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2 episodes with Louis Hayes
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2 episodes with Louis Hayes
2 episodes with Louis Hayes
GERRY MULLIGAN/PAUL DESMOND QUARTET “BLUES IN TIME” Hollywood, CA, August 2, 1957Blues in time, Body and soulPaul Desmond (as) Gerry Mulligan (bar) Joe Benjamin (b) Dave Bailey (d) THE SINGERS UNLIMITED WITH THE OSCAR PETERSON TRIO “IN TUNE” Villingen, Germany, July 5-13, 1971 It never entered my mind, A child is born, The shadow of your smileOscar Peterson (p) George Mraz (b) Louis Hayes (d) Gene Puerling (vcl,vcl arr) Don Shelton, Len Dresslar, Bonnie Herman (vcl) RALPH BOWEN “TOTAL ECLIPSE” October 20, 2011 at Acoustic Recording, Brooklyn, NYTotal eclipse, Behind the curtain, Into the cityRalph Bowen (ts) Jared Gold (org) Mike Moreno (g) Rudy Royston (d) Continue reading Puro Jazz 13 de mayo, 2025 at PuroJazz.
GERRY MULLIGAN/PAUL DESMOND QUARTET “BLUES IN TIME” Hollywood, CA, August 2, 1957Blues in time, Body and soulPaul Desmond (as) Gerry Mulligan (bar) Joe Benjamin (b) Dave Bailey (d) THE SINGERS UNLIMITED WITH THE OSCAR PETERSON TRIO “IN TUNE” Villingen, Germany, July 5-13, 1971 It never entered my mind, A child is born, The shadow of your smileOscar Peterson (p) George Mraz (b) Louis Hayes (d) Gene Puerling (vcl,vcl arr) Don Shelton, Len Dresslar, Bonnie Herman (vcl) RALPH BOWEN “TOTAL ECLIPSE” October 20, 2011 at Acoustic Recording, Brooklyn, NYTotal eclipse, Behind the curtain, Into the cityRalph Bowen (ts) Jared Gold (org) Mike Moreno (g) Rudy Royston (d) Continue reading Puro Jazz 13 de mayo, 2025 at PuroJazz.
For this bonus episode, the Shakespeare and Company podcast welcomes Jeremy Pelt, renowned jazz trumpeter and author of Griot: Examining the Lives of Jazz Great Storytellers. In conversation with Alex Freiman, Pelt discusses the evolution of jazz, the influence of oral traditions, and the importance of documenting firsthand accounts from legendary musicians. Reflecting on his early days at Berklee, his experiences touring worldwide, and his deep reverence for jazz elders like Roy Haynes and Wayne Shorter, Pelt shares insights into both the triumphs and struggles of jazz musicians. He also addresses the debate over the term “jazz,” the intersection of jazz and hip-hop, and the ongoing challenge of preserving the music's integrity in an industry that often sidelines its true practitioners. Listen in for a compelling exploration of jazz history, culture, and the passion that fuels one of its modern torchbearers.*Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre's greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby "Blue" Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, Nancy Wilson and The Skatalites, to name a few.Pelt frequently performs alongside such notable ensembles as the Roy Hargrove Big Band, The Village Vanguard Orchestra and the Duke Ellington Big Band, and is a member of the Lewis Nash Septet and The Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded ten albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues.Pelt's recordings and performances have earned him critical acclaim, both nationally and internationally. He has been featured in the Wall Street Journal by legendary jazz writer and producer, Nat Hentoff, and was voted Rising Star on the trumpet, five years in a row by Downbeat Magazine and the Jazz Journalist Association. Pelt is currently touring throughout the United States and Europe in support of his latest release, "Soundtrack".Alex Freiman is a guitarist, composer, and singer trained at the Berklee College of Music in Boston. Drawing from jazz, blues, soul, and funk, he masterfully blends these influences with energy and virtuosity, creating music that is both groovy and sophisticated. After collaborating with major figures on the French and international scenes, including Stéphane Belmondo, he released his debut album as a leader, Play It Gentle, in 2017. Recorded with Léon Parker (drums), Fred Nardin (organ), and special guest Stéphane Belmondo, this album reflects his passion for improvisation and sonic elegance. Constantly seeking innovation, he launched Alex Freiman & The Hot Sauce, an explosive project where jazz, funk, soul, and hip-hop intertwine. His EP In The Beginning (September 2024) marks the start of a new musical era, followed by the singles We Are One (January 2025), featuring rapper Tiemoko, and This Is The Hot Sauce (March 2025), affirming his vibrant and innovative musical identity. In 2025, Alex Freiman continues his groove exploration with a new album and fresh collaborations. Alex Freiman & The Hot Sauce will also be performing in Paris and across France, delivering electrifying shows where improvisation and energy collide.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
All lists come to an end at some point (often after ten entries) and this third and final podcast on the New York Times' selections for best jazz albums of 2024 considers the final two entries plus two more 2024 releases which the boys - spoiler alert - like quite as much as the chosen ten. Hummable melodies and beautiful woodwind playing highlight the also-rans. Meanwhile, in pop matters Mike's man crush on Sturgill Simpson continues and Pat thinks eighties band The Church is still pretty cool.
LOUIS HAYES EXACTLY RIGHT ! New York ?, late 2022Hand in glove, Nefertiti, UgetsuAbraham Burton (ts) Steve Nelson (vib) David Hazeltine (p) Dezron Douglas (b) Louis Hayes (d) JEREMY PELT THE ART OF INTIMACY, VOL. 2 Englewood Ciffs, NJ, September 1 & 2, 2022I can't escape from you (2), There'll be other times, Blues in sophisticationJeremy Pelt (tp,vcl) Victor Gould (p) Chico Pinheiro (g-1) Buster Williams (b) Billy Hart (d) + string ensemble-2, Andrew Griffin, Josh Henderson (vln-2) Nicole Neely (viola-2) Susan Mandel (cello-2,3) David O'Rourke (strings arr,cond-2,3) PEPPER ADAMS PLAYS THE COMPOSITIONS OF CHARLIE MINGUS New York, September 9, 1963 Fables of Faubus (1), Song with orange (4), Carolyn (3)Thad Jones (tp,arr1) Pepper Adams (bar,arr2) Hank Jones (p) Paul Chambers (b) Dannie Richmond (d) Charles Mingus (arr3) Teddy Charles (arr4) New York, September 12, 1963Better get it in your soul, PortraitThad Jones (tp) Benny Powell (tb) Charles McPherson (as) Zoot Sims (ts) Pepper Adams (bar) Hank Jones (p) Bob Cranshaw (b) Dannie Richmond (d) Continue reading Puro Jazz 12 de febrero, 2025 at PuroJazz.
LOUIS HAYES EXACTLY RIGHT ! New York ?, late 2022Hand in glove, Nefertiti, UgetsuAbraham Burton (ts) Steve Nelson (vib) David Hazeltine (p) Dezron Douglas (b) Louis Hayes (d) JEREMY PELT THE ART OF INTIMACY, VOL. 2 Englewood Ciffs, NJ, September 1 & 2, 2022I can't escape from you (2), There'll be other times, Blues in sophisticationJeremy Pelt (tp,vcl) Victor Gould (p) Chico Pinheiro (g-1) Buster Williams (b) Billy Hart (d) + string ensemble-2, Andrew Griffin, Josh Henderson (vln-2) Nicole Neely (viola-2) Susan Mandel (cello-2,3) David O'Rourke (strings arr,cond-2,3) PEPPER ADAMS PLAYS THE COMPOSITIONS OF CHARLIE MINGUS New York, September 9, 1963 Fables of Faubus (1), Song with orange (4), Carolyn (3)Thad Jones (tp,arr1) Pepper Adams (bar,arr2) Hank Jones (p) Paul Chambers (b) Dannie Richmond (d) Charles Mingus (arr3) Teddy Charles (arr4) New York, September 12, 1963Better get it in your soul, PortraitThad Jones (tp) Benny Powell (tb) Charles McPherson (as) Zoot Sims (ts) Pepper Adams (bar) Hank Jones (p) Bob Cranshaw (b) Dannie Richmond (d) Continue reading Puro Jazz 12 de febrero, 2025 at PuroJazz.
