Podcasts about Peloton

Nothing says I love you like abandoning your family to get in shape for your endurance sport. The Abandon Your Family 500 is a challenge to ride 500 km on planet earth or on a virtual cycling platform over the course of 10 days brought to you by Choose the Hard Way / Andrew Vontz, Beyond the Peloton / Spencer Martin, and Riding With / Jonathan Kaplan.  During the #AYF500, Andrew, Jonathan, & Spencer will be doing minisodes to share their experience participating in one of life's most rewarding experiences: having fun doing something hard with your friends. Follow along here and at https://alwaysthehardway.substack.com/ DM Andrew on Instagram and let him know how your #AFY500 is going and anything you'd like us to cover in our daily updates.  ----- The media landscape has changed. Scripted is out. Real is in. Being a great podcast guest or host isn't optional. It's now a mission-critical skill for senior leaders. That's why Andrew Vontz started https://www.onerealvoice.com/, to help industry leaders thrive on podcasts, panels and in the high-stakes, open-ended conversations where reputations are built and business is won. When you're ready to be great, DM https://www.instagram.com/hardwaypod or reach out to hello@onerealvoice.com.  ----- With over $1 trillion in transactions to date, Blockchain.com is your trusted partner on your crypto journey. Go to Blockchain.com to get started today, no experience required. ----- Lauf is the Apple of bike design and they make elegant products that just work better than everything else. Check them out at www.laufcycles.com.  ----- JOIN US: Andrew Vontz's Choose the Hard Way newsletter: https://alwaysthehardway.substack.com/ One Real Voice - narrative, strategy and coaching for podcasts & high-stakes conversations: http://www.onerealvoice.com Instagram: http://www.instagram.com/hardwaypod Linkedin: https://www.linkedin.com/in/andrewvontz/ Jonathan Kaplan's Riding With newsletter: https://ridingwithkaplan.substack.com/p/riding-with-friends?utm_source=publication-search Spencer Martin's Beyond the Peloton newsletter: https://beyondthepeloton.substack.com/

The Anfield Wrap's free podcast reacting to Liverpool's 2-0 win at home to Brighton in the Premier League. Beth Lindop is joined by Jake Nolan, Mo Stewart and Kieran Molyneux. Also in the show, John Gibbons talks to Matt Parish from the LFC Foundation. Download the Peloton app and check out the six Liverpool FC-themed classes, and connect with Neil, John and other Reds by joining the #TAWPelotonClub tag...  Subscribe to The Anfield Wrap for more on Liverpool's 25/26 season… Learn more about your ad choices. Visit podcastchoices.com/adchoices

Whisk(e)y Wednesday Gone Wild: Mezcal from Peloton & Leyendas w/ Jamie Korkos Dec 10th 2025

Welcome to Episode 249 of Pelo Buddy TV, an unofficial Peloton podcast & Peloton news show. This week we cover the following topics: Peloton's CEO talked about why the Row+ and Tread+ aren't available in Europe & Australia yet. Emma Lovewell has a new "Crush Your Core 3 – 14 Day Streak" program available. The Hospital for Special Surgery (HSS) helped Peloton create the new "Road To Recovery: Shoulder" program. The first two for one classes featuring guest instructor Tim Robards are now available. Peloton will release the next several weeks of in-person classes early all on December 18th due to the holidays. The first "Club Peloton Live Class" took place where only "Legend" members could ride live. There was a surprise artist series to celebrate Taylor Swift The Eras Tour. A new artist series featuring the music of Michael Buble took place. The Peloton UK team has a class telling the story of "A Christmas Carol", plus there are "London Holiday Light" scenic classes. Cheyenne Jackson was a featured guest and on-camera being interviewed during Matty Maggiacomo's Broadway Holiday Walk. Peloton highlighted some classes in "This Week at Peloton." Peloton is giving away 2 tickets to the NBA All-Star Game for 2026 to promote the new Las Vegas micro store. Peloton is following up Black Friday by immediately jumping into some Holiday sales that run through the end of the year. Happy Birthday to Marcel Maurer this week. There is a virtual event with Susie Chan and Halle Berry. Callie Gullickson was on a billboard in Times Square as part of her book release. Jenn Sherman is moderating a conversation with Dr. Ezekiel Emanuel. Jess King was interviewed on the CEO School podcast. Cliff Dwenger recaps his time on The Voice this season. Class Picks of the Week Enjoy the show? Become a Pelo Buddy TV Supporter!  Find details here: https://www.pelobuddy.com/membership-account/membership-levels/ You can find links to full articles on each of these topics from the episode page here: https://www.pelobuddy.com/pelo-buddy-tv-episode-249/ The show is also available via YouTube: https://www.youtube.com/c/PeloBuddy This episode is hosted by Amanda Segal (#Seglo3) and Holly Kabler (#Crabbie_KakeS).

Choose the Hard Way is the show about how hard things build stronger humans who have more fun. This episode is about living that philosophy and how you can, too.   Choose the Hard Way & One Real Voice founder Andrew Vontz, Spencer Martin of WeDu / Peacock / Beyond the Peloton, and Jonathan Kaplan of the Riding With newsletter / pod discuss the history and lore of the Abandon Your Family 500. The #AYF500 is a challenge to do what endurance athletes do best--focus on themselves, ignore their families and real life obligations and ride 500km between December 15 and 25. The second annual Abandon Your Family 500 kicks off soon. If you want to secure your mid-place finish at a Lifetime Grand Prix event or other gravel major in 2026, the time to get started is right now. DM Andrew on Instagram to join the challenge.  ----- The media landscape has changed. Scripted is out. Real is in. Being a great podcast guest or host isn't optional. It's now a mission-critical skill for senior leaders. That's why I started my consultancy, https://www.onerealvoice.com/, to help industry leaders thrive on podcasts, panels and in the high-stakes, open-ended conversations where reputations are built and business is won. When you're ready to be great, DM https://www.instagram.com/hardwaypod or reach out to hello@onerealvoice.com.  ----- With over $1 trillion in transactions to date, Blockchain.com is your trusted partner on your crypto journey. Go to Blockchain.com to get started today, no experience required. ----- Lauf is the Apple of bike design and they make elegant products that just work better than everything else. Check them out at www.laufcycles.com.  ----- JOIN US: Andrew Vontz's Choose the Hard Way newsletter: https://alwaysthehardway.substack.com/ One Real Voice - narrative, strategy and coaching for podcasts & high-stakes conversations: http://www.onerealvoice.com Instagram: http://www.instagram.com/hardwaypod Linkedin: https://www.linkedin.com/in/andrewvontz/ Jonathan Kaplan's Riding With newsletter: https://ridingwithkaplan.substack.com/p/riding-with-friends?utm_source=publication-search Spencer Martin's Beyond the Peloton newsletter: https://beyondthepeloton.substack.com/

This week we dive into all the latest Peloton news and fitness updates. We break down Peloton's new Sculpt Flow class type and discuss whether legend hunting is getting out of hand. Plus, we explore rumors about OG Bike upgrades and the ongoing cord drama with the Peloton Tread. Find out the latest on Peloton ads in ChatGPT and what a Peloton "white paper" might reveal about the future of fitness. We also cover the official end of the mPaceline app, celebrity sightings, instructor news, and so much more. This episode is packed with everything you need to know about what's happening in the world of Peloton.Peloton introduces a brand new class type: Sculpt Flow.Is the community's "legend hunting" for high-fives becoming too much?We discuss the possibility of the original Peloton Bikes getting an upgrade path.There's more cord drama affecting Peloton Tread owners.An update on the integration of Peloton ads within ChatGPT.Peloton's Senior Manager of Corporate Wellness Projects has resigned.A newly discovered Peloton "white paper" gives us a glimpse into the future of fitness.The original mPaceline app is officially no longer supported.Don't miss The Clip Out's 2025 Holiday Gift Guide for the fitness fan in your life.Good news for bakers: premade superhero muffins are now available.We check in on Cliff Dwenger's journey on The Voice Germany.TheBlast.com shines a spotlight on Peloton instructor Cody Rigsby.Jess King shares her top holiday fitness tips with People Magazine.Emma Lovewell made a guest appearance on Fox 5 in San Diego.Selena Samuela provides a pregnancy update, reaching the 34-week mark.Actor Cheyenne Jackson was spotted in a recent Matty Maggiacomo class.Competitor iFit is launching a new reality show.Tonal releases its annual "State Of Strength" report.The Clip Out Top Five: A recap of the community's favorite Peloton classes this week.This Week at Peloton: A look at the official schedule and featured classes.TCO Radar: We highlight the upcoming Peloton classes we are most excited about.Emma Lovewell's popular "Crush Your Core" program is making a comeback.Happy Birthday to Peloton instructor Marcel Maurer on December 12th.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The gang chats about romantic literature, Toonces the driving cat, red vs blue dilemma, Christian BMX & black metal, Quentin Tarantino and also celebrity bands.Listen to the Jortscenter playlist: https://open.spotify.com/playlist/2ioAsKKw7AhdJ0cCrasqfH?si=6c2cef121c3a4a9aJoin our Peloton!   https://www.patreon.com/JortsCenterFacebook group: https://www.facebook.com/groups/342135897580300Subreddit: https://www.reddit.com/r/jortscenterFollow us on Twitter:@JortsCenterPod Will is @wapplehouse Josh is @otherjrobbins Ryan is @ryhanbeard Vic is @DokktorvikktorZack is @ZackVanNus

Is Your LinkedIn Personal Branding Built for Buyers or Bystanders? "Respectfully, you are not my audience." Performance coach Giselle Ugarte said that on a recent episode of the Sales Gravy Podcast, and it might be the most liberating thing you'll hear about LinkedIn personal branding this year. Because somewhere between building your profile and hitting publish on that post, you've started making decisions based on what your college roommate might think. Or your former boss. Or yes, your mom. The hard truth? None of them are writing you commission checks. The Real Reason Your LinkedIn Personal Branding Falls Flat You've heard "be authentic" and "show up as yourself" so often that the advice has lost all meaning. So you end up in a strange middle ground where you're not polished enough to impress executives and not human enough to connect with actual buyers. Your LinkedIn personal branding suffers because you're creating content for ghosts. People who will never hire you, never refer you, never sign a contract. You're worried about the wrong audience, and that hesitation shows up in every word you type. Think about the last post you almost published but didn't. What stopped you? Probably not a legitimate business concern. More likely, you had a flash of "what will people think?" and that voice didn't belong to your ideal client. It belonged to someone in your network who wouldn't buy from you if you were the last salesperson on earth. Who Your LinkedIn Content Is Really For Your LinkedIn personal branding should speak to three groups:  Current clients  Prospective clients  People who can refer you to clients That's it. Everyone else is background noise. When you post about closing a tough deal, your brother who works in IT might think you're bragging. Your client, who fought through the same challenge, is nodding in agreement. When you share a lesson from a deal that went sideways, your high school friend might wonder why you're airing dirty laundry. Your prospect is realizing you understand their world. The disconnect happens because you're trying to serve two masters. You want to build real relationships with buyers while also maintaining some imaginary professional image for people who have zero impact on your business. The Transform 20: LinkedIn Personal Branding That Actually Works If you're going to shift your LinkedIn personal branding from performative to productive, you need a system. Not another "post three times a week" generic advice pile, but something that forces you to focus on real humans instead of vanity metrics. Giselle's practical framework, Transform 20, breaks down into four daily actions, each designed to build actual relationships: Connect with 5 new people. Not random connections. People you met this week, people on your calendar, people who recognize your face. Every request should feel familiar to them. Send 5 meaningful messages. Check in. Reference something personal. End with a question. “Let me know” is where leads go to die. Meaningful DMs teach the algorithm who matters to you — and who should see your content. Leave 5 meaningful comments. Two to three sentences. Add context. Reintroduce yourself if needed. A thoughtful comment builds more trust than another like or emoji ever will. Record 5 one-to-one videos. Sixty seconds or less. “Hey, I was thinking about you because…” It's a pattern interrupt in an inbox full of text and one of the fastest ways to stand out. This is where confidence compounds. Twenty actions. Most people won't do it because it feels like work. But if you woke up to 20 qualified leads tomorrow, would that change your business? That's what you're building here. What Your LinkedIn Profile Should Actually Show Buyers want to know you're a real person. That you have a family, hobbies, interests, failures, and lessons. That you care about something besides your quota. If you blur your Zoom background because you think it's more professional, you're missing an opportunity. Let them see the bookshelf, the Peloton, the framed photo. These details give people something to ask about and a reason to remember you. The same goes for your LinkedIn headline. Yes, include your title. But also include the detail that creates connection. "Mom of four," or "Proud Michigan alum," or whatever matters to you and might matter to them. Make it easier for people to find common ground with you. Stop Creating Content for People Who Will Never Buy You already know who matters: current clients, prospective clients, and people who can refer you to clients. Your former colleague who always has something snarky to say about your posts? They've never sent you a referral. Your friend from college who thinks sales is beneath them? They're not signing contracts. Your family member who wants you to be more buttoned up? They're not in your market. Have the clarity to know that you can't build an effective LinkedIn personal branding presence while trying to please everyone. You'll end up pleasing no one, least of all the people who could actually benefit from working with you. You cannot build effective LinkedIn personal branding while trying to please people who don't impact your business. Before you write that post or record that video, remind yourself: someone would be lucky to hear from me today. You have something valuable to offer — and the courage to show up as a real human. The salespeople winning on LinkedIn aren't the most polished. They're the most human. They make it easier for the right people to decide they want to work with them. Send the videos. Start the conversations. Show up as the person your clients actually want to buy from. That's how you win on LinkedIn — and everywhere else. Want the full LinkedIn playbook? Buy The LinkedIn Edge by Jeb Blount and Brynne Tillman. It's packed with non-negotiables that will turn your profile into a pipeline-building machine.

Send us a text*DISCUSSION TOPICS*What is all this noise about an exclusive class???Tammy's member perks plan!Any new thoughts on the new instructors???Jeremy gives Alex a DOPE drawing!Alex Breanne Corporation updates!Can OG Bikes get the new Crossfit screen???We GOTTA talk about Danielle's Eagles!Michael Bublé Artist Series! I know who he is!Class Recommendations!

This week on Wellness Junkies, Amy is back with favorite co-host Rachel Johnson of ah.mi to chat with the iconic Kristin McGee – celebrity yoga and pilates teacher, former Peloton coach, mom of three, and founder of the Kristin McGee Movement app.Kristin shares how a random yoga class at Crunch led to MTV Yoga DVDs, a dream role launching Peloton's Yoga & Pilates program, and what really went into her decision to leave a high-profile role and build her own platform while navigating divorce and single motherhood. She breaks down her “Flow • Sculpt • Connect” philosophy, why meditation is the ultimate anti-ager, and how short, stackable workouts can actually change your body (and your mind) over time.We also announce something fun: Super Clean January with ah.mi x Kristin McGee – a four-week, approachable reset with strength, yoga, pilates and meditation to help you feel better after a very “coast and toast” December.In this episode, we talk about:Kristin's wild origin story: from NYU theater major to MTV Yoga DVDsSliding into Peloton's DMs and helping build Peloton Yoga & PilatesThe emotional side of leaving a beloved job – grief, fear and finally, reliefLaunching the Kristin McGee Movement app and working with TonalWhy women need strength training (and how to make it less intimidating)Her “Flow • Sculpt • Connect” method: strength, mobility, + mind-body connectionThe twice-daily meditation practice she swears by – and how it got her through divorceWhat she actually eats in a day (including her nightly dark chocolate square)Mom life with three boys, Chick-fil-A hacks, and lowering the holiday “perfect mom” barThe scoop on Super Clean January with ah.mi and how to joinSuper Clean January with Ami x Kristin McGeeStarts: first Monday after New Year's (Jan. 5th)What you get each week:3 strength workouts2 yoga/Pilates classes2 meditationsBuilt-in accountability via ah.mi's communityBonus: Ami members get 2 months free of the Kristin McGee Movement app

In this episode of The Liquidity Event, AJ and Shane dive into billionaire wealth gaps, UK "rags to riches" stories, and what happens when fast financial success reshapes friendships. They unpack media narratives, economic inequality, and why Business Insider profiles might not tell the full truth. The conversation expands into EU vs. US tech power, streaming-platform consolidation, and the rise of "enshittification" across the internet. AJ and Shane also cover year-end money moves, including FSA/HSA spending strategies, Trump Accounts, and how early-life investment programs could change generational wealth. They discuss credit-building hacks, life-changing compounding math, and the personal finance implications of giving every American baby a federally funded investment account. The episode closes with a look at what to do with an extra $100K at year-end — plus a few fun ideas for how to blow it in six hours. Key Timestamps (00:00) Bemelmans Bar recap and the Shrimp Cocktail Index (03:00) Rags-to-riches story: £20M in 8 years and the fallout of fast success (05:00) "Self-made" narratives, Bill Gates' daughter, and privilege vs. perception (08:10) UK vs. US GDP, economic decline, and foreign ownership concerns (09:30) Big Tech fines in the EU and the power imbalance with U.S. platforms (11:45) Streaming chaos: Netflix, Warner Bros., pirating, and lost media access (12:50) "Enshittification" explained — how platforms get worse over time (13:20) FSA/HSA hacks, eligible gift ideas, and Peloton letters of medical necessity (16:30) Trump Accounts, Dell family matching, and life-changing compounding math (26:00) What to do with an extra $100K — loans, DAFs, mortgages, and dream spending  

Whisk(e)y Wednesday Gone Wild: Mezcal from Peloton & Leyendas w/ Jamie Korkos Dec 10th 2025

