don't have to add anything. Fine, And when you watch the movie, you're like, yeah, I get it. So John Corbett plays Ian Miller and so the story is actually have such a vivid memory of seeing this movie for the first time because it's one of those movie experiences that stays in my head forever because it came out when I was like just starting high school and one of my really good friends in high school is Greek, and so they held like a screening, like the Greek community in Townsville, like the Greek Community Center held a screening as like a fundraising thing, and so we all went to that, and yeah, it was the best way to see it because there's a whole cinema full of Greek people and so they were screaming the joke person and it was just like the vibe was so high. Also, like the characters in this speak Greek, and so they would say a joke and they would all laugh, and then the subtitles will pop up and then like the non Greek s bea because we would all laugh and we're like, oh, we got it now, Like that is really funny. So I Sultays remember it as being like this really joyful experience. So Tula is like an adult. They sort of say her age, like she's like probably in her late twenties, but like in the like you know, Greek household, like super old, unmarried, no children, a pariah of a family, if you will. And she works in like the restaurant, and like she lives with her parents, and her life is so small and everyone's just like she's so frumpy, and you know, all that sort of stuff. And then slowly over time she decides to start kind of changing her life, not on a huge scale, in a way that feels so beautiful relatable in terms of like she goes and takes some computer courses at like a community college, and she's and she then gets a job outside of the family, so she kind. 27:26Speaker 2 Of a second coming of Age's definitely. 27:30Speaker 1 Was really small looking at her parents house and she goes to work in another family business where she's like out you know, by herself in the office. And during all this she gives herself like a little makeover that's peppered through this montage, but it's more so like she'll just wear like instead of wearing like the overly frumpy clothes she was wearing, she just buys herself like a nice dress and a matching cardigan, and then you see her like try and like like do her eyebrows and she puts like just a little bit of lipstick on and like she's like and again the frizzy hair is the frizzy hazel thing, but she does straightened, but it's not pinned straight. She just kind of smooths it and stulls like she put rollers in it. And it's this beautiful, quiet, little makeover that she just does to herself. 28:11Speaker 2 And I think that's what makes it, Yeah, that it's something that she found in herself and like exploring your like your own identity and like finding who you are verse like having the FBI coming it. 28:22Speaker 1 Yeah, exactly. When you put the two makeover scenes here that I brought up, it's like one is like, yeah, fifty people in like a government funded bunker trying to make Sandra Bullock look like a woman. And then the other one is just a woman at home in her childhood bedroom, just putting on a little bit of lipstick like Tula, just like you know, and she puts on a card again, and the thing is it just changed all of a sudden, she just feels like herself. And I think this is why it's one of my favorite movie makeovers, is that she hasn't done this too, Like she hasn't met Ian Miller yet, so she hasn't done this for a man. She hasn't even done it with the idea that she could possibly meet a man, because she's still working in like the family business. It's more so that as she kind of got a little bit of education and stepped outside of like the tightness of her family, left her bedroom and just kind of fell like, well, likely she's just prings so much time there. Now she's out in about the world, and all of a sudden, she just becomes the person that she wanted to be. Like it feels like it feels like it's actually the only movie makeover I can think of where it feels like it's just for the Carroc. 29:17Speaker 3 And it's happened before they've met the guy. 29:19Speaker 1 And it's not serving the plot, Like, no one's saying like you have to have makeover so you can be the price of the princes. You could be the prompt get the guy exactly. This is just for her and it's so beautiful and so small and quiet, and she doesn't look She looks different at the end of the movie than she does at the start, but not drastically drastically different. She does take her glasses off on my context is that scene of her trying to contacts. Had to put that in there, exact, had to get it in there. So basically it's like less frizzy hair, no contacts, a cardigan, and some nice lipstick, but not as extreme as other makeovers. And so then she's so happy because she's educated herself. She's working in an office and then Ian Miller played by John Corbett just happens to walk by and sees her get stuck in the headset headset. She tries to get up, and he goes into a travel agent and they chat and they just have this beautiful like courtship courtship is the correct word, where they fall in love but then when they get engaged, huge controversy. He's not Greek and her family unaccepted him. This movie has if anyone hasn't seen it, I cannot recommend it enough because the one liners are so good, Like when they get engaged and she takes him over to her big family gathering. He's like family dinner, like five people, She's like, no, fifty five and they say, like, he doesn't eat meat. I like to put that line in here. It's so good, and just like the lead up to their wedding and everything, and I just like even with her wedding, like she looks gorgeous, but it's never this idea of it. She has to be like overly made up. She looks like a completely different person. So I just think if there's like one movie makeover scene that kind of really changes that formula and makes it like part of the story. It's my big, fat, great wedding and tulla And you know, sometimes okay to put on a nice cardigan and some lipstick and go work in the family travel agency and you'll meet John Corbett. That is quite and that's a lesson. Sometimes it's okay to do all do all those things. Yeah, well, I think the biggest thing is she gets a macover while she goes to community college and gets an education. As we know, that is the thing that will say she three exactly so maybe fair great wording. Love it so much? 31:15Speaker 2 All right, we've come to the man, the man make Yes, it's crazy stupid love. 31:22Speaker 1 Oh my god, yes, okay. 31:24Speaker 2 Steve Carell, he plays col Cow's life is falling apart. His wife has left him. He's trying to get back out into dating. He's hopeless. He's quite a bit of a dig. He's in a bar and he runs into this really cool womanizer obviously played by none other than Ryan Gosling because who else. 31:42Speaker 1 Could and the best supporting actor his abs. Oh my god, they should be in the credits one hundred and they get a whole scene with Emma Stone's character dedicated and not only did he work out for months to get them, but they had like special makeup artists, like because you again, those makeup artists have to come in and do the shading and the bronzing and like draw them on. But they're also just there. They're almost too much like when she sees it, when when like Emmaston's character season and she's like, those are photoshops. I don't think I want to be with someone with apps like that A good look up close and just see them just from just to know what the muscles would look like. But I don't need to feel like that's a violation. 32:19Speaker 3 But for those who are watching the bar is imagining. 32:22Speaker 1 Feeling that's going to put me on a watch list somewhere. But yes, we have a male makeover. 32:30Speaker 2 Isn't interesting like flip on the script of like what we usually expect because it's the woman kind of going through the midlife crisis here where she's had an affair and now the man is like having this like makeover off the back of it. So he goes on this like there's like this three minute makeover montage where they like change all of his outfits. He's learning how to like speak to women, getting all the tips and then putting into the practice. 32:54Speaker 1 It's just like not something you expect either. 32:56Speaker 2 For like Steve Carell, he does it so well because he's just not someone you expect to be like hitting up the ladies in a bar. 33:03Speaker 1 Yeah, it's like that is so true that he gets a makeover. But the reason I didn't come into my head when we're talking aout makeover is is that even though he does get a makeover, it's nowhere near his extreme as some of these other makeover scenes with women. I guess with men, there's only so much you can do once you sort of wax them because their hair of shorts is not that curly. You can't have that. You don't have the curly plotline. And I guess that he didn't have glos. They should have put him in glasses. He did look very like dad because then they could no, he does look different. Like it's a good makeover scene, but I'm just saying it doesn't have like the kind of and they don't have a montage, right, that's a mistake they should have had. They do like a full musical montage. 33:41Speaker 2 There wasn't a musical montage, but they do go through like a number of like designer clothes. There's a really funny quote where like Ryan Gosling's character is looking Steve Crorer up and down and he's like, are you Steve Jobs the founder of Apple? No, then you can't wear those to his shoes And basically the whole goal is like for Steve Carell's character to be better than the gap. 34:00Speaker 1 Oh my god. And I have a vivid memory of him like being really repulsed by his wallet and again not thinking of wallet be part of a makeover. But I guess for a guy, especially it is and the fact that it has Velcrow and I think it was like I was a kid while watching at the time, or I was like, oh my, Walter has Velcrow's cute. And I also wasn't the sexy man out in the streets. But if I wanted to be, I had the wrong wallet. Is a little bit of an egg. 34:22Speaker 2 What would you do if you were on a date with a man without he's got coins? 34:26Speaker 1 They're like jingling around. Well, oh my god, would I break up with a man if he had a Velcrow wallet? Something to think about on this if you're on the Sydney dating scene, kind of say that potentially that's gonna happen, and that's not even the worst thing. 34:38Speaker 2 Yeah, I don't think I would break up with him if they had. I wouldn't either I have a wallet for their birthday, Yeah, I. 34:44Speaker 1 Would, just especially because every time you do the rip with a Velcrow wallet, it's so loud and intense. It is it's an announcement. Yeah, and you're just like I'm opening my velcro point and there's no Yeah, that's some folded in here, and you're trying to like pull like straighten the money out because it's been folded in there. 35:00Speaker 2 Actually still have yours exactly exactly. 35:02Speaker 1 Well, I think I am one of the last team in the world who has a wallet that I. 35:05Speaker 2 Lost my wallet and now I've lost all my cards, like I get all scattered around the house. 35:09Speaker 1 Okay, no, no, no, you need it just PSA. Everyone gives me so much shit for having a wallet, but when we can, I just tell you. When someone needs a physical card or something, who do they turn to me? Who's got a wallet? It's got an emergency hair tie in it, it's got emergency cash in there. 35:21Speaker 2 So basically, get rid of your wallet if you don't want anyone to ask you for anything, yeah, exactly. 35:25Speaker 1 Or if you're going through a makeover, exactly exactly. If you're going through a makeover, that's the first thing change. Yeah. 35:30Speaker 2 I just love crazy stupid love, though obviously follows the lives of like lots of different love stories that are all like interconnected, but at the heart of it, it's like Steve's Carrell's character. Yeah, and like everything that he goes through. 35:43Speaker 3 But yeah, I love that movie. 35:44Speaker 1 It was so good. Emily and I talked about that in an episode little while ago when were actually talking about plot twists because it has who hasn't seen it, although I assuming most of you has. It has a great plot twist that is someone expected but just works so well for these characters. Oh love, Yeah, you don't spoil it for like the two people are there who haven't seen it. Okay, last time I'm going to bring up and I had to go back to nineteen ninety nine. Cool, and I just remember again watching this movie on a loop as a kid again as a kid on a VHK guest. Before you say that, oh, I'm actually I wonder if you've I mean, I hope you've seen this. Otherwise I'm going to be super disappointed. It's the nineteen ninety nine teen classic. She's all that. 36:22Speaker 2 No. 36:24Speaker 1 I know should be this surprise every time, but like, this is a classic movie. I thought you're going to say Clueless. Then, Oh, I had Clues on my list, but we talked about Clueless so many times. Yeah, we have a whole brutally honest review on it, so that's got an important makeover seeing it too. You've never seen you know what I know of it, Okay, and like that's the weird thing to me. Can I say you know of it, but you've never watched it. 36:46Speaker 3 I think a lot of it is like what my parents like fed me at that time. 36:50Speaker 1 You're an adult woman now who lives alone with your own TV. You can make your own choice. I'm just saying so many times I went home and I'm like, oh, I wish I had a new, great movie to watch. But the hard thing about me and my job, I've seen every movie. I literally have seen every movie. It's so hard for me to sit down and find a movie that I haven't seen that this is not fair, but I really want to watch. And then you're spoilt for choice. You could sit down a fry night. There's so many. 37:13Speaker 2 Movie hours an hour, and I got in my adult life too, it's valuable, like I've things to look forward to exactly. 37:19Speaker 1 You would love this again. This out of all the movies on my list, this is probably kind of the most problematic. 37:24Speaker 3 Okay. 37:24Speaker 1 It's also like using a woman for like a nefarious reason over like sexualizing her and there's a slight sprinkling of sexual assault end. But it's a classic. So she's all that. It came out in nineteen ninety nine and it stars Rachel Lee Cook. Do you know that name? Blasphemy? Rachel Lee Cook was in the late nineties, only two thousands. I'm a icnic girl. She started so many big movies. Also, Josing the Pussycats was a movie that was torn apart and I think did wreck her career. I think, but now we look back at it and see it for the masterpiece that it is. So she plays Laney Bogs. What a name? I don't know. They were like, you know what, this girl's gonna be unpopular and ugly, and we're gonna give her name's gonna be Laney Bogs, and that's going to explain exactly why. 38:07Speaker 3 Laneye b would be cute. 38:08Speaker 1 Yeah, they don't call it that. And so Lanny Blogs is she's an artist at school, and she was like and she kind of just looks away at paintings all this sort of stuff, and she dresses like an absolute hobo. So they went to because Rachel Lee Cook is a really like a classically beautiful kind of pixy looking woman, and so they really had to go to town to make her unattractive. So they've dressed her in like really oversized, paint slatted clothes. People don't want women to be comfortable, no, exactly, and you know what, she is so comfortable. That's what I take away from her, Like, and she's wearing about fifteen and before she gets her makeover, she's wearing about fifteen layers of clothes in all scenes, like she'll have like a pair of like old pants on and like a long top over that, and then like a singler and then that's very inn now and like an exactly ahead of her time. So Laney Bogs is the most unpopular nerd at school and they have have he do the classic thing of like the first time we really see her, she just falls over. Girls in rom coms always falling over. Sometimes they're so hot and beautiful that they fall over because like I'm so clumsy, and sometimes it's to show they're a nerd. But and then like feeling around exactly well exactly, and she and she wears really big glass okay of course, and straight hair but pulled back in a low ponytail I'm not a sleek ponytail like a I do anything to my ponytail. But the glasses is the real thing. So she So she's the ugly girl at school. And then we have Freddy Prince Junior and this is peak Freddy Prince Junior era. Don't I mean, I don't want to say his air is completely over, but like this was peak, Like he was the wrong com leader and so many things. Playing Zach Syla and he is like the sports storry. I know, Lany Bogs Zach Syler. You know he wrote on this movie m Night Shamalan before he did six Cents. Yeah, like I know, well, you could just be a skipper for high It's like hash. It's like haw Shonda Rhimes wrote the classic Britney Spears movie Crossroads. 40:05Speaker 2 Job. 40:05Speaker 1 Yeah, before you have your big break, you just write the scripts that are out there. So Mna Scharmalan is like I can just imagine he had like the sixth cent script on one screen and like the other and between them. So Zach is like the actual like the jock of the school, the king. Everyone loves him. They're all seniors in their final year of high school and they're coming up to prom and again a very old school like American high school thing is like the prom is always like the climax of the movie, like everything's leading towards that. The rest of his cast is like a who's Who of the nineties. We have Matthew Lillard as Brock Hudson. He's like a reality stuff. Paul Walker, the late Paul Walker again peak kind of his like era playing Dean. And then Jodi Lynn O'Keefe. I don't know if you know that name, but you would know her face. She is in every kind of she's She wanted to be on the Vampire Diaries and stuff later on, but she was in a lot of these early like teen movies, always as like kind of the high school mean girl, the beautiful high school young girl. So Zach and Taylor have been Taylor Vaughan have been together, and they're like they're going to be prom king and queen. That's their thing. Only Taylor meets Matthew Lylard's character, who is old of them out of high school, a reality TV start on the real world. In the real world, Ye dumps Zach for him, and it's like anarchy in the school that the couple has broken up and that Taylor has dumped Zach, and then everyone feels sorry for Zach. And he was like, I can have any girl I want. This is not romantically he meant to fall in love with him, and you kind of do, but he's like, I can have any girl I want. He's like, I could make a girl like that. So this movie is actually based on Pigmalion, which is a play in a book that then went on to inspire the Audrey Hepburnt movie My Fair Lady. So this is a play. Do you know there was a moment in time there where like Clueless is based on Emma and She's the Man, Yeah, And She's the Man is based on Twelfth Night, and as we discovered another podcast the other day, Bridge Jone's Diaries Pride and Prejudice. So this was a big moment in time where, like all of these teens, the biggest thing you could do for box office gold was to remake these classic literature as a teen rooman, now we make movies from last year, and now we'll just remake anything that's out there in the world. So Zach is like, I can make any woman. I can make her the popular girl. And so Paul Walker's character makes him a bet. He's like, Okay, I'm going to bet you that you can't make like a girl that I pick in this school into the prom queen. And Zach's like, pick someone. And that's of course when Lanye makes her entrance, comes up the stairs. She's making fifty layers of clothing. She's got fifty bags eye and she like immediately falls to the floor. And he was like, and then I'm just gonna say Paul Walker because it's two, so you know who I'm talking about. Paul Walker goes her and Freddie Prince Junior. Zach is like, Lady Box, absolutely not. He's like, like, the subtext is she's the ugliest woman I've ever seen. So then he has to the subjects of all these exactly, and then Zach's like, well, I'm gonna have to do this now. So then Zach has to go and try and befriend laany Bogs. And it's so funny when he like keeps trying because he's used to. He's the star of the school, he's the sports star. Everyone loves him. He's so charming. So he kind of goes over to her, like later that night he goes up and to her where she's working, where she's wearing this like huge, full lawful hat because she works in like service industry and he's like never worked a day in his life, and he's like kind of like hey, and she just has no time of day for him, and so funny because she's like, look, I'm not smart, and he's like what this is kind of like a good kind of like twist of that classic like dumb jock smart girl being ugly. She's like, I'm not smart. I know I look smart because I got the subtext is because she's got wearing glasses. I know I look smart, but I'm not. And I can't choot. I can't chewt to you. She's like, I can't. I know you're probably failing school, but I can't help you. I can't choot you. I just I look smart, but i'm not. He's like that is oh no. Then he's like, oh I'm smart. I'm like the third top of that class. I don't need tutoring, thank you so much. So he's smart. So he is smart, yeah, because he's like his whole subject is like his parents like you're going to like this fancy school and you're gonna do this, You're gonna do that. He's like, he can't pick anything of his life. Smart boy, I know, sucks. And so then he starts to befriend her, and like slowly over time, starts to sort of like make her over and teach her how to be cool. And the makeover scene is so so important because up until this he has no like sexual interest in her because she's got glasses, you know, of course, and he can't tell, Yeah, he can't tell because it's pulled back, and he can't tell that she's got a tiny hot body because she keeps falling over and oversized and she falling over so she has a muscle issue. It's all happened. So he's like, he's like, I'm gonna make her gorgeous, but I have no interest in her. And then he brings over his older sister, Mac played by Anna Papquin, and Anna Pumpquin is only in this movie for a short moment, but she makes She comes into this sassy older girl from college, his sister. And then there's this party at school and so Mac takes Laney upstairs and they have this moment where and this moment has been parodied so many times, most famously in Not Another Teen Movie, where all she does is pull out the ponytail and she's like, and you're beautiful. But they at this moment too where lady talks about the fact that her mom died when she was little and so she's been raising her little brother and looking after her dad, and she's like, I just never had a mom to like teach me this stuff, because Mac is like, in the nicest way possible, your eyebrows are disgusting, let's pluck them, Like why don't you wear makeup? And she's like, well, I didn't have anyone to teach me, which is lovely also so young, like yeah, yeah, Well she's a senior in high school and she's never plucked her eyebrows, which isn't the craziest thing at all, but the movie does make you think like her life has been severely stunted because of this. So this college student cuts her hair so instead of having and again usually they add hair in, so this is also maybe not even like a flipping the script, but at the time they so she has this like long, kind of straight, like scraggly hair, they cut it into a super super chic boss she does yeah, yeah, exactly, cuts her head perfectly, plucks her eyebrows, takes the glasses off, apparently does like a huge tan and stuff. And then we have a staircase, and all we haven't had a staircase moment so far as you know, all good movie makeover scenes really need a staircase. That's the moment. So Zach's downstairs, he's waiting to take it as party. He's expecting Lady Bogs to come like like his sister's just gonna like put some lipstick on her and she's gonna come frumpy down the stairs. All of a sudden, the camera pans up the stairs and a slow plan and you see a foot come down in a red high heel, and then the classic song kiss Me by Sixpence none the Richer, also from Dawson's Creek. I kind of tell you how this movie. This song is like this soundtrack of my entire teenage years. And every time I play it now, I actually, that song's too powerful. I have to be careful when I play it because if I play it with the street oh passion stranger, like I can't. That song's too powerful. It's just like it just makes you right, because it's a soundtrack to all the big romantic moments in our lives as that we watched on screen and not participation saying I don't have that many referends. No, no, no, I've never had a romantic tree that song, but it makes me think of a time where like it's signaled this like cue a social cue tea. Yeah, it's like this subconscious like dog whistle of like I'm about to fall in love for the first time, and as a woman in her late FERI I still feel that. And so the camera pans up kiss Me starts to play, and then you see Lannie for the first time post makeover, and she is an absolute bombshell. She's wearing a tiny red mini dress, one of the most iconic dresses in film. I would say, she's got this beautiful, not over the top makeup, like not a red lip or anything, just like beautiful, smoldering, bronzy makeup, a beautiful chic Bob and Zach like loses his mind, he cannot believe it. We look on and Freddie Princeton up give that man at the Academy Award. He just he's like, oh my god, this is the most stunning woman I've ever seen. This is simple manner exactly. You put in a red little as in my early twenties, I had so many little red party dresses because all I wanted to do was dressed like Lannie. I was just waiting for a stair I was waiting for a staircase, and I've never lived in a house with staircase. How will I make my entrance? So she's walking down the stairs, the song's playing, it's so beautiful, and then she falls face first down the stairs. Well, she grabs the because she walked in Heels's true. It's actually like a quite a it's quite dangerous. Yeah, she's trying to do a slow walk down the stairs in heels, the first time she's ever worn heels. It's actually quite the moment. So the spell is like broken because she has to grab the railing and he has to help her, and everyone's like ooh, and he's like ill and he's like, oh, I remember how before? Yeah, I don't know. But falling when you're hot and following your ugly too true. When she fell when she was ugly disgusting. When she falls and she's hot, he's like, pretty well, help you yeah, pretty brifect. Yeah, it's so funny. And before before she comes down the standcase, Anna Patlin's character Mac does a little introduction. She's like, and they try to I think they're aware there that like, giving this teenage girl a bombshell makeover might send the wrong message. They try to dilute it, but it doesn't work. That's what I was thinking, is. 48:54Speaker 2 That putting it like a young girl in like red dress, red heel. 48:57Speaker 1 A sexy red dress for a man that's trying to win a bet with her. Yeah, there's a lot. It's all trying to make grimacing for anyone who cuts. So Mac tries to sort of dilute the message. So she comes down before Lane and she goes introducing the not improved but different. It's kind of what she says Lady Bogs. She's like, not improved but different because she's trying to be like, no, she was good before, and I'm like, guys, she wasn't good before. That's the part of the whole the movie. That's the premise of this exactly. And so as it goes on, she does dress better, but she doesn't like overly change how she dresses. And then she wears this like black glittery dress to the prom, and she does look nice, but it's the whole thing because she goes with Paul Walker's character and then he tries to sexually assault her and then Zack Syla saves her and then they fall in love and have a gorgeous kiss and then there's a huge dance number. There's the best dance number that it's a lot happens. That's a lot that poor girl. Yeah, yeah, she goes through a lot. Well, she finds out before the prom that it's a bet, and she has this moment where she yells act She's like, all of a sudden, this turns into like it does turn into a Shakespearean drama. It's not based on Shakespeare, but the vibe. She's like, am I bet, am I bet? Am my fucking bet And he just looks at her asi and he goes yes. And then oh my god, burn it into my soul that moment because you just like I remember as a kid, like nearly crying. I'm like, yeah, it's over, Like they'll liver be in love now where they do spoiler alert end up in love. She should be like, thank you for the makeover. Yeah, exactly. Now everyone at school wants me because they realized I'm not I could make a man. Yes, that's the sequel, so that in my head is well. There's a remake with Addison Ray called He's All That. Whether I've watched that, but I don't that. 50:34Speaker 3 I think I don't remember it because I had to burn it out. 50:36Speaker 1 That is a burable movie. Okay, that movie is blaspheming. They tried to flip the script by making it a girl making over a guy, which I'm all for, but the movie itself is terrible. So I can't believe. You can't not You cannot live in a world where you've watched He's All That and not She's All That. I know when one is a one is an abomination and one is a classic teen movie. So you've done that wrong. I'm sorry. So She's All That one of the teen movies that still lives in my head is one of the best makeovers ever. And again, don't listen to that song, just like on the Fly, Oh it's too dangerous, dangerous, use it responsibly. 51:12Speaker 2 Thanks so much for listening to the spill today. Don't forget to follow us on socials. 51:16Speaker 1 We've popped. 51:16Speaker 2 The link in the show notes will be back in your feed bright and early tomorrow with morning tea. 51:21Speaker 3 Ash London has all of the entertainment headlines. 51:24Speaker 1 To start your day. 51:25Speaker 2 The Spill is produced by Minishi Sworn with video production by Michael Keane. 51:29Speaker 1 Bye ByeBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

