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SynopsisWhat do you see when you hear music? That's an odd question, perhaps, but sometimes composers confess that particular places, persons and scenes play a role in how music is created.On today's date in 1994, in San Antonio, Texas, for example, a new symphony for wind ensemble by the American composer David Maslanka received its premiere performance during a convention of the Texas Music Educators Association.In program notes, Maslanka confessed two major inspirations: The first was “the powerful voice of the Earth that comes to me from my adopted western Montana, and the high plains and mountains of central Idaho.” The second, he said, was his fascination with President Abraham Lincoln. Maslanka explained that reading about a Civil War brass band playing the “Old Hundreth” hymn tune at sunset as Lincoln's coffin was transferred to a waiting funeral train was an image that haunted him.“For me,” Maslanka wrote, “Lincoln's life and death are as critical today as they were more than a century ago. … My impulse through this music is to speak to the fundamental human issues of transformation and rebirth in this chaotic time.”Music Played in Today's ProgramDavid Maslanka (1943-2017): Symphony No. 4; Dallas Wind Symphony; Jerry Junkin, cond. Reference Recordings RR-108
SynopsisSince the 18th century, Paris and Prague have been famous for producing some of the greatest wind players of Europe. And in the 19th century, Anton Reicha, who was born in Prague but died in Paris, wrote for those wind players a sizable body of quintets to showcase the agreeable blend of flute, oboe, clarinet, bassoon and French horn.In our own time, the number of professional wind quintets has increased dramatically, and, not surprisingly, contemporary composers are eager to create new works for them.On today's date in 1987, at Carnegie Hall's Weill Recital Hall in New York, the Manhattan Wind Quintet premiered a piece by American composer David Maslanka — his Wind Quintet No. 2.A clarinetist, Maslanka is particularly known for his works for wind ensembles, large and small. He describes his three-movement Wind Quintet No. 2 as follows:“The first movement is fierce and somewhat daunting in its technical demands; the second is moody and elusive; the third is sweet and resigned.”This recording features the Bergen Woodwind Quintet of Norway, an ensemble that has taken Maslanka's music to heart, recording three of his Wind Quintets for the BIS label from Sweden.Music Played in Today's ProgramDavid Maslanka (1943-2017) Wind Quintet No. 2; Manhattan Wind Quintet Albany 246
Minister's Assistant Melissa Maslanka shares her Dharma message for family service.
This week on NintenDomain, we have Craig Bass and Michelle Maslanka on to talk about Ghostlord and the Quest for Dark Presence, a documentary about the creation of the most epic classic style fighting game ever!! Plus we talk about games and stuff. Support the Ghostlord and the Quest for the Dark Presence Kickstarter at: https://www.kickstarter.com/projects/ghostlordsquest/ghostlord-and-the-quest-for-dark-presence?ref=nav_search&result=project&term=ghost%20lord Support NintenDomain and get bonus content at www.patreon.com/nintendomainpodcast Topic Times: 00:01:28 Interview with Craig Bass and Michelle Maslanka on Ghostlord and the Quest for Dark Presence 01:02:59 Got Item: My Name is Mayo Shinksekai: Into the Depths The Last Campfire Abzu 01:23:09 Super Paper Mario 01:33:11 Pokemon Stadium Nintendo Game Vouchers 01:42:47 Dredge 01:57:46 Weekly News
Rob interviews Craig Bass and Michelle Maslanka about the Kickstarter for the documentary film, "Ghostlord and the Quest for Dark Presence" Support this Kickstarter at this link: https://www.kickstarter.com/projects/ghostlordsquest/ghostlord-and-the-quest-for-dark-presence?ref=7yzaq4 Facebook Link: fb.com/ghostlordsquest Instagram: @ghostlordsquest TikTok: @year_of_the_phoenix Website: www.ghostlordsquest.com Follow this show on Facebook @alleychats Follow our parent network on Twitter at @SMGPods Make sure to follow SMG on Facebook too at @SouthgateMediaGroup Learn more, subscribe, or contact Southgate Media Group at www.southgatemediagroup.com. Check out our webpage at southgatemediagroup.com If you're an artist or writer or creative type that would have a table at in artist alley and would like to be on Alley Chats, message us through the Facebook page or email us directly at southgatemediagroup@gmail.com and we'll set up an interview.
