Podcast appearances and mentions of johnny dodds

Today's show features music performed by Johnny Dodds' Hot Six and Earl King

KING OLIVER'S CREOLE JAZZ BAND “CENTENNIAL TRIBUTE TO JOE KING OLIVER” Richmond, Indiana; Chicago, Ill, 1923Dippermouth Blues, Snake rag, Canal Street Blues, Froggie Moore, Chimes Blues (featuring Armstrong's first recorded solo), Zulu's Ball, Chattanooga Stomp, Buddy's HabitKing Oliver, Louis Armstrong (cnt) Honore Dutrey (tb) Johnny Dodds (cl) Lil Armstrong (p) Bud Scott (bj) Baby Dodds (d) BILL COLEMAN “PARIS 1936-1938” November 12, 1937Rose room (1,), Indiana (bc vcl,2,), Bill Street blues (1,*)Bill Coleman (tp,vcl) Stephane Grappelli (vln-1,p-2) Joseph Reinhardt (g) Ernest Myers (b) Ted Fields (d) November 19, 1937I ain't got nobody, Baby, won't you please come home ? Continue reading Puro Jazz 22 de abril, 2025 at PuroJazz.

KING OLIVER'S CREOLE JAZZ BAND “CENTENNIAL TRIBUTE TO JOE KING OLIVER” Richmond, Indiana; Chicago, Ill, 1923Dippermouth Blues, Snake rag, Canal Street Blues, Froggie Moore, Chimes Blues (featuring Armstrong's first recorded solo), Zulu's Ball, Chattanooga Stomp, Buddy's HabitKing Oliver, Louis Armstrong (cnt) Honore Dutrey (tb) Johnny Dodds (cl) Lil Armstrong (p) Bud Scott (bj) Baby Dodds (d) BILL COLEMAN “PARIS 1936-1938” November 12, 1937Rose room (1,), Indiana (bc vcl,2,), Bill Street blues (1,*)Bill Coleman (tp,vcl) Stephane Grappelli (vln-1,p-2) Joseph Reinhardt (g) Ernest Myers (b) Ted Fields (d) November 19, 1937I ain't got nobody, Baby, won't you please come home ? Continue reading Puro Jazz 22 de abril, 2025 at PuroJazz.

On tonight's show: Johnny Dodds, 29th And Dearborn Artie Shaw, When the Quail Come Back to Saint Quentin Georgie Auld & His Orchestra, A Hundred Years from Today (vocals Sarah Vaughan) Louis Armstrong, Someday You'll Be Sorry Lucky Thompson, Mood Indigo Billie Holiday & Tony Scott and His Orchestra, Trav'lin Light Billy Bauer, You'd Be So Nice to Come Home To Eriko Ishihara, You'd Be So Nice to Come Home To Clark Terry, Paul Gonsalves, Blues for Daddy-O's Jazz Patio Blues Red Garland, One O'Clock Jump Art Pepper, 'Round Midnight Ella Fitzgerald, One for My Baby (And One More for the Road) Ahmad Jamal,  Excerpt from the Blues Yusef Lateef, Love Theme from the Robe Wynton Kelly, Comin' In the Back Door Chico Hamilton, Fancy

THE SAVOY SULTANS New York, December 29, 1941Boats, Fish for supper (1), At's in there (br vcl), Let your conscience be your guide (gk vcl)Pat Jenkins (tp,vcl) Sam Massenberg (tp) Al Cooper (cl,as,bar,arr,dir) Rudy Williams (as) George Kelly (ts) Cyril Haynes (p,arr) Paul Chapman (g,vcl,arr) Grachan Moncur (b) Alex Mitchell (d) Evelyn White, Betty Roche (vcl) FREDDIE KEPPARD: CHARLES “DOC” COOK'S DREAMLAND ORCHESTRA – Richmond, Indiana, January 21, 1924 Scissor Grinder Joe, So this is VeniceFreddie Keppard, Elwood Graham (cnt) Fred Garland (tb) Jimmie Noone, Clifford King (cl,as) Joe Poston (as) Jerome Pasquall (ts) Jimmy Bell (vln) Tony Spaulding (p) Stanley Wilson (bj) Bill Newton (tu) Bert Greene (d) JAZZ CARDINALS – Chicago, September, 1926Stock yards strut, Salty dog (pcj vcl)Freddie Keppard (cnt) Eddie Vincent (tb) Johnny Dodds (cl) Arthur Campbell (p) Jasper Taylor (woodblocks) Papa Charlie Jackson (vcl) BUCKTOWN FIVE Richmond, Indiana, February 25, 1924Steady roll blues, Mobile blues, Really a pain, Chicago blues, Hot mittens, Someday sweetheartMuggsy Spanier (cnt) Guy Carey (tb) Volly de Faut (cl) Mel Stitzel (p) Marvin Saxbe (bj,g,cymbal) ZUTTY SINGLETON: ZUTTY'S CREOLE BAND Los Angeles, June 30, 1944Oh, didn't he ramble, Crawfish bluesNorman Bowden (tp) John “Shorty” Haughton (tb) Barney Bigard (cl) Freddie Washington (p) Bud Scott (g) Ed Garland (b) Zutty Singleton (d) ZUTTY'S TRIO – Los Angles, June 30, 1944Barney's bounce, Lulu's moodBarney Bigard (cl) Freddie Washington (p) Zutty Singleton (d) Continue reading Puro Jazz 09 julio 2024 at PuroJazz.

THE SAVOY SULTANS New York, December 29, 1941Boats, Fish for supper (1), At's in there (br vcl), Let your conscience be your guide (gk vcl)Pat Jenkins (tp,vcl) Sam Massenberg (tp) Al Cooper (cl,as,bar,arr,dir) Rudy Williams (as) George Kelly (ts) Cyril Haynes (p,arr) Paul Chapman (g,vcl,arr) Grachan Moncur (b) Alex Mitchell (d) Evelyn White, Betty Roche (vcl) FREDDIE KEPPARD: CHARLES “DOC” COOK'S DREAMLAND ORCHESTRA – Richmond, Indiana, January 21, 1924 Scissor Grinder Joe, So this is VeniceFreddie Keppard, Elwood Graham (cnt) Fred Garland (tb) Jimmie Noone, Clifford King (cl,as) Joe Poston (as) Jerome Pasquall (ts) Jimmy Bell (vln) Tony Spaulding (p) Stanley Wilson (bj) Bill Newton (tu) Bert Greene (d) JAZZ CARDINALS – Chicago, September, 1926Stock yards strut, Salty dog (pcj vcl)Freddie Keppard (cnt) Eddie Vincent (tb) Johnny Dodds (cl) Arthur Campbell (p) Jasper Taylor (woodblocks) Papa Charlie Jackson (vcl) BUCKTOWN FIVE Richmond, Indiana, February 25, 1924Steady roll blues, Mobile blues, Really a pain, Chicago blues, Hot mittens, Someday sweetheartMuggsy Spanier (cnt) Guy Carey (tb) Volly de Faut (cl) Mel Stitzel (p) Marvin Saxbe (bj,g,cymbal) ZUTTY SINGLETON: ZUTTY'S CREOLE BAND Los Angeles, June 30, 1944Oh, didn't he ramble, Crawfish bluesNorman Bowden (tp) John “Shorty” Haughton (tb) Barney Bigard (cl) Freddie Washington (p) Bud Scott (g) Ed Garland (b) Zutty Singleton (d) ZUTTY'S TRIO – Los Angles, June 30, 1944Barney's bounce, Lulu's moodBarney Bigard (cl) Freddie Washington (p) Zutty Singleton (d) Continue reading Puro Jazz 09 julio 2024 at PuroJazz.