I'm so unbelievably thrilled that Rita Wilson chose How to Fail for her FIRST EVER podcast appearance. The acclaimed actor, singer and producer was born in Los Angeles to a Greek mother and a Bulgarian father who emigrated to the United States in 1949. You might know her from early roles like Bosom Buddies, where she met her future husband Tom Hanks, and from standout turns in films including Runaway Bride, It's Complicated and her unforgettable scene-stealing in Sleepless in Seattle. Behind the camera, she helped bring My Big Fat Greek Wedding and Mamma Mia! to the big screen. Alongside her film career, Wilson has built a powerful musical voice, releasing albums since 2012 and collaborating with artists like Elvis Costello and Willie Nelson. She now returns to her solo work with her sixth album, Sound Of A Woman, released on 1st May. In this episode, we talk about growing up in a traditional, private family but later living in the public eye, bringing My Big Fat Greek Wedding to the screen, her friendships with Nora Ephron and Bruce Springsteen - and how her experience of breast cancer reshaped her life and friendships. ✨ IN THIS EPISODE: 02:39 Sleepless In Seattle Scene Secrets 04:32 Finding Her Voice 07:53 Labels and Late Blooming 13:07 Privacy to Speaking Out 14:56 Greek Wedding Breakthrough 17:43 Drama School Rejections 27:57 Proving Them Wrong 29:03 Onscreen Friendship Magic 31:03 What Friendship Means 32:12 Breast Cancer and Blame 35:07 Honoring Her Father 39:55 Family Secrets and Privacy 45:50 Building Family Values 47:20 Fired as Ticket Taker

