Podcasts about Best Song

What makes the perfect song of the summer? Professor Devon Powers studies summer songs. She says every great summer songs usually has three things: a memorable chorus, a beat that makes you feel good and lyrics anyone can sing. In this episode of Profoundly Pointless we look a the last 25 years of Songs of the Summer. We talk making the perfect summer song, the behind the scenes marketing that turn ordinary songs into massive hits and why we sometimes don't have a song of the summer. Then, in the Pointless part of the show, we countdown the Top 5 Summer Songs. 00:00 Introducing Professor Devon Powers 00:58 What Makes a Good Summer Song 06:62 A Bar Song (Tipsy) by Shaboozey 09:23 Despacito by Daddy Yankee 10:19 Blurred Lines by Robin Thicke 11:55 Call Me Maybe by Carly Rae Jespen 15:38 The Simple Complexity of Summer Song 18:04 Old Town Road by Lil Nas X 19:30 Party Rock Anthem by LMFAO 21:21 The Best Song of the Summer 22:19 The Worst Song of the Summer 24:20 Timing the Song of the Summer 26:26 2026's Song of the Summer 27:37 Pointless 46:18 The Top 5 Summer Songs Contact the Show Devon Powers' Book on Trend Forecasting Devon Powers' Book on the Birth of Rock Criticism Learn more about your ad choices. Visit megaphone.fm/adchoices

Music from: Axel the Sot, Bard of the South, Village Idiots, Coeur De Lion, Jenneth Tollin, New World Renaissance Band, Jolly Rogues, Celtic Stone, Belles of Bedlam, Lark the Harper, Kerridwynn, Cross Rogues, Owl Morrisson, In Our Cups, The Hooligans, Culchies, Mickle a Do, Iris and Rose, Maidens III, The Shantyman (Gregg Csikos), Belles of Bedlam, Galamor the Bard VISIT OUR SPONSORS Bawdy Podcast Happy To Be Coloring Pages RESCU The Patrons of the Podcast The Ren List SONGS Song 01: Till the Jug is Dry [02] by Axel the Sot from The Best of Axel The Sot www.facebook.com/pg/Axel-the-Sot-145245625508912 Song 02: Last Princess Of Wales by Bard of the South from The Minstrel Boy www.bardofthesouth.com/ Song 03: South Australia [16] by Village Idiots from Guardians of the Renfaire www.facebook.com/the.village.idiots/ Song 04: Queen's Lunch by Coeur De Lion from Coeur De Lion www.mpetersco.com/CDL/ Song 05: She Moved Through The Faire [13] by Jenneth Tollin from The Bardic Wyrd www.youtube.com/playlist?list=OLAK5uy_k-P7A6YetaThhJ-0wlYUSQ10LQAo4Ik4I Song 06: My Fate [01] by New World Renaissance Band from Poets, Bards, & Singers Of Song[01] Song 07: Old Maui [07] by Jolly Rogues from Hicks the Pirate www.jollyrogues.com Song 08: Little Beggarman [03] by Celtic Stone from Celtic Stone Song 09: Finnegan's Wake [02] by Belles of Bedlam from Folked Up! www.facebook.com/bellesofbedlam Song 10: Loch Lomond [08] by Lark the Harper from Soothing Sounds For Shattered Psyches Song 11: Drunken Sailor [11] by Kerridwynn from Castleton's Best Song 12: Pull Down Below [02] by Cross Rogues from Another Round[03] www.jesselinder.bandcamp.com/ Song 13: Bedlam Boys [08] by Owl Morrison from Sister Viola Song 14: We Bid You Well by In Our Cups from Foolish Pleasure Song 15: Loch Lomond [16] by The Hooligans from In Cider UNKNOW WEBSITE Song 16: Hector The Hero by Culchies from Bruscar Ban Song 17: Rocky Road To Dublin [12] by Mickle a Do from Dear Friends And Gentle Hearts Song 18: The Irish Pig by Iris and Rose from Bedtime Stories www.iris-n-rose.com/ Song 19: Star of the County Down [26] by Maidens III from Charm & Fire Song 20: Jolly Roving Tar [06] by The Shantyman (Gregg Csikos) from Pirate's Life Song 21: The Wild Rover [04] by Belles of Bedlam from Folked Up! www.facebook.com/bellesofbedlam Song 22: Johnny Jump Up [23] by Galamor the Bard from Drive By Barding www.stevemacdonald.org/ Song 23: We Be Soldiers Three [01] by Curtis & Loretta from Sit Down Beside Me www.curtisandloretta.com Song 24: Parting Glass [10] by Counterfeit Bards from Bard from this Hall HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com OTHER CREDITS Thee Bawdy Verson https://renfestbawdypodcast.libsyn.com/ The Minion Song by Fugli www.povera.com Valediction by Marc Gunn https://marcgunn.com/ HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

In the Season 8 finale, I name some of the bests of the Season 8 albums, as well as naming the Best Song and Best Album of the season.

Today on Too Opinionated, we're joined by one of Nashville's fastest-rising stars:

This morning on the show, the hosts are discussing the latest news in the music industry, from Drake's surprise album release to the upcoming Taylor Swift wedding. But it's not all about the A-listers - they're also sharing their own personal experiences, like the time they had to deal with an angry parent at their kids' baseball game. And, of course, they're diving into some of their favorite song lyrics, including a mind-blowing misheard lyric from Rihanna's "The Monster". The hosts are also getting ready for a big day, with a live studio guest, Jason Derulo, joining them to talk about his new music. But before that, they're sharing some fun stories about their own lives, like the time they attended a charity gala and met some famous authors. And, as always, they're discussing the latest news in the music industry, including the latest from Lady Gaga and Britney Spears. The hosts are also sharing some of their favorite song lyrics, including a classic line from the song "Rack City" by Tyga, which always makes them laugh. And, they're also talking about the time they had to deal with an angry parent at their kids' baseball game, which is a relatable experience for many parents out there. If you want to hear more about Drake's surprise album release, Jason Derulo's new music, and the hosts' personal stories, tune in to this episode of the show. You won't want to miss the fun and lively conversation, so grab a cup of coffee and get ready to listen!See omnystudio.com/listener for privacy information.

