Podcasts about Jazzmen

The Jazz Session No.410 from RaidersBroadcast.com as aired in April 2025, featuring very cool modern jazz from 2012, “Blue Moon”, by Ahmad Jamal and his band. TRACK LISTING: Portrait of those Beautiful Ladies #2 - Rahsaan Roland Kirk, w. Steve Gadd (dms); Harlequin - Real Book North West, ft. Mike Walker, Les Chisnall; New Orleans Wiggle - Chris Barber Jazz & Blues Band; Too Busy - Ken Colyer's Jazzmen; Blue Moon - Ahmad Jamal; Laura - Ahmad Jamal; Karner Blue - Joshua Jaswon Octet; World Dancer - John Pope Quintet; Claxton Hall Swing - Louis Bellson and his Orchestra; Swing 41 - Django Reinhardt; Don't Let Money Be Your God - James Taylor Quartet; The Fuzz - Roy Ayers; Elite Syncopations - Joshua Rifkin; Leksands Stänklåt - Jan Johansson; Autumn Rain - Ahmad Jamal; Morning Mist - Ahmad Jamal; Sample and Hold - Bill Bruford; The Collapso - National Health; Concorde - Gil Evans; A World Without - Michael Gibbs Band.

This week, journalist Larry Tye discusses his recent book The Jazzmen with reporter Gregory Royal Pratt, accompanied by live jazz from the Richard D. Johnson Trio. This conversation originally took place May 19th, 2024 and was recorded live at the American Writers Festival.

This week, journalist Larry Tye discusses his recent book The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America with reporter Gregory Royal Pratt, accompanied by live jazz from the Richard D. Johnson Trio. This conversation originally took place May 19, 2024 and was recorded live at the American Writers Festival.AWM PODCAST NETWORK HOMEMore about The Jazzmen:From the New York Times bestselling author of Satchel and Bobby Kennedy, a sweeping and spellbinding portrait of the longtime kings of jazz—Duke Ellington, Louis Armstrong, and Count Basie—who, born within a few years of one another, overcame racist exclusion and violence to become the most popular entertainers on the planet.This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America.Duke Ellington, the grandson of slaves who was christened Edward Kennedy Ellington, was a man whose story is as layered and nuanced as his name suggests and whose music transcended category. Louis Daniel Armstrong was born in a New Orleans slum so tough it was called The Battlefield and, at age seven, got his first musical instrument, a ten-cent tin horn that drew buyers to his rag-peddling wagon and set him on the road to elevating jazz into a pulsating force for spontaneity and freedom. William James Basie, too, grew up in a world unfamiliar to white fans—the son of a coachman and laundress who dreamed of escaping every time the traveling carnival swept into town, and who finally engineered his getaway with help from Fats Waller.What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement.Based on more than 250 interviews, this exhaustively researched book brings alive the history of Black America in the early-to-mid 1900s through the singular lens of the country's most gifted, engaging, and enduring African-American musicians.About the writers:LARRY TYE is a former reporter at the Boston Globe, off now writing books and running a Boston-based fellowship program for health journalists. The Jazzmen is his ninth book, with others including Home Lands, the upbeat tale of a thriving Jewish diaspora; Superman, the biography of America's longest-lasting (Jewish) hero; and Bobby Kennedy, which looks at RFK's transformation from Joe McCarthy's protege to a liberal icon. Tye graduated from Brown University and was a Nieman Fellow at Harvard. Tye is co-spearheading a drive to revive local journalism on Cape Cod, where he spends 90 percent of his time.GREGORY ROYAL PRATT covered every day of Mayor Lori Lightfoot's term and was deeply sourced in City Hall, as well as in the other offices of local, state, and national politics that shaped the mayor's administration. Pratt has won several national awards for his political and investigative reporting and he is a regular commentator about the city on local and national media, including appearances on CNN and NPR.RICHARD D. JOHNSON was invited to become a member of Wynton Marsalis' Septet and the Lincoln Center Jazz Orchestra, which he did from 2000-2005. As a representative of the United States through the U.S. State Department, Richard was named United States Musical Ambassador. Currently Richard is the founding member of “AFAR music” a jazz record label focusing on Jazz and Salsa musicians. Also Richard has been an Assistant Jazz Piano Faculty member at Peabody Conservatory of Johns Hopkins University in Baltimore, MD since 2019. Richard also serves as the piano instructor for the Ravinia Jazz Program located in Chicago, IL.

