Period of training and preparation that a Christian novice undergoes
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Are you a Nun still in your Novitiate? Be careful when a priest asks you to go on an investigation with him. We're streaming this on Netflix. We will not be entering any dark monasteries!
New meta incoming! Nick and Scott talk about his amazing 5-0 run with the newest and most exciting Adepta Sororitas detachment, the Bringers of Flame! We learn about how it works and break down the list in part 1.In part two of the show, available to our patrons we talk about Scott's match ups, theory, and tactics in this audio battle reportTo support the show please check out our patreon for weekly exclusive content patreon.com/aow40kLink to War Room --> thewarroom.vhx.tvBattle for the Capital GT 2024Scott KetchamMobile Suit Nundam (2000 points)Adepta SororitasStrike Force (2000 points)Bringers of FlameCHARACTERSCanoness with Jump Pack (80 points)• 1x Blessed halberd• Enhancement: Iron Surplice of Saint IstalelaDialogus (30 points)• 1x Bolt pistol1x Dialogus staffMorvenn Vahl (160 points)• Warlord• 1x Fidelis1x Lance of Illumination1x Paragon missile launcherPalatine (60 points)• 1x Palatine blade1x Plasma pistol• Enhancement: Righteous RageTriumph of Saint Katherine (190 points)• 1x Bolt pistols1x Relic weaponsDEDICATED TRANSPORTSImmolator (115 points)• 1x Armoured tracks1x Heavy bolter1x Hunter-killer missile1x Twin multi-meltaImmolator (115 points)• 1x Armoured tracks1x Heavy bolter1x Hunter-killer missile1x Twin multi-meltaImmolator (115 points)• 1x Armoured tracks1x Heavy bolter1x Hunter-killer missile1x Twin multi-melta[11:20 AM]OTHER DATASHEETSCastigator (150 points)• 1x Armoured tracks1x Castigator battle cannon3x Heavy bolter1x Hunter-killer missile1x Storm bolterCastigator (150 points)• 1x Armoured tracks1x Castigator autocannons3x Heavy bolter1x Hunter-killer missile1x Storm bolterDominion Squad (115 points)• 1x Dominion Superior• 1x Bolt pistol1x Close combat weapon1x Ministorum hand flamer1x Power weapon• 9x Dominion• 9x Bolt pistol5x Boltgun9x Close combat weapon4x Ministorum flamer1x Simulacrum ImperialisDominion Squad (115 points)• 1x Dominion Superior• 1x Bolt pistol1x Close combat weapon1x Inferno pistol1x Power weapon• 9x Dominion• 9x Bolt pistol5x Boltgun9x Close combat weapon4x Meltagun1x Simulacrum ImperialisParagon Warsuits (210 points)• 1x Paragon Superior• 1x Bolt pistol1x Multi-melta1x Paragon grenade launchers1x Paragon war blade• 2x Paragon• 2x Bolt pistol2x Multi-melta2x Paragon grenade launchers2x Paragon war bladeParagon Warsuits (210 points)• 1x Paragon Superior• 1x Bolt pistol1x Multi-melta1x Paragon grenade launchers1x Paragon war blade• 2x Paragon• 2x Bolt pistol2x Multi-melta2x Paragon grenade launchers2x Paragon war bladeSeraphim Squad (85 points)• 1x Seraphim Superior• 1x Close combat weapon1x Plasma pistol1x Power weapon• 4x Seraphim• 4x Bolt pistol4x Close combat weapon4x Ministorum hand flamerSisters Novitiate Squad (100 points)• 1x Novitiate Superior• 1x Close combat weapon1x Plasma pistol1x Power weapon• 9x Sister Novitiate• 9x Autopistol4x Close combat weapon2x Ministorum flamer5x Novitiate melee weapons1x Sacred Banner1x Simulacrum Imperialis
This lecture was given on December 2nd, 2023, at St. Albert's Priory. For more information on upcoming events, visit us at thomisticinstitute.org/upcoming-events About the Speaker: Fr. John Corbett, O.P. (St Gertrude's Priory) is a native of Columbus Ohio. He graduated from Providence College in 1973 and was ordained a Dominican priest in 1980. He received the Doctorate in Sacred Theology from Fribourg University in Switzerland. He has taught moral theology at Providence College, The Josephinum in Columbus and the Dominican House of Studies in Washington D.C. He is currently helping both in the Novitiate with spiritual direction and in the wider parish with Mass, preaching, and confessions.
This lecture was given on December 1st, 2023, at St. Albert's Priory. For more information on upcoming events, visit us at thomisticinstitute.org/upcoming-events About the Speaker: Fr. John Corbett, O.P. (St Gertrude's Priory) is a native of Columbus Ohio. He graduated from Providence College in 1973 and was ordained a Dominican priest in 1980. He received the Doctorate in Sacred Theology from Fribourg University in Switzerland. He has taught moral theology at Providence College, The Josephinum in Columbus and the Dominican House of Studies in Washington D.C. He is currently helping both in the Novitiate with spiritual direction and in the wider parish with Mass, preaching, and confessions.
We're live with Sr. Jeanette Estrada with Cypress Springs Mercedarian Prayer Center talks about their new Novitiate house in Baton Rouge, Nicole Jones, Digital Media Manager in the Diocese of Baton Rouge updates us on Diocesan news and Terry Dickson, Director of Communication of the Diocese of Biloxi and Editor of the Gulf Pine Catholic newspaper with update.
DENIS O'HARE has been nominated 3 times for Emmy Awards for his work in THIS IS US and AMERICAN HORROR STORY. Other television appearances include THE NEVERS, TRYING, TRUE BLOOD, AMERICAN GODS, THE GOOD WIFE, and BIG LITTLE LIES. He won the Tony Award for Richard Greenberg's TAKE ME OUT (Obie Award, Drama Desk Award) and an OBIE for his performance in AN ILIAD of which he is also the co-writer. Other stage credits include ASSASSINS (Tony nomination), SWEET CHARITY (Drama Desk Award), CABARET, INHERIT THE WIND, MAJOR BARBARA, ELLING, RACING DEMON, HAUPTMANN, INTO THE WOODS, TEN UNKNOWNS, and TARTUFFE at London's National Theatre. Film credits include INFINITE STORM, SWALLOW, LATE NIGHT, THE GOLDFINCH, NOVITIATE, THE NORMAL HEART, DALLAS BUYERS CLUB, THE PROPOSAL, DUPLICITY, MILK , CHANGELING, CHARLIE WILSON'S WAR, MICHAEL CLAYTON, A MIGHTY HEART, HALF NELSON, GARDEN STATE, 21 GRAMS, THE ANNIVERSARY PARTY, PRIVATE LIFE, and THE PARTING GLASS of which he is the screenwriter. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Today, Fr. Francis Orozco, the Master of Novices at the Dominican Friars Province of St. Marin De Porres, shares his duties as a Master of Novices. He shares with us how men begin to explore Dominican life and begin to discern if religious life is for them. Once a man decides to join the Dominican Friars, they must apply, submit their application, and eventually meet Fr. Orozco to begin their formation. Guest Links: Fr. Fracis J Orozco O.P.Master of Noviceshttps://www.opsouth.org/
From the creative minds of Emmy Award nominated creator, showrunner, executive producer and writer Craig Rosenberg and Aggregate Films executive producers Jason Bateman and Michael Costigan, BASED ON A TRUE STORYfollows about Ava (Kaley Cuoco) and her husband Nathan (Chris Messina), a down-on-their-luck couple, whose lives collide with an infamous serial killer terrorizing Los Angeles and seize a unique opportunity to capitalize on America's obsession with true crime by making a podcast with the killer. The dark comedic thriller stars Emmy Award nominee Kaley Cuoco, Chris Messina, Tom Bateman, Priscilla Qunitana (Good Trouble) and Liana Liberato (Scream 6) in your next obsession.Priscilla Quintana plays ‘Ruby' in the Peacock Original series BASED ON A TRUE STORY opposite Kaley Cuoco and Chris Messina. This is straight off her series regular work on the popular Freeform show GOOD TROUBLE. Previously, Quintana played the title role of the CW series PANDORA for two seasons. On the feature side, Quintana starred as a lead in the Dimension film POLAROID and had a strong role in Sony Screen Gems film TRAFFIK opposite Paula Patton and William Fichtner.Liana Liberato stars in the Peacock Original series BASED ON A TRUE STORYas Ava's (Kaley Cuoco) younger sister ‘Tory.' Liberato can most recently be seen in SCREAM 6. She recently wrapped on the Blumhouse feature TOTALLY KILLER. She can be seen in the independent feature, BANANA SPLIT opposite Dylan Sprouse and Hannah Marks. Liberato can also be seen in a leading role on the Hulu series, LIGHT AS A FEATHER. Liberato stars opposite Tony Hale and Malin Akerman in the indie TO THE STARS that premiered to rave reviews at Sundance 2019 which is scheduled to come out later this year. Earlier in 2018, Liana was seen in the indie feature MEASURE OF A MAN opposite Judy Greer, Luke Wilson, and Donald Sutherland. She first garnered critical acclaim at the age of 14 for her performance in TRUST opposite Clive Owen and Catherine Keener. She was last seen in Maggie Betts' directorial debut, NOVITIATE, opposite Melissa Leo and Margaret Qualley and Marti Noxon's TO THE BONE opposite Lily Collins and Keanu Reeves. Both films premiered at the 2017 Sundance Film Festival and are due out later this year. In 2014, Liana starred in two studio features, IF I STAYopposite Chloe Moretz and THE BES
From the creative minds of Emmy Award nominated creator, showrunner, executive producer and writer Craig Rosenberg and Aggregate Films executive producers Jason Bateman and Michael Costigan, BASED ON A TRUE STORYfollows about Ava (Kaley Cuoco) and her husband Nathan (Chris Messina), a down-on-their-luck couple, whose lives collide with an infamous serial killer terrorizing Los Angeles and seize a unique opportunity to capitalize on America's obsession with true crime by making a podcast with the killer. The dark comedic thriller stars Emmy Award nominee Kaley Cuoco, Chris Messina, Tom Bateman, Priscilla Qunitana (Good Trouble) and Liana Liberato (Scream 6) in your next obsession.Priscilla Quintana plays ‘Ruby' in the Peacock Original series BASED ON A TRUE STORY opposite Kaley Cuoco and Chris Messina. This is straight off her series regular work on the popular Freeform show GOOD TROUBLE. Previously, Quintana played the title role of the CW series PANDORA for two seasons. On the feature side, Quintana starred as a lead in the Dimension film POLAROID and had a strong role in Sony Screen Gems film TRAFFIK opposite Paula Patton and William Fichtner.Liana Liberato stars in the Peacock Original series BASED ON A TRUE STORYas Ava's (Kaley Cuoco) younger sister ‘Tory.' Liberato can most recently be seen in SCREAM 6. She recently wrapped on the Blumhouse feature TOTALLY KILLER. She can be seen in the independent feature, BANANA SPLIT opposite Dylan Sprouse and Hannah Marks. Liberato can also be seen in a leading role on the Hulu series, LIGHT AS A FEATHER. Liberato stars opposite Tony Hale and Malin Akerman in the indie TO THE STARS that premiered to rave reviews at Sundance 2019 which is scheduled to come out later this year. Earlier in 2018, Liana was seen in the indie feature MEASURE OF A MAN opposite Judy Greer, Luke Wilson, and Donald Sutherland. She first garnered critical acclaim at the age of 14 for her performance in TRUST opposite Clive Owen and Catherine Keener. She was last seen in Maggie Betts' directorial debut, NOVITIATE, opposite Melissa Leo and Margaret Qualley and Marti Noxon's TO THE BONE opposite Lily Collins and Keanu Reeves. Both films premiered at the 2017 Sundance Film Festival and are due out later this year. In 2014, Liana starred in two studio features, IF I STAYopposite Chloe Moretz and THE BEST OF ME opposite James Marsden and Michelle Monaghan.
