Podcast appearances and mentions of david hazeltine

ART FARMER QUARTET “INTERACTION” New York, July 25, August 1, 1963By myself, My little suede shoes, Sometime agoArt Farmer (tp,flhrn) Jim Hall (g) Steve Swallow (b) Walter Perkins (d) ERIC ALEXANDER “A NEW BEGINNING – ALTO SAXOPHONE WITH STRINGS” Englewood Cliffs, NJ, August 28, 2021Maybe September, She was too good to me, Blues for DianeEric Alexander (as) David Hazeltine (p) John Webber (b) Joe Farnsworth (d) + strings, Bill Dobbins (arr,cond) TEDDY CHARLES “THE PRESTIGE JAZZ QUARTET” Hackensack, NJ, June 22, 1957Take three parts jazz, Meta-WaltzTeddy Charles (vib) Mal Waldron (p) Addison Farmer (b) Jerry Segal (d) Continue reading Puro Jazz 10 de marzo, 2025 at PuroJazz.

ART FARMER QUARTET “INTERACTION” New York, July 25, August 1, 1963By myself, My little suede shoes, Sometime agoArt Farmer (tp,flhrn) Jim Hall (g) Steve Swallow (b) Walter Perkins (d) ERIC ALEXANDER “A NEW BEGINNING – ALTO SAXOPHONE WITH STRINGS” Englewood Cliffs, NJ, August 28, 2021Maybe September, She was too good to me, Blues for DianeEric Alexander (as) David Hazeltine (p) John Webber (b) Joe Farnsworth (d) + strings, Bill Dobbins (arr,cond) TEDDY CHARLES “THE PRESTIGE JAZZ QUARTET” Hackensack, NJ, June 22, 1957Take three parts jazz, Meta-WaltzTeddy Charles (vib) Mal Waldron (p) Addison Farmer (b) Jerry Segal (d) Continue reading Puro Jazz 10 de marzo, 2025 at PuroJazz.

LOUIS HAYES EXACTLY RIGHT ! New York ?, late 2022Hand in glove, Nefertiti, UgetsuAbraham Burton (ts) Steve Nelson (vib) David Hazeltine (p) Dezron Douglas (b) Louis Hayes (d) JEREMY PELT THE ART OF INTIMACY, VOL. 2 Englewood Ciffs, NJ, September 1 & 2, 2022I can't escape from you (2), There'll be other times, Blues in sophisticationJeremy Pelt (tp,vcl) Victor Gould (p) Chico Pinheiro (g-1) Buster Williams (b) Billy Hart (d) + string ensemble-2, Andrew Griffin, Josh Henderson (vln-2) Nicole Neely (viola-2) Susan Mandel (cello-2,3) David O'Rourke (strings arr,cond-2,3) PEPPER ADAMS PLAYS THE COMPOSITIONS OF CHARLIE MINGUS New York, September 9, 1963 Fables of Faubus (1), Song with orange (4), Carolyn (3)Thad Jones (tp,arr1) Pepper Adams (bar,arr2) Hank Jones (p) Paul Chambers (b) Dannie Richmond (d) Charles Mingus (arr3) Teddy Charles (arr4) New York, September 12, 1963Better get it in your soul, PortraitThad Jones (tp) Benny Powell (tb) Charles McPherson (as) Zoot Sims (ts) Pepper Adams (bar) Hank Jones (p) Bob Cranshaw (b) Dannie Richmond (d) Continue reading Puro Jazz 12 de febrero, 2025 at PuroJazz.

LOUIS HAYES EXACTLY RIGHT ! New York ?, late 2022Hand in glove, Nefertiti, UgetsuAbraham Burton (ts) Steve Nelson (vib) David Hazeltine (p) Dezron Douglas (b) Louis Hayes (d) JEREMY PELT THE ART OF INTIMACY, VOL. 2 Englewood Ciffs, NJ, September 1 & 2, 2022I can't escape from you (2), There'll be other times, Blues in sophisticationJeremy Pelt (tp,vcl) Victor Gould (p) Chico Pinheiro (g-1) Buster Williams (b) Billy Hart (d) + string ensemble-2, Andrew Griffin, Josh Henderson (vln-2) Nicole Neely (viola-2) Susan Mandel (cello-2,3) David O'Rourke (strings arr,cond-2,3) PEPPER ADAMS PLAYS THE COMPOSITIONS OF CHARLIE MINGUS New York, September 9, 1963 Fables of Faubus (1), Song with orange (4), Carolyn (3)Thad Jones (tp,arr1) Pepper Adams (bar,arr2) Hank Jones (p) Paul Chambers (b) Dannie Richmond (d) Charles Mingus (arr3) Teddy Charles (arr4) New York, September 12, 1963Better get it in your soul, PortraitThad Jones (tp) Benny Powell (tb) Charles McPherson (as) Zoot Sims (ts) Pepper Adams (bar) Hank Jones (p) Bob Cranshaw (b) Dannie Richmond (d) Continue reading Puro Jazz 12 de febrero, 2025 at PuroJazz.