Rob interviews Craig Bass and Michelle Maslanka about the Kickstarter for the documentary film, "Ghostlord and the Quest for Dark Presence" Support this Kickstarter at this link: https://www.kickstarter.com/projects/ghostlordsquest/ghostlord-and-the-quest-for-dark-presence?ref=7yzaq4 Facebook Link: fb.com/ghostlordsquest Instagram: @ghostlordsquest TikTok: @year_of_the_phoenix Website: www.ghostlordsquest.com Find Go Fund This at: southgatemediagroup.com twitter.com/rsouthgate facebook.com/gofundthispodcast patreon.com/southgatemediagroup
Matthew Maslanka is David Maslanka's second son and the primary caretaker of David's music. Born in New York City in 1982, he grew up listening to his father composing at the piano. From the age of 10, Matthew started helping out by making photocopies of scores and dubbing cassette tapes for David to send to conductors interested in the music. At 12, Matthew discovered the delights of engraving music with a computer. By 14, he was skilled enough to handle the preparation of his father's music and proceeded to engrave virtually every work from that point forward. In this way, he built up a deep understanding of the underpinnings of David's writing and long-term development as a composer. He frequently accompanied his father on trips to work with ensembles and observed his working process closely. Matthew enjoyed a particularly close personal and professional relationship with David. Matthew is a versatile musician, performing on euphonium and trombone, preparing sheet music for performance and publication, and publishing his father's music. He studied euphonium performance as an undergraduate at Michigan State University with Philip Sinder and as a master's student at Indiana University with Daniel Perantoni. He also studied trombone as a doctoral candidate at Indiana University with Carl Lenthe. He has performed on Broadway in the orchestra of Fiddler on the Roof and plays with the New Amsterdam Symphony Orchestra and the Chelsea Symphony, among others. Along with performing, Matthew is an accomplished music engraver and copyist. Equally at home in the commercial and classical worlds, he has prepared music in diverse genres. Projects have included the Pixar film The Incredibles 2, Warner Brothers' Shazam!, the hit video game Destiny 2 by Bungie Inc. and the acclaimed musicals Far From Heaven by Scott Frankel with orchestrations by Tony Award winner Bruce Coughlin, Chess by Benny Andersson and Björn Ulvaeus of ABBA, and Sycamore Trees by Ricky Ian Gordon. He has also engraved opera, wind ensemble, and chamber music for the New York-based publisher Carl Fischer and Internationale Musikverlage Hans Sikorski in Hamburg. In 2012, Matthew founded Maslanka Press to publish his father's works. Dedicated to producing beautiful, affordable new editions, promoting David's music, and supporting performers, educators, and enthusiasts, Maslanka Press now publishes more than 70 works worldwide. Following David's passing in 2017, he started the David Maslanka Foundation with his brother Stephen and sister Kathryn to preserve and promote David's music and life. As part of that mission, Matthew travels worldwide, coaching performing groups on his father's music. Matthew is an avid photographer and lives in New York City with his two dogs, Cassie and Max. ------- Are you planning to travel with your group sometime soon? If so, please consider my sponsor, Kaleidoscope Adventures, a full service tour company specializing in student group travel. With a former educator as its CEO, Kaleidoscope Adventures is dedicated to changing student lives through travel and they offer high quality service and an attention to detail that comes from more than 25 years of student travel experience. Trust Kaleidoscope's outstanding staff to focus on your group's one-of-a-kind adventure, so that you can focus on everything else! The Everything Band Podcast team includes the following contributors: Host and Creator: Mark Connor Outreach Manager: Colin Peters Creative Director: Jake Walker
Sharlene joins bar manager Jen Maslanka at Spring Lounge to talk injuring yourself on the job, working in Manhattan, weathering Covid as a business, and what to with all the sidewalk sukkahs when the pandemic is over. Plus bartender bathroom etiquette!