In this session my client explores multiple lifetimes as we navigate through her QHHT session. In one of her lifetimes, she explores a lifetime as a Novitiate in training. (WARNING: THE subject of suicide is mentioned in this episode) Mayra Rath is a Certified Hypnotherapist Past Life Regression Therapist - Certified through the American Board of Hypnotherapy QHHT- Level 2 practitioner (Dolores Cannon's method of Hypnosis) Soul Signs Hypnosis Website: https://www.soulsigns.net/ TIKTOK: https://www.tiktok.com/@soulsignshypnosis Instagram: https://www.instagram.com/soul_signs_hypnosis/?hl=en Facebook Group: https://www.facebook.com/groups/1009959799420939 --- Send in a voice message: https://podcasters.spotify.com/pod/show/mayra-rath/message Support this podcast: https://podcasters.spotify.com/pod/show/mayra-rath/support
Por Sérgio Ferreira Barbosa Jerusalém é um local sagrado para as principais religiões do mundo, judeus, cristãos e mulçumanos travaram batalhas sangrentas pelo controle dessa terra, daí surgiram as famosas cruzadas. Aproximadamente em 1099, mercadores de "Amalfi" uma província de Salerno, na região da Campânia, na Itália'' fundaram em Jerusalém, sob a regra de São Bento, uma casa religiosa para o acolhimento de peregrinos. Anos mais tarde construíram junto dela um hospital que recebeu, de ‘' Godofredo de Bulhão um nobre e militar e considerado por muitos, um dos líderes das primeiras cruzadas,'' fazendo este doações que lhe asseguraram a existência, sendo posteriormente reconhecida pelo Papa. Após alguns anos, o serviço de proteção e atenção aos doentes, passaria a contar também com serviços militares, constituindo, assim, a fundação da Ordem dos Cavaleiros Hospitalários. “Hospitalários” vem da palavra “Hospício”, que naquele tempo tinha a conotação de local para tratamento e/ou hospedagem de pessoas doentes ou pobres sem gratificação, monetária. Tronco de solidariedade na antiguidade: Existe uma interessante teoria, sobre a origem do tronco de solidariedade, na época da construção do Templo de Salomão, onde ferramentas, projetos, documentos e pagamentos de obreiros, eram colocados dentro das colunas do templo, e ao final do dia os obreiros retiravam o que precisavam destas colunas para o seu sustento. Estas doações também eram destinadas às viúvas e órfãos. Maçons operativos, por volta do século XV, instituíram: nos Estatutos Reguladores da Conferência dos Talhadores de Pedra, um sistema de ajuda mútua. Tal sistema recebeu o nome de Tronco das Viúvas. A finalidade do recolhimento de óbolos para a formação do tronco, era auxiliar a família do Obreiro falecido, tendo, depois, adquirido um segundo destino: ajudar o maçom acidentado no serviço. Essa reunião ocorreu em 25 de abril de 1450, em Ratisbona. Nos tempos passados, um maçom acidentado no serviço, estava impossibilitado de exercer suas funções de trabalho, parafraseando para agora, um irmão que se encontra desempregado, épocas diferentes, situações iguais. A Hospitalaría de cada um. Hospitaleiro é um cargo concedido, mas a Hospitalaría deve ser exercida por cada um de nós, nossa contribuição em cada sessão, deve ser feita sempre pensando, que aquele valor depositado na bolsa, irá socorrer um irmão necessitado. O Grande Arquiteto do Universo, sempre abençoou, homens que praticaram a caridade, e contribuíram para a solução dos problemas do seu próximo. Como exemplo, podemos citar grandes filantropos famosos, do quilate de John D. Rockfeller o barão do petróleo, Andrew Carnegie o magnata da indústria do aço, mas, acreditamos que os verdadeiros filantropos, os heróis a humanidade, são aqueles que NÃO APARECEM, não chamam para si o mérito do que fazem. Como disse o Mestre Jesus, “que a mão esquerda não saiba o que a direita fez”. Um parêntese: O maior reconhecimento pelos nossos atos deve ser de Deus, de ninguém mais. Nós mesmos podemos e devemos ficar feliz com o que praticamos de caridade, porém em silêncio, apenas consciencial. E isto, visando sempre não constranger aquele a quem prestamos o auxílio. Fecha parêntese. Se voltarmos no tempo, nas raízes das origens mais profundas da hospitalaria, notaremos que o óbolo era para ajudar primeiramente aos fraternos e a família destes, e só depois alguma outra obra de caridade, os templários ajudavam aos leprosos e doentes, mais primeiramente aos irmãos de ordem. Entendo que quando os irmãos estiverem supridos, poderemos ajudar as obras do mundo profano, assim trabalhavam os templários, os maçons operativos e os obreiros no templo de Salomão. A hospitalaria deve ajudar ao irmão que passa por um momento difícil, e tão logo esse se restabeleça, o irmão ajudado, tem o dever moral de repor o óbolo para a bolsa de beneficência, para que o tronco de solidariedade não seja quebrado, e possa novamente ajudar a outro irmão em dificuldades. Não podendo também a hospitalaria oferecer assistencialismo eterno, devendo o irmão ajudado usar essa ajuda como impulso, para se projetar rumo ao sucesso de sua empreitada. Consultando a sabedoria do livro da lei, chegamos em Gálatas: capítulo 6, versículo 10, do qual temos o seguinte entendimento referente a hospitalaria: ‘'Então, enquanto temos tempo, façamos bem a todos, mas principalmente aos domésticos da fé.'' Fonte: A BÍBLIA DE JERUSALÉM. São Paulo: Paulus, 1995. DEMURGER, Alain. Os cavaleiros de Cristo: templários, teutônicos, hospitalários e outras ordens militares na Idade Média (séculos XI – XVI). Rio de Janeiro: Jorge Zahar, Editor, 2002. FOREY, A. J. Novitiate and instruction in the military orders during the twelfth and thirteenth centuries. In: SPECULUM, Vol. 61, nº 1, 1986, p. 1-17. FOREY, A. J. Military orders from the twelfth to the early fourteenth century. London: Macmillan, 1991. --- Send in a voice message: https://podcasters.spotify.com/pod/show/malhete-podcast/message
Join Sister Meg Earsley as she shares the delight of discovery and learning through cultural immersion in intentional communities, both in the unexpected joy of religious life and in her immersion with the incredible people of Bolivia. For a video version of this episode, see: https://youtu.be/11L8Oue8Y5Y From Sister Meg's interview: “My community is blessed with a real attitude of inclusion. Even our constitutions have a title called Unity and Diversity. We are united as a community, but we are accepting and promoting of all of our gifts; how we find those gifts is a blessing in itself.” “I had never lived in a larger community; before joining community, I appreciated and enjoyed living alone. My biggest fear of coming to community is like, am I going to be able to even do community? I have no idea. But I found it to be an incredible joy, although I valued my time alone because of the quiet and the only having to consider my own thoughts and ideas, being in community has a richness of communal sharing. … Living community, being in this living situation together and then being a support to each other, is something I had never experienced. This is a really good thing. This whole mutual support is something I could sure get used to. I have really enjoyed living in intentional community.” “Unity is based on the acceptance of the diversity. … Assimilation to me means that you're going into another culture and all of who you are is expected to be folded into that and to become like that culture, whatever that culture is that you're going into. I think some of that is necessary. But there's also the other side of things where bringing your uniqueness and who you are is also very necessary when you're coming into another community, another culture. Then how do those things work together? I think that that is the joy of the whole, the phrase and the living of unity and diversity is, there's an acceptance and each person's uniqueness.” “If I hadn't heard the call to become a religious sister, I wouldn't have ever experienced it. I would've gone through my whole life saying how much I loved being alone; one of my favorite things was to say, because I didn't have to bring other people into my emotions into my heart. At the time I didn't have a word for it, but like I don't want to have to bring other people into that space of mine because then I have to consider them. Before I do things, and I have to give them the time and energy, the love and compassion, right? And so now I've been living that for four years and I don't even know how I could ever do anything else – that's probably one of my greatest joys.” “Can we reimagine what community looks like and how we live in community, to expand out to other religious communities, lay, or whatever? … The Franciscan Federation is looking with our Emergent Group of what does intentional community look like now, and how that's a need, a want and a desire in, for sure our country; I wouldn't be surprised at other places too. And then how can, how do we live that, and what does that look like now?” “There is so much beauty, especially to the people, incredible people (of Bolivia). Going back to suspending judgment. I'm thinking of the word detachment, a Franciscan value; I think we might use the word here of holding things lightly. For some reason, detachment seems like, I don't care, but holding things lightly says that there might be things that are valuable. Food safety's a great example. People would have things sitting out all day. So even at the convent, food would just sit out, we'd have it for lunch, it would sit out till dinner, and then we'd cook it, warm it back up and eat it, right? So holding things lightly is knowing that for my culture, having a rice and chicken dish sitting out all day would be very unhealthy. We would all get sick and be in big trouble with food poisoning at the hospital. This is the judgment I could have, but the holding it lightly is to say that these sisters are … eating the food this way all the time and they're not sick. So maybe I can hold that lightly, set aside the food safety value that I came to Bolivia with, and see what happens. And you might guess, I didn't get sick, not even once, not even after the armadillo! That speaks so highly to me; I had to question then why do I think that if food sits out all day, I'm gonna get sick, right? I realized that in our culture, even having a small chance of something happening means that we shouldn't do it. In this case, food safety; so even if it was a 1% chance that that food sitting out all day might make us sick, then we probably would throw it away. So I probably won't anymore. Understanding that is a cultural value; who knew food safety was a cultural value? … The opportunity to understand that holding things lightly, detachment, might have been my greatest gift of going to Bolivia.” “Two of the biggest gifts that I had while in Bolivia is to be able to practice the gift of presence and really concentrate wholly on relationships, without having outside things like getting things done, having deadlines or goals. I had time in a culture that was totally different to everything I understood, with the language that I couldn't always communicate in. It's harder to try to layer in my values and preferences and those kinds of things if I can't articulate them. Although I would've liked to magically been able to articulate a lot more, I think it was a really good thing because it focused me in the presence and what that actually means. It's so foundational, the start of everything; even if you go to a job, having that presence is so important.” “How do I continue to make that foundational? Now that I've come back to the United States, how do I start to integrate all these things and, having that foundation of presence, the foundation of relationships in everything I do, how do I make that dominant or predominant in my life now and not get busy with all those important things that I need to do. How do I do that?” “Presence allows you to see who that person is. Yes. I'll go so far as to say, see who, what that tree. Yes. Like I could walk by a tree every day and never notice it. But I stop and look, and I can see what that tree is. I can think about all the different things that is going on with that tree, whether it's the leaves or the roots, or all these different things, and I can really start to understand that tree. So how does that then translate to being present to people, right? … Through their stories and their conversation you start to understand the depth of that individual and how they radiate out into the world; you can really start to see all these connections and the absolute beauty of this interconnectedness and inner touching or touching each other, and how all those things create, I'll say, God's kingdom….” For a full transcript, please include episode number and email: fslfpodcast@fslf.org. References: --Franciscan Sisters of Perpetual Adoration (FSPA): https://www.fspa.org --Canonical and Apostolic years of the Novitiate; for information of how these years are elements of the larger discernment process for religious life, see: https://www.fspa.org/content/join/become-a-sister/discerning-fspa-life -- Meg's reflections in Bolivia: https://www.fspa.org/sistermeg --Franciscan Mission Service: https://franciscanmissionservice.org/
Some careers can be described with a couple of words, but Shawn Camp's isn't one of them. A bold and distinctive singer, a songwriter who's provided material for artists ranging from Ralph Stanley, Del McCoury and Ricky Skaggs to Garth Brooks, Alan Jackson, Porter Wagoner, Loretta Lynn and Brooks & Dunn, with hits such as “Two Pina Coladas” (Garth Brooks), “Nobody But Me” (Blake Shelton), “Would You Go With Me” (Josh Turner), “River Of Love” (George Strait), and Billy Currington's hit single “Love Done Gone”. Along with being a hit writer, he is a gifted multi-instrumentalist who's played as a touring/recording musician with everyone from Jerry Reed, Trisha Yearwood, Shelby Lynn, and Alan Jackson to the Osborne Brothers, Guy Clark and John Prine. Camp also co-produced a compilation tribute album for his friend and hero Guy Clark, which was #1 on the Americana Charts for several weeks in the spring of 2012, and voted Americana Album Of The Year 2012. Entitled, Guy Clark: This One's For Him. This Album was also Grammy nominated for Folk Album Of The Year 2012.Then Shawn co-produced and won the Grammy for Folk Album Of The Year-2013, for Guy Clark's "My Favorite Picture Of You". Learn more about Shawn Camp at http://shawncamp.comLisa Stewart is an American country music artist, actress, and television host. In 1993, she signed to BNA Records (then known as BNA Entertainment), releasing her self-titled debut album that year. This album produced two singles for her on the Billboard Hot Country Songs chart. She penned BMI's 2008 Gospel Song of The Year, "Sky Full of Angels" made popular by Reba McEntire. Stewart is also known for her acting career. Most notably, she has shared the silver screen with Academy Award winners Gwyneth Paltrow ("Country Strong" 2010) and Melissa Leo in the Sundance award-winning film, "Novitiate". She was featured in The CW's "The Vampire Diaries","Containment" and various films, TV series and commercials. Stewart is currently writing music and performing live shows. Lisa Stewart's first public appearance was in church at the early age of six, singing along with a record of “Jesus, I Heard You Had a Big House.” Her first appearance as a country singer came at age eleven when she attended the Nashville Fan Fair and performed in the Tent Show. In 1987 she began doing demo and jingle work in Nashville studios. She was a singer/dancer at Opryland. She also sang with the JazzR&B band ‘Soire' as well as other club acts. You may even recognize her as the voice of companies including Target, Allstate, Showtime, HBO and many more! Her speaking voice has landed her on the list of Grammy considerations for “Spoken Word”.Other singles include “Drive Time” and “Under the Light of the Texaco.” In 1992, she went on a radio tour promoting the release of her debut album. In 1993, she began her television career as a co-host of “# 1 Country.” Since then Lisa has co-hosted TNN's ‘Yesteryear,' had feature appearances on ‘Prime Time Country, ‘and ‘Statler Brothers Show.'She toured with Kenny Rogers in 1995 and the Statler Brothers in 1996. She has been to the ‘Country Music Festival' in Geneva, Switzerland, twice, in 1995 and 1996. In 1996 she also did a USO tour to Hungary and Bosnia. In 1997 Lisa became the co-host of ‘This Week in Country Music.' She is currently writing songs and wants to do a rock record. She is on the movie soundtrack to “Jericho.” She also plays a small part in the movie. She can also be seen in Billy Gilman's video, “Oklahoma.” You can learn more about Lisa Stewart as an actress at Lisa Stewart IMDb
Is it possible toANTicipatechange? Simon Sinek argues that most attempts to change things for the better are actually doomed to fail because we're always chasing the patterns of the past instead of moving forward. We need to create "customer dreams" for ourselves and then trust that the universe will help us achieve them.