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EDDIE HENDERSON “WITNESS TO HISTORY” New York, September 13, 2023Sweet and lovely, Freedom jazz danceEddie Henderson (tp,flhrn) Donald Harrison (as) George Cables (p) Gerald Cannon (b) Lenny White (d) PAUL MOTIAN “LE VOYAGE” Ludwigsburg, Germany, March, 1979Folk song for Rosie, Abacus, Cabala/Drum musicCharles Brackeen (sop,ts) Jean-Francois Jenny-Clark (b) Paul Motian (d,perc) LOUIS HAYES “EXACTLY RIGHT !” New York ?, late 2022Hand in glove, Nefertiti, UgetsuAbraham Burton (ts) Steve Nelson (vib) David Hazeltine (p) Dezron Douglas (b) Louis Hayes (d) Continue reading Puro Jazz 24 de julio, 2024 at PuroJazz.

EDDIE HENDERSON “WITNESS TO HISTORY” New York, September 13, 2023Sweet and lovely, Freedom jazz danceEddie Henderson (tp,flhrn) Donald Harrison (as) George Cables (p) Gerald Cannon (b) Lenny White (d) PAUL MOTIAN “LE VOYAGE” Ludwigsburg, Germany, March, 1979Folk song for Rosie, Abacus, Cabala/Drum musicCharles Brackeen (sop,ts) Jean-Francois Jenny-Clark (b) Paul Motian (d,perc) LOUIS HAYES “EXACTLY RIGHT !” New York ?, late 2022Hand in glove, Nefertiti, UgetsuAbraham Burton (ts) Steve Nelson (vib) David Hazeltine (p) Dezron Douglas (b) Louis Hayes (d) Continue reading Puro Jazz 24 de julio, 2024 at PuroJazz.

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ERENA TERAKUBO A TIME FOR LOVE Paramus, NJ, August 16, 2015On a misty night, Time after time, Folklore, 88, SoonErena Terakubo (as) David Hazeltine (p,org-1) David Williams (b) Lewis Nash (d) ETHAN IVERSON TECHNICALLY ACCEPTABLE Conundrum, Victory is assured (Alla breve), Technically acceptable, The feeling is mutual (1) Ethan Iverson (p,comp) Thomas Morgan (b) Simón Willson (b-1) Kush Abadey (d) Vinnie Sperrazza (d-1) Rob Schwimmer (theremin-2) LEE KONITZ THE NEW SOUNDS New York, March 8, 1951Ezz-thetic, Odjenar, Hi Beck, Yesterdays (mr out)Miles Davis (tp) Lee Konitz (as) Sal Mosca (p) Billy Bauer (g) Arnold Fishkin (b) Max Roach (d) New York, March 13, 1951Indian summer, Duet for saxophone and guitarLee Konitz (as) Billy Bauer (g) Continue reading Puro Jazz 22 febrero 2024 at PuroJazz.

Con Billie Holiday, Doug Weiss, Gregory Hutchison, David Hazeltine, Cyrille Aimeé, Pascuale y Luigi Grasso y Enrique Oliver. Jueves "Misceláneo" que dedicamos, como cada año llegada la fecha, a presentar una nueva edición del seminario de jazz más longevo de la escena jazzística estatal: el Seminario de Jazz de Málaga. Se ha venido organizando desde 2005 en Alhaurín de la Torre y desde el año pasado en la vecina localidad de Cártama. Este año llega a su 20ª edición y como es habitual cuenta con profesorado llegado principalmente desde N.Y.C. Se celebra el próximo fin de semana y contará, también como cada año, con músicos y aficionados llegados desde tierras extremeñas. "Everything I have is yours" de Burton Lane y Harold Adamson en grabación de Billie Holiday es nuestro "Estándar de la semana" y "Calypsonny" del saxofonista malagueño Enrique Oliver, uno de los motores del Seminario de Málaga, nuestro "Favorito". Ahora Jazz, Ed. 2247. Con Javier del Barco.