Taiwanese vibraphonist and percussionist Chien Chien Lu, along with Pittsburg, Pennsylvania native bassist Richie Goods, have crafted a sound that is both captivating and rhythmic. Their music draws from a rich tapestry of cultural influences including Taiwanese, American, and African-American traditions, especially within the jazz sub-culture. Chien Chien Lu and Richie Goods are dedicated to expanding their musical repertoire, creating a unique connection that resonates deeply with listeners. In the fall of 2024, Chien Chien Lu and Richie Goods visited Columbus, Ohio, where they met with students at Otterbein University and performed to a captivated full house audience. During their visit, they visited my studio, sharing compelling stories about their individual paths into jazz and the inception of their musical collaboration. Chien Chien Lu recounted her transition from playing classical music in Taiwan to exploring the creative latitude of jazz upon her relocation to the United States. She arrived in the US holding a master's degree in classical percussion but sought the unique expressions of jazz. While pursuing graduate studies in Philadelphia, Chien was introduced to Jeremy Pelt, one of today's leading trumpeters. Impressed by her talent, Pelt included Chien in his subsequent European tour and later featured her in his next album. At that time, Richie Goods was a member of Pelt's band. In 2017, Chien graduated with a Master of Music in Jazz Studies from the University of the Arts. It all then fell together. Richie Goods describes his journey into jazz through performing arts school in Pittsburgh Creative and Performing Arts High School. After graduating from the prestigious jazz program at Berklee College of Music, Richie moved to New York City, where he studied under jazz legends Ron Carter and Ray Brown. Richie worked extensively with jazz piano legend Mulgrew Miller for nine years, which provided opportunities to perform with other major jazz luminaries including Russell Malone, Lenny White, Louis Hayes, and Vincent Herring. His extensive discography includes Grammy award-winning and platinum albums by Alicia Keys and Common. Connected is a band jointly led by Richie Goods and Chien Chien Lu, and their latest recording is Connected vol. 1. This pandemic era-project was derived from frequent conversations Richie Goods and Chien Chien had about the Black Lives Matter movement and the unwarranted hate crimes against Asians. They decided to do a project that would unify people and invoke imagery of love and peace, says Richie. The result is a dynamic jazz group influenced by global sounds, which reflects the musical identities of Richie and Chien. Connected vol. 1, won "Best Instrumental Album" at the 34th Golden Melody Awards in Taiwan. The playlist for this episode includes five recordings. They tap into their latest recording, Connected vol. 1 and Chien Chien Lu's first recording, The Path. Richie Goods produced The Path and Connected vol. 1. The playlist for this episode: 1.Treasure Mountain, Connected vol. 1, (Richie Goods/Chien Chien Lu), RichMan Music, 2023-(8:16); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Electric bass & acoustic bass; Brett Williams-Keyboards & Rhodes; Quintin Zoto-Guitar; David Frazier, Jr.-Drums; Danny Sadownick-Percussion 2.Blind Faith, The Path (Chien Chien Lu), RichMan Music, 2020-(5:26); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Bass & Electric Bass; Shedrick Mitchell-Piano & Organ; Quintin Zoto-Guitar; Allan Medford-Drums; Percussion-Ismel Wignall 3.We Live in Brooklyn Baby, The Path (Chien Chien Lu), Richman Music, 2020-(5:38) Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Bass & Electric Bass; Jeremy Pelt-Trumpet; Shedrick Mitchell-Piano & Organ; Quintin Zoto-Guitar; Allan Mednard-Drums; Percussion-Ismel Wignall; Yoojin Park-Violin; Phoebe Tsai-Cello 4.Someday We'll All Be Free, Connected vol. 1, (Donnie Hathaway), Richman Music, 2023-(7:26); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Electric bass & acoustic bass; Jamison Ross-vocal; Piano/Organ-Shedrick Mitchell; Lil John Roberts-Drums; Danny Sadownick-Percussion Thanks to A Tribe for Jazz for helping to make this interview happen and their support. Please note that there may be some technical issues in the audio. However, the conversation rich in content. Thank you for listening. Subscribe and you'll be one of the first to listen to upcoming episodes, articles, and announcements. Photo by Stephen Pyo
More than 25 years ago, I met tenor saxophonist Javon Jackson who was raised in Denver Colorado and that meeting made a wonderful memory and a deep impact that still resonates with me today. It impressed me that he took the time out of his very busy and impressive career to offer his time in a very giving manner to help a small-town, non-profit radio station. But that is just the kind of person he is, one who gives back and makes a difference. He is still doing that today as the Chair of the Jackie McLean Institute of Jazz at the University of Hartford since 2013. Besides being a dedicated educator, Javon has also been a member of Art Blakey's Jazz Messengers; he has recorded over two dozen albums as a leader and has also recorded with such jazz legends including Ron Carter, Elvin Jones, Freddie Hubbard, Louis Hayes and of course, Art Blakey and others. It was serendipity that led to Javon forming a friendship and collaboration with the influential poet and activist Nikki Giovanni. Giovanni was invited by Javon to lecture at the University. Discovering they had a shared love of jazz music which resulted in this duo recording an album together called ‘The Gospel According to Nikki Giovanni.' The relationship between the two has only deepened through the years, and from that, other shared passions have emerged. One of them, American cinema, is referenced in the title of their recent and much-anticipated follow-up album called ‘Javon and Nikki Go to the Movies.” This is the subject of my conversation with Javon Jackson which begins with a reference to another one of Jackson's musical influences...Sonny Rollins.
“THELONIOUS MONK TRIO” New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) BUD POWELL “JAZZ GIANT” New York, February 23, 1949Tempus fugit, Celia, Cherokee, I'll keep loving you (bp p-solo)Bud Powell (p) Ray Brown (b) Max Roach (d) “THE AL HAIG TRIO” New York, February 27, 1950Liza, Stars fell on Alabama, Stairway to the stars, Opus capriceAl Haig (p) Tommy Potter (b) Roy Haynes (d) BARRY HARRIS “AT THE JAZZ WORKSHOP” San Francisco, CA, May 15 & 16, 1960Is you is or is you ain't my baby, Moose the mooche, Woody'n youBarry Harris (p) Sam Jones (b) Louis Hayes (d) Continue reading Puro Jazz 30 de septiembre, 2024 at PuroJazz.
“THELONIOUS MONK TRIO” New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) BUD POWELL “JAZZ GIANT” New York, February 23, 1949Tempus fugit, Celia, Cherokee, I'll keep loving you (bp p-solo)Bud Powell (p) Ray Brown (b) Max Roach (d) “THE AL HAIG TRIO” New York, February 27, 1950Liza, Stars fell on Alabama, Stairway to the stars, Opus capriceAl Haig (p) Tommy Potter (b) Roy Haynes (d) BARRY HARRIS “AT THE JAZZ WORKSHOP” San Francisco, CA, May 15 & 16, 1960Is you is or is you ain't my baby, Moose the mooche, Woody'n youBarry Harris (p) Sam Jones (b) Louis Hayes (d) Continue reading Puro Jazz 30 de septiembre, 2024 at PuroJazz.