The music in this broadcast has been removed from this podcast for rights reasons. The Secretary of State for Northern Ireland said last week that it is "shameful" that Northern Ireland is the part of the UK where it is "most dangerous to be a woman". He described the scale of violence against women and girls in the area as a "source of enormous sadness" and "shame". Thirty women have been violently killed in Northern Ireland since 2020, two lost their lives just this month. They were 28-year-old Amy Doherty and 23-year-old Ellie Flanagan. So what is being done about the violence, which is predominantly carried out by men? Krupa Padhy is joined by Allison Morris from the Belfast Telegraph, BBC journalist Jennifer O'Leary, who has made a documentary telling the story of domestic violence in Northern Ireland through the tale of a women's refuge, as well as Marie Brown, CEO of Foyle Women's Aid and Foyle Family Justice Centre. Rita Wilson discusses her new album of deeply personal songs, Sound of a Woman. She's a film and TV actor, as well as a singer/songwriter, and was the producer behind blockbuster movies Mamma Mia! and My Big Fat Greek Wedding. Rita also happens to be married to Tom Hanks. She joins Krupa to share her reflections on marriage, parenthood and illness. The Society of Radiographers has said that the demand for ultrasound has increased, but there aren't enough people being trained to do the work. They say this is leading to pregnant women and cancer patients facing delays for vital ultrasound scans which could be 'dangerous for the patient.' Rachel Nolan, president elect of the Society of Radiographers, tells us what needs to change.A recent Vogue Business size inclusivity report has documented a decline in the use of models with bigger bodies on the catwalk. Of the almost 8,000 looks presented across over 180 shows and presentations for Autumn/Winter 2026, over 97% of the looks were what is called "straight-size" (that's a UK size 4-8), just over 2% were mid-size (a UK size 10 - 16), and only 0.3% were plus-size (a UK size 18). Last season, it was 0.9%. So plus-size representation has declined. The report also cites the growing use of weight loss drugs (GLP-1s) as a key part of the change compared to recent years. So, what's happening in the fashion industry when it comes to body-size inclusivity, and are we seeing an impact on the clothing sizes available in the shops on our high streets? Elizabeth Paton, Fashion Editor of the Financial Times, and Gabriele Dirvanauskas, Deputy Editor at Drapers magazine, join Krupa in the studio.

Our exit today has us using some Windex to clear up a rash we have. This week, we are talking about My Big Fat Greek Wedding, written by Nia Vardalos and directed by Joel Zwick.Along the way, we talk Andrea Martin, Serendipity, weddings, 90s American Independent Cinema, Yorgos Lanthimos, box office legs, Chicago movies, great ensembles, Greece, and too much talk about the Teen Choice Awards.Theme music by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

As March Madness approaches, your hosts thought it was time for another TSHE bracket. And if there's anything we're equipped to discuss, it's ranking sweets! Join us as we try (really hard) to whittle the top sweets down in a categorizable fashion (see below)! It's harder than it sounds! Please give us your suggestions! We're willing to take them into account.As is the TSHE way, we also discuss batteries (and the ever-present Battery Daddy), bundt cakes as it relates to My Big Fat Greek Wedding, the various ladies of the Indiana Jones series, top Catholics, our favorite deadly sins, and, of course, Hillary's beautiful mind, which extends only to pop culture connections - nothing else. TSHE'S SWEET SMELL OF SUCCESS LIST (SO FAR…)CakeCarrot cakeCheesecakeChocolate cakeYellow Cake w/ choc frostingStrawberry shortcakeHandheldsChoc chip cookiesAnn's Ooey Gooey Tar BarsBrowniesChurroCannoliChortbreadSnickerdoodleS'moresButter TartsPie & CobblerCherry cobblerApple pieRaspberry nectarine piePecan piePumpkin pieFrench silk pieLemon meringue pieMiscBanana breadHot fudge sundaeBread puddingCrème brûléeTiramisuRice puddingTSHE Recommends: Critical DarlingsListen to a classic novel!Alysa Liu's SkateConnect with the show!This is your show, too. Feel free to drop us a line, send us a voice memo, or fax us a butt to let us know what you think.Facebook group: This Show Has EverythingFax Bobby Your Butt: 617-354-8513 Feedback form: www.throwyourphone.com Email: tsheshow@gmail.comAOL Keyword: TSHE

This month, We kick off the next chapter of our Mirage-era journey as we begin Volume 4 of Teenage Mutant Ninja Turtles, covering the first four issues in our ongoing monthly deep dive. Written and illustrated by Peter Laird with finishes by Jim Lawson (and additional work by Eric Talbot later in the arc), this era marks a return to Mirage continuity following the Volume 2 fork in the road — and right from the opening cover by Michael Dooney, the Turtles feel grounded, compact, and classic again.We also set the stage in the early 2000s, when these issues first appeared between September 2001 and mid-2002. Pop culture was stacked: films like Spider-Man, Star Wars: Episode II, Blade II, and My Big Fat Greek Wedding filled theaters, Nickelback and Ashanti ruled the charts, Grand Theft Auto: Vice City dominated gaming, and Family Guy was canceled (for now). Against that backdrop, Volume 4 begins a slower-burn, sci-fi-tinged saga that blends grounded family moments with looming cosmic stakes.Issue #1 mirrors the Turtles' very first alley fight as they clash with the Madhattan Maulitia, while revealing a major shift: the brothers are now in their 30s, feeling every mile of the fight. A rooftop snowmobile chase leaves Michelangelo critically injured and discovered by the imposing alien warrior Magnrok, while Donatello uncovers an abandoned armored truck that feels destined to matter later. Meanwhile, April and Casey attend a fertility appointment, Shadow senses something world-changing on the horizon, and the Fugitoid and Utroms quietly prepare a massive interstellar operation.Issue #2 finds Michelangelo surviving an airborne ambulance mishap and waking inside Kurtzburg Memorial Hospital — a facility that treats superheroes, aliens, and the otherwise unusual. Back in the lair, Donatello and Casey investigate the mysterious armored truck while Raphael contemplates being left alone with skeletonized robbers and his life choices. Shadow navigates teenage secrecy, and the Utrom plan continues to unfold beyond Earth.Issue #3 expands the scope dramatically: a research expedition in Venezuela encounters a wooden, weaponized creature, U.S. Air Defense scrambles as an Utrom craft departs the moon, and Michelangelo receives a scenic flight home courtesy of his rescuer Raptarr. As aliens descend toward New York Harbor, panic spreads, missiles fail spectacularly, and humanity greets first contact with static, confusion, and ineffective gunfire.Issue #4 delivers the payoff: the alien craft peacefully returns the long-lost spacecraft Defiant to Earth and introduces the Utroms to the world — with one clumsy stumble instantly easing global tension. Karai observes events from the shadows, revealing Foot Clan interest in the alien arrival, while a quiet rooftop moment gives way to yet another escalation: a giant robot rising from the sewers.Volume 4 opens with introspection, humor, and domestic calm colliding with cosmic inevitability. The Turtles are older, the world is bigger, and something enormous is clearly on its way.

We're finishing out Sort Of Romantic Movie Month with My Big Fat Greek Wedding! We discuss a VERY 90s/2000s inflected sense of self worth, praise Andrea Martin, and very belatedly remember that Joey Fatone is in this.    Produced by Andrew Ivimey as part of The From Superheroes Network   Visit www.FromSuperheroes.com for more podcasts, articles, video series, web comics, and more.

Welcome to the Spun Today Podcast! In this episode, host Tony Ortiz dives deep into the world of creativity, storytelling, and relentless artistic dedication. Through a writer's lens, Tony breaks down the Black Mirror episode "Playthings," exploring how subtle worldbuilding, understated technology, and obsessive innovation can drive a narrative that lingers long after the credits roll. He shares actionable writing takeaways, like infusing big ideas through passion—not prophecy—and harnessing ambiguity to keep your audience engaged.   The episode doesn't stop at dissecting TV—Tony shines a spotlight on creative perseverance in the beloved segment "Goats Doing Goat $hit," this time honoring Nia Vardalos for sticking to her vision and overcoming countless studio rejections to create the iconic "My Big Fat Greek Wedding." You'll find inspiration, practical advice, and creative prompts throughout, making this episode a must-listen for writers, artists, and anyone chasing their creative dreams.   The Spun Today Podcast is a Podcast that is anchored in Writing, but unlimited in scope.  Give it a whirl.      Twitter: https://twitter.com/spuntoday  Instagram: https://www.instagram.com/spuntoday/  YouTube: https://www.youtube.com/@spuntoday   Website: http://www.spuntoday.com/home  Newsletter: http://www.spuntoday.com/subscribe        Links referenced in this episode   Plaything: https://www.imdb.com/title/tt31215636/   My Big Fat Greek Wedding: https://www.imdb.com/title/tt0259446/   https://www.looper.com/845207/the-untold-truth-of-my-big-fat-greek-wedding/   Get your Podcast Started Today! https://signup.libsyn.com/?promo_code=SPUN (Use Promo code SPUN and get up to 2-months of free service!)   Check out all the Spun Today Merch, and other ways to help support this show! https://www.spuntoday.com/support     Check out my Books   Make Way for You – Tips for getting out of your own way ÁBRЕТЕ CAMINO: CONSEJOS PARA DEJAR DE SER TU PROPIO OBSTÁCULO (Spanish Edition) FRACTAL – A Time Travel Tale Melted Cold – A Collection of Short Stories   http://www.spuntoday.com/books/ (e-Book, Paperback & Hardcover are now available)   Fill out my Spun Today Questionnaire if you're passionate about your craft.  I'll share your insight and motivation on the Podcast: http://www.spuntoday.com/questionnaire/     Shop on Amazon using this link, to support the Podcast: https://amzn.to/4km592l      Shop on iTunes using this link, to support the Podcast: https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewTop?genreId=38&id=27820&popId=42&uo=10   Shop at the Spun Today store for Mugs, Notebooks, T-Shirts and more: https://spuntoday-shop.fourthwall.com/   Music: https://www.purple-planet.com   Outro Background Music: https://www.bensound.com   Spun Today Logo by: https://www.naveendhanalak.com/   Sound effects are credited to: http://www.freesfx.co.uk   Listen on: ApplePodcasts | Spotify | Pocket Casts | YouTube | Website

This week we watched the 2002 romantic comedy film My Big Fat Greek Wedding. Directed by Joel Zwick and written by Nia Vardalos it follows a young Greek-American woman who falls in love with a non-Greek man and struggles to get her family to accept him. It stars an ensemble cast led by Vardalos, John Corbett, Lainie Kazan, Michael Constantine, Gia Carides, Louis Mandylor, Andrea Martin, and Joey Fatone. Come join us!! Website : https://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

For this week's bi-weekly scene study, Vanessa and Hannah analyze the ending of My Big Fat Greek Wedding. They continue to discuss the movie's relationship to 'tackiness' as well as the promised future for Ian and Toula's daughter.Hot and Bothered is a Not Sorry ProductionFind us at our website | Follow us on Instagram---If we give you butterflies, consider supporting us on Patreon! On Patreon we have more great romance content including a bonus close scene analysis of My Big Fat Greek Wedding with Vanessa and Hannah. Hosted on Acast. See acast.com/privacy for more information.