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WISCONSIN MUSIC PODCAST Episode 53 Original Progressive Rock Guitarist, Rob Wessel   Robs' Bio:   "I began teaching myself guitar at age 13 or 14. I began learning guitar parts off of rock records at about age 15. In my 20s and into my 30s I took lessons and classes at the WI Conservatory of Music in jazz guitar and theory. I had classes with John Foshager and David Hazeltine, lessons with Michael Sullivan, and an ensemble class with Don Linke.  I attended guitar seminars at the National Guitar Workship with Mike Keneally, Jack Grassel, Matt Smith and Terry Syrek. I played in local groups Beacon and Jonah's Vacation and in my church's worship group through the 1990s.  I played in classic rock cover group Thick Aza Brick from 2001 to about 2010.  I played in local progressive rock group Lyndenthal from 2014 to 2019.   I taught guitar lessons at Academy of Music in Menomonee Falls from 2001 to 2012, at Wondersound Music in Menomonee Falls from 2012 to 2020, and at North Shore Academy of the Arts from 2009-2015.    I formed Concept of Innocence in 1998 to play my original progressive rock songs. The band ended up being a duo of myself and drummer Jim Kube and recorded one album, Songs From the Heart. The group ran its course after this album. Jim contributed to writing songs and performed drums. I wrote songs, and performed vocals, guitar, bass and programmed the synth parts.   Since 2010 I have been spending most of the time I have to devote to music working in my home studio recording progressive rock, blues, and ambient/electronic pieces, which I've posted on soundcloud and have released on Spotify, itunes, etc. Since 2019 I've worked exclusively on another progressive rock release, which will feature new original songs similar to Concept of Innocence but also incorporating some of the ambient electronic and maybe even the blues sounds I've recorded.   The name of the group whose album I released a year ago is Concept of Innocence. I am writing and recording more original progressive rock but don't yet know if I will release it under my name or a new band name."   Links: https://www.deezer.com/us/album/165643352   https://www.facebook.com/ConceptofInnocenceprog   https://open.spotify.com/album/3XVzmX6IUEI3WUGFGPavvX?fbclid=IwAR1MnAdruEQTjiV6f9_z4GTFf_-_BSSxXfegebaYS3p7Cc_JmLx5c8U9Zxs   https://music.apple.com/us/album/songs-from-the-heart/1526767597?uo=4&app=itunes&fbclid=IwAR0286WHVy4nTRe4tJLkIJZjYpwWY04dDY46bifFO_be08CQW6YACeTHpok ------------------- Wisconsin Music Podcast is:   Created, hosted, mixed, mastered, and edited by: Zach T Fell of ZTF Studio (www.ztfStudio.com)   Sponsored by: ZTF Studio   Podcast Theme Music created by: Nate Wycoff of Frequency Farm Recording Studio   Podcast Voice Over performed by: Dean Bundy   Syndicated on: cwHipHop.com – Wisconsin's online Hip Hop radio station