LOUIS HAYES “DREAMIN' OF CANNONBALL” New York, May 7 & 8, 2001What is this thing called love, The chant, Dat dereJeremy Pelt (tp) Vincent Herring (as) Rick Germanson (p) Vicente Archer (b) Louis Hayes (d) BARNEY KESSEL “EASY LIKE” Los Angeles, November 14, December 19, 1953Tenderly, Bernardo, Vicky's dream, Just Squeeze me, What is there to say ?, Salute to Charlie ChristianBud Shank (as,fl) Arnold Ross (p) Barney Kessel (g) Harry Babasin (b) Shelly Manne (d) EDDIE COSTA “IN THEIR OWN SWEET WAY” New York, July 13, 1957Get out of the road, In your own sweet way (1), Nature boy, Blues plus eightArt Farmer (tp) Phil Woods (as,p-1) Eddie Costa (p,vib-1) Teddy Kotick (b) Paul Motian (d) Continue reading Puro Jazz 26 de septiembre, 2024 at PuroJazz.
LOUIS HAYES “DREAMIN' OF CANNONBALL” New York, May 7 & 8, 2001What is this thing called love, The chant, Dat dereJeremy Pelt (tp) Vincent Herring (as) Rick Germanson (p) Vicente Archer (b) Louis Hayes (d) BARNEY KESSEL “EASY LIKE” Los Angeles, November 14, December 19, 1953Tenderly, Bernardo, Vicky's dream, Just Squeeze me, What is there to say ?, Salute to Charlie ChristianBud Shank (as,fl) Arnold Ross (p) Barney Kessel (g) Harry Babasin (b) Shelly Manne (d) EDDIE COSTA “IN THEIR OWN SWEET WAY” New York, July 13, 1957Get out of the road, In your own sweet way (1), Nature boy, Blues plus eightArt Farmer (tp) Phil Woods (as,p-1) Eddie Costa (p,vib-1) Teddy Kotick (b) Paul Motian (d) Continue reading Puro Jazz 26 de septiembre, 2024 at PuroJazz.
CANNONBALL ADDERLEY “PARIS 1960” Paris, France, November 25, 1960Bohemia after dark, JeannineNat Adderley (cnt) Cannonball Adderley (as) Victor Feldman (p) Sam Jones (b) Louis Hayes (d) JOHN COATES, JR. “PORTRAIT” New York, November 17, 1955 & April 23, 1956 (1)Let's get lost, Love is the sweetest thing, Coates oats (1)John Coates, Jr. (p) Wendell Marshall (b) Kenny Clarke (d) OLIVER NELSON, f/ KENNY DORHAM “MEET OLIVER NELSON” Englewood Cliffs, NJ, October 30, 1959Jams and jellies, Passion flower, Booze blues babyKenny Dorham (tp) Oliver Nelson (ts) Ray Bryant (p) Wendell Marshall (b) Art Taylor (d) Continue reading Puro Jazz 22 de agosto, 2024 at PuroJazz.
CANNONBALL ADDERLEY “PARIS 1960” Paris, France, November 25, 1960Bohemia after dark, JeannineNat Adderley (cnt) Cannonball Adderley (as) Victor Feldman (p) Sam Jones (b) Louis Hayes (d) JOHN COATES, JR. “PORTRAIT” New York, November 17, 1955 & April 23, 1956 (1)Let's get lost, Love is the sweetest thing, Coates oats (1)John Coates, Jr. (p) Wendell Marshall (b) Kenny Clarke (d) OLIVER NELSON, f/ KENNY DORHAM “MEET OLIVER NELSON” Englewood Cliffs, NJ, October 30, 1959Jams and jellies, Passion flower, Booze blues babyKenny Dorham (tp) Oliver Nelson (ts) Ray Bryant (p) Wendell Marshall (b) Art Taylor (d) Continue reading Puro Jazz 22 de agosto, 2024 at PuroJazz.
EDDIE HENDERSON “WITNESS TO HISTORY” New York, September 13, 2023Sweet and lovely, Freedom jazz danceEddie Henderson (tp,flhrn) Donald Harrison (as) George Cables (p) Gerald Cannon (b) Lenny White (d) PAUL MOTIAN “LE VOYAGE” Ludwigsburg, Germany, March, 1979Folk song for Rosie, Abacus, Cabala/Drum musicCharles Brackeen (sop,ts) Jean-Francois Jenny-Clark (b) Paul Motian (d,perc) LOUIS HAYES “EXACTLY RIGHT !” New York ?, late 2022Hand in glove, Nefertiti, UgetsuAbraham Burton (ts) Steve Nelson (vib) David Hazeltine (p) Dezron Douglas (b) Louis Hayes (d) Continue reading Puro Jazz 24 de julio, 2024 at PuroJazz.
EDDIE HENDERSON “WITNESS TO HISTORY” New York, September 13, 2023Sweet and lovely, Freedom jazz danceEddie Henderson (tp,flhrn) Donald Harrison (as) George Cables (p) Gerald Cannon (b) Lenny White (d) PAUL MOTIAN “LE VOYAGE” Ludwigsburg, Germany, March, 1979Folk song for Rosie, Abacus, Cabala/Drum musicCharles Brackeen (sop,ts) Jean-Francois Jenny-Clark (b) Paul Motian (d,perc) LOUIS HAYES “EXACTLY RIGHT !” New York ?, late 2022Hand in glove, Nefertiti, UgetsuAbraham Burton (ts) Steve Nelson (vib) David Hazeltine (p) Dezron Douglas (b) Louis Hayes (d) Continue reading Puro Jazz 24 de julio, 2024 at PuroJazz.
In this episode, we discuss recordings of “Young & Foolish: Mozart & CPE Bach” (Alpha) by Céline Frisch, Alexander Melnikov & Café Zimmermann / Pablo Valetti, “Brahms, Ligeti, Mozart, Schumann: Horn Trios” (Chandos) by Martin Owen, Francesca Dego & Alessandro Taverna, “Arto Koskinen: Fuga Indiana” (Alpha) by Joonas Ahonen, “Orizzonti” (Emme Produzioni Musicali) by The Gianluca Caporale Quartet, “Artform Revisited” (Savant) by Louis Hayes, and “Painter of Dreams” (Criss Cross Jazz) by Misha Tsiganov. The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts Episode 174 Deezer Playlist Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists. “Young & Foolish: Mozart & CPE Bach” (Alpha) Céline Frisch, Alexander Melnikov, Café Zimmermann / Pablo Valetti https://open.spotify.com/album/20cqvhFwcIPqYOc4r2rLat https://music.apple.com/us/album/young-foolish-mozart-c-p-e-bach/1744001308 https://music.amazon.com/albums/B0D31YZT9X “Brahms, Ligeti, Mozart, Schumann: Horn Trios” (Chandos) Martin Owen, Francesca Dego, Alessandro Taverna https://open.spotify.com/album/7Ergmza2i7quaeLavtpAsg https://music.apple.com/us/album/brahms-ligeti-mozart-schumann-horn-trios/1742021362 https://music.amazon.com/albums/B0D23PXQHQ “Arto Koskinen: Fuga Indiana” (Alpha) Joonas Ahonen https://open.spotify.com/album/49u8g73PRLVV01kZDedIsM https://music.apple.com/us/album/arto-koskinen-fuga-indiana/1742579299 https://music.amazon.com/albums/B0D2DLX631 “Orizzonti” (Emme Produzioni Musicali) Gianluca Caporale Quartet https://open.spotify.com/album/0UVAgRUAH1DMD10f53NEes https://music.apple.com/us/album/orizzonti-feat-fabio-zeppetella/1754372648 https://music.amazon.com/albums/B0D87CRFYL “Artform Revisited” (Savant) Louis Hayes https://open.spotify.com/album/2aD01WkSKtyWKZKJ5LLa9b https://music.apple.com/us/album/artform-revisited/1746245405 https://music.amazon.com/albums/B0D44TXR3Z “Painter of Dreams” (Criss Cross Jazz) Misha Tsiganov https://open.spotify.com/album/36hHCSY5sNo2lmLyr8HfJg https://music.apple.com/us/album/painter-of-dreams-feat-alex-sipiagin-miguel-zenon/1755419820 https://music.amazon.com/albums/B0D61586V5
DEXTER GORDON RE-ISSUE – HOMECOMING – LIVE “VILLAGE VANGUARD” New York, December 11 & 12, 1976 FenjaWoody Shaw (tp,flhrn) Dexter Gordon (ts) Ronnie Mathews (p) Stafford James (b) Louis Hayes (d) WAYNE SHORTER MOSAIC RE-ISSUE – SPEAK NO EVIL Engelwood Cliffs, N.J., December 24, 1964Speak no evil, Fee-fi-fo-fum, Wild flowerFreddie Hubbard (tp) Wayne Shorter (ts) Herbie Hancock (p) Ron Carter (b) Elvin Jones (d) HANK MOBLEY THE COMPLETE BLUE NOTE FIFTIES SESSIONS – PECKIN' TIME Hackensack, N.J., February 9, 1958High and flighty, Peckin' time, Stretchin' outLee Morgan (tp) Hank Mobley (ts) Wynton Kelly (p) Paul Chambers (b) Charlie Persip (d) Continue reading Puro Jazz 04 de junio, 2024 at PuroJazz.
