Podcasts about mildred lane kemper art museum

In this second episode of a two-part series (Part 1: How to Work with an Interior Designer), Veronica goes deep with interior designers Karen Korn and April Jensen about their careers, working with clients, and designing rooms from start to finish. Get the inside story from the point of view of the pros, as Karen and April pull back the curtain on the client-designer relationship. This is an open, fun conversation with two of St. Louis’ most exciting designers working today. “I promise you won’t want to miss it,” exclaims Veronica. Listen and follow House of Lou on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode is sponsored by Mildred Lane Kemper Art Museum. Seeds: Containers of a World to Come, on display February 21–July 28, brings together work by ten contemporary artists who explore issues of fragility, preservation, and possibility through the lens of the seed. From sculpture and film, to installation and painting, the exhibition reflects on our current environmental challenges and our connection to the natural world. Visit kemperartmuseum.wustl.edu for more information. New to podcasts? Follow these instructions to start listening to our shows, and hear what you’ve been missing! Got an idea for a future House of Lou episode? We love hearing from our audience. Send your thoughts or feedback to Veronica at vtheodoro@stlmag.com or to podcasts@stlmag.com. We can’t wait to hear from you! Looking for more inspiration? Subscribe to our Design+Home newsletter to receive our latest home, design, and style content in your inbox every Wednesday. And follow Veronica (@vtlookbook) and St. Louis Magazine on Instagram (@stlouismag). Interested in being a podcast sponsor? Contact Lauren Leppert at lleppert@stlmag.com. Mentioned in this episode: Karen Korn Interiors ADJ Interiors St. Louis Community College, Meramec Tidyology STL Peace of Mind Organizing KDR Designer Showrooms Crescent Plumbing Supply Sophia M. Sachs Butterfly House 100 Years of Art Decor: Deco Fortress Open House Member Speaker Series, Shaw Nature Reserve: Wildlife in Focus You may also enjoy these articles from SLM: House of Lou: How to Work with a STL Designer Interior designer April Jensen’s Glendale farmhouse melds everything she loves A new studio space offers a local designer more room to grow her business A remodel by Karen Dubinsky Korn interprets midcentury modern design in a kitchen for today’s homeowner More episodes of House of Lou Ask Veronica: How to work with an interior designer See omnystudio.com/listener for privacy information.

Interior designer Brett Clark of Design Collective STL and his client, Jennifer Duncan, share the details of a recent kitchen remodel set in a historic house designed by Gale Henderson. Through their shared experience, we get an inside look at what it's like to transform an outdated 90s-era kitchen into a functional, elegant space for both cooking and gathering. Why is knowing the client so important to design success? How can we all manage unexpected renovation surprises? And what's a clever workaround for a "Mom Command Center?" Our guests answer these questions and more, so if you love historic homes—or a kitchen remodel is in your future—this is an episode you won't want to miss. Listen and follow House of Lou on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode is sponsored by Mildred Lane Kemper Art Museum. Seeds: Containers of a World to Come, on display February 21–July 28, brings together work by ten contemporary artists who explore issues of fragility, preservation, and possibility through the lens of the seed. From sculpture and film, to installation and painting, the exhibition reflects on our current environmental challenges and our connection to the natural world. Visit kemperartmuseum.wustl.edu for more information. Got an idea for a future House of Lou episode? We love hearing from our audience. Send your thoughts or feedback to Veronica at vtheodoro@stlmag.com or to podcasts@stlmag.com. We can't wait to hear from you! Looking for more inspiration? Subscribe to our Design+Home newsletter to receive our latest home, design, and style content in your inbox every Wednesday. And follow Veronica (@vtlookbook) and St. Louis Magazine on Instagram (@stlouismag). Interested in being a podcast sponsor? Contact Lauren Leppert at lleppert@stlmag.com. Mentioned in this episode: Design Collective STL Gale Henderson Art in Bloom Missouri Historical Society, Saturday Speakers Series Living in Ste. Genevieve House Tour Veronica's Kitchen, view 1 Veronica's Kitchen, view 2 You may also enjoy these articles from SLM: More episodes of House of Lou St. Louis experts share tips on kitchen design and renovation This brand-new bath in a century-old house called for style and practicality 2025 Architect & Designer Awards finalists See omnystudio.com/listener for privacy information.