On Friday's show: Remember how Sen. Ted Cruz was supposed to be in a tough re-election race? The Texas Tribune's Jasper Scherer joins us to share why Cruz's campaign believes the senator ultimately won so easily and what it may signal for Cruz's future prospects in the Senate and possibly, someday, the White House.Also this hour: We learn how Hurricane Beryl affected the Texas coast.Then, from Michelin Guide restaurant honors, to a ride-sharing service featuring armed drivers, this week's panel of non-experts considers The Good, The Bad, and The Ugly of the week.And jazz icons Duke Ellington, Louis Armstrong, and Count Basie might be best remembered for their music. But a new book called The Jazzmen explains how they overcame racism and discrimination to open America's eyes to their music and in the process "wrote the soundtrack for the civil rights movement." We talk with author Larry Tye, who'll speak Saturday during the Jewish Book & Arts Festival at Houston's Evelyn Rubenstein Jewish Community Center.

Larry Tye ("Satchel," "Bobby Kennedy") has penned a portrait of the longtime kings of jazz—Duke Ellington, Louis Armstrong, and Count Basie—who, born within a few years of one another, overcame racist exclusion and violence to become the most popular entertainers on the planet. The book is "The Jazzmen."

Today we're talking with guest, Larry Tye, about how the joyful swinging sounds of jazz broke through racial barriers during the time of Jim Crow - not only in America - but across the world — and how famous jazz men, Duke Ellington, Louis Armstrong & Count Basie, basically wrote the soundtrack for the Civil Rights movement in America.ABOUT LARRY TYEMy guest is Larry Tye, New York Times bestselling author who has written nine books - including his recent, The Jazzmen: How Duke Ellington, Louis Armstrong & Count Basie Transformed America. From 1986 to 2001, Tye was an award-winning reporter at The Boston Globe, where his primary beat was medicine. Tye graduated from Brown University, was a Nieman Fellow at Harvard University, and taught journalism at Boston University, Northeastern, and Tufts.In the preface to his book, The Jazzmen: How Duke Ellington, Louis Armstrong & Count Basie Transformed America, Larry Tye states:“This book lies at the intersection of two American stories — one about this country at it most hidebound and straightlaced, the other about jazz, the all-American music form, at its most locomotive and sensuous. We'll follow those contortions in the enclosed and electrifying settings of honky tonks - and concert halls.” Duke Ellington, Louis Armstrong & Count Basie were trailblazers who brought jazz to the masses and in so doing, broke racial boundaries. Ultimately, they became global ambassadors for the United States as they exported their joyful swinging sounds and brought crowds to their feet. For more information, you can read Larry Tye's deeply researched book, The Jazzmen: How Duke Ellington, Louis Armstrong & Count Basie Transformed America.It's ironic that the grandson of slaves, an abandoned son raised by a family of Lithuanian Jews, and the son of a coachman & laundress rose to fame and became the face of jazz on the international stage - they met the Queen, were toasted by numerous Presidents, were on the celebrity A-list.  Because of them, people began to see black men in a different light. The Jazzmen created the soundtrack for the Civil Rights Movement and opened doors for those to come.My question for you:  Can we help lift and unify the world through our art forms? Can we go go viral with the expression of joy? What would you rather experience and support - doom and negativity - or joy and hope? Perhaps the example of these jazzmen shows us the way.Thanks for listening. Have an inspired week - and live your joy!If you enjoyed this show, please leave a positive review and share with your friends. Thank you! Osha

The Jazz Session No.383 from RaidersBroadcast.com as aired in October 2024, featuring the 2019 modern jazz album “The Long Game” from innovative pianist Liam Noble. TRACK LISTING: Buleria - Edmar Castaneda; Vuvuzela - Bokani Dyer; The World Is Waiting for the Sunshine - Ken Colyer's Jazzmen; Petite Fleur - Chris Barber; Head Over Heels - Liam Noble; Pink Mice - Liam Noble; The Man That Got Away - Judy Garland; Boy! What Love Has Done To Me! - Ella Fitzgerald & the Nelson Riddle Orchestra; Recitative - Keith Jarrett; Detour Ahead [Take 2] - Bill Evans Trio; Guajira - Santana; Samba de Orfeu - Tohru Aizawa Quartet; Am I Wasting My Time - Earl "Fatha' Hines; A Lovely Way to Spend an Evening - Oscar Peterson; Rain on My Birthday - Liam Noble; Head First - Liam Noble; Contact - Jean-Luc Ponty with the George Duke Trio; Nite Sprite - Chick Corea; Charm Defensive - Phronesis, Julian Arguelles and Frankfurt Radio Big Band; Quest for Coin - Ezra Collective.