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with Academy Award-nominated writer, actor, director, and producer Nia Vardalos. From her one-woman show in a tiny Los Angeles theater to creating one of the highest-grossing independent movies of all time, Nia's path shows what happens when you refuse to give up on your story.The Topline She Carried for 24 Years (01:36) Kevin reveals that Nia has carried the original test screening results from My Big Fat Greek Wedding in her wallet for over 24 years. Kevin shares why the film isn't allowed to be referenced at his company, not because it was bad, but because it was such an unprecedented outlier that had no business doing what it did, except that it was "so damn good."Second City Training and Seizing the Moment (04:40) Nia traces her journey from Shakespearean training at Ryerson to discovering improv.From Rejection to the Stage (19:15) When Nia couldn't get her screenplay read, she rented a small theater and performed her story for audiences who kept coming back. She shares how she placed a $500 ad in the Los Angeles Times that caught Rita Wilson's attention.Rita Wilson, Tom Hanks, and Unwavering Loyalty (26:51) When Rita Wilson saw the show, her first words were "I love you." When she said, "this should be a movie," Nia instantly handed her the screenplay so fast that “her hair flew back." The result: $241.4 million domestic, $368.7 million worldwide.14 Hours Notice to Motherhood (35:53) After years of fertility treatments, Nia received just 14 hours notice to adopt a daughter from foster care. She talks about the trials, and the joys of motherhood and adoption.Academy Award Nomination (39:35) On the morning of her Best Original Screenplay nomination, Nia was driving through rain to a fertility clinic when her best friend called first with the news.Returning to Theater (48:38) Nia returned to her theatrical roots with Tiny Beautiful Things, adapted from Cheryl Strayed's book and directed by Hamilton's Thomas Kail. The play became a New York Times Critics' Pick and was licensed in 250+ productions worldwide. She recently performed it in Greek in Athens at a 1,500-seat theater.Nia Vardalos proves that Hollywood's greatest success stories don't always follow the expected path. Sometimes they start with a $300 theater rental and an unshakeable belief in your own voice. If you enjoyed this episode, please leave us a review and share. We look forward to bringing you more behind-the-scenes revelations next time on Don't Kill the Messenger.Host: Kevin GoetzGuest: Nia VardalosProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Nia Vardalos:Wikipedia: https://en.wikipedia.org/wiki/Nia_VardalosIMDB: https://www.imdb.com/name/nm0889522/Instagram: For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Vanessa Zoltan and Hannah McGregor meet-up at Dancing Zorbas to record this week's episode of Hot and Bothered, all about My Big Fat Greek Wedding. This week we discuss Canadian multiculturalism, "tackiness", and the cultural construction of whiteness. We finish the episode by calling Susan Katz Miller to talk to us about interfaith families.---Hot and Bothered is a Not Sorry ProductionFind us at our website | Follow us on InstagramIf we give you butterflies, consider supporting us on Patreon! On Patreon we have more great romance content including a bonus close scene analysis with Hannah and Vanessa. Hosted on Acast. See acast.com/privacy for more information.

Featuring: Michael “Boston” Hannon and Paul “Moonpir” Smith Running Time: 37:27 Video Version: YouTube For this episode of TVGP's Critical Misses we dive into a fast wedding with My Big Fat Greek Wedding! We chat about a family that's too dang close, never being alone, learning The Computer, photos before iPhones, getting dunked in a kiddie pool, a true love of Windex, and much more! Applause sound effect from SoundBible Royalty free music from https://www.fesliyanstudios.com Become a patron of TVGP for just a few dollars a month at E1M1's Patreon Page! Get two month early access to Critical Misses, uncensored outtakes, production meetings, and much more for just $5/month!

This week, The Voices of SOUL ON FIRE series welcomes John Corbett, the beloved actor, musician, and storyteller who portrays my dad Denny O'Leary on the big screen. Long before he became known for his roles in My Big Fat Greek Wedding, Northern Exposure, and Sex and the City, John was a kid from a small West Virginia town, whose path from humble beginnings to Hollywood success reads like a movie script itself. Today, John shares the moments that shaped him from hydro-testing steel pipes to discovering his gift for storytelling in a college improv class. He opens up about humility in the spotlight, his deep love for his wife Bo Derek, and the raw emotion that came from portraying my father in SOUL ON FIRE. My friends, if you need a reminder that it's never too late for your life to take an unexpected turn, or that joy and kindness are what truly make a person shine, this conversation is for you. You'll leave it reminded that our stories, no matter how ordinary they begin, can ignite something extraordinary when we choose to live with hope, humor, and heart.  

On today's episode of Spun Today, host Tony Ortiz sits down with the powerhouse creative duo Blarime ‘Blu' Topalli and Peter Stass—veteran writers, filmmakers, and the minds behind the atmospheric new horror podcast, The Night Visitor. Together, they dive deep into the art of collaboration, exploring how blending backgrounds in gothic fiction, comedy, screenwriting, and visual effects leads to stories that both thrill and provoke thought. Blu brings her experience from working on iconic projects like Titanic and My Big Fat Greek Wedding, along with her love of gothic literature and psychological horror. Peter, meanwhile, draws on a rich foundation in comic book art, screenwriting, and his unique ability to straddle the worlds of humor and terror. In this conversation, they open up about their creative process, the magic of partnership without ego, and why the best horror uncovers truths about ourselves—not just our fears. Whether you're a writer, creator, or simply love a good story, this is an episode about the craft of storytelling, the power of cathartic genres like horror and comedy, and how chasing creative risk—rather than playing it safe—can lead to truly original work. Stay tuned for inspiration, behind-the-scenes stories, and a masterclass in creative chemistry.   The Spun Today Podcast is a Podcast that is anchored in Writing, but unlimited in scope.  Give it a whirl.      Twitter: https://twitter.com/spuntoday  Instagram: https://www.instagram.com/spuntoday/  YouTube: https://www.youtube.com/@spuntoday   Website: http://www.spuntoday.com/home  Newsletter: http://www.spuntoday.com/subscribe      Links Referenced in this Episode   Get The Night Visitor wherever you listen to your shows! https://thenightvisitor.com/   Check out The Night Visitor on IG: https://www.instagram.com/nightvisitorpodcast   Follow Peter: https://www.instagram.com/peter_stass/ & Blu: https://www.instagram.com/xoblu/     Starlog Magazines: https://www.ebay.com/b/Starlog/280/bn_7023436548 Fangoria Magazines: https://www.ebay.com/b/Fangoria-Magazines/280/bn_36838342 Bronzeville Podcast: https://www.waylandproductions.com/bronzeville/   Check out Stephen King's Book: On Writing - https://amzn.to/430UbZo Check out Steven Pressfield's book: The War or Art – https://amzn.to/48GhBH9   Get your Podcast Started Today! https://signup.libsyn.com/?promo_code=SPUN (Use Promo code SPUN and get up to 2-months of free service!)   Check out all the Spun Today Merch, and other ways to help support this show! https://www.spuntoday.com/support   Check out my Books   Make Way for You – Tips for getting out of your own way FRACTAL – A Time Travel Tale Melted Cold – A Collection of Short Stories   http://www.spuntoday.com/books/ (e-Book, Paperback & Hardcover are now available).   Fill out my Spun Today Questionnaire if you're passionate about your craft.  I'll share your insight and motivation on the Podcast: http://www.spuntoday.com/questionnaire/     Shop on Amazon using this link, to support the Podcast: https://amzn.to/4km592l      Shop on iTunes using this link, to support the Podcast: https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewTop?genreId=38&id=27820&popId=42&uo=10   Shop at the Spun Today store for Mugs, Notebooks, T-Shirts and more: https://spuntoday-shop.fourthwall.com/   Music: https://www.purple-planet.com   Outro Background Music: https://www.bensound.com   Spun Today Logo by: https://www.naveendhanalak.com/   Sound effects are credited to: http://www.freesfx.co.uk   Listen on: ApplePodcasts | Spotify | Pocket Casts | YouTube | Website

Insights In Sound 184 - Neil Citron, Musician / Engineer S19 E4 He's a musician's musician, a true behind the scenes mensch who has delivered from the trenches for decades, from recordings with Steve Vai, Steve Lukather, and Larry Carlton to coaching actors including Meryl Streep and working on movies like "Ricky and The Flash", "Catch Me If You Can", "My Big Fat Greek Wedding 1 & 2", and films by Jonathan Demme, Tom Hanks-Playtone, Dino Di Laurentiis and Oprah Winfrey.

Australian actor and filmmaker Louis Mandylor has officially cemented himself as one of the most versatile forces in Hollywood, seamlessly moving between blockbuster franchises, gritty action thrillers, and now acclaimed directorial work. Best known to global audiences as Nick Portokalos in the My Big Fat Greek Wedding films, Mandylor has built a reputation as both a magnetic screen presence and a fearless director who thrives on high-stakes storytelling. PRISONER OF WAR - TRAILER Fresh off the success of 3 Days in Malay (Paramount) and Operation Blood Hunt with Jonathan Rhys Meyers, Mandylor's latest directorial project Prisoner of War is already making waves on the festival circuit. The film premiered at the Big Bad Film Fest where critics hailed it as a “savage, stripped-down, visceral martial arts war epic” (Action-Flix) and praised Mandylor for elevating indie action cinema “well above its limited budget and constraints” (UPI). With tier-one action design fused with an unflinching war drama, Prisoner of War proves that Mandylor is quickly becoming the go-to filmmaker for no-holds-barred indie action.  | As an actor, Mandylor has held his own opposite Hollywood icons, sharing the screen with Liam Neeson in Memory, Sylvester Stallone in Rambo: Last Blood, and Scott Adkins in the cult-hit Debt Collector films. His résumé also includes Hell Hath No Fury, Battle for Saipan (where he performed his own stunts), and Hellhound. On television, fans still remember him from his standout roles in CSI: Miami, CSI: NY, and as Joey's twin on Friends. Behind the camera, Mandylor is just as meticulous. Known for personally storyboarding every shot of his films, he approaches directing with the precision of an athlete and the creativity of a painter, a skillset rooted in his unique background as a former professional soccer player and boxer before transitioning into acting. 

Welcome fellow adventurers! The discussion on beauty to rescue, continues right here on the Masculine Journey After Hours Podcast. The clips are from "Braveheart," and "My Big Fat Greek Wedding."  There's no advertising or commercials, just men of God, talking and getting to the truth of the matter. The conversation and Journey continues. Be sure to check out our other podcasts, Masculine Journey and Masculine Journey Joyride for more great content!

In the one-hundred-and-seventy-ninth episode, we explore the Ethnocentric Fallacy, starting with Trump pretending Americans invented everything, and claiming everyone wants to do business with the US.In Mark's British Politics Corner, we look at Nigel Farage boasting about how open-minded and accepting the Brits are, Kemi Badenoch ranking the cultures, and Boris Johnson harking back to an imagined halcyon past.In the Fallacy in the Wild section, we check out examples from Friends, My Big Fat Greek Wedding, and Parks & Recreation.Jim and Mark go head to head in Fake News, the game in which Mark has to guess which one of three Trump quotes Jim made up.Then we talk about the Epstein files.And finally, we round up some of the other crazy Trump stories from the past week.The full show notes for this episode can be found at https://fallacioustrump.com/ft179 You can contact the guys at pod@fallacioustrump.com, on BlueSky @FallaciousTrump, Discord at fallacioustrump.com/discord or facebook at facebook.com/groups/fallacioustrumpAnd you can buy our T-shirts here: https://fallacioustrump.com/teeSupport this podcast at — https://redcircle.com/fallacious-trump/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A Sermon for the Sixth Sunday after Trinity St. Matthew 5:20-26 by William Klock In last Sunday's Gospel we were with Jesus and Peter in that fishing boat as Jesus preached to the crowd on the shore.  I said that I had a pretty good ides the sorts of things Jesus was preaching, because both Matthew and Luke preserve versions of his favourite sermon about the kingdom.  Today's Gospel gives us a snippet of Matthew's version of that sermon.  In Matthew 5:20 Jesus says to the gathered crowd, “I tell you, unless your righteousness exceeds that of the scribes and Pharisees, you will never enter the kingdom of heaven.”  In the words leading up to this, Jesus was preparing the people to hear this.  He talks about being the salt of the earth and the light of the world and a city set on hill and a light held high on a lampstand for everyone to see.  “That's how you must shine your light in front of people!” he says, “Then they'll see what wonderful things you do, and they'll give glory to your father in heaven.”  Do your works, does you the way you live make people take notice and give glory to God?  That's a tough one, isn't it?  And then, just in case people might be thinking that Jesus came to do away with the law and the prophets: “Don't suppose that I came to destroy the law or the prophets,” Jesus said, “I didn't come to destroy them.  I came to fulfil them!  I'm telling you the truth: until heaven and earth disappear—and since that won't happen this just means never—not one stroke, not one dot, is going to disappear from the law until it's all come true.  So anyone who relaxes a single one of these commandments, even the little ones, and teaches that to people, will be called least in the kingdom of heaven.  And anyone who does them and teaches them will be called great in the kingdom of heaven.”  And this is where Jesus says those words, “Yes, let me tell you: unless your righteousness exceeds that of the scribes and Pharisees, you will never get into the kingdom of heaven.”   Because Jesus was doing and saying so many things that a lot of people thought weren't right, I suspect some people thought that Jesus was teaching an easier way to the kingdom.  The Pharisees were mad because he didn't seem to keep the law with the same zeal that they thought everyone should, but I suspect there were others who thought Jesus was offering them a way to God without all the spiritual rigor and rules.  Just this week I found myself talking to someone who had left an orthodox, biblical church a few years ago and is now worshipping at a United Church.  The reason: “They aren't so strict.  They let people be themselves.  They aren't so bound to the Bible.”  In other words: The United Church offers a way to God that you can follow on your own terms.  I suspect some people thought Jesus was doing a sort of First Century Jewish version of that.  And so Jesus makes it clear that this is not the case.  No, just the opposite in fact.  Not even the Pharisees with all their zeal for torah, not even they meet the standard.  Later in the sermon he'll go on to talk about the wide and narrow way that will lead Israel to destruction and the narrow gate that few can find and the narrow and difficult way beyond that leads to the kingdom.  No, Jesus hasn't come to relax the standard.  Not at all. But before we can go on we need to ask a couple of questions.  When Jesus talks about “righteousness”, what does he mean?  Well, for the Jews “righteousness” was bound up with torah, with the law and with God's covenant.  A righteous person was someone who was faithful to God and to the covenant and that meant, fundamentally, that he was faithful in living the law that God had given his people. The name “Pharisee” means “separated one”.  That's what Israel was supposed to be.  The Lord had delivered Israel from slavery in Egypt to be his people and he gave them a law, he gave them torah, as a way of life that would separate them and that would make them distinct from every other people on earth.  When the nations looked at Israel they were supposed to be moved to give glory to God.  But for most of their history, the Israelites didn't do a very good job of being that separate and distinct people.  They were selective in their obedience.  They worshipped idols.  And so just as he cast Adam and Eve out of the garden and out of his holy presence, the Lord cast out Israel and sent her in exile to Babylon.  Righteousness means “covenant faithfulness” and if Israel wasn't going to be faithful to the covenant, then in order to be faithful himself to the covenant, the Lord would have enact the covenant curses that he promised would befall his people if they didn't keep their end of the covenant—if they were unrighteous. As I've said before fairly recently, the Pharisees knew all of this.  More than that, they believed that the exile was, after a fashion, still ongoing.  Because Israel was still ruled by pagans and because the Lord's presence had never returned to the temple.  They desperately wanted an end to Roman rule and even more than that, they prayed for the Lord's return.  But that wasn't going to happen as long as Israel was still unfaithful—still lacking in righteousness.  So the Pharisees decided to set an example.  They weren't just going to obey the law as best they could; they were going to live their whole lives as if they were priests in the temple.  They wouldn't just keep themselves from sin.  They'd keep themselves ritually pure at all times.  They were ready for the Lord to return.  If only they could get everyone in Israel just as ready!  But not everyone in Israel was as interested in righteousness as they were.  There were a lot of people who just weren't as serious about God's law as they were.  But worse were the compromisers—the Jews who gradually assimilated to the pagan ways of the Greeks and Romans and the people who willingly and knowingly became traitors to the covenant: tax collectors and sinners. Think of it this way: The Pharisees saw themselves in the midst of a culture war.  And they knew it wasn't the first time Israel had faced a culture war.  And so their heroes were the righteous men of Israel's past culture wars.  One of those heroes was Phinehas, one of Aaron's grandsons.  In the book of Numbers we read how Balak, the King of Moab, had hired a prophet to curse the Israelites.  But the prophet, Balaam couldn't do it.  Every time he opened his mouth to curse the Israelites, the Lord caused blessings to spill out.  So Balak, instead, sent a bunch of beautiful Moabite women to infiltrate the Israelite camp and to entice the men of Israel to worship the Canaanite god Baal with them.  Isreal's first culture war.  The men were enticed into sexual immorality and then into idolatry—those two always go hand-in-hand.  But Phinehas, came upon one of the Israelite men in flagrante delicto with one of these women.  Filled with holy zeal, Phinehas grabbed a spear and ran them both through together.  That was the end of Israel's first culture war and Phinehas became a hero for his righteous zeal. But much more recently, the Pharisees looked back on the heroes of the Maccabean Revolt—about 160 years before.  In those days Judah was ruled by Greeks.  And the Greeks just sort of thought that because their culture was so superior to everyone else's, everyone would just assimilate given the chance.  Think of Gus in My Big Fat Greek Wedding.  “There are two kinds of people: Greeks and everyone who wish they was Greek.”  But no matter how many temples or gymnasiums the Greeks built, the Jews wouldn't assimilate.  Antiochus IV Epiphanes had enough of it and finally outlawed the law.  If you circumcised your son, you and he would be executed.  He defiled the Lord's altar by sacrificing a pig on it.  In Second Maccabees we read a horrific story of seven brothers and their mother who were tortured and gruesomely martyred when they refused to eat pork.  Jews were forced to offer sacrifices to Zeus.  Mattathias Maccabeus was watching as one Jewish man caved into that pressure.  The writer of First Maccabees tells us how Mattathias burned with zeal for the law, just like Phinehas had.  He ran forward and killed the man at the altar, then turned and killed the King's soldier.  That would kick off a revolt against the pagan Greeks.  But the Maccabean revolutionaries didn't just go after their foreign rulers; like Mattathias they went after compromising Jews as well. They were the inspiration for the Pharisees.  The Pharisees didn't have that kind of power.  They couldn't force anyone to keep the law or to keep it better.  But they had the same kind of zeal.  They desperately wanted, they prayed for the Lord to return to Zion to destroy the Romans and all the other unrighteous pagans—and all the compromisers like the tax collectors and sinners in Israel, too. And—getting back to Jesus peaching on the hillside—and Jesus now says that even that kind of zeal, that kind of righteousness isn't enough to get folks into the kingdom.  In other words, to the people who were coming to Jesus thinking he was making it easier—kind of like some modern liberal spirituality that you can shape to your own liking—Jesus says, “No.  I didn't come to make it easier.”  But then he condemns even the Pharisees.  They were the most righteous people around and even they weren't going to make the cut.  So what now?  Imagine all the people holding their breath to hear what Jesus is going to say next.  They really, really want to know.  Before he ever started preaching, they'd seen him doing all the Messiah things: casting out demons, healing the sick and the blind and the deaf.  They knew without a doubt that the God of Israel was somehow acting in and through Jesus, so they had to think that when he preached, he preached with authority and he spoke for God.  He's got their attention now.  Now they want to know what it means to be more righteous than even the Pharisees. So Jesus goes on and says, “You have heard it said to the people of old, ‘You shall not murder'; and anyone who commits murder shall be liable to judgement.  But I say to you that everyone who is angry with his brother shall be liable to judgement; anyone who insults his brother with foul and abusive language will be liable to the lawcourt; and anyone who says, ‘You fool,' will be liable to the fires of Gehenna.”   And Jesus keeps going on like this.  If we skip down to 5:27—picking up just were today's Gospel ends—Jesus says something similar about adultery.  “You have heard it said, ‘You shall not commit adultery.'  But I say to you: everyone who gazes at a woman in order to lust after her has already committed adultery with her in his heart.”  On and on.  Divorce falls in Jesus sites too: Divorce is wrong.  Marriage is a life-long covenant.  Tell the truth, he says, and you won't need to make oaths for people to believe you.  The law commanded justice and put limits on retaliation, but Jesus says, “Don't resist evil with violence”, “turn the other cheek”.  “When someone wants to sue you and take your shirt, let him have your coat, too.  When someone forces you to go one mile, go a second one with him.”  And in verse 43 Jesus puts a cherry on top of all this.  They knew that the law was about loving your neighbour, but then they got the idea that the only people who were their neighbours were their fellow Jews.  Love your neighbours, yes, but hate your enemies—people like the Romans, the tax collectors, and the sinners who openly rejected God's law and covenant.  Love your neighbours.  Pray for God to smite your enemies.  And Jesus says, “No!  I tell you: love your enemies!  Pray for people who persecute you!”  Why?  “So that you may be sons [and daughters] of your Father in heaven.”   Do you want to have a share in the kingdom?  Do you want to be a child of the Father?  Do you want to know how to have a righteousness—a covenant faithfulness—greater than even the Pharisees?  Do want people to glorify God when they see how you live?  Then love the way that God loves.  That's what righteousness has always been about: it's been about a people that conforms to the heart of God.  Righteousness is about sinlessness, but it goes deeper than that and that's what the Pharisees and so many others in Israel had forgotten even though it was there all along: “Hear, O Israel, the Lord our God is one Lord.  And you shall love the Lord your God with all your heart, soul, mind, and strength, and your neighbour as yourself.” Brothers and Sisters, this is what kingdom people look like in a culture war.  They love the way God loves.  This is the narrow gate, this is the difficult path that leads to the kingdom and life with God.  It's hard.  All we have to do is look around us.  Things haven't changed much since Jesus preached this two thousand years ago.  We're in the middle of a war ourselves and it seems like Christians are prone to the same two failures.  There's a ditch on either side of the road.  You fall into the ditch on this side when you give in and compromise.  Whether it's the Judeans who went along with the Greeks, leaving their sons uncircumcised, eating pork, and making offerings to Zeus or the Christians today who give up and buy into the pagan world's notion that love is whatever you make it, anything goes, and we can all live and fellowship with God on our own terms.  Brothers and Sisters, compromise with a godless and anti-gospel culture isn't the way.  Jesus didn't come to make it easier to get into the kingdom, but there are a lot of people and churches today who think that the answer to the culture and to dwindling interest in the gospel is to lower the bar and to make it easier to think of yourself as a Christian.  Appealing to the cultural moment might get you a few followers in the short term, but it will land you in the outer darkness, weeping and gnashing your teeth just as surely as the opposite error will. The opposite error—the ditch on the other side of the road—is Phariseeism.  And that happens when we forget that the gospel wins not through violence and force but when Christians love the way that God loves.  Brothers and Sisters, no amount of compelling, force, violence, or political power will ever move the heart of an unbeliever to give glory to God because of what they see in us.  But in the midst of a culture war it's very easy for God's people to think that seizing the reigns of power is the answer.  We'll do anything, compromise just about anything, team up with just about anyone no matter how ungodly they are, to get our hands on that power.  And we can do it all with a zealousness like that of Phinehas or Mattathias that feels so right.  We try to meld Caesar and Jesus together, forgetting that Caesars bloody and violent way is the opposite of the gospel, which conquers through love.  You can't trust in Jesus and at the same trust in horses and chariots.  You can't trust in Jesus and at the same time trust in political power.  Jesus demands our allegiance and our trust—all of it and without compromise.  And it's when we give him that full allegiance that we have the loving heart of God.  It's when we're willing to follow Jesus as we turn the other cheek, as we give both our shirt and our coat, as we go the extra mile, even as we go to our own deaths, it's then that world takes notice and give glory to God.  That's how the gospel captivates hearts and transforms the world. Brothers and Sisters, that's the narrow gate and the difficult path.  Don't give up on righteousness when the going gets tough.  And never forget that law is ultimately about loving God and loving our neighbours—everyone—the way God loves them—enough to give his own son.  Love them as God does—even your worst enemy—even to point of sacrifice.  That's how God once captivated your heart and it's how he will captivate theirs. Jesus stresses just how important this is.  Going back to the end of our Gospel in Matthew 5:23 he says, “So, if you are coming to the altar with your gift and there you remember that your brother has a grievance against you, leave your gift right there in front of the altar, and go first and be reconciled to your brother.  Then come back and offer your gift.”   We probably miss the significance of this.  To go to the temple in Jerusalem to make an offering to God was the peak of righteousness, of covenant faithfulness.  This took precedence over everything else.  No one.  No. one.  Would go to Jerusalem.  And remember, Jesus is preaching in Galilee, a three day's journey from Jerusalem.  No one would trek all that way, carrying their animal for sacrifice or buying one at an exorbitant price at the temple, wait their turn, and then standing there with the priest ready to make the sacrifice, suddenly realise they needed to go all the way back home to make something right with a brother or a sister.  Yes, I think Jesus is using a bit of hyperbole here, but he wants to drive his point home, because this is how people—especially the Pharisees thought.  If you were doing it for God, nothing else mattered.  Think of the priest and the Levite in Jesus' parable, leaving a man for dead on the side of the road lest they become ritually impure.  For all their talk of loving God, they'd forgotten just how much God loves us and they'd failed to live it out.  That's why they grumbled when Jesus ate with tax collectors and sinners.  They'd forgotten that all of heaven rejoices over a sinner who repents. No, says Jesus.  Never think that you're honouring God if, at the same time, you're failing to love your neighbour the way God loves him.  Never think you're doing God's work if, at the same time, you've compromised his call to faith and to faithfulness.  Never think you're building the kingdom if, at the same time, you're compromising its principles.  Instead, stop what you're doing and make things right.  Go back and love your neighbour.  Reconcile and make things right with him.  Remember that you serve the God who gave his son out of love in order to reconcile sinful you to himself.  Have that kind of love in your heart and let it shape every thing you do. Brothers and Sisters, every Sunday we recite those words of Jesus: “You shall love the Lord your God with all your heart, with all your soul, and with all your mind. This is the first and great commandment. And the second is like unto it, You shall love your neighbour as yourself. On these two commandments hang all the Law and the Prophets.”  Don't just mindlessly say those words.  Be shaped by them.  Love God and love your neighbour with everything you've got and then you will have that righteousness greater even than that of the scribes and the Pharisees. Let's pray: O God, you have prepared for those who love you such good things as surpass our understanding: Pour into our hearts such love towards you, that we, loving you above all things, may obtain your promises, which exceed all that we can desire; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever. Amen.

I don't know about you, but when I hear about travel agents I quickly think about My Big Fat Greek Wedding. Chances are, you do too. Whatever happened to travel agents? They're not just still around but what they offer is changing with the times and helping plan stress free vacations without spending a penny more than DIY bookings. Shocking right? Stephani Izzo, a travel expert specializing in Sandals, Beaches and Disney, breaks down the modern travel agent experience, dispelling myths along the way. The biggest revelation? Using an agent typically costs exactly the same as booking yourself!"When you have an issue, you don't have to call an 800 number and press two to talk to someone. You just call us," Stephani explains. Travel agents often know about flight delays before their clients do, allowing them to solve problems proactively. This level of service becomes invaluable because let's be real- we go on vacation to take a break for managing lists of details. Ready to experience the difference? Stephani and Kayty are leading a girls' getaway to Sandals Royal Caribbean this September—a perfect opportunity to try the all-inclusive experience with a friendly group. Whether you join organized activities or simply relax poolside, this trip offers the perfect introduction to stress-free travel planning.Isn't it time your vacations felt like actual vacations? Reach out to learn how a travel agent can transform your next getaway without adding a penny to your budget @travelwithstephaniSupport the show

Today on What's My Frame I'm joined by Casting Director, John Ort. John is a two-time Artios Award winner for Outstanding Achievement in Casting. Notable credits include Will Gluck's comedy feature Anyone But You, Gareth Edwards' sci-fi feature The Creator, the Miramax horror film The Home, My Big Fat Greek Wedding 3, the international series "The Swarm," the last 5 seasons of CBS's “Bull,” CBS's “Tommy" starring Edie Falco, several Tom Hooper directed commercial film spots, VO for Gen-Z Media's scripted podcasts, feature films My Hero, Love Island (Fire Island), Last Ferry and Anya, short films Dérive, The Water Song and Etymology, as well as the music video Evolution featuring SIREN.Today John shares his view on the creative side paired with the business side of our industry. Along with some great advice for adjusting your mindset on self tapes and what casting is looking for in your read. Now lets get to the conversation!--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Grab your bundt and windex and join us for a discussion on 2002s My Big Fat Greek Wedding! We discuss the romance, the overbearing father, Nia Vardalos and the most successful one woman show of all time, why we're surprised to see the grandma again, why it's hard to unpack things that bring you comfort, and the iconic movie poster that... makes no sense. Also: Seth gets mad standing on line, Michelle gets asked out, figuring out what the deal is with ice cream trucks and why a couch is part of you. Check it out!  Use code MOVIEFRIENDS to save 25% off your pass at the Stony Brook Film Festival Enter to win a FREE pass to the Stony Brook Film Festival Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, decoder ring, shout out on the show AND you get to vote on monthly episodes and themes. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

Watch This Episode On YouTubePreorder on Apple TV NowIn the beating heart of the most successful independent filmmakers you can find one thing for certain: a belief in oneself. I've hardly ever heard a more powerful defense of one's vision than from filmmaker Rachel Suissa, who is here to talk about her debut indie film, GREEK MOTHERS NEVER DIE (2025).If you want to be inspired by a woman and her vision, this is the episode for you.And don't forget -- preorder her film! Rachel lets us in on the insight of the Apple algorithm and so much more.In this episode, Rachel and I discuss:how she got involved in filmmaking, starting as an actress and boldly taking control of her career after a show bombed -- "people had different ways to grieve and mine was to take control, of things and have freedom to tell my stories";what people should expect to see during GREEK MOTHERS NEVER DIE;what kind of advice she gives on creating ethnic related films? "if somebody wants to make a first indie movie, it has to be something that resonate with his heart, his universe, and his experience";her feelings about MY BIG FAT GREEK WEDDING (2002);how she was able to keep a two hour plus run time in a field (romcoms) that's very hard to do -- how did she manage this?whether being an actress helped her direct this film with the vision she wanted -- "it's all ink and paper until an actor brings it to life";her thoughts on funders demanding a "name" cast and what an indie director should do about it;her sticking to her vision, no matter the consequences;how many preorders it takes to beat the Apple algo;what's next for her -- "The Hangover meets Mamma Mia!"Rachel's Indie Film Highlight: ETERNAL SUNSHINE OF THE SPOTLESS MIND (2004) dir. by Michel GondryLinks:Follow Rachel Suissa On InstagramPreorder on Apple TV NowSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

April is Genocide Awareness Month, and we're commemorating with author Victoria Atamian Waterman, actor and audiobook narrator Dalita Getzoyan, and chair of the RI Holocaust & Genocide Education Commission Pauline Getzoyan. Host Lauren talks to our guests about Victoria's book Who She Left Behind, a generational story of survival, love, and motherhood in the aftermath of the Armenian Genocide. They also discuss the joys of live theater and the experience of seeing yourself represented on the big screen for the first time. In the Last Chapter they discuss: is there a book that you identified with or learned something from that really stuck with you? Overdueing It is a project funded by the Rhode Island Office of Library and Information Services and is produced by library staff around the Ocean State. We are proud to be a resident partner of the Rhode Island Center for the Book. The views, thoughts, and opinions expressed are the speakers' own and do not represent those of the Overdueing It podcast, its sponsor organizations, or any participants' place of employment. The content of Overdueing It episodes are the property of the individual creators, with permission for Overdueing It to share the content on their podcast feed in perpetuity. Any of the content from the Overdueing It podcast can not be reproduced without express written permission. Our logo was designed by Sarah Bouvier and our theme music is by Neura-Flow. Books Who She Left Behind by Victoria Atamian Waterman Superplay by Ruby Rose Fox The Jackal's Mistress by Chris Bohjalian The Burning Heart of the World by Nancy Krikorian As Long the Lemon Tree Grows by Zoulfa Katouh The Stationery Shop by Marjan Kamali Finlay Donovan is Killing It by Elle Cosimano The Sandcastle Girls by Chris Bohjalian Little Women by Louisa May Alcott The Secret Garden by Frances Hodgson Burnett The Clan of the Cave Bear by Jean Auel Browse books in the Amelia Bedelia series  Eat, Pray, Love by Elizabeth Gilbert  The Devil's Arithmetic by Jane Yolen  Media Between Borders (2024) Severance (2022- )   English (play) The Six Triple Eight (2024) My Big Fat Greek Wedding (2002) No Good Deed (2024- ) Other Victoria Atamian Waterman Rhode Island Holocaust and Genocide Education Commission Dalita Getzoyan

April is Genocide Awareness Month, and we're commemorating with author Victoria Atamian Waterman, actor and audiobook narrator Dalita Getzoyan, and chair of the RI Holocaust & Genocide Education Commission Pauline Getzoyan. Host Lauren talks to our guests about Victoria's book Who She Left Behind, a generational story of survival, love, and motherhood in the aftermath of the Armenian Genocide. They also discuss the joys of live theater and the experience of seeing yourself represented on the big screen for the first time. In the Last Chapter they discuss: is there a book that you identified with or learned something from that really stuck with you? Overdueing It is a project funded by the Rhode Island Office of Library and Information Services and is produced by library staff around the Ocean State. We are proud to be a resident partner of the Rhode Island Center for the Book. The views, thoughts, and opinions expressed are the speakers' own and do not represent those of the Overdueing It podcast, its sponsor organizations, or any participants' place of employment. The content of Overdueing It episodes are the property of the individual creators, with permission for Overdueing It to share the content on their podcast feed in perpetuity. Any of the content from the Overdueing It podcast can not be reproduced without express written permission. Our logo was designed by Sarah Bouvier and our theme music is by Neura-Flow. Books Who She Left Behind by Victoria Atamian Waterman Superplay by Ruby Rose Fox The Jackal's Mistress by Chris Bohjalian The Burning Heart of the World by Nancy Krikorian As Long the Lemon Tree Grows by Zoulfa Katouh The Stationery Shop by Marjan Kamali Finlay Donovan is Killing It by Elle Cosimano The Sandcastle Girls by Chris Bohjalian Little Women by Louisa May Alcott The Secret Garden by Frances Hodgson Burnett The Clan of the Cave Bear by Jean Auel Browse books in the Amelia Bedelia series  Eat, Pray, Love by Elizabeth Gilbert  The Devil's Arithmetic by Jane Yolen  Media Between Borders (2024) Severance (2022- )   English (play) The Six Triple Eight (2024) My Big Fat Greek Wedding (2002) No Good Deed (2024- ) Other Victoria Atamian Waterman Rhode Island Holocaust and Genocide Education Commission Dalita Getzoyan