Originally aired 2/13/2017 For this week's episode, I sat down to chat with David and Matthew Maslanka. David is a renowned composer, often known for his extensive catalog of works for wind ensemble; and Matthew, David's son, is a euphonist and engraver, and handles the operations for publishing David's music. During the course of the conversation, we talked about the trajectory of David's career and the important changes he made and risks he took along the way, how Matthew handles publishing David's works, and the importance of being true to your music and yourself. Links: David Maslanka Matthew Maslanka Music Preparation
Originally aired 8/15/2017 In case you haven't yet heard the news, composer David Maslanka passed away last week on August 6 after a brief battle with cancer. David, along with his son Matthew, was a guest on the show back in January for Episode #38. Reading other composers' and performers' reminiscences of him online, it's impossible to overlook the impact he's had in our corner of the world and beyond. From his simple exhortation for composers to Just Show Up when it comes to writing every day, to his acknowledgement about our craft that “nothing about what we do is convenient,” he has been a source of encouragement and inspiration for many composers over the decades. So this week, in honor of his memory, I'm rebroadcasting episode 38 on Forging Your Own Path with David Maslanka. Links: David Maslanka The Portfolio Composer: In Memoriam David Maslanka
E118: One of the best part of hosting this podcast has been meeting you all out there so this episode is extra special with a listener coming on! After losing his job and searching for others conversation on the topic Peter found our podcast by looking up “Getting Fired' and finding our episode 57 on when it happened to me! Peter reached out to the show via our email and we've connect on so much ever since on purpose, work outs, journaling, and investing. On this episode Peter and I connect on the shared thoughts on FU money and getting fired for the first time then speak on navigating that space and the development that comes after something like that. If you are working on financial independence, ability to have more control at your job, scared of being fired or just were, or want to hear more on personal growth and investment this episode is for you. Thank you Peter for listening, reaching out, and connecting through the show! In This Episode We Cover Coming out stronger than before Finding advice through podcast Meeting people from digital to real life Being caught off guard Reframing the situation Looking back through journaling to understand your current self If anyone has control on anything in your life they can make losing an option How to journal Looking at yourself over time Public speaking Social experiments for growth Having FU money (ability to handle surprises) Quotes “It's important to reframe the situation. Instead of thinking about what's wrong thinking about what's right.” - Peter Maslanka “It's ok to exit, even if it's not on your own terms. There's no shame in exiting, no shame in getting fired there's always something out there for you.” - Peter Maslanka “Everyday is gonna be it's own thing, you don't know what's gonna happen even when you feel like you're comfortable and you know exactly what's gonna happen. Someone else can make choices to change up your day. Whether it's work or it's other things. We don't have control like we think we do.” - Host Dave Swillum Resources Noted In This Podcast Episode Toast Masters Public Speaking Groups https://www.toastmasters.org/resources/public-speaking-tips Awareness by Anthony De Mello https://amzn.to/3BnQU6Y Can't Hurt Me by David Goggins https://amzn.to/3zftAXn The Position of FU from The Gambler movie https://www.youtube.com/watch?v=xdfeXqHFmPI Peter Maslanka Links Twitter @peter78989 Waking Up From Work Podcast Links IG / Tik Tok / Clubhouse / Twitter Follow / DM Me! @davewakeup Merch To Support Us! https://wakeup.itemorder.com/sale?fbclid=IwAR30nyVXdpFaax0mN0CRcC_mVjNzafbMo0spds82eoG-GMo01HG6Uq0dvzw Patreon (If you want to support the show check out our sweet offers for you) https://www.patreon.com/wakingupfromwork Facebook Community to connect to creatives https://www.facebook.com/groups/wakingupfromwork/about/ Email wakeupfromworkpodcast@gmail.com Youtube Channel & Series https://www.youtube.com/channel/UCJeddF25VuWn8Eg3Fhy13fQ?view_as=subscriber For audio advice and more in depth music content from Dave www.crawlspaceaudio.com Dave's Indie Band Broadwing https://distrokid.com/hyperfollow/broadwing/tennessee
Cheers to the 20th episode of She Werks Hard for the Money! Neenscale celebrates this episode with her close friend who just so happens to be the founder of Sister Swim. A trendy and premium swimwear company designed for women right here in NYC. Michelle is one of the hardest WERKIN ladies in the swimsuit game and shares some great advice on how to turn a side hustle into a full blown company! Get your very own Sister Swim suit for the summer by visiting Sisterswim.com and use code NEENSCALE for 30% off your order!