The modern architecture of the 1930's to 1970's in St. Louis wasn't simply about structures.  It's tied to social movements... and has also been linked to failures. A new exhibit at the Mildred Lane Kemper Art Museum at Washington University in St. Louis explores those “Design Agendas.” Megan Lynch is joined by Michael Willis founder of MWA Architects in San Francisco and Portland.- & Eric Mumford exhibition co-curator.

Meredith Malone, Curator at the Mildred Lane Kemper Art Museum, stopped by to talk with Nancy about the happenings at the museum. -----  As Curator at the Mildred Lane Kemper Art Museum, Meredith Malone conducts research on the Museum's permanent collection, propose new acquisitions, and conceptualize scholarly exhibitions of modern and contemporary art that enrich learning and research for the Washington University community and beyond. She is particularly interested in diversifying the Museum's collections to include greater parity (race, ethnicity, gender, geographic location) and examining critical histories and theories of race, class, and gender in relation to the production, reception, and interpretation of art. Currently, she is working on exhibitions of artwork by two US-based contemporary artists who critically address issues of race and representation in their work: Nicole Miller, who explores the transformative capabilities of the moving image to recalibrate interpretations of self and culture; and Adam Pendleton, whose conceptual works draw on historical and aesthetic visual content to explore the ways context influences meaning. Meredith is also coordinating an exhibition from the National Portrait Gallery that includes work by artists from across the country offering perspectives on cultural identity, race, immigration, and mass incarceration, among other pressing topics. -----   

When the Seattle Art Museum opened the Olympic Sculpture Park on the urban waterfront in 2007, it changed the way people could interact with art and experience the city's environment. The fact that it's free and open to everyone makes the park one of the most inclusive places to see art in the Pacific Northwest. The sculpture park contains pieces like Alexander Calder's red sculpture The Eagle, Jaume Plensa's giant head Echo, and Neukom Vivarium, a 60-foot nurse log in a custom-designed greenhouse, among many others. Although many people believe that the greatest work of art at the park is the park itself and the way it connects with its surroundings. Because of the efforts of the Seattle Art Museum and the city, instead of being filled with private condo buildings, this former industrial site has become a welcoming part of the waterfront for the public to enjoy sculptures, activities, and the gorgeous Elliott Bay views. The new book Seattle's Olympic Sculpture Park: A Place for Art, Environment, and an Open Mind, pays homage to the interconnected spirit of the park. Mimi Gardner Gates — the director of the Seattle Art Museum (1994–2009) at the time of the Sculpture Park's conception and creation — edited this collection of writings and images about the park and how public-private partnerships can create innovative civic spaces. Other contributors include Barry Bergdoll, Lisa Graziose Corrin, Renée Devine, Mark Dion, Teresita Fernández, Leonard Garfield, Jerry Gorovoy for Louise Bourgeois, Michael A. Manfredi, Lynda V. Mapes, Roy McMakin, Peter Reed, Pedro Reyes, Maggie Walker, and Marion Weiss. Seattle Times journalist Lynda V. Mapes and SAM curator Catharina Manchanda joined Gates in discussion about the remarkable waterfront park and how it might inspire future innovation in civic spaces. Mimi Gardner Gates was director of the Seattle Art Museum for fifteen years and is now director emerita, overseeing the Gardner Center for Asian Art and Ideas. Previously, she spent nineteen years at Yale University Art Gallery, the last seven-and-a-half of those years as director. She is a fellow of the Yale Corporation; Chairman of the Dunhuang Foundation; Chairman of the Blakemore Foundation; a trustee of the San Francisco Asian Art Museum; a trustee of the H. John Heinz III Center for Science, Economics and the Environment, and serves on the boards of the Yale University Art Gallery, the Northwest African American Museum, the Terra Foundation, and Copper Canyon Press. Dr. Gates formerly chaired the National Indemnity Program at the National Endowment for the Arts and served on the Getty Leadership Institute Advisory Committee. Lynda V. Mapes is a journalist, author, and close observer of the natural world, and covers natural history, environmental topics, and issues related to Pacific Northwest indigenous cultures for The Seattle Times. Over the course of her career she has won numerous awards, including the international 2019 and 2012 Kavli gold award for science journalism from the American Association for the Advancement of Science, the world's largest professional science association. She has written six books, including Orca Shared Waters Shared Home, winner of the 2021 National Outdoor Book Award, and Elwha, a River Reborn. Catharina Manchanda joined the Seattle Art Museum as the Jon & Mary Shirley Curator of Modern & Contemporary Art in 2011. Notable exhibitions for SAM include Pop Departures (2014-15), City Dwellers: Contemporary Art from India (2015), Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas (2017), and Frisson: The Richard E. Lang and Jane Lang Davis Collection (2021). Prior to joining SAM, she was the Senior Curator of Exhibitions at the Wexner Center for the Arts in Columbus, Ohio. She has also worked in curatorial positions at the Mildred Lane Kemper Art Museum, St. Louis; the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum; and the Philadelphia Museum of Art. She is the recipient of numerous international awards including an Andy Warhol Foundation grant, Getty Library Research grant, and others. Buy the Book: Seattle's Olympic Sculpture Park: A Place For Art, Environment, And An Open Mind from University Book Store Presented by Town Hall Seattle. To become a member or make a donation click here. 

