Podcasts about chateau

Riding their bicycles for 200 miles in two days, 125 culinary leaders and other supporters of the No Kid Hungry campaign raised a record-setting 1.29 million dollars. Their grit and determination over the years have helped connect more children to the bipartisan, fully-funded Summer Meals programs, increasing participation from 3 million to nearly 19 million kids.Joining us on the site of Chefs Cycle in Bend, OR to share their personal stories of sharing and sacrifice are:Alex Craddock, CMO of Citigroup;Brian Morris, "B-MO", Executive Chef for Hattie B's Hot Chicken;Cory Melanson, Chef of Splendido at the Chateau in Beaver Creek, CO; Micah Klasky, the Executive Chef of The Hive at the21 C Museum Hotel in Bentonville AR; andThe Father-Daughter team of Ted Cizma, Executive Chef of LA Catering and Local Events by David LeFevre, and Elaine Cizma, "restaurant-adjacent" health care technologist.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Part 1 of our discussion of the Hemevez Massacre of six 82nd Airborne paratrooper on DDAY 1944 with subject matter expert and historian Marty Morgan.Pre roll to market our live event with Ray.Support the show

På den franska landsbygden i Languedoc kan man hitta en koppling till Tyresö, nämligen godset och vingården Chateau de Pouzols varifrån släkten de la Gardie stammar. Så nu blev det vinköp och vinprovning! Smakade och njöt gjorde Lotta Pettersson, Jerker Pettersson, Björn Andersson och programmakaren Catarina Johansson Nyman Fakta är hämtat från boken "Moskvas erövrare, Jakob de la Gardie" av Peter Ullgren samt från samtal med Mona de Fournas Fabrezan.

Send us Fan MailThis week on Bookish Flights, I'm joined by New York Times bestselling author Natasha Lester to discuss her latest novel, The Chateau on Sunset, a feminist reimagining of Jane Eyre set within the legendary walls of the Chateau Marmont.Natasha shares the fascinating history behind one of Hollywood's most infamous hotels, where generations of actors, musicians, writers, and dreamers have lived, worked, and occasionally gotten into trouble. We talk about her research process, what it was like staying at the Chateau herself, and how the hotel's rich history inspired the atmosphere of the novel.Episode Highlights:The fascinating history of the Chateau Marmont and its connection to Hollywood legends and why it makes the perfect summer readThe enduring appeal of Gothic storytelling and Jane EyreThe themes of ambition, identity, and independence woven throughout Natasha's novelsWhy women should never feel the need to make themselves smaller to get aheadThe importance of turning dreams into actionNatasha's book flight includes some of her favorite readsConnect with Natasha:InstagramWebsiteFacebookSome links are affiliate links, which are no extra cost to you but do help to support the show.Books and authors mentioned in the episode:Demon Copperhead by Barbara KingsolverHello Beautiful by Ann NapolitanoEnid Blyton booksYesteryear by Caro Claire BurkeBook FlightThe Marriage Portrait by Maggie O'FarrellThe Night Circus by Erin MorgensternRomantic Comedy by Curtis Sittenfeld✨ Find Your Next Great Read! We just hit 175 episodes of Bookish Flights, and to celebrate, I created the Bookish Flights Roadmap — a guide to all 175 podcast episodes, sorted by genre to help you find your next great read faster.Explore it here → www.bookishflights.com/read/roadmapSupport the showBe sure to join the Bookish Flights community on social media. Happy listening!InstagramFacebookWebsite

In sublime overview of the valley of the Little Missouri River, in the Badlands of North Dakota, stands a simple but elegant residence from the 1880s known as the Chateau de Morès. As a historian, I have a little bit of a problem with anachronism here. You see, I can uncover no evidence that people in the territory ever called this place the Chateau des Morès. There was no Chateau de Morès, but there was a Chapeau de Morès. Which is to say, the hat of the Marquis de Morès.

On fête les 10 ans de Château Sonic du 7 au 9 août 2026 avec Raphaël Savatier, coordinateur et programmateur du festival qui s'est professionnalisé au fil du temps. Né d'un groupe d'amis étudiants à Lyon et des propriétaires du château d'Avully à Brenthonne, en Haute-Savoie (entre Annemasse et Thonon), […] The post Chateau Sonic fête ses 10 ans first appeared on Radio Vostok.

This week, the boys sit down with Landon of New England Auto Chateau. From the ground up, Landon walks us through what it takes to build, own, and operate a vehicle storage business that caters to the enthusiast. The car storage business has turned into much more than just keeping cars in a building, find out what Landon has cooked up as we dissect the world of storage. Support REVIVAL MOTORING: https://revivalmotoring.com/ Check out New England Auto Chateau https://neautochateau.com/

At last, we're back in Sweet Valley! What with Flair and the Chateau, it feels like we haven't seen the SVH cafeteria in months, but the gang's all here this week, and there's only one topic of conversation: the fire that just destroyed Fowler Crest! Yes, after a sorrowful Lila burns her love letters from Bo while home alone one night, she wakes to find her home in ablaze. She assumes it was an accident - but the DA's office is sure it was arson, and, for some preposterous reason, they enlist none other than Stephen Wakefield to investigate the case. Why? Don't ask us, we've given up hoping for any semblance of logic from the Sweet Valley justice system. Meanwhile, Pob II: The Revenge, aka Devon Whitelaw, is making his way across the country and being absolutely insufferable.  Remember, if you can help us expand our SVU collection, which we would really appreciate, you can see what we need here and mail us at svhpodcast@gmail.com: https://docs.google.com/spreadsheets/d/1wgq5a-0C3zoTC065tOzJmSkI2kNBBe2K38Hu8jn8qg8/edit?usp=sharing  This show is part of the HeadStuff Podcast Network. For more, go to HeadStuffPodcasts.com, where you can also become a member of HeadStuff+ and get exclusive access to bonus material and lots more. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do Tom Hanks*, Nibbles the rat and a secret society have in common? They're all in this episode of Who When Wow - Mystery Edition! (kinda) Carly & Lewis try to keep things “business as usual” after someone left an anonymous note for Carly, but a mystery with a secret society and a cursed treasure is too good to ignore! The time elevator takes them back to 1960's France where they begin to explore Rennes-le-Chateau.*Tom Hanks not really includedOriginally aired 5/29/24.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Natasha Lester is a WA based  author of nine book including The Paris Orphan (published in some regions as The French Photographer), The Paris Secret and The Paris Seamstress  which made the New York Times best sellers list. Natasha Lester was talking about her new book, The Chateau on Sunset at the Kiama Pavilion on May 6th presented by The Friends of Kiama Library and Candy Andersen recorded it for KCR.KCR: live streaming at kcr.org.au or via the Kiama Community Radio App. Contact us: admin@kcr.org.au

Our dear friend Ryan O'Connell returns to How Long Gone. His new book, Inspiration Porn, is out soon. We chat with him about Chris accidentally pouring candle wax all over himself at the Gabriela Hearst x Paul Smith dinner at the Chateau, Reese Witherspoon's umbrella holder, Colbert's final days on TV, Katy, Ariana, and Gaga, whether Will Arnett and Amy Poehler will get back together, Ryan being a closeted Dax Shepard listener, how you'd "better laugh at all his jokes if you want this Delta One ticket," a review of his book launch the night before—where Jason read one of Ryan's sex diary entries, Gwyneth's boyfriend breakfast bowls, Apple Martin and Romy Mars, we disagree on Olivia Dean, whether Jake Shane is today's Truman Capote, Alex Cooper's pregnancy press diversion, and some Ivy Wolk glazery. instagram.com/ryanoconn twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

                                                                                                                                                                       Chateau Maillet Pomerol Rouge In this episode, Rob and Scott learn a valuable lesson as to why you should never just by 1 bottle by drinking a triumph of a wine from Pomerol in Bordeaux by Chateau Maillet. So come join us, on The Wine Vault.

The Mayhem continues and this time it's dropping in on a web! We're bringing you pulsating sacs that we recommend you don't investigate, smokin' trees, wildlife conservation, surprise Count Duckula and back to back fire fights while on fire! Go ahead, throw the Chateau and don't finger that web because we ALL have Arachnophobia, this time on Doom Generation! 

It's our last visit to the Chateau d'Amour Inconnu, and we're leaving on a high note, because the second half of the book is full of unhinged drama, including one scene which immediately earns its place in the Sweet Valley gallery of iconic moments. With Jacques nobly sacrificing himself to prove the twins' innocence, will he spend the rest of his days in the dungeon? Will Laurent grow a spine? And will we ever find out the source of the Countess's seemingly limitless power? The answer to all three questions is no! Remember, if you can help us expand our SVU collection, which we would really appreciate, you can see what we need here and mail us at svhpodcast@gmail.com: https://docs.google.com/spreadsheets/d/1wgq5a-0C3zoTC065tOzJmSkI2kNBBe2K38Hu8jn8qg8/edit?usp=sharing This show is part of the HeadStuff Podcast Network. For more, go to HeadStuffPodcasts.com, where you can also become a member of HeadStuff+ and get exclusive access to bonus material and lots more. Learn more about your ad choices. Visit megaphone.fm/adchoices

We cap off our Haut Brion story with the Chateau creating the first wine bar, the first luxury wine brand, and the source of the first published tasting note. All this with Lafite waiting in the wings. Hosted on Acast. See acast.com/privacy for more information.

Send us Fan MailMarch 25, 2024.The Dividing Line--between country and city, between commodity and product.Principe island--where chocolate started in Africa.  Fitzwilliam Owen, the man who established a cocoa producing colony on Fernando Po (Bioko).  Tetteh. Quarshie.  ICCO.Importance of certifications (NOT).  PH&F solution:  remove the city-country division.  Importance of the FFGCCC to the international chocolate market.  Will the PH&F model remove the existential barrier?  No if chocolate is only sold locally.  Yes if chocolate is sold to the FFGCCC countries.Other barriers:  transportation, customs, certification of facilities.My store in Cordes sur Ciel, a French non-profit.  Breeching the barrier--shipping in refrigerated containers.Local fund-raising efforts:  (a talk at Chateau de Bouscaillous.Support the showWrite to me at  twneuhaus@gmail.comTo learn more, visit  http://www.projecthopeandfairness.org