First up, a massive celebrity engagement has taken a bizarrely fated turn after fans discovered a hidden connection between Harry Styles, Zoe Kravitz and a beloved book franchise. Plus, we're dissecting the first grainy on-set photos from a highly anticipated movie sequel - including a certain "upgraded" diamond ring that has the internet comparing old flames .Plus, we have a very serious theory about a sky-blue dress and a horseshoe necklace. We’re unpacking why a certain countdown appeared and vanished on a major artist's website, and whether she is about to pivot into the world of animated sequels to finally secure her "EGOT" status.And finally, the real-life inspiration behind one of cinema's most iconic "assistant" roles has finally stepped out of the shadows after twenty years. We get into her "savage" rebuttal to the woman who wrote the book and her mortifying encounter at a mutual friend’s house with the A-list actress who played her on screen. Read the Vogue interview with the real life Emily from Devil Wears Prada here. Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mum and Me Out.00:02Speaker 2 Welcome to the Spill your daily pop culture fix. I'm Laura Brednick and I'm Tina Burke and coming up on the show today, Look, Taylor slipped us up to some antics. There's secret coded messages in her outfits, there's potential secret songs, there's a countdown.00:15Speaker 1 I'm gonna be so honest.00:16Speaker 2 I'm gonna let you, Tina Burke, explain that because that is wait, you're crazy, Taylor, so fandom that's your business. Plus something I have been obsessed with for the last few days. I know we both have, but we need to talk about it. The real life Emily from The Devil Wears Prada has come forward after all these years, and she's given some really interesting insights about the author of the book, Anna wind Tour Emily Blunt. We're getting get into the biggest takeaways from that, but first you have some other things to discuss.00:43Speaker 3 I have some things that have come across my desk this morning. One of them is very short and I just need to touch on it really quickly, Will And it is that. Obviously, last week we discussed Zoe Kravitz and Harry Styles engaged. According to people magazine. Do you know what their middle names are? Her middle name is Isabelle, Isabella Isabelle.01:00Speaker 1 Last, what his is? No, it's Edward. Oh they are Edward and Bella. Oh my god, this has blown up.01:08Speaker 2 You might be the only person who. Oh no, it has blown up on socials this morning.01:12Speaker 3 It's come across the internet because they are Bella and Edward from Twilight, which means they are now faded to be together forever. I was skeptical before. I was like, they're not gonna last. It's not gonna happen. And now I'm like, no, they're Bella and Edward, so like it's gonna happen. By Stephanie Wheer, Oh my god, I love some little nerd put that together. I love nerds.01:28Speaker 1 And they together.01:29Speaker 2 For nine months, we've had this information for nine months and only now have people picked it up.01:32Speaker 3 Someone sat on it until now, And maybe they'll have a little renett me of their own, just something to think about, something a bit.01:37Speaker 1 More serious, do you think of it?01:39Speaker 2 Well, I'm sure they'll be thrilled that people have figured out they're supposed to be together because they're middle names.01:43Speaker 1 Yes, no other reason.01:46Speaker 2 Yeah, something more serious that isn't more serious, No, but with just my lurkings on social media is the Summer I Turn Pretty has officially.01:55Speaker 3 Been done filming the movie, which is very exciting. It's been really like under wrapped of what exactly the plot was going to be. I mean, we pretty much assume and everyone has reported that it's going to be about like Belly and Conrad finally getting married, but we didn't finally.02:10Speaker 2 Everyone's like, well, when will those crazy kids get married?02:13Speaker 3 Honestly like sitting on the shelf at this point. But I do think they're going to be about twenty five. But the first onset photos came out over the weekend. They've gotten back to set and while they were incredibly grainy and blurry and they were kind of like pat photos or fan photos taken on phones, they're all out on a boat on the lake.02:29Speaker 1 It's very the summer return pretty.02:31Speaker 3 Yes, what you can see is that Belly has a big diamond ring on her left ring finger.02:37Speaker 2 Okay, people have not handled these photos well in a mature way. Everyone has been pretty nasty, pretty crazy because the ring, as we all remember, if you can even call her that, that was given to Belly by Jeremiah in the show was so small that you literally couldn't see it. Even when she held it up in front of your face, you could not see it. We put it on socials and we had to.02:58Speaker 3 Draw a circle around it, the tiny little diamond.03:01Speaker 2 From that point, poor Jenny Hahn, the writer of the books and creator of the TV series and showrunner and all these things, This talented, creative, brilliant woman then gave up her precious time to go on oppressed tour to do interviews so that fans could ask her questions about the show. And all that woman got asked was what was that tiny ring? Was that meant to be a joke? And that poor woman had to answer over and over again. No, it wasn't meant to be a joke. We just thought, like, he doesn't have any money, so of course you'd have a small ring. It's just the way that belly held it up so defiantly to show the family and then you couldn't see it, and you couldn't see it at all. Became such a running joke.03:36Speaker 3 Yes, and so even from a great distance on a boat in the middle of the high seas, you can see the ring that we can assume Conrad has given to her. So it's a Peconkin diamond, and I'm very excited about that because she does deserve it. And this is why you date the handsome doctor and not like the weird other brother. There were lots of reasons, but I do think this is one of them. The other big thing that has come out based on these photos is that Jeremiah our like sad single other.04:01Speaker 1 Hey.04:01Speaker 2 Hey, some of us were kind of quietly team Joremiah nick word team Jeremiah, and I don't understand why, but that's your business. He has his arm wrapped around a mystery blonde woman, so that, oh god, it's not that woman from who was that girl?04:13Speaker 1 I kind of friend.04:14Speaker 3 Yeah, So the whole season three subplot of him falling for the roommate and the roommate being a weird hater of Conrad that never.04:21Speaker 1 Sat well, Yeah, that just felt right. That was for nothing.04:23Speaker 3 It felt rushed, and it was for nothing because now he's on a boat with a woman who looks a little bit too much like his mother and he's got his arm around her and they look to be a couple. So wow, something to think about there, But we don't really know too much about what the film is about, but we do know that Jenny Hahn is directing. So she directed one of the episodes of the season three, which was episode five. Laura, I don't know how much you remember the summer I Turned pretty, but episode five was the one from Conrad's pov Oh the Apple.04:48Speaker 1 We hate the Apple, and he is in the white T shirt. Yeah, that song played wild Horses beautiful.04:52Speaker 3 VI.04:52Speaker 2 Wow, I just like, I feel like I just lost you for a second, just went off and I just got into.04:55Speaker 3 My Conrad's little like mind bubble. But she's going to direct the film, so she said, taking inspiration from Nora Efron. Oh great, so great person to take your inspiration from. You do have to wonder what like the traditional third actension is going to because I think the whole show was third actension and we don't need to see a mini breakup again. But I don't know, maybe Steven and the other one can have some drama.05:17Speaker 1 Yeah, I mean that's the thing. Isn't it to be able to make a movie like that.05:20Speaker 2 Yes, yes, you've got the wedding as the plot, but there's going to have to be some moment where you think they're not going to get married some sort of drama.05:26Speaker 1 You can't just have a wedding.05:27Speaker 3 No, But like at this point, it's been drama non stop for years.05:30Speaker 1 You go tired to Paris.05:31Speaker 3 She's like, actually, I'm going back to Paris, thank you so much. I'm leaving you again. That would be so boring. We can't do that.05:36Speaker 1 Do we know when this is coming out? Like, at least not until next.05:39Speaker 2 Year twenty twenty seven, twenty twenty seven to be coming out. Yeah, I mean, I guess people will still be interesting, Like I know people still be interested, But I was worried when the show ended and they announced the movie was happening, and the momentum was so huge, and in my head, I was like, oh, I wonder if they've started shooting so that this can come out at least a year after the last episode has aired, and now it's going to.05:59Speaker 1 Be well over year.06:01Speaker 3 Yues.06:01Speaker 2 People still care because there was such a fandom around that show.06:04Speaker 1 But do we think it all? Do we think the momentums lost a little bit?06:07Speaker 3 I think so, And as well, there were reports like the other week about the fact that maybe the cast had only signed on to do the movie in order to get pay bumps for season three when they were renegotiating, and Deadline kind of reported saw stuff the cast themselves didn't come out and say this, but that the cast might have felt like they were a little bit taken hostage in having to agree to the movie so that they could get a pay.06:28Speaker 1 Rise for three.06:29Speaker 3 So there's also like that little underlying tension as well that I think some fans aren't happy with. And yeah, it's a long wait for a movie that realistically like I don't know what's like, how much could possibly happen.06:39Speaker 2 Yeah, we love Jenny harm but yeah, we love Jenny Harm. Well, hopefully there's a big plot twist in there. But that's the thing about having these continuing stories is like you do have to kind of break something or change something in order to make it worth the stakes.06:51Speaker 1 Yeah, but I'm sure to be fine.06:52Speaker 2 And also at least that they were all out of like high school and through college, they have to worry about it. They don't have to worry about them aging out of their roles. Yeah, we've got a good fifteen year years before that happens. So no, I think it'd be fun.07:02Speaker 1 Yeah, So, as.07:04Speaker 3 Discussed my favorite topic in the world. Taylor Ellison Swift has come up twice, actually more than even twice, several times in the past week, but on two very significant occasions. We have been talking about Taylor Swift and I have been talking your ear off, and I'm sure you loved every second of it.07:18Speaker 1 Right, No, I always.07:19Speaker 2 Find that you have an interesting angle on Taylor Swift because you're like really in the weeds with not just the fan theories, but kind of like the industry chat as well.07:27Speaker 1 So I find that very interesting. I thank you for play kating a lot of people who care about stuff I can't really relate.07:32Speaker 3 Yeah, and I care about everything weigh too much. But one of the things that came up last week, which some of the spillers may have seen, I know a lot of people were texting me going, what the hell is happening right now?07:44Speaker 2 People text you if something happens to tell you Swift, They're like, what's going on? Why is this a thing?07:48Speaker 1 And to be fair, you know the answer, and I do know the answer.07:50Speaker 3 So Taylor Swift. On Friday last week, a mysterious countdown appeared on her website for the briefest of moments and obviously, if you know anything about Taylor Swift, she loves like an Easter egg, she loves a big reveal, and she often does these countdowns on her website. So before the Life of a Showgirl album came out, whole website changed colors, big countdown pops up. This time, her website briefly changed to a sky blue background with like white cartoon clouds, and a countdown appeared in like this also cartoonish kind of font and then disappeared, and the Swifties very quickly put together that it looked like Toy Story Wow, okay, and Toy Story five is coming out soon.08:31Speaker 1 No, I'm aware, Oh good, I'm aware. I'm up on the plots, I'm up on everything.08:35Speaker 3 No, everything, and Toy Story five is coming out soon. But the thing is, people suddenly realized, holy shit, has a Taylor Swift been dropping Toy Story five clues?08:45Speaker 1 And again, yes, yes, okay, it looks like yes.08:49Speaker 3 So one of the things that I love about Taylor Swift is so and it's bold of me to say this, I'm sitting here in a T shirt, but her street style is not necessarily beloved by the fashion girls. A lot of people think she dresses a bit basic or like. The common theme is people think there's always like one thing wrong with her outfits, so she often gets roasted for her She.09:08Speaker 2 Gets roasted, And it's so interesting how there's this huge fandom of people that are just like, oh, she looks she just looks terrible. She dresses frumpy. If you listen to any kind of fashion podcast, fashion adjacent, any kind of industry chat, they're just like, she's known as being like one of the worst dress celebrities. Can I just say, I can't see it. I like her outfits.09:28Speaker 1 I like them too. I guess I'm just not a fashion girl.09:31Speaker 2 But I thought, like recently in the dress with the little yellow bag and the heels, maybe it's because I too am a little basic. Like when people just like, oh, it's so boring when she just wears a glittery gown, I was like, you know what, wear a glittery gown. I'm so sick of everyone wearing a beige column dress or a black dress. They're like, it's chival blah blah blah. I don't know, they all look the same. Well, at least she has a look.09:50Speaker 1 Yes, she has a look.09:51Speaker 3 She knows what her style is, and she has worked for years and years and years with the same style as Stress of Castles. You have to wonder how he feels about it all. But he also does like her, like streaming and stuff for like the Era's tool.10:01Speaker 2 If he does love that, it's so wild because I don't see a huge jump between her costumes from the RAS tour and her street style and her red carpet style. To me, it all looks very like concise and that it fits together, Like she doesn't look like she's in a costume when she's on stage to me, and she doesn't look like she's been dressed by someone else when she's like she always looks like her. Yeah, and there's very few celebs that look like that, Like some of them, there's such a clear line between their street style and their event dressing.10:26Speaker 1 Yeah. So I don't know what people want. I don't know what people want.10:29Speaker 3 But what they did was dig back, and they didn't have to dig very far because last week she did wear the outfit you're talking about, which is like a sky blue dress.10:36Speaker 1 She had a yellow bag.10:36Speaker 3 She was wearing lue batons, which obviously have a red bottom on them, and she was wearing a horse shoe necklace, and so people ripped into this outfit last week. Yeah, and then suddenly on Friday, when.10:46Speaker 1 I was like, wa, where can I buy that?10:47Speaker 3 And I can't afford it? But I thought she I thought it was a great dress. She was out for dinner with her family and friends. And though she has previously said she does an Easter Egg when she's like Easter Egg her personal life, she does Easter Egg through fashion all of the time. And people as soon as this Toy Story theory started kicking around, well like, wait a minute, was that hideous outfit we hated on Monday a.11:05Speaker 1 Toy Story five clue? Maybe?11:08Speaker 3 And then outside of that, there is also there's clouds in the background of her opal Aite music video, Greta Lee, obviously because of the Graham Norton show was in that music video. Guess what She's also doing voicing a character in Toy Story five exactly, and June five is the really.11:23Speaker 1 State of Toy Story five.11:24Speaker 3 It was also the really state of Tailswift's debut album, Whoa. So everyone's kind of gathered these clues together to decide that she is making his song for Toy Story five and that the countdown accidentally got set live early.11:36Speaker 1 Oh but does she do anything by accident that I'm not sure of.11:39Speaker 2 So if the countdown had been like real, it would have counted down to like Sunday five am ish our time, and then nothing happened.11:45Speaker 1 And nothing, but it did disappear.11:47Speaker 3 So I do have to wonder if it was like a phase test gone wrong. If it is gonna happen, I mean we'll find out. It doesn't seem out of the realm of possibility to me for like Taylor to be like, you know what, now it's time for a kid's music soundtrack.11:59Speaker 2 Yeah, I mean, look, she's exactly the right age to have a very nostalgic yeah, because like all elder Malone, like she's an elder millennial just like us.12:07Speaker 1 Maybe or not, but yeah, we're all in that same.12:09Speaker 2 Bracket where we'd like grown up with Toy Story and then that we had like the later Toy Story movies that hit us as adults, and now this next one that we know is coming up is really kind of hitting everyone. It's more for adults and kids, it's hitting us at the stage of our life where we're in wood.12:22Speaker 1 He's got a bald spots triggering for everyone.12:26Speaker 2 It's yeah, so May there's a world in which she's a secret Toy Story fan and she has a real affinity with this franchise she's growing up with, and like it's all the cool kids like Greta Lee's getting in on Toy Story and then you have like Tom Hanks coming back and all the voice cast, and yeah, it's the one thing that everyone wants a piece of at the moment in Hollywood, which is so crazy.12:44Speaker 1 It's a Toy Story franchise.12:45Speaker 3 And one thing we know about Taylor Swift is that she does love an award. And if she could win a songwriting award and get a little bit closer to being an Eagle winner, you just know she would love that.12:55Speaker 2 She's just had a rough run as that poor girl. When will anything go right for Taylor?13:00Speaker 1 When will she again?13:01Speaker 2 I know she was meant to be a shoeing for the Oscars for Cats, Yeah, because she When you write a song, you co write a song with Andrew Lloyd Webber for one of the like most enduring musicals of all time, yea, you should at least get a nomination and probably a win, And that song was lovely, and I'm sure she pictured herself up on stage the Oscar singing it. And then Cats were so reviled and so universally hated the fact that Andrew Lloyd Webber went and bought a dog. Man hated dogs.13:29Speaker 1 He's like it turned me. He literally said that the other day a dog person.13:33Speaker 2 Yeah, He's like, I hated the adaptation of my work Cats so much that I went and bought a dog.13:38Speaker 1 Like, that's how much that man is angry at And.13:40Speaker 2 So Taylor's missu and that, and then everyone thought she was going to get a short film for the nomination for All Too Well. And there's been a few other times her music has been in the mix for a possible nomination, but it just hasn't. It's the one thing that's eluding her.13:51Speaker 3 It is, and I do think like she's got her thinking cap on and she's like a sad song about Jesse the Doll. That's a Cowboys song that could do well.13:59Speaker 2 I mean, the thing is, it's it's a good plan. If that woman writes a banger for toy story for the next movie, then yeah she's in. Then that's a real hook for a Best Song nomination at least.14:10Speaker 3 Yes, and so that was sort of the like unseerious side, but I do believe in it.14:14Speaker 1 That was a serious side.14:15Speaker 3 Yes, no surprising thing. So something else that Taylors which is making headlines for at the moment is her name in relation to a billion dollar sale to do with Spotify. But it's kind of due to something that she did back in twenty eighteen. And the reason I want to talk about it is because I love her so much, but also she's going to get so many other artists and so many other like songwriters and people involved in production paid out as a result of something she did back in twenty eighteen. But basically Universal Music Group are looking at selling half of their three percent stake in Spotify. And that might sound small, but that deal could be worth as much as like one point four billion dollars.14:51Speaker 1 It's a lot of money.14:52Speaker 3 So basically a bid from Pershing Square came to Universal which was to like buy out part of Universal or to become an investor, and in order to do that, they wanted them to liquidate part of their Spotify shares. But then for some reason everyone's reporting that it's like independently Universal Music has decided to sell off part of their Spotify shares and that was announced in April, but at the moment, they're obviously looking to sell off the stake. And what that would mean, like why Taylor Swift is involved is that she negotiated a deal back when she signed in twenty eighteen and other labels were selling off their Spotify shares, she negotiated that the funds would be non recoupable.15:33Speaker 1 Hard work to say.15:34Speaker 3 Got to tell you what that means is, obviously record labels, like every other label that would exist in the world, when an artist makes money, part of that money goes back to their record label. But obviously in this case the record label would be selling something, they would be giving that money to artists, and Taylor Swift is blocking that money from ending up going back to the record label. Oh and so the reason that she did that was because, as we know, Masters were a really big deal to her. She universal in twenty eighteen, and the reason she left Big Machine Records is she wanted to own her masters, like to own her own work, and the only way that Big Machine were willing to do that was if she gave them all one for one deal. So every time she gave them a new album, they would give her back ownership.16:14Speaker 1 Of one of her older albums.16:15Speaker 3 Oh, and she was like no, and didn't really trust Scott Bourschetta. And I think as well. She'd signed on when she was so young, she was a teenager. Her family were really involved. She was one of the very first artists that they had at Big Machine Records. She's certainly their most successful and I think they tried to make her feel as though like she owed them this deal even though it wasn't beneficial or good for her, and so she walked away went to another music group. As we know, the Masters thing kind of carried on for years and at that time wasn't as well known. But in twenty eighteen it did become a big deal. Oh my god, Taylor Swift wants more money from Universal. And what she was actually doing was making sure that this deal would impact smaller artists and musicians. And she said it at the time, she was like, I see it as a sign that we're heading towards positive change, a goal I'm not going to stop trying to help achieve in whatever ways I can. But she was very honest at the time that she was on her sixth seventh album, and she was like, I can speak up and be a voice for change, but younger artists can't. And she was like, what is the point of me, essentially, if I'm not going to stand my ground and have these arguments with record labels and Universal agreed. So they were one of the first to do it, and it does mean now when they're doing this sale, all of these other artists are gain and benefit massively, and I do think it's a testament today Swift. And I know a lot of people talk about her being a billionaire or like money grabbing, and at the time this deal was viewed very much as like, oh.17:35Speaker 1 She's just out for herself.17:36Speaker 3 But I do think she's one of those rare people in the music industry who isn't even though yes, she's going to benefit too, she does want other people to not go through what she went through.17:46Speaker 2 That's interesting thing because and I've said this before public on the podcast, So whether it's wrong or right, is that sometimes I feel like when she takes in the past, she has taken these big stands, it often kind of comes across like people really rally around her and celebrate her for some of the things she's done or when she said, but a lot of them. It sometimes feels like she just weighs on an issue when it's going to benefit her, and she tries to make it a universal thing. She's like, this man said this, you know, inappropriate thing to me, which also fair enough to be upset, and she's like, I'm going to take a stand, and everyone kind of rallies around her, and yeah, it's like, you know, oh, women's rights are that sort of thing. But at the same time, when you actually look at it from like a like a higher lens and kind of float above it, you're like, that was that was.18:26Speaker 1 Just for you.18:27Speaker 2 And saying the master's thing where I think for a long time there where she was like everyone felt like they were swept up in this big movement of like Taylor Swift getting her music back and it was this huge thing and it felt like a communal win every time she did it. But if you actually again looked at that, it was like, oh, no, it's just it's her, Like obviously.18:43Speaker 1 People are not. Everyone's going to own their masters. Yeah, and also like that's nice.18:47Speaker 2 It's like, you know, to feel good about what your favorite artist does and to feel involved in that, and I know that was a real sense of community around the Swifties. But then at the same time, yes, it always kind of felt like, oh, she'll speak on it, but only if it kind of comes back to her. But then I guess over the years she has kind of tried to, like when she spoke about politics and you know, tried to endorse like a different candidate, and she was like very aware that was like a bigger thing than her then. And I you know, obviously I know how much money she gives away and all that sorts of things, but you know, if you want to get on the weeds in it, it's kind of always felt like and that's what I hear a lot of you know, fans talk about the fact they love her music, but they wish she really stood for something.19:23Speaker 1 Outside of herself.19:25Speaker 2 But then also because of her branding and the way she kind of puts herself as this kind of like very inclusionary person, we all obviously expect more of her than other artists, particularly male artists. So it's a very weedy path. So you're kind of telling me that this was on because when I first heard of this, I only heard of it really top line, and I thought it was once again a thing of Taylor's lived coming out and like making sure that she has a win, making sure that she has her money, making sure that she's protected, and that being her first kind of priority, and then as a default, she's pulled other people in with her and she's being like overly celebrated. That's what I thought, But you're that that's not correct.20:01Speaker 3 Yeah, Look, my perspective on it is as you kind of said, there's been times like the Master's thing when she was releasing the Taylor's versions of albums. I liked it because I got new songs. Oh yeah, yeah, which I know, so fair enough selfish.20:12Speaker 1 And like fun as as fifty it was like.20:14Speaker 2 Transactional, like an artist you like is putting out content that you're willing to, like essentially buy the streaming and stuff.20:20Speaker 1 That's fair, that's just how business works.20:21Speaker 3 Yeah, But I very much saw that as like she did that because she it was personal to her.20:26Speaker 1 She wanted to own her own art.20:27Speaker 3 That's great, but it wasn't necessarily, like you said, the big moment that a lot of people built it up to be where everyone was going to benefit or everyone was going to succeed out of this. I do think though, when she did make this decision, there was a lot She actually received a lot of backlash at the time because she'd also previously like she took her music off of Apple Music in twenty fifteen. Yes, I remember that, and it was a whole big deal because Apple started doing like free trials essentially, and Taylor was like, well, how are people going to get paid if you're doing free trials? So then she took her music off temporarily, and then Apple agreed to still pay the artist despite the free trial periods, and she.21:02Speaker 1 Went back on.21:02Speaker 3 And I'd always taken her music off Spotify in twenty seventeen, like, so she'd done it a couple times in.21:07Speaker 2 Order, and I know those were framed if she was like, this doesn't make a difference to me, I'm doing this for other artists. Yeah, But was some part of it also because she's a business woman, and you don't become a billionaire without being very conscious of like keeping your money and making sure you're getting like squeezing money out of every little area that you can, like that's how you become rich. So was they also a part of her that was like I need to protect my own money, even though I don't need to at this stage, it's still money I'm losing. And then by default I will pull like I will help other artists out, which I'm sure the artists getting the money they don't care that she did it for herself and they're a byproduct.21:40Speaker 1 You'd be happy to take it.21:41Speaker 2 But it's just so interesting we always have to like she's a billionaire, and everyone still has to be like we have to protect the downtrodden kind of, you.21:49Speaker 3 Know, like yeah, yeah, And I do think at the time, like, for sure, those decisions like with Apple and Spotify in twenty fifteen, twenty seventeen, definitely we're about protecting her assets and all of that. I do think the decision in twenty eighteen to sort of negotiate all of these terms with Universal because that wasn't the only agreement that they came to. But I do think that had a lot to do with the way she was feeling taken advantage of with big machine records. Yes, and yes, that is a lot to do with herself. But I do think she looked then at that point in time, this is like after she's been canceled. This is when people are hating her guts, and I do think she started to look more. It's also when she's getting to like reputation. That world tour was at the time the highest grossing tour of all time, Like it was a big deal in North America. So I do think she was at a very successful point, but also at a point where she recognized that she had a bit more power than she'd ever had before and finally got to negotiate something and look back at how she'd been treated by this independent record label and just wanted to do something that protected people. She's also had the same band her whole career. She's worked with a lot of the same production team, same songwriters, same people in her camp the entire time. And while they're really well taken care of, I think she also sees that like not a lot of people are, and she's about like when she was a songwriter back in Nashville, she would be in these like communities and people would be talking about how they got money from people buying like a Faith Hill song that they had worked on one time, and so she was like, that doesn't happen anymore. So I want songwriters to be better paid. It basically all came down to the whole songwriting element of how she sees herself rather than like the big pop stars and stuff. Did she benefit absolutely, and do people often yeah, compliment her when she does something just for herself and it ends up benefiting others.23:28Speaker 1 Absolutely.23:28Speaker 3 But I do think in this instance, like it is going to help a lot of people put food on the table and also remain in the industry a bit longer when you have deals that actually support the lower down people in music.23:40Speaker 1 And like I guess in terms of musical.23:42Speaker 3 Billionaires, I'm glad at least one of them is doing something better than other people.23:45Speaker 1 Yeah, exactly.23:46Speaker 2 And that's the thing I don't like when people like, look at Taylor Sitch and has to do these extremes of like she's a superhero, she's a super villain. Like, yeah, it's a bit in the middle. It's a bit in the middle. Like do I think anyone should be a billionaire?23:56Speaker 1 No? I don't.23:57Speaker 3 But also I do think she donates a lot of mine. You see it all the time. She doesn't come out and go look I did this, Like random charities will be like, hey, she just gave us a million bucks and you're like, oh sick.24:07Speaker 1 Yeah. Yeah, Well, and you know the good news. I guess out of this might takeaway. She might have some sweet toy story.24:11Speaker 2 Money coming in. She might look she'll never be shy I of a dollar, Taylor Swift. But hey, maybe she'll help some people along the way. Well, we're still very much in the devil Weares prior to two weeks. The movie came out last week. We've got a special episode coming up this Friday about it. The movie, So it released this weekend. We're like number one at the box office across the world, as we thought it would be. Apparently it's going to go even further than projected with like the money it's making here the box office, because people are going to see it multiple times. And I love that and hopefully I don't know what it's going to take for studios to take notice, because it's like we have Barbie Breaks all the box office records, Wuthering Heights, love it or hate it, Women just wanted to get dressed up and go with their friends.24:48Speaker 1 Yeah, did amazingly crush the box office.24:52Speaker 2 And now the same thing, women are getting dressed up going to the movies.24:54Speaker 1 Like guys, are we seeing a pattern here? People like the movies.24:57Speaker 2 It's almost like women want to go and see women's stories at the movies.25:01Speaker 1 They can get dressed up and have a goddamn cocktail.25:04Speaker 2 Anyway, So, as we move through Devil Wears Prider Week, and I'm having a great time with everyone who's coming out and would work to share their thoughts and feelings and everything, something very interesting has happened, something historic. I would even go as far to say the real inspiration behind Emily Charlton, a character in the Devil West Prata who has been in three of the books and also now the two movies, the real woman behind her has come forward for the first time in decades. People have tried to work out who she was for years, and I'm sure people in the fashion and magazine industry knew, but she herself has never come out and said anything until now, until the movie has come out and so well received it to be said, there's a straight line there. So Leslie Freemar, who is a celebrity stylist and has been in the fashion industry for many decades, went on the Vogue podcast and talked to editorial director Chloe Mao because when Anna Wintle vacated, she wouldn't let anyone else be the editor of Vogue, said, she's the editorial director, but she is running the day to day operations at Vogue now as Anna win talk kind of move has moved into a more like overseeing role. And so she interviewed Leslie, and I know you've listened to this multiple times, right, this interview. Yeah, I couldn't get enough of it. I listened to it twice as well. It's been the thing all my group chats are talking about. And it's interesting because it wasn't supposed to be cutting in any way, but if you read between the lines.26:26Speaker 1 Oh yeah, there's some cutting lines.26:28Speaker 2 It's a bit of a savage story about Lauren Weisberger. So if anyone doesn't know, Lauren Weisberger is the author of The Devil Wears Prata and the sequel, The Devil Returns.26:37Speaker 1 And everyone keeps saying that this is the second book, but actually the.26:39Speaker 2 Third, When Life gives You Lu a Little, When Life gives You Lulu Levin's Crazy, which is Emily's story of her leaving Miranda and like getting pregnant and moving to the suburbs and like breaking up with her husband. It's nothing like the movies. Yeah you've said that. Yeah, I've not read this book. And then so here's the Lauren Weisberger that she was Anna Wintour's assistant well over many decades ago now, and she lasted about eight months in the second assistant chair, and we now know that Leslie was the first assistant at the time. So when she came on to do the podcast with Chloe, Chloe sort of says to her, like, why do you think you're the real Emily? And she's like, I don't think I know. And as she tells her story, it's interesting because Vogue was going to have a panel with past Vogue staffers that all could have been the Emily and they were going to sort of like have a discussion. And then Leslie, who doesn't really do anything like she works with celebs, and like, yes, she's Charlie's.27:33Speaker 1 There on style, Yeah, and she's style a lot of.27:35Speaker 2 Red carpet looks and things like that, but she's on a public face. And she had to sort of call Chloe and say, hey, I'm happy to come and talk and help.27:42Speaker 1 But it's going to be.27:43Speaker 2 Really clear if we all get on stage straight away that it's me.27:46Speaker 1 Yeah, that it's definitively me.27:48Speaker 2 I sat across from her, I said lines that are in the book, I know it's me, And so that idea is going to fall apart pretty quickly. And Soe said that she came on the podcast, Ye did you have a favorite reveal from Leslie? Although there was way too many, but I do think the clearest one, or like the best one to me is how she found out about the book. And also that's the clearest one that obviously, yes, the book was written about her, because even Anna Wintor knew the book was about to tell her. So can I tell the story please people who haven't listened. So obviously wide ranging podcast really really good. But in this part, she says she had moved on to be an assistant in a fashion department and then she gets a call from then Anna's new assistant to be like Anna needs to speak with you, and she was like, Anna never needs to speak with you, and also never needs to speak to an assistant. So she hustles on over there and Anna Wintour asks her who is this woman?28:38Speaker 1 Like who is this lady?28:39Speaker 3 And she's like, that was your assistant, and Anna Winter was like, I don't even know.28:43Speaker 2 Her, has no idea, Well, she has a lot of different assistants, and that she was only there for eight months, and I'm sure maybe she'd seen her.28:50Speaker 1 She would have, yeah, but she.28:51Speaker 2 Called her and she was just like, who is Lauren Weisberger? And it was so funny because Grace Cottington, who's a really famous Vogue editor who worked really closely if Anna and that team, wrote in her own book that no one could remember Lauren when brutal so focused so funny about it. She's like, none of us could picture this, and she's like, I guess Anna's assistants were always, you know, just these bobbing, faceless heads outside her office that you would talk to. But like, Leslie is really the only one who has any memory of her.29:20Speaker 1 Yeah.29:21Speaker 3 And so it's obvious enough when Anna has read this, you know, the initial draft of the book to her that the Emily character is Leslie, because she calls Leslie into her office asks her who Lauren is, and then Anna Wintour says, oh, she's written a book about us, and you come off far worse than me.29:36Speaker 2 That is the interesting thing that Leslie says in this interview, is that they received the galley, which is the very very early stages of a book where things are subject are changed, and she said, she it's so funny, Chloe. He's like, did you run outside straight away and read it. She's like, no, I had to back and do and finish my work. And I was like, life, Emily, I mean maybe because she's like, we probably had a big shoot that day.29:58Speaker 1 That was me.29:59Speaker 2 I would have run straight to some hidden corner and I would have read that book under my desk all day. She said, she waited till she got home at night. Okay, if you've got more will power than me, and she said the first iteration of the book was so mean and much more true to life, because what she's saying has happened is that Lauren took a writing class and they said write what you know, and apparently she wrote it as a memoir, and then they wanted to fictionalize it, and then the fictionalized version was really really mean to everyone who worked at Vogue Tour, to the Leslie character who became Emily, and then the editors who worked with her toned it right down to the book that went on the shelves. The Devil Wears Prada, which is interesting because that book does skew very not mean, but it's like the Miranda Priestley character.30:43Speaker 1 Have you read the book?30:44Speaker 3 No?30:44Speaker 1 Oh, okay, I wouldn't. Sorry, no, I wouldn't invite.30:48Speaker 2 If you're going to read a Lauren Weisberger book, I've got I've got a better recommendation. She read, She wrote some good books. She writes a fun book to have by the pool on holiday. I've read, Yeah, like Last Night at Chateau my Mond chasing Harry Winston. Yeah, The Devil is proud of Like the idea is good obviously because it went on to spawn this incredible thing. But the plot's a bit thin. There's no memorable one liners, Like, it's not a witty book. And also the character of Miranda Priestley is like a caricature. Yeah, all the layers that she has in the movie don't exist in the book.31:21Speaker 1 She's just a nasty woman.31:22Speaker 3 Well. I found that interesting because Leslie said she was able to watch the movie and she found the movie really enjoyable. She was like, it's really glamorous, but there's more like empathy and the people are more well rounded than we saw in that initial galley and then even in the book that got published, Like, that's crazy to me that you can know that this is about you and you see it is really mean, but then you see the on screen portrayal and like, yeah, you like Emily and you like Miranda. I don't have way more nuance than I'm guessing they have in the book.31:47Speaker 2 No, in the book, they just kind of mean girls. Like, yeah, I mean Emily and Andrea hang out a little bit more in the book, but she's still pretty mean to her. And like, yeah, the Miranda character is very kind of just like she's a nasty person. Yeah, she's just like this little talk about her being this little bird like creature, which I guess is very Anna Wintle coded who just like stalks into the office. Yeah, they make a lot of there's a lot in the book about what There's like a whole chapter devoted to what she eats, which apparently is also very Anna winto because she likes steak and potatoes and Starbucks and ice cream. And that's a huge cry in the book. So sometimes Lauren Weisberger was I think just typing out her day. But the end is very different, Like it still ends with Andrea like walking away from her, but there's no nuance with Miranda having like that breakdown scene in the hotel room, like that's to the movie with the no makeup where she kind of like drops the facade and there's no like, you know, Andrea, everyone wants to be out.32:36Speaker 1 It's like this is the sacrifice.32:37Speaker 2 It's just her screaming at her, yeah, and just screaming at her. And then it's like very anti climactic with Andy like calling the office and being like can I still get my flight home?32:46Speaker 1 They're like, no, I'm not going to leave you strand there.32:47Speaker 2 You can get your flight home, and it's just like, oh, kind of anticlimactic.32:51Speaker 1 Yeah. The end.32:52Speaker 3 I do think it's really interesting, like, oh forgot The whole thing is so interesting. But one of the parts that made me go, oh, you are Emily is that Leslie explains like the Lauren person slash Andy character, and she was like the reason that I found it like interesting in the book is like I don't remember Lauren ever being a star on the rise. Yeah, but she's pretty much like that didn't happen. And then she explains like Lauren probably thought I was a bitch because I had to do her job for her because she was and she's like she was probably just sitting around writing her book, I guess, but she pretty much is like that girl never did her job and hated it there. And so yes, I used to snap at her because she wouldn't do her job, and I was like.33:29Speaker 1 WHOA to me?33:30Speaker 2 That was the most telling moment from this revelation from the real Emily from the Devilwars Prider. And can I say I've talked to a lot of people who have listened to this interview, and a lot of people have said, like, she comes across as classic Emily. She comes across as a mean girl for saying that, And can I just say team Leslie on that one.33:46Speaker 1 I thought classic Emily in a good way.33:48Speaker 2 Yeah, they're saying she's too mean, Yeah, that she was being mean about Lauren. Everyone closed ranks against Lauren when she wrote this book, to the point where that's why the company line is like we don't know who Lauren Weisberger is.34:01Speaker 1 And the Devil Wears prior like the first.34:03Speaker 2 Premiere, the one that was in New York, apparently, you know how like they have a host camp on stage and kind of greet everyone a paving. The host was like, you know how they got round the room like this person's here, this person's here. They were like Anna Wintour is here, as is the author of the book, and no they're not sitting together.34:17Speaker 1 And everyone was like whoa because they were in the same room. But also, I have this now.34:22Speaker 2 I think that this has been scrubbed from the internet, but I swear to God I read this quote when The Devil Wears Pride. It came out, but I've gone to look for it so many times and I can't find it. So I think that it was written in a magazine and it's been destroyed. Yeah, but I swear to God that Meryl Streep in an interview, they asked what she thought of Lauren Weisberger and she was like, if I was her, I would have spent more time learning from Anna Wintour than writing a book.34:45Speaker 1 That's just me. Now.34:47Speaker 2 That is not maybe not the kind of thing Meryl Street would say, And maybe I'm paraphrasing, but I feel like she says that in an innuay you have like.34:54Speaker 3 A pretty what is you don't have like a photographic memory, but you have pretty similar.34:58Speaker 1 I have a photograph of memory for so things.35:00Speaker 2 Yeah, yeah, that'll help me in life. But I swear to god, I read that quotally magazine. Yeah, and some person obviously didn't upload it to the internet or it was it's been screet internet.35:11Speaker 1 But I feel like that was just the vibe.35:12Speaker 2 But yeah, I was very much on Leslie's side because she really cared about fashion. She talked about the fact that she had come from Canada and she had really had to fight her way into this job, and she was working like all that stuff you see in the movie about she was told she had to be in the office at seven point thirty.35:29Speaker 3 She moved closer to the office so she could be there on time and stay late.35:33Speaker 1 I was sleeping in.35:33Speaker 2 That office, so she had to be there at seven thirty in the morning. Yeah, with all of Anna's like books and papers, all that stuff you seen the devil was part of them. Putting him in a fan on her on her desk is all real. And then she had to wait around for the book again things we know from the movie. She had to wait around for the book till like ten o'clock at night, and so she's working these crazy hours she gets promoted to first assistant. They she hires Lauren Wiseberger, who has come from a very prestigious university and is very educated. This is sorry, I mean we know that that's a fact. She did come from a prestigious She was in the ivy leagues in America, so like super educated. And she said, from the moment Lauren got to Vogue, she was just like, I'm too good to be here, yeah, and I don't want to be here. And she had and she said she just wouldn't do her work, and so Leslie had to do all of her work for her. And that's where the resentment grew. And that's where the character of Emily from The Devil Wes Pridact came from her resentment.36:25Speaker 1 And I'm just like, if you've worked in a creative.36:26Speaker 2 Industry, everyone knows that feeling of having to do the work for someone else. Yeah, but there's no way to kind of track it a lot of the time publicly. Yeah.36:33Speaker 3 And it also reframes because she says, she's like, I absolutely told her a million girls would kill for this job, yeah, And like it reframes that to an extent too, Like she is of the opinion that Lauren's come in just to write this book and was wasting time and not doing her job, And it's like, yeah, you probably would say something.36:48Speaker 1 To that effect if you're at Vogue at.36:50Speaker 3 That point in time too, Like insane budgets all of that, So many career opportunities, which there still are with Vogue of course.36:57Speaker 1 But like the more that it's changed.36:58Speaker 3 At that point in time, that was the place to go if you wanted a career in journalism. You could get anything, and like Meryl Streeps or alleged quotes saying if you put in me with.37:08Speaker 1 The Meryl Streeps slander, will they even say? Like in podcasts?37:11Speaker 3 The first assistant before Leslie moved up went on to become the entertainment editor at Vogue it for years and years and years and is a very successful and respected journalist. Like you, Yeah, you could build a career off of being that assistant.37:24Speaker 2 I think back then that was the job one hundred girls would kill for and it probably still is. Yeah, Like I know it still is, Like Vogue still carries a lot of weight, and being an assistant is how you get into that pool. So I think that was Leslie's kind of like and we see that dynamic in the book, but we see it in a different way from Andy's perspective, which is Lauren's perspective of her just not coming into this, like what she's thinking is like a plumb job and not doing any work, but like secretly writing her book under the desk, which is the allegation that Vogue has not been able to prove. And also Leslie also said that she took a writing test for Vogue and was rejected, which is in becau. Lauren Weisberger had some writing published in Vogue recently interesting and everyone was like, look, the woman.38:04Speaker 1 Who was turned away from Vogue.38:06Speaker 2 All she had to go do was write a tell all memoir that gets turned into iconic film series and she finally got in.38:11Speaker 3 It's also kind of interesting then that like a subplot of The Devil wes Prata too, is the idea that Andy might write a tell all memoir.38:18Speaker 1 Okay, that was.38:18Speaker 2 Such a quote when I went and saw because I saw that first part of the movie before I went and did The Devil West prior of interviews, and in the theater I was seeing there was like four other journals. I went because I'm like, that was such a Lauren Weisberger burn Yeah, where they were like, what is she going to do? Go write a tell a memoir about her boss? Ha ha as if that's the worst thing you could do. And I was like, that is literally why we're all sitting here, Yeah, because someone did that. But it's kind of become like, it's interesting because Anna Wintour like could have come out of all of this looking like the villain, but she's come out looking like the hero because everyone's like, we love Miranda Priestley, we love Meryl Street, we love this movie, and by default, we love and a wind Tour for being a part of this and that's why she's lent into it. And then Lauren Weisberger has become the kind of like, obviously she's published so many books and she's doing really well, but she has kind of become the punchline when she was initially set up to be the hero, which I find so interesting. And I just find like Leslie's perspective on Anna so different from someone who was just came in with like kind of no emotion, very ambitious because she talks about the fact that Anna was like very much like no personal chat. We're all here to work, and she works like that and she's very comfortable in that setting.39:28Speaker 1 Can't relate to that, can't relate but I love that story she told where.39:33Speaker 2 So Leslie who was giving the interview, the real Emily is from Canada, and so she was being sponsored by Vogue, a biolized Clark that's a fake company by Conde, asked to work at Vogue. And she got a call one day from the Vogue human resources team to say they were no longer sponsoring anyone, so they weren't going to like do her next visa, and so she basically had to leave the country and lose her job. And she said that she was just hysterically sobbing, something she's never done before, but she was so upset and fair enough, and she said that An she didn't know Anna was going to be in the office that day. All of a sudden, Anna Wintour walks in and I don't know why this is so funny to me. She's like, Anna was clearly uncomfortable, and she just walked away. She just walked into her office. But then she waited a few minutes called her in and I love how Leslie did her. Anna Wintour's voice she said she tried to like kind of do like half a British accident.40:19Speaker 1 She was like, Leslie, why are you crying?40:21Speaker 2 Looks so angry, but also just like can't not angry, but just like so flabbergasted that someone in her office would be showing emotion. And so Leslie told her and she was like, Anna Wintle' was like, oh my god, go sit down and stop crying for God's sake.40:32Speaker 1 And then Anna Wintour just called.40:34Speaker 2 All of a sudden, this man appeared in the office who's like the head of human resources.40:38Speaker 1 And Anna Wintour is like.40:39Speaker 2 Ci, my assistant is crying, and in her head, she's like and that's the worst thing anyone could ever do.40:45Speaker 1 In front of me.40:46Speaker 2 She's like, can you please just get her a visa? Just go and sword it. And he's like, yeah, that's fine. And so she got to stay in America. And now she credits this whole huge fashion career that she's had to Anna Wintour just telling her to stop crying.40:57Speaker 3 And fair enough, It's like, yeah, I do think I thought the little insights were interesting. It's also so interesting because Chloe's the one interviewing her. Yeah, and Chloe, like everyone who is online and has seen the pair of them together in recent interviews, is intrigued by the Chloe Anna relationship and like.41:12Speaker 1 Oh, I don't know. I want to from Chloe so bad.41:15Speaker 3 Yeah, and like little things right, like Leslie was like, well, you can't ask her questions and Chloe's like yeah yeah, and then then.41:21Speaker 1 She's like I'm living that in real time. It's like real And.41:23Speaker 3 They're talking about like the book and like the little like wheel seas, which was apparently like little posters or like seams, which was little posters that Anna would put on to be like email this person, tell them to come see me.41:33Speaker 1 I don't like this bro. Little things like that.41:35Speaker 3 It was so interesting to see like Leslie talking about a career she had twenty years ago and Chloe talking about the career she has now and then both just relating to like Anna's anaysms, but also revealing that like a lot of the things don't come from Anna herself. Yeah, that was interesting. They were like, she's not the one who says you can't take bathroom breaks. It's just like something that's been passed down.41:55Speaker 1 Yeah, it's been passed down. Yeah.41:56Speaker 2 The other thing I thought was really interesting was a reveal that came right to the end, and it was the question that Chloe asked her, which was like, have you have you who plays Emily and The Devil Wears Prata? Have you ever met Emily Blunt? And the answer was yes, because of course she's a celebrity stylist, so she's in that world. And she even Leslie said she always thought about what she would say if she ever met the person who had played her on screen and turned her into this iconic character, even though no one knew that she was the real Emily. So she said she was at a dinner one night at a mutual friend's house and she was like, this is my moment. Emily Blunt's right there. We're on this, We're on even ground. I'm not coming up to an event, We're at a mutual friend's house. We're both here as equals. And then she said to her as they were chatting, I just need to let you know that I am the real Emily. And to be so fair a Leslie, I would have done the exact same thing.42:44Speaker 1 Who wouldn't You're telling Emily.42:46Speaker 2 Blunt that her most iconic role, her first big role, that blew up her career is based on you. I would have dropped that and just been like, like, she she's gonna lose her mind. And apparently Emily Blunt couldn't care less. She said oh and just like went on with the conversation. Now did she not hear her or have so many people in the fashion industry said things like that to her before trying to have an in with her? She was like, oh, or was she maybe like and maybe like alarms went up and she was like, Oh, is this woman gonna say to me at my friend's house like she didn't like my portrayal because she plays her really nasty in a funny way.43:21Speaker 1 Is she gonna like.43:22Speaker 2 Ask me, you know some sort of like inside a question? Does she know something? She worked with the woman who wrote this book and like everyone I know doesn't like that woman, like it was a lot so or does she just is Emily Blunt so cool? She just genuinely did not care.43:35Speaker 3 I feel like Emily Blunt just doesn't care. I really like it, but sometimes intrigues me.43:41Speaker 2 I can't believe that because if you met any person, like if you met the person who was the real person behind a role you played as an actor.43:49Speaker 1 Wouldn't you be interested in that? I ignore people would Yeah, I know.43:53Speaker 2 Some actors don't like to meet the person because they don't want the lines to be blur, they don't want to feel like they can't show them in their worse or they don't want to sort of like do a parody of a person. Yeah, but like that shit is sailed like she did it for the first time twenty years ago. Yeah, Devil was prior to too, wasn't filmed at the time. But also there was no inkling that Devil's product she was ever gonna happen. Yeah, I just want and I'm sure someone will ask Emily Blunt the next time she does a lot of press, and I'm so interested in her answer that. Yeah, it's almost like you feel bad for Leslie.44:22Speaker 3 Like it would have just been at least nice, Like as much as I think she people really like the Emily character and stuff she does.44:29Speaker 1 Speak about it at the.44:30Speaker 3 Time, like people in the industry all knew that it was based on her and her being really scared of how she'd be perceived or if she'd be hired again, or what would happened to her career based on this version of the history they went through together. And she also says like Lauren never called her, Lauren never gave her a heads up, like they have not spoken since, so it's not like how Andy and Emily got along in the end. That's not what has happened here. So she's kind of gone through that never outed herself, goes up to the woman who played her, thinking, oh, we can at least have a nice discussion, and she just.44:56Speaker 1 Gets like kind of ghosted. I don't know that would suck. I think Emily Blunch probably reconsider talking to her about that.45:04Speaker 3 Well.45:04Speaker 2 It's such an interesting interview, and we'll link the whole thing in our show notes.45:07Speaker 1 Because we've only sort of scratched the surface. There's a lot more in there. So good.45:10Speaker 3 Thank you so much for listening to The Spill today. Don't forget to follow us on socials. We will pop all of the links in the show notes. We will be back in your feed bright and early tomorrow morning with morning Tea hosted by Ash London. The Spill is produced by Minisihaswarren, with video production by Michael King.45:24Speaker 1 Bye Bye,Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

