Podcasts about luis bunuel

This week we take a little break from Andrei Tarkovsky and are covering two films by Luis Bunuel.Amanda Joy Moon:⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠Etsy: https://www.etsy.com/shop/riotgrrrlprintz/?etsrc=sdt ⁠⁠TikTok⁠⁠: https://tiktok.com/@amandajoymoonRevLeft:https://www.revolutionaryleftradio.com/https://www.revolutionaryleftradio.com/guerrilla-historyhttps://www.revolutionaryleftradio.com/#/redmenace/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Frank Zappa is an odd duck. His massive back catalogue of albums attracts both reverence and ambivalence from music fans. Stylistically, he covered so much ground covering doo wop, blues, psych, jazz fusion and dissonant orchestral music. Unlike many of his rock and roll contemporaries, he always believed in infusing a sense of humour into his music – both compositionally and lyrically….though since what strikes some as funny is so subjective, it couldn't appeal to everyone. He wrote about commercialism in America, the hypocrisy of conservatives and liberals in American society, and….umm….body parts. Welcome to episode 127 of See Hear Podcast. Tim, Kerry and I pontificate about the work of Frank Zappa with an eye towards his 1972 film, 200 Motels. It's a surreal work that's supposed to be his take on what life on the road is like for a working band – encountering rednecks and groupies, band egos and paranoia (the latter for good reason in this instance), and drug use. The film is vignette based with music provided by the 2nd incarnation of the Mothers of Invention and the London Philharmonic Orchestra. Zappa spent 4 years composing and arranging the music, and much less time writing a script. That works out as well as expected. As well as discussing 200 Motels, we put the background towards its creation in context, thanks to an excellent documentary called “Frank Zappa – Free Jazz, Movie Madness & Another Mothers”(available on Tubi). Many thanks to Tom Stein for making us aware of that film's existence. If our discussion goes all over the place, maybe it's a tribute to the structure of 200 Motels. Tune in and hear where we stand on this surreal piece of cinema. Is it Luis Bunuel? Well….would Luis Bunuel have dressed Ringo Starr up as a tall dwarf with a desire to do something with a genie lamp to Keith Moon dressed as a nun? The answer is probably “When will we get paid….” If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

Frank Zappa is an odd duck. His massive back catalogue of albums attracts both reverence and ambivalence from music fans. Stylistically, he covered so much ground covering doo wop, blues, psych, jazz fusion and dissonant orchestral music. Unlike many of his rock and roll contemporaries, he always believed in infusing a sense of humour into his music – both compositionally and lyrically….though since what strikes some as funny is so subjective, it couldn't appeal to everyone. He wrote about commercialism in America, the hypocrisy of conservatives and liberals in American society, and….umm….body parts. Welcome to episode 127 of See Hear Podcast. Tim, Kerry and I pontificate about the work of Frank Zappa with an eye towards his 1971 film, 200 Motels. It's a surreal work that's supposed to be his take on what life on the road is like for a working band – encountering rednecks and groupies, band egos and paranoia (the latter for good reason in this instance), and drug use. The film is vignette based with music provided by the 2nd incarnation of the Mothers of Invention and the London Philharmonic Orchestra. Zappa spent 4 years composing and arranging the music, and much less time writing a script. That works out as well as expected. As well as discussing 200 Motels, we put the background towards its creation in context, thanks to an excellent documentary called “Frank Zappa – Free Jazz, Movie Madness & Another Mothers”(available on Tubi). Many thanks to Tom Stein for making us aware of that film's existence. If our discussion goes all over the place, maybe it's a tribute to the structure of 200 Motels. Tune in and hear where we stand on this surreal piece of cinema. Is it Luis Bunuel? Well….would Luis Bunuel have dressed Ringo Starr up as a tall dwarf with a desire to do something with a genie lamp to Keith Moon dressed as a nun? The answer is probably “When will we get paid….” If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

Ein Schornstein stürzt ein. Ein Dichter zeichnet ein Gesicht auf Leinwand. Plötzlich beginnt der gezeichnete Mund zu reden. Irritiert wischt der Dichter diesen ab, nur um ihn kurz darauf auf seiner Hand wiederzufinden. Da die Reinigung der Hand nicht hilft, wird der Mund schnell auf eine Statue gepackt, die natürlich kurz darauf zu leben beginnt. Sie schickt den Dichter durch einen Spiegel in eine Paralleldimension, wo er in einem Hotelflur durch die Schlüssellöcher verschiedene Szenen betrachtet: Ein Revolutionär der wieder und wieder erschossen wird, ein gezüchtigtes Kind, das an der Decke schwebt, ein Hermaphrodit umgeben von Pentagrammen… schließlich hat der Dichter genug und erschießt sich… und landet zurück in seiner Welt. Er zerstört die Statue und wird selbst zu einer. Kinder machen eine Schneeballschlacht, die langsam in tödliche Gewalt eskaliert. Ein Tisch wird aufgebaut: Ein Mann und eine Frau spielen Karten, beobachtet von einem amüsierten Theaterpublikum. Auch dieses Kartenspiel endet tödlich. Ein Engel kommt vorbei, die Frau wird zur Statue, führt einen Ochsen irgendwohin, landet in einem Gitarrenkasten. Ein Schornstein stürzt ein. Nein, das ist mir nicht heute im Büro passiert, sondern das ist so ziemlich genau die Chronologie der Handlung von Jean Cocteaus erstem Spielfilm Le Sang d'un poète - Das Blut eines Dichters - aus dem Jahr 1930. In vier Sequenzen erzählt, 50 Minuten lang, konsequent der Logik des Traums gehorchend. Ein Film des Surrealismus, nur ein Jahr nach dem berühmten Un Chien Andalou von Salvador Dail und Luis Bunuel. Natürlich wollte Cocteau nie diesem Genre zugeordnet werden. Weil Schubladen sind etwas für Konformisten, Bitch! Aber der Film atmet den Geist dieser Epoche und auch dieser spezifischen Kunstrichtung: Symbolisch aufgeladen, freudianisch, traumhaft, ohne kohärente Logik… soweit so prätentiös, so weit so kunsthistorisch bedeutend. Aber wir wollen natürlich unabhängig davon Filme empfehlen. Und müssen uns jetzt die Frage stellen: Ist das ein sehenswerter Film? Johannes, Rede!