First up, a massive celebrity engagement has taken a bizarrely fated turn after fans discovered a hidden connection between Harry Styles, Zoe Kravitz and a beloved book franchise. Plus, we're dissecting the first grainy on-set photos from a highly anticipated movie sequel - including a certain "upgraded" diamond ring that has the internet comparing old flames .Plus, we have a very serious theory about a sky-blue dress and a horseshoe necklace. We’re unpacking why a certain countdown appeared and vanished on a major artist's website, and whether she is about to pivot into the world of animated sequels to finally secure her "EGOT" status.And finally, the real-life inspiration behind one of cinema's most iconic "assistant" roles has finally stepped out of the shadows after twenty years. We get into her "savage" rebuttal to the woman who wrote the book and her mortifying encounter at a mutual friend’s house with the A-list actress who played her on screen. Read the Vogue interview with the real life Emily from Devil Wears Prada here. Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mum and Me Out.00:02Speaker 2 Welcome to the Spill your daily pop culture fix. I'm Laura Brednick and I'm Tina Burke and coming up on the show today, Look, Taylor slipped us up to some antics. There's secret coded messages in her outfits, there's potential secret songs, there's a countdown.00:15Speaker 1 I'm gonna be so honest.00:16Speaker 2 I'm gonna let you, Tina Burke, explain that because that is wait, you're crazy, Taylor, so fandom that's your business. Plus something I have been obsessed with for the last few days. I know we both have, but we need to talk about it. The real life Emily from The Devil Wears Prada has come forward after all these years, and she's given some really interesting insights about the author of the book, Anna wind Tour Emily Blunt. We're getting get into the biggest takeaways from that, but first you have some other things to discuss.00:43Speaker 3 I have some things that have come across my desk this morning. One of them is very short and I just need to touch on it really quickly, Will And it is that. Obviously, last week we discussed Zoe Kravitz and Harry Styles engaged. According to people magazine. Do you know what their middle names are? Her middle name is Isabelle, Isabella Isabelle.01:00Speaker 1 Last, what his is? No, it's Edward. Oh they are Edward and Bella. Oh my god, this has blown up.01:08Speaker 2 You might be the only person who. Oh no, it has blown up on socials this morning.01:12Speaker 3 It's come across the internet because they are Bella and Edward from Twilight, which means they are now faded to be together forever. I was skeptical before. I was like, they're not gonna last. It's not gonna happen. And now I'm like, no, they're Bella and Edward, so like it's gonna happen. By Stephanie Wheer, Oh my god, I love some little nerd put that together. I love nerds.01:28Speaker 1 And they together.01:29Speaker 2 For nine months, we've had this information for nine months and only now have people picked it up.01:32Speaker 3 Someone sat on it until now, And maybe they'll have a little renett me of their own, just something to think about, something a bit.01:37Speaker 1 More serious, do you think of it?01:39Speaker 2 Well, I'm sure they'll be thrilled that people have figured out they're supposed to be together because they're middle names.01:43Speaker 1 Yes, no other reason.01:46Speaker 2 Yeah, something more serious that isn't more serious, No, but with just my lurkings on social media is the Summer I Turn Pretty has officially.01:55Speaker 3 Been done filming the movie, which is very exciting. It's been really like under wrapped of what exactly the plot was going to be. I mean, we pretty much assume and everyone has reported that it's going to be about like Belly and Conrad finally getting married, but we didn't finally.02:10Speaker 2 Everyone's like, well, when will those crazy kids get married?02:13Speaker 3 Honestly like sitting on the shelf at this point. But I do think they're going to be about twenty five. But the first onset photos came out over the weekend. They've gotten back to set and while they were incredibly grainy and blurry and they were kind of like pat photos or fan photos taken on phones, they're all out on a boat on the lake.02:29Speaker 1 It's very the summer return pretty.02:31Speaker 3 Yes, what you can see is that Belly has a big diamond ring on her left ring finger.02:37Speaker 2 Okay, people have not handled these photos well in a mature way. Everyone has been pretty nasty, pretty crazy because the ring, as we all remember, if you can even call her that, that was given to Belly by Jeremiah in the show was so small that you literally couldn't see it. Even when she held it up in front of your face, you could not see it. We put it on socials and we had to.02:58Speaker 3 Draw a circle around it, the tiny little diamond.03:01Speaker 2 From that point, poor Jenny Hahn, the writer of the books and creator of the TV series and showrunner and all these things, This talented, creative, brilliant woman then gave up her precious time to go on oppressed tour to do interviews so that fans could ask her questions about the show. And all that woman got asked was what was that tiny ring? Was that meant to be a joke? And that poor woman had to answer over and over again. No, it wasn't meant to be a joke. We just thought, like, he doesn't have any money, so of course you'd have a small ring. It's just the way that belly held it up so defiantly to show the family and then you couldn't see it, and you couldn't see it at all. Became such a running joke.03:36Speaker 3 Yes, and so even from a great distance on a boat in the middle of the high seas, you can see the ring that we can assume Conrad has given to her. So it's a Peconkin diamond, and I'm very excited about that because she does deserve it. And this is why you date the handsome doctor and not like the weird other brother. There were lots of reasons, but I do think this is one of them. The other big thing that has come out based on these photos is that Jeremiah our like sad single other.04:01Speaker 1 Hey.04:01Speaker 2 Hey, some of us were kind of quietly team Joremiah nick word team Jeremiah, and I don't understand why, but that's your business. He has his arm wrapped around a mystery blonde woman, so that, oh god, it's not that woman from who was that girl?04:13Speaker 1 I kind of friend.04:14Speaker 3 Yeah, So the whole season three subplot of him falling for the roommate and the roommate being a weird hater of Conrad that never.04:21Speaker 1 Sat well, Yeah, that just felt right. That was for nothing.04:23Speaker 3 It felt rushed, and it was for nothing because now he's on a boat with a woman who looks a little bit too much like his mother and he's got his arm around her and they look to be a couple. So wow, something to think about there, But we don't really know too much about what the film is about, but we do know that Jenny Hahn is directing. So she directed one of the episodes of the season three, which was episode five. Laura, I don't know how much you remember the summer I Turned pretty, but episode five was the one from Conrad's pov Oh the Apple.04:48Speaker 1 We hate the Apple, and he is in the white T shirt. Yeah, that song played wild Horses beautiful.04:52Speaker 3 VI.04:52Speaker 2 Wow, I just like, I feel like I just lost you for a second, just went off and I just got into.04:55Speaker 3 My Conrad's little like mind bubble. But she's going to direct the film, so she said, taking inspiration from Nora Efron. Oh great, so great person to take your inspiration from. You do have to wonder what like the traditional third actension is going to because I think the whole show was third actension and we don't need to see a mini breakup again. But I don't know, maybe Steven and the other one can have some drama.05:17Speaker 1 Yeah, I mean that's the thing. Isn't it to be able to make a movie like that.05:20Speaker 2 Yes, yes, you've got the wedding as the plot, but there's going to have to be some moment where you think they're not going to get married some sort of drama.05:26Speaker 1 You can't just have a wedding.05:27Speaker 3 No, But like at this point, it's been drama non stop for years.05:30Speaker 1 You go tired to Paris.05:31Speaker 3 She's like, actually, I'm going back to Paris, thank you so much. I'm leaving you again. That would be so boring. We can't do that.05:36Speaker 1 Do we know when this is coming out? Like, at least not until next.05:39Speaker 2 Year twenty twenty seven, twenty twenty seven to be coming out. Yeah, I mean, I guess people will still be interesting, Like I know people still be interested, But I was worried when the show ended and they announced the movie was happening, and the momentum was so huge, and in my head, I was like, oh, I wonder if they've started shooting so that this can come out at least a year after the last episode has aired, and now it's going to.05:59Speaker 1 Be well over year.06:01Speaker 3 Yues.06:01Speaker 2 People still care because there was such a fandom around that show.06:04Speaker 1 But do we think it all? Do we think the momentums lost a little bit?06:07Speaker 3 I think so, And as well, there were reports like the other week about the fact that maybe the cast had only signed on to do the movie in order to get pay bumps for season three when they were renegotiating, and Deadline kind of reported saw stuff the cast themselves didn't come out and say this, but that the cast might have felt like they were a little bit taken hostage in having to agree to the movie so that they could get a pay.06:28Speaker 1 Rise for three.06:29Speaker 3 So there's also like that little underlying tension as well that I think some fans aren't happy with. And yeah, it's a long wait for a movie that realistically like I don't know what's like, how much could possibly happen.06:39Speaker 2 Yeah, we love Jenny harm but yeah, we love Jenny Harm. Well, hopefully there's a big plot twist in there. But that's the thing about having these continuing stories is like you do have to kind of break something or change something in order to make it worth the stakes.06:51Speaker 1 Yeah, but I'm sure to be fine.06:52Speaker 2 And also at least that they were all out of like high school and through college, they have to worry about it. They don't have to worry about them aging out of their roles. Yeah, we've got a good fifteen year years before that happens. So no, I think it'd be fun.07:02Speaker 1 Yeah, So, as.07:04Speaker 3 Discussed my favorite topic in the world. Taylor Ellison Swift has come up twice, actually more than even twice, several times in the past week, but on two very significant occasions. We have been talking about Taylor Swift and I have been talking your ear off, and I'm sure you loved every second of it.07:18Speaker 1 Right, No, I always.07:19Speaker 2 Find that you have an interesting angle on Taylor Swift because you're like really in the weeds with not just the fan theories, but kind of like the industry chat as well.07:27Speaker 1 So I find that very interesting. I thank you for play kating a lot of people who care about stuff I can't really relate.07:32Speaker 3 Yeah, and I care about everything weigh too much. But one of the things that came up last week, which some of the spillers may have seen, I know a lot of people were texting me going, what the hell is happening right now?07:44Speaker 2 People text you if something happens to tell you Swift, They're like, what's going on? Why is this a thing?07:48Speaker 1 And to be fair, you know the answer, and I do know the answer.07:50Speaker 3 So Taylor Swift. On Friday last week, a mysterious countdown appeared on her website for the briefest of moments and obviously, if you know anything about Taylor Swift, she loves like an Easter egg, she loves a big reveal, and she often does these countdowns on her website. So before the Life of a Showgirl album came out, whole website changed colors, big countdown pops up. This time, her website briefly changed to a sky blue background with like white cartoon clouds, and a countdown appeared in like this also cartoonish kind of font and then disappeared, and the Swifties very quickly put together that it looked like Toy Story Wow, okay, and Toy Story five is coming out soon.08:31Speaker 1 No, I'm aware, Oh good, I'm aware. I'm up on the plots, I'm up on everything.08:35Speaker 3 No, everything, and Toy Story five is coming out soon. But the thing is, people suddenly realized, holy shit, has a Taylor Swift been dropping Toy Story five clues?08:45Speaker 1 And again, yes, yes, okay, it looks like yes.08:49Speaker 3 So one of the things that I love about Taylor Swift is so and it's bold of me to say this, I'm sitting here in a T shirt, but her street style is not necessarily beloved by the fashion girls. A lot of people think she dresses a bit basic or like. The common theme is people think there's always like one thing wrong with her outfits, so she often gets roasted for her She.09:08Speaker 2 Gets roasted, And it's so interesting how there's this huge fandom of people that are just like, oh, she looks she just looks terrible. She dresses frumpy. If you listen to any kind of fashion podcast, fashion adjacent, any kind of industry chat, they're just like, she's known as being like one of the worst dress celebrities. Can I just say, I can't see it. I like her outfits.09:28Speaker 1 I like them too. I guess I'm just not a fashion girl.09:31Speaker 2 But I thought, like recently in the dress with the little yellow bag and the heels, maybe it's because I too am a little basic. Like when people just like, oh, it's so boring when she just wears a glittery gown, I was like, you know what, wear a glittery gown. I'm so sick of everyone wearing a beige column dress or a black dress. They're like, it's chival blah blah blah. I don't know, they all look the same. Well, at least she has a look.09:50Speaker 1 Yes, she has a look.09:51Speaker 3 She knows what her style is, and she has worked for years and years and years with the same style as Stress of Castles. You have to wonder how he feels about it all. But he also does like her, like streaming and stuff for like the Era's tool.10:01Speaker 2 If he does love that, it's so wild because I don't see a huge jump between her costumes from the RAS tour and her street style and her red carpet style. To me, it all looks very like concise and that it fits together, Like she doesn't look like she's in a costume when she's on stage to me, and she doesn't look like she's been dressed by someone else when she's like she always looks like her. Yeah, and there's very few celebs that look like that, Like some of them, there's such a clear line between their street style and their event dressing.10:26Speaker 1 Yeah. So I don't know what people want. I don't know what people want.10:29Speaker 3 But what they did was dig back, and they didn't have to dig very far because last week she did wear the outfit you're talking about, which is like a sky blue dress.10:36Speaker 1 She had a yellow bag.10:36Speaker 3 She was wearing lue batons, which obviously have a red bottom on them, and she was wearing a horse shoe necklace, and so people ripped into this outfit last week. Yeah, and then suddenly on Friday, when.10:46Speaker 1 I was like, wa, where can I buy that?10:47Speaker 3 And I can't afford it? But I thought she I thought it was a great dress. She was out for dinner with her family and friends. And though she has previously said she does an Easter Egg when she's like Easter Egg her personal life, she does Easter Egg through fashion all of the time. And people as soon as this Toy Story theory started kicking around, well like, wait a minute, was that hideous outfit we hated on Monday a.11:05Speaker 1 Toy Story five clue? Maybe?11:08Speaker 3 And then outside of that, there is also there's clouds in the background of her opal Aite music video, Greta Lee, obviously because of the Graham Norton show was in that music video. Guess what She's also doing voicing a character in Toy Story five exactly, and June five is the really.11:23Speaker 1 State of Toy Story five.11:24Speaker 3 It was also the really state of Tailswift's debut album, Whoa. So everyone's kind of gathered these clues together to decide that she is making his song for Toy Story five and that the countdown accidentally got set live early.11:36Speaker 1 Oh but does she do anything by accident that I'm not sure of.11:39Speaker 2 So if the countdown had been like real, it would have counted down to like Sunday five am ish our time, and then nothing happened.11:45Speaker 1 And nothing, but it did disappear.11:47Speaker 3 So I do have to wonder if it was like a phase test gone wrong. If it is gonna happen, I mean we'll find out. It doesn't seem out of the realm of possibility to me for like Taylor to be like, you know what, now it's time for a kid's music soundtrack.11:59Speaker 2 Yeah, I mean, look, she's exactly the right age to have a very nostalgic yeah, because like all elder Malone, like she's an elder millennial just like us.12:07Speaker 1 Maybe or not, but yeah, we're all in that same.12:09Speaker 2 Bracket where we'd like grown up with Toy Story and then that we had like the later Toy Story movies that hit us as adults, and now this next one that we know is coming up is really kind of hitting everyone. It's more for adults and kids, it's hitting us at the stage of our life where we're in wood.12:22Speaker 1 He's got a bald spots triggering for everyone.12:26Speaker 2 It's yeah, so May there's a world in which she's a secret Toy Story fan and she has a real affinity with this franchise she's growing up with, and like it's all the cool kids like Greta Lee's getting in on Toy Story and then you have like Tom Hanks coming back and all the voice cast, and yeah, it's the one thing that everyone wants a piece of at the moment in Hollywood, which is so crazy.12:44Speaker 1 It's a Toy Story franchise.12:45Speaker 3 And one thing we know about Taylor Swift is that she does love an award. And if she could win a songwriting award and get a little bit closer to being an Eagle winner, you just know she would love that.12:55Speaker 2 She's just had a rough run as that poor girl. When will anything go right for Taylor?13:00Speaker 1 When will she again?13:01Speaker 2 I know she was meant to be a shoeing for the Oscars for Cats, Yeah, because she When you write a song, you co write a song with Andrew Lloyd Webber for one of the like most enduring musicals of all time, yea, you should at least get a nomination and probably a win, And that song was lovely, and I'm sure she pictured herself up on stage the Oscar singing it. And then Cats were so reviled and so universally hated the fact that Andrew Lloyd Webber went and bought a dog. Man hated dogs.13:29Speaker 1 He's like it turned me. He literally said that the other day a dog person.13:33Speaker 2 Yeah, He's like, I hated the adaptation of my work Cats so much that I went and bought a dog.13:38Speaker 1 Like, that's how much that man is angry at And.13:40Speaker 2 So Taylor's missu and that, and then everyone thought she was going to get a short film for the nomination for All Too Well. And there's been a few other times her music has been in the mix for a possible nomination, but it just hasn't. It's the one thing that's eluding her.13:51Speaker 3 It is, and I do think like she's got her thinking cap on and she's like a sad song about Jesse the Doll. That's a Cowboys song that could do well.13:59Speaker 2 I mean, the thing is, it's it's a good plan. If that woman writes a banger for toy story for the next movie, then yeah she's in. Then that's a real hook for a Best Song nomination at least.14:10Speaker 3 Yes, and so that was sort of the like unseerious side, but I do believe in it.14:14Speaker 1 That was a serious side.14:15Speaker 3 Yes, no surprising thing. So something else that Taylors which is making headlines for at the moment is her name in relation to a billion dollar sale to do with Spotify. But it's kind of due to something that she did