In this episode Its Jazzmen Black 33rd birthday! She will be highlighting what It means to be 33 and how much wisdom she has gained at this point in her life. She talks about what old beliefs about herself she is letting go of, And what new perspectives she has gained in the last few years. Jazzmen is embracing her age & wants to share with other women how they can embrace theirs also! --- Support this podcast: https://podcasters.spotify.com/pod/show/justjazzmenblack/support

Today's episode highlights two books that revisit the cultural contributions of some pretty big names. First, Here & Now's Deepa Fernandes speaks with Deborah Paredez about American Diva, which reclaims the word 'diva' to celebrate the singularity of women like Serena Williams and Celia Cruz. Then, NPR's Michel Martin speaks with Larry Tye about The Jazzmen, which traces the role that Duke Ellington, Louis Armstrong and Count Basie played in the civil rights movement. To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

An interview with Larry Tye about his latest book The Jazzmen

This girl is on fire! Stop what you're doing and spend an hour with us getting to know Jazzmen Wilson! Jazzmen risked everything by joining the guys (& Dr Nik) in-studio for this spirited conversation. She is a graduate of ASU with a B.S. in Geographic Information Science, a mid-level GIS technician for the Salt River Project and fellow podcaster. Just some of the items discussed include GIS applications in the utility sector, the evolution of GIS, the importance of collaboration, working with land surveyors, connecting GIS communities together through storytelling, and of course The GIS Chat Podcast! Music by Alicia Keys!

The Jazz Session No.375 from RaidersBroadcast.com as aired in August 2024, featuring the highly accomplished and stylish 2022 album “Jazz is Dead 14”, from Henry Franklin, with Adrian Younge and Ali Shaheed Muhammad. TRACK LISTING: You'll Know When You Get There - Herbie Hancock; Third Floor Richard - Charles Lloyd Quartet; Zing! Went the Strings of My Heart - Judy Garland; They Can't Take That Away From Me - Billie Holliday, w. Count Basie & His Orchestra; The Griot - Henry Franklin, w. Adrian Younge, Ali Shaheed Muhammad; People's Revolution - Henry Franklin, w. Adrian Younge, Ali Shaheed Muhammad; New St. Louis Blues - Ottilie Patterson, w. Chris Barber's Jazz Band; Too Busy - Ken Colyer's Jazzmen; Fables of Faubus - Charles Mingus; Las Vegas Tango - Michael Gibbs ; Dance: Lucy's Story - Lalo; Home - Joel Ross; Life Goes On: Life Goes On - Carla Bley, Andy Sheppard & Steve Swallow; Azure - Cecil Taylor; African Sun - Henry Franklin, w. Adrian Younge, Ali Shaheed Muhammad; Karibu - Henry Franklin, w. Adrian Younge, Ali Shaheed Muhammad; Blues for H.G. - Oscar Peterson; Why Do I Love You - Dave Brubeck; Cerebral Folds - Flightless Birds; Wonderful Slippery Thing - Guthrie Govan.

The newest Jazzmen sat down with JP Chunga. Hear from Cody Williams, Isaiah Collier, and Kyle Filipowski.

From the New York Times bestselling author of Satchel and Bobby Kennedy, a sweeping and spellbinding portrait of the longtime kings of jazz—Duke Ellington, Louis Armstrong, and Count Basie—who, born within a few years of one another, overcame racist exclusion and violence to become the most popular entertainers on the planet. Larry Tye is the New York Times bestselling author of Bobby Kennedy and Satchel, as well as Demagogue, Superman, The Father of Spin, Home Lands, and Rising from the Rails, and coauthor, with Kitty Dukakis, of Shock. Previously an award-winning reporter at the Boston Globe and a Nieman fellow at Harvard University, he now runs the Boston-based Health Coverage Fellowship. He lives on Cape Cod. For more info on the book click HERE

In a speech written for the 1964 Berlin Jazz Festival, Martin Luther King, Jr. said, “much of the power of our Freedom Movement in the United States has come from this music.” King considered jazz music “triumphant” — and this belief is rooted in the widespread popularity of three men: Louis Armstrong, Duke Ellington and Count Basie, according to author Larry Tye. Respectively known as Satchmo, Duke and the Count, the three men were, Tye writes, “symbols of American culture on par with Coca-Cola and Mickey Mouse.” He profiles the trio in his new book, “The Jazzmen.” In it, he pieces together over 250 interviews, including family members and former bandmates, to illustrate how their appeal among both Black and white audiences paved the way for the Civil Rights Movement. Tye joins us to share more. Guests: Larry Tye, journalist; author, "The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America" lower waypoint

The Jazz Session No.365 from RaidersBroadcast.com as aired in May-Jun 2024, featuring the amazing modern jazz album “Empire Central” from Snarky Puppy. TRACK LISTING: Sonya - Miles Davis; A Shade of Jade - Nubya Garcia; Too Busy - Ken Colyer's Jazzmen; Bessie Couldn't Help It - Billy Cotton & His Band; Bet - Snarky Puppy; Trinity - Snarky Puppy; Lover Man [at Ronnie Scott's] - Stan Tracey Quartet; Perdido - Dizzy Gillespie & His Orchestra; Memphis Underground - Herbie Mann; It Must Be a Camel - Frank Zappa; El Emadi - Yazz Ahmed; Islands - Steps Ahead; Do What You Gotta Do - Nina Simone; Viola - Sergio Mendes & Brasil '66; Pineapple - Snarky Puppy; RL's - Snarky Puppy; Did You Get It? - The New Gary Burton Quartet; The Impetus (To Be and Do Better) - Joel Ross; Through Space Our Minds Can Still Touch - Playtime; Mombasa - Fat-Suit.