On today's surreal episode, we talked about Luis Bunuel's first film and collaboration with Salvador Dali, Un Chien Andalou. Lots to unpack on this one. Plus, an email about wordplay that ends with a teaser… Get an extra episode every week and support the show at patreon.com/extended_clip Send us questions at extendedclippodcast@gmail.com

Episode 47 - Luis Bunuel's THAT OBSCURE OBJECT OF DESIRE w/guest Raquel Stecher Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 47 - Luis Bunuel's THAT OBSCURE OBJECT OF DESIRE w/guest Raquel Stecher Have a question or comment? Looking for more great content? E-MAIL: fwpodcasts@gmail.com Follow FADE OUT on Blue Sky: https://bsky.app/profile/fadeoutpod.bsky.social You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on BLUE SKY – https://bsky.app/profile/fwpodcasts.bsky.social Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

This week, Drusilla and Josh discuss the exploitation video nasty classic, The Witch Who Came from the Sea (1976). From wiki: “The Witch Who Came from the Sea is a 1976 American psychological horror film produced and directed by Matt Cimber and starring Millie Perkins, Lonny Chapman, Vanessa Brown, Peggy Feury, Rick Jason, George Buck Flower, and Roberta Collins. The film centers on an emotionally scarred woman who goes on a killing spree after taking a job as a waitress in a seaside bar. Its title refers to The Birth of Venus, which figures in the film. Dean Cundey served as associate photographer on the film.Also discussed: Luis Bunuel's Mexican films, El in particular, Pink Narcissus, Alison's Birthday (1981), Identikit (1974), GLOW, video nasties, Jayne Mansfield, and more.  Next Week: Blood and Black Lace (1964)Follow them across the internet:Bloodhaus: https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://bsky.app/profile/joshuaconkel.bsky.socialhttps://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

The visual media of cinema, TV and videogames are especially suited to depicting the strange visions and wonky logic of human dreaming, and the horror genre is especially able to take advantage of this.  Kirsty and Dan discuss some of the best examples, while Stella drops in to make some points, too.   Works Cited   Un Chien Andalou ("An Andalusian Dog") (Les Grande Films Classiques, France 1929, director: Luis Bunuel (co-writer: Salvador Dali) Meshes of the Afternoon (US 1943 silent/1949 with added music, directors: Maya Deren and Alexandr Hackenshmeid, who later changed his name to Alexander Hammid) Eraserhead (AFI Center for Advanced Studies, US 1979, director: David Lynch) Lost Highway (October Films, US 1998, director: David Lynch) Mulholland Drive (Universal Pictures US 2001, director: David Lynch) Rabbits (web series, US 2002, director: David Lynch) Twin Peaks: The Return (Showtime Network Television, US 2017, showrunners: Mark Frost and David Lynch) Jacob's Ladder (Tri-Star Pictures, US 1990, director: Adrian Lyne) Legion (20th Century Fox Television, US 2015-17, showrunner: Noah Hawley) The Big Lebowski (Polygram Filmed Entertainment, US 1998, directors: Joel and Ethan Coen) Dead of Night: The Exorcism (BBC Television, UK 1972, director: Don Taylor) - be sure to watch this before you listen to our Christmas episode, which will be available on Friday 20th to Patreon supporters and on Christmas Eve to everyone else   Artwork by Kirsty Worrow (Instagram: OneCrowLeft).  Music by Greg Hulme.   To hear our next episode early please go to our Patreon page and become a supporter Socials: BlueSky Mastodon Twitter Instagram (also on Threads) Facebook All clips are used in the spirit of Fair Dealing (Commonwealth law) and Fair Use (US law) for the purposes of criticism and education.  No copyright infringement intended. Visit our website, andnowpodcast.com  

Hamdorf, Wolfgang Martin www.deutschlandfunk.de, Tag für Tag

C'est la seule star française dont la carrière n'a jamais connu d'éclipse. Catherine Deneuve a fêté ses 80 ans, ce 22 octobre 2023, 80 printemps et autant de chefs d'œuvre à son actif, elle qui a tourné avec Roman Polanski, Alain Cavalier, André Téchiné, Luis Bunuel et François Truffaut, entre autres. Cette semaine, Tous les cinémas du monde revient sur le parcours de cette icône du cinéma avec :Virginie Linhart, auteure du documentaire « Deneuve, la reine Catherine » (disponible sur la plateforme Francetv)EtFaustine Saint-Geniès, journaliste à So film, co-autrice du livre collectif « Il était une fois Deneuve » (Éd. Marabout).

Part 1: Zach, Andrew, and Grace talk about movies they saw this week, including: Furiosa: A Mad Max Saga and Stagecoach.Part 2 (38:40): The group continues their Young Critics Watch Old Movies series with 1930's L'Age D'Or.See movies discussed in this episode here.Don't want to listen? Watch the podcast on our YouTube channel.Also follow us on:FacebookTwitterLetterboxd

On this episode of I Am The Wiz, Wiz reviews the 1972 satirical comedy The Discreet Charm of the Bourgeoisie directed by Luis Bunuel.

Pendant qu'un frère Coen fait son coming-out queer, une perle mexicaine des années 60 fait un mariage de déraison. Les frères Coen ont tellement portraituré l'Amérique profonde au gré de leurs films, qu'on aurait pu y voir une forme de fétichisme. Maintenant qu'ils sont séparés et font des films chacun de leur côté, l'affaire paraît plus compliquée. En apparence, Drive-away dolls joue leurs cartes usuelles : intrigue de polar déglingué, galeries de personnages excentriques et course-poursuite virant roadtrip entre la Pennsylvanie et la Floride. Le premier film d'Ethan Coen en solo va pourtant sur un terrain que la fratrie avait jusque-là toujours laissé à l'écart : le sexe. Et autant dire que Drive-away dolls se met au goût du jour avec un couple de lesbiennes émoustillées, quasi sorti d'une version hardcore et prolo de Sex & the city. L'intrigue policière autour du mystérieux contenu d'une valise n'est qu'un prétexte pour virer une cutie vers l'univers queer. Si Jamie et Marian se retrouvent rapidement avec des hommes de main au cul, Drive-Away dolls marque surtout à la culotte les codes des séries B masculinistes, pour les rallier à ceux d'une rom-com délurée, appelant une chatte une chatte. Pour autant, à l'exception de Margaret Qualley et Géraldine Wiswanthan, parfaites en remix goudou d'un duo de buddy movie, cette cavalcade se fait peine-à-jouir par sa réalisation de cartoon en carton ou ses interludes psychédéliques bariolés métamorphosant la modernité du fond en coup de provoc périmé. On pourra trouver Le Squelette de Madame Morales plus incisif, plus transgressif. Cette autre histoire de cornecul, autour d'un médecin mexicain taxidermiste à ses heures et de sa femme aussi bigote qu'infirme, a pourtant été tournée en 1960. Luis Alcoriza, un scénariste récurrent de Luis Bunuel y malaxe une nouvelle de folk-horror mexicaine l'amenant vers une féroce chronique de faits divers. L'arme la plus tranchante de cette tentative de meurtre parfait est un humour noir, tailladant autant la religion catholique que le machisme ou le confort conjugal. Faisant traverser le Rio grande au mauvais esprit des comédies cinglantes italiennes ou anglaises de l'époque, Le squelette de Madame Morales frictionne un jouisseur égoïste et une grenouille de bénitier odieuse pour dédiaboliser gaillardement une hantise de la sexualité, égratigner joyeusement les hypocrisies sociales de la petite bourgeoisie mexicaine dans une satire vivifiante qui plus de soixante ans plus tard n'a décidément rien d'empaillé. Drive-Away dolls & Le squelette de Madame Morales. En salles le 3 avril