Not even a wisper of collision penetrates explicitly this inclusion; Segmented and represented this disarray of miserable approval, And, abject, Or i object, I guess To that which is to say Today is in between the ordinary and disarray, To make arrangements; A solemn display of effect and intent of regression, And yet without all clear disrespect to port or establishment; Still here are there words and where there was love, no more— none for her but then around, within arousal stands as that, to which has since been lost, If not to time, another concept thus by force unknown, to with and withstand habitat for circumstantial evidence of coincidence, But yet arbitrary and then dismayed for short or arc, There this, no more her words for flower, more of words to thus embark. Still time, Very well, my breath, for I have opened a foreign chapter— Then with the way you say, you wore our out, In time you are uncovered for her drugs and left to smuggle over-under— Therefore when that said time has come, you know to form the drift to wait, And yet lack still this patience I have tamed you many acres since the ancients fell upon there ails; There pitting since sunk and crucial to this, and our time is not lost nor won, disheveled making prayers for sense and dollar signs; No have no more barren chest and thought of songs, much less a found the words for songs as though my love has crept upon the rock, That dusk and dawn, the ocean licks with parched tongue. Scare her dry and feast and fragile and evidence remained as these as words and thoughts, The truths would tell the tale for every way. With each drift scattered mark, upon those boats with sails above known not as white but also many colors of the brethren cut from clothes of all apart and none of one, for this, her maritime. {Enter The Multiverse} I opened right to Debbie downer; I got medicine for your habit (I got the remedy in the form of a secret, But the misery is in keeping it) I got a kind heart, I did some mai tai, Should have learned some thai chi As if I took some matcha Or chai tea Caffeine Adrenaline I got a kind heart Adderall instead of Ritalin Entry level access Salary yellow fashion, Intercept, invest Inception, redirect Service elevator, eh; She don't live here no more But where she is? Couldn't tell you. What's the story On a ten star war. No more Harvard, Purple hearted general, General admission to a festival? Just miss me that that bullshit. For your pleasure, Every crevice just has pressure in it— Now I get it I hypnotized myself, I guess The ribbon Blue belt I should be cleaning instead of half sleeping; I keep explaining myself thinking somebody can hear me When they obviously can't. I've been screaming silently for seven seconds, Several years I think on other planets Pull your hair back in a bun And then you'll learn, I guess I passed out cold upon the stand That was the plan, I guess Much slower to close than to open, Although, I know I pop-button broke the code before But still no low moral summoning (Sorry, product) Still no low road or mud throwing No more home She's 32 and 3 months older But looks much longer And harder, tired Must have body or Motive Must have body Or bad intentions Take a man, and write a book about it Take a man, and write a book about it I call that a thirst trap I call that a thirst trap. She must no longer Prim and proper But the work is never over, Show us all the roots, and know the knowledge But don't talk or comment on it I was “almost” once And I was honest twice Three times, you're a liar Mister, honor, pleasure, Fisher wife And never leather, Tipping tethered, Tied to rock and kite And lock and key For here and there Forbearance, rather Here for never ever after Amen and then some L E G E N D S I told you Jimmy Fallon was a Skrillex. I know. What's worse: Skrillex is a Jimmy Fallon. Oh, that is worse. yO iT iS pRoGrEsSiVeLy WOrSE: Is this what you wanted? The awful destruction of constructs— Click, boom— Knife, gun, Add an axe, Bind the axel, Excellent, Put the prejudice inside your head ahead (We brought it back) Put the Edipus complex To this effect Upon a platter Silver as the gun at stake, And raise the hand that shouldn't matter After that? You won. Four tries; Six goons, Four Gods, One white ther I have Two white coats and misters, hot coals Dark fires, have ones, Six mazes, one center On your mark “The Dark Forest” Ugh I hate this one, Get set Don't forget, we all died here. We all crisis, We all Christ. Goosebumps, right? Gimmie that kite! You dumb son of a bitch! GO! Check it out! I look like Kim Kardashian. But you smell like Kim Chi. Yooo that joke took me like 2 months to write down! I know huh! [The Festival Project ™] I looked for something on Hulu to watch for so long that I almost ate my entire dinner without clicking on something. Finally, I find something that interests me, which is just a graphic of a television set and some color palette by now that is somewhat of a calling card for me. So I get there, And it is of interests, And yet of course the unexplainable anomaly of this, is that, no matter how far I try to run l He just keeps coming back. ‘Like this is crazy.' I never found myself agreeing with Louis C.K. about anything at all, and personally and particularly, I never found him funny, until, that was the sudden realization that the same array of betrayal, anger, and agony fueled by rage and jealousy had taken over he and I and many others probably, when introduced to the possibility of having to share the same reality with a head of hair and a face like that. I might have mustered a “my sentiments exactly” though silently before taking in to my own wonder and amazement that twice in one week, besides skipping over the algorithmic traps in my sidebar which I treated like little land mines or time bombs, but mostly allotted to my own Internet history of my uninhabited viewing, as it seemed I'd been most preoccupied in rerouting this energy into a fascination with TV programming, giving me the satiety for the comfort and familiarity in something; and I was with some some kind of certainty I knew alluded to the old adage of mother knowing everything. Even if everything hadn't happened yet, actually, or maybe it had. This strange sort of desire however was some sort of weakness, with the ability to have a fixation for a desire without any way of actually getting it. As she used to say. “Having champagne taste, but beer money.” [so I avoid it because it makes me angry.] Sometimes even, tearfully angry, and it made me feel so uncontrollably adolescent that I would have equated it to the hysteria of beetlemania; screaming and clawing and aching and chasing for this being that was so notably out of reach. Worse off, I'd realized in this running from what seemed was chasing me was how common I was in this feeling, [] To my demise. In this sense, the safety of this entire being and any alike, was that I could seek logic in my jealousy by rationalizing not attaching to a certain subject sexually or otherwise. But this basis in the contempt of familiarity was really rather irritating, in that it seemed as simple as having an awareness of this seeing all the time, to the point that I became a subconscious aching for [something], blossoming into the actual conscious awareness out of the repressive need for something I no longer had and always wanted: [The Festival Project ™] And for for this, I considered it a sort of sickness that I couldn't seem to tear away from it, but also something that had happened very naturally, and now had unearthed an entire cavern of secrets I could be found no where writing or even very rarely thinking them. Thoughts or ideas worth protecting and the kind of code that goes about saying nothing, looking the other way, keeping your mouth shut and hiding or guarding with your life. But media, or the eye that seems to see all lately had been poking at it, maybe because I wasn't. Maybe because I spent an hour at a time four day a week with [a less than separate set of characters] —or big brother, if you will, in a safe and respectable distance and admiration [] Where I could at a certain pace study this sort of programming without anything having to be reflective of the life I wasn't living— the sex I wasn't having. Watching the ABC version of late night programming was allowing me to focus on the other things I needed— being very skinny, and crossing one leg over the other and sitting pretty; while also showing me another side of a suit and tie that was interesting— The ability to be invisible, and also say many things without talking, for anyone paying attention to the complex series of things very often overlooked by a normal onlooker or audience, Which I was, and wasn't— because I was looking for something. The mind boggling thing to me was, by watching, I was actually finding it. [The Festival Project ™] —Death of a Superstar DJ As Seen on TV The Television People “Puzzle Pieces” I don't want anything I don't want anyone Conflated circumstance Oh, it was was just a nut— Got it and now it's gone Pulled it all off at the thought It was Thunderous But now I got it together I don't want anyone Especially not a poor boy No I'm not alone, boy I got my kitty Pet the cat and love my pussy, So it's really not a mystery I don't need him, or anybody really Miss me with that shit That's a pretty promise and a big redaction Deadass I stepped into my ballet shoe And onto shards of glass I guess that's on pointe But off topic Co-ed saunabody shopping I show up at Equinox But only when I want (On proxy) I protect my heart (On God) I don't want nobody really. One one-off on Wall Street, brother Don't bother calling back Don't got my number, Not a problem Not my name Or my address Cause if you did You'd be depressed like I am. Now we're getting dressed You take a cab I take the train Just another day of training But my life. Is steady draining There's no use in even explaining myself I guess I'm selfish Like dental floss for Christmas Or shellfish for the kitty But for me just friuits and veggies You don't notice? I love nobody, Cause nobody could love me Now I'm over it Now I'm over it Now I'm over it But you know the cost I was nothing Now I want Nothing Nobody love me I don't want nobody, No I'm not sorry How they're swarming on my GPS location With these second rate bit glitches I stay sleeping in my kitch But I'll never rest, I guess Until theirs justice Said that. {Enter The Multiverse} Excerpt: The Television People (TVP) Season 4 © The Complex Collevtivd [The Festival Project, Inc. ™] All rights Reserved REGINALD Would you kill your prostitute for one million dollars? PATRICK Why would you ask me that? REGINALD That's an odd answer. I'd expect your response to be somewhere along the lines of denial of— ever having a prostitute. PATRICK I'm a talk show host. REGINALD Is that supposed to mean something? PATRICK There are certain societal assumptions. REGINALD Do you find yourself—befitting to any of those stereotypes? PATRICK I don't find myself “befitting” at all. REGINALD You know, local [charters of our office] — (But Patrick speaks quickly and with dominance to cut him off.) PATRICK Now that I know what you are— REGINALD You mean “who”? PATRICK I mean “what”; why make and owl's cry in response to a dog's bark? [a realization between the both of them is immidiately found; this sort of language has implied they are belonging to the same branch of THE EYE which acts above the law; it is a fair fight— and now they this phrase has been established, there are now rules written or unspoken which can be applied here.] REGINALD cocks his head and forces an awkward smirk. REGINALD Very well. I am quite the trouble maker; I am mischief, I am danger, I am Chaos, I am leveled I am honored, I am damned I am also coming making day of peace and hallowed are you; I am also coming waves of needing peace to which I bound to. So sparrow coming grace and peace and giving, Made and tied, Though had you not the ever presence or the record for the time, So then you too shall wander, mercilessly to and fro and all about, And here and there but never where my value has been gathered. So for that, the dust is set, And said and twisted, never making bread for peace And dead for death, and craving this, to set of force her Having made my honor there, and lying in the wit and willow, weathered veins and weathervane, And twisting wind of fate and fortune. So, my mind and tressure buried there for gains and white, her shadow Barren in the east, and in the west her mortuary; Seeking sane and crypt but tied and kept for thithered foust and fouling, Butter turned to brittle, May, September, Then another serpent— More to moulf and wept her slated dream for keeping broken bear in, There the wake had frozen into lake and also leather boxes, For what will of what I am and is her fare not wearing any; Though the mister winds of east and west had set her onward any. Lemons and limes, though— Taking my time, soured Never with water, sugar But chest without pride; There in the wake marked and marched o. Her army, Not to yawn or buyoer billow, Porridge feathered, Cream and none for part her hunger There though, then were the marks And the found of the wicked past; Ties there and fire would have her mark upon the dungeon throne, Weeping here though on the floor for flour Every hour passed as I, come creeping with the forest feathered, dimmed the basket having cut from tethered grass, I. And now we wait though them, here, The marshmellow and willow not having woken, Though Monday, for total control of her honor, Contorted. Then came, seeking guild and weight and force, The fear and wind though wish to pull apart the storm had gathered, fell apart itself, Though sit not back and then became as strong, a pebble which from dust became an avalanche at once, through windows past, I— Marked one forest, and one warm summer, And one forest, and good quilt, did slither, and then making in the forest, I, for did I run As yet to suffer also. Yo where the fuck am I going. Alright, airtight we want and something foraged from nothing in her name, And this the time that tells itself for life and health In other ways besides your own. Don't cough. For those who either suffering or lost know of your forces and so sure does come the rock that turned from stone in forests over, So you sure too shall come another, Poor and hurt but soon to suffer, Also. tisk- tisk The risk my friends is running wise, The coyotes running wild for find that lone and feathered friend, To which has flight with all the know that he, and friends are feasts of foe and so these might and waves of time are sure to grow into another. Right on. So I write on and then, the missed and uninformed becomes again the death I recommended. Ten till ten tales and also please give, and whistle whalfolks under our time which has lost mine and all others. So tempted there come gathered, weeping Feathers at her slaughtered as palms, Weight beyond the brow and below the belt to which that called her— Devil's mate and crater for the fate but fame at heart earned, casting shadows over which has lost its appetite, for now becalmed her hunger. Her hunger. Her hunger. REGINALD's tone changes entirely— if at first it may have been a playful game (and it wasn't) now it is serious— crucial, even. REGINALD Why did you do it? PATRICK I wouldn't do something like that… REGINALD —something like what? PATRICK realizes quickly he's been playing over in his mind that has not yet fully been realized on the surface of the conversation— it was an honest answer, but still implicit, and so in this moment of self awareness and realization, also of stunning showman and marksmanship, a certain light comes on as if the camera has been directed at him; his entire mask comes on at once, and no longer can the reminisce of an honest thought be detected. He has become a wall. PATRICK To follow up on your first question. Which was odd— REGINALD About killing your prostitute. (He means to intimidate, but PATRICK is a stone.) PATRICK You must not watch my show at all. REGINALD takes a moment to collect himself, with even just the slightest and temporary glimpse of fear in that he may have met his mental match, and has already lost the fight, also collecting his briefcase before he I told you no more trains. At the risk of sounding obnoxious, I've started ignoring all the voices in my head— Even though they're always right. fuck! REGINALD pauses, takes a deep breath while opening the door before looking back over his shoulder. REGINALD I must not. He walks out and immediately slams the door behind him. PATRICK, as if still in the eye of the camera remains calm, although, just the glimmer of fire in his eyes reflect the battle has yet been won. But as we all know by now, He will win the fight. The television people, season four I can't stand these fuckin hoes; Two days off in your hole Offers you a whole new perspective Of your own God complex; You're better off alone, Dead, Or on prescription medicines For all those thoughts in your head Like the bullet holes left from the gun That is poor and alone And just not having money. Confidence lost with a look, And you're sure you just should have gone come But the court office closes its doors at 4:30 And you've been done wrong Four long lost lovers over, It not about that, but motorcycles It's not about reps, It's about cycles I'm one our Peloton down And a whole world to go While you morons just on and on Won't stop talking Here's to disturbing your peace at the equinox And anywhere else you rest your rotten core, You dirty who're— What's it costs for love? Not a whole lot, Don't you see that I'm struggled in Brooklyn? Fuck this whole raw sewage garbage bucket If I gargle hard enough I'll just throw up But you push all the bottles and straws to the end of the curb And the colored sand blacks to the outskirts So we work harder It's a ocean of no But you know not what it does not to know me So below your own suffering goes the call of the crow just before dawn Mx To drop out Cool I don't want to be here I just want a surfboard Apparently it's your year But I'd slit my wrists for Harvard Yeah, it is— that kind of hurt Yes, it is that kind of pain The corvette stole your very favorite colors And your name That sort of wickedness, Just before it ends The candles flickers and the winter's coming in atop the l marble kitchen counters All right, all yours Patched up, or in the poorhouse Compliments to the chef, of course, compliments to the chef. Gotta go to the court house Of course cause I'm black So it's automatically implied I just don't work hard enough Or just ain't made the cut My momma was a dancer, not an athlete My momma made me fat and now I can't do that either If I'm the other black girl In a room full of white men I automatically become “The ugly one” So then I'm off. What's the point of coming here? A black book? A black box? Try to run me off out of the equinox on Walter Well done. I should not have wrote about it Lil bitz My son accused me of being in the Illuminati. He's 9. How do you even respond to that? I love my son, He's like really, really… fat. It's okay— I kinda like it; he's fat, I used to be fat; So we talk about fat people shit. Like McDonald's. And ham. lol This lady on the subway leaned on my hand on the pole. And I mean like really leaned into it, With her whole body weight. I just came from the gym, I been up all night, And she like— Leaned. Like, you know I didn't say shit, I just let it happen, But inside I'm like, WHY ARE YOU TOUCHHING MEEEEEEEEE?!!?!? WHY ARE YOU TOUCHING ME?! This train is not full. I don't think you understand. I just came out the steam room. I am the equivalent of fresh and pressed. Then she's just gon Leeeean. FUCK THAT. STOP TOUCHING MEEEEE. but like irl I'm just standing there like, No protest. Inside: NOOOOOOOOOOOOO!! STOP IT! Outside: [nothing] Chroma111. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Not even a wisper of collision penetrates explicitly this inclusion; Segmented and represented this disarray of miserable approval, And, abject, Or i object, I guess To that which is to say Today is in between the ordinary and disarray, To make arrangements; A solemn display of effect and intent of regression, And yet without all clear disrespect to port or establishment; Still here are there words and where there was love, no more— none for her but then around, within arousal stands as that, to which has since been lost, If not to time, another concept thus by force unknown, to with and withstand habitat for circumstantial evidence of coincidence, But yet arbitrary and then dismayed for short or arc, There this, no more her words for flower, more of words to thus embark. Still time, Very well, my breath, for I have opened a foreign chapter— Then with the way you say, you wore our out, In time you are uncovered for her drugs and left to smuggle over-under— Therefore when that said time has come, you know to form the drift to wait, And yet lack still this patience I have tamed you many acres since the ancients fell upon there ails; There pitting since sunk and crucial to this, and our time is not lost nor won, disheveled making prayers for sense and dollar signs; No have no more barren chest and thought of songs, much less a found the words for songs as though my love has crept upon the rock, That dusk and dawn, the ocean licks with parched tongue. Scare her dry and feast and fragile and evidence remained as these as words and thoughts, The truths would tell the tale for every way. With each drift scattered mark, upon those boats with sails above known not as white but also many colors of the brethren cut from clothes of all apart and none of one, for this, her maritime. {Enter The Multiverse} I opened right to Debbie downer; I got medicine for your habit (I got the remedy in the form of a secret, But the misery is in keeping it) I got a kind heart, I did some mai tai, Should have learned some thai chi As if I took some matcha Or chai tea Caffeine Adrenaline I got a kind heart Adderall instead of Ritalin Entry level access Salary yellow fashion, Intercept, invest Inception, redirect Service elevator, eh; She don't live here no more But where she is? Couldn't tell you. What's the story On a ten star war. No more Harvard, Purple hearted general, General admission to a festival? Just miss me that that bullshit. For your pleasure, Every crevice just has pressure in it— Now I get it I hypnotized myself, I guess The ribbon Blue belt I should be cleaning instead of half sleeping; I keep explaining myself thinking somebody can hear me When they obviously can't. I've been screaming silently for seven seconds, Several years I think on other planets Pull your hair back in a bun And then you'll learn, I guess I passed out cold upon the stand That was the plan, I guess Much slower to close than to open, Although, I know I pop-button broke the code before But still no low moral summoning (Sorry, product) Still no low road or mud throwing No more home She's 32 and 3 months older But looks much longer And harder, tired Must have body or Motive Must have body Or bad intentions Take a man, and write a book about it Take a man, and write a book about it I call that a thirst trap I call that a thirst trap. She must no longer Prim and proper But the work is never over, Show us all the roots, and know the knowledge But don't talk or comment on it I was “almost” once And I was honest twice Three times, you're a liar Mister, honor, pleasure, Fisher wife And never leather, Tipping tethered, Tied to rock and kite And lock and key For here and there Forbearance, rather Here for never ever after Amen and then some L E G E N D S I told you Jimmy Fallon was a Skrillex. I know. What's worse: Skrillex is a Jimmy Fallon. Oh, that is worse. yO iT iS pRoGrEsSiVeLy WOrSE: Is this what you wanted? The awful destruction of constructs— Click, boom— Knife, gun, Add an axe, Bind the axel, Excellent, Put the prejudice inside your head ahead (We brought it back) Put the Edipus complex To this effect Upon a platter Silver as the gun at stake, And raise the hand that shouldn't matter After that? You won. Four tries; Six goons, Four Gods, One white ther I have Two white coats and misters, hot coals Dark fires, have ones, Six mazes, one center On your mark “The Dark Forest” Ugh I hate this one, Get set Don't forget, we all died here. We all crisis, We all Christ. Goosebumps, right? Gimmie that kite! You dumb son of a bitch! GO! Check it out! I look like Kim Kardashian. But you smell like Kim Chi. Yooo that joke took me like 2 months to write down! I know huh! [The Festival Project ™] I looked for something on Hulu to watch for so long that I almost ate my entire dinner without clicking on something. Finally, I find something that interests me, which is just a graphic of a television set and some color palette by now that is somewhat of a calling card for me. So I get there, And it is of interests, And yet of course the unexplainable anomaly of this, is that, no matter how far I try to run l He just keeps coming back. ‘Like this is crazy.' I never found myself agreeing with Louis C.K. about anything at all, and personally and particularly, I never found him funny, until, that was the sudden realization that the same array of betrayal, anger, and agony fueled by rage and jealousy had taken over he and I and many others probably, when introduced to the possibility of having to share the same reality with a head of hair and a face like that. I might have mustered a “my sentiments exactly” though silently before taking in to my own wonder and amazement that twice in one week, besides skipping over the algorithmic traps in my sidebar which I treated like little land mines or time bombs, but mostly allotted to my own Internet history of my uninhabited viewing, as it seemed I'd been most preoccupied in rerouting this energy into a fascination with TV programming, giving me the satiety for the comfort and familiarity in something; and I was with some some kind of certainty I knew alluded to the old adage of mother knowing everything. Even if everything hadn't happened yet, actually, or maybe it had. This strange sort of desire however was some sort of weakness, with the ability to have a fixation for a desire without any way of actually getting it. As she used to say. “Having champagne taste, but beer money.” [so I avoid it because it makes me angry.] Sometimes even, tearfully angry, and it made me feel so uncontrollably adolescent that I would have equated it to the hysteria of beetlemania; screaming and clawing and aching and chasing for this being that was so notably out of reach. Worse off, I'd realized in this running from what seemed was chasing me was how common I was in this feeling, [] To my demise. In this sense, the safety of this entire being and any alike, was that I could seek logic in my jealousy by rationalizing not attaching to a certain subject sexually or otherwise. But this basis in the contempt of familiarity was really rather irritating, in that it seemed as simple as having an awareness of this seeing all the time, to the point that I became a subconscious aching for [something], blossoming into the actual conscious awareness out of the repressive need for something I no longer had and always wanted: [The Festival Project ™] And for for this, I considered it a sort of sickness that I couldn't seem to tear away from it, but also something that had happened very naturally, and now had unearthed an entire cavern of secrets I could be found no where writing or even very rarely thinking them. Thoughts or ideas worth protecting and the kind of code that goes about saying nothing, looking the other way, keeping your mouth shut and hiding or guarding with your life. But media, or the eye that seems to see all lately had been poking at it, maybe because I wasn't. Maybe because I spent an hour at a time four day a week with [a less than separate set of characters] —or big brother, if you will, in a safe and respectable distance and admiration [] Where I could at a certain pace study this sort of programming without anything having to be reflective of the life I wasn't living— the sex I wasn't having. Watching the ABC version of late night programming was allowing me to focus on the other things I needed— being very skinny, and crossing one leg over the other and sitting pretty; while also showing me another side of a suit and tie that was interesting— The ability to be invisible, and also say many things without talking, for anyone paying attention to the complex series of things very often overlooked by a normal onlooker or audience, Which I was, and wasn't— because I was looking for something. The mind boggling thing to me was, by watching, I was actually finding it. [The Festival Project ™] —Death of a Superstar DJ As Seen on TV The Television People “Puzzle Pieces” I don't want anything I don't want anyone Conflated circumstance Oh, it was was just a nut— Got it and now it's gone Pulled it all off at the thought It was Thunderous But now I got it together I don't want anyone Especially not a poor boy No I'm not alone, boy I got my kitty Pet the cat and love my pussy, So it's really not a mystery I don't need him, or anybody really Miss me with that shit That's a pretty promise and a big redaction Deadass I stepped into my ballet shoe And onto shards of glass I guess that's on pointe But off topic Co-ed saunabody shopping I show up at Equinox But only when I want (On proxy) I protect my heart (On God) I don't want nobody really. One one-off on Wall Street, brother Don't bother calling back Don't got my number, Not a problem Not my name Or my address Cause if you did You'd be depressed like I am. Now we're getting dressed You take a cab I take the train Just another day of training But my life. Is steady draining There's no use in even explaining myself I guess I'm selfish Like dental floss for Christmas Or shellfish for the kitty But for me just friuits and veggies You don't notice? I love nobody, Cause nobody could love me Now I'm over it Now I'm over it Now I'm over it But you know the cost I was nothing Now I want Nothing Nobody love me I don't want nobody, No I'm not sorry How they're swarming on my GPS location With these second rate bit glitches I stay sleeping in my kitch But I'll never rest, I guess Until theirs justice Said that. {Enter The Multiverse} Excerpt: The Television People (TVP) Season 4 © The Complex Collevtivd [The Festival Project, Inc. ™] All rights Reserved REGINALD Would you kill your prostitute for one million dollars? PATRICK Why would you ask me that? REGINALD That's an odd answer. I'd expect your response to be somewhere along the lines of denial of— ever having a prostitute. PATRICK I'm a talk show host. REGINALD Is that supposed to mean something? PATRICK There are certain societal assumptions. REGINALD Do you find yourself—befitting to any of those stereotypes? PATRICK I don't find myself “befitting” at all. REGINALD You know, local [charters of our office] — (But Patrick speaks quickly and with dominance to cut him off.) PATRICK Now that I know what you are— REGINALD You mean “who”? PATRICK I mean “what”; why make and owl's cry in response to a dog's bark? [a realization between the both of them is immidiately found; this sort of language has implied they are belonging to the same branch of THE EYE which acts above the law; it is a fair fight— and now they this phrase has been established, there are now rules written or unspoken which can be applied here.] REGINALD cocks his head and forces an awkward smirk. REGINALD Very well. I am quite the trouble maker; I am mischief, I am danger, I am Chaos, I am leveled I am honored, I am damned I am also coming making day of peace and hallowed are you; I am also coming waves of needing peace to which I bound to. So sparrow coming grace and peace and giving, Made and tied, Though had you not the ever presence or the record for the time, So then you too shall wander, mercilessly to and fro and all about, And here and there but never where my value has been gathered. So for that, the dust is set, And said and twisted, never making bread for peace And dead for death, and craving this, to set of force her Having made my honor there, and lying in the wit and willow, weathered veins and weathervane, And twisting wind of fate and fortune. So, my mind and tressure buried there for gains and white, her shadow Barren in the east, and in the west her mortuary; Seeking sane and crypt but tied and kept for thithered foust and fouling, Butter turned to brittle, May, September, Then another serpent— More to moulf and wept her slated dream for keeping broken bear in, There the wake had frozen into lake and also leather boxes, For what will of what I am and is her fare not wearing any; Though the mister winds of east and west had set her onward any. Lemons and limes, though— Taking my time, soured Never with water, sugar But chest without pride; There in the wake marked and marched o. Her army, Not to yawn or buyoer billow, Porridge feathered, Cream and none for part her hunger There though, then were the marks And the found of the wicked past; Ties there and fire would have her mark upon the dungeon throne, Weeping here though on the floor for flour Every hour passed as I, come creeping with the forest feathered, dimmed the basket having cut from tethered grass, I. And now we wait though them, here, The marshmellow and willow not having woken, Though Monday, for total control of her honor, Contorted. Then came, seeking guild and weight and force, The fear and wind though wish to pull apart the storm had gathered, fell apart itself, Though sit not back and then became as strong, a pebble which from dust became an avalanche at once, through windows past, I— Marked one forest, and one warm summer, And one forest, and good quilt, did slither, and then making in the forest, I, for did I run As yet to suffer also. Yo where the fuck am I going. Alright, airtight we want and something foraged from nothing in her name, And this the time that tells itself for life and health In other ways besides your own. Don't cough. For those who either suffering or lost know of your forces and so sure does come the rock that turned from stone in forests over, So you sure too shall come another, Poor and hurt but soon to suffer, Also. tisk- tisk The risk my friends is running wise, The coyotes running wild for find that lone and feathered friend, To which has flight with all the know that he, and friends are feasts of foe and so these might and waves of time are sure to grow into another. Right on. So I write on and then, the missed and uninformed becomes again the death I recommended. Ten till ten tales and also please give, and whistle whalfolks under our time which has lost mine and all others. So tempted there come gathered, weeping Feathers at her slaughtered as palms, Weight beyond the brow and below the belt to which that called her— Devil's mate and crater for the fate but fame at heart earned, casting shadows over which has lost its appetite, for now becalmed her hunger. Her hunger. Her hunger. REGINALD's tone changes entirely— if at first it may have been a playful game (and it wasn't) now it is serious— crucial, even. REGINALD Why did you do it? PATRICK I wouldn't do something like that… REGINALD —something like what? PATRICK realizes quickly he's been playing over in his mind that has not yet fully been realized on the surface of the conversation— it was an honest answer, but still implicit, and so in this moment of self awareness and realization, also of stunning showman and marksmanship, a certain light comes on as if the camera has been directed at him; his entire mask comes on at once, and no longer can the reminisce of an honest thought be detected. He has become a wall. PATRICK To follow up on your first question. Which was odd— REGINALD About killing your prostitute. (He means to intimidate, but PATRICK is a stone.) PATRICK You must not watch my show at all. REGINALD takes a moment to collect himself, with even just the slightest and temporary glimpse of fear in that he may have met his mental match, and has already lost the fight, also collecting his briefcase before he I told you no more trains. At the risk of sounding obnoxious, I've started ignoring all the voices in my head— Even though they're always right. fuck! REGINALD pauses, takes a deep breath while opening the door before looking back over his shoulder. REGINALD I must not. He walks out and immediately slams the door behind him. PATRICK, as if still in the eye of the camera remains calm, although, just the glimmer of fire in his eyes reflect the battle has yet been won. But as we all know by now, He will win the fight. The television people, season four I can't stand these fuckin hoes; Two days off in your hole Offers you a whole new perspective Of your own God complex; You're better off alone, Dead, Or on prescription medicines For all those thoughts in your head Like the bullet holes left from the gun That is poor and alone And just not having money. Confidence lost with a look, And you're sure you just should have gone come But the court office closes its doors at 4:30 And you've been done wrong Four long lost lovers over, It not about that, but motorcycles It's not about reps, It's about cycles I'm one our Peloton down And a whole world to go While you morons just on and on Won't stop talking Here's to disturbing your peace at the equinox And anywhere else you rest your rotten core, You dirty who're— What's it costs for love? Not a whole lot, Don't you see that I'm struggled in Brooklyn? Fuck this whole raw sewage garbage bucket If I gargle hard enough I'll just throw up But you push all the bottles and straws to the end of the curb And the colored sand blacks to the outskirts So we work harder It's a ocean of no But you know not what it does not to know me So below your own suffering goes the call of the crow just before dawn Mx To drop out Cool I don't want to be here I just want a surfboard Apparently it's your year But I'd slit my wrists for Harvard Yeah, it is— that kind of hurt Yes, it is that kind of pain The corvette stole your very favorite colors And your name That sort of wickedness, Just before it ends The candles flickers and the winter's coming in atop the l marble kitchen counters All right, all yours Patched up, or in the poorhouse Compliments to the chef, of course, compliments to the chef. Gotta go to the court house Of course cause I'm black So it's automatically implied I just don't work hard enough Or just ain't made the cut My momma was a dancer, not an athlete My momma made me fat and now I can't do that either If I'm the other black girl In a room full of white men I automatically become “The ugly one” So then I'm off. What's the point of coming here? A black book? A black box? Try to run me off out of the equinox on Walter Well done. I should not have wrote about it Lil bitz My son accused me of being in the Illuminati. He's 9. How do you even respond to that? I love my son, He's like really, really… fat. It's okay— I kinda like it; he's fat, I used to be fat; So we talk about fat people shit. Like McDonald's. And ham. lol This lady on the subway leaned on my hand on the pole. And I mean like really leaned into it, With her whole body weight. I just came from the gym, I been up all night, And she like— Leaned. Like, you know I didn't say shit, I just let it happen, But inside I'm like, WHY ARE YOU TOUCHHING MEEEEEEEEE?!!?!? WHY ARE YOU TOUCHING ME?! This train is not full. I don't think you understand. I just came out the steam room. I am the equivalent of fresh and pressed. Then she's just gon Leeeean. FUCK THAT. STOP TOUCHING MEEEEE. but like irl I'm just standing there like, No protest. Inside: NOOOOOOOOOOOOO!! STOP IT! Outside: [nothing] Chroma111. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Not even a wisper of collision penetrates explicitly this inclusion; Segmented and represented this disarray of miserable approval, And, abject, Or i object, I guess To that which is to say Today is in between the ordinary and disarray, To make arrangements; A solemn display of effect and intent of regression, And yet without all clear disrespect to port or establishment; Still here are there words and where there was love, no more— none for her but then around, within arousal stands as that, to which has since been lost, If not to time, another concept thus by force unknown, to with and withstand habitat for circumstantial evidence of coincidence, But yet arbitrary and then dismayed for short or arc, There this, no more her words for flower, more of words to thus embark. Still time, Very well, my breath, for I have opened a foreign chapter— Then with the way you say, you wore our out, In time you are uncovered for her drugs and left to smuggle over-under— Therefore when that said time has come, you know to form the drift to wait, And yet lack still this patience I have tamed you many acres since the ancients fell upon there ails; There pitting since sunk and crucial to this, and our time is not lost nor won, disheveled making prayers for sense and dollar signs; No have no more barren chest and thought of songs, much less a found the words for songs as though my love has crept upon the rock, That dusk and dawn, the ocean licks with parched tongue. Scare her dry and feast and fragile and evidence remained as these as words and thoughts, The truths would tell the tale for every way. With each drift scattered mark, upon those boats with sails above known not as white but also many colors of the brethren cut from clothes of all apart and none of one, for this, her maritime. {Enter The Multiverse} I opened right to Debbie downer; I got medicine for your habit (I got the remedy in the form of a secret, But the misery is in keeping it) I got a kind heart, I did some mai tai, Should have learned some thai chi As if I took some matcha Or chai tea Caffeine Adrenaline I got a kind heart Adderall instead of Ritalin Entry level access Salary yellow fashion, Intercept, invest Inception, redirect Service elevator, eh; She don't live here no more But where she is? Couldn't tell you. What's the story On a ten star war. No more Harvard, Purple hearted general, General admission to a festival? Just miss me that that bullshit. For your pleasure, Every crevice just has pressure in it— Now I get it I hypnotized myself, I guess The ribbon Blue belt I should be cleaning instead of half sleeping; I keep explaining myself thinking somebody can hear me When they obviously can't. I've been screaming silently for seven seconds, Several years I think on other planets Pull your hair back in a bun And then you'll learn, I guess I passed out cold upon the stand That was the plan, I guess Much slower to close than to open, Although, I know I pop-button broke the code before But still no low moral summoning (Sorry, product) Still no low road or mud throwing No more home She's 32 and 3 months older But looks much longer And harder, tired Must have body or Motive Must have body Or bad intentions Take a man, and write a book about it Take a man, and write a book about it I call that a thirst trap I call that a thirst trap. She must no longer Prim and proper But the work is never over, Show us all the roots, and know the knowledge But don't talk or comment on it I was “almost” once And I was honest twice Three times, you're a liar Mister, honor, pleasure, Fisher wife And never leather, Tipping tethered, Tied to rock and kite And lock and key For here and there Forbearance, rather Here for never ever after Amen and then some L E G E N D S I told you Jimmy Fallon was a Skrillex. I know. What's worse: Skrillex is a Jimmy Fallon. Oh, that is worse. yO iT iS pRoGrEsSiVeLy WOrSE: Is this what you wanted? The awful destruction of constructs— Click, boom— Knife, gun, Add an axe, Bind the axel, Excellent, Put the prejudice inside your head ahead (We brought it back) Put the Edipus complex To this effect Upon a platter Silver as the gun at stake, And raise the hand that shouldn't matter After that? You won. Four tries; Six goons, Four Gods, One white ther I have Two white coats and misters, hot coals Dark fires, have ones, Six mazes, one center On your mark “The Dark Forest” Ugh I hate this one, Get set Don't forget, we all died here. We all crisis, We all Christ. Goosebumps, right? Gimmie that kite! You dumb son of a bitch! GO! Check it out! I look like Kim Kardashian. But you smell like Kim Chi. Yooo that joke took me like 2 months to write down! I know huh! [The Festival Project ™] I looked for something on Hulu to watch for so long that I almost ate my entire dinner without clicking on something. Finally, I find something that interests me, which is just a graphic of a television set and some color palette by now that is somewhat of a calling card for me. So I get there, And it is of interests, And yet of course the unexplainable anomaly of this, is that, no matter how far I try to run l He just keeps coming back. ‘Like this is crazy.' I never found myself agreeing with Louis C.K. about anything at all, and personally and particularly, I never found him funny, until, that was the sudden realization that the same array of betrayal, anger, and agony fueled by rage and jealousy had taken over he and I and many others probably, when introduced to the possibility of having to share the same reality with a head of hair and a face like that. I might have mustered a “my sentiments exactly” though silently before taking in to my own wonder and amazement that twice in one week, besides skipping over the algorithmic traps in my sidebar which I treated like little land mines or time bombs, but mostly allotted to my own Internet history of my uninhabited viewing, as it seemed I'd been most preoccupied in rerouting this energy into a fascination with TV programming, giving me the satiety for the comfort and familiarity in something; and I was with some some kind of certainty I knew alluded to the old adage of mother knowing everything. Even if everything hadn't happened yet, actually, or maybe it had. This strange sort of desire however was some sort of weakness, with the ability to have a fixation for a desire without any way of actually getting it. As she used to say. “Having champagne taste, but beer money.” [so I avoid it because it makes me angry.] Sometimes even, tearfully angry, and it made me feel so uncontrollably adolescent that I would have equated it to the hysteria of beetlemania; screaming and clawing and aching and chasing for this being that was so notably out of reach. Worse off, I'd realized in this running from what seemed was chasing me was how common I was in this feeling, [] To my demise. In this sense, the safety of this entire being and any alike, was that I could seek logic in my jealousy by rationalizing not attaching to a certain subject sexually or otherwise. But this basis in the contempt of familiarity was really rather irritating, in that it seemed as simple as having an awareness of this seeing all the time, to the point that I became a subconscious aching for [something], blossoming into the actual conscious awareness out of the repressive need for something I no longer had and always wanted: [The Festival Project ™] And for for this, I considered it a sort of sickness that I couldn't seem to tear away from it, but also something that had happened very naturally, and now had unearthed an entire cavern of secrets I could be found no where writing or even very rarely thinking them. Thoughts or ideas worth protecting and the kind of code that goes about saying nothing, looking the other way, keeping your mouth shut and hiding or guarding with your life. But media, or the eye that seems to see all lately had been poking at it, maybe because I wasn't. Maybe because I spent an hour at a time four day a week with [a less than separate set of characters] —or big brother, if you will, in a safe and respectable distance and admiration [] Where I could at a certain pace study this sort of programming without anything having to be reflective of the life I wasn't living— the sex I wasn't having. Watching the ABC version of late night programming was allowing me to focus on the other things I needed— being very skinny, and crossing one leg over the other and sitting pretty; while also showing me another side of a suit and tie that was interesting— The ability to be invisible, and also say many things without talking, for anyone paying attention to the complex series of things very often overlooked by a normal onlooker or audience, Which I was, and wasn't— because I was looking for something. The mind boggling thing to me was, by watching, I was actually finding it. [The Festival Project ™] —Death of a Superstar DJ As Seen on TV The Television People “Puzzle Pieces” I don't want anything I don't want anyone Conflated circumstance Oh, it was was just a nut— Got it and now it's gone Pulled it all off at the thought It was Thunderous But now I got it together I don't want anyone Especially not a poor boy No I'm not alone, boy I got my kitty Pet the cat and love my pussy, So it's really not a mystery I don't need him, or anybody really Miss me with that shit That's a pretty promise and a big redaction Deadass I stepped into my ballet shoe And onto shards of glass I guess that's on pointe But off topic Co-ed saunabody shopping I show up at Equinox But only when I want (On proxy) I protect my heart (On God) I don't want nobody really. One one-off on Wall Street, brother Don't bother calling back Don't got my number, Not a problem Not my name Or my address Cause if you did You'd be depressed like I am. Now we're getting dressed You take a cab I take the train Just another day of training But my life. Is steady draining There's no use in even explaining myself I guess I'm selfish Like dental floss for Christmas Or shellfish for the kitty But for me just friuits and veggies You don't notice? I love nobody, Cause nobody could love me Now I'm over it Now I'm over it Now I'm over it But you know the cost I was nothing Now I want Nothing Nobody love me I don't want nobody, No I'm not sorry How they're swarming on my GPS location With these second rate bit glitches I stay sleeping in my kitch But I'll never rest, I guess Until theirs justice Said that. {Enter The Multiverse} Excerpt: The Television People (TVP) Season 4 © The Complex Collevtivd [The Festival Project, Inc. ™] All rights Reserved REGINALD Would you kill your prostitute for one million dollars? PATRICK Why would you ask me that? REGINALD That's an odd answer. I'd expect your response to be somewhere along the lines of denial of— ever having a prostitute. PATRICK I'm a talk show host. REGINALD Is that supposed to mean something? PATRICK There are certain societal assumptions. REGINALD Do you find yourself—befitting to any of those stereotypes? PATRICK I don't find myself “befitting” at all. REGINALD You know, local [charters of our office] — (But Patrick speaks quickly and with dominance to cut him off.) PATRICK Now that I know what you are— REGINALD You mean “who”? PATRICK I mean “what”; why make and owl's cry in response to a dog's bark? [a realization between the both of them is immidiately found; this sort of language has implied they are belonging to the same branch of THE EYE which acts above the law; it is a fair fight— and now they this phrase has been established, there are now rules written or unspoken which can be applied here.] REGINALD cocks his head and forces an awkward smirk. REGINALD Very well. I am quite the trouble maker; I am mischief, I am danger, I am Chaos, I am leveled I am honored, I am damned I am also coming making day of peace and hallowed are you; I am also coming waves of needing peace to which I bound to. So sparrow coming grace and peace and giving, Made and tied, Though had you not the ever presence or the record for the time, So then you too shall wander, mercilessly to and fro and all about, And here and there but never where my value has been gathered. So for that, the dust is set, And said and twisted, never making bread for peace And dead for death, and craving this, to set of force her Having made my honor there, and lying in the wit and willow, weathered veins and weathervane, And twisting wind of fate and fortune. So, my mind and tressure buried there for gains and white, her shadow Barren in the east, and in the west her mortuary; Seeking sane and crypt but tied and kept for thithered foust and fouling, Butter turned to brittle, May, September, Then another serpent— More to moulf and wept her slated dream for keeping broken bear in, There the wake had frozen into lake and also leather boxes, For what will of what I am and is her fare not wearing any; Though the mister winds of east and west had set her onward any. Lemons and limes, though— Taking my time, soured Never with water, sugar But chest without pride; There in the wake marked and marched o. Her army, Not to yawn or buyoer billow, Porridge feathered, Cream and none for part her hunger There though, then were the marks And the found of the wicked past; Ties there and fire would have her mark upon the dungeon throne, Weeping here though on the floor for flour Every hour passed as I, come creeping with the forest feathered, dimmed the basket having cut from tethered grass, I. And now we wait though them, here, The marshmellow and willow not having woken, Though Monday, for total control of her honor, Contorted. Then came, seeking guild and weight and force, The fear and wind though wish to pull apart the storm had gathered, fell apart itself, Though sit not back and then became as strong, a pebble which from dust became an avalanche at once, through windows past, I— Marked one forest, and one warm summer, And one forest, and good quilt, did slither, and then making in the forest, I, for did I run As yet to suffer also. Yo where the fuck am I going. Alright, airtight we want and something foraged from nothing in her name, And this the time that tells itself for life and health In other ways besides your own. Don't cough. For those who either suffering or lost know of your forces and so sure does come the rock that turned from stone in forests over, So you sure too shall come another, Poor and hurt but soon to suffer, Also. tisk- tisk The risk my friends is running wise, The coyotes running wild for find that lone and feathered friend, To which has flight with all the know that he, and friends are feasts of foe and so these might and waves of time are sure to grow into another. Right on. So I write on and then, the missed and uninformed becomes again the death I recommended. Ten till ten tales and also please give, and whistle whalfolks under our time which has lost mine and all others. So tempted there come gathered, weeping Feathers at her slaughtered as palms, Weight beyond the brow and below the belt to which that called her— Devil's mate and crater for the fate but fame at heart earned, casting shadows over which has lost its appetite, for now becalmed her hunger. Her hunger. Her hunger. REGINALD's tone changes entirely— if at first it may have been a playful game (and it wasn't) now it is serious— crucial, even. REGINALD Why did you do it? PATRICK I wouldn't do something like that… REGINALD —something like what? PATRICK realizes quickly he's been playing over in his mind that has not yet fully been realized on the surface of the conversation— it was an honest answer, but still implicit, and so in this moment of self awareness and realization, also of stunning showman and marksmanship, a certain light comes on as if the camera has been directed at him; his entire mask comes on at once, and no longer can the reminisce of an honest thought be detected. He has become a wall. PATRICK To follow up on your first question. Which was odd— REGINALD About killing your prostitute. (He means to intimidate, but PATRICK is a stone.) PATRICK You must not watch my show at all. REGINALD takes a moment to collect himself, with even just the slightest and temporary glimpse of fear in that he may have met his mental match, and has already lost the fight, also collecting his briefcase before he I told you no more trains. At the risk of sounding obnoxious, I've started ignoring all the voices in my head— Even though they're always right. fuck! REGINALD pauses, takes a deep breath while opening the door before looking back over his shoulder. REGINALD I must not. He walks out and immediately slams the door behind him. PATRICK, as if still in the eye of the camera remains calm, although, just the glimmer of fire in his eyes reflect the battle has yet been won. But as we all know by now, He will win the fight. The television people, season four I can't stand these fuckin hoes; Two days off in your hole Offers you a whole new perspective Of your own God complex; You're better off alone, Dead, Or on prescription medicines For all those thoughts in your head Like the bullet holes left from the gun That is poor and alone And just not having money. Confidence lost with a look, And you're sure you just should have gone come But the court office closes its doors at 4:30 And you've been done wrong Four long lost lovers over, It not about that, but motorcycles It's not about reps, It's about cycles I'm one our Peloton down And a whole world to go While you morons just on and on Won't stop talking Here's to disturbing your peace at the equinox And anywhere else you rest your rotten core, You dirty who're— What's it costs for love? Not a whole lot, Don't you see that I'm struggled in Brooklyn? Fuck this whole raw sewage garbage bucket If I gargle hard enough I'll just throw up But you push all the bottles and straws to the end of the curb And the colored sand blacks to the outskirts So we work harder It's a ocean of no But you know not what it does not to know me So below your own suffering goes the call of the crow just before dawn Mx To drop out Cool I don't want to be here I just want a surfboard Apparently it's your year But I'd slit my wrists for Harvard Yeah, it is— that kind of hurt Yes, it is that kind of pain The corvette stole your very favorite colors And your name That sort of wickedness, Just before it ends The candles flickers and the winter's coming in atop the l marble kitchen counters All right, all yours Patched up, or in the poorhouse Compliments to the chef, of course, compliments to the chef. Gotta go to the court house Of course cause I'm black So it's automatically implied I just don't work hard enough Or just ain't made the cut My momma was a dancer, not an athlete My momma made me fat and now I can't do that either If I'm the other black girl In a room full of white men I automatically become “The ugly one” So then I'm off. What's the point of coming here? A black book? A black box? Try to run me off out of the equinox on Walter Well done. I should not have wrote about it Lil bitz My son accused me of being in the Illuminati. He's 9. How do you even respond to that? I love my son, He's like really, really… fat. It's okay— I kinda like it; he's fat, I used to be fat; So we talk about fat people shit. Like McDonald's. And ham. lol This lady on the subway leaned on my hand on the pole. And I mean like really leaned into it, With her whole body weight. I just came from the gym, I been up all night, And she like— Leaned. Like, you know I didn't say shit, I just let it happen, But inside I'm like, WHY ARE YOU TOUCHHING MEEEEEEEEE?!!?!? WHY ARE YOU TOUCHING ME?! This train is not full. I don't think you understand. I just came out the steam room. I am the equivalent of fresh and pressed. Then she's just gon Leeeean. FUCK THAT. STOP TOUCHING MEEEEE. but like irl I'm just standing there like, No protest. Inside: NOOOOOOOOOOOOO!! STOP IT! Outside: [nothing] Chroma111. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Not even a wisper of collision penetrates explicitly this inclusion; Segmented and represented this disarray of miserable approval, And, abject, Or i object, I guess To that which is to say Today is in between the ordinary and disarray, To make arrangements; A solemn display of effect and intent of regression, And yet without all clear disrespect to port or establishment; Still here are there words and where there was love, no more— none for her but then around, within arousal stands as that, to which has since been lost, If not to time, another concept thus by force unknown, to with and withstand habitat for circumstantial evidence of coincidence, But yet arbitrary and then dismayed for short or arc, There this, no more her words for flower, more of words to thus embark. Still time, Very well, my breath, for I have opened a foreign chapter— Then with the way you say, you wore our out, In time you are uncovered for her drugs and left to smuggle over-under— Therefore when that said time has come, you know to form the drift to wait, And yet lack still this patience I have tamed you many acres since the ancients fell upon there ails; There pitting since sunk and crucial to this, and our time is not lost nor won, disheveled making prayers for sense and dollar signs; No have no more barren chest and thought of songs, much less a found the words for songs as though my love has crept upon the rock, That dusk and dawn, the ocean licks with parched tongue. Scare her dry and feast and fragile and evidence remained as these as words and thoughts, The truths would tell the tale for every way. With each drift scattered mark, upon those boats with sails above known not as white but also many colors of the brethren cut from clothes of all apart and none of one, for this, her maritime. {Enter The Multiverse} I opened right to Debbie downer; I got medicine for your habit (I got the remedy in the form of a secret, But the misery is in keeping it) I got a kind heart, I did some mai tai, Should have learned some thai chi As if I took some matcha Or chai tea Caffeine Adrenaline I got a kind heart Adderall instead of Ritalin Entry level access Salary yellow fashion, Intercept, invest Inception, redirect Service elevator, eh; She don't live here no more But where she is? Couldn't tell you. What's the story On a ten star war. No more Harvard, Purple hearted general, General admission to a festival? Just miss me that that bullshit. For your pleasure, Every crevice just has pressure in it— Now I get it I hypnotized myself, I guess The ribbon Blue belt I should be cleaning instead of half sleeping; I keep explaining myself thinking somebody can hear me When they obviously can't. I've been screaming silently for seven seconds, Several years I think on other planets Pull your hair back in a bun And then you'll learn, I guess I passed out cold upon the stand That was the plan, I guess Much slower to close than to open, Although, I know I pop-button broke the code before But still no low moral summoning (Sorry, product) Still no low road or mud throwing No more home She's 32 and 3 months older But looks much longer And harder, tired Must have body or Motive Must have body Or bad intentions Take a man, and write a book about it Take a man, and write a book about it I call that a thirst trap I call that a thirst trap. She must no longer Prim and proper But the work is never over, Show us all the roots, and know the knowledge But don't talk or comment on it I was “almost” once And I was honest twice Three times, you're a liar Mister, honor, pleasure, Fisher wife And never leather, Tipping tethered, Tied to rock and kite And lock and key For here and there Forbearance, rather Here for never ever after Amen and then some L E G E N D S I told you Jimmy Fallon was a Skrillex. I know. What's worse: Skrillex is a Jimmy Fallon. Oh, that is worse. yO iT iS pRoGrEsSiVeLy WOrSE: Is this what you wanted? The awful destruction of constructs— Click, boom— Knife, gun, Add an axe, Bind the axel, Excellent, Put the prejudice inside your head ahead (We brought it back) Put the Edipus complex To this effect Upon a platter Silver as the gun at stake, And raise the hand that shouldn't matter After that? You won. Four tries; Six goons, Four Gods, One white ther I have Two white coats and misters, hot coals Dark fires, have ones, Six mazes, one center On your mark “The Dark Forest” Ugh I hate this one, Get set Don't forget, we all died here. We all crisis, We all Christ. Goosebumps, right? Gimmie that kite! You dumb son of a bitch! GO! Check it out! I look like Kim Kardashian. But you smell like Kim Chi. Yooo that joke took me like 2 months to write down! I know huh! [The Festival Project ™] I looked for something on Hulu to watch for so long that I almost ate my entire dinner without clicking on something. Finally, I find something that interests me, which is just a graphic of a television set and some color palette by now that is somewhat of a calling card for me. So I get there, And it is of interests, And yet of course the unexplainable anomaly of this, is that, no matter how far I try to run l He just keeps coming back. ‘Like this is crazy.' I never found myself agreeing with Louis C.K. about anything at all, and personally and particularly, I never found him funny, until, that was the sudden realization that the same array of betrayal, anger, and agony fueled by rage and jealousy had taken over he and I and many others probably, when introduced to the possibility of having to share the same reality with a head of hair and a face like that. I might have mustered a “my sentiments exactly” though silently before taking in to my own wonder and amazement that twice in one week, besides skipping over the algorithmic traps in my sidebar which I treated like little land mines or time bombs, but mostly allotted to my own Internet history of my uninhabited viewing, as it seemed I'd been most preoccupied in rerouting this energy into a fascination with TV programming, giving me the satiety for the comfort and familiarity in something; and I was with some some kind of certainty I knew alluded to the old adage of mother knowing everything. Even if everything hadn't happened yet, actually, or maybe it had. This strange sort of desire however was some sort of weakness, with the ability to have a fixation for a desire without any way of actually getting it. As she used to say. “Having champagne taste, but beer money.” [so I avoid it because it makes me angry.] Sometimes even, tearfully angry, and it made me feel so uncontrollably adolescent that I would have equated it to the hysteria of beetlemania; screaming and clawing and aching and chasing for this being that was so notably out of reach. Worse off, I'd realized in this running from what seemed was chasing me was how common I was in this feeling, [] To my demise. In this sense, the safety of this entire being and any alike, was that I could seek logic in my jealousy by rationalizing not attaching to a certain subject sexually or otherwise. But this basis in the contempt of familiarity was really rather irritating, in that it seemed as simple as having an awareness of this seeing all the time, to the point that I became a subconscious aching for [something], blossoming into the actual conscious awareness out of the repressive need for something I no longer had and always wanted: [The Festival Project ™] And for for this, I considered it a sort of sickness that I couldn't seem to tear away from it, but also something that had happened very naturally, and now had unearthed an entire cavern of secrets I could be found no where writing or even very rarely thinking them. Thoughts or ideas worth protecting and the kind of code that goes about saying nothing, looking the other way, keeping your mouth shut and hiding or guarding with your life. But media, or the eye that seems to see all lately had been poking at it, maybe because I wasn't. Maybe because I spent an hour at a time four day a week with [a less than separate set of characters] —or big brother, if you will, in a safe and respectable distance and admiration [] Where I could at a certain pace study this sort of programming without anything having to be reflective of the life I wasn't living— the sex I wasn't having. Watching the ABC version of late night programming was allowing me to focus on the other things I needed— being very skinny, and crossing one leg over the other and sitting pretty; while also showing me another side of a suit and tie that was interesting— The ability to be invisible, and also say many things without talking, for anyone paying attention to the complex series of things very often overlooked by a normal onlooker or audience, Which I was, and wasn't— because I was looking for something. The mind boggling thing to me was, by watching, I was actually finding it. [The Festival Project ™] —Death of a Superstar DJ As Seen on TV The Television People “Puzzle Pieces” I don't want anything I don't want anyone Conflated circumstance Oh, it was was just a nut— Got it and now it's gone Pulled it all off at the thought It was Thunderous But now I got it together I don't want anyone Especially not a poor boy No I'm not alone, boy I got my kitty Pet the cat and love my pussy, So it's really not a mystery I don't need him, or anybody really Miss me with that shit That's a pretty promise and a big redaction Deadass I stepped into my ballet shoe And onto shards of glass I guess that's on pointe But off topic Co-ed saunabody shopping I show up at Equinox But only when I want (On proxy) I protect my heart (On God) I don't want nobody really. One one-off on Wall Street, brother Don't bother calling back Don't got my number, Not a problem Not my name Or my address Cause if you did You'd be depressed like I am. Now we're getting dressed You take a cab I take the train Just another day of training But my life. Is steady draining There's no use in even explaining myself I guess I'm selfish Like dental floss for Christmas Or shellfish for the kitty But for me just friuits and veggies You don't notice? I love nobody, Cause nobody could love me Now I'm over it Now I'm over it Now I'm over it But you know the cost I was nothing Now I want Nothing Nobody love me I don't want nobody, No I'm not sorry How they're swarming on my GPS location With these second rate bit glitches I stay sleeping in my kitch But I'll never rest, I guess Until theirs justice Said that. {Enter The Multiverse} Excerpt: The Television People (TVP) Season 4 © The Complex Collevtivd [The Festival Project, Inc. ™] All rights Reserved REGINALD Would you kill your prostitute for one million dollars? PATRICK Why would you ask me that? REGINALD That's an odd answer. I'd expect your response to be somewhere along the lines of denial of— ever having a prostitute. PATRICK I'm a talk show host. REGINALD Is that supposed to mean something? PATRICK There are certain societal assumptions. REGINALD Do you find yourself—befitting to any of those stereotypes? PATRICK I don't find myself “befitting” at all. REGINALD You know, local [charters of our office] — (But Patrick speaks quickly and with dominance to cut him off.) PATRICK Now that I know what you are— REGINALD You mean “who”? PATRICK I mean “what”; why make and owl's cry in response to a dog's bark? [a realization between the both of them is immidiately found; this sort of language has implied they are belonging to the same branch of THE EYE which acts above the law; it is a fair fight— and now they this phrase has been established, there are now rules written or unspoken which can be applied here.] REGINALD cocks his head and forces an awkward smirk. REGINALD Very well. I am quite the trouble maker; I am mischief, I am danger, I am Chaos, I am leveled I am honored, I am damned I am also coming making day of peace and hallowed are you; I am also coming waves of needing peace to which I bound to. So sparrow coming grace and peace and giving, Made and tied, Though had you not the ever presence or the record for the time, So then you too shall wander, mercilessly to and fro and all about, And here and there but never where my value has been gathered. So for that, the dust is set, And said and twisted, never making bread for peace And dead for death, and craving this, to set of force her Having made my honor there, and lying in the wit and willow, weathered veins and weathervane, And twisting wind of fate and fortune. So, my mind and tressure buried there for gains and white, her shadow Barren in the east, and in the west her mortuary; Seeking sane and crypt but tied and kept for thithered foust and fouling, Butter turned to brittle, May, September, Then another serpent— More to moulf and wept her slated dream for keeping broken bear in, There the wake had frozen into lake and also leather boxes, For what will of what I am and is her fare not wearing any; Though the mister winds of east and west had set her onward any. Lemons and limes, though— Taking my time, soured Never with water, sugar But chest without pride; There in the wake marked and marched o. Her army, Not to yawn or buyoer billow, Porridge feathered, Cream and none for part her hunger There though, then were the marks And the found of the wicked past; Ties there and fire would have her mark upon the dungeon throne, Weeping here though on the floor for flour Every hour passed as I, come creeping with the forest feathered, dimmed the basket having cut from tethered grass, I. And now we wait though them, here, The marshmellow and willow not having woken, Though Monday, for total control of her honor, Contorted. Then came, seeking guild and weight and force, The fear and wind though wish to pull apart the storm had gathered, fell apart itself, Though sit not back and then became as strong, a pebble which from dust became an avalanche at once, through windows past, I— Marked one forest, and one warm summer, And one forest, and good quilt, did slither, and then making in the forest, I, for did I run As yet to suffer also. Yo where the fuck am I going. Alright, airtight we want and something foraged from nothing in her name, And this the time that tells itself for life and health In other ways besides your own. Don't cough. For those who either suffering or lost know of your forces and so sure does come the rock that turned from stone in forests over, So you sure too shall come another, Poor and hurt but soon to suffer, Also. tisk- tisk The risk my friends is running wise, The coyotes running wild for find that lone and feathered friend, To which has flight with all the know that he, and friends are feasts of foe and so these might and waves of time are sure to grow into another. Right on. So I write on and then, the missed and uninformed becomes again the death I recommended. Ten till ten tales and also please give, and whistle whalfolks under our time which has lost mine and all others. So tempted there come gathered, weeping Feathers at her slaughtered as palms, Weight beyond the brow and below the belt to which that called her— Devil's mate and crater for the fate but fame at heart earned, casting shadows over which has lost its appetite, for now becalmed her hunger. Her hunger. Her hunger. REGINALD's tone changes entirely— if at first it may have been a playful game (and it wasn't) now it is serious— crucial, even. REGINALD Why did you do it? PATRICK I wouldn't do something like that… REGINALD —something like what? PATRICK realizes quickly he's been playing over in his mind that has not yet fully been realized on the surface of the conversation— it was an honest answer, but still implicit, and so in this moment of self awareness and realization, also of stunning showman and marksmanship, a certain light comes on as if the camera has been directed at him; his entire mask comes on at once, and no longer can the reminisce of an honest thought be detected. He has become a wall. PATRICK To follow up on your first question. Which was odd— REGINALD About killing your prostitute. (He means to intimidate, but PATRICK is a stone.) PATRICK You must not watch my show at all. REGINALD takes a moment to collect himself, with even just the slightest and temporary glimpse of fear in that he may have met his mental match, and has already lost the fight, also collecting his briefcase before he I told you no more trains. At the risk of sounding obnoxious, I've started ignoring all the voices in my head— Even though they're always right. fuck! REGINALD pauses, takes a deep breath while opening the door before looking back over his shoulder. REGINALD I must not. He walks out and immediately slams the door behind him. PATRICK, as if still in the eye of the camera remains calm, although, just the glimmer of fire in his eyes reflect the battle has yet been won. But as we all know by now, He will win the fight. The television people, season four I can't stand these fuckin hoes; Two days off in your hole Offers you a whole new perspective Of your own God complex; You're better off alone, Dead, Or on prescription medicines For all those thoughts in your head Like the bullet holes left from the gun That is poor and alone And just not having money. Confidence lost with a look, And you're sure you just should have gone come But the court office closes its doors at 4:30 And you've been done wrong Four long lost lovers over, It not about that, but motorcycles It's not about reps, It's about cycles I'm one our Peloton down And a whole world to go While you morons just on and on Won't stop talking Here's to disturbing your peace at the equinox And anywhere else you rest your rotten core, You dirty who're— What's it costs for love? Not a whole lot, Don't you see that I'm struggled in Brooklyn? Fuck this whole raw sewage garbage bucket If I gargle hard enough I'll just throw up But you push all the bottles and straws to the end of the curb And the colored sand blacks to the outskirts So we work harder It's a ocean of no But you know not what it does not to know me So below your own suffering goes the call of the crow just before dawn Mx To drop out Cool I don't want to be here I just want a surfboard Apparently it's your year But I'd slit my wrists for Harvard Yeah, it is— that kind of hurt Yes, it is that kind of pain The corvette stole your very favorite colors And your name That sort of wickedness, Just before it ends The candles flickers and the winter's coming in atop the l marble kitchen counters All right, all yours Patched up, or in the poorhouse Compliments to the chef, of course, compliments to the chef. Gotta go to the court house Of course cause I'm black So it's automatically implied I just don't work hard enough Or just ain't made the cut My momma was a dancer, not an athlete My momma made me fat and now I can't do that either If I'm the other black girl In a room full of white men I automatically become “The ugly one” So then I'm off. What's the point of coming here? A black book? A black box? Try to run me off out of the equinox on Walter Well done. I should not have wrote about it Lil bitz My son accused me of being in the Illuminati. He's 9. How do you even respond to that? I love my son, He's like really, really… fat. It's okay— I kinda like it; he's fat, I used to be fat; So we talk about fat people shit. Like McDonald's. And ham. lol This lady on the subway leaned on my hand on the pole. And I mean like really leaned into it, With her whole body weight. I just came from the gym, I been up all night, And she like— Leaned. Like, you know I didn't say shit, I just let it happen, But inside I'm like, WHY ARE YOU TOUCHHING MEEEEEEEEE?!!?!? WHY ARE YOU TOUCHING ME?! This train is not full. I don't think you understand. I just came out the steam room. I am the equivalent of fresh and pressed. Then she's just gon Leeeean. FUCK THAT. STOP TOUCHING MEEEEE. but like irl I'm just standing there like, No protest. Inside: NOOOOOOOOOOOOO!! STOP IT! Outside: [nothing] Chroma111. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Presenting Sponsor Thirdzy!  https://thirdzy.com/JAZZYPromotion Code for 15% off: JAZZYEvery day we take a break from the busy work day to get a break and hang out with friends to talk about the world of Sports, Entertainment and specifically CrossFit, today we talk about how Pelaton and CrossFit have something major in common, There is an exciting hostile takeover happening and I can't wait to watch, Legends happens this weekend and Master's athletes get to hang out in Bob and Joe's world.