Fr. Joseph Mary Brown discusses the difficult and often complex matter of discerning vocations. Father was born in Bardstown, KY, the third of seven children. He graduated from Christendom College in 1985 with a B.A. in Philosophy. In 1991, he joined the Congregation of St. John (an active-contemplative Community founded in France in 1975) in Laredo, TX, where he did his Novitiate. From there, he was sent to France to continue his formation, and in 1996, he was sent to their house in Peoria, IL.Ordained in 1997, Father currently serves as the Superior of the Community's English-speaking Novitiate House in Princeville, IL.
On June 24th, instrumental progressive duo Pathos & Logos will release their new EP, Cult. This collection of songs can be pre-ordered now at: https://r20.rs6.net/tn.jsp?f=001jiySe_m3MqATRrAECDkPKALdpmV-BNkECLnrGkrkL9nHil_qKo_3aTrlhCAIfnHqYJti5UMSLPhkOGlHrLY3sHpJvR_3gqAxxM5rLe_GvAKA5YnpUVLE1CF7cylzHpcrHKKKDmYStvKH3HmY3-aCD-_gd8bAyR_f&c=jGCQYr0IT5ILFTQQn8_mdcxWWw5AaB5tQVahhlswwXJuCV6lq0oJsg==&ch=MpXTH35hPpPB76cQ_3TcTKTQF5Pc2HNMzj_3aQwaPYlkHT5DlhGOHA== (pathosandlogos.com/merch) - where the tracks are available as individual Tarot Cards (the full record can also be purchased as a photo book, CD, and digital album). For a preview of Cult, a live video [produced by Pathos & Logos with the help of Nick Pelc (@augminished_nick)] for the new single - "Novitiate" - can be viewed now exclusively via The Prog Report: https://r20.rs6.net/tn.jsp?f=001jiySe_m3MqATRrAECDkPKALdpmV-BNkECLnrGkrkL9nHil_qKo_3aSezeagSoTVWhDmueyFgf_92wDuwDmeAZ6V99S5lASSZUBdxI-C9X2X9OXSYGXkT4yHa6t4DD4ohGUTefb7H4IovCVWIZaCTPVKjmb_CGwKja06bJAYg3W8cdTYn2SsvcxpF30plFEpi&c=jGCQYr0IT5ILFTQQn8_mdcxWWw5AaB5tQVahhlswwXJuCV6lq0oJsg==&ch=MpXTH35hPpPB76cQ_3TcTKTQF5Pc2HNMzj_3aQwaPYlkHT5DlhGOHA== (https://progreport.com/pathos-logos-premieres-video-novitiate) The previously released single, "Regnum", can be seen at: https://r20.rs6.net/tn.jsp?f=001jiySe_m3MqATRrAECDkPKALdpmV-BNkECLnrGkrkL9nHil_qKo_3aTrlhCAIfnHqGe1XZ7zWV_vRBl-xXu5Q1Wllj6dNxFDqVWNn_1yg1s8ZeHVroypa7mHyujWpl9t3QLlySnFSFSRl2cvYawiw35W74YRrlFvPZ3BsFazhmr-OCBwCIr6BIQ==&c=jGCQYr0IT5ILFTQQn8_mdcxWWw5AaB5tQVahhlswwXJuCV6lq0oJsg==&ch=MpXTH35hPpPB76cQ_3TcTKTQF5Pc2HNMzj_3aQwaPYlkHT5DlhGOHA== (https://www.youtube.com/watch?v=6kSTwj54dC8) In regards to the Tarot Card packaging (referred to as "The Codex"), Pathos & Logos comments: "We devised this for several reasons…People are using their devices - phones, tablets, etc - to consume music much more than CDs, so 'The Codex' is in part a response to that. It comes in a book format and also as individual cards. Each song on the album has a Tarot-like format that has Art on the front, the name of the song, and a brief statement at the bottom explaining the steps for participating in 'The Order' (our term for like-minded individuals who are serious about art and find meaning from it - including, and hopefully, our art!); the back has QR codes that take the user either to a play-through video of the song, the merch or the tour dates portions of our website. Another reason why we decided to create it was just to do something new and creative that people haven't seen before. This band, its music and its meaning are a long time coming for us, and we really want to do everything we can to make a mark." For more information about the Tarot Cards and artwork, fans can read an exclusive "Behind The Cover"-interview with guitarist Kyle Neeley and drummer Paul Christiansen at Heaviest of Art: https://r20.rs6.net/tn.jsp?f=001jiySe_m3MqATRrAECDkPKALdpmV-BNkECLnrGkrkL9nHil_qKo_3aTrlhCAIfnHq8ID0UfeObYfWkcvdkAsgmepqdnSFcvNKdBZXZhXClGsM0RtmLtXw7nCRdIFSnTEGphBa8sEMPltO9na7UkQoXXVFluuf5G0qwh5eIcODg1-rbSnhPUmTrQzxf40DLozz-iUxoFotX9nBQDqjBFo0uA==&c=jGCQYr0IT5ILFTQQn8_mdcxWWw5AaB5tQVahhlswwXJuCV6lq0oJsg==&ch=MpXTH35hPpPB76cQ_3TcTKTQF5Pc2HNMzj_3aQwaPYlkHT5DlhGOHA== (https://www.heaviestofart.com/post/behind-the-cover-pathos-logos-cult)
ST. STANISLAUS KOSTKA | PATRON SAINT OF THE STUDENTS, PEOPLE WITH HEART PALPITATION, AND PATRON OF JESUIT NOVICES. Feast Day: NOVEMBER 13 Today's saint is St. Stanislaus Kostka, a young novice from the Company of Jesus. Who are these company of Jesus? Oh, you know them so well. Yes, the Jesuits! They call themselves with that name, too. St. Stanislaus had a great love for the Eucharist and a tender love for the Blessed Virgin Mary. He had an intense horror of impure conversations. Now, St. Stanislaus was born on October 28, 1550 in Rostkovo, Poland to a noble family. His father was a Senator and his mother was related to Dukes and Chancellors in Poland. Stanislaus was the second child of seven children and their parents brought them up as devout Christians. In 1564, Stanislaus and his elder brother Paul were sent to Vienna, to study in the Jesuits' school for boys. In school, Stanislaus immediately stood out among the students because he was cheerful, amiable and very zealous in piety. He was different from other boys so his brother was exasperated with his behavior and began to treat him harshly. One evening, when Paul found Stanislaus praying, he gave him severe blows to which Stanislaus reacted and told him strongly that he would go away never to return. Stanislaus left the school compound by himself. Not finding his brother the following morning, Paul went to look for him. But he took the wrong route and did not find him. Earlier, Stanislaus was already contemplating to join the Jesuit Novitiate. He presented himself to the superior of Vienna, but he was not accepted for fear of the reaction from his powerful father. So, he decided to go to Rome, walking. He arrived very exhausted on October 25, 1567. He asked to see the superior general, who was the future St. Francis Borgia. He was accepted and became a model of religious perfection for other novices. Despite his noble upbringing and fragile health, Stanislaus did not exempt himself from hard work and penances. On the eve of the feast of St. Lawrence, the martyr, (August 9), Stanislaus had a high fever. He entrusted himself to the Virgin Mary and said he was going to die, but begged the Mother of God to take him to heaven on the feast of her Assumption. His prayer was lovingly answered. Towards the morning of August 15, his beautiful soul passed peacefully into eternity. He was 17 years old. Stanislaus stayed only 10 months in the Novitiate, but his exemplary life is a model for all. He was beatified in 1605 and was canonized on Dec. 31, 1726. He is the patron saint of students, people with heart palpitation, and patron of Jesuit novices. “Dear St. Stanislaus, teach us like thee to shrink from sin, like thee to love sweet purity that we from Mary's heart may win the love she once bestowed on thee. Do I entertain impure conversations and jokes and encourage them by laughing to show my delight?
Join Franciscan Brother Adolfo Mercado as he tells of his journey from being raised as a cradle Catholic in a Mexican American family to his discerning life as a Franciscan friar, together with the evolving story of First Order Observant Friars in the US today. From Brother Adolfo's interview: “One of the beauties of our Franciscan family is the diversity that we bring and just in the nomenclature of the communities and in the habits that we wear. As a First Order OFM [Order of Friars Minor] or Observant, we consider ourselves to be the group that's directly connected to the St. Francis. We still follow the rule that Pope Honorious the Third approved for St. Francis. … What I wasn't able to articulate when I was discerning, that now I can say comfortably, is the incarnational theology that the Franciscans bring to the church and that we bring to the world. The facility that we have in seeing Christ in the other is what I find really exciting. … What really resonates with me to my core as a friar is when I meet another human, I lead with love. And I start by honoring and appreciating the dignity in the other person. And I think that's what other people respond to. … I remember a classmate of mine in the Novitiate who was really charitable and really soft, even though he was almost 20 years younger than me and reminding me to get to a language that was really people-centered. So not saying the homeless man, but the man experiencing homelessness. That real focus on the dignity of the human and starting with that. And when that's the foundation, when that's the platform that we begin our dialogue, our relationship, our interaction with another person, I think the world needs more of that now.” For a full transcript, please include episode number and email: fslfpodcast@fslf.org. References: St. Francis of Assisi Parish, Sacramento, CA: https://www.stfrancisparish.com/ Vision Vocation Network: an online reference for those discerning a religious vocation, see: https://vocationnetwork.org/en/ Saint Barbara Province of Franciscan friars: sbfranciscans.org . Stages of Formation: https://sbfranciscans.org/be-a-friar/formation/stages-of-formation/ . Franciscan School of Theology: FST.edu. FST is affiliated with the University of San Diego and association with the San Diego Diocese: Sandiego.edu Cristero War: a video in time period English language: https://youtu.be/VGBGFS2rZdo; another perspective in 12-minute contemporary research: https://www.youtube.com/watch?v=rsqbcHNHoj4 . Saint Toribio Romo: Adolfo writes: “My dad's family is from Jalostotitlán, Jalisco. Santo Toribio Romo, a priest who was martyred during the Cristero War, is also from Jalostotitlán. Family lore is we are distant relatives.” For an introduction to this saint, see: https://en.wikipedia.org/wiki/Toribio_Romo_Gonz%C3%A1lez . Order of Friars Minor: The First Order OFM or Observant Friars international site: https://ofm.org/. While Adolfo is rooted in the Saint Barbara Province, the newly forming US Province is: https://usfranciscans.org/. OFM Rule, now 800 years old: https://ofm.org/about/rule/. It begins: “The rule and life of the lesser brothers is this: To observe the holy gospel of our Lord Jesus Christ, living in obedience without anything of our own, and in chastity.” Franciscan Poverty: sine proprio. See this introductory text by Brother Bill Short, OFM, in an excerpt from his book “Poverty and Joy”: d2y1pz2y630308.cloudfront.net › 11001 › documents. Casa Franciscana, Guaymas, Sonora, Mexico: https://casafranciscanaoutreach.org/. Adolfo's links to initiatives he has been connected to and recommends looking into: -Breakthrough Sacramento, working towards educational equity; see: breakthroughsac.org. -The Japan Exchange and Teaching Programme, promotes grass-roots international exchange; see: jetprogramme.org -Gente Unida, a human rights border coalition; see: genteunidasd.net
As they begin the second season of the Brothers' Banter Podcast, Brothers Rafael and J.D. update the audience about life after the Novitiate. The Brothers talk about their experiences in their new ministries and where they have experienced God in their new realities.