A question: what do you SEE when you HEAR music? An odd question perhaps, but sometimes composers themselves confess that particular places, persons, and scenes play a role in how music is created. On today’s date in 1994, in San Antonio, Texas, for example, a new symphony for wind ensemble by the American composer David Maslanka received its premiere performance during a convention of the Texas Music Educators Association. In program notes, Maslanka confessed two major inspirations: The first was “the powerful voice of the Earth that comes to me from my adopted western Montana, and the high plains and mountains of central Idaho.” The second, he said, was his fascination with President Abraham Lincoln. Maslanka explained that reading about a Civil War brass band playing the “Old Hundreth” hymn tune at sunset as Lincoln’s coffin was transferred to a waiting funeral train was an image that haunted him. “For me,” wrote Maslanka, “Lincoln’s life and death are as critical today as they were more than a century ago… My impulse through this music is to speak to the fundamental human issues of transformation and re-birth in this chaotic time.”
A question: what do you SEE when you HEAR music? An odd question perhaps, but sometimes composers themselves confess that particular places, persons, and scenes play a role in how music is created. On today’s date in 1994, in San Antonio, Texas, for example, a new symphony for wind ensemble by the American composer David Maslanka received its premiere performance during a convention of the Texas Music Educators Association. In program notes, Maslanka confessed two major inspirations: The first was “the powerful voice of the Earth that comes to me from my adopted western Montana, and the high plains and mountains of central Idaho.” The second, he said, was his fascination with President Abraham Lincoln. Maslanka explained that reading about a Civil War brass band playing the “Old Hundreth” hymn tune at sunset as Lincoln’s coffin was transferred to a waiting funeral train was an image that haunted him. “For me,” wrote Maslanka, “Lincoln’s life and death are as critical today as they were more than a century ago… My impulse through this music is to speak to the fundamental human issues of transformation and re-birth in this chaotic time.”
Since the 18th century, Paris and Prague have been famous for producing some of the greatest wind players of Europe. And in the 19th century, Anton Reicha, who was born in Prague but died in Paris, wrote for those wind players a sizeable body of quintets to showcase the agreeable blend of flute, oboe, clarinet, bassoon, and French horn. In our own time, the number of professional wind quintets has increased dramatically, and, not surprisingly, contemporary composers are eager to create new works for them. On today’s date in 1987, at Carnegie Hall’s Weill Recital Hall in New York, the Manhattan Wind Quintet premiered a piece by the American composer David Maslanka—his Wind Quintet No. 2. A clarinetist himself, Maslanka is particularly known for his works for wind ensembles, large and small. He describes his three-movement Wind Quintet No. 2 as follows: “The first movement is fierce and somewhat daunting in its technical demands; the second is moody and elusive; the third is sweet and resigned.” This recording features the Bergen Woodwind Quintet of Norway, an ensemble that has taken Maslanka’s music very much to heart, recording three of Maslanka’s Wind Quintets for the BIS label from Sweden.
Since the 18th century, Paris and Prague have been famous for producing some of the greatest wind players of Europe. And in the 19th century, Anton Reicha, who was born in Prague but died in Paris, wrote for those wind players a sizeable body of quintets to showcase the agreeable blend of flute, oboe, clarinet, bassoon, and French horn. In our own time, the number of professional wind quintets has increased dramatically, and, not surprisingly, contemporary composers are eager to create new works for them. On today’s date in 1987, at Carnegie Hall’s Weill Recital Hall in New York, the Manhattan Wind Quintet premiered a piece by the American composer David Maslanka—his Wind Quintet No. 2. A clarinetist himself, Maslanka is particularly known for his works for wind ensembles, large and small. He describes his three-movement Wind Quintet No. 2 as follows: “The first movement is fierce and somewhat daunting in its technical demands; the second is moody and elusive; the third is sweet and resigned.” This recording features the Bergen Woodwind Quintet of Norway, an ensemble that has taken Maslanka’s music very much to heart, recording three of Maslanka’s Wind Quintets for the BIS label from Sweden.
