Podcasts about idiot wind

Sim, é verdade. Temos um novo KrameriKast Klassic. Deve ter ouvinte que nem sabe o que era essa série de episódios... E esse é um dos que mais me deram orgulho de ter feito por diversos motivos.Em primeiro lugar, eu estava adiando de fazê-lo há não menos que 3 anos, nunca me senti digno de falar dessa obra. Além disso, ainda que pessoalmente eu o considere um pouco superestimado em relação a outros de Dylan, é um álbum muito especial para mim, tendo minha música favorita, "Idiot Wind". Devo muito ao Bob Dylan pela minha personalidade, mas isso aqui é uma questão mais pessoal. Blood on the Tracks é notoriamente associado ao relacionamento de Dylan com sua musa, a ex-coelhinha da Playboy Sara Dylan, ainda que em sua autobiografia ele o tenha negado. Também tenho minhas dúvidas, e acredito que outros também, afinal nos últimos anos se tornou a obra mais renomada de Dylan, talvez pela década mais sensível em detrimento dos anos 2000 e 1990 mais irreverentes.Sendo uma obra mais pessoal e íntima, não foquei tanto na parte musical e sim na biografia e contexto das músicas.Foi um tanto complicado juntar todas as ideias que tive para esse episódio, usei de referência Richard F. Thomas, Michael Gilmour, Scott Marshall, Jonathan Cott e, claro, o próprio Dylan. Estou genuinamente orgulhoso do resultado final, espero não ter vergonha dele daqui a uns dois ou três anos.Visite: https://kramericast.xyzDoe: https://kramericast.xyz/donate.htmlCrie conta no Odysee: https://odysee.com/$/invite/@Monk's:eEntre no espaço do Matrix: https://matrix.to/#/#raro-e-diferente:matrix.orgCanal do Telegram: https://t.me/raroediferenteRedes sociais: https://kramericast.xyz/links.html

På baggrund af den nye film A Complete Unknown, har jeg igen valgt et par håndfulde sange fra hans bagkatalog, og fortæller historien om dem. Det er nærmest en uudtømmelig guldgruppe af perler og jeg har mere end almindeligt svært ved, at vælge. Denne gang kan du bl.a. høre om: Idiot Wind, A Hard Rain's … Læs videre "Bob Dylan 2"

Einige Kritiker bezeichnen "Blood On The Tracks" als das beste Album von Bob Dylan. Aber was genau macht diese Platte eigentlich aus und was macht sie zum Meilenstein? In der legendären Top-500-Liste des Rolling-Stone-Magazins hat Dylans Album "Blood On The Tracks" es sogar in die Top Ten geschafft. Genauer gesagt auf Platz neun der 500 besten Alben aller Zeiten. Musikalisch kehrt Bob Dylan mit dieser Platte zurück zur Folkmusik und auch zurück zur Akustikgitarre. In der Zeit vor dem Album hat Bob Dylan zu einem neuen, sehr inspirierenden Hobby gefunden. Er hat einen Malkurs belegt, der ihn sehr stark beeinflusst hat, erzählt SWR1 Musikredakteur Benjamin Brendebach im Podcast: "Für Dylan wurde diese Malerei zu einem Schicksalshobby, denn es hat auch sein Denken und seine Sicht auf die Welt extrem verändert." Mit Mitte 30 hatte Bob Dylan schon unglaublich viel erlebt. "Blood On The Tracks" war schon sein 15. Studioalbum. Er hatte mit seiner Ehefrau Sarah schon vier Kinder bekommen, hatte einen schweren Motorradunfall überlebt, David Bowie hatte einen Song über ihn geschrieben und er war eng verbunden mit den Beatles. Zum einen mit John Lennon und zum anderen hatte er auch schon mit George Harrison sein "Concert for Bangladesh" gespielt und noch vieles mehr. Und nach seiner rockigen Phase und seiner Pause holt Bob Dylan mit diesem Album die Folkgitarre wieder hervor und schaut auf sein Leben zurück, erklärt SWR1 Musikredakteurin Katharina Heinius. Was dieses Album so besonders macht, ist, dass es "ein Dylan Album ist und ein Dylan Album bleibt", so beschreibt es SWR1 Musikredakteur Benjamin Brendebach. Gemeint ist damit, dass dieses Album wirklich großartige Songs hat, die nie wirklich zu offiziellen Chart-Hits geworden sind, weder in der Version von Bob Dylan selbst noch als eine der zahlreichen Coverversionen. __________ Über diese Songs vom Album "Blood On The Tracks" wird im Podcast gesprochen (09:48) – "Tangled Up In Blue"(30:31) – "Simple Twist Of Fate"(43:25) – "Idiot Wind"(50:50) – "Lily, Rosemary And The Jack Of Hearts"(58:38) – "Shelter From The Storm"__________ Alle Shownotes und weiterführenden Links zur Folge "Blood On The Tracks" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/bob-dylan-blood-on-the-tracks-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Chicago Way w/John Kass (01/13/25): On this episode, Austin Berg is here from the Illinois Policy Institute to explain why Chicago needs a charter, a new mayor, and better fiscal sense to John Kass & Jeff Carlin. Plus, Kasso wonders if Idiot Wind(s) is a only a coastal concern? Check out more from Kass at JohnKassNews.com or […]

Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Bob Dylan's Blood on the Tracks. They'll hear from a musician who played on the record and talk with two music writers about what makes it so iconic.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Bob Dylan, "Lily, Rosemary and the Jack of Hearts," Blood on the Tracks, Columbia, 1975Bob Dylan, "Tangled Up In Blue," Blood on the Tracks, Columbia, 1975Bob Dylan, "Shelter from the Storm," Blood on the Tracks, Columbia, 1975Bob Dylan, "Idiot Wind (Take 6)," The Bootleg Series Vol. 14: More Blood, More Tracks, Columbia, 2018Bob Dylan, "Idiot Wind," Blood on the Tracks, Columbia, 1975Bob Dylan, "Buckets of Rain," Blood on the Tracks, Columbia, 1975Bob Dylan, "You're a Big Girl Now," Blood on the Tracks, Columbia, 1975Bob Dylan, "Tangled Up In Blue (Take 3, Remake 2)," The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991, Columbia, 1991Bob Dylan, "If You See Her, Say Hello," Blood on the Tracks, Columbia, 1975Beyoncé, "16 CARRIAGES," Cowboy Carter, Columbia, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Oh the idiot wind, yea an old song but certainly the sentiment of one TJ Trout, he reminds us of how he hates the wind. He talks about his weekend, going to the bazaar, and a fly fishing show, plus he talks a little Kentucky Derby on this Monday on News Radio KKOBSee omnystudio.com/listener for privacy information.

In 1975, Bob Dylan released "Blood on the Tracks," an album about relationship conflict that has since become a benchmark in his illustrious discography. Hosts Jim DeRogatis and Greg Kot do a classic album dissection and talk to someone who played on the record and some music journalists about what makes it so iconic.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Bob Dylan, "Lily, Rosemary and the Jack of Hearts," Blood on the Tracks, Columbia, 1975Bob Dylan, "Shelter from the Storm," Blood on the Tracks, Columbia, 1975Bob Dylan, "Idiot Wind (Take 6)," The Bootleg Series Vol. 14: More Blood, More Tracks, Columbia, 2018Bob Dylan, "Idiot Wind," Blood on the Tracks, Columbia, 1975Bob Dylan, "Buckets of Rain," Blood on the Tracks, Columbia, 1975Bob Dylan, "You're a Big Girl Now," Blood on the Tracks, Columbia, 1975Bob Dylan, "Tangled Up In Blue (Take 3, Remake 2)," The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991, Columbia, 1991Bob Dylan, "Tangled Up In Blue," Blood on the Tracks, Columbia, 1975Bob Dylan, "If You See Her, Say Hello," Blood on the Tracks, Columbia, 1975Alabama 3, "Woke Up This Morning (Chosen One Mix)," Woke Up This Morning (Chosen One Mix) (Single), Geffen, 2000See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album. When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something's not right, it's wrong,” as Dylan puts it in “You're Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Paul Metsa and Rick Shefchik's book Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due. A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players. Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, Blue Guitar Highway, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published Alphabet Jazz: Poetry, Prose, Stories, and Songs was released in September of 2022. Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including Everybody's Heard about the Bird: The True Story of 1960s Rock 'n' Roll in Minnesota (Minnesota, 2015). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album. When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something's not right, it's wrong,” as Dylan puts it in “You're Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Paul Metsa and Rick Shefchik's book Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due. A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players. Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, Blue Guitar Highway, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published Alphabet Jazz: Poetry, Prose, Stories, and Songs was released in September of 2022. Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including Everybody's Heard about the Bird: The True Story of 1960s Rock 'n' Roll in Minnesota (Minnesota, 2015). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album. When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something's not right, it's wrong,” as Dylan puts it in “You're Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Paul Metsa and Rick Shefchik's book Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due. A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players. Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, Blue Guitar Highway, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published Alphabet Jazz: Poetry, Prose, Stories, and Songs was released in September of 2022. Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including Everybody's Heard about the Bird: The True Story of 1960s Rock 'n' Roll in Minnesota (Minnesota, 2015). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album. When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something's not right, it's wrong,” as Dylan puts it in “You're Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Paul Metsa and Rick Shefchik's book Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due. A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players. Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, Blue Guitar Highway, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published Alphabet Jazz: Poetry, Prose, Stories, and Songs was released in September of 2022. Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including Everybody's Heard about the Bird: The True Story of 1960s Rock 'n' Roll in Minnesota (Minnesota, 2015). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album. When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something's not right, it's wrong,” as Dylan puts it in “You're Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Paul Metsa and Rick Shefchik's book Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due. A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players. Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, Blue Guitar Highway, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published Alphabet Jazz: Poetry, Prose, Stories, and Songs was released in September of 2022. Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including Everybody's Heard about the Bird: The True Story of 1960s Rock 'n' Roll in Minnesota (Minnesota, 2015). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album. When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something's not right, it's wrong,” as Dylan puts it in “You're Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Paul Metsa and Rick Shefchik's book Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due. A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players. Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, Blue Guitar Highway, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published Alphabet Jazz: Poetry, Prose, Stories, and Songs was released in September of 2022. Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including Everybody's Heard about the Bird: The True Story of 1960s Rock 'n' Roll in Minnesota (Minnesota, 2015). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

לכבוד יום הולדתו המתקרב של בוב דילן נ"י נחזור ונעיין מחדש בשנת 1975. 1. The Ballad of Ira Hayes (S.I.R. Studio Rehearsals) 2. Dark as a Dungeon (S.I.R. Studio Rehearsals) 3. Romance In Durango (Live at Boston Music Hall, Boston, MA - November 21, 1975 - Evening) 4. The Lonesome Death of Hattie Carroll (Live at Memorial Auditorium, Worcester, MA - November 1975) 5. Isis (Live at Memorial Auditorium, Worcester, MA - November 1975) 6. Knockin' on Heaven's Door (Live at Memorial Auditorium, Worcester, MA - November 1975)7. The Water Is Wide (Live at Boston Music Hall, Boston, MA - November 21, 1975 - Evening)8. Ballad of a Thin Man (Seacrest Motel Rehearsals)9. Idiot Wind (05-16-76) 

#136-134Intro/Outro: Rock It (Prime Jive) by Queen136. Revolution by Miranda Lambert (The House That Built Me & White Liar & Maintain the Pain & Dead Flowers)135. Clapton by Eric Clapton (Travelin' Alone & River Runs Deep & Diamonds Made From Rain & Hard Times Blues)134. Blood on the Tracks by Bob Dylan (Simple Twist of Fate & Idiot Wind & Tangled Up in Blue & Shelter From the Storm & Buckets of Rain)Revolution album artClapton album artBlood on the Tracks album artVote on Today's Album ArtHave you voted on Week 7 Round 1 winners yet? If so, no further action needed. If not:Week 7 Round 1 Winners (episodes 331-335)Vote on Week 7 Round 2 Album Art

Long time Jagbags listener Bruce Hollett joins Len and Beave to lend his EXPERTISE to a discussion of Bob Dylan's albums, songs, lyricism and overall cultural impact. We provide our respective lists of Top Five Dylan albums, songs, and cover versions. You don't need to be a Dylan fan to enjoy this hour of back-and-forth. Plus, the guys talk Lollapalooza, sports, music, and hawk their incredibly popular T-shirts. Tune in now and tell five friends!!

#75-71Intro/Outro: Steam by Peter Gabriel75. With or Without You by U2 (3)74. Truckin' by The Grateful Dead (5)73. Red House by Jimi Hendrix Experience (2)72. Blowin' in the Wind by Bob Dylan (5)71. Only Wanna Be With You by Hootie & the BlowfishBalderdash alertBonus excerpt: Travelin' to California by Albert KingBonus excerpt: Idiot Wind by Bob Dylan

More explorations here into what is going on with Bob Dylan's song, "Idiot Wind."  Mal and Jay dive into "alternative tunings" and ancient Jewish scholars, but don't let that discourage you  -- there are real treasures here!  (How is that for a pitch?   "Here is some stuff that doesn't sound appealing at all, but stick with it anyway."  It sounds like I'm trying to teach a history class. Or sociology.   Oh, well.  This is what daily life is like for us professors.)   At least you get to hear some interesting Dylan clips to help you see why so many people consider this to be a great song.  

No, the title does not describe the conversation Mal and Jay have on this episode.  Well, it's not supposed to.  It does, however, refer to one of Bob Dylan's most notable songs, "Idiot Wind," which they discuss here.  And it is an important enough song that it will take two episodes!