This episode we are beyond thrilled to be joined by incredible artist Chitra Ganesh. Born and raised in Brooklyn and Queens, and currently based in Brooklyn, Chitra's multi-disciplinary practice encompasses drawing, painting, animations, collages, and many more media to question and disrupt narratives around gender, sexuality, power, and identity. Anchored in the history of South Asia, her gorgeous and detailed works combine a vast array of influences including South Asian iconography, science fiction and queer theory, with the visual languages of vintage comics, Bollywood posters, and video games to stunning effect. Chitra's work has been exhibited internationally, including solo shows at Brooklyn Museum, MoMA PS1, and the Gothenburg Kunsthalle in Sweden - just to name a few. Her work is represented in the collections of museums around the world, including the Museum of Modern Art, New York, the San Francisco Museum of Modern Art, and the Kiran Nadar Museum in Delhi, India. Beyond her list of awards and fellowships, what makes this especially exciting is that an exhibition of Chitra's work will be opening on February 18th at the Mildred Lane Kemper Art Museum at Washington University in St. Louis. Some artists discussed in this episode: Dykes to Watch Out For by Alison Bechdel Hothead Paisan by Diane DiMassa Louise Bourgeois Howardena Pindell Kara Walker Janine Antoni Zarina Martha Rosler Coco Fusco Mariam Ghani For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram. Enjoy!

We will talk with teaching artist Rebecca Potts about why arts education is important to youth and what it was like to teach art during the Pandemic.Rebecca Potts Aguirre is a teaching artist from Montana currently living in Los Angeles. Her work is inspired by the intersection between ecological concern and the female experience, especially that of motherhood and trauma, often using unconventional materials that connect to childhood and “women's work.” She is represented by Stay Home Gallery for 2021. She is also a member of Spilt Milk Gallery and is listed in the curated directories All She Makes and Visionary Art Collective.Her practice consists of 3 spheres: art-making, teaching, and community building. She has worked in art education for 15 years and founded and hosts Teaching Artist Podcast, highlighting artists who teach young people. She coordinates the Art Educator's Lounge, a community support group for art educators, in collaboration with Victoria Fry. She also runs Play + Inspire Gallery in partnership with Maria Coit.Rebecca earned her MFA in Visual Arts from Washington University in St. Louis and her BA in Studio Art & Geography from Middlebury College. Her work has been exhibited throughout the U.S. and in Europe and Australia at spaces including The Mildred Lane Kemper Art Museum, Zhou B. Art Center, New York Studio Gallery, Art Share L.A., and SoLA Contemporary. In 2010, her essay on art and climate change, “Creating a Fourth Culture,” was published in 20UNDER40: Re-Inventing the Arts and Arts Education for the 21st Century. Rebecca's MFA Thesis in 2009 also addressed the role of art and artists in addressing climate change.She has also worked as an arts administrator, community organizer, and school co-founder. She participated in the Artist Residency in Motherhood from 2015-2019, which was the time it took to fully resume her art practice after becoming a mother.