Will we ever return to “normal,” or are we forever changed by COVID-19? The world of legal has had to adapt quickly to public health and safety guidelines, sometimes struggling to provide access to justice and maintain legal education in the midst of this difficult time. To examine the ways the profession has responded to these challenges, Rocky Dhir welcomes lawyer and professor Michael Maslanka. Together, they search for silver linings and offer hope for a brighter future for the practice of law. Michael P. Maslanka is assistant professor at University of North Texas | Dallas College of Law and is widely regarded as one of the top employment and human resources lawyers in Texas.
Will we ever return to “normal,” or are we forever changed by COVID-19? The world of legal has had to adapt quickly to public health and safety guidelines, sometimes struggling to provide access to justice and maintain legal education in the midst of this difficult time. To examine the ways the profession has responded to these challenges, Rocky Dhir welcomes lawyer and professor Michael Maslanka. Together, they search for silver linings and offer hope for a brighter future for the practice of law. Michael P. Maslanka is assistant professor at University of North Texas | Dallas College of Law and is widely regarded as one of the top employment and human resources lawyers in Texas.
This week COMPOSER Matthew Maslanka talks with me about David Maslanka's O EARTH, O STARS
Join our discord community server! discord.com/invite/NUKCsDF Requiem by Maslanka: www.youtube.com/watch?v=BGS9qtxA1lw Infinity War by Silvestri: www.youtube.com/watch?v=a10dXUS3ch0 Mahler 2: www.youtube.com/watch?v=sHsFIv8VA7w Sideways YouTuber: www.youtube.com/channel/UCi7l9chXMljpUft67vw78qw String Quartet no. 8 by Shostakovich: www.youtube.com/watch?v=uGoxfQ2H3ns The Planets Suite by Holst: www.youtube.com/watch?v=Isic2Z2e2xs Check out Adrian's pages! Instagram: www.instagram.com/fryeguy_composer/ and www.instagram.com/fryeguy47/ Check out Taylor's pages! Website: tsaxking.wixsite.com/home Facebook: www.facebook.com/tsaxking99 King Music Studio Facebook Page: www.facebook.com/tsaxking Instagram: www.instagram.com/t.sax.king/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
In this podcast, we talk about many of the instruments we enjoy composing for. Here are the links to things/people we have talked about in doing so: Elgar Cello Concerto: www.youtube.com/watch?v=lNVe_1Eb5dw Benjamin Zander Video: www.youtube.com/watch?v=u1_KOJ8h9qY Retro Whiskey: www.instagram.com/retrowhiskey/ Fleeting Moments: tsaxking.wixsite.com/home/fleeting-moments First Light by Maslanka: www.youtube.com/watch?v=9Yo2Z-pF4-g Four Horseman by Jeff Cortazzo: www.youtube.com/watch?v=XOSFR_uv6R4 Chopin Prelude in Em: www.youtube.com/watch?v=ef-4Bv5Ng0w Adam Neely: www.youtube.com/watch?v=lz3WR-F_pnM Jacob Collier: www.youtube.com/watch?v=eRkgK4jfi6M Eric Whitacre: ericwhitacre.com/ Shostakovich Fugue in A Major: www.youtube.com/watch?v=sHJzdEGq26I Shostakovich Festive Overture: www.youtube.com/watch?v=Gha6Qx4fF9w Tantacrule: www.youtube.com/channel/UCl_dlV_7ofr4qeP1drJQ-qg Join our discord community server! discord.com/invite/wCqJVYj Check out Adrian's pages! Instagram: www.instagram.com/fryeguy_composer/ and www.instagram.com/fryeguy47/ Check out Taylor's pages! Website: tsaxking.wixsite.com/home Facebook: www.facebook.com/tsaxking99 King Music Studio Facebook Page: www.facebook.com/tsaxking Instagram: www.instagram.com/t.sax.king/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
ORIGINAL BROADCAST: July 2, 2020 — Chicago native. Entrepreneurship guru. Father of the tropical lifestyle. Joe Maslanka talks to Skyler Holzman '22, Jake Richards '22 and Mike Seitz ’22 ahead of the Fourth of July weekend about his love of sports and his journey to becoming the CEO of Tropical Bros lifestyle brand. Make sure to check out our social media for instructions on how to enter the giveaway contest for a super soft Hawaiian shirt from Tropical Bros! And use the promo code TropicalBanter for 20% off on your next order from tropicalbros.com! — Connect with WVBR-FM Sports: Website: wvbr.com/sports Twitter: @wvbrfmsports Instagram: @wvbrfmsports Email: sports@wvbr.com — Black Lives Matter resources: @cornellstudents4blacklives on Instagram @dobettercornell on Instagram Petitions for Institutional Change at Cornell: dobettercornell.com Additional BLM Resources: https://blacklivesmatters.carrd.co/
Minister's Assistant Melissa Maslanka shares her Dharma Message for Family Service.