Between the stupid disaster occurring in Texas to the continuing stupid rampage of Covid-19 to the death of S. Rush Limbaugh, it's been a banner week for enforced ignorance and prideful stupidity in America. Michael Moore makes the connection between the unique strain of American idiocy, the never-ending addiction to the myths about the "free market" and privatization, and one of the loudest and most destructive voices in the country with his legacy of ignorance, hate, fear and violence he leaves behind. Finally, Michael reflects on the passing of Jim Ridgeway, an investigative journalist who left an indelible mark in journalism, on the left, and in Michael's life and career. James Ridgeway, Hard-Hitting Investigative Journalist, Dies at 84 https://www.nytimes.com/2021/02/14/obituaries/james-ridgeway-dead.html Music in episode: "American Idiot" - Green Day https://open.spotify.com/track/6nTiIhLmQ3FWhvrGafw2zj?si=db0f230bd8394412 "Idiot Wind" - Bob Dylan https://open.spotify.com/track/1nbGN4N63uCQq0pCIs3kIf?si=b2598ef832be4472 Watch the film Michael mentioned, "Welcome To Chechnya" https://www.hbo.com/documentaries/welcome-to-chechnya Special offer for Rumble listeners! For high-quality video conference technology, try SignalWire: Go to SignalWire.com and use the code "Moore" for a free 30-day trial! --- Send in a voice message: https://anchor.fm/rumble-with-michael-moore/message

Hello, wow, episode 15. Here's what I talk about.1. Covid vaccine2. Tiger King3. Föllakzoid's I4. USB cables5. Dave's Killer Bread6. My new pantry7. Skippy Natural8. Claire A. Nivola's The Forest9. Jerzy Kosinski10. Underrated/overrated/properly rated: plows, snowblowers, snow shovels11. The correct snow shoveling fit12. Burger King13. Starter vinyl collection14. Adult coloring books15. Metal toolboxes16. Multiple pairs of scissors17. Bob Dylan's "Idiot Wind"18. Elton John's "Sad Songs (Say So Much)"19. Words With Friends20. Some movies I haven't seen

Join Eric, @WesMoss365, @TimAndrewsHere, @autopritts, @JaredYamamoto, @EnglishNick, and Greg as they chat about chilling out, the 'R' word, busy loud blouses, and much more! “Brought to you by Reliable Heating and Air."

A uniquely dissident figure in both his party and profession, Tory journalist Peter Oborne has an unrivalled record of exposing the establishment's corruption from within its own walls. Peter's intellectual largesse brings him to Everyday Analysis, to lift the lid on Boris Johnson's ‘client media', Britain's treatment of its Muslim citizens and adventures in the Middle East, and the political assassination of Jeremy Corbyn.

Le coup de coeur littéraire de Pascale Farges (Librairie Landru à Chamonix). Cette semaine, "Idiot Wind", de Peter Kaldheim, éd. Delcourt

This episode, Matty, Alex, Jeremiah, and Lizzy talk the Billboard Top 10 (Week of 5/16/2020) once again, quickly descending into the chaos.  (Sorry about my/Matty’s audio being bad on this one, one of our first Skype episodes in a bit & my audio settings got fucked with somewhere between the call starting & recording)

We are celebrating the 50th episode of Hard Rain & Slow Trains and also our one-year anniversary on the air by counting down our list of Bob Dylan's 50 greatest songs. Join us for this episode wherein we play & discuss songs #23 through #16.

When writer Geoff Dyer approaches us as a fan of the podcast, we jump at the chance. He leaps right in with a detailed analysis of Idiot Wind, praises previous guest Michael Gray, quotes Simon Armitage and Clinton Heylin, applauds Desire and Scorsese’s Rolling Thunder Revue and hails Dylan’s voice: “you always believe what he’s saying, even though he’s always an unreliable witness. It’s his incredible narrative power”. A few of the many topics: the 1978 Blackbushe gig (“explosively exciting”), his early years as Dylan freak (“I look back fondly on the exchange of cassette tapes in a pub – the early Christian era of Dylan bootlegs, this circle of initiates”) and the cleaned-up release of I’m Not There (“the value of it was somewhat diminished, I felt”). Geek out with Geoff in this passionate episode. Geoff Dyer is the author of Jeff in Venice, Death in Varanasi and three previous novels, as well as nine non-fiction books. Dyer has won the Somerset Maugham Prize, the Bollinger Everyman Wodehouse Prize for Comic Fiction and was named GQ’s Writer of the Year. He has won a National Book Critics Circle Award and the Windham Campbell Prize for non-fiction. His books have been translated into twenty-four languages. He currently lives in Los Angeles where he is Writer in Residence at the University of Southern California. Geoff’s most recent book is Broadsword Calling Danny Boy, about the film Where Eagles Dare. https://www.the-tls.co.uk/articles/public/twenty-questions-with-geoff-dyer/ Website Trailer Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 19th July 2019