In 2006, the United States had a wildly unpopular Republican president, was embroiled in a pointless war in the Middle East, and was heading straight toward a major economic crisis. Sound familiar? But at least 20 years ago we had some amazing music to make those terrible times at least somewhat more enjoyable. Belting pop-rock ballads. Infectious hip-hop tracks, foundational emo-punk, and what can only be described as total bangers in de clurb. So join us as the Great Pop Culture Debate goes back 20 years and attempts to name the Best Song of 2006.Songs discussed: “Crazy” by Gnarls Barkley, “Hung Up” by Madonna, “How to Save a Life” by The Fray, “SOS” by Rihanna, “Rehab” by Amy Winehouse, “Dance, Dance” by Fall Out Boy, “Pump It” by Black Eyed Peas, “Hips Don't Lie” by Shakira feat. Wyclef Jean, “Because of You” by Kelly Clarkson, “Put Your Records On” by Corinne Bailey Rae, “I Write Sins Not Tragedies” by Panic! At the Disco, “SexyBack” by Justin Timberlake feat. Timbaland, “You're Beautiful” by James Blunt, “Unwritten” by Natasha Bedingfield, “Irreplaceable” by BeyonceJoin host Eric Rezsnyak and panelists Andrea Guerrero, Curtis Creekmore, and Jake Pitochelli as they discuss and debate 16 of the most iconic songs from 20 years ago.For the warm-up to this episode, in which we discuss additional 1990 songs that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks.Want to watch the episode instead? As of Season 12, we now have full video episodes up on YouTube. EPISODE CREDITSHost: Eric RezsnyakPanelists: Andrea Guerrero, Curtis Creekmore, Jake PitochelliProducer: Derek MekitaEditor: Bob ErlenbackIntro & Outro Music: "Dance to My Tune" by Marc Torch#2000s #2000smusic #00smusic #00s #2006music #songsof2006 #beyonce #rihanna #amywinehouse #blackeyedpeas #justintimberlake #shakira #thefray #timbaland #pussycatdolls #natashabedingfield #unwritten #gnarlsbarkley #madonna #falloutboy #panicatthedisco #PATD #kellyclarksonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