Les sorties cinéma : -Pourquoi le peintre surréaliste espagnol est-il incarné par pas moins de cinq acteurs différents dans « Daaaaaali ! » ? - Quel duo d'acteurs formidable met en scène « Scrapper » de Charlotte Regan ? Les découvertes musicales : Florence and the Machine – « White cliffs of Dover » Thomas Bangalter – « Daaaaaali ! » Royel Otis – « Murder on the dancefloor ( Triple J session) The Last Dinner Party -The Feminine Urge Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

C'est la seule star française dont la carrière n'a jamais connu d'éclipse. Catherine Deneuve a fêté ses 80 ans, ce 22 octobre 2023, 80 printemps et autant de chefs d'œuvre à son actif, elle qui a tourné avec Roman Polanski, Alain Cavalier, André Téchiné, Luis Bunuel et François Truffaut, entre autres. Cette semaine, Tous les cinémas du monde revient sur le parcours de cette icône du cinéma avecVirginie Linhart, auteure du documentaire « Deneuve, la reine Catherine » (disponible sur la plateforme Francetv)EtFaustine Saint-Geniès, journaliste à So film, co-autrice du livre collectif « Il était une fois Deneuve » (Éd. Marabout).

Take a trip on decommissioned Streetcar 133 in Luis Bunuel's surreal and sweet 1954 film Illusion Travels By Streetcar (La Ilusión Vaja en Tranvía).  When two mechanics learn their favorite streetcar is being taken off the line for good, they take it for one last drunken joyride that turns into an existential examination of life in a big city.  The film stars Carlos Navarro and Fernando Soto as the hapless mechanics and Lilia Prado as their female foil and potential love interest.   Along with the film, Dan and Vicky discuss recently seen films like Hulu home invasion thriller No One Will Save You, 2021's The Father with Anthony Hopkins, Expend4bles, and Showtime doc The 12th Victim about Caril Ann Fugate. Follow us here: hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod    

Episode: 2792 Glorious revolutions - which we see only after they've passed.  Today, silent revolutions.

Welcome to the Instant Trivia podcast episode 925, where we ask the best trivia on the Internet. Round 1. Category: note-able women 1: In 1999 this singer who once tore up the Pope's picture was ordained the first female priest in the Latin Tridentine Church. Sinead O'Connor. 2: Emily Watson earned an Oscar nomination for playing cellist Jacqueline du Pre in this 1998 film. Hilary and Jackie. 3: She sang on Broadway in "Damn Yankees" and "Bells Are Ringing" before playing TV's screechy-voiced Edith Bunker. Jean Stapleton. 4: The violin virtuoso known by the single name Midori was born in this country in 1971. Japan. 5: Patti Page played Sister Rachel in this Burt Lancaster film based on a Sinclair Lewis novel. Elmer Gantry. Round 2. Category: art and artists 1: This "American Gothic" artist was an asst. professor of fine arts at the Univ. of Iowa in 1934. Grant Wood. 2: This Spanish surrealist collaborated on 2 films with Luis Bunuel, "Un Chien Andalou" and "L'Age D'Or". Salvador Dali. 3: A Canaletto view of this square shows the Doge's palace and the Loggia of Sansovino. Saint Mark's Square. 4: Otto Dix did several of this type of portrait, including one "As a Soldier" and one as the war god Mars. self-portrait. 5: Though the Spanish court painter, he portrayed the vulgarity of the family of Charles IV. Francisco Goya. Round 3. Category: esoterica 1: This Poe poem has a scholar seeking solace in ancient, esoteric writings, but he's disturbed by a "rapping at my chamber door". "The Raven". 2: The Pleistocene Epoch was the last time about 1/3 of the Earth's land surface was covered by these. glaciers. 3: Kukai, also known as Kobo Daishi, brought esoteric Shingon Buddhism to this country. Japan. 4: For Louis XV from 1769 to 1774 it was Marie DuBarry. mistress. 5: Pemba, one of the world's leading suppliers of clove oil, is an island near Zanzibar in this ocean. Indian Ocean. Round 4. Category: the world of lounge 1: Much lounging is done on this vinyl-covered fabric named for Naugatuck, Connecticut. Naugahyde. 2: The primo cocktail of the cocktail nation is this one favored by James Bond. a martini. 3: You can't go wrong if you make this man your model of style and demeanour:"The last thing I need is a dame around me who says she's my wife. You know how I operate.". Dean Martin. 4: 1996 film that popularized lines like "You're money, baby". Swingers. 5: With hits like "Somewhere My Love", this bandleader brought a "Ray" of light to '60s lounge. Ray Conniff. Round 5. Category: "n"veloped 1: The only word in "The Pledge of Allegiance" that starts and ends with "N". nation. 2: It's the first age you reach when you're surrounded by "N"s. nineteen. 3: This "Dance" by the Pointer Sisters was featured in the film "Beverly Hills Cop". "The Neutron Dance". 4: A black widow spider's venom is classified as this 10-letter type of poison. a neurotoxin. 5: A webcam on this university's School of Communications is pointed at Lake Michigan. Northwestern. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Welcome back to another episode of the GGtMC!!! This week Sammy and Will finally dive into some Bunuel with The Young and The Damned (1950) directed by Luis Bunuel!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/ggtmc/message