WISCONSIN MUSIC PODCAST FRIDAY MUSIC SHOWCASE #13   Artist: Robert Wessel Group: Concept of Innocence From the album Songs From the Heart by Concept of Innocence.    "As in Art": Taken from a saying that I'm not sure I'm quoting correctly. Someone I know once said "You have to live in the real world!". I thought "What's the real world? It's what we make it. It doesn't have to be an ugly place. We can make it something beautiful, the way an artist makes a thing of beauty out of something ordinary".   "From the Heart": There is something special and spiritual about music that comes from the heart. As a musician for many years, it has often been a battle between making music to appeal to some audience and making music that's true to myself.    "Without Limits": A song in which I tried to capture the joy and exhilaration of a life lived in search of one's own destiny rather than others determining one's destiny, and of reaching one's fullest potential, not letting limitations hold you back.   BIO:   I began teaching myself guitar at age 13 or 14. I began learning guitar parts off of rock records at about age 15. In my 20s and into my 30s I took lessons and classes at the WI Conservatory of Music in jazz guitar and theory. I had classes with John Foshager and David Hazeltine, lessons with Michael Sullivan, and an ensemble class with Don Linke.    I attended guitar seminars at the National Guitar Workshop with Mike Keneally, Jack Grassel, Matt Smith and Terry Syrek. I played in local groups Beacon and Jonah's Vacation and in my church's worship group through the 1990s.    I played in classic rock cover group Thick Aza Brick from 2001 to about 2010.  I played in local progressive rock group Lyndenthal from 2014 to 2019.   I taught guitar lessons at Academy of Music in Menomonee Falls from 2001 to 2012, at Wondersound Music in Menomonee Falls from 2012 to 2020, and at North Shore Academy of the Arts from 2009-2015.    I formed Concept of Innocence in 1998 to play my original progressive rock songs. The band ended up being a duo of myself and drummer Jim Kube and recorded one album, Songs From the Heart. The group ran its course after this album. Jim contributed to writing songs and performed drums. I wrote songs, and performed vocals, guitar, bass and programmed the synth parts.   Since 2010 I have been spending most of the time I have to devote to music working in my home studio recording progressive rock, blues, and ambient/electronic pieces, which I've posted on soundcloud and have released on Spotify, itunes, etc. Since 2019 I've worked exclusively on another progressive rock release, which will feature new original songs similar to Concept of Innocence but also incorporating some of the ambient electronic and maybe even the blues sounds I've recorded.     Links: https://open.spotify.com/album/3XVzmX6IUEI3WUGFGPavvX?fbclid=IwAR1MnAdruEQTjiV6f9_z4GTFf_-_BSSxXfegebaYS3p7Cc_JmLx5c8U9Zxs   https://music.apple.com/us/album/songs-from-the-heart/1526767597?uo=4&app=itunes&fbclid=IwAR0286WHVy4nTRe4tJLkIJZjYpwWY04dDY46bifFO_be08CQW6YACeTHpok   -------------------------------------------------------------------------------- Host: Zach T Fell Podcast Engineer: Zach T Fell Sponsored by: Diamond Dave Photography www.facebook.com/DiamondDavePhotography ZTF Studio www.ZTFstudio.com Podcast intro song written by Nate Wycoff and has a recording studio https://www.frequencyfarmrecordingstudio.com/ Voice Over Intro by Dean Bundy Syndicated on www.cwHipHop.com   

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The Best Music Podcast #18 | Greg Skaff — Guitar | Recording with Ron Carter and Albert "Tootie" Heath www.gregskaff.com https://www.instagram.com/gregskaff/ https://www.facebook.com/greg.skaff Greg Skaff's first professional job was a five-year stay in the band of saxophone giant Stanley Turrentine. Greg has flourished on the New York City jazz scene since the 1980s. He has worked with past masters Ruth  Brown, Freddie Hubbard, David “Fathead” Newman, Ron Carter, and Gloria Lynne, as well as notables, Bobby Watson, Ben Allison, Bruce Barth, Pat Bianchi, George Colligan, Orrin Evans, Joe Farnsworth, David Hazeltine, Mike LeDonne, Victor Lewis, Ralph Peterson, Jr., Jim Rotondi, E. J. Strickland, and Matt Wilson.  At the helm of his acclaimed trio, Greg has commanded the attention of discriminating listeners in club and festival performances throughout the country. Greg's five feature albums have been well-received by jazz fans everywhere. His new record: Polaris which features bassist Ron Carter and drummer Tootie Heath is currently available everywhere you get your music. Listen to the Best Music Podcast on Apple Podcasts, Spotify, and watch on YouTube: https://linktr.ee/thebestmusicpodcast Facebook: https://www.facebook.com/thebestmusicpodcast Blog: https://bestmusiccoach.blogspot.com Twitter: https://www.twitter.com/thebestmusicpod Instagram: https://www.instagram.com/thebestmusicpodcast/ #Gregskaff #polaris #Roncarter 0:00 Intro 01:35 Warm-up questions 06:43 How Dan found Greg 09:50 Album: Polaris 15:13 Creating a feeling 19:14 Ron Carter and Tootie Heath 26:04 Mr. RC 28:35 Finding the sound 38:36 Lifestyle: Sleep 46:03 Lifestyle: Exercise 49:16 Lifestyle: Mindfulness & meditation 51:07 Lifestyle: How do people in your life support you? 58:43 Lifestyle: How do you define yourself? 1:07:00 Practice: Time of day 1:11:20 Practice: Days per week 1:12:55 Practice: Visualization 1:15:12 Practice: Maximum effective duration 1:20:18 Practice: Segmentation 1:28:55 Creativity: Steps to stay creative 1:37:50 Performance Anxiety #musicians #songwriter #songwriters #composers #musicmajor #musicmajors #musiceducator #musiceducators #musiceducation #podcast #thebestmusicpodcast #clips #musicpodcast #singer #guitarist #guitarplayer #trombonist #trumpet #violin #viola #cello #bass #brass #trombone #mandolin #banjo #drums #percussion #timpani #marimba #oboe #sax #saxophone #clarinet #basoon #alto #soprano #tenor #piano #keyboard #musicians #songwriter #songwriters #composers #musicmajor #musiceducator #musicpodcast #singersongwriter #musiceducation #singer #trumpet #violin #viola #cello #bass #trombone #musiclife #musicmaker #musicteacher #drums #percussion #saxophone #clarinet #guitar #piano #podcast #thebestmusicpodcast #musicislife #musicindustry #ja Logo, Intro Video, and Branding: Arron Leishman Audio and Video: Zach Ramey zacherylramey@gmail.com Dan's Thumbnail Photo: John Mollura Photography