The JazzMen from Larry Tye, a chat with award-winning actor and singer Leslie Odom Jr. and Harlan Jacobson's best at Cannes 2024

The first globally famous American musicians weren't part of the 50s rock wave that included Elvis Pressly or Chuck Berry. They were three 3 jazzmen who orchestrated the chords that throb at the soul of twentieth-century America: Duke Ellington, Louis Armstrong, and Count Basie.While their music is well-known, their background stories aren't. Duke Ellington was the grandson of slaves whose composing, piano playing, and band leading transcended category. Louis Daniel Armstrong was born in a New Orleans slum so tough it was called The Battlefield and, at age seven, got his first musical instrument, a ten-cent tin horn that drew buyers to his rag-peddling wagon and set him on the road to elevating jazz into a pulsating force for spontaneity and freedom. William James Basie was son of a coachman and laundress who dreamed of escaping every time the traveling carnival swept into town, and who finally engineered his getaway with help from Fats Waller.To explore their stories is today's guest, Larry Tye, author of “The Jazz Men: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America.

5/21/24: Larry Tye: “The Jazzmen: How Duke Ellington, Louis Armstrong and Count Basie Transformed America." The Comedy Quiz: Old Toys w/ Maddy Benjamin, Scott Braidman, & Ben May. Valley Players Matteo Pangallo & Chris Rohmann: Bars & the Bard. Linda Post & Mariah Swanson: Paradise City Arts Festival.

Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.

The voice of the Salt Lake Bees talks Bees baseball, NBA Playoffs including former Jazzmen one win away from a conference finals berth in Minnesota, Tony Finau in the PGA Championship + more

Biographer Larry Tye's new book "The Jazzmen" highlights the lives of three of the most influential jazz musicians in history — and their collective impact on American culture.

Best Of BPR 5/15: Celebrating Lidia & Larry Tye's "The Jazzmen"

Biographer (Bobby Kennedy and Satchel) and award-winning reporter Larry Tye talked to us about his newest book, The Jazzmen: How Duke Ellington, Louis Armstrong and Count Basie Transformed America. All three of these iconic musicians, Tye noted, though from different backgrounds, had to endure Jim Crow and racial bigotry but "opened the eyes, ears and souls" of White men and the women they wooed and "set the table for the civil rights movement." Tye took on this writing task out of a promise he made to Black Pullman porters. His many books have resulted from what he, as a journalist, was drawn to enough to devote three years to. The Jazzmen emerged from looking for what these three musical geniuses did in music and the world and despite Tye describing himself as tone deaf and knowing nothing about music and discovering the moral feet of clay of all three of these men of faith. We discussed the lives and times of each of the three and then talked about women in jazz – mostly singers except for Armstrong's wife, Lillian Hardin, and we touched on the origin of the nickname Satchmo for Armstrong and the different class backgrounds of the three and some of their famous sidemen as well as the links between the three and Jewish managers, bandmates and mobsters and Armstrong's adoption by a Jewish family and the Jewish origins of Superman. We spoke, too, of jazz language, Wynton Marsalis, Jon Batiste, Sonny Rollins, Dave Brubeck and what Bobby Kennedy Senior might have felt about his son and namesake running for president.

Larry Tye tells us about his new book, The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America. It’s a fresh look at three titans of the Jazz Age. Then, we re-air our 2020 interview with Larry Tye about his biography of Senator Joe McCarthy, Demagogue. Writers Voice— in depth conversation with writers … Continue reading Two Biographies by Larry Tye: THE JAZZMEN & DEMAGOGUE →

Duke Ellington was the grandson of slaves. Louis Armstrong was born in a News Orleans slum so tough that it was called "The Battlefield." William James "Count" Basie grew up in a world unfamiliar to his white fans, the son of a coachman and a laundress. Author Larry Tye says the Duke, the Count, and Satchmo transformed America. The book is called "The Jazzmen" and Mr. Tye writes: "How better to bring alive the history of African America in the early to mid-1900s than through the singular lens of America's most gifted, engaging, and enduring African American musicians." Learn more about your ad choices. Visit megaphone.fm/adchoices