back in twenty eighteen. And the reason I want to talk about it is because I love her so much, but also she's going to get so many other artists and so many other like songwriters and people involved in production paid out as a result of something she did back in twenty eighteen. But basically Universal Music Group are looking at selling half of their three percent stake in Spotify. And that might sound small, but that deal could be worth as much as like one point four billion dollars.14:51Speaker 1 It's a lot of money.14:52Speaker 3 So basically a bid from Pershing Square came to Universal which was to like buy out part of Universal or to become an investor, and in order to do that, they wanted them to liquidate part of their Spotify shares. But then for some reason everyone's reporting that it's like independently Universal Music has decided to sell off part of their Spotify shares and that was announced in April, but at the moment, they're obviously looking to sell off the stake. And what that would mean, like why Taylor Swift is involved is that she negotiated a deal back when she signed in twenty eighteen and other labels were selling off their Spotify shares, she negotiated that the funds would be non recoupable.15:33Speaker 1 Hard work to say.15:34Speaker 3 Got to tell you what that means is, obviously record labels, like every other label that would exist in the world, when an artist makes money, part of that money goes back to their record label. But obviously in this case the record label would be selling something, they would be giving that money to artists, and Taylor Swift is blocking that money from ending up going back to the record label. Oh and so the reason that she did that was because, as we know, Masters were a really big deal to her. She universal in twenty eighteen, and the reason she left Big Machine Records is she wanted to own her masters, like to own her own work, and the only way that Big Machine were willing to do that was if she gave them all one for one deal. So every time she gave them a new album, they would give her back ownership.16:14Speaker 1 Of one of her older albums.16:15Speaker 3 Oh, and she was like no, and didn't really trust Scott Bourschetta. And I think as well. She'd signed on when she was so young, she was a teenager. Her family were really involved. She was one of the very first artists that they had at Big Machine Records. She's certainly their most successful and I think they tried to make her feel as though like she owed them this deal even though it wasn't beneficial or good for her, and so she walked away went to another music group. As we know, the Masters thing kind of carried on for years and at that time wasn't as well known. But in twenty eighteen it did become a big deal. Oh my god, Taylor Swift wants more money from Universal. And what she was actually doing was making sure that this deal would impact smaller artists and musicians. And she said it at the time, she was like, I see it as a sign that we're heading towards positive change, a goal I'm not going to stop trying to help achieve in whatever ways I can. But she was very honest at the time that she was on her sixth seventh album, and she was like, I can speak up and be a voice for change, but younger artists can't. And she was like, what is the point of me, essentially, if I'm not going to stand my ground and have these arguments with record labels and Universal agreed. So they were one of the first to do it, and it does mean now when they're doing this sale, all of these other artists are gain and benefit massively, and I do think it's a testament today Swift. And I know a lot of people talk about her being a billionaire or like money grabbing, and at the time this deal was viewed very much as like, oh.17:35Speaker 1 She's just out for herself.17:36Speaker 3 But I do think she's one of those rare people in the music industry who isn't even though yes, she's going to benefit too, she does want other people to not go through what she went through.17:46Speaker 2 That's interesting thing because and I've said this before public on the podcast, So whether it's wrong or right, is that sometimes I feel like when she takes in the past, she has taken these big stands, it often kind of comes across like people really rally around her and celebrate her for some of the things she's done or when she said, but a lot of them. It sometimes feels like she just weighs on an issue when it's going to benefit her, and she tries to make it a universal thing. She's like, this man said this, you know, inappropriate thing to me, which also fair enough to be upset, and she's like, I'm going to take a stand, and everyone kind of rallies around her, and yeah, it's like, you know, oh, women's rights are that sort of thing. But at the same time, when you actually look at it from like a like a higher lens and kind of float above it, you're like, that was that was.18:26Speaker 1 Just for you.18:27Speaker 2 And saying the master's thing where I think for a long time there where she was like everyone felt like they were swept up in this big movement of like Taylor Swift getting her music back and it was this huge thing and it felt like a communal win every time she did it. But if you actually again looked at that, it was like, oh, no, it's just it's her, Like obviously.18:43Speaker 1 People are not. Everyone's going to own their masters. Yeah, and also like that's nice.18:47Speaker 2 It's like, you know, to feel good about what your favorite artist does and to feel involved in that, and I know that was a real sense of community around the Swifties. But then at the same time, yes, it always kind of felt like, oh, she'll speak on it, but only if it kind of comes back to her. But then I guess over the years she has kind of tried to, like when she spoke about politics and you know, tried to endorse like a different candidate, and she was like very aware that was like a bigger thing than her then. And I you know, obviously I know how much money she gives away and all that sorts of things, but you know, if you want to get on the weeds in it, it's kind of always felt like and that's what I hear a lot of you know, fans talk about the fact they love her music, but they wish she really stood for something.19:23Speaker 1 Outside of herself.19:25Speaker 2 But then also because of her branding and the way she kind of puts herself as this kind of like very inclusionary person, we all obviously expect more of her than other artists, particularly male artists. So it's a very weedy path. So you're kind of telling me that this was on because when I first heard of this, I only heard of it really top line, and I thought it was once again a thing of Taylor's lived coming out and like making sure that she has a win, making sure that she has her money, making sure that she's protected, and that being her first kind of priority, and then as a default, she's pulled other people in with her and she's being like overly celebrated. That's what I thought, But you're that that's not correct.20:01Speaker 3 Yeah, Look, my perspective on it is as you kind of said, there's been times like the Master's thing when she was releasing the Taylor's versions of albums. I liked it because I got new songs. Oh yeah, yeah, which I know, so fair enough selfish.20:12Speaker 1 And like fun as as fifty it was like.20:14Speaker 2 Transactional, like an artist you like is putting out content that you're willing to, like essentially buy the streaming and stuff.20:20Speaker 1 That's fair, that's just how business works.20:21Speaker 3 Yeah, But I very much saw that as like she did that because she it was personal to her.20:26Speaker 1 She wanted to own her own art.20:27Speaker 3 That's great, but it wasn't necessarily, like you said, the big moment that a lot of people built it up to be where everyone was going to benefit or everyone was going to succeed out of this. I do think though, when she did make this decision, there was a lot She actually received a lot of backlash at the time because she'd also previously like she took her music off of Apple Music in twenty fifteen. Yes, I remember that, and it was a whole big deal because Apple started doing like free trials essentially, and Taylor was like, well, how are people going to get paid if you're doing free trials? So then she took her music off temporarily, and then Apple agreed to still pay the artist despite the free trial periods, and she.21:02Speaker 1 Went back on.21:02Speaker 3 And I'd always taken her music off Spotify in twenty seventeen, like, so she'd done it a couple times in.21:07Speaker 2 Order, and I know those were framed if she was like, this doesn't make a difference to me, I'm doing this for other artists. Yeah, But was some part of it also because she's a business woman, and you don't become a billionaire without being very conscious of like keeping your money and making sure you're getting like squeezing money out of every little area that you can, like that's how you become rich. So was they also a part of her that was like I need to protect my own money, even though I don't need to at this stage, it's still money I'm losing. And then by default I will pull like I will help other artists out, which I'm sure the artists getting the money they don't care that she did it for herself and they're a byproduct.21:40Speaker 1 You'd be happy to take it.21:41Speaker 2 But it's just so interesting we always have to like she's a billionaire, and everyone still has to be like we have to protect the downtrodden kind of, you.21:49Speaker 3 Know, like yeah, yeah, And I do think at the time, like, for sure, those decisions like with Apple and Spotify in twenty fifteen, twenty seventeen, definitely we're about protecting her assets and all of that. I do think the decision in twenty eighteen to sort of negotiate all of these terms with Universal because that wasn't the only agreement that they came to. But I do think that had a lot to do with the way she was feeling taken advantage of with big machine records. Yes, and yes, that is a lot to do with herself. But I do think she looked then at that point in time, this is like after she's been canceled. This is when people are hating her guts, and I do think she started to look more. It's also when she's getting to like reputation. That world tour was at the time the highest grossing tour of all time, Like it was a big deal in North America. So I do think she was at a very successful point, but also at a point where she recognized that she had a bit more power than she'd ever had before and finally got to negotiate something and look back at how she'd been treated by this independent record label and just wanted to do something that protected people. She's also had the same band her whole career. She's worked with a lot of the same production team, same songwriters, same people in her camp the entire time. And while they're really well taken care of, I think she also sees that like not a lot of people are, and she's about like when she was a songwriter back in Nashville, she would be in these like communities and people would be talking about how they got money from people buying like a Faith Hill song that they had worked on one time, and so she was like, that doesn't happen anymore. So I want songwriters to be better paid. It basically all came down to the whole songwriting element of how she sees herself rather than like the big pop stars and stuff. Did she benefit absolutely, and do people often yeah, compliment her when she does something just for herself and it ends up benefiting others.23:28Speaker 1 Absolutely.23:28Speaker 3 But I do think in this instance, like it is going to help a lot of people put food on the table and also remain in the industry a bit longer when you have deals that actually support the lower down people in music.23:40Speaker 1 And like I guess in terms of musical.23:42Speaker 3 Billionaires, I'm glad at least one of them is doing something better than other people.23:45Speaker 1 Yeah, exactly.23:46Speaker 2 And that's the thing I don't like when people like, look at Taylor Sitch and has to do these extremes of like she's a superhero, she's a super villain. Like, yeah, it's a bit in the middle. It's a bit in the middle. Like do I think anyone should be a billionaire?23:56Speaker 1 No? I don't.23:57Speaker 3 But also I do think she donates a lot of mine. You see it all the time. She doesn't come out and go look I did this, Like random charities will be like, hey, she just gave us a million bucks and you're like, oh sick.24:07Speaker 1 Yeah. Yeah, Well, and you know the good news. I guess out of this might takeaway. She might have some sweet toy story.24:11Speaker 2 Money coming in. She might look she'll never be shy I of a dollar, Taylor Swift. But hey, maybe she'll help some people along the way. Well, we're still very much in the devil Weares prior to two weeks. The movie came out last week. We've got a special episode coming up this Friday about it. The movie, So it released this weekend. We're like number one at the box office across the world, as we thought it would be. Apparently it's going to go even further than projected with like the money it's making here the box office, because people are going to see it multiple times. And I love that and hopefully I don't know what it's going to take for studios to take notice, because it's like we have Barbie Breaks all the box office records, Wuthering Heights, love it or hate it, Women just wanted to get dressed up and go with their friends.24:48Speaker 1 Yeah, did amazingly crush the box office.24:52Speaker 2 And now the same thing, women are getting dressed up going to the movies.24:54Speaker 1 Like guys, are we seeing a pattern here? People like the movies.24:57Speaker 2 It's almost like women want to go and see women's stories at the movies.25:01Speaker 1 They can get dressed up and have a goddamn cocktail.25:04Speaker 2 Anyway, So, as we move through Devil Wears Prider Week, and I'm having a great time with everyone who's coming out and would work to share their thoughts and feelings and everything, something very interesting has happened, something historic. I would even go as far to say the real inspiration behind Emily Charlton, a character in the Devil West Prata who has been in three of the books and also now the two movies, the real woman behind her has come forward for the first time in decades. People have tried to work out who she was for years, and I'm sure people in the fashion and magazine industry knew, but she herself has never come out and said anything until now, until the movie has come out and so well received it to be said, there's a straight line there. So Leslie Freemar, who is a celebrity stylist and has been in the fashion industry for many decades, went on the Vogue podcast and talked to editorial director Chloe Mao because when Anna Wintle vacated, she wouldn't let anyone else be the editor of Vogue, said, she's the editorial director, but she is running the day to day operations at Vogue now as Anna win talk kind of move has moved into a more like overseeing role. And so she interviewed Leslie, and I know you've listened to this multiple times, right, this interview. Yeah, I couldn't get enough of it. I listened to it twice as well. It's been the thing all my group chats are talking about. And it's interesting because it wasn't supposed to be cutting in any way, but if you read between the lines.26:26Speaker 1 Oh yeah, there's some cutting lines.26:28Speaker 2 It's a bit of a savage story about Lauren Weisberger. So if anyone doesn't know, Lauren Weisberger is the author of The Devil Wears Prata and the sequel, The Devil Returns.26:37Speaker 1 And everyone keeps saying that this is the second book, but actually the.26:39Speaker 2 Third, When Life gives You Lu a Little, When Life gives You Lulu Levin's Crazy, which is Emily's story of her leaving Miranda and like getting pregnant and moving to the suburbs and like breaking up with her husband. It's nothing like the movies. Yeah you've said that. Yeah, I've not read this book. And then so here's the Lauren Weisberger that she was Anna Wintour's assistant well over many decades ago now, and she lasted about eight months in the second assistant chair, and we now know that Leslie was the first assistant at the time. So when she came on to do the podcast with Chloe, Chloe sort of says to her, like, why do you think you're the real Emily? And she's like, I don't think I know. And as she tells her story, it's interesting because Vogue was going to have a panel with past Vogue staffers that all could have been the Emily and they were going to sort of like have a discussion. And then Leslie, who doesn't really do anything like she works with celebs, and like, yes, she's Charlie's.27:33Speaker 1 There on style, Yeah, and she's style a lot of.27:35Speaker 2 Red carpet looks and things like that, but she's on a public face. And she had to sort of call Chloe and say, hey, I'm happy to come and talk and help.27:42Speaker 1 But it's going to be.27:43Speaker 2 Really clear if we all get on stage straight away that it's me.27:46Speaker 1 Yeah, that it's definitively me.27:48Speaker 2 I sat across from her, I said lines that are in the book, I know it's me, And so that idea is going to fall apart pretty quickly. And Soe said that she came on the podcast, Ye did you have a favorite reveal from Leslie? Although there was way too many, but I do think the clearest one, or like the best one to me is how she found out about the book. And also that's the clearest one that obviously, yes, the book was written about her, because even Anna Wintor knew the book was about to tell her. So can I tell the story please people who haven't listened. So obviously wide ranging podcast really really good. But in this part, she says she had moved on to be an assistant in a fashion department and then she gets a call from then Anna's new assistant to be like Anna needs to speak with you, and she was like, Anna never needs to speak with you, and also never needs to speak to an assistant. So she hustles on over there and Anna Wintour asks her who is this woman?28:38Speaker 1 Like who is this lady?28:39Speaker 3 And she's like, that was your assistant, and Anna Winter was like, I don't even know.28:43Speaker 2 Her, has no idea, Well, she has a lot of different assistants, and that she was only there for eight months, and I'm sure maybe she'd seen her.28:50Speaker 1 She would have, yeah, but she.28:51Speaker 2 Called her and she was just like, who is Lauren Weisberger? And it was so funny because Grace Cottington, who's a really famous Vogue editor who worked really closely if Anna and that team, wrote in her own book that no one could remember Lauren when brutal so focused so funny about it. She's like, none of us could picture this, and she's like, I guess Anna's assistants were always, you know, just these bobbing, faceless heads outside her office that you would talk to. But like, Leslie is really the only one who has any memory of her.29:20Speaker 1 Yeah.29:21Speaker 3 And so it's obvious enough when Anna has read this, you know, the initial draft of the book to her that the Emily character is Leslie, because she calls Leslie into her office asks her who Lauren is, and then Anna Wintour says, oh, she's written a book about us, and you come off far worse than me.29:36Speaker 2 That is the interesting thing that Leslie says in this interview, is that they received the galley, which is the very very early stages of a book where things are subject are changed, and she said, she it's so funny, Chloe. He's like, did you run outside straight away and read it. She's like, no, I had to back and do and finish my work. And I was like, life, Emily, I mean maybe because she's like, we probably had a big shoot that day.29:58Speaker 1 That was me.29:59Speaker 2 I would have run straight to some hidden corner and I would have read that book under my desk all day. She said, she waited till she got home at night. Okay, if you've got more will power than me, and she said the first iteration of the book was so mean and much more true to life, because