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My guest today is Greg Skaff. A native of Wichita, Kansas, Greg is a NYC-based jazz guitarist and composer whose skills and reputation place him among the premier practitioners of his craft. After moving to New York in the early 1980s, Skaff's first professional gig was with the legendary Stanley Turrentine. The list of luminaries who have tapped Skaff for his fretwork includes Ron Carter, Bobby Watson, Freddie Hubbard, David Hazeltine, Martha Wash, and many others. With his latest CD release “Soulmation,” one reviewer reports that Greg Skaff reaches new heights as a guitarist and composer. Slated for late 2020 release, is a trio recording that finds Skaff in the company of two music legends - bassist Ron Carter and drummer “Tootie” Heath. Under normal circumstances, you can hear Greg's guitar playing at the Broadway musical Wicked, where he's manned the guitar chair since it opened in 2003. We welcome Greg to the show. --- Support this podcast: https://podcasters.spotify.com/pod/show/brian-doherty8/support

Vancouver alto saxophonist Cory Weeds and Seattle soprano saxophonist Kate Olson are both featured in new releases on this week's episode of Jazz Northwest. Cory Weeds has just issued a second release with New York pianist David Hazeltine who has made several visits to Vancouver to play and record with Cory Weeds. The new album "Day by Day" features mostly standards. Seattle based soprano (and tenor) saxophonist and educator Kate Olson has just issued a new CD recorded Live at The Royal Room. Her KO Ensemble is a rotating group of musicians, a quartet in this case with Alex Guilbert on piano) plays seven original pieces by Kate Olson. The selections include several pieces heard on a previous Jazz Northwest show recorded at the Seattle Art Museum. Jazz Northwest is recorded and produced by host Jim Wilke and airs Sundays at 2 p.m. Listeners may also subscribe to the podcast at KNKX, NPR, Apple , or Google .

What’s going on everybody. Today I’m speaking with saxophonist Sam Dillon. We discuss his time at UMiami and SUNY Purchase, how he thinks about big band playing, the importance of shedding in 12 keys, how he views his career in music, and much more.Connect with Sam: Website: http://samdillonmusic.com/Instagram: http://instagram.com/sdsaxophoneFacebook: https://www.facebook.com/samdillonmusic/Connect with Bernie's Bootlegs:Website: http://berniesbootlegs.com/Instagram: https://www.instagram.com/berniesbootlegsFacebook: https://www.facebook.com/berniesbootlegsTwitter: https://twitter.com/berniesbootlegsYouTube: https://www.youtube.com/c/berniesbootlegs1Email: berniesbootlegs@gmail.comAppended Biography, courtesy of samdillonmusic.com:"Sam Dillon is a saxophonist, woodwind player, composer and teacher based in New York. In 2013 Sam was selected as a semifinalist in the Thelonious Monk International Saxophone Competition. As a semifinalist, Sam performed at The Smithsonian Institute in Washington D.C. for Wayne Shorter, Jimmy Heath, Branford Marsalis, Bobby Watson and Jane Ira Bloom. Most notably, Sam has performed at Carnegie Hall, Jazz @ Lincolin Center, Symphony Space, Smoke Jazz Club, The Iridium, Yoshi's Jazz Club, Smalls Jazz Club, The 55 Bar, The Zinc Bar, The Kitano Hotel, Cornelia Street Cafe and live on WBGO 88.3 FM. In 2009 Sam received his Masters in Jazz Performance from SUNY Purchase College.Sam made his discovery of Jazz at age 9 and began studying saxophone shortly thereafter. He played his first gig when he was 14 years old with legendary trombonist Al Grey and never looked back. As well as leading his own groups, Sam has had the honor of performing with The Joe Chambers “Moving Pictures” Jazz Orchestra, The Smoke Big Band, The Artie Shaw Jazz Orchestra, The Cecilia Coleman Big Band and The Paris Wight Quintet featuring David Weiss. In addition, Sam is currently composing and arranging music for his first CD. He has gained great knowledge and experience by learning, performing and/or recording with some of the worlds finest musicians including Roger Humphries, Jimmy Cobb, Randy Brecker, John Riley, Bob Mintzer, Ralph Lalama, Ray Vega, David Hazeltine, John Fedchock, Jim Snidero, and Eric Alexander."Support the show (http://berniesbootlegs.com/support)