Duke Ellington was the grandson of slaves. Louis Armstrong was born in a News Orleans slum so tough that it was called "The Battlefield." William James "Count" Basie grew up in a world unfamiliar to his white fans, the son of a coachman and a laundress. Author Larry Tye says the Duke, the Count, and Satchmo transformed America. The book is called "The Jazzmen" and Mr. Tye writes: "How better to bring alive the history of African America in the early to mid-1900s than through the singular lens of America's most gifted, engaging, and enduring African American musicians." Learn more about your ad choices. Visit megaphone.fm/adchoices

Bob Wallis was a good trumpet player who played in Acker Bilk's first groups before founding his own. These 1957-61 recordings sample the first part of his bandleading career featuring Bilk, Keith "Avo" Avison on trombone, Doug Richmond on clarinet, Hugh Rainey on banjo, Dick Heckstall-Smith on soprano sax, a very young, pre-Cream Ginger Baker on drums and others . . all playing in a solid four beat New Orleans style --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Quincy Lewis, Director of Alumni Relations, chats with Holly Rowe about his job -- connecting with former Jazzmen.

Lovetta Armstead and her young daughter Jazzmen face a nightmarish reality: they are murdered in cold blood by Gary Green within the walls of their own home, the very space that should be their sanctuary. Joseph Scott Morgan and Dave Mack delve into the complexities of this chilling case, from Lovetta's thwarted plans to escape her malevolent partner to the unsettling psychology driving Green's actions. The episode uncovers letters that reveal Lovetta's intentions to leave her husband and the twisted psychology behind Green's devastating actions. With commentary on sharp and incised wounds, duct tape restraints, and a myriad of forensic evidence, this episode serves as a haunting yet informative dive into the harsh realities that forensic professionals confront in their quest for justice. Subscribe to Body Bags with Joseph Scott Morgan : Apple Podcasts Spotify iHeart Time codes: 00:00:20 — Joseph Scott Morgan sets the tone with personal anecdotes about death and introduces the spine-chilling family murder case. 00:03:00 — Dave Mack provides further context on the Armstead family and the malevolent Gary Green. 00:05:00 — Mack shares Lovetta Armstead's gut-wrenching letters that reveal her desire to escape from Green; one particular letter outlines his calculated intentions to annihilate his family. 00:08:23 — Sharp force injuries are explained by Morgan, introducing listeners to the intricacies of homicidal drowning. 00:09:16 — Discussion of the brevity of Gary Green and Lovetta Armstead's marriage and the circumstances that led up to the fatal event. 00:10:24 — Morgan elaborates on the calculated tactics employed by Green, emphasizing his control over the fatal situation. 00:13:24 — The sequence of the murders is discussed by Morgan, suggesting the chilling possibility that Jazzmen was made to witness her mother's murder. 00:15:42 — Incised wounds versus stab wounds are clarified, enlightening listeners on how these affect the body differently. 00:16:20 — The aftermath of a stabbing is graphically detailed, spotlighting the ensuing blood and damage. 00:18:40 — Jazzmen's autopsy details are revealed, including the heartbreaking signs that she struggled until her last breath. 00:21:00 — The complexities of determining fatal stab wounds.  00:24:36 — Joe Scott discusses the frightful reality of internal bleeding, especially in cases involving multiple stab wounds. 00:27:01 — Causes of death like hypoxia and signs of drowning are detailed by Morgan, rounding out the episode's comprehensive forensic analysis. 00:30:39 — Joseph Scott Morgan comments on the chilling aftermath and Gary Green's actions post-crime, wrapping up the episode with a look at the ultimate consequences. 00:32:20 — A recount of the dreadful discovery made by the surviving siblings.  00:32:40 — The timeline of the crime's aftermath, including Gary Green's eventual death sentence.See omnystudio.com/listener for privacy information.

In this episode we welcome the left's very own "national treasure" Billy Bragg – beamed in from his adopted Dorset – and ask him about the long and remarkable career that's enshrined in forthcoming box set The Roaring Forty. Billy revisits his Barking boyhood and early pop and folk influences, culminating in the 1977 formation of Clash-inspired punks Riff Raff. After a brief 1981 detour via the British Army, he explains how he settled on his unique solo style and delivery – and how he wound up on the cover of the NME in January 1984. Inevitably the conversation turns to politics and the way Billy has managed to retain his charm, humour and compassion in the face of hatred and extremism. An audio clip of Spectator editor Boris Johnson haranguing him at Glastonbury in 2000 is followed by discussion of left-wing patriotism, Jeremy Corbyn's Labour Party and our present-day hyperpolarisation. Martin recalls the day Billy came to tea to ask about the RBP co-founder's father Bill and uncle Ken – and the catalytic impact Ken Colyer's Jazzmen had on the music Billy chronicled so impressively in his 2017 book Roots, Radicals and Rockers: How Skiffle Changed the World. From the Colyers and Lonnie Donegan we cross the big pond to talk about Woody Guthrie, the agit-folk bard whose lyrics Billy and Wilco turned into 1998's Mermaid Avenue album. Clips from Chris Smith's 1999 audio interview with Woody's daughter (and archivist) Nora Guthrie prompt conversation about the Okie icon's mighty legacy. After Mark quotes from recently-added articles about the Stooges, Frankie Goes to Hollywood and Dr. Dre, Jasper wraps matters up with remarks on Truth Hurts and FKA Twigs. Many thanks to special guest Billy Bragg. For more about The Roaring Forty, as well as Roots, Radicals and Rockers, visit his website at billybragg.co.uk. Pieces discussed: Billy Bragg on the cover of the NME, Who the hell does Billy Bragg think he is?, Billy Bragg comes to tea, Nora Guthrie audio, Billy Bragg's Mermaid Avenue, The Stooges, Frankie Goes to Hollywood, Dr. Dre, Truth Hurts and FKA Twigs.