what she's saying has happened is that Lauren took a writing class and they said write what you know, and apparently she wrote it as a memoir, and then they wanted to fictionalize it, and then the fictionalized version was really really mean to everyone who worked at Vogue Tour, to the Leslie character who became Emily, and then the editors who worked with her toned it right down to the book that went on the shelves. The Devil Wears Prada, which is interesting because that book does skew very not mean, but it's like the Miranda Priestley character.30:43Speaker 1 Have you read the book?30:44Speaker 3 No?30:44Speaker 1 Oh, okay, I wouldn't. Sorry, no, I wouldn't invite.30:48Speaker 2 If you're going to read a Lauren Weisberger book, I've got I've got a better recommendation. She read, She wrote some good books. She writes a fun book to have by the pool on holiday. I've read, Yeah, like Last Night at Chateau my Mond chasing Harry Winston. Yeah, The Devil is proud of Like the idea is good obviously because it went on to spawn this incredible thing. But the plot's a bit thin. There's no memorable one liners, Like, it's not a witty book. And also the character of Miranda Priestley is like a caricature. Yeah, all the layers that she has in the movie don't exist in the book.31:21Speaker 1 She's just a nasty woman.31:22Speaker 3 Well. I found that interesting because Leslie said she was able to watch the movie and she found the movie really enjoyable. She was like, it's really glamorous, but there's more like empathy and the people are more well rounded than we saw in that initial galley and then even in the book that got published, Like, that's crazy to me that you can know that this is about you and you see it is really mean, but then you see the on screen portrayal and like, yeah, you like Emily and you like Miranda. I don't have way more nuance than I'm guessing they have in the book.31:47Speaker 2 No, in the book, they just kind of mean girls. Like, yeah, I mean Emily and Andrea hang out a little bit more in the book, but she's still pretty mean to her. And like, yeah, the Miranda character is very kind of just like she's a nasty person. Yeah, she's just like this little talk about her being this little bird like creature, which I guess is very Anna Wintle coded who just like stalks into the office. Yeah, they make a lot of there's a lot in the book about what There's like a whole chapter devoted to what she eats, which apparently is also very Anna winto because she likes steak and potatoes and Starbucks and ice cream. And that's a huge cry in the book. So sometimes Lauren Weisberger was I think just typing out her day. But the end is very different, Like it still ends with Andrea like walking away from her, but there's no nuance with Miranda having like that breakdown scene in the hotel room, like that's to the movie with the no makeup where she kind of like drops the facade and there's no like, you know, Andrea, everyone wants to be out.32:36Speaker 1 It's like this is the sacrifice.32:37Speaker 2 It's just her screaming at her, yeah, and just screaming at her. And then it's like very anti climactic with Andy like calling the office and being like can I still get my flight home?32:46Speaker 1 They're like, no, I'm not going to leave you strand there.32:47Speaker 2 You can get your flight home, and it's just like, oh, kind of anticlimactic.32:51Speaker 1 Yeah. The end.32:52Speaker 3 I do think it's really interesting, like, oh forgot The whole thing is so interesting. But one of the parts that made me go, oh, you are Emily is that Leslie explains like the Lauren person slash Andy character, and she was like the reason that I found it like interesting in the book is like I don't remember Lauren ever being a star on the rise. Yeah, but she's pretty much like that didn't happen. And then she explains like Lauren probably thought I was a bitch because I had to do her job for her because she was and she's like she was probably just sitting around writing her book, I guess, but she pretty much is like that girl never did her job and hated it there. And so yes, I used to snap at her because she wouldn't do her job, and I was like.33:29Speaker 1 WHOA to me?33:30Speaker 2 That was the most telling moment from this revelation from the real Emily from the Devilwars Prider. And can I say I've talked to a lot of people who have listened to this interview, and a lot of people have said, like, she comes across as classic Emily. She comes across as a mean girl for saying that, And can I just say team Leslie on that one.33:46Speaker 1 I thought classic Emily in a good way.33:48Speaker 2 Yeah, they're saying she's too mean, Yeah, that she was being mean about Lauren. Everyone closed ranks against Lauren when she wrote this book, to the point where that's why the company line is like we don't know who Lauren Weisberger is.34:01Speaker 1 And the Devil Wears prior like the first.34:03Speaker 2 Premiere, the one that was in New York, apparently, you know how like they have a host camp on stage and kind of greet everyone a paving. The host was like, you know how they got round the room like this person's here, this person's here. They were like Anna Wintour is here, as is the author of the book, and no they're not sitting together.34:17Speaker 1 And everyone was like whoa because they were in the same room. But also, I have this now.34:22Speaker 2 I think that this has been scrubbed from the internet, but I swear to God I read this quote when The Devil Wears Pride. It came out, but I've gone to look for it so many times and I can't find it. So I think that it was written in a magazine and it's been destroyed. Yeah, but I swear to God that Meryl Streep in an interview, they asked what she thought of Lauren Weisberger and she was like, if I was her, I would have spent more time learning from Anna Wintour than writing a book.34:45Speaker 1 That's just me. Now.34:47Speaker 2 That is not maybe not the kind of thing Meryl Street would say, And maybe I'm paraphrasing, but I feel like she says that in an innuay you have like.34:54Speaker 3 A pretty what is you don't have like a photographic memory, but you have pretty similar.34:58Speaker 1 I have a photograph of memory for so things.35:00Speaker 2 Yeah, yeah, that'll help me in life. But I swear to god, I read that quotally magazine. Yeah, and some person obviously didn't upload it to the internet or it was it's been screet internet.35:11Speaker 1 But I feel like that was just the vibe.35:12Speaker 2 But yeah, I was very much on Leslie's side because she really cared about fashion. She talked about the fact that she had come from Canada and she had really had to fight her way into this job, and she was working like all that stuff you see in the movie about she was told she had to be in the office at seven point thirty.35:29Speaker 3 She moved closer to the office so she could be there on time and stay late.35:33Speaker 1 I was sleeping in.35:33Speaker 2 That office, so she had to be there at seven thirty in the morning. Yeah, with all of Anna's like books and papers, all that stuff you seen the devil was part of them. Putting him in a fan on her on her desk is all real. And then she had to wait around for the book again things we know from the movie. She had to wait around for the book till like ten o'clock at night, and so she's working these crazy hours she gets promoted to first assistant. They she hires Lauren Wiseberger, who has come from a very prestigious university and is very educated. This is sorry, I mean we know that that's a fact. She did come from a prestigious She was in the ivy leagues in America, so like super educated. And she said, from the moment Lauren got to Vogue, she was just like, I'm too good to be here, yeah, and I don't want to be here. And she had and she said she just wouldn't do her work, and so Leslie had to do all of her work for her. And that's where the resentment grew. And that's where the character of Emily from The Devil Wes Pridact came from her resentment.36:25Speaker 1 And I'm just like, if you've worked in a creative.36:26Speaker 2 Industry, everyone knows that feeling of having to do the work for someone else. Yeah, but there's no way to kind of track it a lot of the time publicly. Yeah.36:33Speaker 3 And it also reframes because she says, she's like, I absolutely told her a million girls would kill for this job, yeah, And like it reframes that to an extent too, Like she is of the opinion that Lauren's come in just to write this book and was wasting time and not doing her job, And it's like, yeah, you probably would say something.36:48Speaker 1 To that effect if you're at Vogue at.36:50Speaker 3 That point in time too, Like insane budgets all of that, So many career opportunities, which there still are with Vogue of course.36:57Speaker 1 But like the more that it's changed.36:58Speaker 3 At that point in time, that was the place to go if you wanted a career in journalism. You could get anything, and like Meryl Streeps or alleged quotes saying if you put in me with.37:08Speaker 1 The Meryl Streeps slander, will they even say? Like in podcasts?37:11Speaker 3 The first assistant before Leslie moved up went on to become the entertainment editor at Vogue it for years and years and years and is a very successful and respected journalist. Like you, Yeah, you could build a career off of being that assistant.37:24Speaker 2 I think back then that was the job one hundred girls would kill for and it probably still is. Yeah, Like I know it still is, Like Vogue still carries a lot of weight, and being an assistant is how you get into that pool. So I think that was Leslie's kind of like and we see that dynamic in the book, but we see it in a different way from Andy's perspective, which is Lauren's perspective of her just not coming into this, like what she's thinking is like a plumb job and not doing any work, but like secretly writing her book under the desk, which is the allegation that Vogue has not been able to prove. And also Leslie also said that she took a writing test for Vogue and was rejected, which is in becau. Lauren Weisberger had some writing published in Vogue recently interesting and everyone was like, look, the woman.38:04Speaker 1 Who was turned away from Vogue.38:06Speaker 2 All she had to go do was write a tell all memoir that gets turned into iconic film series and she finally got in.38:11Speaker 3 It's also kind of interesting then that like a subplot of The Devil wes Prata too, is the idea that Andy might write a tell all memoir.38:18Speaker 1 Okay, that was.38:18Speaker 2 Such a quote when I went and saw because I saw that first part of the movie before I went and did The Devil West prior of interviews, and in the theater I was seeing there was like four other journals. I went because I'm like, that was such a Lauren Weisberger burn Yeah, where they were like, what is she going to do? Go write a tell a memoir about her boss? Ha ha as if that's the worst thing you could do. And I was like, that is literally why we're all sitting here, Yeah, because someone did that. But it's kind of become like, it's interesting because Anna Wintour like could have come out of all of this looking like the villain, but she's come out looking like the hero because everyone's like, we love Miranda Priestley, we love Meryl Street, we love this movie, and by default, we love and a wind Tour for being a part of this and that's why she's lent into it. And then Lauren Weisberger has become the kind of like, obviously she's published so many books and she's doing really well, but she has kind of become the punchline when she was initially set up to be the hero, which I find so interesting. And I just find like Leslie's perspective on Anna so different from someone who was just came in with like kind of no emotion, very ambitious because she talks about the fact that Anna was like very much like no personal chat. We're all here to work, and she works like that and she's very comfortable in that setting.39:28Speaker 1 Can't relate to that, can't relate but I love that story she told where.39:33Speaker 2 So Leslie who was giving the interview, the real Emily is from Canada, and so she was being sponsored by Vogue, a biolized Clark that's a fake company by Conde, asked to work at Vogue. And she got a call one day from the Vogue human resources team to say they were no longer sponsoring anyone, so they weren't going to like do her next visa, and so she basically had to leave the country and lose her job. And she said that she was just hysterically sobbing, something she's never done before, but she was so upset and fair enough, and she said that An she didn't know Anna was going to be in the office that day. All of a sudden, Anna Wintour walks in and I don't know why this is so funny to me. She's like, Anna was clearly uncomfortable, and she just walked away. She just walked into her office. But then she waited a few minutes called her in and I love how Leslie did her. Anna Wintour's voice she said she tried to like kind of do like half a British accident.40:19Speaker 1 She was like, Leslie, why are you crying?40:21Speaker 2 Looks so angry, but also just like can't not angry, but just like so flabbergasted that someone in her office would be showing emotion. And so Leslie told her and she was like, Anna Wintle' was like, oh my god, go sit down and stop crying for God's sake.40:32Speaker 1 And then Anna Wintour just called.40:34Speaker 2 All of a sudden, this man appeared in the office who's like the head of human resources.40:38Speaker 1 And Anna Wintour is like.40:39Speaker 2 Ci, my assistant is crying, and in her head, she's like and that's the worst thing anyone could ever do.40:45Speaker 1 In front of me.40:46Speaker 2 She's like, can you please just get her a visa? Just go and sword it. And he's like, yeah, that's fine. And so she got to stay in America. And now she credits this whole huge fashion career that she's had to Anna Wintour just telling her to stop crying.40:57Speaker 3 And fair enough, It's like, yeah, I do think I thought the little insights were interesting. It's also so interesting because Chloe's the one interviewing her. Yeah, and Chloe, like everyone who is online and has seen the pair of them together in recent interviews, is intrigued by the Chloe Anna relationship and like.41:12Speaker 1 Oh, I don't know. I want to from Chloe so bad.41:15Speaker 3 Yeah, and like little things right, like Leslie was like, well, you can't ask her questions and Chloe's like yeah yeah, and then then.41:21Speaker 1 She's like I'm living that in real time. It's like real And.41:23Speaker 3 They're talking about like the book and like the little like wheel seas, which was apparently like little posters or like seams, which was little posters that Anna would put on to be like email this person, tell them to come see me.41:33Speaker 1 I don't like this bro. Little things like that.41:35Speaker 3 It was so interesting to see like Leslie talking about a career she had twenty years ago and Chloe talking about the career she has now and then both just relating to like Anna's anaysms, but also revealing that like a lot of the things don't come from Anna herself. Yeah, that was interesting. They were like, she's not the one who says you can't take bathroom breaks. It's just like something that's been passed down.41:55Speaker 1 Yeah, it's been passed down. Yeah.41:56Speaker 2 The other thing I thought was really interesting was a reveal that came right to the end, and it was the question that Chloe asked her, which was like, have you have you who plays Emily and The Devil Wears Prata? Have you ever met Emily Blunt? And the answer was yes, because of course she's a celebrity stylist, so she's in that world. And she even Leslie said she always thought about what she would say if she ever met the person who had played her on screen and turned her into this iconic character, even though no one knew that she was the real Emily. So she said she was at a dinner one night at a mutual friend's house and she was like, this is my moment. Emily Blunt's right there. We're on this, We're on even ground. I'm not coming up to an event, We're at a mutual friend's house. We're both here as equals. And then she said to her as they were chatting, I just need to let you know that I am the real Emily. And to be so fair a Leslie, I would have done the exact same thing.42:44Speaker 1 Who wouldn't You're telling Emily.42:46Speaker 2 Blunt that her most iconic role, her first big role, that blew up her career is based on you. I would have dropped that and just been like, like, she she's gonna lose her mind. And apparently Emily Blunt couldn't care less. She said oh and just like went on with the conversation. Now did she not hear her or have so many people in the fashion industry said things like that to her before trying to have an in with her? She was like, oh, or was she maybe like and maybe like alarms went up and she was like, Oh, is this woman gonna say to me at my friend's house like she didn't like my portrayal because she plays her really nasty in a funny way.43:21Speaker 1 Is she gonna like.43:22Speaker 2 Ask me, you know some sort of like inside a question? Does she know something? She worked with the woman who wrote this book and like everyone I know doesn't like that woman, like it was a lot so or does she just is Emily Blunt so cool? She just genuinely did not care.43:35Speaker 3 I feel like Emily Blunt just doesn't care. I really like it, but sometimes intrigues me.43:41Speaker 2 I can't believe that because if you met any person, like if you met the person who was the real person behind a role you played as an actor.43:49Speaker 1 Wouldn't you be interested in that? I ignore people would Yeah, I know.43:53Speaker 2 Some actors don't like to meet the person because they don't want the lines to be blur, they don't want to feel like they can't show them in their worse or they don't want to sort of like do a parody of a person. Yeah, but like that shit is sailed like she did it for the first time twenty years ago. Yeah, Devil was prior to too, wasn't filmed at the time. But also there was no inkling that Devil's product she was ever gonna happen. Yeah, I just want and I'm sure someone will ask Emily Blunt the next time she does a lot of press, and I'm so interested in her answer that. Yeah, it's almost like you feel bad for Leslie.44:22Speaker 3 Like it would have just been at least nice, Like as much as I think she people really like the Emily character and stuff she does.44:29Speaker 1 Speak about it at the.44:30Speaker 3 Time, like people in the industry all knew that it was based on her and her being really scared of how she'd be perceived or if she'd be hired again, or what would happened to her career based on this version of the history they went through together. And she also says like Lauren never called her, Lauren never gave her a heads up, like they have not spoken since, so it's not like how Andy and Emily got along in the end. That's not what has happened here. So she's kind of gone through that never outed herself, goes up to the woman who played her, thinking, oh, we can at least have a nice discussion, and she just.44:56Speaker 1 Gets like kind of ghosted. I don't know that would suck. I think Emily Blunch probably reconsider talking to her about that.45:04Speaker 3 Well.45:04Speaker 2 It's such an interesting interview, and we'll link the whole thing in our show notes.45:07Speaker 1 Because we've only sort of scratched the surface. There's a lot more in there. So good.45:10Speaker 3 Thank you so much for listening to The Spill today. Don't forget to follow us on socials. We will pop all of the links in the show notes. We will be back in your feed bright and early tomorrow morning with morning Tea hosted by Ash London. The Spill is produced by Minisihaswarren, with video production by Michael King.45:24Speaker 1 Bye Bye,Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Jill Upton and Simon Nash chat with Nic Paterson who owns Chateau Pato and makes the wines for Elbourne Wines in the Hunter.@thewineshowaustralia @chateaupatowineelbournewines