How’s it going everybody, today I am speaking with saxophonist Ken Fowser. We discuss his upbringing in the Philadelphia jazz scene, his thoughts on the necessity of jazz school, how to be more successful booking gigs, the importance of the hang, and much more.Connect with Ken Fowser:Website: https://kenfowserjazz.com/Instagram: https://www.instagram.com/kenfowser/Connect with Bernie's Bootlegs:Website: http://podcast.berniesbootlegs.com/Instagram: https://www.instagram.com/berniesbootlegsFacebook: https://www.facebook.com/berniesbootlegsTwitter: https://twitter.com/berniesbootlegsYouTube: https://www.youtube.com/c/berniesbootlegs1About Ken, courtesy of kenfowserjazz.com:"Since his arrival on the New York scene in 2005, Ken Fowser has continued to steer traditional harmony in uncharted directions. His lyrical approach to line construction and depth of harmonic sensibility allow him to record and play all over the world with such master players and burgeoning stars as David Hazeltine, Ugonna Okegwo, Donald Vega, Willie Jones III, Rick Germanson, Quincy Davis, David Wong, Jason Brown, Dezon Douglas and Rodney Green. A prolific composer, Fowser has celebrated four cooperative releases on Posi-tone Records, co-led with vibraphone virtuoso, Behn Gillece. His debut release as a leader, Standing Tall earned him the number-one spot on JazzWeek Radio Chart seven weeks in a row. Each track reflects a contemporary treatment of conventional harmonic concepts—a creative manipulation that has become part of his signature sound as a composer and an arranger, as well as a soloist. Set for release in February 2017, Now Hear This, Fowser’s second release as a soloist for Posi-tone features 11 original compositions and the same chart-topping lineup as Standing Tall: Josh Bruneau, Rick Germanson, Paul Gill and Jason Tiemann. Performing live every Friday night, his blistering quintet headlines the New York nightlife scene at the Django inside the Roxy Hotel on the corner of Walker and Church (www.thedjangonyc.com). Fowser’s fluid phrasing and melodic approach to improvising developed as a result of his exposure to the rich musical legacy of the Philly Sound, following in time with the rhythmic footsteps of John Coltrane, Lee Morgan, McCoy Tyner, Philly Joe Jones, Benny Golson and The Heath Brothers. Attending The University of the Arts in the early 2000s, Fowser studied with Tony Salicandro and Chris Farr, before transferring to William Paterson University in New Jersey, where he studied with NEA Jazz Master, Harold Mabern—an artistic force who remains one of Fowser’s major musical influences, today. As a grad student at SUNY Purchase, Fowser studied with contemporary legends of the tenor saxophone Ralph Lalama, Grant Stewart and Eric Alexander—the latter with whom he forged a professional relationship, subbing for Alexander on many of his gigs, and playing with him live, in classic two tenor context. Becoming more visible on the live music scene, in the latter 2000s Fowser enjoyed both downtown and uptown residencies at iconic New York venues. Hosting the session at Smalls Jazz Club every Tuesday for four years, and playing the late set at Smoke Jazz and Supper Club every Friday for two years, he followed headlining sets of such masters as the late Cedar Walton, Buster Williams and perhaps his greatest influence, GSupport the show (http://berniesbootlegs.com/support)

Pianist David Hazeltine and bassist Billy Peterson have two shows at Crooners this week. David called into the Morning Show for a chat.