Dr. Michael Dodds and Professor Carol were formerly colleagues at Southern Methodist University. Dr. Dodds is now professor of music history at University of North Carolina School of the Arts and a frequent contributor to Professor Carol's courses. In Part Two of this interview we have a wide-ranging discussion of Michael's work as a composer and conductor, the history of maps, composer David Maslanka, and more on C.S. Lewis.
We're not doctors this week, we're just dudes. Kevin is a normal 24 year old man who works in the electrical / technology trade, a seemingly chill guy on the outside, with a pretty amazing story on the inside. He came from a rough childhood after losing his father, then nearly losing his MOTHER, to then struggling with depression, anxiety, and thoughts of suicide his whole life, through it all - he's always been open about his struggles. Kevin is a perfect example that when men talk about their feelings in a casual and open setting have a better chance at a balanced mental well being. Check out Kevin's story, including how he's had more than freaking SIX consussions - in this week's episode of MENtal Health Monday.
The band director at Central Washington University for 34 years, Larry Gookin joins the show to talk about his career and what he thinks are some of the key traits and practices that have made him a successful music educator. Topics: Larry's background, his early career, and the path to becoming the band director at Central Washington University. Literature selection, a guest appearance by Larry's dog, a polemic from me, and an anecdote about Václav Nelhýbel. The importance of having a mentor and why asking for help is the most important thing you can do as a band director. A brief primer on score study and preparing to teach a new piece of music. Links: Larry Gookin Bennett Reimer: "Why Do Humans Value Music?" David Elliot: "Music Matters: A Philosophy of Music Education" David Maslanka: Symphony No. 4 Johannes Brahms: Ein Deutsches Requiem Biography: Larry Gookin is Distinguished Professor and Emeritus Professor of Music at Central Washington University in Ellensburg, WA. He served for 34 years as Director of Bands before retiring from CWU in 2015. Prior to teaching at Central, Professor Gookin taught band for ten years in Montana and Oregon public schools. During his tenure at Central, the CWU Wind Ensemble performed by invitation at major conferences and conventions, including the College Band Directors National Association Conferences in Boulder and Seattle, the Music Educators National Conference in Minneapolis, the Western International Band Clinics in Seattle, the Western/Northwestern CBDNA Division Conferences in Reno, the Northwest Division NAFME conferences, and numerous WMEA State Conferences. Larry Gookin has received numerous honors and awards. He has served as president of the Northwestern Division of the CBDNA, as well as Divisional Chairman for the National Band Association, and Vice President of the Washington Music Educators Association. He is a member of the American Bandmasters Association and the WMEA Hall of Fame, and he is a past recipient of the NBA “Citation of Excellent Award,” the First Chair of America “Mac” Award, the ASBDA “Standbury Award,” the WIAA/WMEA teacher of the year award, and the University of Oregon’s School of Music Distinguished Alumnus Award. Gookin was also named CWU Distinguished Professor of Teaching, and while at Central, he served as Associate Chair and Coordinator of Graduate Studies. He is former principal trombone of the Eugene and Yakima Symphony Orchestras, and is Emeritus Artistic Director and Conductor of the Seattle Wind Symphony. Professor Gookin received the M.M. in Music Education from the University of Oregon School of Music in 1977 and the B.M in Music Education and Trombone Performance from the University of Montana in 1971. Professor Gookin has appeared as clinician, adjudicator, and conductor in the United States, Canada, Japan, Southeast Asia, the Middle East, and Europe. He is a Yamaha Performing Artist and remains active as a conductor and music educator. Gookin resides in Ellensburg, Washington with his wife Karen, who is Emeritus Professor of English at CWU and recently retired on piccolo and flute from the Yakima Symphony Orchestra.