News, kratom intoxications on the rise, fate of Baroque Štiřín Chateau uncertain, interview with expert on extinct languages

                                                                                                                              Chateau Ducru-Beaucaillou Madame de Beacaillou Haut-Medoc In this episode, Rob and Scott experience a lesser lable from the esteemed Chateau Durcu-Beaucaillou known as Madame de Beaucaillou and discover the meaning of tannin. So come join us, on The Wine Vault.

Release the hounds! The twins have escaped the dungeon, but being the big eejits they are, they can't resist returning to the Chateau for... reasons. Don't expect anything here to make sense, especially the geography of the de Sainte-Maries' kingdom which becomes even more confusing in this book. But there's still a lot to enjoy/mock, including Jessica's surprising bushcraft skills, Laurent having the backbone of a jellyfish (seriously, he might be the biggest sap we've ever encountered in this series and that's saying something) and Jacques's 19th century-style origin story. Remember, if you can help us expand our SVU collection, which we would really appreciate, you can see what we need here and mail us at svhpodcast@gmail.com: https://docs.google.com/spreadsheets/d/1wgq5a-0C3zoTC065tOzJmSkI2kNBBe2K38Hu8jn8qg8/edit?usp=sharing  This show is part of the HeadStuff Podcast Network. For more, go to HeadStuffPodcasts.com, where you can also become a member of HeadStuff+ and get exclusive access to bonus material and lots more. Learn more about your ad choices. Visit megaphone.fm/adchoices

There's excitement around the Ruapehu District that someone new might soon have the keys to the historic Chateau Tongariro. Local mayor Weston Kirton spoke to Ingrid Hipkiss.

Send us Fan Mail Financial Matters with Richard OringRichard Oring, from New Century Financial Group in Princeton, New Jersey, discusses...Listen on: Apple Podcasts

Tout commence dans les boucles de la Seine, loin de la mer. Cédric Chateau grandit dans la campagne normande, entre Rouen et Anneville-sur-Seine, où ses parents les déposent, son frère Yann et lui, au club de voile local pour occuper les vacances. Un concours de circonstances qui va façonner deux trajectoires remarquables dans la voile française - l'un devenant directeur de course des plus grandes épreuves, l'autre un entraîneur et un coureur au parcours incroyablement dense.Autodidacte par nécessité, Cédric Chateau construit son parcours sans pôle France, sans sport-études, en squattant les groupes bretons et parisiens pour progresser. Après une carrière prometteuse en 470 puis en 49er, interrompue en 2003 à un an des Jeux d'Athènes pour des raisons économiques, il rejoint la Ligue de Voile de Normandie comme coach des 420. C'est là qu'il croise, dès 1999, de futurs champions : Charlie Dalin, Camille Lecointre - médaillée de bronze aux JO de Rio 2016 - Jérémie Mion, puis, plus tard, Guillaume Pirouelle. « On est juste un maillon de la chaîne », rappelle-t-il, avec modestie.La double casquette coach-régatier, pourtant, il la revendique. Le match racing d'abord, en équipe familiale avec Yann et Nathalie, sa femme, jusqu'à un ranking mondial de 3e avec Pierre-Antoine Morvan. Puis le TP52 Paprec, où il tient la barre depuis 2016 aux côtés de Loïck Peyron à la tactique, dans un équipage semi-amateur qui a terminé vice-champion du monde en 2025. Et enfin le Class40, où une révélation tardive l'emporte vers l'offshore : 5e de la Transat Jacques Vabre 2017, 6e en 2019, 3e en 2021 avec Jérémie Mion, avant la consécration : vainqueur de la Transat Café l'Or 2025 sur Seafrigo-Sogestran avec Guillaume Pirouelle, avec 7 minutes d'avance après 19 jours de traversée.Derrière cette performance, il y a un projet. Cédric Chateau a monté celui-ci comme une filière de formation normande, passant le relais de Mion à Pirouelle, et bientôt à un jeune coureur inconnu en 2027. L'ambition est claire : faire du Havre ce que Lorient est à la Bretagne, un écosystème complet où les talents n'ont plus besoin - s'ils le souhaitent - de migrer vers l'Ouest pour exister.Diffusé le 17 avril 2026Générique : In Closing – Days PastPost-production : Théo LevillainHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

What does it take to bridge two wine worlds?  Lenz Moser has made 75 trips to China over 21 years, transforming from curious visitor to pioneering winemaker at Chateau Changyu Moser XV in Ningxia. As the fifth generation of Austria's legendary Lenz Moser wine family, whose grandfather invented the revolutionary trellising system used across Europe. In this episode, we discuss how Lenz brought his vision and winemaking wisdom to China's emerging wine frontier. After managing Austria's pre-eminent winery and serving as General Manager for Robert Mondavi in Europe, he turned his attention east in 2005. In this episode, Lenz shares his journey from that first overwhelming moment in Beijing Airport to becoming the winemaker Chateau Changyu Moser XV in Ningxia. We discuss how he spent 10 years building trust before Changyu appointed him head winemaker, and why understanding China's contradictions: patience versus speed, became essential to his success. He reveals the secret behind Ningxia's world-class wines: the smallest Cabernet Sauvignon berries on earth, grown in a desert terroir that went from unknown to World Atlas of Wine recognition in just over a decade.   Since 2016, Bottled in China brings you into the food and drink scene through conversations with the some of the most happening personalities. Hosted by Emilie Steckenborn, the show is your one spot for all things wine, food and beverages from across the world. Connect with us on LinkedIn or Instagram @bottled.in.chinaPodcast available on iTunes, Spotify , online or wherever you listen to your episodes! Subscribe to Bottled in China to follow the journey!Check out our new website & find out more at https://www.thebottledshow.com

 Years-Long Battle Drags OnPitt, 62, and Jolie, 50, have been embroiled in this dispute since their marriage, stemming from their 2022 lawsuit filed by Pitt against Jolie for allegedly selling her stake in Chateau Miraval to Stoli without his consent. Brad Pitt Takes AimIn a recent status report, Pitt's legal team opposed Jolie's push for further delay, stating, "This proceeding has been pending for more than four years.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode of the No One Fights Alone (NOFA) Podcast, Brad sits down with Dr. Trevor Wilkins — widely known as the “Angry Viking Therapist” — for a direct, no-nonsense conversation about mental health, trauma recovery, and what it actually takes to heal in high-stress professions.With a background that spans law enforcement, emergency medicine, and advanced clinical work, Dr. Wilkins brings a rare dual perspective to the conversation. As both a former first responder and a trauma specialist, he understands firsthand the psychological toll that public safety careers can take — and the barriers that often prevent people from getting help.Brad and Trevor dive into the realities of mental health in law enforcement, fire service, EMS, and military communities, where exposure to trauma is constant and the expectation to remain strong often leads to silence. Trevor challenges traditional thinking around therapy and emphasizes the importance of practical, effective treatment over surface-level conversations.The discussion highlights how trauma, burnout, PTSD, and anxiety develop over time — not just from a single incident, but from cumulative exposure to stress and critical incidents. Trevor explains why many first responders struggle to recognize when they are affected and how untreated trauma can impact performance, relationships, and long-term well-being.Topics discussed include:• First responder mental health and trauma • PTSD, burnout, and cumulative stress • Breaking stigma around therapy in public safety • EMDR (Eye Movement Desensitization and Reprocessing) • Rational Emotive Behavior Therapy (REBT) • Practical approaches to trauma recovery • Mental health leadership and accountabilityDr. Wilkins also breaks down how EMDR and other evidence-based therapies work to process traumatic memories and help individuals move forward without being controlled by past experiences. His approach focuses on results — helping first responders regain clarity, stability, and control over their lives.Brad and Trevor emphasize that seeking help is not weakness — it is a necessary step in maintaining performance, protecting relationships, and sustaining a long-term career in high-responsibility environments.This episode is especially valuable for law enforcement officers, firefighters, EMS professionals, military personnel, and anyone operating in high-pressure roles who may be struggling with stress, trauma, or burnout.• Trauma in first responders is often cumulative, not just event-based • Effective therapy requires actionable tools, not just conversation • EMDR and REBT are powerful methods for processing trauma • Mental health support improves both personal life and job performance • Breaking stigma starts with honest conversations and leadershipThe No One Fights Alone (NOFA) Podcast features real conversations about mental health, trauma recovery, addiction, resilience, leadership, and suicide prevention within first responder, military, and high-pressure professional communities. Through honest dialogue and lived experience, the show works to reduce stigma, strengthen peer support, and provide meaningful insight for those who serve — and the families who support them.Sponsored by Chateau Health & WellnessThis episode is proudly sponsored by Chateau Health & Wellness, a trauma-focused residential treatment program serving first responders, veterans, and professionals navigating PTSD, depression, anxiety, and substance use challenges.Chateau provides clinically sophisticated, relationship-centered care designed specifically for individuals in high-responsibility roles who need treatment that understands both the demands of the profession and the person behind it.Learn more or connect with their team at: www.chateaurecovery.com

Pavel and government at odds over NATO summit; WWII hero Peřina remembered; Mark Baker on 1990s Prague English-language media; Kačina Chateau's grand library.