Initially an actress ('Les Miserables', 'Aspects of Love', et al.), Merri found herself out West some years back where she quickly made a name for herself at Liberman/Hirschfeld Casting, then Liberman/Patton Casting, working on such shows as Seinfeld, Party of Five, HBO's Band of Brothers, the feature film My Big Fat Greek Wedding and the Miramax feature film "Playing By Heart", starring Sean Connery and Angelina Jolie.  In 2000, Merri moved to Dreamworks Studios as the Casting Executive in charge of TV Pilots and Series- including "Spin City", “Freaks and Geeks” and the critically acclaimed "The Job", starring Denis Leary. She was then offered a position as the Director of Casting for Dramas and Movies at ABC Television, overseeing the casting of the series "Alias", "NYPD Blue", "The Practice" and the made for television movies "Gilda Radner - It's Always Something" and "The Music Man", starring Matthew Broderick and Kristin Chenoweth, to name just a few.  Merri then returned to the East Coast to teach and coach actors – something she still does (and loves) as time permits, when Tara Rubin offered her a Senior Casting Director position where she's been happily ensconced ever since, working on, among many others - the Broadway, touring and international companies of THE WHO'S TOMMY, COMPANY, AIN'T TOO PROUD, JERSEY BOYS,THE PHANTOM OF THE OPERA, LES MISERABLES, SCHOOL OF ROCK, MISS SAIGON, A BRONX TALE, CLUELESS the Musical, TREVOR the Musical (2023 Artios Award) and FIDDLER ON THE ROOF (2024 Artios Award) The TRC office is also responsible for the casting of Billy Crystal's series “Before” for Apple TV and the Broadway productions of The Outsiders, SIX and Death Becomes Her, just to name a few  Merri also casts for many theaters regionally – including The Papermill Playhouse, Lyric Opera of Chicago,  The Old Globe, Seattle Rep, The Goodman and The La Jolla Playhouse.  She is the very proud Casting Director of the critically acclaimed web series SUBMISSIONS ONLY and also boasts having cast many other independent TV & film projects, workshops and readings. In 2024, Merri took on some passion projects on the side, as well. These include the highly acclaimed and starry concert production of “FOLLIES” at Carnegie Hall for Transport Group's annual benefit gala, and a reading of a new play at The Actors Studio written by Lyle Kessler (“Orphans”) and directed by Academy Award winner Bobby Moresco – starring Chazz Palminteri, Tim Blake Nelson and Gina Gershon. In addition, Merri is now also the Casting Director at The South Carolina New Play Festival. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Any takeaways from this episode?Intrusive family members, making out in cars, fake pottery classes, and Windex...That's right! This week we are breaking down 2002 classic rom com, My Big Fat Greek Wedding, with Nia Vardalos and John Corbett. Currently streaming on Max.What happens when love crosses cultural lines—and your entire family is along for the ride? In this episode of RomCom Rescue, we're breaking down the love lessons (and boundary blunders) in the iconic 2002 rom-com My Big Fat Greek Wedding.Kira Sabin, a certified coach and healthy dating educator, and Dr. Isabel Morley, a licensed psychologist and couples therapist, unpack what this movie gets right (and very wrong) about identity, in-laws, and choosing yourself while staying connected.From overbearing relatives to unexpected romance and a whole lot of lamb, we're diving into:Why Toula's growth arc still resonatesThe psychology behind boundary-setting with familyWhat healthy compromise really looks like in relationshipsAnd whether Ian and Toula would actually make it IRLWhether you're Greek, geeky, or just tired of dodging your aunt's matchmaking attempts, this episode is for you.

Today we are honored to have Deva Anderson and Rachel Lautzenheiser, two renowned music supervisors, joining us to share their insights on the film adaptation of August Wilson's Pulitzer Prize-winning play, The Piano Lesson. The two have worked together for more than a decade. Deva leads the music department at Tom Hanks and Gary Goeztman's Production Company, Playtone, where she has overseen music for all their productions for over 25 years, including the Oscar-nominated film Greyhound, Band of Brothers, and The Pacific. Rachel has played an integral part of the music department at Playtone as a rising Music Supervisor whose credits include Masters of the Air, Alaska Daily, and My Big Fat Greek Wedding 3. Deva and Rachel also received two Guild of Music Supervisor nominations for Best Music Supervision in a TV Drama (Masters of the Air) and Best Music Supervision in a Mid-Level Budget Film (The Piano Lesson).

Happy Valentine's Day! This year you all picked "My Big Fat Greek Wedding". Enjoy as we dive into the concept of enmeshment: what that means, the factors that can create enmeshment, and the impact of enmeshment on an individual's development. Become a supporter of this podcast: https://www.spreaker.com/podcast/popcorn-psychology--3252280/support.

Actor, producer, and director Rita Wilson is known for her performances in films like “Sleepless in Seattle” and “Now and Then.” Her name can be found on the Hollywood Walk of Fame and in credits for massive hits like “Mamma Mia!” and “My Big Fat Greek Wedding.” (She's also been married to one of Hollywood's biggest stars, Tom Hanks, for the past 37 years.) But despite her success, Rita spent her entire career dreaming of a different one—to be a singer-songwriter. In this episode, Rita talks about taking risks later in life, grappling with regret and grief, and finally finding her voice as a musician. Here are her songs. Ode to Billie Joe - Bobbie Gentry  Everything I Own -  Bread  She's Leaving Home - The Beatles  California - Joni Mitchell  I will Always Love you - Linda Ronstadt Slip Slidin' Away - Paul Simon Some Things I'll Never Know - Teddy Swims Listen to Rita Wilson's full playlist on Spotify. Find the transcript of this episode at lifeinsevensongs.com. Thoughts? Guest suggestions? Email us at lifeinsevensongs@sfstandard.com.

Today we dive into two romantic movies for the 2000s, My Big Fat Greek Wedding and Once! Join us as we dive into a romp about windex, consumed twins, and the trials of wedding planning and a tearjerker about missed connections, music, and age gaps. Who will win? Listen and find out! Letterboxed Accounts: ⁠⁠⁠⁠⁠Nick⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Patrick⁠⁠⁠⁠⁠ Get in touch with us at: movievsmoviepodcast@gmail.com or at: ⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠Instagram

2024 has come and gone. Leah and Leah are together for the first TMBDOS! of 2025 to talk about their best and worst first-time watches during the past year. Lee also has some honourable mentions to get through as well. Of note, this episode was recorded during a live stream, so there's some brief moments where the hosts are interacting with the chat as well. It made for a long but fun show! Lee's Honourable Mentions: 6. "Strange Darling" (2023) 5. "The Beach Bum" (2019) 4. "Sonny Boy" (1989) 3. "Infested" (2023) 2. "Run and Kill" (1993) 1. "Enter the Clones of Bruce" (2023) Leah's Best-of: 10. "Safe" (2012) 9. "Deadpool and Wolverine" (2024) 8. "Carry-On" (2024) 7. "Dungeons & Dragons: Honor Among Thieves" (2023) 6. "The Passion of Joan of Arc" (1928) 5. "Alien" (1979) 4. "Wait Until Dark" (1967) 3. "Persepolis" (2007) 2. "Last Night in Soho" (2021) 1. "Wicked" (2024) Lee's Best-of: 10. "Love Lies Bleeding" (2024) 9. "Day of the Cobra" (1980) 8. "A Haunted Turkish Bathhouse" (1975) 7. "Targets" (1968) 6. "Wolf Guy" (1975) 5. "Wait Until Dark" (1967) 4. "Ace in the Hole" (1951) 3. "Persepolis" (2007) 2. "Exhuma" (2024) 1. "I Saw the TV Glow" (2024) Leah's Worst-of: 9. "The Misfits" (2021) 8. "My Big Fat Greek Wedding 3" (2023) 7. "Red One" (2024) 6. "Hard Target 2" (2016) 5. "The Babysitters" (2007) 4. "Something Borrowed" (2011) 3. "Beetlejuice Beetlejuice" (2024) 2. "Marry Me" (2022) 1. "Solomon Kane" (2009) Lee's Worst-of: 9. "The Sea Serpent" (1985) 8. "The Swamp of the Ravens" (1974) 7. "Renfield" (2023) 6. "Evils of the Night" (1985) 5. "America 3000" (1986) 4. "Snake Eater II: The Drug Buster" (1989) 3. "Joker: Folie à Deux" (2024) 2. "Terrifier 2" (2022) 1. "Terrifier" (2016) Featured Music: Excerpts from "Gonna Fly Now" by Bill Conti; "Tell Me Something Good" by Chaka Khan & Rufus; & "You're the Best" by Joe Esposito. "The Silent Screen" & "At the Movies" by Hot Butter, and "In the Year 2525 (Exordium & Terminus)" by Zager & Evans.

Canadian icon Jayne Eastwood graces us with her presence, sharing an extraordinary journey through over five decades in the entertainment industry. From her comedic brilliance on SCTV to her heartfelt performances in "My Big Fat Greek Wedding" and the pivotal "Going Down the Road," Jayne has left an indelible mark on Canadian cinema and television. She delivers delightful anecdotes from her storied career, including her unexpected leap from a commercial artist to a celebrated actor. This episode paints a vivid picture of her evolution, revealing a woman whose talent and passion have inspired generations.Our conversation ventures into the vibrant world of comedy, touching on the magic of improvisation and the undeniable chemistry of icons like Colin Mochrie and Ryan Stiles. Jayne shares her love for comedy, highlighted by her work in "Pink is In" and the acclaimed web series "Hey Lady," which was celebrated at the Sundance Film Festival. We reminisce about the golden days of SCTV and the impact of Canadian comedy giants like John Candy and Gilda Radner, exploring how these legends helped shape the comedic landscape we know today.Adding a festive twist, we fondly recall the chaos of holiday retail madness, reminiscing about iconic toys like Tickle Me Elmo and Furbies. With the holiday season on the horizon, there's plenty of anticipation for upcoming episodes filled with entertaining discussions on memorable shopping experiences. Listen in as we celebrate Jayne Eastwood's incredible legacy, share laughter, and explore the stories that have made Canadian comedy a beacon of joy and creativity.Thank you for giving us a go, and hope you stick with us as we have some really amazing guest on and hole you have a laugh or two but no more than three. Support the showThank you for joining us on today's show, as always, we appreciate each and every one of you! Talk to you soon.X - @PodcastScottIG - Powers31911

My Big Fat Greek Wedding star Nia Vardalos shares the incredible story of how she got her big break after being told by her agent that she was "not pretty enough to be the leading lady and not fat enough to be a character actress"! Nia also chats growing up Greek in Canada, struggling to fit in, and realising the gift is not fitting in. Plus, dinner with the Queen of England! We also want to thank you for supporting our Home Made Tour. We had a blast, and we're bringing it back in 2025! Stay tuned for more details. CREDITS Hosts: Joe Salanitri, Carlo Salanitri, Andrew Manfre Producer: Liza Altarejos Audio Imager: Kelli Foulstone Follow the Sooshi Mango Podcast page on Instagram @sooshimangopodcast and on Tiktok @sooshimangopodcast See omnystudio.com/listener for privacy information.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! Today, we're diving into the glamorous and sometimes chaotic world of cinematic weddings as we count down our Top 5 Wedding Scenes in film and television. After that, we'll explore the intriguing and stylish drama of Don't Worry Darling and take a light-hearted turn with the antics from Neighbours.Top 5 Wedding Scenes in Film and Television:The Godfather (1972) - The opening wedding scene sets the tone for this iconic film, showcasing the Corleone family's power dynamics and blending personal joy with business undercurrents. It's a masterclass in how a festive occasion can be layered with narrative depth.Four Weddings and a Funeral (1994) - This film's exploration of various wedding styles and the emotions they evoke makes each ceremony memorable. It perfectly captures the humor, awkwardness, and tenderness of weddings, making it a classic in the romantic comedy genre.Game of Thrones - "The Red Wedding" (Season 3, Episode 9) - Perhaps one of the most shocking wedding scenes ever filmed, the Red Wedding was a pivotal moment in the series, filled with treachery and heartbreak, leaving a lasting impact on viewers and characters alike.Crazy Rich Asians (2018) - This film features a stunningly beautiful wedding scene that combines traditional elements with lavish modern details, set to a haunting cover of "Can't Help Falling in Love." It's visually captivating and emotionally charged, reflecting the film's themes of love and family expectations.My Big Fat Greek Wedding (2002) - This wedding is a joyful, chaotic celebration of Greek culture, packed with comedic moments and touching on themes of cultural identity and familial bonds. It's a heartwarming depiction of how a wedding can bring families and communities together.In Don't Worry Darling, directed by Olivia Wilde and starring Florence Pugh and Harry Styles, we dive into a 1950s utopian community with dark secrets lurking beneath its polished surface. The film combines stylish aesthetics with psychological suspense, exploring themes of empowerment, reality, and illusion. While there isn't a wedding scene central to its plot, the film's tension and mystery provide a backdrop for examining how individual desires and societal pressures can clash, much like the dynamics often present at a wedding.Switching gears, Neighbours often features weddings that are quintessential soap opera fare—full of drama, unexpected revelations, and sometimes, heart-warming moments. These episodes offer lighter, more dramatic interpretations of weddings, providing entertainment that spans generations of viewers.Whether you're a fan of lavish celebrations, dramatic twists, or the simple joy of a well-told love story, today's episode promises a fascinating look at the most memorable weddings in film and television. Join us as we say "I do" to exploring these pivotal moments that capture the essence of human relationships and cultural traditions.