And now for something completely different! Welcome to the 200th episode of the Great Pop Culture Debate podcast. Typically you all listen to OUR opinions on music, movies, TV, video games, comic books, and more. But for this anniversary special, we're handing the mic to YOU, the listeners.In our nearly six years and 199 episodes, we've gotten a lot of things right – but we've also gotten some things wrong. Some dubious decisions. Some bad calls. Some full-on boners. And you all let your feelings be known, which we LOVE.So buckle up as some of the show's longtime listeners give us the business over their busted brackets, with a focus on episodes released in seasons 8 through 12. If you want to hear the show's panelists discuss what we got wrong in the first 100 episodes, check out our 100th Episode Spectacular.Join host Eric Rezsnyak, Producers Bob Erlenback, Curtis Creekmore, and Derek Mekita, and our special-guest listeners Bryce MacGregor, John Beaudreau, Mary Kokinda, Lee Iannone, and Patreon Sponsor Kathy Kingsley as we discuss some of the podcast's most questionable calls.Episodes discussed: Best 1980s Teen Film (Season 9), Best Queen Song (Season 11), Best 1980s Sitcom (Season 10), Best John Williams Film Score (Season 12), Worst TV Lead Character (Season 12), Best Tori Amos Song (Season 12), Best Pixar Film (Season 8), Best ‘Mean Girls' Quote (Season 9), Best Super Hero Film (Season 8), Best Madonna Music Video (Season 9), Best Nickelodeon Original Series (Season 9), Best Tina Turner Song (Season 10), Best LGBTQ Super Hero (Season 11), Best Song of 1978 (Season 11), Best Annie Lennox Song (Season 12)Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks.Want to watch the episode instead? As of Season 12, we now have full video episodes up on YouTube. Subscribe to our channel for even more original, exclusive episodes!EPISODE CREDITSHost: Eric RezsnyakSpecial Guests: Bryce MacGregor, John Beaudreau, Mary Kokinda, Lee Iannone, Kathy KingsleyProducers: Bob Erlenback, Curtis Creekmore, Derek MekitaEditor: Eric RezsnyakIntro & Outro Music: "Dance to My Tune" by Marc Torch#podcast #popculture #debate #feedback #criticism #anniversary #special #entertainment #movies #music #tv #television #popmusic #80s #1980s #1990s #90s #2000s #nostalgiaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