Luis Bunuel at his most wry and mellow

Kate MacKay. Photo: BAMPFA Kate MacKay, Associate Film Curator at Berkeley Art Museum Pacific Film Archive, discusses a retrospective of the films of the great Spanish director Luis Bunuel playing through November 19, 2023, with host Richard Wolinsky. Luis Bunuel began his career working with Salvador Dali on the film “Un Chien Andalou,” a masterpiece of the Surrealist movement. After working on another film with Dali, “L'Age d'Or,” and creating a documentary known today as “Las Hurdes” (Land Without Bread), he spent nearly two decades in the Mexican film industry before coming to Hollywood first, and then working with European producers to create masterwork after masterwork, from Viridiana to Belle du Jour to Tristana, The Exterminating Angel, TheDiscreet Charm of the Bourgeoisie through to The Phantom of Liberty and That Obscure Object of Desire. The retrospective contains all the later films plus several rarely seen films from his Mexican period. Recorded at BAMPFA July 7, 2023. Special thanks to AJ Fox. Pacific Film Archive film series listing. The post Kate MacKay: The Films of Luis Bunuel, 2023 appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Two from Berkeley Art Museum Pacific Film Archive Preston Sturges A scene from “The Miracle at Morgan's Creek.” Stuart Klawans, author of “Crooked but Never Common: The Films of Preston Sturges,” in conversation with host Richard Wolinsky. Stuart Klawans was film critic for the Nation  from 1988 to 2021, and before that wrote a small press and poetry column for the magazine. His previous books were Film Follies: The Cinema Out of Order, and a collection of his reviews and essays from 1988 to 2001, Left in the Dark. Preston Sturges was the first in the Hollywood sound era to write and direct his own films, creating a series of movies, from The Great McGinty in 1940, through The Lady Eve, Sullivan's Travels, The Miracle of Morgan's Creek and other classics to Unfaithfully Yours in 1948, that still resonate today. A retrospective of the films of Preston Sturges runs at Pacific Film Archive July 27th through August 26th, and Stuart Klawans will be on hand to introduce The Great McGinty on July 27th, The Lady Eve on July 29th and The Miracle of Morgan's Creek on July 30th. You can find out more at bampfa.org. All the films mentioned in the interview are available streaming either for rental via Amazon or Apple, or in the case of Unfaithfully Yours, The Sin of Harold Diddlebock and The Great Moment, free on YouTube. Recorded via Zencastr July 6, 2023. Complete 52-minute interview.   Luis Bunuel A scene from “The Discreet Charm of the Bourgeoisie.” Kate MacKay, Associate Film Curator at Berkeley Art Museum Pacific Film Archive, discusses a retrospective of the films of the great Spanish director Luis Bunuel playing through November 19, 2023, with host Richard Wolinsky. Luis Bunuel began his career working with Salvador Dali on the film “Un Chien Andalou,” a masterpiece of the Surrealist movement. After working on another film with Dali, “L'Age d'Or,” and creating a documentary known today as “Las Hurdes” (Land Without Bread), he spent nearly two decades in the Mexican film industry before coming to Hollywood first, and then working with European producers to create masterwork after masterwork, from Viridiana to Belle du Jour to Tristana, The Exterminating Angel, TheDiscreet Charm of the Bourgeoisie through to The Phantom of Liberty and That Obscure Object of Desire. The retrospective contains all the later films plus several rarely seen films from his Mexican period. All photos courtesy Berkeley Art Museum Pacific Film Archive. Pacific Film Archive film series listing.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  The Hippest Trip: The Soul Train Musical,  August 25 – October 1, 2023. Aurora Theatre  Hurricane Diane by Madeleine George, June 16 – July 16. Streaming July 12 -16. Awesome Theatre Company. Check website for upcoming live shows and streaming. Berkeley Rep Out of Character, written and performed by Arfel Stachel, June 23 – July 30, Peets Theatre. Boxcar Theatre. See website for calendar listings. Brava Theatre Center: See website for events. BroadwaySF: Les Miserables, July 6 – 23, Orpheum. Tina: The Tina Turner Musical, August 1-27, 2023, Golden Gate. Broadway San Jose: Beetlejuice, August 1 – 6. California Shakespeare Theatre (Cal Shakes). No 2023 season scheduled. See website for events calendar. Center Rep: Crowns by Regina Taylor, September 9 – October 6, 2023. Central Works The Dignity Circle a new scheme by Lauren Smerkanich June 24 – July 23. Cinnabar Theatre. The Sound of Music, September 8 -24. Contra Costa Civic Theatre 2023-2024 season: Sondheim on Sondheim; Tintypes. Curran Theater: See website for upcoming events and streaming interview. Custom Made Theatre. Tiny Fires by Aimee Suzara, postponed to a later date in 2023. Cutting Ball Theatre. See website for upcoming season. 42nd Street Moon. See website for upcoming shows. Golden Thread  New Threads staged reading series, August 20 and August 27. Landmark Musical Theater.  My Unauthorized Hallmark Movie Musical, July 6 – July 30. Lorraine Hansberry Theatre. In The Evening By The Moonlight by Traci Tolmaire, co-created and directed by Margo Hall, June 15 – July 9, Young Performers Theatre, Fort Mason, San Francisco. Magic Theatre. Josephine's Feast by Star Finch, August 2 – 20, Campo Santo at the Magic. See website for other events at the Magic. Marin Theatre Company Odyssey written and directed by Lisa Peterson, August 31 – September 24. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Drag Queen Storytime Gone Wild starring the Kinsey Sicks, July 5 -16. Oakland Theater Project.  Gary, a sequel to Titus Andronicus by Gaylor Mac, September 1 – 24. Pear Theater. Falsettos,  June 30 – July 23. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for upcoming productions Ray of Light:  Spring Awakening, streaming through July 30. Cruel Intentions: The '90s Musical, September 8 – October 1, Victoria Theatre. The Rocky Horror Show, Oasis Nightclub, October 6  – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse.  A Chorus Line runs through September 16, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company:Sex with Strangers by Laura Eason, October 12 – 30. Shotgun Players. Summer Salon: Various artists, July 23 – August 19. Wolf Play by Hansol Jung, Performances start September 2, 2023. South Bay Musical Theatre: Rent, September 30 – October 21. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. New Works Festival, August 11 – 20, Lucie Stern Theatre, Palo Alto. Word for Word.  See schedule for live and streamed performances and readings. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                     The post Bookwaves/Artwaves – July 13, 2023: Stuart Klawans – Kate MacKay appeared first on KPFA.