A Two Episode Special! First, NPR's Scott Simon come on to discuss his audiobook/book Swingtime for Hitler: From Goebbels's Jazzmen to Tokyo Rose to AI, the Eternal Allure of Propaganda. And then we continue with Operation Jubilee: Blood, Toil, Tears, and Sweat. To hear Swingtime for Hitler on Scribd, go to try.scribd.com/scottsimon for a 60 day free trial, use code SIMON60. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lovetta Armstead and her young daughter Jazzmen face a nightmarish reality: they are murdered in cold blood by Gary Green within the walls of their own home, the very space that should be their sanctuary. Joseph Scott Morgan and Dave Mack delve into the complexities of this chilling case, from Lovetta's thwarted plans to escape her malevolent partner to the unsettling psychology driving Green's actions. The episode uncovers letters that reveal Lovetta's intentions to leave her husband and the twisted psychology behind Green's devastating actions. With commentary on sharp and incised wounds, duct tape restraints, and a myriad of forensic evidence, this episode serves as a haunting yet informative dive into the harsh realities that forensic professionals confront in their quest for justice.   Time codes: 00:00:20 — Joseph Scott Morgan sets the tone with personal anecdotes about death and introduces the spine-chilling family murder case. 00:03:00 — Dave Mack provides further context on the Armstead family and the malevolent Gary Green. 00:05:00 — Mack shares Lovetta Armstead's gut-wrenching letters that reveal her desire to escape from Green; one particular letter outlines his calculated intentions to annihilate his family. 00:08:23 — Sharp force injuries are explained by Morgan, introducing listeners to the intricacies of homicidal drowning. 00:09:16 — Discussion of the brevity of Gary Green and Lovetta Armstead's marriage and the circumstances that led up to the fatal event. 00:10:24 — Morgan elaborates on the calculated tactics employed by Green, emphasizing his control over the fatal situation. 00:13:24 — The sequence of the murders is discussed by Morgan, suggesting the chilling possibility that Jazzmen was made to witness her mother's murder. 00:15:42 — Incised wounds versus stab wounds are clarified, enlightening listeners on how these affect the body differently. 00:16:20 — The aftermath of a stabbing is graphically detailed, spotlighting the ensuing blood and damage. 00:18:40 — Jazzmen's autopsy details are revealed, including the heartbreaking signs that she struggled until her last breath. 00:21:00 — The complexities of determining fatal stab wounds.  00:24:36 — Joe Scott discusses the frightful reality of internal bleeding, especially in cases involving multiple stab wounds. 00:27:01 — Causes of death like hypoxia and signs of drowning are detailed by Morgan, rounding out the episode's comprehensive forensic analysis. 00:30:39 — Joseph Scott Morgan comments on the chilling aftermath and Gary Green's actions post-crime, wrapping up the episode with a look at the ultimate consequences. 00:32:20 — A recount of the dreadful discovery made by the surviving siblings.  00:32:40 — The timeline of the crime's aftermath, including Gary Green's eventual death sentence.See omnystudio.com/listener for privacy information.

Eric Frandsen and Jason Walker talk the latest in local sports, including a bit more on realignment with new rumors about the Big Ten. The reveal of No. 18 on the list of Top 25 Aggies of 2023. An interview with new Logan football head coach Carson Mund. And an update on Utah Jazz players on FIBA World Cup rosters

Hour 1 Starting Lineup: Big-12 day eve for BYU Jordan Clarkson discussion What You May Have Missed. Hour 2 KSL Sports BYU insider Mitch Harper joined the show to discuss the excitement heading into Big-12 day for BYU. 60 in 60 - #44 - Mycah Pittman - Utah WR Whole World News. Hour 3 Utah Jazz TV voice Craig Bolerjack joined the show to discuss the KJZZ TV deal, newest Jazzmen and upcoming NBA free agency. Real Golf Radio Host Bob Caper discuss the PGA Tour coming to Utah. Final thoughts See omnystudio.com/listener for privacy information.