DEXTER GORDON RE-ISSUE – HOMECOMING – LIVE “VILLAGE VANGUARD” New York, December 11 & 12, 1976 FenjaWoody Shaw (tp,flhrn) Dexter Gordon (ts) Ronnie Mathews (p) Stafford James (b) Louis Hayes (d) WAYNE SHORTER MOSAIC RE-ISSUE – SPEAK NO EVIL Engelwood Cliffs, N.J., December 24, 1964Speak no evil, Fee-fi-fo-fum, Wild flowerFreddie Hubbard (tp) Wayne Shorter (ts) Herbie Hancock (p) Ron Carter (b) Elvin Jones (d) HANK MOBLEY THE COMPLETE BLUE NOTE FIFTIES SESSIONS – PECKIN' TIME Hackensack, N.J., February 9, 1958High and flighty, Peckin' time, Stretchin' outLee Morgan (tp) Hank Mobley (ts) Wynton Kelly (p) Paul Chambers (b) Charlie Persip (d) Continue reading Puro Jazz 04 de junio, 2024 at PuroJazz.
Tonight's Jazz Feature is the recording debut of drummer Louis Hayes. It was recorded in April of 1960 for the Vee-Jay Records a short lived label owned by African-Americans that produced a number of essential albums. This date was Louis' first under his name and he was only 23. Hayes was born in Detroit on May 31,1937 and just celebrated his 87th Birthday. He is well and still plays engagements. Young Louis picked the tunes and the very worthy sidemen here beginning with his first mentor, the great Yusef Lateef who plays tenor saxophone exclusively here. Nat Adderley is a dynamo on cornet, Barry Harris is on piano and Sam Jones is on bass. Jones and Hayes make for one of the finest rhythm sections in Modern Jazz. The tunes are all originals: one by Yusef Lateef, one by Cannonball Adderley,, one by Sonny Red, one by Nat Adderley and two by Barry Harris. A well paced and swingin' album with great playing by all and inspired by the driving beat and good taste of Louis Hayes. This is the real deal!
Tonight's Jazz Feature focuses on the obscure but fine trumpeter and flugelhornist named Wilbur Harden. Little is known about Harden other than he was born in Birmingham, Alabama on Dec. 31,1924 and after working in some major R&B bands moved to Detroit in 1957 and began working with Yusef Lateef.. He became part of the talented Detroit Jazz scene then ventured to New York to record as he signed with Savoy Records. His 4 albums for Savoy were done in 1958 and he also recorded with John Coltrane as well in 1958 and later with trombonist Curtis Fuller. After 1960 nothing more was heard from Wilbur and ill health and a nervous breakdown forced him to stop playing. He died in obscurity in New York on June 10,1969 at age 44. This fine recording called "Mainstream 1958" is an excellent one and features Wilbur and his compositions. It is a solid date with Harden and John Coltrane, at an early peak, Tommy Flanagan on piano, Doug Watkins on bass and Louis Hayes on drums. If there is a masterpiece in Harden's short discography this album may qualify. Enjoy the sounds of Wilbur Harden, John Coltrane and company on tonight's Jazz Feature.
Champian Fulton is simply one of the finest jazz pianists and vocalists around today. Her love of jazz goes as far back as she can remember and the happiness it brings her bubbles over to her fans and audiences. She has performed with some of the genre's greats like drummer Louis Hayes, vocalist Joe Williams, and trumpet player Clark Terry. Champian isn't solely a jazz artist, she's a devotee of the genre—she calls it being a "jazz nerd"—so she's also a huge fan and one of jazz's greatest advocates and ambassadors. Whether playing piano or singing, her style has been called sophisticated and distinct. We just call it extraordinary music made by one fantastic jazzer named Champian Fulton."Day's End" and "That's Not Your Donut" written and performed by Champian Fulton℗ 2017 Posi-Tone Records. Used with permission of Champian Fulton."The Things We Did Last Summer" performed by Champian Fulton, Scott Hamilton, Ignasi González, and Esteve Piwritten by Jule Styne℗ 2017 Blau Records. Used with permission of Champian Fulton."Too Marvelous For Words" performed by Champian Fultonwritten by Johnny Mercer and Richard Whiting℗ 2023 Champian Fulton. Used with permission of Champian Fulton."Happy Camper" written and performed by Champian Fulton℗ 2023 Champian Fulton. Used with permission of Champian Fulton."Evenin'" performed by Champian Fultonwritten by Count Basie℗ 2023 Champian Fulton. Used with permission of Champian Fulton.Support the showSupport the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions, Appleton, WI.Producer: Rob MarnochaRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie AngelThis podcast copyright ©2024 by Project X Productions. All rights reserved.
El saxofonista Cannonball Adderley con su quinteto (Nat Adderley, Victor Feldman, Sam Jones, Louis Hayes) en la Sala Pleyel de París, el 25 de noviembre de 1960, en la que era su primera gira por Europa, tocando 'Jeanine', 'The chant' y 'Work song'. Y el 15 de abril de 1961, también en París, en L´Olympia, con 'Autumn leaves', 'Dis here', 'Yours is my heart alone' y 'Big P'.Escuchar audio
Tonight`s Jazz Feature is a kind of meeting between east and west. The leader is the great tenor saxophonist Harold Land and he is paired with trumpeter Joe Gordon who had moved to Los Angeles from Boston and guitarist Wes Montgomery who was living for a time in San Francisco. Those three made up the western contingent. The eastern group consists of Barry Harris on piano, Sam Jones on bass and Louis Hayes on drums who all were Cannonball Adderley`s rhythm section and one of the best. This adds up to a solid straight-ahead Jazz record date. It was recorded at The Jazz Workshop, San Francisco`s leading Jazz club on a night when it was closed, The venue was chosen for it`s good acoustics. The album consists of 3 new Harold Land tunes, Wes Montgomery`s famous `West Coast Blues` (the title track) a ballad by Billie Holiday called `Don`t Explain` and a Charlie Parker tune. All in all a good record date with lots of inspired moments. All recorded in May of 1960 and tonight`s Jazz Feature.