In this episode of Beast Over Burden, Niki Sims sits down with Barbell Logic coach Nikki Burman to unpack what it really looks like to train anyway—to stay consistent in strength and fitness through pregnancy, toddlers, homeschooling, deployment, and the unpredictable rhythm of real life. Nikki shares the mindset shifts, visualization practices, planning systems, and flexible training strategies that helped her stay grounded and capable during some of the most demanding seasons of her life. This conversation is a powerful reminder that consistency doesn't come from perfection—it comes from realistic planning, compassionate self-talk, and building a training approach that supports your actual life, not your ideal one. Whether you're a busy parent, a professional navigating stressful seasons, or someone who wants to keep training without burning out, this episode lays out a practical blueprint for designing workouts that work—even when life doesn't go according to plan. If you've ever wondered how to maintain strength and fitness when you're exhausted, overwhelmed, or pulled in a hundred directions, Nikki's candid, thoughtful insights will help you reset your expectations, rethink your routines, and build a sustainable approach to training you can stick with. What You'll Learn in This Episode How visualization creates emotional buy-in and strengthens habits Why realistic expectations matter more than perfect plans How to adapt strength training during pregnancy, postpartum, and sleep-deprived phases Strategies for overlapping lifts, shortening sessions, and staying consistent How breath work and mindset shifts help you stay patient and resilient The power of being kind to yourself when life gets messy Why flexible training beats rigid programming in busy seasons How to design a week of training that fits your real life, not your ideal life The role of support systems—coaches, spouses, accountability—in staying on track Why showing up, even imperfectly, is what builds long-term progress How to train anyway when everything feels unpredictable Timestamps 00:00 – Intro: Niki welcomes Coach Nikki Burman 01:45 – Why Nikki wanted to revisit her story after the previous episode 03:20 – Visualization: the starting point for lasting habits 07:10 – From aesthetics to capability: shifting the purpose of training 10:00 – How motherhood reshaped Nikki's approach to fitness 12:40 – Realistic planning vs. ideal planning 15:02 – Why Nikki committed to only two strength sessions a week 17:20 – Training during deployment: flexibility over rigidity 20:05 – Peloton, kids' screen time, and making cardio actually doable 23:30 – Mindset work: self-talk, breath work, and emotional regulation 26:48 – Avoiding the perfection trap in busy seasons 28:55 – Nutrition, mindfulness, and resetting old habits 31:15 – Designing a weekly plan you can actually follow 34:22 – Support systems: coaching, accountability, and home environment 37:10 – How to "trick yourself" into staying consistent 40:05 – The power of seeing busy seasons as temporary 42:30 – Teaching kids by example: modeling strength and capability 44:55 – Final strategies for staying consistent through real life 46:30 – How Barbell Logic experience calls help lifters visualize their path 48:00 – Closing thoughts PS - IF YOU'RE INTERESTED IN TAKING ONLINE COACHING FOR A TEST RUN, CHECK IT OUT HERE.    Connect with the hosts Niki on Instagram Andrew on Instagram Connect with the show Barbell Logic on Instagram Podcast Webpage Barbell Logic on Facebook Or email podcast@barbell-logic.com