fWotD Episode 3245: Despre tine Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Tuesday, 24 March 2026, is Despre tine."Despre tine" (Romanian: 'About You') is a song recorded by the Moldovan group O-Zone, released as a single by Media Services in Romania around December 2002. Written and produced by the band's founder Dan Balan, it was included on a reissue of their second studio album Number 1 (2002) and later on their third studio album DiscO-Zone (2003). Work on "Despre tine" spanned three weeks in September 2002, and its recording took place at the MOF Records studio with the assistance of Bogdan Popoiag. Following the international success of O-Zone's 2003 single "Dragostea din tei", "Despre tine" was re-released in select European markets in August 2004. Musically, it is a dance-pop track performed in Romanian.At the MTV Romania Music Awards 2003, "Despre tine" won Best Song and Best Dance. It also received a nomination for Best Dance-Pop Song at the Radio România Actualități Awards the same year. Commercially, a music critic considered the track successful, though on a smaller scale than "Dragostea din tei". It topped the Romanian Top 100 in 2003 and reached number one in Norway in 2004, while also charting within the top 10 in Austria, Wallonia, Denmark, France, Germany, Italy, Spain, Sweden, and Switzerland. The song was certified double gold in Romania and gold in France. A music video to promote "Despre tine" was released in 2004 and portrays O-Zone performing the track at a club among a dancing crowd. The group also performed the song live on television, including on Hit Machine in France and Top of the Pops in Germany.This recording reflects the Wikipedia text as of 00:39 UTC on Tuesday, 24 March 2026.For the full current version of the article, see Despre tine on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Joey.