Julianne Nicholson's impressive Hollywood career is the result of both magnetic on-camera charisma and a commitment to only playing roles that speak to her on a deeper level. In this insightful interview, Julianne reminisces about early auditions, pulls back the curtain on the many acting techniques she puts to use, and walks the line between optimism and realism that being a working actor requires. “Experience goes a long way,” she tells Backstage. “And life! Life gives you more things to draw from. And I expect that will keep happening as I go.” Hailing from Massachusetts, Julianne spent her young adult years modeling and waitressing in New York City, eventually finding the right acting class and committing to a life in the arts. A feature film debut in “Curtain Call” led to TV characters on “Ally McBeal,” “Masters of Sex,” “Boardwalk Empire,” and a lead role on “Law & Order: Criminal Intent.” On the big screen, she's starred in “Kinsey,” “Tully,” “Black Mass,” “Novitiate,” “I, Tonya,” “Togo,” and “August: Osage County,” for which she earned awards recognition. Julianne is currently nominated at the 2021 Emmy Awards for her work on HBO's limited series from Brad Ingelsby and Kate Winslet, “Mare of Easttown.” To read more about that show, click here: https://bit.ly/3DcUjqg --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage's podcast, features intimate, in-depth conversations with today's most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard, Alysa Cirelli - Design: Mark Stinson, Caitlin Watkins - Additional support: Christine McKenna-Tirella, Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis
www.stdominics.orgJoin Fr Michael as he meets Br Anselm Dominic to discuss his vocation journey that includes a love for Tolkien, exploration of many faiths, a powerful story of crisis, and one thing the novitiate experience has taught him.
We love to complain about annoying white gays, the homophobia and transphobia inherent to colonialism, the many evils of western Christianity, among other things! This episode we discuss a wonderful and thoughtful and nuanced hot take submitted to our email (thelavendermenacepodcast@gmail.com) from listener Abhay from India, and that leads us into our discussion of our failed attempt at a shared viewing experience of the 2019 film Yes, God, Yes. The recommendations this episode were: Lent by Jo Walton (Sunny's book recommendation), Sister Act the movie musical (Renaissance's childhood favorites recommendation), and St. Joans, a play that is definitely not in a Google drive link Renaissance definitely won't send you if you definitely don't message them on Twitter @rxnaissance. We also mentioned the movies But I'm A Cheerleader, Novitiate, and Shiva Baby, and also mention the books The Death of Vivek Oji by Akwaeke Emezi, Naamah by Sarah Blake and of course, The Divines by Ellie Eaton. And of course we had to mention Taylor Swift.Follow us on Twitter @thelavenderpod! We love interacting with y'all
Fr. Jason Smith, LC, joins Dr. Mary Anne Urlakis for Episode 33 of WCAT Radio’s “Vows, Vocations, & Promises: Discerning the Call of Love,” to discuss his vocation as an ordained priest of the Legionaries of Christ. In this episode, Fr. Jason shares the story his personal call to the ministerial priesthood. He traces his vocation from its early beginnings through his present ministry. Fr. Jason Smith was ordained at St. Mary Major Basilica in Rome on Dec 23, 2006. As a seminarian Fr. Jason studied classical humanities at the Novitiate of the Legionaries of Christ in Cheshire, Connecticut, Philosophy at Our Lady of Thornwood in NY, and Theology at the Regina Apostolorum in Rome. After ordination, Father dedicated six years to working with youth in the NY Tri-State by running the Regnum Christi Mission Corps, which is a program for college missionaries. Father also directed a variety of high school ministries and served as the spiritual director for the summer discernment programs at the Legionaries of Christ. Father Jason is currently the Associate Pastor at the Basilica of St. Patrick’s Old Cathedral. He continues to work with the Regnum Christi movement, is active in marriage prep and marriage ministry. Father remains a contributor at the Regnum Christi Spirituality Center. Fr Jason Smith, LC (regnumchristinyctnj.org).
In "Wonder of Eve: A Health-Focused Approach to Promoting a Culture of Life", nurse and certified fertility educator Diane Daly introduces a new approach to transmit to young women the truth about their fertility and God's plan. 6:08 In "From Physicist to Formator: Fr. Timothy Walsh, LC, Becomes the New Rector at the Legionaries of Christ's Novitiate and College of Humanities", we learn what the seminarians studying liberal arts and their new rector are all about. 10:43 "Faith in the Time of COVID" describes how the Regnum Christi sections in the Philippines and some of their initiatives have flourished in spite of, and sometimes because of, the trials of the past year.
Обсъждаме нашите любими филми и сериали с куиър съдържание в неформален разговор със супер готин гост. Следва списъкът с нашите кино препоръки. Теч ни потапя в 90-те със следната колекция: "Madonna: Truth or Dare" (също познат извън САЩ като "In Bed with Madonna"), 1991 - документален филм, проследяващ Мадона и екипа ѝ по време на световното турне Blond Ambition. Режисьор: Алек Кешишян. "My Own Private Idaho", 1991 - инди драма с Ривър Финикс и Киану Рийвс (Флий също участва). Режисьор: Гюс Ван Сант. "Even Cowgirls Get the Blues", 1993 - романтична комедия по едноименния роман на Том Робинс от 1976 с Ума Търман, Киану Рийвс, Рейн Финикс, Пат Морита, Джон Хърт и др. Режисьор: Гюс Ван Сант. "To Wong Foo, Thanks for Everything! Julie Newmar", 1995 - романтична комедия / road movie с Уесли Снайпс, Патрик Суейзи, Джон Легуизамо, Робин Уилямс, Крис Пен и др. Режисьор: Бийбан Кидрон. "Gia", 1998 - биографичен филм за живота на Джия Каранджи - модел от 1970-те и 1980-те, чиято кариера и живот приключват твърде рано и трагично. Участват: Анджелина Джоли, Елизабет Мичъл, Фей Дънауей, Мерседес Руел. Режисьор: Майкъл Кристофър. "The Celluloid Closet", 1995 - документален филм за куиър репрезентацията и цензурата в американското кино, базиран на книгата на Вито Русо "The Celluloid Closet: Homosexuality in the Movies" от 1981. Режисьори: Роб Епстийн и Джефри Фридман. Гоги ни връща в XXI век със "светата троица" на сафическото кино: "Disobedience", романтична драма по едноименния роман на Наоми Алдерман от 2006 с Рейчъл Вайс и Рейчъл МакАдамс. Режисьор: Себастиан Лелио. "Carol", 2015 - романтична драма по романа на Патриша Хайсмит "Цената на солта" от 1952 с Кейт Бланшет и Руни Мара. Режисьор: Тод Хейнз. "Portrait de la jeune fille en feu" (Portrait of a Lady on Fire), 2019 - френска историческа романтична драма с Ноеми Мерлон и Адел Анел. Режисьор: Селин Сяма. Освен "светата троица": "120 battements par minute", 2017 - историческа драма за френския клон на активистката група Act Up от края на 1980-те и началото на 1990-те с участието на Адел Анел. Изключително тежък. Режисьор: Робин Кампийо. "Kyss mig" (също познат извън Швеция като "With Every Heartbeat" и "Kiss Me"), 2011 - романтична драма с Рут Вега Фернандез и Лив Мьонес. Режисьор: Александра-Терезе Кейнинг. "Novitiate", 2017 - американска драма с Мелиса Лио. Режисьор: Маги Бетс. "Happiest Season", 2020 - романтична комедия с Кристен Стюарт, Макензи Дейвис, Обри Плаза и др. Коледното предложение на 2020. Режисьор: Клеа Дювал. И сериалите: "She-Ra and the Princesses of Power", 2018-2020 - анимационен сериал на Ноел Стивънсън. "Orphan Black", 2013-2017 - канадски сериал, csi-fi трилър/драма. "Killing Eve", 2018- - британски сериал, шпионска черна комедия / драма.
Brother Matthew Kotek is in temporary vows with the Midwest Province of the De La Salle Christian Brothers. After teaching for five years in Catholic schools in the Diocese of Memphis, Tennessee, he currently serves at the Fratelli Project, an educational center co-sponsored by the De La Salle Brothers and the Marist Brothers that serves Syrian refugee children in Lebanon. Many of our podcasts center upon business or career success. This Episode centers on vocation and calling.
Learn about the Post-novitiate stage of formation. If you want to learn more about us go to ➤ https://capuchins.org/ During this time when so many people feel isolated and cut off from their normal behaviors and routines, the Capuchins are offering Holy Week and Sunday Mass that can be found here: ➤http://bit.ly/caplivestream Each morning the Capuchins are sending special messages from one of our friars — “Good Morning Good People”. If you would like to receive these messages each day by email please send a message to Carolyn.hendrickson@capuchins.org with the message: “Please add to GMGP” Please consider supporting the ongoing work of the friars by making your gift today: ➤https://capuchins.org/support-the-capuchins/ Who are we?The Capuchin Province of St. Conrad was established in 1977 serving the people of Colorado, Kansas, Texas and the foreign missions in Papua, New Guinea. The province’s eight stateside friaries are located in Denver, Blackforest, and Colorado Springs, Colorado; and Lawrence, Kansas and San Antonio, Texas. Usually found in the poorer sections of towns and cities, the Capuchins have a special charism for working among the poor and marginalized and taking assignments that others refuse. “When times were at their worst and help was sorely needed, in places that were abandoned and where no one else would go, there you will find the Capuchin.” ~ Pope Pius XI What is a Capuchin Franciscan?In the 16th century, a group of Franciscans were inspired to live the Franciscan lifestyle in a more radical manner, returning to the original emphasis on prayer and poverty. These men broke away from the Franciscans and began a reform movement which stressed the priority of contemplative prayer and a more rigorous austerity. Wearing habits with large hoods, they soon garnered the name cappucio, the Italian word for “hood.” The Capuchins received approval of their way of life and were recognized as an official, independent branch of the Franciscans in 1525 in the papal bull Religionis Zellus. Produced by the Capuchin Province of St. Conrad
Ask Sister Podcast, with Sister Maxine, IHM, and Sister Jane Aseltyne, IHM News from beyond the Novitiate from Sister Jane Sister Who? What it means to be a First Professed sister Listener: How is a convent different from a regular house? Do you have fun or is it serious all the time? Prayer, community, and ministry on a “typical” day Sister Jane's go-to meal when it's her day to cook for 11 sisters What nun parties are like Listener: If I fast from vaping in Lent, does it count, or does fasting only count for food? Lenten practices of almsgiving, prayer…and Netflix fasting Offering a sacrifice of gratitude when we'd rather complain instead Listener: I'll soon attend a sister's Final Profession. Where can I find a card and what should I write? The Nun Gift Shop Prayer in the form of notecards sent by friends IHM Sisters celebrate 175th anniversary this year Subscribe to our newsletter Check out lots more podcasts, including Motherhouse Road Trips Intro/outro music by Wild Carrot
For our third episode, we take a deep dive into doing ALL the things with Actor, Writer, Director, and Producer Ashley Bell (The Last Exorcism, The Novitiate). We talk about the ever-changing relationship to our identities as artists, the expressive power of elephants and Ashley's documentary "Love and Bananas", the way to properly exorcise your demons in an audition, and Kathleen Turner's advice to actors: get out from behind the furniture!http://loveandbananas.com/
Fr. John O’Malley joined the Jesuits in 1946, right after World War II and more than a decade before the second Vatican council was announced. You could say he’s seen a lot of change in his 92 years, but that would be a massive understatement. Fr. O’Malley looks at this era of upheaval with a historian’s eye, and he was quick to point out in his recent conversation with host Mike Jordan Laskey that no period in our church’s 2000 year history has been smooth sailing. Fr. O’Malley is the University Professor of Theology at Georgetown, where he specializes in church councils, among other topics. He has just released his 12th book, titled “When Bishops Meet.” In the book, he looks at big questions about church doctrine and structure and traces how they were handled at the Council of Trent, Vatican I and Vatican II. Fr. O'Malley and Mike talk about the book and a recent essay by Fr. O’Malley about his years in the Jesuit novitiate. As you’ll see, Fr. O’Malley is a delightful conversation partner. Please remember to subscribe to AMDG on Apple Podcasts or Spotify or wherever you listen, and leave us a nice review on iTunes. "When Bishops Meet": https://www.amazon.com/When-Bishops-Meet-Comparing-Vatican/dp/0674988418 Fr. O'Malley's essay on the novitiate (available as PDF): https://ejournals.bc.edu/index.php/jesuit/article/view/11557
First impressions after one week of Disney+, a review of the movies Geostorm and Novitiate, the real Lord of the Flies, Easter Island, Storm Area 51 and Apple’s iPhone 11 presentation. Subscribe to the podcast feed via RSS | iTunes | Google Play. Follow Trideo on YouTube | Facebook | Twitter. This show is broughtContinue reading "Star Wars on Disney+, Religious Vows, Area 51, Easter Island and the iPhone 11" The post Star Wars on Disney+, Religious Vows, Area 51, Easter Island and the iPhone 11 appeared first on Father Roderick.