Saru, Kumar, and Tanuj (on the phone) are joined by their friend Yash to talk about the Premier League weekend. Arsenal v Man Utd was the highlight game of last weekend and everything about the game was discussed: Xakha's goal, Ozil's contribution, Pogba's haircut etc. A lot of discussion in the first half of the show revolves around refereeing decisions and the supposed bias they have towards a few teams. In the second half of the show, the talk moves to how Spurs may get out of the top-4 spot. The previous week's Champions League performance of Ajax and Manchester United, while we say something nice about Raheem Sterling. You can listen to this show and other awesome shows on the new and improved IVM Podcast App on Android: https://ivm.today/android or iOS: https://ivm.today/ios You can check out our website at http://www.ivmpodcasts.com/

The Idiot Wind gang are back with another high paced 45 minutes of nonsense. Find out what Chris likes to do in other peoples houses with pate, Patrick's cunning plan for not getting burgled while you're on holiday and hear Danny's stunning story about the time she walked near Richard Madeley. Featuring Chris Read, Danny O'Hara, Jon Nguyen, Suzanna T Jones, Patrick Widdess and Scott James Gooch.

Join Danny O'Hara, Kahn Johnson, Steve Keyworth and Katherine Frost for more nonsense from the Idiot Wind gang. This time, they discuss baby showers, refusing entry to the queen and come up with some spontaneous wisdom in the form of improvised proverbs. Contains adult themes (like foot vaginas) and swearing. Hosted by Chris Read and assisted by the delightful Matthew Hayward.

In this Very Special Airport Episode of Love in Brief we address how not to be creepy when meeting someone, with special guest (and universally uncreepy person) Idiot_Wind.

Join our panel in the last episode of the first series as they take on six rounds of fact and nonsense. With Danny O'Hara, Martin Westgate, Robbie Sunderland, Oonagh Johnson, Matt Hayward and Chris Read.

In this weeks episode our brave panelists talk about chutney amongst other things. I don't think people really read podcast show notes to be honest. I don't know why I bother. You people, you make me sick. Featuring: Chris Read, Mark Womersley, Kahn Johnson, Susanns T Jones, Steve Keyworth and little Matty Hayward.

Join Chris and this weeks panel as they battle it out through six rounds of fact and nonsense. This week our team play the ancient game of sea chess and give some important information about how to deal with problems at altitude when flying an aircraft.

Kahn is joined by the host of the Idiot Wind podcast, Chris Read, to share thoughts on the latest DC epic, Justice League...

It's episode 3! Join our panel as they take on this weeks rounds of fact and nonsense all mixed up and presented for your listening pleasure. With Danny O'Harah, Oonagh Johnson, Robbie Sunderland, Martin Westgate , Matt Hayward and Chris Read. Produced in partnership with Fantata, Dogface Improv and Slow Theatre Company.

POD DYLAN Episode 54 - Idiot Wind Rob welcomes new guest Grayson Shouse to discuss "Idiot Wind", one of the greatest tracks on one of Dylan's greatest albums, 1975's BLOOD ON THE TRACKS. Have a question or comment? E-MAIL: firewaterpodcast@comcast.net Follow POD DYLAN on Twitter: @Pod_Dylan Subscribe to the show on iTunes: https://itunes.apple.com/us/podcast/pod-dylan/id1095013228 Buy "Idiot Wind" on iTunes: https://itunes.apple.com/us/album/blood-on-the-tracks/id158320766 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Thanks for listening!

It's episode 2! Join our panel as they take on Cliffs, Cliff, stunts and channel ghost window cleaners with a mystic squeegee. With Steve Keyworth, Susanna T Jones, Mark Womersley, Kahn Johnson , Matt Hayward and Chris Read. Produced in partnership with Fantata, Dogface Improv and Slow Theatre Company.

The very first episode of Idiot Wind Panel Show! Join Chris in welcoming four brave panelists as they attempt to navigate the world of pope choosing, hot air ballooning and HOT RICH KER-PLUNK! Don't say pope on a rope whatever you do! With Danny O'Hara, Mark Womersley, Kahn Johnson, Jon Nguyen and Chris Read. Tech - Matt Hayward. Produced in partnership with Fantata and Dogface Improv. www.idiotwindpodcast.com

I hope all my listeners are safe, sound, and dry!