When a woman orders a $2,000 Peloton as the ultimate Christmas gift, the last thing she expects is a call saying it’s arriving… in an envelope. The Jubal Show’s latest Phone Prank spirals into confusion, outrage, and pure holiday chaos as she tries to figure out what exactly she paid for. Listen as customer service “explains,” tempers rise, and the truth comes out in the most unexpected way. The wildest, most hilarious prank call podcast from The Jubal Show! Join Jubal Fresh as he masterminds the funniest and most outrageous phone pranks, catching unsuspecting victims off guard with his quick wit, absurd scenarios, and unmatched comedic timing. Whether he's posing as an over-the-top customer service rep, a clueless boss, or an eccentric neighbor, no call is safe from his unpredictable humor. Get ready to laugh out loud and cringe in the best way possible! New episodes drop every weekday—tune in and let the prank wars begin!➡︎ Submit your Jubal Phone Prank - https://thejubalshow.com This is just a tiny piece of The Jubal Show. You can find every podcast we have, including the full show every weekday right here…➡︎ https://thejubalshow.com/podcasts The Jubal Show is everywhere, and also these places: Website ➡︎ https://thejubalshow.com Instagram ➡︎ https://instagram.com/thejubalshow X/Twitter ➡︎ https://twitter.com/thejubalshow Tiktok ➡︎ https://www.tiktok.com/@the.jubal.show Facebook ➡︎ https://facebook.com/thejubalshow YouTube ➡︎ https://www.youtube.com/@JubalFresh Support the show: https://the-jubal-show.beehiiv.com/subscribeSee omnystudio.com/listener for privacy information.