First impressions after one week of Disney+, a review of the movies Geostorm and Novitiate, the real Lord of the Flies, Easter Island, Storm Area 51 and Apple's iPhone 11 presentation. Subscribe to the podcast feed via RSS | iTunes | Google Play. Follow Trideo on YouTube | Facebook | Twitter. This show is broughtContinue reading "Star Wars on Disney+, Religious Vows, Area 51, Easter Island and the iPhone 11" The post Star Wars on Disney+, Religious Vows, Area 51, Easter Island and the iPhone 11 appeared first on Father Roderick.
First impressions after one week of Disney+, a review of the movies Geostorm and Novitiate, the real Lord of the Flies, Easter Island, Storm Area 51 and Apple's iPhone 11 presentation. Subscribe to the podcast feed via RSS | iTunes | Google Play. Follow Trideo on YouTube | Facebook | Twitter. This show is broughtContinue reading "Star Wars on Disney+, Religious Vows, Area 51, Easter Island and the iPhone 11" The post Star Wars on Disney+, Religious Vows, Area 51, Easter Island and the iPhone 11 appeared first on Father Roderick.
The 24-year-old breakout star — an Emmy nominee for FX’s limited series and a scene-stealer in Quentin Tarantino’s latest film — reflects on growing up as Andie MacDowell’s daughter, abandoning dancing and modeling for acting and how HBO’s ‘The Leftovers,’ a Spike Jonze perfume ad and the indie ‘Novitiate’ all set the stage for her crazy 2019. Credits: Hosted by Scott Feinberg, recorded by Joshua Farnham and produced by Matthew Whitehurst and Joshua Farnham.
On this episode, Andrew takes a look at a new B-Horror film with a limited theatrical release this weekend, "The Basement" starring Mischa Barton. It may be a bit close to last year's "Split", but damn was it entertaining. "The Domestics" was another really good Grindhouse type film that came out earlier this summer, and one that is an excellent choice on VOD right now. "Slice" is a new Comedy/Horror(?) that comes to streaming this weekend. Many will probably like it, but Andrew might not be counted amongst their club. After watching the Religsploitation film "The Nun", Jess and Andrew thought that it was a good idea to catch up with their Catholic Lore with "Novitiate". This episode is rounded out with some good old fashioned nihilism with Michael Fassbender in "Eden Lake", another in a series of films that ensures Jess will never have children. AndrewWatchesMovies.com Film diary: https://letterboxd.com/andrewmartin/films/diary/ Twitter: https://twitter.com/AndrewWatchesTV Moses's Soundcloud: https://soundcloud.com/user-298402626 Mike Dietrich's Instagram: https://www.instagram.com/mike.dietrich.art/ Nothing Left Song for Y'All https://www.youtube.com/watch?v=uI0r5JiU00c
Featuring: Barbara Loden's Wanda, The Frontier Experience, and The Boy Who Liked Deer (2:00-33:40). First Impressions: Suspiria (2018) and Climax (33:53-43:45), Lick the Star (43:46-50:45), Love After Love (50:48-1:07:29), Novitiate (1:07:33-1:25:42), Support the Girls (1:25:45-1:48:04), Sharp Objects 5 and 6 (1:49:10-2:46:23). Visit us at: https://drinkinthemovies.movie.blog/
This talk was given by Jay Rinsen Weik Sensei at the Buddhist Temple of Toledo in June of 2018. In this talk, Sensei offers opening comments at the Sangha's first Novice Acknowledgement Ceremony, where 5 postulants make the transition to the Novitiate. Join Sensei as he explores the nature of the Buddhist priesthood as it exists in its various forms. If you would like to learn more about Buddhist Temple of Toledo, or to make a contribution in support of this Podcast, please visit buddhisttempleoftoledo.org. Thank you for listening.
To play Ryn, Eline went to great lengths to research how she believed a mermaid would act - physically, verbally and emotionally. She used traits from both land and sea mammals as well as the Icelandic singer Bjork for her dialect. A. truly talented young actress, sit back and enjoy as we talk about Siren, her love for animals, and the muppets! IMDbEline Powell is a British actress. Powell was born in Belgium. She has a brother. When she was in high school she participated in theater classes. She graduated from the Royal Academy of Dramatic Arts in 2011 with a BA degree in acting, with special skills in ballet, Hip Hop, Flamenco, singing, violin and speaks Dutch and French, as well as English with American, South American, Estuary, and Irish accents.She started her career making a short film For Elise playing Mila, then appeared in small roles in films such as Quartet, Novitiate and Knights of the Roundtable: King Arthur both of 2017. In 2014, she won the lead role in the Italian drama film Anita B. as Anita directed by Roberto Faenza. Then in 2016 she appeared in Game of Thrones as Bianca.Powell was cast to star in the upcoming Freeform series Siren playing Ryn, a mermaid in search of revenge. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
CineSoul uses cinema to explore what matters to us most. Jorge Castellanos and his guests have conversations about the effects a film's subject, theme and aesthetics have on our lives. This is not a discussion primarily focused on cinema as an art form, but rather on how any particular film touches us and why. CineSoul's aim is to have the film catalyze a deeper conversation. In today's episode of CineSoul, Jorge sits down with Dominic Laing to discuss the film: Novitiate ----------------- Each episode of CineSoul will appear on this Overthink feed once a month, so stay tuned for more film-related deep conversations with Jorge and his guests. Make sure you're subscribed to the network so you don't miss a single episode of our various shows on art, media, and culture. New episodes out twice a week! Until then, you can find us on Twitter, Instagram, Facebook, and you can subscribe to our podcasts here: iTunes, Stitcher, & Google. You can also email us, and find out even more on our website over at: www.overthinkpod.com Thanks again for joining us!
- Resto de estrenos [01:50] - Basada en hechos reales [06:10] - Los extraños. Cacería nocturna [09:56] - El hombre que mató a Don Quijote [17:26] - El malvado zorro feroz [33:20] -Novitiate [41:33] -Cobra Kai [48:42] -Comunidad SCANNERS [58:23]
Happy May, listeners! This month we spent some time exploring convents with a few movies about nuns. We kick things off with Melissa McCarthy's latest flick (and another female dominated cast!) Enjoy! IN THEATERS Life of the Party - Nothing too deep here but good for an exhausted Friday night. THEME MOVIES Agnes of God - I wonder who's in on it. Sister Act - Sing with us sweet Seraphim Novitiate - There's a lot to unpack here but it still might not be enough. The Little Hours - We don't get it. E-mail us at flickyeahpodcast@gmail.com, follow us on Twitter and Instagram @flickyeahcast, like us on facebook at facebook.com/flickyeahpodcast, and subscribe/write a review on iTunes! Intro music by Andre Kennedy. Like him on facebook and check him out on SoundCloud! Peace, love, and movies.
This week we're talking about the new season of The Good Fight, Anna Deavere Smith’s tour de force Notes from the Field, our list of requirements for season 6 of Wentworth, and how much we love Rosie Perez in Rise. We are reviewing the movie Novitiate and this week’s Law and Order: SVU’s trans surprise, and giving you a heads up about the documentary I Am Evidence and the Here and Now finale.
This week we're talking about the new season of The Good Fight, Anna Deavere Smith’s tour de force Notes from the Field, our list of requirements for season 6 of Wentworth, and how much we love Rosie Perez in Rise. We are reviewing the movie Novitiate and this week’s Law and Order: SVU’s trans surprise, and giving you a heads up about the documentary I Am Evidence and the Here and Now finale.
Comentarios por parte de Criss Bringas y Román Rangel sobre las películas Tierra Libre y Novitiate.
Episode 43 - On this week's episode, Roger and Adam bend space time to check out A Wrinkle In Time and will let you know whether this is a journey worth taking. The guys also check out Novitiate. All of this and more on The Film Coterie!
This week, special guest Jon Adams (@prasejeebus) joins host Sam Herbst (@mrsamherbst) to discuss Grace of Monaco! Jon finds a way to discuss JACKIE as many times as possible, and Sam just really wants people to see NOVITIATE. Also, why are all cinematic portrayals of Alfred Hitchcock bad? Comments? Requests? Let us know at @thekidmanifesto or thekidmanifesto@icloud.com! Don't forget to like and subscribe! --- Support this podcast: https://anchor.fm/the-kidmanifesto/support
This week we've got a HUGE show for you. In our "What You've Been Watching" segment we talk The Marvelous Mrs. Maisel, Last Flag Flying, The Florida Project and Novitiate. Then we get into our other new releases- Lady Bird, Wheelman (available on Netflix) and Better Watch Out for a dash of Christmas horror. Big thanks to Executive Producer, Maria. Support us on PATREON.
In this we episode the guys review the movie 3 Billboards, Novitiate and the Netflix show Godless. Also a speical drop in from two asthmatic villians who have a chip on their shoulder..... keep it here. The song you are listen to at the tail slate can be downloaded at this link. https://soundcloud.com/cool-songs-3/free-beat-friday-vol-12
#82 THE POWER OF FAITH | DAILY DR. ERIN Podcast: DAILY DR. ERIN - http://bit.ly/DailyDrErin http://www.erinfallhaskell.com Get your FREE 30 Guided Meditations and Daily Inspiration: http://www.drerin.tv FREE App: https://apps.appmachine.com/erinfallhaskell Watch weekly Interviews: http://www.drerinshow.com Get your FREE Manifesting Masterclass with purchase of book: erinfallhaskell.com/awakeningbook Join us on Facebook: Facebook.com/DrErin.TV Join the Community: http://Facebook.com/awakeningwitherin Subscribe and Give Love: YouTube.com/DrErin 30 FREE Guided Meditations: http://bit.ly/30Meditations Stay Connected: Instagram.com/DRERIN.TV Text me: twitter.com/drerin Let’s do Business: LinkedIn.com/in/DRERIN DAILY INSPIRATION: The movie Novitiate is about a young woman who grows up in a dysfunctional family in Tenessee, finding peace within the concept of faith, but became disenchanted by the old Catholic Church’s mentality. It is during the Vatican II era. The flick is about the time in history when nunes were revered by their ability to denounce everything and hand their lives over to chastity, poverty, and a life devoted to God. The spiritual truth is that life is abundant, love is everywhere, we are here to embrace our senses in the physical, we are here to experience the depths of our soul in form. Faith does not depend on physical facts, or on the evidence of the senses, because it is born of intuition, or the Spirit of truth ever living at the center of our being. Its action is infinitely higher than that of intellectual conclusions; it is founded on Truth.“Faith is the substance of things hoped for, the evidence of things not seen” (Heb. 11:1 A.V.). Matthew 7:7 Ask and it will be given to you; seek and you will find; knock and the door will be opened to you. Must not outline. Must not question. Must hold the mental picture in your mind. Prayer is asking for rain, faith is carrying an umbrella. “And whatever you ask in prayer, you will receive, if you have faith.” Matthew 21:22 DAILY UNIVERSAL LAW: Today we align with The Law of Transmutation. This is the metamorphosis of the ethereal realm into physical reality. Energy is condensed and formed via the mind, so what is held in consciousness has to transform into material form. This is the perpetual process because energy is infinite in its expansion. What the mind focuses on informs the creative medium of the Universe into action. Energy is incapable of being deleted; therefore, it has to take form. DAILY SPIRITUAL PRACTICE: Take some time today to vision what your heart desires. Do not come out of your session until you can truly see it in your mind’s eye. DAILY CHALLENGE: Go guilting or shaming yourself or anyone els. LIVE YOUR TRUTH, DR. ERIN Doctor of Divinity TV Host New Thought Leader Best-Selling Author 2016 Global Peace Award Mother & Lover of Life!