João Onofre nasceu em Lisboa, 1976, onde vive e trabalha. Estudou na Faculdade de Belas Artes de Lisboa, tendo concluído o Master of Fine Arts no Goldsmiths, University of London no Reino Unido em 1999 e o Doutoramento em Arte Contemporânea no Colégio das Artes da Universidade de Coimbra em 2018.Entre as suas exposições individuais destacam-se: I-20, Nova Iorque (2001); P.S.1. / MoMA Contemporary Art Center, Nova Iorque (2002); Nothing Will Go Wrong, MNAC, Lisboa, e CGAC, Santiago de Compostela, Espanha (2003); Project Space Kunsthalle Wien-Karlsplatz. Viena (2003). João Onofre, Magazin 4, Bregenz, (2004); Galeria Toni Tàpies, Barcelona (2005); Cristina Guerra Contemporary Art, Lisboa (2007); Fundació Joan Miró, Barcelona e Palais de Tokyo, Paris ambas em 2011; Marlborough Contemporary, Londres (2014); Kunstpavillion, Munique, Alemanha (2015); Appleton Square, Lisboa (2016); MAAT, Lisboa , (2017); Once in a Lifetime [Repeat], Culturgest, Lisboa (2019).O seu trabalho está incluído em diversas colecções públicas e privadas, entre as quais: MCA- Museum of Contemporary Art, Chicago; Albright-Knox Art Gallery, Buffalo; Centre Georges Pompidou – MNAM/CCI, Paris; The Weltkunst Foundation, Zurique; La Caixa, Barcelona; MACS – Museu de Serralves, Porto; – Fundação Calouste Gulbenkian, Lisboa; GAM – Galeria D'Arte Moderna e Contenporanea, Turim; Fundación/Coleccion Jumex, Cidade do México ; Norton Museum of Art, Palm Beach, Florida; Mildred Lane Kemper Art Museum, St. Louis, Missouri; Fondazione Sandretto Re Rebaudengo, Turim; Centre National des Arts Plastiques- Ministère Culture, Paris.É representado pela galeria Cristina Guerra Contemporary Art em Lisboa.Episódio gravado dia 18 de junho 2020.Linkshttp://www.joaoonofre.com/https://expresso.pt/cultura/2019-02-24-Joao-Onofre-Os-artistas-sempre-se-utilizaram-uns-aos-outroshttps://www.youtube.com/watch?v=aeyC2O6n6cIhttps://www.publico.pt/2019/02/15/culturaipsilon/noticia/joao-onofre-artista-cria-imagens-onde-accao-acontece-1861622https://gulbenkian.pt/museu/works_cam/instrumental-version-145240/http://www.appleton.pt/Mecenas Appleton: HCI / Colecção Maria e Armando CabralCom o apoio da Câmara Municipal de Lisboa - Fundo de Emergência Nacional - Cultura

Guest: Mad Mohre Host: Christopher Kardambikis Recorded in Mad’s VW Beetle on March 14th, 2019 in Michigan. Mad Mohre is a mechanically-minded visual artist and designer concerned with play, surveillance, privacy and speculative feminism. She is the founder of Millimetre Press, a residency program housed in a restored Victorian studio for artists curious to explore limited editions through Riso + the artist’s book. Mad has most recently been a resident at The Wassaic Project and Paper Cuts. Her work has been featured in the New York Times, and exhibited nationally at Gallery 128 in NYC, River House Arts Gallery in Toledo, Mildred Lane Kemper Art Museum in St. Louis, and other international venues. Her most recent design projects include work for Serial a podcast by the creators of This American Life, Corte by composer Trevor Gureckis of The Goldfinch, Crossing Brooklyn Ferry at BAM, and sculpted paper works for musician Bryce Desssner of The National. Mad received her BFA from Denison University and MFA from Washington University in St. Louis. She is the co-leader of the College Book Art Association’s Midwest Region and is an Associate Professor of Art at Siena Heights University in Adrian, Michigan. www.madmohre.com --- Support this podcast: https://anchor.fm/paper-cuts/support