When a woman orders a $2,000 Peloton as the ultimate Christmas gift, the last thing she expects is a call saying it’s arriving… in an envelope. The Jubal Show’s latest Phone Prank spirals into confusion, outrage, and pure holiday chaos as she tries to figure out what exactly she paid for. Listen as customer service “explains,” tempers rise, and the truth comes out in the most unexpected way. The wildest, most hilarious prank call podcast from The Jubal Show! Join Jubal Fresh as he masterminds the funniest and most outrageous phone pranks, catching unsuspecting victims off guard with his quick wit, absurd scenarios, and unmatched comedic timing. Whether he's posing as an over-the-top customer service rep, a clueless boss, or an eccentric neighbor, no call is safe from his unpredictable humor. Get ready to laugh out loud and cringe in the best way possible! New episodes drop every weekday—tune in and let the prank wars begin!➡︎ Submit your Jubal Phone Prank - https://thejubalshow.com This is just a tiny piece of The Jubal Show. You can find every podcast we have, including the full show every weekday right here…➡︎ https://thejubalshow.com/podcasts The Jubal Show is everywhere, and also these places: Website ➡︎ https://thejubalshow.com Instagram ➡︎ https://instagram.com/thejubalshow X/Twitter ➡︎ https://twitter.com/thejubalshow Tiktok ➡︎ https://www.tiktok.com/@the.jubal.show Facebook ➡︎ https://facebook.com/thejubalshow YouTube ➡︎ https://www.youtube.com/@JubalFresh Support the show: https://the-jubal-show.beehiiv.com/subscribeSee omnystudio.com/listener for privacy information.

The Anfield Wrap's free podcast reacting to Liverpool's 3-3 draw against Leeds at Ellen Road in the Premier League. Neil Atkinson is joined by Ian Ryan, Phil Blundell and Pete Bolster. Also in the show, John Gibbons talks to James Pearce about his new book Walk On. Download the Peloton app and check out the six Liverpool FC-themed classes, and connect with Neil, John and other Reds by joining the #TAWPelotonClub tag... Subscribe to The Anfield Wrap for more on Liverpool's 25/26 season… Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Episode 248 of Pelo Buddy TV, an unofficial Peloton podcast & Peloton news show. This week we cover the following topics: There will no longer be any classes on Sundays recorded from London. There are new "Club Peloton Live Classes" which are only available live to certain levels of Club Peloton. Stretching classes as well as Arms & Light Weight classes will be available across all hardware devices now. A report from Bloomberg indicates there are "sluggish sales" of the new Cross Training Devices at third party retailers. Three new yoga instructors all taught their first classes this week: Zacharias Niedzwiecki, Greta Dopp, and Johanna Ricouz. There is a new yoga class type called "Sculpt Flow." The "Meet Your New Yoga Instructors" Challenge awards a badge for taking the premiere classes from all 3 new instructors. A look at the number of people who took this year's Turkey Burn classes live, and how it compares to previous years. Peloton is still purging classes - including one that took place last week. A new artist series took place for the "Wicked: For Good" movie. Peloton also held special "Stranger Things" classes (and lanebreak levels) for the new season of Stranger Things. Peloton had 3 special classes in honor of International Day of Persons With Disabilities. Jeffrey McEachern taught a special class in honor of World AIDS Day. Peloton highlighted some classes in "This Week at Peloton." There is a new "Holiday Challenge" awarding a badge for taking a certain number of holiday classes. Camila Ramon recently released two new unofficial split strength programs in Spanish. The Peloton Black Friday sales were extended to run until December 8th. The Capital One Shopping Portal is giving 2% back on purchases of Peloton Bikes & Treads. Happy Birthday to Jenn Sherman & Tunde Oyeneyin this week. Leanne Hainsby is now on maternity leave. Emma Lovewell & Adrian Williams have events in December. Jenn Sherman had another "Sunny & Jenn" event. Jermaine Johnson & Sam Yo have an event with EARNT. Becs Gentry is raising money for 67 Strong For Kids. Hannah Corbin has a book event at the Pentagon. Cliff Dwenger is in the semifinals for "The Voice" in Germany. Jess Sims went viral this week. Rebecca & Andy's home was featured in "The Dodo." Class Picks of the Week Enjoy the show? Become a Pelo Buddy TV Supporter!  Find details here: https://www.pelobuddy.com/membership-account/membership-levels/ You can find links to full articles on each of these topics from the episode page here: https://www.pelobuddy.com/pelo-buddy-tv-episode-247/ The show is also available via YouTube: https://www.youtube.com/c/PeloBuddy This episode is hosted by Chris Lewis (#PeloBuddy) and Amanda Segal (#Seglo3)

Peloton welcomes three new instructors to its fitness team.Get the details on major updates to the PSL schedule.A new Club Peloton perk offers members early access to classes.Peloton's Chief Marketing Partnership Director has departed the company.Peloton's CTO sparked conversation with a discussion on ChatGPT integration.The company is hiring a Sr. Director of Digital Innovation & Enterprise AI.New yoga instructor Johanna Ricouz gives a running class a try.Jess Sims has a hilarious NSFW moment on live television.Denis Morton is at the center of "Hairgate 2.0."Instructor Cliff Dwenger has released a new song.DJ John Michael celebrates his 10-year anniversary with Peloton and drops a new remix.The latest Artist Series spotlights the music of Michael Bublé.Wicked: For Good themed classes are now available.Kristin McGee launches her very first program on the Tonal platform.Our TCO Top Five recap of the community's favorite Peloton classes.This Week at Peloton: A rundown of what's happening on the platform.TCO Radar: We highlight upcoming fitness classes you won't want to miss.Bradley Rose & Benny Adami have new rides themed around Stranger Things.A new "Meet Your New Yoga Instructors" challenge is live.Get ready for a new Holiday fitness challenge.Sam Yo's popular Top Gun ride has been removed from the class library.Happy Birthday to Peloton instructor Tunde Oyeneyin on December 5th.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Story of the Week (DR):Netflix to Buy Warner Bros. in $83 Billion Deal to Create a Streaming GiantThe deal to acquire the Hollywood giant's television and film studios as well as HBO Max will bulk up the world's biggest paid streaming service.The acquisition is expected to close after Warner Bros. Discovery carves out its cable unit, which the companies expected be completed by the third quarter of 2026. That means there will be a separate public company controlling channels like CNN, TNT and Discovery.Trump administration views Netflix and Warner Bros. deal with ‘heavy skepticism,' senior official saysThe New York Post on Thursday reported that, “Paramount Skydance chief David Ellison met with Trump officials and key lawmakers in Washington DC on Wednesday to press his case against Warner Bros. Discovery's potential selection of Netflix as its merger partner.”Costco is poking the Trump bear MMBig public companies have mostly treated President Donald Trump with kid gloves during his second term. They've quietly avoided conflict while seeking favor with ornate gifts, large donations to his pet projects and strategic deployments of CEOs to the Oval Office.That's what made Costco's decision last week to sue the Trump administration so shocking.Costco filed a lawsuit that contends Trump overstepped his emergency powers by imposing sweeping tariffs – and claimed the company is due a refund.Biden commerce secretary to join Costco board as company sues over Trump's tariffsCostco board now 50/50Gina Raimondo led the agency responsible for crafting U.S. trade policy during all four years of Democrat Joe Biden's presidency.Rhodes Scholar Raimondo led Biden's Commerce Department; former governor of Rhode Island (2015-2021)AT&T Commits to Drop DEI Programs and GoalsIn the letter, AT&T makes a series of commitments, including stating that:“AT&T does not and will not have any roles focused on DEI”“we removed training related to “diversity, equity and inclusion” as well as any references to it from our internal and external messaging”“It is AT&T's longstanding practice to pay and advance individuals based on merit and qualification”From Brendan Carr's tweet: NEW on DEI: AT&T has now memorialized its commitment to ending DEI-related policies in an FCC filing and “will not have any roles focused on DEI.” This follows the big changes @robbystarbuck already announced earlier this year.AT&T promised the government it won't pursue DEI. FCC commissioner warns it will be a ‘stain to their reputation long into the future'Anna Gomez, the sole Democrat on the FCC: “AT&T's reversal isn't a sudden transformation of values, but a strategic financial play to curry favor with this FCC/Administration. Companies should remember that abandoning fairness and inclusion for short-term gain will be a stain to their reputation long into the future.”AT&T eliminates DEI programs, says hiring and advancement will now be merit-basedZillow Doesn't Care If Climate Change Destroys Your New HomeThe real estate platform recently removed climate risk scores from its listings—a potentially ruinous development for some buyers.Classified board; co-founders/co-Executive Chairs Lloyd D. Frink 36% and Richard N. Barton (Netflix; Qurate Retail) 40%10 votes per share of Class B common stock55% voting power; less than 12% economic interestCombined $83M in pay over last 3 years; primarily optionsGender Influence Gap (-23%): April Underwood 2%; Amy C. Bohutinsky 2% (former Zillow COO and CMO); Claire Cormier Thielke 1%LT directorsCompensation committee chair Jay Hoag (2005-)!Netflix, TripAdvisor, Peloton 65%Audit committee chair Greg Maffei (2005-)Qurate Retail, Charter Communications; Live Nation Entertainment; TripAdvisor; Liberty Broadband; SiriusXMAlso: Erik Blachford (2005-); Gordon Stephenson (2005-)Also: CEO Jeremy Wacksman and earnings underperformer: J. William Gurley (Stitch Fix .094 earnings; Nextdoor .010 earnings)Goodliest of the Week (MM/DR):DR: Melinda French Gates slams billionaires who aren't giving away enough of their wealthThere are more billionaires than ever — and they have almost $16 trillionMM: Billionaire heads on robot dogs pooping photos go viral at major Miami art fair MMAssholiest of the Week (MM):The “arrogant pricking” of CEOsPalantir CEO Alex Karp defends being an ‘arrogant prick'—and says more CEOs should be, tooIn Karp's worldview, “arrogance” is a necessary survival mechanism for a leader who intends to be right even when it is unpopular.“The only people who pay the price for being wrong in this culture, in complete fashion, are poor people,” Karp said. “The rest of us somehow outsource all the times we're wrong and stupid to the whole society.”Meanwhile, we're now hearing from Sundar Pichai (who's trying Cassandra on for size), never ending diatribes from Sam Altman, Elon Musk, Mark Zuckerberg, Jeff Bezos, and everyone else with a 6000x CEO pay ratio… “Merit based” ass kissingAT&T eliminates DEI programs, says hiring and advancement will now be merit-basedFCC boss Brendan Carr claims another victory over DEI as AT&T drops programsSo how "merit-based" is the board? Top knowledge: economics (useful for phones... somehow...). Team TSR performance: 0.482 (where 0.500 is the average return for a board). Controversies performance is an excellently horrible 0.204, with CEO John Stankey as one of the worst performers... ON EARTH at 0.028 (meaning, he's in the worst 3% of all people on boards for controversies facing their companies). For most of the board, it matters more to be connected than good.Replacing government safety nets with billionaire whims DRJeff Bezos and Lauren Sánchez Bezos commit $102.5 million to organizations combatting homelessness across the U.S.: ‘This is just the beginning'Sánchez Bezos recounted meeting families benefiting from local organizations to which the Bezos Day 1 Families Fund offered grants… she met one woman who had been kicked out of her home with her infant daughter, but the organization took her in for the night, gave them a bed with sheets and a locked door. “It brought tears to my eyes seeing this little baby and seeing her flourish,” Sánchez Bezos said. “Selfishly, it fills my heart meeting these families. It really, really does.”Michael and Susan Dell to donate $6.25 billion to fund 'Trump accounts' for 25 million U.S. kidsHeadliniest of the WeekDR: Zuckerberg Basically Giving Up on Metaverse After Renaming Entire Company “Meta”DR: Nvidia CFO admits the $100 billion OpenAI megadeal ‘still' isn't signed—two months after it helped fuel an AI rallyNvidia CFO Colette Kress told investors that the much-hyped OpenAI partnership is still at the letter-of-intent stage: “We still haven't completed a definitive agreement,” Kress said when asked how much of the 10-gigawatt commitment is actually locked in. That's a striking clarification for a deal that Nvidia CEO Jensen Huang once called “the biggest AI infrastructure project in history.MM: Children Sob as Waymo Runs Over DogWho Won the Week?DR: CostcoMM: Robot dogsPredictionsDR: Based on this headline (Jamie Dimon Once Called Bitcoin a ‘Fraud.' Now, JPMorgan Is Quietly Making Blockchain History and Betting This ‘Crypto Winter' Will Be Short-Lived), Jamie decides to invest in Volcano-Powered NFT Mining FarmsMM: Costco will start selling a new kind of robot dog (they already sell one) that has Gina Raimando and Jeffrey Raikes face and poops out pictures of Howard Lutnick

This is Derek Miller, Speaking on Business. Hilton Salt Lake City Center, in the heart of downtown just minutes from the Salt Palace Convention Center, Temple Square, and City Creek Center, is a great destination to experience what makes Salt Lake special. Director of Sales and Marketing, Melissa Allen, joins us with more. Melissa Allen: Hilton Salt Lake City Center features 19 distinctive suites, including a themed Cabin Suite that captures the beauty and spirit of Utah. Our rooftop hosts four active beehives, symbolizing teamwork, dedication, and community values that define our team. Guests and meeting planners can take advantage of over 32-thousand square feet of flexible event space, a fully equipped fitness center with Peloton bikes, and a relaxing indoor pool, making our property the perfect downtown destination. Our on-property restaurant, Spencer's for Steaks and Chops, has earned multiple honors, including the Diner's Choice and Wine Spectator's Award of Excellence six consecutive years, featuring hand-cut steaks, fresh seafood, locally sourced produce, and creative seasonal cocktails. In 2025, Hilton was named the number one Best Place to Work, and our property fosters a culture of collaboration, empathy, and excellence, ensuring every team member and every guest experiences the warmth and light of hospitality. Derek Miller: Hilton Salt Lake City Center continues to shape Utah's downtown vibe, bringing people together through community, hospitality, and local experiences. Discover their unique suites, rooftop beehives, and award-winning dining. Learn more or make a reservation at Hilton.com. I'm Derek Miller, with the Salt Lake Chamber, Speaking on Business. Originally aired: 12/5/25

For November's Reviewing the News Episode, Mike clues us in on what's been going on in the Cyclocross season so far. Then we have a bunch of bike industry recalls to wade through — some of which are legitimately dangerous — which segways into Mike and Simon trying to understand why Rad Power Bikes is not issuing a recall for batteries that could burn down your house.Note: We Want to Hear From You!Please let us know if there's a topic you'd like us to cover or a guest you'd like us to have on Bikes and Big Ideas. Email us at info@blisterreview.com to weigh in.RELATED LINKS:Blister Mountain Bike Buyer's GuideGet Our Free Newsletter & Gear GiveawaysBLISTER+ Get Yourself CoveredTOPICS & TIMES:Mike's Cyclocross Season Update (5:32)Rad Power Bike's Battery Problems (15:01)Can Trek's Coaster Brake Failures Make Better Cyclists? (24:52)You Can Still Get Injured on a Peloton (32:56)Lezyne Floor Pumps at Risk of Exploding (38:58)Will the Bike Industry Ever Go Back to Normal? (42:44)Mike's Madrone Derailleur (46:30)Charging eBikes Off-Grid (59:27)Mike's Heading to Mexico to Fix his Teeth (1:07:02)CHECK OUT OUR OTHER PODCASTS:Blister CinematicCRAFTEDGEAR:30Blister Podcast Hosted on Acast. See acast.com/privacy for more information.

Send us a text*DISCUSSION TOPICS*Ariel & AJ's Hyrox Dallas experience!Who are these new instructors???Turkey Burn Classes!!! How was it?Why sluggish sales of the new Peloton equipment?Why is BeachBody stock going up but Peloton going down?Class Recommendations!

Will and Josh talk about police interrogation, Sting, and writing music with AI.Listen to the Jortscenter playlist: https://open.spotify.com/playlist/2ioAsKKw7AhdJ0cCrasqfH?si=6c2cef121c3a4a9aJoin our Peloton!   https://www.patreon.com/JortsCenterFacebook group: https://www.facebook.com/groups/342135897580300Subreddit: https://www.reddit.com/r/jortscenterFollow us on Twitter:@JortsCenterPod Will is @wapplehouse Josh is @otherjrobbins Ryan is @ryhanbeard Vic is @DokktorvikktorZack is @ZackVanNus