Join Hope and George for a look at what's new this week in theaters and on home video...
Oscar winner Melissa Leo talks to Peter Travers about her role in the new film, "Novitiate." Leo also looks back on her award-winning career, telling Travers she was "never the prettiest girl in the room." But to her, that reality helped fuel her acting career and set her on the road to stardom. Like what we're doing? Leave a review! ----> http://bit.ly/2kIbsjV Check out our other podcasts: http://bit.ly/2eBJMNa * ABOUT PETER TRAVERS: Peter Travers an American film critic, author and journalist. For some 25 years, Travers has written for Rolling Stone. He personally screens nearly 400 movies per year and releases weekly reviews. Travers is the nation's most blurbed film critic, according to eFilmCritic.com. Travers is also host of ABC's "Popcorn With Peter Travers," where he interviews actors, directors and Broadway performers about their roles and their lives. Popcorn on Twitter: http://abcn.ws/2gGYRiD Popcorn on Facebook: http://abcn.ws/2f3iHDw Popcorn on YouTube: http://abcn.ws/2gyswtx Popcorn on Instagram: http://abcn.ws/2fC0Ak2
Rebecca is surprised to love THOR: RAGNAROK (and less surprised to also love the intimate nun drama NOVITIATE), while Jason rejects the lame rush-job sequel A BAD MOMS CHRISTMAS in favor of the transcendent AIDS activism drama BPM (BEATS PER MINUTE).
On this edition of the Cinema Clash: THOR: RAGNAROK rocks it as the most fun flick of the week; A BAD MOMS CHRISTMAS is a pretty bad sequel; LBJ feels all too familiar but still manages to be interesting; NOVITIATE takes you into the world of nuns-in-training at a pivotal time in Catholic Church history; THE SQUARE managed to win the Palm d’Or, so why didn’t we like it more?; and BLADE OF THE IMMORTAL delivers just that – a slasher film about a Samurai cursed with immortal life. Guess who took a pass on that one? Let the Clash begin:
Joe's got two movies this week, one good and one really, really bad...
Host Jeff Goldsmith interviews writer-director Margaret Betts about Novitiate. Download my podcast hereCopyright © Unlikely Films, Inc. 2017. All rights reserved.
Episode 86 of One Week Only! This week's key film is "Flesh and Blood" (55:35) We also review the Palme d'Or winning Swedish satire "The Square" (4:00); the intimate British romance "God's Own Country" (16:45); the powerful religious drama "Novitiate" (29:30); the beautiful West African drama "Félicité" (38:50); and the gorgeous Mexican documentary "Brimstone & Glory" (48:10). Hosted by Carlos Aguilar & Conor Holt. Music by Kevin MacLeod at www.incompetech.com
Oscar-winning actress Melissa Leo inhabits every character she takes on, from Mark Wahlberg’s mother in The Fighter to the hard-boiled owner of a comedy club in the current series I’m Dying Up Here. In her new movie The Novitiate she’s in top form as a Mother Superior who has devoted forty years to the church. As Leonard and Jessie learn, Melissa discovered acting as a little girl and has never lost her love of pretending. She just does it better than most of us.
In Theaters October 27, 2017NovitiateSet in the early 1960s and during the era of Vatican II, a young woman in training to become a nun struggles with issues of faith, the changing church and sexuality.Starring: Margaret Qualley, Dianna Agron, Morgan Saylor, Melissa LeoDirected by: Margaret BettsWritten by: Margaret BettsProduced by: Jessica Betts, Carole Peterman, Celine Rattray, Trudie tylerCinematography: Kat WestergaardDistributed by: Sony Pictures ClassicRuntime: 123 minutes See acast.com/privacy for privacy and opt-out information.
Contemporary classical music fans all over the country have enjoyed original compositions by St. Louis' own Chris Stark. But he may have found his biggest audience, ever, in a new group: moviegoers. Stark, a composer and a professor of composition at Washington University, recently finished scoring his first film, a Sony Pictures release, “Novitiate.” It’s the story of a woman who joins a convent. Margaret Qualley plays the aspiring nun and Melissa Leo, the mother superior, in the film directed by Maggie Betts. In our latest Cut & Paste podcast episode, Willis Ryder Arnold and Nancy Fowler talk with Stark about his work for a major motion picture.
You know Gilbert Gottfried, right? That comedian with the crazy loud voice who tells gross, sometimes kind of tasteless jokes. He was the voice of the Aflac duck at one point, too. There's really two Gilbert Gottfrieds, though - there's that guy, and there's the pretty quiet guy who has a wife and two kids and, you know, picks up paper towels on the way home or whatever. Now, he's talking about all of that. He's the subject of a new documentary, it's called Gilbert. He talks with Jesse about the process of revealing his private side on camera for the first time. Then, a deep discussion about Catholicism, love, and privilege with filmmaker Maggie Betts. Her debut film, Novitiate, tells the story of nuns-in-training in the mid 20th century as their lives and society were in total upheaval.
We’ve already had some great nudity in 2017, but there is plenty more to come! This week we’ve got the inside scoop on what to expect from the rest of the year. TV reigns supreme for new nudes, and there will be a lot to see from the usual suspects like Emmy Rossum in Shameless, Caitriona Balfe in Outlander, Maggie Gyllenhaal and Emily Meade in The Deuce, and more from You’re the Worst, Vice Principals, Transparent, Mr. Robot, The Girlfriend Experience, and Vikings. The big screen won’t disappoint either, with upcoming nudes from Nicole Kidman in The Killing of a Sacred Deer, Elisabeth Moss in The Square, and Andie MacDowell’s daughter, Margaret Qualley, making her full frontal nude debut in Novitiate. Hear all the details right here first! Renegade Talk Radio https://www.renegadetalkradio.com
Composer Chris Stark joins me to reflect upon the legacy of David Maslanka. Chris studied with David for a year and shares some of his memories before discussing his own exciting career. Topics: David Maslanka as a teacher, composer, and man and the lessons that Chris learned while his student Chris' background in Montana and his thoughts about writing for wind ensemble Writing the music for the upcoming movie Novitiate and advice for young composers Links: Christopher Stark Washington University Novitiate Chris Stark: Velocity Meadows David Gillingham: Waking Angels Joseph Schwantner: ...and the mountains rising nowhere David Maslanka: Symphony no. 4 World Chess Hall of Fame Biography: A 2017 Guggenheim Fellow, Christopher Stark (b. 1980, St. Ignatius, MT) is a fast-rising and dynamic young composer equally at ease in the diverse mediums of contemporary classical, electronic, and film. The New York Times has called his music, "fetching and colorful," and he has received prestigious awards from the Fromm Foundation at Harvard University, Chamber Music America, and ASCAP. In 2012, he was a resident composer at Civitella Ranieri, a fifteenth-century castle in Umbria, Italy, and in June of 2016 he was in-residence at Aaron Copland's former home in the Hudson Valley. Recent highlights have included performances at the 2016 Santa Fe Chamber Music Festival and at the Whitney Museum of American Art as part of the 2016 NY Philharmonic Biennial. Stark currently resides in St. Louis where he is Assistant Professor of Music Composition at Washington University in St. Louis. Closing music: "Augenblick" by Christopher Stark. Recording by Jerry Junkin and the University of Texas Wind Ensemble.
With the Venice, Toronto and New York Film Festivals all having announced their slates for this year it was the perfect time to podcast. I am joined by Gold Rush Gang member Bryan Bonafede and we drill deep into who is playing where and even Telluride, which doesn't announce until the weekend of the fest. Based on the type of premiere a film gets at one those other three gives us information on who is going to Colorado. We dig into Best Actress after it became official this week that Sony Pictures Classics has picked up FILM STARS DON'T DIE IN LIVERPOOL, giving Annette Bening the best shot of her career at an Oscar win. This unfolds to Supporting Actress where Melissa Leo dominates with NOVITIATE but we recognize that the category is pretty open in terms of nominations. We discuss four films outside the scope of the fall festivals that are (or, in one case, were) potential Oscar contenders: DUNKIRK, GET OUT, DETROIT and THE BIG SICK. READ: 2018 Oscar Predictions from the Gold Rush Gang We have a lot to say about Fox Searchlight's THE SHAPE OF WATER from Guillermo del Toro, which we think could be the real Best Picture contender this year and certainly has the best chance at the highest nomination total come January. We close mentioning the new president of the Academy, John Bailey, and his predecessor Cheryl Boone Isaacs, who leaves behind a legacy unlike any president before her. This podcast runs 1h 45m with music. Intro music: Going Green Outro music: "New York City By Day," by Thomas Newman from the film Desperately Seeking Susan
In a very special edition of Franciscan Voice, Friar John Bamman OFM Conv. speaks with three young men as they complete their Novitiate year and prepare to profess Simple Vows as Conventual Franciscans.