SOPHIE TUCKER New York Some of these daysSophie Tucker (vcl) unknown cnt, tb, cl, 2 p, bj, tu and d, Leonard Joy (dir) Long Island City, N.Y., c. October, 1922 Oh Joe, play that tromboneEthel Waters (vcl) acc by unknown tp, tb, cl , prob. Fletcher Henderson (p) unknown (tu) LIL HARDIN ARMSTRONG LIL'S HOT SHOTS Chicago, IL, May 28, 1926Georgia bo bo (la vcl), Drop that sackLouis Armstrong (cnt) Kid Ory (tb) Johnny Dodds (cl) Lil Armstrong (p) Johnny St. Continue reading Puro Jazz 04 marzo 2024 at PuroJazz.

SOPHIE TUCKER New York Some of these daysSophie Tucker (vcl) unknown cnt, tb, cl, 2 p, bj, tu and d, Leonard Joy (dir) Long Island City, N.Y., c. October, 1922 Oh Joe, play that tromboneEthel Waters (vcl) acc by unknown tp, tb, cl , prob. Fletcher Henderson (p) unknown (tu) LIL HARDIN ARMSTRONG LIL'S HOT SHOTS Chicago, IL, May 28, 1926Georgia bo bo (la vcl), Drop that sackLouis Armstrong (cnt) Kid Ory (tb) Johnny Dodds (cl) Lil Armstrong (p) Johnny St. Continue reading Puro Jazz 04 marzo 2024 at PuroJazz.

The Jazz Session No.349 from RaidersBroadcast.com as aired in February 2024, featuring 100 years of the blues, from 1926 onwards. TRACK LISTING: Ruben's Blues - Stan Kenton; Blues In Thirds - Earl "Fatha" Hines; Smoke House Blues - Jelly Roll Morton; Back Water Blues - Bessie Smith & James P. Johnson; Mixin' the Blues - Pete Rugolo & His Orchestra ; The Blues Walk - Clifford Brown; Learnin' the Blues - Freddie Green; Ralph's New Blues - Modern Jazz Quartet; C Jam Blues - Clark Terry; Blues for Pablo - Miles Davis & Gil Evans; Wild Man Blues - Louis Armstrong & His Hot Seven, ft. Johnny Dodds; Jim Town Blues - Fletcher Henderson; New St.Louis Blues - Ottilie Patterson, w. Chris Barber's Jazz Band; Potato Head Blues - Kenny Ball & His Jazzmen; Blues for Mary Jane - Stan Getz; Blues in the Closet - Bud Powell; Terraplane Blues - Robert Johnson; Rockin' the Blues - Howlin' Wolf; Blues for Boppers - Sonny Criss Quartet; Cry Baby Blues - Chico O'Farrill & His Orchestra ; Calcutta Blues - Dave Brubeck; Blues Five Spot - Thelonius Monk; Showbiz Blues - Fleetwood Mac, w. Peter Green ; Statesboro Blues - Taj Mahal; Some Blues - Roger Beaujolais; Inner City Blues (Make Me Wanna Holler) - Gil Scott-Heron.

The Jazz Session No.338 from RaidersBroadcast.com as aired in November 2023, featuring the challenging contemporary improvised jazz album from Paul Dunmall, Faith Brackenbury, Tony Bianco, and John Pope. TRACK LISTING: The Entertainer - Ken Colyer's Jazzmen; Milenberg Joys - Kenny Ball; Bemshaw Swing - Thelonius Monk; Easy to Love - Oscar Peterson; As It Was - Paul Dunmall, Faith Brackenbury, Tony Bianco, John Pope; I Should Care - Charlie Watts meets the Danish Radio Big Band; Don the Dreamer - Kenny Wheeler and the John Dankworth Orchestra; Troyka Smash - Troyka; Soul of Things, Var.8 - Tomasz Stanko Quartet; Over Hill, Over Dale - Cleo Laine; Trouble in Mind - Nina Simone; Soul Eyes - John Coltrane Quartet; Directions - Miles Davis, Shorter, Corea, Holland, DeJohnette; And Ever Shall Be - Paul Dunmall, Faith Brackenbury, Tony Bianco, John Pope; Wild Man Blues - Louis Armstrong & His Hot Sevem, ft. Johnny Dodds; Love for Sale - Turtle Island String Quartet; Newk's Fluke - Stan Tracey Octet; Five Flat Flurry - George Shearing Sextet.

Lovie Austin was a busy pianist/arranger/composer in Chicago in the 1920's - as one of the few women in an almost exclusively male business she carved out a niche for herself, influencing other women performers to come, such as Mary Lou Williams. Her instrumental recordings are here from 1924-26 and feature Tommy Ladnier, Natty Dominique, Kid Ory, Johnny Dodds, Jimmy O'Bryant, W.E Burton, Priscilla Stewart and others, with Austin holding it all together as a player, arranger and composer. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Art et queerCette série donne la parole à des chercheur·euse·s, artistes et activistes qui apportent un éclairage inédit sur les œuvres de Gerda Wegener, Robert Mapplethorpe, Sadie Benning et Zanele Muholi. L'occasion de découvrir en profondeur un art qui questionne le genre, la sexualité et les normes esthétiques et sociales.Episode 1 : Gerda Wegener, Lily, 1922Connue comme la première femme trans à avoir bénéficié d'opération de réaffirmation de genre, l'artiste peintre Lili Elbe, née Einar Wegener, devient dans les années 1920 le modèle privilégié de sa femme, Gerda Wegener. À travers le portrait de Lili, Wegener représente la parisienne des années folles et nous pousse à nous questionner sur ce que veut dire « être une femme ». Catherine Gonnard, spécialiste des artistes femmes, et Clovis Maillet, historien et historien de l'art, nous éclairent sur le parcours de ces deux artistes et leur art de vivre au-delà des normes hétérosexuelles. CréditsÉcriture et réalisation : Camille Regache Éditorialisation et production : Clara GouraudMixage : Ivan GarielHabillage musical : Nawel Ben Kraïem et Nassim KoutiAvec la participation d'Elisa Hervelin, Catherine Gonnard et Clovis MailletExtraits musicaux : 29th And Dearborn, Johnny Dodds ; In A Little Rendez-Vous, Valdemar Eiberg's Jazz Band ; Les Nuits d'une Demoiselle, Colette Renard ; L'Espagne pour mémoire, Loin de Montparnasse et Le Songe d'un jour d'été, Michel Portal Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Good News: Great Britain’s few remaining temperate rainforests are getting a preservation boost, Link HERE! The Good Word: A brilliant and thoughtful couplet from Alexander Pope. Good To Know: More amazing facts about water! Good News: Cargo bikes are about to go big in London! Link HERE Wonderful World: The wonders of the Book of […]