We continue Jess Byard July, this year all about surrealist films, with the first Luis Bunuel film we've ever covered along with possibly being the auteur's finest film: The Discreet Charm of the Bourgeoisie. Supporting Character's Bill Ackerman joins the episode to talk Bunuel's career, the surrealist nature of the film, and the films it went on to influence. Starring Fernando Rey as the ambassador from the fictional Miranda, he, along with a group of his middle class acquantiances, attempt to share a meal together with hilarious, bizarre, and even violent interruptions stopping their feast. It's a film unlike many others and one that rewards an active, engaged viewer with sight gags and more. For more Kulturecast episodes and podcasts guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2883470/advertisement

Pour ce nouvel épisode, nous accueillons Pascale Faure grande spécialiste du court métrage devant l'éternel, de l'unité des programmes courts et créations de Canal + où elle a travaillé près de 20 ans jusqu'à ses expériences au sein de divers jurys de festivals.Avec nous, elle évoque l'importance de la télévision dans son expérience de spectatrice mais aussi celle de la salle et des festivals. Elle raconte son travail et ses récentes découvertes de dénicheuses de talent (les films de Vincent Fontano ou Noah Coen).Mais surtout, faisant fi des médiums et des formats, notre invitée déroule une cinéphilie joyeuse, parfois fétichiste, allant de Kenneth Anger à Mike Leigh, en passant par Bunuel et les Teletubbies ! Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. PORTRAIT - 2'49 Une histoire d'amitié au cinéma : les films de Laurel et Hardy Un oeil au cinéma : celui - acéré - de Luis Bunuel - 5'52 Des génériques de films : Les demoiselles de Rochefort (J. Demy, 1967); Les Teletubbies (Anne Wood et Andrew Davenport, 1997) - 8'51 II. CIRCONSTANCES & CONDITIONS DE VISIONNAGE - 13'14 Un artiste découvert par le biais d'internet : le vidéaste norvégien Jan Hakon Erichsen La place de la télévision dans la cinéphilie de Pascale Faure - 18'20 III. MEMOIRE & SOMMEIL - 22'59 Des films à ne voir qu'en pleine nuit : The Tribe (M Slaboshpytskiy, 2014); Scorpio Rising (K. Anger, 1963); Le Guerrier silencieux (N Winding-Refn, 2009); It's such a beautiful day (D. Hertzfeld, 2012) CARTE BLANCHE - 33'16L'ouverture de Another Year (Mike Leigh, 2010) IV. CINEMA & TRANSMISSION - 41'08 Le secret d'une bonne programmation de courts métrages - 41'08 Quelques jeunes cinéastes à suivre : Noah Coen, Vincent Fontano - 49'20 REFUGES - 53'34 Voyage en Italie (R. Rossellini, 1954) Victoria (J. Triet, 2016) Anna (P Koralnic, 1967) EXTRAITS :Vidéos de Jan Hakon Erichsen, InstagramWipe Out - The Surfaris, UMG (au nom de Geffen)Another Year: Opening Credits (From "Another Year") · Gary Yershon ℗ 2011 Varese Sarabande RecordsArchive INA : Jacques Tati et l'importance du court métrageVictoria, Justine Triet - Le PacteLove Letters, Metronomy - Because Music (au nom de Because Music Ltd.) CRÉDITSPatreons : un grand merci à Paul, Corentin, Irène, Dominique, Bernard et Clara pour leur soutien !Musique : Gabriel RénierGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément Coucoureux

We conclude French Month with Luis Bunuel's 1930 film L'Age D'Or. Released in the wake of the Sound revolution, the film straddles the line between silence and sound presenting a series of stories that represent the five prismatic segments of a scorpion's tail.Rob St. Mary and Robert Bellissimo join Mike to discuss this surrealist classic.Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

We conclude French Month with Luis Bunuel's 1930 film L'Age D'Or. Released in the wake of the Sound revolution, the film straddles the line between silence and sound presenting a series of stories that represent the five prismatic segments of a scorpion's tail.Rob St. Mary and Robert Bellissimo join Mike to discuss this surrealist classic.

In the twenty-sixth episode of Season 8 (Coming-of-Ages) Kyle is joined by filmmakers Mario Ruiz and Alejandro Etcheagaray to discuss the blend of social realism and inventive surrealism as it pertains to the cycle of brutal survivalism for youth lost in progress in Luis Bunuel's devastating critique of poverty and social inequity that is Los Olvidados (1950).

On this week's Movies for Life, we're heading back to the swingin' 60s with two very different tales about women working in the world's oldest profession (ie sex work). Our first movie is Michele's pick of Luis Bunuel's BELLE DE JOUR from 1967, a fascinating and at times complex and complicated story of a woman's choice to secretly enter sex work as a way to work through her issue and explore her masochistic fantasies. Then we jump to the 2021 movie LAST NIGHT IN SOHO for Brian's choice. While dealing the same profession, the character in this film has a much different and darker story, wrapped up in an equally intriguing, colorful, and at times totally bonkers, tale about the dangers of nostalgia.  Find us on social media: Movies for Life podcast: @MovieLifePod Brian Keiper: @Brianwaves42 Michele Eggen: @micheleeggen

Unwatchables is joined by film critic Carlos Aguilar, writer for http://RogerEbert.com, Variety, the New York Times, and many more, to dive into one of the most original and provocative auteurs of the last 15 years. Yorgos Lanthimos has been compared to the likes of Michael Haneke and Luis Bunuel, and we're talking perhaps his two most disturbing films: the 2009 twisted family portrait Dogtooth, and 2017's surreal thriller The Killing of a Sacred Deer. We discuss Lanthimos' taste for the darkly absurd, Colin Farrell's career revival, and where the director's path may lead following an Oscar-winning costume drama. You can find more from Carlos at ⁠https://twitter.com/Carlos_Film Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus. You can support us on Patreon at ⁠⁠https://www.patreon.com/unwatchables⁠⁠ to get access to exclusive bonus content and weigh in on what we watch next. Find us online at www.unwatchablespod.com or shoot us an email at unwatchablespodcast@gmail.com. We're on Instagram and Twitter under @unwatchablespod. --- Send in a voice message: https://podcasters.spotify.com/pod/show/unwatchablespod/message

123 éve született a spanyol-mexikói (és nem kicsit francia is) rendezőlegenda, a filmtörténet megkerülhetetlen figuráinak egyike, Luis Buñuel. Podcastunk friss adásában az ő életművébe kukkantuk be Csibi László dokumentumfilmessel, egyetemi oktatóval. Ha tetszik a podcast, adományozhatsz a Filmtettnek egy egy (vagy több) kávényi összeget a következő linken: https://ko-fi.com/filmtett . Köszönjük!