This week on StoryWeb: Stephen Crane’s article “An Experiment in Misery.” Many Americans know Stephen Crane as the author of the Civil War novel, The Red Badge of Courage, which made Crane famous at the age of 23 when it was serialized in 1894. It was published as a full-length book in 1895. Some know his first novel, Maggie: A Girl of the Streets, or even the harrowing short story “The Open Boat,” based on a real-life experience when Crane was en route to Cuba and spent 30 hours adrift with others in a lifeboat. Less well-known to most readers is Crane’s work as a journalist. Born in 1871 in Newark, New Jersey, Crane floundered around from college (which he didn’t finish) to one vocational pursuit after another. When he found himself drawn to New York City in the 1890s and took work as a newspaper writer, he appeared to have found his calling. Crane would make a peripatetic living for the rest of his short life as a fiction writer and correspondent from various locations throughout the western hemisphere. He filed stories from the Western United States, from Mexico City, from Cuba during the Spanish-American War, and from the Greco-Turkish War front in Greece, where he was joined in his writing by his common-law wife, Cora Crane, recognized as the first woman war correspondent. Stephen Crane died at age 28 of tuberculosis. But it’s Crane’s writing about New York City in the 1890s that interests me. Working from a home base in nearby Paterson, New Jersey, he made frequent day trips into New York City and spent considerable time in the tenement districts and especially the Bowery. Eventually, he moved into a rooming house in Manhattan. Thus, Crane was one of the journalists – writers, photographers, illustrators – who were on the streets at the height of the Gilded Age. Like Jacob Riis in How the Other Half Lives and like Alfred Stieglitz in such photographs as The Terminal and Winter, Fifth Avenue, Crane offers us a view into New York life at this crucial time in its history. Perhaps Crane’s most famous piece of journalism is “An Experiment in Misery,” which was first published in 1894 in the New York Press and, in a slightly revised version, as part of The Open Boat and Other Tales of Adventure, a volume Crane published in 1898. In this piece – which to today’s readers will read more like a sketch or even a short story than an objective work of “journalism” – Crane imagines what it would be like to disguise oneself as a Bowery bum and go undercover to explore the realities of that grim life. The lengthy headline tells you all you need to know about journalistic style in the 1890s: AN EXPERIMENT IN MISERY An Evening, a Night and a Morning with Those Cast Out. THE TRAMP LIVES LIKE A KING But His Royalty, to the Novitiate, Has Drawbacks of Smells and Bugs. LODGED WITH AN ASSASSIN A Wonderfully Vivid Picture of a Strange Phase of New York Life, Written for “The Press” by the Author of “Maggie.” Newspaper articles on “indigent Americans and the ‘Tramp Menace,’” says the Library of America’s Story of the Week website, were common during the late nineteenth century. A few reporters actually did dress as bums and explore their haunts, but apparently Crane did not himself conduct such an experiment. He did, however, base the imagined experiment on his real-life knowledge of the Bowery, a once-fashionable neighborhood in southern Manhattan now home to saloons, brothels, and rapidly increasing numbers of homeless people in New York City. The result is a vivid account of life as a Bowery bum, as homeless men were known at the time. Just as Crane had never been a soldier in a war yet imagined the Civil War more vividly and “realistically” than any other writer up to that time, so, too, he used his considerable skills of observation and his imagination to conjure up what it would be like to live as a homeless man in New York City. As it turns out, Crane may have had too much exposure to life in the Bowery. Crane spent time, says one source, in the “saloons, dance halls, brothels and flophouses” of the Bowery. While he claimed he did so for research, his scandalous involvement with prostitutes and madams (most notably Cora Crane, who was operating the Hotel de Dream when Crane met her in Jacksonville, Florida) and other close dealings with the shadier set suggests that Crane was personally drawn to these seedy elements that were so far from his strict upbringing among Methodist ministers and temperance leaders. He said once that the slums were “open and plain, with nothing hidden,” and he seemed to find solace in that. You can read the original version of “An Experiment in Misery” at WikiSource. Unlike the later version published in The Open Boat and Other Tales of Adventure, the original version published in the newspaper included a “Foreword” and a “Coda” explaining that the sketch presented is an experiment, that a young man disguises himself as a bum to experience that life directly for himself. To read the version published in The Open Boat, get your hands on a copy of Crane: Prose and Poetry, the outstanding collection published by the Library of America. To learn more about Crane, read the New Yorker’s article “The Red and the Scarlet: The Hectic Career of Stephen Crane.” If you want to go into depth in your exploration of Crane, you can read Paul Sorrentino’s biography, Stephen Crane: A Life of Fire, which tells the story of how Sorrentino and scholar Stanley Wertheim delved deeply into Crane research and archives to debunk common, longstanding myths about Crane. Although Crane’s writing fell into obscurity for some time after his death, interest in his work was resurrected in the 1920s. He had a particularly strong influence on Ernest Hemingway, who himself was a journalist and a novelist of war. Next week, I’ll feature a novel by another journalist-turned-novelist: Sister Carrie by Theodore Dreiser. Published in 1900, it is perhaps the masterpiece of the Gilded Age. Tune in next week to learn how Dreiser pulled together the work of Riis, Stieglitz, and Crane to create a complex, multifaceted novel. Visit thestoryweb.com/crane for links to all these resources. Listen now as I read “An Experiment in Misery,” as originally published in the New York Press in 1894. “Foreword” Two men stood regarding a tramp. "I wonder how he feels," said one, reflectively. "I suppose he is homeless, friendless, and has, at the most, only a few cents in his pocket. And if this is so, I wonder how he feels." The other being the elder, spoke with an air of authoritative wisdom. "You can tell nothing of it unless you are in that condition yourself. It is idle to speculate about it from this distance." "I suppose so," said the younger man, and then he added as from an inspiration: "I think I'll try it. Rags and tatters, you know, a couple of dimes, and hungry, too, if possible. Perhaps I could discover his point of view or something near it." "Well, you might," said the other, and from those words begins this veracious narrative of an experiment in misery. The youth went to the studio of an artist friend, who, from his store, rigged him out in an aged suit and a brown derby hat that had been made long years before. And then the youth went forth to try to eat as the tramp may eat, and sleep as the wanderers sleep. “An Experiment in Misery” It was late at night, and a fine rain was swirling softly down, causing the pavements to glisten with hue of steel and blue and yellow in the rays of the innumerable lights. A youth was trudging slowly, without enthusiasm, with his hands buried deep in his trouser's pockets, towards the down-town places where beds can be hired for coppers. He was clothed in an aged and tattered suit, and his derby was a marvel of dust-covered crown and torn rim. He was going forth to eat as the wanderer may eat, and sleep as the homeless sleep. By the time he had reached City Hall Park he was so completely plastered with yells of "bum" and "hobo," and with various unholy epithets that small boyshad applied to him at intervals, that he was in a state of the most profound dejection. The sifting rain saturated the old velvet collar of his overcoat, and as the wet cloth pressed against his neck, he felt that there no longer could be pleasure in life. He looked about him searching for an outcast of highest degree that they too might share miseries, but the lights threw a quivering glare over rows and circles of deserted benches that glistened damply, showing patches of wet sod behind them. It seemed that their usual freights had fled on this night to better things. There were only squads of well-dressed Brooklyn people who swarmed towards the bridge. The young man loitered about for a time and then went shuffling off down Park Row. In the sudden descent in style of the dress of the crowd he felt relief, and as if he were at last in his own country. He began to see tatters that matched his tatters. In Chatham Square there were aimless men strewn in front of saloons and lodging-houses, standing sadly, patiently, reminding one vaguely of the attitudes of chickens in a storm. He aligned himself with these men, and turned slowly to occupy himself with the flowing life of the great street. Through the mists of the cold and storming night, the cable cars went in silent procession, great affairs shining with red and brass, moving with formidable power, calm and irresistible, dangerful and gloomy, breaking silence only by the loud fierce cry of the gong. Two rivers of people swarmed along the side walks, spattered with black mud, which made each shoe leave a scar-like impression. Overhead elevated trains with a shrill grinding of the wheels stopped at the station, which upon its leg-like pillars seemed to resemble some monstrous kind of crab squatting over the street. The quick fat puffings of the engines could be heard. Down an alley there were sombre curtains of purple and black, on which street lamps dully glittered like embroidered flowers. A saloon stood with a voracious air on a corner. A sign leaning against the front of the door-post announced "Free hot soup to-night!" The swing doors, snapping to and fro like ravenous lips, made gratified smacks as the saloon gorged itself with plump men, eating with astounding and endless appetite, smiling in some indescribable manner as the men came from all directions like sacrifices to a heathenish superstition. Caught by the delectable sign the young man allowed himself to be swallowed. A bar-tender placed a schooner of dark and portentous beer on the bar. Its monumental form upreared until the froth a-top was above the crown of the young man's brown derby. "Soup over there, gents," said the bar-tender affably. A little yellow man in rags and the youth grasped their schooners and went with speed toward a lunch counter, where a man with oily but imposing whiskers ladled genially from a kettle until he had furnished his two mendicants with a soup that was steaming hot, and in which there were little floating suggestions of chicken. The young man, sipping his broth, felt the cordiality expressed by the warmth of the mixture, and he beamed at the man with oily but imposing whiskers, who was presiding like a priest behind an altar. "Have some more, gents?" he inquired of the two sorry figures before him. The little yellow man accepted with a swift gesture, but the youth shook his head and went out, following a man whose wondrous seediness promised that he would have a knowledge of cheap lodging-houses. On the side-walk he accosted the seedy man. "Say, do you know a cheap place to sleep?" The other hesitated for a time gazing sideways. Finally he nodded in the direction of the street, "I sleep up there," he said, "when I've got the price." "How much?" "Ten cents." The young man shook his head dolefully. "That's too rich for me." At that moment there approached the two a reeling man in strange garments. His head was a fuddle of bushy hair and whiskers, from which his eyes peered with a guilty slant. In a close scrutiny it was possible to distinguish the cruel lines of a mouth which looked as if its lips had just closed with satisfaction over some tender and piteous morsel. He appeared like an assassin steeped in crimes performed awkwardly. But at this time his voice was tuned to the coaxing key of an affectionate puppy. He looked at the men with wheedling eyes, and began to sing a little melody for charity. "Say, gents, can't yeh give a poor feller a couple of cents t' git a bed. I got five, and I gits anudder two I gits me a bad. Now, on th' square, gents, can't yeh jest gimme two cents t' git a bed? Now, yeh know how a respecter'ble gentlm'n feels when he's down on his luck, an' I--" The seedy man, staring imperturbable countenance at a train which clattered oerhead, interrupted in an expressionless voice--"Ah, go t' h--!" But the youth spoke to the prayerful assassin in tones of astonishment and inquiry. "Say, you must be crazy! Why don't yeh strike somebody that looks as if they had money?" The assassin, tottering about on his uncertain legs, and at intervals brushing imaginary obstacles from before his nose, entered into a long explanation of the psychology of the situation. It was so profound that it was unintelligible. When he had exhausted the subject, the young man said to him-- "Let's see th' five cents." The assassin wore an expression of drunken woe at this sentence, filled with suspicion of him. With a deeply pained air he began to fumble in his clothing, his red hands trembling. Presently he announced in a voice of bitter grief, as if he had been betrayed--"There's on'y four." "Four," said the young man thoughtfully. "Well, look-a-here, I'm a stranger here, an' if ye'll steer me to your cheap joint I'll find the other three." The assassin's countenance became instantly radiant with joy. His whiskers quivered with the wealth of his alleged emotions. He seized the young man's hand in a transport of delight and friendliness. "B' Gawd," he cried, "if ye'll do that, b' Gawd, I'd say yeh was a damned good fellow, I would, an' I'd remember yeh all m' life, I would, b' Gawd, an' if I ever got a chance I'd return the compliment"--he spoke with drunken dignity,--"b' Gawd, I'd treat yeh white, I would, an' I'd allus remember yeh." The young man drew back, looking at the assassin coldly. "Oh, that's all right," he said. "You show me th' joint--that's all youv'e got t' do." The assassin, gesticulating gratitude, led the young man along a dark street. Finally he stopped before a little dusty door. He raised his hand impressively. "Look-a-here," he said, and there was a thrill of deep and ancient wisdom upon his face, "I've brought yeh here, an' that's my part, ain't it? If th' place don't suit yeh, yeh needn't git mad at me, need yeh? There won't be no bad feelin', will there?" "No," said the young man. The assassin waved his arm tragically, and led the march up the steep stairway. On the way the young man furnished the assassin with three pennies. At the top a man with benevolent spectacles looked at them through a hole in a board. he collected their money, wrote some names on a register, and speedily was leading the two men along a gloom-shrouded corridor. Shortly after the beginning of this journey the young man felt his liver turn white, for from the dark and secret places of the building there suddenly came to his nostrils strange and unspeakable odors, that assailed him like malignant diseases with wings. They seemed to be from human bodies closely packed in dens; the exhalations from a hundred pairs of reeking lips; the fumes from a thousand bygone debauches; the expression of a thousand present miseries. A man, naked save for a little snuff-coloured under-shirt, was parading sleepily along the corridor. He rubbed his eyes, and, giving vent to a prodigious yawn, demanded to be told the time. "Half-past one." The man yawned again. He opened a door, and for a moment his form was outlined against a black, opaque interior. To this door came the three men, and as it was again opened the unholy odours rushed out like fiends, so that the young man was obliged to struggle against an overpowering wind. It was some time before the youth's eyes were good in the intense gloom within, but the man with benevolent spectacles led him skilfully, pausing but a moment to deposit the