Great band in the style of King Oliver's Creole Jazz Band led by clarinetist Claude Luter . . before he became a Bechet fanatic he was a Johnny Dodds stylist and his band brings out the early New Orleans sounds very well in a program of mostly standard tunes but with a few originals thrown in . .Christian Azzi, Pierre Merlin, Moustache Galipedes .. . --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Reverend Charlie Jackson "Something To Think About"The Yardbirds "Heart Full of Soul"Clem Snide "Let's Explode"Lucky Millinder "I Want A Tall Skinny Papa (02-18-42)"Hank Williams "(I Heard That) Lonesome Whistle"Gladys Bentley Quintet "Boogie'n My Woogie"Bob Dylan "Everything Is Broken"Jelly Roll Morton "Sidewalk Blues"Johnny Cash "This Train Is Bound for Glory (with The Carter Family)"Duke Ellington "Money Jungle"Joan Shelley "Something Small"Bob Wills and His Texas Playboys "Rosetta"Louis Armstrong "Beau Koo Jack"Guy Clark "The Waltzing Fool"Lil Green "Romance In the Dark"Allen Toussaint "Whirlaway"S.G. Goodman "When You Say It"Sister O.M. Terrell "I'm Going to That City"Hank Ballard "Sunday Morning Coming Down"Pete Johnson "Death Ray Boogie"Peter Case "Ain't Gonna Worry No More"Jessie Mae Hemphill "Train Train"Fats Waller & His Rhythm "Armful Of Sweetness"John Moreland "Break My Heart Sweetly"Chick Webb "F.D.R Jones"Elvis Costello & Allen Toussaint "Who's Gonna Help Brother Get Further"Clifford Brown "Mildama"Loretta Lynn "Portland Oregon"Johnny Dodds "New St. Louis Blues"Albert King "I'll Play the Blues for You"Otis Redding "Shake"Valerie June "Shakedown"The Prisonaires "Just Walkin' in the Rain"Willie Nelson & Leon Russell "Trouble In Mind"Robert Wilkins "Old Jim Canan's"Allen Toussaint "Just a Closer Walk with Thee"B.B. King "My Own Fault, Baby Aka It's My Fault"Sidney Bechet "Strange Fruit"Nina Simone "Blues for Mama"Cab Calloway & His Orchestra "Six or Seven Times"Mississippi Fred McDowell "Red Cross Store"Billie Holiday "It's Easy To Blame the Weather"Hayes Carll "Another Like You"Sleepy John Estes "Drop Down Mama"Benjamin Booker "Violent Shiver"Aretha Franklin "Since You'Ve Been Gone"John R. Miller "Relaxation"

Al di là del mito, un percorso di Claudio Sessa su storia e attualità del New Orleans sound, alle radici della grande musica afroamericana. Sfileranno nomi noti e meno noti della saga di New Orleans, che ha dato un contributo fondamentale alla straordinaria avventura del jazz: Jelly Roll Morton, Louis Armstrong, King Oliver, Bix Beiderbecke, Johnny Dodds, Kid Ory, Sam Morgan, Oscar Celestin e molti altri.

Al di là del mito, un percorso di Claudio Sessa su storia e attualità del New Orleans sound, alle radici della grande musica afroamericana. Sfileranno nomi noti e meno noti della saga di New Orleans, che ha dato un contributo fondamentale alla straordinaria avventura del jazz: Jelly Roll Morton, Louis Armstrong, King Oliver, Bix Beiderbecke, Johnny Dodds, Kid Ory, Sam Morgan, Oscar Celestin e molti altri.

  JOHNNY DODDS: “DODDS & PARHAM” – Chicago, c. March, April, 1927 Oh daddy, Loveless love Johnny Dodds (cl) Tiny Parham (p) “DODDS & LIL ARMSTRONG” – Chicago, April 21, 1927 Oh ! Lizzie [A lover’s lament], Clarinet wobble, The new St. Louis blues Johnny Dodds (cl) Lil Armstrong (p) Bud Scott (g)     […]

The great New Orleans clarinetist Johnny Dodds made three sessions in the spring and fall of 1927 with a band he called the Black Bottom Stompers . .in a trio with Lil Armstrong and Bud Scott and two full bands with Natty Dominique, George Mitchell, Louis Armstrong, Roy Palmer, John Thomas, Barney Bigard, Earl Hines, Charlie Alexander, Bud Scott and Baby Dodds as well as one guest reunion with King Oliver in 1926. These well-recorded sides show why he was held in such esteem from his earliest performing days until his death in 1940. --- Support this podcast: https://anchor.fm/john-clark49/support

  JOHNNY DODDS: “DODDS & PARHAM” – Chicago, c. March, April, 1927 Oh daddy, Loveless love Johnny Dodds (cl) Tiny Parham (p) “DODDS & LIL ARMSTRONG” – Chicago, April 21, 1927 Oh ! Lizzie [A lover’s lament], Clarinet wobble, The new St. Louis blues Johnny Dodds (cl) Lil Armstrong (p) Bud Scott (g)     […]

A couple of cheery and cheeky wartime songs. George Formby with Ukelele Man. Not nearly enough ukelele playing on it quite frankly. Next Dave Willis with ARP( Air raid patrol.) More commonly known as My Wee Gas Mask. Probably the best known Scottish song from WW2. Joe Corrie was a Fife coal miner, poet and playright. His style was naturalistic and his subject matter the working class. He was pretty much ignored by the Scottish theatre establishment of the time. Here we have The shilling a week man. A humerous tale of money owed, performed in broad Scots. Humerous it maybe but for many life was 'hand to mouth' and the shilling a week man was a fact of life.  Bunny Berigan's blues boys with Chicken and Waffles and then he plays trumpet on Gold diggers of 1933 with The bell boys of Broadway. Two from the magnificent Mildred Bailey with her orchestra- St Louis Blues and with her Oxford Greys- Arkanas Blues. Great vocals from her. We split those two tracks with Charlie Barnet and Wandering blues, vocals by Mary Ann McCall. Ring dem bells from The Harlem Footwarmers(1929.) They also performed under 25 aliases and members included Duke Ellington and Cottie Williams. Johnny Dodds and his orch- Red onion blues. His brother 'Baby' Dodds is on drums. Bit of Boogie from Will Brady's six Texan hot dogs- Basin Street boogie(1941) Not the best condition but Taft Jordon and his mob play Devil in the moon. Taft only made two records with own group but played with the best, from Ella to Ellington. His trumpet can be heard on Miles Davis's Sketches of Spain. Quite an acolade to be asked to play trumpet with Miles! E.C Kirkeby Wallace bandleader, songwriter, vocalist and manager. He looked after Fats Waller. He also started the Californian Ramblers while working at Columbia. Benny Goodman with Blues in the night, vocals by Peggy Lee. Early peggy. She certainly hits some uncharactistic high notes toward the end. We finish with Freddy Gardner and his Swing Orch. The self composed 10am Blues from 1939. A great track from this forgotten British saxphonist, who died young at 39. Its an Indian pressing on the Rex label. 