Happy Holidays! This week the vamps cover a 90s Spanish horror comedy that's set on Christmas. It's the hilarious Day of the Beast. From Wiki: "The Day of the Beast (Spanish: El día de la bestia) is a 1995 Spanish-Italian[1] black comedy film[2] with horror elements co-written and directed by Álex de la Iglesia and starring Álex Angulo, Armando De Razza and Santiago Segura. The plot concerns the unorthodox attempts of a Basque priest (Angulo) to avert the birth of the Antichrist in Madrid during Christmas Eve, teaming up with a metalhead (Segura) and an occult fraudster (De Razza). The film, marketed as "a satanic comedy",[3] was well received by critics and audiences in Spain, and sparked interest in the director's filmography and style of directing."Mentions: Happy birthday Joshua Conkel, Legend of Hell House, Ghost Story, Peter Straub, Los Angeles Christmas, the Broken Lizard oeuvre, 1970's Tales from the Crypt with Joan Collins, Dead of Night, Luis Bunuel, Frank Henenlotter, Heavy Metal, Airheads, Repo Man, The Omen, Basket Case, Delicatessen, Lock Stock and Two Smoking Barrels, Almodóvar, Tie Me Up! Tie Me Down!, Alex Angulo, The Goonies, Adventures in Babysitting, Arrebato, Navajeros, El Pico, Colegas, Jamon Jamon, Anguish, Miracle Mile, Garth Merenghi's Dark Place, Los Espookys, Guy Fieri, Iron MaidenNEXT WEEK: City of the Dead (with a special guest)Website: http://www.bloodhauspod.com Twitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.com Drusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/ Joshua's website: https://www.joshuaconkel.com/Joshua's Twitter: https://twitter.com/JoshuaConkel Joshua's Instagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkelal 

Original Air Date: Monday 19 December, 9 pm Eastern Description: Next Monday, your friends in broadcasting and podcasting will return with a brand new “live” show that will catch you up on all the news of the season. This week, it's part two of the road trip adventure Dean and Phil recorded on Friday December 9 when they drove from downtown Los Angeles to Montecito and back. The Sight and Sound poll of the greatest films ever made, the #16 film on that poll, surrealism, dream logic, and the works of Luis Bunuel and Salvador Dali are the topics that open the proceedings. Then, after a shift to the (very loud) Summerland Beach Café, Phil tackles two films making a lot of Top Ten Lists this year: the donkey adventure tale EO and the latest from auteur Robert Eggers, The Northman. Please bare with the difficult audio, for soon Dean and Phil will be back in the car, riding alongside the sparkling blue Pacific and discussing the Netflix series “1899”, the improv collaborations of Jonathan Winters and Robin Williams, and whole lot of casting “what-ifs”. There is also analysis of a law-change benefiting sexual assault survivors, and a fascinating “trash talk” interaction in the National Basketball Association. Hop in and buckle up!

What a weird one! Today the queers discuss the lost and found British curiosity starring Edward Woodward, 1981's The Appointment. They take a lot of detours along the way including legos vs. lincoln logs, Weird: The Al Yankovic Story, UHF, Luis Bunuel, Tar, and Coal Miner's Daughter. From BFI: "Joanne, a gifted 14-year old violinist, is upset when her father, Ian, tells her he has to break their appointment and will not be able to attend her end of term concert. That night, Ian has a nightmare in which, in a remote valley, three black dogs jump on his car, making it crash. The next day this comes true and Ian is killed. Back home, the 'remote and dream-like' Joanne is seen contentedly playing with the three dogs."This is a hard one to find. You can watch the whole movie here: https://youtu.be/pAoBZd6F6uQNext Week: Dr. Jekyll and Sister HydeWebsite: http://www.bloodhauspod.com Twitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.com Drusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/ Joshua's website: https://www.joshuaconkel.com/Joshua's Twitter: https://twitter.com/JoshuaConkel Joshua's Instagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkelal 

Dopo una sera a teatro, una ventina di alto-borghesi si ritrovano nella villa di uno di loro per una cena, finiranno per trascorrere la notte accampati nel salone e all'indomani scopriranno di non essere più in grado di uscire dalla stanza in cui si trovano... Con questo film datato 1962 Luis Bunuel uno dei registi più irriverenti, geniali e provocatori della storia del cinema ci parla ancora una volta dei i limiti e delle incongruenze degli individui e della società umana. "L'angelo sterminatore" è un opera che continua a offrire nuovi spunti a ogni visione.  Ne parliamo in questa puntata con Massimiliano Bolcioni.

To learn more, please visit the website for Scientific Analysis of Fine Art, LLC.Show Notes:0:01 use of scientific methods in London and Berlin to understand and preserve cultural heritage since 19th Century 2:30 history of cultural heritage science 4:00 founding Scientific Analysis of Fine Art LLC (SAFA) 5:40 Yves Tanguy's Fraud in the Garden5:50 catalogue raisonné prepared by art historians Charles Stuckey and Stephen Mack6:10 fascist attack during screening of Luis Bunuel's satiric “L'Age d'Oro” 7:00 use of multi-spectral imaging on Fraud in the Garden included ultraviolet light and infrared radiation, and x-rays to view slash pattern on painting7:45 multiple restorations on Fraud in the Garden dated through the pigments and paint binders9:00 value of artwork as historical documents versus restoration of the artwork 9:45 cultural heritage as historical documents example of Victoria & Albert Museum10:45 display of the Rothko Murals at Harvard by projecting original color on faded paintings11:45 analysis for attribution questions varies between antiquities, paintings, decorative art objects13:20 non-destructive drive for protocols for elemental and molecular analysis14:00 changes to work by Van Gogh and Met's Irises and Roses exhibit on this14:30 geranium lake known as Eosin red15:00 paints like cadmium yellows and chromium yellows created during the Industrial Revolution are also very sensitive to light and relative humidity15:15 changes in Matisse's 4 versions of Joy of Life – yellows fading to ivory white15:30 mechanism of degradation 16:20 Picasso's 1901 The Blue Room 17:30 Cezanne18:15 analysis of over 900 tubes of paint from Munch19:30 paints standardized in 1920s 21:00 flaking of zinc white: reaction of zinc oxide with oil creates crystalized molecules - zinc soaps21:25 titanium white 23:00 heavy metal pigment paints that strongly absorb x-rays like lead white or vermillion (a mercury sulfide red) prevent seeing under-painting24:45 head of the scientific vetting committee for TEFAF New York 27:15 Court of Arbitration for Art 28:35 trusting science to conduct due diligence 30:30 stigma  attached to use of science 33:00 Bard Graduate Center34:00 wooden polychrome sculpture analysis: dendrochronology and radiocarbon dating36:00  dirty dozen paint list36:45 mixing drying oil paints (linseed) with non-drying oil paints (sunflower)37:50 Eosin red, emerald green, cadmium yellow, chromium yellow, vermillion, copper blues  38:50 favorite paintings 39:10 Modigliani Collection at the Barnes 39:45 Modigliani's palette 40:35 The Burlington Magazine 41:10  Klimt's Faculty Paintings 42:30 computational technologies to bring lost work back to life43:00 facilitating justice43:45 invention of photography enabled Jacob Riis to document New York slums 44:00 20th Century photographer and sociologist Lewis Hine44:20 BLM movement44:30 environmental justice issues 45:40 recommendations to pursue cultural heritage science 46:55 legacy to create scientific literacy for art conservators and historiansTo view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2022]