limp assassin upon a cot. He took the youth to a coat that lay tranquilly by the window, and showing him a tall locker for clothes that stood near the head with the ominous air of a tombstone, left him. The youth sat on his cot and peered about him. There was a gas-jet in a distant part of the room, that burned a small flickering orange-hued flame. It caused vast masses of tumbled shadows in all parts of the place, save where, immediately about it, there was a little grey haze. As the young man's eyes became used to the darkness, he could see upon the cots that thickly littered the floor the forms of men sprawled out, lying in death-like silence, or heaving and snoring with tremendous effort, like stabbed fish. The youth locked his derby and his shoes in the mummy case near him, and then lay down with an old and familiar coat around his shoulders. A blanket he handled gingerly, drawing it over part of the coat. The cot was covered with leather, and as cold as melting snow. The youth was obliged to shiver for some time on this affair, which was like a slab. Presently, however, his chill gave him peace, and during this period of leisure from it he turned his head to stare at his friend the assassin, whom he could dimly discern where he lay sprawled on a coat in the abandon of a man filled with drink. He was snoring with incredible vigour. His wet hair and beard dimly glistened, and his inflamed nose shone with subdued lustre like a red light in a fog. Within reach of the youth's hand was one who lay with yellow breast and shoulders bare to the cold drafts. One arm hung over the side of the cot, and the fingers lay full length upon the wet cement floor of the room. Beneath the inky brows could be seen the eyes of the man exposed by the partly opened lids. To the youth it seemed that he and this corpse-like being were exchanging a prolonged stare, and that the other threatened with his eyes. He drew back watching his neighbour from the shadows of his blanket edge. The man did not move once through the night, but lay in this stillness as of death like a body stretched out expectant of the surgeon's knife. And all through the room could be seen the tawny hues of naked flesh, limbs thrust into the darkness, projecting beyond the cots; upreared knees, arms hanging long and thin over the cot edges. For the most part they were statuesque, carven, dead. With the curious lockers standing all about like tombstones, there was a strange effect of a graveyard where bodies were merely flung. Yet occasionally could be seen limbs wildly tossing in fantastic nightmare gestures, accompanied by guttural cries, grunts, oaths. And there was one fellow off in a gloomy corner, who in his dreams was oppressed by some frightful calamity, for of a sudden he began to utter long wails that went almost like yells from a hound, echoing wailfully and weird through this chill place of tombstones where men lay like the dead. The sound in its high piercing beginnings, that dwindled to final melancholy moans, expressed a red grim tragedy of the unfathomable possibilities of the man's dreams. But to the youth these were not merely the shrieks of a vision-pierced man: they were an utterance of the meaning of the room and its occupants. It was to him the protest of the wretch who feels the touch of the imperturbable granite wheels, and who then cries with an impersonal eloquence, with a strength not from him, giving voice to the wail of a whole section, a class, a people. This, weaving into the young man's brain, and mingling with his views of the vast and sombre shadows that, like mighty black fingers, curled around the naked bodies, made the young man so that he did not sleep, but lay carving the biographies for these men from his meagre experience. At times the fellow in the corner howled in a writing agony of his imaginations. Finally a long lance-point of grey light shot through the dusty panes of the window. Without, the young man could see roofs drearily white in the dawning. The point of light yellowed and grew brighter, until the golden rays of the morning sun came in bravely and strong. They touched with radiant colour the form of a small fat man, who snored in stuttering fashion. His round and shiny bald head glowed suddenly with the valour of a decoration. He sat up, blinked at the sun, swore fretfully, and pulled his blanket over the ornamental splendours of his head. The youth contentedly watched this rout of the shadows before the bright spears of the sun, and presently he slumbered. When he awoke he heard the voice of the assassin raised in valiant curses. Putting up his head, he perceived his comrade seated on the side of the cot engaged in scratching his neck with long finger-nails that rasped like flies. "Hully Jee, dis is a new breed. They've got can-openers on their feet." He continued in a violent tirade. The young man hastily unlocked his closet and took out his shoes and hat. As he sat on the side of the cot lacing his shoes, he glanced about and saw that daylight had made the room comparatively commonplace and uninteresting. The men, whose faces seemed stolid, serene or absent, were engaged in dressing, while a great crackle of bantering conversation arose. A few were parading in unconcerned nakedness. Here and there were men of brawn, whose skins shone clear and ruddy. They took splendid poses, standing massively like chiefs. When they had dressed in their ungainly garments there was an extraordinary change. They then showed bumps and deficiencies of all kinds. There were others who exhibited many deformities. Shoulders were slanting, humped, pulled this way and pulled that way. And notable among these latter men was the little fat man, who had refused to allow his head to be glorified. His pudgy form, builded like a pear, bustled to and fro, while he swore in fishwife fashion. It appeared that some article of his apparel had vanished. The young man attired speedily, and went to his friend the assassin. At first the latter looked dazed at the sight of the youth. This face seemed to be appealing to him through the cloud wastes of his memory. He scratched his neck and reflected. At last he grinned, a broad smile gradually spreading until his countenance was a round illumination. "Hello, Willie," he cried cheerily. "Hello," said the young man. "Are yeh ready t' fly?" "Sure." The assassin tied his shoe carefully with some twine and came ambling. When he reached the street the young man experienced no sudden relief from unholy atmospheres. He had forgotten all about them, and had been breathing naturally, and with no sensation of discomfort or distress. He was thinking of these things as he walked along the street, when he was suddenly startled by feeling the assassin's hand, trembling with excitement, clutching his arm, and when the assassin spoke, his voice went into quavers from a supreme agitation. "I'll be hully, bloomin' blowed if there wasn't a feller with a nightshirt on up there in that joint." The youth was bewildered for a moment, but presently he turned to smile indulgently at the assassin's humour. "Oh, you're a d---d liar," he merely said. Whereupon the assassin began to gesture extravagantly, and take oath by strange gods. He frantically placed himself at the mercy of remarkable fates if his tale were not true. "Yes, he did! I cross m'heart thousan' times!" he protested, and at the moment his eyes were large with amazement, his mouth wrinkled in unnatural glee. "Yessir! A nightshirt! A hully white nightshirt!" "You lie!" "No, sir! I hope ter die b'fore I kind git anudder ball if there wasn't a jay wid a hully, bloomin' white nighshirt!" His face was filled with the infinite wonder of it. "A hully white nighshirt," he continually repeated. The young man saw the dark entrance to a basement restaurant. There was a sign which read "No mystery about our hash"! and there were other age-stained and world-batered legends which told him that the place was within his means. He stopped before it and spoke to the assassin. "I guess I'll git somethin' t' eat." At this the assassin, for some reason, appeared to be quite embarrassed. He gazed at the seductive front of the eating place for a moment. Then he started slowly up the street. "Well, good-bye, Willie," he said bravely. For an instant the youth studied the departing figure. Then he called out, "Hol' on a minnet." As they came together he spoke in a certain fierce way, as if he feared that the other would think him to be charitable. "Look-a-here, if yeh wanta git some breakfas' I'll lend yeh three cents t' do it with. But say, look-a-here, you've gota git out an' hustle. I ain't goin' t' support yeh, or I'll go broke b'fore night. I ain't no millionaire." "I take me oath, Willie," said the assassin earnestly, "th' on'y thing I really needs is a ball. Me t'roat feels like a fryin'-pan. But as I can't get a ball, why, th' next bes' thing is breakfast, an' if yeh do that for me, b' Gawd, I say yeh was th' whitest lad I ever see." They spent a few moments in deteroux exchanges of phrases, in which they each protested that the other was, as the assassin had originally said, "a respecter'ble gentlm'n." And they concluded with mutual assurances that they were the souls of intelligence and virtue. Then they went into the restaurant. There was a long counter, dimly lighted from hidden sources. Two or three men in soiled white aprons rushed here and there. The youth bought a bowl of coffee for two cents and a roll for one cent. The assassin purchased the same. the bowls were webbed with brown seams, and the tin spoons wore an air of having emerged from the first pyramid. Upon them were black moss-like encrustations of age, and they were bent and scarred from the attacks of long-forgotten teeth. But over their repast the wanderers waxed warm and mellow. The assassin grew affable as the hot mixture went soothingly down his parched throat, and the young man felt courage flow in his veins. Memories began to throng in on the assassin, and he brought forth long tales, intricate, incoherent, delivered with a chattering swiftness as from an old woman. "--great job out'n Orange. Boss keep yeh hustlin' though all time. I was there three days, and then I went an' ask 'im t' lend me a dollar. 'G-g-go ter the devil,' he ses, an' I lose me job. "South no good. Damn niggers work for twenty-five an' thirty cents a day. Run white man out. Good grub though. Easy livin'. "Yas; useter work little in Toledo, raftin' logs. Make two or three dollars er day in the spring. Lived high. Cold as ice though in the winter. "I was raised in northern N'York. O-o-oh, yeh jest oughto live there. No beer ner whisky though, way off in the woods. But all th' good hot grub yeh can eat. B' Gawd, I hung around there long as I could till th' ol' man fired me. 'Git t' hell outa here, yeh wuthless skunk, git t' hell outa here, an' go die,' he ses. 'You're a hell of a father,' I ses, 'you are,' an' I quit him." As they were passing from the dim eating place, they encountered an old man who was trying to steal forth with a tiny package of food, but a tall man with an indomitable moustache stood dragon fashion, barring the way of escape. They heard the old man raise a plaintive protest. "Ah, you always want to know what I take out, and you never see that I usually bring a package in here from my place of business." As the wanderers trudged slowly along Park Row, the assassin began to expand and grow blithe. "B' Gawd, we've been livin' like kings," he said, smacking appreciative lips. "Look out, or we'll have t' pay fer it t'night," said the youth with gloomy warning. But the assassin refused to turn his gazed toward the future. He went with a limping step, into which he injected a suggestion of lamblike gambols. His mouth was wreathed in a red grin. In the City Hall Park the two wanderers sat down in the little circle of benches sanctified by traditions of their class. They huddled in their old garments, slumbrously conscious of the march of the hours which for them had no meaning. The people of the street hurrying hither and thither made a blend of black figures changing yet frieze-like. They walked in their good clothes as upon important missions, giving no gaze to the two wanderers seated upon the benches. They expressed to the young man his infinite distance from all that he valued. Social position, comfort, the pleasures of living, were unconquerable kingdoms. He felt a sudden awe. And in the background a multitude of buildings, of pitiless hues and sternly high, were to him embelamatic of a nation forcing its regal head into the clouds, throwing no downward glances; in the sublimity of its aspirations ignoring the wretches who may flounder at its feet. The roar of the city in his ear was to him the confusion of strange tongues, babbling heedlessly; it was the clink of coin, the voice of the city's hopes which were to him no hopes. He confessed himself an outcast, and his eyes from nder the lowered rim of his hat began to glance guiltily, wearing the criminal expression that comes with certain convictions. Coda "Well," said the friend, "did you discover his point of view?" "I don't know that I did," replied the young man; "but at any rate I think mine own has undergone a considerable alteration."
For this week, we have a second podcast film review as we continue to roll along this year's awards season. Will Mavity and I discuss Margaret Betts' debut feature film, the Sundance hit, "Novitiate," starring Margaret Qualley & Academy Award winner Melissa Leo. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - @nextbestpicturepodcast iTunes Podcasts - itunes.apple.com/us/podcast/negs-…d1087678387?mt=2
We made it. 50 episodes. We cannot thank you enough for all of your support as we approach one year of Next Best Picture. For this milestone episode, myself, Michael Schwartz, Will Mavity and Josh Williams answer fan questions, preview "The Glass Castle" and discuss the trailers for "Call Me By Your Name" and "Novitiate." Check out more on NextBestPicture.com Please subscribe on... SoundCloud - @nextbestpicturepodcast iTunes Podcasts - itunes.apple.com/us/podcast/negs-…d1087678387?mt=2
The Latin root word nov means “new.” This Latin root is the word origin of a good number of English vocabulary words, including novel, supernova, and renovate. The Latin root word nov is easily recalled through the English word novel, for a novel experience is one that has never happened before and so is “new” to you.Like this? Build a competent vocabulary with Membean.
AS106 Ask Sister podcast recorded live on March 21, 2012. Sponsored by aNunsLife.org ministry. Topics include: unresponsive vocation directors, disappearing nuns, is religious life dying?, body language at Mass, what nuns study in the novitiate, and more! Click PLAY below or right-click here to download the MP3. Subscribe to A Nun's Life Podcasts: Ask Sister [...]
AS057 Ask Sister podcast recorded live on January 21, 2011. Sponsored by aNunsLife.org ministry. Topics include: legit baptisms, stuff and the vow of poverty, novitiate reception ceremonies, looking for faith on the Internet, commitment to God, and more! Click PLAY below or right-click here to download the MP3. Subscribe to A Nun's Life Podcasts: Ask [...]
AS030 Ask Sister podcast recorded live on June 18, 2010. Sponsored by aNunsLife.org ministry. Topics include: cultivating patience, personal opinion v. official church stance, right- and left-brain discernment, entering novitiate, and more! Click PLAY below or right-click here to download the MP3. Subscribe to A Nun's Life Podcasts: Ask Sister podcast is a live podcast [...]
Fr. Joseph Mary Brown discusses the difficult and often complex matter of discerning vocations. Father was born in Bardstown, KY, the third of seven children. He graduated from Christendom College in 1985 with a B.A. in Philosophy. In 1991, he joined the Congregation of St. John (an active-contemplative Community founded in France in 1975) in Laredo, TX, where he did his Novitiate. From there, he was sent to France to continue his formation, and in 1996, he was sent to their house in Peoria, IL.Ordained in 1997, Father currently serves as the Superior of the Community's English-speaking Novitiate House in Princeville, IL.
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