René Chateau débute sa vie comme carreleur à l'âge de 14 ans, et son moment d'évasion, c'est le cinéma. C'est là, disait-il, qu'il avait rencontré ses pères spirituels, Gary Cooper, Errol Flynn, Burt Lancaster et Kirk Douglas dans "Règlement de comptes à OK Corral". L'histoire de cette collection en vente ce jeudi chez Millon, c'est d'abord donc l'histoire d'un collectionneur, pas compulsif mais passionné. Ecoutez La tentation du soir avec Laurent Marsick du 07 avril 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

It is carzy interesting to me that a winery as young as Quintus, in such an established and historical area as Saint Emilion, can make such waves when virtually in it's infancy as a winery.  Michel Roland (we just lost him), the famed oenologist once told a friend of mine that now that it is established she can grow wine grapes at her vineyard, it will take 100 years to know what it really can do. Enter the Chateau Quintus, a winery in the famed Right Bank Bordeaux appelation; Saint Emilion. The fertile ground where Chateau Cheval Blanc, Chateau Angelus and Petrus call home, is now the birthplace of the upstart Chateau Quintus. Up start only in the sense that it is a youngin' having only been established in 2011. To have been able to create such concentrated, complex wine in such a short time would have been unheard of in the earlier days of Bordeaux; meaning, how could this happen? It has taken dozens of years for other Chateau to learn of their own pedigree...hear the story here.   YouTube: https://youtu.be/ghXyTJCZe0M #wine #Bordeaux #SaintÉmilion #ChâteauQuintus #PaulKalemkiarian #NilsVaincot #winetasting #terroir #GrandCru #wineclassification #RightBank #LeftBank #Merlot #CabernetFranc #Oscars #winetourism #hospitality #blindtasting #DomaineClarenceDillon #wineemotion #masterclass

In this episode of the No One Fights Alone (NOFA) Podcast, Kevin sits down with Sheridan Rhine — firefighter, paramedic, and Firefighter Training Instructor — for a raw and deeply personal conversation about trauma, resilience, and the reality of life in the first responder world.Sheridan shares his journey into the fire service, from a young man searching for direction to building a career across volunteer, career, and specialized roles including paramedic work, flight medicine, and critical incident response. Along the way, he opens up about the mentorship that helped shape him, the lessons learned through adversity, and the responsibility of passing that knowledge on to the next generation of firefighters.Kevin and Sheridan dive into the emotional weight of the job — from early exposure to death and traumatic calls, to the cumulative stress that builds over years of service. Sheridan shares firsthand experiences from some of the most difficult calls of his career, including pediatric trauma, fatal accidents, and the chaos of working through high-pressure environments like COVID response and understaffed systems.The conversation takes a powerful turn as Sheridan opens up about his own mental health struggle — a breaking point fueled by years of unprocessed trauma, relentless workload, and personal life challenges. His story highlights the reality that mental health injuries in first responders are often not caused by one single event, but by a buildup of experiences over time.Kevin and Sheridan also discuss the importance of mentorship, accountability, and leadership within the fire service — especially for younger firefighters coming from difficult backgrounds. Sheridan shares how his own mentor changed the trajectory of his life and how he now carries that responsibility forward by investing in others.• Firefighter and paramedic mental health • Critical incident stress and cumulative trauma • Pediatric calls and emotional impact • COVID response and first responder burnout • Suicide prevention and mental health awareness • Mentorship and leadership in the fire service • Accountability, resilience, and personal growthSheridan also shares how his experiences led him to develop and teach mental health training for first responders — equipping others with tools, perspective, and resources to navigate the psychological challenges of the job before they reach a breaking point.This episode is a powerful reminder that behind every uniform is a human being carrying experiences most people will never fully understand — and that healing begins when those experiences are talked about openly.Whether you serve in fire service, EMS, law enforcement, military, or support someone who does, this conversation offers both perspective and hope.About the No One Fights Alone PodcastThe No One Fights Alone (NOFA) Podcast features real conversations about mental health, trauma recovery, addiction, resilience, leadership, and suicide prevention within first responder, military, and high-pressure professional communities. Through honest dialogue and lived experience, the show works to reduce stigma, strengthen peer support, and remind listeners that no one has to face these challenges alone.This episode is proudly sponsored by Chateau Health & Wellness, a trauma-focused residential treatment program serving first responders, veterans, and professionals navigating PTSD, depression, anxiety, and substance use challenges.Chateau provides clinically sophisticated, relationship-centered care designed specifically for individuals working in high-responsibility roles who need treatment that understands both the demands of the profession and the person behind it.Connect with their team at: www.chateaurecovery.com

Meet John Baker, Sydney wine merchant turned Indiana Jones turned author of Stalin's Wine Cellar, one of the most eye-opening wine stories you're likely to hear. In the first part of this real-life account, John recounted how he'd got a tip-off about a mysterious wine cellar in Tbilisi, Georgia, apparently chock full of the greatest wines in the world, some more than a hundred years old. What's more, the cellar came with an astonishing story of provenance and ownership...It was, in short, a wine lover's fever dream. So of course John decided to investigate, soon finding himself in the wild west of wine: a world of cash and guns and enforcers and high-speed races through the streets of Tbilisi. Not to mention heart-rending breakages, the odd death threat - and unicorn wines aplenty.In this second and concluding part of this narrative two-parter, John grapples with Georgian agendas and threats while attempting to investigate the authenticity of the wines, including a trip to Chateau d'Yquem that is memorable for all the wrong reasons. As well as adding extra detail, context and humour, John adds a final piece of exciting news by way of conclusion.Thanks for tuning in. We love to hear from you so please do get in touch! Send us a voice message via Speakpipe. Or you can find all details from this episode, including some illuminating photos, on our website: Show notes for Wine Blast S7 E22 - The Story of Stalin's Wine Cellar PART TWOTo support the show, enjoy subscriber-only bonus content as well as early access to all episodes plus full archive access, not to mention subscriber benefits and giveaways, subscribe to Wine Blast PLUS at wineblast.co.ukInstagram: @susieandpeter

In this episode of the No One Fights Alone (NOFA) Podcast, Brad sits down with Bridget Truxillo, JD — former Deputy Sheriff, SWAT team member, and founder of Lady Law Shield — for a powerful conversation about law enforcement, leadership, and the often-overlooked legal pressures first responders face.Bridget brings a unique and well-rounded perspective shaped by her time in patrol, her work in a Narcotics and Organized Crime Unit (NOCU), and her experience serving on a SWAT team in Florida. Having operated in high-risk environments, she understands firsthand the realities of split-second decision-making, internal agency dynamics, and the scrutiny law enforcement officers face both on and off duty.During the conversation, Brad and Bridget explore the challenges officers encounter not only in the field but within their own organizations — including administrative pressure, legal vulnerability, and the mental weight of constantly operating under a microscope. Bridget shares how these experiences ultimately led her to pursue a law degree, driven by a desire to continue serving the law enforcement community in a different and impactful way.After transitioning out of active duty, Bridget founded Lady Law Shield, an organization designed to support law enforcement officers and first responders by helping alleviate the legal stress that can come with the job. Her mission is centered around providing accessible legal protection, guidance, and peace of mind so officers can focus on their work, their families, and their overall well-being.Brad and Bridget also discuss:• Legal challenges in law enforcement careers • Officer liability and decision-making under pressure • Internal agency dynamics and stress • Transitioning from law enforcement to new purpose • Supporting first responders beyond the badge • Building a more balanced and sustainable life • Reducing stress through legal preparednessBridget emphasizes that many first responders carry unseen legal and professional burdens that can impact their mental health, family life, and long-term career outlook. By addressing these concerns proactively, she believes officers can operate with more confidence, clarity, and stability.This episode offers valuable insight for law enforcement officers, first responders, and anyone interested in understanding the intersection of public safety, legal protection, and personal well-being.To learn more or connect with Bridget, you can reach her at: Hello@ladylawshield.comAbout the No One Fights Alone PodcastThe No One Fights Alone (NOFA) Podcast features real conversations about mental health, trauma recovery, addiction, resilience, leadership, and suicide prevention within first responder, military, and high-pressure professional communities. Through honest dialogue and lived experience, the show works to reduce stigma, strengthen peer support, and provide meaningful insight for those who serve — and the families who support them.Sponsored by Chateau Health & WellnessThis episode is proudly sponsored by Chateau Health & Wellness, a trauma-focused residential treatment program serving first responders, veterans, and professionals navigating PTSD, depression, anxiety, and substance use challenges.Chateau provides clinically sophisticated, relationship-centered care designed specifically for individuals in high-responsibility roles who need treatment that understands both the demands of the profession and the person behind it.Learn more or connect with their team at: www.chateaurecovery.com

Wine is experiential. It is what the industry has to hang its hat on. Each glass needs to conjure up emotion, memories and a sense of being. My father bought his wine shop in 1969 and a started his academic journey to understand and promote wine. He took master classes before they were masterclasses: German Wine Academy, the Italian Wine Consortium and many more. He was a learner.  So when he was telling me a story about one of the most emotional wines he had ever tasted, and how he had waited in a long line to get a thimblefull of a taste, it was required listening. That day at a Hueblien auction, they were auctioning the iconic 1921 Chateau d'Yquem and I believe the auctioneer was the famed Michael Broadbent. When I heard that Lorenzo Pasquini, the Director of Chateau d"Yquem was going to be in LA, I created a stir of inquiries to get him on the podcast. We ended up at Wallys famed wine bar and restaurant for a sit down episode of the show. I have to tell you that sitting down with Lorenzo Pasquini at Wally's in Beverly Hills was a breath of fresh air. It's not every day you get to share a table (and a glass) with the director of Château d'Yquem, one of the most storied estates in Bordeaux. Right from the start, Lorenzo hit me with a line that stuck: "Wine is by definition very human." As someone who's been fascinated by the soul and story of wine for decades, I couldn't help but smile. This wasn't going to be your average technical chat about barrels and Brix. Now, I like anecdotes—my dad was the king of them—and I come from a world where every wine has a memory attached. Lorenzo gets that. He talked about how Yquem isn't just a brand, or even a name, but something almost universal, capable of creating emotion in savvy collectors and absolute newcomers alike. It reminded me of my dad waiting in line for a thimble of '21 Yquem at the Hublin auction—the anticipation, the respect, the pure joy of tasting something almost mythical. We dug into the mystery of botrytis—the "noble rot"—and why it's at the heart of what makes Yquem so special. Lorenzo's insight was that it's not about control. There's an element of surrender and humility. You can prepare, observe, react, but ultimately you wait for nature to do her thing. That's the contrast, really, between technology-driven wines and those that are still, in essence, artisanal. There's a sense of patience and a sense of trust in the process that I find inspiring—and grounding. He made me think differently about the grapes themselves. I had always pictured noble rot as something pretty unappetizing. But Lorenzo described how, seen under a microscope, it's actually beautiful—almost poetic. Sometimes you just need to change your perspective to find the beauty, even when it comes to the fungus that transforms a grape. We compared vintages—the pure botrytis expression of 2013 versus the fruit-forward 2017 and the youthful vibrancy of 2023. Lorenzo talked about the pickers, some well into their seventies, able to discern the subtle aromas and select only the best bunches. There's a community behind Yquem, not just a technical team, and their wisdom and experience shape every harvest. It feels honest, real—less about chasing perfection, more about honoring the place and the moment. Of course, I had to bring up my penchant for pairing Sauternes with pot-au-feu—cordial glasses be damned. Lorenzo set me straight on the right glassware. More importantly, he reminded me (and our listeners) that sweet doesn't mean dessert. Yquem can go with just about anything, as long as the story and emotion are there. We talked about time travel—the unique thrill of opening a bottle from 1811, discovering a wine that's still alive, still evolving. It's about respecting history, but it's also about a relentless drive to improve, to find that extra tenth of a percent of quality. Lorenzo's journey—from Tuscany to Bordeaux, from Rome to Argentina—is a testament to the interconnectedness of the wine world. He sees France and Italy as two faces of the same medal. That resonated with me. In the end, whether you talk luxury branding or climate-driven sustainability, Yquem's story is about people, patience, the land, and the endless effort to express something honest and beautiful in every bottle. This was a conversation that didn't just inform—it inspired. That's the kind of insight I'm always looking for on Wine Talks. YouTube: https://youtu.be/hY9oZkhiwyI #ChateaudYquem #noblerot #Sauternes #Bordeauxwine #LorenzoPasquini #PaulK #wineemotion #terroir #vintagewines #winetasting #artisanalwinemaking #sustainability #LVMH #wineindustry #aromaticcomplexity #luxurybrand #Frenchwinehistory #grapeharvesting #organicviticulture #timetravelwine  