The Adamson continue Episode 27's overall theme of dreams and altered reality in films with the Big Conversation. Here we talk about films and filmmakers that mess with your mind, and the different ways they do it. We talk about a selection of films by various filmmakers famous for playing with reality and exploring dreams: Christopher Nolan (Inception, Memento, Interstellar), David Lynch (Eraserhead, Mulholland Drive, Twin Peaks), Jordan Peele, (Get Out, Us), Luis Bunuel (Exterminating Angel, Discreet Charm of the Bourgeoisie, Phantom of Liberty) and Darren Aronofsky (Pi, Requiem for a Dream, Black Swan) among others.

---ARTICLES AND LINKS DISCUSSED"He chose me as well."Max Mon Amour [1986] Trailer:https://www.youtube.com/watch?v=AtyG5jvx2gg---Max Mon Amour – Chicago Reader:https://chicagoreader.com/arts-culture/max-mon-amour/---Max Mon Amour Review – Empire:https://www.empireonline.com/movies/reviews/max-mon-amour-review/---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

---ARTICLES AND LINKS DISCUSSED"He chose me as well."Max Mon Amour [1986] Trailer:https://www.youtube.com/watch?v=AtyG5jvx2gg---Max Mon Amour – Chicago Reader:https://chicagoreader.com/arts-culture/max-mon-amour/---Max Mon Amour Review – Empire:https://www.empireonline.com/movies/reviews/max-mon-amour-review/---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

Benvenuti nella raccolta in formato Podcast delle puntate di #CloseUp, a cura di Matteo Righi, aka Houssy. #CloseUp è la rubrica di recensioni cinematografiche in onda su Radio Italia Anni 60 Emilia-Romagna.

Sometimes we've got to embrace the absurd...On this episode we're taking a trip to 'Stanleyville' and talking with co-writer and director Maxwell McCabe-Lokos.Stanleyville is the story of a dissatisfied woman who abandons her career and her family when she gets the chance to compete in a bizarre and dangerously flawed contest. The prize: a brand new habanero-orange compact SUV.Think of the cinema of Luis Bunuel mixed with the Stanford Prison Experiment and a dash of Squid Game and you've got 'Stanleyville' which is a fine piece of Canadian filmmaking which we got to see at Fantasia last year and is now coming soon to audiences everywhere including a screening at the Revue Cinema here in downtown Toronto tomorrow night with a special Q&A hosted by yours truly.We got the unique pleasure of sitting down with Maxwell to talk about the origins of the story, the challenges of filmmaking (especially during the pandemic) and the question on all of our minds....why was the SUV habenero-orange....

The Secret Movie Club Team (Connor Lloyd Crews, Edwin Gomez, Daniel Ott, Craig Hammill) discusses how cinema comes at God, spirituality, doubt, religion, skepticism in different ways. Breaking the Waves, Robocop, Ida, the Coen Brothers' movies, Luis Bunuel's powerful atheist cinema, all get name checked. But the team-specifically Connor, Daniel, and Craig-end up really digging into their backgrounds and current states of belief or non-belief. Craig tears up. Connor and Edwin note the similarity between going to church and going to the movies. 

Luis Bunuel was a master director who was often ahead of his time. This isn't the only surreal movie he made, although it isn't always easy to figure out what's real and what's fantasy in this case. In fact, Belle De Jour had us questioning if ANY of this often-masochistic story is real. It's a difficult one to unravel because there's the forward-thinking focus on Catherine Deneuve's sexual empowerment, but the movie also feels like a relic of the old days when men did what they wanted to do to women. Either way, Belle De Jour is an undisputedly creative French flick that somehow found a way to feature plenty of sex without actually showing any. So let your freak flag fly at full mast as we talk about forbidden desires, daytime brothels, cuckolding and so much more in the 438th Ellises' Analysis. Oh, and don't you dare forget to indulge your coffee-tooth by buying a load of Sparkplug Coffee (a 20% discount is yours by typing in "top100project") and also tweet us (@moviefiend51 and @bevellisellis), plus you have even more podcast options where Ryan talks about sports films on "Scoring At The Movies".