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Golden - the huge girl-power anthem from KPop Demon Hunters - is officially Best Song at the 98th Academy Awards. Paul Thomas Anderson’s One Battle After Another was the night's major victor, while Australian nominees Rose Byrne and Jacob Elordi went home without a statue. Plus, Donald Trump’s latest warning over the Strait of Hormuz. Relive all the action on our Oscars live blog and see the best looks from the red carpet at theaustralian.com.au.See omnystudio.com/listener for privacy information.

Somewhere in Time Podcast finishes up their run on albums from 1995 with the Anthrax album, Stomp 442. Several clips from the recent 40th anniversary of Anthrax special on YouTube are pulled for this episode, as well as the normal breakdown of album cover, production, and favorite moments from the album.  Also featured this episode is the first-round predictions of the next bracket: The Best Song from The Big 4 (Metallica, Megadeth, Slayer, and Anthrax). The podcast gives their predictions on who will advance to the sweet 16.  Visit Somewhere in Time Podcast's website https://somewhereintimepodcast.com Follow Somewhere in Time Podcast on Social Media: Facebook Instagram YouTube TikTok – Somewhere in Time Podcast

John, Rebecca, and VF Staff Writer Chris Murphy answer listener mailbag questions on everything from how they'd fix the often-confounding Best Song category to how new Academy members get sorted into branches and whether the Best Actress race is as certain as it seems. They also talk about the incident at the BAFTA Awards this weekend, and discuss how the outcry might alter the Oscars chances for Sinners.  Learn about your ad choices: dovetail.prx.org/ad-choices

John, Rebecca, and VF Staff Writer Chris Murphy answer listener mailbag questions on everything from how they'd fix the often-confounding Best Song category to how new Academy members get sorted into branches and whether the Best Actress race is as certain as it seems. They also talk about the incident at the BAFTA Awards this weekend, and discuss how the outcry might alter the Oscars chances for Sinners.  Learn about your ad choices: dovetail.prx.org/ad-choices

Pop music in 1990 was a wild experience. New queens of pop like Paula Abdul, Taylor Dayne, and Mariah Carey stood shoulder pad to bustier with 80s ladies Madonna and Janet Jackson. Hip-hop broke into the mainstream in a big way with M.C. Hammer and Vanilla Ice. The last gasps of hair metal still clung to the airwaves like so much AquaNet residue. Club music somehow how found its way onto Top 40 radio stations. And the totally unsubtle vocal stylings of Michael Bolton, Wilson Phillips, and others gave sad white people the confidence they needed to rock high-waisted jeans and pleated khakis. What a time to be alive! So join us as the Great Pop Culture Debate goes back to the beginning of the end of the 20th Century as we name the Best Song of 1990.Songs discussed: “Ice Ice Baby” by Vanilla Ice; “There She Goes” by The La's; “Enjoy the Silence” by Depeche Mode; “Black Velvet” by Alannah Myles; “Groove is in the Heart” by Deee-Lite; “I'm Your Baby Tonight” by Whitney Houston; “We Didn't Start the Fire” by Billy Joel; “Vogue” by Madonna; “U Can't Touch This” by MC Hammer; “Poison” by Bell Biv Devoe; “Nothing Compares 2 U” by Sinead O'Connor; “Freedom ‘90” by George Michael; “Love Shack” by The B-52s; “Rhythm Nation” by Janet Jackson; “Pump Up the Jam” by Technotronic; “Hold On” by Wilson PhillipsJoin host Eric Rezsnyak, Derek Mekita, Jim Czadzeck, and Jonny Minogue as they discuss and debate 16 of the most iconic songs from the year of the final decade of the 20th Century.For the warm-up to this episode, in which we discuss additional 1990 songs that didn't make the bracket, become a Patreon supporter of the podcast today. EPISODE CREDITSHost: Eric RezsnyakPanelists: Derek Mekita, Jim Czadzeck, Jonny MinogueProducer: Bob ErlenbackEditor: Bob ErlenbackIntro/Outro Song: "Dance to My Tune" by Marc Torch#1990 #90s #90smusic #songsof1990 #vanillaice #mchammer #wilsonphillips #janetjackson #madonna #billyjoel #depechemode #whitneyhouston #dancemusic #pumpupthejam #technotronic #georgemichael #bellbivdevoe #b52s #loveshack #popmusicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Great Pop Culture Debate host Eric Rezsnyak explains how we created the bracket for our Season 12 episode devoted to the very best songs that were popular in 1990. Walk through the Round 1 match-ups and see which tracks made the cut. The main episode will release on Tuesday, February 24, wherever you listen to podcasts.And if you love pop culture, ⁠⁠⁠sign up for our weekly newsletter⁠⁠⁠ to keep up on all the new movies, music, and TV shows dropping every week!CREDITS:Intro/outro music: "Dance to My Tune" by Marc TorchIG: https://www.instagram.com/greatpopculturedebate/Bluesky: https://bsky.app/profile/gpcd.bsky.socialWebsite: https://www.greatpopculturedebate.com/Patreon: https://www.patreon.com/greatpopculturedebate#podcast #popculture #debate #bestof #podcasts #music #movies #film #books #comics #television #tv #lgbtq #lgbt #nostalgia #geek #nerd #culture #greatestSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We used to call this category "That's My Jam" which is a long forgotten in-joke from our personal Discord server, but unfortunately it was just a little out of step of the way we name these categories now. But rest assured, these songs are JAMS. We had lots of music to choose from this year and it was harder for some to narrow it down. The Nominees Are: "BIRDBRAIN" w/ OK Glass Feat Kasane Teto by Jaime Paige "Bow and Arrow" by Kenshi Yonezu (Medalist) "EMPTYLANDS" by Blood Cultures (Skate Story) "The Girl on a Space Colony" by Yoshimasa Terui (Mobile Suit Gundam GQuuuuuuX) "KOERU" by Alexandros (Umamusume Cinderella Gray) "L-GAIM: Time for L-Gaim" by Kyohei Tsutsumi (Heavy Metal L-Gaim) "Loner" by peak divide (Unbeatable) "Waiting" by peak divide (Unbeatable) "Maximum Kizuna Kaizer Explodes" by Akira Kushida (The Red Ranger Becomes an Adventurer in Another World) "Scarlet Draw" by Lena Raine (of the Devil) "Zero Summary" by Lena Raine (of the Devil) "Skirt" by AIKO (Apocalypse Hotel) Theme of Lu Bu DW Origins Mix (Dynasty Warriors Origins) "Universe Mission Theme Song" by DRAGON SOUL (Super Dragon Ball Heroes) "Watch Me!" by Yoasobi (Witch Watch) Our intro and outro music for the Gimmick Awards 2025 is Lay back by Kazuki Kaneko, and our art is a commission from GOMA on Bluesky.

Matilde G is a 20-year-old Italian-born recording artist & songwriter based in Singapore. She has generated more than 50 million views across 180 countries.Her live performance was in Italy, Singapore, Malaysia, Japan, Mexico, United Arab Emirates. She has appeared at the Formula 1 Grand Prix Singapore, & Amerigo Vespucci World Tour.She has won a World Entertainment Award for Best Song of the Year, The Hollywood Independent Music Award, & the Apollo Global Music Award for Best Song 2025Movie Reviews and More is broadcast live Tuesdays at 5PM PT on K4HD Radio - Hollywood Talk Radio (www.k4hd.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). Movie Reviews and More TV Show is viewed on Talk 4 TV (www.talk4tv.com).Movie Reviews and More Podcast is also available on Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

"Love of Every Love the Best!" Song of Songs 1:1-4Introducing Song of SongsPassionately desiring love is a good thingJesus's love is the best thingHow is His the "love of every love the best"?1. His love is the most perfect of loves2. His love is the most underserved of loves3. His love is the most sacrificial of loves4. His love is the most joyous of loves5. His love is the most satisfying of loves6. His love is the most faithful of loves7. His love is the most enduring of loves

Pünktlich zum Jahreswechsel (bitte nicht factchecken) gibt es wie immer unsere große Recap-Folge zum vergangenen Film-Jahr in der wir unsere persönlichen Top 10s sowie eine Reihe von Bonuskategorien diskutieren. Übersicht: 0:00:00 - Frage der Woche: "Was ist der Film aus diesem Jahr, an den ihr euch am wenigsten erinnern könnt?" 0:01:22 - Die Top-10-Filme des Jahres 2025 1:23:20 - Bonuskategorien! // // SPOILERS // // Jörn: 10. Kpop Demon Hunters 09. Sorry, Baby 08. No Other Choice 07. If I Had Legs, I'd Kick You 06. Hundreds of Beavers 05. Chainsaw Man - The Movie: Reze Arc 04. One Battle After Another 03. Predator: Badlands 02. Mononoke the Movie: Chapter II - The Ashes of Rage 01. Baby Assassins: Nice Days // Joe Ryder: 10. Nosferatu 09. Wake Up Dead Man 08. The Brutalist 07. Dracula - Die Auferstehung 06. Bring Her Back 05. Final Destination: Bloodlines 04. Superman 03. Friendship 02. One Battle After Another 01. Blood & Sinners // Patrick: 10. Heldin 09. Ballerina 08. Für immer hier 07. Left-handed Girl 06. The Life of Chuck 05. Flow 04. KPop Demon Hunters 03. Train Dreams 02. Sing Sing 01. One Battle After Another — Der schlechteste Film des Jahres: War of the Worlds / Customs Frontline — Gute Vorsätze (bzw. Aufgaben) für das neue Jahr: Jörn: 3 Filme die Joe nicht mochte (< 50) Patrick: 3 Filme der New French Extremity — Filme die WIR nicht verstanden haben: A Complete Unkown / Frankenstein — Filme die DIE nicht verstanden haben: Caught Stealing / Mickey 17 — Der „WTF geht hier ab?“-Film des Jahres: War of the Worlds / Hundreds of Beavers — The Ryde Person for the Wrong Job: Jason Momoa in A Minecraft Movie / Robert Pattinson & Jennifer Lawrence in Die My Love — Die Film-Asis des Jahres: Offensichtlicher Asi: Der Verhör-Experte aus One Battle After Another / Kelly McCormack in Sorry, Baby Hintenrum der Asi: Nicholas Hoult in Juror #2 / Jack Quaid in Companion — Filme, die besser mit Joe in der Hauptrolle gewesen wären: Caught Stealing / Blue Moon — Bester Film von 2024, den wir erst 2025 gesehen haben: River - The Timeloop Hotel / Challengers — Prognose für den besten Film 2026: Marty Supreme / Beyond the Spider-Verse — Oscarprognosen: Patrick: Best Picture für One Battle After Another, Best Actor für Timothee Chalamet in Marty Supreme, Best Song & Animation für Kpop Demon Hunters Jörn: Best Actor für Michael B. Jordan in Sinners, Best Actress für Rose Byrne in If I Had Legs I'd Kick You, Best Supporting Actor für Benicio Del Toro in One Battle After Another, Best Supporting für Wunmi Mosaku in Sinners, Best Song & Animation für Kpop Demon Hunters, Best Effects Tron Ares — Film den wir leider nicht mehr geschafft haben: Bugonia & The Mastermind / Eddington & Sentimental Value — Eine letzte Bonusempfehlung: Sentimental Value / Der Soundtrack für Hazbin Hotel Season 2 Folge direkt herunterladen

SOME SPOILERS. Kenny and Mike discuss the multiple Oscar nominated film by director Clint Bentley and starring Joel Edgerton, Felicity Jones, Kelly Condon, and William H Macy. Set in the early through mid 20th century, Train Dreams documents the story of Robert Grainer (Edgerton) a common man who life knows  simplicity, peace and joy and as well as tragedy and loss. Clint Bentley and production partner Greg Kwedar are nominated for an Oscar for best Adapted Screenplay.  The film is also nominated for Best Song, "Train Dreams" as well as Best Cinematography and Best Picture.  The film is currently on NETFLIX Faith Spotted: While Train Dreams is not considered a faith film, or faith based film, it is a film of faith lived out, both as individuals as well as communities of faith.  The film addresses, the joy of living a simple, contented life as well as working through grief and loss. Train Dreams also demonstrates the place of community and how persons of faith are called to notice and care for those in the midst of loss and grief and offer the ministry of presence, their presence and also the presence of God.  Not mentioned in the podcast, the film also presents guilt and how one's action or inaction an follow one throughout one's life.   