Utah Jazz TV voice Craig Bolerjack joined the show to discuss the KJZZ TV deal, newest Jazzmen and upcoming NBA free agency. Real Golf Radio Host Bob Caper discuss the PGA Tour coming to Utah. Final thoughts See omnystudio.com/listener for privacy information.

Utah Jazz TV voice Craig Bolerjack joined the show to discuss the KJZZ TV deal, newest Jazzmen and upcoming NBA free agency. See omnystudio.com/listener for privacy information.

Lovetta Armstead was a Dallas native from a suburb of Dallas, Oak Cliff. She has three children JT, Jerret, and Jazzmen. She was a teacher and adopted her children. She was a single mother and, at 32 years old, was the epitome of a hustler and great mother. That was until she met Gary Green. Their courtship was expected, and they quickly got married after realizing they didn't want to be without each other. However, dreams turned into nightmares for Lovetta and her three children. Join us to discover what happened to this family in Dallas on September 21, 2009. _____________________________________________________________________________________________________ Are YOU or SOMEONE YOU LOVE dealing with domestic abuse? CALL,TEXT ,CHAT 1-800-799-7233 SMS: Text START to 88788 CHAT: www.thehotline.org Everyone deserves relationships free from domestic violence. When you're ready, we're here to listen with confidential support 24/7/365. _____________________________________________________________________________________________________ GIVEAWAY WINNERS PLEASE SEND US YOUR MAILING INFORMATION : INSTAGRAM: @murderintheblack or EMAIL murderintheblackthepodcast36@gmail.com YOU HAVE UNTIL JUNE 23, 2023 TO SEND YOUR INFORMATION _____________________________________________________________________________________________________ Make sure you vote in this weeks poll! We want to hear from you!! Want More From Murder In The Black: Be sure to catch up with us on Instagram for Story Time with Steph on IG and TikTok: @murderintheblack Join Our Facebook Fan Group @murderintheblackthepodcast Case Suggestions? Please email us @murderintheblackthepodcast36@gmail.com This episode can be heard on Evil Lives Here Shadow of Death Season 2 EPS 6 --- Send in a voice message: https://podcasters.spotify.com/pod/show/murderintheblack/message

#NBAPlayoffs, Lakers closing out in MEM(?), former Jazzmen struggling in first round, ROY/MIP + more

On September 21, 2009, police were dispatched to the home of Lovetta Armstead and her three children. What they found inside the house would forever shock and horrify even the most seasoned detectives. Misogynoir Murders website Website Designer: SimplyAdara SOURCE MATERIAL ABC 13 News Case-Law The Daily Mail The Dallas Morning News Evil Lives Here: Season 2, Episode 6 Mirror Murderpedia NBC 5 NBC --- Support this podcast: https://anchor.fm/misogynoir-murders/support

In this episode of #LunchWithJazzmenBlack we are visiting the Bangkok Bistro in Fort Wayne Indiana to have lunch and chat about My thoughts on my 30's, motherhood, & life. I Hope you enjoy this epsiode --- Support this podcast: https://anchor.fm/justjazzmenblack/support

Early recordings by the classic Kenny Ball and His Jazzmen British Trad group - Ball on trumpet, John Bennett on trombone Dave Jones on clarinet, Ron Weatherburn on piano, Paddy Lightfoot on banjo and guitar, Vic Pitts on bass and Ron Bowden on drums with Ball and Lightfoot handling the vocals. Recorded in the early 1960's for Pye, these sides were charted successes before coming out on LP a bit later. --- Support this podcast: https://anchor.fm/john-clark49/support

Lovetta Armstead was many things; an educator, a strong independent woman, but most importantly, she was the loving and devoted mother to her three children, JT, Jerret, and Jazzmen. Lovetta longed to complete her family unit and invited her long-time boyfriend, Gary Green, to move in with her family, and be a father to her children. Little did she know that she had invited a monster into their lives.  ______________________________________________________________________________________________________Sources:Lovetta Armstead Murder: Where is Gary Green Now?The Monster Green v. DavisGREEN v. STATEYou Asked to See the Monster... | True Crime Story | Real Stories______________________________________________________________________________________________________Additional Links:Paul Ran into a Burning HouseMilitary Murder Podcast______________________________________________________________________________________________________Mental Health Resources:SuicideDomestic ViolenceSubstance AbuseChild AbuseElder Abuse______________________________________________________________________________________________________Follow us on InstagramPaul's Social MediaGot a case you want us to cover? Perhaps a question or some comments? Shoot us an email at TheOriginsOfEvil@Gmail.comSupport the show