Vincent Herring is a masterful alto and soprano saxophonist who first toured the U.S. and Europe with Lionel Hampton's Band. Heavily influenced by Julian “Cannonball” Adderley, Herring's talents came to the attention of Nat Adderley (Cannonball's Brother). He joined the trumpeter's band and toured and recorded with the group for nine years. After Nat's death, He worked with drummer Louis Hayes to form the Cannonball Adderley Legacy Band and worked with piano master Cedar Walton for more than two decades. Additionally, he has also appeared on stage and or on recordings with Freddie Hubbard, Dizzy Gillespie, Art Blakey and The Jazz Messengers, Wynton Marsalis, Horace Silver Quintet, Jack DeJohnette's Special Edition, Larry Coryell, Steve Turre, The Mingus Big Band (Won a Grammy in 2010), Kenny Barron, Nancy Wilson, Dr. Billy Taylor, Carla Bley, and so many more. Vincent's discography reveals over 20 titles as a leader and over 250 as a sideman. Herring is also a noted educator who teaches at the Manhattan School Of Music and William Patterson University.
This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 18th May 2023 Artist - Track - Album - Year Artemis Bow and Arrow In Real Time 2023 Richard X Bennett & Matt Parker Style v Substance Parker Plays X 2023 Joe Locke Song for Vic Juris Makram 2023 Cecilia Smith Miss D.D. The Mary Lou Williams Resurgence Project Small Ensemble Repertoire Volume One 2023 Louis Hayes Hand in Glove Exactly Right! 2023 Wayne Escoffery Shuffle Like Minds 2023 Dan Wilson For Tomorrow Things Eternal 2023 Jason Keiser Zoltan Shaw's Groove 2023 Gilbert Castellanos Totem Pole Espérame en el Cielo 2022 Billy Childs The Black Angel The Winds of Change 2023 Jae Sinnett's Zero to 60 Quartet feat. Randy Brecker Takin' it There Commitment 2023 Eric Reed Peace Black, Brown and Blue 2023 Bruno Råberg Chennai Reminiscence Look Inside 2022 Mason Razavi Darn That Dream Six-String Standards 2023 Tim Lin Table Steaks Empathy 2023 Eric Alexander Blues for Diane A New Beginning: Alto Saxophone with Strings 2023 The Arti Roth Quartet Sound and Sky Resonants 2023 The Arti Roth Quartet Sky Blues Resonants 2023 Tom Teasley Ra of Sunshine The Breath 2023 Tom Teasley Crescent Moon The Breath 2023 Sylvie Courvoisier & Cory Smythe La sacre du printemps, Part 1: The Adoration of Earth The Rite of Spring - Spectre d'un Songe 2023 The post The Creative Source (#CreativeSource) – 18th May 2023 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.
This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 11th May 2023 Artist - Track - Album - Year Nick Green Horizons Green on the Scene 2023 Jae Sinnett's Zero to 60 Quartet feat. Randy Brecker Simone Commitment 2023 The Joe Farnsworth Quintet Terra Nova In What Diretion Are You Headed? 2023 Walter Smith III Mother Stands for Comfort Return to Casual 2023 Louis Hayes So Many Stars Exactly Right! 2023 David Larsen He Who Gets the Last Laugh The Peplowski Project 2023 JOI Jazz Orchestra Days on End Jazz Outreach Initiative (JOI) Presents…A JOIful Noizz 2023 The Kupkasonic Orchestra, dir. Craig Kupka A Kupkasonic Reset Big Band Trax by Wax: The Music of Michael Wetherwax 2023 Ravita Jazz Peace and Love Oriana 2023 Benji Daniels Spicy Vindaloo Brunch 2023 Joe Marcinek Band Still Got It Dead Funk Summit 2023 GoGo Penguin Glow Everything is Going to Be OK 2023 Astrocolor Spacewalk Moonlighting: Astrojazz, Volume 1 2023 Astrocolor Singularity Moonlighting: Astrojazz, Volume 1 2023 Davy Mooney La Bruja Way Back 2023 Alyse Korn & Robert Kyle Distance Between Us Tuesday's Child 2023 Joanie Pallatto, f. Fareed Haque Surrender Accidental Melody 2023 Tom Guarna Glass Bead Games Reimagine 2023 Vince Ector Organatomy Trio+ Renewal Revisited Live @ The Side Door 2023 Le Boeuf Brothers Vignette No. 25 Hush 2023 Le Boeuf Brothers Oblique Two-Step Hush 2023 Le Boeuf Brothers Soot Hush 2023 Javier Red's Imagery Converter Life Life & Umbrella 2023 Javier Red's Imagery Converter Interior World Life & Umbrella 2023 Robert Rich Feathers on a Barefoot Path Travelers' Cloth 2023 The post The Creative Source (#CreativeSource) – 11th May 2023 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.
THIS WEEK's BIRDS: Rent Romas Life's Blood Ensemble; Rajna Swaminathan; Chris Schilder (aka Ibrahim Khalil Shihab) Quintet; Tuareg pop from Kader Tarhanine; vintage Egyptian pop from Ettab; Sudanese pop from Abdel Aziz El Mubarak; Ahmed Abdullah's Diaspora; vocal raga from Bhimsen Joshi; raga on clarinet from Jaffar Hussain Randhawa; vintage bop from The Young Lions (Wayne Shorter, Frank Strozier, Lee Morgan, Bobby Timmons, Bob Cranshaw, Albert Heath and Louis Hayes); more bop from Lee Morgan and Bobby Jackson; vintage Ethio pop from Alemayehu Eshete and Ayalew Mesfin; Abyssinia Band; compositional post-contemporary jazz from Charles Brackeen; from Brazil: Maria Rita, Mallu Magalhães, Marilia Medalha; plus much, much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG. via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/17248590/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com
In this podcast, Louis Hayes talks about his long and illustrious career as one of the great hard bop drummers. We talk about his growing up in Detroit—home to many great musicians—in a household filled with music. Hayes started drumming when he was young— influenced by the two drummers in his family: his father and his cousin Clarence Stamps, who was his first teacher. As a youngster, Hayes heard Charlie Parker and it rocked his world. By 15, Hayes was leading teenage bands, and, at 18, he was playing in a club with Yusef Lateef. He's talks about his life-changing move to NYC to play with Horace Silver and all he learned there, the NYC jazz scene in the 50's, recording with John Coltrane, and the happy experience of playing with Cannonball Adderley for six years before joining the Oscar Peterson Trio. He also discusses his own reluctance to become a bandleader as well as his tribute albums to both Silver and Adderley. But what shines through his deep love for the music and his fellow musicians. Let us know what you think about Art Works—email us at artworkspod@arts.gov.