Tommy Kovac joined me to discuss seeing Sam Kinison at 2; favorite SNL episodes; favorite comedy movies; Adam Sandler, Woody Allen, & Chevy Chase movies; loving all different sitcoms; comedy albums from Cheech and Chong and Radio Dinner; George Burns v. Brad Dourif & Nicholson v. Pachino 1975; 1994 Best Picture, 1980 Best Song; SCTV Perry Como, Bob Dylan; having done 2,500 shows; favorite guests Mitzi McCall & Charlie Brill; worst guest: Nicholas Myers & Butch Patrick; forgetting questions; wanting to have on Valerie Landsburg & Laraine Newman; having Cindy Morgan on; me almost getting Richard Dreyfuss and asking Jerry Seinfeld; being declined by Joanne Worley and Ruth Buzzi; people who died after being booked; Joe Polato; Richard Heard; pop culture nerd outs; belly buttons; sports; Cathy Rigby; Sean Weatherly; next year making 10 years

Welcome to the Golden Takoyaki Awards 2025, our annual awards show where we pick our highlights from last year. This time, Jens joins us to give a European perspective. Let us know in the comments what you think about our picks and tell us your winners.   0:00 - Intro 2:12 - Worst Birthday Shirt 11:22 - Best Birthday Shirt 18:28 - Best Song of 2025 25:32 - Worst Song of 2025 35:22 - Warukii of the Year 44:55 - Best Show/Content 58:10 - Best Graduation Concert of the Year 1:09:50 - Best Non Graduation Concert of the Year 1:22:22 - Graduation Announcement That Hurt the Most 1:32:45 - Most Improved Member 1:46:45 - Most Disappointing Member 2:07:52 - MVP 2:18:50 - Outro

Jonathan Larson's Rent premiered at the New York Theatre Workshop on January 26, 1996. The modern rock-opera take on Puccini's La Boheme instantly captivated critics and audiences alike, bringing much-needed attention to the devastating AIDS crisis, inner-city class warfare, drug addition, and featuring bold and unabashed queer characters and storylines. While Larson tragically died the night before the show debuted, his masterpiece would go on to run on Broadway for 12 years, win the Pulitzer Prize for Drama and the Tony Award for Best Musical, gross hundreds of millions of dollars, and create a whole new crop of Broadway stars out of much of its original cast. This year marks the 30th anniversary of the ground-breaking show, so join the Great Pop Culture Debate as we attempt to name the Best Song from Rent. Songs discussed: “La Vie Boheme,” “Will I?” “Today 4 U,” “Out Tonight,” “Rent,” “One Song Glory,” “Goodbye Love” “What You Own,” “Take Me Or Leave Me,” “Santa Fe,” “Without You,” “Tango: Maureen,” “Seasons of Love,” “Another Day,” “Light My Candle,” “I'll Cover You”Join host Eric Rezsnyak and GPCD panelists Bob Erlenback, Curtis Creekmore, and Joelle Boedecker as they discuss and debate 16 of the most powerful songs from this modern Broadway classic.For the warm-up, in which the panel discusses every song from Rent that did NOT make the bracket, become a Patreon supporter of the podcast.To see a video version of the debate, subscribe to our page on YouTube.EPISODE CREDITS:Host: Eric RezsnyakPanelists: Bob Erlenback, Curtis Creekmore, Joelle BoedeckerEdtor: Bob ErlenbackIntro/Outro Music: "Dance to My Tune" by Marc Torch#rent #rentbroadway #rentmusical #musicals #broadway #broadwaymusicals #seasonsoflove #outtonight #lavieboheme #laboheme #idinamenzel #anthonyrapp #tayediggs #jesselmartin #adampascal #jonathanlarson #tonyaward #pulitzerprize #dramadeskSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Great Pop Culture Debate host Eric Rezsnyak explains how we created the bracket for our Winter 2026 special devoted to the best songs from the award-winning Broadway musical, "Rent," will will celebrate its 30th anniversary this week. Walk through the Round 1 match-ups and see which songs made the cut. The main episode will release on Tuesday, January 20, wherever you listen to podcasts.And if you love pop culture, ⁠⁠⁠sign up for our weekly newsletter⁠⁠⁠ to keep up on all the new movies, music, and TV shows dropping every week!CREDITS:Intro/outro music: "Dance to My Tune" by Marc TorchIG: https://www.instagram.com/greatpopculturedebate/Bluesky: https://bsky.app/profile/gpcd.bsky.socialWebsite: https://www.greatpopculturedebate.com/Patreon: https://www.patreon.com/greatpopculturedebateSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This episode we rundown our picks for the Best Comic Book Movies of 2025. Plus our pick for Best Album, Best Song, Best Sports Moment and Best Funko Pop of the year. Hit up E Society on Facebook. https://www.facebook.com/ESocietyPodcast/ Check out our ESP Spotify feed: https://podcasters.spotify.com/pod/show/esoc Mac Nez Podcast on Spotify: https://open.spotify.com/show/7jot3LglMA0EuGTUikXejq?si=21b39da4784e4528 E Society YouTube: https://www.youtube.com/channel/UCliC6x_a7p3kTV_0LC4S10A E Society and Mac-Nez t-shirts Tee Public: http://tee.pub/lic/9ko9r4p5uvE X: E Society Podcast - https://x.com/esocietypod Mac Nez Podcast - https://x.com/macnezpod The Zissiou - https://x.com/TheoZissou Instagram - E Society - https://www.instagram.com/esocietypod/ Mac Nez Podcast - https://www.instagram.com/macnez/ The Zissiou - https://www.instagram.com/thezissou/ TikTok - https://www.tiktok.com/@esocietypod   Taylor and Nez new podcast: Old Dawg New Trickz https://open.spotify.com/show/319KRWiJfGpMbFBLTp6E8P YouTube page for Resting Easy with Chris and Breezy https://www.youtube.com/@RECB   Epic Superhero Theme Music - 'Our Hero' (No Copyright) by Ben Morrissy. https://benmorrissy.weebly.com    

Matt Besser, Brett Morris, & Dragon Boy Suede present the best music that was released in 2025 including Best Song for Merging; Best Get the Party Started Song; Best Part of a Song (guitar lick of the year); and of course Songs & Albums of the Year. Will it be Gorilla Toss or Ashnikko or Dolly Parton with Motley Crue? Have A.I. songs fooled us yet? Who said, “Your husband is coming!”?Unlock the BONUS SCENE(S) at improv4humans.com and gain access to every episode of i4h, all ad-free, as well as TONS of exclusive new podcasts delving deeper into improv, the history of comedy, music and sci-fi.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Season 5 Episode 30 is live and this is the last episode of season 5 as well as the final episode of the year. Music Segment: This week we are discussing our 2025 selections for comeback artist of 2025, best EP, best album, and best song. We also provide some brief 2025 highlights. Coaches Corner: This segment features health and wellness information/tips to help you meet your goals. This week, we discuss sacrifices and the cost that goes into a great transformation. We also discuss taking a break from caffeine and some of the challenges/feelings in doing so.  Follow us on Instagram @mc_muscle!

Today is another Classic Solo with just the bros. We start off the pod recapping the holiday travels and talk about JT’s kids’ first experience at Disneyland. What is the correct age to introduce the churro at the parks? We recap the “bests” of 2025 - Best Song, Best News Story, and Best Sports Moment. We take some calls and dive deep into internet dating but the NEW kind, with a chatbot. Chris from the documentary “Smiles and Kisses You” calls in to break down DATING a chatbot for over five years and the wild progress they’ve built together. From the highs and lows of her memory getting deleted to a full name change, Chris has been through a lot with this chatbot. Bryan talks about his experience documenting the whole thing. IT’S A WILD STORY and a look into what bros are going through in this internet age of relationships. We are live streaming a fully unedited version of the pod on Twitch, if you want to chat with us while we're recording, follow here: https://www.twitch.tv/chadandjtgodeep Grab some dank merch here:https://appreeshapparel.com/ Come see us on Tour! Get your tix - http://www.chadandjt.com TEXT OR CALL the hotline with your issue or question: 323-418-2019(Start with where you're from and name for best possible advice) Check out the reddit for some dank convo: https://www.reddit.com/r/ChadGoesDeep/ Thanks to our Sponsors: CASH APP: Send, Receive, Invest & Manage Your Money with Cash App - sign up using code “secure10” send $5 and get a free $10! https://cash.app/ PRODUCTION & EDITS BY: Jake Rohret

Gen and Jette survived what apparently is not the final season of the series. They are handing out awards for Most Annoying, Most Growth, Best Song, and honestly, this award show was hard LOL. There were no battles for awards, just a "yeah I guess they win". Season 8 is rough but you know that ;)

The LSS crew is back with a year-end draft to celebrate the quarter-century mark in music. Cole, Charles, and Justin draft songs across five different categories: Best Song, Worst Song, One-Hit Wonder, Moment Maker, and Personal Favorite. Who won the draft? Hit the comments and let us know. Hosts: Cole Cuchna and Charles Holmes Producer: Justin Sayles Video Producer: Kevin Pooler Engineer: Kayla Talley Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textFollow Aysia on Tiktok here and Twitter here!Join Cam and Aysia_Is_Messy to break down every detail of Taylor Swift's new song off her new album, The Life of a Showgirl, Elizabeth Taylor.Swifties buckle up because we're talking Elizabeth Taylor, Richard Burton, and a ton of Taylor Swift and Travis Kelce, and all the exquisite Tayvis implications of this song!Support the show

In today's very special brunch episode, we talk to our friends Tyler and Tim from The Midnight and use a single elimination tournament bracket to determine the greatest song from an 80s movie. This is a lot of fun- check it out! Also, be sure to listen to The Midnight's new album 'Syndicate' and catch them on tour- http://themidnightofficial.com Learn more about your ad choices. Visit megaphone.fm/adchoices

1965 may feel like an entirely different lifetime, but even if you're Gen X or a Millennial, chances are you know the songs and the icons from that incredible year. Cher! The Beatles! The Rolling Stones! The Supremes! Legends in their prime whose music continues to hold cultural cache 60 years after its release. So join the Great Pop Culture Debate as we do the time warp and try to determine the Best Song of 1965. Songs discussed: “Unchained Melody” by The Righteous Brothers, “Help!” by The Beatles, “(I Can't Get No) Satisfaction” by The Rolling Stones, “My Girl” by The Temptations, “Ticket to Ride” by The Beatles, “You've Lost That Lovin' Feeling” by The Righteous Brothers, “Stop! In the Name of Love” by The Supremes, “I Got You Babe” by Sonny & Cher, “Do You Believe in Magic?” by The Lovin' Spoonful, “How Sweet It Is (To Be Loved By You)” by Marvin Gaye, “What the World Needs Now is Love” by Jackie DeShannon, “It's Not Unusual” by Tom Jones, “I Can't Help Myself (Sugar Pie Honey Bunch)” by The Four Tops, “California Girls” by The Beach Boys, “We Got to Get Out of This Place” by The Animals Join host Eric Rezsnyak and panelists Derek Mekita, John Higgins, and Zack Derby as they discuss and debate 16 of the biggest hits from 60 years ago. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Derek Mekita, John Higgins, Zack Derby Producer: Bob Erlenback Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #music #1960s #60smusic #popmusic #rockmusic #unchainedmelody #righteousbrothers #cher #sonnyandcher #igotyoubabe #thebeatles #beatles #beatleshelp #rollingstones #satisfaction #marvingaye #thefourtops #thebeachboys #beachboys #fourtops #temptations #thetemptations #thesupremes #supremes #dianaross #motown #tomjones Learn more about your ad choices. Visit megaphone.fm/adchoices