Today's show features music performed by Johnny Dodds and Elvis Presley

Johnny Dodds and Jimmie Noone on Decca . . 1937 and 1938 sessions for the two innovative New Orleans clarinetists backed by a swing band including Charlie Shavers, Pete Brown, Teddy Bunn, John Kirby, Wellman Braud and O'Neil Spencer --- Support this podcast: https://anchor.fm/john-clark49/support

American Grooves focuses on the pre-1934, pre Swing Era recordings of five Jazz clarinetists - SIDNEY BECHET, OMAR SIMEON, BENNY GOODMAN, JIMMIE NOONE and JOHNNY DODDS

Apenas dos años después del asesinato de John Kennedy, un grupo de músicos encabezados por John Coltrane se presentó en el Festival de Newport. En ese escenario, rompieron casi todas las reglas del género. Frente a millares de fanáticos, el jazz explotó. Se liberó así de todas sus ataduras. “Freedom At Last”. Black Power. Un denso brebaje de sonidos colectivos e interactivos. Pero, ahora que el jazz era libre, ¿hacia dónde ir? Algunos críticos dijeron: “¡Esto no es música!”. Sin embargo, en el fondo de aquellos sonidos estaban los gritos de los predicadores de los spirituals, el blues poético pero quejumbroso de Ma Rainey y Johnny Dodds, el sentimiento colectivo de las bandas de jazz de Nueva Orleans, los vuelos fantásticos de Charlie Parker y la obstinación del Hard Bop. ⇣ Suscríbete a nuestro boletín. Cada lunes, algún miembro del equipo editorial de Magazine AM:PM te trae un resumen de los trabajos publicados la semana anterior, así como una serie de recomendaciones de música, lecturas y audiovisuales relacionados con el ecosistema musical. ⇣ Web: www.magazineampm.com Facebook: @magazineampm Instagram: @magazineampm Twitter: @magazineampm Telegram: @magazineampm

The Jazz Session No.244 from RaidersBroadcast.com as aired in Feb 2022, featuring a selection of jazz that's either very old from 1924-1949, or very new from 2019-2021. TRACK LISTING: Tiger Rag - Original Capitol Orchestra; Eccentric - Savoy Orpheans; Gold - Archipelago; Country Bears, Come North - John Pope Quintet; Wild Man Blues - Louis Armstrong & His Hot Seven, ft. Johnny Dodds; Sweet and Hot - Fletcher Henderson; Salute to the Sun  - Matthew Halsall; Continuation - Collocutor; Miranda - Noble Sissle & His Orchestra; Jitter Bug - Cab Calloway & His Orchestra; Banning Street Blues - Dinosaur; Rhizome - Mammal Hands; Some of These Days - Mario "Harp" Lorenzi & His Rhythmics; What a Difference a Day Makes - Coleman Hawkins; Pick It Up - Yaatri; Barbara - Yazz Ahmed; Tea for Two - Cyril Blake and His Jigs Club Band; Lover Man - Johnny Dankworth; People Saved - Ezra Collective; Nothing Personal - Abbie Finn Trio.

Il clarinetto è uno strumento che ha avuto un ruolo fondamentale nel jazz delle origini, con solisti del calibro di Johnny Dodds, Artie Shaw, Pee Wee Russell, Sidney Bechet e finalmente Benny Goodman che hanno contribuito alla sua affermazione. Ma con l'evolversi del linguaggio e l'avvento del jazz moderno la sua importanza è in parte scemata a favore del sassofono.In questa serie di Birdland si vuol sfatare comunque il luogo comune che vuole il clarinetto – a partire dagli anni '40 – come uno strumento desueto, vecchio, non adatto ai dettami del nuovo jazz. Claudio Sessa ci conduce in un mondo solo in parte noto, ricco di sorprese, tutto da scoprire.

Il clarinetto è uno strumento che ha avuto un ruolo fondamentale nel jazz delle origini, con solisti del calibro di Johnny Dodds, Artie Shaw, Pee Wee Russell, Sidney Bechet e finalmente Benny Goodman che hanno contribuito alla sua affermazione. Ma con l'evolversi del linguaggio e l'avvento del jazz moderno la sua importanza è in parte scemata a favore del sassofono.In questa serie di Birdland si vuol sfatare comunque il luogo comune che vuole il clarinetto – a partire dagli anni '40 – come uno strumento desueto, vecchio, non adatto ai dettami del nuovo jazz. Claudio Sessa ci conduce in un mondo solo in parte noto, ricco di sorprese, tutto da scoprire.

Il clarinetto è uno strumento che ha avuto un ruolo fondamentale nel jazz delle origini, con solisti del calibro di Johnny Dodds, Artie Shaw, Pee Wee Russell, Sidney Bechet e finalmente Benny Goodman che hanno contribuito alla sua affermazione. Ma con l'evolversi del linguaggio e l'avvento del jazz moderno la sua importanza è in parte scemata a favore del sassofono.In questa serie di Birdland si vuol sfatare comunque il luogo comune che vuole il clarinetto – a partire dagli anni '40 – come uno strumento desueto, vecchio, non adatto ai dettami del nuovo jazz. Claudio Sessa ci conduce in un mondo solo in parte noto, ricco di sorprese, tutto da scoprire.

Il clarinetto è uno strumento che ha avuto un ruolo fondamentale nel jazz delle origini, con solisti del calibro di Johnny Dodds, Artie Shaw, Pee Wee Russell, Sidney Bechet e finalmente Benny Goodman che hanno contribuito alla sua affermazione. Ma con l'evolversi del linguaggio e l'avvento del jazz moderno la sua importanza è in parte scemata a favore del sassofono.In questa serie di Birdland si vuol sfatare comunque il luogo comune che vuole il clarinetto – a partire dagli anni '40 – come uno strumento desueto, vecchio, non adatto ai dettami del nuovo jazz. Claudio Sessa ci conduce in un mondo solo in parte noto, ricco di sorprese, tutto da scoprire.

Il clarinetto è uno strumento che ha avuto un ruolo fondamentale nel jazz delle origini, con solisti del calibro di Johnny Dodds, Artie Shaw, Pee Wee Russell, Sidney Bechet e finalmente Benny Goodman che hanno contribuito alla sua affermazione. Ma con l'evolversi del linguaggio e l'avvento del jazz moderno la sua importanza è in parte scemata a favore del sassofono.In questa serie di Birdland si vuol sfatare comunque il luogo comune che vuole il clarinetto – a partire dagli anni '40 – come uno strumento desueto, vecchio, non adatto ai dettami del nuovo jazz. Claudio Sessa ci conduce in un mondo solo in parte noto, ricco di sorprese, tutto da scoprire.

WETF Show - Barrelhouse Blues - band sides including Kansas City Frank Melrose in the late 1920's - featuring Johnny Dodds, Baby Dodds, Freddie Keppard (maybe), Cicero Thomas, Wingy Manone, Frank Teschemacher, Bud Freeman, George Wettling, Darnell Howard, Jimmy Bertrand . .South and Northside hot jazz --- Support this podcast: https://anchor.fm/john-clark49/support

LOVIE AUSTIN AND HER BLUES SERENADERS Chicago: – November 1924 Traveling blues Tommy Ladnier (cnt) Jimmy O’Bryant (cl) Lovie Austin (p) – August, 1925 Too sweet for words Bob Shoffner (cnt) Jimmy O’Bryant (cl) Lovie Austin (p) – April, 1926 Jackass blues, Frog tongue stomp Bob Schoffner (cnt) Albert Wynn (tb) Johnny Dodds (cl) Lovie […]

Klarinettist Johnny Dodds, was een toonaangevende muzikant uit de beginjaren van de jazz. Eind twintiger jaren stond hij op het toppunt van zijn populariteit. In deze uitzending hoor je opnamen uit 1927 met trompettisten Louis Armstrong en Natty Dominique. Reageren: jazztrain@studio040.nl

Today's show features music performed by Johnny Dodds and Elvis Presley

Klarinettist Johnny Dodds was een van de meest toonaangevende musici uit de beginjaren van de jazz. In deze aflevering opnamen uit 1926 en 1927 met diverse bands. Reacties: jazztrain@studio040.nl