Courtney's playing refreshingly cool new jazzy vibes for you to work, rest and play to! Jam-packed full of new releases and plenty of fun, including many of the artists introducing their own tracks! This wk fusion + vintage analog, South American beats, South African voices, classic jazz from Oscar Peterson and Samara Joy, original sounds from Jazz Is Dead and inspirational northern lights from Norway! So many great voices on this episode folks: from Courtney's ears to yours - listen up!!Please let all your jazz friends know that they can listen for free on Apple podcasts, Google Podcasts, Amazon Music and always at jazz-pod.com. Visit our archive here Join the CPG community by following us on Facebook & Instagram Ask us ANYTHING(!) about jazz over on Twitter Watch our FAB & FUN artist features over on Tiktok0'00 Wasafiri - G's Bounce (Klearlight EASTWOOD) Max Gerl bs/comp Kwinton Gray, keys Ethan Ditthardt gtr Marcus Jones dr Nick Rothouse perc Shelley Carrol fl/tnr Matthew Babineaux fl/sx Cole Riddle synth Gerl's an alumni of Berklee College of Music in Boston and Booker T. Washington High School for the Performing Arts in Dallas where Roy Hargove, Norah Jones, and Erykah Badu went to high school. In order to get the right vibe, Wasafiri recorded the album at Klearlight Studio in Dallas, Texas – a spot known for its assortment of vintage analog gear. 6'56 Alex Acuna - Cuncho (Gift LE COQ) Alex Acuna dr Otmaro Ruiz keys Ramón Stagnaro gtr John Peña bs Lorenzo Ferrero sx The incredible journey of Alex Acuña has seen the renowned drummer-percussionist travel from his small rural hometown in Peru to being a first-call session drummer in the country's capital city, Lima, then touring the United States with mambo king Pérez Prado, gigging in Las Vegas with Elvis Presley and ultimately touring internationally with Weather Report, the premiere fusion band of the mid-1970s. 12'09 The Brother Moves On - Bayakhala ($/He Who Feeds You…Owns You NATIVE REBEL)Siyabonga Mthembu vc Zelizwe Mthembu gtr/vc Ayanda Zalekile bs/vc Simphiwe Tshabalala dr/ vc Mthunzi Mvubua sx Muhammad Dawjee sx Malcolm Jiyane tb Bokani Dyer keys The land issue in South Africa is highly contentious with 13% of the population being privileged by the apartheid state to own a majority of the land. Also land is vital in the philosophy of the Bantu lifecycle which is circular and relies on the works of your Ancestors in the afterlife in giving more life to this realm. 17'08 Oscar Peterson - The Lamp is Low (DeRose/Shefter) (On A Clear Day Live in Zurich 1971 Two Lions Mack Avenue) Oscar Peterson pno Niels Henning Orsted Peterson bs Louis Hayes dr When a totally unheard treasure is discovered, it is a time for rejoicing; and when that treasure is one by a profound master like Oscar Peterson, even more so. 24'04 Marius Neset - Happy (ACT) with Elliot Galvin, Magnus Hjorth, Connor Chaplin, Anton Eger "Norway's Marius Neset is not the future, but the present of European jazz." You can hear the musicians' pure joy of playing in every note. 30'40 Samara Joy - Sweet Pumpkin (Linger Awhile VERVE) At just 22 years old, Samara has already garnered critical acclaim for a voice “as rich as custard” and a delivery that is “disarming [and] unhurried”, just as she has built a devoted following on TikTok and made avowed fans of Regina King, LaKeith Stanfield, and others. 34'27 Hedvig Mollestad and Strongheim Orchestra - Donna Ovis Peppa (Maternity Beat RUNE GRAMMAFON) hedvig mollestad thomassen gtr vc comp Mai elise solberg ingebjørg loe bjørnstad vc adrian løseth waade vln trine knutsen fl martin myhre olsen sx petter Kraft sx thomas johansson tptståle storløkken keys ellen brekken bs ingvald andré vassbø perc torstein lofthus dr erlend skomsvoll cond Hedvig Mollestad says Maternity Beat is her most ambitious work to date. Recorded with the 12-piece Trondheim Jazz Orchestra (who have previously worked with legends like Chick Corea and Joshua Redman), Maternity Beat is a true career milestone. In addition to encompassing the full evolution of her sound to date, it offers deeply personal meditations on the nature of family and pressing social justice issues. 42'00 Garrett Saracho - Sabor Del Ritmo (Jazz Is Dead) Today, Garrett's work has found renewed interest, with a new generation of jazz fans rediscovering “En Medio”, which has been long out-of-print and unavailable on major streaming platforms. His latest adventure finds him in the studio with Adrian Younge and Ali Shaheed Muhammad, recording his first new music in decades for the venerated Jazz Is Dead series. 45'20 The Greyboy Allstars - Quantico (A Town Called Earth/Knowledge Room Records/Light in the Attic) The Greyboy Allstars—Karl Denson sx Robert Walter keys Elgin Park (aka Mike Andrews gtr Chris Stillwell bs Zak Najor dr One of the longest surviving bands to arise on the fledgling acid jazz and jam scenes in the ‘90s.Next wk on Courtney Pine Global: we're going interstellar with comets and cosmic vibes! Plus, who played the classic guitar solo on Chuck Mangione's 'Feels so Good'? Hit subscribe right now and we'll tell you next week!
In this podcast, Louis Hayes talks about his long and illustrious career as one of the great hard bop drummers. We talk about his growing up in Detroit—home to many great musicians—in a household filled with music. Hayes started drumming when he was young— influenced by the two drummers in his family: his father and his cousin Clarence Stamps, who was his first teacher. As a youngster, Hayes heard Charlie Parker and it rocked his world. By 15, Hayes was leading teenage bands, and, at 18, he was playing in a club with Yusef Lateef. He's talks about his life-changing move to NYC to play with Horace Silver and all he learned there, the NYC jazz scene in the 50's, recording with John Coltrane, and the happy experience of playing with Cannonball Adderley for six years before joining the Oscar Peterson Trio. He also discusses his own reluctance to become a bandleader as well as his tribute albums to both Silver and Adderley. But what shines through his deep love for the music and his fellow musicians. Let us know what you think about Art Works—email us at artworkspod@arts.gov.
Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre's greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby "Blue" Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, Nancy Wilson, and The Skatalites, to name a few. Pelt frequently performs alongside such notable ensembles as the Roy Hargrove Big Band, The Village Vanguard Orchestra, and the Duke Ellington Big Band, and is a member of the Lewis Nash Septet and The Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded ten albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues. Pelt's recordings and performances have earned him critical acclaim nationally and internationally. He has been featured in the Wall Street Journal by legendary jazz writer and producer, Nat Hentoff, and was voted Rising Star on the trumpet, five years in a row by Downbeat Magazine and the Jazz Journalist Association. Pelt is touring throughout the United States and Europe in support of his latest release, "Soundtrack". In this episode, Jeremy shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
One of the most overlooked masters of the alto saxophone is Frank Strozier. Frank is still alive in New York but reclusive. Mr. Strozier was one of the many talented musicians who was born in Memphis. He came up with pianist Harold Mabern, tenor saxophonists George Coleman, Charles Lloyd and trumpeter Booker Little. Frank like most of these players moved to Chicago and graduated from the Chicago Conservatory of Music then made his way to New York. Frank was praised by none other than John Coltrane as "having one of the most advanced harmonic senses of any young player on the scene today". Frank worked briefly with Miles Davis and then with drummer Roy Haynes and then moved to Los Angeles where he played with drummer Shelly Manne and big bands led by Oliver Nelson and Don Ellis and did movie and studio work. He moved back to NYC in 1971 and soon began recording for the Danish based Steeplechase label. Tonight's Jazz Feature is his second date done in November 1977. It spotlights Frank on alto saxophone and also flute along with the great but little known trumpeter Danny Moore on some tunes. Harold Mabern is on piano and he sparks this session. The rhythm is premier: Stafford James on bass and the great Louis Hayes on drums. The title track of course is the Marvin Gaye classic arranged by Harold Mabern and begins the date on a high level. Another Mabern selection follows and then three compositions by Frank Strozier conclude this important Jazz Feature. Check it out tonight!