Composer Chris Stark joins me to reflect upon the legacy of David Maslanka. Chris studied with David for a year and shares some of his memories before discussing his own exciting career. Topics: David Maslanka as a teacher, composer, and man and the lessons that Chris learned while his student Chris' background in Montana and his thoughts about writing for wind ensemble Writing the music for the upcoming movie Novitiate and advice for young composers Links: Christopher Stark Washington University Novitiate Chris Stark: Velocity Meadows David Gillingham: Waking Angels Joseph Schwantner: ...and the mountains rising nowhere David Maslanka: Symphony no. 4 World Chess Hall of Fame Biography: A 2017 Guggenheim Fellow, Christopher Stark (b. 1980, St. Ignatius, MT) is a fast-rising and dynamic young composer equally at ease in the diverse mediums of contemporary classical, electronic, and film. The New York Times has called his music, "fetching and colorful," and he has received prestigious awards from the Fromm Foundation at Harvard University, Chamber Music America, and ASCAP. In 2012, he was a resident composer at Civitella Ranieri, a fifteenth-century castle in Umbria, Italy, and in June of 2016 he was in-residence at Aaron Copland's former home in the Hudson Valley. Recent highlights have included performances at the 2016 Santa Fe Chamber Music Festival and at the Whitney Museum of American Art as part of the 2016 NY Philharmonic Biennial. Stark currently resides in St. Louis where he is Assistant Professor of Music Composition at Washington University in St. Louis. Closing music: "Augenblick" by Christopher Stark. Recording by Jerry Junkin and the University of Texas Wind Ensemble.
01:04 - How Sara got involved with Chicago Danztheatre Ensemble. http://www.danztheatre.org 02:10 - What is an artistic director? 07:34 - Sara's time in London and her study of Dance Science. 18:24 - How did Sara start dancing? 22:29 - Sara's teaching style and experiences. 29:08 - Specific example of frustration in teaching. 35:25 - "Consumed," Sara's inaugural show with Chicago Danztheatre. http://www.danztheatre.org/consumed.html 44:56 - "Ethereal Abandonment." http://www.danztheatre.org/ethereal-abandonment.html 47:46 - Additional promotions: Variety shows with Edgewater Theatre District. https://www.edgewater.org/programs-and-events/theatre-district/ and Dance and poetry collaboration with Poetry Center of Chicago on Aug. 19th & 20th. http://www.poetrycenter.org Follow us on Twitter or Facebook Intro Music: "Are You Famous, Yet?" - Laura Scruggs. Outro Music: "The Devil Is In The Beats" - The Chemical Brothers
Melissa Maslanka talks about how she writes her Dharma talks—and how this process applies to a Buddhist life.
I spoke with Mike Maslanka, an employment law partner and head of the Dallas office for Constangy, Brooks & Smith, LLP, who recently published a great article in the Texas Lawyer called: Seven Mindsets of Effective General Counsel. In it, he highlights that “How lawyers think determines how we act. So, to be truly effective, the wise general counsel does not seek answers but rather seeks useful mindsets.” Those mindsets include: (1) All news is good news (“Because then you know where you stand.”); (2) Pick the hill you want to die on (“Make a stand where it matters, not on a useless cul-de-sac.”); (3) ABR: Always be re-framing (“Lawyers can’t change the facts, but we can change the story.”); (4) Fight the fight, not the plan. (“Never get stuck on the original plan, and always deal with what is occurring now, in real time.”); (5) A GC is not a conscience for hire (“A general counsel is not a mouthpiece but a voice of reason.”); (6) Generate options, lots of them (“General counsel can’t direct C-level executives to take actions. They only can guide them by producing options; and, (7) Ask: “Am I adding value?” (“Adding value is not a ‘No, you can’t do XYZ.’ It’s not even a ‘Yes, but’ mindset. It’s one of ‘Yes, and.'”) Ultimately, Maslanka, the creator of the Mike Maslanka @ Your Desk YouTube video series for the Texas Bar (which you can watch here), concludes: “Mindsets progress from aspiration to belief to action. Develop yours, and enjoy the journey.”