Un tuffo nel jazz delle origini con l'accento messo sulla cornetta, molto utilizzato all'epoca ma che poi perse smalto a favore della tromba.I due cornettisti considerati in questa serie di Claudio Sessa, King Oliver e Freddie Keppard, furono tra i protagonisti di quella preistoria del jazz avvolta ancora in parte nella leggenda. Entrambi erano eredi di quel Buddy Bolden, loro collega di strumento, che molti considerano come l'iniziatore del jazz.Joe Oliver (1885-1938), noto in seguito come “King”, venne alla ribalta a New Orleans ma poi si trasferì a Chicago, come moltissimi musicisti di colore, al momento della chiusura nel 1917 di Storyville, il quartiere a luci rosse della città del delta. Il successo lo ottenne con la King Oliver's Creole Jazz Band per la quale ebbe l'intuizione di chiamare come secondo cornettista un tale Louis Armstrong. Nel 1926 si rilanciò con i Savannah Syncopators, l'ultima sua orchestra di grido. La Grande Depressione, un jazz che ormai aveva sviluppato altri e più moderni stili, nonché motivi di salute contribuirono al suo declino e cadde nell'oblio.Freddie Keppard (1890-1933) era anche lui un creolo di New Orleans, grande rivale di King Olvier. Insieme a Bill Johnson diede vita alla Original Creole Orchestra, che suonava quella musica che di lì a poco sarebbe diventata popolare con l'appellativo di jazz. Sfumata l'occasione di passare alla storia per l'incisione del primo disco di jazz dopo aver rifiutato un'offerta dell'etichetta Victor, nel 1917 Keppard si trasferì pure lui a Chicago. Guidò varie orchestre tra cui i Jazz Cardinals e collaborò con gente quale Jimmy Noone e Johnny Dodds. Morì, anche lui dimenticato, a soli 43 anni.

Un tuffo nel jazz delle origini con l'accento messo sulla cornetta, molto utilizzato all'epoca ma che poi perse smalto a favore della tromba.I due cornettisti considerati in questa serie di Claudio Sessa, King Oliver e Freddie Keppard, furono tra i protagonisti di quella preistoria del jazz avvolta ancora in parte nella leggenda. Entrambi erano eredi di quel Buddy Bolden, loro collega di strumento, che molti considerano come l'iniziatore del jazz.Joe Oliver (1885-1938), noto in seguito come “King”, venne alla ribalta a New Orleans ma poi si trasferì a Chicago, come moltissimi musicisti di colore, al momento della chiusura nel 1917 di Storyville, il quartiere a luci rosse della città del delta. Il successo lo ottenne con la King Oliver's Creole Jazz Band per la quale ebbe l'intuizione di chiamare come secondo cornettista un tale Louis Armstrong. Nel 1926 si rilanciò con i Savannah Syncopators, l'ultima sua orchestra di grido. La Grande Depressione, un jazz che ormai aveva sviluppato altri e più moderni stili, nonché motivi di salute contribuirono al suo declino e cadde nell'oblio.Freddie Keppard (1890-1933) era anche lui un creolo di New Orleans, grande rivale di King Olvier. Insieme a Bill Johnson diede vita alla Original Creole Orchestra, che suonava quella musica che di lì a poco sarebbe diventata popolare con l'appellativo di jazz. Sfumata l'occasione di passare alla storia per l'incisione del primo disco di jazz dopo aver rifiutato un'offerta dell'etichetta Victor, nel 1917 Keppard si trasferì pure lui a Chicago. Guidò varie orchestre tra cui i Jazz Cardinals e collaborò con gente quale Jimmy Noone e Johnny Dodds. Morì, anche lui dimenticato, a soli 43 anni.

Un tuffo nel jazz delle origini con l'accento messo sulla cornetta, molto utilizzato all'epoca ma che poi perse smalto a favore della tromba.I due cornettisti considerati in questa serie di Claudio Sessa, King Oliver e Freddie Keppard, furono tra i protagonisti di quella preistoria del jazz avvolta ancora in parte nella leggenda. Entrambi erano eredi di quel Buddy Bolden, loro collega di strumento, che molti considerano come l'iniziatore del jazz.Joe Oliver (1885-1938), noto in seguito come “King”, venne alla ribalta a New Orleans ma poi si trasferì a Chicago, come moltissimi musicisti di colore, al momento della chiusura nel 1917 di Storyville, il quartiere a luci rosse della città del delta. Il successo lo ottenne con la King Oliver's Creole Jazz Band per la quale ebbe l'intuizione di chiamare come secondo cornettista un tale Louis Armstrong. Nel 1926 si rilanciò con i Savannah Syncopators, l'ultima sua orchestra di grido. La Grande Depressione, un jazz che ormai aveva sviluppato altri e più moderni stili, nonché motivi di salute contribuirono al suo declino e cadde nell'oblio.Freddie Keppard (1890-1933) era anche lui un creolo di New Orleans, grande rivale di King Olvier. Insieme a Bill Johnson diede vita alla Original Creole Orchestra, che suonava quella musica che di lì a poco sarebbe diventata popolare con l'appellativo di jazz. Sfumata l'occasione di passare alla storia per l'incisione del primo disco di jazz dopo aver rifiutato un'offerta dell'etichetta Victor, nel 1917 Keppard si trasferì pure lui a Chicago. Guidò varie orchestre tra cui i Jazz Cardinals e collaborò con gente quale Jimmy Noone e Johnny Dodds. Morì, anche lui dimenticato, a soli 43 anni.

Un tuffo nel jazz delle origini con l'accento messo sulla cornetta, molto utilizzato all'epoca ma che poi perse smalto a favore della tromba.I due cornettisti considerati in questa serie di Claudio Sessa, King Oliver e Freddie Keppard, furono tra i protagonisti di quella preistoria del jazz avvolta ancora in parte nella leggenda. Entrambi erano eredi di quel Buddy Bolden, loro collega di strumento, che molti considerano come l'iniziatore del jazz.Joe Oliver (1885-1938), noto in seguito come “King”, venne alla ribalta a New Orleans ma poi si trasferì a Chicago, come moltissimi musicisti di colore, al momento della chiusura nel 1917 di Storyville, il quartiere a luci rosse della città del delta. Il successo lo ottenne con la King Oliver's Creole Jazz Band per la quale ebbe l'intuizione di chiamare come secondo cornettista un tale Louis Armstrong. Nel 1926 si rilanciò con i Savannah Syncopators, l'ultima sua orchestra di grido. La Grande Depressione, un jazz che ormai aveva sviluppato altri e più moderni stili, nonché motivi di salute contribuirono al suo declino e cadde nell'oblio.Freddie Keppard (1890-1933) era anche lui un creolo di New Orleans, grande rivale di King Olvier. Insieme a Bill Johnson diede vita alla Original Creole Orchestra, che suonava quella musica che di lì a poco sarebbe diventata popolare con l'appellativo di jazz. Sfumata l'occasione di passare alla storia per l'incisione del primo disco di jazz dopo aver rifiutato un'offerta dell'etichetta Victor, nel 1917 Keppard si trasferì pure lui a Chicago. Guidò varie orchestre tra cui i Jazz Cardinals e collaborò con gente quale Jimmy Noone e Johnny Dodds. Morì, anche lui dimenticato, a soli 43 anni.