Welcome to a new edition of the Neon Jazz interview series with Illinois-born, New York-based Jazz Tenor Saxophonist Todd Herbert .. We got into his new 2022 CD May Waltz and a great life lived in jazz .. Originally from the town of Evanston, just north of Chicago, Todd began playing the saxophone when he was ten. .. He has been residing in New York City since the nineties. He became a member of Charles Earland's band and after an extended stay he joined Freddie Hubbard's band, with whom he performed for several years .. He has also performed numerous times with Jimmy Cobb as a member of the Jimmy Cobb Legacy band. Over the years, Todd has performed with notable musicians like Louis Hayes, Slide Hampton, Joe Farnsworth and many more .. Dig this story .. Click to listen.Thanks for listening and tuning into yet another Neon Jazz interview .. where we give you a bit of insight into the finest players and minds around the world giving fans all that jazz .. If you want to hear more interviews, go to Famous Interviews with Joe Dimino on the iTunes store, visit the YouTube Neon Jazz Channel at https://www.youtube.com/c/neonjazzkc, go The Home of Neon Jazz at http://theneonjazz.blogspot.com/ and for everything Joe Dimino related go to www.joedimino.com When you are there, you can donate to the Neon Jazz cause via PayPal https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4 or through Patreon at https://www.patreon.com/neonjazzkc - Until next time .. enjoy the music my friends ..
Pianist/composer Kenny Drew recorded this wonderful album for Blue Note Records just before departing for Europe and it's a minor classic. All the compositions are by Kenny Drew and the hand picked band sounds like a working band even though they only assembled for this date. The people involved are the "welterweight champion of the tenor saxophone" : Hank Mobley. On trumpet, someone who would define trumpet playing in the 60's and beyond, Freddie Hubbard. Borrowed from Cannonball Adderley's band was one of the eras finest rhythm sections with Sam Jones on bass and Louis Hayes on drums. Drew's piano is in full force here and the dancing quality in his concept is from his West Indian heritage. The album is called "Undercurrent" and was issued on Blue Note and is definitely a joy to hear. Check it out!
This episode begins with a birthday tribute to the Father of Jazz, Louis Satchmo Armstrong. That is followed by recognizing the NEA Jazz Masters, class of 2023; Louis Hayes, Regina Carter, Kenny Garrett and Sue Mingus. Playlist Artist ~ Name ~ Album Louis Armstrong ~ When It's Sleepy Time Down South ~ Ken Burns Jazz Louis Hayes ~ Silver's Serenade ~ Serenade for Horace Kenny Barron & Regina Carter ~ Footprints ~ Freefall Kenny Garrett ~ Sing a Song of Song ~ Songbook Mingus Big Band ~ Gunslinging Bird ~ Mingus Big Band Live at Jazz Standard Charles McPherson ~ Deep Night ~ First Flight Out Matt Dwonszyk ~ Old English ~ A Year and a Day Joe Farrell ~ Sound Down ~ Outback
This is the last installment this month of one-offs and rare recordings by obscure but fine players and tonight's Jazz Feature is no exception. We will do this again some other month this year as there are many more. The rather mysterious figure is a fine, original and swinging pianist named Roosevelt Wardell and this recording entitled "The Revelation" is the one and only date under his name. Roosevelt entered the musical world as an R&B singer but on the side he was learning the piano and aspired to be part of the Jazz world. R&B was a way of staying in music and making a modest living. Cannonball Adderley set up the date when he heard Roosevelt in L.A. in 1960. Adderley gave Roosevelt carte blanche to select his men for the date and Roosevelt wisely asked and got Adderley's rhythm section....bass great Sam Jones and swinging drummer Louis Hayes. The Revelation is divided between well chosen standard tunes and originals by Mr. Wardell. It's too bad there wasn't any more from this fine pianist but we have to be grateful for this album which was first issued on Riverside Records as part of the "Cannonball Adderley Presents' series. It's tonight's Jazz Feature and it's a fine more than promising debut for Roosevelt Wardell. Check it out!
Hailed by the New York Times as “a tenor saxophonist with an enigmatic, elegant and harddriving style,” JD Allen is a bright light on today's international jazz scene. His unique and compelling voice on the instrument – the result of a patient and painstaking confrontation with the fundamentals of the art – has earned Allen years of critical attention signaling his ascension to the upper ranks of the contemporary jazz world. Originally from Detroit, Allen's apprenticeship, anchored by his lengthy tenure with Betty Carter, occurred largely in New York, where he worked with legends Lester Bowie, George Cables, Ron Carter, Louis Hayes, Frank Foster Big Band, Winard Harper, Dave Douglas, Cindy Blackman, Butch Morris, David Murray, Wallace Roney, Rufus Reid and Geri Allen.
My guest today is Ben Rubin a producer, mixer, bassist, and composer in Brooklyn NY. Whether he's melding hip-hop and jazz with legends like Masta Ace and Donny McCaslin, playing upright bass at the Newport Jazz Festival with Dred Scott Trio, remixing Karsh Kale or WuTang's Killah Priest, rockin' on electric bass with Marshall Crenshaw, or producing Peter Bernstein solo jazz guitar, Grammy-nominated producer/(re)mixer/bassist/composer Ben Rubin (aka Benny Cha Cha) is renowned for making records that are pure or genre-bending or both. Picked seven times as a “Rising Star Producer” in DownBeat Magazine's International Critics' Poll, Rubin has well over 100 album credits to his name. Lately, he has been working with a diversity of artists including Queen Esther, Erik Deutsch & Theo Bleckmann, Steve Conte (New York Dolls), Stripmall Ballads, Rachel Eckroth (St Vincent), Lower Power, Caleb Wheeler Curtis, Drifter feat. Lucy Woodward, Buzzed Armstrong, and Jon Irabagon, as well as labels like Ropeadope, Sunnyside and Imani. Most recently, Rubin's attention has focused on Analog Players Society at the Bridge Studio in Brooklyn with APS founder Amon Drum creating cut-up hip-hop instrumental records and jazz albums released on Ropeadope and described by Downbeat Magazine as “truly compelling.” featuring legendary Juice Crew MC Masta Ace described as “in the direct lineage of classics like A Tribe Called Quest's Low-End Theory, and Guru's Jazzmatazz.” Bens production and mixing credits include Walking Distance feat. Jason Moran, Grammy nominated composer/pianist Emilio Solla, and many recordings for Smalls Live Records releasing more than 30 records with jazz greats including Larry Goldings, Louis Hayes, Tom Harrell, Johnny O'Neal, Chris Potter, Tim Ries, Roy Hargrove, Mulgrew Miller, Seamus Blake, and Cyrille Aimeé to name just a few. As a bassist, Ben has toured and recorded both upright and electric bass with a diversity of artists, including Dred Scott Trio, Patti Smith, James Maddock, Courtney Love, Mary J. Blige, Moby, Bill Frisell, and his own acclaimed, genre-bending band Mudville which I believe my brother Nate played in at one point. Ben has also composed scores for features and short films, including director Nelson Kim's feature film debut, Someone Else, which premiered at the Miami International Film Festival in 2015. Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://samplyaudio.com Use code RSR20 to get 20% off for the first 3 months https://carltatzdesign.com/Mixroom-Mentor https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off http://www.thetoyboxstudio.com http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/2aB7hmdR5SWAEgLBsSPPaf?si=03284414c7fd418e If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/342