In this episode of the No One Fights Alone (NOFA) Podcast, Brad sits down with Commander Eric Tong, an 18-year law enforcement veteran and founder of Blue Grit Wellness, for a powerful conversation about leadership, identity, and personal growth within the law enforcement profession.Eric shares the story behind his path into policing, shaped by his upbringing as the child of immigrants and early exposure to crime and violence in his community. Driven by a deep desire to serve and make a difference, Eric pursued a career in law enforcement with a focus on protecting others and contributing to something larger than himself.Brad and Eric explore the strong sense of brotherhood and camaraderie that exists within law enforcement — a bond that often becomes a defining part of identity for those in the profession. Eric reflects on how this connection helped shape his development, providing mentorship, direction, and a sense of belonging during his early years on the job.The conversation also dives into Eric's personal struggle with perfectionism and the lessons he learned along the way. Influenced by high expectations growing up, Eric initially approached his work with an all-or-nothing mindset. Over time, he came to understand the importance of balance, embracing the idea that “a good plan now is better than a perfect plan later.” This shift allowed him to operate more effectively under pressure and avoid burnout.As Eric progressed into leadership roles, his perspective continued to evolve. He discusses the challenges of letting go of control, trusting others, and allowing team members to learn through experience. Brad and Eric highlight how effective leadership in law enforcement is not about perfection, but about creating an environment where growth, accountability, and resilience can develop naturally.Topics discussed include:• Law enforcement leadership and career development • First responder mental health and identity • The role of brotherhood and camaraderie • Perfectionism and performance under pressure • Decision-making in high-stress environments • Mentorship and developing future leaders • Personal growth and self-awareness in policingEric also shares insight into his work with Blue Grit Wellness and his mission to support the mental, physical, and emotional well-being of first responders through leadership development and wellness strategies.This episode offers valuable perspective for anyone in law enforcement, public safety, or leadership roles — and serves as a reminder that growth often comes from challenging your own mindset and allowing both yourself and others the space to evolve.About the No One Fights Alone PodcastThe No One Fights Alone (NOFA) Podcast features real conversations about mental health, trauma recovery, addiction, resilience, leadership, and suicide prevention within first responder, military, and high-pressure professional communities. Through honest dialogue and lived experience, the show works to reduce stigma, strengthen peer support, and provide meaningful insight for those who serve — and the families who support them.Sponsored by Chateau Health & WellnessThis episode is proudly sponsored by Chateau Health & Wellness, a trauma-focused residential treatment program serving first responders, veterans, and professionals navigating PTSD, depression, anxiety, and substance use challenges.Chateau provides clinically sophisticated, relationship-centered care designed specifically for individuals in high-responsibility roles who need treatment that understands both the demands of the profession and the person behind it.Learn more or connect with their team at: www.chateaurecovery.com

Welcome to Episode 264 of The Burning Bush Podcast, where we share the message of the Bible while enjoying a good cigar. In this episode we're reading the New Testament book of Galatians Chapter 4 with commentary from the notes in the Charles Spurgeon Study Bible, and I'm smoking the Drew Estate Chateau Real Connecticut Shade Gran Templar 6x50.Charles Spurgeon Study Bible: https://csbspurgeonstudybible.csbible.com/Drew Estate Chateau Real Connecticut Shade Gran Templar 6x50: https://www.cigarsinternational.com/p/drew-estate-chateau-real-connecticut-shade-cigars/2054532/Listen and subscribe at: https://www.theburningbushpodcast.comYouTube: https://music.youtube.com/playlist?list=PL2xuUIvnTwNsmlHN2fxlidI6Zhgt-GPB7&si=t0IqlNyWtCYOiSwHRumble: https://rumble.com/user/SteveMcHenryEmail: steve@theburningbushpodcast.com#TheBurningBush #Podcast #Scripture #Theology #Jesus #Bible #Christian #GroundworksMinistries #Cigars #BOTL #SOTL #HolySmokes #TreatsNTruth #LogosBibleSoftware #CharlesSpurgeon #SpurgeonStyle #DrewEstate #DE4LSUPPORT THE SHOW & OUR PARTNERSCash App - http://cash.app/$StevenJMcHenryVenmo - https://www.venmo.com/u/Steve-McHenry-3Paypal - http://paypal.me/SteveMcHenrySend me a Text MessageGroundworks MinistriesPromoting the "chapter-a-day" reading of God's Word.Treats-N-Truth MinistryHelping those in need through the love & grace of God.The Burning Bush Merchandise StoreGet your Burning Bush Podcast swag here!Logos Bible SoftwareA digital library and Bible study platform for in-depth study, sermon prep, and academic research.Instacart - Groceries delivered in as little as 1 hour.Free delivery on your first order over $35.Buzzsprout - Let's get your podcast launched!Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

In this episode of the No One Fights Alone (NOFA) Podcast, Brad sits down with firefighter Johnny Lawton for an honest and laid-back conversation about recovery, resilience, and rebuilding a life after facing personal struggles.Johnny brings a lifetime of service and experience to the discussion. He served for 20 years in the Washington National Guard and spent 11 years as a firefighter in a major city fire department, working as a Driver and Aerial Operator. Outside of his public safety career, Johnny has also worked as a civilian auto mechanic and residential electrician, while raising four children and navigating the responsibilities of family life.Like many first responders and veterans, Johnny faced challenges that eventually led him to seek help. In this episode, he shares his journey through recovery and what it took to confront the difficult realities that many people in high-stress professions experience but rarely talk about openly.Brad and Johnny explore the pressures that come with serving others while quietly carrying personal struggles. Johnny discusses how his path eventually led him to the Chateau Residential Treatment Program, where he was able to step away, focus on healing, and begin rebuilding the life he wanted for himself and his family.Throughout the conversation, Johnny's laid-back and honest perspective shines through as he unpacks the lessons he has learned along the way. He talks about what recovery looks like in everyday life, how he stays grounded in his values, and the importance of showing up as the father and person he wants to be.Topics discussed include:• Firefighter mental health and recovery • Veteran transition and life after service • Addiction recovery and personal accountability • The impact of stress and trauma in first responder careers • Fatherhood and rebuilding family relationships • Finding purpose and direction after treatment • Living a life aligned with personal valuesBrad and Johnny emphasize that recovery is not a single moment but a daily commitment to growth, honesty, and connection. Johnny's story offers encouragement for anyone who may be struggling — especially those who feel pressure to appear strong while carrying heavy burdens.Whether you serve in law enforcement, fire service, EMS, military, corrections, or support someone who does, this episode is a reminder that change is possible and that choosing a different path can lead to a stronger future for both yourself and your family.About the No One Fights Alone PodcastThe No One Fights Alone (NOFA) Podcast features real conversations about mental health, trauma recovery, addiction, resilience, and suicide prevention within first responder, military, and high-pressure professional communities. Through honest dialogue and lived experience, the show works to reduce stigma, strengthen peer support, and remind listeners that no one has to face these challenges alone.Sponsored by Chateau Health & WellnessThis episode is proudly sponsored by Chateau Health & Wellness, a trauma-focused residential treatment program serving first responders, veterans, and professionals navigating PTSD, depression, anxiety, and substance use challenges.Chateau provides clinically sophisticated, relationship-centered care designed specifically for individuals working in high-responsibility roles who need treatment that understands both the demands of the profession and the person behind it.Learn more or connect with their team at: www.chateaurecovery.com

2026 marks the 100th anniversary of the birth of John Coltrane, one of the most influential musicians in jazz history. Join guest host Rodney Stepp as we celebrate Coltrane's centennial by exploring his connections to Indiana Avenue. Indianapolis musicians were part of Coltrane's story from the very beginning. Coltrane credited the Naptown bandleader Joe Webb with providing one of his first professional gigs. Coltrane himself appeared on the Avenue at least twice during his career, including a week-long residency at the Chateau de Count & Eve. Join us for music exploring Coltrane's work with Naptown musicians including Joe Mitchell, Freddie Hubbard, J.J. Johnson, Ray Appleton, and Buddy Montgomery.

In the first part of this two part story about the Chateau De Amerois we learnt about the known history of this place and the deeply traumatic space it is surrounded by. A forest filled with the trauma of war and patriarchy.Now, Anne will be taking us into an even darker side - the stories of it's ghosts and the trembling wails of those that crossed the path of this building.On the surface it's known as a royal retreat, once connected to the Belgian monarchy and carefully kept out of public reach. But locals will tell you the woods around Amerois have always carried a certain heaviness — the kind of place where sound seems to vanish between the trees and the air feels older than the castle itself.Visitors have reported strange lights moving through empty rooms long after midnight. Staff have spoken quietly about footsteps on upper floors when no one else was there… doors opening on their own… and the uneasy sense that certain parts of the château simply don't want to be entered.But the most unsettling stories aren't about shadows in corridors.They're about a presence tied to the history of the estate itself — something that may have followed the royal family there… and never quite left.Tonight we're heading into the forests of southern Belgium, to a castle where privilege, secrecy… and something far older than either may still linger behind locked doors.WE NOW HAVE A SKOOL PAGE - https://www.skool.com/frightfully-good-paranormal-6267A community for curious minds exploring the paranormal with open minds, critical thinking, and healthy skepticism.

In this milestone 150th episode of the No One Fights Alone (NOFA) Podcast, Austin, Kevin, and Brad come together for a reflective and honest conversation about the journey of building a platform dedicated to first responder and veteran mental health.What started as a mission to normalize conversations around trauma, addiction recovery, resilience, and peer support has grown into a powerful community of listeners who understand the weight carried by those in law enforcement, fire service, EMS, military service, corrections, and other high-responsibility professions.This episode is less interview and more real conversation — a chance for Austin, Kevin, and Brad to pause, reflect, and express gratitude for the opportunity to bring meaningful dialogue to the first responder and veteran community. They discuss the joy of offering authentic conversations, the responsibility that comes with speaking into sensitive topics like PTSD and suicide prevention, and what it means to stay grounded in purpose as the show continues to grow.The conversation then shifts into a deeper discussion on integrity — living a life aligned with personal values and avoiding the quiet betrayal that can happen when someone drifts from who they truly are. The hosts explore how careers in high-stress environments can sometimes pull individuals away from their core identity, and why self-awareness, accountability, and connection are critical to long-term mental health.Austin brings insight rooted in recovery and personal growth. Brad shares perspective shaped by a career in law enforcement and leadership. Kevin adds reflections from his work in the behavioral health and trauma treatment space. Together, the three offer wisdom from different vantage points but with a shared mission: helping people live strong, connected, and value-driven lives.Topics discussed include:• First responder and veteran mental health • Trauma, resilience, and long-term recovery • Leadership and integrity under pressure • Identity beyond the badge or uniform • Avoiding value drift and personal burnout • Gratitude, growth, and sustaining purpose • Brotherhood and peer supportThis episode serves as both a celebration and a recommitment — a reminder that meaningful conversations can change lives, and that living with integrity matters just as much off the job as it does on it.Whether you've been with NOFA from the beginning or are just joining the community, this 150th episode reflects the heart behind the mission: honest dialogue, real stories, and the belief that no one has to navigate trauma, stress, or recovery alone.About the No One Fights Alone PodcastThe No One Fights Alone (NOFA) Podcast features real conversations about mental health, trauma recovery, addiction, resilience, leadership, and suicide prevention within first responder, military, and high-pressure professional communities. Through lived experience and open dialogue, the show works to reduce stigma, strengthen peer connection, and provide practical insight for those who serve — and the families who support them.Sponsored by Chateau Health & WellnessThis episode is proudly sponsored by Chateau Health & Wellness, a trauma-focused residential treatment program serving first responders, veterans, and professionals navigating PTSD, depression, anxiety, and substance use challenges.Chateau provides clinically sophisticated, relationship-centered care designed specifically for individuals working in high-responsibility roles who need treatment that understands both the demands of the profession and the person behind it.Learn more or connect with their team at: www.chateaurecovery.com

Détenu de manière préventive dans le Chateau du Taureau, alors que la révolution de la Commune éclate à Paris, le théoricien socialiste Auguste Blanqui (1805-1881) n'a d'autre choix que de regarder l'horizon depuis sa cellule. De cette observation du ciel nocturne va naitre “L'Eternité par les astres” texte surprenant du révolutionnaire, qui allie contemplation, théorie scientifique spéculation politique à la lisière de l'écologie politique. Un texte et une longue filiation, analysés par Léa Bismuth dans “Etoiles communes. Vers une écologie cosmique” (Actes Sud) sujets traités : baie, Morlaix,Bretagne, Auguste Blanqui, révolution, Commune , Paris, écologie Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Episode 519: I will discuss the Bob and Betty Sanders Show on WBBM-AM 780 in Chicago, and Mangam's Chateau Restaurant in Lyons, IL.

We return to the Escher drawing that is the Chateau d'Amour Inconnu, situated on an island that continues to baffle us with its weird geography. Yes, the twins have arrived at their new royal workplace, where their employers are charming but they are expected to sleep in a filthy garret. While Jessica skives off from her duties - looking after children who reinforce our belief that no one involved in the Pascalverse has ever met an actual child – Liz spots a mysterious stranger thrusting his sword outside a cottage (get your minds out of the gutter, people). Has she met her destiny? Todd was right to set her free...  Remember, if you can help us expand our SVU collection, which we would really appreciate, you can see what we need here and mail us at ⁠svhpodcast@gmail.com⁠: ⁠https://docs.google.com/spreadsheets/d/1wgq5a-0C3zoTC065tOzJmSkI2kNBBe2K38Hu8jn8qg8/edit?usp=sharing⁠  This show is part of the HeadStuff Podcast Network. For more, go to ⁠HeadStuffPodcasts.com⁠, where you can also become a member of HeadStuff+ and get exclusive access to bonus material and lots more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Behind locked gates in the Ardennes forest sits a château most people have never heard of — and that's exactly how some would prefer it. Château d'Amérois isn't splashed across tourist brochures or wedding websites. It doesn't trade on Instagram sunsets or glossy heritage grants. It sits quietly in Belgium, wrapped in trees and whispers, with a history that feels… curated. And whenever history feels curated, I start asking questions.On paper, it's aristocracy. Royal connections. Nobility. Perfect stonework and manicured grounds. But scratch just a little deeper and the story shifts tone. Rumours of secretive gatherings. Claims of ritual activity. Stories that refuse to sit neatly in the “just a beautiful old castle” category. Now — are all of those claims documented fact? No. And we'll separate what is provable from what is pure speculation, because that's how we do things here. But the sheer persistence of the allegations surrounding this place is enough to make even the most hardened sceptic lean forward.Tonight, we're stepping inside Château d'Amérois — not as gossip hunters, not as conspiracy chasers, but as investigators of narrative. What is known. What is alleged. And why certain buildings seem to attract stories that cling like damp to stone walls. Because sometimes a haunting isn't about a ghost in the corridor… sometimes it's about power, secrecy, and the uncomfortable feeling that something happened behind those doors that never quite made it into the official record. Stay with us. This one is layered.But a warning - if you feel that listening to a darker tale that may involve talk about abuse is too much for you, please look after yourself and consider if this episode is for you.We have also had to split this story into two parts - this episode delves into the history of the site.Our next episode expands on the mythology and what has been said to occur behind closed doors and away from the eyes of the world.When people throw mud - some of it will always stick.WE NOW HAVE A SKOOL PAGE - https://www.skool.com/frightfully-good-paranormal-6267A community for curious minds exploring the paranormal with open minds, critical thinking, and healthy skepticism.