I spoke with Mike Maslanka, an employment law partner and head of the Dallas office for Constangy, Brooks & Smith, LLP, who recently published a great article in the Texas Lawyer called: Seven Mindsets of Effective General Counsel. In it, he highlights that “How lawyers think determines how we act. So, to be truly effective, the wise general counsel does not seek answers but rather seeks useful mindsets.” Those mindsets include: (1) All news is good news (“Because then you know where you stand.”); (2) Pick the hill you want to die on (“Make a stand where it matters, not on a useless cul-de-sac.”); (3) ABR: Always be re-framing (“Lawyers can’t change the facts, but we can change the story.”); (4) Fight the fight, not the plan. (“Never get stuck on the original plan, and always deal with what is occurring now, in real time.”); (5) A GC is not a conscience for hire (“A general counsel is not a mouthpiece but a voice of reason.”); (6) Generate options, lots of them (“General counsel can’t direct C-level executives to take actions. They only can guide them by producing options; and, (7) Ask: “Am I adding value?” (“Adding value is not a ‘No, you can’t do XYZ.’ It’s not even a ‘Yes, but’ mindset. It’s one of ‘Yes, and.'”) Ultimately, Maslanka, the creator of the Mike Maslanka @ Your Desk YouTube video series for the Texas Bar (which you can watch here), concludes: “Mindsets progress from aspiration to belief to action. Develop yours, and enjoy the journey.”
I spoke with Mike Maslanka, an employment law partner and head of the Dallas office for Constangy, Brooks & Smith, LLP, who recently published a great article in the Texas Lawyer called: Seven Mindsets of Effective General Counsel. In it, he highlights that “How lawyers think determines how we act. So, to be truly effective, the wise general counsel does not seek answers but rather seeks useful mindsets.” Those mindsets include: (1) All news is good news (“Because then you know where you stand.”); (2) Pick the hill you want to die on (“Make a stand where it matters, not on a useless cul-de-sac.”); (3) ABR: Always be re-framing (“Lawyers can't change the facts, but we can change the story.”); (4) Fight the fight, not the plan. (“Never get stuck on the original plan, and always deal with what is occurring now, in real time.”); (5) A GC is not a conscience for hire (“A general counsel is not a mouthpiece but a voice of reason.”); (6) Generate options, lots of them (“General counsel can't direct C-level executives to take actions. They only can guide them by producing options; and, (7) Ask: “Am I adding value?” (“Adding value is not a ‘No, you can't do XYZ.' It's not even a ‘Yes, but' mindset. It's one of ‘Yes, and.'”) Ultimately, Maslanka, the creator of the Mike Maslanka @ Your Desk YouTube video series for the Texas Bar (which you can watch here), concludes: “Mindsets progress from aspiration to belief to action. Develop yours, and enjoy the journey.”
I spoke with Mike Maslanka, an employment law partner and head of the Dallas office for Constangy, Brooks & Smith, LLP, who recently published a great article in the Texas Lawyer called: Seven Mindsets of Effective General Counsel. In it, he highlights that “How lawyers think determines how we act. So, to be truly effective, the wise general counsel does not seek answers but rather seeks useful mindsets.” Those mindsets include: (1) All news is good news (“Because then you know where you stand.”); (2) Pick the hill you want to die on (“Make a stand where it matters, not on a useless cul-de-sac.”); (3) ABR: Always be re-framing (“Lawyers can’t change the facts, but we can change the story.”); (4) Fight the fight, not the plan. (“Never get stuck on the original plan, and always deal with what is occurring now, in real time.”); (5) A GC is not a conscience for hire (“A general counsel is not a mouthpiece but a voice of reason.”); (6) Generate options, lots of them (“General counsel can’t direct C-level executives to take actions. They only can guide them by producing options; and, (7) Ask: “Am I adding value?” (“Adding value is not a ‘No, you can’t do XYZ.’ It’s not even a ‘Yes, but’ mindset. It’s one of ‘Yes, and.'”) Ultimately, Maslanka, the creator of the Mike Maslanka @ Your Desk YouTube video series for the Texas Bar (which you can watch here), concludes: “Mindsets progress from aspiration to belief to action. Develop yours, and enjoy the journey.”