"Work Song" Nat Adderley: Work Song (Riverside, 1960) Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? En 2022 se ha publicado el doble CD recopilatorio de Nina Simone Feeling Good. Her Greatest Hits & Remixes. Entre los grandes éxitos de esta cantante, algunos de los cuales se han remezclado para darles un toque de actualidad, se encuentra "Work Song". Nina Simone grabó el tema en varias ocasiones a lo largo de su carrera: en 1961, un año después de publicarse, apareció en su disco Forbidden Fruit; también lo grabó en Nina's Choice (1963), Nina Simone with Strings (1963) y High Priestess of Soul (1967). Nat Adderley y Oscar Brown Jr. fueron los autores de este tema, que se convirtió rápidamente en un estándar. En primer lugar lo grabó Nat Adderley en su disco Work Song (1960), y un poco más tarde lo hizo Oscar Brown Jr., incluyendo la letra, en su disco Sin & Soul... and then some. Nat Adderley fue integrante de los grupos de Cannonball Adderley, su hermano. Este saxofonista grabó el tema en múltiples ocasiones, tanto en estudio como en directo. En el disco Live! contó con una formación de lujo: además de contar con Nat Adderley, le acompañaron Charles Lloyd y Joe Zawinul; los otros dos miembros restantes del grupo fueron Sam Jones y Louis Hayes. Este disco se grabó en Los Angeles, en el Shelly's Manne-Hole, el local del famoso baterista. En esta edición especial de JazzX5 escuchamos estas cuatro versiones de "Work Song"... ¡pero podrían haber sido una cuantas más! Y sí, en JazzX5 ya estamos a la par. ¡Por fin! Escuchar cuatro versiones de "Work Song" Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
«Work Song» Oscar Brown Jr.: Sin & Soul… and then some (Columbia, 1960) Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? En 2022 se ha publicado el doble CD recopilatorio de Nina Simone Feeling Good. Her Greatest Hits & Remixes. Entre los grandes éxitos de esta cantante, algunos de los cuales se han remezclado para darles un toque de actualidad, se encuentra «Work Song». Nina Simone grabó el tema en varias ocasiones a lo largo de su carrera: en 1961, un año después de publicarse, apareció en su disco Forbidden Fruit; también lo grabó en Nina’s Choice (1963), Nina Simone with Strings (1963) y High Priestess of Soul (1967). Nat Adderley y Oscar Brown Jr. fueron los autores de este tema, que se convirtió rápidamente en un estándar. En primer lugar lo grabó Nat Adderley en su disco Work Song (1960), y un poco más tarde lo hizo Oscar Brown Jr., incluyendo la letra, en su disco Sin & Soul… and then some. Nat Adderley fue integrante de los grupos de Cannonball Adderley, su hermano. Este saxofonista grabó el tema en múltiples ocasiones, tanto en estudio como en directo. En el disco Live! contó con una formación de lujo: además de contar con Nat Adderley, le acompañaron Charles Lloyd y Joe Zawinul; los otros dos miembros restantes del grupo fueron Sam Jones y Louis Hayes. Este disco se grabó en Los Angeles, en el Shelly’s Manne-Hole, el local del famoso baterista. En esta edición especial de JazzX5 escuchamos estas cuatro versiones de «Work Song»… ¡pero podrían haber sido una cuantas más! Y sí, en JazzX5 ya estamos a la par. ¡Por fin! Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
«Work Song» Cannonball Adderley: Live! (1964, Capitol) Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? En 2022 se ha publicado el doble CD recopilatorio de Nina Simone Feeling Good. Her Greatest Hits & Remixes. Entre los grandes éxitos de esta cantante, algunos de los cuales se han remezclado para darles un toque de actualidad, se encuentra «Work Song». Nina Simone grabó el tema en varias ocasiones a lo largo de su carrera: en 1961, un año después de publicarse, apareció en su disco Forbidden Fruit; también lo grabó en Nina’s Choice (1963), Nina Simone with Strings (1963) y High Priestess of Soul (1967). Nat Adderley y Oscar Brown Jr. fueron los autores de este tema, que se convirtió rápidamente en un estándar. En primer lugar lo grabó Nat Adderley en su disco Work Song (1960), y un poco más tarde lo hizo Oscar Brown Jr., incluyendo la letra, en su disco Sin & Soul… and then some. Nat Adderley fue integrante de los grupos de Cannonball Adderley, su hermano. Este saxofonista grabó el tema en múltiples ocasiones, tanto en estudio como en directo. En el disco Live! contó con una formación de lujo: además de contar con Nat Adderley, le acompañaron Charles Lloyd y Joe Zawinul; los otros dos miembros restantes del grupo fueron Sam Jones y Louis Hayes. Este disco se grabó en Los Angeles, en el Shelly’s Manne-Hole, el local del famoso baterista. En esta edición especial de JazzX5 escuchamos estas cuatro versiones de «Work Song»… ¡pero podrían haber sido una cuantas más! Y sí, en JazzX5 ya estamos a la par. ¡Por fin! Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
«Work Song» Nina Simone: Feeling Good. Her Greatest Hits & Remixes (Verve Records, 2022) Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? En 2022 se ha publicado el doble CD recopilatorio de Nina Simone Feeling Good. Her Greatest Hits & Remixes. Entre los grandes éxitos de esta cantante, algunos de los cuales se han remezclado para darles un toque de actualidad, se encuentra «Work Song». Nina Simone grabó el tema en varias ocasiones a lo largo de su carrera: en 1961, un año después de publicarse, apareció en su disco Forbidden Fruit; también lo grabó en Nina’s Choice (1963), Nina Simone with Strings (1963) y High Priestess of Soul (1967). Nat Adderley y Oscar Brown Jr. fueron los autores de este tema, que se convirtió rápidamente en un estándar. En primer lugar lo grabó Nat Adderley en su disco Work Song (1960), y un poco más tarde lo hizo Oscar Brown Jr., incluyendo la letra, en su disco Sin & Soul… and then some. Nat Adderley fue integrante de los grupos de Cannonball Adderley, su hermano. Este saxofonista grabó el tema en múltiples ocasiones, tanto en estudio como en directo. En el disco Live! contó con una formación de lujo: además de contar con Nat Adderley, le acompañaron Charles Lloyd y Joe Zawinul; los otros dos miembros restantes del grupo fueron Sam Jones y Louis Hayes. Este disco se grabó en Los Angeles, en el Shelly’s Manne-Hole, el local del famoso baterista. En esta edición especial de JazzX5 escuchamos estas cuatro versiones de «Work Song»… ¡pero podrían haber sido una cuantas más! Y sí, en JazzX5 ya estamos a la par. ¡Por fin! Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
Everyone has a story to tell and we've got some enticing tales for you this week: tell the kids it's time to come home; tell the strangers don't go in the river; tell of a world caught in an hourglass; tell of a sun the will rise again…open your mind and leave it to the jazz…Courtney's selection includes tracks from Kenny Garrett, Hiromi, Chelsea Carmichael, Cecile McLorin Salvant, Christian McBride and Louis Hayes.Enjoy!::::::::::::::::::::www.linktr.ee/courtneypineglobal
This Jazz Feature album is a rather rare one and it's the debut recording as a leader of drum master Louis Hayes. Louis Hayes was just 21 when he recorded this date on April 26,1960. He was by then working steadily with Julian "Cannonball" Adderley and he chose musicians that he enjoyed playing with and of course 3 of them were also working with Adderley. Louis chose Nat Adderley on cornet, Barry Harris on piano and Sam Jones on bass. The other important member was an early mentor of Louis' and the man who gave him his first gigs. That man was the great Yusef Lateef. Yusef is heard here exclusively on tenor saxophone and his big dark sound is one of the album's highlights. Louis wisely chose music not associated with the Adderley Quintet but selected the tunes for themselves and that fact marks this date as distinctive. This is a great debut for a most talented young man. Louis didn't record again as a leader until the mid-70's. Louis Hayes and company equals high quality Jazz!
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