Margaux Crump is an interdisciplinary artist who explores the slippery relationship between power and the body—specifically how it manifests in language, taxonomy, and intimacy. Currently, her practice examines the constructs of gender and nature, focusing on hunting and courting as a way to trace the complex movements of power between bodies. She has exhibited nationally, most notably at the Mildred Lane Kemper Art Museum, Saint Louis; The Corcoran School of the Arts and Design, Washington, DC; Women & Their Work, Austin, TX; and Artspace, Raleigh, NC. She received her BA from Trinity University in San Antonio, TX and her MFA from Washington University in St. Louis, MO. Margaux was born in 1989 under a dark moon and is based in Houston, TX. She enjoys long walks, the smell of musky roses, playing with kittens, and perusing the grocery store for phallic produce. The book mentioned in the interview was Braiding Sweetgrass. Detail from Rock Hard, Sex-safe silicone, minerals historically consumed as aphrodisiacs, display table. 60 x 42 x 13 inches, 2016-18. The Lure, Gallery view, exhibited at Women & Their Work, Austin, TX, 2018.

Guest Sabine Eckmann, Director & Chief Curator of the Mildred Lane Kemper Art Museum, sheds light on the history of the museum and how it came to have one of the strongest collections art of any University. 

Elizabeth Peyton uses rich, gem-like colors and masterful graphic precision to create visually arresting portraits of fellow artists, friends, and cultural icons. She is widely recognized for bringing new dimensions to figurative painting in the 1990s and is among the most celebrated painters of her generation. Her works reflect intense emotional fascination with her subjects, while contemplating the modern nature of fame and celebrity. In 2011, she was featured in solo exhibitions at the Mildred Lane Kemper Art Museum in St. Louis; the Opelvillen Foundation in Rüsselsheim, Germany; Gallery Met in New York City; and the Gagosian Gallery in Paris. She has shown extensively in exhibitions worldwide, and her works are included in major public collections such as the Solomon R. Guggenheim Museum and MoMA in New York City; Centre Georges Pompidou in Paris; SFMOMA in San Francisco; the Walker Art Center in Minneapolis; and the Whitney Museum of American Art in New York City. Peyton was born in Danbury, CT and lives and works in New York City.

State of the Arts is at the Foundry Arts Centre, a former train car factory that is now a visual and performing arts space nestled next to the Missouri River. Visitors to the Foundry Arts Centre not only see great art on display, but also meet talented working artists. A sneak preview of the St. Louis Art Museum's major expansion including expanded gallery space. Singer Erin Bode is a force in the local music scene, with legions of fans who enjoy her jazz standards and original compositions. We sat down with Erin to find out what's ahead for this St. Louis icon. Along with Pablo Picasso, artist George Braque pioneered the cubist movement in visual art. A fascinating exhibit at the Mildred Lane Kemper Art Museum at Washington University examines how world wars may have informed his still lifes. His voice is familiar to generations of St. Louisans: Ron Elz, also known as Johnny Rabbitt, takes radio listeners down memory lane. When a Beatles cover band meets accomplished classical musicians, the result is great entertainment. Bach to the Beatles is a unique collaboration between the band Flaming Pie and St. Louis symphony concertmaster David Halen. Even after four decades, St. Louisans still find their thrill at Blueberry Hill, the landmark restaurant in the University Loop. An area sculptor and artist is the winner of an international competition for his design that pays tribute to the paralympic athlete. Recognizing local theater is the goal of the St. Louis Theater Circle Awards, a group created by area theater critics. No topic is too hot to handle for Hot City Theatre, a group that prides itself on staging thought-provoking productions. KayOss is a chic line of women's clothing created by a designer based in St. Louis. Amy Johnson is known for her fashion artistry and eye for fabric. Puppetry is an ancient art form, but a recent COCA Family Series performance gave it a new twist. The show utilizes blacklight sets and lighting as well as specially-designed puppets to give the illusion that they're floating --making it the world's first "glow-in-the-dark" musical.

Richard Flood, chief curator at the New Museum, and curatorial associate Benjamin Godsill discuss a selection of works in the exhibition Rivane Neuenschwander: A Day Like Any Other, on view at the Mildred Lane Kemper Art Museum from October 8, 2010 to January 10, 2011.