Podcasts about Paul Gonsalves

On tonight's show: Billie Holiday, What a Little Moonlight Oscar Peterson, I've Got You Under My Skin Ahmad Jamal, Ahmad's Blues Boots Randolph, Stack of Dollars Yusef Lateef, Ain't Misbehavin' Ella Fitzgerald, Thanks for the Memory (1966 Version) Count Basie and His Orchestra, Lonely Street Eddie Lockjaw Davis with Paul Gonsalves, The Man with The Horn Zoot Sims, Up a Lazy River Abbey Lincoln, You Gotta Pay the Band Stan Getz with Gerry Mulligan, A Ballad Gerry Mulligan, Out Back of The Barn Gerry Mulligan & Jane Duboc, Wave  

DUKE ELLINGTON AND HIS ORCHESTRA “AND HIS MOTHER CALLED HIM BILL” New York, August 28, 1967Blood count (ct out), Upper Manhattan Medical Group, Raincheck (ct out), Lotus blossom (DE piano solo)Cat Anderson, Herbie Jones, Cootie Williams, Mercer Ellington (tp) Clark Terry (flhrn) Lawrence Brown, Buster Cooper, Chuck Connors (tb) Jimmy Hamilton (cl,ts) Russell Procope (as,cl) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney (bar,cl,b-cl) Duke Ellington (p) Aaron Bell (b) Steve Little (d) JIMMY RUSHING “AND HIS ALL STARS” Brooklyn, NY, August 16, 1955Everyday (I have the blues), Evenin', Don't cry babyJimmy Rushing (vcl) acc by Emmett Berry (tp) Lawrence Brown (tb) Rudy Powell (as,cl) Buddy Tate (ts) Pete Johnson (p) Freddie Green (g) Walter Page (b) Jo Jones (d) BUCK CLAYTON “BUCKIN' THE BLUES” Brooklyn, NY, March 14, 1957 Buck huckles, Claytonia, The queen's expressBuck Clayton (tp) Vic Dickenson (tb) Earl Warren (as) Hank Jones (p) Kenny Burrell (el-g) Aaron Bell (b) Jo Jones (d) Continue reading Puro Jazz 27 de mayo, 2025 at PuroJazz.

DUKE ELLINGTON AND HIS ORCHESTRA “AND HIS MOTHER CALLED HIM BILL” New York, August 28, 1967Blood count (ct out), Upper Manhattan Medical Group, Raincheck (ct out), Lotus blossom (DE piano solo)Cat Anderson, Herbie Jones, Cootie Williams, Mercer Ellington (tp) Clark Terry (flhrn) Lawrence Brown, Buster Cooper, Chuck Connors (tb) Jimmy Hamilton (cl,ts) Russell Procope (as,cl) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney (bar,cl,b-cl) Duke Ellington (p) Aaron Bell (b) Steve Little (d) JIMMY RUSHING “AND HIS ALL STARS” Brooklyn, NY, August 16, 1955Everyday (I have the blues), Evenin', Don't cry babyJimmy Rushing (vcl) acc by Emmett Berry (tp) Lawrence Brown (tb) Rudy Powell (as,cl) Buddy Tate (ts) Pete Johnson (p) Freddie Green (g) Walter Page (b) Jo Jones (d) BUCK CLAYTON “BUCKIN' THE BLUES” Brooklyn, NY, March 14, 1957 Buck huckles, Claytonia, The queen's expressBuck Clayton (tp) Vic Dickenson (tb) Earl Warren (as) Hank Jones (p) Kenny Burrell (el-g) Aaron Bell (b) Jo Jones (d) Continue reading Puro Jazz 27 de mayo, 2025 at PuroJazz.

THELONIOS MONK TRIO “THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK”: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) DUKE ELLINGTON AND HIS ORCHESTRA “MASTERPIECES BY ELLINGTON” New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) MILES DAVIS QUINTET “THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE”: ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 (Repetición) at PuroJazz.

THELONIOS MONK TRIO “THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK”: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) DUKE ELLINGTON AND HIS ORCHESTRA “MASTERPIECES BY ELLINGTON” New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) MILES DAVIS QUINTET “THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE”: ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 (Repetición) at PuroJazz.

On tonight's show: Bix Beiderbecke, Copenhagen Glenn Miller, Adios Benny Goodman, Rose Room Benny Goodman, Big John's Special Frank Sinatra with Tommy Dorsey & His Orchestra, Fools Rush In Doris Day and Les Brown, Sentimental Journey Billie Holiday, What A Little Moonlight Can Do Ella Fitzgerald, You're the Top Eddie "Lockjaw" Davis, Serenade in Blue Annie Ross & Gerry Mulligan, I Guess I'll Have to Change My Plan Nat "King" Cole, Nature Boy Kenny Burrell Octet, A String of Pearls Dave Brubeck, Upstage Rumba Clark Terry and Paul Gonsalves, Funky Clark Terry & Chico O'Farrill, Macarena Clark Terry, Jam Session with Oscar Peterson, Misty Dianne Reeves (with Clark Terry), I Hadn't Anyone ‘til You

On tonight's show: Johnny Dodds, 29th And Dearborn Artie Shaw, When the Quail Come Back to Saint Quentin Georgie Auld & His Orchestra, A Hundred Years from Today (vocals Sarah Vaughan) Louis Armstrong, Someday You'll Be Sorry Lucky Thompson, Mood Indigo Billie Holiday & Tony Scott and His Orchestra, Trav'lin Light Billy Bauer, You'd Be So Nice to Come Home To Eriko Ishihara, You'd Be So Nice to Come Home To Clark Terry, Paul Gonsalves, Blues for Daddy-O's Jazz Patio Blues Red Garland, One O'Clock Jump Art Pepper, 'Round Midnight Ella Fitzgerald, One for My Baby (And One More for the Road) Ahmad Jamal,  Excerpt from the Blues Yusef Lateef, Love Theme from the Robe Wynton Kelly, Comin' In the Back Door Chico Hamilton, Fancy

Farewell to summer on tonight's show: Billie Holiday, I Cover The Waterfront Cal Tjader, Summertime (Vince Guaraldi piano solo) Paul Gonsalves, Yesterdays Stan Getz, Balanço No Samba Teddy Edwards, Smokin' Dave Brubeck & Tony Bennett, That Old Black Magic Dave Brubeck, Lonesome Buddy Rich, Lament For Lester Count Basie, Blues For Joe Turner James Moody, Moody's Mood Ella Fitzgerald, Teach Me Tonight (Live) Ron Carter, Take Ten Gerald Wiggins, Summertime