This week on No More Late Fees, we're back with fan-favorite Gwen Carol for a hilarious Mean Girls throwback! Join us as we dive into "Mean Girls Superlatives," from the most iconic mean girl to the most fashionable queen. Gwen, a returning guest and new mom, brings her wit and charm as we also talk about motherhood surprises (spoiler: gallbladders may revolt), her dream for a Mean Girls sequel, and which stars would slay in the next generation of Plastics. With laughs, movie deep cuts, and Gwen's iconic movie recommendations, this episode is one for the yearbooks—just without the Regina George-level drama! — No More Late Fees  ⁠https://nomorelatefeespodcast.com⁠ 909-601-NMLF (6653) — Follow Us on Social: Instagram https://www.instagram.com/nomorelatefees  TikTok https://www.tiktok.com/@nomorelatefees  Facebook https://www.facebook.com/nomorelatefees Youtube https://www.youtube.com/@nomorelatefees  Twitter https://x.com/NoMoreLateFees  — CONQUERing ⁠⁠myconquering.com⁠⁠ 10% Off Code: JACKIE10 — NostaBeauty https://nostabeauty.com  20% Off Code: NMLF  — Gwen Instagram https://www.instagram.com/gwendolynstagram/ TikTok https://www.tiktok.com/gwencarole Previous Episode Gwen Carole is All That https://nomorelatefeespodcast.com/episode/gwen-carole-is-all-that She's All That https://nomorelatefeespodcast.com/episode/shes-all-that Getting Witchy with Gwen Carole https://nomorelatefeespodcast.com/episode/getting-witchy-with-gwen-carole Harry Potter and the Sorcerer's Stone https://nomorelatefeespodcast.com/episode/harry-potter-and-the-sorcerers-stone Tea Time with Gwen https://nomorelatefeespodcast.com/episode/tea-time-with-gwen-carole My Big Fat Greek Wedding https://nomorelatefeespodcast.com/episode/my-big-fat-greek-wedding Gwen. Is. Back. Alright! https://nomorelatefeespodcast.com/episode/gwen-is-back-alright Bridget Jones's Diary https://nomorelatefeespodcast.com/episode/bridget-joness-diary --- Support this podcast: https://podcasters.spotify.com/pod/show/nomorelatefees/support

It's been 20 years since we were introduced to The Plastics, and this week, Danielle, Jackie, and returning guest Gwen are diving deep into the legendary Mean Girls! Join us as we break down the iconic moments, unforgettable lines, and reflect on why this teen comedy still slays two decades later. From Regina's Burn Book to Gretchen's toaster strudel empire, we leave no stone unturned. Grab your cheese fries, avoid the foot cream, and get ready for some major laughs in this pink-tastic episode. Fetch may never happen, but this episode is totally grool! ·Season 4 Episode 27· — No More Late Fees  ⁠https://nomorelatefeespodcast.com⁠ 909-601-NMLF (6653) — Follow Us on Social: Instagram https://www.instagram.com/nomorelatefees  TikTok https://www.tiktok.com/@nomorelatefees  Facebook https://www.facebook.com/nomorelatefees Youtube https://www.youtube.com/@nomorelatefees  Twitter https://x.com/NoMoreLateFees  — CONQUERing ⁠⁠myconquering.com⁠⁠ 10% Off Code: JACKIE10 — NostaBeauty https://nostabeauty.com  20% Off Code: NMLF  — Gwen:  Instagram https://www.instagram.com/gwendolynstagram/ TikTok https://www.tiktok.com/gwencarole Previous Episode Gwen Carole is All That https://nomorelatefeespodcast.com/episode/gwen-carole-is-all-that She's All That https://nomorelatefeespodcast.com/episode/shes-all-that Getting Witchy with Gwen Carole https://nomorelatefeespodcast.com/episode/getting-witchy-with-gwen-carole Harry Potter and the Sorcerer's Stone https://nomorelatefeespodcast.com/episode/harry-potter-and-the-sorcerers-stone Tea Time with Gwen https://nomorelatefeespodcast.com/episode/tea-time-with-gwen-carole My Big Fat Greek Wedding https://nomorelatefeespodcast.com/episode/my-big-fat-greek-wedding Gwen. Is. Back. Alright! https://nomorelatefeespodcast.com/episode/gwen-is-back-alright Bridget Jones's Diary https://nomorelatefeespodcast.com/episode/bridget-joness-diary --- Support this podcast: https://podcasters.spotify.com/pod/show/nomorelatefees/support

Quick, name three movies about Greek-American culture. If you said My Big Fat Greek Wedding, congratulations. So this week we're going Greek, from the Windex to the walls. Because while My Big Fat Greek Wedding was a fair amount of fun, the sequel is anything but.  Check out our various rewards and tiers on patreon: www.patreon.com/sequelisers Website: www.sequelisers.com/  Discord: www.sequelisers.com/discord  Shop: www.sequelisers.com/shop  Twitter: twitter.com/sequelisers Instagram: instagram.com/sequelisers TikTok: tiktok.com/@sequelisers Music by Daniel Williams Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Megan and Jeni as they both watch My Big Fat Greek Wedding for the first time! They talk all about the real life events that inspired Nia Vardalos to write the story, the WILD coincidence that got John Corbett the role of Ian, and all of your favorite funny parts of the movie.  Listen to WWW's Nostalgic Movie Soundtrack Playlist!  Follow us on social! Instagram: ⁠@whatwerewatchingpod⁠ TikTok: @whatwerewatchingpod

Episode HighlightsWhy I make an effort to get more sun exposure, not lessThe many benefits of light beyond just vitamin D exposureHow light improves our cells and is a huge health hackThe reason I consume a LOT of salt water and feel great when I doThe one natural ingredient I treat like the dad in My Big Fat Greek Wedding treats Windex and use for everythingResources MentionedJaspr Air FilterLMNTFunction HealthCastor Oil packsTruDiagnosticMasszymesPectasolCourtney Hunt, MD - InstagramD Minder appiMOM PodcastIf you need a mom friend right now, you've come to the right place.Listen on: Apple Podcasts Spotify

Opa! Introduce this podcast to your famlily for comedic characters, erroneous etymology, and slay mama self-improvement. The person most confused by the film this week was: the bundt with a plant in it and, simultaneously, the plant in a bundt.See omnystudio.com/listener for privacy information.

The 2002 film My Big Fat Greek Wedding was a huge hit, and examined themes of gender roles, family, love and of course weddings. We take a look back on the film's impact and the messages that many of us can connect to.See omnystudio.com/listener for privacy information.

The family comedy My Big Fat Greek Wedding was a very big hit back in 2002. So it was inevitable that the movie spawned a couple of sequels – thus, we now have My Big Fat Greek Wedding 3. Writer and director Nia Vardalos is back as Toula, John Corbett is back as her husband, and this time, they're headed to Greece for a family reunion.

On Culture Friday, the consequences of issuing judgment before the facts came in about indigenous graves at Catholic schools in Canada; My Big Fat Greek Wedding 3 sets the table for a compelling story but fails to deliver; and Coach Joe Kennedy returns to Bremerton High for one more football game before resigning on Wednesday. Plus, news for children and the Friday morning newsSupport The World and Everything in It today at wng.org/donate.Additional support comes from Dordt University. Dordt's Accredited M-S-W program equips faithful social workers to maximize their impact. More at Dordt.edu/M-S-WFrom the Mission Focused Men for Christ podcast, this month looking at how to shape our everyday lives to be better FOCUSED and EFFECTIVE for the Master.And from Ambassadors Impact Network, a nationwide group of angel investors committed to funding entrepreneurs whose Christian convictions have hindered secular financing sources. More at ambassadorsimpact.com.

In this episode, we share our smooch, marry, and kills of September. We discuss what you should give a shot (smooch), what you should make a commitment to (marry), and what you should just pass on by (kill) this fall. Join us as we consider the new things heading our way this month. MENTIONSCelebrate with us! Join us in ATX, online, or in ATL to party with us. All the info and promo codes you need are at KnoxandJamie.com/live. The price goes up Friday so get on it!#TeamErin representation: watch Lonesome Dove. Other Texas mentions: No Country for Old Men | Office Space. Smooch mentions: My Big Fat Greek Wedding 3 | Expend4bles (see also: OUA) | For All The Dogs by Drake | Guts by Oliva Rodgrigo | Rustin' In The Rain by Tyler Childers | End by Explosions in the Sky | The Popcast 10th Birthday Party playlist | Dumb Money (see also: The Boys) | Famous people from Dance Moms (LIGTFY: Was a girl from the reality show Dance Moms on the tv show Euphoria? | Abby Lee Miller went to prison? Abby Lee Miller is killing it on the socials? Stephen King wrote Shawshank Redemption?) | Annie F. Downs loved the show Drops of God and so did Nicholas Quah?Marry mentions: book series- Shades of Magic by VE Schwab (see also: The Invisible Life of Addie LaRue and Monday's TMYK episodes for Jamie's best pop culture hacks) | book- The Vaster Wilds by Lauren Groff (see also: Fates and Furies and Florida) | book- Starter Villian by John Scalzi | book- Musk by Walter Isaacson | Notre Dame QB Sam Hartman (see also: bone necklace and armpit hair)Kill mentions: how hurricanes are named | The Blind | orange Red light mentions: Bob Barker prediction | Cooter BraunBONUS SEGMENTOur Patreon supporters can get full access to this week's The More You Know news segment. Become a partner. This week we discussed: Britney Spears' divorce Dune 2 among a slew of delays because of the strikeGREEN LIGHTSMutual: book- The Cook's Book by Bri McCoySHOW SPONSORSBetterHelp: Get 10% off your first month at BetterHelp.com/popcast Subscribe to Episodes: iTunes | Android Subscribe to our Monthly Newsletter: knoxandjamie.com/newsletterShop our Amazon Link: amazon.com/shop/thepopcast | this week's featured itemFollow Us: Instagram | Twitter | FacebookSupport Us: Monthly Donation | One-Time Donation | SwagSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In Defense of Ariana DeBose's Rap: BAFTA Producer Slams Twitter Criticism as 'Incredibly Unfair,' Claims 'Everybody Loved It' (Variety) (20:58) Avril Lavigne Hugging It Out With Tyga... After Dinner at NOBU (TMZ) (31:35) ‘My Big Fat Greek Wedding 3' Gets September Premiere Date (PEOPLE) (38:24) Alec Baldwin gets gun enhancement charge dropped in 'Rust' case (Page Six) (50:38) Katie Maloney slams 'desperado' Raquel Leviss for posting pic with Tom Schwartz (Page Six) (55:14) Vanderpump Rules Recap (1:02:48) Real Housewives of New Jersey Recap (1:05:00) Summer House Recap  (1:08:29) The Toast with Jackie  (@JackieOshry) and Claudia Oshry  (@girlwithnojob)  Merch The Toast Patreon Girl With No Job by Claudia Oshry