Lovetta Armstead was a single mother to three children.  She met her BF, Gary Green, in 2008 and by 2009, they were married.  The marriage was not free of abuse and by September 2009, Lovetta decided to leave her husband.  Unfortunately, her husband did not respect her decision.**Trigger Warning: This case involves violence against children.**National Domestic Violence Hotline: 1-800-799-SAFE (7233)For a list of sources from today's episode and pictures, please visit www.itsthemysteryforme.com/episodes/lovetta-armsteadOur Social Media: www.itsthemysteryforme.com/links

This is a bonus episode, part of Pledge Week 2021. Patreon backers get one of these with every episode of the main podcast. If you want to get those, and to support the podcast, please visit patreon.com/andrewhickey to sign up for a dollar a month or more. Click below for the transcript. Today we're going to look at one of the very few records to become a US number one hit despite being sung in a language other than English -- a record that was also the first record by an Asian person ever to make the US number one. But it's also a record that shows how deeply embedded racism was in the Anglophonic countries. Today we're going to look at "Ue o Muite Arukō" by Sakamoto Kyu, or, as it was titled for English-speaking markets, "Sukiyaki", by Kyu Sakamoto: [Excerpt: Kyu Sakamoto, "Sukiyaki"] Before we start, I'd just like to apologise in advance for my extreme mangling of the Japanese words in this episode. I only speak English, and while I can usually guess at the pronunciation of terms in Romance or Germanic languages and not be too far off, I'm aware that Japanese is a very different language to any I've had any experience of before. Sakamoto Kyu started his career when he was sixteen in a comedy music group called the Drifters -- yes, yet another Drifters, or Dorifutāzu as they were called in Japan. This particular group would go on to have the most popular comedy show on Japanese TV, but Sakamoto was only with them for a brief period -- he was upset that he was only the second vocalist, rather than the lead, and so he joined a band called Danny Iida and Paradise King as their lead vocalist. Their first record, "Kanashiki Rokujissai", became a hit in Japan, but sadly I've not been able to find a copy of that record anywhere online. However, they had a string of other hits in its immediate wake, including versions of American hits like Neil Sedaka's "Calendar Girl": [Excerpt: Danny Iida and Paradise King, "Calendar Girl"] And Jimmy Jones' "Good Timing": [Excerpt: Danny Iida and Paradise King, "Good Timing"] Sakamoto went solo at the end of 1961, with his first solo record "Ue o Muite Arukō": [Excerpt: Sakamoto Kyu, "Ue o Muite Arukō"] That went to number one in Japan for three months, but for a while it did nothing anywhere else, and Sakamoto continued his previous career of making cover versions of American hits for the Japanese market, with records like his cover version of Del Shannon's "Hats Off to Larry": [Excerpt: Sakamoto Kyu, "Hats Off to Larry"] But then in 1963, Louis Benjamin, an executive with Pye Records, made a trip to Japan, and he heard "Ue o Muite Arukō" and thought it had hit potential in the UK. Rather than license the record, he decided to get a cover version made, by Kenny Ball's Jazzmen, one of the biggest trad groups in Britain. But he had one problem -- the song's name. He didn't think that British people would be able to pronounce "Ue o Muite Arukō", and he was probably correct, but he didn't choose to use a translation of the title either. The title, in English, means "I Look Up As I Cry", and was about crying at loss and trying to hide your tears -- specifically, in this case, crying after a political protest against American troops in Japan, which the writer knew would be unsuccessful, though he took that emotion and turned it into a more general one. "I Look Up as I Cry" would be a perfectly good title for a song, of course, but what Benjamin wanted was something that would highlight the fact that the song was Japanese, but would be recognisable and pronounceable to English people. So he renamed the song "Sukiyaki", which is actually the name for a type of beef hotpot, and that's the name under which Kenny Ball's version of the song came out: [Excerpt: Kenny Ball and his Jazzmen, "Sukiyaki"] Ball's version of the song was a hit, and so HMV in England rushed out the original, also under the title "Sukiyaki", and it made number six in the charts. Because of that success, it was also released by Capitol in the US, which was owned by the same company as HMV, and there it went to number one for three weeks. In both countries it was released as by Kyu Sakamoto, rather than Sakamoto Kyu -- in Japan, one says the family name first and the given name second, and swapping them round in Western countries is commonplace. Sakamoto went on a world tour, appeared on the Steve Allen show, and released an album which went top twenty in the US. He only had one other Hot One Hundred hit, though, "Shina no Yoru (China Nights)", which went to number 58: [Excerpt: Kyu Sakamoto, "Shina no Yoru"] Sakamoto continued to have a successful career in Japan, but had no further hits in the Anglophone world. But he was still the first Asian artist ever to have a US number one, and his record was one of the biggest hits of the pre-Beatles sixties in the States -- according to some sources it has sold thirteen million records worldwide, making it one of the twenty biggest selling singles of all time. Sakamoto died in 1985, in a plane crash. He was forty-three.