JAY MCSHANN “GOING TO KANSAS CITY Dallas, Texas, April 30, 1941Swingmatism, Hootie blues (wb vcl,cp arr,1), Dexter bluesHarold Bruce, Buddy Anderson, Orville Minor (tp) Taswell Baird (tb) John Jackson (as) Charlie Parker (as,arr) Harold Ferguson, Bob Mabane (ts) Jay McShann (p) Gene Ramey (b) Gus Johnson (d) Walter Brown (vcl) William J. Scott (arr) New York, December 1, 1943You say forward, I'll march, Wrong neighborhood (bm vcl,), Home town blues (wb vcl,)Bob Merrill (tp,vcl) Dave Mitchell, Jesse Jones, Willie Cook (tp) Alonzo Pettiford, Alfonso Fook, Rudy Morrison (tb) John Jackson, Fats Dennis (as) Paul Quinichette, Bill Goodson (ts) Rae Brodely (bar) Jay McShann (p) Gene Ramey (b) Dan Graves (d) Walter Brown (vcl) ART HODES / MILT HINTON “JUST THE TWO OF US New York, August 26, 1981Willow, weep for me, Winin' boy blues, I would do anything for you, Randolph Street blueArt Hodes (p) Milt Hinton (b) PAUL GONSALVES “GETTIN' TOGETHER!” New York, December 20, 1960Hard groove, I surrender dear, Low gravyNat Adderley (cnt) Paul Gonsalves (ts) Wynton Kelly (p) Sam Jones (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de septiembre, 2024 at PuroJazz.

JAY MCSHANN “GOING TO KANSAS CITY Dallas, Texas, April 30, 1941Swingmatism, Hootie blues (wb vcl,cp arr,1), Dexter bluesHarold Bruce, Buddy Anderson, Orville Minor (tp) Taswell Baird (tb) John Jackson (as) Charlie Parker (as,arr) Harold Ferguson, Bob Mabane (ts) Jay McShann (p) Gene Ramey (b) Gus Johnson (d) Walter Brown (vcl) William J. Scott (arr) New York, December 1, 1943You say forward, I'll march, Wrong neighborhood (bm vcl,), Home town blues (wb vcl,)Bob Merrill (tp,vcl) Dave Mitchell, Jesse Jones, Willie Cook (tp) Alonzo Pettiford, Alfonso Fook, Rudy Morrison (tb) John Jackson, Fats Dennis (as) Paul Quinichette, Bill Goodson (ts) Rae Brodely (bar) Jay McShann (p) Gene Ramey (b) Dan Graves (d) Walter Brown (vcl) ART HODES / MILT HINTON “JUST THE TWO OF US New York, August 26, 1981Willow, weep for me, Winin' boy blues, I would do anything for you, Randolph Street blueArt Hodes (p) Milt Hinton (b) PAUL GONSALVES “GETTIN' TOGETHER!” New York, December 20, 1960Hard groove, I surrender dear, Low gravyNat Adderley (cnt) Paul Gonsalves (ts) Wynton Kelly (p) Sam Jones (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de septiembre, 2024 at PuroJazz.

On tonight's show: King Cole Trio, Baby, Baby, All the Time Django Reinhardt, Manoir de mes Rêves Django Reinhardt, Brazil Clark Terry, Paul Gonsalves, Daylight Express Sonny Clark, Softly, as in a Morning Sunrise Gerry Mulligan & Ben Webster, Fajista (Master Take) Gerry Mulligan & Ben Webster, Blues in B Flat Vince Guaraldi, Blues for Peanuts Vince Guaraldi, Jitterbug Waltz Ella Fitzgerald, Sweet and Slow Dianne Reeves, Who's Minding the Store? Dianne Reeves, When I Fall In Love (Instrumental) Diana Krall, 'Deed I Do

THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) MASTERPIECES BY ELLINGTON New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 at PuroJazz.

THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) MASTERPIECES BY ELLINGTON New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 at PuroJazz.

Tonight's Jazz Feature honors the Birthday Anniversary of one of America's most important artists. Edward Kennedy Ellington was born on April 29, 1899 in Washington D.C.and he passed away in New York on May 24, 1974 at age 75 from cancer. Tonight The Jazz Show presents one of Ellington's latter day masterpieces, "The Far East Suite". It commemorates a US State Department tour the band took in late 1963 to the Middle east, India and Japan. The music was written by Ellington and his partner Billy Strayhorn and recorded in late 1966. The band is at it's best and the prominent soloists are alto saxophonist Johnny Hodges, tenor saxophonist Paul Gonsalves, clarinetist Jimmy Hamilton, Ellington himself on piano and baritone saxophonist Harry Carney and trumpeters Cootie Williams and Cat Anderson. The bassist is John Lamb and the drummer is the great Rufus Jones. Enjoy this classic and marvel at how contemporary this music sounds today.

J.J. JOHNSON BLUE TROMBONE New York, April 26, May 3, 1957Hello young lovers, Blue tromboneJ.J. Johnson (tb) Tommy Flanagan (p) Paul Chambers (b) Max Roach (d) DUKE ELLINGTON AND HIS ORCHESTRA BLUES IN ORBIT New York, Midnight to 4:30 a.m., December 2, 1959Three J's blues, Pie Eye's blues, Sweet and pungent, C jam blues, In a mellow toneRay Nance (tp,vln) Britt Woodman, Booty Wood, Matthew Gee (tb) Jimmy Hamilton (cl,ts) Russell Procope (cl,as) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney (bar,b-cl,cl) Duke Ellington (p) Jimmy Woode (b) Jimmy Johnson (d) MILES DAVIS QUINTET COOKIN' Hackensack, NJ, October 26, 1956My funny Valentine (jc out), Blues by five, AireginMiles Davis (tp) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Continue reading Puro Jazz 24 abril 2025 at PuroJazz.

J.J. JOHNSON BLUE TROMBONE New York, April 26, May 3, 1957Hello young lovers, Blue tromboneJ.J. Johnson (tb) Tommy Flanagan (p) Paul Chambers (b) Max Roach (d) DUKE ELLINGTON AND HIS ORCHESTRA BLUES IN ORBIT New York, Midnight to 4:30 a.m., December 2, 1959Three J's blues, Pie Eye's blues, Sweet and pungent, C jam blues, In a mellow toneRay Nance (tp,vln) Britt Woodman, Booty Wood, Matthew Gee (tb) Jimmy Hamilton (cl,ts) Russell Procope (cl,as) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney (bar,b-cl,cl) Duke Ellington (p) Jimmy Woode (b) Jimmy Johnson (d) MILES DAVIS QUINTET COOKIN' Hackensack, NJ, October 26, 1956My funny Valentine (jc out), Blues by five, AireginMiles Davis (tp) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Continue reading Puro Jazz 24 abril 2025 at PuroJazz.

Six longer sets tonight: Sidney Bechet, Gerry Mulligan, Wes Montgomery; Harry Carney, Paul Gonsalves, Harold Ashby & The Duke's Men, Duke Ellington with Ella Fitzgerald, Stanley Turrentine, and Milt Jackson

Six longer sets tonight: Sidney Bechet, Gerry Mulligan, Wes Montgomery; Harry Carney, Paul Gonsalves, Harold Ashby & The Duke's Men, Duke Ellington with Ella Fitzgerald, Stanley Turrentine, and Milt Jackson

On tonight's show: Teddy Wilson, Artie Shaw and His Orchestra, Eddie "Lockjaw" Davis, Helen Humes, Harry Carney with Paul Gonsalves and Harold Ashby & The Duke's Men, Coleman Hawkins, Ella Fitzgerald, Nancy Wilson & The Great Jazz Trio, Stéphane Grappelli & McCoy Tyner, Boots Randolph, Danny Grissett, Don Byas, and Ahmad Jamal.

Good News: A new study offers hope for global coral reefs systems, Link HERE. The Good Word: A classic quote from Henry David Thoreau! Good To Know: A stunning fact about trees… Good News: The number of deaths after breast cancer diagnoses has plummeted! Link HERE. Wonderful World: Explore the city of Melbourne, Australia! It […]

Tonight on Jazz After Dark: a retrospective of the career of jazz pianist Earl Hines. His career spanned 1920 to 1983 and bridged early jazz, swing, bebop, and more. In his later career resurgence he did many solo performances and duets, producing over a hundred albums in the 1960s and '70s. We'll hear selections from his early work with Louis Armstrong, some swing recordings from Chicago in the 1930s, some live performances solo and with his orchestra from the 1950s and '60s, and then duets with Johnny Hodges, Jimmy Rushing, and Paul Gonsalves. Then a bit of Gershwin and a live performance from 1973.

Basie small groups - for Columbia in 1942 with Buck Clayton and Don Byas and Victor in 1947 with Emmett Berry, George Matthews, C.Q. Price, Paul Gonsalves, Jack Washington and all with the classic Basie, Freddy Green, Walter Page and Jo Jones . . . --- Support this podcast: https://anchor.fm/john-clark49/support

DUKE ELLINGTON “BLUES IN ORBIT” – New York, Midnight to 4:30 a.m., December 2 & 3, 1959 Smada (1), Pie eye’s blues, The swingers get the blues too, C jam blues Ray Nance (tp,vln) Britt Woodman, Booty Wood, Matthew Gee (tb) Jimmy Hamilton (cl,ts) Russell Procope (cl,as) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney […]

Paul Gonsalves n'est pas que l'homme d'un solo. Ni même l'homme d'un seul orchestre, même s'il va rester fidèle à Duke Ellington jusqu'à sa mort en 1974. En effet, dans la foulée de sa performance légendaire de Newport, des producteurs s'intéressent à lui, et l'enregistrent en petite formation. Cette discographie parallèle cache quelques trésors et permet de redécouvrir le ténor de manière plus intime.

A 32 ans, s'il est la star incontestée chez Duke Ellington, Gonsalves est bien connu pour ses frasques et son manque de fiabilité. Alcoolique et narcoleptique, il lui arrive d'oublier un concert, et même quand il est là… de s'endormir derrière son pupitre. Pourtant, lorsqu'il le veut bien, Gonsalves est redoutable et ses numéros avec Ella Fitzgerald, d'anthologie !

On le surnommait “l'homme aux 27 chorus”, rapport à cette nuit du 7 Juillet 1956 où il fit chavirer le public du festival de Newport le long d'un solo d'anthologie : 324 mesures qui défièrent la marche du temps ! Fidèle lieutenant de Duke Ellington, personnage insolite et touchant, alcoolique notoire et ténor au jeu sinueux, Gonsalves fut pour le Duke une véritable aubaine !

On tonight's show: Sarah Vaughan & the Hugo Peretti Orchestra, Tommy Flanagan and Paul Chambers with Pepper Adams, Kenny Burrell & Kenny Clarke, Johnny Richards, Clark Terry with Paul Gonsalves, Horace Silver, Gene Ammons, Dave Brubeck, Mose Allison, Ella Fitzgerald, the Benny Carter All-Star Sax Ensemble, and Miles Davis with Quincy Jones.

This week, Slate writer and editor Dan Kois fills in for Julia as the panel begins by revisiting a familiar character in the Jon Hamm-led reboot Confess, Fletch. Then, the panel is joined by Slate's book critic, Laura Miller, to remember the legacy of the recently departed British author Hilary Mantel. Finally, the panel is joined by Slate's web editor, Nitish Pahwa, to explain the cheating scandal that has embroiled not only the world of competitive chess, but also the general public. In Slate Plus, the panel discusses what makes the best bathroom book—inspired by Dan Kois' article on the subject for Slate. Email us at culturefest@slate.com. Endorsements Dana: The perfect airplane viewing (whilst embarking on a new chapter of book promo): the one hour BBC documentary Attenborough and the Mammoth Graveyard. Dan: The intensely close reading of the film Predator titled, Predator: A Memoir, a Movie, an Obsession by Ander Monson. In it, Monson transforms the close reading into a memoir about manhood, guns, politics, juvenile delinquency, and more. Steve: The famous solo by tenor saxophone player Paul Gonsalves during Duke Ellington's set at the 1956 Newport Jazz festival: https://www.youtube.com/watch?v=5vnrNWyvI-U Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Bloody Hunter" by Paisley Pink. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Slate writer and editor Dan Kois fills in for Julia as the panel begins by revisiting a familiar character in the Jon Hamm-led reboot Confess, Fletch. Then, the panel is joined by Slate's book critic, Laura Miller, to remember the legacy of the recently departed British author Hilary Mantel. Finally, the panel is joined by Slate's web editor, Nitish Pahwa, to explain the cheating scandal that has embroiled not only the world of competitive chess, but also the general public. In Slate Plus, the panel discusses what makes the best bathroom book—inspired by Dan Kois' article on the subject for Slate. Email us at culturefest@slate.com. Endorsements Dana: The perfect airplane viewing (whilst embarking on a new chapter of book promo): the one hour BBC documentary Attenborough and the Mammoth Graveyard. Dan: The intensely close reading of the film Predator titled, Predator: A Memoir, a Movie, an Obsession by Ander Monson. In it, Monson transforms the close reading into a memoir about manhood, guns, politics, juvenile delinquency, and more. Steve: The famous solo by tenor saxophone player Paul Gonsalves during Duke Ellington's set at the 1956 Newport Jazz festival: https://www.youtube.com/watch?v=5vnrNWyvI-U Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Bloody Hunter" by Paisley Pink. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight we'll hear from: Artie Shaw And His Orchestra, Dinah Washington, Lee Morgan, Erroll Garner, Paul Gonsalves; Stephane Grappelli, Elek Bacsik, Art Blakey, Lou Donaldson, Pat La Barbera & Don Thompson, and Butch Thompson.

Tonight we'll hear from: Artie Shaw And His Orchestra, Dinah Washington, Lee Morgan, Erroll Garner, Paul Gonsalves, Stephane Grappelli, Elek Bacsik, Art Blakey, Lou Donaldson, Pat La Barbera & Don Thompson, and Butch Thompson.

Tonight on Jazz After Dark: Coleman Hawkins with Thelma Carpenter, Coleman Hawkins and His Orchestra, Count Basie, Cannonball Adderley, Peter Appleyard & Orchestra, Paul Gonsalves, Ray Charles, Illinois Jacquet, Buddy Rich, Chico Hamilton Lowell George, Houston Person (Etta Jones vocals), and New Orleans' Own The Dukes of Dixieland.

Tonight on Jazz After Dark: Peggy Lee with Benny Goodman Orchestra and solo, Sidney Bechet and His Blue Note Jazzmen, Kenny Burrell Octet, Eddie Lockjaw Davis with Paul Gonsalves, Claude Bolling Big Band, Bill Evans, Toots Thielemans, Stan Getz with Kenny Barron, Dianne Reeves, Albert Tootie Heath, and Shirley Horn.

Tonight on Jazz After Dark: Peggy Lee with Benny Goodman Orchestra and solo, Sidney Bechet and His Blue Note Jazzmen, Kenny Burrell Octet, Eddie Lockjaw Davis with Paul Gonsalves, Claude Bolling Big Band, Bill Evans, Toots Thielemans, Stan Getz with Kenny Barron, Dianne Reeves, Albert Tootie Heath, and Shirley Horn.

"Autumn Leaves" Duke Ellington: Ellington Indigos (Blue Note, 1958) / The Complete Ellington Indigos (PWR, 2018) Clark Terry, Willie Cook, Cat Anderson, Harold “Shorty” Baker, Ray Nance, Quentin Jackson, John Sanders, Britt Woodman, Jimmy Hamilton, Russell Procope, Johnny Hodges, Rick Henderson, Paul Gonsalves, Harry Carney, Duke Ellington, Jimmy Woode, Sam Woodyard, Jimmy Grissom, Ozzie Bailey. El tema es una composición de Johnny Mercer, Jacques Prévert, Joseph Kosma. Tomajazz: © Pachi Tapiz, 2022 ¿Conocías la historia del tema "Autumn Leaves" de Ellington Indigos? Lorenzo Juan Llabrés nos la cuenta... en https://www.tomajazz.com/web/?p=61101 En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… Más podcast sobre Duke Ellington en Tomajazz https://www.tomajazz.com/web/?s=duke+ellington+podcast&submit=Search Web oficial de Duke Ellington http://www.dukeellington.com/ Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

"Autumn Leaves" Duke Ellington: Ellington Indigos (Blue Note, 1958) / The Complete Ellington Indigos (PWR, 2018) Clark Terry, Willie Cook, Cat Anderson, Harold “Shorty” Baker, Ray Nance, Quentin Jackson, John Sanders, Britt Woodman, Jimmy Hamilton, Russell Procope, Johnny Hodges, Rick Henderson, Paul Gonsalves, Harry Carney, Duke Ellington, Jimmy Woode, Sam Woodyard, Jimmy Grissom, Ozzie Bailey. El tema es una composición de Johnny Mercer, Jacques Prévert, Joseph Kosma. Tomajazz: © Pachi Tapiz, 2022 ¿Conocías la historia del tema "Autumn Leaves" de Ellington Indigos? Lorenzo Juan Llabrés nos la cuenta... en https://www.tomajazz.com/web/?p=61101 En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… Más podcast sobre Duke Ellington en Tomajazz https://www.tomajazz.com/web/?s=duke+ellington+podcast&submit=Search Web oficial de Duke Ellington http://www.dukeellington.com/ Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

"Diminuendo and Crescendo in Blue" Duke Ellington Orchestra: Ellington At Newport (Columbia, 1956) Duke Ellington, Harry Carney, Jimmy Hamilton, Johnny Hodges, Russell Procope, Britt Woodman, John Sanders, Quentin Jackson, Cat Anderson, Clark Terry, Ray Nance, Willie Cook, Jimmy Woode, Sam Woodyard. El tema es una composición de Duke Ellington. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? Duke Ellington compuso y grabó por primera vez "Diminuendo and Crescendo in Blue" en 1937. Fueron publicadas como sendas caras de una grabación a 78 RPM: "Diminuendo in Blue" y "Crescendo in Blue" La interpretación en el Festival de Newport en 1956 sirvió para revitalizar la carrera de Duke Ellington: la prensa resaltó, en primera plana, cómo la audiencia se volvió loca en el solo de Paul Gonsalves y comenzó a bailar y gritar caóticamente. El éxito del solo fue tal, que posteriormente Paul Gonsalves realizó intervenciones de más de 60 coros. La interpretación de Newport tiene "únicamente" 27. El solo de Paul Gonsalves es uno de los más famosos de la historia del jazz. Pachi Tapiz lo seleccionó para la sección Razones para el jazz: https://www.tomajazz.com/web/?p=37069 En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos... https://www.tomajazz.com/web/?p=56256 Más información acerca de Duke Ellington en Tomajazz https://www.tomajazz.com/web/?tag=duke-ellington Más información sobre Duke Ellington http://www.dukeellington.com/ Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

Why is it Good? Duke Ellington's Far East Suite Seth Kibel - One of the best Interviews you are going to get....and he is a musician too! https://twitter.com/SethKibelMusic https://www.facebook.com/pages/Seth-Kibel-Music/1456076584689680?fref=ts Seth Kibel P.O. Box 32615 Baltimore, MD 21282 410-602-8212 seth.kibel@gmail.com http://www.sethkibel.com Duke Ellington's Far East Suite Review (All Music Guide) by Scott Yanow Duke Ellington could have been forgiven if, by the time he was 67, he had gradually lost his creative desire not to mention his writing skills. But his genius never dimmed as witness the new music ("The Far East Suite" and "Ad Lib on Nippon") on this superb set. "The Far East Suite" is in reality eight separate compositions of which the beautiful "Isfahan" (a memorable Johnny Hodges feature) became the best-known melody; Paul Gonsalves and Jimmy Hamilton are also among the main stars with the clarinetist being showcased throughout "Ad Lib on Nippon." But it is the writing of Ellington and Strayhorn in their late prime that makes this one of his more memorable recordings. The SCFB 2021 Playlist "the Best of" is available now on Spotify https://open.spotify.com/playlist/16CryVhN603iCpT3XEBzrZ?si=722ac1fcd30e45f1 --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support

“Solitude” Duke Ellington And His Orchestra: Masterpieces by Ellington (Columbia/Legacy, 1951. Remasterizado en 2004) Duke Ellington, Billy Strayhorn, Cat Anderson, Shorty Baker, Mercer Ellington, Fats Ford, Ray Nance, Nelson Williams, Lawrence Brown, Tyree Glenn, Quentin Jackson, Jimmy Hamilton, Johnny Hodges, Russell Procope, Paul Gonsalves, Harry Carney, Wendell Marshall, Sonny Greer, Yvonne Lanauze. La composición es de Duke Ellington. © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Julián Ruesga Bono seleccionó y comentó Masterpieces by Ellington en el especial Razones para el jazz: https://www.tomajazz.com/web/?p=41214

Good News: Years of steps taken to protect their rainforests have paid off for the people of Indonesia, Link HERE. The Good Word: Commencing a week of the wit and wisdom of His Holiness, The Dalai Lama. Good To Know: The first of a week’s worth of amazing facts about cats! Good News: Amazing and […]

RemixaDos - Miércoles de 17:00 a 18:00 por www.radiomonk.com.ar Jazz ConSentido - Viernes de 20:00 a 21:00 por www.radiomonk.com

SONNY STITT & PAUL GONSALVES – SALT AND PEPPER – New York, September 5, 1963 Lester Leaps In, Star dust, Please Don’t Talk About Me When I’m Gone Sonny Stitt (as-1,ts) Paul Gonsalves (ts) Hank Jones (p) Milt Hinton (b) Osie Johnson (d) JOE LOVANO TRIO TAPESTRY – GARDEN OF EXPRESSION – 2020 Night Creatures, […]

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On this special episode, I talk with guest Paul Gonsalves about the entire NFL playoff picture. We go in depth on his Cleveland Browns and their tough loss to the Jets as well as their playoff chances as they head into Week 17 with a crowded AFC wild card picture. Also, we talk about the Giants and the horrible NFC East and their playoff scenario. We then discuss some potential Super Bowl contenders and sleepers and give our predictions for who will make it to the big game. Lastly, we talk a little NBA at the end to give a preview of what's to come later this week by talking about the Cavs surprising 3-0 start and their potential as the season goes on.It's great to be back on the podcast after my short break. Thanks for listening!

Radio Jazz studievært Henrik Wolsgaard-Iversen koncentrerer sig her om Duke Ellingtons mindre grupper fra 1950erne og op med bl.a. Coleman Hawkins (foto) og John Coltrane som gæster og ellers Paul Gonsalves, Clark Terry, Ray Nance, Booty Wood og Sam Woodyard som bærende solister. Sendt i Radio Jazz i 2015 Der er mere jazz på www.radiojazz.dk

This gem from the thousands of recording that Ellington made is rather special. It was made during the time when the Ellington Orchestra was signed to Frank Sinatra's Reprise Records. All of the band's recordings during this period offered fresh new material and in this case and this album, music with a more exotic flavor. The title "Afro-Bossa" is a bit misleading as it is not strictly a bossa-nova recording but Ellington's concept of that unique Brazilian rhythm coupled with African influences and the multi-colors of the orchestra. All the major players are here in short solos, Paul Gonsalves, Ray Nance on trumpet and violin, Johnny Hodges on alto saxophone, Jimmy Hamilton on clarinet, Cootie Williams and powerhouse Cat Anderson on trumpets and Lawrence Brown on trombone and others. Some of the band members play percussion instruments on a few selections. All in all the 12 tunes are fresh and new and offer a great look at the immense creativity of Ellington and his compositional alter-ego Billy Strayhorn. Tonight "Afro-Bossa"...a true gem.

UN PROGRAMA CON EL DISCO SITTIN' IN QUE RECOGE A ARTISTAS COMO GIZZY GILLESPIE, STAN GETZ, PAUL GONSALVES, COLEMAN HAWKINS Y WYNTON KELLY....

Misterioso.-JAZZANIVERSARIO.-Melba Liston ?– Melba Liston And Her 'Bones.-JAZZACTUALIDAD.-XIMO TEBAR,- “A-FREE-KAN JAZZ DANCE BIG BAND”. PROG.Nº 646.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “Misterioso” JAZZ RECUERDO ANIVERSARIO.- Melba Liston ?– Melba Liston And Her 'Bones Sello: Fresh Sound Records ?– FSR-CD 408 Formato: CD, Album, Reissue País: Spain Publicado: 2006 Género: Jazz Estilo: Melba Liston y Her 'Bones es el único álbum dirigido por el trombonista, arreglista y compositor Melba Liston , grabado para elsello MetroJazz en 1958. [ La crítica de All About Jazz de Hrayr Attarian afirma: "Melba Liston es mejor conocida como arreglista y compositora, gracias a sus asociaciones con Dizzy Gillespie y, posteriormente, Randy Weston . Pero también fue una virtuosa trombonista ... La interacción del líder con los otros músicos de trombón se suma a la riqueza musical de la grabación. Incluso en compañía de músicos expertos de alta calidad como estos, sus habilidades musicales se destacan. Sus improvisaciones líricas son melódicas, claras y alegres cuando toca sin silenciar, y misterioso y cálido cuando está silenciado. Esta grabación es uno de los pocos lugares para escuchar Melba Liston en solitario ". [5] • Baritone Saxophone – Marty Flax • Bass – George Joyner , Nelson Boyd • Drums – Charlie Persip , Frank Dunlop* • Guitar – Kenny Burrell • Piano – Ray Bryant , Walter Davis Jr. • Trombone – Al Grey , Bennie Green , Benny Powell , Frank Rehak, Jimmy Cleveland , Melba Liston • Trombone, Tuba – Slide Hampton Notas Recorded # New York City, December 22, 1958 #New York City, December 24, 1958 : New York City, June, 1956 Melba Doretta Liston (13 de enero de 1926 - 23 de abril de 1999) fue una trombonista, arreglista y compositora estadounidense de jazz. Fue la primera mujer trombonista en tocar en grandes bandas durante las décadas de 1940 y 1960, pero a medida que avanzó su carrera se hizo más conocida como arreglista, particularmente en asociación con el pianista Randy Weston . Vida y carrera Liston nació en Kansas City, Missouri. A los siete años, la madre de Melba le compró un trombón. Su familia alentó sus actividades musicales, ya que todos eran amantes de la música. Liston fue principalmente autodidacta, pero fue "alentada por su abuelo que tocaba la guitarra", a quien pasó mucho tiempo aprendiendo a tocar canciones espirituales y populares. A la edad de ocho años, era lo suficientemente buena como para actuar en solitario en una estación de radio local. A la edad de diez años, se mudó a Los Ángeles, California. Ella era compañera de clase con Dexter Gordon y amiga de Eric Dolphy . Después de tocar en bandas juveniles y estudiar con Alma Hightower , se unió a la gran banda dirigida por Gerald Wilson en 1944. Grabó con el saxofonista Dexter Gordon en 1947 y se unió a la gran banda de Dizzy Gillespie , que incluía a los saxofonistas John Coltrane , Paul Gonsalves y el pianista John Lewis ) en Nueva York por un tiempo cuando Wilson disolvió su orquesta en 1948. Liston actuó en un papel secundario y estaba nerviosa cuando se le pidió que tomara solos, pero con ánimo se sintió más cómoda como voz destacada en las bandas. Estuvo de gira con el Conde Basie , luego con Billie Holiday (1949), pero la indiferencia del público y los rigores del camino la afectaron tan profundamente que dejó de tocar y se volvió a la educación. Liston enseñó durante unos tres años. Ella tomó un trabajo de oficina durante algunos años y complementó sus ingresos al tomar un trabajo como extra en Hollywood, apareciendo en The Prodigal (1955) y The Ten Commandments (1956). Regresó a Gillespie para giras patrocinadas por el Departamento de Estado de los EE. UU. En 1956 y 1957, grabó con Jazz Messenger de Art Blakey (1957), y formó un quinteto para mujeres en 1958. En 1959, visitó Europa con el espectáculo Free and Easy , para lo cual Quincy Jones fue director musical. Acompañó a Billy Eckstine con la Quincy Jones Orchestra en At Basin Street East , lanzada el 1 de octubre de 1961 por Verve. En la década de 1960 comenzó a colaborar con el pianista Randy Weston , arreglando composiciones (principalmente las suyas) para conjuntos de tamaño mediano a grande. Esta asociación, especialmente fuerte en la década de 1960, se reavivó a fines de la década de 1980 y 1990 hasta su muerte. Además, trabajó con Milt Jackson , Clark Terry y Johnny Griffin , además de trabajar como arreglista para Motown, apareciendo en álbumes de Ray Charles . En 1964, ayudó a establecer la Orquesta de Jazz de Pittsburgh. En 1971 fue elegida como arreglista musical para un artista de grabación de Stax , Calvin Scott, cuyo álbum fue producido por el primer productor de Stevie Wonder , Clarence Paul . En este álbum trabajó con Joe Sample y Wilton Felder de los Jazz Crusaders, el guitarrista de blues Arthur Adams y el baterista de jazz Paul Humphrey . En 1973, se mudó a Jamaica para enseñar en la Jamaica School of Music durante seis años antes de regresar a los Estados Unidos para dirigir sus propias bandas. Durante su tiempo en Jamaica, compuso y arregló la música para la película de comedia de 1975 Smile Orange , protagonizada por Carl Bradshaw , quien tres años antes protagonizó la primera película jamaicana, The Harder They Come . Se vio obligada a dejar de tocar en 1985 después de que un derrame cerebral la dejara parcialmente paralizada, pero continuó arreglando música con Randy Weston. En 1987, fue galardonada con la Jazz Masters Fellowship de National Endowment for the Arts . Después de sufrir accidentes cerebrovasculares repetidos, murió en Los Ángeles, California, en 1999, unos días después de un homenaje a ella y a la música de Randy Weston en la Universidad de Harvard. Su funeral en St. Peter's en Manhattan contó con actuaciones de Weston con Jann Parker, así como del conjunto afrocubano de Chico O'Farrill y de Lorenzo Shihab (voz). Sus primeros trabajos con las bandas de alto perfil de Count Basie y Dizzy Gillespie muestran un fuerte dominio de los modismos de big band y bop. Sin embargo, quizás su trabajo más importante fue escrito para Randy Weston, con quien trabajó durante cuatro décadas desde principios de la década de 1960. Liston trabajó como "escritora fantasma" durante su carrera. Según un escritor, "Liston logró muchos de los arreglos encontrados en los repertorios de Gillespie, Jones y Weston". Liston era una mujer en una profesión mayoritariamente masculina. Aunque algunos la consideran una heroína no reconocida, es muy apreciada en la comunidad del jazz. Liston fue pionero como trombonista y mujer. Ella articuló las dificultades de ser una mujer en el camino. "Están esos problemas naturales en el camino, los problemas femeninos, los problemas de alojamiento, la lavandería y todas esas cosas para tratar de mantenerse juntos, problemas que de alguna forma u otra los chicos no parecen tener que pasar". Ella continúa contando las luchas que experimentó como mujer afroamericana, que afectaron su carrera musical. Sin embargo, ella generalmente habló positivamente sobre la camaradería y el apoyo de músicos varones. Liston también se ocupó de cuestiones más grandes de inequidad en la industria de la música. Un escritor dijo: "Estaba claro que tenía que probar continuamente sus credenciales para obtener un empleo adecuado como músico, compositor y arreglista. No se le pagaba una escala equitativa y a menudo se le negaba el acceso a las oportunidades más grandes como compositora". y arreglista ". El estilo musical de Liston refleja las sensibilidades bebop y post-bop aprendidas de Dexter Gordon, Dizzy Gillespie y Art Blakey. Su primer trabajo grabado, como la "Dama traviesa" de Gordon, un homenaje a ella, sus solos muestran una mezcla de improvisación motívica y lineal, aunque parecen hacer menos uso de las armonías y alteraciones extendidas. Sus arreglos, especialmente aquellos con Weston, muestran una flexibilidad que trasciende su educación musical en la década de 1940 del bebop, ya sea trabajando en los estilos de swing, post-bop, músicas africanas o Motown. Su dominio de gestos rítmicos, surcos y polirritmos es particularmente notable (como se ilustra en Uhuru Afrika y Highlife ). Sus partes instrumentales demuestran un uso activo de posibilidades armónicas; Aunque sus arreglos sugieren un interés relativamente moderado en las exploraciones de conjuntos de jazz libre, utilizan un vocabulario tonal extenso, rico en voces armónicas alteradas, capas gruesas y disonancia. Su trabajo a lo largo de su carrera ha sido bien recibido tanto por la crítica como por el público. JAZZ ACTUALIDAD .-Esta semana vamos a tener al guitarrista valenciano XIMO TEBAR, con su álbum “A-FREE-KAN JAZZ DANCE BIG BAND”.

Til ære for Herluf Kamp Larsen spiller Klaus Albrectsen stykker fra The SHAKESPEARE SUITE. En sjælden 25 cm PALM LP dukker op med Paul Gonsalves første optagelser med orkestret. Det hele præsenteres af Radio Jazz studievært Henrik Wolsgaard-Iversen. Sendt i Radio Jazz i 2019. Der er mere jazz på www.radiojazz.dk

Tonight TWO (count 'em) TWO Jazz Features. One is the celebration of Duke Ellington's Birthday Anniversary today (April 29) with his epic "Far East Suite". A suite of 9 movements celebrating Duke's tour of the Middle and Far East. Recorded in December of 1966. Most of the key members of the Ellington Orchestra are here and playing at their peak: Johnny Hodges, Paul Gonsalves, Cootie Williams, Jimmy Hamilton and of course Duke himself. This is a great recording and and on the the pinnacles of Ellington's later career. The second Jazz Feature celebrates albeit belatedly the Birthday Anniversary of Charles Mingus. He was born on Earth Day (April 22, 1922). Tonight we will hear what is his arguably "last great quintet" recorded in concert in Bremen, Germany on July 9, 1975. Mingus, who succumbed to ALS was still in fine health with this great band composed of Jack Walrath (trumpet), George Adams (tenor saxophone), Don Pullen (piano) Mingus on bass and Dannie Richmond on drums. This is a well recorded and rather amazing concert and is NOT available on commercial records and discs. There it is, the Jazz Show's TWO great Jazz Features. Don't miss them!

Y hoy… un estándar. Es el turno de “The Way You Look Tonight” con música de Jerome Kern y letra de Dorothy Fields, compuesto en 1936 para la película Swing TIme (en España En alas de la danza). Las interpretaciones están a cargo de Teddy Wilson & His Orchestra con Billie Holiday, Sonny Rollins, Ari Hoenig, Art Pepper, David Pastor Nu-Roots con la voz de Deborah J. Carter, Billy Bauer, Gwilym Simcock, Lionel Hampton & His All Stars, Keith Jarrett Standards Trio, Paul Gonsalves, Tal Farlow. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.

Morphine saxophonist Dana Colley talks about Paul Gonsalves's tenor sax solo at the 1956 Newport Jazz Festival that changed the world in 27 choruses.

I denne festivaltid fokuserer denne uges Knas på en af de mest berømte jazzfestivaler - nemlig Newport Jazzfestival, som har eksisteret siden 1954. Gennem festivalens historie har der været mange gyldne øjeblikke, som er blevet bevaret for eftertiden. Oplev Count Basie, Nina Simone, Thelonious Monk, Miles Davis, Ray Charles og ikke mindst Duke Ellington med Paul Gonsalves berømte 27 kor lange solo. www.dr.dk/p8jazz

Sexta entrega del especial dedicado a Stan Getz en HDO, segunda dedicada a grabaciones junto a otros grandes del jazz como Dizzy Gillespie, Coleman Hawkins, Oscar Peterson, J.J. Johnson, John Lewis, Sonny Stitt o Paul Gonsalves, entre otros. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz. Toda la información de HDO 263 en http://www.tomajazz.com/web/?p=30298. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298

Duke Ellington wrote this suite after performing with his band and later spending a few days going to plays and experiencing the great Shakespearean Festival in Stratford, Ontario in 1956.. Ellington was so inspired by all of this that over almost a year he and his alter-ego Billy Strayhorn composed the twelve movements of "Such Sweet Thunder". All of the pieces are Ellington and Strayhorn's concepts of Shakespearean characters. Lady McBeth, Othello, Henry V, Hamlet etc. The orchestra is at it's peak and all of the legendary members are at their best. Johnny Hodges, Clark Terry, Quentin Jackson, Paul Gonsalves, Jimmy Hamilton and others are on board for twelve movements of amazingly original music. "Such Sweet Thunder" is an Ellington masterpiece.....sit back and enjoy!

Light of the Nations

Light of the Nations

Edición especial noche de Halloween. 01. Kirk Lightsey - Billie’s Bounce 02. Freddie Hubbart - The Night has a thousand eyes 03. The Great Jazz Trio - Moose the Mooche 04. Ben Webster meets Don Byas - Blues for Dotty Mae 05. Daniel Humair - Arfia 06. Paul Gonsalves meets Roy Eldridge - 5400 north

En este programa entrevistamos a uno de los talentos más impresionantes del jazz contemporáneo español, el saxofonista Javier Vercher, en relación a su disco Imaginary Realm. También escuchamos algunos temas de músicos "malditos" del jazz. Temas: * Javier Vercher & Ferenc Nemeth: Giant Henge (Imaginary Realm) * Javier Vercher & Ferenc Nemeth: Sumerian Magic Spell (Imaginary Realm) * Javier Vercher & Ferenc Nemeth: Imaginary Realm (Imaginary Realm) * Jerry Roll Morton: King Porter Stomp (Crónicas del jazz) * Paul Gonsalves: Over the rainbow (Paul Gonsalves meets Earl Hines) * Dick Twardzic: Round About Midnight (Dick Twardzic Trio Complete Recordings) * Javier Vercher & Ferenc Nemeth: Come Sunday (Imaginary Realm) Disfruta del Jazz con JazzTK.com.

En este programa entrevistamos a uno de los talentos más impresionantes del jazz contemporáneo español, el saxofonista Javier Vercher, en relación a su disco Imaginary Realm. También escuchamos algunos temas de músicos "malditos" del jazz. Temas: * Javier Vercher & Ferenc Nemeth: Giant Henge (Imaginary Realm) * Javier Vercher & Ferenc Nemeth: Sumerian Magic Spell (Imaginary Realm) * Javier Vercher & Ferenc Nemeth: Imaginary Realm (Imaginary Realm) * Jerry Roll Morton: King Porter Stomp (Crónicas del jazz) * Paul Gonsalves: Over the rainbow (Paul Gonsalves meets Earl Hines) * Dick Twardzic: Round About Midnight (Dick Twardzic Trio Complete Recordings) * Javier Vercher & Ferenc Nemeth: Come Sunday (Imaginary Realm) Disfruta del Jazz con JazzTK.com.

To celebrate the 114th Anniversary of Duke Ellington's birth, The Jazz Show presents one of his true musical masterpieces....The Far East Suite. The music was written by Ellington and his alter-ego Billy Strayhorn after two tours. The first was a tour of the Middle East (Lebanon, Syria, Jordan etc,) and India and Sri Lanka. There followed a second tour to the Far East: (Japan, South Korea, Hong Kong etc. Duke and Strayhorn wrote all the music after these tours and it culminated into a 9 part suite. It was recorded over a period 3 days in December,1966 and became one of Ellington's great recordings. The band was at it's peak and all of the great soloists and players were healthy and playing their best. Paul Gonsalves, Johnny Hodges, Jimmy Hamilton (on clarinet), Harry Carney, Lawrence Brown, Cootie Williams, Cat Anderson and all of the others. The new bassist was the young virtuoso, John Lamb and making his recording debut on this date was the incredible drummer Rufus "Speedy" Jones. There is some magnificent Ellington piano as a bonus as well. Happy Birthday Edward Kennedy Ellington, your music will live forever!

On May 1,1962, Duke Ellington had booked his Orchestra into A&R Recording Studio in New York but had no idea what to record. He had written no new music for the date and was at a loss until his tenor saxophonist, Paul Gonsalves walked in, the first to arrive, looking fresh, energetic and happy. Gonsalves so many times was tardy and hung over but not today. This gave Duke his bright idea. He would do a bunch of tunes that the band knew but feature Gonsalves on every song. It was an overdue tribute to Paul, one of the great underrated tenor saxophonists of his time. Every major saxophonist from Rollins, Getz, Stitt, Coltrane, Griffin et al respected Gonsalves for his creativity and his range of emotions on the horn. Nothing stumps Mr. Gonsalves in this feature date for him. There is a great variety of moods and feels and he nails them all. You, the listener can't go wrong with the Ellington Orchestra and Paul Gonsalves! Enjoy!

This album was a "concept" record put together by Mr. Ellington over a period of time from February 1959 to December 1959 over several sessions. The basic idea was the blues form, fast, slow, major and minor keys. The sessions were done late at night and through the early morning hours after gigs and concerts. The band was warmed up and ready. Ellington used only one trumpet,Ray Nance and two trombones, Mitchell "Booty" Wood and Matthew Gee and the full saxophone section and full rhythm. We hear the two trombonists Wood on plunger and Gee, open. Nance is in fine form on trumpet and has one violin solo on "C Jam Blues". Johnny Hodges is heard on alto and Paul Gonsalves on tenor and Hamilton on clarinet but Hamilton is also heard on a couple of robust solos on tenor saxophone. The tunes are all quite short and varied and although the album is a loved and respected item in Ellington's catalogue, it was dismissed when it was released as a minor effort. Certainly it cannot compare with "Black, Brown and Beige" or "The Far East Suite" but it is superb Duke. There are mostly tunes by Ellington, who plays piano throughout and a couple by Billy Strayhorn and one by Hamilton and one by Gee. "Blues in Orbit" stands as a fine outing for one of the greatest orchestras of the 20th century......long live The Duke!

One of Ellington's pivotal and innovative recordings that came out of a tour of the Middle East in cities like Baghdad, Isfahan, Damascus, Tehran, Kabul, Beirut, Calcutta, New Delhi etc. and into the far east culminating in Japan was this one called "The Far East Suite". Can you imagine an American orchestra playing in some of these cities today? Ellington and his alter ego, Billy Strayhorn absorbed some of the folk music that they heard in their travels and created these compositions that make up this modern and compelling recording, one of Ellington's finest. All the major soloists were still alive when this was recorded in December 1966. You'll hear Johnny Hodges, Paul Gonsalves, Cootie Williams, Jimmy Hamilton (clarinet), Harry Carney and the master himself on piano, the one and only Edward Kennedy Ellington.

This album is a bit of a misnomer as it was recorded in New York in the studio in March and April 1965, after the band had returned from a short(Ellington's first) to the West Indies. Duke and his alter-ego, Billy Strayhorn wrote some new material for the tour and it's heard here along with some standard Ellington fare. All of the compositions come from within Ellingtonia. The band is relaxed and happy and in creative form and all of the great soloists are playing at their best. They include Johnny Hodges on alto saxophone, Paul Gonsalves on tenor saxophone, Ray Nance on violin and trumpet, Cat Anderson and Cootie Williams on trumpets, Buster Cooper on trombone, Jimmy Hamilton on clarinet,Lawrence Brown on trombone and of course Ellington on piano, John Lamb on bass and Sam Woodyard on drums and others.This album may not rank with Ellington's masterpieces but it is very representative of how the band would sound on a regular gig on a good night. Duke Ellington forever!

Edward Kennedy Ellington, better known as 'Duke' was one of the great musical institutions of the 20th century. This recording is unique as Duke cherry-picked his three most 'modern'soloists: Clark Terry on fluegelhorn,Paul Gonsalves on tenor saxophone and Jimmy Hamilton on clarinet and created a showcase for them by also employing three trombones to fill out the ensemble and play riffs and backgrounds. This is what sets this apart from a simple 'jam session' date. Ellington is on piano, Jimmy Woode is on bass and Sam Woodyard is on drums. The three trombonists from the band are,Quentin 'Butter' Jackson,Britt Woodman and John Sanders. Duke Ellington's Spacemen!

THE FREDCAST CYCLING PODCAST #35 (For September 26, 2006) Interbike Outdoor Demo Day 2: Interview with Josh Hon of Dahon; Interview with Jason Elhardt of Mavic; Road test of Orbea Orca; Road test of the Scott CR-1; Interview with Andrew Doble of Scott; Road Test of Blue RC6; Interview with Paul Gonsalves of Rolling Thunder Canada (Blue's Canadian distributor). Podsafe Cycling Music: Happy by Jimmie Bratcher