Now, and??? Okay! Just another dime, And just enough to find Before I count them up to dollars— But you're turning into wine. What did you ever want? This is my other world. Go shatter you tantric catwalk elsewhere! Don't you know there is a show to put on? A wool to pull over the eyes of the unknown? Why do you have to groan at the quantifiable harm known but justice undone. No harm, no foul No food, no valid excuse for betraying my sacred dopamine, but hopefully you know only no good But words can come from it, And words that fall on blind eyes have no context at all. {Enter The Multiverse} Uncorrected transcript. [excuse my neighbors in the background they're determined to make my life miserable more than likely in exchange for dollar signs.] Okay, my Wi-Fi is off, my Bluetooth is off. Oh, my laptop is open, my Wi-Fi is on. I can give me a second to remedy that. Hello. Hello. I'm Atticus's tail says hello. What's going on? Oh, I wasn't planning on oh, my WiFi on my computers off. That is good. Uh, I keep all my devices uh, at minimum on off the grid as often as possible. Um, there there actually it's crazy how much of a difference this makes. I gotta pour myself some coffee. it is almost midnight, o'clock. Hello, um, what's up, we're missing talking episodes. Um, we're missing talking episodes from season 12. I can't find anything like past October, and I know it's on one of my hard drives, but all of my hard drives are full, um, I have like something like 10 terabytes altogether of stuff that needs to be like moved around and not all of it. Some of it's like really personal, like not personal, but like sensitive information that I can't necessarily utilize a cloud for. So I am it's taking me some time to organize some stuff. I I try to do between like eight and 12 hours of just organizing on any typical night after my uh exercise or whatever, or between I would say that exercise is definitely like the primary function of like my life. And that's like the priority right now, especially with the things that I've been going through. I think it's really important to keep my physical and mental health as um in in it's not gonna be at its peak, um, because of the noise pollution that I've been dealing with, and it's actually made me really sick over this extended period of two times. um, and I'm trying to um seek treatment for that, but it's a uh it's a long road, I have a long road ahead of me. We could just say that. Um, which is why I am giving you guys, um, some stuff that I've been working on that's not necessarily finished, and I'm actually really like, I'm embarrassed because I don't necessarily um I I actually have a hard rule of not releasing any music until it's absolutely finished. like even if it is a first draft, like it still has to be finished. um, but I actually and I gave you, I think, I think two tracks, which is actually four. um because this upcoming project, it's a concept album called a symposia. um and the concept for it is um a lot. I don't necessarily have to explain right now. Um, but all of the tracks so far on it are double tracks, and so it is typically I've always really loved albums that have that are like gapless. I don't think through my distributor, like I can never technically um, like put out an album that has no um technical stop or start between songs, like they would have to be cut a certain type of way that, like my distributor does it. There's always gonna be a gap between my music, but um all of the tracks are um double tracks, so they're all two tracks in one, um that are kind of along the same theme or idea and um like lead into the next track. I've always loved albums like that. uh, one of my favorite compilation albums, um like just to give you an example, just to throw it out there, is like, the Beatles love album, which is not actually a Beatles album. It's just a, um, it's a compilation of their um songs made for the Cirus Sole show that I think is still playing in Vegas. I don't know if it is it's been playing for like 10 years, and I still haven't seen it. um I really I really want to take mushrooms and go uh see that show. I've wanted to do that since it came out, but my favorite one of my favorite albums in the world is the love album, which is is basically a mash up of like their greatest hits, crafted by, um engineers and people who used to work with the Beatles and stuff for this uh Cir dis soet show um in Vegas that I hope I get to see I hope it's just one of those like long standing like like Siegfried and Roy. I just realized that they were in Vegas for like 40 years, like they were just there, they were just a stable, so hopefully that show is um kind of like that and one day I'll get the, uh one day I'll get the opportunity to see it. Like my my bucket list, like destination, like vacation at one point was to go see the Beatles love on like an EDC week. um that's still something that I want to do. I promise myself I wouldn't go to EDC unless I like ever got booked there. Um, and I think this year is like 30 years or something of EDC, and so they um they sold out in like five minutes. um so it's it's not it's not something I'd consider doing by myself anyway, unless I was gonna go with my best friend, and um and I was like I was talking to my best friend and I was like, oh, maybe I should check on, like the early bird tickets for ADC, and they were like, they was sold out, and was this celebrating 30 years, and I'm like, okay, well, I guess I should uh work on getting a booking agent, but my music is not my music is kind of turned into like a passion project. um, since everything that I've been going through over the last couple of years kind of just like took me off my path in that sort of way and DJing, I kind of wanna preserve it as like, I really love being a DJ. I really love producing music and because it's so consumer, there's a bunch of people in the industry that are not necessarily like music oriented or love oriented, and it's just like a whole different vibration from like the peace and the love and the unity respect of that. Like I like the scene for. I really want to check out, like as far as a festival goer is concerned, I really wanna check out some of these new festivals that are popping up that are doing like no cell phones. I kind of wanna check those out, cause I feel like the quality of of the experience has been preserved or will have been preserved in in certain spaces like that, um, but anyway, I'm uh I have been physically ill for like a few months now. um, and so the best that I can do for you guys my audience just because I'm not sure if I will get symposium out this year in which case it will come out next year. um, and then I think this track, I'm not sure, this track is definitely like a track that was in my mind. um implementing all of the like sound design stuff that I'm doing for symposium and is also a double track. um it's called Forget me nots. uh and then the second track is followed through. uh,get me nots/follow through. I think it's like an eight or nine. um minute track or whatever. It's not finished. Um, actually, the only finished track that you guys have heard, and even this even bitter butter and southwest of your scars is like a double track that is finished, that is on symposium, but it's still the version one, like it's not um I haven't done like any of the final mastering or any of the things that I do in the process of getting ready for a a release. I do have like a a like an implemented ritual structure of doing things like that, even for projects that seem like mindless, or, you know, things that are seem seemingly just like thrown together, like chasing dragons, was kind of like not necessarily even a concept until the three tracks were like sandwiched together, and I was like, oh, okay, like, this does tell a story and and they were all created in a certain way so that they'd go together. I think I fixed that. um, because, um, chasing dragons, the EP was for some reason, when chasing dragons got released to, like all the major platforms, it had chasing dragons was the first and the last track, and then dishes and the sink was just in the middle, which was weird. um so the third track on chasing dragons is actually immortalist and I got that all fixed. and I also got the regular like the normal version of the songightfall is out on the platforms now. Those were two er errors um that I needed to fix that I finally did. um but I'm slower to do music things now because like I said, my health is the priority. So it's like, yo, if it comes down to like getting a good meal in or like some good exercise or like right now I'm doing active recovery because I'm dumb. I went from like not really running anymore and only walking for an hour every day on the treadmill and doing like an hour between one and two hours on the pelotone, a day which is technically still three hours of work, um, but then I went back into heavy training the way that I preferred to do like I prefer to be at the gym between two and three hours every day. That is my ideal. That is where my body feels comfortable, um and flexible and like happy. Um, and if I can do that in the very beginning, like to start my day, cause I don't necessarily have 24 hour, like days anymore. um like what's technically the end of my day is oftentimes the very beginning of other people's days, and so I'm kind of just on on night, like, routine because it is like, I'm I'm basically just like protecting myself from the uh, you know, like my my nervous system can't take any further damage. Like, I do have really pronounced synesthesia and, um, I wasn't necessarily like planning to be exposed to extreme like noise pollution for an extended period of time without having the financial security or stability to escape from it, cause honestly, if I could have moved, I would have moved or if I could have just left, I would have just left, um, but I obviously wasn't in a situation that I could, and so I became very vulnerable um, to this type of attack, which I learned was actually very common. It's not something that is just like, oh, you know, um, this is just something that I'm going through. It's actually a very common for people of color to be, um vulnerable to this kind of disease that comes from um an implementation of using sound as a weapon. And I mean, like the irony is is that I was already kind of studying synesthetics and the way that, you know, as a culture or the way that in as as far as like mass consumerism is concerned, that's why people pay so much for a, you know, festiv for the festival experiences because sound can be a very much uh manipulated to be a physical thing. It's not, you know, it's not invisible. And so the fact that those same kind of um those that same kind of engineering can be implemented also in a negative way to have a negative effect. Like, you don't have to punch somebody in the face, like, you can just back up your exhaust, your engine exhaust, and, you know, fire at point blank to somebody that is, you know, caught off guard. and in that way, um sound can be used as a weapon, it uses the same dynamics, the same kind of dynamics as, you know, the reason why we go in the th you know, in flocks by the thousands and the millions to these festivals to feel the vibrations that that are on the opposite end of the same spectrum, the healing vibrations of, you know, certain things. and so I've been doing my best to try and, you know, maintain a certain level of health through, you know, using, um, you know, certain frequencies to block out. But when it's your physical person is in a space that's being manipulated to be on a certain frequency, um, uh, the exposure to this negative frequency that is unnatural to your body over a period of time. um, you begin to get very, very sick and that's what's happened to me. And so I'm trying my best to like keep my head above water and, you know, stay afloat. Um, but I didn't expect it especially after, you know, a period of like two or three years before that, where I was just like on the go all the time. Um, and, you know, not necessarily having like a a suitable foundational stability or a place to call home and then going straight into something else that was like more traumatic and more violent than, um then I expected, and so I've been trying to remedy that. um, the best that I can and because I'm putting my mental health and my physical health first, I'm not necessarily like, I it was weird. I was kind of in like a meditative space and I had, you know, like this this kind of spirit come over me that was like music, you know, music is gonna be there forever. like, as long as you're as long as you exist, you know, whether it's in like a physical realm or like an infinite realm or whatever, like as long as you exist, there's always gonna be music. and that was kind of like the sign that like, K, as much as I do like having a streak of, you know, like being an Ableton every day for several hours a day. um, the way that I am using these techniques that I'm applying in symposium and as seen on TV, which reminded up being a double album, because I actually have, um, like several, um, tracks that are like honestly on TV, I've been working on since, like, 2023., like, early 2023. Um, and so, the things that I've like collected, it's kind of interesting because my evolution as an artist or like my technique as a producer will be, um represented here in this project, which I hope comes out next year, but I can't say for sure, cause it's probably the it's definitely the biggest, most um important album I've ever worked on and I I put a lot of care and thought into those as seen on TV tracks because it does um like creatively, I guess, run alongside this series into the multiverse and all the series within the festival project, uh Ascension Death Wish, legends, um the legend of uh, the secret life and the sweet life of sunny Blue, just to name a few, there are I keep trying to make like a list of all of the shows within the festival project, but then I'm like, oh, like there are so many that it would it just falls apart. And so I mean like I'm getting a little bit more organized with the with the actual structure of, like, the television and movie, like, script part of the project. um, while I'm cleaning out my hard drives, but having to organize everything so that it's, you know, so that I can go to a certain hard drive and be like, okay, well, this is um, you know, this is this season to this season. I'm still archiving episodes from, you know, 2021 and and because a lot of those statistics can't be like once I delete an episode from the podcast, it goes away and all the all the statistical information about the number of downloads,, like all of its information, all of its metadata goes away. and that's very important for what I'm going through in my personal life right now in order to protect myself for those things to be taken down, but also for it to be archived in a way that I can reference as a creator like, okay, this is this day that this was published with this, that like, because it's it's a time travel concept that is multifaceted, and it is like based in this multiperceptory m multiperceptory multiimensional concept of technically technically infinite time and space, like it has to be organized in such a way that, like, all of the series and all of their all of the ways that they're connected to any particular parallels have to be, you know, they have to be organized and documented so that because I'm the more that I'm looking at it, the more it makes sense. I'll be like, oh, like, I thought this was just like nonsense or whatever, but when I'm putting it into like an organized space, um, and to me, that's like the god part about it is that like, oh, like, um like, I' I'll be looking at the writing and noticing how it takes like particular shapes or how the shapes will cut is sometimes like make pictures, like sometimes when you're looking at the clouds and you see, you know, shapes and the clouds. sometimes the riding for this project is like that, which is kind of incredible to me.c it's not something that I'm doing um, intentionally, it's kind of just something that's happening. I'm writing in a stream of consciousness that's also, you know, like artistic, creative in a way, that kind of has this, like, sense of divinity to it that I'm not necessarily, like, consciously doing. Um, so everything has to be organized in such a way that like it is gonna take time, um, and because it takes time and a lot of the other things that I did not foresee happening or also taking a lot of my time, like a lot of my my time and energy to document like how sick I've been getting a lot of time and energy has been focused on just like, doing the research on, you know, like crazy crazy shit that I never really took interest in, um, but could be applied here. um, could be applied to this situation and and kind of just finally being able to have a piece of mind to give myself the benefit of the doubt that, like, it wasn't in my head. like, I just had to be uh, I just had to be pushed to the point that I could understand, you know, that this um, sometimes very silent type of, um, you know, warfare is is like a documented not even necessarily historically, but like presently and present day. um, they're just I don't think haven't been enough survivors of this kind of thing, um, that it could be, um that it could be notably researched, like the amount of reports, but, you know, it's it's not it's not by choice, like it is taking up a lot of my time and I wish I was the kind of person that could just ignore it. Um, but I'm getting very physically ill. Um, so I can't, like, I can't ignore the fact that, like, you know, I'm running on zero pretty much all the time, and that my my patterns of speech have changed in my, you know, my thoughts have been intercepted and my, you know, like, because physical and mental health is such a priority to me, the fact that those things have been the primary uh, source of degradation has has affected me in such a way that it's not, I mean, like, it's less emotional than it is the logical answer to, you know, like if you have a cold, you take cold medicine or if you have the flu, you take, you know, it's it's like, well, remedying something that is a fi physical illness, you know. um, removing the cancer from the body, uh, you know, in such a way that it doesn't come back is kind of my main primary concern in this way. Um, so I am am especially because I can't but the talking episodes are actually more popular this season than any other season. and I can't find like six or seven of them, because I I don't know, I was just switching out all my, you know, uh my stuff so quickly and pulling things out of the cloud that it, you know, got saved under drive zip eight, seven six nine, you know, like. It's it's just a mess of of terabytes and tabyrites of creative work, um, and, you know, other things that I've had to dedicate my time to, which is not necessarily fair, but, you know what they say is life is not fair. Um, so, you know, life hasn't been fair, but I have, you know, been blessed in such a way that, like I I I've at least been able to um creatively channel some of the some of the energy and some of the time that I have left over that is technically mine. while in the sense that I've had a lot of my time and energy just stolen in siphoned, um, you know, I have been able to kind of forge a medium through fighting this that allowed me to, you know, start doing art along the lines of, um more more the way that I want my music to to think and feel. And so I'm I'm still just working from a little tiny MacBook air. um, so my, you know, um, my projects get like overwhelmed really quickly. I can't necessarily implement all of my um my plugins or all of the tools that I like to use at once, and so everything is kind of segment segmented in the way that I'm working. um and like, yeah, my projects get overloaded very quickly. um so the tracks that I'm giving you are not finished, but they're more um I would say like they're more, like colored, they're more like filled out. It's not necessarily abstract in the way that some of my stuff is like very like, you know, like drag and drop and cut and go, well, I do a lot of like, even in my even in my like my cut and dry stuff, I do a lot of sample manipulation. I very rarely will keep a sample in the way that it is without doing something to it, you know, like, I don't do dragon drop, um, unless I'm planning on just, like, you know, giving a beat to a rapper a artist for free. like, sometimes I'll just be like, okay, for the next 15 minutes, just do, like, something, you know, like a two or three minute, like dragon drop or whatever. But those those are not necessarily tracks that I A share here or B like plan on doing anything with because the world of sampling has gotten to the point where it's like, yo, you gotta have some creativity, like you can't just open up a sample pack and drag it and drop it into place, because then you have eight or nine songs that sound exactly the same. Eight or nine songs that are the same because basically you're just putting together a, you know, you're putting together stems from a track that was already created, you know, by somebody that's trying to sell you something, so um, you know, I I take a little bit more creative uh integrity in the stuff that I do mean seriously. Um, a lot of it lately hasn't been serious, but I I actually did want to take an hour to talk about this not this track in particular, just talk about why I'm doing this because it was something that it was like, oh, I feel like this project is a little bit more special or is a little bit more like technical than some of the other work that I've shared here on this podcast or work that I've put out before and so I kind of wanted to keep it to myself um, but then I've kind of had a couple, like, you know, like heart shattering experiences that make me realize, like, you don't know. like, you don't really know what's gonna happen and life is, um, sometimes very cruel and sometimes life is, you know, it just takes turns that are not necessarily. um you know, like you don't you don't ever know. And my mindset has not necessarily been that negative. It's like, oh, everything, you know, there's a there's a reason for everything, and blah, blah, blah, and I still do believe that, but like, you know, two years of constant, like, torture and stress to the point where I don't necessarily have a medium for support or, you know, um, like, I don't necessarily have the foundation of community. um, being in a place that is not my home and coming from a family that's very, very small and doesn't necessarily have, you know, well, like, I don't have what some people have, I don't have a large network of family and friends and the kind of family and friends that you create for yourself in the business are not necessarily, um, you know, like people can't necessarily be trusted to have your best interests. Um, especially especially if you are coming from like a a margin for success that, you know, is documented, like you've done well, you can't necessarily still believe that, like, everyone in your immediate circle has the best interest for you, because it is in human nature that everybody has, you know, themselves as the primary interest, and so um, me being like a a solidly um you know, like self sufficient. I won't say independent person. um, driving towards independence or whatever. um, but being a person that spends a lot of time in solitude and with enough respect, like enough self-respect to understand what my when my spiritual and my personal boundaries are being pushed even even in a person you know, professional setting. um like I took today for active recovery because I'm dumb and I went straight back into training as if I'd never really stopped. like it okay, like I'm on the Peloton seven days a week and I have a treadmill that I walk on in for an hour a day, you know, five to six days a week, but it's not the same as like being in the gym and lifting in stri strength training and and um active recovery um but I was like, okay, if I was running like a Madonna or whatever, you know, for this amount of time, then I should be able to do that. I should be able to do that. No, I didn't run a Madonna, but I ran like a 3K and then a little bit. and I like, my body was like, yeah, this is good, but then I had, like the rest of the day and I did not properly hydrate, and I got, like even more sick. and so I'm like, oh, fuck. Like, I really got like I really got a prioritize, like, my physical health, because if I keep letting myself get pushed, you know, like over the summer, before requisite when I was just like, oh, you know, like, I'm just gonna record. I'm gonna go to Manhattan 20 fucking days in a row and not take a day off and I'm also gonna train, you know, and I'm also gonna do this, like the like, I'm maximized my potential for burnout, which also left me per like, personally vulnerable. to the, like, professional sabotage and, like, weird, underhanded, like, underbelly shit that, like people in the DJ circuit are doing because it's so hard to actually break through., from the level of like consumer professionalism right now. So people are doing like a lot of nasty things to try to get that main stage spot and I wasn't like in my head, I'm still very much like a Disney kid, like, I'm still like, I don't necessarily well, I mean, like Disney to teach us like, there's always gonna be a villain, but like, a society kind of undoes that teaching and is like, but that's just in movies and that's just in your head, but there's no like to me, I there is just this weird misst up between real life and what is told that like, okay, like anything that exists that is like in a certain field of negativity is just in your head. but, like, evil is it like a documented source of the opposite of good. since the beginning of time, and I just don't understand in how in a society we can philosophically and psychologically embrace therapy, however, when it when it comes to, like, real lived experiences, when you're dealing with something that is not necessarily, uh, like a normal part of societal living, like that stuff only happens in movies. I'm like, but it does happen. Sometimes you just have to, you know, like being having I've I've never really been such a socially dependent creature. like, a lot of people have to have some kind of validation. That's why social media is like ruling our society right now. is because people have to have the validation or the likes of whatever they're doing is like cool with the rest of the group. and to me, that this is dangerous group think. like, if you're all thinking the same way, then there's something being missed. There's always something being missed, you know, if you're all on the same frequency or the same form of thought, you know. And so, I've always been like a big, you know, maybe it's just because I don't have any siblings. I've been like a big believer in embracing, um, independent thought, like, okay, if everybody else is thinking one way, then what is the opposite of what everybody else is thinking and not necessarily alluding to the fact that the opposite might be the right thing, but anything between whatever the group think and the opposite is, is also like valid, could be valid, you know, it's not necessarily the opposite of what everybody's thinking, but it's somewhere along the spectrum of maybe that or maybe the opposite, like it could be anything else in between. And so I think I'm the kind of person or the kind of thinker that's motivated by the the spectrum, you know, the spectrum, uh process, anything in between, like not necessarily that, not necessarily the opposite of that, but like what other possibilities, you know? um, could be validated or verified through thinking outside of the box or outside of a you know, being forced to the point of conformity that, like, everything sounds the same and everything looks the same and everything has like a way. That's not necessarily wrong. um, but also not necessarily the only way or right. um, so that I' of been uh what what did I get on that round about? I don't know. I've just been playing with like a lot of different concepts, like not necessarily trying to sound like anything. or anyone, and also not necessarily having the opportunity or environmental expression, like the space to be able to sound like myself. Like I still don't artistically or musically think that I sound like myself. um, and that they are elements of myself there, but it's something that's kind of, um, in its, you know, convex form of being this thing that is potential, but not necessarily fully realized or realizable yet. Like, I haven't had I haven't had peace and I haven't had like full p I haven't had peak health in a long time, or a safe environment in a very long time. and I think that the disallowance of comfort, not necessarily the safity of um of complatancy, you know, or or being comfortable to a point that it's it becomes dangerous, um, but just being able to kind of be in a life that is not necessarily like violent or terrible all the time. I think removing these barriers has not necessarily been a foreseeable reality for nearly a decade and while some artists technically thrive in what is, you know, what is this, you know, tragedy and darkness? It's there's only so much of a certain space that my creative ingenuity can take up and not void. And so, understanding that this time is kind of transitional in the sense that eventually it has to in no matter what direction break free from its current state of, you know, entrapment and its current state of imprisonment. um and so in my artistry and not will change, but I don't think I don't think it's necessarily going to be like fully realized until I have a a a point that I'm in an environment that I can breathe and be and think clearly without the force of control or being subjugated to, you know, a certain level of violence that's not necessarily always physical, but is certainly not, um, you know, without it's notable, um, impact on my physical health, my physical and mental health. So that being said, um, this track, um, this track is somewhere between symposium and, um, as seen on TV, I think I began writing it before the concept for symposium was fully formed. and, um, I think it was like the first of its little group of double tracks and I didn't necessarily mean, like, for the story, cause it, you know, ideally, like a song is like five minutes or less or whatever. um five minutes or less or whatever, but I've again, not been, uh, trying to conform to what is supposed to be this, or what is supposed to be that, and, um I don't know. I I began writing it in with the mindset and the technicality of symposium, but also as I listen back to it, um, I'm also using elements that have been implementing for the last few years into as seen on TV. And so there's some like to me, it's very beautiful. Again, what what is more important or more, you know, like wh what is more palatable for my audience is always differed like my favorite tr tracks are not your guys's favorite tracks from what I'm looking at for for the numbers, you know, my favorite episodes of me talking are not your favorite episodes for me talking. So, I mean, like they're exists here, this obvious, like, it's weird because a lot of artists can be applied to their fans and to their listeners. It's like the the listeners are being projective of like they see themselves in their favorite artists, or they see themselves reflected back through an artist that they, you know, like Taylor Swift, like, all her fans are Taylor Swift and like, most artists are that way that, you know, they're reflective of the people that they look like and have the same experience of and that's how, you know, um, that's how mass that's how mass media works. It's reflected, you know, through the medium of sorts, you know, um it as a as a concept that is shared amongst all all of those, you know, people. um, but I'm looking at my numbers and I'm realizing that, like, oh, there there's like a distinctly different flavor from the way that, like, my perception of what is my best work is and what my audience thinks is the best or, you know, the like I look a lot at the numbers not as they happen, but like over time, whereas I'll be in hiatus for a certain amount of months and then I'll come back. and see what the numbers are reflecting in in what is more, you know, palatable for my audience, like what my audience is is actually agreeing with more is like my better work and it's always not it's not necessarily again, it's not necessarily opposite. but it's not um, you know, it's not always what I expect to be. So this to me, I like um, but it doesn't necessarily like that you, whoever you are as an audience is gonna agree. Um This is actually the least completed track. um I feel like I'm showing you yeah, like I'm showing you my my uh it just it's naked cause it's very much not done. This is probably the most incomplete thing that I've ever, like, put out for anybody else to listen to. Um, but just being audit honest as like a person, not like as a entertainer, cause I don't necessarily see myself as that anymore after these couple years. Um, but being honest, like as a human being, as like a person, um, I've had some times that feel as though are, you know, an indication of not having a very prolonged experience in this sort of way. And I don't, like, I don't wanna put a trigger warning on anything. And I don't wanna, you know, like I I also don't want to insinuate things that are not there. Um, but a lot of the time, that is just to say that I don't feel safe, um, that I don't feel, um safe or secure, um, and that there's not necessarily a like sh it's just New York City. There's no level of like autho like a there is no necessary authority complex that has any sort of like, ability to protect you, you know, from uh certain experiences that are not necessarily um, you know, there's there's no level of protection from from, you know, there there are more heavily funded organizations that are like banks and investments or are more funded than the police. So when you're telling the police, like, hey, I'm being, you know, stalked or harassed and like, there's a pattern and like, here's the evidence and they won't even look at your evidence. Um, even though technically by the law, like it is, you know, documented uh, verifiable, like verifiable, like, no, there's none in my head. Like, I have like the videos, I have pictures, I have audio recordings of like this is happening to me, and they won't even look at it, um, not necessarily because they don't want to, but maybe because they've been trained to look in the other way. Um, and then, you know, just the cultural disadvantage of like, youre snitch. I'm like, I'm also within inches of my life sometimes. and nobody's helping me. Um, and it's not necessarily a mental condition. I think that more now than ever, I would be like readily willing to admit like, oh yeah, like, I should just take the meds, but I'm like, this is I'm not hallucinating this. I'm not gonna take some kind of fucking pill for some kind of medication for something that's like, I'm experiencing this, and not only am I experiencing this with like my eyes, my nose, my ears, like, I'm now videotaping 100% of my life everywhere I go. If I walk out the door, I'm recording, like, that's how many times I've been stalked or followed. Like, if I walk outside of my apartment, like I'm I'm videotaping it, because if I don't, if something happens, then it's literally their word against mine. and the police is, like, literal their whole thing is like, if we didn't see it, it didn't happen. Like, you can get you can get, like beaten within an inch of your life and the police can show up and you can tell them and they can see you like bleeding from the face or whatever, and be like, that guy did it, but the police will straight up tell you. the police will straight up tell you like if we didn't see it, it didn't happen, like we can write the report, but like we like they will not investigate. Period. They will not investigate. And so understanding that, like that opens the, you know, the possibility of like way, way more heinous crimes, you know, being able to be, um, played out without, you know, without any possibility of you having help for that, as, you know, is like dangerous to me, and a lot of the time I feel like I'm in danger, um, to me, and so, my priority is not sitting down in Ableton and and you know, getting these cues just right, like, especially with this this track. um, like it's so, so far from complete, but when I hear it, it still sounds it sounds decent enough that, like, I'll give it to you guys just in case, like like the least sometimes that I feel is gonna happen is that I just get hit by a bus. uh, which does happen almost any time I go outside. It's like, I will not get a bicycle. I won't because I'm like, that's like the easiest way to ensure that I will get hit by something. I'll get hit by something. um I will get hit by something, so I don't um I don't, you know. I'm just trying to, uh, get along and protect myself and away that, you know, maybe possibly enables me to, like, disappear. I don't necessarily need to be anybody. I stopped fighting for that main stage spot a long time ago, cause I I see that it's not about like it can't necessarily be about the love when it's about the money. and I have so, so much love. like for the music, um, and for what used to be the scene. I mean, the scene's always been kind of dirty. You pick up any book about DJ culture, about festival culture, you know, about music in the in the sense that it's been meant in the rave world has always had like a CD side to it. um because it was previously a counterculture, you know, that became mainstream and it still definitely has its like flavor, it definitely has its like, you know it's flavors to it, which, you know, is is a magnetism or like a draw, that's like, oh, there is this darkness that exists, but like, at the core of it is the frequency, you know? And I think that if there was ever going to be like a place for like a placeholder for success for me and the industry, it would be somewhere in the future when it can be a more decisive. No, what am I trying to say? Oh, I don't know. I think that money really fucks things up sometimes, and because of the amount of inequality in the world and the fact that the the world has become such a competitive space, um, that there're actually less places for opportunity for artists, even though it seems like there should be more. um I think until it's like about wellness, yeah, I think in until music can be until we can create like spaces where wellness is like at the center of these, you know, gatherings, then I don't think it's necessarily going to be like a safe place. Um for anybody, but let alone for me, because I'm very much like a fragile person when it comes down to, um, like per like the protection of my spirit and the protection of my aura, I don't necessarily want to be in a place of uh tragedy or a place of defense all the time. I I wanna go outside and and be in defense mode 100% of the time. I am right now, so um, like anything I I I kind of take it with a grain of salt in the way that like anything I say can and will be used against me. And so I don't say so much. I I don't say so much, and I want to be sure to take care of my art in a way that it doesn't is not, um, you know, so that it doesn't necessarily exist in a place of toxicity or that it's not coming from. Like, I won't sit down and Ableton if I feel a certain way. It's not just me being lazy. Like it's if I have like a certain vibration that's incurable, like it's not uh it doesn't make sense for me to, like, you know, sit down and work on a track. So this this track, uh, forget me nots and follow through. um, I think it is the first track and symposium. I don't know, because when I listen back to it, I also hear um when I listen back to it, I also hear as seen on TV, like a lot. um like a lot. And so it's kind of interesting to see those two kind of elements of my artistic personality combined, because I think the tracks that I've shared with you that are from symposium or different in the way that they're um made only one way, but this one is definitely implementing um techniques from two projects. Um, so the what are the two other ones? I think it's like talked to me about it. Is that oneosium? I think so. and bitter butter and southwest of your scars. Ah, those are all from this project, but then I I look at this one, which is technically the first of the bunch and it's so not done. that I'm like, don't put it out until it's done. and I'm like, well, and might not ever be done with the shit that's happening is kind of scary. Like, it's I might I may not ever be able to get back to a place where this is possible because of the things that are continually happening uh, to me. Um, I I don't know what the source of evil is. Like, I really don't, like I am very much a spiritual person and I do have like the tendency to believe that like no matter what God has my back so if I'm removed from one situation or existence into another, it is for the protection of that aura, for the protection of that frequency, for the protection of, you know, keeping my, you know, um my source intact, like there's, you know, certain elements or certain frequencies that can't exist in in other realms. I think that, uh, a toxic environment. Like my energ is not going to sustain an intoxic environment. It's just not. It's just not. It's not necessarily even a personal or emotional preference. It's more of like a oh, this doesn't go in there. Like this doesn't go there or I don't exist over there. Like, I don't, you know, it's not. I think I wish that I could be applied to like every space and time, but I think that there are certain drawbacks to being in energy that is applicable to anything and everything. I think that, you know, in the very rare circumstances that an energy like that exists, um it's very magnetizing, it's very, uh enigmatic and it's very charismatic in the way that, like, everybody wants it, everybody wants a piece, everybody wants to be around it, but also for that person, you know, where that energy exists, you know, for that vehicle, I think that it becomes like exhausting to the point that, you know, um, the human of of that, um, you know, the human of that energy is entirely vulnerable all the time. And so those people that are, um designated to do those kinds of jobs, having that high level of power and energy are also, uh, you know, in every sense of the word, um, like exhausted to some effect, um, and I'm exhausted, um, but I think that this last two years has been a case study for all of the like I mean, like she's just horrible things people are doing to each other to try to get ahead, you know, like to try to get a little bit of the pie just to get the tiniest crumbs or to get you know, people are stepping on heads out here. Like people are doing what it takes and they're justifying things that are technically morally, you know. so very morally, uh, corrupt and so so so bad to other people with the justification of like, that's just the way it is. Or you you gotta do what you gotta do and I'm like, yo, dude, but like again, my energy just does not exist in that space for that mindset you know where it's like you know, um because I also believe that like a certain level of justifying, you know, morally uh, you know, morally corrupt behavior eventually just makes it so that you can't get ahead. I I honestly chronically believe that, like if you're constantly fucking other people over just to get to the top, like your top is not going to be consistent with what is actually success and what is actually um freedom, you know, like, you are gonna owe back energy to a certain extent, you know, um, because you stole it in the first place, like, you can't you can't sustain on stolen energy. Like you cannot do it. Like you cannot exist in a place that that was taken from somebody else without something else in turn being taken from you. I honestly truly believed that with every like with every last breath, with every last word, I honestly believe that like that that good overpowers evil. Like, you can't sustain on something that you robbed from somebody, you can't sustain on something that you you know, that that you took, eventually, you know, karmically, um, it comes back too, and so, I don't think energy is any different. I think if you suck the life out of somebody, eventually something' gonna get sucked out of you and, uh, it's one of those things where it's like one step forward, two steps back for people who uh subsist on energy that way. I just I don't know. um, I try more and more to be conscious of my self to point where I realized that um the effect that I have on people could be, you know, long lasting. It's it's something that could be like a ripple effect, and so I'm very careful with my energy in the way that, you know, I if I dole it out, I expect I expect 39%. I don't know why that's the number. 39% to get it back. um, you know, on a certain way. And uh understanding my limits and my like just understanding my ability and my placement. understanding the, you know, the the love you make. yeah, all that. and the love that you make is equal to the love that you take. And so um also, I think that love in itself is probably the most valuable heat source and that it overpowers what is um technically needed in the society of, you know, for survival. I think that love overpowers, you know, whatever material, you know, the material sense of existence is. I think that love overpowers, whatever is morally corrupt, whatever is systematically corrupt. I think that love at the end of the day, like, really does put in its place. um what is supposed to be and what is not supposed to be. And so in because I think like living in this spirit with the understanding that like it took me a really long time. I think I having a a a victim's mentality of like, I must deserve this in some sort of way, but then understanding also like I didn't do anything wrong. Um Sometimes these things just happen and the understanding of why that is is not always attainable. Um, and so to wallow in it and to be like, why, why? You know, like, why? I mean, I think in a from a philosophical standpoint, I do a lot of this because it's like this doesn't necessarily make sense, but it has to it has to be an art artistic way for me to be like, well, it doesn't make sense, but like, you know, now I have ten pages about trying to figure, like, instead of actually just wallowing it and being like, what? Well, now I have ten pages of like this, you know, something that can be considered beautiful. you know, something that can be considered, uh, useful to somebody, maybe not now, but at some point in time, you know, because all of my work is is stored in like this digital time space, kind of like encrypted into history in itself being like a digital marker for, you know, something that very much did exist or did happen. I still believe I still live in the belief that like this, well, it's just like the overall knowing that this part, this faction of history is a very, you know, uh verifiable part of ancient history, you know, to a culture that exists like beyond our time. And so with that understanding that, like it's so crazy, because I do have this overriding kind of factor of, you know, God that's just kind of like, oh, these are ancient times. this is an ancient world and it's hard to like wrap your mind around it because youth, you know, you think of yourself in the present time of like being a, you know, a being of existence in the future. Oh, I watched the jet the Jetsons. Oh, that was so good. I watched uh the Jetsons. which I didn't know is also the Simpsons. and like every animated show that came out on it like a lot, actually. It's a good show. I got I think I gotta watch it again because I was like, oh, this is like ten different shows. It was like ten different shows. um but I watched like the pilot, I think episode of the Jetsons and I was tripping. I I was tripping. um it was just really good. Anyway, um I think what what was I saying? Oh, like this time being like a marker for actual actually being a primitive civilization. Whereas like not necessarily compared to what we know as the primitive civilizations, you know, of human time, like, you think of primitive civilizations of being like the ancient Egyptians or, you know, the Mayans or, uh, you know, the Greeks, uh loved them. I really I I almost even favored them over the Romans. almost, almost, almost, I don't know, I could talk about history and culture forever. cause I'm like, but the other Romans really, like their architecture, but the Greeks more culturally, like artistically, I think where what is the word for them? Uh, the Greeks? What is the word for them? I think there were definitely more, uh yeah, yeah, definitely more artistic philosophical than the Romans, but the Romans had like a lot, like a lot to do with modern society to the point where that's also uh admirable. I do like the Romans. They're just like shitty and violent. They're just shitty and violent anyway. um what was I saying? I don't know. I'm wrapping this up. cause I'm hungry. I don't know about a taco, though. This is technically the start of my day. at midnight o'clock. Um, at midnight o'clock. oh, that's what I was talking about. Markers for ancient civilizations. Oh, yeah, this this time is so so far beyond. But I think the the incredible thing about this time that we're living in now presently, um, is that it is so, like there's so much record of it that it does exist beyond our time for, you know, potentially millions of years and into hire and further civilizations. So I kind of live with that, like, understanding of like this this also and itself being like, a part of the ancient world as far as time is concerned, you know? like, in as much a stipulation of like any apocalyptic or societal, you know, destruction is made, like nothing really sees past, like nothing really sees past the fact that, like, they're so much historical information about our present time in the future that it is consistently creating to an adding to like the what am I trying to say? Oh, something about the multiviverse. Something about the cosmos or something. constantly expanding, because it is, but whatever, I actually just kind of made this as a real time episode to so that I could share this song and then um not really like I don't necessarily have anything for you, anything else for you in this season. um it's there. like, there are six or seven other episodes. There might even be some music. oh, all the freaky Fridays or whatever, mix tapes. Did I even post what up Wednesday? I did I did a freaky Friday on a Wednesday and it was arguably the best. of all the freaky Fridays. I don't know if I posted that already. um I don't know if I posted that already. but it's not. Also, like my podcasting distributor is kind of archaic. So it takes a lot of work just to go check on what's been posted or whatever. um So I'm I'm not going to make any promises and be like, oh, go check if that was posted. And if it is posted, I'll just maybe post it again, cause it's worth it. Um, what up Wednesdays? I did it twice, actually. um because it got difficult to do freaky Fridays. It's still kind of fucking difficult to do it. And, uh, I it pains me to realize, like, how physically affected. I've I have been. um cause it sucks, cause it's not just something that's in my head, it's like ow, like, my body hurts. like, I cannot, you know. I can't withstand a certain frequency or electronic exposure that is negative over this much time. Like, I'm just like broken down right now. Um at least I'm still capable, cause I didn't ever think. I was like, I don't think I'll ever run more than a mile again. Um, I probably should um take the proper steps to make sure that, though, uh, now that I'm running again, I take the proper steps, like, I forgot to stretch, and I forgot to drink water. Stupid. Well, I I just felt so good to run. I love those woodway treadmills so much, so much, it just felt so good that I didn't that I couldn't stop and then when I did, like my body is like, okay, like you're stupid. Like it felt really good, so I'm like, all right, like active recovery. I'm gonna do like two hours on the pelotone and then a walk. um, before I run again. and that's what I'm about to do right now. I love getting to the reunion parts of the bad girls club because as the most fighting and I burn the most calories during the reunions, I just finished to season. I just watched the season for the second time. and uh I have a reunion episode coming up, so I'm a I'm— I don't know. I'm pretty boring person to be quite honest, but here's the song. okay, I'm at an hour yet. Here's the song forgetmenot// and follow through. It's not finished. Like if I could give you a percentage on the— what are you doing? Yo, this dudes are weird all day. I'm sorry. Um. He's so funny. He's so funny. Earlier he like earlier he like sneezed. Earlier he sneezed. But like also farted and this scared himself so bad that I could not contain myself. Because he was like embarrassed. but like, also he sneezed and farted and probably could not. He was like, oh, my God. Like, oh my God. And then, uh, I laughed for like a good five minutes after that. He seemed genuinely embarrassed. I was like, yeah. yeah, that that is shocking that you can manage to do something like that. like being a cat, but, you know, oh, he did. It was good. That's why we have emotional support animals, because I needed that laugh. I don't think I' laughed so hard at anything in a very, very long time, so I'm glad I have my little kitty. my satterat, my Mr. Cat, mush matters anyway. uh, was I wrapping something up? I was.ive meods to follow through. this song that's about to come up, and then I'm maybe I'll maybe I'll if it's not out already. Well, if it is, here it is again, what up Wednesday? I'll go dig it out of the fucking archives. you guys couldn't have that. decent. Um, keep in mind that the CDJs at the radio station, where do Freaky Fridays are also very archaic? Um, I'm not complaining, though. I don't know. I don't know if I got to the episode where I was talking about that. Uh, or maybe I got I got fi I gotta figure it out. um I gotta figure out where these episodes are. There's like six or seven. Should I uh honorable mentions or dishonorable mensions? I feel like it borders on both. because I just figured out what apparently the six seven phenomenon is. And I'm actually worried about suburban children, like, having act like, why are they saying this? Because I looked up I looked up where it came from, it came from this rapper called scrilla dude. not gonna lie. One of my personal favorites, cause I love rap, that is terrible to a certain extent. um and it is, like it's not only it's not only like it's not lyrically terrible. He's actually really good um He's actually really good whatever he's saying. I know what he's saying, which is what's terrifying that, like, apparently suburban upper middle class and upper class children are saying this. six seven thing, because it came from this video by this rapper called Skrilla do doot. Yup. and well, it's culture music, like it's it's trap culture music, it's not necessarily drill, but it's done in the style of drill. um, talking about like the culture the culture the culture um that is not necessarily like great. cause he was talking I was like yo. what the fuck are children saying this for? Um, what the fuck are children exposed to this for? Because there was no, like parental block on it or anything like that. And the dude was talking about like, straight up murderer. He was like, yeah, m, like this though. And I was like, oh no, like I I actually kind of dig his music because it's it's like it's the music that was born of like the Young Thug and the low Wayne and themehesine and it's bad. It's really bad. Like it's really bad. like if your kids are saying six seven, like, the origin of that is not, I'm like,o, shout out sc a d do, because that is facts, but also like, like like kids should not necessarily like, everything he was saying and all of his songs, I was like, that's bad. That's bad that you said that. not that you shouldn't, actually. I feel like there, like art exists as a medium to be able to have this level of freedom of speech, and that's why it exists. But also like, if you understand which I think kids obviously don't if they're just like, oh, six, seven, I'm like, okay, like, but obviously, like, this is where that came from. Like, and this is where that came from, and the dude is talking about some stuff that I'm like what? Like, I'm not confused. I know what he's talking about. But like, children should not necessarily like, even if they don't know what he's talking about, this is not like, this is different from like, when I was like, 10 and it's getting hot in here. So take off all your clothes, like that came out or like to the window to the wall, like this is mild, those things are mild, compared to like, the shit that scrill a do dude. talks about. I'm like, oh, what? What? And apparently we little kids are seeing this and exposed to it, like, they don't necessarily know what it means, but he's like, yo, these are the lyrics to my songs. Listen. I'm like, oh, like. That's troubling. That that exists. That's troubling. truly troubling. I'm I'm not talking shit. I actually really like it, but like parental controls, like, my kids should not be exposed to this, like via the Internet. Like, you should not like, this should be something especially if you live in the subrooms like if you live in a house that has rooms, like if you live in a house that has rooms in an all. like the culture that this is referencing and you know what? The only thing that actually made me look it up was like so many people were saying it in the circuit of television that I watched that I was like, it was bothering me. It was bothering me like Labubu was, but Labubu was far less disturbing, far less. I was like, oh, no. this is not cool. This is not cool, David Letterman. This is not cool, because he was like,Yo, what's up six seven? I'm like, you're 106. I don't know why you're saying this. So I looked it up. So I looked it up, and I was like, oh no, like, okay, like we know it's a cultural fucking phenomenon, but like, do you know why? Do you know why? Like, do you know why? And do you know what this man is talking about? Do you know what this man is saying? Anyway. I'm not I'm actually not gonna say it. Like I'm not gonna say it because I think it it exempt exemplifies that's what I'm trying to say right yeah. I think it exemplifies and represents a part of the culture that is deeply, deeply, deeply, deeply wrong. um in the history of the United States of America. I think it's just bad news. It's just bad news. And it's bad news, like it exists, but the reason why it exists is terrible, like it shouldn't exist is it's terrible. It's bad. It's bad and it's bad that kids are saying this. It's bad anyway. it's really bad. Anyway, I got Peloton time, bad girls' club reunion, some coffee to reheat. Here's this song, um there's no anything else for a while. I gotta make sure that like my uh I got to make sure if I get taken out, it's by like a city bus. And, you know, not just because my insides are uh imploding. um and yeah, my insides are imploding. Uh, gotta take care of number one, which is me. So, that self serving thing I get, but, you know, I'm just not the kind to to step on heads or like, I'm not gonna make it, like, purposely harder for you to do something. Like, I do believe in free will to the point where if you're not hurting anybody else, it's not affecting anybody else's, like vibe, like, do what you want, like, as long as you're not objectively or subjectively hurting anybody. Like, just don't hurt anybody, but besides this, you know, take care of yourself, but it's not, you know. I mean, you're not causing any quantifiable harm. Go ahead and, you know? I, um, but that's it. That's that's it for me. Thank you for listening. Is that it? Yeah, forget me nots. It's not finished. I've got a lot to do. Like, I actually had this is a song that actually has like a list, like a handwritten list on a piece of paper of like do this and do that and do this and do that. But like here's what I have so far just in case, you know, the city buses be getting awful close to the curb sometimes. where I stand, I am yep, they do. anyway. um I said more stories to tell and stuff, but now it's not the time or the place. did I say my thing? Yeah, I say my. Dave you were listening. something, you're listening, see you next time. That's it, yeah. Yeah, I don't have anything else. Thank you for listening. See you next time, bye.