Pianist David Hazeltine and bassist Billy Peterson have two shows at Crooners this week. David called into the Morning Show for a chat.

Pianist David Hazeltine and bassist Billy Peterson have two shows at Crooners this week. David called into the Morning Show for a chat.

On this third installment of the Mob Town Tour series of episodes, we explore the Milwaukee jazz scene. I’ve always been interested in the Milwaukee players and sound, going back to when I was a young musician coming up in Madison. Here I talk to pianist David Hazeltine, bassist Jeff Hamann and pianist Mark Davis, and my father Ben, about the history of jazz in Milwaukee. We’re also exploring the idea of regional dialects when it comes to jazz, and music in general. What does it mean to have a bunch of creative people leaning in the same direction, or speaking in the same accent, and what brings that on? Particularly today, is it still possible retain local flavor and speak a regional dialect in a global world? Today all musicians have access to the same information - and that’s all the information. But do they still have access to their scene? third-story.com

Adam Small has been in the music industry for over 20 years, starting as a bassist working with the Pointer Sisters, Bernie Worrell of Parliament Funkadelic, Bernard Purdie, Jimmy Smith, David Hazeltine and many more. And in the realm of music licensing,as a composer, his TV works include The Amazing Race, True Life, Made, Road ... Read more How Adam Small Went From Dropout To Starting A Successful Business Teaching Others How To Make It In Music The post How Adam Small Went From Dropout To Starting A Successful Business Teaching Others How To Make It In Music appeared first on .

Ben Sidran and I spent three days at the Newport Jazz Festival, checking out the music, hanging with musicians and trying to find a lobster roll. During the course of the weekend, we connected with some wonderful jazz personalities, including Jon Batiste, Dr. John, Jason Lindner, Maria Schneider, Jose James, James Carter, Jamie Cullum, David Hazeltine, and Bob Dorough. Each of them helped us to paint the picture of real life as it comes into contact with a career in music. 

9e émission de la 28e session... Cette semaine, ça swing avec ben du postbop, du nouveau de chez Jean-Nicolas Trottier, free bop, free jazz... En musique: David Hazeltine sur l'album For All We Know (Smoke Sessions, 2014); Jean-Nicolas Trottier Trio sur l'album Acid Bunny (Effendi, 2014); Joris Roelofs sur l'album Alien Deliberating (Pirouet, 2014); Circadian Rhythm Kings sur l'album Three Thirty Four (Rotary, 2014); Steve Kamperman HORIZON TRIO, sur l'album Catch It If You Can (ZenneZ, 2014); Harold Rubin, Mikolaj Trzaska & Nadav Masel, sur l'album Ten Chamber Kingdoms (Jazzis, 2014)...

9e émission de la 28e session... Cette semaine, ça swing avec ben du postbop, du nouveau de chez Jean-Nicolas Trottier, free bop, free jazz... En musique: David Hazeltine sur l'album For All We Know (Smoke Sessions, 2014); Jean-Nicolas Trottier Trio sur l'album Acid Bunny (Effendi, 2014); Joris Roelofs sur l'album Alien Deliberating (Pirouet, 2014); Circadian Rhythm Kings sur l'album Three Thirty Four (Rotary, 2014); Steve Kamperman HORIZON TRIO, sur l'album Catch It If You Can (ZenneZ, 2014); Harold Rubin, Mikolaj Trzaska & Nadav Masel, sur l'album Ten Chamber Kingdoms (Jazzis, 2014)...

Randy Fishman interview from September 2009. A must hear for fans of jazz piano.

This band of musicians are the cream of the crop of New York City's "straight-ahead" players. I hate to use that cliche phrase but to expand that a bit I would like to say that the musicians in this band reflect the deep and rich traditions of Jazz music while still remaining modern and relevant. The people involved in this great band called "One For All" have been playing together as a group for over 20 years and when you hear their music you'll understand that fact as the ensembles are tight and beautifully orchestrated to make the three horn front line sound much bigger than it is. There is a huge difference between a one time get-together of great musicians and a band and this is a BAND! The people involved are Jim Rotondi on trumpet and flugelhorn, Eric Alexander on tenor saxophone, Steve Davis on trombone, David Hazeltine on piano, John Webber on bass and the dynamic Joe Farnsworth on drums. When you read these names you will recognize them all as they are some of the most significant voices on their instruments in Modern Jazz. Sit back and enjoy the sounds of "One For All" and their latest offering: "Incorrigible".