Un tuffo nel jazz delle origini con l'accento messo sulla cornetta, molto utilizzato all'epoca ma che poi perse smalto a favore della tromba.I due cornettisti considerati in questa serie di Claudio Sessa, King Oliver e Freddie Keppard, furono tra i protagonisti di quella preistoria del jazz avvolta ancora in parte nella leggenda. Entrambi erano eredi di quel Buddy Bolden, loro collega di strumento, che molti considerano come l'iniziatore del jazz.Joe Oliver (1885-1938), noto in seguito come “King”, venne alla ribalta a New Orleans ma poi si trasferì a Chicago, come moltissimi musicisti di colore, al momento della chiusura nel 1917 di Storyville, il quartiere a luci rosse della città del delta. Il successo lo ottenne con la King Oliver's Creole Jazz Band per la quale ebbe l'intuizione di chiamare come secondo cornettista un tale Louis Armstrong. Nel 1926 si rilanciò con i Savannah Syncopators, l'ultima sua orchestra di grido. La Grande Depressione, un jazz che ormai aveva sviluppato altri e più moderni stili, nonché motivi di salute contribuirono al suo declino e cadde nell'oblio.Freddie Keppard (1890-1933) era anche lui un creolo di New Orleans, grande rivale di King Olvier. Insieme a Bill Johnson diede vita alla Original Creole Orchestra, che suonava quella musica che di lì a poco sarebbe diventata popolare con l'appellativo di jazz. Sfumata l'occasione di passare alla storia per l'incisione del primo disco di jazz dopo aver rifiutato un'offerta dell'etichetta Victor, nel 1917 Keppard si trasferì pure lui a Chicago. Guidò varie orchestre tra cui i Jazz Cardinals e collaborò con gente quale Jimmy Noone e Johnny Dodds. Morì, anche lui dimenticato, a soli 43 anni.

The Jazz Session No.195, from RaidersBroadcast.com as aired in Feb 2021, featuring the excellent jazz musician and celebrated trumpeter Freddie Hubbard. TRACK LISTING: Stop - Charles Mingus; Shingebis and the North Wind - John Surman; You Can't Take It With You - Keef Hartley; Pigling Bland - Soft Machine; Delphia - Freddie Hubbard; Fantasy in D - Freddie Hubbard; Bad Penny Blues - Humphrey Lyttelton; Wild Man Blues - Louis Armstrong & His Hot Seven, ft. Johnny Dodds; Guerilla - Gil Scott - Heron, w. Ron Carter; Dreams Come and Go Away - Lenny White; Evidence - Thelonius Monk, w. Art Blakey; I'll See You Again - Bill Evans; So Danco Samba - Stan Getz & Joao Gilberto; Sambamba - Pete Rugolo & His Orchestra; Yesterday's Dreams - Freddie Hubbard; Mr. Clean - Freddie Hubbard; Lakeview Drive - Pat Belliveau; Gypsy Moth - Keith Jarrett; Parisian Thoroughfare - Clifford Brown, w. Max Roach; April in Paris - Art Farmer.

Clarinet Spice . . .recordings featuring two (or more) clarinets! The Southern Jazz Five (led by Dave Dallwitz), Bechet-Nicholas Blues Five (Albert Nicholas and Sidney Bechet), Clarence Williams Washboard Band (with Bennie Moten and Ben Whitted), Benny Goodman and Stan Hasselgard, Ray Burke and Harry Shields, Jimmie Noone's Apex Club Orchestra, Johnny Dodds and Junie Cobb, Edmond Hall with Herb Hall and Omer Simeon and others . . --- Support this podcast: https://anchor.fm/john-clark49/support

Hot Chicago Clarinets . . .several clarinet players active in Chicago in the 1920's (Johnny Dodds, Jimmy O'Bryant, Junie Cobb, Albert Nicholas, Vance Dixon and Benny Goodman) recording in trio format - no other horns, just rhythm and clarinet! --- Support this podcast: https://anchor.fm/john-clark49/support

In dit programma hoor je vroege opnamen van klarinettist Johnny Dodds, één van meest toonaangevende musici uit de beginjaren van de jazz. Reacties: jazztrain@studio040.nl

422 - Jerry Zigmont This is the interview which got me more fascinated with traditional jazz music. Jerry Zigmont is a “premier trombonist of the New Orleans style." For many years, he performed and toured with Woody Allen & The Eddy Davis New Orleans Jazz Band. The band performed from a repertoire of over 1,200 songs ranging from early 20th century popular tunes, hymns, spirituals, marches, blues and rags. The musical director was the late Eddy Davis, a legendary hall of fame 4-string banjo player and the band also featured film director, writer, actor, and comedian Woody Allen on clarinet. Zigmont is featured on the band soundtrack recording Wild Man Blues and performed extensively with the group bringing the rare, traditional and authentic New Orleans Jazz to many countries around the world. For many years, the Eddy Davis New Orleans Jazz Band with Woody Allen performed traditional New Orleans style jazz. The band drew inspiration from the artists Woody Allen has admired since his youth including Sidney Bechet, George Lewis, Johnny Dodds, Jimmie Noone and of course, Louis Armstrong. Jerry Zigmont's trombone playing is steeped in the classic New Orleans tradition, with its trademark raw power and "straight form the heart" approach. He began recording and touring with renowned British clarinetist Sammy Rimington in 1987 and went on to work with many legends in the Jazz world. Zigmont's insightful historical perspectives on music make for an intriguing interview and he gives an inside look into one of the only bands in the world performing this style of jazz. The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.

Another idea of George Avakian's, this 1940 album celebrates some of the New Orleans jazz pioneers still active at the time in new recordings, Louis Armstrong, Sidney Bechet, Jimmie Noone, Johnny Dodds, Red Allen and Zutty Singleton lead the sessions featuring Wellman Braud, Ed Hall, Natty Dominique, Baby Dodds, Lonnie Johnson and Lil Hardin Armstrong among others. --- Support this podcast: https://anchor.fm/john-clark49/support

This Episode features the early recordings of jazz greats such as Jimmie Noone, Benny Goodman, Pee Wee Russell, Johnny Dodds and more!

Shellac Stack No. 162 charts a course for the Isle of Sweethearts with Sam Moore and Horace Davis. We hear from Paul Whiteman, Johnny Dodds, Ray Starita, Bing Crosby, Dick Mine, Tex Williams, and many others in this tuneful hour.

Shellac Stack No. 154 whips cream with banjoist Fred Van Eps and grooves high with Dizzy Gillespie. Along the way, we hear from the dance bands of Fred Rich, Paul Specht, and Tal Henry, relax with the Hilo Hawaiian Orchestra, and sample a few hot jazz records by McKinney's Cotton Pickers and Johnny Dodds.

Shellac Stack No. 112 journeys “Down to the Roadside Inn” with Leon McAuliffe's Western Swing Band. We dance the rumba with the Lecuona Cuban Boys and the tango with Victor Arden – Phil Ohman and Their Orchestra, sample some hot jazz by Paul Mares and His Friars Society Orchestra and Johnny Dodds and the Chicago … Continue reading »

Listen to one of the best Jazz clarinetists of the 1920s and learn about a little about his life.

On this week's brand new edition of the show, we're going to "Hamm" it up, put it down on paper, take a musical trip to Atlanta, have a cardiac set and play some records for no particular reason. There are a number of records this week which have not been played on the show before, and all you have to do is click on the link below to instantly listen streaming online and/or download the show. As always, your feedback is welcome. Rapidly Rotating Records Show – January 20, 2013 (128 bit .mp3) Here's the complete playlist: TOPIC: Atlanta That Wicked Stomp – Atlanta Syncopators Atlanta Gal – Charles Fulcher AHO / Charles Fulcher, v. Atlanta Blues – Clarence Williams' Blue Five / Sara Martin, v. Atlanta Bound – Gene Autry TOPIC: Cardiac Dear Heart – Benny Moten's Kansas City Orchestra Sing, My Heart – Carroll Gibbons and The Savoy Hotel Orpheans / Anne Lenner, v. It Takes Love To Cure The Heart's Disease – James P. Johnson (Piano Roll) TOPIC: Paper Dance Of The Paper Dolls – Jack Leon's Symphonic Dance Band / Unidentified, v. You Can Put It In The Papers – Todd Rollins AHO / Chick Bullock, v. It's Only A Paper Moon – Paul Whiteman AHO / Peggy Healy, v. TOPIC: Fred Hamm Stomp Off, Let's Go – Fred Hamm AHO Remarkable Girl – Fred Hamm AHO / Dusty Rhodes, v. Bye Bye Blues – Fred Hamm AHO / Fred Hamm, v. TOPIC: For No Particular Reason Bucktown Stomp – Johnny Dodds' Washboard Band Oh, Peter! – Glen Oswald's Serenaders Charlie Cadet – Ben Selvin AHO / Unidentified Male Trio, v. THANKS FOR LISTENING! The post RRR Show – January 20, 2013 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.