I'm back from the Las Vegas Formula 1 Grand Prix, and this Dinner for Shoes episode is all about the style and food that shaped the entire weekend. I'm walking through each day — the outfits I packed, events with LEGO and T-Mobile, a Strip Circuit track tour, the Disney x F1 hub, Peloton morning at The Wynn, “The Wizard of Oz” at the Sphere, and even stepping inside the Williams garage. I'm also sharing every memorable meal, from Gordon Ramsay's Hell's Kitchen and Carbone Riviera to the roasted potatoes from Wolfgang Puck that I can't stop thinking about (and had to recreate for today's “dinner”). If you're curious what an F1 weekend really looks like through a fashion-and-food lens, here's my full Vegas recap.THIS DINNERRoasted potatoes from Daily Provisions in Jersey City, NJTHESE SHOESZara Heeled Leather Ankle BootsTHIS OUTFITShop my look Zara blazerFormula 1 hoodieZara jeansPrada bagTHESE CHAPTERS00:00 INTRO01:15 THE OUTFIT BEHIND THE SHOES05:06 MY VEGAS GRAND PRIX ITINERARY16:42 WOLFGANG PUCK ROASTED POTATOESTHIS PRODUCTIONis created, written, hosted, and produced by Sarah Wasilak.is creative directed and executive produced by Megan Kai.is tech supervised by Nick.includes photos and videos in chronological order by Sarah Wasilak. is made with love.Dinner for Shoes is a podcast about style and identity, bridging the gap for anyone who has ever felt like fashion is an exclusive world. Host and shopping director Sarah Wasilak serves thoughtful conversations about industry trends, personal expression, inclusivity, and real life topics. Her Shoe Therapy series brings in honest discussions about mental health with her signature humor and warmth. Each episode begins with a shoe on her plate and shifts into a relaxed dinner style conversation, with appearances from her cats and a bit of humor peppered on top.Dinner for Shoes podcast episodes are released weekly on YouTube, Spotify, and Apple. You can follow along for updates, teasers, and more on TikTok, Instagram, and Facebook. If there are any fashion topics you've been pondering or good eats you think Sarah should try, don't hesitate to send a DM or an email.Dinner for Shoes is an original by The Kai Productions.Follow Dinner for Shoes: @dinnerforshoes on Instagram, TikTok, Facebook, and YouTube Follow host Sarah Wasilak: @slwasz on Instagram Follow producer Megan Kai: @megankaii on Instagram Get in touch: dinnerforshoes@gmail.comTo make this video more accessible, check out YouDescribe, a web-based platform that offers a free audio description tool for viewers who are blind or visually impaired.

with each holiday season, there's typically one or two highly coveted items that set up a frenzy amongst consumers, the-must-have-gift-of-the-year, if you will. The Furby. Nintendo Switch. For the well heeled and easily influence by marketing amongst us, perhaps the Peloton.  In 2025, however, the can't-miss gift is unquestionably the 7 DVD box set, “Dr. Gene Scott 95th Birthday Commemorative Edition : The Spiritual Nitro Pills” Currently marked down from $139.99 to a mere $59.99, this exhaustive (and exhausting) collection will delight viewers young and old (provided they have 25 hours to spare).  I don't have 25 hours to spare (and I've heard enough bands with two drummers already, if you know what I mean) Instead, on this week's program we're going to tackle the age-old question, what if Werner Herzog's “God's Angry Man” (1981) had instead been called “God's Hangry Man”. Provided, y'know, you have two hours to spare.