This special episode celebrates the publication of Lian Dolan's new novel Lost & Found in Paris. Author + French cuisine/culture expert Patricia Wells joins from her Paris apartment. Lian Dolan's books: For info on Lost and Found in Paris, The Sweeney Sisters and Lian Dolan's other books and appearances, go to www.liandolan.com Lian Dolan's Lost and Found in Paris makes Zibby Owens Must Read Books list for 2022. Order Lost and Found in Paris from indie or online stores here. Subscribe to Pep Talk here. Go the the Satellite Sisters website here. Go to the Satellite Sisters YouTube channel here. Join the Satellite Sisters Facebook Group, to interact with other Satellite Sisters listeners. Like the Satellite Sisters Facebook Page for announcements and links to new content Follow @SatSisters on Instagram and Twitter. Support Satellite Sisters by supporting our sponsors, using these special urls and promo codes. BetterHelp: https://betterhelp.com/satellite Hunter Douglas https://hunterdouglas.com/sisters Green Chef https://greenchef.com/sisters130 Stamps.com https://stamps.com Click on mic. Use code sisters Links for today's episode: Find all things Patricia Wells at http://www.patriciawells.com Food Lovers Guide to Paris. Music inspired by Lost + Found in Paris on a playlist created by Lian on Spotify. Recommended films and instagram accounts that celebrate Paris: Secrets of Paris on instagram Julie's recommended cinema: Le Ballon Rouge Amelie Belle de Jour by Luis Bunuel starring Catherine Deneuve Jules et Jim by François Truffaut Liz's favorites: Breathless by Jean Luck Godard starring Jean Paul Belmondo and Jean Seberg. On YouTube with English subtitles. Love that haircut! French Kiss. Meg Ryan + Kevin Kline. Another great haircut! Before Sunset. Ethan Hawke + Julie Delpy. The Before Trilogy by Richard Linklater. Julie's French girl style guide for the summer: For all of our booklists at Bookshop.org, go to www.bookshop.org/shop/liandolan Buy The Sweeney Sisters here on bookshop.org or here on amazon. Join our community: Facebook Page, Facebook Group and on Instagram and Twitter @satsisters. Email Satellite Sisters at hello@satellitesisters.com. Follow Lian Dolan on @instagram @liandolan Follow Liz Dolan on @instagram @satellitesisterliz Follow Julie Dolan on @instagram @julieoldestsister

Spine number #332: Luis Bunuel's VIRIDIANA from 1961. Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!

We are delighted to reached our 50th episode! To mark this occasion, we are talking all about our favourite films that are celebrating their half-centenary this year - so our pick from an amazing year of cinema, 1972. From the hard science-fiction of Andrei Tarkovsky's 'Solaris' and Douglas Trumbull's 'Silent Running', to the epic majesty of Werner Herzog's 'Aguirre - Wrath of God' and the metaphor-rich sequel 'Conquest of the Planet of the Apes'. We cover Bruce Lee and Chuck Norris and their spectacular battle in 'The Way of the Dragon', Luis Bunuel's surrealist classic 'The Discreet Charm of the Bourgeoisie', one of Alfred Hitchcock's better late-career efforts 'Frenzy', a hidden gem of a western 'The Culpepper Cattle Co'., and the gloriously depraved 'Pink Flamingos' from Divine and John Waters. Join us for over an hour packed with chat about films to revisit and watch for the first time on this, their 50th anniversary.

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Luis Buñuel, (born Feb. 22, 1900, Calanda, Spain—died July 29, 1983, Mexico City, Mex.), was a Spanish film director. As a student at the University of Madrid he met Salvador Dalí, with whom he later made the Surrealist film Un chien andalou(1928). Buñuel then directed the anticlerical L'Âge d'or (1930) and the documentary Land Without Bread (1932). After working as a commercial producer in Spain and a technical adviser in Hollywood, he moved to Mexico, where he directed Los olvidados (1950) and Nazarín (1958). He returned to Spain to make Viridiana(1961), which was suppressed in Spain as anticlerical but internationally acclaimed. He attacked conventional morality in such later films as Belle de jour (1967), Tristana (1970), The Discreet Charm of the Bourgeoisie (1972), and That Obscure Object of Desire (1977).From https://www.britannica.com/summary/Luis-Bunuel. For more information about Luis Buñuel:Previously on The Quarantine Tapes:Salman Rushdie about Buñuel, at 10:05: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-168-salman-rushdieElif Shafak about Buñuel, at 23:10: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-025-elif-shafakDerek DelGaudio about Buñuel, at 05:28: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-078-derek-delgaudio“Luis Buñuel: Eternal Surrealist”: https://www.criterion.com/current/posts/6767-luis-bu-uel-eternal-surrealist“Six Definitive Films: The ultimate beginner's guide to Luis Buñuel”: https://faroutmagazine.co.uk/luis-bunuel-guide-six-best-films/

We're wrapping up “Frenchuary” with a look at Luis Bunuel's Belle de Jour. Based on the 1928 novel by Joseph Kessel, the film was released in 1967 and stars Catherine Deneuvre as our titular bell. That's the name she's given when the normally straight-laced Severine secretly lives out her submissive fantasies at a Paris brothel.... Or does she? Samm Deighan joins Mike to discuss the dream-like film.Learn more about your ad choices. Visit megaphone.fm/adchoices

Editor's Note: We wanted to take a moment to acknowledge some of the terrible events in the news recently. Our guest, Bilge Ebiri, is a staffer at New York Magazine, and the editors there have assembled a great resource via The Strategist entitled 61 Ways to Donate in Support of Asian Communities. Please take a look and donate if you can. Be kind to each other, always. LINK: https://nym.ag/3vysZz3 *** Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we're trying something new - again!. This is the second episode of what we are calling The Final Frame. Here we will dissect the final film of a great, well-respected filmmaker, wrapped in the context of said filmmaker's entire career. Our subject today: the insurmountable Stanley Kubrick. His final film: Eyes Wide Shut, starring Tom Cruise and Nicole Kidman. Released in 1999, this adaptation of Arthur Schnitzler's 1926 novella Traumnovelle was given a plum, summer blockbuster release by its studio Warner Bros. It was sold as a salacious piece of work from arguably the world's greatest filmmaker (who passed away months before the film's release) starring the biggest couple in Hollywood. Conor and I were humbled to be joined by the lovely Bilge Ebiri, film critic for New York Magazine and Vulture. Bilge discusses his great piece of reporting, “An Oral History of an Orgy,” in which he dives deep into the inception, evolution, and creation of one of the most iconic scenes in the film. We chat about the movie's initial reception, its dwindling box office, and two-decade long rehabilitation. Additional topics include how many times I've watched Eyes Wide Shut, that ranking of every Tom Cruise that Bilge did for Rolling Stone, Roger Ebert and Martin Scorsese's early defense of the picture, the eccentricities of Stanley Kubrick, and posisiting what a Luis Bunuel-directed Eyes Wide Shut would look like. Much is referenced from the book Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film, by by Robert P. Kolker and Nathan Abrams, and to a lesser degree co-screenwriter Frederic Raphael's controversial memoir Eyes Wide Open. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. We are also now on Spotify and Stitcher. Enjoy!

Roy Andersson, Atom Egoyan, Luis Bunuel and more on our eighth daily report from Venezia 76. The post Daily 4th September – Day 8 #Venezia76 appeared first on Fred Film Radio.