1965 may feel like an entirely different lifetime, but even if you're Gen X or a Millennial, chances are you know the songs and the icons from that incredible year. Cher! The Beatles! The Rolling Stones! The Supremes! Legends in their prime whose music continues to hold cultural cache 60 years after its release. So join the Great Pop Culture Debate as we do the time warp and try to determine the Best Song of 1965. Songs discussed: “Unchained Melody” by The Righteous Brothers, “Help!” by The Beatles, “(I Can't Get No) Satisfaction” by The Rolling Stones, “My Girl” by The Temptations, “Ticket to Ride” by The Beatles, “You've Lost That Lovin' Feeling” by The Righteous Brothers, “Stop! In the Name of Love” by The Supremes, “I Got You Babe” by Sonny & Cher, “Do You Believe in Magic?” by The Lovin' Spoonful, “How Sweet It Is (To Be Loved By You)” by Marvin Gaye, “What the World Needs Now is Love” by Jackie DeShannon, “It's Not Unusual” by Tom Jones, “I Can't Help Myself (Sugar Pie Honey Bunch)” by The Four Tops, “California Girls” by The Beach Boys, “We Got to Get Out of This Place” by The Animals Join host Eric Rezsnyak and panelists Derek Mekita, John Higgins, and Zack Derby as they discuss and debate 16 of the biggest hits from 60 years ago. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Derek Mekita, John Higgins, Zack Derby Producer: Bob Erlenback Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #music #1960s #60smusic #popmusic #rockmusic #unchainedmelody #righteousbrothers #cher #sonnyandcher #igotyoubabe #thebeatles #beatles #beatleshelp #rollingstones #satisfaction #marvingaye #thefourtops #thebeachboys #beachboys #fourtops #temptations #thetemptations #thesupremes #supremes #dianaross #motown #tomjones Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Great Pop Culture Debate host Eric Rezsnyak explains how we created the bracket for our episode devoted to the best American popular-music songs from 1965, and walks you through the Round 1 match-ups. The main episode will release on Tuesday, November 11, wherever you listen to podcasts. ⁠⁠⁠⁠⁠⁠Make sure to subscribe to the podcast⁠⁠⁠⁠⁠⁠ so you don't miss any upcoming episodes. And ⁠⁠subscribe to our YouTube Channel⁠⁠ so you don't miss our original video posts this fall and winter! And if you love pop culture, ⁠⁠⁠sign up for our weekly newsletter⁠⁠⁠ to keep up on all the new movies, music, and TV shows dropping every week! CREDITS: Intro/outro music: "Dance to My Tune" by Marc Torch IG: https://www.instagram.com/greatpopculturedebate/ Bluesky: https://bsky.app/profile/gpcd.bsky.social Website: https://www.greatpopculturedebate.com/ Patreon: https://www.patreon.com/greatpopculturedebate #podcast #popculture #debate #bestof #podcasts #music #movies #film #books #comics #television #tv #lgbtq #lgbt #nostalgia #geek #nerd #culture #greatest Learn more about your ad choices. Visit megaphone.fm/adchoices

Great Pop Culture Debate host Eric Rezsnyak explains how we created the bracket for our episode devoted to the best American popular-music songs from 1965, and walks you through the Round 1 match-ups. The main episode will release on Tuesday, November 11, wherever you listen to podcasts. ⁠⁠⁠⁠⁠⁠Make sure to subscribe to the podcast⁠⁠⁠⁠⁠⁠ so you don't miss any upcoming episodes. And ⁠⁠subscribe to our YouTube Channel⁠⁠ so you don't miss our original video posts this fall and winter! And if you love pop culture, ⁠⁠⁠sign up for our weekly newsletter⁠⁠⁠ to keep up on all the new movies, music, and TV shows dropping every week! CREDITS: Intro/outro music: "Dance to My Tune" by Marc Torch IG: https://www.instagram.com/greatpopculturedebate/ Bluesky: https://bsky.app/profile/gpcd.bsky.social Website: https://www.greatpopculturedebate.com/ Patreon: https://www.patreon.com/greatpopculturedebate #podcast #popculture #debate #bestof #podcasts #music #movies #film #books #comics #television #tv #lgbtq #lgbt #nostalgia #geek #nerd #culture #greatest Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What Would Be the Best Song for a 'Giving Birth' Soundtrack by Maine's Coast 93.1

This week in pop culture headlines, Andrew dropped his royal title, Coleman Domingo was announced as Cowardly Lion in "Wicked: For Good," the Victoria Secret Fashion show returned, Brandy and Monica had a tour mishap, Debbie Allen was honored with a Barbie, Melody Hobson and George Lucas introduced a new museum, Love Is Blind alums Lauren and Cameron welcomed their first child, and Sinners has chosen two songs to add to Best Song category at the Oscars. (1:46) Stay tuned for our next episode as we gear up for Halloween with a recap of 2002 film, "Queen of the Damned" starring Aaliyah! We are available on all podcasting platforms, but please follow, rate, and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com

Could Amy Madigan go back to the Oscars 40 years after her first nomination, this time for playing the mysterious and kooky Aunt Gladys in the horror mystery 'Weapons'? It's very possible! The actress joins Awardist host Gerrad Hall to look back on her experience in Zach Cregger's latest thriller and her career. Plus, Gerrad and EW Sr. Editor Joyce Eng chat about the Best Song race, including new contender Miley Cyrus, who has co-written and will perform the end credits song for 'Avatar: Fire and Ash.' Learn more about your ad choices. Visit podcastchoices.com/adchoices

Here's your 3 must hear clips of the day!

"Welcome to another episode of Let There Be Talk. Today I'm diving deep into a few subjects that hit me hard this week — starting with one of the greatest films ever made, Martin Scorsese's Taxi Driver. We'll get into the grit, the genius, and the madness of Travis Bickle, and how that movie still punches you in the gut almost 50 years later. After all these years what do you think happened to Travis. Then I'm switching gears into the world of metal — breaking down Metallica's “Disposable Heroes”, Is this their greatest song? And finally, I want to talk about the loss of D'Angelo, an artist who changed the game with soul, honesty, and groove. Brown Sugar is hands down one of the best records of the 90's   Thank you for always tuning in and remember to keep the Candles Lit. Tour dates https://www.deandelray.com/tourdates My new comedy special 5836 https://www.youtube.com/watch?v=nbeaApu4OP0  Patreon Bonus Episodes https://www.deandelray.com/patreon   

What makes a musician “the best”—flashy solos, bulletproof tone, or the quiet excellence of a session pro who lifts every track they touch? We dig into that question with a fresh list of country's standout guitarists, then pressure-test the names you know—Keith Urban, Vince Gill, Brad Paisley—against a studio titan who's played on nearly everything: Brent Mason. Along the way, we break down how electric and acoustic roles really differ, why Telecasters and chicken-pickin' still define a lane of country, and how pedals and signal chains can even shape a vocal when the studio gets experimental.The conversation widens fast. We unpack timely headlines and onstage signals—setlist swaps, lyric tweaks, rings on or off—and why fans read those choices as chapters in a public diary. There's tour news, a TV series blending arena stages with backstage pressure, and a reminder that new voices rise from multiple paths now: TikTok bursts, honest songwriting pivots, and the right producer pairing at the right studio. If you care about where country music is headed, these threads matter.Then we hand the mic to our listeners for a high-stakes bracket: the greatest song ever used in a movie. Purple Rain surges. Eye of the Tiger swings hard. But the final crown lands on I Will Always Love You—a rare union of perfect song, perfect voice, and an unforgettable film moment. We close with chart spotlights (mainstream and indie), a quick-hit review of tracks worth your time, and a pointer to our playlist so you can hear everything we discuss.LinksJeff King: https://jayfranze.com/episode6/Carl Tatz: https://jayfranze.com/episode24/Bob Bullock: https://jayfranze.com/episode28/Jim Cristaldi: https://jayfranze.com/episode27/MaKenzie Phipps: https://jayfranze.com/episode73/Billie Jo Jones: https://jayfranze.com/episode98/Jonny James: https://jayfranze.com/episode171/Send us a text Support the showLinks Jay Franze: https://jayfranze.com/ The Jay Franze Show: https://thejayfranzeshow.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Reach Out: https://jayfranze.com/contact/ Mailbag: https://jayfranze.com/mailbag/ Question of the Day: https://jayfranze.com/question/ Sponsor the Show: https://jayfranze.com/sponsor/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Consulting: https://jayfranze.com/services/ Books Stand Out or Fade Out: https://jayfranze.com/books/

Rolling Stone just named "Get Ur Freak On" the greatest song of the 21st century so far — and Missy Elliott herself joins host Brian Hiatt to talk about its creation and more Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mike Johnson and Sandra play Buy or Sell, and everyone plays 3 STRIKES!!!

Movie podcasting's biggest night is here — the 2025 Golden Geres, hosted by Eddie, Malcolm, and JT from Extended Clip. It's our celebration of the films we've discussed over the last year. So, join us as we open the envelopes for The Man About Town, Best Guest, The Son of Gere, Best Politics, The Old Guys Rule Award, Sickest Pad, Coolest Ride, Best Pervert, The Golden Fedora, and of course the traditional categories of Best Song, Performance, and Picture. Get an extra episode every week at patreon.com/extended_clip Send us your questions to be answered on the air at extendedclippodcast@gmail.com Subscribe to my blog at vintageviolence.substack.com/clipped

Send us a textMulti-Award winning entertainer, Cali Tucker, has had a phenomenal year by any measure.  Her music has amassed millions of streams on Spotify, Apple Music and YouTube. She performed the National Anthem for NASCAR's Penzoil 400 in front of eighty thousand race fans and to a televised audience of over three million. Her music videos, Country Couture and Urban Cowboy have become the darling of film festivals around the globe, winning over 20 awards for Best Music Video, Best Song, and even Best Fantasy Short ( for Urban Cowboy). Let's sit back and hear more of Cali and what's she's been up to!!   y'all go follow her atwww.calitucker.comall links are there!!!Support the showThe David Bradley ShowHost: David Bradleyhttps://www.facebook.com/100087472238854https://youtube.com/@thedavidbradleyshowwww.thedavidbradleyshow.com Like to be a guestContact Usjulie@thedavidbradleyshow.comRecorded at Bradley StudiosProduced by: Caitlin BackesProud Member of CMASPONSERSBottled Water and Sweet Tea provided by PURITY DairyABlaze Entertainment

(00:00) Zolak, McKone and Dondero start the third hour on Ken Rosenthal’s comments on Breslow’s deadline being “an epic fail.” (7:30) The guys discuss more of the failed Joe Ryan trade. (19:00) The guys take calls and reactions from everything so far. (27:30) We finish the hour debating what is the best song with a name in the title. This episode of Zolak & Bertrand is brought to you in part by Profluent. https://go.happinessexperiment.com/begin-aff-o1-page2-107890-365938?am_id=podcast2025&utm_source=podcast&utm_medium=podcast&utm_campaign=michael

Los Angeles-based singer, songwriter, guitar player, filmmaker, and author. He has written over a thousand songs and his first ever album reached best-seller status the first day it was released and reached No. 11 on Amazon's Top 100 list. In his early years, he and a friend performed their original folk rock songs on national TV on the 700 Club and in a CBS documentary. Their music was played on the radio, and they toured for several years. His 2021 film – based on a novel he wrote – made the finalized Oscar list for Best Picture, and five of his original songs were up for Best Song. His latest film has won 15 awards at film festivals and can be seen for free on Amazon. Some years ago, he also hosted a radio talk show.

We're taking a few weeks off Dissect's Cole Cuchna is joined by The Ringer's Charles Holmes to discuss Kendrick Lamar's GNX and debate it's best song. There's GNX background and trivia, lyrical breakdowns, and best song nominations. They also discuss the Kendrick x Drake battle songs to see whether any of Kendrick's battle tracks make the cut. Last Song Standing is an annual show on the Dissect podcast feed that attempts to crown an artist's greatest song of all time by debating their way through their entire discography. Past season can listened to for free on Spotify. Dissect will resume its season on Mr. Morale and The Big Steppers in a few weeks. Learn more about your ad choices. Visit podcastchoices.com/adchoices