One-on-one pod today, Chris is in New York, and Jason is home in Los Angeles. We chat about the Sombr party at the Chateau, the evolution of slop, the world discovers San Francisco as Chris attends the Thom Browne GQ party, Ryan Gosling's football throw, the bedazzled Beats By Dre, a deep dive on Bronwyn Newport, we predict the eventual first openly gay megachurch evangelist, a right-wing food platform ala Bon Appétit test kitchen, and our super bowl plans. twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Bienvenue, listeners! Yes, we're living through the longest, grimmest winter ever, but Jessica and Elizabeth are heading to the south of France again (or as the ghostwriter would have us believe, the first time. René who?) to spend the summer (what summer? Who cares!) as au pairs. To our great delight, Todd basically tells Liz he can't trust her and sets her free for the summer. You'd think she'd be delighted given her previous antics but she spends the entire journey to the Chateau d'Amour Inconnu crying and sulking. Unlike Jessica, who strikes up an instant rapport with a hot young Frenchman and his roguish father. Jessica's fallen in love - but can Jacques and Louis be trusted? All we know is they're both too good for the Wakefields. And as they head south, meanwhile, down at the Chateau, a young prince confronts his destiny - and has a prophetic dream...  Remember, if you can help us expand our SVU collection, which we would really appreciate, you can see what we need here and mail us at svhpodcast@gmail.com: https://docs.google.com/spreadsheets/d/1wgq5a-0C3zoTC065tOzJmSkI2kNBBe2K38Hu8jn8qg8/edit?usp=sharing  This show is part of the HeadStuff Podcast Network. For more, go to HeadStuffPodcasts.com, where you can also become a member of HeadStuff+ and get exclusive access to bonus material and lots more. Learn more about your ad choices. Visit megaphone.fm/adchoices

I have to say that I can pick ém. My love of Bordeaux and the volume of Bordeaux I have tasted has lead me to Chateau Haut Bailly. Under the tootlidge of Veronique Sanders-Van Beek, the winery continues to make great strides not only in quality, but developing the experience of wine. You see, wine it not just a beverage, it has a soul, a connection, an expression of its place and of it's time. I have been fortunate enough to consider Veronique a friend and I look for opportunities to tell the story of the Chateau. Here I speak with Cyprien Chamanhet, Marketing Director of the Chateau. I have to tell you, having Cyprien Champanhet from Chateau Haut-Bailly in the studio was a real treat and just the sort of conversation that reminds me why I love hosting Wine Talks. We sat down in Southern California on a January day, and from the get-go, Cyprien brought an honest and unpretentious energy to the discussion—he cuts straight to the point. "Do you like the wine?" he asked, and it was refreshing to hear someone in the trade boil things down to pleasure and emotion, not just technical complexity. Even with fine wines, the fundamental goal is enjoyment. That's a sentiment I think too often gets lost in the shuffle in our industry, which can sometimes take itself a bit too seriously. We quickly dove into the DNA of Chateau Haut-Bailly. Cyprien is both Sales Director and Marketing Communications Director, but more than wearing official hats, he embodies what makes the estate special—the constant drive to improve, to question, and to never stand still. It's not that they have some rigid, well-documented strategy; it's woven into their identity. Every decision they make at the château pivots on the question: will this improve the wine, the hospitality, or the relationships with their partners? That's where the magic really happens, not just in boardrooms, but passing in the vineyards, talking among the team, and always with the Wilmers family, their deeply involved owners. Speaking of the Wilmers, Cyprien talked about Chris Wilmers, their chairman, and professor of ecology at UC Santa Cruz. Now, there's a boardroom influence that definitely filters down into the vines—and you see it in their approach to sustainability. It's much more than lip service. The château doesn't use weed killers or insect killers, maintains century-old vines, and considers not just organic or biodynamic approaches, but a kind of "third way" that balances environmental impact, carbon footprint, and even workers' and neighbors' health. I love seeing how that academic, ecological mindset brings practical, tangible benefits to the vineyard. It's a beautiful fusion of tradition and progress. We did some deep thinking around terroir—that mysterious, oft-referenced concept that supposedly starts and ends in soil. But as I prodded Cyprien, he agreed terroir extends into philosophy, history, and—yes—the boardroom. The energy and ethos of a place, its leadership, and the team all seep into the bottle. That's why I've never bought the idea of "bad vintages" at places like Haut-Bailly. As long as what's in the bottle is an honest expression of what nature and experience handed you that year, it brings emotion and memory—like a great piece of music with recurring themes and intriguing variations. One of my favorite moments came when Cyprien talked about how the industry tries to please the consumer—with supermarket formula wines versus character-driven bottles. He wasn't going to pander; at Haut-Bailly, the style is distinctive, loyal to its roots, and never sacrificed for fast trends. The real reward is in education and curiosity—getting people excited about differences in vintage, terroir, and story. And as we swapped stories about wine tourism, he lit up describing the new tasting room and the personal touch they offer visitors. Every guest becomes an ambassador, every experience becomes a memory, and suddenly, the conversation around the table at home is about what happened at the château, not just what's in the glass. I have to say, trading observations and anecdotes with Cyprien made me optimistic. We're in an industry built on pleasure, memory, and shared stories. And if you ask me, keeping it honest and humble—like Haut-Bailly does—will always be the real cutting edge.   YouTube: https://youtu.be/DuX-gXglUy8 #WineTalks #ChateauHaultBailly #Podcast #WineIndustry #Bordeaux #WineTourism #Sustainability #Terroir #Winemaking #WineExperience #WineEducation #FineWines #ConsumerDriven #WineEmotion #WinePleasure #WineMarketing #Sommelier #WineVintages #VineyardLife #WineConversation  

Ep 277 is loose! And we're telling the tale of the dazzling but deadly Hope Diamond...Where did the Hope Diamond come from? Who did it curse across history? And what did Mike the Dog have to do with its evil ways?!The secret ingredient is...a jeweller! Get cocktails, poisoning stories and historical true crime tales every week by following and subscribing to The Poisoners' Cabinet wherever you get your podcasts. Find us and our cocktails at www.thepoisonerscabinet.com Join us Patreon: https://www.patreon.com/thepoisonerscabinet Find us on TikTok: https://www.tiktok.com/@thepoisonerscabinet Follow us on Instagram: https://www.instagram.com/thepoisonerscabinet/ Find us on Facebook: https://www.facebook.com/ThePoisonersCabinet Listen on YouTube: https://www.youtube.com/@ThePoisonersCabinet Source this week include"Hope Diamond". Smithsonian InstitutionArchive articles in The New York Times. "The Secret History Of The Hope Diamond: How Pierre Cartier Sold A Cursed Jewel". "U.S. has Sun King's stolen gem, say French experts". Canada.com. "George Switzer; Got Hope Diamond for Smithsonian". The Washington Post.“Louis XIV: King of France and Navarre 1638-1715”. Chateau de Versailles“Assassination Attempt on King Louis XV by Damiens in 1757”. Chateau de Versailles“Delivering the Hope Diamond”. Smithsonian National Postal Museum "...the diamond's notorious past". PBS. Archived from the original on April 15, 2013.“When The Washington Post Covered Up A Presidential Scandal”. WETA Boundary Stones "Historical Time Line, The French Blue / Part I-III". The French Blue.“The Blue Hope Diamond Glows Red”. Smithosonian Story. August 19, 2009. Hosted on Acast. See acast.com/privacy for more information.

Fresh off a flight from LA, Vogue's cover star, Amanda Seyfried is back in New York and on The Run Through to talk about award season!“I will say my favorite part … was being at the A24 party at the Chateau,” says Seyfried reflecting on the Golden Globes that happened Sunday evening.  “I was just on the couch with a bunch of people that I like and don't ever see except at award shows.” Seyfried says she was surprised when a conversation in the Golden Globes ballroom with Jennifer Lawrence was picked up by cameras. “There are still moments when I forget that people are watching it,” says Seyfried. “It was a little bit unnerving when I saw that because I just believed, I guess, stupidly that it was a private conversation.” Seyfried was a two-time nominee at the ceremony for her roles in the Testament on Ann Lee and the television series Long Bright River. With award season in full swing, she's been working closely with her stylist Elizabeth Stewart to make sure she is red carpet ready. “We've been wearing a lot of Prada and we decided to wear a Versace [to the Golden Globes], which is always trusted and beautiful and classic as well. Away from Hollywood, Seyfried's wardrobe is much more casual as she cares for 52 animals on her farm upstate. “I'll wear the big tall muck boots,” says Seyfried. “The ones you can't drive a car in 'cause your foot can't reach the pedal.” Her animals include peacocks, chickens, goats, horses, donkeys and a new rescue rabbit named Bugsy that is a bit stand-offish. “He could be 37 years-old.” says Seyfried. “ I have absolutely no idea. He's got a droopy wet eye. But he's very nice it seems.”  In The Testament of Ann Lee directed by Mona Fastvold, Seyfried plays the titular character who is credited with creating the Shaker religious community in the mid-18th century. “The Shakers worshiped through song and dance,” says Seyfried on the challenge of undertaking the role as their leader.“The singing had to be second nature.” says Seyfried on her performance. “But with singing, I've always been judging myself as I've been doing it. Even in Les Mis, I wasn't present the way I was. So I had to let go of that very early on. And the key to that was she's human and I need to feel it. It's not about how it sounds. It's about how it feels. And I need the audience to become a Shaker for two and a half hours.”While promoting the film, Seyfried's 8 year-old daughter Nina was introduced to one of her mother's earlier roles in the cult classic Mean Girls. “She said that she didn't think it was that funny,” recalls Seyfried. “but she really loved my role. That was Nina's critique of Mean Girls at age eight.”The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Episode 580: A Vacation in Southern Brittany with Elyse takes you on a journey through one of France's most enchanting yet underrated regions. Host Annie Sargent and Elyse Rivin dive into the hidden treasures of Southern Brittany, sharing their firsthand experiences and insider tips. This episode is perfect for travelers who love history, coastal charm, and authentic French culture—without the crowds. Listen to this episode ad-free Annie and Elyse start by exploring the Château de Suscinio, a 1,000-year-old castle that was once the second home of the Dukes of Brittany. Recently restored, this fortress now offers interactive exhibits, medieval crossbow demonstrations, and even a moat filled with swans. Elyse shares fascinating stories about the castle's past, including how it was gifted to a royal mistress and later abandoned before being brought back to life. If you're traveling with kids (or just a kid at heart), you'll love the hands-on activities and the chance to step into a real-life fairy tale. Next, they head to Île d'Arz, a peaceful island in the Gulf of Morbihan. Known as the "Island of Captains," this tiny gem is packed with history, from prehistoric megaliths to a medieval church and a working tidal mill. Elyse describes the island's unique vibe, where women once ran the farms while their men sailed the seas. You can walk or bike around the entire island in a day, stopping at quiet beaches, local crêperies, and even a sailing school. Elyse's personal anecdotes—like trying sesame ice cream for the first time—make the island feel like a place you need to visit. The episode also covers practical tips for exploring Southern Brittany. Elyse recommends basing your trip in Vannes, a charming city with a lively market and easy access to the gulf's many islands. She and Annie discuss the best ways to get around, including boat tours and bike rentals, and why the region's strong tides make every visit to the coast a little different. For food lovers, Southern Brittany is a dream. Elyse raves about fresh oysters for just six euros a dozen and the local Breton spritz, a cider-based twist on the classic Aperol spritz. The region's seafood, crêpes, and artisanal treats are not to be missed. Whether you're planning a trip or just dreaming of one, this episode is your guide to the best of Southern Brittany. Annie and Elyse's conversational style makes you feel like you're right there with them, discovering hidden gems and soaking up the local culture. Subscribe to Join Us in France for more episodes like this—where history, food, and adventure come together. Perfect for anyone who wants to explore France beyond the usual tourist spots. Listen now and start planning your own Brittany escape! More episodes about Brittany and Normandy Table of Contents for this Episode [00:00:15] Introduction and Vacation Overview [00:00:29] Today on the podcast [00:00:57] Podcast supporters [00:01:32] Magazine segment [00:02:44] A Vacation in southern Brittany with Elyse [00:03:41] Exploring Brittany: Vannes and the Gulf of Morbihan [00:05:41] Visiting the Island of Arz [00:08:11] The Majestic Chateau of  Suscinio [00:09:14] Historical Significance and Restoration of Suscinio [00:19:40] Family Adventures at the Chateau [00:27:09] Exploring the Island of Arz [00:28:11] Tidal Activities and Coastal Walks [00:30:36] Historical Sites and Megaliths [00:32:47] Monastic Influence and Fertile Lands [00:36:09] Island of Sailors and Captains [00:37:41] Attractions and Activities [00:40:24] A Day in Arz: Personal Experiences [00:43:48] Concluding Thoughts on Brittany [00:47:17] Thank you Patrons [00:48:06] Self-Guided Tours and Reviews [00:50:29] Itinerary Consulting and Personal Updates [00:51:08] Personal update [00:51:54] Train Tickets and Public Transport Rules [00:56:32] Artisanal Mustard Production in France [01:00:50] Conclusion and Upcoming Episodes [01:00:53] Next week on the podcast [01:01:10] Copyright