The fitness and health industry is experiencing a major transformation driven by evolving consumer preferences, technological innovation, and the rise of artificial intelligence. In this episode, hosts sit down with Juliet Starrett and Alex Alimanestianu to break down the latest quarterly reports from major fitness industry players and explore the emerging bloodwork and health diagnostics revolution that's threatening to disrupt traditional healthcare companies. From the contrasting fortunes of legacy brands to the explosive growth in wearable technology, this conversation covers it all. Traditional gym chains like Lifetime Fitness and Planet Fitness are showing surprising resilience, with Planet Fitness in particular demonstrating strong financial health and an aggressive growth strategy. Meanwhile, Peloton continues to face ongoing challenges adapting to post-pandemic market conditions, and the boutique fitness sector under Exponential Fitness shows mixed results as operators navigate shifting consumer demand. Garmin is posting record-breaking years, benefiting from the booming wearable technology market that helps consumers track their health metrics in real-time. But the most significant disruption on the horizon comes from artificial intelligence's entry into health diagnostics and personalized wellness. Juliet highlights how tools like ChatGPT are enabling individuals to analyze their own blood work and medical data, fundamentally changing the patient experience. This democratization of health information threatens traditional diagnostic companies while creating opportunities for innovative health tech platforms like Function Health, which recently made major strategic moves. The convergence of wearable technology, consumer health data analytics, and AI-powered advisory services is reshaping how people approach fitness and wellness. As AI chatbots become more sophisticated at interpreting health data and providing personalized recommendations, the entire industry—from gyms to diagnostic labs to fitness equipment manufacturers—must adapt or risk obsolescence in a market where consumers increasingly expect immediate, affordable, and personalized health insights. In This Episode: Reunion conversations and conference highlights Longevity and wellness trends reshaping the industry The role of strength and conditioning in longevity practices Deep dive into Lifetime Fitness quarterly performance Peloton's ongoing challenges and strategic pivots Exponential Fitness franchises: the mixed bag Why globo gyms are making a comeback Planet Fitness playing offense with aggressive expansion Garmin's record-breaking year in wearables Function Health's big strategic move The bloodwork boom: How AI is disrupting medical diagnostics Meta AI glasses and the future of fitness tech LINKS: https://www.sportalliance.com/en/perfect-gym/ https://www.withflex.com/

Are you focusing your AI visibility and PR efforts on Reddit, Wikipedia, and media sites like The New York Times? You could be wasting your time and money.In this episode of the Grow and Convert Marketing Show, we dive into the data from our new study on Large Language Model (LLM) citation patterns. We reveal why the advice you see on LinkedIn and in broad industry reports—telling you to chase large, general-purpose sites—is completely misleading for most businesses, especially B2B and niche companies.What You'll Learn:86% of citations are for industry specific sites vs. 14% for "general purpose sites": See actual data from our client base that shows 86% of LLM citations for niche topics come from industry-specific publications, while Reddit, Wikipedia, and YouTube account for only 14%.Differences in how to approach AI visibility for your brand vs. Household name brands: Discover why B2C household names (like Tesla and Peloton) do get cited on general sites, but your niche B2B software company won't. The problem with measuring random prompts: Understand how broad studies that use 5,000 randomly selected keywords are statistically biased toward consumer queries, making their findings irrelevant to your specific business goals.A New Tactical Framework: Learn the exact, actionable steps for a Citation Outreach strategy that works : how to choose the right topics, identify the actual cited domains using tools or manual checks, and target your PR efforts where they will actually drive AI visibility.Stop doing general PR and start showing up in the AI answers that matter to your bottom line.Links & Resources:Read the full article for more detail on the study: https://www.growandconvert.com/research/llms-source-industry-sites-more-than-generic-sites/Check out our AI Visibility Tool: https://traqer.ai Catch up on our overall GEO Framework: https://www.growandconvert.com/ai/prioritized-geo/ Don't forget to like, subscribe, and comment to support the Grow and Convert Marketing Show!

The Anfield Wrap's free podcast reacting to Liverpool's 2-0 victory against West Ham at the London Stadium in the Premier League. Beth Lindop is joined by Ian Salmon, Josh Williams and Damian Kavanagh. Download the Peloton app and check out the six Liverpool FC-themed classes, and connect with Neil, John and other Reds by joining the #TAWPelotonClub tag... Subscribe to The Anfield Wrap for more on Liverpool's 25/26 season… Learn more about your ad choices. Visit podcastchoices.com/adchoices

What if your sales team woke up on Monday to a calendar already full of qualified discovery calls? In this episode of Sharkpreneur, Seth Greene interviews Gabe Lullo, CEO of Alleyoop, who has helped companies from startups to giants like Microsoft, Peloton, and ZoomInfo transform their sales pipelines. Under his leadership, Alleyoop.io has pioneered a two-step model that separates prospecting from closing—backed by 11 million cold calls a year and a focus on authenticity in outreach. In this episode, Gabe shares the systems, stories, and strategies that have fueled Alleyoop.io's rapid growth and its role in scaling billion-dollar brands. Key Takeaways: → The two-step approach that separates prospecting from closing. → How Alleyoop.io serves both startups and global enterprises. → The “hot lead vs. warm lead” model—and why timing matters. → What really causes sales teams to stall (hint: it's not always leads). → Why most “lead gen companies” aren't actually prospecting. Gabe Lullo's expertise in sales, marketing, recruiting, and management began when he started his own business after graduation from the Barney School of Business at the University of Hartford. He owned and operated his own sales, training, and marketing firm for more than a decade. He excelled in training sales and marketing professionals, and additionally, Gabe has had a successful career in executive recruiting. He has been instrumental in expanding the company's search and placement for IT, Software Development, Sales, Customer Success, Marketing, and Executive leaders. Gabe's most recent success has been with us here at Alleyoop. For many years he has been working to build and grow the company by focusing on our culture, environment, customer success, and sales. Connect With Gabe Lullo: Website: https://alleyoop.io/ LinkedIn: https://www.linkedin.com/company/alleyoop-io/ Learn more about your ad choices. Visit megaphone.fm/adchoices

If you've been telling yourself you'll start working out "when you have time to get to a gym," this is your permission to stop waiting. Here's how to start at home with what you already have. In this episode, we're giving you five practical strategies for starting and maintaining a home workout routine. You don't need a Peloton. You don't need a home gym. You don't need matching dumbbells or a ring light. You need 20 minutes, a corner of your living room, and a plan that actually works.

How do you scale customer support from 10 people to more than 2,300—while keeping humanity, psychology, and operational excellence at the center? In today's episode, we sit down with Jason Katz, former early Peloton leader and now founder of Lentil Labs, to explore how customer experience transforms when technology, empathy, and data-driven insights collide.Jason shares the wild hypergrowth journey of Peloton's support team, the surprising lessons he learned rebuilding their entire support tech stack, and why he believes the future of CX is defined by operational efficiency, AI-assisted support, customer psychology, and intentional service design. We talk through the “peak-end rule,” how brands can engineer memorable customer moments, the right (and wrong) ways to use AI for delight, and why internal tools, not customer-facing ones, often determine whether teams deliver a 5-star experience.You'll also hear about Jason's new company, Lentil Labs, and his mission to build lean, powerful CX tools that fill the 15–25% “gap” every support team still feels, even with best-in-class platforms.----------------------------------------------------00:00 – Intro02:40 – Why Jason is only now on Numbers and Narratives04:20 – Peloton rocket ship: scaling support from 10 to 2,300 agents08:30 – Lentil Labs: why support teams still need that extra 15–25%12:00 – CSAT vs cost: what really matters in modern support ops13:10 – The Peak-End Rule: Kahneman, cold water, and remembered pain21:40 – Designing support journeys: peaks, friction, and AI handoffs31:40 – Surprise & delight.46:40 – Using AI to detect peaks, trigger escalations, and support your team52:30 – Ending well: service recovery, positive endings, and Jason's final advice

Welcome back to another episode! This week, we're diving deep into all the latest Peloton news and updates. From exciting new partnerships and features to instructor milestones and Black Friday deals, we cover everything you need to know to stay on top of your fitness game.Peloton has added a new guest instructor to its star-studded lineup.We discuss the latest updates and what might have happened to Lanebreak.Peloton announces a groundbreaking partnership with Formula 1, taking your fitness experience to the fast lane.The iconic Peloton brand was recently featured on the Las Vegas Sphere.Peloton now offers a convenient haul-away service for your old equipment.A look at the new features and improvements rolling out with the latest Peloton app updates.The Peloton Status page has added subcategories for more detailed information.We break down the can't-miss Peloton Black Friday sales.Peloton expands its European presence with a new partnership with Fitshop Berlin.A smaller discount for Australian Club Peloton members (20% at Lululemon) is causing some discussion.Instructors Emma Lovewell, Cody Rigsby, Alex Toussaint, & Becs Gentry were spotted at a recent F1 event.Matty Maggiacomo was featured in a recent New York Times article.Leanne Hainsby-Alldis is officially out on maternity leave.Sam Yo's new book is now available for preorder.Callie Gullickson is having a book release party at PSNY on December 7.We talk about Camila Ramon's recent bike malfunction during a class.Callie Gullickson announces she will be out until June.The latest Peloton Artist Series features country superstar Kelsea Ballerini.Peloton drops a special "Wicked: For Good" class featuring Cynthia Erivo.Actor Oliver Hudson was seen riding with Jess King.Spice Girl Mel C was spotted working out at Peloton Studios New York.Lane Kiffin gave a shout-out to Ross Rayburn on Instagram.In competitor news, Orange Theory is partnering with HYROX.Fitness tech company Whoop is reportedly contemplating an IPO.The full Peloton Turkey Burn lineup has been announced.Benny Adami has a Save-The-Date for his upcoming holiday ride.Assal Arian has shared a new 3-Day split program.New Rising Dance Classes have been added to the schedule.A new collection has dropped from Peloton Apparel.Kirra Michel launches her "Elevate Your Practice" yoga series.Christine D'Ercole has a SIIT (Sustained Intensity Interval Training) class coming in December.An "XOXO Cody" ride is scheduled for December 2.Happy Birthday to Jenn Sherman, who celebrates on December 1stSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we talk about Predator: Badlands, night callers and Teenage Mutant Ninja Turtles. Listen to the Jortscenter playlist: https://open.spotify.com/playlist/2ioAsKKw7AhdJ0cCrasqfH?si=6c2cef121c3a4a9aJoin our Peloton!   https://www.patreon.com/JortsCenterFacebook group: https://www.facebook.com/groups/342135897580300Subreddit: https://www.reddit.com/r/jortscenterFollow us on Twitter:@JortsCenterPod Will is @wapplehouse Josh is @otherjrobbins Ryan is @ryhanbeard Vic is @DokktorvikktorZack is @ZackVanNus

Chuck Zodda and Paul Lane discuss Thanksgiving travel set to bring a big test for airlines. What happened to all the great Black Friday deals? Sellers are taking their homes off the market at the fastest pace in nearly a decade. Looming US power crunch to impair AI abilities, Schneider says. Peloton's New AI-powered bikes and treadmills get off to slow start.

Kendall Toole (@KendallToole), Founder of NKO (Never Knocked Out) Club, former Peloton instructor and popular fitness personality, joins Sports Business Radio for a lengthy conversation. Toole discusses how she is self-funding her new all-in-one health & fitness app NKO Club, the importance of mental health and Kendall's own mental health journey, the recipe for creating compelling content and the growth she experienced during the past year when she was preparing for the NKO Club launch. NKO CLUB DETAILS: Movement: 50 workouts at launch across strength, cycling, boxing, pilates & mobility, with 10+ new classes added weekly  Music: Tracks curated by Kendall across genres; users can also sync their own playlist to any workout Mindset: Guided gratitude journaling, affirmations & breathwork classes Meals: Balanced, Kendall-approved recipes that fuel body and mind, with a built-in grocery list for easy planning & shopping Community: Social, motivational features connecting members to one another as they share their goals and progress – with the promise of IRL events in cities around the country Tech & Design: Sleek and intuitive design plus personalized recommendations that adapt to user goals and preferences LISTEN to Sports Business Radio on Apple podcasts or Spotify podcasts. Give Sports Business Radio a 5-star rating if you enjoy our podcast. Click on the plus sign on our Apple Podcasts page and follow the Sports Business Radio podcast. WATCH this interview and other Sports Business Radio interviews by going to https://www.youtube.com/@sportsbusinessradiopodcast. Follow Sports Business Radio on Twitter @SBRadio and on Instagram, Threads and Tik Tok @SportsBusinessRadio. This week's edition of Sports Business Radio is presented by MAI Capital – the exclusive financial partner of Sports Business Radio. MAI Capital is a registered investment adviser and wealth management firm unified in purpose to empower clients to simplify, protect, and grow the wealth they work so hard to build.  Founded in 1973, the firm helps clients achieve their vision and goals through objective advice, tailored planning, comprehensive and integrated solutions, and highly personal service. For more information, visit www.mai.capital or MAI's company page on LinkedIn.   #Fitness #MentalHealth #KendallToole #NKO #Health  Learn more about your ad choices. Visit megaphone.fm/adchoices

Sales for Peloton's new line of artificially intelligence boosted bikes and treadmills from Peloton are off to a slow start. To hear more, KCBS Radio News Anchor, Holly Quan spoke with Bloomberg's Dana Wollman.

One of the biggest things I leaned on in early sobriety was yoga - especially sessions led by Kristin McGee. She was instrumental in helping me move through that first stage of sobriety, and today she's here!! Kristin will share with us the importance of connecting with your body in order to tap into your inner voice. Then, we'll talk about dating without alcohol, the wild reality of alcohol in the wellness space, the power of navigating grief through movement, and her transition away from Peloton to start her own brand. Kristin recently launched Kristin McGee Movement. Go check it out! Follow Kristin on Instagram @kristinmcgeeDoes sobriety during the upcoming holiday season feel overwhelming? Sign up for my 10-Day Holiday Series! Each day you will receive an email message that I crafted to support you through your first sober holiday season. Sign up here. I started The Sober Mom Life Cafe so women just like you can find connection in sobriety. We have 5 Zoom Peer Support meetings every week, a monthly book club, and a private Facebook group so you can connect all day long. Join us here, now. ❤️Get Your Copy of my book The Sober Shift Follow on Instagram @thesobermomlifeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Anfield Wrap's free podcast reacting to Liverpool's 3-0 defeat to Nottingham Forest at Anfield in the Premier League. Neil Atkinson is joined by Ian Ryan, Beth Lindop and Rob Gutmann. Download the Peloton app and check out the six Liverpool FC-themed classes, and connect with Neil, John and other Reds by joining the #TAWPelotonClub tag... Subscribe to The Anfield Wrap for more on Liverpool's 25/26 season… Learn more about your ad choices. Visit podcastchoices.com/adchoices

SEASON: 6 EPISODE: 4Episode Overview:Welcome back to Becoming Preferred, the podcast where we dissect the strategies and mindset of those who are not just successful, but irreplaceable in their markets they serve. Today, we have a true master of motivation and persuasion. Our guest is Mike Lipkin, president of Environics and a strategic coach to global CEOs, and the author of 18 books on leadership and high performance, including his latest book, The Potentiator.What makes Mike's approach unique is his foundation in deep, social values research. He doesn't just rely on generic platitudes; he uses proprietary data on human behavior to show you exactly how and why people make decisions, trust certain leaders, and choose one provider over others.For our audience of entrepreneurs and business professionals, Mike is here to help us unlock the ultimate skill: how to create value from thin air, communicate with irresistible conviction, and transform every single conversation into a high-impact, trust-building event.If you are ready to stop chasing clients and start magnetically attracting opportunities, this is your masterclass. Join me for my conversation with Mike Lipkin.Guest Bio: Mike Lipkin helps clients navigate complex change, build strong teams and develop their personal brands/executive presence.Mike is super-curious about clients' hopes and dreams. He makes every conversation an uplifting experience. He uses metaphors and models to illuminate key messages. He focuses on immediate actions, while planning long-term strategies. Mike helps his clients tell their authentic story. In short, he excites clients into effective action. He is also always accessible – 24/7/365.Mike was a senior executive at WPP Advertising for 10 years. In 2002, he founded a joint venture communication and training company with Environics, a leading research house. He is also a strategic coach to CEOs of top tier companies and a marquee keynote speaker, delivering over 50 sessions per year.Mike is proud of his longstanding coaching relationships with CEOs and senior executives of world-class companies. He has written 18 books on leadership and high performance. He has also grown a multi-million dollar company from scratch. He has received feedback from hundreds of people that he has materially improved their lives.Mike works with anyone who has a passion for personal evolution. His clients range from leaders of billion dollar multinationals to leaders of small companies. He also works with managers at all levels – individually and in groups.Mike is a voracious reader of current affairs, personal biographies, and crime fiction. He works out seven days a week on the Peloton and Cross Trainer. He loves to travel with his wife to stylish destinations like Greece, France and Italy. He likes hiking in beautiful places. He mentors young talent and new immigrants to Canada.Resource Links:Website: https://www.mikelipkin.com/Product Link: https://www.mikelipkin.com/books/Insight Gold Timestamps:02:40 I wanted to be a speaker, and yet I also had a stutter05:47 I got depressed, I literally got clinically depressed06:29 He wrote a book called Darkness Visible about his experience with depression06:37 I thought, well, I'm going to write my own book on depression, and I called it

Vacation Mode Activated: Crystal and Tom discuss the rarity of taking a true break and how this episode was pre-recorded to keep the streak alive.Ask Me Anything:Top 3 Favorites: Crystal and Tom share their favorite TV shows, music, and movies, with a mix of nostalgia and current obsessions.Favorite Guests: From Andrea Barber to John Foley, the hosts reminisce about standout interviews and surprising moments.Behind-the-Scenes Stories: Hear about the chaos of interviewing Snooki, the drama surrounding Daniel McKenna's departure, and the unexpected challenges of booking big-name guests.Peloton & Fitness Reflections:How Peloton has transformed Crystal's fitness journey and inspired her personal training education.Tom's Tonal journey and how the podcast indirectly influenced his health and fitness.The Best and Worst of Podcasting: Crystal and Tom reflect on the joys of creating something together and the challenges of staying consistent in the face of algorithms and expectations.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a text*DISCUSSION TOPICS*Turkey Burn Schedule! Where's Alex at?What is NKO Club? I know you know, Danielle!2.5 hour Peloton runs?!?!?!?! WHAT THE...?!?!?!?Guest Instructor!!! Who is Tim Robards?Alex Breanne Corporation update!Peloton Hyrox event in Dallas! Who's going?USAA Hyrox Dallas! Who's going! How's training going?Black Friday sale on equipment!Kelsea Ballerini Artist Series! Who dat???Class Recommendations!

This time around, we explore physical ailments, drum videos, music reviews, Frankenstein, Uber, The Bunny Ranch, bands with rotating lineups, Stanley Kubrick and ICE.Listen to the Jortscenter playlist: https://open.spotify.com/playlist/2ioAsKKw7AhdJ0cCrasqfH?si=6c2cef121c3a4a9aJoin our Peloton!   https://www.patreon.com/JortsCenterFacebook group: https://www.facebook.com/groups/342135897580300Subreddit: https://www.reddit.com/r/jortscenterFollow us on Twitter:@JortsCenterPod Will is @wapplehouse Josh is @otherjrobbins Ryan is @ryhanbeard Vic is @DokktorvikktorZack is @ZackVanNus

Plotting Liverpool's course through the next seven Liverpool games as they look to save their season. Rob Gutmann hosts Josh Williams, Mo Stewart and Kieran Molyneux... Download the Peloton app and check out the six Liverpool FC-themed classes, and connect with Neil, John and other Reds by joining the #TAWPelotonClub tag... Subscribe to The Anfield Wrap for more reaction to all the news and events that matter to you… Learn more about your ad choices. Visit podcastchoices.com/adchoices

We discuss Pfizer's $10 billion deal to buy Metsera and finally get into weight loss. Plus, Peloton is making a compeback and Circle is growing on the back of stablecoins, but Coinbase may be the real winner here. Travis Hoium, Rachel Warren, and Jon Quast discuss: - Pfizer buying Metsera - Peloton's comeback - Circle's growth and why Coinbase is a winner Companies discussed: Pfizer (PFE), Peloton (PTON), Circle (CRCL), Coinbase (COIN). Host: Travis Hoium Guests: Rachel Warren, Jon Quast Engineer: Dan Boyd Disclosure: Advertisements are sponsored content and provided for informational purposes only. The Motley Fool and its affiliates (collectively, “TMF”) do not endorse, recommend, or verify the accuracy or completeness of the statements made within advertisements. TMF is not involved in the offer, sale, or solicitation of any securities advertised herein and makes no representations regarding the suitability, or risks associated with any investment opportunity presented. Investors should conduct their own due diligence and consult with legal, tax, and financial advisors before making any investment decisions. TMF assumes no responsibility for any losses or damages arising from this advertisement. We're committed to transparency: All personal opinions in advertisements from Fools are their own. The product advertised in this episode was loaned to TMF and was returned after a test period or the product advertised in this episode was purchased by TMF. Advertiser has paid for the sponsorship of this episode. Learn more about your ad choices. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices