Podcasts about Hard bop

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Hola, patrocinadores. Aquí tenéis un nuevo flash, ya sabéis, audios en los que le doy una pensada a algo que se me ha cruzado por el camino y que acaba siendo objeto de alguna reflexión o pregunta lanzada al viento. En este caso vamos a conocer un poquito la historia de uno de los clubes legendarios del Be Bop y el Hard Bop, el Birdland. Y mas concretamente, una zona de esta sala de conciertos. Gracias por vuestro apoyo.Escucha este episodio completo y accede a todo el contenido exclusivo de CDS RADIOSHOW. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/101133

It's time for another history series, listener! Patrick leads you through the development and history of bebop, the style that marked the beginning of modern jazz. In the final installment, Patrick discusses three important jazz movements that arose from bebop: Cool Jazz, Afro-Cuban Jazz and Hard Bop.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Djinn RecordsStitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Send us a textTo naszym zdaniem jedna z najbardziej romantycznych historii w świecie muzyki. O tym jak powstało i funkcjonowało w połowie XX wieku magiczne miejsce, które dawało artystom wolność i swobodę, jakich nie doświadczali nigdy wcześniej. Bez względu na pochodzenie, swoją przeszłość, nałogi, kolor skóry czy tendencje na rynku muzycznym - jeśli miałeś talent, chciałeś mieć własny głos i tworzyć swoją muzykę, Blue Note Records była wytwórnią dla Ciebie. Do dziś jest!Co miał wspólnego komunizm z jej powstaniem? Dlaczego każdy muzyk czekał aż Alfred Lion zacznie tańczyć w trakcie sesji nagraniowych? Czemu artyści chcieli nagrywać dla Blue Note, nawet mając kontrakty w innych wytwórniach? Odpowiedzi na te pytania znajdziecie w I części naszej krótkiej, trzy odcinkowej serii o jednej z najbardziej magicznych wytwórni w dziejach muzyki - BLUE NOTE RECORDS.muzyka: Łukasz Wojciechowski (intro, “Jody Grind” cover Horace Silvera - podkład Jack Ruch, outro).Możecie odsłuchać ten odcinek tutaj: https://tiny.pl/1xn9xg07 Link do Spotify: https://tiny.pl/rk20ykhyYoutube: https://tiny.pl/jf1854yn Zachęcamy też do śledzenia naszego profilu na Facebooku - https://www.facebook.com/PickPlease/oraz Instagramie - Insta Będziemy wdzięczni za wsparcie nas na Patronite (specjalne bonusy dla naszych patronów!): https://tiny.pl/r8yq62q5 LINKOWNIA:Podstawowe info o Blue Note Records:O wytwórni - link Strona oficjalna wytwórni - linkAlfred Lion - link Francis Wolf - link  Max Margulis - link HISTORIA WYTWÓRNIHistoria wytwórni - link  Historia biznesowa wytwórni - link Udiscovermusic - linkJazz Collector - link Muzyczne style Blue Note - link  Hard Bop - link Bebop - link  Co to jest “blue note”? - linkMUZYKA:PŁYTY:Thelonious Monk - Genius of Modern Monk, Vol. 1 (1951) - LINKBud Powell - The Amazing Bud Powell, Vol. 1 (1952) -  LINK Horace Silver - Jody Grind (1967) - LINK  Art Blakey - Night at Birdland (1954) - LINK  Wynton Kelly - Piano Interpretations (1951) - LINK John Coltrane - Blue Train (1958) - LINK  Art Blakey & The Jazz Messengers - Moanin' (1959) - LINK Cannonball Adderley - Somethin' Else (1958) - LINK Eric Dolphy - Out to Lunch (1964) - LINK Utwór:Sidney Bechet - Summertime (1939) 

Justin Chart is an American jazz musician born in Los Angeles in 1959 or 1960, celebrated for his improvisational prowess and deep-rooted connection to his hometown. With a career spanning over four decades since 1993, Chart has released 18 albums, showcasing his mastery of multiple instruments, including guitar, piano, saxophone, and vocals, across genres like jazz and rock. His latest release, *Born of the Horn* (2025), a Hard Bop collaboration with trumpeter Mike Rocha, exemplifies his signature live, one-take recording style, earning praise for its raw energy and soulful interplay. Known for works like "Los Angeles the Song" (2012), a multicultural tribute featuring 40 singers in 28 languages, Chart's music often reflects his love for LA's diversity. In 2014, he received the Artisan Appreciation Award from LA Mayor Eric Garcetti, recognizing his cultural contributions. With nearly 100,000 Instagram followers and over 12 million YouTube views, Chart maintains a strong online presence, engaging fans through his website, justinchartjazz.com, and platforms like Spotify and Apple Music, where his evocative, rhythmically complex compositions continue to resonate.

He was born in 1926 and lived to be just 98 years old, having played in public well into his 80s. Donaldson was an alto saxophonist who began his career as a disciple of Charlie Parker, with whom he played, but, as part of the group of young players recruited to Blue Note Records in the 1950s he developed a more soulful sound. In the hour-long tribute to his music, we sample that great era of jazz, “Hard Bop” in which Donaldson was so important. Track list for The Hot Box #136 – In Memory of Lou Donaldson Watusi Jump: Lou Donaldson: “Here 'Tis” Hipty Hop: Lou Donaldson: “A Man with a Horn” Spaceman Twist: Lou Donaldson “The Natural Soul” Wee Dot: Art Blakey: “A Night at Birdland Volume Two” Alligator Boogaloo: Lou Donaldson “The Scorpion” Polka Dots and Moonbeams: Lou Donaldson “Gravy Train” The Sermon: Jimmy Smith: Blue Note “The Sermon” All tracks are on the Blue Note Records label. Tune In: Live Broadcast: Every two weeks on Jazz Radio Eire. Listen Live Listen Back: Catch past episodes on The Hot Box Jazz and Jazz Ireland. Subscribe to The Hot Box: Via Android: Subscribe on Android By Email: Subscribe by Email Spread the Word: Help us grow our jazz community by sharing The Hot Box with your friends and on social media. Your support keeps us going!

durée : 00:58:08 - "Four" (Miles Davis) (1954) - par : Laurent Valero - "Four, 4 en anglais est un thème Hard-Bop crédité au nom de Miles Davis, et comme d'autres qu'il a signé celui-ci ne lui appartient pas, bien qu'il l'ai déposé lorsqu'il l'enregistra en 1954. La paternité en revient au saxophoniste, chanteur Eddie "Cleanhead" Vinson qui le composa à cette période"

durée : 00:58:08 - "Four" (Miles Davis) (1954) - par : Laurent Valero - "Four, 4 en anglais est un thème Hard-Bop crédité au nom de Miles Davis, et comme d'autres qu'il a signé celui-ci ne lui appartient pas, bien qu'il l'ai déposé lorsqu'il l'enregistra en 1954. La paternité en revient au saxophoniste, chanteur Eddie "Cleanhead" Vinson qui le composa à cette période"

Was braucht der Jazz, damit er aus den akademischen Wohnzimmern zurück auf die Tanzfläche findet? Lou Donaldson kannte die Antwort dazu schon in den 1960er Jahren: Er muss tanzbar sein. Ins grosse Rampenlicht kam Lou Donaldson als Jazz-Saxophonist von altem Schrot und Korn. Die Sporen verdiente er sich noch im Bebop ab. Bald aber war Hard-Bop angesagt, Donaldson gehörte in dieser Phase zu den wichtigsten Künstlern des Labels Blue Note. Danach schaffte er auch den Sprung zur souligen Spielart von Jazz, häufig mit Orgeltrio und immer mit viel Groove. Zusammen mit dem Organisten Dr.Lonnie Smith schuf er Klassiker wie «Everything I Play Is Funky». Dass er sich damit ein Denkmal schuf bis weit in die 90er Jahre hinein, hat ihn dann vielleicht doch etwas überrascht. Aber genau so war es: Mit seinen direkten Themen und den unverschnörkelten Grooves traf er den sweet spot der Old School Rapper in den 90er Jahren, die damals natürlich nicht old school waren, sondern der letzte Schrei. Vor der Jazz Collection Reprise besprechen Annina Salis und Jodok Hess kurz die Einflüsse von Lou Donaldson auf den Hip-Hop. Bevor der Saxophonist Christian Münchinger dann den Stil und die Spielart von Lou Donaldson als Jazzmusiker analysiert und in die grösseren Zusammenhänge stellt – als Gast von Andreas Müller-Crépon. «Jazz ain't dead, it just smells funny»? Der flapsige Spruch von Zappa wird immer noch gerne zitiert. Der Geruch, falls er mal da war, hat sich längst verflüchtigt. Einer, der für den nötigen Durchzug sorgte, war der Saxophonist Lou Donaldson. Die gespielten Titel: Interpret:in: Titel (Album / Label) Lou Donaldson: Cheek to Cheek (Quartet/Quintet / Blue Note) Art Blakey: Split Kick (Live at the Birdland / Blue Note) Lou Donaldson: Blues Walk (Blues Walk / Blue Note) Lou Donaldson: You've Changed (Lush Life / Blue Note) Lou Donaldson: Alligator Boogaloo (Alligator Boogaloo / Blue Note) Lou Donaldson: Everything I Do Gona Be Funky (Everything I Play Is Funky / Blue Note) Lou Donaldson: Just a Dream (On My Mind) (Caracas / Milestone) Erstausstrahlung: 22.11.2011

Jesse Simon from the MN Hard Bop Collective grew up loving organ jazz out in Denver, Colorado so when it came to for the MN Hard Bop Collective to add more events to their sit-in series it was no surprise that Simon decided to concentrate on the organ. The series will draw inspiration from the legendary organist Shirley Scott. The MN Hard Bop Collective is launching a new weekly Sit-In Series event on Wednesdays from 4:30-5:30 at Metronome in Saint Paul. The group already holds court for their original Sit In Series at Metronome on Mondays at 7pm. Both events give jazz players of every age and ability level the opportunity to play with professional musicians and experience the exhilaration of 'sitting in' on a tune.

Jesse Simon from the MN Hard Bop Collective grew up loving organ jazz out in Denver, Colorado so when it came to for the MN Hard Bop Collective to add more events to their sit-in series it was no surprise that Simon decided to concentrate on the organ. The series will draw inspiration from the legendary organist Shirley Scott. The MN Hard Bop Collective is launching a new weekly Sit-In Series event on Wednesdays from 4:30-5:30 at Metronome in Saint Paul. The group already holds court for their original Sit In Series at Metronome on Mondays at 7pm. Both events give jazz players of every age and ability level the opportunity to play with professional musicians and experience the exhilaration of 'sitting in' on a tune.

Bill Warfield, a dynamic and innovative composer, bandleader and trumpeter, has energized audiences, performers and writers for over four decades. Warfield's most recent accomplishments are two highly regarded recordings including “Mercy Mercy Mercy”, recorded on the BluJazz label by the Hell's Kitchen Funk Orchestra in 2015 and “Trumpet Story” with Randy Brecker on Planet Arts Records, recorded in 2014. These recordings are a celebration of the composer's formative musical experiences. The two groups perform Jazz selections based on the genres of funk, Latin Jazz, and Hard Bop, all arranged by Warfield. He holds an M.M. in Jazz Commercial Trumpet Performance from the Manhattan School of Music where he received the William H. Borden Award for Outstanding Accomplishment in Jazz/Commercial Music, The Carmine Caruso Award for Outstanding Musicality and Trumpet Performance and the Maynard Ferguson Scholarship. In 1990 he participated in the BMI Jazz Composers Workshop, directed by Bob Brookmeyer and Manny Albam.

Head down to New Orleans in this ghost detective mystery full of jazz, witch doctors, and evil grandmas. Welcome to the Very Reasonable Pilots Podcast, where your hosts Charles and Jake pitch ideas for the newest and greatest film and TV shows. Join ghostly jazz musician Hans Strauss and his detective granddaughter (we changed our minds about their roles halfway through) as they skip through the old city in search of Strauss' daughter, a specter serial killer, and a mysterious sorceress. Weekly episodes released on Monday Episode artwork made using Adobe Firefly. Twitter: @charles_lung & @VRPpodcast YouTube Reddit This podcast is powered by Pinecast.

The Jamaican-born Reece was regarded as one of the foremost trumpeters in the UK in the 1950's before moving to the US later in the decade. Here are sideman appearances in both places - first with the Victor Feldman Orchestra and Ninetet (featuring Jimmy Deuchar, Tubby Hayes, Ronnie Scott, Derek Humble and Phil Seaman) and then with the Duke Jordan Quintet (with Jordan, Stanley Turrentine, Reggie Workman and Art Taylor) --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Ook in dit tweede uur All That Jazzz @1Twente heel veel "Feelgood Jazz". Mainstream, Bebop, Hardbop... you name it....

In this episode, Shawn and Craig explore two fascinating albums that showcase the breadth and diversity of musical talent across genres. Craig spotlights Joe Henderson's "Page One," a classic jazz album that marks the debut of the tenor saxophonist. He discusses Henderson's innovative playing and the contributions of jazz greats like Kenny Dorham and McCoy Tyner. Craig discusses how "Page One" has cemented its place in jazz history with its sophisticated compositions and timeless appeal.Shawn shifts the focus to Drugdealer's "Hiding In Plain Sight," an album that blends modern indie rock with a nostalgic nod to the past. He examines the creative vision of Michael Collins (Drugdealer) and the album's rich tapestry of sounds. Shawn also explores the exciting collaborations with artists like Kate Bollinger and Weyes Blood, discussing how these partnerships enhance the album's eclectic and immersive quality. Join them as they dive into the world of jazz legends and contemporary indie rock, offering insights and appreciation for the artistry behind these remarkable records.

El pianista y compositor Horace Silver es uno de los arquitectos del Hard Bop, la corriente principal del jazz moderno que nace a mediados de los años cincuenta del pasado siglo. Entre los hitos de su curriculum artístico podemos citar el haber sido cofundador de la legendaria banda The Jazz Messengers, junto al batería Art Blakey o haber liderado durante décadas su propio quinteto por el que desfilaron artistas de la talla de Art Farmer, Clifford Jordan, Blue Mitchell, Joe Henderson o Randy Brecker por citar solo algunos de ellos. Finalmente Silver será recordado como compositor de algunos de los más brillante standards jazzísticos de aquel periodo. Temas como Senor Blues, Peace, Nica´s Dream o Song for my Father, son algunas de su más célebres composiciones. Así que Radio Jazznoend, en este nuevo podcast, rinde homenaje a esta eminente figura de la historia del jazz, relatando episodios y anécdotas de su carrera y escuchando algunas de su más destacadas grabaciones registradas para la discográfica Blue Note, en la primera década de su actividad como líder de banda.

Radio Clásica presenta su más amplia de Jazz, piezas inéditas, grabaciones íntimas de Europa.

We've got hard bop from the 60's to Prog Rock of the '70s represented in this episode. Playlist Artist ~ Name ~ Album Sonny Rollins ~ Alone Together ~ Sonny Rollins and the Contemporary Leaders Toots Thielemans ~ Speak No Evil ~ Only Trust Your Heart Hank Mobley ~ If I Should Lose You ~ Soul Station Freddie Hubbard ~ Arietis ~ Ready For Freddie McCoy Tyner ~ Sama Layuca ~ Quartet John McLaughlin ~ Friendship ~ Electric Guitarist (Remastered) Santana ~ Flor de Canela ~ Borboletta Santana ~ Promise of a Fisherman ~ Borboletta

This is a great compilation album of jazz artists who all recorded for Roost Records. These are some major stars that appeared on a minor label. And once I try to figure out what the characters are doing on the album cover, I'll try to explain it to you. So get ready to hear some memorable musicians in their own version of an O.R. in Volume 146: Operation Jazz. Credits and copyrights Various – Operation Jazz Label: Royal Roost – OJ1, Royal Roost – OJ-1 Format: Vinyl, LP, Compilation, Mono Country: USA & Canada Released: 1958 according to the etchings on the runout.  Genre: Jazz Style: Bop, Hard Bop, Afro-Cuban Jazz, Post Bop Stan Getz, Horace Silver with Potter's Luck Written by Horace Silver Recorded New York, March 1 or August 15, 1951 Stan Getz, tenor sax; Horace Silver, piano; Tommy Potter, bass; Roy Haynes, drums; Jimmy Raney, guitar Kai Winding, Gerry Mulligan with Crossing The Channel Written by Kai Winding Kai Winding (tb), Brew Moore (ts), Gerry Mulligan (bs), George Wallington (p), Curley Russell (b), Max Roach (d). Recorded in New York City, April 1949 Art Tatum with Flyin' Home Written by Sid Robin, Lionel Hampton and Benny Goodman Bud Powell, Max Roach with Bud's Bubble Written by Bud Powell NYC, January 10, 1947 Bass – Curly Russel* Drums – Max Roach Piano – Bud Powell Dizzy Gillespie with Chris And Diz Written by Dizzy Gillespie Machito & His Afro-Cubans, Harry Belafonte Lean On Me written by Alan Greene & Edwin Haldman Recorded in 1949 Charlie Parker, Miles Davis, Jay Johnson with Air Conditioning Written By Charlie Parker Miles Davis, trumpet; J.J. Johnson, trombone; Charlie Parker, alto sax; Duke Jordan, piano; Tommy Potter, bass; Max Roach, drums. WOR Studios, NYC, December 17, 1947 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

A Oficina do Jazz é um programa semanal dedicado ao Jazz (e sua história), que pretende fazer uma viagem pelo melhor que se faz no género, tanto no passado como no presente, tentando explorar as suas mais variadas vertentes. Das Big Bands ao inovador Be-Bop dos anos 50, até ao Hard-Bop, do Afro-Jazz até à actualidade.

A Oficina do Jazz é um programa semanal dedicado ao Jazz (e sua história), que pretende fazer uma viagem pelo melhor que se faz no género, tanto no passado como no presente, tentando explorar as suas mais variadas vertentes. Das Big Bands ao inovador Be-Bop dos anos 50, até ao Hard-Bop, do Afro-Jazz até à actualidade.

A Oficina do Jazz é um programa semanal dedicado ao Jazz (e sua história), que pretende fazer uma viagem pelo melhor que se faz no género, tanto no passado como no presente, tentando explorar as suas mais variadas vertentes. Das Big Bands ao inovador Be-Bop dos anos 50, até ao Hard-Bop, do Afro-Jazz até à actualidade.

A Oficina do Jazz é um programa semanal dedicado ao Jazz (e sua história), que pretende fazer uma viagem pelo melhor que se faz no género, tanto no passado como no presente, tentando explorar as suas mais variadas vertentes. Das Big Bands ao inovador Be-Bop dos anos 50, até ao Hard-Bop, do Afro-Jazz até à actualidade.

A Oficina do Jazz é um programa semanal dedicado ao Jazz (e sua história), que pretende fazer uma viagem pelo melhor que se faz no género, tanto no passado como no presente, tentando explorar as suas mais variadas vertentes. Das Big Bands ao inovador Be-Bop dos anos 50, até ao Hard-Bop, do Afro-Jazz até à actualidade.

A Oficina do Jazz é um programa semanal dedicado ao Jazz (e sua história), que pretende fazer uma viagem pelo melhor que se faz no género, tanto no passado como no presente, tentando explorar as suas mais variadas vertentes. Das Big Bands ao inovador Be-Bop dos anos 50, até ao Hard-Bop, do Afro-Jazz até à actualidade.

A Oficina do Jazz é um programa semanal dedicado ao Jazz (e sua história), que pretende fazer uma viagem pelo melhor que se faz no género, tanto no passado como no presente, tentando explorar as suas mais variadas vertentes. Das Big Bands ao inovador Be-Bop dos anos 50, até ao Hard-Bop, do Afro-Jazz até à actualidade.

Welcome to a brand new feature of the podcast, Trumpet Icons!From jazz virtuosos to classical maestros, explore a curated collection of iconic trumpet players who have left an indelible mark on the world of music.To suggest a trumpeter that should be included in this series, or if you believe information shared about a previous player needs to be corrected, simply visit https://trumpetdynamics.com/icons. All suggestions and/or corrections will be read and adjusted as necessary!

A Oficina do Jazz é um programa semanal dedicado ao Jazz (e sua história), que pretende fazer uma viagem pelo melhor que se faz no género, tanto no passado como no presente, tentando explorar as suas mais variadas vertentes. Das Big Bands ao inovador Be-Bop dos anos 50, até ao Hard-Bop, do Afro-Jazz até à actualidade.

Bu bölümde Ahenk Meşinci'nin sunumuyla, kendine özgü stiliyle Hard Bop, Free Caz ve Modal Caz akımlarına yön veren isimlerden biri olan John Coltrane'in müzik kariyerinin yıllar içinde nasıl gelişip değiştiğini inceliyoruz. Kariyerinde dönüm noktası yaratan olaylar ve dönemin önemli müzik kayıtlarından bazıları bu bölümde sizlerle... Yaşar Üniversitesi Radyosu'nda canlı yayınlanan bu programı ve daha fazlasını takip etmek için ⁠⁠⁠⁠https://radyu.yasar.edu.tr⁠

Blues, Bebop ve Gospel stillerinden özellikler taşıyan Hard Bop stili Caz dünyasını 1950'lerde derinden etkileyen bir stil olarak yerini aldı. Müzik dünyasında iz bırakan değerli caz müzisyenlerini konu alan bu programda Ahenk Meşinci'nin sunumuyla, bu bölümde, bu stilin kökenlerine inip Art Blakey and the Jazz Messengers, Miles Davis Quintet, John Coltrane ve Kenny Dorham'ın kayıtlarıyla geçmişe kısa bir yolculuk yapıyoruz. Yaşar Üniversitesi Radyosu'nda canlı yayınlanan bu programı ve daha fazlasını takip etmek için⁠: https://radyu.yasar.edu.tr

Radio Clásica presenta su más amplia de Jazz, piezas inéditas, grabaciones íntimas de Europa.

Josh Feldstein founded The Verve Jazz Ensemble in 2006 as a band that paid homage to the past while vehemently establishing newer, younger audiences for the vintage sound of Hard Bop-inspired jazz.  Josh has studied extensively with drumming legend John Riley and the amazing Joe Morello, Josh's additional drumming influences include Art Blakey, Max Roach, Philly Joe Jones, Buddy Rich, and Peter Erskine. Josh has recorded 8 records with the VJE, including the band's #1 JazzWeek radio chart album, “Connect The Dots.”  His newest VJE album, “All In,” is now being played on US and global internet radio, and will be released commercially on Spotify and all streaming platforms on May 26th. Josh Feldstein was born in Manhattan and received his degree from Queens College, City University of New York.  As a child, Josh began studying drums at age 11. After a drum instructor one day told him that his drumming style “reminded him of Gene Krupa” (whom Josh had never heard of at the time), Josh immersed himself in the recordings of the legendary "Sing, Sing, Sing" soloist. "I listened to all the big bands, from Benny Goodman to Count Basie to Duke Ellington and everything in between,” Josh said.  "I knew immediately it was jazz drumming for me!” In this episode, Josh shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Surely a collaboration between an excellent Hard-Bop trumpet player and a composer of electronic music should have something for everyone? Tom & Gav compare notes on multi-media productions in general and Freddie Hubbard's 1971 album with Ilhan Mimaroglu in particular This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit gasgiants.substack.com

Our new Episode features Lou's clear-tone sounds channeling jazz artists from past to present and beyond. We hope you think it's great! The tunes: "DOESN'T MISS A DETAIL", "STANDING BY", "THIRD CHARM", "A GOOD TURN", "QUICK MOVE" and "TIME RIVER". Enjoy!

My initial interest in this episode was to report an update on the Sonny Rollins Bridge Update but found out more. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/charmeljoiner/message Support this podcast: https://anchor.fm/charmeljoiner/support

Courtney's playing refreshingly cool new jazzy vibes for you to work, rest and play to! This week Tel Aviv guitar bop, meditative vocals & kora, free-funk fusion, Parisian bossa, nu-soul grooves, Brubeck swing, electronica, modern jazz trio: spread the word folks this music is sunshine for your soul!1. Ron Magril - It's The Cops Until Now UBUNTU Tr1Ron Magril gtr Avshalom Meidan pno Oren Hardy bs Ofri Nehemya drMagril1950's Hard Bop reimagined by Tel Aviv's Ron & crew - gorgeous!2. Alma Naidu - Hold On To Me Alma LEOPARD Tr2Alma Naidu vc, Simon Oslender keys, Claus Fischer bs, Wolfgang Haffner dr, Liselotte Östblom, Florian Stierstorfer, Ann-Katrin Naidu bvs arrNaiduMessage of hope from soulful Alma - beautiful meditative vocals from Germany.3. Omar Sosa - Drops of Sunrise Suba BENDIGEDIG Tr4Omar Sosa pno Seckou Keita kora Gustavo Ovalles perc(Sosa/Keita)Afro-Cuba meets Senegal Griot poetry - a prayerful hybrid of togetherness & grace.4. Sued Nandayapa Bergmann Saunders - The Lower Field While It Lasts ROPEADOPE Tr3Natalio Sued sx Gustavo Nandayapa dr Andrew Bergmann bs Bruce Saunders gtrBergmannNetherlands, Mexico, Argentina & US all involved in the creating of this brill free energy meets funky backbeats fest!5. Tierney Sutton – Triste Paris Sessions 2 Tr1Tierney Sutton vc Serge Merlaud gtr Kevin Axt bsJobim arr MerlaudA love story in music btw Tierney & Serge: Bossa in Paris - delicious! 6. Large Bottom Productions feat Von - Ugly Girl SELF RELEASEVon vc Marzuq Asanti bs Kevin Morissette keys Avreeayl Ra perc dr Nicole Mitchell fl Phil Seed gtrAsantiMellow soul vibes outta Chicago feat gorgeous flute from Nicole Mitchell.7. Dave Brubeck Trio - Swanee River Live From Vienna 1967 BRUBECK EDITIONS Tr3Dave Brubeck pno Joe Morello dr Eugene Wright bsFoster arr BrubeckBrubeck minus Desmond swingin hard with incredible bass chops from Eugene Wright! 8. Rebecca Vasmant - Anthropology Dance Yourself Free TRU-THOUGHTS Tr2Rebecca Vasmant mix Nadia Carveth vc Chris Greive tbVasmant/Carveth/Greive/Grey/KoorSoulful jazzy club beats from Glasgow's Rebecca + community9. Bobby Sparks II - Musical Diarrhoea Paranoia LEOPARD RECORDS Tr2Jason JT Thomas dr pt1 Mike (Black Dynamite) Mitchell dr pt2 Frank Moka perc Hadrian Feraud Mark Lettieri Mike Stern Dean Brown gtr Chris Potter tnr Bobby Sparks II keysSparksMasterpiece of super-sized lyrical fusion electronica10. Avishai Cohen Trio – Videogame Shifting Sands NAIVE/BELIEVE Tr9Avishai Cohen bs Elchin Shirinov pno Roni Kaspi dr(Cohen)Modern jazz trio democracy in action from idea-maker acclaimed bassist Avishai.

ThismeansWAR! is a thirty-something squarepusher and mashup-artist from Oslo that feels weird when having to write in third person. Growing up in a family of jazz musicians he got an early start fiddling with synthesizers and drum machines in his dads studio. When he got his sticky fingers on a Casio FZ-1 sampler at age eleven his fate as a music geek was sealed. After being introduced to the harder side of the drum&bass genre - "neurofunk" at the turn of the century there was no going back. He has spent the past eight years playing and promoting DNB-nights in Oslo as well as running the label "Dub Monkey Records" alongside Tony Anthem from "Future Prophecies". In this podcast you'll get to hear lots of drums, lots of bass and lots of sounds like robots fighting in the deep universe. Tune in and get locked!

The great baritone saxophonist Leo Parker - one of the two bebop bari players (with Cecil Payne) . .a short, but telling career. Here he is with guitarist Bill Jennings in 1954 and on his two Blue Note LPs recorded in 1961, six months before he died. Also featuring Dave Burns, John Burks, Bill Swindell, Johnny Acea, Yusef Salim, Stan Connover, Purnell Rice and others --- Support this podcast: https://anchor.fm/john-clark49/support

We put together a Jazz "starter pack" of albums that we thought would set someone who is looking to get into Jazz in the right direction of where to start. There are a ton of different options and a lot of variations of Jazz, we prefer the Hard Bop style like Art Blakey, Lee Morgan etc. We will probably put together a few more of these for other genres of music also. Below is the list in the order we listed it in the show for reference, hopefully we were able to set some curious listeners in the right direction.Podcast Social LinksInstagramFacebookYouTubenoiseavocation@gmail.comRyan InstagramJeremy InstagramMiles Davis - Kind of BlueJohn Coltrane - Blue Train/A Love SupremeArt Blakey - MoaninSonny Rollins - Saxophone ColossusLee Morgan - The SidewinderCannonball Adderley - Somethin' ElseChet Baker - Chet Baker SingsBillie Holiday - Lady in SatinWayne Shorter - Speak no evilElla Fitzgerald - Cole Porter SongbookThanks for listening! Follow us on IG and share the episodes!www.instagram.com/noise_avocation

For Episode 8 of FUTURISTICA RADIO, “Jazz Cosmos – Phase Two,” Host and DJ Simon S serves up a second helping of free jazz, hard bop and deep spaced-out vintage sounds featuring tracks from Blue Mitchell, Don Ellis, Roy Haynes, Joe Henderson, Gerry Mulligan and more, recorded  live and direct at Futuristica HQ. If you missed "Jazz Cosmos - Phase One" or just want to give it another listen, check out Episode 4 of Futuristica Radio on Apple Podcasts or wherever you get your music podcasts. Subscribe and listen to FUTURISTICA RADIO with Futuristica label head and supreme selector SIMON S on Apple podcasts, check out all episodes on Mixcloud, your favorite podcast platform, or live & direct on jasoncharles.net Podcast Network Music Channel.   Each month, host and DJ Simon S journeys through his extensive vinyl selection to create a blend of jazz, soul, hiphop & electronica from across the generations…from Madlib to Coltrane, and Gangstarr to Alfa Mist and everything in between. For more information about Futuristica Music and Simon S, and all the latest Futuristica releases, go to www.futuristicamusic.bandcamp.comSee omnystudio.com/listener for privacy information.

Good News: An amazing t-shirt company makes their wares from recycled previous t-shirts! Link HERE. The Good Word: Another amazing quote from Mister Rogers. Good To Know: An amazing fact about the effects The Moon has on the surface of the Earth! Good News: A new type of artificial cartilage may give hope to the […]

Welcome to a new edition of the Neon Jazz interview series with St. Louis-based Jazz Trombonist & Bandleader John Covelli of The Hard Bop Messengers .. He opened up about their 2022 “Live At The Last Hotel” on a jazz album that literally tells a story. It was born from a residency at the REAL Last Hotel in downtown St. Louis. Each song paints a picture with bounce and bustle that takes the listener to a place and time that somehow feels both nostalgic and modern. John has played in dozens of bands over the years and learned just as many styles. His compositions are infused with such influences, including Latin, funk, chamber-classical, soul, blues and rock, and he hopes the result will have the audience tapping toes and bobbing heads along with every tune... Dig this story ..  Click to listen.Thanks for listening and tuning into yet another Neon Jazz interview .. where we give you a bit of insight into the finest players and minds around the world giving fans all that jazz ..  If you want to hear more interviews, go to Famous Interviews with Joe Dimino on the iTunes store, visit the YouTube Neon Jazz  Channel at https://www.youtube.com/c/neonjazzkc, go The Home of Neon Jazz at  http://theneonjazz.blogspot.com/ and for everything Joe Dimino related go to www.joedimino.com When you are there, you can donate to the Neon Jazz cause via PayPal https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4 or through Patreon at https://www.patreon.com/neonjazzkc - Until next time .. enjoy the music my friends ..

durée : 01:26:55 - Retour de plage du vendredi 29 juillet 2022 - par : Thierry Jousse - Trompettiste de jazz légendaire, Donald Byrd nous fera voyager au retour de plage - réalisé par : Olivier Guérin

In this episode, hosts Mike Dawson, Thomas Wendt, and David Throckmorton share 10 amazing recordings featuring legendary jazz drummer Art Blakey.

Follow Duane SmithArticles:The Lasting Legacy of Legendary Trumpeter, Clifford Brown50 Years Later, Unmuted Awe for Clifford BrownBe a member of the Trumpet Vybes Committee by joining the Discord server and Patreon page!

Radio Clásica presenta su más amplia de Jazz, piezas inéditas, grabaciones íntimas de Europa.

This episode is about a documentary I saw titled ‘ I called Him Morgan, a story about Love, Jazz and Betrayal between Trumpeter Lee Morgan and his common law wife Helen. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/charmeljoiner/message Support this podcast: https://anchor.fm/charmeljoiner/support

Want to make your own bebop style lines? Chromaticism and devices such as enclosures can help you achieve this while also providing you with smooth voice leading.

The concept of what makes something swing is not only subjective but also rather abstract. That being said, we as jazz musicians generally know it when we hear it! In this episode, Brett goes through some different considerations when learning how to swing.

The 2 feel is an important element of swing. It sets the groundwork for the 4/4 swing that often comes later. While simple in theory, there are some things to consider when developing a good 2 feel.