On this week's brand new edition of Rapidly Rotating Records, we'll take a drive, board a musical train, and celebrate California's statehood, National Grandparents Day and the birthday of bandleader and band contractor, Sam Lanin. Just click on the link below to listen online or download the show. Enjoy! Click HERE to listen online and/or download Rapidly Rotating Records Show for September 9, 2012 (128 bit .mp3) Here's the complete playlist: TOPIC: Driving I'm Wild About Horns on Automobiles – Fred "Sugar" Hall and His Sugar Babies / arthur Fields, v. Steppin' on the Gas – Sam Morgan's Jazz Band Stay on the Right Side of the Road – Dorsey Brothers Orchestra / Bing Crosby, v. You're Driving Me Crazy – Lloyd Keating and His Music (Ben Selvin) / Jack Miller, v. TOPIC: All Aboard All Change for Happiness – The Rhythmic Eight All Aboard for Dreamland, Baby – Ted Lewis and His Band / Ted Lewis, v. All Aboard for Heaven – The Knickerbockers / Unidentified, v. TOPIC: California Statehood California Medley, Parts 1 & 2 – Red Nichols and His Five Pennies Sid Garry, The Bosell Sisters, Art Jarrett, v. I Love You, California – Ben Black AHO TOPIC: National Grandparents Day Grandmas's Ball – Johnny Dodds' Chicago Footwarmers Wild Papa – Don Parker AHO Bring It On Home to Grandma – Jimmy Noone's Apex Club Orchestra / Eddie Pollack, v. TOPIC: Sam Lanin Chopinata – Sam Lanin AHO Blue Butterfly – Sam Lanin AHO / Irving Kaufman, v. Swanee River Trail – Sam Lanin AHO / Ross Dolittle, v. THANKS FOR LISTENING! If you enjoy the show, won't you please consider a KISL Membership? Visit www.kislavalon.com/membership for details. The post RRR Show – September 9, 2012 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show we'll celebrate the birthdays of Wayne King, Orrin Tucker, Richard Himber, Walter Donaldson, Harold Arlen, James F. Hanley and Bert Kalmar, and celebrate the human spirit. Enjoy the show! Here’s the complete playlist: Segment 1: Wayne KingFebruary 16 marked the birth in Savanna, Illinois in 1901 of Harold Wayne King, better known as Wayne King, the waltz king. Put A Little Salt On The Bluebird's Tail – Wayne King AHO / Ernie Birchill, v. Promises – Wayne King AHO / Andy Hansen, Ernie Burchill, v. I Don't Know Why (I Just Do) – Wayne King AHO / Andy Hansen, Ernie Burchill, Bill Egner, v. Hello, Beautiful – Wayne King AHO / Andy Hansen, Ernie Burchill, Bill Egner, v. Segment 2: Orrin TuckerListener Aaron in the UK reminded me that the last surviving bandleader of the 1930s celebrated his 100th birthday the other day. Orrin Tucker was born on February 17, 1911 in St. Louis, Missouri.Lydia The Tattooed Lady – Orrin Tucker and his Orchestra / Orrin Tucker & Band, v. I Need Lovin' – OTAHO / Orrin Tucker, v. Especially For You – OTAHO / Bonnie Baker, v. Midnight – OTAHO / Gil Mershon, v. Segment 3: Dick Himber February 20 marked the birth in 1907 in Newark, New Jersey, of Herbert Richard Himber, better known as band leader Dick Himber. Doin' The Uptown Lowdown – Dick Himber and His Essex House Orchestra / Johnny Mercer, v. Avalon – Richard Himber and His Studebaker Champion Orchestra / Joey, Nash, v. The Marine's Hymn – Richard Himber and His Ritz-Carlton Orchestra / Guy Russell, v. You Ought To Be In Pictures – Dick Himber and His Essex House Orchestra / Joey Nash, v. Segment 4: Walter Donaldson February 15 marked the birth in 1893 in Brooklyn, New York of composer Walter Donaldson. Yes Sir, That's My Baby – Harmony Dance Orchestra (Ben Selvin) / Billy Jones What Did I Tell You – Lou Gold AHO / Arthur Hall (Cr. As James Potter) My Baby Just Cares For Me – Tom Smith and Dudd Williamson T'ain't No Sin – The Rhythmic Eight / Maurice Elwin, v. Segment 5: Harold ArlenFebruary 15 marked the birth in 1905 in Buffalo, New York, of Hyman Arluck. You may know him better as one of the great composers of American standards of the 20th century, Harold Arlen. As Long As I Live – The Spirits Of Rhythm / Red McKenzie Buffalo Rhythm – Billy Stennett and His Carolina Stompers Minor Gaff – Tennessee Tooters It's Only A Paper Moon – Paul Whiteman AHO / Peggy Healy Segment 6: Jimmy HanleyFebruary 17 marked the birth in 1892 in Rennselaer, Indiana, of songwriter James Frederick Hanley. Sing Song Girl – Leroy Shield and The Victor Hollywood Orchestra / James Blackstone, v. Zing! Went The Strings Of My Heart – Jack Hylton AHO / Pat O'Malley, v. I'm In The Market For You – Columbia Photo Players (Ben Selvin) / Don Howard, v. The Cute Little Things You Do – The High Hatters / Frank Luther, v. Segment 7: Very Human Was That The Human Thing To Do? – The New Yorkers / The Boswell Sisters, v. I Am Only Human After All – Victor Arden / Phil Ohman / Frank Luther, v. I'm Just An Ordinary Human – Ozzie Nelson AHO / Ozzie Nelson, v. Complainin' (It's Human Nature To Complain) – Sophie Tucker Segment 7 (1/2): Johnny DoddsFebruary 16, 1892 was the birthday of clarinetist Johnny Dodds.Blue Wahsboard Stomp – Johnny Dodds' Washboard Band Segment 8: Bert KalmarFebruary 16 marked the birth in 1884 in New York City of lyricist Bert Kalmar, half of the great songwriting team of Kalmar & Ruby. Take Your Girlie To The Movies – Irving Kaufman I Wanna Be Loved By You – Leonard Joy AH orchestra / Helen Kane, v. I'm So Afraid Of You – Isham Jones AHO / Frank Sylvano, v. Dancing The Devil Away – Victor Arden and Phil Ohman, Duo-Pianists / Frank Luther, v. THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 20 February 2011 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show we're gonna have a ball and listen to this past week in recording history. Enjoy the show! Here’s the complete playlist: Segment 1: Dear ConnieThis first segment of the show is for my dear, sweet, stepmother Connie. During a recent visit I found out a couple of her favorite vintage songs, so we'll start off with those, but Connie is of Czechoslovakian heritage which will explain the inclusion of the last two songs in the set. Sweet Jenny Lee – Harry Reser's Radio Band Old Spinning Wheel – Ray Noble /Al Bowlly Boo Hoo – R. A. Dvorsky and His Melody Boys There's A Czecho Slovak Waiting For Me – The Hometowners (Fred Hall's Sugar Babies) / Bud Bernie (Arthur Fields), v. Segment 2: A Bunch of Old BallsSome weeks ago listener Tom in England suggested I do a segment called “A Bunch Of Old Balls”, so lets dance… Charleston Ball – The Six Jumping Jacks Havin' A Ball – Fats Waller Grandma's Ball – Johnny Dodds and His Chicago Footwarmers Segment 3: BallsHere's balls of a different sort. Cannon Ball Blues – Jelly Roll Morton Southern Cannon Ball – Jimmie Rodgers Cannon Ball Rag – Ben Bernie ah Hotel Roosevelt Orch Segment 4: Yet more odd ballsThe Old Maid's Ball – Billy Murray The Darktown Flappers' Ball – Mamie Smith and Her Jazz Hounds Story Book Ball – Dixie Rhythm Kings The Bouncing Ball – Lew Stone and His Band Segment 5: This Week in Recording HistoryIf You Do – What You Do – The Georgians / Eddie Cantor (January 4, 1924)The Temptation Rag – Harry Roy AHO (January 4, 1935)Look Up And Smile – Green Brothers Novelty Band / Arthur Fields, v. (December 29, 1926)Who's Your Little Who Zis – Ben Selvin AHO / Unidentified, v. (December 29, 1931) THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 4 January 2009 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. Lots of vintage music personalities had birthdays this past week including Yip Harburg, Fred Hall, Debroy Somers, Johnny Dodds, Bud Freeman and Billie Holiday, but on this evening's show, we're going to play rapidly rotating records based on not one, not two, but five vocabulary words. This time you can blame my lovely wife and her discovery ofwww.freerice.com Enjoy the show! Here’s the complete playlist: Segment 1: CloverTrefoil is a noun which refers to any of several Old World herbs of the genus Medicago, having small flowers and trifoliate compound leaves, or a plant of the genus trifolium, which includes European mountain clover, crimson clover, Italian clover, purple, white, and red clover and Buffalo clover. There's A Four-Leaf Clover In My Pocket – Bob Haring AHO Living In Clover – Ray Noble Orchestra / Al Bowlly, v. Under The Clover Moon – Harry Hudson's Band I'm Walking Through Clover – Louisiana Rhythm Kings Segment 2: MedicineParegoric is a noun which means an anodyne – a medicine that relieves pain (more specifically, paregoric is camphorated tincture of iodine). I'm the Medicine Man for the Blues – Ted Lewis Doctor Medicine – South Memphis Jug Band Love Is Good For Whatever Ails You – Johnny Hamp and His Kentucky Serenaders Segment 3: WanderPeregrinate, an intransitive verb, peregrinate means to wander from place to place, especially on foot. Wandering On To Avalon – Edison Bell Orchestra Wandering In Dreamland – Ted Lewis and His Band Let's Wander Away – Bennie Krueger's Orch Segment 4: LaughingThe fourth word in this special vocabulary edition of the show is cachinnate, an intransitive verb meaning to laugh hard, loudly, immodestly or convulsively or to guffaw. Laughing Marionnette – Carl Fenton Orchestra Pardon Me While I Laugh – Billy Jones & Ernest Hare It's Hard To Laugh Or Smile – Bennie Moten's Kansas City Orchestra Segment 5: BeginningsIncipience means beginning to exist or to be apparent, or the act or process of bringing or being brought into existence. So here to wrap up the show are some rapidly rotating records about incipiencies. That's Where the South Begins – Orpheus Dance Band / Maurice Elwin, v. Life Begins at Oxford Circus – Jack Hylton Let's Begin – Emil Coleman with this Riviera Orchestra / Fran Frey, v. A Sweet Beginning Like This – Fats Waller THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 13 April 2008 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show, we'll be playing “six” songs. Actually, we'll be playing more than six songs, but they'll all have to do with “six”, because, it's hard to believe, but this is our sixth anniversary show! Enjoy the show! Here’s the complete playlist: Segment 1: Six TitlesExactly six years ago today, we started broadcasting hereon KISL and we've been here ever since, as well as on the internet. Six Bells Stampede – Spike Hughes AHO She's The Sweetheart of Six Other Guys – Fred “Sugar” Hall and His Sugar Babies / Arthur Fields Six Or Seven Times – Cab Calloway Six Feet Of Papa – Annette Hanshaw Segment 2: Sixth AnniversaryCelebrating our sixth anniversary here on KISL. San – The University Six Cake Walkin' Babies – Hot Six Greasy Plate Stomp – Trombone Red and His Blue Six Etiquette Blues – Six Jumping Jacks Segment 3: Six Bands Egyptland – Six Brown Brothers Goober Dance – Johnny Dodds' Hot Six Dixie Flyer Sam – New Orleans Jazz Band (Cr. Six Black Diamonds) Segment 4: Six YearsFlock o' Blues – Sioux City Six Doin' The Uptown Lowdown – Joe Venuti and his Blue Six Steel Roof – The Six Blue Chips Segment 5: Happy Anniversary!Final segment of this sixth anniversary edition of “Rapidly Rotating Records Everybody Loves My Baby – The Stomp Six Compton Avenue Blues – Benny Washington's Six Aces THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 23 July 2006 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show we'll celebrate the birthdays of Johnny Dodds and Howard Phillips, we'll tiptoe through the tulips, have some songs about money, and listen this past week in recording history. Enjoy the show! Here’s the complete playlist: Segment 1: Johnny DoddsApril 12 marked the birth in 1892 in New Orleans, Louisiana, of clarinetist Johnny Dodds. Hot Potatoes – Blind Blake w/Johnny Dodds and Jimmy Bertrand New Orleans Stomp – Johnny Dodds' Black Bottom Stompers Ape Man – Blythe's Washboard Ragamuffins Segment 2: Howard PhillipsApril 12 also marked the birth, but in 1909 in New York of baritone vocalist and composer Howard Phillips. Happy as the Day is Long – Adrian Rollini AHO/Howard Phillips Hiawatha's Lullaby – Joe Venuti's Blue Five / Howard Phillips You and I Know – Dick McDonough AHO / Howard Phillips Segment 3: TulipsApril 12 marked the birth in 1932 in New York of Herbert Buckingham Khaury. You may know him better as Tiny Tim, who became nationally famous in 1968 when he appeared on Rowan and Martin's Laugh-In, singing his signature song “Tiptoe Through the Tulips”. Tiptoe Through the Tulips With Me – Nick Lucas Two Lips – Al Friedman AHO Green Tulips – Billy Mayerl & Austin Croom Johnson Tiptoe Through the Tulips With Me – Eddie Lloyd's Singing Boys (Ted Wallace AHO) Smith Ballew Segment 4: MoneyLast week was tax day here in the US. So here in recognition of the IRS, are some rapidly rotating records having to do with money. I Owe You – Helen Kane Money in My Pockets – Mills Bros Last Dollar – Eddie Droesch AHO Segment 5: This Week in Recording History Ya Got Love – Bennie Moten's Kansas City Orchestra /Jimmy Rushing (April 15, 1931)Toddle, Introducing “Maori” – Benson Orch Chicago (April 11, 1921)There Ain't No Maybe in My Baby's Eyes – Al Lynn's Music Masters / John Ryan (April 14, 1927) THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 18 April 2004 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.